We explore the distance Chandler found through gender reversal in 'I Like Movies' versus the raw exposure of 'Mile End Kicks,' where Barbie Ferreira wears her actual SPIN Magazine T-shirts from her days as a music critic. She discusses navigating the casting process when the character is essentially herself, and whether there was a moment that felt too exposed. Having written the script a decade ago, she shares how making 'I Like Movies' first transformed what 'Mile End Kicks' ultimately became.

Turning to 'Roommates,' Chandler explains what drew her to directing someone else's words for a studio after building a career on intensely personal films. She examines how directing without the full backstory of every line requires developing a different kind of ownership, and whether the leap from microbudget indie to Happy Madison Netflix production altered her approach in practical ways. With three feature films now in her filmography, she considers where her work might head next.

(Photo: Courtesy of Jeremy Cox)

This is our conversation with Katarina and her cinematographer Daisy Zhou, their first collaboration together. The admiration between them is palpable throughout, two people who clearly found something rare in each other on their first project. We open with how they connected and what drew each of them to the material, before getting into what it means to direct and perform simultaneously and how that shapes the set from both sides of the camera.

From there the conversation moves into the heart of the film: how Katarina built Becca as a character who moves between very private digital spaces and the more grounded textures of everyday life without ever splitting into two different people, and how Daisy translated those shifts into a visual language where each space carries its own feeling while still belonging to the same film.

(Photos: Courtesy of Katarina Zhu)

Our conversation explores how their dynamic as performers translates behind the camera, and the mechanics of escalation in 'Pizza Movie,' a film that constantly heightens the stakes. They discuss whether that comes from instinct or structure, and how they think about audience experience now that it's heading to Hulu after theatrical screenings.

We turn to 'Over Your Dead Body,' examining what writing for someone else to direct feels like versus helming their own work, and how they approached "Americanizing" a 2021 Norwegian film while navigating what to touch and what to leave alone. Having been candid about their creative differences over the years, they consider whether the partnerships depicted, roommates in one film and a married couple in the other, mirror anything about how they actually collaborate.

(Photo: Courtesy of Disney and Brett Roedel)

Drawing on his acting background with directors like Noah Baumbach and M. Night Shyamalan, Matthew identifies where he consciously chose his own path versus where he unknowingly broke from what he'd learned. He tackles his frustration with mental health narratives that sensationalize crisis rather than depicting the reality of living with mental illness.

Matthew shares his approach to working with an intergenerational cast of Jewish New Yorkers including Bob Balaban and Judd Hirsch, letting their natural rhythms and comic instincts surface. He also examines how the film explores a particular vision of Jewish American success and what he's learned about that ideal through making and sharing this deeply personal work.

(Photo: Courtesy of Greenwich Entertainment)

We explore the challenge of balancing roles in front of and behind the camera. Aisha discusses how she reconciles her presence as both director and star, and who makes the final call on whether a take works when those two roles might disagree. She addresses capturing authentic restaurant kitchen atmosphere on a low budget in an era when audiences have become familiar with that world through shows like 'The Bear,' and her deliberate approach to using flashbacks as a storytelling device.

Aisha gets candid about how work-life balance functions when your life and feelings are embedded in the work itself, revealing the complex reality of transforming personal pain into cinema where the boundaries between artist and art dissolve entirely.

Our conversation explores how Will invited collaborators into such a personal world, and how Matthew entered that space constructively without overstepping. They discuss shooting in Oklahoma City, how location scouting informed Brian's journey, and the visual strategies Matt employed to translate teenage isolation through framing and composition. Will reflects on pushing comedy to the edge of discomfort, honoring the moments where humor and pain overlap.

Matt also shares his experience working with first-time feature directors and what draws him to those collaborations. We close by examining what it means to make a film about someone who keeps choosing the harder path, and how that mirrors the choices they made as filmmakers.

(Photo credit: Ryan Orange)

We open with what the leap from documentary to narrative actually feels like and what each form demands that the other doesn’t, before getting into the decision to shoot on film and why the logistical weight it carries is more than justified by what it gives back. From there Brian talks about working with Sydney Chandler and Takehiro Hira, and how their casting shaped not just the performances but the characters and the entire film around them.

We also get into something that runs quietly through everything Brian makes: his faith, and how it finds its way into a story that on the surface seems to sit in direct tension with it. We close by looking at what making ‘Anima’ means for how he thinks about both forms of filmmaking going forward.

Our conversation delves into the institution of auditioning and how it's evolved over the years in the industry. Emily opens up about her personal evolution as someone who's been acting since childhood, sharing how that long history shapes her collaboration with cast and crew. She brings a unique empathy to directing actors, understanding their process from the inside out.

Emily reveals how a tonal shift during production changed the entire emotional trajectory of the film, transforming what it could be. She reflects on how her acting experience fundamentally shapes her directing approach.

(Photo credit: Brody S. Anderson)

Our conversation goes into Millicent's transition from music videos to feature length filmmaking, examining how she navigated the shift from short to long form storytelling. She unpacks figuring out the pacing and other aspects unique to the medium, from sustaining narrative momentum over 90 minutes to developing visual language that serves an extended story rather than a three-minute track.

Millicent shares her approach to assembling her cast while maintaining the chemistry and relationships established earlier in the process, ensuring those connections translated authentically on screen. We also delve into the title itself and the concept of someone or something being "perfect," exploring how that theme permeates the film. We close our conversation with what this project means for Millicent's plans going forward as she charts her path as a feature filmmaker.

Our conversation explores their journey through the world of 'Bridgerton,' from the different stages they've worked on across each season to helming 'Queen Charlotte: A Bridgerton Story' as a cohesive whole, approaching it almost like a feature film. Tom and Jeff share how their roles and responsibilities shift depending on the scale and scope of each production within the franchise.

We dig into the fourth season of the widely beloved series, examining multiple facets: the elaborate masquerade ball sequence, the visual language used to showcase class differences in Regency era London, and what it takes for a team like Tom, Jeff, and their crew to operate at such a consistently high level year after year, season after season.

This is our conversation with writer-director Jessica Barr and cinematographer Sarah Whelden. We open with the nature of their collaboration and how the project came to life, before getting into what it actually means to conceive a film like this from the ground up.

From there we dig into the one-take approach from every angle it touches: what it demands in the writing process, how it shapes the shot design, and what it asks of a cast that has nowhere to hide. We close by looking at where both filmmakers are headed next.

Our conversation explores their approach to improvisation and how it shaped every aspect of the film. They discuss the ripple effects of working without a strict script, from how it influenced their performances and emotional authenticity to the impact on their characters' development.

Lucy and Mechi also share how improvisation affected the cinematography, requiring a flexible visual approach that could capture spontaneous moments while maintaining cinematic coherence. The filmmakers reflect on what they learned from this experience and where they see their partnership heading next.

(Photos: Courtesy of the filmmakers)

From there we get into ‘BRB,’ a Kate Cobb directed tender and chaotic coming of age road trip film premiering at this year’s Slamdance. Autumn plays Sam, a teenage girl in the early days of the internet who falls for a boy she met in a chatroom. She gets into the particular challenge of inhabiting a period she was alive for but far too young to actually remember, and what it took to place herself emotionally in that specific moment of early online connection and first love.

The conversation also goes somewhere more personal: her relationship with co-star Zoe Colletti, whose chemistry with Autumn carries much of the film’s emotional weight, and how her own experience living with a limb difference shaped her approach to playing a character for whom being fully seen, disability and all, is at the very heart of the story.

From there, Kevin and Matt walk us through where the idea originally came from, what finally unlocked the story for them, and how they think about the multiverse and time travel as storytelling tools without letting the concept swallow the human drama underneath it. At the center of that drama is their sister Michaela, who plays Irene, a grieving mother who acquires technology that allows her to jump between parallel universes and kill her daughter’s murderer again and again. The brothers talk about what it means to build a film around a sibling and what that specific trust makes possible.

We also dig into one of the film’s most interesting technical and narrative challenges: making the recurring kills feel distinct rather than repetitive. When your premise is built on a loop, every iteration has to earn its place, and Kevin and Matt get into how they thought about that problem from the writing stage all the way through production.

(Photo: Courtesy of Stella Marcus)

'By Design' presented a fascinating cinematographic challenge at its core: the similarities and differences in framing, lighting, and handling human beings versus inanimate objects in front of the camera. Patrick shares how the film demanded a fresh perspective on what it means to observe and capture a subject, blurring the line between the animate and the still.

We explore choreography as a visual language, from dance to general movement, and how Patrick approaches the camera's relationship to bodies in motion. He also expands on the distinct experience of shooting Amanda Kramer's music videos compared to her feature films, and what each format demands from him as a cinematographer. We close our conversation with Patrick looking ahead, sharing where he sees both their creative partnership and his own craft evolving from here.

(Photo credit: Terra Gutmann-Gonzalez)

Our conversation explores Ashley's experience joining a tight-knit group of filmmakers who previously collaborated on the highly successful 'Derry Girls.' She shares insights into fitting into an established creative team and how that dynamic influenced the production process and collaborative spirit on set.

Ashley delves into her lighting choices and their crucial role in balancing the film's comedy, drama, and mystery elements. She discusses developing distinct visual languages for the three main characters, using light, color, and composition to differentiate their perspectives while maintaining a cohesive aesthetic.

(Photo: Courtesy of Netflix)

Our conversation delves into how James and Gore merged their respective references to create the film's distinctive look. He discusses the collaborative process of finding a shared visual language that honors both their influences while creating something unique. James also tackles the technical and creative challenge of shooting the film's crucial expositional monologue in an engaging, visually interesting manner, turning what could be static into something dynamic.

We examine how practical and digital effects work together in a film about humanity's fight against AI. James reflects on the irony and intention behind blending these approaches, discussing how the marriage of old-school techniques and modern technology mirrors the film's central conflict. His insights into resourceful filmmaking and thematic visual storytelling offer a compelling look at creating ambitious sci-fi within indie constraints.

(Photo credit: Graham Bartholomew, SMPSP)

Our conversation delves into assembling the group of young talented actors for the film, including Dafne Keen, Sophie Nélisse, and Percy Hynes White. Corin discusses the casting process and what he looked for in performers who could carry the film's emotional weight while navigating its horror elements, creating authentic chemistry among the ensemble.

We explore the death whistle as a symbol of bringing something new and fresh to the horror genre. Corin reflects on how this ancient Aztec artifact becomes both a narrative device and a metaphor for his approach to the film, honoring horror traditions while pushing the genre into unexpected territory.

(Photo credit: Michael Gibson)

Sook-Yin reflects on how she came to collaborate with Chester on the project and how the three layers (the lived experience, the graphic novel, and the film) compare and diverge from one another. She walks us through translating the source material into cinematic language and what that process revealed.

We also talk about the many roles Sook-Yin has held throughout her career and how her varied experiences shape her approach to filmmaking and storytelling.​​​​​​​​​​​​​​​​

(Photo credit: Dylan Gamble)

Our conversation explores Georgia's long-spanning friendship and collaboration with actress Cemre Paksoy, revealing how their creative partnership shaped the film's central performance. We delve into the opening shot and its crucial role in setting the tone, discussing how those first moments establish the film's psychological terrain and prepare audiences for what's to come.

Georgia also reflects on her relationship with intention and the audience, sharing her approach to balancing control and release as a filmmaker. She discusses the deliberate choices that guide viewers through the film's unsettling narrative while leaving room for their own interpretations and emotional responses.

William shares what drew him to build a film from such personal material and the dynamics of working creatively with his mom. The film employs a striking mix of animation techniques including 2D, 3D, miniatures, and rotoscoping, each serving a different purpose in the storytelling.

We discuss why he chose this hybrid approach, how the various visual forms interact with the documentary elements, and the process of transforming family memory into a multi-layered cinematic experience.​​​​​​​​​​​​​​​​

Constance and the producers open up about the very birth of the story and what it took to produce and manage a film like this in today’s independent landscape. We explore how the logistics and creative storytelling relate to one another, and the challenges of bringing this vision to the screen.

We also dig into the collaborative process between director and producers, how they navigated the realities of independent filmmaking, and what might be next for this creative team.​​​​​​​​​​​​​​​​

Mascha and Fabian open up about how they structured the film to connect the four girls across time beyond just their shared location, exploring their approach to continuity on multiple levels as they wove the separate timelines into a cohesive whole.

Our conversation digs into the camera’s role as a storytelling device, including their use of natural light and the film’s distinctive voyeuristic shooting style. We also discuss their decision to break the fourth wall at key moments and what that brings to the film’s exploration of memory and womanhood.​​​​​​​​​​​​​​​​

Our conversation explores Albert's relationship to video games and how he translated that into a film-video game hybrid. He discusses the technical and creative challenges of merging these mediums, creating a mesmerizing multimedia experience where the boundaries between reality and the virtual world dissolve. Albert also addresses the age-old question that haunts any film featuring a beloved dog: does the dog die?

We delve into the practical realities of shooting the first half of the film in his own home, turning personal space into cinematic landscape. Albert reflects on the inspirations and inevitable comparisons that come with creating such a visually distinctive work, discussing how influences shaped his vision while maintaining his singular artistic voice.

Liz shares how she first connected with director Jay Duplass and how the film’s low budget, guerrilla shooting style positively impacted her performance and the atmosphere on set. We also explore one of the trickiest aspects of the role: not falling in love too early with co-star Michael Strassner while building their characters’ chemistry.

We discuss Baltimore’s role in the film and how the city helped set the tone and made everyone feel at home during production. We wrap up by looking ahead at what might be next for Liz.

(Photo credit: Courtesy of Jon Bergel)

We dig into the technical challenge of underwater cinematography and what it brought to the film’s visual storytelling. Our conversation also explores working with child actors on such heavy material from both their perspectives as director and cinematographer.

At the end, they tease their next collaboration, an adaptation of Edgar Allan Poe’s ‘The Masque of the Red Death,’ currently in production.

Our conversation explores how they built the look and emotional core of this medieval fantasy world where the story unfolds. We discuss establishing a visual language that serves the film's romantic and fantastical elements while grounding the narrative in authentic feeling.

Julia and Xenia also share how they made the most of limited time and budget constraints, turning restrictions into creative opportunities. They also reflect on capturing yearning through the lens and camera movement to externalize the characters' internal longing.

William shares how he got to this project and the creative collaboration with the likes of writer-director Mona Fastvold, writer Brady Corbet, composer Daniel Blumberg, and choreographer Celia Rowlson-Hall.

We explore how they approached translating the Shakers’ ecstatic worship onto the big screen while preserving its intimate spirituality, and dig into the weather challenges production faced during the shoot.

Kurtis shares how the sequel came to fruition and the creative challenge of bringing CW back after the first film’s ending. We dig into how he justified her return both narratively for audiences and practically for the cast who thought her story was done.

We also explore the process of weaving new characters into an established story while maintaining what worked in the original, and touch on his upcoming project ‘FOMO’.

Robert shares how his long-gestating interest in Lorenz Hart and Richard Rodgers evolved over the years, and how he looks back on the journey now that it’s become the backbone of a Linklater film. We explore what it was like having his first screenplay made into a film and collaborating with the director and Ethan Hawke.

We also dig into the challenge of revealing Larry Hart as a person - a man we mostly know through the lyrics he wrote, but whose life story remains largely untold.

Our conversation explores the remarkable time, patience, and effort making this film required, over 20 years from conception to completion. She shares what returning home to Taiwan to shoot her first solo feature meant to her, capturing the vibrant energy of Taipei's bustling night markets where much of the story unfolds.

We delve into the film's central theme: the physical and cognitive consequences of left-handedness being considered "the devil's work" in traditional Taiwanese culture. Shih-Ching discusses how her grandfather's words about her own left hand became the heart of this multi-generational story, exploring how superstition and shame can echo through families and how quiet stories about women's struggles deserve a place on the big screen.

Our conversation explores their thoughtful use of inserts as a narrative device, revealing how these moments expand the film's emotional language. They discuss capturing Joel Edgerton's internal yet deeply meaningful performance, finding ways to externalize a character whose journey is largely solitary and introspective.

Clint and Adolpho also delve into the relationship between cinematography and narration, examining how visual language can complement or carry the weight of voiceover.

Our conversation explores how the family dynamics have shifted now that Dan's secret past has been uncovered. With everyone in on the truth, Simon discusses the challenge of finding new sources of tension and comedy without the original film's central engine. He shares his approach to blending action and violence with earnestness in a family-friendly movie, maintaining the balance that made the first film resonate with audiences.

Simon also discusses the deliberate holiday setting and how Christmas in Europe provides both emotional warmth and high-stakes adventure. We wrap up with reflections on the possibility of a third film, as Simon weighs the excitement of continuing the Morgan family's story against the challenges of sustaining a franchise.

(Photo: Courtesy of Lionsgate)

Our conversation explores how Emily reckoned with this unpredictable evolution, documenting real trauma as it unfolded rather than the narrative she originally envisioned. She discusses her decision to center the film around four women, keeping them in focus as war began engulfing their lives.

Emily reveals how maintaining this intimate perspective amid chaos became both a creative anchor and an ethical responsibility in bearing witness to these women's experiences.

(Photo credit: Chris Natalie)

Our conversation delves into the technical choices that define the film's aesthetic, particularly the decision to shoot on Ektachrome and employ day for night techniques. Seamus explains how these choices serve the narrative's psychological intensity and create the film's otherworldly atmosphere.

Seamus also shares his philosophy on cinematic adaptation, emphasizing that the difference between projects isn't measured in scale but in transformation. He elaborates on how he becomes a different cinematographer with each director he works with, and indeed with each film, reshaping his approach to serve the unique demands of every story.

(Photo credit: Kimberley French)

Mike shares how he connected with Candice Millard’s book and what it took to get a 4-episode historical series made in the current TV landscape, where IP recognition often drives decisions.

We also dig into comedy’s role in serious and tragic moments, and how humor shapes the way we process historical drama.

(Photo credit: Jana Williamson)

Our conversation explores how Cherien balanced writing, directing, and acting while managing this unprecedented crisis. She reveals how these interconnected roles informed one another and shaped her deeply embedded perspective on the storytelling.

Cherien also reflects on the ongoing Gaza genocide and its impact on both the film and its narrative spanning the Nakba, the occupation, and the first Intifada. Selected as Jordan's Oscar entry for Best International Feature, the film stands as a testament to perseverance amid overwhelming adversity.

Our conversation explores John-Michael's extensive editing background and how it shaped his approach to directing. He discusses how his editorial experience allows him to move efficiently on set and make confident decisions about coverage. Powell also reveals the unique dynamic of now working with an editor after years behind the cutting room himself, and how that relationship informs his vision behind the camera.

We delve into the film's intentional approach to violence and gore within action sequences, with him emphasizing their deliberate portrayal of violence as a rumination on its destructive nature.

(Photo: Courtesy of Kai Caddy)

We dig into the film’s exploration of displacement and their choice to depict a reversal of migration, examining what it means to be caught between worlds. We also talk about the film’s festival journey, from HollyShorts to Oscar-qualifying platforms.

Cooper breaks down one of the show’s central conceits: he and Lili Reinhart playing their characters as kids in certain scenes. We explore what it took to get into that childhood headspace and how those scenes shape the series.

We also dig into what it’s like juggling multiple roles on a project, from directing and acting to editing, and how that creative control shapes his storytelling approach.

(Photo credit: MUBI)

We also delve into the extensive development journey of their debut feature 'Burning Well,' which has been in progress for over five years. M.G. shares insights into the challenges and evolution of bringing this project to life, demonstrating the patience and persistence required in independent filmmaking.

Our conversation explores Mattias's tailored approach to capturing the dual perspectives of Laura and Cherry, deliberately avoiding neutral shots to position viewers within each character's distinct emotional landscape. He discusses the technical challenges of shooting in constrictive yet stunning locations, from London's Sanderson house to a Spanish villa, where spatial limitations sparked creative innovation in camera movement and staging.

Mattias delves into specific visual choices, particularly the hospital sequences where he introduced warm colors into typically sterile environments to enhance emotional complexity. His reflections on using extended shot lengths to build tension and deepen feeling demonstrate the delicate balance between technical precision and emotional storytelling.

Our conversation explores how Mercedes and Nick crafted a visual experience that subverts audience expectations, blending genres and pushing boundaries. Mercedes discusses the creative evolution that brought this twisted world to life, while Nick reveals his approach to creating imagery that serves the film's unpredictable narrative.

(Photo: Courtesy of FLASCH)

Our conversation explores the film's ambitious temporal scope, spanning decades. From visual strategies for communicating the passage of time - from color grading choices to production design collaborations - showing how every element from costume to camera movement contributes to the film's emotional weight, alongside the unique challenge of visually representing musical performances.

Ondi walks us through how the project began with her sister’s activism and the challenges of filming within sacred spaces while balancing her roles as both filmmaker and family member. We explore the messy realities of the partnership - including moments that threatened to fracture the alliance - and how both communities learned to thrive together.

We also talk about her evolution as a documentary filmmaker and how she’s handling distribution through her production company Interloper Films.

Carmen shares his journey from cinematographer to director, and how he navigated the transition from worrying about flawless shots to weaving a personal story that resonates with queer audiences. We talk about the film’s festival run, including stops at Sundance and Frameline, and the meaningful connections he’s made with peers and audiences along the way.

(Photo: Courtesy of Magnolia Pictures)

Our conversation centers on Bryn's innovative integration of sound and visuals, where he treats audio not as an afterthought but as the film's heartbeat. He explains how blurring the lines between music, sound design, and visual storytelling creates an immersive experience that resonates on deeply personal levels, emphasizing the crucial synergy between all filmmaking departments.

(Photo: Courtesy of Magnet Releasing)

Bill shares stories from his childhood, and how that rebellious spirit carries into his approach to filmmaking. We explore what draws him to projects where directors have bold visions that challenge conventional execution.

Our conversation digs into the artistic choices behind Happyend, a near-future story about friendship set against impending disaster. Bill walks us through how constraints can actually fuel creativity, and breaks down his cinematographic approach - from color palette decisions to camera positioning - that helps immerse viewers in the film’s atmospheric world.

(Photo credit: Eunhae Mary Park)

Anu walks us through the journey from festival premiere to theatrical release, and how her relationship with the film has evolved along the way. We dig into the story of Ray, a woman navigating spaces where she feels like an outsider, and explore how Anu wove themes of identity, class, and belonging into her character’s journey.

Coming from directing episodes of ‘Shrinking,’ ‘Never Have I Ever,’ and ‘The Afterparty,’ Anu also shares what it was like making the leap to feature filmmaking and the collaborative nature of indie storytelling.

Our conversation explores his collaboration with Ben Shattuck, who adapted his own short story despite having no screenwriting experience. Oliver reveals his supportive approach to this creative partnership and his thoughtful use of narration to enhance storytelling without overwhelming the visual medium.

Our conversation explores the nuanced art of genre transition, as Alex explains how he navigates between epic fantasy and intimate crime drama while maintaining his distinctive visual voice. We also discuss the challenge of creating intimacy within high-stakes action sequences, emphasizing his commitment to grounding viewers in the characters' emotional reality rather than relying on spectacle alone.

Alex's approach to capturing both the weight of character studies and the intensity of crime narratives offers fascinating insights into contemporary cinematography. His thoughtful balance of philosophical reflection and hands-on technique demonstrates how visual storytelling can elevate material beyond surface-level drama.

Our conversation delves into Siew Hua's distinctive approach to day and night cinematography, revealing how different shooting conditions shaped the film's psychological tension. From his previous Golden Leopard win at Locarno for 'A Land Imagined' to this Venice milestone, Yeo discusses the evolving landscape of Southeast Asian cinema and how local stories can achieve global recognition without compromising their cultural specificity.

Our conversation explores Sam's commitment to authenticity over convention, from shooting on film to allowing real vulnerability to emerge naturally from his cast of non-actors. He discusses subverting masculine stereotypes while capturing the raw emotional isolation that defines his characters' lives within the bar's confines.

Davis' approach blends classical filmmaking elegance with documentary unpredictability, creating something entirely unique in contemporary cinema. As our chat concludes, he hints at future projects that continue pushing the boundaries between narrative and documentary storytelling.

Our conversation touches on his international filmmaking experience and how working across Belgium, France, and the UK taught him to adapt his visual storytelling to different cultural approaches.

Beyond the technical mastery, Ante opens up about navigating the beautiful complexity of multilingual filmmaking, where crew collaboration becomes a cultural dance that ultimately enriches the storytelling. As we wrap up, Ante shares his enthusiasm for potentially exploring Season 3's untold stories.

We discuss her collaboration with cinematographer Darren Tiernan in creating Gotham as a living character, the technical challenges of transitioning from film to series format, and how production design deepens character development. She also shares the delicate balance of honoring Batman lore while bringing fresh perspective to the Penguin's world.

We dive into James' transition from still photography to filmmaking, his philosophy of creating breathing room in visual storytelling, and the ethical considerations of portraying his cultural perspective as both outsider and insider. The conversation also explores his collaboration with lead actress Ruby Ruiz and how their shared experiences informed the film's nuanced exploration of faith and human relationships.

Ramon walks us through the film's exploration of two very different sisters, Karen and Jule, whose contrasting personalities create mounting tension during a family visit. He explains his approach to character development and why he avoids clichéd family drama tropes, instead focusing on the complex layers beneath everyday interactions. The conversation touches on his background in choreography and how it influences his meticulous attention to sound design and visual storytelling.

From the lengthy development of this trilogy to his philosophy of writing scripts that incorporate audio and visual elements from the start, Ramon offers insights into creating what he calls a complete sensory experience rather than just a visual narrative.

We explore how the film reclaims the coming-of-age genre for older characters, with Sarah describing it as a "coming-of-old-age" story that emphasizes how Ruth remains herself even as her world transforms. From the lengthy development process to working with Kathleen Chalfant in the lead role, Sarah offers insights into bringing this Venice Film Festival award-winner to life while challenging both cinematic conventions and societal attitudes toward aging.

(Photo credit: Anna Ritsch)

Fawzia opens up about her artistic evolution from acting to filmmaking, revealing how creating this story became essential for processing her identity as a queer Muslim woman. Her journey into directing wasn't just creative ambition—it was about carving out space for narratives that mainstream cinema consistently overlooks.

We also discuss her approach to storytelling, addressing the fears and uncertainties that accompany creative leaps while revealing how she discovered her unique voice—one that weaves Bollywood's fantastical elements with deeply personal emotional truths.

In our conversation, Alex, Travis, and Wes pull back the curtain on their collaborative process, revealing how three minds can wrestle a single vision into existence. They share war stories from the scriptwriting trenches, discuss the delicate balance between friendship and creative partnership, and explore how their film tackles the unglamorous truth behind the filmmaker's journey.

From navigating creative blocks to embracing the beautiful chaos of independent filmmaking, these directors prove that sometimes the best art comes from the spaces between success and failure. Their candid insights into resilience, rejection, and the power of shared creative struggle make for essential listening for anyone who's ever dreamed of making it in the arts.

(Photo credits: Eric Phillips-Horst, Oliver Corvette and Michelle Torres)

In our conversation, Sarah reflects on revisiting a role after more than a decade, exploring how both she and the character have evolved since the original 2012 short. She shares insights into working again with directors Mihal Brezis and Oded Binnun, who made the decision to have her reprise the role despite the time gap—a choice that ultimately served the story’s exploration of how relationships and priorities shift as we age.

We dig into the creative process of expanding a short into a feature, including the dynamics of working with returning cast members like Ulrich Thomsen alongside new additions to the story. Sarah discusses the challenges and rewards of rekindling past on-screen chemistry while building new character connections.

We dig into Walter’s collaborative process with cinematographer (and previous guest in the show) Michael ‘Cambio’ Fernandez. Together, they navigated the challenges of shooting in an unpredictable yet inspiring environment, working closely with local talent to ensure authentic representation.

Walter also shares his philosophy on depicting the complexities of favela life without glorifying violence, instead focusing on hope and innocence—beautifully symbolized by the kites that dance throughout the film.

(Photo credit: Kemal Cilengir)

Nora reflects on the painstaking yet exhilarating journey of bringing her vision to life, comparing it to rock climbing—setting seemingly unreachable goals and figuring out how to scale those heights. Our conversation reveals the myriad challenges of indie filmmaking, from securing financing to assembling a dream cast, while exploring the film's thematic core: how a single event—a tree falling on New Year's Eve—unleashes a cascade of changes in everyone's lives.

Charlotte opens up about the intimate process of translating scent into cinema, revealing how she captured the essence of Italy within a demanding filming schedule. We dive into the meticulous production design choices that bring her vision to life, and explore the complex character of Mark—played by Tim Heidecker—as he navigates nostalgia's double-edged sword.

Our conversation weaves between the film's thematic depths and Charlotte's sharp wit, creating a dynamic that mirrors the movie itself: sometimes a delightful journey, other times a hazardous plunge into uncomfortable truths. A candid discussion about the art of storytelling and the treacherous power of remembering.

(Photo credit: Thimios Bakatakis)

Lillian shares her audition journey and the emotional depth she discovered in Margarita, a character that breaks the mold of typical autistic portrayals in media. Lauren reveals how their collaborative process allowed for richer storytelling, where every detail mattered—from character room decor to interaction nuances.

She describes her characters through a yin-yang lens: where one woman chases light and humor as shields against pain, the other surrenders to shadow and sorrow. Their dynamic becomes the film's beating heart, raising questions that linger long after the credits roll.

The journey to bring 'Honeyjoon' to life has been one of perfect timing and validation. After winning the Tribeca Film Festival's Untold Stories grant last year, Mehrel's film now premieres at the very same festival—exactly one year later. It's a full-circle moment that speaks to both the film's resonance and Mehrel's commitment to telling stories that matter.

In a world where government policies threaten the well-being of transgender minors, Toboni's film follows three families as they navigate the treacherous waters of life-altering decisions. The narrative isn't just a documentary—it's a raw account of resilience, showcasing the lengths to which these parents will go to secure their children's health and safety. The bond between parent and child is tested in ways that no one should have to endure.

As we unpack Gianna's insights, we find ourselves reflecting on the universal themes of love and sacrifice, examining how family dynamics shape these narratives. It's a powerful reminder that at the core of this struggle lies a simple truth: the fiercest warriors are often those who fight not for themselves, but for their children.

What's particularly intriguing is how Lucía presents her protagonist Elisa's struggle against societal expectations as both deeply personal and universally relatable. The director shares her creative choices behind the film's unique locations, deliberately selecting spaces that eschew the conventional in favor of the obscure and distinctive. As we explore the film's themes, she reveals how the pandemic subtly influenced her narrative, pushing audiences to reconsider relationships and question the absurdity of productivity culture.

(Photo: Courtesy of Montelona Cine)

Rowan's approach to the documentary embodies a refreshing blend of light-heartedness and serious inquiry, as he grapples with the balance between honoring the past and critiquing it. With a sprinkling of humor and a lot of heart, he explores how 'We Are Pat' isn't just about nostalgia; it's also a call for compassion and understanding as we reflect on how far we've come and how much further there is to go. The film serves as a platform for discussion, encouraging viewers to unpack their feelings about gender and identity, and ultimately, to recognize that these conversations are ongoing and incredibly vital.

The film's narrative dances around the absurdities of miscommunication in this hyper-connected age, all while threading through their personal experiences as they portrayed the chaos of adoption, a theme that resonates deeply within their own lives. The directors share how their partnership grew stronger during the filmmaking process, not just as collaborators but as friends navigating the emotional rollercoaster of bringing their story to life.

Ryan's cinematographic perspective adds a rich layer to the discussion, as he elucidates how the visual language of 'Tornado' borrows from the stylistic elements of classic Westerns and samurai films. Their exchange is peppered with references to legendary filmmakers like Kurosawa and Tarkovsky, showcasing how their influences shape the film's visual storytelling. The duo shares amusing anecdotes about their shooting experiences, particularly the challenges posed by the unpredictable Scottish weather, which they embraced as a dynamic aspect of the film's character.

As we discuss their filming techniques, the conversation shifts to the importance of spontaneity in capturing authentic moments. John and Robbie emphasize that while storyboarding provides a framework, it's often the instinct-driven choices on set that yield the most compelling results. The candidness in their dialogue reveals a deep-seated camaraderie that enhances their collaborative process, allowing them to push creative boundaries together.

We explore the rollercoaster of emotions that comes with sharing a deeply personal story, the challenges of distributing a slow-burn horror film, and how they navigated the demanding expectations of the filmmaking journey. We also delve into the nuances of genre audiences and discuss how crucial it is to find the right home for a film like theirs. So settle in as we explore the art of surrendering to creativity!

As we unravel the layers of Don's latest project, 'Vox Humana', we explore how he ingeniously intertwines sound design with storytelling, turning scripts into sonic experiences that resonate on multiple levels. His approach to crafting a screenplay that almost resembles a symphony of sounds rather than traditional dialogue reveals a unique creative process that challenges conventional filmmaking. Throughout our conversation, we examine our complex relationship with the natural world, discovering how sound can capture both our reverence for and tension with nature.

What's particularly enlightening is the discussion surrounding the modern reinterpretation of characters like Juliet, who Tim argues deserves more agency than she's typically afforded in past adaptations. He crafted a narrative that allows her and the other characters to shine, giving them the emotional depth that often gets lost in translation.

The conversation also explores how Bogart approached the iconic love story from fresh angles, reimagining the tale for contemporary audiences while preserving the timeless themes that have captivated hearts for centuries. His insights into the creative decisions behind key scenes reveal both his reverence for Shakespeare and his courage to challenge traditional interpretations when the story demanded it.

(Photo: Courtesy of VPP LLC)

What's particularly intriguing is how Jo approached the dual timelines of the episode, threading together the past and future with a cohesive visual narrative that captures the emotional essence of the characters. He shared some delightful anecdotes about the technical challenges they faced, especially during the trippy sequences that required a creative use of lighting and camera work.

As we dive deeper into the themes of memory and reality, Willems articulated the complexities of shooting scenes that exist in the nebulous realm between truth and perception. His insights into how he balances the subjective nature of memory with the objective demands of cinematography added layers of depth to our understanding of the visual storytelling process.

We also chat about how timing shapes Lovell's creative choices – whether he's working with film or text – and the different approaches each requires.

(Photo credit: Luke Fontana)

As we peel back the layers, we explore the film's unique commentary on our surveillance culture, where characters oscillate between paranoia and acceptance. Bart shares insights into the technical challenges of capturing such a vast array of footage while maintaining image quality that serves the story. And we also dive into how 'The Code' integrates themes of longing and memory as a response to the pandemic.

(Photo credit: Francesca Palombo)

Our conversation ranges from the magic of what's captured in the frame to the enchanting mysteries of what lies just beyond it. It's a playful yet profound exploration of perspective, where we question not just what we see, but how we perceive our very existence through the lens of film.

As we banter about titles and the creative process, you'll find out how the two dance between intense collaboration and friendly debates—because let's be real, who doesn't love a good argument over artistic vision, especially when it's all moving toward a similar goal?

Her decade-long quest to spotlight women directors, which began with her project 'Female Filmmakers in Focus', emerged as both a personal challenge and a passionate response to the male-dominated industry that had left her disenchanted with mainstream cinema.

Through extensive interviews and profiles, Gates illuminates the artistic brilliance of filmmakers who have made significant yet underappreciated contributions. From pioneering visionaries to emerging talents, this conversation captures the essence of Marya's mission: to celebrate, recognize, and amplify women's voices in film.

Our conversation explores how comedy serves as her vehicle for tackling serious themes, inviting audiences to engage with poignant moments through laughter. Pam speaks passionately about her creative partnership with Ramy Youssef and the delicate balance they've struck between humor and heart while navigating cultural representation in their show.

We also dive into the evolution of her creative process, examining how the pandemic transformed collaborative writing and why maintaining authentic characters remains at the core of her storytelling approach.

(Photo: Courtesy of Valerie Terranova / Getty Images For Prime Video)

The way she preps for those epic fight scenes is seriously impressive – putting in countless hours to make every punch and movement look effortless on screen. Hearing her talk about the sweat and dedication behind those seamless action sequences gives you a whole new appreciation for what goes into creating such a believable character.

(Photos: Courtesy of Max)

Their insights reveal how they navigated the complexities of Turner’s life—from his monumental achievements in media to his personal struggles and the shadows cast by familial relationships. This isn't just a biography; it’s a journey through the highs and lows of an individual who has profoundly shaped modern media and philanthropy.

Joni and Keith discuss the challenges of creating a narrative that balances Ted's public persona with the vulnerability he shares in his autobiography, all while ensuring the documentary resonates with both longtime fans and newcomers alike. They explore themes of resilience, ambition, and the human experience, shedding light on the man behind the myth and inviting audiences to connect with Ted in a meaningful way. In a world that often prioritizes sensationalism, Joni and Keith's approach stands out for its honesty and depth.

We delve into the production of 'Gazer', exploring the unique challenges of a project shot over an extended timeline, which allowed for a challenging, yet fluid evolution of the narrative and characters. Matheus tells us about the importance of adaptability, revealing how the interplay of changing seasons and personal growth influenced the film's aesthetic.

He also shares insights on the craft of cinematography, emphasizing that true artistry lies in capturing the emotional core of a story, rather than adhering strictly to technical standards, reminding us that filmmaking is just as much about the heart as it is about the lens.

(Photos: Courtesy of Matheus Bastos)

The film, rooted in the historical context of 1969, serves as a mirror reflecting contemporary societal issues, especially the subtle sexism that women like Audrey faced in male-dominated fields. Ami walks us through the nuances of her directorial approach while showcasing the tenacity required to bring such a meaningful story to life.

(Photo: Courtesy of Blue Harbor Entertainment)

Together, they discuss how the film's structure—set in a single night—heightens the emotional stakes, turning mundane moments into powerful reflections on life, love, and loss amidst societal chaos. As they recount their experiences at various film festivals, it becomes clear that the film resonates deeply with audiences, bridging cultural gaps and inspiring conversations about vulnerability and connection in a world that often feels disconnected.

(Photos: Courtesy of Daluyong Studios)

We also discuss the technical challenges of shooting with mirrors—an innovative choice that not only enhances the film's aesthetic but also serves to deepen the audience's understanding of the characters' internal struggles. From the chaotic joy of filming and the exhilarating moments of creativity to the nerve-wracking pressures of a first-time feature, we cover it all!

In our chat, she shares how she stumbled upon cinematography almost by accident, discovering her love for the craft in a dark room rather than a gallery filled with canvas. With years of experience as a focus puller, she navigated the ranks of the film industry, steadily climbing from assistant to director of photography, a journey marked by both challenges and triumphs.

We dive deep into her philosophy of storytelling through the lens, where lighting, composition, and emotional resonance come together to create a visual narrative that speaks universally, transcending language barriers. Her insight into the collaborative nature of filmmaking reveals how vital it is to build trust within a crew, and how her unique experiences have shaped her understanding of the industry. We also discuss her recent work on 'Midas Man', a film that embodies the quiet complexities of Brian Epstein's life, where the visuals had to serve the narrative without overshadowing it.

Peter shares his passion for writing, revealing that the thrill of crafting a narrative comes from fully immersing himself in his characters' lives. He likens the process to an egoless trance, where the line between himself and his characters blurs, leading to deeply authentic portrayals of their struggles and triumphs.

We also discuss the alchemy of transforming a book into a visual masterpiece—how he stumbled upon Dennis Tafoya's source material and immediately recognized its potential for a rich, dramatic narrative. By embracing both the chaos and humor of life, 'Dope Thief' captures the complexities of human nature in a way that is both compelling and deeply resonant.

(Photo: Courtesy of Apple)

As we sit down with the incredibly talented pair, Julia and Colby share their experiences in bringing this ambitious project to fruition, the expected yet still challenging production hurdles, and the covenant of care and gore involved.

(Photo credits: Cailin Yatsko and Jacqueline Harriet)

Cam walks us through the early days of the project, the fun and challenges of shooting a Monday over the weekend, and the symphony formed by his two leads and the rest of the cast reenacting everyday horrors.

Throughout our conversation, Dito shares his process of bringing the characters to life, often drawing from his own life experiences and the emotional truths they evoke. He reflects on casting decisions, especially how he managed to snag Jennifer Coolidge for the role of Ruth. From the chaotic energy on set to the nuanced performances delivered by his actors, Dito paints a vivid picture of the creative process that is as unpredictable as it is rewarding.

(Photos: Courtesy of Roadside Attractions)

But the physical damage is only what’s on the surface. We embark on dissecting the entire affair with the director and star of the refreshingly 77-minute-long film.

From the spark that ignited the idea of the story, to the unexpected challenges the bodily restriction posed, we cover it all with Sabrina and Blu!

(Photos: Courtesy of Lockjaw, LLC)

The 15-minute short is directed by brothers David and Sam Cutler-Kreutz, and today we are joined by Sam and cinematographer Andrea Gavazzi to discuss the baffling situation, the personal stories behind it, and the multi-faceted nature of the family's separation.

(Photo credit: Andrea Gavazzi)

The not only thematically but visually striking piece is lensed by none other than the director’s go-to collaborator, cinematographer Jarin Blaschke. Thanks to Jarin joining us on this episode, we got to take a peek behind the curtains of the rocky but well worth it road to finally making the film, the price of success, and the way the light hits the fearsome Count.

During our conversation, Maria tells us about the intersection of different projects and how this one found her, the fine lines they had to walk while bringing the story—written and directed by Madeleine Rotzler—to life, and the universal portrayal of the ever-changing landscape of technology through grief.

Miriam, who you might know from Younger, and Josh, who starred in Fleishman Is in Trouble and WandaVision, discuss the evolution of their acting careers, the relationships they have built with the characters they've portrayed over the years and decades, as well as the benefits of working with a first-time director.

This January, on the brink of February, writer-director Drew Hancock’s feature debut, Companion, joins that list. The romcom-esque sci-fi thriller, starring Sophie Thatcher and Jack Quaid, undeniably brings a fresh perspective to one of the most pressing topics of our time.

Drew is more than just a promising new voice in the industry. In our conversation, he shares how he got his start, his unique approach to exploring new technology through an unexpected lens, and the surprisingly quick process of landing the perfect producers for his project, the team behind Barbarian.

In our conversation with her, she shares the ups and downs of bringing The People's Joker to life—a film that defies not only genre but all expectations. Beyond that, Vera takes us on a trip down multiverse lane, dissects the character, the very idea of the Joker and all it represents, and much more!

Like all films, there are two sides to the story: one behind the camera and one in front of it. We had the incredible opportunity to speak with both Amanda Kramer, the beautifully twisted mind behind it all, and Mamoudou Athie, one of the actors bringing it to life. From materialism and physical performance to writing for actors and believing in the project you’re starring in, we cover it all.

(Photo credit: Amanda Kramer, Courtesy of Sundance Institute | photo by Patrick Meade Jones)

Today, we’re discussing Maria, the Angelina Jolie-led drama that marks Ed’s second collaboration with Chilean auteur Pablo Larraín following El Conde. The film, centered on the infamous opera singer’s final days, came with its share of challenges, demanding but, as you might expect, solvable.

In our conversation, Ed reflects on his steadfast commitment to shooting on film, shares insights into the largely Budapest-based production, and reveals what keeps drawing him back to certain creative partnerships.

(Photo credit: Pax Jolie-Pitt / Netflix)

Florian shared his experiences on the technical and logistical challenges of shooting in the extreme conditions of Iceland. From the complexities of filming both indoors on stages, and outdoors in the low-light conditions, to the special lighting techniques required, as well as the safety measures necessary for working in the cold environment. 

The film explores the transition from childhood to young adulthood. When her best friend moves away, Jazzy navigates a profound sense of loss and her first taste of independence.

In this conversation, the team discusses the birth and inspiration behind the movie, the film's emotional core, its portrayal of beauty and optimism during tough times, and the unique challenges or rewards of working with child actors. The discussion also touches on current trends in cinema and the creative process of finding the sweet spot for the runtime.

Áron talks with James about the parallels between “Antidote” and the 2022 documentary 'Navalny', shedding light on the relentless pursuit of truth in the face of tyranny. They also delve a bit into the use of AI in documentary filmmaking, exploring how technology can expand the way true stories, such as this, are told. Additionally, James shares insights into his influences as a journalist-turned-director, offering a unique perspective on his creative process, in our spoiler-free interview.

(Photo credit: Edgar Dubrovskiy / Courtesy of Passion Pictures)

In this interview you can learn about Daniel’s inspirations for the visuals of the movie and how the actors coped with the mental challenges of the shoot.

(Photo credit: Kagho Idhebor)

Tolga shares insights on why this project became his first English language feature film, how he very specifically decides on the names of his characters, and the crucial role of collaboration in filmmaking. Natalie discusses the inspirations and challenges presented by New York as a filming location, and she elaborates on the specific shooting, lighting, and blocking techniques she employed to complement a dialogue-heavy script.

(Photo credit: Zach Dilgard)

This series, adapted from Richard Gadd's acclaimed one-man stage play, chronicles his harrowing experience with a female stalker and the dark, hidden trauma it forces him to confront. Weronika and Krzysztof, who collaborated on the first four of the seven episodes, share their journey of bringing this intense true story to life on screen.

They delve into their past projects together and the unique challenges they faced while filming the show. The interviews touch upon incorporating elements like social media or emails into the narrative and highlight the renowned fourth episode, with exclusive behind-the-scenes stories that reveal the creative process behind its stunning visuals.

Join us as we explore how Sidd crafted a soundtrack that perfectly complements the highs and lows of the story, drawing on his rich experience from acclaimed projects like 'This Is Us' and 'Only Murders in the Building'. 

However this is no accident, it's entirely deliberate. On today's episode cinematographer Barry Ackroyd joins Áron to talk about coming in for a single episode, his experience in shooting explosions and war, as well as who would play him in a movie.

The whole buildup and evolution of Shōgun is an absolute work of art and in this episode you can listen to Áron’s chat with the first two episodes’ director and cinematographer, Jonathan van Tulleken and Christopher Ross.

From the start of their work together on Misfits, onto Top Boy and now Shōgun, they covered the dynamics of their collaboration, preparing for the series, jumpstarting it, and finding the ideal look for it, then passing the torch on to those working on the later episodes.

(Photo credit: Kurt Iswarienko/FX)

However, this is not everything for the episode! To have a whole picture about the visual storytelling details of Immaculate, Áron had the pleasure of welcoming the film’s cinematographer, Elisha Christian, on the show. For a horror film atmosphere is essential, and from Elisha you can learn how the tension escalated through the pacing and the movements of the camera, and lights will be drawn on the moody candlelit scenes as well (35:00).

In chronological order you can hear  the show’s editors Paulo Pandolpho and Peter Lambert (01:08), followed by production designer Kave Quinn (35:32), and last but not least to complete the story behind the visuals, cinematographer Alwin H. Küchler (1:03:38).

This unusually  long episode gives some insight on piecing the six episodes together in terms of pacing, keeping the inside and the outside of the palace as far and different from one another as possible, and even how power and responsibility go hand in hand not just for the Chancellor, but for people in the film industry as well.

(Photo credit: HBO)

Jeff Russo has worked on the score of many deservedly admired TV shows, such as Fargo, Star Trek: Discovery and Picard or For All Mankind. This Thursday another project he’s worked on, RIPLEY starring Andrew Scott and Dakota Fanning, landed on Netflix. On this occasion Jeff sat down with Áron to talk about his work on season 5 of Fargo, the difference in approach between limited VS anthology series, or how the music can take even the man behind the wheel on some unexpected ventures.

However there are many aspects to Neon's Immaculate, directed by Michael Mohan, that resulted in this very much talked about horror flick. One of these is the absolutely chilling, yet at times playful score, thanks to the brilliant Will Bates.

On the week of the film's wide theatrical release Will and Áron talked about the building suspense in the music, the roller coaster ride it can take the audience on, and the instruments he used while scoring this film that you might not generally associate with the genre.

(Photo credit: Alix Becq-Weinstein/Rhapsody PR)

Among other topics, he told Szilveszter about his theatre roots, what kind of writing process he used, how he adapted Jaroslav Kalfar’s book to the screen, and delved into the relationships of the main character, Jakub, portrayed by Adam Sandler.

The 3-hour long first draft, the fall of the Soviet Union, and the soothing voice of Paul Dano are also on the table in this episode.

(Photo credit: Zack DeZon)

Not long after Netflix’s Orion and the Dark (written by Charlie Kaufman and directed by Sean Charmatz) was released, Áron spoke to the film’s composers Kevin Lax and Robert Lydecker. 

Their conversation covers themes such as the workings of the previously mentioned collaborations, like theirs; conveying different feelings and attributing music to them; or even music that helped them get through hard times when they were young.

(Photo credit: DreamWorks Animation)

First you can hear Eigil Bryld discuss the cinematography of the film, for which he just won an Independent Spirit Award. By the way you can also find his work in Martin McDonagh’s In Bruges or last year’s comedy hit No Hard Feelings starring Jennifer Lawrence.

Then, Eigil is followed by the film’s production designer, Ryan Warren Smith, whose previous projects include the 2015 horror, Green Room or the third season of HBO’s True Detective.

(Poster Credit: Courtesy of Focus Features / © 2023 FOCUS FEATURES LLC)

Steve has already received four Oscar nominations for best sound for the following films: La La Land; A Star Is Born; Ford v Ferrari, and of course Maestro, Bradley Cooper’s second film as a director. You can also find his work in Fast X; Prey and (one of Szilveszter’s all time favorites) Babylon.

In Áron’s interview with Steve, among many other topics, you can hear him talk about passion projects, Bradley Cooper’s directorial instincts, how to record an entire orchestra live during the much talked about cathedral scene, plus a little bit of Joker: Folie à Deux and SNL 1975.

(Photo credit: Jason McDonald/Netflix)

Kevin is not only a member of the American Cinema Editors (ACE) who won the ACE Eddie Award for The Descendants in 2012, besides being nominated 5 other times between 2000 and 2024, but he is also the president of the board.

Most of you probably know his work thanks to his longstanding collaboration with director Alexander Payne, as they have worked together on every single feature film Payne has directed.

Kevin talked to Szilveszter about The Holdovers, his early days in the film industry and working together with the one and only Alexander Payne.

If you haven’t seen The Holdovers so far, we highly recommend you to do so. Trust us, it will be worth your time!

(Photo credit: Peter Zachery)