<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="https://feeds.captivate.fm/style.xsl" type="text/xsl"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:podcast="https://podcastindex.org/namespace/1.0"><channel><atom:link href="https://feeds.captivate.fm/no-ones-reading-this/" rel="self" type="application/rss+xml"/><title><![CDATA[No One's Reading This]]></title><podcast:guid>a2a63b30-99ee-576a-b1ce-d1c75eb8646b</podcast:guid><lastBuildDate>Mon, 30 Mar 2026 18:10:11 +0000</lastBuildDate><generator>Captivate.fm</generator><language><![CDATA[en]]></language><copyright><![CDATA[Copyright 2026 INMA]]></copyright><managingEditor>INMA</managingEditor><itunes:summary><![CDATA[No One's Reading This is an INMA podcast, hosted by Kerstin Hasse, as part of the Young Audiences Initiative, supported by the Knight Foundation. Kerstin talks to media leaders, creators, and voices from outside the legacy news bubble about the one question everyone's trying to figure out: how do you actually reach younger and new audiences? Video strategies, podcast monetization, the creator economy, new revenue models — real conversations with people who are doing the work, and yes, sometimes a playbook or two.
https://www.inma.org/]]></itunes:summary><image><url>https://artwork.captivate.fm/5e0ca22f-c324-48b1-8a1a-5e3dbb4c4f70/NoOnesReadingThis-INMA.jpg</url><title>No One&apos;s Reading This</title><link><![CDATA[https://www.inma.org/]]></link></image><itunes:image href="https://artwork.captivate.fm/5e0ca22f-c324-48b1-8a1a-5e3dbb4c4f70/NoOnesReadingThis-INMA.jpg"/><itunes:owner><itunes:name>INMA</itunes:name></itunes:owner><itunes:author>INMA</itunes:author><description>No One&apos;s Reading This is an INMA podcast, hosted by Kerstin Hasse, as part of the Young Audiences Initiative, supported by the Knight Foundation. Kerstin talks to media leaders, creators, and voices from outside the legacy news bubble about the one question everyone&apos;s trying to figure out: how do you actually reach younger and new audiences? Video strategies, podcast monetization, the creator economy, new revenue models — real conversations with people who are doing the work, and yes, sometimes a playbook or two.
https://www.inma.org/</description><link>https://www.inma.org/</link><atom:link href="https://pubsubhubbub.appspot.com" rel="hub"/><itunes:explicit>false</itunes:explicit><itunes:type>episodic</itunes:type><itunes:category text="Business"><itunes:category text="Non-Profit"/></itunes:category><itunes:category text="Education"><itunes:category text="Self-Improvement"/></itunes:category><podcast:locked>no</podcast:locked><podcast:medium>podcast</podcast:medium><item><title>Der Spiegel&apos;s Crossmedia Bet: What Happens When Digital Finally Sits at the Table</title><itunes:title>Der Spiegel&apos;s Crossmedia Bet: What Happens When Digital Finally Sits at the Table</itunes:title><description><![CDATA[<p>One year ago, Der Spiegel merged three digital teams into one. In a newsroom where text still carries most of the editorial weight, what happens when video, audio, and social suddenly sit at the same table?</p><p>Kerstin Hasse is talking to Aleksandra Janevska, Deputy Head of Crossmedia at Der Spiegel, about what it takes to restructure a newsroom from the inside and what happens when you stop organizing by medium and start organizing by format instead.</p><p>They discuss what's working, what Der Spiegel decided to stop, including a podcast ending after two years and what that process revealed about making editorial decisions with clarity. They also dig into fact-checking as a format and why "Sagen, was ist" – say what is – turns out to be not just a founding editorial principle, but a natural fit for the platforms where young audiences are. Plus: the growing role of on-camera personalities, and what it looks like when a major investigative story goes viral across every platform at once.</p><p>This conversation was originally recorded as a live INMA Young Audiences Initiative webinar. Listen, share, subscribe! More infos about the International Media Association and the Young Audiences Initiative supported by Knight Foundation at inma.org</p><p>Guest: Aleksandra Janevska, Deputy Head of Crossmedia, Der Spiegel</p><p>Host: Kerstin Hasse, Young Audiences Initiative Lead, INMA</p>]]></description><content:encoded><![CDATA[<p>One year ago, Der Spiegel merged three digital teams into one. In a newsroom where text still carries most of the editorial weight, what happens when video, audio, and social suddenly sit at the same table?</p><p>Kerstin Hasse is talking to Aleksandra Janevska, Deputy Head of Crossmedia at Der Spiegel, about what it takes to restructure a newsroom from the inside and what happens when you stop organizing by medium and start organizing by format instead.</p><p>They discuss what's working, what Der Spiegel decided to stop, including a podcast ending after two years and what that process revealed about making editorial decisions with clarity. They also dig into fact-checking as a format and why "Sagen, was ist" – say what is – turns out to be not just a founding editorial principle, but a natural fit for the platforms where young audiences are. Plus: the growing role of on-camera personalities, and what it looks like when a major investigative story goes viral across every platform at once.</p><p>This conversation was originally recorded as a live INMA Young Audiences Initiative webinar. Listen, share, subscribe! More infos about the International Media Association and the Young Audiences Initiative supported by Knight Foundation at inma.org</p><p>Guest: Aleksandra Janevska, Deputy Head of Crossmedia, Der Spiegel</p><p>Host: Kerstin Hasse, Young Audiences Initiative Lead, INMA</p>]]></content:encoded><link><![CDATA[https://www.inma.org/]]></link><guid isPermaLink="false">1302c4a1-5d7d-46a6-b125-b6e23b111564</guid><itunes:image href="https://artwork.captivate.fm/5e0ca22f-c324-48b1-8a1a-5e3dbb4c4f70/NoOnesReadingThis-INMA.jpg"/><pubDate>Mon, 30 Mar 2026 06:50:00 +0200</pubDate><enclosure url="https://episodes.captivate.fm/episode/1302c4a1-5d7d-46a6-b125-b6e23b111564.mp3" length="63953421" type="audio/mpeg"/><itunes:duration>26:39</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:season>1</itunes:season><itunes:episode>3</itunes:episode><podcast:episode>3</podcast:episode><podcast:season>1</podcast:season></item><item><title>How The Economist Cracked Vertical Video — From TikTok Launch to Subscriber Strategy</title><itunes:title>How The Economist Cracked Vertical Video — From TikTok Launch to Subscriber Strategy</itunes:title><description><![CDATA[<p>A 180-year-old magazine is thriving with vertical video. And the way they did it is not what you'd expect.</p><p>In this episode, I'm talking to Liv Moloney, Head of Video at The Economist, about the full journey — from launching on TikTok in 2022 with a single video editor to 360 million video views across platforms in 2025, and then bringing it all back into their own app.</p><p>We talk about why The Economist took TikTok seriously when many legacy newsrooms still dismissed it, how they navigate putting individual faces on camera in a publication famous for having no bylines, who's actually watching (younger and more female than you'd think), and whether vertical video is really a "young audience play" — or something much bigger.</p><p>This conversation was originally recorded as a live INMA Young Audiences Initiative webinar. Listen, share, subscribe! More infos about the International Media Association and the Young Audiences Initiative supported by Knight Foundation at inma.org</p><p>Guest: Liv Moloney, Head of Video, The Economist</p><p>Host: Kerstin Hasse, Young Audiences Initiative Lead, INMA</p>]]></description><content:encoded><![CDATA[<p>A 180-year-old magazine is thriving with vertical video. And the way they did it is not what you'd expect.</p><p>In this episode, I'm talking to Liv Moloney, Head of Video at The Economist, about the full journey — from launching on TikTok in 2022 with a single video editor to 360 million video views across platforms in 2025, and then bringing it all back into their own app.</p><p>We talk about why The Economist took TikTok seriously when many legacy newsrooms still dismissed it, how they navigate putting individual faces on camera in a publication famous for having no bylines, who's actually watching (younger and more female than you'd think), and whether vertical video is really a "young audience play" — or something much bigger.</p><p>This conversation was originally recorded as a live INMA Young Audiences Initiative webinar. Listen, share, subscribe! More infos about the International Media Association and the Young Audiences Initiative supported by Knight Foundation at inma.org</p><p>Guest: Liv Moloney, Head of Video, The Economist</p><p>Host: Kerstin Hasse, Young Audiences Initiative Lead, INMA</p>]]></content:encoded><link><![CDATA[https://www.inma.org/]]></link><guid isPermaLink="false">0b014306-d819-409e-94d1-143ac3165a0b</guid><itunes:image href="https://artwork.captivate.fm/5e0ca22f-c324-48b1-8a1a-5e3dbb4c4f70/NoOnesReadingThis-INMA.jpg"/><pubDate>Tue, 10 Feb 2026 11:45:00 +0200</pubDate><enclosure url="https://episodes.captivate.fm/episode/0b014306-d819-409e-94d1-143ac3165a0b.mp3" length="67077861" type="audio/mpeg"/><itunes:duration>27:57</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:season>1</itunes:season><itunes:episode>1</itunes:episode><podcast:episode>1</podcast:episode><podcast:season>1</podcast:season></item></channel></rss>