We had too many ideas—and it was quietly killing our progress.

In this episode, we take a step back and have an honest conversation about what happens when creativity turns into chaos. After juggling dozens of projects, music releases, interviews, and big-picture ideas, we finally confront the real issue:

We weren’t lacking ideas—we were lacking focus.

This episode is about the shift from scattered thinking to intentional execution. We break down why most creative projects never get finished, the difference between being burned out and simply overworked, and why focusing on one meaningful objective might be the key to actually building something that works.

If you’ve ever felt stuck, overwhelmed, or pulled in too many directions, this will hit home.

What We Talk About

• Why having too many ideas can kill momentum
• The difference between burnout and being overworked
• A real-world lesson on value vs. rarity
• Why most creative projects never make money
• The importance of focusing on one core objective
• How to reset and prioritize what actually matters
• Building something sustainable vs. chasing ideas

Chapters

00:00 – Catching up and life updates

03:00 – Burnout vs. being overworked

05:00 – Classic cars and value

07:30 – Rarity doesn’t equal value

10:00 – Too many ideas = no progress

12:00 – Current projects and momentum

14:00 – The idea list problem

20:00 – The turning point: focus

26:00 – Monetization reality check

27:00 – The plan moving forward

30:00 – What’s next

Key Takeaways

• More ideas doesn’t mean more progress
• Focus creates momentum
• Not everything rare is valuable
• Finishing one thing beats starting ten
• Systems and execution matter more than inspiration

Key Quote

“Rarity doesn’t equal value.”

Mentioned in This Episode

• The All Steps Grant
• Getcha Some Productions
• The Handshake (music releases)
• Bard College creative network
• Fiverr (outsourcing strategy)

🔗 Links & Resources

• 🌐 Website & everything Getcha Some Productions: https://www.getchasomeproductions.com/
• 🎧 Listen on Spotify: https://open.spotify.com/show/3FHMTH1IOijJsPISAsuU5V
• 🍎 Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-getcha-some-productions-podcast/id1523189383

Join the Conversation

What’s one project you’ve been putting off because you’re juggling too many ideas?

Call to Action

If this episode resonated with you, share it with someone who needs a reset.

Before we dive in, be sure to check out Kat Reinhert’s newly released book, a practical guide for songwriters and independent artists navigating today’s music landscape. Learn more and get your copy here:

👉 https://amzn.to/44VHAI9

Episode Overview

This episode explores the full spectrum of modern music-making, from the first spark of a song idea to the realities of releasing music and performing for an audience.

We’re joined by Kat Reinhert, a professor of songwriting at Berklee College of Music, who brings deep insight into lyric writing, creative development, and the challenges facing independent artists in today’s digital landscape. Drawing on her experience as a songwriter, vocalist, producer, and educator, Kat shares how she helps artists nurture creativity, embrace ambiguity in lyrics, and balance artistic integrity with the practical demands of the music business.

The conversation moves fluidly between philosophy and practice. We discuss songwriting craft, harmonic concepts like tritone substitutions and modal interchange, and the often-overlooked realities of being a working musician, including stage presence and gig attire. Personal stories and hard-earned lessons from real performances help ground the discussion in lived experience.

A key segment of the episode features a deep dive into the new single “1989” by The Handshake, unpacking its songwriting choices, lyrical themes, production decisions, and how those elements translate from the studio to the listener. The song serves as a real-world case study that brings the broader discussion of songwriting and release strategy into sharp focus.

We also spend time exploring Kat’s newly published book, co-authored as a practical guide for musicians navigating the modern music release process, including distribution, copyright, and audience connection.

Ultimately, this episode is about seeing music as both an art form and a lifelong practice. It’s an honest, wide-ranging conversation designed to help musicians better understand their craft, their industry, and themselves.

Key Takeaways

1. Music production is a holistic journey, from creative conception to audience engagement.
2. Strong songwriting often depends on vulnerability, ambiguity, and trust in the listener.
3. Independent artists benefit from understanding both the creative and business sides of music.
4. Branding, presentation, and stage presence meaningfully affect how music is received.
5. A behind-the-scenes breakdown of “1989” shows how songwriting, production, and release strategy come together in a finished track.
6. Creative challenges like a Song-a-Day practice can unlock momentum and artistic growth.
7. Musicians are encouraged to embrace their identities and experiment freely with form and style.

Companies & Organizations Mentioned

1. IKEA
2. Berklee College of Music
3. Amazon
4. ASCAP
5. BMI
6. CD Baby
7. Spotify
8. Bandcamp
9. YouTube
10. Oxford University Press

Topics & Keywords

music production, songwriting, independent artists, music education, lyric writing, songwriting techniques, music theory, tritone substitutions, modal interchange, music release strategies, digital distribution, copyright, music marketing, artist branding, stage presence, gig attire, creative process

The dialogue unfolds with a warm welcome to listeners, introducing the Getcha Some Productions podcast, a platform dedicated to exploring the myriad facets of the music industry. We delve into themes ranging from the inception of a song to the fervent devotion of its fans, ensuring a positive discourse on all music-related subjects. Our esteemed guest for this episode is Terence Boylan, a musician whose career blossomed in the 1960s. Boylan shares insights into his formative years, revealing how a serendipitous encounter with a three-string ukulele ignited his passion for songwriting. The conversation seamlessly transitions to his early experiences in the vibrant music scene of Buffalo, New York, where he began performing at local coffee houses and quickly garnered attention for his talent. Boylan's narrative is rich with anecdotes of influential encounters, including his pivotal meeting with Bob Dylan, which profoundly shaped his artistic journey. We learn of the challenges and triumphs he faced while navigating the complexities of the music industry, as well as his reflections on the evolving nature of music production and distribution in the digital age.

Takeaways:

• The podcast delves into the intricate narrative of the music industry, exploring aspects from creation to audience engagement.
• We are graced with the presence of Terence Boylan, a notable musician whose career began in the 1960s, enriching our discussion.
• The dialogue reveals the significance of positivity in music discourse, encouraging open conversations about various genres and topics.
• Listeners gain insight into the personal and professional journey of Boylan, including his formative experiences at Bard College.
• The episode emphasizes the collaborative nature of music production, illustrating how relationships and connections shape artistic endeavors.
• We discuss the evolving landscape of music consumption, highlighting the shift from physical media to digital streaming platforms.

Links referenced in this episode:

• terenceboylan.com

Companies mentioned in this episode:

• Asylum Records
• Bard College
• MGM
• Warner Brothers
• Rhino Records
• Columbia Records
• Geffen
• Steely Dan
• Eagles
• Linda Ronstadt
• Buffalo Bob
• The Loving Spoonful
• Little Feat
• Bonnie Raitt
• The Kingston Trio
• Peter, Paul and Mary
• Joni Mitchell
• Neil Young
• Van Morrison
• Herb Lavelle
• Tatum O'Neal
• Chrissy McDickell
• Dustin Hoffman
• John Voight
• Bob Dylan
• Timothy Chalamet

music industry, podcast, Terence Boylan, music production, songwriting, 60s musician, psychedelic folk, Alias Buna, Bard College, music scene, recording contract, live music, folk clubs, music history, songwriting tips, music archives, creative process, music collaboration, indie music, music stories

The podcast episode presents a profound examination of the music production process, as the hosts delve into the launch of their upcoming single, 'Hope'. Keith and Daniel engage in a dynamic conversation that reflects on the myriad components involved in the creation of music, with particular emphasis on the aesthetic presentation of their work, including the album cover. They discuss their artistic vision and the collaborative efforts that shape the visual identity of their music, underscoring the significance of artwork as a narrative tool that complements the auditory experience.

As the discourse progresses, the hosts transition to the subject of promoting their single in an increasingly competitive market. They explore various grassroots marketing strategies that leverage digital platforms to enhance engagement with potential listeners. This part of the dialogue reveals their understanding of modern promotional tactics, as they advocate for the use of short-form videos and social media interactions to foster a deeper connection with audiences. The hosts express the belief that such approaches not only broaden their reach but also invite listeners into the narrative of their creative journey.

In the episode's denouement, the emphasis shifts towards the importance of collaboration within the music community. Keith and Daniel articulate their desire to connect with other musicians and creators, suggesting that such partnerships can amplify their collective impact. The episode culminates in an invitation for listeners to participate in the artistic endeavor, reinforcing the idea that music is not merely a product but a collaborative experience that thrives on shared passion and creativity.

Takeaways:

• In today's episode, we explored various grassroots methods for promoting a single effectively without substantial financial backing.
• We discussed the significance of visually appealing short-form video content to capture audience attention and promote music.
• One intriguing idea was to engage micro content creators who align with our musical style for promotional collaborations.
• We emphasized the importance of personal storytelling in music promotion, particularly concerning the song's meaning and its connection to listeners.
• Another method we considered was the strategic use of QR codes to lead potential listeners to our music in various public spaces.
• Ultimately, we highlighted the value of collaboration with other musicians to expand our reach and audience engagement.

Takeaways:

• The podcast explores the intricate relationship between music production and visual artistry, reflecting on the significance of artwork in conveying thematic elements of an album.
• Thomas Warming shares his journey as an artist, detailing how his early inspirations shaped his development and eventual foray into professional illustration.
• The conversation emphasizes the importance of mentorship in the arts, highlighting how guidance from experienced professionals can profoundly influence an artist's creative journey.
• A recurring theme in the discussion revolves around the emotional impact of art, as both speakers articulate how visual elements can evoke deep feelings and provoke thought in viewers.
• The relationship between the artwork and the musical themes of the album is examined, underscoring how visual aesthetics can enhance the listener's experience and understanding of the music.
• The episode delves into the creative process, illustrating how spontaneity and meticulous planning coexist in the development of compelling artwork, resulting in pieces that resonate on multiple levels.

Links referenced in this episode:

• thomaswarming.blogspot.com

Companies mentioned in this episode:

• Handshake
• Thomas Warming
• Marvel
• DC

The dialogue unfolds within the framework of a simulcast show, wherein the hosts delineate their multifaceted engagement with the realm of music production. The primary focus of this episode is on the exploration of songwriting, with particular emphasis on a piece composed by one of the hosts. They engage in a profound discussion that encompasses not only the intricacies of the song's composition but also the broader implications of artistic expression. The guest, Kat Reinhert, a respected musician and educator, provides insights into her background, which includes a significant tenure in jazz music, before transitioning to original songwriting. This narrative trajectory serves to underline the transformative journey of artists as they evolve from performing established works to creating their own. The conversation navigates through themes of vulnerability, the artistic process, and the constant pursuit of self-improvement in songwriting, culminating in a candid exchange about the challenges and triumphs inherent to the creative process. By bridging personal anecdotes with professional critiques, the hosts create an engaging dialogue that resonates with both aspiring and seasoned musicians alike.

Takeaways:

• The podcast episode explores the intricacies of music production, emphasizing the creative process involved in songwriting.
• The hosts engage in a dialogue about the significance of feedback and its role in the songwriting journey.
• Listeners are introduced to the concept of navigating artistic identity, particularly in relation to feeling different from societal norms.
• The discussion highlights the importance of understanding lyrical intent and how it influences the overall message of a song.
• The episode underscores the value of vulnerability in artistic expression, encouraging artists to embrace their unique journeys.
• Lastly, the conversation reflects on the balance between abstraction and clarity in songwriting, urging artists to find their authentic voice.

Links referenced in this episode:

• https://katreinhert.com/
• https://www.facebook.com/katreinhertmusic/
• https://www.instagram.com/katreinhert
• https://open.spotify.com/artist/7nuxkoDFWfRhdfpnJgw9M1?si=-z1VgGSyTK6pn-6IG6Rwxw
• https://www.youtube.com/channel/UCCyOzDMNAoZdWNR_r1I35gw

Companies mentioned in this episode:

• www.getchasomeproductions.com
• www.thehandshake.band
• Berkeley College of Music
• University of Miami

In this engaging episode, the hosts present The Masters of the Universe Club, an ambitious endeavor centered on personal growth and collective betterment. They elucidate their vision of a community where members are united by a common goal: to enhance their lives while uplifting those around them. The discussion is anchored in the belief that true fulfillment arises from the harmony of self-improvement and altruism, prompting the hosts to experiment with a mastermind-like structure that encourages shared learning and support.

Throughout the conversation, the hosts grapple with the practicalities of launching this initiative. They emphasize the importance of developing a coherent communication strategy that effectively conveys the club's mission. The notion of creating a welcoming environment is paramount, and they explore various platforms to establish connections among members. Social media groups, email lists, and potential in-person gatherings are proposed as avenues for fostering engagement and maintaining a sense of community.

Moreover, the episode delves into the philosophical underpinnings of the club’s ethos, particularly the commitment to cultivating a positive and constructive atmosphere. The hosts discuss the necessity of a code of conduct that aligns with their values, ensuring that the club remains a safe haven for personal exploration. They conclude by committing to actionable steps towards realizing this vision, including the establishment of a book club format. This initiative aims to promote ongoing dialogue and reflection, reinforcing the club’s mission of becoming the best versions of themselves while contributing positively to the world.

Takeaways:

• The podcast delves into the concept of fostering a community dedicated to personal growth and collective improvement, aptly named The Masters of the Universe Club.
• We emphasize the importance of creating a safe space where individuals can engage in personal development without the interference of divisive ideologies.
• The discussion highlights the significance of leading by example in our efforts to become both competent individuals and compassionate community members.
• A key takeaway from this episode is the commitment to reading self-improvement literature together and sharing insights within the community.
• Listeners are encouraged to engage with the podcast and community by contributing ideas and participating in discussions about personal development.
• The episode outlines the foundational principles of maintaining a positive environment that fosters growth, collaboration, and mutual respect among members.

Companies mentioned in this episode:

Reverb Affiliate Link: https://tidd.ly/3O5lme6

Immersed in a vibrant discussion of music and creativity, the podcast features a compelling dialogue that delves deeply into the multifaceted journey of Aaron English, a distinguished singer-songwriter and performer. The conversation traverses a broad spectrum of themes, including the profound influence of cultural diversity on music, the significance of storytelling in songwriting, and the intricate relationship between personal experiences and artistic expression. Aaron shares his transformative experiences from living in various global contexts, particularly his time spent in Africa, where he not only collected instruments for underprivileged youth but also immersed himself in local musical traditions. The podcast encapsulates a rich tapestry of narratives, emphasizing how music serves as a universal language that transcends geographical and cultural boundaries, fostering connections among people from diverse backgrounds.

The episode further illuminates the importance of collaboration in the creative process, as Aaron discusses his approach to songwriting, which often involves blending different musical styles and influences acquired from his extensive travels. He articulates the notion that every song carries with it a unique story—crafted from a confluence of experiences, emotions, and cultural elements. This perspective invites listeners to appreciate the depth and complexity of musical compositions, encouraging them to explore the stories behind the songs they love. Additionally, Aaron's reflections on his charitable work provide a poignant reminder of the power of music to effect positive change in the world, demonstrating that artistry is not only a personal endeavor but also a communal responsibility.

As the conversation unfolds, there is a palpable sense of camaraderie between the hosts and Aaron, creating an engaging atmosphere that resonates with authenticity and warmth. Listeners are treated to a wealth of insights regarding the creative process, the significance of mentorship in the arts, and the enduring impact of music on individual lives. The episode culminates in a heartfelt discussion about Aaron's upcoming projects, including a series of new releases that promise to explore themes of grief, healing, and resilience. The podcast serves as both an homage to the art of music and a testament to the enduring spirit of creativity, leaving audiences inspired and eager to support the ongoing journey of this remarkable artist.

Takeaways:

• The podcast delves into the intricate nuances of music production, exploring various aspects and techniques.
• Listeners are introduced to the guest, Aaron English, an accomplished artist with a rich musical background.
• The discussion encompasses personal anecdotes and the profound impact of music on lives and communities worldwide.
• A pivotal theme in this episode is the intersection of storytelling and musical expression, highlighting their intrinsic connection.
• Listeners gain insight into Aaron's songwriting process, showcasing the blend of inspiration and craft that shapes his work.
• The episode emphasizes the importance of art as a vital component of human experience, providing context and meaning to life.

Links referenced in this episode:

• Reverb Affiliate Link: https://tidd.ly/3O5lme6
• aaronenglish.com

Companies mentioned in this episode:

• Reverb
• Bard College

The podcast episode encapsulates a reflective dialogue between the hosts, Daniel and Keith, as they delve into the accomplishments and aspirations of their podcasting journey. The conversation initiates with a casual exchange regarding their respective beverage choices, setting a relaxed tone that belies the depth of the subsequent discussion. They navigate through a retrospective examination of the past year, acknowledging the significance of the interviews conducted and the profound connections forged with various artists. Their exploration emphasizes the importance of not merely producing content but curating meaningful narratives that resonate with both the artists and their audience. They contemplate the value added by notable interviews, particularly with John Esposito, which transcended conventional discussions, ultimately serving a higher purpose by providing unique insights into the artists' processes and experiences.

As the dialogue progresses, Daniel and Keith contemplate future endeavors, highlighting the potential for further collaborations and the pursuit of grants to support their artistic initiatives. They express a shared vision of enhancing the podcast's production quality and expanding its reach, suggesting an eagerness to innovate and grow. The conversation culminates in a sense of optimism and determination, as they reaffirm their commitment to continuous improvement and the nurturing of their creative community. They contemplate the necessity of strategic planning for the upcoming year, indicating a desire to not only sustain but elevate their podcasting efforts to new heights. This episode serves as a rich tapestry of reflection and ambition, encapsulating the essence of their shared journey in the world of music production and podcasting.

Takeaways:

• In the recent episode, we reflected on our podcast's journey, celebrating the numerous interviews we successfully conducted this year.
• We discussed the significance of forging deeper connections with our podcast guests, which has enriched our content and listener engagement.
• The collaboration with Bard College emerged as a pivotal achievement, marking a significant milestone for our podcast this year.
• Throughout the episode, we emphasized our commitment to continuous improvement, aiming for a 1% enhancement in our podcast production quality for every episode.
• We acknowledged our efforts in promoting artists through interviews, which not only provides exposure but also fosters a sense of community within the music industry.
• Finally, we deliberated on future aspirations, including the potential development of a modes course that could significantly impact our listeners and generate revenue.

Links referenced in this episode:

• Reverb Affiliate Link: https://tidd.ly/3O5lme6
• https://www.getchasomeguitar.com/
• fiverr.com
• captivate.ai
• jamiroquai.com
• barrygreene.com
• jtcguitar.com
• https://www.getchasomeproductions.com/

Companies mentioned in this episode:

• LMNT
• Yogi Teas
• Reverb
• Fender
• Bard College
• CD Baby
• IREAL Pro
• JTC Guitar
• Sweetwater
• Michael Beinhorn
• Tesla
• Phish
• Jamiroquai
• OMG

Reverb Affiliation: https://tidd.ly/3O5lme6

The crux of our discussion centers on the intricate dynamics of music production and the innovative collaboration we seek to establish. In this episode, I, Keith Fredrickson, engage with esteemed guest Josh Salant, whose expertise in the realm of sound and recording is both profound and inspiring. We explore the multifaceted process of music creation, from conceptualization to the final mix, emphasizing the importance of thorough preparation and collaboration. Josh elaborates on his studio practice, aimed at facilitating a seamless recording experience for artists, and we consider how to effectively integrate a structured questionnaire to better understand artists’ visions. As we navigate through the nuances of music production, we aim to empower aspiring musicians to produce high-quality recordings that resonate with their artistic intent.

The podcast episode featuring the esteemed Keith Fredrickson and the talented Josh Salant delves into the intricacies of music production, providing listeners with a comprehensive understanding of the creative process involved in producing original music. The conversation begins with an exploration of Fredrickson's ambitious plans to transition from podcasting to actual music production, emphasizing the significance of collaboration and the necessity of structured processes in achieving artistic goals. Salant shares his insights as a seasoned drummer and producer, shedding light on the importance of preparation and communication between artists and producers to ensure successful recording sessions. Throughout the dialogue, the pair discuss the establishment of a new production service aimed at assisting aspiring musicians in navigating the complexities of the recording process, highlighting the value of pre-production planning and the role of questionnaires to clarify artistic visions.

As the discussion evolves, both Fredrickson and Salant articulate their shared vision of fostering a supportive environment for musicians, particularly those who may lack experience in the studio setting. They emphasize the need for artists to focus on crafting individual songs rather than overwhelming themselves with entire albums, advocating for a more measured approach to recording that prioritizes quality over quantity. Salant recounts his experiences working with various bands, offering practical advice on managing expectations and effectively utilizing studio time to produce polished tracks.

The episode culminates in a forward-looking perspective, with Fredrickson expressing his eagerness to embark on his own musical journey, armed with the knowledge gained from his conversation with Salant. The pair leave listeners with a sense of optimism about the potential for collaboration and creativity in the music industry, encouraging aspiring artists to engage with the production process thoughtfully and purposefully. This enlightening exchange serves not only as a guide for those interested in music production but also as a testament to the enduring power of collaboration in the artistic realm.

Takeaways:

• The podcast episode features an engaging discussion between host Keith Fredrickson and guest Josh Salant about music production.
• Keith expresses a desire to collaborate with Josh on producing original music and recording services.
• Josh shares insights into his studio, Salant Sound, and the importance of preparing artists before recording sessions.
• The conversation touches on the significance of focusing on one song at a time to ensure quality over quantity in music production.
• They explore the logistics of recording, including the need for proper equipment and rehearsal before entering the studio.
• A questionnaire for artists is proposed, which will help clarify their artistic vision and production needs before recording.

Companies mentioned in this episode:

• Reverb
• Salant Sound
• Coffin Daggers
• Marzana and the Bandits
• Power Chords
• No Call, No Show
• Getcha Some Productions
• Getcha Some Guitar
• Zen and the Art of Producing Affiliate: https://amzn.to/3EuxsvX
• Zen in the Art of Mixing affiliate: https://amzn.to/42BWVgl
• Zen in the Art of Recording affiliate: https://amzn.to/42KIoxx
• Shinobi Ninja
• Mixer Man
• Eric Serafine

• jennalanmusic.com
• Reverb - Affiliate: https://tidd.ly/4iNAtpR
• jazzandbluesinthegroove.com

The discourse presented herein features the esteemed jazz pianist, composer, and educator Jen Allen, who engages in a profound exploration of her artistic journey alongside hosts Keith Fredrickson and Daniel Kutcher. The episode commences with an emphasis on the vibrant jazz scene, particularly as it pertains to Allen's formative experiences and influences, which have significantly shaped her musical identity. Throughout the conversation, we delve into the intricacies of her creative process, reflecting on the intertwining of melody and harmony, as well as the importance of improvisation in her compositions. Allen articulates her commitment to education and mentorship, highlighting the vital role of storytelling in preserving the history of jazz. As the episode unfolds, listeners are invited to appreciate not only Allen's musical prowess but also her dedication to fostering creativity and connection within the community.

The episode features an enlightening dialogue with Jen Allen, an accomplished jazz pianist and educator. The discussion commences with an introduction to her musical journey, which is deeply intertwined with her upbringing in Foxborough, Massachusetts. Jen elaborates on her formative years, highlighting the pivotal influence of her high school music program and the notable band director who recognized her potential. She shares anecdotes that illustrate her initial struggles with traditional music lessons, the transition from cello to piano, and her eventual passion for jazz, which blossomed during her high school years. Keith and Daniel, the hosts, engage with Jen's narrative, expressing their admiration for her talent and the vibrant jazz scene in Hartford that she represents.

As the conversation progresses, Jen delves into her influences as a musician and composer, citing notable figures such as Kenny Kirkland and Cedar Walton. She articulates her approach to melody and improvisation, emphasizing the significance of creativity in her music. Throughout the dialogue, the hosts interject with their own experiences and insights, creating a dynamic exchange that highlights the collaborative spirit of jazz. Jen's perspective as an educator also surfaces, as she reflects on the importance of sharing the history of jazz and mentoring the next generation of musicians. The episode culminates in a discussion about Jen's upcoming projects, including her new album set to be released in 2025, which promises to showcase her evolving artistry and commitment to innovation in the genre.

Takeaways:

• The vibrant jazz scene in Hartford has been a revelation for many musicians and fans alike, showcasing the city's rich musical culture.
• Jen Allen's journey into music was influenced by a supportive family and a strong local music education program, highlighting the importance of mentorship.
• The collaborative nature of jazz allows for spontaneous creativity, where melody and harmony coalesce in unexpected ways during performances.
• Jen emphasizes the significance of storytelling in jazz education, bridging the history of the genre with contemporary practices for future generations.
• The role of improvisation in jazz is vital, as it fosters an environment where musicians create unique interpretations of familiar pieces.
• Jen's upcoming album will explore new creative territories, integrating elements of breath work and meditation into the performance experience.

Links referenced in this episode:

• jennalanmusic.com
• Reverb - Affiliate: https://tidd.ly/4iNAtpR
• jazzandbluesinthegroove.com

Companies mentioned in this episode:

• Reverb.com
• Hart School
• Truth Revolution Records

The dialogue commenced with a technical discussion surrounding the optimal recording settings for their podcast sessions, particularly focusing on achieving a gallery view during Zoom recordings. This conversation highlighted the persistent challenges they faced with the recording software and their attempts to rectify these issues over the course of numerous episodes. Keith Fredrickson and Daniel Kutcher reflect on their journey as podcasters, noting the impending milestone of approaching their 100th episode, a significant marker that they believe symbolizes the maturation of their podcasting venture. They draw inspiration from prominent figures in the podcasting world, such as James Altucher, stressing the importance of establishing one's own platform and the myriad benefits that come with owning a podcast. This contemplation serves as a prelude to deeper discussions about the evolving nature of their show, embracing their niche audience, and the steady influx of guests that have enriched their content.

Takeaways:

• In the realm of podcasting, it is imperative to cultivate a unique platform that one can control, as articulated by James Altucher and Gary Vaynerchuk.
• The impending milestone of approaching episode 100 serves as a significant marker of growth and evolution for our podcasting journey.
• The concept of the Masters of the Universe Club aims to foster a community dedicated to self-improvement and the exploration of personal purpose.
• The integration of authentic storytelling from guests is envisioned as a means to inspire listeners through shared human experiences and personal journeys.
• The importance of establishing a coherent format for the podcast is recognized as a key factor in enhancing its impact and accessibility for the audience.
• Through the proposed branding, the intention is to redefine traditional notions of masculinity by promoting a more compassionate and constructive approach.

Companies mentioned in this episode:

• James Altucher
• Gary Vaynerchuk
• Gacha Some Productions
• Masters of the Universe Club

A celebration of music, mentorship, and the journey of creativity unfolds as John Esposito, a prolific musician and educator, joins the podcast. With a rich background in jazz spanning decades, John shares his experiences and insights that have shaped his career and influenced countless students. He reflects on his early days of experimentation with composition and performance, revealing how he navigated through the influences of iconic jazz figures while carving out his unique sound. The conversation delves into the significance of reaching milestones in podcasting, particularly the symbolic 'podcaster card' received upon hitting episode 100, which serves as a metaphor for dedication and growth in any artistic endeavor.

John's storytelling captivates listeners as he recounts his time teaching at Bard College, where he mentored young musicians. He emphasizes the importance of diverse influences in shaping one's artistic voice, contrasting this with the often dogmatic approaches found in academic jazz education. This discussion leads to an exploration of the interconnectedness of music and spirituality, as John candidly shares how martial arts has provided him with a grounding experience, mirroring the discipline required in music. The episode is punctuated with humor and heartfelt anecdotes, including a memorable story about a run-in with thieves in Barcelona, adding a layer of personal connection to John's journey.

Listeners gain a deeper understanding of John's artistic philosophy, which encourages embracing various musical styles while remaining true to oneself. He hints at future projects, including collaborations with string musicians and the exploration of new sonic territories, revealing his relentless pursuit of creative expression. The episode not only highlights John's vast knowledge and love for music but also serves as an inspirational reminder of the impact of mentorship and the continuous evolution of an artist's journey.

Takeaways:

• The journey of a musician often involves learning from various styles and influences.
• John Esposito emphasizes the importance of trusting one's intuition in the creative process.
• Experiences from diverse musical backgrounds can significantly enhance one's artistic expression.
• Collaborating with varying artists allows for a richer, more dynamic musical experience.
• Esposito discusses the significance of teaching and mentoring young musicians today.
• The concept of 'musical language' highlights the expressive power inherent in music.

Links referenced in this episode:

• tidd.ly/3O5lme6
• sunjumprecords.com
• en.wikipedia.org/wiki/Arthur_Rhames

Companies mentioned in this episode:

• ESP Records
• CD Baby
• Disc Makers
• Reverb

John Esposito's journey through the world of jazz unfolds with a captivating narrative that intertwines personal anecdotes and broader themes of musical evolution. The discussion highlights Esposito's transition from student to educator, emphasizing the transformative power of mentorship in jazz. He reflects on his experiences studying under influential musicians and how those relationships have informed his teaching style at Bard College. Esposito's philosophy centers around the idea that jazz is not just a genre but a living, breathing art form that thrives on individual expression and innovation. He contrasts the conventional approaches of classical music education with the need for improvisation and creativity in jazz, advocating for an educational framework that empowers students to explore their unique voices.

The episode further delves into the life and artistry of Arthur Rhames, a talented musician whose legacy resonates within the jazz community. Esposito shares poignant stories about Rhames, spotlighting the challenges he faced as an avant-garde artist in a landscape that often favors tradition over experimentation. Through these narratives, the episode underscores the importance of preserving and honoring the contributions of artists who dare to redefine boundaries. The conversation also touches on the significance of community in jazz, illustrating how collaborations and shared experiences foster growth and understanding among musicians.

As the dialogue progresses, Esposito and his co-hosts candidly discuss the intricacies of music production and the realities of running a podcast dedicated to jazz. They share insights into the creative process behind the podcast, revealing the effort and dedication required to cultivate a platform for musical dialogue. This behind-the-scenes perspective enriches the conversation, allowing listeners to appreciate the labor that goes into advocating for jazz and its artists. The episode culminates in a celebration of the resilience and adaptability of jazz, affirming its role as a cultural touchstone that continues to inspire and connect individuals across generations.

Takeaways:

• Jazz music has evolved significantly over the decades, incorporating diverse influences and styles.
• The importance of individuality in jazz is essential for artistic expression and innovation.
• Education in jazz often lacks the inclusivity of different musical styles and influences.
• Personal experiences, such as those shared between musicians, shape the understanding of jazz.
• Improvisation is a core element of jazz, allowing musicians to express themselves freely.
• The history of jazz highlights the struggles and triumphs of African American musicians.

Links referenced in this episode:

• sunjumprecords.com
• en.wikipedia.org/wiki/Arthur_Rhames

Support the show here: https://tidd.ly/3O5lme6

Join Keith, Dan, and special guest John Esposito, a renowned jazz pianist, as they delve into the rich tapestry of music history and personal anecdotes that shaped their artistic journeys. The conversation highlights the importance of mentorship and the profound influence of experienced musicians on the next generation, exemplified by John's own experiences with his students and his mentors. Listeners will be treated to captivating stories that span decades, from John's familial roots in music to his transformative workshops with legendary figures. The episode also touches on the evolution of jazz and how contemporary artists navigate the complexities of the genre today. With humor and candid reflections, this discussion offers an engaging look at the interconnectedness of music, culture, and personal growth.

Rich in personal anecdotes and reflections, this podcast episode features the esteemed jazz pianist John Esposito, who shares his unique experiences and insights into the world of jazz. The conversation takes listeners on a journey through John's life, from his musical upbringing in a family rich in artistic talent to his professional development as a musician in New York's vibrant jazz scene. The hosts, Keith and Daniel, create an engaging atmosphere that encourages John to delve into his past, discussing the formative influences that shaped his love for music, including the unexpected impact of African music during his mother's pregnancy.

As the dialogue unfolds, John addresses the evolution of jazz, emphasizing the generational shifts in the genre and the role of education in shaping modern musicians. He shares personal stories of collaboration with legendary figures, highlighting the camaraderie and creativity that define the jazz community. The episode also touches on the challenges contemporary artists face in navigating the music industry, particularly the influence of technology and the importance of authenticity in artistic expression. John reflects on his experiences during the pandemic, discussing how the hiatus from performing spurred a creative resurgence and led to new projects and collaborations.

The conversation culminates in John's announcement of his upcoming memoir and a double album dedicated to his work with Arthur Rhames, illustrating his dedication to documenting jazz history and fostering a new generation of musicians. This episode not only captivates with its rich storytelling but also serves as a reminder of the importance of music as a means of connection and expression in an ever-changing world. Listeners are left inspired by John's journey and the enduring spirit of jazz, as he emphasizes the importance of continuing to push boundaries and explore new artistic territories.

Takeaways:

• John Esposito shares his unique journey in music, highlighting the influence of his family's artistic background.
• The podcast discusses the importance of connections in music, as exemplified by John's encounter with a Nigerian who recognized his homage to their culture.
• Esposito reflects on the evolution of jazz music and its changing landscape through generations, emphasizing the need for adaptation.
• The hosts express their gratitude for Esposito's insights, noting the significant impact of his teachings on their musical development.
• Throughout the episode, there is a humorous exchange about the challenges of maintaining creativity in a changing industry.
• Esposito's experiences underscore the importance of perseverance and adaptability in a musician's career, especially during challenging times.

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

Join Saint Uno in a dynamic hip hop masterclass where the core lesson emphasizes that the job of an MC is not to overshadow the beat but to enhance it. Through engaging conversation with Keith, they explore the essential elements of hip hop, including the importance of freestyling, the significance of a rapper’s name, and the art of storytelling. The discussion delves into literary devices such as metaphors, similes, hyperboles, and entendres, highlighting how they can elevate lyrics and create deeper meanings. Keith shares his experiences and aspirations, while Saint Uno offers insights on how to cultivate authenticity and creativity in music. This session is both a practical guide and a philosophical exploration of what it means to be a hip hop artist, encouraging listeners to embrace their unique voices and stories.

Saint Uno leads an engaging hip-hop masterclass with Keith, diving deep into the essence of freestyling and the importance of music in personal expression. The conversation begins with Keith's hesitance about freestyling, but Saint Uno encourages him to embrace the discomfort that comes with trying something new. This sets the tone for the episode, where the importance of spontaneity in hip-hop is emphasized. The duo discusses the significance of being authentic in one's music, with Saint Uno sharing insights on how freestyling can help artists connect with their true selves. He highlights that music is about thinking on your feet and being present, which is crucial for aspiring artists looking to make their mark in the industry.

As the episode progresses, the conversation shifts to the intricacies of music creation, particularly focusing on the role of beats and rhythm. Saint Uno illustrates how the beat is central to hip-hop, reminding listeners that while lyrics are important, they should complement the music rather than overshadow it. This leads to a discussion on the various elements that contribute to effective lyrics, including the use of rhymes, metaphors, and storytelling. Keith and Saint Uno explore how personal stories can resonate with audiences, regardless of their grandeur, and the value of authenticity in crafting narratives through music.

The episode culminates in a call to action for listeners to embrace their unique voices and experiences in their artistry. Keith expresses his desire to create original music, and Saint Uno provides practical advice on finding beats and developing a personal style. Their dialogue serves as both a tutorial and an inspiring reminder that hip-hop is about more than just lyrical prowess; it is about connection, creativity, and the joy of making music that reflects one's journey. By the end, listeners are left with a sense of empowerment and a clearer understanding of how to navigate their own artistic paths in the world of hip-hop.

Takeaways:

• Freestyling is crucial for developing your spontaneous creativity and comfort with hip hop.
• Your name plays an essential role in shaping your identity and lyrical content.
• Authenticity in storytelling matters more than the excitement of the story itself.
• Using literary devices like metaphors and similes enhances the depth of your lyrics.
• Allow the beat to guide your flow and prevent writer's block in your writing.
• Hip hop is about both rhythm and rhyme, not just deep lyrical content.

Links referenced in this episode:

• www.katarzynasadej.com
• www.instagram.com/katarzynasadej/
• x.com/MezzoSadej
• www.facebook.com/KatarzynaSadejMezzoSoprano
• youtube.com/@katarzynasadej?si=fIO06s3K_wkFb6US

Katarzyna Sadej’s musical journey is a testament to the power of perseverance and passion. Growing up in communist Poland and later immigrating to Canada, Katarzyna’s early life was marked by challenges, including limited access to music education. However, her innate love for singing led her to take lessons at the age of 17, setting her on a path of discovery and growth in the world of classical music. The podcast captures her experiences as she navigates through various educational institutions, ultimately earning degrees in vocal performance that solidified her place as a professional artist. This segment of the episode highlights the importance of resilience in pursuing one’s dreams, especially in the competitive field of music.

Katarzyna elaborates on her latest album, "Evocations," which emerged from her experiences during the pandemic. The album is unique in its approach, focusing solely on vocal improvisations without lyrics. This creative choice was influenced by her desire to evoke emotions and imagery in listeners, allowing them to interpret the music in personal ways. Throughout the episode, she shares insights into her recording process, which involved capturing her voice in various natural settings, creating an immersive soundscape that reflects the beauty of her surroundings. The discussion about her music is rich with reflections on the meditative qualities of sound, emphasizing how music can serve as a therapeutic tool for both the artist and the audience.

The conversation also explores Katarzyna’s role as a teacher and her efforts to foster a love for classical music in her community. She discusses the challenges of building a music scene in a small town, where access to classical performances is limited. By offering workshops and performances, she aims to create a supportive environment for aspiring musicians. The episode concludes with Katarzyna’s vision for the future, including potential collaborations and new projects that continue to push the boundaries of her artistry. Her thoughtful approach to music-making and commitment to community engagement leave listeners inspired and eager to follow her journey.

Takeaways:

• The podcast explored the journey of Katarzyna Sunday from Poland to becoming a celebrated classical singer in Canada.
• Katarzyna emphasizes the importance of proper vocal technique to prevent vocal strain and damage.
• She shares her unique approach to music, creating evocative soundscapes through vocal improvisation and looping.
• Katarzyna's album 'Evocations' aims to evoke emotional responses, making it suitable for therapeutic settings.
• The conversation highlighted the significance of community engagement through performance and teaching in small towns.
• Katarzyna's future plans include developing vocal workshops and exploring potential collaborations with other artists.

In an engaging dialogue, Daniel and Keith delve into the world of jazz music and the intricacies of grant writing, creating a thought-provoking episode that blends humor with serious discussions. The episode begins with a light exchange about recording conversations, establishing a laid-back tone before transitioning to more profound topics. Keith shares his vision for a project that would create a series of compositions exploring all twelve keys, drawing inspiration from jazz luminaries like John Coltrane. This concept not only pays homage to the complexities of jazz but also aims to push the boundaries of traditional music education.

As the conversation unfolds, the two hosts explore the historical context of jazz and the significance of figures like Arthur Rhames, emphasizing the need for a narrative that honors the past while looking toward the future. Keith articulates his idea for a grant proposal that seeks to involve students in the creative process, fostering a new generation of musicians who appreciate the lineage of jazz. Daniel’s role becomes pivotal as he offers constructive feedback, encouraging Keith to refine the educational aspect of the grant and ensure that it resonates with potential funders.

Towards the end of the episode, the hosts express their eagerness to collaborate with musicians and educators, highlighting the project’s potential to inspire creativity and innovation within the jazz community. They emphasize the need for storytelling and the importance of personal connections to the music as they navigate the complexities of grant writing. This conversation serves as a reminder of the value of jazz as an evolving art form, encouraging listeners to embrace their own creative journeys in the vibrant world of music.

In an engaging dialogue, Daniel and Keith delve into the world of jazz music and the intricacies of grant writing, creating a thought-provoking episode that blends humor with serious discussions. The episode begins with a light exchange about recording conversations, establishing a laid-back tone before transitioning to more profound topics. Keith shares his vision for a project that would create a series of compositions exploring all twelve keys, drawing inspiration from jazz luminaries like John Coltrane. This concept not only pays homage to the complexities of jazz but also aims to push the boundaries of traditional music education.

As the conversation unfolds, the two hosts explore the historical context of jazz and the significance of figures like Arthur Rhames, emphasizing the need for a narrative that honors the past while looking toward the future. Keith articulates his idea for a grant proposal that seeks to involve students in the creative process, fostering a new generation of musicians who appreciate the lineage of jazz. Daniel’s role becomes pivotal as he offers constructive feedback, encouraging Keith to refine the educational aspect of the grant and ensure that it resonates with potential funders.

Towards the end of the episode, the hosts express their eagerness to collaborate with musicians and educators, highlighting the project’s potential to inspire creativity and innovation within the jazz community. They emphasize the need for storytelling and the importance of personal connections to the music as they navigate the complexities of grant writing. This conversation serves as a reminder of the value of jazz as an evolving art form, encouraging listeners to embrace their own creative journeys in the vibrant world of music.

To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

GSP 91 - Saint Uno

Youtube:

https://youtube.com/@saintunoatl?si=UC2_89ONvA9qLkCD

Instagram:

https://www.instagram.com/saintunoatl?igsh=Nmxia2hkazJ5c2ww

Streaming:

https://music.apple.com/us/album/musec/1754036775

https://open.spotify.com/album/616sTZQuekZUphVU7auBn7?si=H1QdPAYCSo2AJK-oIrhccw

Keith from Getcha Some Productions podcast interviews Saint Uno from Atlanta about his music journey. Saint Uno, who grew up in a non-musical family, discovered his passion for music during college at Bard College. He credits a spiritual awakening and a book called "A Wish Can Change Your Life" (affiliate link: https://amzn.to/4gA5E7q ) for inspiring him to pursue a music career. His album, titled "Musec," blends lyrical and melodic elements, influenced by artists like OutKast, Lupe Fiasco, Gucci Mane, and Future. Saint Uno emphasizes the importance of authenticity and spirituality in his music, aiming to inspire listeners.

Transcript

https://otter.ai/u/FPbhaZRqhdRioUZBKn9Y8Gn7cV8

Outline

Introduction and Podcast Overview

• Keith introduces the podcast, covering various aspects of music production, including songwriting, musicianship, and fan interactions.

• Keith mentions that Dan couldn't make it due to a last-minute conflict but sends a text praising the album.

• Keith plugs Reverb (affiliate link: https://tidd.ly/3O5lme6), an online marketplace for music gear, and explains their affiliate relationship.

• Keith sets the stage for the interview with Saint Uno from Atlanta.

Keith's Initial Impressions of the Album

• Keith shares his positive feedback on the album, mentioning his favorite tracks and appreciating the upbeat groove and lyrics.

• Saint Uno acknowledges the interplay between lyrical and melodic elements in his music.

• Keith asks Saint Uno to share his origin story and how he got into music.

Saint Uno's Background and Early Influences

• Saint Uno explains that he didn't come from a musical family but always loved rapping and hip hop.

• He shares his experience at Bard College, where he discovered his passion for music through studio access and a film class project.

• Saint Uno recounts a spiritual awakening and a significant life event involving a book called "A Wish Can Change Your Life." (affiliate link: https://amzn.to/4gA5E7q )

• He describes how this experience led him to pursue a music career and the impact of manifestation on his life.

Spirituality and Artistic Journey

• Saint Uno discusses the role of spirituality in his music and how it influences his creative process.

• He emphasizes the importance of authenticity and individuality in his art, despite societal expectations.

• Keith and Saint Uno explore the concept of spiritual intelligence and its impact on their work.

• Saint Uno shares his belief in the power of intention and the transfer of energy through music.

Influences and Musical Style

• Keith asks about Saint Uno's musical influences, including OutKast, Lupe Fiasco, Gucci Mane, and Future.

• Saint Uno explains his blend of lyrical content from his early influences and the street style from Atlanta artists.

• They discuss the evolution of hip hop and the acceptance of different styles and themes in the genre.

• Keith and Saint Uno reflect on the cultural and personal aspects of their music preferences.

Kanye West and Controversial Artists

• Keith brings up Kanye West as a significant influence and discusses the controversy surrounding his personal life.

• Saint Uno acknowledges Kanye's impact on hip hop and the shift in expectations for artists.

• They discuss the balance between separating the art from the artist's personal life and the importance of recognizing talent.

• Keith shares his perspective on the complexity of evaluating artists with controversial backgrounds.

Saint Uno's Name Origin and Spiritual Identity

• Saint Uno explains the origin of his name, combining his basketball number 11 with the Spanish word "uno" and the influence of a cartoon character.

• He discusses the significance of the name "Saint" and the responsibility that comes with it.

• Keith and Saint Uno explore the idea of self-identification and its impact on one's reality.

• Saint Uno shares his journey of embracing his spiritual identity and the power of words and titles.

Final Thoughts and Promotion

• Keith wraps up the conversation, giving Saint Uno an opportunity to promote his album and upcoming music video.

• Saint Uno shares details about his album "Musec" and its purpose to inspire listeners.

• He mentions the upcoming music video for the song "Comment, Subscribe" and its unique narrative style.

• Keith promises to promote Saint Uno's social media platforms and the album in the show notes and future episodes.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#ServantsOfUniversalLove

Keith and Daniel discuss the Getcha Some Productions podcast, highlighting their affiliation with Reverb (https://tidd.ly/3O5lme6) , which provides a commission for listeners who use their referral link (https://tidd.ly/3O5lme6). They express regret over losing an episode due to a platform conversion. The conversation shifts to their new animated intro, which they plan to introduce in episode 90. They also discuss potential guests for future episodes, including a jazz-rock-Middle Eastern fusion band, a 1960s-70s artist, a hip-hop artist from Atlanta, and an opera singer who creates vocal-only music. They decide to respond to all four inquiries and encourage more Bard alumni to reach out.

Transcript

https://otter.ai/u/kO6Xlgx5DNddszHmiiqYi_3-VCM

Action items

• [] Respond to all 4 people who reached out about being interviewed on the podcast

• [] Tell those who reached out that they should share the podcast contact info with other Bard alumni musicians

• [] Schedule an interview with Nephew Cube or whoever is first available

Outline

Introduction and Podcast Setup

• Keith introduces the podcast, "Getcha some productions," and mentions that this episode is a business meeting with Daniel.

• Keith encourages listeners to like, subscribe, and leave reviews for the podcast.

• Keith and Daniel discuss the importance of clicking the Reverb link in the show notes to support the podcast financially.

• Keith explains their affiliation with Reverb.com and how it helps them financially without additional cost to listeners.

Technical Issues and Past Episodes

• Keith mentions that the last episode was with Michelle Green, and there was an interim episode with Andy that was lost due to a platform change.

• Keith explains the technical issue where audio data was deleted during a platform conversion, affecting an episode on grant writing.

• Keith and Daniel discuss the possibility of revisiting the grant writing topic in a future episode.

• Keith expresses frustration over the lost data and the potential to redo the episode.

New Animation and Podcast Format

• Keith introduces the new animation for the podcast, which will be featured in this episode.

• Keith mentions that he will not do fancy editing but will crudely slap the animation together.

• Daniel expresses excitement about the new animation, which he believes elevates the podcast's production value.

• Keith shares details about the animation process, including the use of Fiverr and the cost involved.

Upcoming Podcast Episodes and Potential Guests

• Keith mentions that four people from Bard have reached out to do podcasts, and he plans to respond to them.

• Keith introduces the potential guests: Julia Morin and her band Nephew Cube, Terence Boylan, Saint Uno, and Katarzyna Saday.

• Keith provides background information on each guest, including their musical styles and recent releases.

• Daniel expresses interest in the Nephew Cube band and the acapella opera singer, while the other guests are ranked based on interest.

Scheduling and Future Plans

• Keith and Daniel discuss the challenges of scheduling interviews with potential guests.

• Keith plans to reply to all four guests and ask them to reach out to other Bard alumni for future podcast episodes.

• Keith emphasizes the importance of having a steady stream of guests to keep the podcast content fresh.

• The conversation ends with Keith and Daniel looking forward to seeing who responds first and scheduling the next episode.

To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

https://www.michellegmusic.com

**Show Notes: Getcha Some Productions Podcast - Episode 89**

**Hosts:** Keith and Daniel  

**Special Guest:** Michelle Green

---

**Introduction:**

- **Keith (0:03):** 

  - Welcome to the Getcha Some Productions Podcast.

  - This show covers everything music-related, from songwriting to gig attire.

  - Recap of previous discussions, including the debate on wearing shorts at gigs.

- **Daniel (0:32):** 

  - Adds humor and confirms the unique topics covered on the podcast.

- **Keith (0:37):** 

  - Introduction of today's special guest, Michelle Green.

  - Mentions the episode number (89) and where it can be accessed.

  - Announces affiliation with Reverb for monetization through affiliate links. https://tidd.ly/3O5lme6

---

**Guest Introduction:**

- **Michelle Green (0:59):**

  - Describes herself as a singer, songwriter, and soul musician.

  - Shares her genre-blending style, including electronic, dance, pop, and acoustic soul music.

  - Discusses her musical evolution and current focus on acoustic soul pop.

---

**Interview Highlights:**

- **Michelle's Origin Story (4:12):**

  - Born and raised in Tel Aviv, Israel, with a period living in Paris, France.

  - Discusses early musical influences and starting music education at age six.

  - Mentions her experience in Israel's mandatory military service and serving in a military band.

  - Reflects on her participation in the Israeli version of American Idol and its impact on her career.

- **Education and Career (10:58):**

  - Attended Berklee College of Music, majored in Music Business.

  - Explains the benefits of studying music business and her parents' influence on this decision.

  - Details her experience in acapella and beatbox shows, and voice acting in multiple languages.

- **Musical Journey (17:29):**

  - Talks about her collaboration with Daniel Henri, her musical director and producer.

  - Shares insights into the songwriting process, especially the creation of "New Moon."

  - Describes the creative dynamics and challenges of producing new music.

- **Live Performances and Future Plans (38:18):**

  - Plans to perform in New York and highlights the differences between studio recording and live performances.

  - Announces upcoming singles and the tentative title of her new EP, "Facets."

  - Expresses excitement for future releases and live shows.

---

**Favorite Artists and Influences (28:25):**

- **Keith and Michelle discuss their favorite artists and influences:**

  - Michelle's vocal inspirations: Mariah Carey, Celine Dion, and Whitney Houston.

  - Emphasizes the impact of harmony-driven groups like Take 6 and Boyz II Men.

  - Additional influences: Stevie Wonder, Michael Jackson, Joni Mitchell, and John Mayer.

  - Highlights Anita Baker's influence on her vocal style and songwriting.

---

**Closing Remarks:**

- **Daniel (42:11):** 

  - Thanks Michelle for joining the podcast.

  - Encourages listeners to check out Michelle's music and stay updated on her new releases.

- **Keith (42:15):**

  - Expresses gratitude to Michelle and reiterates the podcast's support for her future endeavors.

  - Promises to share links and updates about Michelle's new music and performances.

---

**Links and Social Media:**

- Follow Michelle Green at https://www.michellegmusic.com

- Visit the Getcha Some Productions Podcast website for more episodes and updates.

https://www.getchasomeproductions.com

---

**Affiliate Note:**

- Support the podcast by shopping for music gear through the Reverb affiliate link in the episode description.

https://tidd.ly/3O5lme6

---

Stay tuned for more episodes and exclusive interviews with talented musicians and industry professionals on the Getcha Some Productions Podcast!

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#ServantsOfUniversalLove

To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

http://doceoperator.com

**Episode 88 - Interview with Raja on Music Production and the 'Stay Automatik' EP**

In this episode, Keith and Daniel welcome Raja, an old friend and electronic music producer. The trio dives into a fascinating conversation about Raja's musical journey, his creative process, and the inspiration behind the new EP "Stay Automatik" by his band, Doce Operator. Here’s what to expect:

1. **Background and Origins**: Learn about Raja's musical origins, from moving to the U.S. in 1985 to discovering a passion for piano and synthesis during college. He shares how working with modular synthesizers sparked his fascination with electronic music.

2. **Inspiration and Process**: Raja explains the intriguing concept behind the band's name "Doce Operator," which hints at the electronic music term "operator" and Portuguese influences. The discussion also explores the creative journey from the band's formation to the release of "Stay Automatik."

3. **EP and Production Insights**: Get an insider's look at the new EP, including the challenges Raja faced in self-producing, mixing, and mastering. Hear how he overcame obstacles and pushed creative boundaries, achieving a distinctive blend of funky, irreverent sounds.

4. **Album Artwork and Tech**: Discover how the album artwork was created using AI tools like MidJourney, and the importance of community in supporting creative projects. The episode also touches on the benefits of working with synthesizers and innovative software.

5. **Final Thoughts and Future Plans**: The episode wraps up with Raja sharing his hopes for the band's future and giving insights into upcoming projects. He also discusses the evolution of electronic music and the excitement of continuing his creative pursuits.

88 Show Notes Continued 

In this episode, musicians Raja and Keith and Daniel dive deep into music production. They discuss their experiences with audio mixing and mastering, revealing the challenges and nuances that come with achieving a professional sound. 

**Key Highlights:**

1. **The Art of Compression:** 

   - Raja explains how managing frequency clashes between vocals and synths using sidechain compression can create clarity without sacrificing quality.

   - He emphasizes that compression controls dynamic range, but overuse can diminish the track's life and dynamics.

2. **Evolution of Skills:**

   - Raja describes his journey of learning production techniques through YouTube channels like Streaky and Produce Like a Pro. He shares how his mixing style evolved over time, with noticeable improvements between his earlier tracks and the most recent EP.

   - He also notes the importance of volume automation, a technique preferred by renowned producer Andy Wallace to keep music alive and dynamic.

3. **DIY Recording Challenges:**

   - Keith reflects on his past recording experiences, noting how excessive post-production work can make tracks feel one-dimensional. He expresses a preference for capturing the vitality of live performances.

4. **Physical vs. Digital Media:**

   - Raja plans to release his music on 3.5-inch floppy disks, valuing physical formats that provide a lasting, tangible connection to music. He also discusses losing access to music on streaming platforms and emphasizes the importance of owning a physical copy.

5. **Working with Nick:**

   - Raja talks about collaborating with Nick, his bandmate in Dozer Operator, highlighting how their complementary skills foster creativity while minimizing conflicts.

http://doceoperator.com

Listen to their new EP and immerse yourself in their unique, carefully crafted sound!

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#ServantsOfUniversalLove



To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

We’re back working on Social Media Automation on Hookle.

Should you wear shorts on a gig?

Should you get involved in a dispute between fans?

Facebook is a wasteland

Feel like it’s ok to let some posts hit every single day.

We discovered that there is a maximum timeframe to post before they exire

We’re cracking up because I’m having to scroll through my gallery of hysterical

We spend a bunch of time deciding how long to schedule posts for, which brands to post to and which sites.

Oh, it says Jollyship the Whiz-Bang on it.  And Carl Thompson.  Ok, everything is on there.  Everything is fine.

Are you sending me emojis?

Can people see these emojis?

What side is my good side?

We had no plan when we started this video

Dan says, next podcast, let’s talk about musical journeys we’ve been on lately.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#ServantsOfUniversalLove

Artemy’s website: https://artemys.art

To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Interview with Artemy Mukhin.

Born in Boston.  Lived there for 5 years but moved to Pennsylvania.  Lived outside of Philadelphia.  Started learning piano around 6 or 7 years old.  Started improvising a lot as a child.  With the help of a great teacher, he stated writing down music and so was improvising and composing.  He moved to NY when he was 11 years old.  Started learning composition more seriously at that time.

He writes most of his music through improvisation.  He improvises, records it and tries to find stuff he likes.  He says that he can’t compose without the piano.

The connection for us is that Artemy goes to Bard College where Dan and I graduated from.  He is currently a sophomore.  He is in the conservatory which is a 5-year program.

He studies with Joan Tower.  Dan comments that Joan was an inspiration for him in how she forced him to work with rhythmic subdivisions.

We discuss Artemy’s compositional process in more detail.  He improvises until he finds something he likes.  Then he manually types it into Sibelius.  “It’s good to hear different things you can do which are hard to imagine on pen and paper.”  “I’m used to using the computer as a compositional tool.”

He’s composed for many different types of orchestrations.  Hasn’t done solo piano In a while.  Recently did a string quartet composition.  Did an ensemble with flute, clarinet, piano, cello.  Orchestra.  Solo pieces.

“Singing out loud helps you figure out intuitively what you think should be the next thing.”

“I think of the ensemble that I’m going to write for.  I have hopefully people in mind to play it.”  “I want to have people in mind to work with.”

When asked which composers he likes: Ravel, Debussy, Beethoven, Bach.  Joan Tower.  Philip Glass.  John Adams.  Julia Wolf.  Missy Muzzoli.

“I love harmony.  Good harmony in a simple pop song.”

“I like Disco.”

You can check out all of Artemy’s recordings on his website with links to soundcloud.

https://artemys.art

He took a class on film composition and he wants to pursue that in addition to composing for the concert stage.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#ServantsOfUniversalLove

To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

It’s the Christmas season of 2023 as of this recording.  I talked about how I am recording in my former childhood home and my old room where I used to have an Abbey Road poster on the wall.

We reconfirm that we put everything out there.  Mistakes and all.  No preparation or rehearsal.

We are starting/learning to use the app Hookle which is a social media scheduler.  We’re trying to transition into automated social media posting rather than manual.  Which is what we’ve been doing for years!

Dan seems to have a little cold or runny nose.

Hookle is a social media scheduler.  They are one of the few (or only) which allows for recurring posts on social media.

This is our initial run-through of using this app.  So, on this episode, we are actually learning to use the app and scheduling a post or two.

Up until this day, I had been using the reminders app inside the iPhone to schedule posts.  Before starting to use Hookle, I was just getting a reminder on the app, then I would just go in and copy paste the verbiage, click the image and manually post to each social media platform.

We go through scheduling a post which is an advertisement for one of the Handshake albums.  We discuss which social media accounts, platforms and profiles to post the ad to.  We discuss whether we like the verbiage of the ad.  We discuss the frequency of the post and what’s appropriate.

Turns out that the first post we make, is appropriate for quarterly posting but Hookle only does daily/weekly/monthly.  So, we decide that this particular post will stay in the reminders app of the phone and continue to be manual.

Then we discuss a bunch of scheduled posts and ads that are potentially duplicative and we delete some and consolidate.

That’s it.  Time is up.  That’s enough podcasting for the day.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#ServantsOfUniversalLove

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special Guest Andy Marcinkowski.

Getcha Some Productions is a music production company.  I’m explaining to Andy what we do.  What our mission is.

Vision Statement: Tapping the unlimited creative potential of the human mind!

Mission Statement: To create constantly, to entertain, to connect and inspire.

Andy and I discuss bringing him on as a partner or member of the business.  We discuss briefly the idea that we can also be a profitable business.  Currently the business is actually money losing to the tune of ~$200/month.  We discuss the goal of making actual money with the projects.

Andy asks a very good question:  Where do we feel that we’re lacking?  Making content?  Learning about different revenue streams?

We need to get more consistent with recording and releasing podcasts.  We discussed me doing a podcast per month with him and Dan so I would be doing 2 per month.  We also discussed me doing solo shows with AI generated scripts.

The dreamer in me is thinking that one day this will be a full-on business and Getcha Some Productions will be a production company that people actually have heard of.

If you go back, you can listen to me and Dan building this business from a “dead-start.”

Andy says, ‘it’s the seed mentality, where you’re just talking about things our loud and they might become something bigger.”

We discuss one of our brands/channels - Oliver’s Musical Genius

We discuss some of the many, many ideas we have on our list in our master plan shared document.  There are more than 80 ideas on there as of the recording of this show.

Andy makes a great recommendation that we should take only about 6 of the 84 things from the to-do list to really focus on.  Maybe that’s even too many.

Andy likes working with me and Dan so he will consider joining the team.

There’s something special about us.  A lot of people give up after a while.  There are a few of us who keep working on our dreams.  That makes us special in a way.  Andy is one of the guys that’s still doing it.  I don’t feel like I have talent.  I just feel relentless.

Andy agrees.  “It’s just perseverance and a drive to create regardless if it is good or bad.  You’re just plucking things out of the ether.  If your antennae is up, it’s hard to ignore that.”

“My antennae for life will be up.”

“I think we’re destined for something great.  I just feel it, man.”

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#ServantsOfUniversalLove

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

We took a very long break from recording shows, but we are back. Our last show before this one was from May 2023.

I start off this episode by suggesting that we approach the entire show the entire idea of the show as an improv comedy routine and we adhere to the “yes, and” concept.

So, the main focus of this episode is to go over the to do list for our company. We only go over the top 10 items.  Actually, we resolve to do the top 10 at the top of the episode but actually only get through about 5.

The first thing on that to do list was to record and make videos for all the etudes for the song, all steps, which is based on giant steps. I have to make videos, and then I have to have the transcriptions made.

The second thing on the list was to Research whether Captivate has marketing tools for the podcast but we decide that it’s not important because we’re not really making podcasts consistently and almost no one is listening anyway so there’s no real reason to start advertising. So number two on the list actually gets put to the back of the list.

The new number two on the to do list is to make a blog entry or a blog post of every transcript of every episode of the podcast and put them in the blog on the website. This is a labor intensive process. Dan suggests using AI.

Dan suggests that the new number two on the list and maybe even the number one on this list should actually be to harness the power of AI for our business. We should definitely be leaning heavily on AI. Let AI work for us.

Dan is trying to convince me that he’s actually an AI and it’s not him talking

We need to harness the power of AI.

The number three item on our to do list is actually a great idea. It’s to make a webpage and have every music based movie. Listed somehow. So we would essentially have a website set up or at least a webpage on our main site that serves as a resource for people who just want to find movies where the main topic is music or a musician.

Number four is also so awesome! Have Perry nice become an ordained, reverend or minister. Actually, it’s so weirdly coincidental that I thought of this or Dan and I talked about this and then I discovered Mindvalley and noticing how much the Mindvalley spiritual ideas appealed to me.  Maybe the universe is trying to tell me something.

I want to cultivate spirituality in me. However, I want to cultivate a more universal spirituality. Kind of like an atheist spirituality.

The paths are many, the truth is one.

For me, it’s like the universe. Or it’s like the entire entire existence is just the thing.  It’s not about God for me.

The fifth thing on the list is to apply for grants. In the podcast, I say nyc grants but actually, it would be for any grant that we would have a shot at winning. Just to get some money in the door.

Actually, that was item number four on the list. Item number five was to become an iReal Pro affiliate. I use iReal Pro for all my jazz backing tracks so it’s heavily featured on all the channels so it makes sense that I should try to get the affiliation, since we’re already featuring the software so heavily.

A lot of times we finish up episodes with just chatting about music and what’s going on with us musically. Apparently Dan is playing in a garage band now.  Because they are literally playing in a garage.  They’re playing a song called Rush by Deep Purple.

Dan’s biggest news gear wise is that he bought a practice amp.  He bought a fender rumble bass amp.  He thinks he bought the 200 watt version which has a single 12 inch speaker.  Dan loves it because it’s so light. He thinks it weighs maybe 10 pounds Max.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#ServantsOfUniversalLove

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Dan Just got a haircut.  We often start off by just talking about nonsense.  We talked a bit about our last show.  Jason Keiser sent Dan a signed copy of his album and a thank you letter for being on the show.

Then we talked about the Vox video about Giant Steps which I posted on socials recently.  Dan said he liked the circle of 5ths model that the lady built.  We talked about Coltrane’s diagram of the circle of 5ths and how they overlayed it with the M.C. Escher stairway picture.

We talked about slang and how youth movements always had counter-culture/defiant slang.

Then Dan makes fun of me for trying to “one up” John Coltrane.

First bit of business is that I’m cutting costs right now.  I personally cancelled my online singing lessons and my online Jazz Guitar lessons.  But, business wise, I’m going to cancel Leadpages.  We don’t use it.

I’m dying to get John Esposito on the show along with Carl Thompson.  I need to reach out to them as soon as possible to work that out.  We’re just spitballing but I listed Thurman Barker and Kyle Gann.

E-mail to Jordan Klemons

Hey man,

Hope you’re doing well!!

I want to ask you for a favor which hopefully will be a value-add for you.  Our businesses are really about showing people the behind-the-scenes stuff.  The lessons I took with you were very important to me in the development of the songs I was working on and I want people to see the influence you had on them.  

First off, would you mind if I posted these on my channel?

Second, is there anything you would want me to say upfront besides the glowing praise I already have planned?  Like specific sites or branding stuff you want me to mention?

My plan is put an intro on the videos which explain them and then would be very happy to plug your sites/businesses and say anything you want me to.

Would you want to come on our show sometime soon?  We’d love to interview you.  You could tell your story and plug anything you want.

Then we talked about having a follow-up program for all of our guests.  Like, every time we do an interview, we set a reminder for 11 months to check in on that person.

Follow up with the Guitar Center guy, copying Dan.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

https://www.jasonkeisermusic.com

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

https://www.jasonkeisermusic.com

This is our interview with Jason Keiser. Born and raised in San Jose California.  Jason has five siblings and he’s a twin. He loves to cook.

Jason starts out talking about the killer jazz in the San Jose/Bay area.  Jason drops a lot of names so we’re taking notes. He mentions Mimi Fox, of course who comes up a couple times in the episode.  One of Jason’s mentors, John Stowell, played in the LA jazz scene with Joe Diorio, and was in that GIT related to scene as well.

Jason’s older sister actually played guitar but didn’t pursue it further and that’s kind of where he picked it up a little bit but he comes from a big family where no one else was musical. No one else really pursued music.  He really started getting serious about Guitar when he found out there was a jazz band in his high school and he tried out for it and got in and started learning. Jazz really spoke to him.

His grandpa was really into music. His grandpa played trombone in a marching band, and he was really into music like Creedence, Clearwater, Revival and Ray Charles.  His dad, not a musician, was really into Music as well, and was always playing a lot of good stuff.

We listened to Jason’s jazz stuff in preparation for this episode, but he’s also into Bluegrass. Of course, he corrected us to say that he categorizes this other form of music as “Space Grass” or New Acoustic Music.

He leads a string band that fuses, Bluegrass and jazz, which is called the New Acoustic Collective.

Jason studied with Tony Rice’s, younger brother, Wyatt Rice.  Jason recommends that we check out the Tony Rice Project. Their first record is called actually it’s called the Tony Rice Unit and the first record is called Acoustics.  Tony Rice was David Grisman’s first guitarist.

The Modal jazz of the 60s had a great influence on Tony Rice and David Grisman. Speaking of space grass.

Jason mentions again, Tony Rice and Wyatt Rice as his two main influences when it comes to the more bluegrass side of things and the flatpicking technique on guitar. With respect to the jazz players, John Stowell is one of his mentors along with Mimi Fox both contemporary artists.  He also mentions Joe Pass.

I wanted to take the technical efficiency of  Bluegrass and bring that into jazz.

‘When I brought one of my space grass tunes to John Stowell, he said,”yeah man that’s cool. Reminds me of Al Di Meola.”’

He mentions his album the Axe Axis, which is one that I really like and it features both John Stowell and his other mentor Rick Vandivier.

Jason’s newest record called Shaw’s Groove is a tribute to Woody Shaw who’s probably Jason’s favorite trumpet player next to Kenny Wheeler.

The germ, or the seed of the idea for Shaw’s groove actually came from a Larry Young record, called Unity. Which Jason highly recommends.  Elvin Jones on drums, which is Jason’s favorite drummer and it also has Joe Henderson on saxophone.

“If that record had never been done, I wouldn’t have done this new record Shaw’s Groove.”

Jason recommends checking out Woody Shaw’s record Moon Train.  Also check out Little Red’s Fantasy.

Impetus for the project was first, Two Guitarists.  He got John (Stowell) on board and John recommended. Erik Jekabson on trumpet

Need to make sure there’s a side bar to put out the links for Jasons Scofield interview, which is on his website.

“The Through line for the record, I was thinking about how to place these tunes how to use these tunes and place them a little differently.”

“I was listening to Woody Shaw for six months before recording this record nonstop and I’ve been listening to him nonstop ever since then.”

“I was listening for his use of Pentatonics and sidestepping you know like playing outside of the chord and then coming back in.”

Then he starts talking about this tune he recorded with his string band, which was written by his cello player who is is a classical player and is influenced by Shostakovich.  The song is called the 11th cycle.  It’s in the key of E flat minor, but it has a sharp 11.

“That’s probably the weirdest minor chord I’ve tried to play over at this point.”

“John (Stowell) can play free forever. He is such a beautiful sense of time.”

“I’m so honored and lucky to be able to play with him. I didn’t study with him formally, but I feel like I’m always studying with him.”

“I almost do more listening that I do playing because I know it’s gonna come out in my playing.”

“My goal was to be the worst player in the room.  Hopefully that’s the goal all the time, right?  My colleagues were playing all this awesome shit, and I have felt like I had to rise to the occasion.”

“The ovation that I use is a 1977 legend that was previously owned by my mentor Wyatt Rice.”

Jason also has a Godin fifth Avenue what he used on Shaw’s Groove.

Jason talks a bit about his record Conversations with Jason with Jason Day on piano. Jason day studied with Donald Brown who played with Art Blakey and the Jazz messengers.

“It starts with the hands man. No matter what guitar I pick up I wanna make sure that it’s what I want to be putting out before I even plugged in.”

Then we nerd out about pics for a little bit. Jason uses a pic that actually carved from an actual tortoise shell.  He also highly recommends picks by the company blue Chip.

“I don’t know if you can hear it in my playing, but I really do dig in with my right hand.”

He also uses a pic from a company called charmed life.  He also recommends picks by Tone Slab.  The latterer to companies might make a custom.  Some of his picks are custom ordered.

Jason is 28 years old

jasonkeisermusic.com

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

We chat a bit about our upcoming interview with Jason Keiser, and how he’s connected to John Stowell. And, even after recording this podcast, I noticed that he has a gig with Mimi fox. So good for him.

In preparation for the interview, I listen to to have his albums, conversations with Jason, a piano and guitar duo album, and the AXE axis, which is I think a quintet album.

The title of this show will be moral support

We should discuss how we’re going to grow from $100 million company two or $300 million company.

Dan is collecting watches

Dan talks for a while about his band element 115 which is live electronic music or Livetronica. They just had a technological breakthrough where they were able to set up a Local net work in order to sync all their MIDI devices.

Put in a link to element 115.

I talk a bit about my current music projects. A singing and playing type of project where I hope to record an album by the end of the year of original music. I talk about some of the jazz stuff that I’ve been working on for a while, which I’m getting pretty excited about but I’m still not really feeling confident with my improvisation. And then finally, I talk about my original concept from 2014 of DJ dragonfly and how that’s morphed into Mitochondriac. The original idea was that I was going to just jam along shred guitar words, guitar acrobatics over instrumental, versions of pop, tunes, and hip-hop tunes, and things like that but I haven’t been able to realize that vision until recently with the combination of Apple Music karaoke feature, and the fender, mustang micro, which completely transformed my workflow.

Then, Dan talks about how his son Henry is listening to all types of heavy-metal now. Metallica, Megadeth, Pantera, etc..

And Dan says he’s listening to Tribe Called Quest - Scenario Ace, and I said I was just getting back into Wu-Tang.

Then we start talking about the chronicles of Riddick for a while

Then Dan reminds me that he recommended that I watch the show fringe which I did finally start, and I love it!

I can’t punk out. I gotta just go for it.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

This episode is inspired by my daughter, Elizabeth and James Carrancio, who got me talking about how I have respect for Taylor Swift’s songwriting.  I’m even jealous of her songwriting at this point. And, the idea, that if we start a habit of sitting down and talking about her music and her lyrics, then we might learn something or it might just be fun to do.

Today we’re talking about the song, The 1 by Taylor Swift.  This is the first track on the album Folklore.

Written by Aaron Dessner and Taylor Swift.

We discuss how conversational Taylor Swift lyrics are. In fact, you can imagine someone saying the lines of her songs in the context of a conversation very easily. They are literally things people say.

The line where she says “been saying yes, instead of no”, is reflective of culture today where people are chronically busy.  It has become a cultural phenomenon to say no to things to protect your own time. However, Taylor is tapping into an alternative energy where she’s decided to allow some potentially unexpected energy into her life by saying yes to things.

Elizabeth says this particular song feels like a diary entry which I totally agree with.

One of the takeaways from this particular song is that sometimes the best songs are not really very deep at all. Sometimes the best songs are the simplest songs. That’s a hard lesson for a songwriter to take because it goes against our ego which wants to make something impressive..

One thing that I think I’ve come to realize about Taylor Swift is that she does seem to brood and obsess over things quite a bit.  I don’t think she could be as productive as she is if she didn’t obsess over things like she obviously does.

The song is very slay.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

Lyrics

I'm doing good, I'm on some new shit

Been saying "yes" instead of "no"

I thought I saw you at the bus stop, I didn't though

I hit the ground running each night

I hit the Sunday matinée

You know the greatest films of all time were never made

I guess you never know, never know

And if you wanted me, you really should've showed

And if you never bleed, you're never gonna grow

And it's alright now

But we were something, don't you think so?

Roaring 20s, tossing pennies in the pool

And if my wishes came true

It would've been you

In my defense, I have none

For never leaving well enough alone

But it would've been fun

If you would've been the one

(Ooh)

I have this dream you're doing cool shit

Having adventures on your own

You meet some woman on the internet and take her home

We never painted by the numbers, baby

But we were making it count

You know the greatest loves of all time are over now

I guess you never know, never know

And it's another day waking up alone

But we were something, don't you think so?

Roaring 20s, tossing pennies in the pool

And if my wishes came true

It would've been you

In my defense, I have none

For never leaving well enough alone

But it would've been fun

If you would've been the one

I, I, I persist and resist the temptation to ask you

If one thing had been different

Would everything be different today?

We were something, don't you think so?

Rosé flowing with your chosen family

And it would've been sweet

If it could've been me

In my defense, I have none

For digging up the grave another time

But it would've been fun

If you would've been the one

(Ooh)

Songwriters: Taylor Swift / Aaron Dessner

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

We start off by talking about some personal stuff. Then I talk about the pending launch of the masters of the universe club brand.

The Mustang micro is gear of the year, 2021.

Then we discuss getting back on track with our overall mission. We discuss our accomplishments of having started a podcast and now having done 78 episodes which is great. We also discuss how we started doing interviews and how that should be the core of the podcast going forward. However, the podcast will also continue to serve as the top of the funnel, where we just discuss ideas, and all the ideas we put into the top of the final are generated or discussed on the show, but then the bottom of the funnel will determine which ideas materialize which get put on the back burner.

The prototypical podcast is two white dudes that have too much to say

Dan wants to have more content that focuses on other peoples music, which is a really good idea, because it is someplace where we can bring a lot of energy to the situation. Plus there’s a higher value marketing aspect to it. So I think we need to add some some podcasts that are just talking about other people’s music in some format or another.

I told Dan that I want to record album in 2023.

Then we just go through the to do list. Copy and paste to do list here.

Dreams/Goals/Wish-List/To-do List:

1. Webpage: every music based movie
2. Become ordained reverend Perry nice
3. Apply for NYC Grants
4. iReal Pro affiliate
5. Barry Greene Affiliate
6. JTC Affiliate
7. Production Services on website!!
8. Develop Band Practice/Jam Session/Open Mic App
9. Business Pays it’s own expenses.
10. Business Pays to Produce More Content
11. Business Pays to Set Up Recording Studio
12. Business Expands to “Hire” or Recruit More Friends/Partners
13. Business Pays for Plane Tickets to visit each other to collaborate in person
14. We Sell Merch
15. Own Recording Studio
16. Own Rehearsal Studio
17. Own Music Store
18. Have The Flop House Guys review (and trash/roast) The Handshake Album
19. Have The Flop House Guys come up with insane video/narrative ideas and produce videos based on that.
20. Have Devon/Katie make puppet videos for us.
21. Produce a Rock Opera based on The Handshake Album
22. Collaborate with Ars Nova and/or Ars Nova artists
23. Collaborate with The Flux Factory
24. Collaborate with Rubulad
25. Collaborate with Peter Kohl
26. Wikipedia Entries for all Individuals and Brands
27. Affiliate with iReal Pro and Mapping Tonal Harmony Pro - Band in a Box
28. Affiliate with JTC and Barry Greene
29. All Podcast transcripts become blog posts with affiliate links
30. Honorary Degree in Music
31. Work with/at Bard College
32. Business pays for us to do continuing education (music lessons, music lessons with stars, berklee online classes, in-person classes, improv comedy classes)
33. Annual Business Retreat
34. Business funds buy us sick new equipment
35. . Justin Wertz is the songwriting expert
36. . Mike Menditto is the tech expert
37. Learn to or hire someone to write grants to get public funding for projects
38. Form (or Develop/Train) a supergroup
39. Become friends with the CD Baby guys
40. Get kids from the local high school involved in something.  Young blood.
41. Get a gig in Alexandria, VA and invite the Fool
42. Get a gig in…near Stansberry
43. . Do the Music Marketing Manifesto program or other (multiple) such direct to fan marketing programs.  Learn to do ourselves.
44. Elon Musk use Electricity in an advertisement
45. . Have an accounting department so we can collaborate and also pay our collaborators fairly.
46. . Make an album using the Harley Benton and the Boss ME80.
47. . Make $1 million…per year

Setting up playlists would mesh very well with our idea for Music contact Podcasts. Totally agree. In fact, that’s what we should do first is have these great curated playlist that we work on live on the show.

The handshake email marketing paradigm.

Email number one is a thank you for subscribing

Email number two is the website bio but expanded.

The next email is an actual scan of the letter. I sent a fox in 2009.

The next email series is our features of each of the “” members “” of the band, which could be quite expansive since I consider it to be a collective now

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Introducing Andy Marcinkowski! Andy is a longtime friend and collaborator since high school.  He was in a band with my good friend Justin Wertz and we often hung out in the mid to late 90s and early 2000s.  Andy played a critical role in the production of the handshake’s 2012 self titled album. Andy has also helped with many of the Getcha Some Guitar jam tracks.

We start off just by chitchatting. I talk about how I want to buy a van and Andy says that reminds him of Clown Core.

Andy says that it’s an open secret that Louis Cole is the drummer in keyboard player of Clown Core.

Then, we get into the meat of the episode. I do the intro and then discuss with Andy what the topic of this particular show is going to be. We had initially discussed doing a book club thing together where we read a book in advance of the show and then discuss on the show. However, today, I want to just do an interview of Andy because even though I’ve known him for a long time I don’t really know his full story in music. I ask him whether this is acceptable on the show and he says OK. And off we go.

When Andy was younger, he was a big fan of very cheesy pop music. He says he was a sucker for Melody.

“The first thing musical that I really latched onto was good vibrations by Marky Mark and the Funky Bunch. So, it wasn’t even the good Good Vibrations.”

He also highlights CNC Music Factory as a specific touchstone for his musical development but also to say that it was that general error when he really started getting into music.

His sister was a bit older and used to carpool to high school with a friend who is into more grunge type stuff. One day, due to this other girl’s influence, his sister came home with Nirvana Nevermind. When Andy heard that he ran that tape into the ground.  He also mentions the Nine Inch Nails Wish album.

“1994 was my musical awakening.”

Nirvana is like, sure Kurt is screaming at all but, the musical elements have a nursery rhyme element to them.

“Nirvana at its core - sure Kurt screaming and all that stuff - but here’s a certain nursery rhyme/elementary nature to it. It just hooks.  It’s really great catchy hooks.”

I tell a story about how kids today are into Nirvana as well. My daughter is 11 and has been through a Nirvana phase.  In fact, I listened to Nirvana more in the past two years that I did when I was a kid, when it came out.

We spent a good bit of time talking about the contrast between hair metal and grunge. I think ultimately we were very grateful to grow up in the grunge era. There was a realness to it. It was also liberating.  The celebration of freak culture was very liberating.

Andy used to spend his Summers upstate in a little town called Glenns Bay (Glens Falls?).  At least I think that’s what he said. And they used to drive back-and-forth and he was exposed to Andy’s mixtapes. His dad’s name is Andy as well.  They were called Andy’s Awesome Mix Tapes. His dad is also named Andy.  Confirmed later it is Glen Spey, NY.

His dad would have awesome stuff like the Moody Blues, King Crimson and Vanilla Fudge playing on the car rides.

He was into grunge for about two years and that was kind of the gateway for him getting into more progressive rock. It also coincided with him starting to learn guitar and he quotes “I got tired of Barre chords.” So, he was exposed to Prog rock around the time that he started to feel like he wanted to expand his musical abilities as well.

That was when he turned into the more, King Crimson and Tool phase.  This was also when he got into effects. Like, making your guitar sound not like a guitar. Robert Fripp was a huge influence on him.

King crimson to him (to Robert Fripp) was probably one part of a cult as well.

And he remembers looking through the pages of Musician’s Friend. That was a catalog that all guitarists got in the mail in the 90s. It was an exciting day when that catalog arrived.

Andy’s first guitar was a Charvel CX 290 which was a super strat.  It had a had to single coils and a hamburger in the fridge position. Humbucker in the bridge position.  He still has it. He put stickers all over it and he broke bike reflectors in glued them to it. So it’s not quite in the same condition that used to be in.

He also got the Kurt Cobain Jag-Stang.  Single coil in the neck position and humbucker in the bridge.  To Andy, it was an approximation of the telecaster vibe.  He got a Les Paul a couple of years after that and it made his Jag-Stang seem like a toy.

He also just remembered how he really admired and was inspired by Tom Morello.  This reminded him how how he broke his Jag Stand pickup selector many times trying to emulate the on/off stutter sound that folks like Tom Morello used a lot.

“OK Computer hit me like a ton of bricks.  Johnny Greenwood was super influential to me.”

Andy talks about the trio The Smile with Johnny Greenwood and Thom Yorke and the drummer is from a band Sons of Kemet (Tom Skinner)?  Sounds like Gypsy music with Afro Cuban vibe.  The Smile is like a power trio or Radiohead-Lite.

There’s one song that Andy particularly likes.  Thin Thing.  He’s doing a deceptively simple/difficult thing on that track with a delay pedal that makes it cool.

I tell Andy about the Tone Mob podcast.  I should’ve mentioned the Pedal Movie to him in case he didn’t see it.  Andy says that he really likes a channel called Knobs on Youtube.

Andy talks about the Red Panda Particle 2 as his most recent pedal purchase.

We talk for a while about digital effects and amp emulation.  Fractal Audio.  Line 6.  Fender ToneMaster.  He’s still playing through his Marshall JCM 900 Combo (1X12).  Heavy as hell.

I ask Andy if he has anything to plug:

He’s got a quartet brewing and a record which should start recording mid January 2023.  It’s a culmination of things going back as far as 20 years ago.  They have 10 songs planned.  Thanks of which have lyrics.  They have a zany concept.

Takes place in a dystopian future.  The earth is completely trashed.  We’re sending spaceships of garbage into the sun piloted by genetically engineered monkeys.  One monkey is on his way into the sun (all one way trips) but he evolves past the point of his predecessors and figures out how to make the trip 2-way.  Record ends with him crashing back to earth.

The music is adventurous and mostly in minor keys.  It’s not very light-hearted.

Andy gives me an assignment to drop fan theories on reddit.

Look out for Andy’s record when it comes out.

We get on a sidetrack talking about vinyl and whether we can hear the difference in quality.  Or, whether there’s any point to making physical media when you release a record.

Now we’re talking about a blind sound test of different quality audio files.  Andy says that there was such a test on NPR’s website.  Would be cool to check the internet to see if this still exists.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

We start off by just catching up for a bit. Talking about how my wife and daughter are sick and I’ve been doing double duty. Then we talk about Christmas music for a little while.

Then we talk about the fact that we were supposed to do a quarter quell episode for episode 75 but that we just released an album and it seems silly to keep pushing the issue when we actually have business to take care of and the whole point of the podcast is that we do business meetings live in front of people. So that’s what we’re gonna do we’re gonna move forward with the original intent of the show.

So this is the episode where we just brainstorm as many ideas as possible to market our new album which we just released which is the handshake live at big sky works.

Actually, before we even start brainstorming about the marketing of our new live album, I just got an idea for marketing the podcast in general. The verbiage for a weekly ad for the podcast should be we are the catchers and productions podcast a podcast covering all things related to music production from the first night/fan of everything in between. We create music and inspire others to do the same. That’s what the verbiage of the ad should be on a weekly basis.

Just to recap, we released the album, the handshake live at big sky works, on December 1, 2022. The live show and recording took place on December 1, 2012. So the album was released on the 10th anniversary of the actual show. So that’s nifty.

Here are our ideas to market this album release.

Hey, we released this album on 12/1/2022 (the 10th anniversary of the actual show) and are just getting around to promoting it!  Check it out at the links below!

The Handshake Live at Big Sky Works

GSP

Hey!  We’re an actual Production Company!  As such, we released this record on 12/1/2022

We’ve been showing you these photos from our show!  Check out the audio on streaming!

Once per day for the rest of the month.

Ads to post:

Facebook all brands

Twitter

Instagram

Cassie and Mike Peel of RRR

Playlisters of live rock

Facebook Groups - Live Rock, Original Music, etc.

Create video using stock footage

Put the album streaming links on the website.

We discuss how it was a good decision to re-order the songs to feature different songs from the original “studio” album.

First idea is just a regular post, we’ve been bugging you about it, now here it is! The handshake live in big sky works December 1, 2012. Check it out on all streaming platforms.

We should do a series of ads which are the same format as the pre-release ads. Essentially just re-posting the pictures that we had posted when we were doing the pre-release ads.

Finally, to wrap up the episode, Dan talks a bit about his new musical project in Richmond, VA.  He’s now in a cover band.

They had their first rehearsal and just tried out a few songs.  Jeremy, Lee Francis on Drums and Chris Daniels on guitar and vocals.  They just jammed and played a few songs.  Dan was playing his American Professional Precision Bass.

Bob Dylan - Man and Me

Wilco - Passenger Side

Flaming Lips - Race for the Prize

We talked about how important it is for a band to click and vibe together.  Music is not music.  How musicians vibe together is a factor of how much of the same type of stuff did the musicians learn.

They may call the band Reset.  Either that or Taco Copter.  Pickle Twizzler Tacos.

Musical Matchmaker idea

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#Creative Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Super quickie episode.

This was the final planning meeting before the release of our album Live at Big Sky Works.

Live at Big Sky Works Links

https://youtube.com/playlist?list=OLAK5uy_kOcWcBAVvZ7sKdSjW-xQb89ag9NiIMtDU

https://open.spotify.com/album/4Y0ERJ53NM8h9a6uQ0GTC9?si=sGEQLF4hQGKxt8Ik4tdRdg

https://music.apple.com/us/album/live-at-big-sky-works-12-1-2012/1657879351

https://amazon.com/music/player/albums/B0BNWG151W?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_gHbVSGXaNKkLZBaaIF4xqp2jP

Our friend Andy Marcinkowski has agreed to help us lightly master our tracks for release.

We discussed some audio flaws in some of the tracks that may have been caused by mishandling of the recorder or perhaps the recorder’s compressor not turning on quickly enough in the beginning of the show.

We discussed either trying to clean those up and having Andy try to clean them up or if they wouldn’t clean up enough just releasing them as bonus tracks or outtakes and acknowledge the fact that there is some issues with the audio. But at least will release them for posterity’s sake.

Then we discussed some ideas for the album cover art. I told Dan about my idea to release the album cover art as a collage of all the pictures from the show. We ended up not going with that idea after all.

Off topic random thought: We really want to do an interview with John Esposito but he didn’t get back to us. We’re going to keep reaching out.

Dan makes a comment that any little Squirrely parts of the recording will be fine because it’s a live show and as long as the energy is captured it’s all good we should just go forward and release it all.

I remember that the worst part of the recording actually is my vocal performance partially because I was experiencing some vocal strain from rehearsals plus some vocal fatigue from the winter time and my throat being dry and wintertime allergies and my daughter was sick so I probably was a little sick as well. So my voice was really was really strange for the show so that was the worst part of the whole show.

Then we talked about Steely Dan for a while.

We talked about the song Josie and then I mentioned the song Kid Charlemagne.

The older Dan gets the more he likes Steely Dan. He was talking about when they played live on Saturday night live.

We mention Rick Beato because he also likes the guitar solo from Kid Charlemagne. I think it’s Larry Carlton who plays the solo.

I theorize that Trey Anastasio it was also a big fan of that solo and stole some of those Licks.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

The fact that I can always hear birds in the background gives our shows a nice ambience. This is because Dan typically records in his backyard.

This episode is mostly about the plan to release the recording of our cd release party concert on its 10 year anniversary which is coming up in December 2022. So that’s mostly what we discussed on this episode.

Need to change the verbiage to indicate upcoming album release.

We discuss cleaning up some of the audio and possibly fixing a strange noise that was occurring on one of the songs. We resolved to ask our friend Andy who has done audio editing for us in the past.

Then we talk a bit about designing the album cover and we go over some choices that we might have. One of the choices would be to use one or more of the pictures that were taken at the show. I believe Jan has a picture from the show that he thought was cool so we brought that up as a choice. Of course one of the choices is always to hire an artist to design some thing. And then another choice we had wise, since this was a city release party, we could take the original album cover and put a treatment on it so that it’s apparent that all the same songs were played. We discussed all those different choices. In the end I think that maybe a collage of the photos from the show with some sort of treatment on them would be a cool choice for that.

Then we talked for a bit about a new track that I’m planning on releasing and how I’m getting a little excited to release an actual album maybe at some point. But, I’m starting with just one track at this point.

Then, I had to apologize because of course I want to do two versions of my song, a short one and a long one. However, I wasn’t really planning on doing two distinct versions in the beginning. I was planning on doing a version with a long ending in a version without a long ending. However Justin Wertz convinced me to change the format of the song a little bit to make the short version more of a single version and then keep the long version as some more weird thing that I’m prone to do. So I found myself being a bit apologetic about doing two versions of the song which is very typical for me anyway.

Then I posed to Dan an idea that maybe his band would learn a few of my songs and I could come down and we could do a recording a live recording of some of the tunes just to get some different takes. His band is mostly electronic so it would definitely put an interesting spin on things.

Dance project is called element 115. Richmond live Tronic car. Live Tronic-a. Live Tronica.

Dan has been really loving playing keyboards which he’s been doing for a while now with this band. Dan is actually a bass player but since this is an electronic music band, there’s a need for a lot of Keyboards. So Dan had to take a plane keys and he’s getting pretty good at it at this point.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

Decoster on Spotify: https://open.spotify.com/artist/14x05HyDuyJAVdt9Gv65FC

reverbnation profile: https://www.reverbnation.com/decoster

Instagram Profile: https://www.instagram.com/paul.decoster.3/

Facebook Profile: https://www.facebook.com/TigermanPCD/

YouTube Channel: https://www.youtube.com/user/pauldecoster

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special guest Paul Decoster

Decoster on Spotify: https://open.spotify.com/artist/14x05HyDuyJAVdt9Gv65FC

reverbnation profile: https://www.reverbnation.com/decoster

Instagram Profile: https://www.instagram.com/paul.decoster.3/

Facebook Profile: https://www.facebook.com/TigermanPCD/

YouTube Channel: https://www.youtube.com/user/pauldecoster

We start off talking about the key ingredients to a great city: food, music and art. I guess I would add some sort of industry.

We do our own stunts on this podcast.

Paul has a new album coming up with 11 songs on it.

“The worlds first superheroes on planet earth are the trees.”

Paul’s very first memory of really loving music was (as a small child) first hearing the Nutcracker Suite by Tchaikovsky and being very excited and dancing around to the sound of it.

His first guitar lessons were from a person named John Porcino in summer camp in 1979.

Paul studied classical guitar throughout college in addition to doing musical theater.

He mentions Mark Knopfler as being one of his favorite guitarist in the rock genre. He says he likes the Randy Rhodes’s of the world but he really prefers someone like Mark Knopfler.

Mark Knopfler was a classical guitar player at one point so there’s hope for him yet.

He’s got a fender blues junior at home.  He likes the sound because it gives you a beautiful tube amplifier tone but you get to create your own town on top of that using petals. He’s particularly drawn to choruses and flangers.

It wasn’t until 1988 when he discovered the band XTC that he was inspired to begin writing lyrics. And it wasn’t until 1992 where he started marrying the lyrics and the music together.

Paul played in various groups and in the early 90s. In addition to working on solo music.

He played with a group called Bobbie Stewart and the Contraires.  Bobby Stewart was playing at clubs like CBGB’s in the early 80s with a band called Bobby Stewart and the I.D.’s and he actually had a hit song called Copyright on Love.

“Participating in a mosh pit is living dangerously, I’ve only done slam dancing. In slam dancing, they help you back up.”

Paul highly recommends the single Simple Minded by Dragpipe.

He started going solo in 2001. He began with a power trio.

His album Calling all Lovers is one of his More rock oriented albums.

His second album called Walking in the Sun is more like 80s Pop.

The third album is all acoustic with a percussionist called Universe.  He believes his third album is actually his best effort in terms of songwriting.

The upcoming album is a combination of dance music and hard rock. That sounds interesting.

His dream is to be able to tour coast to coast.

Paul believes that XTC is on par with the Beatles. Which we probably should’ve discussed more because to me, the Beatles are one of the greatest bands if not the greatest band rock band and song singer songwriter combination in all of history. So to have him continually compare the Beatles to XTC is perhaps the highest possible praise you can give. So that’s a bit shocking.

Then Paul goes on to mention Justin Hawkins’ show Justin Hawkins rides again. Justin was the lead singer of The Darkness.

“[The Darkness] is an example of the type of hard rock that I gravitate toward. I like stuff that really gives a kick in the teeth.”

That’s an example of the type of hard rock that I gravitate toward. I like stuff like that that really gives a kick in the teeth.  Justin recommended a group called Cardiac which Paul really likes as well.  He goes on to mention the Manic Street Preachers, Muse.

The Black Sea and English Settlement are masterpieces.  Andy Partridge is the lead singer.  Re: XTC.

Paul says that he tends to write a lot when he is in motion.  Like on the train whether commuting or on a long trip.  He finds that he writes a lot more when he is away from home.  A lot of his songwriting process was when he was practicing non-related musical ideas as well.  Now he always writes down names of song titles and he thinks of this like planting a seed.

“He always writes down names of song titles and he thinks of this like planting a seed.”

Sometimes he does the writing practice of doing short non-stop writing for short periods.

He also obsessively writes down and records musical ideas to save for later.  It helps that he is able to write music.

Dan comments that he loves that Paul gets so much energy from the world, or the environment, being in motion, being out of home, being around people.

Non music related, he says that he thinks a lot about how to be funny.  People like funny people, right?

Paul does not have any children but he has been married for 11 years.  His wife was attending university during COVID.  He was teaching ESL but that got derailed so it freed him up to pursue music more.  He also got deep into meditation.  He got receptive to being present.  He is at Cortelyou and E 16th in front of Cafe Madeline.

King Gizzard and the Lizard Wizard?!?!?  Something like that.  They are like the PHISH of Australia.

He can be compared to Phil Collins and Hall and Oats and of course XTC

Paul’s dreams for the future:

He wants to continue expanding his catalog.  Keep writing songs.  Have enough material for a 3-4 hour show.  He wants to build his chops and expand into Jazz and R&B.  He wants to establish more skills on piano.  Make more recording and tour the country and possibly the world.  And keep doing shows with other musicians.

He was born with a bit of autism.  He tends to talk at length on a topic and stick to it like a pit bull and not take social cues.  Which is why he is a great podcast guest.  He found that music was a great way to connect with people.

I have to send Paul Barry Greene’s link

Paul has been studying with Rory Stuart in Mamaroneck.  Paul has been working as a guitar teacher for Prospect Music Lessons.  He uses iReal Pro.  (Note to self, become iReal pro affiliate).

“There’s no reason why electronic music and my music can’t join forces one day, right?  I mean, Avengers Assemble, right?”

Next year in Jerusalem.

Upcoming shows:

Sat Sep 16th, 2022 w/ Dee Who 773 Lounge - https://773lounge.wordpress.com/calendar/

Sat Oct 1st, 2022 at Freddy’s bar - https://freddysbar.com

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative...]]>Getcha Some Productions Podcast Episode 73

Decoster on Spotify: https://open.spotify.com/artist/14x05HyDuyJAVdt9Gv65FC

reverbnation profile: https://www.reverbnation.com/decoster

Instagram Profile: https://www.instagram.com/paul.decoster.3/

Facebook Profile: https://www.facebook.com/TigermanPCD/

YouTube Channel: https://www.youtube.com/user/pauldecoster

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special guest Paul Decoster

Decoster on Spotify: https://open.spotify.com/artist/14x05HyDuyJAVdt9Gv65FC

reverbnation profile: https://www.reverbnation.com/decoster

Instagram Profile: https://www.instagram.com/paul.decoster.3/

Facebook Profile: https://www.facebook.com/TigermanPCD/

YouTube Channel: https://www.youtube.com/user/pauldecoster

We start off talking about the key ingredients to a great city: food, music and art. I guess I would add some sort of industry.

We do our own stunts on this podcast.

Paul has a new album coming up with 11 songs on it.

“The worlds first superheroes on planet earth are the trees.”

Paul’s very first memory of really loving music was (as a small child) first hearing the Nutcracker Suite by Tchaikovsky and being very excited and dancing around to the sound of it.

His first guitar lessons were from a person named John Porcino in summer camp in 1979.

Paul studied classical guitar throughout college in addition to doing musical theater.

He mentions Mark Knopfler as being one of his favorite guitarist in the rock genre. He says he likes the Randy Rhodes’s of the world but he really prefers someone like Mark Knopfler.

Mark Knopfler was a classical guitar player at one point so there’s hope for him yet.

He’s got a fender blues junior at home.  He likes the sound because it gives you a beautiful tube amplifier tone but you get to create your own town on top of that using petals. He’s particularly drawn to choruses and flangers.

It wasn’t until 1988 when he discovered the band XTC that he was inspired to begin writing lyrics. And it wasn’t until 1992 where he started marrying the lyrics and the music together.

Paul played in various groups and in the early 90s. In addition to working on solo music.

He played with a group called Bobbie Stewart and the Contraires.  Bobby Stewart was playing at clubs like CBGB’s in the early 80s with a band called Bobby Stewart and the I.D.’s and he actually had a hit song called Copyright on Love.

“Participating in a mosh pit is living dangerously, I’ve only done slam dancing. In slam dancing, they help you back up.”

Paul highly recommends the single Simple Minded by Dragpipe.

He started going solo in 2001. He began with a power trio.

His album Calling all Lovers is one of his More rock oriented albums.

His second album called Walking in the Sun is more like 80s Pop.

The third album is all acoustic with a percussionist called Universe.  He believes his third album is actually his best effort in terms of songwriting.

The upcoming album is a combination of dance music and hard rock. That sounds interesting.

His dream is to be able to tour coast to coast.

Paul believes that XTC is on par with the Beatles. Which we probably should’ve discussed more because to me, the Beatles are one of the greatest bands if not the greatest band rock band and song singer songwriter combination in all of history. So to have him continually compare the Beatles to XTC is perhaps the highest possible praise you can give. So that’s a bit shocking.

Then Paul goes on to mention Justin Hawkins’ show Justin Hawkins rides again. Justin was the lead singer of The Darkness.

“[The Darkness] is an example of the type of hard rock that I gravitate toward. I like stuff that really gives a kick in the teeth.”

That’s an example of the type of hard rock that I gravitate toward. I like stuff like that that really gives a kick in the teeth.  Justin recommended a group called Cardiac which Paul really likes as well.  He goes on to mention the Manic Street Preachers, Muse.

The Black Sea and English Settlement are masterpieces.  Andy Partridge is the lead singer.  Re: XTC.

Paul says that he tends to write a lot when he is in motion.  Like on the train whether commuting or on a long trip.  He finds that he writes a lot more when he is away from home.  A lot of his songwriting process was when he was practicing non-related musical ideas as well.  Now he always writes down names of song titles and he thinks of this like planting a seed.

“He always writes down names of song titles and he thinks of this like planting a seed.”

Sometimes he does the writing practice of doing short non-stop writing for short periods.

He also obsessively writes down and records musical ideas to save for later.  It helps that he is able to write music.

Dan comments that he loves that Paul gets so much energy from the world, or the environment, being in motion, being out of home, being around people.

Non music related, he says that he thinks a lot about how to be funny.  People like funny people, right?

Paul does not have any children but he has been married for 11 years.  His wife was attending university during COVID.  He was teaching ESL but that got derailed so it freed him up to pursue music more.  He also got deep into meditation.  He got receptive to being present.  He is at Cortelyou and E 16th in front of Cafe Madeline.

King Gizzard and the Lizard Wizard?!?!?  Something like that.  They are like the PHISH of Australia.

He can be compared to Phil Collins and Hall and Oats and of course XTC

Paul’s dreams for the future:

He wants to continue expanding his catalog.  Keep writing songs.  Have enough material for a 3-4 hour show.  He wants to build his chops and expand into Jazz and R&B.  He wants to establish more skills on piano.  Make more recording and tour the country and possibly the world.  And keep doing shows with other musicians.

He was born with a bit of autism.  He tends to talk at length on a topic and stick to it like a pit bull and not take social cues.  Which is why he is a great podcast guest.  He found that music was a great way to connect with people.

I have to send Paul Barry Greene’s link

Paul has been studying with Rory Stuart in Mamaroneck.  Paul has been working as a guitar teacher for Prospect Music Lessons.  He uses iReal Pro.  (Note to self, become iReal pro affiliate).

“There’s no reason why electronic music and my music can’t join forces one day, right?  I mean, Avengers Assemble, right?”

Next year in Jerusalem.

Upcoming shows:

Sat Sep 16th, 2022 w/ Dee Who 773 Lounge - https://773lounge.wordpress.com/calendar/

Sat Oct 1st, 2022 at Freddy’s bar - https://freddysbar.com

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

We talk a bunch about our Reverb affiliation (link above).  Dan says that he wants to sell his Eric Johnson Fuzz.  Dunlop EJF1.  I talk about how I gave my ElectroHarmonix Big Muff to Mike Menditto.

We talk a bit about how chill we think Eric Johnson is.

Getting back into introducing anarchy into the show.  So, we start with one of my random thoughts.  Every time I do the Reverb affiliate advertisement, I use a music related quote.  I thought it would be very funny to rewrite music quotes by famous people to be silly and aligned to our brands.

Rejigger

Then we talk about how important it is to cultivate conversational flow and a flow of ideas in the podcast.

Then we talk about perhaps taking comedy classes on Udemy.  They have classed on how to use nunchaku and dance.  Dan asks 

The algorithm was feeding me things that correlate highly with Napoleon dynamite like nunchuck classes and hip hop dance classes.

We discuss the improv comedy concept/process of “Yes And”

Also, No!

Going to quit the podcast for now and go watch the Godzilla Movies with Millie Bobby Brown.

Lastly, Marc Tappan.

Bonus:

It is Dan’s day off so he is doing some domestic stuff.  Walk the dog.  Cooking.  Laundry.  Chores.

I have to keep my head on a swivel due to pigeons.  Dan misses Brooklyn.  I feel a bit wasted after going for a very long walk and doing squats and pushups.

We discuss longevity.  Repping a little Ray Kurzweil on your A$$.  Wondering if eating sesame chicken will help me live longer.

Phlegm.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

We had some technical difficulties today so there’s a bit of stopping and starting.  First we talk about bakeries and Villabate Alba in Bensonhurst, Brooklyn, NY.

Then we proceed to have a business meeting.  So, this particular meeting came about because I saw that we had ~$11 worth of commissions on our Amazon Affiliate page.  That doesn’t sound like a lot but it is for folks who do almost no marketing of anything on it.

Also, it hit me that we have 70 episodes and that’s an accomplishment.  So, the overarching thing is that I wanted to have a meeting or series of meetings where we get back to the core mission of the podcast.  Ultimately, this meeting is about how we need to just talk about how we need to just talk about the business without a specific agenda.  Or, perhaps have a series of calls where we have different agendas where we’re not necessarily being practical but rather dreaming about what this business/project could be.

Gut check.

Brainstorming.

Mission.

Channel Elon Musk or Ray Kurzweil.

Dan is the practical one in this relationship.

Humble beginnings.

I truly believe that this can be a legit business that pays our bills.  Or facilitates the life we want.

Dreaming of a grandiose future of GSP.  Dreaming of our grandiose future.

It’s cool to just talk.  Lets inject a little bit of anarchy.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

https://www.genesegal.com

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

https://www.genesegal.com

Special guest: Gene Segal

Planning on how we can work together to produce some tracks together.  Utilizing Gene’s services to produce some tracks for me.

Decided that, since I don’t have a band, I would use Gene since he can program drums.

My whole thing is keeping the cost down.  As it is with everyone, of course.

What gene needs from me is a reference track of my song recorded to a click track.  Gene can do the bass as well.

We also discussed a collaboration where we offer music production services on our website www.getchasomeproductions.com

We’ll set up a page on the site that describes music production services and has a contact link.   Then we send out the info as a referral to our stable of producers and we earn a small fee for the referral.

https://www.genesegal.com

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

https://www.genesegal.com

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special guest: Gene Segal

https://www.genesegal.com

Gene is originally from Russia and he moved to the Kensington area of Brooklyn in 1979. He went to Ditmas Junior High School and Midwood High School.

He went to the guitar arm of Musicians Institute in Los Angeles. GIT.  Guitar Institute of Technology.

We talk about Jude Gold for a second because of the GIT connection. He listens to Jude’s podcast, No Guitar is Safe.  Gene recommends the podcast Guitar Wank which Scott Henderson is on regularly.  Podcast is with Bruce Forman.

I wish I would have asked more about GIT.

But where he really flourished in school was William Paterson where he studied with Gene Bertoncini and Vic Juris.  Vic was one of the few teachers with an actual pedagogy.

Gene has one self produced record and a few under the Steeplechase label.

Gene comes from a musical family. His father was a Drummer and his uncle was one of the top session guitarists in Russia.  He remembers always going to rehearsals and gigs for his family members and he would always pick up the instruments and try to write something. Far as long as he can remember his main motivation was to actually write music, so when he was a kid he would sit down on the piano and try to write a little Melody or something.

I try to just close my eyes and play sometimes. You know, Music gets complicated, and you have to read music know all the theory, but sometimes you just have to play.  I don’t think of anything when I play.

I added Gene’s trio record to my trio grand playlist.  Double Rainbow is the name of the record.

Playing with Adam Nussbaum and Jay Anderson, those guys are special. They have a connection.  The record sounded like they were a band with a strong connection but that was actually the first time they ever played together.

Every guitar player has to do a trio record, it’s kind of a right of passage.

We talk about the John Scofield record En Route and Bill Stewart and Steve Swallow and how great the trio is.  Jean recommends listening to any record that Steve swallow made with Paul Bley.

Jean lists all of his big influences which he already mentioned John Scofield.  Jim Hall, West Montgomery, Charlie Christian.  Gene really started out as a rock ‘n’ roll player and got into jazz through fusion. So of course Mahavishnu Orchestra and John McLaughlin were a good introduction to jazz but after that he got into the more traditional stuff. He also he also mentions Keith Jarrett and Bill Evans as being big influences.

We talk a bit about the Lincoln Center jazz phenomenon and the dichotomy between innovation and jazz and classicism. But Gene thinks that Lincoln Center is doing a good thing on balance by bringing jazz to the public and giving it the respect of deserves. But also, he says that he believes that jazz is as adventurous as as it has ever been nowadays.

We spend some time talking about how to monetize Internet performance. It’s much harder for musicians nowadays to make a living when gigging is not an option. So of course we discuss lesson content and donation links. Stuff like that.

We talk about teaching music for a while. Jean says that it’s clearly an essential part of being a professional musician. However, he loves to teach but he also loves to pick his students.

Gene talks about his first jazz teacher who whose name was Alex Adrian who he was from Czechoslovakia, he was a great unknown jazz guitarist.

Gene says that a lot of people who teach get caught up in the money and lose sight of the art form.

Next we transition into a gear conversation.

I like to play a lot of different guitars. Some people like to play just one guitar but I like to think of them as colors.

His favorite is Gibson 335.

You can play any style of music on a 335. You can play you can go from metal to jazz.  He also has a 58 reissue Les Paul with the fat neck.  He also has a fender telecaster.

He mentions a couple of jazz telecaster players, Ed Bickert and Bill Frisell.  Dan mentions Julian Lage.  

Gene says that he thinks it’s the overtones that you get from the steel plate on the bridge that you don’t get from other guitars.

Of course, we get into the perennial conversation, do tonewoods matter on an electric guitar?

Gene also has a 59 reissue 175.

Gene‘s plan for the future involves producing more music for himself and for others. So, he is opening a recording studio where he’s the producer and producing music for other people. He’s also working on his first record with vocals. I’ve heard a few tracks pretty much in the funk and R&B vein and they sound great but he’s working on that record of more funky music with with vocals.

https://www.genesegal.com

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

This episode was recorded on Father’s Day 2022. Apparently.

We are using the disc makers 90 Day release planner.

https://blog.discmakers.com/2021/06/record-release-promote-an-album/

https://www.discmakers.com/request/90-day-album-release-planner.aspx?utm_campaign=BLOGREQARC&utm_source=DiscMakersBlog&utm_medium=HANA

The whole point of this episode is to put together a plan to release a live record sometime in the future. The live record is the Handshake live at big sky works from December 1st I believe 2012. We start off by talking about just getting some advertising rolling. The main idea was to post pictures from our gallery on the website which is mostly are all pictures from that show.

12/1/2012

Dan of course has a hilarious idea about posting completely unrelated photos but say that they’re from our show. So his idea was to post a picture of a scene from Braveheart and superimpose our faces on it and say that its photo from our live show. Which is kind of funny and I definitely think we should do it in general though perhaps not connected with the particular release but just as an ongoing joke would be hilarious.

We talk about what we think the album should be called. I think we’re just gonna call it live at big sky works and then the date.

We talked and decided to reach out to Tanya to see if she wants some input on what the album cover should look like. Follow up notice that I have to do that.

Dan needs to find the photo or photos that he took a Big Sky Works which we can potentially use for the album cover.

Next follow up task is to find the online mastering service, sign up, load up all the tracks, and then start the mastering process.

Then, we have to reach out to everyone that was involved in the party and the band at the time and just advised him that we’re going to be releasing the live album in case they want input or anything like that.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

Follow Patrice on Facebook: https://www.facebook.com/profile.php?id=100063725641624

Follow Patrice on Instagram: https://www.instagram.com/pryanmusic.lessons/

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special guest Patrice Ryan

Patrice is from Suffolk County, Long Island.  Both of her parents are artists. They met at Pratt Institute.  Patrice is from the Village of Northport in Suffolk County.

Growing up, she had a piano in the house. Her parents said that she would play a lot on the piano by ear when she was very young (like one or two years old).  She grew up listening to her parents music which was Frank Zappa, the Beach boys, the Kinks and the Beatles.

She also had an older sister, so she was exposed to Britney Spears, N Sync and the Backstreet Boys.  According to her dad, she would pick the notes out on the piano by ear as young as one or two years old.

Patrice is identified as the musician who loves dogs. As a kid she always wanted to be a veterinarian.

Patrice remembers having very intense separation anxiety from her parents at a young age. Perhaps around three years old when she started going to school.

A major turning point in her anxiety was when she started out playing the cello. She says that even though the anxiety never really went away she was able to interact much better with other kids through the sharing of the musical relationship.  She was able to form an identity around that.  The downside was that she actually broke 12 cellos in one year. They nicknamed her The Cello Eater.

Middle school was the toughest time for her in terms of her awkwardness and trying to fit in etc. Music really helped her through that. I think we all have that experience.

During high school, Patrice’s mom got very sick and it was a particular tough time in her life. Listening to music really helped her a lot as a form of escape and comfort. In particular she calls out the song Hey Jude as being particularly comforting to her and resonating with her.

That was when she started to pick up Guitar. She highlights the difficulty in switching from cello because of the enhanced polyphony a guitar versus cello.  On cello it’s very common to just play one note at a time though you can play several notes at a time. Guitar is explicitly polyphonic and she highlights that as one of the hurdles. She did have a teacher named Warren Slater who is a former Australian rockstar who lived nearby.  That was about when she was 14 years old.  Her teacher’s band was called Electric Panda. And I guess they opened for Men at Work or vice versa.

Patrice attended five towns college for Music.  It was there that she was exposed to all different types of music which broadened her horizons beyond the pop and rock that she had been listening to for her younger years. This college attracted many diverse students and they exposed her to hip-hop, Rap and jazz. She said that there would be rap battles in the hallway.  She calls out the Nas Illmatic album in particular as one that she was very fond of. She was still very shy about performing at this point.  She actually wanted to be a music producer at the time. She wanted to be the next Quincy Jones.

After she graduated from college she started working in a law firm just because she didn’t know what she wanted to do and she’s still working there today and has been working there for about seven years. But for most of the time she wasn’t really doing music. She was just kind of existing.

Her therapist said, look I’m not gonna keep seeing you anymore if you keep coming here and saying you want to do music and then you don’t do music.  You’re not trying.

People need to listen to this interview. Patrice really opens up about her struggles in music in a really beautiful way I think we can all relate to some extent. And hopefully find it inspiring like we do.

Her therapist said, you have to either try to play music or get out of my office.

If you feel like you suck, do it anyway. You have to act “as-if.”

She started performing professionally during the pandemic believe it or not.

The story of how she started writing music very recently it’s pretty hilarious. She was forced to quarantine in her cello student’s family’s camper because her parents got Covid and she had to get out of their house.  She was sleeping in the camper and she would wake up in the middle of the night with melodies in her head. So she would get up and write them down or play them on guitar and record them so she wouldn’t forget them and that’s how she started composing music. There was something about that camper lifestyle or maybe just a change of scenery or perhaps having some rubber between her and the electrical current of the earth or who knows what.

She only has a few songs finished but she has about 30 songs started. This is all around the end of 2021 the beginning of 2022 where she started writing music. Her goal is that she will have an EP recorded by her 30th birthday.  She’s 29 now.

It wasn’t until she crossed the threshold of the Winnebago sleeper coach that she was finally hoisted above the grounding of this earth and onto the springy ethereal suspension of the majestic cabin of this amazing vehicle/home. Once she released her connection to the grounded world she was able to receive a message from the universe, providing her with messages from afar.

We talk a little bit about Frank Zappa. Her dad liked Frank Zappa, but she would cry when he would put it on. Then she tells the story about how, when she was five, she had to go to the record store clerk and ask them for a Weasels Ripped My Flesh.

Her current music teacher is named Frank Doyle.  He’s worked with Weird Al, Julian Lennon, Madonna, Leonard Bernstein. When was the keyboard player for meatloaf.

Patrice says that Pet Sounds is elementary Experimental music. If I want to expose my kids to weird music I’d make them listen to Pet Sounds.

She likes to do acoustic version of the Spice Girls Yes I Swear.

She says that Dave Matthews is one of her biggest influence is the biggest one right now that she can highlight.

We talk a bunch about Dave Matthews and his songwriting and his guitar technique. Even highlighting specific chords to challenges of specific songs.

Patrice talks about how learning Dave Matthews songs improved one specific aspect of her technique which was her strumming. She used to use a more forearm-heavy strumming technique more like Neil Young. After learning more Dave Matthews songs she was able to convert a lot of the rhythm to the wrist.

Who would’ve known that the person who couldn’t speak her mind when she was young would be able to give such a robust interview. But I guess it makes sense.

And look for Patrice’s first ever recording coming out soon. Probably 2022 if you are 2020 through the latest.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special guest Gene Segal

We start off talking about jazz and about how hard it is to make a living playing jazz in general nowadays and I guess forever.

We both love jazz but we admit that it’s a four letter word in some respects.

Gene has opened up an official studio in North Jersey and is accepting new clients to record. In fact, he’s offered for a limited time I suppose, for anyone who wants to make a record to come down and make one track for free.  I’m probably going take him up on that offer to do one track for free and perhaps to do another one or another couple of tracks paid and maybe an EP or something.

The idea is that I probably will record some tracks with him. So we start talking about whether I’ll have to put a band together or whether I will hire some musicians to get this thing going. Not really firming up any plans but just laying it all out on the table.

I told Gene that I want to get a band together and I don’t necessarily want to hire musicians to make the recording. I’d rather have a band so that I could get some rapport going with the players.

A great part of Gene service is that he has a bunch of top-notch musicians to perform on records. It’s all about the net work.  He has a deep bench.  I’ve heard some of the tracks he’s produced and they sound great!

Every producer has musicians that they like to work with.

Gene asked me if I was thinking of doing an EP. I told him I was thinking more along the lines of a single with an A side and a B side. And he said that yeah that’s a lot what a lot of people are doing nowadays.  No one is really releasing albums now. Of course we both discussed the fact that we are more inclined to make albums because that’s what we’re used to experiencing.  Making an album feels like an accomplishment. It feels like a complete work.

Gene can program drums as well. He uses high-quality samples and he can get it to the point where some people wouldn’t even know that it’s not a real drummer.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

We start off the episode with some really classy technology issues. But we let it ride. We let it all ride. We put it all out on the line.

We just spent the episode talking about some music we’ve been listening to over the past few weeks. Inspired by Rick Beato.

Dan was listening to Alice In Chains this week.  Dan says the album dirt is outstanding.

We talk about listening to Albums cover to cover. Like in the old days when people used to actually do that.

Then I talk about my congruent experience which was that Rick Beato reminded me of how great Tori Amos’s album little earthquakes was.

Then we talk about another congruency in that Elizabeth my daughter really likes Nirvana right now so I’ve been listening to a lot of Nirvana just like Dan was listening to Alice in chains.

Then we talk about then I talk about the fact that I listen to Chicago’s greatest hits recently because of Rick Beato and how much I listen to that in high school how that also brought me back in time even more so than the grunge stuff. Even though Chicago’s greatest hits was anachronistic to my high school experience.

Ted Hudson, we’re coming for you

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

A new part of our process is to ask all our prior guests for a referral of one person who they think would be a good guest for the show.

We talk a bit about the fact that podcasts are best when they are candid, free flowing conversations. We do need to build up our interview chops a bit but we also have to lean into the unplanned conversational aspect of podcasting which is the true beauty of it. Podcasting is like the anti-TikTok. It is not a low attention span venture.

We talked about how Dan and I have complementary vibes which work well in the context of co-hosting an interview format podcast.

We talked about the dynamic of shutting up and letting someone else talk.

I updated Dan that I’m actually going to be playing music with actual human beings for the first time in several years. I also updated him on the progress of Olivers Musical Genius and the fact that we have 123 subscribers now.

We talked a bit about the dynamic of our business and the fact that Getcha Some Productions is the top of the funnel but Oliver‘s musical genius is sort of right below it. Everything kind of flows through Oliver‘s Musical Genius. I was saying that my hope is to have subscribers come into Oliver‘s Musical Genius but then have them routed to where their real interest might be to the other brands. Dan rightfully commented that it might be better to just treat Oliver’s Musical Genius like the primary brand since it’s the one getting the most traction and just focus on that and put more energy into that. That was a very good comment. Of course, Oliver’s Musical Genius is its own brand in addition to it being kind of a flow through for all the other brands.

https://www.element115.band

Dan updated me on his band Element 115. They are looking to get a gig at a weed related farmers market. They would share the bill with a Grateful Dead cover band that has common members.  This would be Dan‘s first gig in many many years. He says the band is evolving quite a bit and they’re really falling into a groove with the type of electronic music they play. They also have scaled back their rehearsals to only once per week versus many times per week as they have been going previously.

The only thing is that Dan hasn’t really been paying Bass much lately in the band and he’s mostly playing keyboards now. They are an electronic music band.

One of my favorite things that we talk about is the logistics of Element 115. Since they play electronic music live, the attitude and the sensibilities that you have to have to execute the statement different from traditional organic forms of music.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special Guest: James Carrancio

We started off talking about cigars. The consensus is that cigars look cool but they do not taste cool.

Jim moved to Brooklyn to pursue stand-up comedy, nine years ago.

Both art forms tell you about the world in a way that you can sit back and not have to think about it.

“When I was eight or nine, my mom sat me down and made me watch a whole bunch of George carlin.”

George Carlin & Bill Hicks are on Jim’s Comedy Mt. Rushmore. Right now his favorite working comics are Bill Burr, Tom Segura and Nate Bargatze.

His song, I’m dead from his new album lost boy is about 80s slasher flicks from the point of view of the victims. The jumping off point for that song was Friday the 13th part five I believe. It shows that he did a lot of research before starting to write that song.

As Jim goes through his list of musical influences, I noticed it spans a very wide range of genres.  His mom was the first real influence on him because she always listened to B105 the oldies station, I guess that it’s an upstate New York radio station.

His first real exposure to music was the Temptations, Marvin Gaye, Sam Cook and those types of artists.  In fourth grade he loved hip-hop like Busta Rhymes and Notorious B.I.G.  But by the eighth grade he listened to nothing but punk rock.  In high school he transitioned to Screamo and Grindcore.  He always had a taste for the Pop Punk and Indie Rock genres.  By the time he started writing songs himself he was really listening to a lot of Johnny Cash and Elvis.

You can pinpoint the moment when he thought, that’s what I wanted do!. He was watching the Elvis 1968 come back special and Elvis was performing the song Trying to get to you. On the official recording Elvis keeps the song pretty mellow throughout. But in the live version he really starts growling his vocals in the second verse. That was the moment when Jim said, this is what I want to do.

Lost boy album has a very live sound. It is very much a an old-school americana/blues style record with a very live sound. Jim says that through his life he’s been struggling to record music well and it was because he was taking the official recording route of recording each part separately and using overdubs to get the clarity. It wasn’t until this record did he decide, with the help of Josh Salant, that he would go for a live sound and it worked. The album sounds and feels great.

“I’m one of those people that will randomly write down their top 10 Bob’s Burgers episodes.  It’s like, OK good, now I know what those are.”

His favorite song of all time is Bring it on Home to Me by Sam Cooke.  A more recent one is Duff Thompsons’s The Long Haul.  The last one is Twain & The Deslondes’ Run Wild. Those are a couple of bands on Mashed Potato Records in Nashville.

Jim mentions Cut Worms and Sean Rowe as artists who he thinks have crafted melodies that he wishes he would’ve written.

Jim did not have very conventional tastes throughout his musical life. He really didn’t get into the Beatles until very recently. As an example, when everyone was listening to the Foo Fighters, he was listening to Orchid, Panthers, Saetia and Pig Destroyer.

“As far as mainstream rock, I just got into the Beatles two years ago.”

“I’m a bit of a contrarian and didn’t want to listed what everyone else was listening to when I started forming my musical opinions.”

“Cheerleaders would walk by my car in high school while I was blasting these ridiculous bands and they would look at me like I was from another planet because I am.”

Josh has two albums in the works and an EP which he is refreshing from 2015. He’s moving to Rhode Island very soon and he needs to go back this much contact as possible before he moves so he has a sister release schedule when he gets to Rhode Island since he’ll basically be starting from scratch when he gets there. One of the albums is very much like a lost boy. The other album is going to be more indie rock and more electric sounding.

We ask Jim how he came up with the band name Man Made Hills he was actually performing at the porch Stan festival in Governors Island when a friend of his commented that the hills that they were looking at we’re actually man-made.

“I’m just a privileged white dude living in a prewar building in Brooklyn with two cats and a bank account but I’m still singing the blues.”

“Whatever just comes out is what I do. I never really set out to write a particular type of song.”

“I think once I realize how fucked up my childhood was I thought, ‘I can write about that!’”

https://www.instagram.com/manmadehills/

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Hey Kat,

We likely won’t get to all of these or we may just cover them in the course of a normal flowing conversation.  The most important thing about our show is that it is a candid/unrehearsed/honest conversation.  So, feel free to prepare your thoughts but…we will be winging it.  We’ll make sure that we look dumber than you, that’s a guarantee!!

1. Where are you from?

2. How did you get into music?  Superhero origin story?

3. What kind of music do you make?  What’s your main instrument?  Current projects?

4. What’s your position in the store?  What do you do there?  Describe a normal day at the store?  How long have you been there?

5. You have an important role in the store in helping people with their creative process.  How do you think about that or relate to your role?

6. Do you prefer helping people know what they’re looking for or do you prefer to help them search?

8. What’s your favorite part of your job?

9. Most interesting or memorable experience at the store?  People you’ve met?  Off the wall occurrences?  Tell us a Brooklyn story?

10. Craziest day at the store?

11. Vision for the future or dreams for your music career?

We can do video  (Zoom) or audio, up to you.

Looking forward to the call!!

Dan says: Those are Keith’s questions. Mine are different:

1. WTF is your problem?

2. Why did you do it?

3. If train A leaves the station traveling at 30mph, how many guitars is it carrying?

4. Does anyone really give a f*ck?

5. Why does my hair hurt?

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special Guest: Joshua Salant

Owner of Salant sounds studios.

https://www.salantsound.com

https://www.instagram.com/joshsalant/?hl=en

https://www.facebook.com/SalantSound/

We talk about the mixed veggie platter entrée at Tanoreen.

Josh is over in Canarsie, Brooklyn.

Two hippies and a square. Two hippies and a suit.

We talk about the punk scene in Virginia Beach. And then I’ll bar called Kogan’s.  Or was it Keagan’s.

Josh‘s superhero origin story

Josh’s dad plays music. He plays bass guitar and sings but he was more of a hobbyist than a professional.  His dad was actively play gigs in the 60s and 70s. And he used to leave his instruments laying around the house where Josh and his brother with toy around with them from time to time. Josh’s brothers name is Sean.  Sean is a professional guitar player.  Josh has been playing drums since he was 15 and he’s almost 35 now so he’s been playing for almost 20 years.

Josh tell us a funny story about how his friend met Joe the guitarist from Gojira because he always comes into the Home Depot where his friend works.

“I’m gonna play it till it’s perfect guys, please bear with me” Josh Salant

One of Josh’s favorite drummers is Nick Mason of Pink Floyd. He’s very understated and underrated. “I really like the way he plays behind the beat “

He also mentions Chad Smith,AC/DC, Megadeth and Pantera among others as influences. A lot of influences but very firmly in the rock to hard rock genres.

‘I just wanna make the artist happy. Because it’s their work.  It’s not about my drumming at all, I just want them to feel like “yeah this is gonna really enhance my song.”’

Josh was running his studio and since 2005. He only officially opened it for business in 2014. He’s got a lot of years running that sound.

The first record ever made was for his thrash band in 2005 called Name Your Poison. A thrash band from high school - everyone was from Canarsie Brooklyn.

Josh says that he sees certain genres coming back right now. He sees a resurgence of the old school Brooklyn hard-core and a lot of metal stuff (lotta metal projects being started right now). He also noticed a big resurgence in film scoring.  A few years ago Neo Soul was the big thing.

Josh talks a lot about his process in the studio. Specific things he does to help bands get a good take. Lots of different ideas about feedback he gives to the band. Helping bands plan their records setting expectations for how much could be done in a day. Instrumental ideas for tracking. Lots of great stuff.

Josh‘s current projects are:

No call no show

Monster over there

The coffin daggers are signed to Cleopatra records

Nova lantern

Man-made Hills

Taylor and the apes

Josh has a lot of vintage tube amps that he babies.

62 Vibrolux

78 Fender twin

Marshall plexi clone

5150

Modern Marshall JCM 2000 triple super lead

Sears Silvertone from the 60s

“The magic happens in the live room. 90% of the sound is the live room with maybe 10% of the control room.“

“When you have the right rig that inspires you then the performance is inspired and everything just sounds better”

“This may sound cheesy but I feel like I’m kind a living my dream right now”

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special Guest: Justin Wertz

Links to other projects by Justin. Dirty dude apothecary and blank baby.

https://blankbaby.bandcamp.com

https://www.dirtydudeapothecary.com

http://www.wertznatural.com

We start off by talking about Squier Bullet Teles and Strats.  We talk about finishes.  I guess I don’t like sunburst??

We also wondered aloud why guitarists don’t try to match their straps to their outfits.

We mention Oliver’s Musical Genius

This is a book club episode.  We are reading Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458 (this is our affiliate link if you wish to support the channel)

We read an excerpt of the book separately, then we come together and discuss to hopefully get additional insight into the text…and the process of music production.

This episode only covers part of chapter 5, pages 59-72.

The fact that Justin is a teacher (professionally) which brings a great deal of insight into this book.

What is covered:

-Nurturing the artist’s comfort level to inspire (and not squelch creativity).

-Staying grounded and neutral in your relationship with other artists.

-Maintaining calm in stressful situations.

-The producer as teacher, coach, facilitator, etc.

-Demonstrating 3 wins to earn the trust of the artist.  3 instances of demonstrating your production ability. (Possible wins: the tone you set, diffusing a conflict, suggesting a song element change).

-“In writing, you must kill all your darlings.” - William Faulkner

-Sincerity and genuine enthusiasm are true gifts that you can share with other artists.

-The artists initial buy-in to work together is a large part of the job.

-The creative process is its own living entity that functions on its own energy and controls the players rather then the other way around.

-Keeping the creative process fresh.  Being sensitive to the feelings in the process and switching it up exactly at the right time to keep the interest going.

-Cognitive dissonance is terrifying and liberating for the artist.  It is to be sought out rather than avoided.

-Is any music created for the sole purpose of joyful expression or is ego always involved?

-There’s always a grey area.  It’s not black and white.

-Do yoga?

-The producer needs to be the adult in the room.

-The buy-in is part of the process.

-Your selection/decision to work with an artist could inspire the artist to greater levels of expression or be stress-inducing.

All good music and all real art should reflect the complexity and full depth of the human experience.

We figured out art!

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special Guest: Justin Wertz

Links to other projects by Justin. Dirty dude apothecary and blank baby.

https://blankbaby.bandcamp.com

https://www.dirtydudeapothecary.com

http://www.wertznatural.com

We start off by talking about Squier Bullet Teles and Strats.  We talk about finishes.  I guess I don’t like sunburst??

We also wondered aloud why guitarists don’t try to match their straps to their outfits.

We mention Oliver’s Musical Genius

This is a book club episode.  We are reading Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458 (this is our affiliate link if you wish to support the channel)

We read an excerpt of the book separately, then we come together and discuss to hopefully get additional insight into the text…and the process of music production.

This episode only covers part of chapter 5, pages 59-72.

The fact that Justin is a teacher (professionally) which brings a great deal of insight into this book.

What is covered:

-Nurturing the artist’s comfort level to inspire (and not squelch creativity).

-Staying grounded and neutral in your relationship with other artists.

-Maintaining calm in stressful situations.

-The producer as teacher, coach, facilitator, etc.

-Demonstrating 3 wins to earn the trust of the artist.  3 instances of demonstrating your production ability. (Possible wins: the tone you set, diffusing a conflict, suggesting a song element change).

-“In writing, you must kill all your darlings.” - William Faulkner

-Sincerity and genuine enthusiasm are true gifts that you can share with other artists.

-The artists initial buy-in to work together is a large part of the job.

-The creative process is its own living entity that functions on its own energy and controls the players rather then the other way around.

-Keeping the creative process fresh.  Being sensitive to the feelings in the process and switching it up exactly at the right time to keep the interest going.

-Cognitive dissonance is terrifying and liberating for the artist.  It is to be sought out rather than avoided.

-Is any music created for the sole purpose of joyful expression or is ego always involved?

-There’s always a grey area.  It’s not black and white.

-Do yoga?

-The producer needs to be the adult in the room.

-The buy-in is part of the process.

-Your selection/decision to work with an artist could inspire the artist to greater levels of expression or be stress-inducing.

All good music and all real art should reflect the complexity and full depth of the human experience.

We figured out art!

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

In this episode we discuss our plans to revive and produce Oliver’s Musical Genius.

Oliver’s Musical Genius was my high school band.  We throw around some story ideas. One story idea that we mentioned was the heroes journey. As a framework for the overall story.

It is most basic sense, story of Oliver’s Musical Genius is the story of a band formed in Brooklyn, New York, in one universe then transported to another where they are part of the journey to earn the coveted spot of the resident musical entertainers of the court of a king named Oliver. And that’s why the band is called Oliver’s Musical Genius because every time they are called upon to perform for the court they are introduced as Oliver’s Musical Genius.

It’s kind of like Freaks and Geeks meets Dungeons and Dragons

Absurd narratives and conceptual continuity. - Daniel Kutcher

My character is going to be named Josh “Flaco” Seigel

Information for Olivers Masters office master document

The main character is Josh “Flaco” Seigel.

A band is being formed

The backstory of the main character Josh Flaco Seigel is that when he was (this is kind of like the superhero origin story of Josh). When Josh was a little kid they he went for an IQ test and the testers would not reveal his score because they felt that it would impact how he was raised either positively or negatively. So, the main plot point is that no one can really tell if this person is a genius or idiot and there are legitimate moments where is behaves in both fashions. There are times when he presents real intellect and sensitivity and there are also moments where he presents massive stupidity and lack of awareness.

Dan’s character is the advisor. The chief advisor to the king.  The inside man.  He is a consultant to the king and the bands and he has his own agenda.

A great idea for the show would be to have it be a serial like the old anime Voltron where there’s a different bad guy each time but it’s actually a band, a real band, and it’s sort of like a anime battle and battle of the bands simultaneously.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

Check our the Radio Station: https://rarityrockradio.com

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special Guests: Mike and Cassie Peel of Rarity Rock Radio

Rarity Rock Radio in Tuscon, AZ

Multi-Genre Virtual Residency

https://rarityrockradio.com

Their mission is to exposure their listeners to under the radar rock from the past and present.  The idea for the station was born after seeing an Ian Hunter show at The Stone Pony in Asbury Park, NJ.  Mike and Cassie said they were always inspired to find new music - doing lots of crate digging and getting to see many shows when living in LA for 10 years.  Casssie worked at a radio station in California and they both worked in a radio station in Tuscon.

They will play our song Rejuvenate daily, 3 times per day.  From February 14 through February 20th.

“We hope that people are inspired by our ineptitude.”

-Getcha Some Productions

Rejuvenate - Band The Handshake

Fast Rock: ~ 185 BPM

Verse 1

Acapella (G is implied) (7)

I’m sure of it now, every love song that I write starts with I 

I know a

C (6)

Woman with a child inside her, and I hope she has room for a man 

like me

G (4)

(Instrumental)

G (7)

I’m sure of it now, I will treat you exactly the way, that I want to treat you.

C (4)

I’ll tell you what I want, I’ll tell you that I want

G (4)

You to know what I’ve been, keeping from you for too long

C (4)

For far too long, for far too long

G (4)

And if I get shot down I simply fall asleep and dream

C (6)

And when I awake I am newly strong, and that’s my bigges problem

Chorus 1

G     Em    Bm    Bb7 Am

Rejuvenate, all my love

G     Em    Bm    Bb7 Am

Rejuvenate, all my love

Verse 2

G (4)

(Instrumental)

G (6)

I’m sure of it now all the riches in the world can’t be used to fix this

C (4)

Hurting deep inside, I’ve come to think is sickness

G (4)

(Instrumental)

G (6)

I’m sure of it now, it’s more than one man’s task to make forever last

C (4)

But that’s what I aim to do.  That’s what I aim to do.

G (4)

If only you could be a little closer to me

C (4)

And remind me every day of a future I’d like to see

Chorus 2

G     Em    Bm    Bb7 Am

Rejuvenate, all my love

G     Em    Bm    Bb7 Am

Rejuvenate, all my love

G (4)

(Instrumental)

Bridge

Bm              C

Your love could be complete release

G

(Instrumental)

Bm            C

Your touch it brought me to my knees

G

(Instrumental)

Bm         C

I tried so hard to be myself

G

(Instrumental)

Bm         C

But all my offers would not sell

Break

Verse 1 Repeat

Acapella (G is implied) (7)

I’m sure of it now, every love song that I write starts with I 

I know a

C (6)

Woman with a child inside her, and I hope she has room for a man 

like me

G (4)

(Instrumental)

G (7)

I’m sure of it now, I will treat you exactly the way, that I want to treat you.

C (4)

I’ll tell you what I want, I’ll tell you that I want

G (4)

You to know what I’ve been, keeping from you for too long

C (4)

For far too long, for far too long

G (4)

And if I get shot down I simply fall asleep and dream

C (6)

And when I awake I am newly strong, and that’s my bigges problem

Chorus

G     Em    Bm    Bb7 Am

Rejuvenate, all my love

G     Em    Bm    Bb7 Am

Rejuvenate, all my love

Rejuvenate

Keys

Verse: G Major

Chorus: G Major

Bridge: B minor (Phrygian)

Tempo: Fast Rock ~185 BPM

Form: 

Verse 1

Chorus

Verse 2

Chorus

Bridge

Verse 1 Repeat

Chorus

Chorus

Notes: 

1. 1. This song is harmonically very simple but the challenge is that the lengths of each line are determined by the lyrics so the verses have uneven amounts of measures per line.  The verse chords are noted with the amount of measures to play the chord in parentheses.

There’s an interesting congruence in that, Mike and Cassie brought up Asbury Park, NJ as being at the root of their station and, the final product of Rejuvenate has a “wall of sound” quality that reminds me of Springsteen at times.

The intention of the band was that everyone would be treated well and fairly.

Dan talks about his influences.  Heavy Metal, Death Metal, Frank Zappa, Classic Jazz, Miles Davis, Wayne Shorter.  Dan and Keith attended Bard College together.

My influence is The Beatles because I listened to them at an early age and all the harmonic, melodic and rhythmic sensibilities are ingrained.

Dan’s new Band: https://www.element115.band

The Handshake: http://www.thehandshakenyc.com

The Handshake Self Titled Album

Streaming Links

Full Album:

YouTube https://www.youtube.com/playlist?list=PL5n4xoKs6aAuBifgXaFzCscMvO72GvAZA

Spotify https://open.spotify.com/artist/4SJ8fGm8x5ajeYxwwPDLwG?si=-pe2PSpiTuyo-cf4YK_a_A

Apple Music https://music.apple.com/us/album/the-handshake/552979025

Amazon Music https://www.amazon.com/Handshake-Explicit-handshake/dp/B008XGFVCK/ref=nodl_

deezer https://deezer.page.link/9q9RNhK4f36MSh8Z9

YouTube https://www.youtube.com/playlist?list=PL5n4xoKs6aAuBifgXaFzCscMvO72GvAZA

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special Guest: Justin Wertz

First, check out Justin’s businesses below:

http://www.wertznatural.com

https://www.dirtydudeapothecary.com

https://blankbaby.bandcamp.com

We are talking while we’re eating so be warned.

We discuss Oliver’s Musical Genius - the band, the myth, the legend.

We talk about perhaps getting the whole band into it but I rather propose getting a professional drummer.

Justin Wertz is a founding member of the band.

I tell Justin all about how I came to the idea of resurrecting Oliver’s Musical Genius in order to work on story writing and e-mail marketing.  We should focus on story writing.  The heroes journey.  We are a list of things we need to do:

1. Write the story(stories)
2. E-mail Marketing
3. Make a website
4. Release the old recordings
5. Press Strategies
6. Merch
7. Play a Show
8. Design Elements
9. Compile and use old pictures.

Justin talks a bit about how he sees little kids wearing Pink Floyd t-shirts and not knowing what it is.

Justin mentions Stranger Things and the look of it.  I think this is a great reference.

We then talk about digging up a bunch of old pictures.  This is also a great idea.  

We’re using e-mail marketing for musicians class by Graham English.

I started with the first class of Graham’s which assigns the task of drafting a bunch of e-mail titles.  We mention Ariana Grande and Taylor Swift.  We talk about Chili’s Restaurant.  Product placement.  Freaks and Geeks is mentioned.

We want to film a commercial at Chili’s where we’re wearing our own merch.

Garage Rock comes up.  Oliver’s Musical Genius is definitely a basement/garage type of band.

“No one gets tired of the late-adolescent, hopeful, big-naive-ego.” - Justin Wertz

Here are the only characters and plot points we have so far:

The band is from Brooklyn

Keith, Justin F, Justing W, Will, Jim, Mike, the Italian Girls

Justin has a cool idea where one of us is writing the mythical/mystical story as we’re living the story.

“Just hire someone who can write some shit.”

Justin proposes we start with Edward R. Murrow High School.  He tells the true story about how the band started.  Justin was playing Stairway to Heaven with some other people in High School.  Justin owned a Squier Stratocaster at the time.  He didn’t even have case.  From the first rehearsal, it felt like family.  We didn’t think we were good but other people who came to the shows really enjoyed themselves.  We weren’t that good, in the end, but we were relatively well rehearsed.  We talk about making band flyers which is totally a thing.  We remember the 2-track live we did at Electric Plant Studios in Brooklyn.  We played Thigmotaxis and Laura.  We remembered roller blading and skateboarding with our equipment from Bay Ridge to Dyker and back.  Watching Twin Peaks all night long.

I reference Phish’s Gamehenge.

The things that kids would do just to do shit!!

Then we talk about the original Star Wars Clone Wars Cartoon.  We loved it.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Special Guest: Justin Wertz

First, check out Justin’s businesses below:

http://www.wertznatural.com

https://www.dirtydudeapothecary.com

https://blankbaby.bandcamp.com

We are talking while we’re eating so be warned.

We discuss Oliver’s Musical Genius - the band, the myth, the legend.

We talk about perhaps getting the whole band into it but I rather propose getting a professional drummer.

Justin Wertz is a founding member of the band.

I tell Justin all about how I came to the idea of resurrecting Oliver’s Musical Genius in order to work on story writing and e-mail marketing.  We should focus on story writing.  The heroes journey.  We are a list of things we need to do:

1. Write the story(stories)
2. E-mail Marketing
3. Make a website
4. Release the old recordings
5. Press Strategies
6. Merch
7. Play a Show
8. Design Elements
9. Compile and use old pictures.

Justin talks a bit about how he sees little kids wearing Pink Floyd t-shirts and not knowing what it is.

Justin mentions Stranger Things and the look of it.  I think this is a great reference.

We then talk about digging up a bunch of old pictures.  This is also a great idea.  

We’re using e-mail marketing for musicians class by Graham English.

I started with the first class of Graham’s which assigns the task of drafting a bunch of e-mail titles.  We mention Ariana Grande and Taylor Swift.  We talk about Chili’s Restaurant.  Product placement.  Freaks and Geeks is mentioned.

We want to film a commercial at Chili’s where we’re wearing our own merch.

Garage Rock comes up.  Oliver’s Musical Genius is definitely a basement/garage type of band.

“No one gets tired of the late-adolescent, hopeful, big-naive-ego.” - Justin Wertz

Here are the only characters and plot points we have so far:

The band is from Brooklyn

Keith, Justin F, Justing W, Will, Jim, Mike, the Italian Girls

Justin has a cool idea where one of us is writing the mythical/mystical story as we’re living the story.

“Just hire someone who can write some shit.”

Justin proposes we start with Edward R. Murrow High School.  He tells the true story about how the band started.  Justin was playing Stairway to Heaven with some other people in High School.  Justin owned a Squier Stratocaster at the time.  He didn’t even have case.  From the first rehearsal, it felt like family.  We didn’t think we were good but other people who came to the shows really enjoyed themselves.  We weren’t that good, in the end, but we were relatively well rehearsed.  We talk about making band flyers which is totally a thing.  We remember the 2-track live we did at Electric Plant Studios in Brooklyn.  We played Thigmotaxis and Laura.  We remembered roller blading and skateboarding with our equipment from Bay Ridge to Dyker and back.  Watching Twin Peaks all night long.

I reference Phish’s Gamehenge.

The things that kids would do just to do shit!!

Then we talk about the original Star Wars Clone Wars Cartoon.  We loved it.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.

In this episode we discuss:

Book Club Episode with Justin Wertz.

We are discussing Unlocking Creativity by Michael Beinhorn.  Chapter 5, the first 10 pages.  It’s a long chapter.  Pages 51 through 59.

First, check out Justin’s businesses below:

http://www.wertznatural.com

https://www.dirtydudeapothecary.com

Justing starts off with a bit of an introduction to the book.  We discuss how the book is really meant as a guide for producers in dealing with artists.  Even though that is the primary focus, it can also be used to deal with your fellow artists in addition to giving you tools for self-reflection.

It has so many tools to help you relate to others on an artistic level.  It’s a book about humans.

Being an artist is not a job, it’s a calling.  This is something we have discussed on many occasions.

Bruce Lee came up.

The artists function is not just to create but to be a model of creativity.

This is what keeps cultures alive.

Michael Jordan came up.

The artist can be a martyr…should be prepared to be a martyr.

The artist is the beacon.  The artist does not know what is ahead because art is exploratory.  There’s no light until the artist goes in.  The artist is the beacon.  The artist brings the light.

What is talent?  We discuss this.  Talent could just be a will or fire or vision.  Luck, talent, drive, motivation, spark of inspiration, right place/right time.

How many non-self-aware, drug-addicted, emotional wrecks have created masterpieces?

We then talk about flipping between logical/cerebral and intuitive in the creative process.

Episode ends with my song Quarantine.

#MusicProduction

#DIYMusician

#MusicRecording

#MusicTechnique

#TheArtistsLife

#Creativity

#Creative Music

#Music

#10,000Hours

#GetchaSomeProductions

#TheHandshake

#GetchaSomeGuitar

#OliversMusicalGenius

#ErosPragma

#Mitochondriac

#PerryNice

#SoulsofService

To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSome

Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcast

Please like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQ

Buy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458

A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.