<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="https://feeds.captivate.fm/style.xsl" type="text/xsl"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:podcast="https://podcastindex.org/namespace/1.0"><channel><atom:link href="https://feeds.captivate.fm/siyofuera/" rel="self" type="application/rss+xml"/><title><![CDATA[Si Yo Fuera una Canción (If I Were a Song)]]></title><lastBuildDate>Mon, 16 Jan 2023 14:51:05 +0000</lastBuildDate><generator>Captivate.fm</generator><language><![CDATA[en]]></language><copyright><![CDATA[Copyright 2023 Elisabeth Le Guin]]></copyright><managingEditor>Elisabeth Le Guin</managingEditor><itunes:summary><![CDATA[ENGLISH: You never know the stories that people carry, and sometimes, those stories are best shared in song. “Si Yo Fuera Una Canción” is a podcast about individuals, their stories and their lives as people connected with Santa Ana, CA. Through interviews offered in both Spanish and English, they talk about the musics that ground them and inspire them. In this way we get a new perspective on the socioeconomic, ethnic, and cultural tapestry that makes Santa Ana such a special place--and at the same time, a very typical place in the United States of America. In getting to know these ordinary people, we realize that we are, all of us, extraordinary. 

ESPAÑOL: Nunca sabes las historias que puede llevar la gente, pero a veces estas historias se comparten mejor a través del canto. 'Si yo fuera una canción' es un podcast que se trata de individuos, sus historias, y sus vidas como personas conectadas con Santa Ana, CA. A través de entrevistas ofrecidas igual en español y en inglés, hablan en sus propias voces de las músicas que les arraigan y les inspiran; así logramos una perspectiva nueva sobre el tápiz socioeconómico, étnico y cultural que hace de Santa Ana un lugar muy especial--y a la vez, un lugar muy típico de los Estados Unidos de América. Al llegar a conocer esta gente ordinaria, nos damos cuenta del hecho de que somos todos fuera de lo ordinario.]]></itunes:summary><image><url>https://artwork.captivate.fm/10367686-b159-4678-8a61-6d11bd35abb6/c0B-uXBeEGjn93Om4JgRMjNw.png</url><title>Si Yo Fuera una Canción (If I Were a Song)</title><link><![CDATA[https://siyofuera.org]]></link></image><itunes:image href="https://artwork.captivate.fm/10367686-b159-4678-8a61-6d11bd35abb6/c0B-uXBeEGjn93Om4JgRMjNw.png"/><itunes:owner><itunes:name>Elisabeth Le Guin</itunes:name></itunes:owner><itunes:author>Elisabeth Le Guin</itunes:author><description>ENGLISH: You never know the stories that people carry, and sometimes, those stories are best shared in song. “Si Yo Fuera Una Canción” is a podcast about individuals, their stories and their lives as people connected with Santa Ana, CA. Through interviews offered in both Spanish and English, they talk about the musics that ground them and inspire them. In this way we get a new perspective on the socioeconomic, ethnic, and cultural tapestry that makes Santa Ana such a special place--and at the same time, a very typical place in the United States of America. In getting to know these ordinary people, we realize that we are, all of us, extraordinary. 

ESPAÑOL: Nunca sabes las historias que puede llevar la gente, pero a veces estas historias se comparten mejor a través del canto. &apos;Si yo fuera una canción&apos; es un podcast que se trata de individuos, sus historias, y sus vidas como personas conectadas con Santa Ana, CA. A través de entrevistas ofrecidas igual en español y en inglés, hablan en sus propias voces de las músicas que les arraigan y les inspiran; así logramos una perspectiva nueva sobre el tápiz socioeconómico, étnico y cultural que hace de Santa Ana un lugar muy especial--y a la vez, un lugar muy típico de los Estados Unidos de América. Al llegar a conocer esta gente ordinaria, nos damos cuenta del hecho de que somos todos fuera de lo ordinario.</description><link>https://siyofuera.org</link><atom:link href="https://pubsubhubbub.appspot.com" rel="hub"/><itunes:subtitle><![CDATA[Interviews with residents of Santa Ana, CA about their favorite music  |  Entrevistas con los residentes de Santa Ana, CA, sobre sus músicas favoritas.]]></itunes:subtitle><itunes:explicit>no</itunes:explicit><itunes:type>episodic</itunes:type><itunes:category text="Society &amp; Culture"><itunes:category text="Documentary"/></itunes:category><itunes:category text="Music"><itunes:category text="Music Interviews"/></itunes:category><itunes:category text="Arts"></itunes:category><item><title>Special Episode: “All of Us” (English)</title><itunes:title>Special Episode: “All of Us” (English)</itunes:title><description><![CDATA[<p>For our final episode as a podcast, each member of our production team recorded a short monologue about a song that expresses something about their experiences working on Si Yo Fuera una Canción over the last year and a half. Lots of music, a little bit of reflection, and best wishes for all our futures!</p><p>Music: “See These Bones,”“Latinoamérica,” “Encuentro en Cajamarca,” “Stay Human,” “What You Waiting For,” “Carnaval,” “Learn How to Fall,” “Don’t You Worry ‘Bout a Thing,” and “Todo Cae”</p>]]></description><content:encoded><![CDATA[<p>For our final episode as a podcast, each member of our production team recorded a short monologue about a song that expresses something about their experiences working on Si Yo Fuera una Canción over the last year and a half. Lots of music, a little bit of reflection, and best wishes for all our futures!</p><p>Music: “See These Bones,”“Latinoamérica,” “Encuentro en Cajamarca,” “Stay Human,” “What You Waiting For,” “Carnaval,” “Learn How to Fall,” “Don’t You Worry ‘Bout a Thing,” and “Todo Cae”</p>]]></content:encoded><link><![CDATA[HTTPS://Www.siyofuera.org/episodes/nosotrx]]></link><guid isPermaLink="false">3afa7d39-2ba4-4fd4-8033-854c490cbc8d</guid><itunes:image href="https://artwork.captivate.fm/dbf5026a-c02c-46de-8aae-d6758b40dc4a/zlxFxBkw5iiKZ78hGNreiJtr.jpeg"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 24 Jun 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/3a827bc9-f5a6-4e72-9615-735814004ccc/Final-20Episode-20MP3-converted.mp3" length="23688621" type="audio/mpeg"/><itunes:duration>32:54</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>26</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/67bcdfcd-2870-4a4e-82e2-2f26069337f9/index.html" type="text/html"/></item><item><title>Episodio Especial: “Nosotrx” (Español)</title><itunes:title>Episodio Especial: “Nosotrx” (Español)</itunes:title><description><![CDATA[<p>Para nuestro episodio final, cada miembro de nuestro Equipo de Producción ha grabado un monólogo breve sobre una canción que expresa algo en torno a su experiencia, trabajando en este podcast durante el último año y medio. Mucha música, algunas reflecciónes, y ¡buenos deseos para todos nuestros futuros!</p>]]></description><content:encoded><![CDATA[<p>Para nuestro episodio final, cada miembro de nuestro Equipo de Producción ha grabado un monólogo breve sobre una canción que expresa algo en torno a su experiencia, trabajando en este podcast durante el último año y medio. Mucha música, algunas reflecciónes, y ¡buenos deseos para todos nuestros futuros!</p>]]></content:encoded><link><![CDATA[HTTPS://www.siyofuera.org/episodes/nosotrx]]></link><guid isPermaLink="false">bafdfad1-1486-40e0-a7f1-e63121757fb2</guid><itunes:image href="https://artwork.captivate.fm/158159a5-ab9f-4d67-9032-1d966f413760/-OX3dTvNSE8tsU7n8VSsRSIF.jpeg"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 24 Jun 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/5a00a6fc-5569-40b7-988a-37e4c719aa87/FINAL-20EPISODE-20SPANISH-20PRE-20QC-converted.mp3" length="56748717" type="audio/mpeg"/><itunes:duration>39:25</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>26</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/0dd50677-7044-4388-9b92-5d9d3b844889/index.html" type="text/html"/></item><item><title>LibroMobile (Español)</title><itunes:title>LibroMobile (Español)</itunes:title><description><![CDATA[<p>En este episodio especial, ¡no entrevistamos a una persona sino a una organización! LibroMobile es un centro cultural comunitario en Santa Ana, y una librería bilingüe que sirve a la gente de color y de géneros y sexualidades marginados – ¡la única en todo el Condado de Orange! Cinco mini-entrevistas pintan un retrato musical de este recurso local precioso, desde la perspectiva de la gente que lo mantiene.</p><p><a href="www.libromobile.org" rel="noopener noreferrer" target="_blank">www.libromobile.org</a></p>]]></description><content:encoded><![CDATA[<p>En este episodio especial, ¡no entrevistamos a una persona sino a una organización! LibroMobile es un centro cultural comunitario en Santa Ana, y una librería bilingüe que sirve a la gente de color y de géneros y sexualidades marginados – ¡la única en todo el Condado de Orange! Cinco mini-entrevistas pintan un retrato musical de este recurso local precioso, desde la perspectiva de la gente que lo mantiene.</p><p><a href="www.libromobile.org" rel="noopener noreferrer" target="_blank">www.libromobile.org</a></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/libromobile]]></link><guid isPermaLink="false">53f9cd5e-fbf4-454b-8585-762b09dc25cc</guid><itunes:image href="https://artwork.captivate.fm/754766f1-d5f2-420b-9b2c-658328b31a16/Z7CZw6IVdMUzTDA_JVz1eshK.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 27 May 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/1af536f3-3d4c-4f23-a90a-644faf7c39b8/LibroMobil-20POST-20QC-20MASTER-converted.mp3" length="81985581" type="audio/mpeg"/><itunes:duration>56:56</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>25</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/986f5b9c-bf31-4f29-bd4d-a162ff2d406e/index.html" type="text/html"/></item><item><title>LibroMobile (English)</title><itunes:title>LibroMobile (English)</itunes:title><description><![CDATA[<p>In this special episode we interview not a person but an organization! LibroMobile is a community cultural center in Santa Ana, and a bilingual bookstore inclusive of people of color and marginalized genders and sexualities – the only such in all Orange County! Five mini-interviews give us a musical portrait of this precious local resource from the perspective of some of the wonderful people who run it.</p><p><a href="www.libromobile.com" rel="noopener noreferrer" target="_blank">www.libromobile.com</a></p>]]></description><content:encoded><![CDATA[<p>In this special episode we interview not a person but an organization! LibroMobile is a community cultural center in Santa Ana, and a bilingual bookstore inclusive of people of color and marginalized genders and sexualities – the only such in all Orange County! Five mini-interviews give us a musical portrait of this precious local resource from the perspective of some of the wonderful people who run it.</p><p><a href="www.libromobile.com" rel="noopener noreferrer" target="_blank">www.libromobile.com</a></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/libromobile]]></link><guid isPermaLink="false">c4199176-c023-4949-95c2-c4ce3a4b8fc8</guid><itunes:image href="https://artwork.captivate.fm/3ec75360-b5a6-49fe-92e0-fab3debd469c/rYrhl2cOKBBFXQ8Xk33v3z_s.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 27 May 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/599354ee-00ac-4ded-99d2-4cd3e6b684c7/Libromobile-20MP3-converted.mp3" length="34812621" type="audio/mpeg"/><itunes:duration>48:21</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>25</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/0f9fda4f-4e1a-46cd-85d0-fc46b175c286/index.html" type="text/html"/></item><item><title>Masiel Corona-Santos (Original, Español)</title><itunes:title>Masiel Corona-Santos (Original, Español)</itunes:title><description><![CDATA[<p>Poeta galardonada desde la niñez, ahora además organizadora de mesas, foros y clases comunitarios de poesía, Masiel nos brinda un vislumbre de cómo es que el poder de la palabra canaliza y refuerza las energías positivas, y ¡bien podría salvar el mundo!</p><p>Anisuz Zaman – está traduciendo a Gabriel García Márquez a Bengalí</p><p><a href="https://www.facebook.com/anisuz.zaman.75" rel="noopener noreferrer" target="_blank">https://www.facebook.com/anisuz.zaman.75</a></p><p>‍</p><p>Los Ángeles Poet Society</p><p><a href="https://www.facebook.com/LosAngelesPoetSociety/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/LosAngelesPoetSociety/</a></p><p><a href="https://www.lapoetsociety.org/" rel="noopener noreferrer" target="_blank">https://www.lapoetsociety.org/</a></p><p>‍</p><p>La Guerra Civil en España</p><p>(inclusive García Lorca, Buero Vallejo)</p><p>El artículo de Wikipedia.es merece mención especial, es muy completo e incluye una lista extensa de obras de ficción y pelis (dramas así como documentales) que tratan de este tema <a href="https://es.wikipedia.org/wiki/Guerra_civil_espa%C3 %B1ola" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Guerra_civil_espa%C3 %B1ola</a></p><p>‍</p><p>Raíces –Revista de poesía editada por Masiel</p><p><a href="https://www.revistaraices.com/ https://www.facebook.com/Revistaraiices" rel="noopener noreferrer" target="_blank">https://www.revistaraices.com/ https://www.facebook.com/Revistaraiices</a></p><p>‍</p><p>Vicente Huidobro</p><p>Arte Poética</p><p><a href="https://scalar.usc.edu/works/literalia/arte-potica-1916" rel="noopener noreferrer" target="_blank">https://scalar.usc.edu/works/literalia/arte-potica-1916</a></p><p>‍</p><p>La poesía oral en tiempos pasados</p><p>Margit Frenk. Entre la voz y el silencio : la lectura en tiempos de Cervantes. Alcalá de Henares : Centro de Estudios Cervantinos, 1997.</p><p>‍</p><p>La Guerra Civil en España(inclusive García Lorca, Buero Vallejo)</p><p>El artículo de Wikipedia.es merece mención especial, es muy completo e incluye una lista extensa de obras de ficción y pelis (dramas así como documentales) que tratan de este tema: <a href="https://es.wikipedia.org/wiki/Guerra_civil_espa%C3 %B1ola" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Guerra_civil_espa%C3 %B1ola</a> </p>]]></description><content:encoded><![CDATA[<p>Poeta galardonada desde la niñez, ahora además organizadora de mesas, foros y clases comunitarios de poesía, Masiel nos brinda un vislumbre de cómo es que el poder de la palabra canaliza y refuerza las energías positivas, y ¡bien podría salvar el mundo!</p><p>Anisuz Zaman – está traduciendo a Gabriel García Márquez a Bengalí</p><p><a href="https://www.facebook.com/anisuz.zaman.75" rel="noopener noreferrer" target="_blank">https://www.facebook.com/anisuz.zaman.75</a></p><p>‍</p><p>Los Ángeles Poet Society</p><p><a href="https://www.facebook.com/LosAngelesPoetSociety/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/LosAngelesPoetSociety/</a></p><p><a href="https://www.lapoetsociety.org/" rel="noopener noreferrer" target="_blank">https://www.lapoetsociety.org/</a></p><p>‍</p><p>La Guerra Civil en España</p><p>(inclusive García Lorca, Buero Vallejo)</p><p>El artículo de Wikipedia.es merece mención especial, es muy completo e incluye una lista extensa de obras de ficción y pelis (dramas así como documentales) que tratan de este tema <a href="https://es.wikipedia.org/wiki/Guerra_civil_espa%C3 %B1ola" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Guerra_civil_espa%C3 %B1ola</a></p><p>‍</p><p>Raíces –Revista de poesía editada por Masiel</p><p><a href="https://www.revistaraices.com/ https://www.facebook.com/Revistaraiices" rel="noopener noreferrer" target="_blank">https://www.revistaraices.com/ https://www.facebook.com/Revistaraiices</a></p><p>‍</p><p>Vicente Huidobro</p><p>Arte Poética</p><p><a href="https://scalar.usc.edu/works/literalia/arte-potica-1916" rel="noopener noreferrer" target="_blank">https://scalar.usc.edu/works/literalia/arte-potica-1916</a></p><p>‍</p><p>La poesía oral en tiempos pasados</p><p>Margit Frenk. Entre la voz y el silencio : la lectura en tiempos de Cervantes. Alcalá de Henares : Centro de Estudios Cervantinos, 1997.</p><p>‍</p><p>La Guerra Civil en España(inclusive García Lorca, Buero Vallejo)</p><p>El artículo de Wikipedia.es merece mención especial, es muy completo e incluye una lista extensa de obras de ficción y pelis (dramas así como documentales) que tratan de este tema: <a href="https://es.wikipedia.org/wiki/Guerra_civil_espa%C3 %B1ola" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Guerra_civil_espa%C3 %B1ola</a> </p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/masiel-corona-santos]]></link><guid isPermaLink="false">defca4ac-7e16-4fcb-a007-9892485109ab</guid><itunes:image href="https://artwork.captivate.fm/71129c87-24f1-4d93-a038-6ec7d6e3b8ee/hl801fFb3dHIjwTM1_fo9Vnr.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 22 Apr 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/0d44d747-a3a9-4c22-9009-8384fe1507bc/Masiel-20Original-20Spanish-20PRE-20QC-20-converted.mp3" length="85142718" type="audio/mpeg"/><itunes:duration>59:08</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>24</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/09fa1561-da44-4787-a16b-3b975105e99b/index.html" type="text/html"/></item><item><title>Masiel Corona-Santos (English)</title><itunes:title>Masiel Corona-Santos (English)</itunes:title><description><![CDATA[<p>An award-winning poet since childhood, now also an organizer of readings, forums and community poetry classes, Masiel gives us a glimpse into how the power of the word channels and reinforces positive energies, and just might save the world!</p><p>Animus Zaman - translating Gabriel García Márquez into Bengali</p><p><a href="https://www.facebook.com/anisuz.zaman.75" rel="noopener noreferrer" target="_blank">https://www.facebook.com/anisuz.zaman.75</a></p><p>‍</p><p>Los Ángeles Poet Society</p><p><a href="https://www.facebook.com/LosAngelesPoetSociety/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/LosAngelesPoetSociety/</a></p><p><a href="https://www.lapoetsociety.org/" rel="noopener noreferrer" target="_blank">https://www.lapoetsociety.org/</a></p><p>‍</p><p>Revista Raíces – Masiel’s poetry journal de poesía editada por Masiel</p><p><a href="https://www.revistaraices.com/" rel="noopener noreferrer" target="_blank">https://www.revistaraices.com/</a> </p><p><a href="https://www.facebook.com/Revistaraiices" rel="noopener noreferrer" target="_blank">https://www.facebook.com/Revistaraiices</a></p><p>‍</p><p>Vicente<strong>&nbsp;</strong>Huidobro</p><p><a href="https://en.wikipedia.org/wiki/Vicente_Huidobro" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Vicente_Huidobro</a></p><p>‍</p><p>Oral poetry in past times</p><p>Finnegan, Ruth. Oral Poetry: Its Nature, Significance and Social Context</p><p>Eugene: Wipf and Stock Publishers, 2018</p><p><br></p><p>The Spanish Civil War (including García Lorca, Buero Vallejo)</p><p>Casanova, Julián (2010). The Spanish Republic and Civil War. Cambridge, England; New York, NY: Cambridge University Press.</p><p>Graham, Helen (2005). The Spanish Civil War: A very short introduction. New York, NY: Oxford University Press.</p>]]></description><content:encoded><![CDATA[<p>An award-winning poet since childhood, now also an organizer of readings, forums and community poetry classes, Masiel gives us a glimpse into how the power of the word channels and reinforces positive energies, and just might save the world!</p><p>Animus Zaman - translating Gabriel García Márquez into Bengali</p><p><a href="https://www.facebook.com/anisuz.zaman.75" rel="noopener noreferrer" target="_blank">https://www.facebook.com/anisuz.zaman.75</a></p><p>‍</p><p>Los Ángeles Poet Society</p><p><a href="https://www.facebook.com/LosAngelesPoetSociety/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/LosAngelesPoetSociety/</a></p><p><a href="https://www.lapoetsociety.org/" rel="noopener noreferrer" target="_blank">https://www.lapoetsociety.org/</a></p><p>‍</p><p>Revista Raíces – Masiel’s poetry journal de poesía editada por Masiel</p><p><a href="https://www.revistaraices.com/" rel="noopener noreferrer" target="_blank">https://www.revistaraices.com/</a> </p><p><a href="https://www.facebook.com/Revistaraiices" rel="noopener noreferrer" target="_blank">https://www.facebook.com/Revistaraiices</a></p><p>‍</p><p>Vicente<strong>&nbsp;</strong>Huidobro</p><p><a href="https://en.wikipedia.org/wiki/Vicente_Huidobro" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Vicente_Huidobro</a></p><p>‍</p><p>Oral poetry in past times</p><p>Finnegan, Ruth. Oral Poetry: Its Nature, Significance and Social Context</p><p>Eugene: Wipf and Stock Publishers, 2018</p><p><br></p><p>The Spanish Civil War (including García Lorca, Buero Vallejo)</p><p>Casanova, Julián (2010). The Spanish Republic and Civil War. Cambridge, England; New York, NY: Cambridge University Press.</p><p>Graham, Helen (2005). The Spanish Civil War: A very short introduction. New York, NY: Oxford University Press.</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/masiel-corona-santos]]></link><guid isPermaLink="false">600e8938-7c05-4f70-b6c6-41df1c90c118</guid><itunes:image href="https://artwork.captivate.fm/44e89d8b-2753-46c5-ad1e-cdb92c86d46c/oQG0fE9ga1e_DRLE9hOTW-rV.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 22 Apr 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/c7e26758-00dc-4320-8f73-821828dd70dc/Masiel-20Corona-Santos-20MP3-converted.mp3" length="47520813" type="audio/mpeg"/><itunes:duration>49:30</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>24</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/ef7169d7-533c-4f33-aaf7-12e7043f698b/index.html" type="text/html"/></item><item><title>Diana Cleveland Davis (Original, English)</title><itunes:title>Diana Cleveland Davis (Original, English)</itunes:title><description><![CDATA[<p class="ql-align-center"><strong>DIANA CLEVELAND DAVIS INTERVIEW:&nbsp;</strong></p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS </strong></p><p class="ql-align-center"><br></p><p><strong>4 NON-BLONDES</strong></p><p><a href="https://en.wikipedia.org/wiki/4_Non_Blondes" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/4_Non_Blondes</a>&nbsp;</p><p><strong>VIETRISE</strong></p><p><a href="https://vietrise.org/" rel="noopener noreferrer" target="_blank">https://vietrise.org/</a></p><p><a href="https://www.facebook.com/VietRISEOC/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/VietRISEOC/</a>&nbsp;</p><p><br></p><p><strong>SERVITE ORDER:</strong> <a href="https://en.wikipedia.org/wiki/Servite_Order" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Servite_Order</a>&nbsp;</p><p><br></p><p><strong>HOMELESSNESS IN ORANGE COUNTY </strong></p><p><a href="https://www.npr.org/podcasts/1074123718/imperfect-paradise" rel="noopener noreferrer" target="_blank">https://www.npr.org/podcasts/1074123718/imperfect-paradise</a></p><p><br></p><p><strong>REBEL DÍAZ</strong></p><p>Their own website: <a href="https://indypendent.org/tag/rebel-diaz/" rel="noopener noreferrer" target="_blank">https://indypendent.org/tag/rebel-diaz/</a></p><p><br></p><p><strong>ANARCHISM</strong></p><p>General, free resources:</p><p>The Anarchist Library: <a href="https://theanarchistlibrary.org/library%20//" rel="noopener noreferrer" target="_blank">https://theanarchistlibrary.org/library /</a></p><p>The Haymarket Riots: <a href="https://www.britannica.com/event/Haymarket-Affair" rel="noopener noreferrer" target="_blank">https://www.britannica.com/event/Haymarket-Affair</a></p><p><br></p><p><strong>Emma Goldman&nbsp;</strong></p><p>“Living my Life”: <a href="https://theanarchistlibrary.org/library/emma-goldman-living-my-life" rel="noopener noreferrer" target="_blank">https://theanarchistlibrary.org/library/emma-goldman-living-my-lif</a></p><p><br></p><p><strong>Piotr Kropotkin</strong></p><p>&nbsp;“Mutual Aid” <a href="https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution" rel="noopener noreferrer" target="_blank">https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution</a></p><p>“The Conquest of Bread” https://theanarchistlibrary.org/library/petr-kropotkin-the-conquest-of-bread</p>]]></description><content:encoded><![CDATA[<p class="ql-align-center"><strong>DIANA CLEVELAND DAVIS INTERVIEW:&nbsp;</strong></p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS </strong></p><p class="ql-align-center"><br></p><p><strong>4 NON-BLONDES</strong></p><p><a href="https://en.wikipedia.org/wiki/4_Non_Blondes" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/4_Non_Blondes</a>&nbsp;</p><p><strong>VIETRISE</strong></p><p><a href="https://vietrise.org/" rel="noopener noreferrer" target="_blank">https://vietrise.org/</a></p><p><a href="https://www.facebook.com/VietRISEOC/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/VietRISEOC/</a>&nbsp;</p><p><br></p><p><strong>SERVITE ORDER:</strong> <a href="https://en.wikipedia.org/wiki/Servite_Order" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Servite_Order</a>&nbsp;</p><p><br></p><p><strong>HOMELESSNESS IN ORANGE COUNTY </strong></p><p><a href="https://www.npr.org/podcasts/1074123718/imperfect-paradise" rel="noopener noreferrer" target="_blank">https://www.npr.org/podcasts/1074123718/imperfect-paradise</a></p><p><br></p><p><strong>REBEL DÍAZ</strong></p><p>Their own website: <a href="https://indypendent.org/tag/rebel-diaz/" rel="noopener noreferrer" target="_blank">https://indypendent.org/tag/rebel-diaz/</a></p><p><br></p><p><strong>ANARCHISM</strong></p><p>General, free resources:</p><p>The Anarchist Library: <a href="https://theanarchistlibrary.org/library%20//" rel="noopener noreferrer" target="_blank">https://theanarchistlibrary.org/library /</a></p><p>The Haymarket Riots: <a href="https://www.britannica.com/event/Haymarket-Affair" rel="noopener noreferrer" target="_blank">https://www.britannica.com/event/Haymarket-Affair</a></p><p><br></p><p><strong>Emma Goldman&nbsp;</strong></p><p>“Living my Life”: <a href="https://theanarchistlibrary.org/library/emma-goldman-living-my-life" rel="noopener noreferrer" target="_blank">https://theanarchistlibrary.org/library/emma-goldman-living-my-lif</a></p><p><br></p><p><strong>Piotr Kropotkin</strong></p><p>&nbsp;“Mutual Aid” <a href="https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution" rel="noopener noreferrer" target="_blank">https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution</a></p><p>“The Conquest of Bread” https://theanarchistlibrary.org/library/petr-kropotkin-the-conquest-of-bread</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/diana-cleveland-davis]]></link><guid isPermaLink="false">9f509ecd-bbcb-4907-8a2e-040eddab512f</guid><itunes:image href="https://artwork.captivate.fm/600143e3-3fc4-4065-b05a-f73016efcb59/X2WoGUFRtZBmQ5U4PZV8_n2M.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 25 Mar 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/10ffe132-2f33-4cb4-9e7c-17adceaedca9/diana-davis-mp3-mp3-converted.mp3" length="46746717" type="audio/mpeg"/><itunes:duration>55:39</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>24</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/382fbb71-62f8-4304-8d57-0f33af29f07c/index.html" type="text/html"/></item><item><title>Diana Cleveland Davis (Español)</title><itunes:title>Diana Cleveland Davis (Español)</itunes:title><description><![CDATA[<p class="ql-align-center"><strong>DIANA CLEVELAND DAVIS</strong></p><p class="ql-align-center"><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p><strong>4 NON-BLONDES</strong></p><p> <a href="https://es.wikipedia.org/wiki/4_Non_Blondes" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/4_Non_Blondes</a>&nbsp;</p><p><strong>VIETRISE (English only)</strong></p><p><a href="https://vietrise.org/" rel="noopener noreferrer" target="_blank">https://vietrise.org/</a></p><p><a href="https://www.facebook.com/VietRISEOC/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/VietRISEOC/</a>&nbsp;</p><p><br></p><p><strong>ORDEN DE LOS SERVITAS</strong></p><p>(español) <a href="https://es.wikipedia.org/wiki/Orden_de_los_Servitas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Orden_de_los_Servitas</a>&nbsp;</p><p><br></p><p><strong>FALTA DE VIVIENDA EN EL CONDADO DE ORANGE</strong></p><p><a href="https://www.npr.org/podcasts/1074123718/imperfect-paradise" rel="noopener noreferrer" target="_blank">https://www.npr.org/podcasts/1074123718/imperfect-paradise</a></p><p><br></p><p><strong>REBEL DÍAZ</strong></p><p> Su Sitio Web propio: <a href="https://rebeldiaz.com/" rel="noopener noreferrer" target="_blank">https://rebeldiaz.com/</a></p><p><a href="https://indypendent.org/tag/rebel-diaz/" rel="noopener noreferrer" target="_blank">https://indypendent.org/tag/rebel-diaz/</a></p><p><br></p><p><strong>EL ANARQUISMO </strong></p><p>La biblioteca anarquista: <a href="https://es.theanarchistlibrary.org/library" rel="noopener noreferrer" target="_blank">https://es.theanarchistlibrary.org/library</a>&nbsp;</p><p><br></p><p><strong>The Haymarket Riots </strong></p><p><a href="https://www.britannica.com/event/Haymarket-Affair" rel="noopener noreferrer" target="_blank">https://www.britannica.com/event/Haymarket-Affair</a></p><p><br></p><p><br></p><p><strong>Emma Goldman&nbsp;</strong></p><p>“Viviendo mi vida” <a href="https://anarquismoenpdf.tumblr.com/post/127239790553/emma-goldman-viviendo-mi-vida-2-vols" rel="noopener noreferrer" target="_blank">https://anarquismoenpdf.tumblr.com/post/127239790553/emma-goldman-viviendo-mi-vida-2-vols</a> (Hay que registrar para acceder el pdf)</p><p><br></p><p><strong>Piotr Kropotkin</strong></p><p>“El apoyo mútuo” <a href="http://www.fondation-besnard.org/IMG/pdf/kropotkin-apoyo-mutuo.pdf" rel="noopener noreferrer" target="_blank">http://www.fondation-besnard.org/IMG/pdf/kropotkin-apoyo-mutuo.pdf</a>&nbsp;</p><p>&nbsp;“Mutual Aid” <a href="https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution" rel="noopener noreferrer" target="_blank">https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution</a></p><p>“La conquista del pan” <a href="https://proletarios.org/books/Kropotkin-La_Conquista_del_pan.pdf" rel="noopener noreferrer" target="_blank">https://proletarios.org/books/Kropotkin-La_Conquista_del_pan.pdf</a>&nbsp;</p>]]></description><content:encoded><![CDATA[<p class="ql-align-center"><strong>DIANA CLEVELAND DAVIS</strong></p><p class="ql-align-center"><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p><strong>4 NON-BLONDES</strong></p><p> <a href="https://es.wikipedia.org/wiki/4_Non_Blondes" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/4_Non_Blondes</a>&nbsp;</p><p><strong>VIETRISE (English only)</strong></p><p><a href="https://vietrise.org/" rel="noopener noreferrer" target="_blank">https://vietrise.org/</a></p><p><a href="https://www.facebook.com/VietRISEOC/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/VietRISEOC/</a>&nbsp;</p><p><br></p><p><strong>ORDEN DE LOS SERVITAS</strong></p><p>(español) <a href="https://es.wikipedia.org/wiki/Orden_de_los_Servitas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Orden_de_los_Servitas</a>&nbsp;</p><p><br></p><p><strong>FALTA DE VIVIENDA EN EL CONDADO DE ORANGE</strong></p><p><a href="https://www.npr.org/podcasts/1074123718/imperfect-paradise" rel="noopener noreferrer" target="_blank">https://www.npr.org/podcasts/1074123718/imperfect-paradise</a></p><p><br></p><p><strong>REBEL DÍAZ</strong></p><p> Su Sitio Web propio: <a href="https://rebeldiaz.com/" rel="noopener noreferrer" target="_blank">https://rebeldiaz.com/</a></p><p><a href="https://indypendent.org/tag/rebel-diaz/" rel="noopener noreferrer" target="_blank">https://indypendent.org/tag/rebel-diaz/</a></p><p><br></p><p><strong>EL ANARQUISMO </strong></p><p>La biblioteca anarquista: <a href="https://es.theanarchistlibrary.org/library" rel="noopener noreferrer" target="_blank">https://es.theanarchistlibrary.org/library</a>&nbsp;</p><p><br></p><p><strong>The Haymarket Riots </strong></p><p><a href="https://www.britannica.com/event/Haymarket-Affair" rel="noopener noreferrer" target="_blank">https://www.britannica.com/event/Haymarket-Affair</a></p><p><br></p><p><br></p><p><strong>Emma Goldman&nbsp;</strong></p><p>“Viviendo mi vida” <a href="https://anarquismoenpdf.tumblr.com/post/127239790553/emma-goldman-viviendo-mi-vida-2-vols" rel="noopener noreferrer" target="_blank">https://anarquismoenpdf.tumblr.com/post/127239790553/emma-goldman-viviendo-mi-vida-2-vols</a> (Hay que registrar para acceder el pdf)</p><p><br></p><p><strong>Piotr Kropotkin</strong></p><p>“El apoyo mútuo” <a href="http://www.fondation-besnard.org/IMG/pdf/kropotkin-apoyo-mutuo.pdf" rel="noopener noreferrer" target="_blank">http://www.fondation-besnard.org/IMG/pdf/kropotkin-apoyo-mutuo.pdf</a>&nbsp;</p><p>&nbsp;“Mutual Aid” <a href="https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution" rel="noopener noreferrer" target="_blank">https://theanarchistlibrary.org/library/petr-kropotkin-mutual-aid-a-factor-of-evolution</a></p><p>“La conquista del pan” <a href="https://proletarios.org/books/Kropotkin-La_Conquista_del_pan.pdf" rel="noopener noreferrer" target="_blank">https://proletarios.org/books/Kropotkin-La_Conquista_del_pan.pdf</a>&nbsp;</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/diana-cleveland-davis]]></link><guid isPermaLink="false">cad4b3b4-74f5-497e-bbc3-0c38692e5bf7</guid><itunes:image href="https://artwork.captivate.fm/7e0c4a55-e7ca-404f-be4c-9eed5583c616/g8XP1oNs9aX-VNVp_I07gq6y.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 25 Mar 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/b57b3fc1-e755-43ad-ab4d-d5791ab89301/diana-davis-reenactment-final-master-mp3-converted.mp3" length="88609689" type="audio/mpeg"/><itunes:duration>01:01:32</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>23</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/4b24d83a-4118-4e48-8961-42f1a5a241af/index.html" type="text/html"/></item><item><title>Tiana Chambers (Original, English)</title><itunes:title>Tiana Chambers (Original, English)</itunes:title><description><![CDATA[<p>Tiana is the fifteenth of our 20 interviewees to date who came to Santa Ana from elsewhere and found home. She is dedicated to promoting and supporting local events, relations, and spaces, and has a lot to tell us about growing up, growing compassion, and growing community.</p><p class="ql-align-center"><strong>TIANA J.</strong> <strong>INTERVIEW:&nbsp;</strong></p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS</strong></p><p><strong>Tiana’s business, “Retreat yo’self” is on Instagram </strong></p><p><a href="https://instagram.com/retreatyoselves?utm_medium=copy_link" rel="noopener noreferrer" target="_blank">https://instagram.com/retreatyoselves?utm_medium=copy_link</a></p><p><strong>El Barrio Delhi (Delhi Neighborhood), Santa Ana</strong></p><p>	<a href="https://www.delhicenter.org/history%20Useful%20summary%20//" rel="noopener noreferrer" target="_blank">https://www.delhicenter.org/history Useful summary </a></p><p><strong>Courtney Perkes, “Plaques for the Pioneers.” Orange County Register, 15 May, 2008. English only.</strong></p><p>	<a href="https://www.ocregister.com/2008/05/15/plaques-for-the-pioneers/" rel="noopener noreferrer" target="_blank">https://www.ocregister.com/2008/05/15/plaques-for-the-pioneers/</a>&nbsp;</p><p><br></p><p><strong>Stater Brothers</strong>&nbsp;</p><p><a href="https://www.staterbros.com/history-of-stater-bros-markets/#:~:text=Tracing%20its%20beginnings%20back%20to,business%20on%20August%2017%2C%201936" rel="noopener noreferrer" target="_blank">https://www.staterbros.com/history-of-stater-bros-markets/#:~:text=Tracing%20its%20beginnings%20back%20to,business%20on%20August%2017%2C%201936</a> </p><p><br></p><p><strong>Fleet Foxes&nbsp;</strong></p><p>	&nbsp;<a href="https://en.wikipedia.org/wiki/Fleet_Foxes" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Fleet_Foxes</a> (English)</p><p>	<a href="https://es.wikipedia.org/wiki/Fleet_Foxes" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Fleet_Foxes</a> (español)</p><p><br></p><p><strong>José Gónzalez</strong></p><p>	&nbsp;<a href="https://en.wikipedia.org/wiki/Jos%C3%A9_Gonz%C3%A1lez_(singer)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Jos%C3%A9_Gonz%C3%A1lez_(singer)</a> (English)</p><p>Interview and article – English only</p><p>	<a href="https://www.pastemagazine.com/music/jose-gonz-lez/jose-gonzalez-local-valley-interview/#:~:text=Though%20he%20works%20out%20in,vein%20as%20his%20earlier%20work" rel="noopener noreferrer" target="_blank">https://www.pastemagazine.com/music/jose-gonz-lez/jose-gonzalez-local-valley-interview/#:~:text=Though%20he%20works%20out%20in,vein%20as%20his%20earlier%20work</a>.&nbsp;</p><p><br></p><p><strong>Community gardens (overview):</strong>&nbsp;</p><p>	<a href="https://mgorange.ucanr.edu/General-Gardening/Community_Gardens/" rel="noopener noreferrer" target="_blank">https://mgorange.ucanr.edu/General-Gardening/Community_Gardens/</a> – English only</p>]]></description><content:encoded><![CDATA[<p>Tiana is the fifteenth of our 20 interviewees to date who came to Santa Ana from elsewhere and found home. She is dedicated to promoting and supporting local events, relations, and spaces, and has a lot to tell us about growing up, growing compassion, and growing community.</p><p class="ql-align-center"><strong>TIANA J.</strong> <strong>INTERVIEW:&nbsp;</strong></p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS</strong></p><p><strong>Tiana’s business, “Retreat yo’self” is on Instagram </strong></p><p><a href="https://instagram.com/retreatyoselves?utm_medium=copy_link" rel="noopener noreferrer" target="_blank">https://instagram.com/retreatyoselves?utm_medium=copy_link</a></p><p><strong>El Barrio Delhi (Delhi Neighborhood), Santa Ana</strong></p><p>	<a href="https://www.delhicenter.org/history%20Useful%20summary%20//" rel="noopener noreferrer" target="_blank">https://www.delhicenter.org/history Useful summary </a></p><p><strong>Courtney Perkes, “Plaques for the Pioneers.” Orange County Register, 15 May, 2008. English only.</strong></p><p>	<a href="https://www.ocregister.com/2008/05/15/plaques-for-the-pioneers/" rel="noopener noreferrer" target="_blank">https://www.ocregister.com/2008/05/15/plaques-for-the-pioneers/</a>&nbsp;</p><p><br></p><p><strong>Stater Brothers</strong>&nbsp;</p><p><a href="https://www.staterbros.com/history-of-stater-bros-markets/#:~:text=Tracing%20its%20beginnings%20back%20to,business%20on%20August%2017%2C%201936" rel="noopener noreferrer" target="_blank">https://www.staterbros.com/history-of-stater-bros-markets/#:~:text=Tracing%20its%20beginnings%20back%20to,business%20on%20August%2017%2C%201936</a> </p><p><br></p><p><strong>Fleet Foxes&nbsp;</strong></p><p>	&nbsp;<a href="https://en.wikipedia.org/wiki/Fleet_Foxes" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Fleet_Foxes</a> (English)</p><p>	<a href="https://es.wikipedia.org/wiki/Fleet_Foxes" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Fleet_Foxes</a> (español)</p><p><br></p><p><strong>José Gónzalez</strong></p><p>	&nbsp;<a href="https://en.wikipedia.org/wiki/Jos%C3%A9_Gonz%C3%A1lez_(singer)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Jos%C3%A9_Gonz%C3%A1lez_(singer)</a> (English)</p><p>Interview and article – English only</p><p>	<a href="https://www.pastemagazine.com/music/jose-gonz-lez/jose-gonzalez-local-valley-interview/#:~:text=Though%20he%20works%20out%20in,vein%20as%20his%20earlier%20work" rel="noopener noreferrer" target="_blank">https://www.pastemagazine.com/music/jose-gonz-lez/jose-gonzalez-local-valley-interview/#:~:text=Though%20he%20works%20out%20in,vein%20as%20his%20earlier%20work</a>.&nbsp;</p><p><br></p><p><strong>Community gardens (overview):</strong>&nbsp;</p><p>	<a href="https://mgorange.ucanr.edu/General-Gardening/Community_Gardens/" rel="noopener noreferrer" target="_blank">https://mgorange.ucanr.edu/General-Gardening/Community_Gardens/</a> – English only</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/tiana-chambers]]></link><guid isPermaLink="false">6d9c219f-32d6-458c-9b5f-f77f2f6ae272</guid><itunes:image href="https://artwork.captivate.fm/cc8f97fc-fffc-4f0e-894b-060f9f320201/zyIgoB4uaTby406TwNvrLc7G.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 25 Feb 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/1e5bd7a4-a162-45ae-8c0f-f885bb430685/tiana-chambers-mp3.mp3" length="59684088" type="audio/mpeg"/><itunes:duration>01:04:12</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>22</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/a0aba2e8-e69d-495b-995a-0fa410f578ba/index.html" type="text/html"/></item><item><title>Tiana Chambers (Español)</title><itunes:title>Tiana Chambers (Español)</itunes:title><description><![CDATA[<p>Tiana es la décimo-quinta de nuestrxs 20 entrevistadxs hasta la fecha que llegaron a Santa Ana desde otra parte, y aquí encontró su casa. Se dedica al fomento y apoyo de eventos, relaciones, y espacios locales, y tiene mucho que compartir con nosotrxs en torno a los procesos de madurarse, desarrollar la compasión, y desarrollar comunidad.</p><p><strong>TIANA CHAMBERS</strong> <strong>INTERVIEW:&nbsp;BIBLIOGRAFÍA y ENLACES</strong></p><p><br></p><p><strong>Tiana’s business, “Retreat yo’self” está en Instagram (pero sólo en inglés)</strong></p><p><a href="https://instagram.com/retreatyoselves?utm_medium=copy_link" rel="noopener noreferrer" target="_blank">https://instagram.com/retreatyoselves?utm_medium=copy_link</a></p><p><br></p><p><strong>El Barrio Delhi (Delhi Neighborhood), Santa Ana</strong></p><p><a href="https://www.delhicenter.org/history%20Useful%20summary%20//" rel="noopener noreferrer" target="_blank">https://www.delhicenter.org/history </a> - resumen útil </p><p><br></p><p>Courtney Perkes, “Plaques for the Pioneers.” Orange County Register, 15 May, 2008. English only.</p><p><a href="https://www.ocregister.com/2008/05/15/plaques-for-the-pioneers/" rel="noopener noreferrer" target="_blank">https://www.ocregister.com/2008/05/15/plaques-for-the-pioneers/</a>&nbsp;</p><p><br></p><p><strong>Stater Brothers</strong>&nbsp;</p><p><a href="https://www.staterbros.com/history-of-stater-bros-markets/#:~:text=Tracing%20its%20beginnings%20back%20to,business%20on%20August%2017%2C%201936" rel="noopener noreferrer" target="_blank">https://www.staterbros.com/history-of-stater-bros-markets/#:~:text=Tracing%20its%20beginnings%20back%20to,business%20on%20August%2017%2C%201936</a> – en inglés solamente</p><p><br></p><p><strong>Fleet Foxes</strong></p><p><a href="https://es.wikipedia.org/wiki/Fleet_Foxes" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Fleet_Foxes</a> (español)</p><p><br></p><p><strong>José Gónzalez</strong></p><p>&nbsp;<a href="https://en.wikipedia.org/wiki/Jos%C3%A9_Gonz%C3%A1lez_(singer)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Jos%C3%A9_Gonz%C3%A1lez_(singer)</a> – en inglés solamente</p><p><br></p><p>Entrevista y artículo – en inglés solamente</p><p><a href="https://www.pastemagazine.com/music/jose-gonz-lez/jose-gonzalez-local-valley-interview/#:~:text=Though%20he%20works%20out%20in,vein%20as%20his%20earlier%20work" rel="noopener noreferrer" target="_blank">https://www.pastemagazine.com/music/jose-gonz-lez/jose-gonzalez-local-valley-interview/#:~:text=Though%20he%20works%20out%20in,vein%20as%20his%20earlier%20work</a>.&nbsp;</p><p><br></p><p><strong>Sobremirada de jardines comunitarios de Santa Ana :</strong>&nbsp;</p><p><a href="https://mgorange.ucanr.edu/General-Gardening/Community_Gardens/" rel="noopener noreferrer" target="_blank">https://mgorange.ucanr.edu/General-Gardening/Community_Gardens/</a> – en inglés solamente</p>]]></description><content:encoded><![CDATA[<p>Tiana es la décimo-quinta de nuestrxs 20 entrevistadxs hasta la fecha que llegaron a Santa Ana desde otra parte, y aquí encontró su casa. Se dedica al fomento y apoyo de eventos, relaciones, y espacios locales, y tiene mucho que compartir con nosotrxs en torno a los procesos de madurarse, desarrollar la compasión, y desarrollar comunidad.</p><p><strong>TIANA CHAMBERS</strong> <strong>INTERVIEW:&nbsp;BIBLIOGRAFÍA y ENLACES</strong></p><p><br></p><p><strong>Tiana’s business, “Retreat yo’self” está en Instagram (pero sólo en inglés)</strong></p><p><a href="https://instagram.com/retreatyoselves?utm_medium=copy_link" rel="noopener noreferrer" target="_blank">https://instagram.com/retreatyoselves?utm_medium=copy_link</a></p><p><br></p><p><strong>El Barrio Delhi (Delhi Neighborhood), Santa Ana</strong></p><p><a href="https://www.delhicenter.org/history%20Useful%20summary%20//" rel="noopener noreferrer" target="_blank">https://www.delhicenter.org/history </a> - resumen útil </p><p><br></p><p>Courtney Perkes, “Plaques for the Pioneers.” Orange County Register, 15 May, 2008. English only.</p><p><a href="https://www.ocregister.com/2008/05/15/plaques-for-the-pioneers/" rel="noopener noreferrer" target="_blank">https://www.ocregister.com/2008/05/15/plaques-for-the-pioneers/</a>&nbsp;</p><p><br></p><p><strong>Stater Brothers</strong>&nbsp;</p><p><a href="https://www.staterbros.com/history-of-stater-bros-markets/#:~:text=Tracing%20its%20beginnings%20back%20to,business%20on%20August%2017%2C%201936" rel="noopener noreferrer" target="_blank">https://www.staterbros.com/history-of-stater-bros-markets/#:~:text=Tracing%20its%20beginnings%20back%20to,business%20on%20August%2017%2C%201936</a> – en inglés solamente</p><p><br></p><p><strong>Fleet Foxes</strong></p><p><a href="https://es.wikipedia.org/wiki/Fleet_Foxes" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Fleet_Foxes</a> (español)</p><p><br></p><p><strong>José Gónzalez</strong></p><p>&nbsp;<a href="https://en.wikipedia.org/wiki/Jos%C3%A9_Gonz%C3%A1lez_(singer)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Jos%C3%A9_Gonz%C3%A1lez_(singer)</a> – en inglés solamente</p><p><br></p><p>Entrevista y artículo – en inglés solamente</p><p><a href="https://www.pastemagazine.com/music/jose-gonz-lez/jose-gonzalez-local-valley-interview/#:~:text=Though%20he%20works%20out%20in,vein%20as%20his%20earlier%20work" rel="noopener noreferrer" target="_blank">https://www.pastemagazine.com/music/jose-gonz-lez/jose-gonzalez-local-valley-interview/#:~:text=Though%20he%20works%20out%20in,vein%20as%20his%20earlier%20work</a>.&nbsp;</p><p><br></p><p><strong>Sobremirada de jardines comunitarios de Santa Ana :</strong>&nbsp;</p><p><a href="https://mgorange.ucanr.edu/General-Gardening/Community_Gardens/" rel="noopener noreferrer" target="_blank">https://mgorange.ucanr.edu/General-Gardening/Community_Gardens/</a> – en inglés solamente</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/tiana-chambers]]></link><guid isPermaLink="false">4909190e-57b9-4774-aa60-726ca6818b45</guid><itunes:image href="https://artwork.captivate.fm/2c8d0b65-2e39-4f7d-8b57-2671ea4a2bf5/A72jlPBgmBc5XmqGByY-nVGF.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 25 Feb 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/ac7d6b19-0f49-46cd-97b0-600484675d9c/tiana-project-master-pre-qc.mp3" length="99668963" type="audio/mpeg"/><itunes:duration>01:08:28</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>22</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/d59858b7-28ff-47f6-9f95-ee000160a27f/index.html" type="text/html"/></item><item><title>Carmelo Cantorán (Original, Español)</title><itunes:title>Carmelo Cantorán (Original, Español)</itunes:title><description><![CDATA[<p>Padre de familia, vendedor ambulante, y filósofo de afición, Carmelo comparte unas canciones inspiradoras que le han sostenido en el trayecto de vida, así como sus estrategias para alcanzar los sueños y dejar un buen legado en este mundo.</p><p class="ql-align-center"><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p><strong><em>_____________________________________________</em></strong></p><p><strong><em>Libros y oradores motivacionales</em></strong></p><p>Hay por lo menos dos versiones españolas: <em>La magia de pensar en grande</em>, y <em>Pensar en Grande: La Magia del Exito.&nbsp;</em></p><p>Ambas editadas por Herrero Hermanos, Sucs., S. A.&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/The_Magic_of_Thinking_Big" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Magic_of_Thinking_Big</a></p><p><a href="https://en.wikipedia.org/wiki/Alex_Dey" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Alex_Dey</a></p><p>Estudios en torno a la literatura motivacional y la identidad migrante:</p><ul><li>Effing, Mercè Mur. "The Origin and Development of Self-help Literature in the United States: The Concept of Success and Happiness, an Overview/El Origen y Desarrollo de la Literatura de Auto-Ayuda en los Estados Unidos: El Concepto de Éxito y Felicidad. Vision General."&nbsp;<em>Atlantis</em>&nbsp;(2009): 125-141. (artículo bilingüe)</li></ul><br/><p><br></p><p><strong><em>_____________________________________________</em></strong></p><p><strong><em>The Script (band)</em></strong></p><p><a href="https://en.wikipedia.org/wiki/The_Script" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Script</a>&nbsp;</p>]]></description><content:encoded><![CDATA[<p>Padre de familia, vendedor ambulante, y filósofo de afición, Carmelo comparte unas canciones inspiradoras que le han sostenido en el trayecto de vida, así como sus estrategias para alcanzar los sueños y dejar un buen legado en este mundo.</p><p class="ql-align-center"><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p><strong><em>_____________________________________________</em></strong></p><p><strong><em>Libros y oradores motivacionales</em></strong></p><p>Hay por lo menos dos versiones españolas: <em>La magia de pensar en grande</em>, y <em>Pensar en Grande: La Magia del Exito.&nbsp;</em></p><p>Ambas editadas por Herrero Hermanos, Sucs., S. A.&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/The_Magic_of_Thinking_Big" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Magic_of_Thinking_Big</a></p><p><a href="https://en.wikipedia.org/wiki/Alex_Dey" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Alex_Dey</a></p><p>Estudios en torno a la literatura motivacional y la identidad migrante:</p><ul><li>Effing, Mercè Mur. "The Origin and Development of Self-help Literature in the United States: The Concept of Success and Happiness, an Overview/El Origen y Desarrollo de la Literatura de Auto-Ayuda en los Estados Unidos: El Concepto de Éxito y Felicidad. Vision General."&nbsp;<em>Atlantis</em>&nbsp;(2009): 125-141. (artículo bilingüe)</li></ul><br/><p><br></p><p><strong><em>_____________________________________________</em></strong></p><p><strong><em>The Script (band)</em></strong></p><p><a href="https://en.wikipedia.org/wiki/The_Script" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Script</a>&nbsp;</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/carmelo-cantoran]]></link><guid isPermaLink="false">ed92ecf2-80a8-45c8-8552-bb731e694000</guid><itunes:image href="https://artwork.captivate.fm/3b0d70a3-244f-49cf-aa5b-516cb8569ff7/CxynfoJ6A_7SsrHfJ9X_S_Di.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 28 Jan 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/235da0c6-67f0-41c5-bab3-55995200bbd6/carmelo-espanol-final-master.mp3" length="73969370" type="audio/mpeg"/><itunes:duration>51:22</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>21</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/cd349c70-dbba-4c2e-8a15-634d6eed225f/index.html" type="text/html"/></item><item><title>Carmelo Cantorán (English)</title><itunes:title>Carmelo Cantorán (English)</itunes:title><description><![CDATA[<p>Head of a family, street vendor, and amateur philosopher, Carmelo shares inspirational songs that have sustained him in his life voyage, as well as his strategies for realizing one’s dreams and leaving a good legacy in this world.</p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS</strong></p><p><strong><em>_____________________________________________</em></strong></p><p><em>The Magic of Thinking Big, </em>by David Schwartz (1959)</p><p>Simon &amp; Schuster website: <a href="https://www.simonandschuster.com/books/The-Magic-of-Thinking-Big/David-Schwartz/9781501118210" rel="noopener noreferrer" target="_blank">https://www.simonandschuster.com/books/The-Magic-of-Thinking-Big/David-Schwartz/9781501118210</a></p><ul><li>remember not to order through Amazon! Their labor practices are terrible ☺</li></ul><br/><p><br></p><p><a href="https://en.wikipedia.org/wiki/The_Magic_of_Thinking_Big" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Magic_of_Thinking_Big</a></p><p><a href="https://en.wikipedia.org/wiki/Alex_Dey" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Alex_Dey</a></p><p><br></p><p>Studies of motivational literature and migrant identity:</p><ul><li>Woodstock, Louise. "Vying constructions of reality: religion, science, and ‘positive thinking’ in self-help literature."&nbsp;<em>Journal of Media and Religion</em>&nbsp;4.3 (2005): 155-178.</li><li>McLean, Scott. "The cultural logic of precariousness and the marginalization of the sociological imagination: Signs from Mexican self‐help books."&nbsp;<em>Canadian Review of Sociology/Revue canadienne de sociologie</em>&nbsp;(2022).</li><li>Effing, Mercè Mur. "The Origin and Development of Self-help Literature in the United States: The Concept of Success and Happiness, an Overview/El Origen y Desarrollo de la Literatura de Auto-Ayuda en los Estados Unidos: El Concepto de Éxito y Felicidad. Vision General."&nbsp;<em>Atlantis</em>&nbsp;(2009): 125-141. (artículo bilingüe)</li></ul><br/><p><br></p><p><strong><em>_____________________________________________</em></strong></p><p><strong><em>The Script (band)</em></strong></p><p><br></p><p><a href="https://en.wikipedia.org/wiki/The_Script" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Script</a>&nbsp;</p><p><br></p>]]></description><content:encoded><![CDATA[<p>Head of a family, street vendor, and amateur philosopher, Carmelo shares inspirational songs that have sustained him in his life voyage, as well as his strategies for realizing one’s dreams and leaving a good legacy in this world.</p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS</strong></p><p><strong><em>_____________________________________________</em></strong></p><p><em>The Magic of Thinking Big, </em>by David Schwartz (1959)</p><p>Simon &amp; Schuster website: <a href="https://www.simonandschuster.com/books/The-Magic-of-Thinking-Big/David-Schwartz/9781501118210" rel="noopener noreferrer" target="_blank">https://www.simonandschuster.com/books/The-Magic-of-Thinking-Big/David-Schwartz/9781501118210</a></p><ul><li>remember not to order through Amazon! Their labor practices are terrible ☺</li></ul><br/><p><br></p><p><a href="https://en.wikipedia.org/wiki/The_Magic_of_Thinking_Big" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Magic_of_Thinking_Big</a></p><p><a href="https://en.wikipedia.org/wiki/Alex_Dey" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Alex_Dey</a></p><p><br></p><p>Studies of motivational literature and migrant identity:</p><ul><li>Woodstock, Louise. "Vying constructions of reality: religion, science, and ‘positive thinking’ in self-help literature."&nbsp;<em>Journal of Media and Religion</em>&nbsp;4.3 (2005): 155-178.</li><li>McLean, Scott. "The cultural logic of precariousness and the marginalization of the sociological imagination: Signs from Mexican self‐help books."&nbsp;<em>Canadian Review of Sociology/Revue canadienne de sociologie</em>&nbsp;(2022).</li><li>Effing, Mercè Mur. "The Origin and Development of Self-help Literature in the United States: The Concept of Success and Happiness, an Overview/El Origen y Desarrollo de la Literatura de Auto-Ayuda en los Estados Unidos: El Concepto de Éxito y Felicidad. Vision General."&nbsp;<em>Atlantis</em>&nbsp;(2009): 125-141. (artículo bilingüe)</li></ul><br/><p><br></p><p><strong><em>_____________________________________________</em></strong></p><p><strong><em>The Script (band)</em></strong></p><p><br></p><p><a href="https://en.wikipedia.org/wiki/The_Script" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Script</a>&nbsp;</p><p><br></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/carmelo-cantoran]]></link><guid isPermaLink="false">06f544f3-85ef-45f3-af86-081ce5385b13</guid><itunes:image href="https://artwork.captivate.fm/d2a3e5b4-c879-48c9-81fb-a6e87283d4c5/ug9EcUnx1Y7_4OzjC1REXhY7.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 28 Jan 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/e9403ba8-2757-420b-801d-00e57b820cd4/carmelo-cantoran-mp3.mp3" length="37642608" type="audio/mpeg"/><itunes:duration>37:44</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>21</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/c45e416d-5af7-4061-8387-d0f00caabc16/index.html" type="text/html"/></item><item><title>Reflections (English)</title><itunes:title>Reflections (English)</itunes:title><description><![CDATA[<p>Our Program Host Elisabeth Le Guin brings in the New Year with a lightning review of our first 9 months of production, accompanied by the most varied playlist imaginable: no fewer than 34 songs chosen by our interviewees!</p><p>https://feeds.captivate.fm/siyofuera/</p>]]></description><content:encoded><![CDATA[<p>Our Program Host Elisabeth Le Guin brings in the New Year with a lightning review of our first 9 months of production, accompanied by the most varied playlist imaginable: no fewer than 34 songs chosen by our interviewees!</p><p>https://feeds.captivate.fm/siyofuera/</p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/reflections]]></link><guid isPermaLink="false">54bcfd63-5739-4c7d-97ac-3fe10fd58c6c</guid><itunes:image href="https://artwork.captivate.fm/a29d0821-ae95-4ac1-9ab5-69d67f08f294/pJRkNd1MbVV8gJYuOMo2bb1W.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 07 Jan 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/103e90fb-9e4e-4c3b-9437-489fd806dba2/reflections-mp3.mp3" length="40216464" type="audio/mpeg"/><itunes:duration>33:12</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>20</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/7104e6e9-25ed-49ae-a4d8-3083251e4199/index.html" type="text/html"/></item><item><title>Reflecciones (Español)</title><itunes:title>Reflecciones (Español)</itunes:title><description><![CDATA[<p>Nuestra anfitriona de programa, Elisabeth Le Guin, inaugura el Año Nuevo con un recorrido de relámpago sobre los primeros 9 meses de nuestro proyecto, acompañada por el playlist más variado que se puede imaginar: ¡no menos que 34 canciones, elegidas por nuestrxs entrevistadxs!</p><p>https://feeds.captivate.fm/siyofuera/</p>]]></description><content:encoded><![CDATA[<p>Nuestra anfitriona de programa, Elisabeth Le Guin, inaugura el Año Nuevo con un recorrido de relámpago sobre los primeros 9 meses de nuestro proyecto, acompañada por el playlist más variado que se puede imaginar: ¡no menos que 34 canciones, elegidas por nuestrxs entrevistadxs!</p><p>https://feeds.captivate.fm/siyofuera/</p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/reflections]]></link><guid isPermaLink="false">9a823f47-3986-4d21-a020-ca92db663d69</guid><itunes:image href="https://artwork.captivate.fm/b168e437-3b76-4806-9863-1bed2685c1dd/a4xKsfjUzMkmYaoV2Fc264FG.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 07 Jan 2022 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/a834313d-df8c-4138-a90e-5c143c7bf994/reflections-episode-final-master.mp3" length="53809527" type="audio/mpeg"/><itunes:duration>37:22</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>20</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/df1fdb53-cf7a-401e-a304-2353cd38ae0e/index.html" type="text/html"/></item><item><title>Marilynn Montaño (Original, English)</title><itunes:title>Marilynn Montaño (Original, English)</itunes:title><description><![CDATA[<p>This self-described “library kid” went on to practice journalism with local newspapers, and now works with Libromobile, currently Santa Ana’s only independent bookstore. Marilynn talks to us about the tensions that arise between reporting on a community and belonging to it, and about her hopes for Downtown Santa Ana, a contested area due to gentrification, and the cultural projects that are trying to maintain a presence there.</p><p>______________________________________________________________________</p><p><strong>BIBLIOGRAPHY AND LINKS</strong></p><p><strong>LIBROMOBILE</strong></p><p>220 E 4th St #107, Santa Ana, CA 92701</p><p>(in the alley between 4th &amp; Spurgeon)</p><p>A literary arts co-op &amp; bookstore</p><p>Open Tuesdays to Saturday from 12-6pm &amp; until 9pm during Art Walk (the 1st Saturday of the month)</p><p class="ql-align-center">Instagram: @libromobile&nbsp; -- Web <a href="https://www.libromobile.com/" rel="noopener noreferrer" target="_blank">https://www.libromobile.com/</a></p><p class="ql-align-center">_____________________________________________________________________</p><p><strong>CREAR STUDIO&nbsp;</strong></p><p>222 W. 5th Street, Santa Ana, Ca 92701</p><p>A free interdisciplinary art gallery &amp; community space</p><p>Open Thursday &amp; Friday from 4-7pm;&nbsp; Saturdays from 12-4pm. By appointment all other days &amp; times.&nbsp;</p><p><a href="https://linktr.ee/crearstudio" rel="noopener noreferrer" target="_blank">https://linktr.ee/crearstudio</a></p><p><strong>Exhibit and virtual tour:</strong></p><p>Albert López, “El Baile del Dolar Que Nunca Tuve” (The Dance of the Dollar I Never Had) </p><p class="ql-align-center"><a href="https://www.libromobile.com/bipoc-art-spaces" rel="noopener noreferrer" target="_blank">https://www.libromobile.com/bipoc-art-spaces</a></p><p>_______________________________________________________________________</p><p class="ql-align-center"><strong>BARRIO WRITERS</strong></p><p>Instagram: @barriowriters -- Web <a href="https://www.barriowriters.org/" rel="noopener noreferrer" target="_blank">https://www.barriowriters.org/</a></p><p>A creative writing program which provides free college-level writing workshops in Orange County, CA.&nbsp;Their slogan is “Empowering Teens through Creative Writing”</p><p>A non-profit program that offers workshops and additional one-on-one tutor hours. Participants build skills in reading, grammar, creative writing, critical thinking and freedom of expression through cultural arts. The session includes guest writers, who serve as role models in our neighborhoods and support youth aspirations.</p><p>_______________________________________________________________________</p><p><strong>SAAC, SANTA ANA ARTS COOPERATIVE</strong></p><p>17th &amp; Main, Santa Ana</p><p>Low-income artist housing, currently suffering problems with security and management</p><p><a href="https://www.latimes.com/california/story/2021-10-17/santa-ana-arts-housing-complex-with-price-of-living-in-fear" rel="noopener noreferrer" target="_blank">https://www.latimes.com/california/story/2021-10-17/santa-ana-arts-housing-complex-with-price-of-living-in-fear</a></p><p>______________________________________________________________________</p><p>Wiegand, Wayne A. <em>A Part of Our Lives: A History of the American Public Library</em> (Oxford University press, 2015)</p><p>Overviews about US American public libraries</p><p><a href="https://publiclibraries.com/" rel="noopener noreferrer" target="_blank">https://publiclibraries.com/</a></p><p><a href="https://en.wikipedia.org/wiki/Public_libraries_in_North_America" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Public_libraries_in_North_America</a></p><p><br></p><p><br></p><p class="ql-align-center"><br></p><p><br></p><p><br></p><p><br></p>]]></description><content:encoded><![CDATA[<p>This self-described “library kid” went on to practice journalism with local newspapers, and now works with Libromobile, currently Santa Ana’s only independent bookstore. Marilynn talks to us about the tensions that arise between reporting on a community and belonging to it, and about her hopes for Downtown Santa Ana, a contested area due to gentrification, and the cultural projects that are trying to maintain a presence there.</p><p>______________________________________________________________________</p><p><strong>BIBLIOGRAPHY AND LINKS</strong></p><p><strong>LIBROMOBILE</strong></p><p>220 E 4th St #107, Santa Ana, CA 92701</p><p>(in the alley between 4th &amp; Spurgeon)</p><p>A literary arts co-op &amp; bookstore</p><p>Open Tuesdays to Saturday from 12-6pm &amp; until 9pm during Art Walk (the 1st Saturday of the month)</p><p class="ql-align-center">Instagram: @libromobile&nbsp; -- Web <a href="https://www.libromobile.com/" rel="noopener noreferrer" target="_blank">https://www.libromobile.com/</a></p><p class="ql-align-center">_____________________________________________________________________</p><p><strong>CREAR STUDIO&nbsp;</strong></p><p>222 W. 5th Street, Santa Ana, Ca 92701</p><p>A free interdisciplinary art gallery &amp; community space</p><p>Open Thursday &amp; Friday from 4-7pm;&nbsp; Saturdays from 12-4pm. By appointment all other days &amp; times.&nbsp;</p><p><a href="https://linktr.ee/crearstudio" rel="noopener noreferrer" target="_blank">https://linktr.ee/crearstudio</a></p><p><strong>Exhibit and virtual tour:</strong></p><p>Albert López, “El Baile del Dolar Que Nunca Tuve” (The Dance of the Dollar I Never Had) </p><p class="ql-align-center"><a href="https://www.libromobile.com/bipoc-art-spaces" rel="noopener noreferrer" target="_blank">https://www.libromobile.com/bipoc-art-spaces</a></p><p>_______________________________________________________________________</p><p class="ql-align-center"><strong>BARRIO WRITERS</strong></p><p>Instagram: @barriowriters -- Web <a href="https://www.barriowriters.org/" rel="noopener noreferrer" target="_blank">https://www.barriowriters.org/</a></p><p>A creative writing program which provides free college-level writing workshops in Orange County, CA.&nbsp;Their slogan is “Empowering Teens through Creative Writing”</p><p>A non-profit program that offers workshops and additional one-on-one tutor hours. Participants build skills in reading, grammar, creative writing, critical thinking and freedom of expression through cultural arts. The session includes guest writers, who serve as role models in our neighborhoods and support youth aspirations.</p><p>_______________________________________________________________________</p><p><strong>SAAC, SANTA ANA ARTS COOPERATIVE</strong></p><p>17th &amp; Main, Santa Ana</p><p>Low-income artist housing, currently suffering problems with security and management</p><p><a href="https://www.latimes.com/california/story/2021-10-17/santa-ana-arts-housing-complex-with-price-of-living-in-fear" rel="noopener noreferrer" target="_blank">https://www.latimes.com/california/story/2021-10-17/santa-ana-arts-housing-complex-with-price-of-living-in-fear</a></p><p>______________________________________________________________________</p><p>Wiegand, Wayne A. <em>A Part of Our Lives: A History of the American Public Library</em> (Oxford University press, 2015)</p><p>Overviews about US American public libraries</p><p><a href="https://publiclibraries.com/" rel="noopener noreferrer" target="_blank">https://publiclibraries.com/</a></p><p><a href="https://en.wikipedia.org/wiki/Public_libraries_in_North_America" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Public_libraries_in_North_America</a></p><p><br></p><p><br></p><p class="ql-align-center"><br></p><p><br></p><p><br></p><p><br></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/marilynn-montano]]></link><guid isPermaLink="false">a5bbb5b2-1d84-44aa-a0c8-9e934436c6ab</guid><itunes:image href="https://artwork.captivate.fm/302b075d-881b-4e77-9b64-a628bea69597/sq3jvuya7lU_D-UjLEWL_cyb.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 03 Dec 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/e7a5bc0d-428b-4913-8d37-dfeedce14609/marilynn-montano-mp3.mp3" length="46079544" type="audio/mpeg"/><itunes:duration>49:33</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>19</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/64042bb4-6bbb-4d8b-a168-c2ca4d86e547/index.html" type="text/html"/></item><item><title>Marilynn Montaño (Español)</title><itunes:title>Marilynn Montaño (Español)</itunes:title><description><![CDATA[<p>Después de una juventud como “chava de biblioteca,” Marilynn llegó a hacer reportajes con varios periódicos locales; ahora trabaja con Libromobile, actualmente la única librería independiente en Santa Ana. Nos habla de las tensiones que surgen entre pertenecer a una comunidad, y reportar sobre ella, y explora sus esperanzas para el “downtown” de Santa Ana -- área disputada a causa de la gentrificación -- y los proyectos culturales que luchan para mantener una presencia comunitaria en esa zona. </p><p>_____________________________________________________</p><p><strong>LIBROMOBILE</strong></p><p>220 E 4th St #107, Santa Ana, CA 92701</p><p>(en el callejón entre la calle 4 y Spurgeon)</p><p>Una cooperativa de artes literarias y librería</p><p>Abierto los martes-sábado, 12-6, y hasta las 9 de la noche los primeros sábados del mes (ArtWalk)</p><p>Instagram: @libromobile&nbsp; -- Web <a href="https://www.libromobile.com/" rel="noopener noreferrer" target="_blank">https://www.libromobile.com/</a></p><p>_____________________________________________________________</p><p><strong>CREAR STUDIO&nbsp;</strong></p><p>222 W. 5th Street, Santa Ana, Ca 92701</p><p>Una galería y espacio comunitario interdisciplinario gratuito</p><p>Abierto los jueves y viernes, 4-7 de la tarde; otras horas por cita</p><p><a href="https://linktr.ee/crearstudio" rel="noopener noreferrer" target="_blank">https://linktr.ee/crearstudio</a></p><p><strong>Exposición y guía virtual:</strong></p><p>Albert López, “El Baile del Dolar Que Nunca Tuve” </p><p><a href="https://www.libromobile.com/bipoc-art-spaces" rel="noopener noreferrer" target="_blank">https://www.libromobile.com/bipoc-art-spaces</a></p><p>_________________________________________________________________________</p><p><strong>BARRIO WRITERS (ESCRITORXS DE BARRIO)</strong>&nbsp;</p><p>Instagram: @barriowriters -- Web <a href="https://www.barriowriters.org/" rel="noopener noreferrer" target="_blank">https://www.barriowriters.org/</a></p><p>Un programa que ofrece talleres gratis de la escritura creativa a jóvenes en el Condado de Orange, California. Su lema es “Empoderar a lxs adolescentes a través de la escritura creativa.”</p><p>Es un programa sin fines de lucro que ofrece talleres de nivel universitario, así como asesoría personal. Lxs participantes trabajan y fortalecen sus habilidades en la lectura, la gramática, la escritura creativa, el pensamiento crítico, y la libertad de expresión a través de las artes culturales. Las sesiones duran una semana e incluyen visitas de escritorxs establecidxs que sirven como modelos para las aspiraciones de lxs jóvenes.</p><p>______________________________________________________________________</p><p><strong>SAAC, SANTA ANA ARTS COOPERATIVE</strong></p><p>17th &amp; Main, Santa Ana</p><p>Vivienda de bajo costo para artistas, actualmente con problemas de seguridad (artículo en inglés)</p><p><a href="https://www.latimes.com/california/story/2021-10-17/santa-ana-arts-housing-complex-with-price-of-living-in-fear" rel="noopener noreferrer" target="_blank">https://www.latimes.com/california/story/2021-10-17/santa-ana-arts-housing-complex-with-price-of-living-in-fear</a></p><p>__________________________________________________________________________</p><p><strong>LAS BIBLIOTECAS PÚBLICAS</strong></p><p><strong>En México&nbsp;</strong></p><p>Rosa María Fernández de Zamora, “La historia de las bibliotecas en México, un tema olvidado.”<a href="https://origin-archive.ifla.org/IV/ifla60/60-ferr.htm" rel="noopener noreferrer" target="_blank"> https://origin-archive.ifla.org/IV/ifla60/60-ferr.htm</a></p><p>Resumen de información sobre la Red Nacional de Bibliotecas Públicas en México&nbsp;</p><p><a href="https://www.gob.mx/cultura/acciones-y-programas/red-nacional-de-bibliotecas-publicas" rel="noopener noreferrer" target="_blank">https://www.gob.mx/cultura/acciones-y-programas/red-nacional-de-bibliotecas-publicas</a></p><p>La Biblioteca Palafoxiana</p><p><a...]]></description><content:encoded><![CDATA[<p>Después de una juventud como “chava de biblioteca,” Marilynn llegó a hacer reportajes con varios periódicos locales; ahora trabaja con Libromobile, actualmente la única librería independiente en Santa Ana. Nos habla de las tensiones que surgen entre pertenecer a una comunidad, y reportar sobre ella, y explora sus esperanzas para el “downtown” de Santa Ana -- área disputada a causa de la gentrificación -- y los proyectos culturales que luchan para mantener una presencia comunitaria en esa zona. </p><p>_____________________________________________________</p><p><strong>LIBROMOBILE</strong></p><p>220 E 4th St #107, Santa Ana, CA 92701</p><p>(en el callejón entre la calle 4 y Spurgeon)</p><p>Una cooperativa de artes literarias y librería</p><p>Abierto los martes-sábado, 12-6, y hasta las 9 de la noche los primeros sábados del mes (ArtWalk)</p><p>Instagram: @libromobile&nbsp; -- Web <a href="https://www.libromobile.com/" rel="noopener noreferrer" target="_blank">https://www.libromobile.com/</a></p><p>_____________________________________________________________</p><p><strong>CREAR STUDIO&nbsp;</strong></p><p>222 W. 5th Street, Santa Ana, Ca 92701</p><p>Una galería y espacio comunitario interdisciplinario gratuito</p><p>Abierto los jueves y viernes, 4-7 de la tarde; otras horas por cita</p><p><a href="https://linktr.ee/crearstudio" rel="noopener noreferrer" target="_blank">https://linktr.ee/crearstudio</a></p><p><strong>Exposición y guía virtual:</strong></p><p>Albert López, “El Baile del Dolar Que Nunca Tuve” </p><p><a href="https://www.libromobile.com/bipoc-art-spaces" rel="noopener noreferrer" target="_blank">https://www.libromobile.com/bipoc-art-spaces</a></p><p>_________________________________________________________________________</p><p><strong>BARRIO WRITERS (ESCRITORXS DE BARRIO)</strong>&nbsp;</p><p>Instagram: @barriowriters -- Web <a href="https://www.barriowriters.org/" rel="noopener noreferrer" target="_blank">https://www.barriowriters.org/</a></p><p>Un programa que ofrece talleres gratis de la escritura creativa a jóvenes en el Condado de Orange, California. Su lema es “Empoderar a lxs adolescentes a través de la escritura creativa.”</p><p>Es un programa sin fines de lucro que ofrece talleres de nivel universitario, así como asesoría personal. Lxs participantes trabajan y fortalecen sus habilidades en la lectura, la gramática, la escritura creativa, el pensamiento crítico, y la libertad de expresión a través de las artes culturales. Las sesiones duran una semana e incluyen visitas de escritorxs establecidxs que sirven como modelos para las aspiraciones de lxs jóvenes.</p><p>______________________________________________________________________</p><p><strong>SAAC, SANTA ANA ARTS COOPERATIVE</strong></p><p>17th &amp; Main, Santa Ana</p><p>Vivienda de bajo costo para artistas, actualmente con problemas de seguridad (artículo en inglés)</p><p><a href="https://www.latimes.com/california/story/2021-10-17/santa-ana-arts-housing-complex-with-price-of-living-in-fear" rel="noopener noreferrer" target="_blank">https://www.latimes.com/california/story/2021-10-17/santa-ana-arts-housing-complex-with-price-of-living-in-fear</a></p><p>__________________________________________________________________________</p><p><strong>LAS BIBLIOTECAS PÚBLICAS</strong></p><p><strong>En México&nbsp;</strong></p><p>Rosa María Fernández de Zamora, “La historia de las bibliotecas en México, un tema olvidado.”<a href="https://origin-archive.ifla.org/IV/ifla60/60-ferr.htm" rel="noopener noreferrer" target="_blank"> https://origin-archive.ifla.org/IV/ifla60/60-ferr.htm</a></p><p>Resumen de información sobre la Red Nacional de Bibliotecas Públicas en México&nbsp;</p><p><a href="https://www.gob.mx/cultura/acciones-y-programas/red-nacional-de-bibliotecas-publicas" rel="noopener noreferrer" target="_blank">https://www.gob.mx/cultura/acciones-y-programas/red-nacional-de-bibliotecas-publicas</a></p><p>La Biblioteca Palafoxiana</p><p><a href="https://es.wikipedia.org/wiki/Biblioteca_Palafoxiana" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Biblioteca_Palafoxiana</a></p><p><a href="https://www.mexicoescultura.com/recinto/64698/biblioteca-palafoxiana.html" rel="noopener noreferrer" target="_blank">https://www.mexicoescultura.com/recinto/64698/biblioteca-palafoxiana.html</a></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/marilynn-montano]]></link><guid isPermaLink="false">d1f12a77-13c5-4309-9ca0-1c56537b52ca</guid><itunes:image href="https://artwork.captivate.fm/2cc1bf85-b8db-4774-b421-b45103fe6d0b/3gFi55mtv8gmZsJz35nWVSVT.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 03 Dec 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/597fc130-fb63-4489-a39d-120f93b72cba/marilyn-monta-o-reenactment-final.mp3" length="75217605" type="audio/mpeg"/><itunes:duration>52:14</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>19</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/d4480dfd-584c-440d-a1da-c3870a7aec32/index.html" type="text/html"/></item><item><title>Patricia Flores (Original, English)</title><itunes:title>Patricia Flores (Original, English)</itunes:title><description><![CDATA[<p>Patricia, known as PJ, is a human dynamo dedicated to making life better for all, and especially the marginalized and underserved, in her beloved Santa Ana. She shares thoughtful perspectives on how love powers both activism and art, and along the way we get a few tips on how to subvert the capitalist System from within!</p><p>Patricia, conocida como PJ, es un dínamo humano dedicado a mejorar la vida para todxs, sobre todo lxs marginalizadxs y arrinconadxs de su querida Santa Ana. Comparte sus reflecciones sobre el amor como fuente del activismo y del arte; y en camino ¡recibimos unos consejitos sobre cómo subvertir el Sistema capitalista desde adentro!</p><p>BIBLIOGRAPHY AND LINKS</p><p>ORANGE COUNTY ENVIRONMENTAL JUSTICE (OCEJ) – PATRICIA’S WORKPLACE</p><p><a href="https://www.ocej.org/" rel="noopener noreferrer" target="_blank">https://www.ocej.org/</a></p><p>URBAN LEAD CONTAMINATION &amp;amp; ITS REMEDIATION</p><p><a href="http://portal.hud.gov/hudportal/document/huddoc?id=DOC_12460.pdf" rel="noopener noreferrer" target="_blank">http://portal.hud.gov/hudportal/document/huddoc?id=DOC_12460.pdf</a></p><p><a href="http://urban-homesteading.org/remediating-lead-in-the-soil/" rel="noopener noreferrer" target="_blank">http://urban-homesteading.org/remediating-lead-in-the-soil/</a></p><p>THE BLACK PANTHERS &amp;amp; PUBLIC HEALTH ACTIVISM</p><p>Morabia, Alfredo. “Unveiling the Black Panther Party Legacy to Public Health.” US National</p><p>Library of Medicine, National Institutes of Health. (2016)</p><p><a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5024399/" rel="noopener noreferrer" target="_blank">https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5024399/</a></p><p>Johnson, Annysa. “Milwaukee Black Panthers launch lead awareness campaign.” Milwaukee</p><p>Journal Sentinel, Nov 3, 2018</p><p><a href="https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-awareness-campaign-hop-protest/1872239002/" rel="noopener noreferrer" target="_blank">https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-</a></p><p><a href="https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-awareness-campaign-hop-protest/1872239002/" rel="noopener noreferrer" target="_blank">awareness-campaign-hop-protest/1872239002/</a></p><p>____________________________________________________________________</p><p>CRUISING ON BRISTOL STREET IN SANTA ANA</p><p>Wikipedia “Lowrider” (en español) <a href="https://es.wikipedia.org/wiki/Lowrider" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Lowrider</a></p><p>“Cruising Makes a Comeback,” LA Times 2001</p><p><a href="https://www.latimes.com/archives/la-xpm-2001-jun-10-me-8728-story.html" rel="noopener noreferrer" target="_blank">https://www.latimes.com/archives/la-xpm-2001-jun-10-me-8728-story.html</a></p><p><a href="https://www.nbclosangeles.com/news/local/no-easter-night-car-cruising-in-santa-ana-this-year-police-warn/2343142/" rel="noopener noreferrer" target="_blank">https://www.nbclosangeles.com/news/local/no-easter-night-car-cruising-in-santa-ana-this-year-police-warn/2343142/</a> (2020, COVID related)</p><p>A Police guide from 2005 about how to control the “problem of cruising”</p><p><a href="https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.399.9266&amp;amp;rep=rep1&amp;amp;type=pdf" rel="noopener noreferrer" target="_blank">https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.399.9266&amp;amp;rep=rep1&amp;amp;type=pdf</a></p><p>______________________________________________________________________________</p><p>THE 5 PER CENT NATION (NATION OF GODS AND EARTHS (NGE/NOGE))</p><p><a href="https://en.wikipedia.org/wiki/Five-Percent_Nation" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Five-Percent_Nation</a></p><p>Swedenburg, Ted. “Islam in the Mix: Lessons of the Five Percent” -- a paper given in 1996 at the Univ. of</p><p>Arkansas</p><p><a...]]></description><content:encoded><![CDATA[<p>Patricia, known as PJ, is a human dynamo dedicated to making life better for all, and especially the marginalized and underserved, in her beloved Santa Ana. She shares thoughtful perspectives on how love powers both activism and art, and along the way we get a few tips on how to subvert the capitalist System from within!</p><p>Patricia, conocida como PJ, es un dínamo humano dedicado a mejorar la vida para todxs, sobre todo lxs marginalizadxs y arrinconadxs de su querida Santa Ana. Comparte sus reflecciones sobre el amor como fuente del activismo y del arte; y en camino ¡recibimos unos consejitos sobre cómo subvertir el Sistema capitalista desde adentro!</p><p>BIBLIOGRAPHY AND LINKS</p><p>ORANGE COUNTY ENVIRONMENTAL JUSTICE (OCEJ) – PATRICIA’S WORKPLACE</p><p><a href="https://www.ocej.org/" rel="noopener noreferrer" target="_blank">https://www.ocej.org/</a></p><p>URBAN LEAD CONTAMINATION &amp;amp; ITS REMEDIATION</p><p><a href="http://portal.hud.gov/hudportal/document/huddoc?id=DOC_12460.pdf" rel="noopener noreferrer" target="_blank">http://portal.hud.gov/hudportal/document/huddoc?id=DOC_12460.pdf</a></p><p><a href="http://urban-homesteading.org/remediating-lead-in-the-soil/" rel="noopener noreferrer" target="_blank">http://urban-homesteading.org/remediating-lead-in-the-soil/</a></p><p>THE BLACK PANTHERS &amp;amp; PUBLIC HEALTH ACTIVISM</p><p>Morabia, Alfredo. “Unveiling the Black Panther Party Legacy to Public Health.” US National</p><p>Library of Medicine, National Institutes of Health. (2016)</p><p><a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5024399/" rel="noopener noreferrer" target="_blank">https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5024399/</a></p><p>Johnson, Annysa. “Milwaukee Black Panthers launch lead awareness campaign.” Milwaukee</p><p>Journal Sentinel, Nov 3, 2018</p><p><a href="https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-awareness-campaign-hop-protest/1872239002/" rel="noopener noreferrer" target="_blank">https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-</a></p><p><a href="https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-awareness-campaign-hop-protest/1872239002/" rel="noopener noreferrer" target="_blank">awareness-campaign-hop-protest/1872239002/</a></p><p>____________________________________________________________________</p><p>CRUISING ON BRISTOL STREET IN SANTA ANA</p><p>Wikipedia “Lowrider” (en español) <a href="https://es.wikipedia.org/wiki/Lowrider" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Lowrider</a></p><p>“Cruising Makes a Comeback,” LA Times 2001</p><p><a href="https://www.latimes.com/archives/la-xpm-2001-jun-10-me-8728-story.html" rel="noopener noreferrer" target="_blank">https://www.latimes.com/archives/la-xpm-2001-jun-10-me-8728-story.html</a></p><p><a href="https://www.nbclosangeles.com/news/local/no-easter-night-car-cruising-in-santa-ana-this-year-police-warn/2343142/" rel="noopener noreferrer" target="_blank">https://www.nbclosangeles.com/news/local/no-easter-night-car-cruising-in-santa-ana-this-year-police-warn/2343142/</a> (2020, COVID related)</p><p>A Police guide from 2005 about how to control the “problem of cruising”</p><p><a href="https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.399.9266&amp;amp;rep=rep1&amp;amp;type=pdf" rel="noopener noreferrer" target="_blank">https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.399.9266&amp;amp;rep=rep1&amp;amp;type=pdf</a></p><p>______________________________________________________________________________</p><p>THE 5 PER CENT NATION (NATION OF GODS AND EARTHS (NGE/NOGE))</p><p><a href="https://en.wikipedia.org/wiki/Five-Percent_Nation" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Five-Percent_Nation</a></p><p>Swedenburg, Ted. “Islam in the Mix: Lessons of the Five Percent” -- a paper given in 1996 at the Univ. of</p><p>Arkansas</p><p><a href="https://web.archive.org/web/20110814081607/http://comp.uark.edu/~tsweden/5per.html" rel="noopener noreferrer" target="_blank">https://web.archive.org/web/20110814081607/http://comp.uark.edu/~tsweden/5per.html</a></p><p><a href="https://humanities.wustl.edu/news/enter-five-percent-how-wu-tang-clan%E2%80%99s-debut-album-maps-complex-doctrine-five-percent-nation" rel="noopener noreferrer" target="_blank">https://humanities.wustl.edu/news/enter-five-percent-how-wu-tang-clan’s-debut-album-maps-</a></p><p><a href="https://humanities.wustl.edu/news/enter-five-percent-how-wu-tang-clan%E2%80%99s-debut-album-maps-complex-doctrine-five-percent-nation" rel="noopener noreferrer" target="_blank">complex-doctrine-five-percent-nation</a></p><p>______________________________________________________________________</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/patricia-flores]]></link><guid isPermaLink="false">80a228b0-9783-4199-9275-0d491832ddcb</guid><itunes:image href="https://artwork.captivate.fm/11d02ca5-c933-49a0-b929-9a5528ed1b46/Y7woEgT50w3flwLi3d7watuO.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 19 Nov 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/5fe8603d-0bc9-4a94-a3cb-84f3234b9688/patricia-flores-mp3.mp3" length="54428760" type="audio/mpeg"/><itunes:duration>56:45</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>18</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/3772035c-ae2d-4354-adeb-e947f5330ff3/index.html" type="text/html"/></item><item><title>Patricia Flores (Español)</title><itunes:title>Patricia Flores (Español)</itunes:title><description><![CDATA[<p>Patricia, conocida como PJ, es un dínamo humano dedicado a mejorar la vida para todxs, sobre todo lxs marginalizadxs y arrinconadxs de su querida Santa Ana. Comparte sus reflecciones sobre el amor como fuente del activismo y del arte; y en camino ¡recibimos unos consejitos sobre cómo subvertir el Sistema capitalista desde adentro!</p><p>BIBLIOGRAFÍA y ENLACES</p><p>ORANGE COUNTY ENVIRONMENTAL JUSTICE (OCEJ) – PATRICIA’S WORKPLACE</p><p><a href="https://www.ocej.org/" rel="noopener noreferrer" target="_blank">https://www.ocej.org/</a></p><p>URBAN LEAD CONTAMINATION &amp;amp; ITS REMEDIATION</p><p><a href="http://portal.hud.gov/hudportal/document/huddoc?id=DOC_12460.pdf" rel="noopener noreferrer" target="_blank">http://portal.hud.gov/hudportal/document/huddoc?id=DOC_12460.pdf</a></p><p><a href="http://urban-homesteading.org/remediating-lead-in-the-soil/" rel="noopener noreferrer" target="_blank">http://urban-homesteading.org/remediating-lead-in-the-soil/</a></p><p>THE BLACK PANTHERS &amp;amp; PUBLIC HEALTH ACTIVISM</p><p>Morabia, Alfredo. “Unveiling the Black Panther Party Legacy to Public Health.” US National</p><p>Library of Medicine, National Institutes of Health. (2016)</p><p><a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5024399/" rel="noopener noreferrer" target="_blank">https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5024399/</a></p><p>Johnson, Annysa. “Milwaukee Black Panthers launch lead awareness campaign.” Milwaukee</p><p>Journal Sentinel, Nov 3, 2018</p><p><a href="https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-awareness-campaign-hop-protest/1872239002/" rel="noopener noreferrer" target="_blank">https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-</a></p><p><a href="https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-awareness-campaign-hop-protest/1872239002/" rel="noopener noreferrer" target="_blank">awareness-campaign-hop-protest/1872239002/</a></p><p>____________________________________________________________________</p><p>CRUISING ON BRISTOL STREET IN SANTA ANA</p><p>Wikipedia “Lowrider” (en español) <a href="https://es.wikipedia.org/wiki/Lowrider" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Lowrider</a></p><p>“Cruising Makes a Comeback,” LA Times 2001</p><p><a href="https://www.latimes.com/archives/la-xpm-2001-jun-10-me-8728-story.html" rel="noopener noreferrer" target="_blank">https://www.latimes.com/archives/la-xpm-2001-jun-10-me-8728-story.html</a></p><p><a href="https://www.nbclosangeles.com/news/local/no-easter-night-car-cruising-in-santa-ana-this-year-police-warn/2343142/" rel="noopener noreferrer" target="_blank">https://www.nbclosangeles.com/news/local/no-easter-night-car-cruising-in-santa-ana-this-year-police-warn/2343142/</a> (2020, COVID related)</p><p>A Police guide from 2005 about how to control the “problem of cruising”</p><p><a href="https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.399.9266&amp;amp;rep=rep1&amp;amp;type=pdf" rel="noopener noreferrer" target="_blank">https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.399.9266&amp;amp;rep=rep1&amp;amp;type=pdf</a></p><p>______________________________________________________________________________</p><p>THE 5 PER CENT NATION (NATION OF GODS AND EARTHS (NGE/NOGE))</p><p><a href="https://en.wikipedia.org/wiki/Five-Percent_Nation" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Five-Percent_Nation</a></p><p>Swedenburg, Ted. “Islam in the Mix: Lessons of the Five Percent” -- a paper given in 1996 at the Univ. of</p><p>Arkansas</p><p><a href="https://web.archive.org/web/20110814081607/http://comp.uark.edu/~tsweden/5per.html" rel="noopener noreferrer" target="_blank">https://web.archive.org/web/20110814081607/http://comp.uark.edu/~tsweden/5per.html</a></p><p><a...]]></description><content:encoded><![CDATA[<p>Patricia, conocida como PJ, es un dínamo humano dedicado a mejorar la vida para todxs, sobre todo lxs marginalizadxs y arrinconadxs de su querida Santa Ana. Comparte sus reflecciones sobre el amor como fuente del activismo y del arte; y en camino ¡recibimos unos consejitos sobre cómo subvertir el Sistema capitalista desde adentro!</p><p>BIBLIOGRAFÍA y ENLACES</p><p>ORANGE COUNTY ENVIRONMENTAL JUSTICE (OCEJ) – PATRICIA’S WORKPLACE</p><p><a href="https://www.ocej.org/" rel="noopener noreferrer" target="_blank">https://www.ocej.org/</a></p><p>URBAN LEAD CONTAMINATION &amp;amp; ITS REMEDIATION</p><p><a href="http://portal.hud.gov/hudportal/document/huddoc?id=DOC_12460.pdf" rel="noopener noreferrer" target="_blank">http://portal.hud.gov/hudportal/document/huddoc?id=DOC_12460.pdf</a></p><p><a href="http://urban-homesteading.org/remediating-lead-in-the-soil/" rel="noopener noreferrer" target="_blank">http://urban-homesteading.org/remediating-lead-in-the-soil/</a></p><p>THE BLACK PANTHERS &amp;amp; PUBLIC HEALTH ACTIVISM</p><p>Morabia, Alfredo. “Unveiling the Black Panther Party Legacy to Public Health.” US National</p><p>Library of Medicine, National Institutes of Health. (2016)</p><p><a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5024399/" rel="noopener noreferrer" target="_blank">https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5024399/</a></p><p>Johnson, Annysa. “Milwaukee Black Panthers launch lead awareness campaign.” Milwaukee</p><p>Journal Sentinel, Nov 3, 2018</p><p><a href="https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-awareness-campaign-hop-protest/1872239002/" rel="noopener noreferrer" target="_blank">https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-</a></p><p><a href="https://www.jsonline.com/story/news/2018/11/03/milwaukee-black-panthers-plan-lead-awareness-campaign-hop-protest/1872239002/" rel="noopener noreferrer" target="_blank">awareness-campaign-hop-protest/1872239002/</a></p><p>____________________________________________________________________</p><p>CRUISING ON BRISTOL STREET IN SANTA ANA</p><p>Wikipedia “Lowrider” (en español) <a href="https://es.wikipedia.org/wiki/Lowrider" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Lowrider</a></p><p>“Cruising Makes a Comeback,” LA Times 2001</p><p><a href="https://www.latimes.com/archives/la-xpm-2001-jun-10-me-8728-story.html" rel="noopener noreferrer" target="_blank">https://www.latimes.com/archives/la-xpm-2001-jun-10-me-8728-story.html</a></p><p><a href="https://www.nbclosangeles.com/news/local/no-easter-night-car-cruising-in-santa-ana-this-year-police-warn/2343142/" rel="noopener noreferrer" target="_blank">https://www.nbclosangeles.com/news/local/no-easter-night-car-cruising-in-santa-ana-this-year-police-warn/2343142/</a> (2020, COVID related)</p><p>A Police guide from 2005 about how to control the “problem of cruising”</p><p><a href="https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.399.9266&amp;amp;rep=rep1&amp;amp;type=pdf" rel="noopener noreferrer" target="_blank">https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.399.9266&amp;amp;rep=rep1&amp;amp;type=pdf</a></p><p>______________________________________________________________________________</p><p>THE 5 PER CENT NATION (NATION OF GODS AND EARTHS (NGE/NOGE))</p><p><a href="https://en.wikipedia.org/wiki/Five-Percent_Nation" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Five-Percent_Nation</a></p><p>Swedenburg, Ted. “Islam in the Mix: Lessons of the Five Percent” -- a paper given in 1996 at the Univ. of</p><p>Arkansas</p><p><a href="https://web.archive.org/web/20110814081607/http://comp.uark.edu/~tsweden/5per.html" rel="noopener noreferrer" target="_blank">https://web.archive.org/web/20110814081607/http://comp.uark.edu/~tsweden/5per.html</a></p><p><a href="https://humanities.wustl.edu/news/enter-five-percent-how-wu-tang-clan’s-debut-album-maps-complex-doctrine-five-percent-nation" rel="noopener noreferrer" target="_blank">https://humanities.wustl.edu/news/enter-five-percent-how-wu-tang-clan’s-debut-album-maps-</a></p><p><a href="https://humanities.wustl.edu/news/enter-five-percent-how-wu-tang-clan’s-debut-album-maps-complex-doctrine-five-percent-nation" rel="noopener noreferrer" target="_blank">complex-doctrine-five-percent-nation</a></p><p>______________________________________________________________________</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/patricia-flores]]></link><guid isPermaLink="false">243829c6-f53c-4ca6-81e5-01e3b050f988</guid><itunes:image href="https://artwork.captivate.fm/2390d9e7-07db-41b0-9705-84810cf54b8d/onkxmsgqcp8GnZ8olsHmCcXH.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 19 Nov 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/7890ac37-b6d6-44c4-9cfd-cd3ca1a69daf/patricia-reenactment-spanish-final-pre-master.mp3" length="96289644" type="audio/mpeg"/><itunes:duration>01:06:52</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>18</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/6dc5d109-6f79-47c3-9cef-ea1fda303d4e/index.html" type="text/html"/></item><item><title>Community Songs (Part 1, English)</title><itunes:title>Community Songs (Part 1, English)</itunes:title><description><![CDATA[<p>David Castañeda, SYF’s Music Researcher, takes the lead in this alt-format episode exploring the many forms that supposedly well-known songs can take. He gets help from 6 members -- 3 in English, 3 en español -- of our Production Team. A treat! </p><h1>Link to Full Spotify Playlist</h1><p><a href="https://open.spotify.com/playlist/6PNMe0G2CH96FiIBD6kHpB?si=4786da8725674456" rel="noopener noreferrer" target="_blank">https://open.spotify.com/playlist/6PNMe0G2CH96FiIBD6kHpB?si=4786da8725674456</a></p><h1>La Paloma</h1><p>Historia de "La Paloma" | Álvaro González de Langarika | TEDxVitoriaGasteiz |&nbsp;</p><p><a href="https://www.youtube.com/watch?v=QMmwwzohxlE" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=QMmwwzohxlE</a></p><p>&nbsp;</p><p>“SEBASTIÁN DE IRADIER (1809-1865), ORGANISTA Y «SACRISTÁN MAYOR», EN SALVATIERRA DE ÁLAVA” | <a href="https://www.jstor.org/stable/20794925" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/20794925</a>&nbsp;</p><p>&nbsp;</p><p>“Habanera”, <em>Grove Music Online </em>| <a href="https://doi.org/10.1093/gmo/9781561592630.article.12116" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.12116</a></p><h1>El Coco</h1><p>“Por qué en Veracruz le cantan al coco” | <a href="https://www.vice.com/es/article/jpknz8/por-que-en-veracruz-le-cantan-al-coco" rel="noopener noreferrer" target="_blank">https://www.vice.com/es/article/jpknz8/por-que-en-veracruz-le-cantan-al-coco</a>&nbsp;</p><p>&nbsp;</p><p>“Son jarocho”, <em>Grove Music Online </em>|</p><p><a href="https://doi.org/10.1093/gmo/9781561592630.article.A2257342" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.A2257342</a></p><p>&nbsp;</p><p>“The Outsider: El Coco Explained" | Den of Geek |&nbsp;</p><p>https://www.denofgeek.com/culture/the-outsider-el-coco-explained/</p><h1>Perfume de Gardenias</h1><p>The Greatest Jibarito: Afro-Boricua Rafael Hernández | <a href="https://centropr.hunter.cuny.edu/centrovoices/arts-culture/greatest-jibarito-afro-boricua-rafael-hern%C3%A1ndez" rel="noopener noreferrer" target="_blank">https://centropr.hunter.cuny.edu/centrovoices/arts-culture/greatest-jibarito-afro-boricua-rafael-hernández</a>&nbsp;</p><p>“Rafael Hernández”, <em>Grove Music Online </em>| <a href="https://doi.org/10.1093/gmo/9781561592630.article.48889" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.48889</a></p>]]></description><content:encoded><![CDATA[<p>David Castañeda, SYF’s Music Researcher, takes the lead in this alt-format episode exploring the many forms that supposedly well-known songs can take. He gets help from 6 members -- 3 in English, 3 en español -- of our Production Team. A treat! </p><h1>Link to Full Spotify Playlist</h1><p><a href="https://open.spotify.com/playlist/6PNMe0G2CH96FiIBD6kHpB?si=4786da8725674456" rel="noopener noreferrer" target="_blank">https://open.spotify.com/playlist/6PNMe0G2CH96FiIBD6kHpB?si=4786da8725674456</a></p><h1>La Paloma</h1><p>Historia de "La Paloma" | Álvaro González de Langarika | TEDxVitoriaGasteiz |&nbsp;</p><p><a href="https://www.youtube.com/watch?v=QMmwwzohxlE" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=QMmwwzohxlE</a></p><p>&nbsp;</p><p>“SEBASTIÁN DE IRADIER (1809-1865), ORGANISTA Y «SACRISTÁN MAYOR», EN SALVATIERRA DE ÁLAVA” | <a href="https://www.jstor.org/stable/20794925" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/20794925</a>&nbsp;</p><p>&nbsp;</p><p>“Habanera”, <em>Grove Music Online </em>| <a href="https://doi.org/10.1093/gmo/9781561592630.article.12116" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.12116</a></p><h1>El Coco</h1><p>“Por qué en Veracruz le cantan al coco” | <a href="https://www.vice.com/es/article/jpknz8/por-que-en-veracruz-le-cantan-al-coco" rel="noopener noreferrer" target="_blank">https://www.vice.com/es/article/jpknz8/por-que-en-veracruz-le-cantan-al-coco</a>&nbsp;</p><p>&nbsp;</p><p>“Son jarocho”, <em>Grove Music Online </em>|</p><p><a href="https://doi.org/10.1093/gmo/9781561592630.article.A2257342" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.A2257342</a></p><p>&nbsp;</p><p>“The Outsider: El Coco Explained" | Den of Geek |&nbsp;</p><p>https://www.denofgeek.com/culture/the-outsider-el-coco-explained/</p><h1>Perfume de Gardenias</h1><p>The Greatest Jibarito: Afro-Boricua Rafael Hernández | <a href="https://centropr.hunter.cuny.edu/centrovoices/arts-culture/greatest-jibarito-afro-boricua-rafael-hern%C3%A1ndez" rel="noopener noreferrer" target="_blank">https://centropr.hunter.cuny.edu/centrovoices/arts-culture/greatest-jibarito-afro-boricua-rafael-hernández</a>&nbsp;</p><p>“Rafael Hernández”, <em>Grove Music Online </em>| <a href="https://doi.org/10.1093/gmo/9781561592630.article.48889" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.48889</a></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/community-songs-part-1]]></link><guid isPermaLink="false">142bf8ee-3730-4c25-bc76-67813875c806</guid><itunes:image href="https://artwork.captivate.fm/9b5286ea-9a2b-4252-8c71-4e5a9de5d15b/Ikz6Q_huuBx7xUhYc8r7OmQ3.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 05 Nov 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/cd6dacf4-321f-441a-9cb1-0a099595d238/community-songs-mp3.mp3" length="66827640" type="audio/mpeg"/><itunes:duration>01:08:54</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>17</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/b8a749fd-2539-4f3d-a3ef-a13e50ab6396/index.html" type="text/html"/></item><item><title>Canciones de Comunidad (Parte 1, Español)</title><itunes:title>Canciones de Comunidad (Parte 1, Español)</itunes:title><description><![CDATA[<p>David Castañeda, Investigador de Música para SYF, toma las riendas en este episodio de formato alternativo, que explora las muchas formas que puede asumir una canción supuestamente bien conocida. Le ayudan no menos que 6 miembrxs -- 3 en español, 3 in English -- de nuestro Equipo de producción. ¡Una sorpresa!</p><h1>Canciones de Comunidad Spotify Playlist</h1><p><a href="https://open.spotify.com/playlist/6PNMe0G2CH96FiIBD6kHpB?si=4786da8725674456" rel="noopener noreferrer" target="_blank">https://open.spotify.com/playlist/6PNMe0G2CH96FiIBD6kHpB?si=4786da8725674456</a></p><h1>La Paloma</h1><p>Historia de "La Paloma" | Álvaro González de Langarika | TEDxVitoriaGasteiz |&nbsp;</p><p><a href="https://www.youtube.com/watch?v=QMmwwzohxlE" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=QMmwwzohxlE</a></p><p>&nbsp;</p><p>“SEBASTIÁN DE IRADIER (1809-1865), ORGANISTA Y «SACRISTÁN MAYOR», EN SALVATIERRA DE ÁLAVA” | <a href="https://www.jstor.org/stable/20794925" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/20794925</a>&nbsp;</p><p>&nbsp;</p><p>“Habanera”, <em>Grove Music Online </em>| <a href="https://doi.org/10.1093/gmo/9781561592630.article.12116" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.12116</a></p><h1>El Coco</h1><p>“Por qué en Veracruz le cantan al coco” | <a href="https://www.vice.com/es/article/jpknz8/por-que-en-veracruz-le-cantan-al-coco" rel="noopener noreferrer" target="_blank">https://www.vice.com/es/article/jpknz8/por-que-en-veracruz-le-cantan-al-coco</a>&nbsp;</p><p>&nbsp;</p><p>“Son jarocho”, <em>Grove Music Online </em>|</p><p><a href="https://doi.org/10.1093/gmo/9781561592630.article.A2257342" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.A2257342</a></p><p>&nbsp;</p><p>“The Outsider: El Coco Explained" | Den of Geek |&nbsp;</p><p>https://www.denofgeek.com/culture/the-outsider-el-coco-explained/</p><h1>Perfume de Gardenias</h1><p>The Greatest Jibarito: Afro-Boricua Rafael Hernández | <a href="https://centropr.hunter.cuny.edu/centrovoices/arts-culture/greatest-jibarito-afro-boricua-rafael-hern%C3%A1ndez" rel="noopener noreferrer" target="_blank">https://centropr.hunter.cuny.edu/centrovoices/arts-culture/greatest-jibarito-afro-boricua-rafael-hernández</a>&nbsp;</p><p>“Rafael Hernández”, <em>Grove Music Online </em>| <a href="https://doi.org/10.1093/gmo/9781561592630.article.48889" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.48889</a></p><p>&nbsp;</p>]]></description><content:encoded><![CDATA[<p>David Castañeda, Investigador de Música para SYF, toma las riendas en este episodio de formato alternativo, que explora las muchas formas que puede asumir una canción supuestamente bien conocida. Le ayudan no menos que 6 miembrxs -- 3 en español, 3 in English -- de nuestro Equipo de producción. ¡Una sorpresa!</p><h1>Canciones de Comunidad Spotify Playlist</h1><p><a href="https://open.spotify.com/playlist/6PNMe0G2CH96FiIBD6kHpB?si=4786da8725674456" rel="noopener noreferrer" target="_blank">https://open.spotify.com/playlist/6PNMe0G2CH96FiIBD6kHpB?si=4786da8725674456</a></p><h1>La Paloma</h1><p>Historia de "La Paloma" | Álvaro González de Langarika | TEDxVitoriaGasteiz |&nbsp;</p><p><a href="https://www.youtube.com/watch?v=QMmwwzohxlE" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=QMmwwzohxlE</a></p><p>&nbsp;</p><p>“SEBASTIÁN DE IRADIER (1809-1865), ORGANISTA Y «SACRISTÁN MAYOR», EN SALVATIERRA DE ÁLAVA” | <a href="https://www.jstor.org/stable/20794925" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/20794925</a>&nbsp;</p><p>&nbsp;</p><p>“Habanera”, <em>Grove Music Online </em>| <a href="https://doi.org/10.1093/gmo/9781561592630.article.12116" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.12116</a></p><h1>El Coco</h1><p>“Por qué en Veracruz le cantan al coco” | <a href="https://www.vice.com/es/article/jpknz8/por-que-en-veracruz-le-cantan-al-coco" rel="noopener noreferrer" target="_blank">https://www.vice.com/es/article/jpknz8/por-que-en-veracruz-le-cantan-al-coco</a>&nbsp;</p><p>&nbsp;</p><p>“Son jarocho”, <em>Grove Music Online </em>|</p><p><a href="https://doi.org/10.1093/gmo/9781561592630.article.A2257342" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.A2257342</a></p><p>&nbsp;</p><p>“The Outsider: El Coco Explained" | Den of Geek |&nbsp;</p><p>https://www.denofgeek.com/culture/the-outsider-el-coco-explained/</p><h1>Perfume de Gardenias</h1><p>The Greatest Jibarito: Afro-Boricua Rafael Hernández | <a href="https://centropr.hunter.cuny.edu/centrovoices/arts-culture/greatest-jibarito-afro-boricua-rafael-hern%C3%A1ndez" rel="noopener noreferrer" target="_blank">https://centropr.hunter.cuny.edu/centrovoices/arts-culture/greatest-jibarito-afro-boricua-rafael-hernández</a>&nbsp;</p><p>“Rafael Hernández”, <em>Grove Music Online </em>| <a href="https://doi.org/10.1093/gmo/9781561592630.article.48889" rel="noopener noreferrer" target="_blank">https://doi.org/10.1093/gmo/9781561592630.article.48889</a></p><p>&nbsp;</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/community-songs-part-1]]></link><guid isPermaLink="false">6d4fa7b2-6356-454e-8d02-3f1111a86829</guid><itunes:image href="https://artwork.captivate.fm/19b99cef-7c3e-4235-b13d-c44d52ceb435/CPmXHIrEb2dYXTWyK0TWXO4D.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 05 Nov 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/e92bb8fd-2908-44c3-a908-3ee628095f24/community-songs-spanish-post-qc-master.mp3" length="83905723" type="audio/mpeg"/><itunes:duration>58:16</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>17</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/84960c61-5295-43f9-8fc4-89a814de5a67/index.html" type="text/html"/></item><item><title>Yax Montaño (Original, Español)</title><itunes:title>Yax Montaño (Original, Español)</itunes:title><description><![CDATA[<p>Entrevistada el día antes de su vigésimo primer cumpleaños, Yax revela una fuente de sabiduría y seriedad digna de una persona ya mayor. En su parecer, el estado de siempre de todxs migrantes, “Ni de aquí ni de allá,” no es necesariamente trágico, sino una oportunidad de conocer mejor a unx mismx.</p><p class="ql-align-center"><strong>YAX MONTAÑO:&nbsp;BIBLIOGRAFÍA y ENLACES </strong></p><p class="ql-align-center"><br></p><p><strong>Facundo Cabral&nbsp;&amp; “No soy de aquí ni de allá”</strong></p><p>La canción se compuso en 1970 y es probablemente la canción más conocido del gran cantautor-filósofo-artivista argentino. Un buen número de artistas lo han adoptado como suyos, entre ellxs Alberto Cortez (véanse Episodio #10, Abel Ruíz)</p><p>Sobre Facundo Cabral: Los dos ensayos de Wikipedia son diferentes pero cada uno es bastante bueno</p><p>Español: <a href="https://es.wikipedia.org/wiki/Facundo_Cabral" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Facundo_Cabral</a>&nbsp;</p><p><a href="https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1</a></p><p>este artículo breve de Wikipedia, sobre la canción, carece de referencias pero tiene un encanto anecdótico</p><p><strong>Chavela Vargas</strong></p><p>Wikipedia, como normal, ofrece información básica muy buena sobre esta figura asombrosa:</p><p><a href="https://en.wikipedia.org/wiki/Chavela_Vargas" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Chavela_Vargas</a>&nbsp;</p><p>Chavela también ha recibido notica en cículos académicos </p><ul><li>Jesusa Rodríguez, Liliana Felipe. “Doña Chavela” (119) 31.XII. 1990 <em>Debate Feminista</em>, Vol. 23 (ABRIL 2001), pp. 372-377</li><li>Roberto Strongman. “The Latin American Queer Aesthetics of El Bolero.” <em>Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes,</em> Vol. 32, No. 64 (2007), pp. 39-78</li><li>Lourdes Torres. “Becoming Visible: U.S. Latina Lesbians Talk Back and Act Out.” <em>Counterpoints, Vol. 169, Talking Back and Acting Out: Women Negotiating the Media Across Cultures</em> (2002), pp. 151-162</li></ul><br/><p><br></p><p><strong>070 Shake</strong></p><p>Igual que muchxs artistas jóvenes del hip hop, 070 Shake se presencia principalmente a través del Internet, con cuestiones debidas en torno a la fiabilidad de la información así encontrada.</p><p><a href="http://www.070shake.net/" rel="noopener noreferrer" target="_blank">http://www.070shake.net/</a>&nbsp;</p><p><a href="https://es.wikipedia.org/wiki/070_Shake" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/070_Shake</a> (español)</p><p><br></p><p><br></p><p><br></p>]]></description><content:encoded><![CDATA[<p>Entrevistada el día antes de su vigésimo primer cumpleaños, Yax revela una fuente de sabiduría y seriedad digna de una persona ya mayor. En su parecer, el estado de siempre de todxs migrantes, “Ni de aquí ni de allá,” no es necesariamente trágico, sino una oportunidad de conocer mejor a unx mismx.</p><p class="ql-align-center"><strong>YAX MONTAÑO:&nbsp;BIBLIOGRAFÍA y ENLACES </strong></p><p class="ql-align-center"><br></p><p><strong>Facundo Cabral&nbsp;&amp; “No soy de aquí ni de allá”</strong></p><p>La canción se compuso en 1970 y es probablemente la canción más conocido del gran cantautor-filósofo-artivista argentino. Un buen número de artistas lo han adoptado como suyos, entre ellxs Alberto Cortez (véanse Episodio #10, Abel Ruíz)</p><p>Sobre Facundo Cabral: Los dos ensayos de Wikipedia son diferentes pero cada uno es bastante bueno</p><p>Español: <a href="https://es.wikipedia.org/wiki/Facundo_Cabral" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Facundo_Cabral</a>&nbsp;</p><p><a href="https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1</a></p><p>este artículo breve de Wikipedia, sobre la canción, carece de referencias pero tiene un encanto anecdótico</p><p><strong>Chavela Vargas</strong></p><p>Wikipedia, como normal, ofrece información básica muy buena sobre esta figura asombrosa:</p><p><a href="https://en.wikipedia.org/wiki/Chavela_Vargas" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Chavela_Vargas</a>&nbsp;</p><p>Chavela también ha recibido notica en cículos académicos </p><ul><li>Jesusa Rodríguez, Liliana Felipe. “Doña Chavela” (119) 31.XII. 1990 <em>Debate Feminista</em>, Vol. 23 (ABRIL 2001), pp. 372-377</li><li>Roberto Strongman. “The Latin American Queer Aesthetics of El Bolero.” <em>Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes,</em> Vol. 32, No. 64 (2007), pp. 39-78</li><li>Lourdes Torres. “Becoming Visible: U.S. Latina Lesbians Talk Back and Act Out.” <em>Counterpoints, Vol. 169, Talking Back and Acting Out: Women Negotiating the Media Across Cultures</em> (2002), pp. 151-162</li></ul><br/><p><br></p><p><strong>070 Shake</strong></p><p>Igual que muchxs artistas jóvenes del hip hop, 070 Shake se presencia principalmente a través del Internet, con cuestiones debidas en torno a la fiabilidad de la información así encontrada.</p><p><a href="http://www.070shake.net/" rel="noopener noreferrer" target="_blank">http://www.070shake.net/</a>&nbsp;</p><p><a href="https://es.wikipedia.org/wiki/070_Shake" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/070_Shake</a> (español)</p><p><br></p><p><br></p><p><br></p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/yax-montano]]></link><guid isPermaLink="false">1d457d67-b8ab-4750-996e-efb732492a6f</guid><itunes:image href="https://artwork.captivate.fm/a8cbdc3e-2ee7-48f4-bbdb-0480e82979b2/5vN9CwmIVB9ghuDUka9qn77D.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 22 Oct 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/b1e46f31-f9eb-4ea7-a177-f43686444931/yax-post-qc-master-10-21-21-alex.mp3" length="83237743" type="audio/mpeg"/><itunes:duration>57:48</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>16</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/77155337-0a2c-495d-a562-8c34388c9933/index.html" type="text/html"/></item><item><title>Yax Montaño (English)</title><itunes:title>Yax Montaño (English)</itunes:title><description><![CDATA[<p>Interviewed the day before her 21st birthday, Yax reveals a source of wisdom and seriousness worthy of a much older person. In her view, the migrant condition as a person who is “Neither from here nor from there” is not necessarily tragic, but rather an opportunity to know oneself better.</p><p class="ql-align-center"><strong>YAX MONTAÑO:&nbsp;BIBLIOGRAPHY AND LINKS</strong></p><p><strong>Facundo Cabral&nbsp;&amp; “No soy de aquí ni de allá” (I’m not from here, nor from there”)</strong></p><p>The song was written in 1970 and is probably the best-known song by the great Argentinean singer-songwriter-philosopher-artivist. It has been covered by a great many artists, among them Alberto Cortez (see Episode #10, Abel Ruíz).</p><p>The two Wikipedia articles are different but each is quite good:</p><p>English: <a href="https://en.wikipedia.org/wiki/Facundo_Cabral" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Facundo_Cabral</a></p><p><a href="https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1</a></p><ul><li>This short Wikipedia piece about the song is short on references but has anecdotic charm</li></ul><br/><p><strong>Chavela Vargas</strong></p><p>Wikipedia, as usual, offers good basic information about this amazing figure:</p><p><a href="https://es.wikipedia.org/wiki/Chavela_Vargas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Chavela_Vargas</a></p><p>Chavela has also been noticed in academic circles:</p><ul><li>Jesusa Rodríguez, Liliana Felipe. “Doña Chavela” (119) 31.XII. 1990 <em>Debate Feminista</em>, Vol. 23 (ABRIL 2001), pp. 372-377</li><li>Roberto Strongman. “The Latin American Queer Aesthetics of El Bolero.” <em>Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes,</em> Vol. 32, No. 64 (2007), pp. 39-78</li><li>Lourdes Torres. “Becoming Visible: U.S. Latina Lesbians Talk Back and Act Out.” <em>Counterpoints, Vol. 169, Talking Back and Acting Out: Women Negotiating the Media Across Cultures</em> (2002), pp. 151-162</li></ul><br/><p><strong>070 Shake</strong></p><p>As with many younger hip hop artists, 070 Shake is chiefly represented by the Internet—with attendant issues around the reliability of the information thus encountered.</p><p><a href="http://www.070shake.net/" rel="noopener noreferrer" target="_blank">http://www.070shake.net/</a>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/070_Shake" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/070_Shake</a> (English)</p>]]></description><content:encoded><![CDATA[<p>Interviewed the day before her 21st birthday, Yax reveals a source of wisdom and seriousness worthy of a much older person. In her view, the migrant condition as a person who is “Neither from here nor from there” is not necessarily tragic, but rather an opportunity to know oneself better.</p><p class="ql-align-center"><strong>YAX MONTAÑO:&nbsp;BIBLIOGRAPHY AND LINKS</strong></p><p><strong>Facundo Cabral&nbsp;&amp; “No soy de aquí ni de allá” (I’m not from here, nor from there”)</strong></p><p>The song was written in 1970 and is probably the best-known song by the great Argentinean singer-songwriter-philosopher-artivist. It has been covered by a great many artists, among them Alberto Cortez (see Episode #10, Abel Ruíz).</p><p>The two Wikipedia articles are different but each is quite good:</p><p>English: <a href="https://en.wikipedia.org/wiki/Facundo_Cabral" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Facundo_Cabral</a></p><p><a href="https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1</a></p><ul><li>This short Wikipedia piece about the song is short on references but has anecdotic charm</li></ul><br/><p><strong>Chavela Vargas</strong></p><p>Wikipedia, as usual, offers good basic information about this amazing figure:</p><p><a href="https://es.wikipedia.org/wiki/Chavela_Vargas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Chavela_Vargas</a></p><p>Chavela has also been noticed in academic circles:</p><ul><li>Jesusa Rodríguez, Liliana Felipe. “Doña Chavela” (119) 31.XII. 1990 <em>Debate Feminista</em>, Vol. 23 (ABRIL 2001), pp. 372-377</li><li>Roberto Strongman. “The Latin American Queer Aesthetics of El Bolero.” <em>Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes,</em> Vol. 32, No. 64 (2007), pp. 39-78</li><li>Lourdes Torres. “Becoming Visible: U.S. Latina Lesbians Talk Back and Act Out.” <em>Counterpoints, Vol. 169, Talking Back and Acting Out: Women Negotiating the Media Across Cultures</em> (2002), pp. 151-162</li></ul><br/><p><strong>070 Shake</strong></p><p>As with many younger hip hop artists, 070 Shake is chiefly represented by the Internet—with attendant issues around the reliability of the information thus encountered.</p><p><a href="http://www.070shake.net/" rel="noopener noreferrer" target="_blank">http://www.070shake.net/</a>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/070_Shake" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/070_Shake</a> (English)</p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/yax-montano]]></link><guid isPermaLink="false">164dbee4-d437-4561-abe3-0196447ad9b2</guid><itunes:image href="https://artwork.captivate.fm/3553e31f-3a84-482d-a2ff-023894b6cf1d/gFP17nFLzOfjiBicpq9IqIQj.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 22 Oct 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/e70928a3-1836-4f82-9f04-9ee34ffb3344/yax-mp3.mp3" length="44628240" type="audio/mpeg"/><itunes:duration>44:57</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>16</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/59bdb61b-11b7-4894-8fb2-36027f29a073/index.html" type="text/html"/></item><item><title>Laura Pantoja (Original, Español)</title><itunes:title>Laura Pantoja (Original, Español)</itunes:title><description><![CDATA[<p>Desde la adolescencia en el D.F. ha abogado por la justicia social: corre la equidad en la sangre de Laura Pantoja. Nos comparte varios episodios de una juventud mexicana y madurez migrante, desde un punto de vista irónico, sabio, y compasivo.</p><p><strong>Centro Cultural de México</strong></p><p><a href="http://elcentroculturaldemexico.org/" rel="noopener noreferrer" target="_blank">http://elcentroculturaldemexico.org/</a> (bilingual Web page)</p><p><a href="https://www.latimes.com/socal/daily-pilot/entertainment/story/2021-02-25/el-centro-mexican-cultural-center-homeless-santa-ana" rel="noopener noreferrer" target="_blank">https://www.latimes.com/socal/daily-pilot/entertainment/story/2021-02-25/el-centro-mexican-cultural-center-homeless-santa-ana</a> (recent article in English)</p><p><strong>Tito Guízar</strong></p><p><a href="https://es.wikipedia.org/wiki/Tito_Gu%C3%ADzar" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Tito_Gu%C3%ADzar</a>&nbsp;</p><p><br></p><p>Poppe, Nicolas. "Tito Guízar on Radio Row: Intermediality, Latino identity, and two early 1930s Vitaphone shorts." <em>The Routledge Companion To Gender, Sex And Latin American Culture</em>. Routledge, 2018. 91-100.</p><p>Irwin, R. M. y Castro Ricalde, M. (2013). <em>Global Mexican Cinema. Its Golden Age</em>. London: British Film Institute, Palgrave MacMillan.</p><p><br></p><p><strong>La migración interna en México </strong></p><p><a href="https://es.wikipedia.org/wiki/Demograf%C3%ADa_de_la_Ciudad_de_M%C3%A9xico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Demograf%C3%ADa_de_la_Ciudad_de_M%C3%A9xico</a>&nbsp;</p><p><a href="https://es.wikipedia.org/wiki/%C3%81reas_metropolitanas_de_M%C3%A9xico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/%C3%81reas_metropolitanas_de_M%C3%A9xico</a>&nbsp;</p><p><br></p><p>Villarreal, Andrés, and Erin R. Hamilton. "Rush to the border? Market liberalization and urban-and rural-origin internal migration in Mexico." <em>Social science research</em> 41.5 (2012): 1275-1291.</p><p><br></p><p><strong><em>Lágrimas y risas</em> (revista de cómic) </strong></p><p><em>Todo en español</em></p><p><a href="https://es.wikipedia.org/wiki/L%C3%A1grimas,_risas_y_amor#Caracter%C3%ADsticas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/L%C3%A1grimas,_risas_y_amor#Caracter%C3%ADsticas</a></p><p><a href="https://en.wikipedia.org/wiki/El_pecado_de_Oyuki_(comics)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/El_pecado_de_Oyuki_(comics)</a></p><p><br></p><p><strong>Cri Cri (Francisco Gabilondo Soler)</strong></p><p><em>Todo en español. </em></p><p><br></p><p>Alcaráz, José Antonio. <em>Cri-Crí: el mensajero de la alegría</em>. Veracruz: Instituto Veracruzano</p><p>de Cultura, 1998.</p><p><br></p><p>Colina, José de la. «Prólogo» en <em>Cri-Crí: canciones completas de Francisco Gabilondo</em></p><p><em>Soler</em>. México: Clío, 2001.</p><p><br></p><p>Desachy-Godoy, Elvira. <em>Cri-Crí: El mundo creativo de Francisco José Gabilondo Soler</em>. The University of New Mexico, 1998.</p><p><br></p><p>García, Elvira. <em>De lunas garapiñadas: Cri-Cri.</em> México: Radio Universidad Nacional</p><p>Autónoma de México, 1982.</p><p>----------------- «¿Quién es el que anduvo aquí?» en <em>Tierra adentro. Días de radio,</em></p><p>México: n° 137-138, diciembre 2005: 97-99.</p><p><br></p><p>García, Óscar Armando. “Poética literaria y musical de Francisco Gabilondo Soler ‘Cri-crí.’“ <em>América sin Nombre</em> - 2015, N. 20. <em>Te voy a contar un cuento. Sobre la literatura infantil y juvenil</em>&nbsp;</p><p><br></p><p>VV AA: <em>Cri-Crí: canciones completas de Francisco Gabilondo</em></p><p><em>Soler. </em>México: Clío, 2001.</p><p><br></p><p><strong>Silvio Rodríguez</strong></p><p>“Cuban troubadour Silvio Rodríguez speaks out” | <em>People’s World </em>(<a...]]></description><content:encoded><![CDATA[<p>Desde la adolescencia en el D.F. ha abogado por la justicia social: corre la equidad en la sangre de Laura Pantoja. Nos comparte varios episodios de una juventud mexicana y madurez migrante, desde un punto de vista irónico, sabio, y compasivo.</p><p><strong>Centro Cultural de México</strong></p><p><a href="http://elcentroculturaldemexico.org/" rel="noopener noreferrer" target="_blank">http://elcentroculturaldemexico.org/</a> (bilingual Web page)</p><p><a href="https://www.latimes.com/socal/daily-pilot/entertainment/story/2021-02-25/el-centro-mexican-cultural-center-homeless-santa-ana" rel="noopener noreferrer" target="_blank">https://www.latimes.com/socal/daily-pilot/entertainment/story/2021-02-25/el-centro-mexican-cultural-center-homeless-santa-ana</a> (recent article in English)</p><p><strong>Tito Guízar</strong></p><p><a href="https://es.wikipedia.org/wiki/Tito_Gu%C3%ADzar" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Tito_Gu%C3%ADzar</a>&nbsp;</p><p><br></p><p>Poppe, Nicolas. "Tito Guízar on Radio Row: Intermediality, Latino identity, and two early 1930s Vitaphone shorts." <em>The Routledge Companion To Gender, Sex And Latin American Culture</em>. Routledge, 2018. 91-100.</p><p>Irwin, R. M. y Castro Ricalde, M. (2013). <em>Global Mexican Cinema. Its Golden Age</em>. London: British Film Institute, Palgrave MacMillan.</p><p><br></p><p><strong>La migración interna en México </strong></p><p><a href="https://es.wikipedia.org/wiki/Demograf%C3%ADa_de_la_Ciudad_de_M%C3%A9xico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Demograf%C3%ADa_de_la_Ciudad_de_M%C3%A9xico</a>&nbsp;</p><p><a href="https://es.wikipedia.org/wiki/%C3%81reas_metropolitanas_de_M%C3%A9xico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/%C3%81reas_metropolitanas_de_M%C3%A9xico</a>&nbsp;</p><p><br></p><p>Villarreal, Andrés, and Erin R. Hamilton. "Rush to the border? Market liberalization and urban-and rural-origin internal migration in Mexico." <em>Social science research</em> 41.5 (2012): 1275-1291.</p><p><br></p><p><strong><em>Lágrimas y risas</em> (revista de cómic) </strong></p><p><em>Todo en español</em></p><p><a href="https://es.wikipedia.org/wiki/L%C3%A1grimas,_risas_y_amor#Caracter%C3%ADsticas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/L%C3%A1grimas,_risas_y_amor#Caracter%C3%ADsticas</a></p><p><a href="https://en.wikipedia.org/wiki/El_pecado_de_Oyuki_(comics)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/El_pecado_de_Oyuki_(comics)</a></p><p><br></p><p><strong>Cri Cri (Francisco Gabilondo Soler)</strong></p><p><em>Todo en español. </em></p><p><br></p><p>Alcaráz, José Antonio. <em>Cri-Crí: el mensajero de la alegría</em>. Veracruz: Instituto Veracruzano</p><p>de Cultura, 1998.</p><p><br></p><p>Colina, José de la. «Prólogo» en <em>Cri-Crí: canciones completas de Francisco Gabilondo</em></p><p><em>Soler</em>. México: Clío, 2001.</p><p><br></p><p>Desachy-Godoy, Elvira. <em>Cri-Crí: El mundo creativo de Francisco José Gabilondo Soler</em>. The University of New Mexico, 1998.</p><p><br></p><p>García, Elvira. <em>De lunas garapiñadas: Cri-Cri.</em> México: Radio Universidad Nacional</p><p>Autónoma de México, 1982.</p><p>----------------- «¿Quién es el que anduvo aquí?» en <em>Tierra adentro. Días de radio,</em></p><p>México: n° 137-138, diciembre 2005: 97-99.</p><p><br></p><p>García, Óscar Armando. “Poética literaria y musical de Francisco Gabilondo Soler ‘Cri-crí.’“ <em>América sin Nombre</em> - 2015, N. 20. <em>Te voy a contar un cuento. Sobre la literatura infantil y juvenil</em>&nbsp;</p><p><br></p><p>VV AA: <em>Cri-Crí: canciones completas de Francisco Gabilondo</em></p><p><em>Soler. </em>México: Clío, 2001.</p><p><br></p><p><strong>Silvio Rodríguez</strong></p><p>“Cuban troubadour Silvio Rodríguez speaks out” | <em>People’s World </em>(<a href="https://www.peoplesworld.org/article/cuban-troubadour-silvio-rodriguez-speaks-out/" rel="noopener noreferrer" target="_blank">https://www.peoplesworld.org/article/cuban-troubadour-silvio-rodriguez-speaks-out/</a>)</p><p>“Silvio Rodríguez” | <em>Discogs </em>(<a href="https://www.discogs.com/artist/400811-Silvio-Rodr%C3%ADguez" rel="noopener noreferrer" target="_blank">https://www.discogs.com/artist/400811-Silvio-Rodr%C3%ADguez</a>)&nbsp;</p><p>“Silvio Rodríguez” | <em>NPR </em>(<a href="https://www.npr.org/artists/801185470/silvio-rodr-guez" rel="noopener noreferrer" target="_blank">https://www.npr.org/artists/801185470/silvio-rodr-guez</a>)</p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/laura-pantoja]]></link><guid isPermaLink="false">68b7f197-4700-4f59-8420-d79c46c69fea</guid><itunes:image href="https://artwork.captivate.fm/3e3426ac-a5db-4d5e-9173-8a4e75adec9d/Gx85Bq-fZpD-s3-StOLuElmG.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 08 Oct 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/c0f80f08-4024-4053-a379-b9b542ee4449/laura-pantoja-orig-final.mp3" length="82273801" type="audio/mpeg"/><itunes:duration>57:08</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>15</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/c24fa36a-76fe-4a24-a1d0-b6e30b56a31e/index.html" type="text/html"/></item><item><title>Laura Pantoja (English)</title><itunes:title>Laura Pantoja (English)</itunes:title><description><![CDATA[<p>She has sought social justice since her adolescence in Mexico City; equity flows in Laura Pantoja’s veins. She shares various episodes of a Mexican youth and migrant maturity from an ironic, wise, and compassionate perspective.</p><p><strong>Centro Cultural de México</strong></p><p><a href="http://elcentroculturaldemexico.org/" rel="noopener noreferrer" target="_blank">http://elcentroculturaldemexico.org/</a> (bilingual Web page)</p><p><br></p><p><a href="https://www.latimes.com/socal/daily-pilot/entertainment/story/2021-02-25/el-centro-mexican-cultural-center-homeless-santa-ana" rel="noopener noreferrer" target="_blank">https://www.latimes.com/socal/daily-pilot/entertainment/story/2021-02-25/el-centro-mexican-cultural-center-homeless-santa-ana</a> (recent article in English)</p><p><br></p><p><strong>Tito Guízar</strong></p><p><a href="https://es.wikipedia.org/wiki/Tito_Gu%C3%ADzar" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Tito_Gu%C3%ADzar</a>&nbsp;</p><p><br></p><p>Poppe, Nicolas. "Tito Guízar on Radio Row: Intermediality, Latino identity, and two early 1930s Vitaphone shorts." <em>The Routledge Companion To Gender, Sex And Latin American Culture</em>. Routledge, 2018. 91-100.</p><p>Irwin, R. M. y Castro Ricalde, M. (2013). <em>Global Mexican Cinema. Its Golden Age</em>. London: British Film Institute, Palgrave MacMillan.</p><p><br></p><p><strong>Internal migration in Mexico</strong></p><p><a href="https://es.wikipedia.org/wiki/Demograf%C3%ADa_de_la_Ciudad_de_M%C3%A9xico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Demograf%C3%ADa_de_la_Ciudad_de_M%C3%A9xico</a>&nbsp;</p><p><a href="https://es.wikipedia.org/wiki/%C3%81reas_metropolitanas_de_M%C3%A9xico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/%C3%81reas_metropolitanas_de_M%C3%A9xico</a>&nbsp;</p><p><br></p><p>Villarreal, Andrés, and Erin R. Hamilton. "Rush to the border? Market liberalization and urban-and rural-origin internal migration in Mexico." <em>Social science research</em> 41.5 (2012): 1275-1291.</p><p><br></p><p><strong><em>Lágrimas y risas</em> &nbsp;(comic book series)</strong></p><p><em>Todo en español</em></p><p><a href="https://es.wikipedia.org/wiki/L%C3%A1grimas,_risas_y_amor#Caracter%C3%ADsticas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/L%C3%A1grimas,_risas_y_amor#Caracter%C3%ADsticas</a></p><p><a href="https://en.wikipedia.org/wiki/El_pecado_de_Oyuki_(comics)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/El_pecado_de_Oyuki_(comics)</a></p><p><br></p><p><strong>Cri Cri (Francisco Gabilondo Soler)</strong></p><p><strong><em>There appears to be no substantial work in English on Cri Cri. See the references below for more information.</em></strong></p><p><br></p><p>Alcaráz, José Antonio. <em>Cri-Crí: el mensajero de la alegría</em>. Veracruz: Instituto Veracruzano</p><p>de Cultura, 1998.</p><p><br></p><p>Colina, José de la. «Prólogo» en <em>Cri-Crí: canciones completas de Francisco Gabilondo</em></p><p><em>Soler</em>. México: Clío, 2001.</p><p><br></p><p>Desachy-Godoy, Elvira. <em>Cri-Crí: El mundo creativo de Francisco José Gabilondo Soler</em>. The University of New Mexico, 1998.</p><p><br></p><p>García, Elvira. <em>De lunas garapiñadas: Cri-Cri.</em> México: Radio Universidad Nacional</p><p>Autónoma de México, 1982.</p><p>‍</p><p>«¿Quién es el que anduvo aquí?» en <em>Tierra adentro. Días de radio,</em></p><p>México: n° 137-138, diciembre 2005: 97-99.</p><p><br></p><p>García, Óscar Armando. “Poética literaria y musical de Francisco Gabilondo Soler ‘Cri-crí.’“ <em>América sin Nombre</em> - 2015, N. 20. <em>Te voy a contar un cuento. Sobre la literatura infantil y juvenil</em>&nbsp;</p><p><br></p><p>VV AA: <em>Cri-Crí: canciones completas de Francisco Gabilondo</em></p><p><em>Soler. </em>México: Clío, 2001.</p><p><br></p><p><strong>Silvio Rodríguez</strong></p><p>“Cuban troubadour Silvio Rodríguez speaks out”...]]></description><content:encoded><![CDATA[<p>She has sought social justice since her adolescence in Mexico City; equity flows in Laura Pantoja’s veins. She shares various episodes of a Mexican youth and migrant maturity from an ironic, wise, and compassionate perspective.</p><p><strong>Centro Cultural de México</strong></p><p><a href="http://elcentroculturaldemexico.org/" rel="noopener noreferrer" target="_blank">http://elcentroculturaldemexico.org/</a> (bilingual Web page)</p><p><br></p><p><a href="https://www.latimes.com/socal/daily-pilot/entertainment/story/2021-02-25/el-centro-mexican-cultural-center-homeless-santa-ana" rel="noopener noreferrer" target="_blank">https://www.latimes.com/socal/daily-pilot/entertainment/story/2021-02-25/el-centro-mexican-cultural-center-homeless-santa-ana</a> (recent article in English)</p><p><br></p><p><strong>Tito Guízar</strong></p><p><a href="https://es.wikipedia.org/wiki/Tito_Gu%C3%ADzar" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Tito_Gu%C3%ADzar</a>&nbsp;</p><p><br></p><p>Poppe, Nicolas. "Tito Guízar on Radio Row: Intermediality, Latino identity, and two early 1930s Vitaphone shorts." <em>The Routledge Companion To Gender, Sex And Latin American Culture</em>. Routledge, 2018. 91-100.</p><p>Irwin, R. M. y Castro Ricalde, M. (2013). <em>Global Mexican Cinema. Its Golden Age</em>. London: British Film Institute, Palgrave MacMillan.</p><p><br></p><p><strong>Internal migration in Mexico</strong></p><p><a href="https://es.wikipedia.org/wiki/Demograf%C3%ADa_de_la_Ciudad_de_M%C3%A9xico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Demograf%C3%ADa_de_la_Ciudad_de_M%C3%A9xico</a>&nbsp;</p><p><a href="https://es.wikipedia.org/wiki/%C3%81reas_metropolitanas_de_M%C3%A9xico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/%C3%81reas_metropolitanas_de_M%C3%A9xico</a>&nbsp;</p><p><br></p><p>Villarreal, Andrés, and Erin R. Hamilton. "Rush to the border? Market liberalization and urban-and rural-origin internal migration in Mexico." <em>Social science research</em> 41.5 (2012): 1275-1291.</p><p><br></p><p><strong><em>Lágrimas y risas</em> &nbsp;(comic book series)</strong></p><p><em>Todo en español</em></p><p><a href="https://es.wikipedia.org/wiki/L%C3%A1grimas,_risas_y_amor#Caracter%C3%ADsticas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/L%C3%A1grimas,_risas_y_amor#Caracter%C3%ADsticas</a></p><p><a href="https://en.wikipedia.org/wiki/El_pecado_de_Oyuki_(comics)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/El_pecado_de_Oyuki_(comics)</a></p><p><br></p><p><strong>Cri Cri (Francisco Gabilondo Soler)</strong></p><p><strong><em>There appears to be no substantial work in English on Cri Cri. See the references below for more information.</em></strong></p><p><br></p><p>Alcaráz, José Antonio. <em>Cri-Crí: el mensajero de la alegría</em>. Veracruz: Instituto Veracruzano</p><p>de Cultura, 1998.</p><p><br></p><p>Colina, José de la. «Prólogo» en <em>Cri-Crí: canciones completas de Francisco Gabilondo</em></p><p><em>Soler</em>. México: Clío, 2001.</p><p><br></p><p>Desachy-Godoy, Elvira. <em>Cri-Crí: El mundo creativo de Francisco José Gabilondo Soler</em>. The University of New Mexico, 1998.</p><p><br></p><p>García, Elvira. <em>De lunas garapiñadas: Cri-Cri.</em> México: Radio Universidad Nacional</p><p>Autónoma de México, 1982.</p><p>‍</p><p>«¿Quién es el que anduvo aquí?» en <em>Tierra adentro. Días de radio,</em></p><p>México: n° 137-138, diciembre 2005: 97-99.</p><p><br></p><p>García, Óscar Armando. “Poética literaria y musical de Francisco Gabilondo Soler ‘Cri-crí.’“ <em>América sin Nombre</em> - 2015, N. 20. <em>Te voy a contar un cuento. Sobre la literatura infantil y juvenil</em>&nbsp;</p><p><br></p><p>VV AA: <em>Cri-Crí: canciones completas de Francisco Gabilondo</em></p><p><em>Soler. </em>México: Clío, 2001.</p><p><br></p><p><strong>Silvio Rodríguez</strong></p><p>“Cuban troubadour Silvio Rodríguez speaks out” | <em>People’s World </em>(<a href="https://www.peoplesworld.org/article/cuban-troubadour-silvio-rodriguez-speaks-out/" rel="noopener noreferrer" target="_blank">https://www.peoplesworld.org/article/cuban-troubadour-silvio-rodriguez-speaks-out/</a>)</p><p>“Silvio Rodríguez” | <em>Discogs </em>(<a href="https://www.discogs.com/artist/400811-Silvio-Rodr%C3%ADguez" rel="noopener noreferrer" target="_blank">https://www.discogs.com/artist/400811-Silvio-Rodr%C3%ADguez</a>)&nbsp;</p><p>“Silvio Rodríguez” | <em>NPR </em>(<a href="https://www.npr.org/artists/801185470/silvio-rodr-guez" rel="noopener noreferrer" target="_blank">https://www.npr.org/artists/801185470/silvio-rodr-guez</a>)</p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/laura-pantoja]]></link><guid isPermaLink="false">ebd125d4-b2fa-4fd6-985a-7e17c2f7dd4d</guid><itunes:image href="https://artwork.captivate.fm/16263884-d158-4fc2-858a-3b7e0cf15e91/yRMJYmHvHcc2e2M0FFFfzA-7.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 08 Oct 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/663d3c51-bf3e-44be-a7d1-72ea1800a5eb/laura-pantoja-mp3.mp3" length="66508622" type="audio/mpeg"/><itunes:duration>46:11</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>15</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/53caadab-0bde-4a31-8642-723b1d5e52ac/index.html" type="text/html"/></item><item><title>Don Apolonio Cortés (Original, Español)</title><itunes:title>Don Apolonio Cortés (Original, Español)</itunes:title><description><![CDATA[<p>La filosofía de la autosuficiencia radical le ha servido bien durante una vida llena de movimientos y desplazamientos. Sin embargo, casi a pesar de sí mismo, Don Apolonio se ha quedado en Santa Ana 20 años ya, y se ha vuelto activista comunitario. Así ¡espera vivir hasta la edad de 200 años!</p><p><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p><strong>__________________________________________________________________</strong></p><p><strong>Amado Nervo</strong></p><p>Wikipedia (español) <a href="https://es.wikipedia.org/wiki/Amado_Nervo" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Amado_Nervo</a></p><p>Un buen número de obras por o sobre Nervo están en el dominio público y se puede accederlas a través del Archivo del Internet: <a href="https://archive.org/search.php?query=%28%28subject%3A%22Nervo%2C%20Amado%22%20OR%20subject%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20Amado%22%20OR%20creator%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20A%2E%22%20OR%20title%3A%22Amado%20Nervo%22%20OR%20description%3A%22Nervo%2C%20Amado%22%20OR%20description%3A%22Amado%20Nervo%22%29%20OR%20%28%221870-1919%22%20AND%20Nervo%29%29%20AND%20%28-mediatype:software%29" rel="noopener noreferrer" target="_blank">https://archive.org/search.php?query=%28%28subject%3A%22Nervo%2C%20Amado%22%20OR%20subject%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20Amado%22%20OR%20creator%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20A%2E%22%20OR%20title%3A%22Amado%20Nervo%22%20OR%20description%3A%22Nervo%2C%20Amado%22%20OR%20description%3A%22Amado%20Nervo%22%29%20OR%20%28%221870-1919%22%20AND%20Nervo%29%29%20AND%20%28-mediatype:software%29</a> </p><p><strong>__________________________________________________________________</strong></p><p><strong>La Biblia, Timoteo I &amp; II</strong></p><p>En español usé la edición Reina Valera de 1960, <a href="https://www.biblia.es/reina-valera-1960.php" rel="noopener noreferrer" target="_blank">https://www.biblia.es/reina-valera-1960.php</a> </p><p><strong>__________________________________________________________________</strong></p><p><strong>La autosuficiencia radical</strong></p><p>Además de las raíces bíblicas, la filosofía de Don Apolonio tiene unos antecedentes notables en los Trascendentalistas de la Nueva Inglaterra del s. XIX. </p><p> “Confianza en uno mismo,” trad. Pedro Tena. Madrid: Grupo Anaya, 2010</p><p><br></p><p> “Walden o La vida en los bosques,” versión pdf descargable, <a href="https://freeditorial.com/es/books/walden-o-la-vida-en-los-bosques" rel="noopener noreferrer" target="_blank">https://freeditorial.com/es/books/walden-o-la-vida-en-los-bosques</a> </p><p><br></p><p><strong>__________________________________________________________________ </strong></p><p><strong>El Návajo Azul &amp; la música “New Age”</strong></p><p><br></p><p>Le Guin, Elisabeth. "Uneasy Listening." <em>repercussions</em> 3.1 (1994): 519.</p><p><a href="https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-3-No.-1-LeGuin-Elisabeth-Uneasy-Listening.pdf" rel="noopener noreferrer" target="_blank">https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-3-No.-1-LeGuin-Elisabeth-Uneasy-Listening.pdf</a> </p><p><br></p><ul><li>an academic article about New Age music, by your Program Host. English only.</li></ul><br/><p><br></p><p><strong>__________________________________________________________________</strong> </p><p>‍<strong>THRIVE CLT/fideicomiso</strong></p><p><br></p><p><a href="https://www.thrivesantaana.org/" rel="noopener noreferrer" target="_blank">https://www.thrivesantaana.org/</a> &nbsp;-- Email: <a href="mailto:thrivesantaana@gmail.com" rel="noopener noreferrer" target="_blank">thrivesantaana@gmail.com</a></p><p>714-987-2009</p><p><br></p><p>“¿Qué son y cómo funcionan los fideicomisos?” <a href="https://www.minfin.gob.gt/que-son-y-como-funcionan-los-fideicomisos" rel="noopener noreferrer"...]]></description><content:encoded><![CDATA[<p>La filosofía de la autosuficiencia radical le ha servido bien durante una vida llena de movimientos y desplazamientos. Sin embargo, casi a pesar de sí mismo, Don Apolonio se ha quedado en Santa Ana 20 años ya, y se ha vuelto activista comunitario. Así ¡espera vivir hasta la edad de 200 años!</p><p><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p><strong>__________________________________________________________________</strong></p><p><strong>Amado Nervo</strong></p><p>Wikipedia (español) <a href="https://es.wikipedia.org/wiki/Amado_Nervo" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Amado_Nervo</a></p><p>Un buen número de obras por o sobre Nervo están en el dominio público y se puede accederlas a través del Archivo del Internet: <a href="https://archive.org/search.php?query=%28%28subject%3A%22Nervo%2C%20Amado%22%20OR%20subject%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20Amado%22%20OR%20creator%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20A%2E%22%20OR%20title%3A%22Amado%20Nervo%22%20OR%20description%3A%22Nervo%2C%20Amado%22%20OR%20description%3A%22Amado%20Nervo%22%29%20OR%20%28%221870-1919%22%20AND%20Nervo%29%29%20AND%20%28-mediatype:software%29" rel="noopener noreferrer" target="_blank">https://archive.org/search.php?query=%28%28subject%3A%22Nervo%2C%20Amado%22%20OR%20subject%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20Amado%22%20OR%20creator%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20A%2E%22%20OR%20title%3A%22Amado%20Nervo%22%20OR%20description%3A%22Nervo%2C%20Amado%22%20OR%20description%3A%22Amado%20Nervo%22%29%20OR%20%28%221870-1919%22%20AND%20Nervo%29%29%20AND%20%28-mediatype:software%29</a> </p><p><strong>__________________________________________________________________</strong></p><p><strong>La Biblia, Timoteo I &amp; II</strong></p><p>En español usé la edición Reina Valera de 1960, <a href="https://www.biblia.es/reina-valera-1960.php" rel="noopener noreferrer" target="_blank">https://www.biblia.es/reina-valera-1960.php</a> </p><p><strong>__________________________________________________________________</strong></p><p><strong>La autosuficiencia radical</strong></p><p>Además de las raíces bíblicas, la filosofía de Don Apolonio tiene unos antecedentes notables en los Trascendentalistas de la Nueva Inglaterra del s. XIX. </p><p> “Confianza en uno mismo,” trad. Pedro Tena. Madrid: Grupo Anaya, 2010</p><p><br></p><p> “Walden o La vida en los bosques,” versión pdf descargable, <a href="https://freeditorial.com/es/books/walden-o-la-vida-en-los-bosques" rel="noopener noreferrer" target="_blank">https://freeditorial.com/es/books/walden-o-la-vida-en-los-bosques</a> </p><p><br></p><p><strong>__________________________________________________________________ </strong></p><p><strong>El Návajo Azul &amp; la música “New Age”</strong></p><p><br></p><p>Le Guin, Elisabeth. "Uneasy Listening." <em>repercussions</em> 3.1 (1994): 519.</p><p><a href="https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-3-No.-1-LeGuin-Elisabeth-Uneasy-Listening.pdf" rel="noopener noreferrer" target="_blank">https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-3-No.-1-LeGuin-Elisabeth-Uneasy-Listening.pdf</a> </p><p><br></p><ul><li>an academic article about New Age music, by your Program Host. English only.</li></ul><br/><p><br></p><p><strong>__________________________________________________________________</strong> </p><p>‍<strong>THRIVE CLT/fideicomiso</strong></p><p><br></p><p><a href="https://www.thrivesantaana.org/" rel="noopener noreferrer" target="_blank">https://www.thrivesantaana.org/</a> &nbsp;-- Email: <a href="mailto:thrivesantaana@gmail.com" rel="noopener noreferrer" target="_blank">thrivesantaana@gmail.com</a></p><p>714-987-2009</p><p><br></p><p>“¿Qué son y cómo funcionan los fideicomisos?” <a href="https://www.minfin.gob.gt/que-son-y-como-funcionan-los-fideicomisos" rel="noopener noreferrer" target="_blank">https://www.minfin.gob.gt/que-son-y-como-funcionan-los-fideicomisos</a></p><ul><li>artículo publicado por el gobierno de Guatemala (sólo en español)</li></ul><br/><p>‍</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/don-apolonio-cortes]]></link><guid isPermaLink="false">05b250df-6c92-4b2b-86c9-8942c20681d9</guid><itunes:image href="https://artwork.captivate.fm/1b4e3438-6302-4eeb-878c-5c4e08e6775a/ch00go916lvBgNoc3j6mR9VC.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 24 Sep 2021 00:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/cfaef4d5-b233-47aa-a65f-4c8ee1863bb0/don-apolonio-original-spanish-final.mp3" length="76267728" type="audio/mpeg"/><itunes:duration>52:58</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>14</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/91d3bc0d-43cb-4f41-b589-cdba1eee17ec/index.html" type="text/html"/></item><item><title>Don Apolonio Cortés (English)</title><itunes:title>Don Apolonio Cortés (English)</itunes:title><description><![CDATA[<p>A personal philosophy of radical self-sufficiency has served him well during a life full of movement and displacement. Yet almost in spite of himself, Don Apolonio has remained in Santa Ana for 20 years, and become a community activist. And doing this, he means to live until he’s 200 years old!</p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS </strong></p><p><strong>__________________________________________________________________Amado Nervo</strong></p><p>Wikipedia (English) <a href="https://en.wikipedia.org/wiki/Amado_Nervo" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Amado_Nervo</a>&nbsp;</p><p>A fair number of works by or about Nervo are in the public domain and available through the Internet Archive: <a href="https://archive.org/search.php?query=%28%28subject%3A%22Nervo%2C%20Amado%22%20OR%20subject%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20Amado%22%20OR%20creator%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20A%2E%22%20OR%20title%3A%22Amado%20Nervo%22%20OR%20description%3A%22Nervo%2C%20Amado%22%20OR%20description%3A%22Amado%20Nervo%22%29%20OR%20%28%221870-1919%22%20AND%20Nervo%29%29%20AND%20%28-mediatype:software%29" rel="noopener noreferrer" target="_blank">https://archive.org/search.php?query=%28%28subject%3A%22Nervo%2C%20Amado%22%20OR%20subject%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20Amado%22%20OR%20creator%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20A%2E%22%20OR%20title%3A%22Amado%20Nervo%22%20OR%20description%3A%22Nervo%2C%20Amado%22%20OR%20description%3A%22Amado%20Nervo%22%29%20OR%20%28%221870-1919%22%20AND%20Nervo%29%29%20AND%20%28-mediatype:software%29</a>&nbsp;</p><p><strong>__________________________________________________________________Bible, Timothy 1 &amp; 2 </strong></p><p>In English I used the King James Version of 1611 (with modernized spelling) because I love the way it sounds.</p><p>&nbsp;<a href="http://thekingsbible.com/" rel="noopener noreferrer" target="_blank">http://thekingsbible.com/</a>&nbsp;</p><p><strong>_________________________________________________________________ Radical self-sufficiency</strong></p><p>As well as Biblical roots, Don Apolonio’s philosophy has notable predecessors in the 19th-century New England transcendentalists</p><p>&nbsp;“Self-Reliance,” Ralph Waldo Emerson (essay, 1841) <a href="https://lhsela.weebly.com/uploads/7/9/0/8/7908073/_emerson_self_reliance_excepts.pdf" rel="noopener noreferrer" target="_blank">https://lhsela.weebly.com/uploads/7/9/0/8/7908073/_emerson_self_reliance_excepts.pdf</a>&nbsp;</p><p>“Walden Pond,” Henry David Thoreau (essay, 1854) <a href="https://www.gutenberg.org/files/205/205-h/205-h.htm" rel="noopener noreferrer" target="_blank">https://www.gutenberg.org/files/205/205-h/205-h.htm</a>&nbsp;</p><p><strong>__________________________________________________________________</strong></p><p><strong>Blue Navajo &amp; New Age Music </strong></p><p>Le Guin, Elisabeth. "Uneasy Listening."&nbsp;<em>repercussions</em>&nbsp;3.1 (1994): 519.</p><p><a href="https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-3-No.-1-LeGuin-Elisabeth-Uneasy-Listening.pdf" rel="noopener noreferrer" target="_blank">https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-3-No.-1-LeGuin-Elisabeth-Uneasy-Listening.pdf</a>&nbsp;</p><ul><li>an academic article about New Age music, by your Program Host. English only.</li></ul><br/><p><strong>__________________________________________________________________</strong> <strong>THRIVE CLT/fideicomiso</strong></p><p><a href="https://www.thrivesantaana.org/" rel="noopener noreferrer" target="_blank">https://www.thrivesantaana.org/</a>&nbsp; </p><p>-- Email:&nbsp;<a href="mailto:thrivesantaana@gmail.com" rel="noopener noreferrer" target="_blank">thrivesantaana@gmail.com</a> 714-987-2009</p><p>“Community Land Trusts and Stable Affordable Housing” <a...]]></description><content:encoded><![CDATA[<p>A personal philosophy of radical self-sufficiency has served him well during a life full of movement and displacement. Yet almost in spite of himself, Don Apolonio has remained in Santa Ana for 20 years, and become a community activist. And doing this, he means to live until he’s 200 years old!</p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS </strong></p><p><strong>__________________________________________________________________Amado Nervo</strong></p><p>Wikipedia (English) <a href="https://en.wikipedia.org/wiki/Amado_Nervo" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Amado_Nervo</a>&nbsp;</p><p>A fair number of works by or about Nervo are in the public domain and available through the Internet Archive: <a href="https://archive.org/search.php?query=%28%28subject%3A%22Nervo%2C%20Amado%22%20OR%20subject%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20Amado%22%20OR%20creator%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20A%2E%22%20OR%20title%3A%22Amado%20Nervo%22%20OR%20description%3A%22Nervo%2C%20Amado%22%20OR%20description%3A%22Amado%20Nervo%22%29%20OR%20%28%221870-1919%22%20AND%20Nervo%29%29%20AND%20%28-mediatype:software%29" rel="noopener noreferrer" target="_blank">https://archive.org/search.php?query=%28%28subject%3A%22Nervo%2C%20Amado%22%20OR%20subject%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20Amado%22%20OR%20creator%3A%22Amado%20Nervo%22%20OR%20creator%3A%22Nervo%2C%20A%2E%22%20OR%20title%3A%22Amado%20Nervo%22%20OR%20description%3A%22Nervo%2C%20Amado%22%20OR%20description%3A%22Amado%20Nervo%22%29%20OR%20%28%221870-1919%22%20AND%20Nervo%29%29%20AND%20%28-mediatype:software%29</a>&nbsp;</p><p><strong>__________________________________________________________________Bible, Timothy 1 &amp; 2 </strong></p><p>In English I used the King James Version of 1611 (with modernized spelling) because I love the way it sounds.</p><p>&nbsp;<a href="http://thekingsbible.com/" rel="noopener noreferrer" target="_blank">http://thekingsbible.com/</a>&nbsp;</p><p><strong>_________________________________________________________________ Radical self-sufficiency</strong></p><p>As well as Biblical roots, Don Apolonio’s philosophy has notable predecessors in the 19th-century New England transcendentalists</p><p>&nbsp;“Self-Reliance,” Ralph Waldo Emerson (essay, 1841) <a href="https://lhsela.weebly.com/uploads/7/9/0/8/7908073/_emerson_self_reliance_excepts.pdf" rel="noopener noreferrer" target="_blank">https://lhsela.weebly.com/uploads/7/9/0/8/7908073/_emerson_self_reliance_excepts.pdf</a>&nbsp;</p><p>“Walden Pond,” Henry David Thoreau (essay, 1854) <a href="https://www.gutenberg.org/files/205/205-h/205-h.htm" rel="noopener noreferrer" target="_blank">https://www.gutenberg.org/files/205/205-h/205-h.htm</a>&nbsp;</p><p><strong>__________________________________________________________________</strong></p><p><strong>Blue Navajo &amp; New Age Music </strong></p><p>Le Guin, Elisabeth. "Uneasy Listening."&nbsp;<em>repercussions</em>&nbsp;3.1 (1994): 519.</p><p><a href="https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-3-No.-1-LeGuin-Elisabeth-Uneasy-Listening.pdf" rel="noopener noreferrer" target="_blank">https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-3-No.-1-LeGuin-Elisabeth-Uneasy-Listening.pdf</a>&nbsp;</p><ul><li>an academic article about New Age music, by your Program Host. English only.</li></ul><br/><p><strong>__________________________________________________________________</strong> <strong>THRIVE CLT/fideicomiso</strong></p><p><a href="https://www.thrivesantaana.org/" rel="noopener noreferrer" target="_blank">https://www.thrivesantaana.org/</a>&nbsp; </p><p>-- Email:&nbsp;<a href="mailto:thrivesantaana@gmail.com" rel="noopener noreferrer" target="_blank">thrivesantaana@gmail.com</a> 714-987-2009</p><p>“Community Land Trusts and Stable Affordable Housing” <a href="https://www.huduser.gov/portal/pdredge/pdr-edge-featd-article-110419.html" rel="noopener noreferrer" target="_blank">https://www.huduser.gov/portal/pdredge/pdr-edge-featd-article-110419.html</a></p><p>An informative article published by the Federal Government’s Dept of Housing and Urban Development (HUD) (English only)</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/don-apolonio-cortes]]></link><guid isPermaLink="false">1f3e763a-6670-4eab-ab2a-e894d29e3da1</guid><itunes:image href="https://artwork.captivate.fm/90ff37b7-8294-4cfb-8ed6-dfb0f3ffa919/Y6Tk_7j6OQSqNeP0o6-ifpOQ.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 24 Sep 2021 00:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/ca5ee5f8-35f9-415b-b3f9-f5d9aaa44552/don-apolonio-mp3.mp3" length="40224984" type="audio/mpeg"/><itunes:duration>38:08</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>14</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/d8013235-9cbd-49dc-9462-23bbf00197b8/index.html" type="text/html"/></item><item><title>Diana Morales (Español)</title><itunes:title>Diana Morales (Español)</itunes:title><description><![CDATA[<p>Diana es artista cuya obra expresa su arraigamiento en su ascendencia P’urhépecha. Este otoño,&nbsp; se matricula en un programa de entrenamiento para maestrxs en la UCLA. Hablamos de “las historias no contadas” de resistencia al colonialismo, que espera compartir con sus estudiantes veniderxs.</p><p><strong> BIBLIOGRAFÍA y ENLACES</strong></p><p><strong>______________________________</strong></p><p><strong> El sitio Web e Instagram de Diana:</strong></p><p><a href="https://www.arteesmedicina.com/" rel="noopener noreferrer" target="_blank">https://www.arteesmedicina.com/</a></p><p><a href="http://www.instagram.com/arte.es.medicina" rel="noopener noreferrer" target="_blank">http://www.instagram.com/arte.es.medicina</a> </p><p><strong>Otra entrevista con Diana&nbsp;</strong></p><p>On “Nuestras raíces verdes,” an interesting podcast focused on BIPOC people’s relation to the land //&nbsp;</p><p>En “Nuestras raíces verdes,” un podcast interesante (en inglés) sobre las relaciones de la gente de color con la Tierra</p><p><a href="https://nuestrasraicesverdes.com/podcast/archiving-purhepecha-knowledge-through-art/" rel="noopener noreferrer" target="_blank">https://nuestrasraicesverdes.com/podcast/archiving-purhepecha-knowledge-through-art/</a></p><p>______________________________________________________________________________</p><p><strong>Indigenous languages in México</strong></p><p>“Catálogo de las lenguas indígenas nacionales” (Spanish only)</p><p> Un sitio Web del gobierno mexicano.</p><p><a href="https://www.inali.gob.mx/clin-inali/" rel="noopener noreferrer" target="_blank">https://www.inali.gob.mx/clin-inali/</a>&nbsp;</p><p>El artículo “Lenguas de México” en Wikipedia es una introducción excelente a este tópico</p><p>&nbsp;<a href="https://es.wikipedia.org/wiki/Lenguas_de_Mexico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Lenguas_de_Mexico</a>&nbsp;</p><p>English version: <a href="https://en.wikipedia.org/wiki/Languages_of_Mexico" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Languages_of_Mexico</a>&nbsp;</p><p>______________________________________________________________________________</p><p><strong>P’urhépecha music</strong></p><p>(Todo en español )</p><p>Reynoso Riqué, Cecilia. “Acercamiento a la música purépecha.” <em>Revista redes música: música y musicología desde Baja California.</em> Julio - Diciembre de 2007, Vol. 2, No. 2 / Enero – Junio<em> </em>de 2008, Vol. 3, No. 1. [ <a href="http://www.redesmusica.org/no3" rel="noopener noreferrer" target="_blank">www.redesmusica.org/no3</a> , consultado el 24-26 agosto de 2021]</p><ul><li><em>este resumen escueto y cuidadoso cuenta con una discografía muy útil.</em></li></ul><br/><p>Chamorro Escalante, Arturo. <em>Sones de la guerra, rivalidad y emoción en la práctica de la música p’urhépecha.</em> COLMICH, Zamora, 1994.</p><p>------------------------------------. “La música Purhépecha a través de su forma y estructura:</p><p>Hemiola, cuatrillo, bájeos y armonías.” <a href="https://www.colmich.edu.mx/relaciones25/files/revistas/048/J.ArturoChamorroE.pdf" rel="noopener noreferrer" target="_blank">https://www.colmich.edu.mx/relaciones25/files/revistas/048/J.ArturoChamorroE.pdf</a>&nbsp;</p>]]></description><content:encoded><![CDATA[<p>Diana es artista cuya obra expresa su arraigamiento en su ascendencia P’urhépecha. Este otoño,&nbsp; se matricula en un programa de entrenamiento para maestrxs en la UCLA. Hablamos de “las historias no contadas” de resistencia al colonialismo, que espera compartir con sus estudiantes veniderxs.</p><p><strong> BIBLIOGRAFÍA y ENLACES</strong></p><p><strong>______________________________</strong></p><p><strong> El sitio Web e Instagram de Diana:</strong></p><p><a href="https://www.arteesmedicina.com/" rel="noopener noreferrer" target="_blank">https://www.arteesmedicina.com/</a></p><p><a href="http://www.instagram.com/arte.es.medicina" rel="noopener noreferrer" target="_blank">http://www.instagram.com/arte.es.medicina</a> </p><p><strong>Otra entrevista con Diana&nbsp;</strong></p><p>On “Nuestras raíces verdes,” an interesting podcast focused on BIPOC people’s relation to the land //&nbsp;</p><p>En “Nuestras raíces verdes,” un podcast interesante (en inglés) sobre las relaciones de la gente de color con la Tierra</p><p><a href="https://nuestrasraicesverdes.com/podcast/archiving-purhepecha-knowledge-through-art/" rel="noopener noreferrer" target="_blank">https://nuestrasraicesverdes.com/podcast/archiving-purhepecha-knowledge-through-art/</a></p><p>______________________________________________________________________________</p><p><strong>Indigenous languages in México</strong></p><p>“Catálogo de las lenguas indígenas nacionales” (Spanish only)</p><p> Un sitio Web del gobierno mexicano.</p><p><a href="https://www.inali.gob.mx/clin-inali/" rel="noopener noreferrer" target="_blank">https://www.inali.gob.mx/clin-inali/</a>&nbsp;</p><p>El artículo “Lenguas de México” en Wikipedia es una introducción excelente a este tópico</p><p>&nbsp;<a href="https://es.wikipedia.org/wiki/Lenguas_de_Mexico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Lenguas_de_Mexico</a>&nbsp;</p><p>English version: <a href="https://en.wikipedia.org/wiki/Languages_of_Mexico" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Languages_of_Mexico</a>&nbsp;</p><p>______________________________________________________________________________</p><p><strong>P’urhépecha music</strong></p><p>(Todo en español )</p><p>Reynoso Riqué, Cecilia. “Acercamiento a la música purépecha.” <em>Revista redes música: música y musicología desde Baja California.</em> Julio - Diciembre de 2007, Vol. 2, No. 2 / Enero – Junio<em> </em>de 2008, Vol. 3, No. 1. [ <a href="http://www.redesmusica.org/no3" rel="noopener noreferrer" target="_blank">www.redesmusica.org/no3</a> , consultado el 24-26 agosto de 2021]</p><ul><li><em>este resumen escueto y cuidadoso cuenta con una discografía muy útil.</em></li></ul><br/><p>Chamorro Escalante, Arturo. <em>Sones de la guerra, rivalidad y emoción en la práctica de la música p’urhépecha.</em> COLMICH, Zamora, 1994.</p><p>------------------------------------. “La música Purhépecha a través de su forma y estructura:</p><p>Hemiola, cuatrillo, bájeos y armonías.” <a href="https://www.colmich.edu.mx/relaciones25/files/revistas/048/J.ArturoChamorroE.pdf" rel="noopener noreferrer" target="_blank">https://www.colmich.edu.mx/relaciones25/files/revistas/048/J.ArturoChamorroE.pdf</a>&nbsp;</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/diana-morales]]></link><guid isPermaLink="false">54354075-c825-440f-be9c-b77ff95a37d3</guid><itunes:image href="https://artwork.captivate.fm/5fa7ac32-7221-4278-8fb7-388afa891325/sBTyXwksMXMWVD3gctg8pUTM.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 10 Sep 2021 10:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/67fd3760-9a3d-4eb7-8a78-2f65d81e4e59/diana-reenactment-master-9-15-21.mp3" length="68586474" type="audio/mpeg"/><itunes:duration>47:38</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>13</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/6a0bab97-5376-4614-961d-bbbef5f37035/index.html" type="text/html"/></item><item><title>Diana Morales (Original, English)</title><itunes:title>Diana Morales (Original, English)</itunes:title><description><![CDATA[<p>Diana is an artist whose work expresses her connection with her P’urhépecha Indigenous ancestry. She enters a teacher training program at UCLA this Fall. We talk about “the untold stories” of resistance to colonialism that she hopes to share with her future students.</p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS </strong></p><p><strong>Diana’s website and Instagram</strong></p><p><a href="https://www.arteesmedicina.com/" rel="noopener noreferrer" target="_blank">https://www.arteesmedicina.com/</a></p><p><a href="http://www.instagram.com/arte.es.medicina" rel="noopener noreferrer" target="_blank">http://www.instagram.com/arte.es.medicina</a>&nbsp;</p><p><strong>Another Interview with Diana</strong></p><p>On “Nuestras raíces verdes,” an interesting podcast focused on BIPOC people’s relation to the land //&nbsp;</p><p><a href="https://nuestrasraicesverdes.com/podcast/archiving-purhepecha-knowledge-through-art/" rel="noopener noreferrer" target="_blank">https://nuestrasraicesverdes.com/podcast/archiving-purhepecha-knowledge-through-art/</a></p><p>______________________________________________________________________________</p><p><strong>Indigenous languages in México</strong></p><p>“Catálogo de las lenguas indígenas nacionales” (Spanish only)</p><p>A Mexican government website // Un sitio Web del gobierno mexicano.</p><p><a href="https://www.inali.gob.mx/clin-inali/" rel="noopener noreferrer" target="_blank">https://www.inali.gob.mx/clin-inali/</a>&nbsp;</p><p> The article “Lenguas de México” in Wikipedia is a first-rate introduction to this topic:</p><p>&nbsp;<a href="https://es.wikipedia.org/wiki/Lenguas_de_Mexico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Lenguas_de_Mexico</a>&nbsp;</p><p>English version: <a href="https://en.wikipedia.org/wiki/Languages_of_Mexico" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Languages_of_Mexico</a>&nbsp;</p><p>______________________________________________________________________________</p><p><strong>P’urhépecha music</strong></p><p>(everything is in Spanish)</p><p>Reynoso Riqué, Cecilia. “Acercamiento a la música purépecha.” <em>Revista redes música: música y musicología desde Baja California.</em> Julio - Diciembre de 2007, Vol. 2, No. 2 / Enero – Junio<em> </em>de 2008, Vol. 3, No. 1. [ <a href="http://www.redesmusica.org/no3" rel="noopener noreferrer" target="_blank">www.redesmusica.org/no3</a> , consultado el 24-26 agosto de 2021]</p><ul><li><em>este resumen escueto y cuidadoso cuenta con una discografía muy útil.</em></li></ul><br/><p>Chamorro Escalante, Arturo. <em>Sones de la guerra, rivalidad y emoción en la práctica de la música p’urhépecha.</em> COLMICH, Zamora, 1994.</p><p><br></p><p>------------------------------------. “La música Purhépecha a través de su forma y estructura:</p><p>Hemiola, cuatrillo, bájeos y armonías.” <a href="https://www.colmich.edu.mx/relaciones25/files/revistas/048/J.ArturoChamorroE.pdf" rel="noopener noreferrer" target="_blank">https://www.colmich.edu.mx/relaciones25/files/revistas/048/J.ArturoChamorroE.pdf</a> </p>]]></description><content:encoded><![CDATA[<p>Diana is an artist whose work expresses her connection with her P’urhépecha Indigenous ancestry. She enters a teacher training program at UCLA this Fall. We talk about “the untold stories” of resistance to colonialism that she hopes to share with her future students.</p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS </strong></p><p><strong>Diana’s website and Instagram</strong></p><p><a href="https://www.arteesmedicina.com/" rel="noopener noreferrer" target="_blank">https://www.arteesmedicina.com/</a></p><p><a href="http://www.instagram.com/arte.es.medicina" rel="noopener noreferrer" target="_blank">http://www.instagram.com/arte.es.medicina</a>&nbsp;</p><p><strong>Another Interview with Diana</strong></p><p>On “Nuestras raíces verdes,” an interesting podcast focused on BIPOC people’s relation to the land //&nbsp;</p><p><a href="https://nuestrasraicesverdes.com/podcast/archiving-purhepecha-knowledge-through-art/" rel="noopener noreferrer" target="_blank">https://nuestrasraicesverdes.com/podcast/archiving-purhepecha-knowledge-through-art/</a></p><p>______________________________________________________________________________</p><p><strong>Indigenous languages in México</strong></p><p>“Catálogo de las lenguas indígenas nacionales” (Spanish only)</p><p>A Mexican government website // Un sitio Web del gobierno mexicano.</p><p><a href="https://www.inali.gob.mx/clin-inali/" rel="noopener noreferrer" target="_blank">https://www.inali.gob.mx/clin-inali/</a>&nbsp;</p><p> The article “Lenguas de México” in Wikipedia is a first-rate introduction to this topic:</p><p>&nbsp;<a href="https://es.wikipedia.org/wiki/Lenguas_de_Mexico" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Lenguas_de_Mexico</a>&nbsp;</p><p>English version: <a href="https://en.wikipedia.org/wiki/Languages_of_Mexico" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Languages_of_Mexico</a>&nbsp;</p><p>______________________________________________________________________________</p><p><strong>P’urhépecha music</strong></p><p>(everything is in Spanish)</p><p>Reynoso Riqué, Cecilia. “Acercamiento a la música purépecha.” <em>Revista redes música: música y musicología desde Baja California.</em> Julio - Diciembre de 2007, Vol. 2, No. 2 / Enero – Junio<em> </em>de 2008, Vol. 3, No. 1. [ <a href="http://www.redesmusica.org/no3" rel="noopener noreferrer" target="_blank">www.redesmusica.org/no3</a> , consultado el 24-26 agosto de 2021]</p><ul><li><em>este resumen escueto y cuidadoso cuenta con una discografía muy útil.</em></li></ul><br/><p>Chamorro Escalante, Arturo. <em>Sones de la guerra, rivalidad y emoción en la práctica de la música p’urhépecha.</em> COLMICH, Zamora, 1994.</p><p><br></p><p>------------------------------------. “La música Purhépecha a través de su forma y estructura:</p><p>Hemiola, cuatrillo, bájeos y armonías.” <a href="https://www.colmich.edu.mx/relaciones25/files/revistas/048/J.ArturoChamorroE.pdf" rel="noopener noreferrer" target="_blank">https://www.colmich.edu.mx/relaciones25/files/revistas/048/J.ArturoChamorroE.pdf</a> </p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/diana-morales]]></link><guid isPermaLink="false">05f4e840-0ba3-4f08-bbe5-bc44eb1d04bd</guid><itunes:image href="https://artwork.captivate.fm/a4d3ba21-b864-4205-86f2-5174a024f4af/eP1I3-8G_VYjpZVCh565pDHK.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 10 Sep 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/52cfcc8a-21b6-47b4-8183-fb6e6f23783c/diana-morales-mp3.mp3" length="45393072" type="audio/mpeg"/><itunes:duration>47:32</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>13</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/2f8d49a7-3341-45ff-99bb-3757601b045d/index.html" type="text/html"/></item><item><title>Marlha Sánchez (Original, English)</title><itunes:title>Marlha Sánchez (Original, English)</itunes:title><description><![CDATA[<p>Mother, poet, and organizer of Unidos Homeschool Cooperative, a local alternative school, Marlha shares wisdom and humor about the importance of immigrant and Indigenous identities, and about how, in the end, it’s OK not to be in control.&nbsp;</p><p>“Ana Tijoux: the political and the personal” (<a href="https://www.latimes.com/entertainment/music/la-xpm-2012-aug-23-la-et-ms-ana-tijoux-20120824-story.html" rel="noopener noreferrer" target="_blank">https://www.latimes.com/entertainment/music/la-xpm-2012-aug-23-la-et-ms-ana-tijoux-20120824-story.html</a>)</p><p>“Ana Tijoux: Addressing Global Unrest in Rhyme” (<a href="https://www.npr.org/transcripts/146694189" rel="noopener noreferrer" target="_blank">https://www.npr.org/transcripts/146694189</a>)</p><p><br></p><p>“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood &amp; Hip-Hop as “a Land for the Landless” (<a href="https://www.democracynow.org/2014/7/10/ana_tijoux" rel="noopener noreferrer" target="_blank">https://www.democracynow.org/2014/7/10/ana_tijoux</a>)</p><p><br></p><p>“For Ana Tijoux, hip-hop is home” (<a href="https://news.harvard.edu/gazette/story/2016/04/for-ana-tijoux-hip-hop-is-home/" rel="noopener noreferrer" target="_blank">https://news.harvard.edu/gazette/story/2016/04/for-ana-tijoux-hip-hop-is-home/</a>)</p><p><br></p><p>“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood &amp; Hip-Hop as "a Land for the Landless" (INTERVIEW) (<a href="https://www.youtube.com/watch?v=EJ3Gr58dpWM" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=EJ3Gr58dpWM</a>)</p><p><br></p><p>“The Most Slept-On Indigenous Album of 2014: Ana Tijoux, Vengo” (<a href="http://rpm.fm/news/slept-indigenous-album-2014-ana-tijoux-vengo/" rel="noopener noreferrer" target="_blank">http://rpm.fm/news/slept-indigenous-album-2014-ana-tijoux-vengo/</a>)</p><p><br></p><p>“Ana Tijoux: "El neoliberalismo va a morir en Chile" | Entrevista completa” (<a href="https://www.youtube.com/watch?v=sy9DvlM0PhY" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=sy9DvlM0PhY</a>)</p><p><br></p><p>“En La Makinita "Versos Migrantes" Ana Tijoux y Shadia Mansour, Capítulo # 9” (<a href="https://www.youtube.com/watch?v=hDGsbGHddYU" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=hDGsbGHddYU</a>)</p><p><br></p><p><br></p>]]></description><content:encoded><![CDATA[<p>Mother, poet, and organizer of Unidos Homeschool Cooperative, a local alternative school, Marlha shares wisdom and humor about the importance of immigrant and Indigenous identities, and about how, in the end, it’s OK not to be in control.&nbsp;</p><p>“Ana Tijoux: the political and the personal” (<a href="https://www.latimes.com/entertainment/music/la-xpm-2012-aug-23-la-et-ms-ana-tijoux-20120824-story.html" rel="noopener noreferrer" target="_blank">https://www.latimes.com/entertainment/music/la-xpm-2012-aug-23-la-et-ms-ana-tijoux-20120824-story.html</a>)</p><p>“Ana Tijoux: Addressing Global Unrest in Rhyme” (<a href="https://www.npr.org/transcripts/146694189" rel="noopener noreferrer" target="_blank">https://www.npr.org/transcripts/146694189</a>)</p><p><br></p><p>“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood &amp; Hip-Hop as “a Land for the Landless” (<a href="https://www.democracynow.org/2014/7/10/ana_tijoux" rel="noopener noreferrer" target="_blank">https://www.democracynow.org/2014/7/10/ana_tijoux</a>)</p><p><br></p><p>“For Ana Tijoux, hip-hop is home” (<a href="https://news.harvard.edu/gazette/story/2016/04/for-ana-tijoux-hip-hop-is-home/" rel="noopener noreferrer" target="_blank">https://news.harvard.edu/gazette/story/2016/04/for-ana-tijoux-hip-hop-is-home/</a>)</p><p><br></p><p>“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood &amp; Hip-Hop as "a Land for the Landless" (INTERVIEW) (<a href="https://www.youtube.com/watch?v=EJ3Gr58dpWM" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=EJ3Gr58dpWM</a>)</p><p><br></p><p>“The Most Slept-On Indigenous Album of 2014: Ana Tijoux, Vengo” (<a href="http://rpm.fm/news/slept-indigenous-album-2014-ana-tijoux-vengo/" rel="noopener noreferrer" target="_blank">http://rpm.fm/news/slept-indigenous-album-2014-ana-tijoux-vengo/</a>)</p><p><br></p><p>“Ana Tijoux: "El neoliberalismo va a morir en Chile" | Entrevista completa” (<a href="https://www.youtube.com/watch?v=sy9DvlM0PhY" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=sy9DvlM0PhY</a>)</p><p><br></p><p>“En La Makinita "Versos Migrantes" Ana Tijoux y Shadia Mansour, Capítulo # 9” (<a href="https://www.youtube.com/watch?v=hDGsbGHddYU" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=hDGsbGHddYU</a>)</p><p><br></p><p><br></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/marlha-sanchez]]></link><guid isPermaLink="false">eaf503d7-0b5a-4309-8481-a81d7734fa1f</guid><itunes:image href="https://artwork.captivate.fm/c478c124-3fe3-4979-98fb-1dd09d5f172f/euO2W3gfJmgFsn832pxHJRRy.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 27 Aug 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/509ad46b-2836-4638-ad88-eaf2f33585ce/marlha-s-mastered-english-interview.mp3" length="75361801" type="audio/mpeg"/><itunes:duration>52:20</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>12</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/f635e208-62a8-4150-a09a-2755a23023c7/index.html" type="text/html"/></item><item><title>Marlha Sánchez (Español)</title><itunes:title>Marlha Sánchez (Español)</itunes:title><description><![CDATA[<p>Madre, poetisa, y organizadora de Unidos Homeschool Cooperative [Cooperativa “Unidos” de educación en el hogar], Marlha comparte su sabiduría y humor en torno a la importancia de las identidades indígenas e inmigrantes, y sobre cómo, a fin de cuentas, está bien no tener control.</p><p>“Ana Tijoux: the political and the personal” (<a href="https://www.latimes.com/entertainment/music/la-xpm-2012-aug-23-la-et-ms-ana-tijoux-20120824-story.html" rel="noopener noreferrer" target="_blank">https://www.latimes.com/entertainment/music/la-xpm-2012-aug-23-la-et-ms-ana-tijoux-20120824-story.html</a>)</p><p>“Ana Tijoux: Addressing Global Unrest in Rhyme” (<a href="https://www.npr.org/transcripts/146694189" rel="noopener noreferrer" target="_blank">https://www.npr.org/transcripts/146694189</a>)</p><p><br></p><p>“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood &amp; Hip-Hop as “a Land for the Landless” (<a href="https://www.democracynow.org/2014/7/10/ana_tijoux" rel="noopener noreferrer" target="_blank">https://www.democracynow.org/2014/7/10/ana_tijoux</a>)</p><p><br></p><p>“For Ana Tijoux, hip-hop is home” (<a href="https://news.harvard.edu/gazette/story/2016/04/for-ana-tijoux-hip-hop-is-home/" rel="noopener noreferrer" target="_blank">https://news.harvard.edu/gazette/story/2016/04/for-ana-tijoux-hip-hop-is-home/</a>)</p><p><br></p><p>“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood &amp; Hip-Hop as "a Land for the Landless" (INTERVIEW) (<a href="https://www.youtube.com/watch?v=EJ3Gr58dpWM" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=EJ3Gr58dpWM</a>)</p><p><br></p><p>“The Most Slept-On Indigenous Album of 2014: Ana Tijoux, Vengo” (<a href="http://rpm.fm/news/slept-indigenous-album-2014-ana-tijoux-vengo/" rel="noopener noreferrer" target="_blank">http://rpm.fm/news/slept-indigenous-album-2014-ana-tijoux-vengo/</a>)</p><p><br></p><p>“Ana Tijoux: "El neoliberalismo va a morir en Chile" | Entrevista completa” (<a href="https://www.youtube.com/watch?v=sy9DvlM0PhY" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=sy9DvlM0PhY</a>)</p><p><br></p><p>“En La Makinita "Versos Migrantes" Ana Tijoux y Shadia Mansour, Capítulo # 9” (<a href="https://www.youtube.com/watch?v=hDGsbGHddYU" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=hDGsbGHddYU</a>)</p>]]></description><content:encoded><![CDATA[<p>Madre, poetisa, y organizadora de Unidos Homeschool Cooperative [Cooperativa “Unidos” de educación en el hogar], Marlha comparte su sabiduría y humor en torno a la importancia de las identidades indígenas e inmigrantes, y sobre cómo, a fin de cuentas, está bien no tener control.</p><p>“Ana Tijoux: the political and the personal” (<a href="https://www.latimes.com/entertainment/music/la-xpm-2012-aug-23-la-et-ms-ana-tijoux-20120824-story.html" rel="noopener noreferrer" target="_blank">https://www.latimes.com/entertainment/music/la-xpm-2012-aug-23-la-et-ms-ana-tijoux-20120824-story.html</a>)</p><p>“Ana Tijoux: Addressing Global Unrest in Rhyme” (<a href="https://www.npr.org/transcripts/146694189" rel="noopener noreferrer" target="_blank">https://www.npr.org/transcripts/146694189</a>)</p><p><br></p><p>“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood &amp; Hip-Hop as “a Land for the Landless” (<a href="https://www.democracynow.org/2014/7/10/ana_tijoux" rel="noopener noreferrer" target="_blank">https://www.democracynow.org/2014/7/10/ana_tijoux</a>)</p><p><br></p><p>“For Ana Tijoux, hip-hop is home” (<a href="https://news.harvard.edu/gazette/story/2016/04/for-ana-tijoux-hip-hop-is-home/" rel="noopener noreferrer" target="_blank">https://news.harvard.edu/gazette/story/2016/04/for-ana-tijoux-hip-hop-is-home/</a>)</p><p><br></p><p>“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood &amp; Hip-Hop as "a Land for the Landless" (INTERVIEW) (<a href="https://www.youtube.com/watch?v=EJ3Gr58dpWM" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=EJ3Gr58dpWM</a>)</p><p><br></p><p>“The Most Slept-On Indigenous Album of 2014: Ana Tijoux, Vengo” (<a href="http://rpm.fm/news/slept-indigenous-album-2014-ana-tijoux-vengo/" rel="noopener noreferrer" target="_blank">http://rpm.fm/news/slept-indigenous-album-2014-ana-tijoux-vengo/</a>)</p><p><br></p><p>“Ana Tijoux: "El neoliberalismo va a morir en Chile" | Entrevista completa” (<a href="https://www.youtube.com/watch?v=sy9DvlM0PhY" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=sy9DvlM0PhY</a>)</p><p><br></p><p>“En La Makinita "Versos Migrantes" Ana Tijoux y Shadia Mansour, Capítulo # 9” (<a href="https://www.youtube.com/watch?v=hDGsbGHddYU" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=hDGsbGHddYU</a>)</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/marlha-sanchez]]></link><guid isPermaLink="false">e2bdaa9a-9d33-42c3-9383-4cc527b9c9cc</guid><itunes:image href="https://artwork.captivate.fm/32d67594-b339-45d6-a5d0-3aa3700ac88c/KcheN9veiMRfAcT-1TOFuCtY.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 27 Aug 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/6def3d05-b44b-4c1b-9aac-ce25540f50de/marlha-sanches-reenactment-mezcla-master.mp3" length="83118010" type="audio/mpeg"/><itunes:duration>55:56</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>12</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/71388725-ef85-4f1d-a9c6-1e437d21e88c/index.html" type="text/html"/></item><item><title>Yuritzy Elizabeth (Original, Español)</title><itunes:title>Yuritzy Elizabeth (Original, Español)</itunes:title><description><![CDATA[<p>Yuritzy es, según sus propias palabras, “migrante, madre soltera y contradicción.” Hablamos de cómo la música puede sugerir realidades escondidas, y sobre la importancia de los actos pequeños de bondad y de simpatía.</p><p>Research Bibliography</p><p>&nbsp;“El Nueve, el bar gay que desafió los prejuicios en los 80”</p><p><a href="https://www.eluniversal.com.mx/opinion/mochilazo-en-el-tiempo/el-nueve-el-bar-gay-que-desafio-los-prejuicios-en-los-80" rel="noopener noreferrer" target="_blank">https://www.eluniversal.com.mx/opinion/mochilazo-en-el-tiempo/el-nueve-el-bar-gay-que-desafio-los-prejuicios-en-los-80</a>&nbsp;</p><p>“'Yo no viví homofobia en los años 80'”&nbsp;</p><p><a href="https://sipse.com/mexico/homofobia-mexico-fundador-bar-el-nueve-222629.html" rel="noopener noreferrer" target="_blank">https://sipse.com/mexico/homofobia-mexico-fundador-bar-el-nueve-222629.html</a>&nbsp;</p><p>“El Personal, efímero y legendario:</p><p><a href="https://www.informador.mx/Suplementos/El-Personal-efimero-y-legendario-20110611-0213.html" rel="noopener noreferrer" target="_blank">https://www.informador.mx/Suplementos/El-Personal-efimero-y-legendario-20110611-0213.html</a></p><p>“Luis Pastor”</p><p><a href="https://www.allmusic.com/artist/luis-pastor-mn0000439573/biography" rel="noopener noreferrer" target="_blank">https://www.allmusic.com/artist/luis-pastor-mn0000439573/biography</a></p><p>“Chico Cesar”</p><p><a href="https://www.womex.com/virtual/urban_jungle/chico_cesar" rel="noopener noreferrer" target="_blank">https://www.womex.com/virtual/urban_jungle/chico_cesar</a></p>]]></description><content:encoded><![CDATA[<p>Yuritzy es, según sus propias palabras, “migrante, madre soltera y contradicción.” Hablamos de cómo la música puede sugerir realidades escondidas, y sobre la importancia de los actos pequeños de bondad y de simpatía.</p><p>Research Bibliography</p><p>&nbsp;“El Nueve, el bar gay que desafió los prejuicios en los 80”</p><p><a href="https://www.eluniversal.com.mx/opinion/mochilazo-en-el-tiempo/el-nueve-el-bar-gay-que-desafio-los-prejuicios-en-los-80" rel="noopener noreferrer" target="_blank">https://www.eluniversal.com.mx/opinion/mochilazo-en-el-tiempo/el-nueve-el-bar-gay-que-desafio-los-prejuicios-en-los-80</a>&nbsp;</p><p>“'Yo no viví homofobia en los años 80'”&nbsp;</p><p><a href="https://sipse.com/mexico/homofobia-mexico-fundador-bar-el-nueve-222629.html" rel="noopener noreferrer" target="_blank">https://sipse.com/mexico/homofobia-mexico-fundador-bar-el-nueve-222629.html</a>&nbsp;</p><p>“El Personal, efímero y legendario:</p><p><a href="https://www.informador.mx/Suplementos/El-Personal-efimero-y-legendario-20110611-0213.html" rel="noopener noreferrer" target="_blank">https://www.informador.mx/Suplementos/El-Personal-efimero-y-legendario-20110611-0213.html</a></p><p>“Luis Pastor”</p><p><a href="https://www.allmusic.com/artist/luis-pastor-mn0000439573/biography" rel="noopener noreferrer" target="_blank">https://www.allmusic.com/artist/luis-pastor-mn0000439573/biography</a></p><p>“Chico Cesar”</p><p><a href="https://www.womex.com/virtual/urban_jungle/chico_cesar" rel="noopener noreferrer" target="_blank">https://www.womex.com/virtual/urban_jungle/chico_cesar</a></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/yuritzy-elizabeth]]></link><guid isPermaLink="false">fa56b7c0-64a5-4a8c-a805-c0675c9e8385</guid><itunes:image href="https://artwork.captivate.fm/c37b215a-6377-43d5-b64a-848648e2269b/YxGCVvWixOvkCiyKyeamkB5Q.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 13 Aug 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/424de754-7641-4e63-942f-670a2caceefa/yuritzy-originalmaster-mixdown.mp3" length="83160425" type="audio/mpeg"/><itunes:duration>57:45</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>11</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/31739d12-f507-40fd-9a1b-62abec92433d/index.html" type="text/html"/></item><item><title>Yuritzy Elizabeth (English)</title><itunes:title>Yuritzy Elizabeth (English)</itunes:title><description><![CDATA[<p>In her own words, Yuritzy is “a migrant, a single mother, and a contradiction.” We talk about how music can suggest hidden realities, and about the importance of small acts of kindness and sympathy.</p><p>Research Bibliography</p><p>"El Nueve, the gay bar that defied prejudice in the 80s"</p><p><a href="https://www.eluniversal.com.mx/opinion/mochilazo-en-el-tiempo/el-nueve-el-bar-gay-que-desafio-los-prejuicios-en-los-80" rel="noopener noreferrer" target="_blank">https://www.eluniversal.com.mx/opinion/mochilazo-en-el-tiempo/el-nueve-el-bar-gay-que-desafio-los-prejuicios-en-los-80</a>&nbsp;</p><p>"'I did not experience homophobia in the 80s'"</p><p><a href="https://sipse.com/mexico/homofobia-mexico-fundador-bar-el-nueve-222629.html" rel="noopener noreferrer" target="_blank">https://sipse.com/mexico/homofobia-mexico-fundador-bar-el-nueve-222629.html</a>&nbsp;</p><p>The Personal, ephemeral and legendary:</p><p><a href="https://www.informador.mx/Suplementos/El-Personal-efimero-y-legendario-20110611-0213.html" rel="noopener noreferrer" target="_blank">https://www.informador.mx/Suplementos/El-Personal-efimero-y-legendario-20110611-0213.html</a></p><p>“Luis Pastor”</p><p><a href="https://www.allmusic.com/artist/luis-pastor-mn0000439573/biography" rel="noopener noreferrer" target="_blank">https://www.allmusic.com/artist/luis-pastor-mn0000439573/biography</a></p><p><br></p><p>“Chico Cesar”</p><p><a href="https://www.womex.com/virtual/urban_jungle/chico_cesar" rel="noopener noreferrer" target="_blank">https://www.womex.com/virtual/urban_jungle/chico_cesar</a></p><p><br></p><p><br></p><p><br></p><p><br></p>]]></description><content:encoded><![CDATA[<p>In her own words, Yuritzy is “a migrant, a single mother, and a contradiction.” We talk about how music can suggest hidden realities, and about the importance of small acts of kindness and sympathy.</p><p>Research Bibliography</p><p>"El Nueve, the gay bar that defied prejudice in the 80s"</p><p><a href="https://www.eluniversal.com.mx/opinion/mochilazo-en-el-tiempo/el-nueve-el-bar-gay-que-desafio-los-prejuicios-en-los-80" rel="noopener noreferrer" target="_blank">https://www.eluniversal.com.mx/opinion/mochilazo-en-el-tiempo/el-nueve-el-bar-gay-que-desafio-los-prejuicios-en-los-80</a>&nbsp;</p><p>"'I did not experience homophobia in the 80s'"</p><p><a href="https://sipse.com/mexico/homofobia-mexico-fundador-bar-el-nueve-222629.html" rel="noopener noreferrer" target="_blank">https://sipse.com/mexico/homofobia-mexico-fundador-bar-el-nueve-222629.html</a>&nbsp;</p><p>The Personal, ephemeral and legendary:</p><p><a href="https://www.informador.mx/Suplementos/El-Personal-efimero-y-legendario-20110611-0213.html" rel="noopener noreferrer" target="_blank">https://www.informador.mx/Suplementos/El-Personal-efimero-y-legendario-20110611-0213.html</a></p><p>“Luis Pastor”</p><p><a href="https://www.allmusic.com/artist/luis-pastor-mn0000439573/biography" rel="noopener noreferrer" target="_blank">https://www.allmusic.com/artist/luis-pastor-mn0000439573/biography</a></p><p><br></p><p>“Chico Cesar”</p><p><a href="https://www.womex.com/virtual/urban_jungle/chico_cesar" rel="noopener noreferrer" target="_blank">https://www.womex.com/virtual/urban_jungle/chico_cesar</a></p><p><br></p><p><br></p><p><br></p><p><br></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/yuritzy-elizabeth]]></link><guid isPermaLink="false">883a0cde-06db-439f-880c-d9828406d2f0</guid><itunes:image href="https://artwork.captivate.fm/bedb043e-eb88-488c-9371-b3abe372e1d7/FoYZ3HFiCgFmI6Gw8DDKyTEg.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 13 Aug 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/922b039c-0f25-4fee-b1ed-03ce68a177c5/yuritzy-english-reenactment.mp3" length="61921488" type="audio/mpeg"/><itunes:duration>43:00</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>11</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/88a52203-32fc-47f7-acc6-ef6e8c899ec9/index.html" type="text/html"/></item><item><title>Abel Ruiz (Original, Español)</title><itunes:title>Abel Ruiz (Original, Español)</itunes:title><description><![CDATA[<p>Abel dirige un jardín urbano comunitario en Santa Ana, donde los miembros de la comunidad pueden aprender cómo cuidar a la Madre Tierra. Hablamos de la importancia humana de los jardines, y de la tensión de siempre entre el idealismo y la seguridad.</p><p>Música: Juventino Rosas, Alberto Cortez</p><p><strong>CRECE COOPERATIVE – Community resilience through urban gardening</strong></p><p><a href="https://communityresilience.uci.edu/crece-community-resistance/" rel="noopener noreferrer" target="_blank">https://communityresilience.uci.edu/crece-community-resistance/</a> (Student blog, en inglés)</p><p>FB: <a href="https://www.facebook.com/crececommunityinresistance.co.op/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/crececommunityinresistance.co.op/</a></p><p>IG: @crece.coop&nbsp;</p><p>____________________________________________________________________________</p><p><strong>MEDICALIZATION OF CHILDBIRTH // LA MEDICALIZACIÓN DEL PARTO</strong></p><p>MIDWIVES ALLIANCE OF NORTH AMERICA</p><p><a href="https://mana.org/what-we-do/organizations-coalitions" rel="noopener noreferrer" target="_blank">https://mana.org/what-we-do/organizations-coalitions</a> (en inglés)</p><ul><li>links to local and specialized organizations in USA, Canada, and Mexico</li><li>enlaces a organizaciones locales y especializadas en EE UU, Canadá, y México</li></ul><br/><p>In English:</p><p>California Health Care Foundation&nbsp;</p><p>Infographic site, very informative:&nbsp;</p><p><a href="https://www.chcf.org/publication/infographic-overmedicalization-childbirth/" rel="noopener noreferrer" target="_blank">https://www.chcf.org/publication/infographic-overmedicalization-childbirth/</a>&nbsp;</p><p>They also did a 2016 survey called “Listening to Mothers in California” with issue briefs on the childbirth experiences of various demographic groups:</p><p><a href="https://www.chcf.org/collection/listening-to-mothers-in-california/" rel="noopener noreferrer" target="_blank">https://www.chcf.org/collection/listening-to-mothers-in-california/</a></p><p><br></p><p>Barbara Ehrenreich and Deirdre English. <em>Witches, Midwives &amp; Nurses : A History of Women Healers.</em> The Feminist Press, 2010</p><p><br></p><p>en español:&nbsp;</p><p><a href="https://hollywoodhealthandsociety.org/sites/default/files/attachments/page/Overmedicalization%20of%20Childbirth_Spanish.pdf" rel="noopener noreferrer" target="_blank">https://hollywoodhealthandsociety.org/sites/default/files/attachments/page/Overmedicalization%20of%20Childbirth_Spanish.pdf</a></p><p><br></p><p>Barbara Ehrenreich y Deirdre English, traducido por ??<strong>. </strong><em>Brujas, parteras y enfermeras.</em> Bauma, 2019.</p><p>Existe una versión en pdf de solamente 41 pp. <a href="https://docs.google.com/viewer?a=v&amp;pid=sites&amp;srcid=ZGVmYXVsdGRvbWFpbnxwZXJtYW11amVyZXN8Z3g6NWVmNTI4YTU5ZTZiMjkzOQ" rel="noopener noreferrer" target="_blank">https://docs.google.com/viewer?a=v&amp;pid=sites&amp;srcid=ZGVmYXVsdGRvbWFpbnxwZXJtYW11amVyZXN8Z3g6NWVmNTI4YTU5ZTZiMjkzOQ</a>&nbsp;</p><p><br></p><p>____________________________________________________________________________</p><p><strong>JUVENTINO ROSAS </strong>(todo en español)</p><p>Wikipedia <a href="https://es.wikipedia.org/wiki/Juventino_Rosas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Juventino_Rosas</a>&nbsp;</p><p><br></p><p>Sólo existe una biografía monógrafo de Rosas, y algo irónicamente, está escrita en inglés y por un austriaco; no se la recomendamos. Es un tema que se beneficiaría de un estudio pensativo.</p><p><br></p><p>There is only one monograph biography of Rosas, which rather ironically is written in English by an Austrian; we don’t recommend it. This is an area that could use some thoughtful scholarship.</p><p>____________________________________________________________________________</p><p><strong>ALBERTO CORTEZ&nbsp;&nbsp;</strong></p><p>(todo en español)</p><p>Noticia de su muerte en El...]]></description><content:encoded><![CDATA[<p>Abel dirige un jardín urbano comunitario en Santa Ana, donde los miembros de la comunidad pueden aprender cómo cuidar a la Madre Tierra. Hablamos de la importancia humana de los jardines, y de la tensión de siempre entre el idealismo y la seguridad.</p><p>Música: Juventino Rosas, Alberto Cortez</p><p><strong>CRECE COOPERATIVE – Community resilience through urban gardening</strong></p><p><a href="https://communityresilience.uci.edu/crece-community-resistance/" rel="noopener noreferrer" target="_blank">https://communityresilience.uci.edu/crece-community-resistance/</a> (Student blog, en inglés)</p><p>FB: <a href="https://www.facebook.com/crececommunityinresistance.co.op/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/crececommunityinresistance.co.op/</a></p><p>IG: @crece.coop&nbsp;</p><p>____________________________________________________________________________</p><p><strong>MEDICALIZATION OF CHILDBIRTH // LA MEDICALIZACIÓN DEL PARTO</strong></p><p>MIDWIVES ALLIANCE OF NORTH AMERICA</p><p><a href="https://mana.org/what-we-do/organizations-coalitions" rel="noopener noreferrer" target="_blank">https://mana.org/what-we-do/organizations-coalitions</a> (en inglés)</p><ul><li>links to local and specialized organizations in USA, Canada, and Mexico</li><li>enlaces a organizaciones locales y especializadas en EE UU, Canadá, y México</li></ul><br/><p>In English:</p><p>California Health Care Foundation&nbsp;</p><p>Infographic site, very informative:&nbsp;</p><p><a href="https://www.chcf.org/publication/infographic-overmedicalization-childbirth/" rel="noopener noreferrer" target="_blank">https://www.chcf.org/publication/infographic-overmedicalization-childbirth/</a>&nbsp;</p><p>They also did a 2016 survey called “Listening to Mothers in California” with issue briefs on the childbirth experiences of various demographic groups:</p><p><a href="https://www.chcf.org/collection/listening-to-mothers-in-california/" rel="noopener noreferrer" target="_blank">https://www.chcf.org/collection/listening-to-mothers-in-california/</a></p><p><br></p><p>Barbara Ehrenreich and Deirdre English. <em>Witches, Midwives &amp; Nurses : A History of Women Healers.</em> The Feminist Press, 2010</p><p><br></p><p>en español:&nbsp;</p><p><a href="https://hollywoodhealthandsociety.org/sites/default/files/attachments/page/Overmedicalization%20of%20Childbirth_Spanish.pdf" rel="noopener noreferrer" target="_blank">https://hollywoodhealthandsociety.org/sites/default/files/attachments/page/Overmedicalization%20of%20Childbirth_Spanish.pdf</a></p><p><br></p><p>Barbara Ehrenreich y Deirdre English, traducido por ??<strong>. </strong><em>Brujas, parteras y enfermeras.</em> Bauma, 2019.</p><p>Existe una versión en pdf de solamente 41 pp. <a href="https://docs.google.com/viewer?a=v&amp;pid=sites&amp;srcid=ZGVmYXVsdGRvbWFpbnxwZXJtYW11amVyZXN8Z3g6NWVmNTI4YTU5ZTZiMjkzOQ" rel="noopener noreferrer" target="_blank">https://docs.google.com/viewer?a=v&amp;pid=sites&amp;srcid=ZGVmYXVsdGRvbWFpbnxwZXJtYW11amVyZXN8Z3g6NWVmNTI4YTU5ZTZiMjkzOQ</a>&nbsp;</p><p><br></p><p>____________________________________________________________________________</p><p><strong>JUVENTINO ROSAS </strong>(todo en español)</p><p>Wikipedia <a href="https://es.wikipedia.org/wiki/Juventino_Rosas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Juventino_Rosas</a>&nbsp;</p><p><br></p><p>Sólo existe una biografía monógrafo de Rosas, y algo irónicamente, está escrita en inglés y por un austriaco; no se la recomendamos. Es un tema que se beneficiaría de un estudio pensativo.</p><p><br></p><p>There is only one monograph biography of Rosas, which rather ironically is written in English by an Austrian; we don’t recommend it. This is an area that could use some thoughtful scholarship.</p><p>____________________________________________________________________________</p><p><strong>ALBERTO CORTEZ&nbsp;&nbsp;</strong></p><p>(todo en español)</p><p>Noticia de su muerte en El País, con biografía: <a href="https://elpais.com/cultura/2019/04/04/actualidad/1554397254_613657.html" rel="noopener noreferrer" target="_blank">https://elpais.com/cultura/2019/04/04/actualidad/1554397254_613657.html</a>&nbsp;</p><p><a href="http://www.albertocortez.com/" rel="noopener noreferrer" target="_blank">http://www.albertocortez.com/</a> Un sitio conmemorativo bien bonito</p><p><br></p><p>Wikipedia en español ofrece una discografía (¡más de 40 álbumes!) <a href="https://es.wikipedia.org/wiki/Alberto_Cortez" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Alberto_Cortez</a>&nbsp;</p><p><br></p><p>____________________________________________________________________________</p><p><strong>LA RADIO EN MEXICO&nbsp;</strong></p><p>(todo en español)</p><p>Leyva, Juan. <em>Política educativa y comunicación social: la radio en México, 1940-1946</em></p><p>. México : Universidad Nacional Autónoma de México, 1992.</p><p><br></p><p><br></p><p>Romo, Cristina. </p><p>Ond<em>as, canales y mensajes: un perfil de la radio en México</em></p><p>. Guadalajara, Jalisco, México: ITESO, 1991.</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/abel-ruiz]]></link><guid isPermaLink="false">a9cb2391-eeba-459f-a378-9ffadebd8508</guid><itunes:image href="https://artwork.captivate.fm/1535d628-bf11-46d8-b28d-75ce4add331c/LRn7IQwFgfdHyrpakOx8f6P6.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 30 Jul 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/e7ba8fe1-f83f-4fa7-be72-64d9587d088a/abel-s-original-spanish.mp3" length="81745292" type="audio/mpeg"/><itunes:duration>56:46</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>10</itunes:episode><itunes:summary>Abel dirige un jardín urbano comunitario en Santa Ana, donde los miembros de la comunidad pueden aprender cómo cuidar a la Madre Tierra. Hablamos de la importancia humana de los jardines, y de la tensión de siempre entre el idealismo y la seguridad.
Música: Juventino Rosas, Alberto Cortez</itunes:summary><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/59dd1d23-c081-49f8-bde9-3c87e7fd9dcd/index.html" type="text/html"/></item><item><title>Abel Ruiz (English)</title><itunes:title>Abel Ruiz (English)</itunes:title><description><![CDATA[<p>Abel directs an urban community garden in Santa Ana, where members of the community can learn to care for Mother Earth. We talk about the human importance of gardens, and the perennial tensions between idealism and security.</p><p><strong>CRECE COOPERATIVE – Community resilience through urban gardening</strong></p><p><a href="https://communityresilience.uci.edu/crece-community-resistance/" rel="noopener noreferrer" target="_blank">https://communityresilience.uci.edu/crece-community-resistance/</a> (Student blog, en inglés)</p><p>FB: <a href="https://www.facebook.com/crececommunityinresistance.co.op/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/crececommunityinresistance.co.op/</a></p><p>IG: @crece.coop&nbsp;</p><p>____________________________________________________________________________</p><p><strong>MEDICALIZATION OF CHILDBIRTH // LA MEDICALIZACIÓN DEL PARTO</strong></p><p>MIDWIVES ALLIANCE OF NORTH AMERICA</p><p><a href="https://mana.org/what-we-do/organizations-coalitions" rel="noopener noreferrer" target="_blank">https://mana.org/what-we-do/organizations-coalitions</a> (en inglés)</p><ul><li>links to local and specialized organizations in USA, Canada, and Mexico</li><li>enlaces a organizaciones locales y especializadas en EE UU, Canadá, y México</li></ul><br/><p>In English:</p><p>California Health Care Foundation&nbsp;</p><p>Infographic site, very informative:&nbsp;</p><p><a href="https://www.chcf.org/publication/infographic-overmedicalization-childbirth/" rel="noopener noreferrer" target="_blank">https://www.chcf.org/publication/infographic-overmedicalization-childbirth/</a>&nbsp;</p><p>They also did a 2016 survey called “Listening to Mothers in California” with issue briefs on the childbirth experiences of various demographic groups:</p><p><a href="https://www.chcf.org/collection/listening-to-mothers-in-california/" rel="noopener noreferrer" target="_blank">https://www.chcf.org/collection/listening-to-mothers-in-california/</a></p><p>Barbara Ehrenreich and Deirdre English. <em>Witches, Midwives &amp; Nurses : A History of Women Healers.</em> The Feminist Press, 2010</p><p>en español:&nbsp;</p><p><a href="https://hollywoodhealthandsociety.org/sites/default/files/attachments/page/Overmedicalization%20of%20Childbirth_Spanish.pdf" rel="noopener noreferrer" target="_blank">https://hollywoodhealthandsociety.org/sites/default/files/attachments/page/Overmedicalization%20of%20Childbirth_Spanish.pdf</a></p><p><br></p><p>Barbara Ehrenreich y Deirdre English, traducido por ??<strong>. </strong><em>Brujas, parteras y enfermeras.</em> Bauma, 2019.</p><p>Existe una versión en pdf de solamente 41 pp. <a href="https://docs.google.com/viewer?a=v&amp;pid=sites&amp;srcid=ZGVmYXVsdGRvbWFpbnxwZXJtYW11amVyZXN8Z3g6NWVmNTI4YTU5ZTZiMjkzOQ" rel="noopener noreferrer" target="_blank">https://docs.google.com/viewer?a=v&amp;pid=sites&amp;srcid=ZGVmYXVsdGRvbWFpbnxwZXJtYW11amVyZXN8Z3g6NWVmNTI4YTU5ZTZiMjkzOQ</a>&nbsp;</p><p><br></p><p>____________________________________________________________________________</p><p><strong>JUVENTINO ROSAS </strong>(todo en español)</p><p>Wikipedia <a href="https://es.wikipedia.org/wiki/Juventino_Rosas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Juventino_Rosas</a>&nbsp;</p><p><br></p><p>Sólo existe una biografía monógrafo de Rosas, y algo irónicamente, está escrita en inglés y por un austriaco; no se la recomendamos. Es un tema que se beneficiaría de un estudio pensativo.</p><p><br></p><p>There is only one monograph biography of Rosas, which rather ironically is written in English by an Austrian; we don’t recommend it. This is an area that could use some thoughtful scholarship.</p><p>____________________________________________________________________________</p><p><strong>ALBERTO CORTEZ&nbsp;&nbsp;</strong></p><p>(todo en español)</p><p>Noticia de su muerte en El País, con biografía: <a...]]></description><content:encoded><![CDATA[<p>Abel directs an urban community garden in Santa Ana, where members of the community can learn to care for Mother Earth. We talk about the human importance of gardens, and the perennial tensions between idealism and security.</p><p><strong>CRECE COOPERATIVE – Community resilience through urban gardening</strong></p><p><a href="https://communityresilience.uci.edu/crece-community-resistance/" rel="noopener noreferrer" target="_blank">https://communityresilience.uci.edu/crece-community-resistance/</a> (Student blog, en inglés)</p><p>FB: <a href="https://www.facebook.com/crececommunityinresistance.co.op/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/crececommunityinresistance.co.op/</a></p><p>IG: @crece.coop&nbsp;</p><p>____________________________________________________________________________</p><p><strong>MEDICALIZATION OF CHILDBIRTH // LA MEDICALIZACIÓN DEL PARTO</strong></p><p>MIDWIVES ALLIANCE OF NORTH AMERICA</p><p><a href="https://mana.org/what-we-do/organizations-coalitions" rel="noopener noreferrer" target="_blank">https://mana.org/what-we-do/organizations-coalitions</a> (en inglés)</p><ul><li>links to local and specialized organizations in USA, Canada, and Mexico</li><li>enlaces a organizaciones locales y especializadas en EE UU, Canadá, y México</li></ul><br/><p>In English:</p><p>California Health Care Foundation&nbsp;</p><p>Infographic site, very informative:&nbsp;</p><p><a href="https://www.chcf.org/publication/infographic-overmedicalization-childbirth/" rel="noopener noreferrer" target="_blank">https://www.chcf.org/publication/infographic-overmedicalization-childbirth/</a>&nbsp;</p><p>They also did a 2016 survey called “Listening to Mothers in California” with issue briefs on the childbirth experiences of various demographic groups:</p><p><a href="https://www.chcf.org/collection/listening-to-mothers-in-california/" rel="noopener noreferrer" target="_blank">https://www.chcf.org/collection/listening-to-mothers-in-california/</a></p><p>Barbara Ehrenreich and Deirdre English. <em>Witches, Midwives &amp; Nurses : A History of Women Healers.</em> The Feminist Press, 2010</p><p>en español:&nbsp;</p><p><a href="https://hollywoodhealthandsociety.org/sites/default/files/attachments/page/Overmedicalization%20of%20Childbirth_Spanish.pdf" rel="noopener noreferrer" target="_blank">https://hollywoodhealthandsociety.org/sites/default/files/attachments/page/Overmedicalization%20of%20Childbirth_Spanish.pdf</a></p><p><br></p><p>Barbara Ehrenreich y Deirdre English, traducido por ??<strong>. </strong><em>Brujas, parteras y enfermeras.</em> Bauma, 2019.</p><p>Existe una versión en pdf de solamente 41 pp. <a href="https://docs.google.com/viewer?a=v&amp;pid=sites&amp;srcid=ZGVmYXVsdGRvbWFpbnxwZXJtYW11amVyZXN8Z3g6NWVmNTI4YTU5ZTZiMjkzOQ" rel="noopener noreferrer" target="_blank">https://docs.google.com/viewer?a=v&amp;pid=sites&amp;srcid=ZGVmYXVsdGRvbWFpbnxwZXJtYW11amVyZXN8Z3g6NWVmNTI4YTU5ZTZiMjkzOQ</a>&nbsp;</p><p><br></p><p>____________________________________________________________________________</p><p><strong>JUVENTINO ROSAS </strong>(todo en español)</p><p>Wikipedia <a href="https://es.wikipedia.org/wiki/Juventino_Rosas" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Juventino_Rosas</a>&nbsp;</p><p><br></p><p>Sólo existe una biografía monógrafo de Rosas, y algo irónicamente, está escrita en inglés y por un austriaco; no se la recomendamos. Es un tema que se beneficiaría de un estudio pensativo.</p><p><br></p><p>There is only one monograph biography of Rosas, which rather ironically is written in English by an Austrian; we don’t recommend it. This is an area that could use some thoughtful scholarship.</p><p>____________________________________________________________________________</p><p><strong>ALBERTO CORTEZ&nbsp;&nbsp;</strong></p><p>(todo en español)</p><p>Noticia de su muerte en El País, con biografía: <a href="https://elpais.com/cultura/2019/04/04/actualidad/1554397254_613657.html" rel="noopener noreferrer" target="_blank">https://elpais.com/cultura/2019/04/04/actualidad/1554397254_613657.html</a>&nbsp;</p><p><a href="http://www.albertocortez.com/" rel="noopener noreferrer" target="_blank">http://www.albertocortez.com/</a> Un sitio conmemorativo bien bonito</p><p><br></p><p>Wikipedia en español ofrece una discografía (¡más de 40 álbumes!) <a href="https://es.wikipedia.org/wiki/Alberto_Cortez" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Alberto_Cortez</a>&nbsp;</p><p><br></p><p>____________________________________________________________________________</p><p><strong>LA RADIO EN MEXICO&nbsp;</strong></p><p>(todo en español)</p><p>Leyva, Juan. <em>Política educativa y comunicación social: la radio en México, 1940-1946</em></p><p><br></p><p>. México : Universidad Nacional Autónoma de México, 1992.</p><p><br></p><p><br></p><p>Romo, Cristina. </p><p>Ond</p><p>as, <em>canales y mensajes: un perfil de la radio en México</em></p><p><br></p><p>. Guadalajara, Jalisco, México: ITESO, 1991.</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/abel-ruiz]]></link><guid isPermaLink="false">ea127f77-b52d-444f-98d9-907c4d8596c6</guid><itunes:image href="https://artwork.captivate.fm/93e06000-abe7-4e45-a5a4-eebb976525b4/Ejb9DoTl9ur8iy7ODIv75bog.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 30 Jul 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/c0ae3dce-5435-4854-bdf0-88add7fbaa04/abel-content-edit-for-mastering-mixdown.mp3" length="62228194" type="audio/mpeg"/><itunes:duration>43:13</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>10</itunes:episode><itunes:summary>Abel directs an urban community garden in Santa Ana, where members of the community can learn to care for Mother Earth. We talk about the human importance of gardens, and the perennial tensions between idealism and security.
Music: Juventino Rosas, Alberto Cortez</itunes:summary><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/dc54fa49-4fff-438e-8fd0-abe989f635cd/index.html" type="text/html"/></item><item><title>Kahlo Quinn (Original, English)</title><itunes:title>Kahlo Quinn</itunes:title><description><![CDATA[<p>Interviewed just before leaving home for college, Kahlo tells us about her upbringing in the social-justice movement, and reflects on how love might triumph over hate.</p><p><strong>BIBLIOGRAPHY AND LINKS </strong></p><p>Emma’s Revolution</p><p>&nbsp;FaceBook page: <a href="https://www.facebook.com/emmasrevolution/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/emmasrevolution/</a>&nbsp;</p><p>CodePink website: <a href="https://www.codepink.org/" rel="noopener noreferrer" target="_blank">https://www.codepink.org/</a></p><p>Maren Morris: <a href="https://www.marenmorris.com/" rel="noopener noreferrer" target="_blank">https://www.marenmorris.com/</a>&nbsp;</p><p>Colson Whitehead</p><p><em>The Nickel Boys.</em> New York: Doubleday, 2019&nbsp;</p><p><em>Los chicos de la Nickel.</em> Trad. Luis Murillo Fort. Nueva York, Random House, 2020</p><p><br></p><p>Martin Luther King</p><p>“Darkness cannot drive out darkness…” </p><p>The quote appears in his book, <em>Strength to Love,</em> New York: Harper &amp; Row, 1963</p><p><br></p><p class="ql-align-center"><strong><em>please</em></strong><em> do not buy from Amazon. Use an independent bookseller, like:</em></p><p class="ql-align-center"><strong><em>powells.com&nbsp;</em></strong></p><p><br></p><p>You can also hear a version of this philosophy in this sermon: video <a href="https://vimeo.com/24614519" rel="noopener noreferrer" target="_blank">https://vimeo.com/24614519</a></p><p>The sermon is based upon The Bible, Matthew V: 43-45</p><p><em>[</em><strong><em>43</em></strong><em>]” Ye have heard that it hath been said, Thou shalt love thy neighbour, and hate thine enemy.[</em><strong><em>44</em></strong><em>] But I say unto you, Love your enemies, bless them that curse you, do good to them that hate you, and pray for them which despitefully use you, and persecute you;[</em><strong><em>45</em></strong><em>] That ye may be the children of your Father which is in heaven: for he maketh his sun to rise on the evil and on the good, and sendeth rain on the just and on the unjust.”</em></p>]]></description><content:encoded><![CDATA[<p>Interviewed just before leaving home for college, Kahlo tells us about her upbringing in the social-justice movement, and reflects on how love might triumph over hate.</p><p><strong>BIBLIOGRAPHY AND LINKS </strong></p><p>Emma’s Revolution</p><p>&nbsp;FaceBook page: <a href="https://www.facebook.com/emmasrevolution/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/emmasrevolution/</a>&nbsp;</p><p>CodePink website: <a href="https://www.codepink.org/" rel="noopener noreferrer" target="_blank">https://www.codepink.org/</a></p><p>Maren Morris: <a href="https://www.marenmorris.com/" rel="noopener noreferrer" target="_blank">https://www.marenmorris.com/</a>&nbsp;</p><p>Colson Whitehead</p><p><em>The Nickel Boys.</em> New York: Doubleday, 2019&nbsp;</p><p><em>Los chicos de la Nickel.</em> Trad. Luis Murillo Fort. Nueva York, Random House, 2020</p><p><br></p><p>Martin Luther King</p><p>“Darkness cannot drive out darkness…” </p><p>The quote appears in his book, <em>Strength to Love,</em> New York: Harper &amp; Row, 1963</p><p><br></p><p class="ql-align-center"><strong><em>please</em></strong><em> do not buy from Amazon. Use an independent bookseller, like:</em></p><p class="ql-align-center"><strong><em>powells.com&nbsp;</em></strong></p><p><br></p><p>You can also hear a version of this philosophy in this sermon: video <a href="https://vimeo.com/24614519" rel="noopener noreferrer" target="_blank">https://vimeo.com/24614519</a></p><p>The sermon is based upon The Bible, Matthew V: 43-45</p><p><em>[</em><strong><em>43</em></strong><em>]” Ye have heard that it hath been said, Thou shalt love thy neighbour, and hate thine enemy.[</em><strong><em>44</em></strong><em>] But I say unto you, Love your enemies, bless them that curse you, do good to them that hate you, and pray for them which despitefully use you, and persecute you;[</em><strong><em>45</em></strong><em>] That ye may be the children of your Father which is in heaven: for he maketh his sun to rise on the evil and on the good, and sendeth rain on the just and on the unjust.”</em></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/kahlo-quinn]]></link><guid isPermaLink="false">ff68a10c-3421-4539-a481-2e5596d19e0f</guid><itunes:image href="https://artwork.captivate.fm/7a0c2c1d-b340-47c7-b907-78537e00483d/slXCC5-5qoPyF790_SOH5vxn.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 16 Jul 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/a67c0a66-cd24-4a54-aaad-040955b9f6a0/kahlo-quinn-mp3-english.mp3" length="36116928" type="audio/mpeg"/><itunes:duration>36:00</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>9</itunes:episode><itunes:summary>Interviewed just before leaving home for college, Kahlo tells us about her upbringing in the social-justice movement, and reflects on how love might triumph over hate.</itunes:summary><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/f895d9ef-348d-4e20-bcd8-e94b5d42b5ad/index.html" type="text/html"/></item><item><title>Kahlo Quinn (Español)</title><itunes:title>Kahlo Quinn (Español)</itunes:title><description><![CDATA[<p>Entrevistada a la víspera de empezar su carrera universitaria, Kahlo nos cuenta de su crianza en el movimiento de justicia social, y se reflexiona sobre cómo el amor pudiera triunfar sobre el odio.</p><p class="ql-align-center"><strong>KAHLO QUINN INTERVIEW:</strong></p><p class="ql-align-center"><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p>Emma’s Revolution: página de FeisBuk (en inglés) <a href="https://www.facebook.com/emmasrevolution/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/emmasrevolution/</a>&nbsp;</p><p>CodePink sitio Web <a href="https://www.codepink.org/" rel="noopener noreferrer" target="_blank">https://www.codepink.org/</a></p><p>Maren Morris sitio Web <a href="https://www.marenmorris.com/" rel="noopener noreferrer" target="_blank">https://www.marenmorris.com/</a>&nbsp;</p><p><br></p><p>Colson Whitehead</p><p><em>The Nickel Boys.</em> New York: Doubleday, 2019&nbsp;</p><p><em>Los chicos de la Nickel.</em> Trad. Luis Murillo Fort. Nueva York, Random House, 2020</p><p><br></p><p>Martin Luther King</p><p>“La oscuridad no puede desterrar la oscuridad…”</p><p>La cita aparece en su libro, <em>La fuerza de amar,</em> trad. Concha Aguirre. Barcelona: Aymá, 1968--</p><p class="ql-align-center"><em>favor de </em><strong><em>no</em></strong><em> comprar de Amazon. Usen una librería independiente, como:</em></p><p class="ql-align-center"><strong><em>powells.com&nbsp;</em></strong></p><p><br></p><p>También se puede escuchar una versión de esta filosofía en este sermón (en inglés):</p><p>video <a href="https://vimeo.com/24614519" rel="noopener noreferrer" target="_blank">https://vimeo.com/24614519</a></p><p>transcrito: <a href="https://kinginstitute.stanford.edu/king-papers/documents/loving-your-enemies-sermon-delivered-dexter-avenue-baptist-church" rel="noopener noreferrer" target="_blank">https://kinginstitute.stanford.edu/king-papers/documents/loving-your-enemies-sermon-delivered-dexter-avenue-baptist-church</a>&nbsp;</p><p><br></p><p>El sermón se basa en La Biblia, Mateo capítulos 43-45.</p><p><strong><em>43&nbsp;</em></strong><em>»Ustedes han oído que se dijo: “Ama a tu prójimo y odia a tu enemigo”.&nbsp;</em><strong><em>44&nbsp;</em></strong><em>Pero yo les digo: Amen a sus enemigos y oren por quienes los persiguen, </em><strong><em>&nbsp;45&nbsp;</em></strong><em>para que sean hijos de su Padre que está en el cielo. Él hace que salga el sol sobre malos y buenos, y que llueva sobre justos e injustos.&lt;&lt;</em></p><p><br></p>]]></description><content:encoded><![CDATA[<p>Entrevistada a la víspera de empezar su carrera universitaria, Kahlo nos cuenta de su crianza en el movimiento de justicia social, y se reflexiona sobre cómo el amor pudiera triunfar sobre el odio.</p><p class="ql-align-center"><strong>KAHLO QUINN INTERVIEW:</strong></p><p class="ql-align-center"><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p>Emma’s Revolution: página de FeisBuk (en inglés) <a href="https://www.facebook.com/emmasrevolution/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/emmasrevolution/</a>&nbsp;</p><p>CodePink sitio Web <a href="https://www.codepink.org/" rel="noopener noreferrer" target="_blank">https://www.codepink.org/</a></p><p>Maren Morris sitio Web <a href="https://www.marenmorris.com/" rel="noopener noreferrer" target="_blank">https://www.marenmorris.com/</a>&nbsp;</p><p><br></p><p>Colson Whitehead</p><p><em>The Nickel Boys.</em> New York: Doubleday, 2019&nbsp;</p><p><em>Los chicos de la Nickel.</em> Trad. Luis Murillo Fort. Nueva York, Random House, 2020</p><p><br></p><p>Martin Luther King</p><p>“La oscuridad no puede desterrar la oscuridad…”</p><p>La cita aparece en su libro, <em>La fuerza de amar,</em> trad. Concha Aguirre. Barcelona: Aymá, 1968--</p><p class="ql-align-center"><em>favor de </em><strong><em>no</em></strong><em> comprar de Amazon. Usen una librería independiente, como:</em></p><p class="ql-align-center"><strong><em>powells.com&nbsp;</em></strong></p><p><br></p><p>También se puede escuchar una versión de esta filosofía en este sermón (en inglés):</p><p>video <a href="https://vimeo.com/24614519" rel="noopener noreferrer" target="_blank">https://vimeo.com/24614519</a></p><p>transcrito: <a href="https://kinginstitute.stanford.edu/king-papers/documents/loving-your-enemies-sermon-delivered-dexter-avenue-baptist-church" rel="noopener noreferrer" target="_blank">https://kinginstitute.stanford.edu/king-papers/documents/loving-your-enemies-sermon-delivered-dexter-avenue-baptist-church</a>&nbsp;</p><p><br></p><p>El sermón se basa en La Biblia, Mateo capítulos 43-45.</p><p><strong><em>43&nbsp;</em></strong><em>»Ustedes han oído que se dijo: “Ama a tu prójimo y odia a tu enemigo”.&nbsp;</em><strong><em>44&nbsp;</em></strong><em>Pero yo les digo: Amen a sus enemigos y oren por quienes los persiguen, </em><strong><em>&nbsp;45&nbsp;</em></strong><em>para que sean hijos de su Padre que está en el cielo. Él hace que salga el sol sobre malos y buenos, y que llueva sobre justos e injustos.&lt;&lt;</em></p><p><br></p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/kahlo-quinn]]></link><guid isPermaLink="false">0157b634-3a05-4f5c-b9cb-9cd692c4c680</guid><itunes:image href="https://artwork.captivate.fm/80931111-dca1-421d-bd74-c1b4a5326fcb/GjtOHG-KoyL7-rdS29caFKpN.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 16 Jul 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/ab9156c8-31e1-4d01-a044-79677a5b7440/khalo-quinn-master-spanish.mp3" length="62021798" type="audio/mpeg"/><itunes:duration>43:04</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>9</itunes:episode><itunes:summary>Entrevistada a la víspera de empezar su carrera universitaria, Kahlo nos cuenta de su crianza en el movimiento de justicia social, y se reflexiona sobre cómo el amor pudiera triunfar sobre el odio.</itunes:summary><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/938c672e-8f72-472b-9cca-25c0c2bbbcdd/index.html" type="text/html"/></item><item><title>Brian Peterson (Original, English)</title><itunes:title>Brian Peterson</itunes:title><description><![CDATA[<p class="ql-align-center">A painter and muralist who has founded a unique local organization dedicated to supporting homeless residents of Santa Ana through his art. Brian speaks to us about the changes that have to take place in our hearts before we can make any difference in the world.</p><p class="ql-align-center"><strong> RESEARCH SOURCES</strong></p><p><strong>Faces Of Santa Ana</strong> (Brian Peterson’s organization):</p><p><a href="https://facesofsantaana.org" rel="noopener noreferrer" target="_blank">https://facesofsantaana.org</a>&nbsp;</p><p>Documentary Video, “Faces of Santa Ana”</p><p><a href="https://www.youtube.com/watch?v=XZ4up814dt4" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=XZ4up814dt4</a>&nbsp;</p><p>&nbsp;</p><p><strong>“We Are The World”</strong></p><p>Official website // sitio Web oficial de USA for Africa: <a href="https://usaforafrica.org/" rel="noopener noreferrer" target="_blank">https://usaforafrica.org/</a></p><p>“Behind the scenes” video // Video “tras bambalinas”: <a href="https://www.youtube.com/watch?v=7aFcYQRjglg" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=7aFcYQRjglg</a>&nbsp;</p><p>Wikipedia article on the song: <a href="https://en.wikipedia.org/wiki/We_Are_the_World" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/We_Are_the_World</a>&nbsp;</p><ul><li>en español: <a href="https://es.wikipedia.org/wiki/We_Are_the_World" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/We_Are_the_World</a>&nbsp;</li></ul><br/><p>“‘We Are the World' Has Surprising Rebirth During Coronavirus Pandemic 35 Years After Original Release” <a href="https://www.newsweek.com/we-are-world-has-surprising-rebirth-during-coronavirus-pandemic-35-years-after-original-release-1494080" rel="noopener noreferrer" target="_blank">https://www.newsweek.com/we-are-world-has-surprising-rebirth-during-coronavirus-pandemic-35-years-after-original-release-1494080</a>&nbsp;</p><p><strong>&nbsp;</strong></p><h1>“‘We Are the World’: A Minute-by-Minute Breakdown” -- Rollingstone</h1><p><a href="https://www.rollingstone.com/music/music-features/we-are-the-world-a-minute-by-minute-breakdown-54619/" rel="noopener noreferrer" target="_blank">https://www.rollingstone.com/music/music-features/we-are-the-world-a-minute-by-minute-breakdown-54619/</a>&nbsp;</p><p>&nbsp;</p><p><strong>“Man in the Mirror”</strong></p><p>Wikipedia: <a href="https://en.wikipedia.org/wiki/Man_in_the_Mirror" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Man_in_the_Mirror</a>&nbsp;</p><ul><li>en español: <a href="https://es.wikipedia.org/wiki/Man_in_the_Mirror" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Man_in_the_Mirror</a>&nbsp;</li></ul><br/><p>“Behind the Song: Michael Jackson’s “Man In The Mirror,” written by Siedah Garrett &amp; Glen Ballard” <a href="https://americansongwriter.com/behind-the-song-man-in-the-mirror/" rel="noopener noreferrer" target="_blank">https://americansongwriter.com/behind-the-song-man-in-the-mirror/</a>&nbsp;</p><p><br></p>]]></description><content:encoded><![CDATA[<p class="ql-align-center">A painter and muralist who has founded a unique local organization dedicated to supporting homeless residents of Santa Ana through his art. Brian speaks to us about the changes that have to take place in our hearts before we can make any difference in the world.</p><p class="ql-align-center"><strong> RESEARCH SOURCES</strong></p><p><strong>Faces Of Santa Ana</strong> (Brian Peterson’s organization):</p><p><a href="https://facesofsantaana.org" rel="noopener noreferrer" target="_blank">https://facesofsantaana.org</a>&nbsp;</p><p>Documentary Video, “Faces of Santa Ana”</p><p><a href="https://www.youtube.com/watch?v=XZ4up814dt4" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=XZ4up814dt4</a>&nbsp;</p><p>&nbsp;</p><p><strong>“We Are The World”</strong></p><p>Official website // sitio Web oficial de USA for Africa: <a href="https://usaforafrica.org/" rel="noopener noreferrer" target="_blank">https://usaforafrica.org/</a></p><p>“Behind the scenes” video // Video “tras bambalinas”: <a href="https://www.youtube.com/watch?v=7aFcYQRjglg" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=7aFcYQRjglg</a>&nbsp;</p><p>Wikipedia article on the song: <a href="https://en.wikipedia.org/wiki/We_Are_the_World" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/We_Are_the_World</a>&nbsp;</p><ul><li>en español: <a href="https://es.wikipedia.org/wiki/We_Are_the_World" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/We_Are_the_World</a>&nbsp;</li></ul><br/><p>“‘We Are the World' Has Surprising Rebirth During Coronavirus Pandemic 35 Years After Original Release” <a href="https://www.newsweek.com/we-are-world-has-surprising-rebirth-during-coronavirus-pandemic-35-years-after-original-release-1494080" rel="noopener noreferrer" target="_blank">https://www.newsweek.com/we-are-world-has-surprising-rebirth-during-coronavirus-pandemic-35-years-after-original-release-1494080</a>&nbsp;</p><p><strong>&nbsp;</strong></p><h1>“‘We Are the World’: A Minute-by-Minute Breakdown” -- Rollingstone</h1><p><a href="https://www.rollingstone.com/music/music-features/we-are-the-world-a-minute-by-minute-breakdown-54619/" rel="noopener noreferrer" target="_blank">https://www.rollingstone.com/music/music-features/we-are-the-world-a-minute-by-minute-breakdown-54619/</a>&nbsp;</p><p>&nbsp;</p><p><strong>“Man in the Mirror”</strong></p><p>Wikipedia: <a href="https://en.wikipedia.org/wiki/Man_in_the_Mirror" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Man_in_the_Mirror</a>&nbsp;</p><ul><li>en español: <a href="https://es.wikipedia.org/wiki/Man_in_the_Mirror" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Man_in_the_Mirror</a>&nbsp;</li></ul><br/><p>“Behind the Song: Michael Jackson’s “Man In The Mirror,” written by Siedah Garrett &amp; Glen Ballard” <a href="https://americansongwriter.com/behind-the-song-man-in-the-mirror/" rel="noopener noreferrer" target="_blank">https://americansongwriter.com/behind-the-song-man-in-the-mirror/</a>&nbsp;</p><p><br></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/brian-peterson]]></link><guid isPermaLink="false">17d59d8e-dfbf-4153-8e62-9ca2bb0208a1</guid><itunes:image href="https://artwork.captivate.fm/e6bea70e-b695-49ad-8f16-160d098e36f1/1IzKYx-x1ke6EZeC74Js3f03.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 02 Jul 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/d627180f-8902-41d6-95f5-b5e89e3b7905/brian-peterson-mp3.mp3" length="41224104" type="audio/mpeg"/><itunes:duration>42:14</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>8</itunes:episode><itunes:summary>A painter and muralist who has founded a unique local organization dedicated to supporting homeless residents of Santa Ana through his art. Brian speaks to us about the changes that have to take place in our hearts before we can make any difference in the world.</itunes:summary><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/2a8190fa-bcda-49f8-bee2-d56058c2ea1c/index.html" type="text/html"/></item><item><title>Brian Peterson (Español)</title><itunes:title>Brian Peterson</itunes:title><description><![CDATA[<p class="ql-align-center">Pintor y muralista que ha fundado una organización local y única, dedicada al apoyo de lxs santanerxs que no tienen techo a través del arte. Brian nos habla de los cambios que tienen que pasar en el corazón, antes de que podamos efectuar ningún cambio en el mundo externo.</p><p class="ql-align-center"><strong>FUENTES DE INVESTIGACIÓN </strong></p><p class="ql-align-center"><strong>la gran mayoría de las fuentes para este episodio están en inglés solamente</strong></p><p><strong>Faces Of Santa Ana</strong> (Brian Peterson’s organization):</p><p><a href="https://facesofsantaana.org" rel="noopener noreferrer" target="_blank">https://facesofsantaana.org</a>&nbsp;</p><p>Documentary Video, “Faces of Santa Ana”</p><p><a href="https://www.youtube.com/watch?v=XZ4up814dt4" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=XZ4up814dt4</a>&nbsp;</p><p><strong>“We Are The World”</strong></p><p>Official website // sitio Web oficial de USA for Africa: <a href="https://usaforafrica.org/" rel="noopener noreferrer" target="_blank">https://usaforafrica.org/</a></p><p>“Behind the scenes” video // Video “tras bambalinas”: <a href="https://www.youtube.com/watch?v=7aFcYQRjglg" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=7aFcYQRjglg</a>&nbsp;</p><p>Wikipedia article on the song: <a href="https://en.wikipedia.org/wiki/We_Are_the_World" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/We_Are_the_World</a>&nbsp;</p><ul><li>en español: <a href="https://es.wikipedia.org/wiki/We_Are_the_World" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/We_Are_the_World</a>&nbsp;</li></ul><br/><p>“‘We Are the World' Has Surprising Rebirth During Coronavirus Pandemic 35 Years After Original Release” <a href="https://www.newsweek.com/we-are-world-has-surprising-rebirth-during-coronavirus-pandemic-35-years-after-original-release-1494080" rel="noopener noreferrer" target="_blank">https://www.newsweek.com/we-are-world-has-surprising-rebirth-during-coronavirus-pandemic-35-years-after-original-release-1494080</a>&nbsp;</p><h1>“‘We Are the World’: A Minute-by-Minute Breakdown” -- Rollingstone</h1><p><a href="https://www.rollingstone.com/music/music-features/we-are-the-world-a-minute-by-minute-breakdown-54619/" rel="noopener noreferrer" target="_blank">https://www.rollingstone.com/music/music-features/we-are-the-world-a-minute-by-minute-breakdown-54619/</a>&nbsp;</p><p><strong>“Man in the Mirror”</strong></p><p>Wikipedia: <a href="https://en.wikipedia.org/wiki/Man_in_the_Mirror" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Man_in_the_Mirror</a>&nbsp;</p><ul><li>en español: <a href="https://es.wikipedia.org/wiki/Man_in_the_Mirror" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Man_in_the_Mirror</a>&nbsp;</li></ul><br/><p>“Behind the Song: Michael Jackson’s “Man In The Mirror,” written by Siedah Garrett &amp; Glen Ballard” <a href="https://americansongwriter.com/behind-the-song-man-in-the-mirror/" rel="noopener noreferrer" target="_blank">https://americansongwriter.com/behind-the-song-man-in-the-mirror/</a>&nbsp;</p>]]></description><content:encoded><![CDATA[<p class="ql-align-center">Pintor y muralista que ha fundado una organización local y única, dedicada al apoyo de lxs santanerxs que no tienen techo a través del arte. Brian nos habla de los cambios que tienen que pasar en el corazón, antes de que podamos efectuar ningún cambio en el mundo externo.</p><p class="ql-align-center"><strong>FUENTES DE INVESTIGACIÓN </strong></p><p class="ql-align-center"><strong>la gran mayoría de las fuentes para este episodio están en inglés solamente</strong></p><p><strong>Faces Of Santa Ana</strong> (Brian Peterson’s organization):</p><p><a href="https://facesofsantaana.org" rel="noopener noreferrer" target="_blank">https://facesofsantaana.org</a>&nbsp;</p><p>Documentary Video, “Faces of Santa Ana”</p><p><a href="https://www.youtube.com/watch?v=XZ4up814dt4" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=XZ4up814dt4</a>&nbsp;</p><p><strong>“We Are The World”</strong></p><p>Official website // sitio Web oficial de USA for Africa: <a href="https://usaforafrica.org/" rel="noopener noreferrer" target="_blank">https://usaforafrica.org/</a></p><p>“Behind the scenes” video // Video “tras bambalinas”: <a href="https://www.youtube.com/watch?v=7aFcYQRjglg" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=7aFcYQRjglg</a>&nbsp;</p><p>Wikipedia article on the song: <a href="https://en.wikipedia.org/wiki/We_Are_the_World" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/We_Are_the_World</a>&nbsp;</p><ul><li>en español: <a href="https://es.wikipedia.org/wiki/We_Are_the_World" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/We_Are_the_World</a>&nbsp;</li></ul><br/><p>“‘We Are the World' Has Surprising Rebirth During Coronavirus Pandemic 35 Years After Original Release” <a href="https://www.newsweek.com/we-are-world-has-surprising-rebirth-during-coronavirus-pandemic-35-years-after-original-release-1494080" rel="noopener noreferrer" target="_blank">https://www.newsweek.com/we-are-world-has-surprising-rebirth-during-coronavirus-pandemic-35-years-after-original-release-1494080</a>&nbsp;</p><h1>“‘We Are the World’: A Minute-by-Minute Breakdown” -- Rollingstone</h1><p><a href="https://www.rollingstone.com/music/music-features/we-are-the-world-a-minute-by-minute-breakdown-54619/" rel="noopener noreferrer" target="_blank">https://www.rollingstone.com/music/music-features/we-are-the-world-a-minute-by-minute-breakdown-54619/</a>&nbsp;</p><p><strong>“Man in the Mirror”</strong></p><p>Wikipedia: <a href="https://en.wikipedia.org/wiki/Man_in_the_Mirror" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Man_in_the_Mirror</a>&nbsp;</p><ul><li>en español: <a href="https://es.wikipedia.org/wiki/Man_in_the_Mirror" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Man_in_the_Mirror</a>&nbsp;</li></ul><br/><p>“Behind the Song: Michael Jackson’s “Man In The Mirror,” written by Siedah Garrett &amp; Glen Ballard” <a href="https://americansongwriter.com/behind-the-song-man-in-the-mirror/" rel="noopener noreferrer" target="_blank">https://americansongwriter.com/behind-the-song-man-in-the-mirror/</a>&nbsp;</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/brian-peterson]]></link><guid isPermaLink="false">9a640ee3-7a1b-4c3e-a31d-4ba8bec32d97</guid><itunes:image href="https://artwork.captivate.fm/470f9a1a-39d6-4a42-a1da-1b9589d32212/yJO5xLFYZpIrRkAPwIJlYAb_.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 02 Jul 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/7cd3b7f1-1573-442c-9609-3bdc200913c3/brian-peterson-espa-ol-master.mp3" length="77185566" type="audio/mpeg"/><itunes:duration>53:36</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>8</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/34b31718-61d1-4081-ad18-5d5668421736/index.html" type="text/html"/></item><item><title>Teri Saydak (Original, English)</title><itunes:title>Teri Saydak</itunes:title><description><![CDATA[<p>Community activist and co-administrator of a Santa Ana-based non-profit, Teri reflects on different kinds of love, her travels to Guatemala, and on how collaborative music-making builds community.</p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS</strong></p><p><strong>Concern America Website</strong>: <a href="https://concernamerica.org/" rel="noopener noreferrer" target="_blank">https://concernamerica.org/</a>&nbsp;</p><p><strong>The Beatles:</strong></p><p>Campbell, Colin. 2006. “’All You Need Is Love': From Romance to Romanticism: The Beatles, Romantic Love and Cultural Change”. <em>Etnofoor</em> 19(1): 111-123. <a href="https://www.jstor.org/stable/25758113" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/25758113</a></p><p><strong>Son jarocho:</strong></p><p>Frenk, Margit. 2007. “Aproximaciones a los recursos poéticos de las coplas folclóricas mexicanas.” In <em>La Copla en México</em>. Published by El Colegio de Mexico. <a href="https://www.jstor.org/stable/j.ctvhn07z8.12" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/j.ctvhn07z8.12</a>&nbsp;</p><p>Jiménez de Báez, Yvette, Ed. 1998. “Coplas Líricas de Veracruz” In <em>Voces y Cantos de la Tradición: Textos Inéditos de la Fonoteca y Archivo de Tradiciones Populares.</em> Published by El Colegio de Mexico. <a href="http://www.jstor.com/stable/j.ctv47w7wq.8" rel="noopener noreferrer" target="_blank">http://www.jstor.com/stable/j.ctv47w7wq.8</a>&nbsp;</p><p><strong>Verses sung by Los Utrera</strong></p><p>1.</p><p>Early in the morning I went</p><p>to the garden of my fantasy</p><p>and after visiting</p><p>all the growing flowers there,</p><p>I cut one flower for you,</p><p>more beautiful than you can imagine.</p><p>(<em>So help me God, so help me God,)</em></p><p>I go around bent over</p><p>like someone who’s [rabbit] hunting,</p><p>with one knee bent,</p><p>but still walking.</p><p>Ayy, if the hare eludes you</p><p>You’ll be left staring!</p><p>2.&nbsp;</p><p>I salute the singers</p><p>if they’ll give me permission,</p><p>I salute the gentlemen,</p><p>and everyone in general.</p><p>And I salute the flowers [ladies]</p><p>as I begin singing.</p><p>I’ll see whether I stay or not.</p><p>[<em>They say we don’t love each other</em></p><p><em>because they don’t see us talking</em>]*</p><p>I’d like to, but cannot</p><p>talk to you with my eyes.</p><p>3.</p><p>Still in the world exists</p><p>s/he who captured my love</p><p>S/he who clothes her/himself in pride.</p><p>And that’s the reason that I</p><p>always sing so sadly.</p><p><br></p><p>Once I was your beloved,</p><p>and you my adored one,</p><p>Now I’m the Devil, I horrify you,</p><p>You say you’re afraid of me,</p><p>after loving me so much?</p><p><br></p><p>4.</p><p>I am like fig candy,</p><p>that melts in your mouth.</p><p>The woman who tries me</p><p>will go crazy with pleasure,</p><p>and if she’s married, she’ll</p><p>keep her mouth very quiet.</p><p><br></p><p>In the jungle I saw burning</p><p>the lamp of Money.</p><p>I also saw at dawn</p><p>an elegant firefly.</p><p>How can I not want you</p><p>if you were my first love?</p><p><em>*It is difficult to understand what’s being sung in this part</em></p>]]></description><content:encoded><![CDATA[<p>Community activist and co-administrator of a Santa Ana-based non-profit, Teri reflects on different kinds of love, her travels to Guatemala, and on how collaborative music-making builds community.</p><p class="ql-align-center"><strong>BIBLIOGRAPHY AND LINKS</strong></p><p><strong>Concern America Website</strong>: <a href="https://concernamerica.org/" rel="noopener noreferrer" target="_blank">https://concernamerica.org/</a>&nbsp;</p><p><strong>The Beatles:</strong></p><p>Campbell, Colin. 2006. “’All You Need Is Love': From Romance to Romanticism: The Beatles, Romantic Love and Cultural Change”. <em>Etnofoor</em> 19(1): 111-123. <a href="https://www.jstor.org/stable/25758113" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/25758113</a></p><p><strong>Son jarocho:</strong></p><p>Frenk, Margit. 2007. “Aproximaciones a los recursos poéticos de las coplas folclóricas mexicanas.” In <em>La Copla en México</em>. Published by El Colegio de Mexico. <a href="https://www.jstor.org/stable/j.ctvhn07z8.12" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/j.ctvhn07z8.12</a>&nbsp;</p><p>Jiménez de Báez, Yvette, Ed. 1998. “Coplas Líricas de Veracruz” In <em>Voces y Cantos de la Tradición: Textos Inéditos de la Fonoteca y Archivo de Tradiciones Populares.</em> Published by El Colegio de Mexico. <a href="http://www.jstor.com/stable/j.ctv47w7wq.8" rel="noopener noreferrer" target="_blank">http://www.jstor.com/stable/j.ctv47w7wq.8</a>&nbsp;</p><p><strong>Verses sung by Los Utrera</strong></p><p>1.</p><p>Early in the morning I went</p><p>to the garden of my fantasy</p><p>and after visiting</p><p>all the growing flowers there,</p><p>I cut one flower for you,</p><p>more beautiful than you can imagine.</p><p>(<em>So help me God, so help me God,)</em></p><p>I go around bent over</p><p>like someone who’s [rabbit] hunting,</p><p>with one knee bent,</p><p>but still walking.</p><p>Ayy, if the hare eludes you</p><p>You’ll be left staring!</p><p>2.&nbsp;</p><p>I salute the singers</p><p>if they’ll give me permission,</p><p>I salute the gentlemen,</p><p>and everyone in general.</p><p>And I salute the flowers [ladies]</p><p>as I begin singing.</p><p>I’ll see whether I stay or not.</p><p>[<em>They say we don’t love each other</em></p><p><em>because they don’t see us talking</em>]*</p><p>I’d like to, but cannot</p><p>talk to you with my eyes.</p><p>3.</p><p>Still in the world exists</p><p>s/he who captured my love</p><p>S/he who clothes her/himself in pride.</p><p>And that’s the reason that I</p><p>always sing so sadly.</p><p><br></p><p>Once I was your beloved,</p><p>and you my adored one,</p><p>Now I’m the Devil, I horrify you,</p><p>You say you’re afraid of me,</p><p>after loving me so much?</p><p><br></p><p>4.</p><p>I am like fig candy,</p><p>that melts in your mouth.</p><p>The woman who tries me</p><p>will go crazy with pleasure,</p><p>and if she’s married, she’ll</p><p>keep her mouth very quiet.</p><p><br></p><p>In the jungle I saw burning</p><p>the lamp of Money.</p><p>I also saw at dawn</p><p>an elegant firefly.</p><p>How can I not want you</p><p>if you were my first love?</p><p><em>*It is difficult to understand what’s being sung in this part</em></p>]]></content:encoded><link><![CDATA[http://www.siyofuera.org/episodes/teri-saydak]]></link><guid isPermaLink="false">ddeb9934-e4b3-4370-a781-e89860761307</guid><itunes:image href="https://artwork.captivate.fm/25b2286e-932d-43c5-855b-dbf4361d8473/1EBfzUb44-B0UoBZkBZ99fYR.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 18 Jun 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/ba9a5767-6586-48c9-b9f0-a9cbd74091ad/teri-saydak-mp3.mp3" length="51120528" type="audio/mpeg"/><itunes:duration>43:27</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>7</itunes:episode><itunes:summary>Community activist and co-administrator of a Santa Ana-based non-profit, Teri reflects on different kinds of love, her travels to Guatemala, and on how collaborative music-making builds community.</itunes:summary><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/63aa08e6-b317-441f-a9b2-fbb86f260a28/index.html" type="text/html"/></item><item><title>Teri Saydak (Español)</title><itunes:title>Teri Saydak</itunes:title><description><![CDATA[<p>Activista comunitaria y co-administradora de una ONG basada en Santa Ana, Terí se reflecciona sobre las variedades del amor, su viaje a Guatemala, y sobre cómo la colaboración musical fortalece una comunidad.</p><p class="ql-align-center"><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p><strong>Concern America</strong> Web: <a href="https://concernamerica.org/" rel="noopener noreferrer" target="_blank">https://concernamerica.org/</a>&nbsp;</p><p><strong>The Beatles:</strong></p><p>Campbell, Colin. 2006. “’All You Need Is Love': From Romance to Romanticism: The Beatles, Romantic Love and Cultural Change”. <em>Etnofoor</em> 19(1): 111-123. <a href="https://www.jstor.org/stable/25758113" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/25758113</a></p><p><strong>Son jarocho:</strong></p><p>Frenk, Margit. 2007. “Aproximaciones a los recursos poéticos de las coplas folclóricas mexicanas.” In <em>La Copla en México</em>. Published by El Colegio de Mexico. <a href="https://www.jstor.org/stable/j.ctvhn07z8.12" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/j.ctvhn07z8.12</a>&nbsp;</p><p>Jiménez de Báez, Yvette, Ed. 1998. “Coplas Líricas de Veracruz” In <em>Voces y Cantos de la Tradición: Textos Inéditos de la Fonoteca y Archivo de Tradiciones Populares.</em> Published by El Colegio de Mexico. <a href="http://www.jstor.com/stable/j.ctv47w7wq.8" rel="noopener noreferrer" target="_blank">http://www.jstor.com/stable/j.ctv47w7wq.8</a>&nbsp;</p><p><strong>Versos cantados por Los Utrera</strong></p><p>1.&nbsp;</p><p>Muy de mañanita fui</p><p>al jardín de mis inventos,&nbsp;</p><p>y después que recorrí&nbsp;</p><p>todas las flores de aumento,&nbsp;</p><p>corté una flor para tí,&nbsp;</p><p>más lindo que el pensamiento.</p><p>(<em>Válgame Dios, válgame Dios</em>,)</p><p>Me voy a las agachadas,</p><p>como aquel que va cazando,&nbsp;</p><p>con una rodilla hincada,&nbsp;</p><p>pero siempre caminando.&nbsp;</p><p>Ay si la liebre es toreada&nbsp;</p><p>¡te vas a quedar mirando!</p><p>2.&nbsp;</p><p>Saludo a los cantadores</p><p>si el permiso me han de dar.</p><p>Los saludo a los señores&nbsp;</p><p>y a todos en general,</p><p>también saludo a las flores&nbsp;</p><p>para empezar a cantar.</p><p>(<em>Que sí, que sí, que no</em>,)</p><p>Voy a ver si no me quedo.</p><p>[<em>Dicen que no nos queremos</em></p><p><em>porque no nos ven hablar</em>]*</p><p>yo quisiera pero no puedo</p><p>con los ojos platicar.</p><p><br></p><p>3.&nbsp;</p><p>Todavia en el mundo existe&nbsp;</p><p>la/él que cautivo mi amor&nbsp;</p><p>la/él que de orgullo se viste&nbsp;</p><p>Y esa es la causa que yo</p><p>canto pero siempre triste.&nbsp;</p><p><br></p><p>(<em>Ay que sí, que sí, que no</em>)</p><p>En un tiempo fui tu encanto&nbsp;</p><p>y tu mi adorado cielo.&nbsp;</p><p>Ahora soy Diablo y te espanto.&nbsp;</p><p>¿Dices que me tienes miedo,&nbsp;</p><p>después de quererme tanto?</p><p><br></p><p>4.&nbsp;</p><p>Soy como el manjar de breva,&nbsp;</p><p>que se deshace en la boca.</p><p>La mujer que a mi me prueba&nbsp;</p><p>del gusto se vuelve loca,&nbsp;</p><p>y si es casada se queda&nbsp;</p><p>muy calladita la boca.</p><p><br></p><p>(<em>Ay que sí, válgame Dios</em>),</p><p>En el monte vide arder&nbsp;</p><p>la lámpara del dinero.&nbsp;</p><p>También vi al amanecer&nbsp;</p><p>Un elegante lucero.&nbsp;</p><p>¿Cómo no te he de querer&nbsp;</p><p>si fuiste mi amor primero?</p><p><em>* Es difícil entender lo cantado en esta parte</em></p>]]></description><content:encoded><![CDATA[<p>Activista comunitaria y co-administradora de una ONG basada en Santa Ana, Terí se reflecciona sobre las variedades del amor, su viaje a Guatemala, y sobre cómo la colaboración musical fortalece una comunidad.</p><p class="ql-align-center"><strong>BIBLIOGRAFÍA y ENLACES</strong></p><p><strong>Concern America</strong> Web: <a href="https://concernamerica.org/" rel="noopener noreferrer" target="_blank">https://concernamerica.org/</a>&nbsp;</p><p><strong>The Beatles:</strong></p><p>Campbell, Colin. 2006. “’All You Need Is Love': From Romance to Romanticism: The Beatles, Romantic Love and Cultural Change”. <em>Etnofoor</em> 19(1): 111-123. <a href="https://www.jstor.org/stable/25758113" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/25758113</a></p><p><strong>Son jarocho:</strong></p><p>Frenk, Margit. 2007. “Aproximaciones a los recursos poéticos de las coplas folclóricas mexicanas.” In <em>La Copla en México</em>. Published by El Colegio de Mexico. <a href="https://www.jstor.org/stable/j.ctvhn07z8.12" rel="noopener noreferrer" target="_blank">https://www.jstor.org/stable/j.ctvhn07z8.12</a>&nbsp;</p><p>Jiménez de Báez, Yvette, Ed. 1998. “Coplas Líricas de Veracruz” In <em>Voces y Cantos de la Tradición: Textos Inéditos de la Fonoteca y Archivo de Tradiciones Populares.</em> Published by El Colegio de Mexico. <a href="http://www.jstor.com/stable/j.ctv47w7wq.8" rel="noopener noreferrer" target="_blank">http://www.jstor.com/stable/j.ctv47w7wq.8</a>&nbsp;</p><p><strong>Versos cantados por Los Utrera</strong></p><p>1.&nbsp;</p><p>Muy de mañanita fui</p><p>al jardín de mis inventos,&nbsp;</p><p>y después que recorrí&nbsp;</p><p>todas las flores de aumento,&nbsp;</p><p>corté una flor para tí,&nbsp;</p><p>más lindo que el pensamiento.</p><p>(<em>Válgame Dios, válgame Dios</em>,)</p><p>Me voy a las agachadas,</p><p>como aquel que va cazando,&nbsp;</p><p>con una rodilla hincada,&nbsp;</p><p>pero siempre caminando.&nbsp;</p><p>Ay si la liebre es toreada&nbsp;</p><p>¡te vas a quedar mirando!</p><p>2.&nbsp;</p><p>Saludo a los cantadores</p><p>si el permiso me han de dar.</p><p>Los saludo a los señores&nbsp;</p><p>y a todos en general,</p><p>también saludo a las flores&nbsp;</p><p>para empezar a cantar.</p><p>(<em>Que sí, que sí, que no</em>,)</p><p>Voy a ver si no me quedo.</p><p>[<em>Dicen que no nos queremos</em></p><p><em>porque no nos ven hablar</em>]*</p><p>yo quisiera pero no puedo</p><p>con los ojos platicar.</p><p><br></p><p>3.&nbsp;</p><p>Todavia en el mundo existe&nbsp;</p><p>la/él que cautivo mi amor&nbsp;</p><p>la/él que de orgullo se viste&nbsp;</p><p>Y esa es la causa que yo</p><p>canto pero siempre triste.&nbsp;</p><p><br></p><p>(<em>Ay que sí, que sí, que no</em>)</p><p>En un tiempo fui tu encanto&nbsp;</p><p>y tu mi adorado cielo.&nbsp;</p><p>Ahora soy Diablo y te espanto.&nbsp;</p><p>¿Dices que me tienes miedo,&nbsp;</p><p>después de quererme tanto?</p><p><br></p><p>4.&nbsp;</p><p>Soy como el manjar de breva,&nbsp;</p><p>que se deshace en la boca.</p><p>La mujer que a mi me prueba&nbsp;</p><p>del gusto se vuelve loca,&nbsp;</p><p>y si es casada se queda&nbsp;</p><p>muy calladita la boca.</p><p><br></p><p>(<em>Ay que sí, válgame Dios</em>),</p><p>En el monte vide arder&nbsp;</p><p>la lámpara del dinero.&nbsp;</p><p>También vi al amanecer&nbsp;</p><p>Un elegante lucero.&nbsp;</p><p>¿Cómo no te he de querer&nbsp;</p><p>si fuiste mi amor primero?</p><p><em>* Es difícil entender lo cantado en esta parte</em></p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/teri-saydak]]></link><guid isPermaLink="false">47cc97a7-410f-4879-86a0-94a2c5283c11</guid><itunes:image href="https://artwork.captivate.fm/14dc0ab9-f252-4648-8781-4e1d4e297f96/ExOrv_VlZcFAqoGYi-R11pKH.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 18 Jun 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/438e29f6-a00b-4d96-9a61-7d0153722871/teri-saydek-master.mp3" length="72961252" type="audio/mpeg"/><itunes:duration>50:40</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>7</itunes:episode><itunes:summary>Activista comunitaria y co-administradora de una ONG basada en Santa Ana, Terí se reflecciona sobre las variedades del amor, su viaje a Guatemala, y sobre cómo la colaboración musical fortalece una comunidad.</itunes:summary><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/622846ac-cbcb-48b8-9104-b3f87770db40/index.html" type="text/html"/></item><item><title>Lucy Dale (Original, Español)</title><itunes:title>Lucy Dale</itunes:title><description><![CDATA[<p>Enfermera comunitaria que actualmente trabaja en la vanguardia ante el COVID, Lucy se dirige a la biculturalidad, la migración, y la importancia del auto-cuido para las mujeres.</p><p>Naciones Unidas, <em>La Declaración Universal de Derechos Humanos,</em> redactada en 1948</p><p><a href="https://www.un.org/es/about-us/universal-declaration-of-human-rights" rel="noopener noreferrer" target="_blank">https://www.un.org/es/about-us/universal-declaration-of-human-rights</a>&nbsp;</p><ul><li><strong>Artículo 9.</strong> Nadie podrá ser arbitrariamente detenido, preso ni desterrado.</li><li><strong>Artículo 13.</strong></li></ul><br/><p>1. Toda persona tiene derecho a circular libremente y a elegir su residencia en el territorio de un Estado.</p><p>2. Toda persona tiene derecho a salir de cualquier país, incluso del propio, y a regresar a su país.</p><p><strong>Los Centros para el Control y la Prevención de Enfermedades (el llamado “CDC”) sobre el estrés que puede sufrir la gente que trabaja por la salud pública:</strong></p><p><a href="https://www.cdc.gov/coronavirus/2019-ncov/hcp/mental-health-healthcare-sp.html" rel="noopener noreferrer" target="_blank">https://www.cdc.gov/coronavirus/2019-ncov/hcp/mental-health-healthcare-sp.html</a> </p><p><strong>Jamila Woods, born 1989. </strong></p><p>“Su obra se centra en los temas de la herencia Negra, el feminismo Negro, y la identidad Negra, y hace hincapie repetido en los temas del amor por uno mismo, y la Ciudad de Chicago.”</p><p>Woods mantiene dos sitios Web distintos, uno para la poesía y uno para la música; pero está evidente que en la práctica, las dos artes se vuelven una. Muchas grabaciones de su poesía incluyen un fondo musical, y su manera de recitar es también “musicalizada.”</p><p>Poesía <a href="https://jamilawoodswrites.com/" rel="noopener noreferrer" target="_blank">https://jamilawoodswrites.com/</a></p><p>Música <a href="http://www.jamila-woods.com/#home" rel="noopener noreferrer" target="_blank">http://www.jamila-woods.com/#home</a></p><p><strong>Organización comunitaria</strong></p><p>Woods es Directora Asociada de Escritorxs Jóvenes de Chicago (YCA), una organización de la área de Chicago que se dedica a levantar las voces de jóvenes a través de la práctica y la tutoría de las artes.</p><p>Con YCA, Woods ayuda a organizar “Louder Than a Bomb” (“Más fuerte que una bomba”), el festival más grande del mundo dedicado a la poesía slam de jóvenes.&nbsp;</p><p>También facilita en talleres de poesía, y crea curricula para el sistema de escuelas públicas de Chicago.</p><p>Escritorxs Jóvenes de Chicago (YCA) <a href="https://youngchicagoauthors.org/" rel="noopener noreferrer" target="_blank">https://youngchicagoauthors.org/</a></p><p>Más fuerte que una bomba <a href="https://youngchicagoauthors.org/louder-than-a-bomb/about" rel="noopener noreferrer" target="_blank">https://youngchicagoauthors.org/louder-than-a-bomb/about</a></p>]]></description><content:encoded><![CDATA[<p>Enfermera comunitaria que actualmente trabaja en la vanguardia ante el COVID, Lucy se dirige a la biculturalidad, la migración, y la importancia del auto-cuido para las mujeres.</p><p>Naciones Unidas, <em>La Declaración Universal de Derechos Humanos,</em> redactada en 1948</p><p><a href="https://www.un.org/es/about-us/universal-declaration-of-human-rights" rel="noopener noreferrer" target="_blank">https://www.un.org/es/about-us/universal-declaration-of-human-rights</a>&nbsp;</p><ul><li><strong>Artículo 9.</strong> Nadie podrá ser arbitrariamente detenido, preso ni desterrado.</li><li><strong>Artículo 13.</strong></li></ul><br/><p>1. Toda persona tiene derecho a circular libremente y a elegir su residencia en el territorio de un Estado.</p><p>2. Toda persona tiene derecho a salir de cualquier país, incluso del propio, y a regresar a su país.</p><p><strong>Los Centros para el Control y la Prevención de Enfermedades (el llamado “CDC”) sobre el estrés que puede sufrir la gente que trabaja por la salud pública:</strong></p><p><a href="https://www.cdc.gov/coronavirus/2019-ncov/hcp/mental-health-healthcare-sp.html" rel="noopener noreferrer" target="_blank">https://www.cdc.gov/coronavirus/2019-ncov/hcp/mental-health-healthcare-sp.html</a> </p><p><strong>Jamila Woods, born 1989. </strong></p><p>“Su obra se centra en los temas de la herencia Negra, el feminismo Negro, y la identidad Negra, y hace hincapie repetido en los temas del amor por uno mismo, y la Ciudad de Chicago.”</p><p>Woods mantiene dos sitios Web distintos, uno para la poesía y uno para la música; pero está evidente que en la práctica, las dos artes se vuelven una. Muchas grabaciones de su poesía incluyen un fondo musical, y su manera de recitar es también “musicalizada.”</p><p>Poesía <a href="https://jamilawoodswrites.com/" rel="noopener noreferrer" target="_blank">https://jamilawoodswrites.com/</a></p><p>Música <a href="http://www.jamila-woods.com/#home" rel="noopener noreferrer" target="_blank">http://www.jamila-woods.com/#home</a></p><p><strong>Organización comunitaria</strong></p><p>Woods es Directora Asociada de Escritorxs Jóvenes de Chicago (YCA), una organización de la área de Chicago que se dedica a levantar las voces de jóvenes a través de la práctica y la tutoría de las artes.</p><p>Con YCA, Woods ayuda a organizar “Louder Than a Bomb” (“Más fuerte que una bomba”), el festival más grande del mundo dedicado a la poesía slam de jóvenes.&nbsp;</p><p>También facilita en talleres de poesía, y crea curricula para el sistema de escuelas públicas de Chicago.</p><p>Escritorxs Jóvenes de Chicago (YCA) <a href="https://youngchicagoauthors.org/" rel="noopener noreferrer" target="_blank">https://youngchicagoauthors.org/</a></p><p>Más fuerte que una bomba <a href="https://youngchicagoauthors.org/louder-than-a-bomb/about" rel="noopener noreferrer" target="_blank">https://youngchicagoauthors.org/louder-than-a-bomb/about</a></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/lucy-dale]]></link><guid isPermaLink="false">ae4b5bc4-1068-4eaa-89cd-f51fc1cd6175</guid><itunes:image href="https://artwork.captivate.fm/7a4bf3bb-b508-4bcb-a7a7-f10c2709a434/bWyhuWKo3pV3qsIf1ZqDJQXG.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 04 Jun 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/0bea04e5-1874-428c-aa2d-107bec199a59/lucy-dale-episode-self-care-discussion.mp3" length="81553536" type="audio/mpeg"/><itunes:duration>56:38</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>6</itunes:episode><itunes:summary>Enfermera comunitaria que actualmente trabaja en la vanguardia ante el COVID, Lucy se dirige a la biculturalidad, la migración, y la importancia del auto-cuido para las mujeres.</itunes:summary><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/a25a781c-51f3-446f-b427-774902d992be/index.html" type="text/html"/></item><item><title>Lucy Dale (English)</title><itunes:title>Lucy Dale</itunes:title><description><![CDATA[<p>A community health nurse who is currently in the front lines with COVID work, Lucy addresses biculturality, migration, and the importance of self-care for women.</p><p>United Nations <em>Universal Declaration of Human Rights</em>, drafted in 1948</p><p><a href="https://www.un.org/en/about-us/universal-declaration-of-human-rights" rel="noopener noreferrer" target="_blank">https://www.un.org/en/about-us/universal-declaration-of-human-rights</a></p><ul><li><strong>Article 9.</strong> No one shall be subjected to arbitrary arrest, detention or exile.</li><li><strong>Article 13.</strong></li></ul><br/><p>1. Everyone has the right to freedom of movement and residence within the borders of each state.</p><p>2.&nbsp;Everyone has the right to leave any country, including his own, and to return to his country.</p><p><strong>Centers for Disease Control (CDC) on health worker stress</strong></p><p><a href="https://www.cdc.gov/coronavirus/2019-ncov/hcp/mental-health-healthcare.html" rel="noopener noreferrer" target="_blank">https://www.cdc.gov/coronavirus/2019-ncov/hcp/mental-health-healthcare.html</a> </p><p><strong>Jamila Woods, born 1989.&nbsp;</strong></p><p>“Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago.”</p><p>Woods maintains two separate websites, one for poetry and one for music, but it’s clear that in her practice, the two arts become one. Many of the poetry tracks have musical backing, and her manner of recitation is likewise musicalized.</p><p><strong>Poetry</strong>: &nbsp;<a href="https://jamilawoodswrites.com/" rel="noopener noreferrer" target="_blank">https://jamilawoodswrites.com/</a></p><p><strong>Music: </strong><a href="http://www.jamila-woods.com/#home" rel="noopener noreferrer" target="_blank">http://www.jamila-woods.com/#home</a></p><p><strong>Community organizing</strong></p><p>Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago area dedicated to uplifting youth voices through arts education and mentorship.&nbsp;</p><p>Through YCA, Woods helps to organize “Louder Than a Bomb,” the world's largest youth poetry slam festival.&nbsp;</p><p>She also facilitates poetry workshops and creates curriculum for Chicago Public Schools.</p><p><strong>Young Chicago Authors (YCA):</strong> &nbsp;<a href="https://youngchicagoauthors.org/" rel="noopener noreferrer" target="_blank">https://youngchicagoauthors.org/</a></p><p><strong>Louder Than a Bomb:</strong> <a href="https://youngchicagoauthors.org/louder-than-a-bomb/about" rel="noopener noreferrer" target="_blank">https://youngchicagoauthors.org/louder-than-a-bomb/about</a></p>]]></description><content:encoded><![CDATA[<p>A community health nurse who is currently in the front lines with COVID work, Lucy addresses biculturality, migration, and the importance of self-care for women.</p><p>United Nations <em>Universal Declaration of Human Rights</em>, drafted in 1948</p><p><a href="https://www.un.org/en/about-us/universal-declaration-of-human-rights" rel="noopener noreferrer" target="_blank">https://www.un.org/en/about-us/universal-declaration-of-human-rights</a></p><ul><li><strong>Article 9.</strong> No one shall be subjected to arbitrary arrest, detention or exile.</li><li><strong>Article 13.</strong></li></ul><br/><p>1. Everyone has the right to freedom of movement and residence within the borders of each state.</p><p>2.&nbsp;Everyone has the right to leave any country, including his own, and to return to his country.</p><p><strong>Centers for Disease Control (CDC) on health worker stress</strong></p><p><a href="https://www.cdc.gov/coronavirus/2019-ncov/hcp/mental-health-healthcare.html" rel="noopener noreferrer" target="_blank">https://www.cdc.gov/coronavirus/2019-ncov/hcp/mental-health-healthcare.html</a> </p><p><strong>Jamila Woods, born 1989.&nbsp;</strong></p><p>“Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago.”</p><p>Woods maintains two separate websites, one for poetry and one for music, but it’s clear that in her practice, the two arts become one. Many of the poetry tracks have musical backing, and her manner of recitation is likewise musicalized.</p><p><strong>Poetry</strong>: &nbsp;<a href="https://jamilawoodswrites.com/" rel="noopener noreferrer" target="_blank">https://jamilawoodswrites.com/</a></p><p><strong>Music: </strong><a href="http://www.jamila-woods.com/#home" rel="noopener noreferrer" target="_blank">http://www.jamila-woods.com/#home</a></p><p><strong>Community organizing</strong></p><p>Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago area dedicated to uplifting youth voices through arts education and mentorship.&nbsp;</p><p>Through YCA, Woods helps to organize “Louder Than a Bomb,” the world's largest youth poetry slam festival.&nbsp;</p><p>She also facilitates poetry workshops and creates curriculum for Chicago Public Schools.</p><p><strong>Young Chicago Authors (YCA):</strong> &nbsp;<a href="https://youngchicagoauthors.org/" rel="noopener noreferrer" target="_blank">https://youngchicagoauthors.org/</a></p><p><strong>Louder Than a Bomb:</strong> <a href="https://youngchicagoauthors.org/louder-than-a-bomb/about" rel="noopener noreferrer" target="_blank">https://youngchicagoauthors.org/louder-than-a-bomb/about</a></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/lucy-dale]]></link><guid isPermaLink="false">01a04e60-6562-4698-8d31-1d25950a4fca</guid><itunes:image href="https://artwork.captivate.fm/90ca4acc-b768-4a96-8b5e-49f8781760d0/a4RHu3fsDgWD_AUVWGx7Ufy4.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 04 Jun 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/5ed81bce-543e-43e0-a4f3-f19470d5c900/lucy-dale-mp3.mp3" length="65417328" type="audio/mpeg"/><itunes:duration>56:33</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>6</itunes:episode><itunes:summary>A community health nurse who is currently in the front lines with COVID work, Lucy addresses biculturality, migration, and the importance of self-care for women.</itunes:summary><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/9c7b6ba7-49aa-4203-8052-4ab474f2c56e/index.html" type="text/html"/></item><item><title>Graciela Hinojosa Holguín &amp; Jorge Holguín (Part 2, Original, Español)</title><itunes:title>Graciela Hinojosa Holguín &amp; Jorge Holguín</itunes:title><description><![CDATA[<h5><br></h5><p>Bailarina y músico, esta pareja ha sido una parte de la historia de las músicas tradicionales mexicanas en la área de Los Ángeles ¡durante más de medio siglo! Los entrevistamos en un episodio doble.</p><p><strong>RESUMEN DE FUENTES DE INVESTIGACIÓN </strong></p><h5><br></h5><p><em>La gran mayoría de las fuentes sobre la historia de la música mexicana en el s.XX en Los Ángeles son anglófonas. Para no presentar dos bibliografías muy desiguales, las hemos combinado aquí en un solo documento.</em></p><h5><br></h5><h3><strong>Mariachi &amp; Son jarocho in LA &amp; at UCLA</strong></h3><h5><br></h5><p>Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014</p><h5><br></h5><p>Loza, Steven. <em>Barrio Rhythm: Mexican American Music in Los Angeles</em>. Vol. 517. University of Illinois Press, 1993.</p><p>&nbsp;</p><p>----------------- "From Veracruz to Los Angeles: The Reinterpretation of the" Son Jarocho"." <em>Latin American Music Review/Revista de Música Latinoamericana</em> 13.2 (1992): 179-194.</p><h5><br></h5><p>Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 <a href="https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble</a> </p><h5><br></h5><p>----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review</p><p><a href="https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964</a> </p><h5><br></h5><p>Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.</p><p><a href="https://www.proquest.com/docview/919079833?accountid=14512" rel="noopener noreferrer" target="_blank">https://www.proquest.com/docview/919079833?accountid=14512</a> </p><h5><br></h5><h3><strong>El Ballet Folklórico</strong></h3><p>“Emilio Pulido Interview, 1999) -- USC Digital Library </p><p><a href="http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1" rel="noopener noreferrer" target="_blank">http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1</a></p><h5><br></h5><p>“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California</p><p><a href="http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/" rel="noopener noreferrer" target="_blank">http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/</a> </p><h5><br></h5><p>“Grupo Folklorico de UCLA” -- gfdeUCLA.com</p><p><a href="https://www.gfdeucla.com" rel="noopener noreferrer" target="_blank">https://www.gfdeucla.com</a> </p><h5><br></h5><p>“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin</p><p><a href="https://escholarship.org/uc/item/6mw0n3x9" rel="noopener noreferrer" target="_blank">https://escholarship.org/uc/item/6mw0n3x9</a> </p><h5><br></h5><h3><strong>El Mestizaje</strong></h3><p><em>Se ha escrito (y discutido) muchísimo en torno a este tema; ni siquiera una bibliografía representativa esté al alcance de este documento. Ofrecemos nomás un par de fuentes clásicas, en las cuales se desarrollaba la idea de la identidad nacional mexicana como mestiza.</em></p><p>José Vasconcelos. <em>La Raza Cósmica. Misión de la raza...]]></description><content:encoded><![CDATA[<h5><br></h5><p>Bailarina y músico, esta pareja ha sido una parte de la historia de las músicas tradicionales mexicanas en la área de Los Ángeles ¡durante más de medio siglo! Los entrevistamos en un episodio doble.</p><p><strong>RESUMEN DE FUENTES DE INVESTIGACIÓN </strong></p><h5><br></h5><p><em>La gran mayoría de las fuentes sobre la historia de la música mexicana en el s.XX en Los Ángeles son anglófonas. Para no presentar dos bibliografías muy desiguales, las hemos combinado aquí en un solo documento.</em></p><h5><br></h5><h3><strong>Mariachi &amp; Son jarocho in LA &amp; at UCLA</strong></h3><h5><br></h5><p>Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014</p><h5><br></h5><p>Loza, Steven. <em>Barrio Rhythm: Mexican American Music in Los Angeles</em>. Vol. 517. University of Illinois Press, 1993.</p><p>&nbsp;</p><p>----------------- "From Veracruz to Los Angeles: The Reinterpretation of the" Son Jarocho"." <em>Latin American Music Review/Revista de Música Latinoamericana</em> 13.2 (1992): 179-194.</p><h5><br></h5><p>Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 <a href="https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble</a> </p><h5><br></h5><p>----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review</p><p><a href="https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964</a> </p><h5><br></h5><p>Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.</p><p><a href="https://www.proquest.com/docview/919079833?accountid=14512" rel="noopener noreferrer" target="_blank">https://www.proquest.com/docview/919079833?accountid=14512</a> </p><h5><br></h5><h3><strong>El Ballet Folklórico</strong></h3><p>“Emilio Pulido Interview, 1999) -- USC Digital Library </p><p><a href="http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1" rel="noopener noreferrer" target="_blank">http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1</a></p><h5><br></h5><p>“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California</p><p><a href="http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/" rel="noopener noreferrer" target="_blank">http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/</a> </p><h5><br></h5><p>“Grupo Folklorico de UCLA” -- gfdeUCLA.com</p><p><a href="https://www.gfdeucla.com" rel="noopener noreferrer" target="_blank">https://www.gfdeucla.com</a> </p><h5><br></h5><p>“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin</p><p><a href="https://escholarship.org/uc/item/6mw0n3x9" rel="noopener noreferrer" target="_blank">https://escholarship.org/uc/item/6mw0n3x9</a> </p><h5><br></h5><h3><strong>El Mestizaje</strong></h3><p><em>Se ha escrito (y discutido) muchísimo en torno a este tema; ni siquiera una bibliografía representativa esté al alcance de este documento. Ofrecemos nomás un par de fuentes clásicas, en las cuales se desarrollaba la idea de la identidad nacional mexicana como mestiza.</em></p><p>José Vasconcelos. <em>La Raza Cósmica. Misión de la raza iberoamericana. Notas de viajes a la América del Sur.</em> (1925) Madrid, Spain : Aguilar, 1966.</p><p>Bilingual edition:</p><p><em>Cosmic race: a bilingual edition.</em> Translated and annotated by Didier T. Jaén&nbsp;</p><p>Baltimore, Maryland : Johns Hopkins University Press, 1997</p><h5><br></h5><p>Octavio Paz. <em>El laberinto de la soledad.</em> (1950) ed. por Anthony Stanton. Manchester University Press/ Palgrave, 2008.</p><p>English translation:</p><p><em>The labyrinth of solitude: life and thought in Mexico, by Octavio Paz.</em> Translated by Lysander Kemp. New York : Grove Press, 1961.</p><h5><br></h5><h5><br></h5>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/graciela-jorge-part-2]]></link><guid isPermaLink="false">510e7e6a-0d19-478e-b988-1ceed722fc5c</guid><itunes:image href="https://artwork.captivate.fm/69b2e5b7-aaa7-4079-916d-2484de93d3bd/sRA2DQONsdXlUrgwnO9wbHmd.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 28 May 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/e5758f68-0b11-4c94-90e3-607a158b1fd8/jorge-syf-master.mp3" length="51212879" type="audio/mpeg"/><itunes:duration>35:34</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>5</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/32825230-2852-4e85-91a8-e62a8c5a75bf/index.html" type="text/html"/></item><item><title>Graciela Hinojosa Holguín &amp; Jorge Holguín (Part 2, English)</title><itunes:title>Graciela Hinojosa Holguín &amp; Jorge Holguín</itunes:title><description><![CDATA[<p>A dancer and a musician, this couple has been a part of the history of Mexican traditional musics in the LA area for more than half a century! We interview them in a double episode.</p><p><strong>SUMMARY OF RESEARCH SOURCES</strong></p><p><em>The great majority of sources about twentieth-century Mexican music in Los Angeles are in English. In order not to present two very different-sized bibliographies, we have combined them here into a single document.</em></p><h3><strong>Mariachi &amp; Son jarocho in LA &amp; at UCLA</strong></h3><p>Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014</p><p>Loza, Steven. <em>Barrio Rhythm: Mexican American Music in Los Angeles</em>. Vol. 517. University of Illinois Press, 1993.</p><p>&nbsp;</p><p>----------------- "From Veracruz to Los Angeles: The Reinterpretation of the" Son Jarocho"." <em>Latin American Music Review/Revista de Música Latinoamericana</em> 13.2 (1992): 179-194.</p><p>Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 <a href="https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble</a> </p><p><br></p><p>----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review</p><p><a href="https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964</a> </p><p><br></p><p>Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.</p><p><a href="https://www.proquest.com/docview/919079833?accountid=14512" rel="noopener noreferrer" target="_blank">https://www.proquest.com/docview/919079833?accountid=14512</a> </p><p><br></p><h3><strong>El Ballet Folklórico</strong></h3><p>“Emilio Pulido Interview, 1999) -- USC Digital Library </p><p><a href="http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1" rel="noopener noreferrer" target="_blank">http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1</a></p><p><br></p><p>“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California</p><p><a href="http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/" rel="noopener noreferrer" target="_blank">http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/</a> </p><p><br></p><p>“Grupo Folklorico de UCLA” -- gfdeUCLA.com</p><p><a href="https://www.gfdeucla.com" rel="noopener noreferrer" target="_blank">https://www.gfdeucla.com</a> </p><p><br></p><p>“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin</p><p><a href="https://escholarship.org/uc/item/6mw0n3x9" rel="noopener noreferrer" target="_blank">https://escholarship.org/uc/item/6mw0n3x9</a> </p><p><br></p><h3><strong>El Mestizaje</strong></h3><p><em>A great deal has been written (and debated) around this theme; even a representative bibliography is not within the scope of this document. We offer here just a couple of classic sources, in which the idea of Mexican national identity as a “mixture” was developed.</em></p><p><br></p><p>José Vasconcelos. <em>La Raza Cósmica. Misión de la raza iberoamericana. Notas de viajes a la América del Sur.</em> (1925) Madrid, Spain : Aguilar, 1966.</p><p>Bilingual...]]></description><content:encoded><![CDATA[<p>A dancer and a musician, this couple has been a part of the history of Mexican traditional musics in the LA area for more than half a century! We interview them in a double episode.</p><p><strong>SUMMARY OF RESEARCH SOURCES</strong></p><p><em>The great majority of sources about twentieth-century Mexican music in Los Angeles are in English. In order not to present two very different-sized bibliographies, we have combined them here into a single document.</em></p><h3><strong>Mariachi &amp; Son jarocho in LA &amp; at UCLA</strong></h3><p>Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014</p><p>Loza, Steven. <em>Barrio Rhythm: Mexican American Music in Los Angeles</em>. Vol. 517. University of Illinois Press, 1993.</p><p>&nbsp;</p><p>----------------- "From Veracruz to Los Angeles: The Reinterpretation of the" Son Jarocho"." <em>Latin American Music Review/Revista de Música Latinoamericana</em> 13.2 (1992): 179-194.</p><p>Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 <a href="https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble</a> </p><p><br></p><p>----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review</p><p><a href="https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964</a> </p><p><br></p><p>Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.</p><p><a href="https://www.proquest.com/docview/919079833?accountid=14512" rel="noopener noreferrer" target="_blank">https://www.proquest.com/docview/919079833?accountid=14512</a> </p><p><br></p><h3><strong>El Ballet Folklórico</strong></h3><p>“Emilio Pulido Interview, 1999) -- USC Digital Library </p><p><a href="http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1" rel="noopener noreferrer" target="_blank">http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1</a></p><p><br></p><p>“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California</p><p><a href="http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/" rel="noopener noreferrer" target="_blank">http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/</a> </p><p><br></p><p>“Grupo Folklorico de UCLA” -- gfdeUCLA.com</p><p><a href="https://www.gfdeucla.com" rel="noopener noreferrer" target="_blank">https://www.gfdeucla.com</a> </p><p><br></p><p>“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin</p><p><a href="https://escholarship.org/uc/item/6mw0n3x9" rel="noopener noreferrer" target="_blank">https://escholarship.org/uc/item/6mw0n3x9</a> </p><p><br></p><h3><strong>El Mestizaje</strong></h3><p><em>A great deal has been written (and debated) around this theme; even a representative bibliography is not within the scope of this document. We offer here just a couple of classic sources, in which the idea of Mexican national identity as a “mixture” was developed.</em></p><p><br></p><p>José Vasconcelos. <em>La Raza Cósmica. Misión de la raza iberoamericana. Notas de viajes a la América del Sur.</em> (1925) Madrid, Spain : Aguilar, 1966.</p><p>Bilingual edition:</p><p><em>Cosmic race: a bilingual edition.</em> Translated and annotated by Didier T. Jaén&nbsp;</p><p>Baltimore, Maryland : Johns Hopkins University Press, 1997</p><p><br></p><p>Octavio Paz. t</p><p><em>El laberinto de la soledad.</em> (1950) ed. por Anthony Stanton. Manchester University Press/ Palgrave, 2008.</p><p>English translation:</p><p><em>The labyrinth of solitude: life and thought in Mexico, by Octavio Paz.</em> Translated by Lysander Kemp. New York : Grove Press, 1961.</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/graciela-jorge-part-2]]></link><guid isPermaLink="false">641bd5fd-82d2-479a-bc8a-d766ef6ffdba</guid><itunes:image href="https://artwork.captivate.fm/7a36959c-54e6-4730-a700-e82c1a05178e/Iiux95blUqFpeStYbHfEFruM.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 28 May 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/b3e2e0c2-dada-48fe-b55c-e970076fd987/jorge.mp3" length="29220240" type="audio/mpeg"/><itunes:duration>27:12</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>5</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/b1b677f2-5e5a-4a5b-92a6-d90a461700e7/index.html" type="text/html"/></item><item><title>Graciela Hinojosa Holguín &amp; Jorge Holguín (Part 1, Original, Español)</title><itunes:title>Graciela Hinojosa Holguín &amp; Jorge Holguín</itunes:title><description><![CDATA[<p>Bailarina y músico, esta pareja ha sido una parte de la historia de las músicas tradicionales mexicanas en la área de Los Ángeles ¡durante más de medio siglo! Los entrevistamos en un episodio doble.</p><p><em>La gran mayoría de las fuentes sobre la historia de la música mexicana en el s. XX en Los Ángeles son anglófonas. Para no presentar dos bibliografías muy desiguales, las hemos combinado aquí en un solo documento.</em></p><p><em>The great majority of sources about twentieth-century Mexican music in Los Angeles are in English. In order not to present two very different-sized bibliographies, we have combined them here into a single document.</em></p><h3><strong>Mariachi &amp; Son jarocho in LA &amp; at UCLA</strong></h3><p>Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014</p><p>Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 <a href="https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble</a>&nbsp;</p><p>----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review</p><p><a href="https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964</a>&nbsp;</p><p>Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.</p><p>	<a href="https://www.proquest.com/docview/919079833?accountid=14512" rel="noopener noreferrer" target="_blank">https://www.proquest.com/docview/919079833?accountid=14512</a>&nbsp;</p><h3><strong>El Ballet Folklórico</strong></h3><p>“Emilio Pulido Interview, 1999) -- USC Digital Library&nbsp;</p><p><a href="http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1" rel="noopener noreferrer" target="_blank">http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1</a></p><p>“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California</p><p><a href="http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/" rel="noopener noreferrer" target="_blank">http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/</a>&nbsp;</p><p>“Grupo Folklorico de UCLA” -- gfdeUCLA.com</p><p><a href="https://www.gfdeucla.com" rel="noopener noreferrer" target="_blank">https://www.gfdeucla.com</a>&nbsp;</p><p>“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin</p><p>	<a href="https://escholarship.org/uc/item/6mw0n3x9" rel="noopener noreferrer" target="_blank">https://escholarship.org/uc/item/6mw0n3x9</a>&nbsp;</p><h3><strong>El Mestizaje</strong></h3><p><em>Se ha escrito (y discutido) muchísimo en torno a este tema; ni siquiera una bibliografía representativa esté al alcance de este documento. Ofrecemos nomás un par de fuentes clásicas, en las cuales se desarrollaba la idea de la identidad nacional mexicana como mestiza.</em></p><p><em>A great deal has been written (and debated) around this theme; even a representative bibliography is not within the scope of this document. We offer here just a couple of classic sources, in which the idea of Mexican national identity as a “mixture” was developed.</em></p><p>José Vasconcelos. <em>La Raza Cósmica. Misión de la raza iberoamericana. Notas de]]></description><content:encoded><![CDATA[<p>Bailarina y músico, esta pareja ha sido una parte de la historia de las músicas tradicionales mexicanas en la área de Los Ángeles ¡durante más de medio siglo! Los entrevistamos en un episodio doble.</p><p><em>La gran mayoría de las fuentes sobre la historia de la música mexicana en el s. XX en Los Ángeles son anglófonas. Para no presentar dos bibliografías muy desiguales, las hemos combinado aquí en un solo documento.</em></p><p><em>The great majority of sources about twentieth-century Mexican music in Los Angeles are in English. In order not to present two very different-sized bibliographies, we have combined them here into a single document.</em></p><h3><strong>Mariachi &amp; Son jarocho in LA &amp; at UCLA</strong></h3><p>Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014</p><p>Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 <a href="https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble</a>&nbsp;</p><p>----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review</p><p><a href="https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964</a>&nbsp;</p><p>Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.</p><p>	<a href="https://www.proquest.com/docview/919079833?accountid=14512" rel="noopener noreferrer" target="_blank">https://www.proquest.com/docview/919079833?accountid=14512</a>&nbsp;</p><h3><strong>El Ballet Folklórico</strong></h3><p>“Emilio Pulido Interview, 1999) -- USC Digital Library&nbsp;</p><p><a href="http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1" rel="noopener noreferrer" target="_blank">http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1</a></p><p>“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California</p><p><a href="http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/" rel="noopener noreferrer" target="_blank">http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/</a>&nbsp;</p><p>“Grupo Folklorico de UCLA” -- gfdeUCLA.com</p><p><a href="https://www.gfdeucla.com" rel="noopener noreferrer" target="_blank">https://www.gfdeucla.com</a>&nbsp;</p><p>“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin</p><p>	<a href="https://escholarship.org/uc/item/6mw0n3x9" rel="noopener noreferrer" target="_blank">https://escholarship.org/uc/item/6mw0n3x9</a>&nbsp;</p><h3><strong>El Mestizaje</strong></h3><p><em>Se ha escrito (y discutido) muchísimo en torno a este tema; ni siquiera una bibliografía representativa esté al alcance de este documento. Ofrecemos nomás un par de fuentes clásicas, en las cuales se desarrollaba la idea de la identidad nacional mexicana como mestiza.</em></p><p><em>A great deal has been written (and debated) around this theme; even a representative bibliography is not within the scope of this document. We offer here just a couple of classic sources, in which the idea of Mexican national identity as a “mixture” was developed.</em></p><p>José Vasconcelos. <em>La Raza Cósmica. Misión de la raza iberoamericana. Notas de viajes a la América del Sur.</em> (1925) Madrid, Spain : Aguilar, 1966.</p><p>Bilingual edition:</p><p><em>Cosmic race: a bilingual edition.</em> Translated and annotated by Didier T. Jaén&nbsp;</p><p>Baltimore, Maryland : Johns Hopkins University Press, 1997</p><p>Octavio Paz. </p><p><em>El laberinto de la soledad.</em> (1950) ed. por Anthony Stanton. Manchester University Press/ Palgrave, 2008.</p><p>English translation:</p><p><em>The labyrinth of solitude: life and thought in Mexico, by Octavio Paz.</em> Translated by Lysander Kemp. New York : Grove Press, 1961.</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/graciela-jorge-part-1]]></link><guid isPermaLink="false">83c533cb-cf3d-4d86-a4a5-cdcd2192e41f</guid><itunes:image href="https://artwork.captivate.fm/cd149b59-7dd1-4daa-849e-e93d45aa83e5/JkR6O8AV2bX2_mYECe34wOnN.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 21 May 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/3d4e3b9e-ecca-4983-abe2-61760e97026e/graciela-syf-master.mp3" length="68854937" type="audio/mpeg"/><itunes:duration>47:49</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>5</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/338d0132-2b78-42ea-a689-25b02a71140d/index.html" type="text/html"/></item><item><title>Graciela Hinojosa Holguín &amp; Jorge Holguín (Part 1, English)</title><itunes:title>Graciela Hinojosa Holguín &amp; Jorge Holguín</itunes:title><description><![CDATA[<p>A dancer and a musician, this couple has been a part of the history of Mexican traditional musics in the LA area for more than half a century! We interview them in a double episode.</p><p><strong>Mariachi &amp; Son jarocho in LA &amp; at UCLA</strong></p><p>Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014</p><p>Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 <a href="https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble</a>&nbsp;</p><p>----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review</p><p><a href="https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964</a>&nbsp;</p><p>Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.</p><p>	<a href="https://www.proquest.com/docview/919079833?accountid=14512" rel="noopener noreferrer" target="_blank">https://www.proquest.com/docview/919079833?accountid=14512</a>&nbsp;</p><p><strong>El Ballet Folklórico</strong></p><p>“Emilio Pulido Interview, 1999) -- USC Digital Library&nbsp;</p><p><a href="http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1" rel="noopener noreferrer" target="_blank">http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1</a></p><p>“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California</p><p><a href="http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/" rel="noopener noreferrer" target="_blank">http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/</a>&nbsp;</p><p>“Grupo Folklorico de UCLA” -- gfdeUCLA.com</p><p><a href="https://www.gfdeucla.com" rel="noopener noreferrer" target="_blank">https://www.gfdeucla.com</a>&nbsp;</p><p>“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin</p><p>	<a href="https://escholarship.org/uc/item/6mw0n3x9" rel="noopener noreferrer" target="_blank">https://escholarship.org/uc/item/6mw0n3x9</a>&nbsp;</p><p><strong>El Mestizaje</strong></p><p><strong>Se ha escrito (y discutido) muchísimo en torno a este tema; una bibliografía completa no está al alcance de este documento. Ofrecemos nomás un par de fuentes clásicas, en las cuales se desarrollaba la idea de la identidad nacional mexicana como mestiza.</strong></p>]]></description><content:encoded><![CDATA[<p>A dancer and a musician, this couple has been a part of the history of Mexican traditional musics in the LA area for more than half a century! We interview them in a double episode.</p><p><strong>Mariachi &amp; Son jarocho in LA &amp; at UCLA</strong></p><p>Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014</p><p>Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 <a href="https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble</a>&nbsp;</p><p>----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review</p><p><a href="https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964" rel="noopener noreferrer" target="_blank">https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964</a>&nbsp;</p><p>Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.</p><p>	<a href="https://www.proquest.com/docview/919079833?accountid=14512" rel="noopener noreferrer" target="_blank">https://www.proquest.com/docview/919079833?accountid=14512</a>&nbsp;</p><p><strong>El Ballet Folklórico</strong></p><p>“Emilio Pulido Interview, 1999) -- USC Digital Library&nbsp;</p><p><a href="http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1" rel="noopener noreferrer" target="_blank">http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1</a></p><p>“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California</p><p><a href="http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/" rel="noopener noreferrer" target="_blank">http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/</a>&nbsp;</p><p>“Grupo Folklorico de UCLA” -- gfdeUCLA.com</p><p><a href="https://www.gfdeucla.com" rel="noopener noreferrer" target="_blank">https://www.gfdeucla.com</a>&nbsp;</p><p>“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin</p><p>	<a href="https://escholarship.org/uc/item/6mw0n3x9" rel="noopener noreferrer" target="_blank">https://escholarship.org/uc/item/6mw0n3x9</a>&nbsp;</p><p><strong>El Mestizaje</strong></p><p><strong>Se ha escrito (y discutido) muchísimo en torno a este tema; una bibliografía completa no está al alcance de este documento. Ofrecemos nomás un par de fuentes clásicas, en las cuales se desarrollaba la idea de la identidad nacional mexicana como mestiza.</strong></p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/graciela-jorge-part-1]]></link><guid isPermaLink="false">03e25ba5-7c90-4deb-9312-d82c20f4c844</guid><itunes:image href="https://artwork.captivate.fm/536a5c8f-95c8-474c-a08d-10c1cb6d1a3f/IOBaYUy5kUYK2qpSL3ljwZ2d.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 21 May 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/1ef4457d-908e-4a26-bc8d-0c4bedc89fb1/graciela-mp3.mp3" length="38740752" type="audio/mpeg"/><itunes:duration>35:12</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>5</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/30ea29e9-b6bf-4b3d-b21f-5b387e825bd6/index.html" type="text/html"/></item><item><title>Luis Sarmiento (Original, Español)</title><itunes:title>Luis Sarmiento</itunes:title><description><![CDATA[<p>Músico y activista comunitario, Luis habla de la renovación de nuestra connección con la Madre Tierra; de los ríos; y de cómo superar las pérdidas provocadas por la violencia y la injusticia.</p><p>La obra de Martí está en dominio público. Un portal al acceso general se puede hallar en <a href="https://es.wikisource.org/wiki/Autor:Jos%C3%A9_Mart%C3%AD" rel="noopener noreferrer" target="_blank">https://es.wikisource.org/wiki/Autor:Jos%C3%A9_Mart%C3%AD</a>&nbsp;</p><p>	Martí’s work is in the public domain. This is a general access portal.</p><p>Como hombre de letras // As a man of letters</p><p>in English:</p><ul><li>Schulman,&nbsp;Ivan A.&nbsp;(1989). «José Martí». En&nbsp;Solé/Abreu, ed.&nbsp;<em>Latin American Writers. 3 Vols.</em>(Nueva York: Charles Scribner's Sons)&nbsp;<strong>I</strong>: 311-319.</li></ul><br/><p>en español:</p><ul><li>Henríquez Ureña,&nbsp;Max&nbsp;(1963). «XXXVII: José Martí».&nbsp;<em>Panorama histórico de la literatura cubana 1492-1952. 2 tomos</em>. Tomo II. New York: Las Américas. pp.&nbsp;210-231.</li></ul><br/><p>Como figura política // As a political figure</p><p>en español:</p><p>Ward, Thomas (octubre de 2007). «From Sarmiento to Martí and Hostos: Extricating the Nation from Coloniality». European Review of Latin American and Caribbean Studies (en inglés) (83): 83-104.</p><p>in English:</p><ul><li>Ramos,&nbsp;Julio; Blanco, John D. (2001).&nbsp;<em>Divergent Modernities: Culture and Politics in Nineteenth-Century Latin America</em>&nbsp;(en inglés). Durham: Duke University Press. pp.&nbsp;151-159, 251-267, 268-279. «Véase particularmente "Marti and His Journey to the United States", "'Nuestra America': The Art of Good Governence", The Repose of Heroes: On Poetry and War in Marti"».</li></ul><br/><p><strong>LOS RÍOS CANALIZADOS DE LA ZONA DE LOS ÁNGELES, Y LOS ESFUERZOS DE RESTAURACIÓN</strong></p><p><strong>CHANNELED RIVERS IN THE LA AREA, AND EFFORTS TOWARD RESTORATION</strong></p><p>Sitio Web de la ciudad de Los Ángeles (en inglés):</p><p><a href="http://lariver.org/blog/la-river-ecosystem-restoration" rel="noopener noreferrer" target="_blank">http://lariver.org/blog/la-river-ecosystem-restoration</a>&nbsp;</p><p>Friends of the LA River: <a href="https://folar.org" rel="noopener noreferrer" target="_blank">https://folar.org</a>&nbsp;&nbsp;</p><p>Proyecto de la Herencia Salvaje de la Sierra de Santa Ana, <a href="https://santaanamountains.org/hogar.html" rel="noopener noreferrer" target="_blank">https://santaanamountains.org/hogar.html</a>&nbsp;</p><p>Friends of Harbors, Beaches, and Parks</p><p><a href="https://www.fhbp.org/" rel="noopener noreferrer" target="_blank">https://www.fhbp.org/</a>&nbsp;</p><p><strong>ECOLOGICAL AND SOCIAL VIOLENCE IN VERACRUZ</strong></p><p><strong>VIOLENCIA SOCIAL Y ECOLÓGICA EN VERACRUZ</strong></p><p>in English:</p><p>Crisis Group: “Veracruz: Fixing Mexico's State of Terror”&nbsp;</p><p><a href="https://www.crisisgroup.org/latin-america-caribbean/mexico/61-veracruz-fixing-mexicos-state-terror" rel="noopener noreferrer" target="_blank">https://www.crisisgroup.org/latin-america-caribbean/mexico/61-veracruz-fixing-mexicos-state-terror</a></p><p>Santiago, Myrna. “Black Rain: Veracruz 1900–1938.” <em>Berkeley Review of Latin American Studies,</em> Spring 2007 <a href="https://clas.berkeley.edu/research/energy-black-rain-veracruz-1900%E2%80%931938" rel="noopener noreferrer" target="_blank">https://clas.berkeley.edu/research/energy-black-rain-veracruz-1900%E2%80%931938</a>&nbsp;</p><p>en español:</p><p>Chenaut, Victoria. “Impactos sociales y ambientales de la explotación de hidrocarburos en el municipio de Papantla, Veracruz (México)” e-cadernos CES #28 (2017)</p><p><a href="https://journals.openedition.org/eces/2433?lang=en" rel="noopener noreferrer" target="_blank">https://journals.openedition.org/eces/2433?lang=en</a>&nbsp;</p><p>Lazos, Elena, and Luisa Paré.&nbsp;<em>Miradas indígenas sobre una naturaleza" entristecida": percepciones del deterioro ambiental...]]></description><content:encoded><![CDATA[<p>Músico y activista comunitario, Luis habla de la renovación de nuestra connección con la Madre Tierra; de los ríos; y de cómo superar las pérdidas provocadas por la violencia y la injusticia.</p><p>La obra de Martí está en dominio público. Un portal al acceso general se puede hallar en <a href="https://es.wikisource.org/wiki/Autor:Jos%C3%A9_Mart%C3%AD" rel="noopener noreferrer" target="_blank">https://es.wikisource.org/wiki/Autor:Jos%C3%A9_Mart%C3%AD</a>&nbsp;</p><p>	Martí’s work is in the public domain. This is a general access portal.</p><p>Como hombre de letras // As a man of letters</p><p>in English:</p><ul><li>Schulman,&nbsp;Ivan A.&nbsp;(1989). «José Martí». En&nbsp;Solé/Abreu, ed.&nbsp;<em>Latin American Writers. 3 Vols.</em>(Nueva York: Charles Scribner's Sons)&nbsp;<strong>I</strong>: 311-319.</li></ul><br/><p>en español:</p><ul><li>Henríquez Ureña,&nbsp;Max&nbsp;(1963). «XXXVII: José Martí».&nbsp;<em>Panorama histórico de la literatura cubana 1492-1952. 2 tomos</em>. Tomo II. New York: Las Américas. pp.&nbsp;210-231.</li></ul><br/><p>Como figura política // As a political figure</p><p>en español:</p><p>Ward, Thomas (octubre de 2007). «From Sarmiento to Martí and Hostos: Extricating the Nation from Coloniality». European Review of Latin American and Caribbean Studies (en inglés) (83): 83-104.</p><p>in English:</p><ul><li>Ramos,&nbsp;Julio; Blanco, John D. (2001).&nbsp;<em>Divergent Modernities: Culture and Politics in Nineteenth-Century Latin America</em>&nbsp;(en inglés). Durham: Duke University Press. pp.&nbsp;151-159, 251-267, 268-279. «Véase particularmente "Marti and His Journey to the United States", "'Nuestra America': The Art of Good Governence", The Repose of Heroes: On Poetry and War in Marti"».</li></ul><br/><p><strong>LOS RÍOS CANALIZADOS DE LA ZONA DE LOS ÁNGELES, Y LOS ESFUERZOS DE RESTAURACIÓN</strong></p><p><strong>CHANNELED RIVERS IN THE LA AREA, AND EFFORTS TOWARD RESTORATION</strong></p><p>Sitio Web de la ciudad de Los Ángeles (en inglés):</p><p><a href="http://lariver.org/blog/la-river-ecosystem-restoration" rel="noopener noreferrer" target="_blank">http://lariver.org/blog/la-river-ecosystem-restoration</a>&nbsp;</p><p>Friends of the LA River: <a href="https://folar.org" rel="noopener noreferrer" target="_blank">https://folar.org</a>&nbsp;&nbsp;</p><p>Proyecto de la Herencia Salvaje de la Sierra de Santa Ana, <a href="https://santaanamountains.org/hogar.html" rel="noopener noreferrer" target="_blank">https://santaanamountains.org/hogar.html</a>&nbsp;</p><p>Friends of Harbors, Beaches, and Parks</p><p><a href="https://www.fhbp.org/" rel="noopener noreferrer" target="_blank">https://www.fhbp.org/</a>&nbsp;</p><p><strong>ECOLOGICAL AND SOCIAL VIOLENCE IN VERACRUZ</strong></p><p><strong>VIOLENCIA SOCIAL Y ECOLÓGICA EN VERACRUZ</strong></p><p>in English:</p><p>Crisis Group: “Veracruz: Fixing Mexico's State of Terror”&nbsp;</p><p><a href="https://www.crisisgroup.org/latin-america-caribbean/mexico/61-veracruz-fixing-mexicos-state-terror" rel="noopener noreferrer" target="_blank">https://www.crisisgroup.org/latin-america-caribbean/mexico/61-veracruz-fixing-mexicos-state-terror</a></p><p>Santiago, Myrna. “Black Rain: Veracruz 1900–1938.” <em>Berkeley Review of Latin American Studies,</em> Spring 2007 <a href="https://clas.berkeley.edu/research/energy-black-rain-veracruz-1900%E2%80%931938" rel="noopener noreferrer" target="_blank">https://clas.berkeley.edu/research/energy-black-rain-veracruz-1900%E2%80%931938</a>&nbsp;</p><p>en español:</p><p>Chenaut, Victoria. “Impactos sociales y ambientales de la explotación de hidrocarburos en el municipio de Papantla, Veracruz (México)” e-cadernos CES #28 (2017)</p><p><a href="https://journals.openedition.org/eces/2433?lang=en" rel="noopener noreferrer" target="_blank">https://journals.openedition.org/eces/2433?lang=en</a>&nbsp;</p><p>Lazos, Elena, and Luisa Paré.&nbsp;<em>Miradas indígenas sobre una naturaleza" entristecida": percepciones del deterioro ambiental entre nahuas del sur de Veracruz</em>. Plaza y Valdes, 2000.</p><p><strong>ARCADIO HIDALGO</strong></p><p>Gutiérrez, Gilberto, y Juan Pascoe, coordinadores. <em>La versada de Arcadio Hidalgo.</em> Editroial Ficción, Universidad Veracruzana. 3a ed., 2003</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/luis-sarmiento]]></link><guid isPermaLink="false">9e0c4e2c-f078-4310-ada0-82262697abf8</guid><itunes:image href="https://artwork.captivate.fm/8776780d-82f5-4490-8abf-62503eb232ef/_1FnkWaGKupd4K3qxD25Yqlb.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 07 May 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/f613aba5-f64c-44bc-bee3-73e582ca5d29/luis-s-final-master.mp3" length="66337644" type="audio/mpeg"/><itunes:duration>46:04</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>4</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/c053d426-0e76-446e-b0e9-a68a7003ae30/index.html" type="text/html"/></item><item><title>Luis Sarmiento (English)</title><itunes:title>Luis Sarmiento</itunes:title><description><![CDATA[<p>A musician and community activist, Luis speaks about renewing our connection to the Earth; rivers; and how to move on from the losses provoked by violence and injustice.</p><p>La obra de Martí está en dominio público. Un portal al acceso general se puede hallar en <a href="https://es.wikisource.org/wiki/Autor:Jos%C3%A9_Mart%C3%AD" rel="noopener noreferrer" target="_blank">https://es.wikisource.org/wiki/Autor:Jos%C3%A9_Mart%C3%AD</a>&nbsp;</p><p>	Martí’s work is in the public domain. This is a general access portal.</p><p>Como hombre de letras // As a man of letters</p><p>in English:</p><ul><li>Schulman,&nbsp;Ivan A.&nbsp;(1989). «José Martí». En&nbsp;Solé/Abreu, ed.&nbsp;<em>Latin American Writers. 3 Vols.</em>(Nueva York: Charles Scribner's Sons)&nbsp;<strong>I</strong>: 311-319.</li></ul><br/><p>en español:</p><ul><li>Henríquez Ureña,&nbsp;Max&nbsp;(1963). «XXXVII: José Martí».&nbsp;<em>Panorama histórico de la literatura cubana 1492-1952. 2 tomos</em>. Tomo II. New York: Las Américas. pp.&nbsp;210-231.</li></ul><br/><p>Como figura política // As a political figure</p><p>en español:</p><p>Ward, Thomas (octubre de 2007). «From Sarmiento to Martí and Hostos: Extricating the Nation from Coloniality». European Review of Latin American and Caribbean Studies (en inglés) (83): 83-104.</p><p>in English:</p><ul><li>Ramos,&nbsp;Julio; Blanco, John D. (2001).&nbsp;<em>Divergent Modernities: Culture and Politics in Nineteenth-Century Latin America</em>&nbsp;(en inglés). Durham: Duke University Press. pp.&nbsp;151-159, 251-267, 268-279. «Véase particularmente "Marti and His Journey to the United States", "'Nuestra America': The Art of Good Governence", The Repose of Heroes: On Poetry and War in Marti"».</li></ul><br/><p><strong>LOS RÍOS CANALIZADOS DE LA ZONA DE LOS ÁNGELES, Y LOS ESFUERZOS DE RESTAURACIÓN</strong></p><p><strong>CHANNELED RIVERS IN THE LA AREA, AND EFFORTS TOWARD RESTORATION</strong></p><p>Sitio Web de la ciudad de Los Ángeles (en inglés):</p><p><a href="http://lariver.org/blog/la-river-ecosystem-restoration" rel="noopener noreferrer" target="_blank">http://lariver.org/blog/la-river-ecosystem-restoration</a>&nbsp;</p><p>Friends of the LA River: <a href="https://folar.org/" rel="noopener noreferrer" target="_blank">https://folar.org</a>&nbsp;&nbsp;</p><p>Proyecto de la Herencia Salvaje de la Sierra de Santa Ana, <a href="https://santaanamountains.org/hogar.html" rel="noopener noreferrer" target="_blank">https://santaanamountains.org/hogar.html</a>&nbsp;</p><p>Friends of Harbors, Beaches, and Parks</p><p><a href="https://www.fhbp.org/" rel="noopener noreferrer" target="_blank">https://www.fhbp.org/</a>&nbsp;</p><p><strong>ECOLOGICAL AND SOCIAL VIOLENCE IN VERACRUZ</strong></p><p><strong>VIOLENCIA SOCIAL Y ECOLÓGICA EN VERACRUZ</strong></p><p>in English:</p><p>Crisis Group: “Veracruz: Fixing Mexico's State of Terror”&nbsp;</p><p><a href="https://www.crisisgroup.org/latin-america-caribbean/mexico/61-veracruz-fixing-mexicos-state-terror" rel="noopener noreferrer" target="_blank">https://www.crisisgroup.org/latin-america-caribbean/mexico/61-veracruz-fixing-mexicos-state-terror</a></p><p>Santiago, Myrna. “Black Rain: Veracruz 1900–1938.” <em>Berkeley Review of Latin American Studies,</em> Spring 2007 <a href="https://clas.berkeley.edu/research/energy-black-rain-veracruz-1900%E2%80%931938" rel="noopener noreferrer" target="_blank">https://clas.berkeley.edu/research/energy-black-rain-veracruz-1900%E2%80%931938</a>&nbsp;</p><p>en español:</p><p>Chenaut, Victoria. “Impactos sociales y ambientales de la explotación de hidrocarburos en el municipio de Papantla, Veracruz (México)” e-cadernos CES #28 (2017)</p><p><a href="https://journals.openedition.org/eces/2433?lang=en" rel="noopener noreferrer" target="_blank">https://journals.openedition.org/eces/2433?lang=en</a>&nbsp;</p><p>Lazos, Elena, and Luisa Paré.&nbsp;<em>Miradas indígenas sobre una naturaleza" entristecida": percepciones del deterioro ambiental entre nahuas del sur...]]></description><content:encoded><![CDATA[<p>A musician and community activist, Luis speaks about renewing our connection to the Earth; rivers; and how to move on from the losses provoked by violence and injustice.</p><p>La obra de Martí está en dominio público. Un portal al acceso general se puede hallar en <a href="https://es.wikisource.org/wiki/Autor:Jos%C3%A9_Mart%C3%AD" rel="noopener noreferrer" target="_blank">https://es.wikisource.org/wiki/Autor:Jos%C3%A9_Mart%C3%AD</a>&nbsp;</p><p>	Martí’s work is in the public domain. This is a general access portal.</p><p>Como hombre de letras // As a man of letters</p><p>in English:</p><ul><li>Schulman,&nbsp;Ivan A.&nbsp;(1989). «José Martí». En&nbsp;Solé/Abreu, ed.&nbsp;<em>Latin American Writers. 3 Vols.</em>(Nueva York: Charles Scribner's Sons)&nbsp;<strong>I</strong>: 311-319.</li></ul><br/><p>en español:</p><ul><li>Henríquez Ureña,&nbsp;Max&nbsp;(1963). «XXXVII: José Martí».&nbsp;<em>Panorama histórico de la literatura cubana 1492-1952. 2 tomos</em>. Tomo II. New York: Las Américas. pp.&nbsp;210-231.</li></ul><br/><p>Como figura política // As a political figure</p><p>en español:</p><p>Ward, Thomas (octubre de 2007). «From Sarmiento to Martí and Hostos: Extricating the Nation from Coloniality». European Review of Latin American and Caribbean Studies (en inglés) (83): 83-104.</p><p>in English:</p><ul><li>Ramos,&nbsp;Julio; Blanco, John D. (2001).&nbsp;<em>Divergent Modernities: Culture and Politics in Nineteenth-Century Latin America</em>&nbsp;(en inglés). Durham: Duke University Press. pp.&nbsp;151-159, 251-267, 268-279. «Véase particularmente "Marti and His Journey to the United States", "'Nuestra America': The Art of Good Governence", The Repose of Heroes: On Poetry and War in Marti"».</li></ul><br/><p><strong>LOS RÍOS CANALIZADOS DE LA ZONA DE LOS ÁNGELES, Y LOS ESFUERZOS DE RESTAURACIÓN</strong></p><p><strong>CHANNELED RIVERS IN THE LA AREA, AND EFFORTS TOWARD RESTORATION</strong></p><p>Sitio Web de la ciudad de Los Ángeles (en inglés):</p><p><a href="http://lariver.org/blog/la-river-ecosystem-restoration" rel="noopener noreferrer" target="_blank">http://lariver.org/blog/la-river-ecosystem-restoration</a>&nbsp;</p><p>Friends of the LA River: <a href="https://folar.org/" rel="noopener noreferrer" target="_blank">https://folar.org</a>&nbsp;&nbsp;</p><p>Proyecto de la Herencia Salvaje de la Sierra de Santa Ana, <a href="https://santaanamountains.org/hogar.html" rel="noopener noreferrer" target="_blank">https://santaanamountains.org/hogar.html</a>&nbsp;</p><p>Friends of Harbors, Beaches, and Parks</p><p><a href="https://www.fhbp.org/" rel="noopener noreferrer" target="_blank">https://www.fhbp.org/</a>&nbsp;</p><p><strong>ECOLOGICAL AND SOCIAL VIOLENCE IN VERACRUZ</strong></p><p><strong>VIOLENCIA SOCIAL Y ECOLÓGICA EN VERACRUZ</strong></p><p>in English:</p><p>Crisis Group: “Veracruz: Fixing Mexico's State of Terror”&nbsp;</p><p><a href="https://www.crisisgroup.org/latin-america-caribbean/mexico/61-veracruz-fixing-mexicos-state-terror" rel="noopener noreferrer" target="_blank">https://www.crisisgroup.org/latin-america-caribbean/mexico/61-veracruz-fixing-mexicos-state-terror</a></p><p>Santiago, Myrna. “Black Rain: Veracruz 1900–1938.” <em>Berkeley Review of Latin American Studies,</em> Spring 2007 <a href="https://clas.berkeley.edu/research/energy-black-rain-veracruz-1900%E2%80%931938" rel="noopener noreferrer" target="_blank">https://clas.berkeley.edu/research/energy-black-rain-veracruz-1900%E2%80%931938</a>&nbsp;</p><p>en español:</p><p>Chenaut, Victoria. “Impactos sociales y ambientales de la explotación de hidrocarburos en el municipio de Papantla, Veracruz (México)” e-cadernos CES #28 (2017)</p><p><a href="https://journals.openedition.org/eces/2433?lang=en" rel="noopener noreferrer" target="_blank">https://journals.openedition.org/eces/2433?lang=en</a>&nbsp;</p><p>Lazos, Elena, and Luisa Paré.&nbsp;<em>Miradas indígenas sobre una naturaleza" entristecida": percepciones del deterioro ambiental entre nahuas del sur de Veracruz</em>. Plaza y Valdes, 2000.</p><p><strong>ARCADIO HIDALGO</strong></p><p>Gutiérrez, Gilberto, y Juan Pascoe, coordinadores. <em>La versada de Arcadio Hidalgo.</em> Editroial Ficción, Universidad Veracruzana. 3a ed., 2003</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/luis-sarmiento]]></link><guid isPermaLink="false">d52682e4-679a-42a4-a732-8ed9c397d3ca</guid><itunes:image href="https://artwork.captivate.fm/d038f2d4-3c84-4849-a0fd-fa83d233ccb6/WIG_VewpGHuMoDks6i9N8esF.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 07 May 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/74ea85de-278e-4a8d-98ac-b0abc477d151/luis-mp3.mp3" length="38606880" type="audio/mpeg"/><itunes:duration>33:52</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>4</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/68c9ee07-8185-4a6b-bb33-d6ba8f4ca110/index.html" type="text/html"/></item><item><title>Cat Quinn (Original, English)</title><itunes:title>Cat Quinn</itunes:title><description><![CDATA[<p>A community health nurse who co-directs a Santa Ana-based non-profit, Cat talks about women building community, and the persistence of hope in the face of hardship.</p>]]></description><content:encoded><![CDATA[<p>A community health nurse who co-directs a Santa Ana-based non-profit, Cat talks about women building community, and the persistence of hope in the face of hardship.</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/cat-quinn]]></link><guid isPermaLink="false">1f16ba36-381d-4726-b9b0-344f62f96749</guid><itunes:image href="https://artwork.captivate.fm/432c3938-7c8e-4066-a535-d24c6ff64aeb/XVIR7T9QIp0XFkRjYFuTt6kX.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 23 Apr 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/a7ff91e0-5bbd-46eb-b81b-82a6ef4b9e11/cat-quinn.mp3" length="31027032" type="audio/mpeg"/><itunes:duration>25:48</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>3</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/e0f84840-07c0-4193-954c-00627f16d974/index.html" type="text/html"/></item><item><title>Cat Quinn (Español)</title><itunes:title>Cat Quinn (Español)</itunes:title><description><![CDATA[<p>Enfermera comunitaria y co-directora de una ONG basada en Santa Ana, Cat habla del fomento de comunidad entre mujeres, y de la esperanza humana que perdura a pesar de duros tiempos.</p>]]></description><content:encoded><![CDATA[<p>Enfermera comunitaria y co-directora de una ONG basada en Santa Ana, Cat habla del fomento de comunidad entre mujeres, y de la esperanza humana que perdura a pesar de duros tiempos.</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/cat-quinn]]></link><guid isPermaLink="false">800c3d46-73c9-41b1-a2ba-9f2809b5009f</guid><itunes:image href="https://artwork.captivate.fm/df6028bb-c97c-46e0-8615-57b84af9dc4a/rdBz75BsW8_miZSY6HfUEAXg.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 23 Apr 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/4aaca5ab-a95b-4c32-9b89-bf75bf8e184b/cat-quinn-reenactment-recognition-added-16-bit-44-hz.mp3" length="22629996" type="audio/mpeg"/><itunes:duration>29:22</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>3</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/7befffbe-e535-4d6d-8972-95179a160161/index.html" type="text/html"/></item><item><title>Fernando Agredano (Original, Español)</title><itunes:title>Fernando Agredano</itunes:title><description><![CDATA[<p>Maestro de primaria en Santa Ana, Fernando se reflecciona sobre su crianza en una comunidad rural migrante, y sobre el peso duro del racismo en la sociedad estadounidense.</p>]]></description><content:encoded><![CDATA[<p>Maestro de primaria en Santa Ana, Fernando se reflecciona sobre su crianza en una comunidad rural migrante, y sobre el peso duro del racismo en la sociedad estadounidense.</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/fernando/]]></link><guid isPermaLink="false">ab3b0222-f75e-4f89-8d38-128acd791e8e</guid><itunes:image href="https://artwork.captivate.fm/f9a16dcd-6124-44b4-925b-6e9c4cd5b0a0/vIEm4re26BbzEECVr08V3gjM.jpeg"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 09 Apr 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/1fbedb26-df97-4549-8be6-a8e125e60501/fernando-master-alex-4-8-21.mp3" length="83311078" type="audio/mpeg"/><itunes:duration>57:51</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>2</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/da9f24c5-e6d1-4df4-87b6-eb85c9b5d79d/index.html" type="text/html"/></item><item><title>Fernando Agredano (English)</title><itunes:title>Fernando Agredano</itunes:title><description><![CDATA[<p>A primary-school teacher in Santa Ana, Fernando reflects on his upbringing in a rural migrant community, and on the heavy weight of racism in USAmerican society.</p>]]></description><content:encoded><![CDATA[<p>A primary-school teacher in Santa Ana, Fernando reflects on his upbringing in a rural migrant community, and on the heavy weight of racism in USAmerican society.</p>]]></content:encoded><link><![CDATA[https://www.siyofuera.org/episodes/fernando]]></link><guid isPermaLink="false">2c579f94-7bc2-45ee-a735-c80d49ee32f1</guid><itunes:image href="https://artwork.captivate.fm/1ad5f97e-3716-4be7-90a3-2777399b4a75/7wjkENEKS7qw7PbqLEZzuYBl.jpeg"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 09 Apr 2021 05:55:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/473689b2-1df3-4587-b694-20fb537c7404/fernando-master.mp3" length="49172904" type="audio/mpeg"/><itunes:duration>47:36</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>2</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/31f9f6a5-2d9a-4030-9554-f39fa7e54691/index.html" type="text/html"/></item><item><title>Angélica Sánchez (Original, Español)</title><itunes:title>Angélica Sánchez</itunes:title><description><![CDATA[<p>Madre soltera de 3 hijos, Angélica trabaja por su propia cuenta, limpiando casas. Nos habla de las variedades de la nostalgia migrante, y de llegar a un agradecimiento profundo por la vida.</p><p>TEMAS Y ENLACES.</p><p>Esta es una selección muy personal-- no trata de ser comprensiva. Siempre nos alegra, recibir sugerencias de más temas, ítems y enlaces.</p><p>&nbsp;</p><p><u>La Revolución mexicana:</u></p><p>La cantidad de materia en torno de esta época violenta, todavía viva en la memoria generacional del México moderno, es por supuesto enorme. Para una narrativa de eventos básicos, un buen punto de partida general es el ensayo en español de Wikipedia, <a href="https://es.wikipedia.org/wiki/Revoluci%C3%B3n_mexicana" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Revoluci%C3%B3n_mexicana</a>&nbsp;</p><p>&nbsp;</p><p>Aquí, nomás un elenco muy particular de obras de ficción o opinión, que tratan de varios aspectos humanos de la Revolución:</p><p>HISTORIA POLÍTICA</p><p><em>México Bárbaro,</em> John Kenneth Turner, 1909</p><p>NOVELAS</p><p><em>Los de Abajo,</em> Mariano Azuela, 1916</p><p><em>Al filo del agua,</em> Agustín Yáñez, 1947</p><p><em>La muerte de Artemio Cruz</em>, Carlos Fuentes, 1962</p><p>CINE</p><p><em>¡Viva Zapata!</em> (1952, en inglés), nadie menos que Marlon Brando como Zapata.</p><p>&nbsp;</p><p><u>Roger Bartra sobre la melancolía mexicana:</u></p><p><em>La jaula de la melancolía,</em> 1987 (libro; in English, <em>The Cage of Melancholy</em>)</p><p>“Sangre y tinta del&nbsp;<em>kitsch</em>&nbsp;tropical,” <em>Fractal</em>, Revista trimestral. <a href="https://www.mxfractal.org/F8bartra.html" rel="noopener noreferrer" target="_blank">https://www.mxfractal.org/F8bartra.html</a> (article)</p><p>&nbsp;</p><p>Por favor, si vas a comprar un libro aquí recomendado, NO USES AMAZON. Recomendamos los servicios de Powell’s Books, <a href="https://www.powells.com/" rel="noopener noreferrer" target="_blank">https://www.powells.com/</a> Tienen una selección magnífica, pueden pedir lo que no tienen, y su servicio de entrega por correo es rápido y barato.</p>]]></description><content:encoded><![CDATA[<p>Madre soltera de 3 hijos, Angélica trabaja por su propia cuenta, limpiando casas. Nos habla de las variedades de la nostalgia migrante, y de llegar a un agradecimiento profundo por la vida.</p><p>TEMAS Y ENLACES.</p><p>Esta es una selección muy personal-- no trata de ser comprensiva. Siempre nos alegra, recibir sugerencias de más temas, ítems y enlaces.</p><p>&nbsp;</p><p><u>La Revolución mexicana:</u></p><p>La cantidad de materia en torno de esta época violenta, todavía viva en la memoria generacional del México moderno, es por supuesto enorme. Para una narrativa de eventos básicos, un buen punto de partida general es el ensayo en español de Wikipedia, <a href="https://es.wikipedia.org/wiki/Revoluci%C3%B3n_mexicana" rel="noopener noreferrer" target="_blank">https://es.wikipedia.org/wiki/Revoluci%C3%B3n_mexicana</a>&nbsp;</p><p>&nbsp;</p><p>Aquí, nomás un elenco muy particular de obras de ficción o opinión, que tratan de varios aspectos humanos de la Revolución:</p><p>HISTORIA POLÍTICA</p><p><em>México Bárbaro,</em> John Kenneth Turner, 1909</p><p>NOVELAS</p><p><em>Los de Abajo,</em> Mariano Azuela, 1916</p><p><em>Al filo del agua,</em> Agustín Yáñez, 1947</p><p><em>La muerte de Artemio Cruz</em>, Carlos Fuentes, 1962</p><p>CINE</p><p><em>¡Viva Zapata!</em> (1952, en inglés), nadie menos que Marlon Brando como Zapata.</p><p>&nbsp;</p><p><u>Roger Bartra sobre la melancolía mexicana:</u></p><p><em>La jaula de la melancolía,</em> 1987 (libro; in English, <em>The Cage of Melancholy</em>)</p><p>“Sangre y tinta del&nbsp;<em>kitsch</em>&nbsp;tropical,” <em>Fractal</em>, Revista trimestral. <a href="https://www.mxfractal.org/F8bartra.html" rel="noopener noreferrer" target="_blank">https://www.mxfractal.org/F8bartra.html</a> (article)</p><p>&nbsp;</p><p>Por favor, si vas a comprar un libro aquí recomendado, NO USES AMAZON. Recomendamos los servicios de Powell’s Books, <a href="https://www.powells.com/" rel="noopener noreferrer" target="_blank">https://www.powells.com/</a> Tienen una selección magnífica, pueden pedir lo que no tienen, y su servicio de entrega por correo es rápido y barato.</p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/angelica]]></link><guid isPermaLink="false">6fa55716-76f8-48d2-88fe-4f6e330302da</guid><itunes:image href="https://artwork.captivate.fm/14607d29-6a9e-4d12-a667-376f77ed8566/hSONrf_zAOTNjgkGGmTNjmZ4.jpeg"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 26 Mar 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/096b4806-43bf-476d-98ea-ea37cd9d9249/angelica-new-master.mp3" length="79892928" type="audio/mpeg"/><itunes:duration>55:29</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>1</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/c138cace-8c42-46dd-b1e1-2cd37a351fda/index.html" type="text/html"/></item><item><title>Angélica Sánchez (English)</title><itunes:title>Angélica Sánchez</itunes:title><description><![CDATA[<p>Single mother of three sons, Angélica works as a free-lance house cleaner. She speaks about the varieties of nostalgia felt by migrants, and of arriving at a profound gratitude for life.</p><p>THEMES AND LINKS</p><p>This is a very personal selection—it’s not trying to be comprehensive. We’re always happy to receive suggestions for more themes, items and links!</p><p>The Mexican Revolution</p><p>There is a huge amount of material about this violent period, still very much alive in the generational memory of modern Mexico. For a basic recounting of events, the Wikipedia article in English is a good starting place; it has a particularly strong bibliography: <a href="https://en.wikipedia.org/wiki/Mexican_Revolution" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Mexican_Revolution</a>&nbsp;</p><p>Here is a very personal line-up of works of fiction or political commentary that deal with some human aspects of the Revolution:</p><p>POLITICAL HISTORY</p><p><em>Barbarous Mexico,</em> John Kenneth Turner, 1909</p><p>NOVELS (these are all translations from Spanish)</p><p>Mariano Azuela,<em> The Underdogs </em>(1916/1929)</p><p>Agustín Yáñez,<em> The Edge of the Storm </em>(1947/1963)</p><p>Carlos Fuentes,<em> The Death of Artemio Cruz </em>(1962/1964)</p><p>FILM</p><p><em>¡Viva Zapata!</em> (1952), no less than Marlon Brando as Zapata.</p><p>Roger Bartra on Mexican melancholy (a translation from Spanish):</p><p><em>The Cage of Melancholy </em>(1987/1992)</p><p>Please, if you buy a book recommended here, DON’T USE AMAZON. We recommend Powell’s Books, <a href="https://www.powells.com/" rel="noopener noreferrer" target="_blank">https://www.powells.com/</a> Their selection is awesome, they’ll order what they don’t have, and their mail-order service is fast and reasonable.</p>]]></description><content:encoded><![CDATA[<p>Single mother of three sons, Angélica works as a free-lance house cleaner. She speaks about the varieties of nostalgia felt by migrants, and of arriving at a profound gratitude for life.</p><p>THEMES AND LINKS</p><p>This is a very personal selection—it’s not trying to be comprehensive. We’re always happy to receive suggestions for more themes, items and links!</p><p>The Mexican Revolution</p><p>There is a huge amount of material about this violent period, still very much alive in the generational memory of modern Mexico. For a basic recounting of events, the Wikipedia article in English is a good starting place; it has a particularly strong bibliography: <a href="https://en.wikipedia.org/wiki/Mexican_Revolution" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Mexican_Revolution</a>&nbsp;</p><p>Here is a very personal line-up of works of fiction or political commentary that deal with some human aspects of the Revolution:</p><p>POLITICAL HISTORY</p><p><em>Barbarous Mexico,</em> John Kenneth Turner, 1909</p><p>NOVELS (these are all translations from Spanish)</p><p>Mariano Azuela,<em> The Underdogs </em>(1916/1929)</p><p>Agustín Yáñez,<em> The Edge of the Storm </em>(1947/1963)</p><p>Carlos Fuentes,<em> The Death of Artemio Cruz </em>(1962/1964)</p><p>FILM</p><p><em>¡Viva Zapata!</em> (1952), no less than Marlon Brando as Zapata.</p><p>Roger Bartra on Mexican melancholy (a translation from Spanish):</p><p><em>The Cage of Melancholy </em>(1987/1992)</p><p>Please, if you buy a book recommended here, DON’T USE AMAZON. We recommend Powell’s Books, <a href="https://www.powells.com/" rel="noopener noreferrer" target="_blank">https://www.powells.com/</a> Their selection is awesome, they’ll order what they don’t have, and their mail-order service is fast and reasonable.</p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/angelica]]></link><guid isPermaLink="false">d90b53c3-d482-4f00-9980-1173019185d3</guid><itunes:image href="https://artwork.captivate.fm/c1f73d13-1bfb-4c6e-9d87-bf42bd13f762/jH3tepJ8Jf0fLkpvgMxIFf-m.jpeg"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Fri, 26 Mar 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/c4977ea5-5705-4667-b22e-66cec41a5bf6/anjelica-english-master.mp3" length="62857152" type="audio/mpeg"/><itunes:duration>43:39</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>1</itunes:episode><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/a68dfa61-d178-46d6-91d6-d721f9cc79ea/index.html" type="text/html"/></item><item><title>Por llegar: If I were a Song</title><itunes:title>Por llegar: If I were a Song</itunes:title><description><![CDATA[<p>Para aprender más: <a href="https://siyofuera.org" rel="noopener noreferrer" target="_blank">siyofuera.org</a></p>]]></description><content:encoded><![CDATA[<p>Para aprender más: <a href="https://siyofuera.org" rel="noopener noreferrer" target="_blank">siyofuera.org</a></p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/trailer]]></link><guid isPermaLink="false">050b8c2e-7715-4c21-afb6-c21e256c6db6</guid><itunes:image href="https://artwork.captivate.fm/10367686-b159-4678-8a61-6d11bd35abb6/c0B-uXBeEGjn93Om4JgRMjNw.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Mon, 08 Mar 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/7ce4c5e4-df59-4301-855a-c275fd7cea8e/master-epsiode-0-spanish.mp3" length="4657096" type="audio/mpeg"/><itunes:duration>03:14</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>trailer</itunes:episodeType><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/8e6366cf-228c-4db0-b028-b9fa61adeb4a/index.html" type="text/html"/></item><item><title>Coming Soon: Si Yo Fuera una Canción</title><itunes:title>Coming Soon: Si Yo Fuera una Canción</itunes:title><description><![CDATA[<p>Learn more: <a href="https://siyofuera.org" rel="noopener noreferrer" target="_blank">siyofuera.org</a></p>]]></description><content:encoded><![CDATA[<p>Learn more: <a href="https://siyofuera.org" rel="noopener noreferrer" target="_blank">siyofuera.org</a></p>]]></content:encoded><link><![CDATA[https://siyofuera.org/episodes/trailer]]></link><guid isPermaLink="false">e9c9a927-c106-4295-b868-de11511d1cb2</guid><itunes:image href="https://artwork.captivate.fm/10367686-b159-4678-8a61-6d11bd35abb6/c0B-uXBeEGjn93Om4JgRMjNw.png"/><dc:creator><![CDATA[Elisabeth Le Guin]]></dc:creator><pubDate>Mon, 08 Mar 2021 06:00:00 -0500</pubDate><enclosure url="https://podcasts.captivate.fm/media/5989ae1d-0e3c-43f5-8dbe-c410ff8c6154/episode-0-english-master-3-4-21.mp3" length="4010067" type="audio/mpeg"/><itunes:duration>02:47</itunes:duration><itunes:explicit>no</itunes:explicit><itunes:episodeType>trailer</itunes:episodeType><itunes:author>Elisabeth Le Guin</itunes:author><podcast:transcript url="https://transcripts.captivate.fm/transcript/eaa1a0d5-f137-4453-a804-5806394f6c9d/index.html" type="text/html"/></item></channel></rss>