<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="https://feeds.captivate.fm/style.xsl" type="text/xsl"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:podcast="https://podcastindex.org/namespace/1.0"><channel><atom:link href="https://feeds.captivate.fm/original-public-meaning/" rel="self" type="application/rss+xml"/><title><![CDATA[Original Public Meaning]]></title><podcast:guid>36486d64-fea0-5711-ae55-19c9b009e71d</podcast:guid><lastBuildDate>Sun, 12 Apr 2026 18:00:12 +0000</lastBuildDate><generator>Captivate.fm</generator><language><![CDATA[en]]></language><copyright><![CDATA[Original Public Meaning is licensed under CC BY-SA 4.0]]></copyright><managingEditor>Charles McNamara</managingEditor><itunes:summary><![CDATA[Where do our modern English words come from? And what do their long histories tell us about our own ideas and the wider world? On Original Public Meaning, we unearth the ancient foundations of our language and consider how its vast, rich literature—fiction, essays, science, and more—can help us savor our words today.]]></itunes:summary><image><url>https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png</url><title>Original Public Meaning</title><link><![CDATA[https://www.originalpublicmeaning.com]]></link></image><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><itunes:owner><itunes:name>Charles McNamara</itunes:name></itunes:owner><itunes:author>Charles McNamara</itunes:author><description>Where do our modern English words come from? And what do their long histories tell us about our own ideas and the wider world? On Original Public Meaning, we unearth the ancient foundations of our language and consider how its vast, rich literature—fiction, essays, science, and more—can help us savor our words today.</description><link>https://www.originalpublicmeaning.com</link><atom:link href="https://pubsubhubbub.appspot.com" rel="hub"/><itunes:subtitle><![CDATA[Exploring the ancient roots of modern words]]></itunes:subtitle><itunes:explicit>false</itunes:explicit><itunes:type>episodic</itunes:type><itunes:category text="Education"></itunes:category><itunes:category text="Education"><itunes:category text="Language Learning"/></itunes:category><itunes:category text="History"></itunes:category><podcast:locked>no</podcast:locked><podcast:medium>podcast</podcast:medium><podcast:funding url="https://www.buymeacoffee.com/wordswordswords">Suggest a word to explore or support this podcast</podcast:funding><podcast:license url="https://creativecommons.org/licenses/by-sa/4.0/">CC BY-SA 4.0</podcast:license><item><title>Episode 26: indifference</title><itunes:title>Episode 26: indifference</itunes:title><description><![CDATA[<p>When we feel "indifference" about two options before us, we refuse to make a distinction between them. It's a word that's often confused with "ambivalence"—but when we grasp the roots of these words, the distinction between them becomes clearer. To help us appreciate the linguistic and even moral contrast between "indifference" and "ambivalence," we turn to the psychologist and philosopher William James and his comments on saintly virtues in <em>The Varieties of Religious Experience</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p></p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>When we feel "indifference" about two options before us, we refuse to make a distinction between them. It's a word that's often confused with "ambivalence"—but when we grasp the roots of these words, the distinction between them becomes clearer. To help us appreciate the linguistic and even moral contrast between "indifference" and "ambivalence," we turn to the psychologist and philosopher William James and his comments on saintly virtues in <em>The Varieties of Religious Experience</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p></p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-26-indifference]]></link><guid isPermaLink="false">27766ef5-5a44-4792-bf37-76c781250863</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Sun, 12 Apr 2026 13:00:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/27766ef5-5a44-4792-bf37-76c781250863.mp3" length="12424044" type="audio/mpeg"/><itunes:duration>08:38</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>26</itunes:episode><podcast:episode>26</podcast:episode></item><item><title>Episode 25: oblivion</title><itunes:title>Episode 25: oblivion</itunes:title><description><![CDATA[<p>Every day we forget things. Thankfully, we don't need to remember every face from our commute, every song on the radio. Today's word "oblivion" draws from this universal experience of forgetting, and its Latin ancestor <em>oblivisci</em> gives us several modern English terms, both common (like "oblivious") and obscure (like "oubliette"). In our consideration of forgetfulness and the practice of leaving things in the past, we look at a poem by Wisława Szymborska, the Polish writer who won the Nobel Prize for Literature in 1996.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p></p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>Every day we forget things. Thankfully, we don't need to remember every face from our commute, every song on the radio. Today's word "oblivion" draws from this universal experience of forgetting, and its Latin ancestor <em>oblivisci</em> gives us several modern English terms, both common (like "oblivious") and obscure (like "oubliette"). In our consideration of forgetfulness and the practice of leaving things in the past, we look at a poem by Wisława Szymborska, the Polish writer who won the Nobel Prize for Literature in 1996.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p></p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-25-oblivion]]></link><guid isPermaLink="false">b461cde4-7f59-49a8-9e3c-fcf468249a3a</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Wed, 08 Apr 2026 22:50:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/b461cde4-7f59-49a8-9e3c-fcf468249a3a.mp3" length="11388968" type="audio/mpeg"/><itunes:duration>07:55</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>25</itunes:episode><podcast:episode>25</podcast:episode></item><item><title>Episode 24: scrutinize</title><itunes:title>Episode 24: scrutinize</itunes:title><description><![CDATA[<p>We're back after a brief hiatus with the word "scrutinize," whose roots draw from the universal experience of dealing with garbage. Well before our modern era of landfills and recycling, the Romans separated their trash—or <em>scruta—</em>from their treasure. From this Latin word <em>scruta</em>, we have inherited the notion of "scrutinizing": looking for something of value amid refuse. To close out, we ponder a surreal description of the American supermarket and its various species of junk from Don DeLillo's novel <em>White Noise</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p></p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>We're back after a brief hiatus with the word "scrutinize," whose roots draw from the universal experience of dealing with garbage. Well before our modern era of landfills and recycling, the Romans separated their trash—or <em>scruta—</em>from their treasure. From this Latin word <em>scruta</em>, we have inherited the notion of "scrutinizing": looking for something of value amid refuse. To close out, we ponder a surreal description of the American supermarket and its various species of junk from Don DeLillo's novel <em>White Noise</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p></p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-24-scrutinize]]></link><guid isPermaLink="false">f9f195c4-7bdc-4ea3-b30f-ed6a366a5998</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Sat, 04 Apr 2026 16:05:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/f9f195c4-7bdc-4ea3-b30f-ed6a366a5998.mp3" length="10604668" type="audio/mpeg"/><itunes:duration>07:22</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>24</itunes:episode><podcast:episode>24</podcast:episode></item><item><title>Episode 23: aspiration</title><itunes:title>Episode 23: aspiration</itunes:title><description><![CDATA[<p>Our future goals—for our career, for our physical fitness, for anything—are our "aspirations." This word, which literally means "a breathing toward," has an murky connection with its dominant modern meaning of a "desire for our future." These tenuous links still can still help us appreciate the notion of aspiration as it appears in Ralph Waldo Emerson's <em>The Method of Nature</em>, his 1841 meditation on the paradoxical tension between individual ambition and grand historical narrative.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>Our future goals—for our career, for our physical fitness, for anything—are our "aspirations." This word, which literally means "a breathing toward," has an murky connection with its dominant modern meaning of a "desire for our future." These tenuous links still can still help us appreciate the notion of aspiration as it appears in Ralph Waldo Emerson's <em>The Method of Nature</em>, his 1841 meditation on the paradoxical tension between individual ambition and grand historical narrative.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-23-aspiration]]></link><guid isPermaLink="false">47dae2fd-4426-47be-9a87-dda59c868185</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Sat, 21 Mar 2026 15:30:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/47dae2fd-4426-47be-9a87-dda59c868185.mp3" length="12030327" type="audio/mpeg"/><itunes:duration>08:21</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>23</itunes:episode><podcast:episode>23</podcast:episode></item><item><title>Episode 22: utopia</title><itunes:title>Episode 22: utopia</itunes:title><description><![CDATA[<p>The word "utopia" was invented in 1516 by Sir Thomas More for his book of the same name. But a utopia seems to draw from two separate Greek notions: a "non-existent place" and a "good place." In today's episode, we consider the confused origins of "utopia," and we consider the word's appearance in the novel <em>Main Street</em> by Sinclair Lewis, the first American to win the Nobel Prize in Literature.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>The word "utopia" was invented in 1516 by Sir Thomas More for his book of the same name. But a utopia seems to draw from two separate Greek notions: a "non-existent place" and a "good place." In today's episode, we consider the confused origins of "utopia," and we consider the word's appearance in the novel <em>Main Street</em> by Sinclair Lewis, the first American to win the Nobel Prize in Literature.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-22-utopia]]></link><guid isPermaLink="false">c43cc010-e208-460b-b79d-fb60b68fd15d</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Wed, 18 Mar 2026 21:50:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/c43cc010-e208-460b-b79d-fb60b68fd15d.mp3" length="12184554" type="audio/mpeg"/><itunes:duration>08:28</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>22</itunes:episode><podcast:episode>22</podcast:episode></item><item><title>Episode 21: patience</title><itunes:title>Episode 21: patience</itunes:title><description><![CDATA[<p>When someone is a "patient," that person is, in one sense, weakened by an affliction but also, in another, powerfully enduring it. There's a paradox behind the idea of "patience," and in this episode we consider how this English word confronts this very tension. Finally, we consider a brief poem by the reclusive author Emily Dickinson, whose bracing images remind us that strength can sometimes hide under a veneer of vulnerability.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>When someone is a "patient," that person is, in one sense, weakened by an affliction but also, in another, powerfully enduring it. There's a paradox behind the idea of "patience," and in this episode we consider how this English word confronts this very tension. Finally, we consider a brief poem by the reclusive author Emily Dickinson, whose bracing images remind us that strength can sometimes hide under a veneer of vulnerability.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-21-patience]]></link><guid isPermaLink="false">a7f6b534-7a1a-43b6-a9f4-92a7a668ed8c</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 13 Mar 2026 13:40:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/a7f6b534-7a1a-43b6-a9f4-92a7a668ed8c.mp3" length="10983966" type="audio/mpeg"/><itunes:duration>07:38</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>21</itunes:episode><podcast:episode>21</podcast:episode></item><item><title>Episode 20: sentiment</title><itunes:title>Episode 20: sentiment</itunes:title><description><![CDATA[<p>In our previous episode, we considered how the Greek vocabulary for "feeling" developed into our contemporary language of "aesthetics." Today, we look at the similar terminology of "sensing" in Latin, which eventually evolved into the English word "sentiment." Interestingly, these similar ancient terms become rather different ideas in English. As a reflection on the roots of our own sentiments, we look to Adam Smith, whose 1776 work <em>The Wealth of Nations</em> tells us not just about economic growth but the judgments we develop through and from our daily labors.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>In our previous episode, we considered how the Greek vocabulary for "feeling" developed into our contemporary language of "aesthetics." Today, we look at the similar terminology of "sensing" in Latin, which eventually evolved into the English word "sentiment." Interestingly, these similar ancient terms become rather different ideas in English. As a reflection on the roots of our own sentiments, we look to Adam Smith, whose 1776 work <em>The Wealth of Nations</em> tells us not just about economic growth but the judgments we develop through and from our daily labors.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-20-sentiment]]></link><guid isPermaLink="false">78334e5f-1087-466d-bc30-8dcd68933c00</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Wed, 11 Mar 2026 09:35:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/78334e5f-1087-466d-bc30-8dcd68933c00.mp3" length="12820897" type="audio/mpeg"/><itunes:duration>08:54</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>20</itunes:episode><podcast:episode>20</podcast:episode></item><item><title>Episode 19: aesthetic</title><itunes:title>Episode 19: aesthetic</itunes:title><description><![CDATA[<p>Ancient philosophical thought retains an enormous influence on our own contemporary worldview. Today's word—"aesthetic"—draws from that very tradition. We might think of "aesthetics" as a branch of philosophy concerned with the evaluation of art, and even more fundamentally, the word itself raises important questions about what we know anything and how we can know it. To help us think through these difficult philosophical problems, we consider a passage from Albert Murray's <em>The Omni-Americans </em>and its criticism of twentieth-century social scientists.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>Ancient philosophical thought retains an enormous influence on our own contemporary worldview. Today's word—"aesthetic"—draws from that very tradition. We might think of "aesthetics" as a branch of philosophy concerned with the evaluation of art, and even more fundamentally, the word itself raises important questions about what we know anything and how we can know it. To help us think through these difficult philosophical problems, we consider a passage from Albert Murray's <em>The Omni-Americans </em>and its criticism of twentieth-century social scientists.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-19-aesthetic]]></link><guid isPermaLink="false">cf1d209c-b038-4597-8d32-3bfd3d3547c7</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 06 Mar 2026 16:40:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/cf1d209c-b038-4597-8d32-3bfd3d3547c7.mp3" length="12573256" type="audio/mpeg"/><itunes:duration>08:44</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>19</itunes:episode><podcast:episode>19</podcast:episode></item><item><title>Episode 18: opulent</title><itunes:title>Episode 18: opulent</itunes:title><description><![CDATA[<p>The Greeks and Romans have left behind so much: not just literature, but roads, vases, statues, and buildings. In today's episode, we use this "material culture" of the ancient world as an entry point for thinking about the word "opulent," which itself draws on a multiple words from Latin. To think through the notion of opulence, both ancient and modern, we consider a passage from Joan Didion's seminal collection of essays, <em>The White Album</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>The Greeks and Romans have left behind so much: not just literature, but roads, vases, statues, and buildings. In today's episode, we use this "material culture" of the ancient world as an entry point for thinking about the word "opulent," which itself draws on a multiple words from Latin. To think through the notion of opulence, both ancient and modern, we consider a passage from Joan Didion's seminal collection of essays, <em>The White Album</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-18-opulent]]></link><guid isPermaLink="false">523c02a7-ab8c-4a99-9a35-3c4b330a88f2</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Tue, 03 Mar 2026 20:40:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/523c02a7-ab8c-4a99-9a35-3c4b330a88f2.mp3" length="12563852" type="audio/mpeg"/><itunes:duration>08:43</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>18</itunes:episode><podcast:episode>18</podcast:episode></item><item><title>Episode 17: pyramid</title><itunes:title>Episode 17: pyramid</itunes:title><description><![CDATA[<p>Pyramids are part of global architectural culture. We find pyramid-like structures in Egypt, Mexico, and in many other places. But the word "pyramid" itself comes from Ancient Greek—or perhaps it does. The etymology of "pyramid" is a bit of an unsolved linguistic riddle, and in today's episode we consider some possible origins. We also look to a famous passage from Horace, the poet of Augustan Rome, who hopes that his own literary legacy will outlast such great architectural monuments.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>Pyramids are part of global architectural culture. We find pyramid-like structures in Egypt, Mexico, and in many other places. But the word "pyramid" itself comes from Ancient Greek—or perhaps it does. The etymology of "pyramid" is a bit of an unsolved linguistic riddle, and in today's episode we consider some possible origins. We also look to a famous passage from Horace, the poet of Augustan Rome, who hopes that his own literary legacy will outlast such great architectural monuments.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-17-pyramid]]></link><guid isPermaLink="false">23edc514-9b4e-4f87-9747-997694fdbee3</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 27 Feb 2026 21:35:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/23edc514-9b4e-4f87-9747-997694fdbee3.mp3" length="10997132" type="audio/mpeg"/><itunes:duration>07:38</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>17</itunes:episode><podcast:episode>17</podcast:episode></item><item><title>Episode 16: providence</title><itunes:title>Episode 16: providence</itunes:title><description><![CDATA[<p>We all plan for the future we want, even knowing that the best laid plans of mice and men can go awry. When we try to look ahead and make the best choices, we exercise a kind of "providence," at least according to the etymological roots of this word. In today's episode, we consider the notion of providence and its close relation to "prudence." We also look to John Milton's <em>Paradise Lost</em>, whose final lines draw out some rich moral paradoxes about human freedom.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>We all plan for the future we want, even knowing that the best laid plans of mice and men can go awry. When we try to look ahead and make the best choices, we exercise a kind of "providence," at least according to the etymological roots of this word. In today's episode, we consider the notion of providence and its close relation to "prudence." We also look to John Milton's <em>Paradise Lost</em>, whose final lines draw out some rich moral paradoxes about human freedom.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-16-providence]]></link><guid isPermaLink="false">cf8cfba7-8720-42e6-a3d4-5d4b7fdffb49</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Tue, 24 Feb 2026 17:20:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/cf8cfba7-8720-42e6-a3d4-5d4b7fdffb49.mp3" length="12725602" type="audio/mpeg"/><itunes:duration>08:50</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>16</itunes:episode><podcast:episode>16</podcast:episode></item><item><title>Episode 15: larva</title><itunes:title>Episode 15: larva</itunes:title><description><![CDATA[<p>We might think of grubs hidden under a rock when we hear the word "larva" today. The word comes from Latin, but at least originally, it doesn't mean "insect"—rather, it means "ghost." Today we consider the strange development of biological terms while also revisiting a famous ghost story in a comedic and somewhat bizarre novel from the Roman world, Petronius's <em>Satyricon</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>We might think of grubs hidden under a rock when we hear the word "larva" today. The word comes from Latin, but at least originally, it doesn't mean "insect"—rather, it means "ghost." Today we consider the strange development of biological terms while also revisiting a famous ghost story in a comedic and somewhat bizarre novel from the Roman world, Petronius's <em>Satyricon</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-15-larva]]></link><guid isPermaLink="false">e3cf5766-5020-4fe5-9d76-fdeb96b0795b</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 20 Feb 2026 10:10:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/e3cf5766-5020-4fe5-9d76-fdeb96b0795b.mp3" length="11219068" type="audio/mpeg"/><itunes:duration>07:47</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>15</itunes:episode><podcast:episode>15</podcast:episode></item><item><title>Episode 14: panoply</title><itunes:title>Episode 14: panoply</itunes:title><description><![CDATA[<p>The word "panoply" today might denote a magnificent or pompous display, but its roots lie in the armor of ancient Greek soldiers. In today's episode, we consider some military terminology from the ancient world, tracing its early influence on the Greek New Testament. After consulting an episode from the <em>Histories</em> of Herodotus, too, we touch on one of the longstanding concerns of ancient political thought: that tyranny might arise not from a corrupt monarchy, but instead through a gullible public.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>The word "panoply" today might denote a magnificent or pompous display, but its roots lie in the armor of ancient Greek soldiers. In today's episode, we consider some military terminology from the ancient world, tracing its early influence on the Greek New Testament. After consulting an episode from the <em>Histories</em> of Herodotus, too, we touch on one of the longstanding concerns of ancient political thought: that tyranny might arise not from a corrupt monarchy, but instead through a gullible public.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-14-panoply]]></link><guid isPermaLink="false">91c5ebcf-cbb2-41e0-8538-b3362c16970f</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Tue, 17 Feb 2026 21:30:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/91c5ebcf-cbb2-41e0-8538-b3362c16970f.mp3" length="12481723" type="audio/mpeg"/><itunes:duration>08:40</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>14</itunes:episode><podcast:episode>14</podcast:episode></item><item><title>Episode 13: romance</title><itunes:title>Episode 13: romance</itunes:title><description><![CDATA[<p>Latin and Greek have their own words for love and attraction—<em>amor</em> and <em>eros</em>, for instance—but these words don't serve as the root of our word "romance." Instead, "romance" comes from the very name of the Latin-speaking people, the Romans. How does the name for a population come to mean something about affection? We consider Jane Austen's <em>Persuasion</em> to help us track the meaning of "romance" from its ancient origins to our modern era.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>Latin and Greek have their own words for love and attraction—<em>amor</em> and <em>eros</em>, for instance—but these words don't serve as the root of our word "romance." Instead, "romance" comes from the very name of the Latin-speaking people, the Romans. How does the name for a population come to mean something about affection? We consider Jane Austen's <em>Persuasion</em> to help us track the meaning of "romance" from its ancient origins to our modern era.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-13-romance]]></link><guid isPermaLink="false">118c831c-96e2-4276-b7ad-46bb22a9bec8</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 13 Feb 2026 18:25:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/118c831c-96e2-4276-b7ad-46bb22a9bec8.mp3" length="11605889" type="audio/mpeg"/><itunes:duration>08:04</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>13</itunes:episode><podcast:episode>13</podcast:episode></item><item><title>Episode 12: nostalgia</title><itunes:title>Episode 12: nostalgia</itunes:title><description><![CDATA[<p>The most famous <em>nostos</em>—or "homeward journey"—in Greco-Roman literature is the arduous trip Odysseus makes after the Trojan War, as told in Homer's <em>Odyssey</em>. The longing for such a return forms the root of our word "nostalgia," first used in the seventeenth century. Today we look at how this original notion of nostalgia as "homesickness" morphed into our modern use of the word as a longing for the past. We also consider the idea of one's own consciousness as a kind of psychological home, captured in Haruki Murakami's <em>What I Talk About When I Talk About Running</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>The most famous <em>nostos</em>—or "homeward journey"—in Greco-Roman literature is the arduous trip Odysseus makes after the Trojan War, as told in Homer's <em>Odyssey</em>. The longing for such a return forms the root of our word "nostalgia," first used in the seventeenth century. Today we look at how this original notion of nostalgia as "homesickness" morphed into our modern use of the word as a longing for the past. We also consider the idea of one's own consciousness as a kind of psychological home, captured in Haruki Murakami's <em>What I Talk About When I Talk About Running</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-12-nostalgia]]></link><guid isPermaLink="false">c42655d2-e81f-42c4-885e-683cfebb49ab</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Tue, 10 Feb 2026 10:25:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/c42655d2-e81f-42c4-885e-683cfebb49ab.mp3" length="12645981" type="audio/mpeg"/><itunes:duration>08:47</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>12</itunes:episode><podcast:episode>12</podcast:episode></item><item><title>Episode 11: neglect</title><itunes:title>Episode 11: neglect</itunes:title><description><![CDATA[<p>The common Latin verb <em>legere</em> has an astonishing range of meaning: to pick up, to read, to overhear, to track someone's footsteps. When negated, this verb develops into the modern English "neglect" as well as related words like "negligent" and "negligence." In today's episode, we also consider the stylistic principle of "diligent negligence" (or perhaps "careful nonchalance") from the Roman statesman Cicero and its afterlife in Raymond Chandler, the master of hard-boiled crime fiction.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>The common Latin verb <em>legere</em> has an astonishing range of meaning: to pick up, to read, to overhear, to track someone's footsteps. When negated, this verb develops into the modern English "neglect" as well as related words like "negligent" and "negligence." In today's episode, we also consider the stylistic principle of "diligent negligence" (or perhaps "careful nonchalance") from the Roman statesman Cicero and its afterlife in Raymond Chandler, the master of hard-boiled crime fiction.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-11-neglect]]></link><guid isPermaLink="false">da3e9fdb-d557-4080-9bc7-eb885ecc69b2</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 06 Feb 2026 17:10:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/da3e9fdb-d557-4080-9bc7-eb885ecc69b2.mp3" length="11306212" type="audio/mpeg"/><itunes:duration>07:51</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>11</itunes:episode><podcast:episode>11</podcast:episode></item><item><title>Episode 10: insular</title><itunes:title>Episode 10: insular</itunes:title><description><![CDATA[<p>The word "island" itself has Germanic, rather than Greco-Roman, roots. But the Latin word <em>insula</em>—which also means "island"—generates several English words, including "insulate" and "insular." After considering some of these English derivatives, we turn to Herman Melville's <em>Moby Dick</em>, a novel that uses the image of an insular landmass to illustrate the very mystery of human existence.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>The word "island" itself has Germanic, rather than Greco-Roman, roots. But the Latin word <em>insula</em>—which also means "island"—generates several English words, including "insulate" and "insular." After considering some of these English derivatives, we turn to Herman Melville's <em>Moby Dick</em>, a novel that uses the image of an insular landmass to illustrate the very mystery of human existence.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-10-insular]]></link><guid isPermaLink="false">df3952f7-2a3a-49ea-a524-f0d50e300250</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Tue, 03 Feb 2026 10:00:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/df3952f7-2a3a-49ea-a524-f0d50e300250.mp3" length="11763878" type="audio/mpeg"/><itunes:duration>08:10</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>10</itunes:episode><podcast:episode>10</podcast:episode></item><item><title>Episode 9: incandescent</title><itunes:title>Episode 9: incandescent</itunes:title><description><![CDATA[<p>Words for modern technology—computer, electricity, and so on—often draw from ancient vocabulary to describe novel objects and phenomena. Such is the case for "incandescent," which first appeared in the eighteenth century in a report about combustible fuels. As we see in the contemporary novel <em>Gilead</em> by Marilynne Robinson, this word's application ultimately extends well beyond the filament of a light bulb and into moral matters.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>Words for modern technology—computer, electricity, and so on—often draw from ancient vocabulary to describe novel objects and phenomena. Such is the case for "incandescent," which first appeared in the eighteenth century in a report about combustible fuels. As we see in the contemporary novel <em>Gilead</em> by Marilynne Robinson, this word's application ultimately extends well beyond the filament of a light bulb and into moral matters.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-9-incandescent]]></link><guid isPermaLink="false">cc2d684f-6c39-4160-9c6d-2a66101fdcd3</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 30 Jan 2026 10:00:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/cc2d684f-6c39-4160-9c6d-2a66101fdcd3.mp3" length="11677360" type="audio/mpeg"/><itunes:duration>08:07</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>9</itunes:episode><podcast:episode>9</podcast:episode></item><item><title>Episode 8: ramify</title><itunes:title>Episode 8: ramify</itunes:title><description><![CDATA[<p>Like many of our words, "ramify" borrows its meaning from the natural world—in this case, from the complex branches of a tree. Today, we use "ramify" and "ramifications" to discuss all kinds of matters, not just trees, such as the future consequences of important historical events. In this episode, we explore the broadest ramifications taking place over millions of years in Charles Darwin's 1859 text on natural selection, <em>The Origin of Species</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>Like many of our words, "ramify" borrows its meaning from the natural world—in this case, from the complex branches of a tree. Today, we use "ramify" and "ramifications" to discuss all kinds of matters, not just trees, such as the future consequences of important historical events. In this episode, we explore the broadest ramifications taking place over millions of years in Charles Darwin's 1859 text on natural selection, <em>The Origin of Species</em>.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-8-ramify]]></link><guid isPermaLink="false">9e04d897-da3e-4125-b550-a3b29ca1a743</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Tue, 27 Jan 2026 10:00:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/9e04d897-da3e-4125-b550-a3b29ca1a743.mp3" length="10984593" type="audio/mpeg"/><itunes:duration>07:38</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>8</itunes:episode><podcast:episode>8</podcast:episode></item><item><title>Episode 7: convention</title><itunes:title>Episode 7: convention</itunes:title><description><![CDATA[<p>The etymology of "convention" is simple enough—it means a "coming together," combining the Latin roots for "together" and "to come." But how does this idea of a physical meeting develop into our idea of customary practices and social norms? We look at a brilliant passage from Alexis de Tocqueville's <em>Democracy in America</em> for clarification.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>The etymology of "convention" is simple enough—it means a "coming together," combining the Latin roots for "together" and "to come." But how does this idea of a physical meeting develop into our idea of customary practices and social norms? We look at a brilliant passage from Alexis de Tocqueville's <em>Democracy in America</em> for clarification.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-7-convention]]></link><guid isPermaLink="false">4887a447-4942-4ee8-b2b4-218a989220d8</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 23 Jan 2026 11:00:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/4887a447-4942-4ee8-b2b4-218a989220d8.mp3" length="10882402" type="audio/mpeg"/><itunes:duration>07:33</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>7</itunes:episode><podcast:episode>7</podcast:episode></item><item><title>Episode 6: ectoplasm</title><itunes:title>Episode 6: ectoplasm</itunes:title><description><![CDATA[<p>The word ectoplasm, for people of a particular age, will undoubtedly bring the <em>Ghostbusters</em> franchise to mind. But the word has a longer history, stretching from its ancient Greek roots to modern spiritual quackery. Here, we look to Arthur Conan Doyle and Ralph Ellison for understanding what it means to be invisible or real, fabricated or true.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>The word ectoplasm, for people of a particular age, will undoubtedly bring the <em>Ghostbusters</em> franchise to mind. But the word has a longer history, stretching from its ancient Greek roots to modern spiritual quackery. Here, we look to Arthur Conan Doyle and Ralph Ellison for understanding what it means to be invisible or real, fabricated or true.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-6-ectoplasm]]></link><guid isPermaLink="false">d7c439f2-b2a0-4a98-a3b5-86c5e9ccbfe9</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Tue, 20 Jan 2026 11:00:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/d7c439f2-b2a0-4a98-a3b5-86c5e9ccbfe9.mp3" length="9973968" type="audio/mpeg"/><itunes:duration>06:56</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>6</itunes:episode><podcast:episode>6</podcast:episode></item><item><title>Episode 5: quip</title><itunes:title>Episode 5: quip</itunes:title><description><![CDATA[<p>A quip is a little, witty remark, but it's also a bit of Latin that has sneaked into English. In today's episode, we consider all those <em>qu-</em> words in Latin like <em>quis</em> and <em>quae</em> to help understand the underlying meaning of "quip." We look, too, at the opening of Vergil's <em>Aeneid</em> for an example of a quip hiding in plain sight.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>A quip is a little, witty remark, but it's also a bit of Latin that has sneaked into English. In today's episode, we consider all those <em>qu-</em> words in Latin like <em>quis</em> and <em>quae</em> to help understand the underlying meaning of "quip." We look, too, at the opening of Vergil's <em>Aeneid</em> for an example of a quip hiding in plain sight.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-5-quip]]></link><guid isPermaLink="false">7d05f06e-6dfa-45e4-87e0-c81456d459b3</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 16 Jan 2026 13:49:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/7d05f06e-6dfa-45e4-87e0-c81456d459b3.mp3" length="10118164" type="audio/mpeg"/><itunes:duration>07:02</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>5</itunes:episode><podcast:episode>5</podcast:episode></item><item><title>Episode 4: untrammeled</title><itunes:title>Episode 4: untrammeled</itunes:title><description><![CDATA[<p>If someone can be "untrammeled," can they also just be "trammeled"? And what does it mean to "trammel" something in the first place? Today we look at a word whose negative form dominates its usage. After uncovering the roots of "untrammeled" in fishing traps, we turn to human biology and the biography of the Roman Emperor Claudius to consider how people have found themselves caught up in nets.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>If someone can be "untrammeled," can they also just be "trammeled"? And what does it mean to "trammel" something in the first place? Today we look at a word whose negative form dominates its usage. After uncovering the roots of "untrammeled" in fishing traps, we turn to human biology and the biography of the Roman Emperor Claudius to consider how people have found themselves caught up in nets.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-4-untrammeled]]></link><guid isPermaLink="false">fbb36a5c-38e3-4e72-9b5f-a58edfa50040</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Tue, 13 Jan 2026 11:15:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/fbb36a5c-38e3-4e72-9b5f-a58edfa50040.mp3" length="11042271" type="audio/mpeg"/><itunes:duration>07:40</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>4</itunes:episode><podcast:episode>4</podcast:episode></item><item><title>Episode 3: hypocrisy</title><itunes:title>Episode 3: hypocrisy</itunes:title><description><![CDATA[<p>Hypocrisy is a moral failing we find in deceitful, duplicitous people. But this word—which originally comes from a Greek verb that simply means "to reply"—wasn't always associated with deception or compromised principles. The Stoic philosopher Epictetus and the novelist George Eliot give us literary examples to consider how our notion of hypocrisy came to us today.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>Hypocrisy is a moral failing we find in deceitful, duplicitous people. But this word—which originally comes from a Greek verb that simply means "to reply"—wasn't always associated with deception or compromised principles. The Stoic philosopher Epictetus and the novelist George Eliot give us literary examples to consider how our notion of hypocrisy came to us today.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-3-hypocrisy]]></link><guid isPermaLink="false">3d947d6b-ed6d-48a8-986d-de5583bb76c9</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 09 Jan 2026 10:00:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/3d947d6b-ed6d-48a8-986d-de5583bb76c9.mp3" length="10074905" type="audio/mpeg"/><itunes:duration>07:00</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>3</itunes:episode><podcast:episode>3</podcast:episode></item><item><title>Episode 2: negotiate</title><itunes:title>Episode 2: negotiate</itunes:title><description><![CDATA[<p>We negotiate with friends and rivals alike in the modern world: at the dinner table, in the workplace, and among relatives. The notion of "negotiating," however, has its roots in ancient Latin vocabulary—chiefly, in the noun <em>negotium</em>. In this episode, we consider how Romans understood work and leisure, and we look to Shakespeare to see how this ancient idea evolved in later English literature.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>We negotiate with friends and rivals alike in the modern world: at the dinner table, in the workplace, and among relatives. The notion of "negotiating," however, has its roots in ancient Latin vocabulary—chiefly, in the noun <em>negotium</em>. In this episode, we consider how Romans understood work and leisure, and we look to Shakespeare to see how this ancient idea evolved in later English literature.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-2-negotiate]]></link><guid isPermaLink="false">6d963f9f-b054-4512-aa26-5794a8524001</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Tue, 06 Jan 2026 10:00:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/6d963f9f-b054-4512-aa26-5794a8524001.mp3" length="6253968" type="audio/mpeg"/><itunes:duration>06:31</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>2</itunes:episode><podcast:episode>2</podcast:episode></item><item><title>Episode 1: principal (and principle)</title><itunes:title>Episode 1: principal (and principle)</itunes:title><description><![CDATA[<p>To kick off this podcast, we're starting with the word "principal," whose close relative "principle" can trip up even native English speakers. These two words—even if they have some shared history—aren't interchangeable. In this first episode, we turn to Isaac Newton and the King James Bible for help.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></description><content:encoded><![CDATA[<p>To kick off this podcast, we're starting with the word "principal," whose close relative "principle" can trip up even native English speakers. These two words—even if they have some shared history—aren't interchangeable. In this first episode, we turn to Isaac Newton and the King James Bible for help.</p><p><strong>Suggest a word for a future episode or support this podcast</strong> at <a href="https://www.buymeacoffee.com/wordswordswords" rel="noopener noreferrer" target="_blank">https://www.buymeacoffee.com/wordswordswords</a></p><p><strong>Music</strong>: Adapted from <em>Sonatine</em> by Maurice Ravel, performed by Irene Posviatovska (<a href="https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Sonatine_-_1._Mod%C3%A9r%C3%A9.flac" rel="noopener noreferrer" target="_blank">Wikimedia Commons</a>, CC BY-SA 3.0)</p><p>---</p><p><a href="https://originalpublicmeaning.com" rel="noopener noreferrer" target="_blank">https://originalpublicmeaning.com</a></p>]]></content:encoded><link><![CDATA[https://charlesmcnamara.com/episode-1-principal]]></link><guid isPermaLink="false">2a247603-eeb6-486d-89b4-af73de39fe3a</guid><itunes:image href="https://artwork.captivate.fm/ce1c0e10-e4e9-41c8-be7a-6d0aa46816af/IconNew.png"/><pubDate>Fri, 02 Jan 2026 10:00:00 -0500</pubDate><enclosure url="https://episodes.captivate.fm/episode/2a247603-eeb6-486d-89b4-af73de39fe3a.mp3" length="6741183" type="audio/mpeg"/><itunes:duration>07:01</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>1</itunes:episode><podcast:episode>1</podcast:episode></item></channel></rss>