<![CDATA[The Mastering Show]]>91160117-1969-5450-841a-aa3e6d16fca5Tue, 31 Mar 2026 17:15:42 +0000Captivate.fmThe Mastering Show Podcasthttps://artwork.captivate.fm/6ec93a88-dc23-4d0f-8d7a-f65a7af45664/avatars-000212645351-vof504-original.jpgThe Mastering ShowThe Mastering Show PodcastThe Mastering Show PodcastThis is the show where we cover all aspects of mastering. If you're interested in mastering, want to learn how to get better results mastering your own music, or even want to be a mastering engineer, this is the show you want to hear!https://www.themasteringshow.comfalseepisodichttps://feeds.captivate.fm/the-mastering-show/nopodcastThe Mastering Show #107 - Mastering for 1-Off Vinyl (and short runs)The Mastering Show #107 - Mastering for 1-Off Vinyl (and short runs)More and more people are choosing to get vinyl copies of their music made one at a time, rather than having hundreds of copies pressed at once. Or in very small batches, or allowing fans to order copies on demand.

So how does this work, and what does it mean ? How do you get the best quality results, and minimise the risk of getting something back that you're not happy with ?

Mastering for vinyl is a whole different ball-game, as I discussed in detail with Scott Hull in Episode 94. So in this show, Joe Caithness and I dig into the topic in detail, discussing:

  • What is a "lathe cut" or "dubplate"
  • How are they made, and how are they different to traditionally pressed vinyl ?
  • Do you always need to have your music mastered by a dedicated vinyl cutting engineer ?
  • How do you get the specs for the audio you should supply ? And
  • Why this can be trickier than it sounds
  • Do you really need to mono the bass on vinyl ? And what about phase ?

Links and more episodes here:

www.themasteringshow.com/episode-107

Mentioned in this episode:

Mastering

Click HERE to work with Ian

Tools

For Ian's mastering plugins, click HERE

Leapwing

Find out more about Leapwing's plugins

]]>More and more people are choosing to get vinyl copies of their music made one at a time, rather than having hundreds of copies pressed at once. Or in very small batches, or allowing fans to order copies on demand.

So how does this work, and what does it mean ? How do you get the best quality results, and minimise the risk of getting something back that you're not happy with ?

Mastering for vinyl is a whole different ball-game, as I discussed in detail with Scott Hull in Episode 94. So in this show, Joe Caithness and I dig into the topic in detail, discussing:

  • What is a "lathe cut" or "dubplate"
  • How are they made, and how are they different to traditionally pressed vinyl ?
  • Do you always need to have your music mastered by a dedicated vinyl cutting engineer ?
  • How do you get the specs for the audio you should supply ? And
  • Why this can be trickier than it sounds
  • Do you really need to mono the bass on vinyl ? And what about phase ?

Links and more episodes here:

www.themasteringshow.com/episode-107

Mentioned in this episode:

Mastering

Click HERE to work with Ian

Tools

For Ian's mastering plugins, click HERE

Leapwing

Find out more about Leapwing's plugins

]]>eb2c31c5-ced9-4528-9a5b-6b6482a6ea49Tue, 31 Mar 2026 12:00:00 -040001:08:45falsefullThe Mastering Show #106 - Are dynamics dead ?!The Mastering Show #106 - Are dynamics dead ?!I see it every day: “The Loudness Wars are over - loud won. Get over it”

And it’s easy to see why. The average mainstream release hits -8 LUFS integrated or more; club releases regularly hit -6 or even -4 LUFS and are peaking well above zero; every other post you see on social media is about a new limiter or clipping strategy…

As the creator of Dynamic Range Day and Loudness Penalty, I should probably just give up and get my hat, right ?

Maybe….

But maybe not.

In this episode I dig into the evidence in 2026, and try to decide whether dynamics really are dead or not, looking at:

  • The LUFS of the biggest recent releases
  • Why no-one hears it
  • Are mixes built too loud to be dynamic ?
  • Why music fans don’t care (which could be good news) - and who does
  • What do we do about it ?
  • Reasons to be optimistic about dynamics in 2026

Links and more episodes here:

www.themasteringshow.com/episode-106

Mentioned in this episode:

Mastering

Click HERE to work with Ian

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>I see it every day: “The Loudness Wars are over - loud won. Get over it”

And it’s easy to see why. The average mainstream release hits -8 LUFS integrated or more; club releases regularly hit -6 or even -4 LUFS and are peaking well above zero; every other post you see on social media is about a new limiter or clipping strategy…

As the creator of Dynamic Range Day and Loudness Penalty, I should probably just give up and get my hat, right ?

Maybe….

But maybe not.

In this episode I dig into the evidence in 2026, and try to decide whether dynamics really are dead or not, looking at:

  • The LUFS of the biggest recent releases
  • Why no-one hears it
  • Are mixes built too loud to be dynamic ?
  • Why music fans don’t care (which could be good news) - and who does
  • What do we do about it ?
  • Reasons to be optimistic about dynamics in 2026

Links and more episodes here:

www.themasteringshow.com/episode-106

Mentioned in this episode:

Mastering

Click HERE to work with Ian

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>aba96521-a296-4f56-a554-7b4266a5f22fSat, 28 Feb 2026 10:00:00 -040034:49falsefullThe Mastering Show #105 - Loudness at the Grammys: is there REALLY a secret sauce ?The Mastering Show #105 - Loudness at the Grammys: is there REALLY a secret sauce ?It was the Grammys this week - you can't have missed it !

And somewhere along the way I saw an article by Ian Vargo assessing the loudness and dynamics of the nominees for Best Song.

In this episode I talk about what he discovered, and what my reaction is – and along the way, I talk about:

  1. The highest (and lowest !) LUFS measurements of the Best Song nominees
  2. How I feel about that
  3. What these songs sound like with more dynamics
  4. What difference does it make ?
  5. Is loudness really "part of the aesthetic" ?
  6. And what really does make a difference ?

Links and more episodes here:

www.themasteringshow.com/episode-105

Mentioned in this episode:

Mastering

Click HERE to work with Ian

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>It was the Grammys this week - you can't have missed it !

And somewhere along the way I saw an article by Ian Vargo assessing the loudness and dynamics of the nominees for Best Song.

In this episode I talk about what he discovered, and what my reaction is – and along the way, I talk about:

  1. The highest (and lowest !) LUFS measurements of the Best Song nominees
  2. How I feel about that
  3. What these songs sound like with more dynamics
  4. What difference does it make ?
  5. Is loudness really "part of the aesthetic" ?
  6. And what really does make a difference ?

Links and more episodes here:

www.themasteringshow.com/episode-105

Mentioned in this episode:

Mastering

Click HERE to work with Ian

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>223032fd-1587-46bc-802d-606f34c53d2aSat, 31 Jan 2026 10:00:00 -040027:46falsefullThe Mastering Show #104 - Mastering for Sync ? What, Why and HowThe Mastering Show #104 - Mastering for Sync ? What, Why and HowGetting your music "synced" for licensing in TV, movies or ads can be an amazing opportunity for indie musicians to make money and gain exposure. But is it just a pipe dream, and is mastering a necessary part of the process ?

Chris SD from Sync Songwriter is an expert in this topic – just in the last year they've had artists get songs placed in the soundtrack for the Oscar-winning movie "Anora", for example! And this episode I talk to him about this whole topic, including:

  1. What sync licensing is
  2. Why song supervisors might be interested in hearing your music
  3. How people normally submit their music for possible sync opportunities
  4. A better way that you can connect with them to improve the odds of getting your music taken on for use in film, TV and adverts
  5. Which types of songs and artists are most likely to be taken on and
  6. The role mastering and audio production play in this process

And lastly we talk about the free Sync Songwriter Music Supervisor Panel that he's put together to help you find out more about all this - which is taking place this January. For more details, click here – if you decide to give it a try, you'll be helping support The Mastering Show at the same time.

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Mastering

Click HERE to work with Ian

Leapwing

Find out more about Leapwing's plugins

]]>Getting your music "synced" for licensing in TV, movies or ads can be an amazing opportunity for indie musicians to make money and gain exposure. But is it just a pipe dream, and is mastering a necessary part of the process ?

Chris SD from Sync Songwriter is an expert in this topic – just in the last year they've had artists get songs placed in the soundtrack for the Oscar-winning movie "Anora", for example! And this episode I talk to him about this whole topic, including:

  1. What sync licensing is
  2. Why song supervisors might be interested in hearing your music
  3. How people normally submit their music for possible sync opportunities
  4. A better way that you can connect with them to improve the odds of getting your music taken on for use in film, TV and adverts
  5. Which types of songs and artists are most likely to be taken on and
  6. The role mastering and audio production play in this process

And lastly we talk about the free Sync Songwriter Music Supervisor Panel that he's put together to help you find out more about all this - which is taking place this January. For more details, click here – if you decide to give it a try, you'll be helping support The Mastering Show at the same time.

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Mastering

Click HERE to work with Ian

Leapwing

Find out more about Leapwing's plugins

]]>771edef5-1346-4709-86dd-a91c46d79e1aTue, 23 Dec 2025 07:00:00 -040047:37falsefullThe Mastering Show #103 – Technical versus Creative Mastering (Q&A)The Mastering Show #103 – Technical versus Creative Mastering (Q&A)This started out as a Q&A episode, but one way or another there turned out to be a real theme to many of the questions, namely - how do you choose between technical and creative considerations, when mastering ?

Questions like:

  1. When the client wants songs to sound different
  2. When to use mid-side processing (or not)
  3. Transient shaping - hardware or software ?
  4. How much distortion ?
  5. When is unbalanced EQ am artistic choice ?
  6. What to do when the "correct" thing to do goes against the emotion of the song

Take a listen and find out how these questions all connect !

Full links on our website:

www.themasteringshow.com/episode-103

Mentioned in this episode:

Mastering

Click HERE to work with Ian

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>This started out as a Q&A episode, but one way or another there turned out to be a real theme to many of the questions, namely - how do you choose between technical and creative considerations, when mastering ?

Questions like:

  1. When the client wants songs to sound different
  2. When to use mid-side processing (or not)
  3. Transient shaping - hardware or software ?
  4. How much distortion ?
  5. When is unbalanced EQ am artistic choice ?
  6. What to do when the "correct" thing to do goes against the emotion of the song

Take a listen and find out how these questions all connect !

Full links on our website:

www.themasteringshow.com/episode-103

Mentioned in this episode:

Mastering

Click HERE to work with Ian

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>3c406d28-0b5f-4eb5-a4e6-39ebaaad078eFri, 28 Nov 2025 12:05:00 -040035:04falsefullThe Mastering Show #102 - What IS 'translation' in mastering ?The Mastering Show #102 - What IS 'translation' in mastering ?Translation is one of the main goals of mastering - make the music sound great on any platform, and any delivery format.

But how is that possible ? How can we optimise the audio to sound great on both a huge PA and crappy earbuds, or via any data-encoded stream, when we don't have any control over those playback systems or streaming platforms ?

The answer to this paradox is deceptively simple - and powerful. In this episode I explain the common misconception of what 'translation' is; what the term really means to me, and share three simple suggestions to help you get your music to translate - on any playback system.

Full links on our website:

www.themasteringshow.com/episode-102

Mentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

Mastering

Click HERE to work with Ian

]]>Translation is one of the main goals of mastering - make the music sound great on any platform, and any delivery format.

But how is that possible ? How can we optimise the audio to sound great on both a huge PA and crappy earbuds, or via any data-encoded stream, when we don't have any control over those playback systems or streaming platforms ?

The answer to this paradox is deceptively simple - and powerful. In this episode I explain the common misconception of what 'translation' is; what the term really means to me, and share three simple suggestions to help you get your music to translate - on any playback system.

Full links on our website:

www.themasteringshow.com/episode-102

Mentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

Mastering

Click HERE to work with Ian

]]>6547f71b-fc12-4ae7-93de-03f5fc96b21aWed, 22 Oct 2025 22:00:00 -040030:29falsefullThe Mastering Show #101 - Mixing and mastering Brian Eno - with Emre RamazanogluThe Mastering Show #101 - Mixing and mastering Brian Eno - with Emre RamazanogluBrian Eno is probably the musician, producer and artist who has had the single biggest influence on my music taste and enjoyment over the years. His work speaks for itself and needs no introduction !

So when I heard Emre Ramazanoglu talking on the Working Class Audio podcast about re-mixing and mastering many of Brian's classic albums for Dolby Atmos, my ears immediately pricked up. I just couldn't miss the chance to talk to him in more detail about working with Brian - and the amazing detective work that it involved.

So in this episode Emre and I take a deep dive into this fascinating subject, talking about things like:

  • "Audio archeology" – the challenges of mixing Eno's older material, and the unexpected solutions Emre found
  • How mixing for Eno is different from Emre's usual workflow, even with brand new releases
  • The lessons Emre learned - and why this might be what makes Eno such a great producer
  • New immersive strategies Emre developed specifically for these albums...
  • ...and how they're helping his stereo mixing as well !

Full links on our website:

www.themasteringshow.com/episode-101

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>Brian Eno is probably the musician, producer and artist who has had the single biggest influence on my music taste and enjoyment over the years. His work speaks for itself and needs no introduction !

So when I heard Emre Ramazanoglu talking on the Working Class Audio podcast about re-mixing and mastering many of Brian's classic albums for Dolby Atmos, my ears immediately pricked up. I just couldn't miss the chance to talk to him in more detail about working with Brian - and the amazing detective work that it involved.

So in this episode Emre and I take a deep dive into this fascinating subject, talking about things like:

  • "Audio archeology" – the challenges of mixing Eno's older material, and the unexpected solutions Emre found
  • How mixing for Eno is different from Emre's usual workflow, even with brand new releases
  • The lessons Emre learned - and why this might be what makes Eno such a great producer
  • New immersive strategies Emre developed specifically for these albums...
  • ...and how they're helping his stereo mixing as well !

Full links on our website:

www.themasteringshow.com/episode-101

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>45e8fc99-05d7-4ae0-b400-0188d822941aFri, 05 Sep 2025 09:00:00 -040001:05:10falsefullThe Mastering Show #100 - Matt Boudreau from Working Class Audio interviews... me !The Mastering Show #100 - Matt Boudreau from Working Class Audio interviews... me !I wanted to do something a little different to mark the 100th episode, but wasn't sure what. I was wondering about interviewing myself but that seemed a little weird...

And then Matt Boudreau from the excellent Working Class Audio podcast invited me back onto his show, and it occurred to me - I could get Matt to interview me, which would be way more fun and get some much more interesting questions !

So here it is. Matt and I talk about all kinds of things including:

  • My background in music, production and music technology
  • How I got my start as a mastering engineer
  • The responsibilities of the mastering engineer (and the mistake that nearly cost me my job)
  • My first mastering chain, and how it inspired my Perception AB plugin
  • How I feel about being 'The Loudness Guy'
  • Hardware versus 'in-the-box' mastering
  • Why mastering matters

And loads more !

Full links on our website:

www.themasteringshow.com/episode-100

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Tools

For Ian's mastering plugins, click HERE

Leapwing

Find out more about Leapwing's plugins

]]>I wanted to do something a little different to mark the 100th episode, but wasn't sure what. I was wondering about interviewing myself but that seemed a little weird...

And then Matt Boudreau from the excellent Working Class Audio podcast invited me back onto his show, and it occurred to me - I could get Matt to interview me, which would be way more fun and get some much more interesting questions !

So here it is. Matt and I talk about all kinds of things including:

  • My background in music, production and music technology
  • How I got my start as a mastering engineer
  • The responsibilities of the mastering engineer (and the mistake that nearly cost me my job)
  • My first mastering chain, and how it inspired my Perception AB plugin
  • How I feel about being 'The Loudness Guy'
  • Hardware versus 'in-the-box' mastering
  • Why mastering matters

And loads more !

Full links on our website:

www.themasteringshow.com/episode-100

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Tools

For Ian's mastering plugins, click HERE

Leapwing

Find out more about Leapwing's plugins

]]>1a309f30-b94c-4c9f-a7be-63398ddea46bFri, 20 Jun 2025 06:25:00 -040001:17:14falsefullThe Mastering Show #99 - Recording, mixing and mastering acoustic guitar (with Richard Durrant)The Mastering Show #99 - Recording, mixing and mastering acoustic guitar (with Richard Durrant)Stereo, mono, binaural or surround-sound ?

I've worked with this episode's guest in all these formats and more over the many years we've been working together - but which does he prefer, and why ?

Richard Durrant describes himself as an "Indie Classical" musician, which I think is a pretty good summary - but doesn't really take into account the fact that he also toured with Sky, worked as an accomplished session musician for many years and has released albums in a brilliantly eclectic variety of other genres and styles over the years.

In this conversation we talk about:

  • Why Richard records in an "acoustic igloo" (and what that is)
  • Mic techniques for guitar and dealing with "wolf notes" on stringed instruments
  • Real spaces versus digital reverb
  • Touring (and performing) with a bicycle
  • Performing Bach's cello suites on Banjo and Ukulele - how and why

Full links on our website:

www.themasteringshow.com/episode-99

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>Stereo, mono, binaural or surround-sound ?

I've worked with this episode's guest in all these formats and more over the many years we've been working together - but which does he prefer, and why ?

Richard Durrant describes himself as an "Indie Classical" musician, which I think is a pretty good summary - but doesn't really take into account the fact that he also toured with Sky, worked as an accomplished session musician for many years and has released albums in a brilliantly eclectic variety of other genres and styles over the years.

In this conversation we talk about:

  • Why Richard records in an "acoustic igloo" (and what that is)
  • Mic techniques for guitar and dealing with "wolf notes" on stringed instruments
  • Real spaces versus digital reverb
  • Touring (and performing) with a bicycle
  • Performing Bach's cello suites on Banjo and Ukulele - how and why

Full links on our website:

www.themasteringshow.com/episode-99

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>695f58e6-7702-492a-b0e6-46e3d0b3cc40Thu, 29 May 2025 09:08:00 -040053:49falsefullThe Mastering Show #98 - Stem mastering, Dynamics and Dolby Atmos at Abbey Road (with Oli Morgan)The Mastering Show #98 - Stem mastering, Dynamics and Dolby Atmos at Abbey Road (with Oli Morgan)'Stem mastering' has provoked a ton of debate recently, with people claiming it crosses the line between mixing and mastering, interferes with the artist's intent, and isn't even really mastering at all !

But if that's true, why would Abbey Road, one of the biggest mastering studios in the world, offer a dedicated stem mastering service ?!

In this episode I talk to Oli Morgan, who specialises in stem mastering and mixing in mastering in Dolby Atmos at Abbey Road, about all these questions and more. We talk about:

  • How he got started in mastering (and what that has in common with me)
  • His perspective on stem mastering – when and how it can be helpful
  • How (and why) stem mastering is a key element for working in Immersive Audio and Dolby Atmos
  • What we can learn about dynamics from working in Dolby Atmos
  • Why the 'pressure sound' may not be all about heavy limiting
  • How we might be able to have our cake and eat it in the quest to balance loudness and dynamics

Full links on our website:

www.themasteringshow.com/episode-98

Mentioned in this episode:

Tools

For Ian's mastering plugins, click HERE

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>'Stem mastering' has provoked a ton of debate recently, with people claiming it crosses the line between mixing and mastering, interferes with the artist's intent, and isn't even really mastering at all !

But if that's true, why would Abbey Road, one of the biggest mastering studios in the world, offer a dedicated stem mastering service ?!

In this episode I talk to Oli Morgan, who specialises in stem mastering and mixing in mastering in Dolby Atmos at Abbey Road, about all these questions and more. We talk about:

  • How he got started in mastering (and what that has in common with me)
  • His perspective on stem mastering – when and how it can be helpful
  • How (and why) stem mastering is a key element for working in Immersive Audio and Dolby Atmos
  • What we can learn about dynamics from working in Dolby Atmos
  • Why the 'pressure sound' may not be all about heavy limiting
  • How we might be able to have our cake and eat it in the quest to balance loudness and dynamics

Full links on our website:

www.themasteringshow.com/episode-98

Mentioned in this episode:

Tools

For Ian's mastering plugins, click HERE

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>19345967-4cd4-4862-b00d-c94056581fc4Mon, 31 Mar 2025 10:00:00 -040001:19:23falsefullThe Mastering Show #97 - Should you learn mastering FIRST ?! (with Ken Scott)The Mastering Show #97 - Should you learn mastering FIRST ?! (with Ken Scott)The term “legend” gets thrown all the time in audio production circles, but my guest this episode really deserves it.

I’m sure you already know this but Ken Scott has worked with the Beatles, David Bowie, Elton John and Supertramp amongst so many others, so I was delighted when he agreed to join me for this episode !

There were so many things we could have talked about it was hard to know where to start, but here are just a few of the topics we covered:

* Why Abbey Road trained their engineers in mastering before they were ever allowed to engineer a recording session

* The value of mentors - and being thrown in at the deep end

* Mixing in sections (instead of using automation)

* When limited resources are a Good Thing

* Re-mixing Ziggy Stardust in Dolby Atmos (with added drum samples…!)

* …and how the new mix translates to stereo

Full show notes on our website

https://themasteringshow.com/episode-97

Mentioned in this episode:

Tools

For Ian's mastering plugins, click HERE

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>The term “legend” gets thrown all the time in audio production circles, but my guest this episode really deserves it.

I’m sure you already know this but Ken Scott has worked with the Beatles, David Bowie, Elton John and Supertramp amongst so many others, so I was delighted when he agreed to join me for this episode !

There were so many things we could have talked about it was hard to know where to start, but here are just a few of the topics we covered:

* Why Abbey Road trained their engineers in mastering before they were ever allowed to engineer a recording session

* The value of mentors - and being thrown in at the deep end

* Mixing in sections (instead of using automation)

* When limited resources are a Good Thing

* Re-mixing Ziggy Stardust in Dolby Atmos (with added drum samples…!)

* …and how the new mix translates to stereo

Full show notes on our website

https://themasteringshow.com/episode-97

Mentioned in this episode:

Tools

For Ian's mastering plugins, click HERE

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>tag:soundcloud,2010:tracks/1944261903Mon, 28 Oct 2024 20:55:00 -040052:41falsefullThe term “legend” gets thrown all the time in audio production circles, but my guest this episode really deserves it. I’m sure you already know this but Ken Scott has worked with the Beatles, David Bowie, Elton John and Supertramp amongst so many others, so I was delighted when he agreed to join me for this episode ! There were so many things we could have talked about it was hard to know where to start, but here are just a few of the topics we covered: * Why Abbey Road trained their engineers in mastering before they were ever allowed to engineer a recording session * The value of mentors - and being thrown in at the deep end * Mixing in sections (instead of using automation) * When limited resources are a Good Thing * Re-mixing Ziggy Stardust in Dolby Atmos (with added drum samples…!) * …and how the new mix translates to stereo Full show notes on our website https://themasteringshow.com/episode-97The Mastering Show #96 - Flippin' Clippin' !The Mastering Show #96 - Flippin' Clippin' !We’ve been using “soft clipping" in mastering for over 20 years at this point, but it suddenly feels as if it’s all anyone is talking about ! New plugins, new suggestions about how to use it, and wild new claims about how amazing it sounds.

Except it doesn’t.

At least – not all the time, and not for all material.

In this episode Joe Caithness and I dig deep into the details and talk about:


* What clipping is, and what it isn’t

* The crucial differences between hard and soft clipping

* What makes a great clipping plugin (and why comparing them is a nightmare)

* Some of our favourite clipping plugins and how we use them

* The kinds of material that work best with clipping, and what type to use

* The golden rule to follow if you want to experiment with clipping yourself


Full show notes and links on our website:

https://themasteringshow.com/episode-96

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>We’ve been using “soft clipping" in mastering for over 20 years at this point, but it suddenly feels as if it’s all anyone is talking about ! New plugins, new suggestions about how to use it, and wild new claims about how amazing it sounds.

Except it doesn’t.

At least – not all the time, and not for all material.

In this episode Joe Caithness and I dig deep into the details and talk about:


* What clipping is, and what it isn’t

* The crucial differences between hard and soft clipping

* What makes a great clipping plugin (and why comparing them is a nightmare)

* Some of our favourite clipping plugins and how we use them

* The kinds of material that work best with clipping, and what type to use

* The golden rule to follow if you want to experiment with clipping yourself


Full show notes and links on our website:

https://themasteringshow.com/episode-96

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>tag:soundcloud,2010:tracks/1924599101Fri, 27 Sep 2024 03:45:00 -040001:09:24falsefullWe’ve been using “soft clipping" in mastering for over 20 years at this point, but it suddenly feels as if it’s all anyone is talking about ! New plugins, new suggestions about how to use it, and wild new claims about how amazing it sounds. Except it doesn’t. At least – not all the time, and not for all material. In this episode Joe Caithness and I dig deep into the details and talk about: * What clipping is, and what it isn’t * The crucial differences between hard and soft clipping * What makes a great clipping plugin (and why comparing them is a nightmare) * Some of our favourite clipping plugins and how we use them * The kinds of material that work best with clipping, and what type to use * The golden rule to follow if you want to experiment with clipping yourself Full show notes and links on our website: https://themasteringshow.com/episode-96The Mastering Show #95 - Loudness trends in 2024: should you follow them ? with Ian StewartThe Mastering Show #95 - Loudness trends in 2024: should you follow them ? with Ian StewartThe Billboard Top 50 global singles from the first half of 2024 have an average loudness of -8.3 LUFS

So that’s how loud we should be making our masters, right ?

Well…

It certainly might seem that way, but in reality it’s a bit more complicated than that. This is only one of the interesting results that Ian Stewart presented in his latest blog post for iZoTope, and in this episode I asked him back on to really dig into some of the details and nuance.


Plus I also wanted to talk to him about the amazing plug-in that got invented during the last episode he was on ! (Well, that’s my story and I’m sticking to it 😛)


During the show we talk about:


* What that -8 LUFS average result REALLY means, and how much attention you should pay to it

* Who the most successful artist in the Top 50 is, and the loudness statistics of their music

* The problem with the title iZotope chose for the post

* All the other results, trends and biases in the data

* Basslane Pro, the plug-in Ian worked with Tone Projects to develop, why it’s unique - and how The Mastering Show helped it happen !


Full show notes on our site

https://themasteringshow.com/episode-95

Mentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>The Billboard Top 50 global singles from the first half of 2024 have an average loudness of -8.3 LUFS

So that’s how loud we should be making our masters, right ?

Well…

It certainly might seem that way, but in reality it’s a bit more complicated than that. This is only one of the interesting results that Ian Stewart presented in his latest blog post for iZoTope, and in this episode I asked him back on to really dig into some of the details and nuance.


Plus I also wanted to talk to him about the amazing plug-in that got invented during the last episode he was on ! (Well, that’s my story and I’m sticking to it 😛)


During the show we talk about:


* What that -8 LUFS average result REALLY means, and how much attention you should pay to it

* Who the most successful artist in the Top 50 is, and the loudness statistics of their music

* The problem with the title iZotope chose for the post

* All the other results, trends and biases in the data

* Basslane Pro, the plug-in Ian worked with Tone Projects to develop, why it’s unique - and how The Mastering Show helped it happen !


Full show notes on our site

https://themasteringshow.com/episode-95

Mentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>tag:soundcloud,2010:tracks/1897804875Thu, 15 Aug 2024 17:08:00 -040001:16:15falsefullThe Billboard Top 50 global singles from the first half of 2024 have an average loudness of -8.3 LUFS So that’s how loud we should be making our masters, right ? Well… It certainly might seem that way, but in reality it’s a bit more complicated than that. This is only one of the interesting results that Ian Stewart presented in his latest blog post for iZoTope, and in this episode I asked him back on to really dig into some of the details and nuance. Plus I also wanted to talk to him about the amazing plug-in that got invented during the last episode he was on ! (Well, that’s my story and I’m sticking to it 😛) During the show we talk about: * What that -8 LUFS average result REALLY means, and how much attention you should pay to it * Who the most successful artist in the Top 50 is, and the loudness statistics of their music * The problem with the title iZotope chose for the post * All the other results, trends and biases in the data * Basslane Pro, the plug-in Ian worked with Tone Projects to develop, why it’s unique - and how The Mastering Show helped it happen ! Full show notes on our site https://themasteringshow.com/episode-95The Mastering Show #94 -The truth about vinyl (with Scott Hull)The Mastering Show #94 -The truth about vinyl (with Scott Hull)People are always asking me about mastering for vinyl, and I’m happy to try and help based on the experience I have. I don’t actually cut vinyl myself though, so that advice is always limited and second-hand.

So for this episode I decided to talk to a genuine expert on the topic - Scott Hull from Masterdisk - and really get into the details.

Scott’s knowledge and experience of cutting vinyl is enormous, as you’ll hear, and I took full advantage of that in this episode ! Some of the things we talked about include:


The 4 stages of vinyl production, and why each is important

How making assumptions about vinyl mastering can backfire

Why choosing which plant is going to press the records is crucial

The crucial role of the lathe - and it’s setup

The myth of duration on vinyl - why “20 minutes per side” isn’t a hard and fast rule

Why less limiting allows you to cut louder on vinyl

What is the magic of vinyl ?


Full show notes and links on our website

https://themasteringshow.com/episode-94

Mentioned in this episode:

Tools

For Ian's mastering plugins, click HERE

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>People are always asking me about mastering for vinyl, and I’m happy to try and help based on the experience I have. I don’t actually cut vinyl myself though, so that advice is always limited and second-hand.

So for this episode I decided to talk to a genuine expert on the topic - Scott Hull from Masterdisk - and really get into the details.

Scott’s knowledge and experience of cutting vinyl is enormous, as you’ll hear, and I took full advantage of that in this episode ! Some of the things we talked about include:


The 4 stages of vinyl production, and why each is important

How making assumptions about vinyl mastering can backfire

Why choosing which plant is going to press the records is crucial

The crucial role of the lathe - and it’s setup

The myth of duration on vinyl - why “20 minutes per side” isn’t a hard and fast rule

Why less limiting allows you to cut louder on vinyl

What is the magic of vinyl ?


Full show notes and links on our website

https://themasteringshow.com/episode-94

Mentioned in this episode:

Tools

For Ian's mastering plugins, click HERE

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>tag:soundcloud,2010:tracks/1873231920Wed, 17 Jul 2024 12:00:00 -040001:20:39falsefullPeople are always asking me about mastering for vinyl, and I’m happy to try and help based on the experience I have. I don’t actually cut vinyl myself though, so that advice is always limited and second-hand. So for this episode I decided to talk to a genuine expert on the topic - Scott Hull from Masterdisk - and really get into the details. Scott’s knowledge and experience of cutting vinyl is enormous, as you’ll hear, and I took full advantage of that in this episode ! Some of the things we talked about include: The 4 stages of vinyl production, and why each is important How making assumptions about vinyl mastering can backfire Why choosing which plant is going to press the records is crucial The crucial role of the lathe - and it’s setup The myth of duration on vinyl - why “20 minutes per side” isn’t a hard and fast rule Why less limiting allows you to cut louder on vinyl What is the magic of vinyl ? Full show notes and links on our website https://themasteringshow.com/episode-94The Mastering Show #93 - Do you NEED to be mastering loud ?The Mastering Show #93 - Do you NEED to be mastering loud ?I’m always arguing for balanced dynamics rather than loudness for it’s own sake, but some people have a different opinion - high loudness is important, and even beneficial.

Nick Di Lorenzo is one of them - he says that loudness is important regularly on his YouTube channel. So in this episode I invited him on to explore that idea in more detail, and really get into the nuances of the topic. Do you need to be mastering loud ? Topics include:

* The practicalities of loudness

* What makes things sound loud anyway ?

* Record labels versus loudness

* Why loudness IS important

* Why LUFS don’t matter, and

* The difference between loudness and LUFS

Full show notes on our website

https://themasteringshow.com/episode-93

Mentioned in this episode:

Tools

For Ian's mastering plugins, click HERE

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>I’m always arguing for balanced dynamics rather than loudness for it’s own sake, but some people have a different opinion - high loudness is important, and even beneficial.

Nick Di Lorenzo is one of them - he says that loudness is important regularly on his YouTube channel. So in this episode I invited him on to explore that idea in more detail, and really get into the nuances of the topic. Do you need to be mastering loud ? Topics include:

* The practicalities of loudness

* What makes things sound loud anyway ?

* Record labels versus loudness

* Why loudness IS important

* Why LUFS don’t matter, and

* The difference between loudness and LUFS

Full show notes on our website

https://themasteringshow.com/episode-93

Mentioned in this episode:

Tools

For Ian's mastering plugins, click HERE

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>tag:soundcloud,2010:tracks/1851366477Tue, 18 Jun 2024 21:53:00 -040001:30:53falsefullI’m always arguing for balanced dynamics rather than loudness for it’s own sake, but some people have a different opinion - high loudness is important, and even beneficial. Nick Di Lorenzo is one of them - he says that loudness is important regularly on his YouTube channel. So in this episode I invited him on to explore that idea in more detail, and really get into the nuances of the topic. Do you need to be mastering loud ? Topics include: * The practicalities of loudness * What makes things sound loud anyway ? * Record labels versus loudness * Why loudness IS important * Why LUFS don’t matter, and * The difference between loudness and LUFS Full show notes on our website https://themasteringshow.com/episode-93The Mastering Show #92 - These are not the LUFS you are looking forThe Mastering Show #92 - These are not the LUFS you are looking forYou can't go a day without someone telling you how loud your music should be, these days.

"Everything has to be -8 LUFS"

"EDM has to be -6 LUFS or louder"

"-11 is the perfect balance"

"Just master everything to -14"

...but they can't all be right !


In fact, none of them are, and even more importantly, they may not even be talking about the same thing. And the differences are really important. So in this episode I try explain really clearly and concisely:


The 3 different types of LUFS

The difference between them

Why it’s crucial to know which type you’re talking about

Why mastering to integrated targets makes no sense

When -14 LUFS isn’t loud enough – and why ?

Why it’s not about ‘how loud’, it’s about how you make it loud

Why integrated LUFS values are the result, not the goal of mastering



Full show notes on our website

https://themasteringshow.com/episode-92

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>You can't go a day without someone telling you how loud your music should be, these days.

"Everything has to be -8 LUFS"

"EDM has to be -6 LUFS or louder"

"-11 is the perfect balance"

"Just master everything to -14"

...but they can't all be right !


In fact, none of them are, and even more importantly, they may not even be talking about the same thing. And the differences are really important. So in this episode I try explain really clearly and concisely:


The 3 different types of LUFS

The difference between them

Why it’s crucial to know which type you’re talking about

Why mastering to integrated targets makes no sense

When -14 LUFS isn’t loud enough – and why ?

Why it’s not about ‘how loud’, it’s about how you make it loud

Why integrated LUFS values are the result, not the goal of mastering



Full show notes on our website

https://themasteringshow.com/episode-92

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

Tools

For Ian's mastering plugins, click HERE

]]>tag:soundcloud,2010:tracks/1753123725Tue, 20 Feb 2024 20:21:00 -040021:20falsefullYou can't go a day without someone telling you how loud your music should be, these days. "Everything has to be -8 LUFS" "EDM has to be -6 LUFS or louder" "-11 is the perfect balance" "Just master everything to -14" ...but they can't all be right ! In fact, none of them are, and even more importantly, they may not even be talking about the same thing. And the differences are really important. So in this episode I try explain really clearly and concisely: The 3 different types of LUFS The difference between them Why it’s crucial to know which type you’re talking about Why mastering to integrated targets makes no sense When -14 LUFS isn’t loud enough – and why ? Why it’s not about ‘how loud’, it’s about how you make it loud Why integrated LUFS values are the result, not the goal of mastering Full show notes on our website https://themasteringshow.com/episode-92The Mastering Show # 91 - Mixing and mastering music for the movies with Alan MeyersonThe Mastering Show # 91 - Mixing and mastering music for the movies with Alan MeyersonMentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>tag:soundcloud,2010:tracks/1694448108Tue, 19 Dec 2023 18:44:14 -040055:00falsefullIt’s virtually impossible that you haven’t heard music of some kind mixed by Alan Meyerson by this point - he’s one of the most prolific and successful film score mixers in the business. And luckily for us, he’s also super-generous and open about the information he shares, including his perspectives on mixing and ‘mastering’ music for the movies. So in this episode we dig deep into all the details, including topics like: * Is there really such a thing as ‘mastering’ for film ? * What needs to be delivered, and what is the process ? * How loud does it need to be - are there any standards ? * When does Alan deliver mixes in Atmos, and why ? * How he uses the centre channel and surround channels * Why you might want to use saturation or pitch-shifting (!) in a movie score mix Show notes http://themasteringshow.com/episode-91The Mastering Show #90 - Inter-sample peaks and True Peak limiting - the devilish detailsThe Mastering Show #90 - Inter-sample peaks and True Peak limiting - the devilish detailsMentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>tag:soundcloud,2010:tracks/1640221476Fri, 13 Oct 2023 23:26:17 -040049:52falsefullEveryone is talking about inter-sample peaks and True Peak limiters - or in fact it’s more accurate to say they’re arguing about whether ISPs are audible or not, and whether True Peak limiters sound bad ! In this episode I’m joined by Alexey Lukin, iZotope’s “godfather of RX”, to talk in detail about exactly what ISPs are and why they’re so confusing - including: * How are inter-sample peaks measured, and why do you see different results with different meters ? * What are DSP overshoot peaks, and how are they different ? * What does over-sampling have to do with all this, and why is it important ? * Do True Peak limiters really sound bad, and how should we test them ? * Why will they NOT prevent lossy decoder clipping, sometimes ? And * What the hell are we supposed to do about all this ?!?The Mastering Show #89 - Sonic Fundamentals for Podcasters with Matt BoudreauThe Mastering Show #89 - Sonic Fundamentals for Podcasters with Matt BoudreauMentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>tag:soundcloud,2010:tracks/1584488831Sat, 05 Aug 2023 21:02:40 -040049:26falsefullIf you’re not already listening to Matt Boudreau’s fantastic podcast Working Class Audio, you need to start now ! Matt is a highly respected mixing and mastering engineer who has recently moved into working in Dolby Atmos, where he’s already picked up some seriously impressive credits - oh, and also produces one of the top Audio podcasts around. Which is why if I try to think of anyone better to learn the fundamentals of good audio for podcasting and journalism from… well, I can’t. And the great news is that Matt has put together a new “PodClass” course to help people with just that. In this episode we talk about the course and what inspired it, but also plenty of other great stuff, including Making the move from pro musician to audio engineer Getting started in Atmos - workflow, dynamics and more Work-Life balance - is it better to be a lark, or a night-owl ? The secret advantages of running your own podcast... …and the crucial importance of great audio (And what it has to do with COVID lockdowns !) Enjoy - and if you want to try Matt’s course, make sure to use the discount code TMS to get a 30% discount and help support The Mastering Show at the same time !The Mastering Show #88 - Do DJs REALLY want loud masters ?The Mastering Show #88 - Do DJs REALLY want loud masters ?DJs get a lot of flak, especially about loudness. There’s a deep-seated belief that “loud” masters are still a requirement for club music, and that DJs are somehow to blame.

But is this fair ? The reality is much more complicated and interesting than the popular cliche that DJs will only play loud masters, and in this episode Ian dives deep into the issue with Joe Caithness, who works as both a DJ and a mastering engineer. Topics include:


The reality of DJ-ing

The problem with peaks

Loudness ? Or consistency ?

The power of Pioneer

The shocking missed opportunity of loudness metadata

The ‘sound’ of loudness


And much more !


Full shownotes on our site

https://themasteringshow.com/episode-88

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>DJs get a lot of flak, especially about loudness. There’s a deep-seated belief that “loud” masters are still a requirement for club music, and that DJs are somehow to blame.

But is this fair ? The reality is much more complicated and interesting than the popular cliche that DJs will only play loud masters, and in this episode Ian dives deep into the issue with Joe Caithness, who works as both a DJ and a mastering engineer. Topics include:


The reality of DJ-ing

The problem with peaks

Loudness ? Or consistency ?

The power of Pioneer

The shocking missed opportunity of loudness metadata

The ‘sound’ of loudness


And much more !


Full shownotes on our site

https://themasteringshow.com/episode-88

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>tag:soundcloud,2010:tracks/1447077811Tue, 14 Feb 2023 22:58:00 -040001:26:52falsefullDJs get a lot of flak, especially about loudness. There’s a deep-seated belief that “loud” masters are still a requirement for club music, and that DJs are somehow to blame. But is this fair ? The reality is much more complicated and interesting than the popular cliche that DJs will only play loud masters, and in this episode Ian dives deep into the issue with Joe Caithness, who works as both a DJ and a mastering engineer. Topics include: The reality of DJ-ing The problem with peaks Loudness ? Or consistency ? The power of Pioneer The shocking missed opportunity of loudness metadata The ‘sound’ of loudness And much more ! Full shownotes on our site https://themasteringshow.com/episode-88The Mastering Show #87 - Fix mastering problems - in the recording !The Mastering Show #87 - Fix mastering problems - in the recording !It’s amazing what mastering can achieve - but it’s also amazing how many things can influence the results we get right from the recording stage.

In this episode Ian talks to Mike Senior about how to fix mastering problems at the recording stage, without using a time machine ! Topics include how to avoid:


Muddy mids

Harsh guitars

Sibilance

Resonant snares

Boomy or hollow vocals

Exposed vocals

Stereo image issues


And many more !


Links


Mike has put together a fantastic page of resources for this episode, including an excellent video about stereo mic technique - click here make sure you check it out !


https://cambridge-mt.com/misc/mastering-show-2212-resources/


https://themasteringshow.com/episode-87

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>It’s amazing what mastering can achieve - but it’s also amazing how many things can influence the results we get right from the recording stage.

In this episode Ian talks to Mike Senior about how to fix mastering problems at the recording stage, without using a time machine ! Topics include how to avoid:


Muddy mids

Harsh guitars

Sibilance

Resonant snares

Boomy or hollow vocals

Exposed vocals

Stereo image issues


And many more !


Links


Mike has put together a fantastic page of resources for this episode, including an excellent video about stereo mic technique - click here make sure you check it out !


https://cambridge-mt.com/misc/mastering-show-2212-resources/


https://themasteringshow.com/episode-87

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>tag:soundcloud,2010:tracks/1404484984Sat, 17 Dec 2022 03:23:00 -040001:15:12falsefullIt’s amazing what mastering can achieve - but it’s also amazing how many things can influence the results we get right from the recording stage. In this episode Ian talks to Mike Senior about how to fix mastering problems at the recording stage, without using a time machine ! Topics include how to avoid: Muddy mids Harsh guitars Sibilance Resonant snares Boomy or hollow vocals Exposed vocals Stereo image issues And many more ! Links Mike has put together a fantastic page of resources for this episode, including an excellent video about stereo mic technique - click here make sure you check it out ! https://cambridge-mt.com/misc/mastering-show-2212-resources/ https://themasteringshow.com/episode-87The Mastering Show #86 - Mastering plugins - technical versus creativeThe Mastering Show #86 - Mastering plugins - technical versus creativeAs mastering plugins become more sophisticated and more technical, there’s an interesting trend towards making the interfaces… less so.

As well as traditional technical terms and numbered scales, controls labelled with less technical terms like “warmth”, “bite” and “colour” are becoming more common. And some interfaces are just… bizarre !


Is that good ? Or not ? In this episode Jon and I like at some more unconventional plugin user interface designs, and discuss:


Why technical interfaces can be a problem

When a more creative approach can be a good thing...

…and when it’s not

Some of our favourite ‘unconventional' plugin designs

But are they better than just closing our eyes ?!

Should plugins emulate the design of the hardware

And does it make them sound better ?!?


Full show notes - http://themasteringshow.com/episode-86

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>As mastering plugins become more sophisticated and more technical, there’s an interesting trend towards making the interfaces… less so.

As well as traditional technical terms and numbered scales, controls labelled with less technical terms like “warmth”, “bite” and “colour” are becoming more common. And some interfaces are just… bizarre !


Is that good ? Or not ? In this episode Jon and I like at some more unconventional plugin user interface designs, and discuss:


Why technical interfaces can be a problem

When a more creative approach can be a good thing...

…and when it’s not

Some of our favourite ‘unconventional' plugin designs

But are they better than just closing our eyes ?!

Should plugins emulate the design of the hardware

And does it make them sound better ?!?


Full show notes - http://themasteringshow.com/episode-86

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>tag:soundcloud,2010:tracks/1384455808Wed, 16 Nov 2022 19:00:00 -040043:49falsefullAs mastering plugins become more sophisticated and more technical, there’s an interesting trend towards making the interfaces… less so. As well as traditional technical terms and numbered scales, controls labelled with less technical terms like “warmth”, “bite” and “colour” are becoming more common. And some interfaces are just… bizarre ! Is that good ? Or not ? In this episode Jon and I like at some more unconventional plugin user interface designs, and discuss: Why technical interfaces can be a problem When a more creative approach can be a good thing... …and when it’s not Some of our favourite ‘unconventional' plugin designs But are they better than just closing our eyes ?! Should plugins emulate the design of the hardware And does it make them sound better ?!? Full show notes - http://themasteringshow.com/episode-86The Mastering Show #85 - Mixerman versus MasteringThe Mastering Show #85 - Mixerman versus MasteringYou’ve probably heard of Eric Sarafin, aka Mixerman, but have you heard what he has to say about mastering ?

As always it’s entertaining, potentially controversial but also thought-provoking, so it seemed like a good idea to get him on the show and ask him to explain himself ! We talk about:


* Why he thinks if you don’t make money from your music, you shouldn’t pay for mastering

* Whether an online mastering service is actually a better option for a musician starting out (gasp)

* Eric's favourite limiter, how he uses it and why

* How loud he makes his mixes

* Recent potentially game-changing developments...

* And why they might make mastering engineers obsolete !



Full show notes on our website

https://themasteringshow.com/episode-85

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>You’ve probably heard of Eric Sarafin, aka Mixerman, but have you heard what he has to say about mastering ?

As always it’s entertaining, potentially controversial but also thought-provoking, so it seemed like a good idea to get him on the show and ask him to explain himself ! We talk about:


* Why he thinks if you don’t make money from your music, you shouldn’t pay for mastering

* Whether an online mastering service is actually a better option for a musician starting out (gasp)

* Eric's favourite limiter, how he uses it and why

* How loud he makes his mixes

* Recent potentially game-changing developments...

* And why they might make mastering engineers obsolete !



Full show notes on our website

https://themasteringshow.com/episode-85

Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

Find out more about Leapwing's plugins

]]>tag:soundcloud,2010:tracks/1300808044Wed, 06 Jul 2022 22:25:00 -040056:39falsefullYou’ve probably heard of Eric Sarafin, aka Mixerman, but have you heard what he has to say about mastering ? As always it’s entertaining, potentially controversial but also thought-provoking, so it seemed like a good idea to get him on the show and ask him to explain himself ! We talk about: * Why he thinks if you don’t make money from your music, you shouldn’t pay for mastering * Whether an online mastering service is actually a better option for a musician starting out (gasp) * Eric's favourite limiter, how he uses it and why * How loud he makes his mixes * Recent potentially game-changing developments... * And why they might make mastering engineers obsolete ! Full show notes on our website https://themasteringshow.com/episode-85The Mastering Show #84 - Apple switch to LUFS and enable Sound Check by defaultThe Mastering Show #84 - Apple switch to LUFS and enable Sound Check by defaultMentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>Mentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>tag:soundcloud,2010:tracks/1283124877Tue, 07 Jun 2022 23:13:52 -040044:53falsefullThis is huge - Apple have finally started using LUFS for their loudness normalisation, which means all the major streaming services now use the same method to measure loudness ! And perhaps more importantly, they’ve enable Sound Check by default on new devices. As always there are plenty of devilish details to be aware of though, so in this episode we talk in detail about this change, including: * Why it’s so important * How much music online is REALLY normalised anyway ? * Why the answer is surprising to many musicians and engineers * Why Apple finally made this change * A few quirks and gotchas * Why it’s good news * And what to do about it (and what NOT to do!) Full show notes on our website https://themasteringshow.com/episode-84The Mastering Show #83 - Mastering for clubs & DJs with Luca PretolesiThe Mastering Show #83 - Mastering for clubs & DJs with Luca PretolesiMentioned in this episode:

Leapwing

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Leapwing

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]]>tag:soundcloud,2010:tracks/1265240458Mon, 09 May 2022 20:25:08 -040058:52falsefullIn this episode we tackle one of the biggest challenges in modern mastering - the demand for super-loud masters in the dance & EDM genres. Our guest is Luca Pretolesi, and we talk to him in-depth about his approach to mastering for clubs & DJs. Luca’s masters are loud and we're always emphasising the value of balanced dynamics in mastering on this show, so you might think it would be an uncomfortable conversation... or you might be surprised. Some of the topics we cover include: * Why do DJs demand loud masters for club playback ? * Luca’s strategy to deliver this without sacrificing dynamics for streaming * Hint - it’s NOT all about limiting and compression * How loud Luca's masters are (which may not be quite as loud as you think) * The club genres that DON’T demand extreme loudness * Where things might go in future Full show notes on our website https://themasteringshow.com/episode-83The Mastering Show #82 - Dynamics in Dolby Atmost - Nick Rives InterviewThe Mastering Show #82 - Dynamics in Dolby Atmost - Nick Rives InterviewMentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/1244145184Mon, 04 Apr 2022 17:38:18 -040035:32falsefullDolby Atmos has moved the goalposts for loudness, all the way down to -18 LUFS. This was one of the main topics of conversation for this year’s Dynamic Range Day, with the Atmos versions of 5 albums being nominated for the award - and in fact, the overall winner was an Atmos mix & master. In this episode I talk to Nick Rives from Capitol Studios, who mixed the winning album, and we discuss: * Nick's approach to mixing immersive audio * How he got started with Dolby Atmos * Using spatial effects to enhance the musical impact * How the -18 LUFS guideline works in practise * The benefits and challenges of Atmos dynamics Full show notes on our website https://themasteringshow.com/episode-82The Mastering Show #81 - Dolby Atmos MasteringThe Mastering Show #81 - Dolby Atmos MasteringApple’s announcement of Dolby Atmos support has caused an explosion of interest in the format - after all, it means almost any iOS user can stream immersive audio, even if they only have a pair of earbuds to listen on. But how does that even work? And for that matter, what is Dolby Atmos, and why should we care? And what about mastering for Atmos? Is it possible, or even necessary? 

In this episode we talk to Mike Hillier from Metropolis, and producer and mixer Emre Ramazanoglu about all things Atmos, including:

* Why Atmos is different

* Why mastering in Atmos is different

* How it works in practise

* Why the binaural render is so important - and what is binaural ?

* Why binaural Atmos sounds different on Apple devices

* How does head-tracking affect all this ?

* Getting started working in Atmos



Full show notes on our website

http://themasteringshow.com/episode-81

Mentioned in this episode:

Leapwing

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]]>Apple’s announcement of Dolby Atmos support has caused an explosion of interest in the format - after all, it means almost any iOS user can stream immersive audio, even if they only have a pair of earbuds to listen on. But how does that even work? And for that matter, what is Dolby Atmos, and why should we care? And what about mastering for Atmos? Is it possible, or even necessary? 

In this episode we talk to Mike Hillier from Metropolis, and producer and mixer Emre Ramazanoglu about all things Atmos, including:

* Why Atmos is different

* Why mastering in Atmos is different

* How it works in practise

* Why the binaural render is so important - and what is binaural ?

* Why binaural Atmos sounds different on Apple devices

* How does head-tracking affect all this ?

* Getting started working in Atmos



Full show notes on our website

http://themasteringshow.com/episode-81

Mentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/1224595615Tue, 01 Mar 2022 18:03:00 -040001:19:15falsefullApple’s announcement of Dolby Atmos support has caused an explosion of interest in the format - after all, it means almost any iOS user can stream immersive audio, even if they only have a pair of earbuds to listen on. But how does that even work? And for that matter, what is Dolby Atmos, and why should we care? And what about mastering for Atmos? Is it possible, or even necessary? In this episode we talk to Mike Hillier from Metropolis, and producer and mixer Emre Ramazanoglu about all things Atmos, including: * Why Atmos is different * Why mastering in Atmos is different * How it works in practise * Why the binaural render is so important - and what is binaural ? * Why binaural Atmos sounds different on Apple devices * How does head-tracking affect all this ? * Getting started working in Atmos Full show notes on our website http://themasteringshow.com/episode-81The Mastering Show #80 - You Asked, We Answered (or tried to!)The Mastering Show #80 - You Asked, We Answered (or tried to!)Mentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/1180280932Sat, 18 Dec 2021 18:16:48 -040036:58falsefullTime for another Q&A show! Thanks for all your comments, reviews and questions, please keep them coming. In this episode we tackle: * Are tools like SplitEQ fundamentally changing mastering? * Level automation - before or after the limiter? * Should you make separate masters for broadcast? * Can (and should) we correct absolute phase in mastering? * Do you need a dedicated headphone amp? * What have we changed our minds about in mastering, over the years? See full show notes and links on our website https://themasteringshow.com/episode-80The Mastering Show #79 - Dan Worrall on non-linear processingThe Mastering Show #79 - Dan Worrall on non-linear processingMentioned in this episode:

Learn to master !

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Leapwing

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Learn to master !

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Leapwing

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]]>tag:soundcloud,2010:tracks/1163289277Fri, 19 Nov 2021 20:09:22 -040048:31falsefullWhat is non-linear processing, and why does it matter?  In this episode we dive deep into the topic with our guest Dan Worrall, and talk about: what non-linear processing is, why it can sound great and when it can sound terrible, and how to know the difference. Along the way, we also discuss  * Is reverb non-linear ? And why it’s confusing * How linear processing makes top-down mixing a good idea * The difference between saturation and distortion * …and how to use them creatively * The difference between a perfect 5th and a power chord * ...and how to play chords on a trombone Full show notes on our website http://themasteringshow.com/episode-79The Mastering Show #78 - These guidelines are NOT for youThe Mastering Show #78 - These guidelines are NOT for youMentioned in this episode:

Leapwing

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Learn to master !

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Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/1139988496Mon, 11 Oct 2021 18:17:31 -040043:52falsefullThe Audio Engineering Society has just released new recommendations for the loudness levels streaming services should distribute their audio at - but they’re not for you and me. Having said that, understanding how they work is a powerful tool for predicting what will happen to your music when it's streamed. In this episode we talk about: * Who the TD1008 guidelines are for * Why they’re needed * How they can make normalization more effective (and more musical) * Why the numbers are slightly different for speech and music * What the numbers are, and why * Why you should care Full show notes on our website http://themasteringshow.com/episode-78The Mastering Show #77 - Spotify disable their limiter (and other loudness news)The Mastering Show #77 - Spotify disable their limiter (and other loudness news)Mentioned in this episode:

Learn to master !

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Leapwing

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]]>Mentioned in this episode:

Learn to master !

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Leapwing

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]]>tag:soundcloud,2010:tracks/1089375046Sat, 17 Jul 2021 17:24:59 -040042:31falsefullWe round up a few different “loudness news” topics this episode, including: * Why Spotify have removed their limiter * But when they haven’t * And what it means for the way your music will sound * Plus, how the new loudness normalization options in Reaper might be useful for you * But why you need to be careful with them * What we think of Apple Music’s new lossless streaming feature * And more ! Full show notes and links on our website http://themasteringshow.com/episode-77The Mastering Show #76 - Is stereo bass a problem on vinyl ?The Mastering Show #76 - Is stereo bass a problem on vinyl ?Mentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

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Learn to master !

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]]>tag:soundcloud,2010:tracks/1009384498Tue, 16 Mar 2021 21:21:12 -040053:17falsefullPeople are interested in mastering for vinyl again - and stereo bass is a big problem, right? You should always mono it to avoid problems? Well actually, no. There are some challenges raised by a very wide stereo image on vinyl, especially in the bass, but as always it’s not as simple as it seems. In this episode we talk to our guest Ian Stewart in-depth about this issue, and dig into some of the juicy detail on the topic, including: * Why stereo bass is a problem on vinyl * Why stereo bass isn't a problem on vinyl * Why you might want to avoid it anyway * And why you might not * What all this has to do with mid-side, and secret hidden messages from the anti-phase * The best plugins for dealing with low end width in mastering * …and why they’re not perfect Full show notes at https://themasteringshow.com/episode-76The Mastering Show # 75 - Stem Mastering - or is it?The Mastering Show # 75 - Stem Mastering - or is it?Mentioned in this episode:

Leapwing

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Learn to master !

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Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/986928640Tue, 16 Feb 2021 19:01:34 -040036:50falsefullIt’s either the most powerful mastering technique known to man, or it isn’t really mastering at all, depending who you ask. Some people love it, others hate it, and some are mortally offended just by it’s name. Why does stem mastering provoke such passionate debate ? In this episode we dig into the topic to figure out the answers to these and other questions... * What is stem mastering ? * In fact, what really is a stem, anyway ? * Why do some mixers find the idea offensive ? * What are the benefits and pitfalls of stem mastering ? * Why will stems often not sound exactly like the mix ? * Does stem mastering really help your client ? full show notes and links on our website http://themasteringshow.com/episode-75The Mastering Show #74 - Spotify begins the move to LUFS Normalization. So What?The Mastering Show #74 - Spotify begins the move to LUFS Normalization. So What?Mentioned in this episode:

Learn to master !

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Leapwing

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Leapwing

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]]>tag:soundcloud,2010:tracks/960663526Wed, 06 Jan 2021 23:25:46 -040037:03falsefullIt’s happening. Spotify are switching to using LUFS for their loudness normalization. If you’re thinking ‘I thought they already used it', that’s understandable - but they didn’t. They will in future though, and in this episode we talk about why the change matters, especially in the short-term. But also about when it doesn’t matter, and why it will hopefully matter even less as time goes on. Topics include: Why we don’t use Spotify What we use instead, and why - and some of the differences How normalization on Spotify used to work How it’s going to work What happens in the meantime Why we mostly ignore the numbers, despite all this ! http://themasteringshow.com/episode-74The Mastering Show #73 - Are you having a LUF ?The Mastering Show #73 - Are you having a LUF ?Mentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/924562621Fri, 06 Nov 2020 20:37:14 -040042:33falsefullLet’s face it, LUFS don’t work. No-one understands them, when you set a load of different songs to -14 LUFS they all sound a different loudness, and they weren’t even developed using music. RMS is just better, right ? These are just some of the objections we’ve been hearing about LUFS recently, and in this episode we investigate them. Is there any truth to these claims and statements ? (Hint - Yes !) Along the way we also cover: * Why loudness is like the weather * How EQ affects loudness, and how we hear it * Loudness on the radio * The ideal podcast loudness * What’s up with Spotify’s loudness recommendation http://themasteringshow.com/episode-73The Mastering Show #72 - Off-topic but SO good !The Mastering Show #72 - Off-topic but SO good !Mentioned in this episode:

Learn to master !

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Leapwing

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Learn to master !

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Leapwing

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]]>tag:soundcloud,2010:tracks/841462153Tue, 16 Jun 2020 22:29:31 -040042:11falsefullThis is so good it just needed it’s own episode. It’s a groundbreaking, unique new way to make music online - and everyone should try it out ! It’s not just bleeps and beats, either - there are plenty of people using it to make fantastic acoustic and sample-based live-looping music as well. I’m talking about Endlesss, the new live-looping-jam-with-friends-online iOS app developed by musician Tim Exile that I mentioned at the end of the last episode - and now it’s going to be available on Mac & PC ! I loved chatting to Tim for this episode, and there’s a ton of interesting ideas here even if you’re not that interested in the idea of Endlesss. We talk about: * The problem of perfectionism in music production, and why it’s a mastering engineer’s super-power * The best way to develop a new musical instrument * How to fit 40kg of music tech in an iPhone - and why it’s worth it * How not-live can feel live and how THAT can overcome anxiety and imposter syndrome * And how Endlesss got Ian back into creating music after a 20-year break as a result Full show notes on our website http://themasteringshow.com/episode-72The Mastering Show #71 - Remote audio - mixing, mastering and moreThe Mastering Show #71 - Remote audio - mixing, mastering and moreMentioned in this episode:

Learn to master !

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Leapwing

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Learn to master !

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Leapwing

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]]>tag:soundcloud,2010:tracks/793281640Tue, 07 Apr 2020 20:25:31 -040031:28falsefullReal-time remote audio work IS possible - with surprising quality and flexibility ! In this show I’ll describe techniques and strategies to help you mix, master, teach and even record remotely - and even suggest some ways to jam live. Kind of. Amongst other things I’ll describe how to: Stream lossless, low-latency audio to any DAW or browser, for up to 40 people Combine this audio stream with multi-user video chat Screenshare in sync for easier collaboration during mixing, mastering and even recording Take control of someone else’s screen for teaching or training purposes Use other people’s analogue gear in your project “Jam” virtually online - on an iPhone ! Thanks to Ian Stewart and Lij Shaw for help with ideas and testing for this episode. Check out the website for full links and show notes http://themasteringshow.com/episode-71The Mastering Show #70 - Mastering Billie Eilish - Loudness versus ArtThe Mastering Show #70 - Mastering Billie Eilish - Loudness versus ArtMentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/768304573Sat, 29 Feb 2020 02:22:44 -040054:52falsefullOur guest this episode is LA mastering engineer John Greenham who just won a Grammy for his work on Billie Eilish’s album. We talk to him about how he came to work with Billie, and dig into his work on the album in depth, discussing topics including: * John’s mastering chain and philosophy * Whether “Xanny” is the loudest song ever * How to get RMS levels above zero (!) * Loudness, confidence and client relations * Are loud mixes a problem for mastering engineers ? * What it’s like to win a Grammy http://themasteringshow.com/episode-70/The Mastering Show #69 - Good versus GREAT masteringThe Mastering Show #69 - Good versus GREAT masteringMentioned in this episode:

Learn to master !

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Leapwing

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Leapwing

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]]>tag:soundcloud,2010:tracks/751137661Tue, 28 Jan 2020 19:12:25 -040035:36falsefullWe talk on this show about making a master sound great all the time - but what does that mean ? How can you tell the difference between a good or a great master, or whether you’re doing great work yourself, or not ? In this episode we discuss all these questions, plus: * Is it even possible to tell a good or a great master ? If not, why not ? * Is it about great sound, or great work ? * Why “great” doesn’t have to mean “perfect” * What about great re-masters ? * How to know if you’re doing great work * The only person who can really decide Full show notes and links on our website http://themasteringshow.com/episode-69The Mastering Show #68 - Restoring DynamicsThe Mastering Show #68 - Restoring DynamicsMentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/731542669Fri, 20 Dec 2019 18:43:48 -040043:37falsefullI often get asked if it’s possible to restore dynamics to a heavily limited, clipped or compressed source, to achieve a more dynamic master. The answer is… it’s complicated ! So in this episode we do our best to answer the question. Topics include: Why you shouldn’t do this When you might have to do this When doing this is a bad idea How to do it (the simple way, the complicated way and the really messy way) How compression can sometimes add dynamics What these techniques can never do Full links and shownotes on our website: http://themasteringshow.com/episode-86The Mastering Show #67 - Minus 14 LUFS - or NOT ?The Mastering Show #67 - Minus 14 LUFS - or NOT ?Mentioned in this episode:

Learn to master !

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Leapwing

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Leapwing

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]]>tag:soundcloud,2010:tracks/713005159Fri, 15 Nov 2019 00:31:54 -040042:06falsefullPeople are talking about minus 14 LUFS loudness more and more these days, but why ? What does this number mean, where does it come from, and why should you care ? In this episode we answer all these questions and more, including: * Which streaming services are using -14 LUFS * Why Spotify aren’t using -14 LUFS, and why it matters * Why you shouldn’t use minus 14 LUFS as a target (or any number) but * Why it’s still important and useful to know about anyway * Will mastering to -14 LUFS make your music sound bad ?!? Full links and show notes on the website http://themasteringshow.com/episode-67The Mastering Show #66 - Good QuestionsThe Mastering Show #66 - Good QuestionsMentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/683419319Thu, 19 Sep 2019 16:14:07 -040037:31falsefullTime for another Q&A episode ! As always you’ve been asking great questions, so in this episode we discuss: * Why Ian talks too much * How dynamic is too dynamic ? * Fade-outs - before or after compression ? * How has the loudness war changed production and arrangement styles ? * Mastering for gaming streams (like Twitch TV) * Mastering in different genres http://themasteringshow.com/episode-66The Mastering Show #65 - Making money from masteringThe Mastering Show #65 - Making money from masteringMentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Learn to master !

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]]>Mentioned in this episode:

Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/670061903Fri, 23 Aug 2019 18:10:45 -040001:02:41falsefullCan you make money from mastering ? And if so, how ? If you’re already charging people for your work, how can you be more effective and productive ? Our guest in this episode is Graham Cochrane from the Recording Revolution website, which has been so successful that he’s started helping other people use some of the same ideas and strategies to get them started making money in the audio business themselves. You don’t have to be an audio blogger or YouTuber to achieve this - in this episode we talk about strategies anyone can use: * How to get started charging money from mastering * How to decide how much to charge * What makes you different - why people really might choose you to master their music, even though you don’t have a million-dollar studio or a legendary credit list * Simple strategies to become more effective and efficient with almost everything you do in your business * Why telling some clients to use online mastering instead of you might actually be a good business strategy http://themasteringshow.com/episode-65The Mastering Show #64 - Aliasing - is it digital audio's Achilles Heel ?The Mastering Show #64 - Aliasing - is it digital audio's Achilles Heel ?Mentioned in this episode:

Learn to master !

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Leapwing

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Learn to master !

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Leapwing

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]]>tag:soundcloud,2010:tracks/654867137Mon, 22 Jul 2019 18:49:58 -040031:38falsefullThere’s been lots of buzz and discussion about aliasing online recently, and lots of confusion, too. Is it a flaw in the whole idea of digital audio ? Does it explain why analogue modelling plugins can never sound exactly like the real thing ? Or is it just inaudible mathematical theorising ? In this episode we try to answer all these questions, plus Ian attempts to give an easy visual explanation of what aliasing is and how it relates to audio, with - er… questionable results. Along the way discuss: * What wagon wheels have to do with audio sampling * And vinyl turntables * And digital audio * How (and why) to avoid aliasing * Why high sample rates may help and * Why all this is important when using plugins Full Show Notes http://themasteringshow.com/episode-64The Mastering Show #63 - Mastering (and mixing) for broadcast - with Dallas TaylorThe Mastering Show #63 - Mastering (and mixing) for broadcast - with Dallas TaylorMentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/641496924Mon, 24 Jun 2019 20:10:28 -040001:25:31falsefullUsually on the show we’re talking about mastering music for CD, download and streaming, but there’s another important final destination for the audio we work on - broadcast. And the difference with broadcast audio is - there are standards. Having said that, there often isn’t a dedicated mastering stage ! In this episode we dig into the whole fascinating topic with our guest Dallas Taylor from Defacto Sound, and host of the superb Twenty Thousand Hertz podcast. Dallas has a wealth of experience in sound design and mixing for broadcast on trailers and ads for shows like Game Of Thrones and games like Fallout, amongst many others. In a wide-ranging conversation we talk about: * Why sound design is like being a conductor * American versus British mixing style in drama * What are “emotional FX” ? * The loudness wars in broadcast * Dialnorm - what and why ? * How to make dragons talk http://themasteringshow.com/episode-63The Mastering Show #62 - How to master audio that SURVIVES streamingThe Mastering Show #62 - How to master audio that SURVIVES streamingMentioned in this episode:

Learn to master !

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Leapwing

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Leapwing

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]]>tag:soundcloud,2010:tracks/628433568Wed, 29 May 2019 15:04:57 -040047:47falsefullEverything gets streamed these days, and almost all streaming platforms use lossy data encoding: mp3, AAC, OGG etc (OMG!) And these lossy codecs do a pretty remarkable result of preserving the quality, considering they strip out anywhere between 60-90% of the original data. But it’s not perfect - far from it ! In this show we talk about: * How your audio can be damaged by lossy data encoding * Why this happens * How you can test for it yourself * Why it’s worth doing * How it can help you hear the artefacts for yourself * Whether we should optimise our audio to avoid them and (most importantly!) * The two simple steps you can take to minimise these problems and help your audio SURVIVE streaming Full show notes on our website http://themasteringshow.com/episode-62The Mastering Show # 61 - Learn without listeningThe Mastering Show # 61 - Learn without listeningMentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/615236913Fri, 03 May 2019 17:12:20 -040044:51falsefullYou might argue that reading about audio is like dancing about architecture. Or something. But you’d be wrong! In these days of podcasts and YouTube it’s easy to forget how many great books there are about audio, and what a fantastic resource they are for getting inspiration, ideas and learning new topics and techniques. in this show we share some of our favourites, including: * The book that took Ian several years to read, how to access it's Secret Bonus Content, and why * A book that tells you how to use a potato as a filter, amongst other things * Books about a band that Ian says you NEED to read * The only two books about mastering (that we know of) * The books we haven’t read but know we should * Invaluable writing about audio that isn’t in books * Several things that aren’t books at all See full show notes on our website http://themasteringshow.com/episode-61The Mastering Show #60 - The loudness technique you need to start using TODAYThe Mastering Show #60 - The loudness technique you need to start using TODAYMentioned in this episode:

Learn to master !

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Leapwing

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Learn to master !

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]]>tag:soundcloud,2010:tracks/593689221Thu, 21 Mar 2019 18:48:18 -040020:21falsefullThis show is short & sweet - but essential listening if you’re interested in getting better results with online loudness - and balanced, musical dynamics for your masters. In this episode Ian describes: - How he increased playback loudness on Spotify by 3.3 dB for a song by reducing it’s overall loudness by 1.5 dB, and why it sounded better afterwards - What to do if your song gets turned down more than you expect online - Why you have to be careful with contrast on Spotify - How reducing dynamics can make your music sound more dynamic - Why musical decisions work better than technical ones full show notes at http://themasteringshow.com/episode-60/The Mastering Show #59 - More questions answered (Q&A 6)The Mastering Show #59 - More questions answered (Q&A 6)Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/576002709Fri, 15 Feb 2019 19:41:12 -040048:42falsefullIt’s been a while since we had a Q&A episode, so - here it is ! In this show we discuss: * Can a spectrum analyser make up for poor monitoring ? * Is allowing peak levels up to -0.1 wrong ? * Do speaker isolation pads work ? * Handling client payment issues * What to do when songs overlap (segued) * Do dynamic masters sound worse on a PA ? Full show notes on the website http://themasteringshow.com/episode-59/The Mastering Show # 58 - Mud or magic ? Managing the midsThe Mastering Show # 58 - Mud or magic ? Managing the midsMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/559072056Mon, 14 Jan 2019 22:01:52 -040056:59falsefullWe’ve all heard it - “the music is in the mid-range”. But what does that mean, exactly ? And if it’s true, is there anything we can do about it in mastering ? We’ve talked about bass and high frequencies, but in this show we dive into the muddy, murky mess that is (often) the mid-range, and talk about how crucial it is for a great-sounding master. Including: * How the mids help us hear bass * Common problems with the mid-range, and what causes them * How to open up cluttered mids in mastering * Our least favourite mid-range frequencies * Mids versus dynamics * The importance of linear phase EQ for the mids full show notes http://themasteringshow.com/episode-58The Mastering Show #57 - With great power…The Mastering Show #57 - With great power…Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/541253406Fri, 07 Dec 2018 17:57:05 -040001:26:31falsefull…comes great responsibility. And mastering engineers need to accept that. If you take on the challenge of mastering someone’s music, you also accept a huge amount of responsibility for that music, and In this episode we tackle the question - what are the responsibilities of a mastering engineer - and even the ethics ? Including: * Should a mastering engineer have a “signature sound” ? * Why the “B” word is at the heart of mastering - in many different ways * Something you should probably never do * How to supply files - for CD, online and vinyl pressing * Ensuring transfer integrity online * The golden rule of mastering full show notes on our website http://themasteringshow.com/episode-57The Mastering Show #56 - Mastering Crappy MixesThe Mastering Show #56 - Mastering Crappy MixesMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/528862083Mon, 12 Nov 2018 19:32:53 -040050:27falsefullIt’s a question we get all the time: what do you do when the mixes you receive are more… “challenged" than you might ideally like ? How much can you fix in mastering if you really need to, and how much should you do ? In this show we cover a range of strategies for dealing with some of the toughest challenges when you’re mastering tricky mixes, including: * What is a crappy mix ? * Should we even try to master one ? * When not to master a crappy mix - and what you can learn * Techniques for “digging in” - from subtle to aggressive * A brand-new option for the very worst cases * The Golden Rule http://themasteringshow.com/episode-56The Mastering Show #55 - How Bright Is Too Bright?The Mastering Show #55 - How Bright Is Too Bright?Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/513398841Fri, 12 Oct 2018 18:10:16 -040001:08:55falsefullEveryone wants that glorious, sweet, silky-smooth top end in their masters - but how do you get it ? How do you stop things sounding harsh, tinny and brittle ? And even if the high frequencies do sound gorgeous, how hard should you push them ? In this show we’re talking about treble, and our topics include: * What is “Newton’s 3rd law” of EQ ? * How do room acoustics affect how you hear high frequencies ? * How can you “calibrate” your ears so you’re aiming for the right amount of top ? * How do dynamics interact with high frequencies, and why does it matter ? * What’s a “spiderman” plugin ? * Which EQ plugin or hardware unit should you use for the best results ? http://themasteringshow.com/episode-55The Mastering Show #54 - When Normalization Goes WrongThe Mastering Show #54 - When Normalization Goes WrongMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/503706645Sat, 22 Sep 2018 21:29:19 -040048:26falsefullAs you know, we think normalization is a Good Thing. But many people disagree. And often that’s because it’s not perfect yet - not by a long shot. In this episode we explain some of the quirks, bugs and problems of normalization in action, and how they can cause unexpected results when you’re trying to optimise your music for listening online. Along the way we discuss: * Four really normal normalization mix-ups * How NOT to test normalisation on Spotify * Where to find YouTube’s actual normalization values * Why broadcast levels won’t work on YouTube * Whether we’re actually on the payroll for Big Normalization http://themasteringshow.com/episode-54The Mastering Show #53 - Fear Of BassThe Mastering Show #53 - Fear Of BassMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/467021781Wed, 04 Jul 2018 02:00:15 -040059:11falsefullWe all want great low end - deep, fat, solid and punchy. But it can be one of the hardest things to get right - especially knowing how much of it is needed. Too much bass can sound boomy, flabby, muddy or dull. And as a result, it’s easy to be scared of bass. It’s easier to be cautious and avoid all those possible problems, right ? Well, maybe. Except if the low end isn’t working in your master, you risk the opposite problem - everything can sound weak, thin and harsh. In this week’s episode we talk about ways to avoid all these problems, including: Topics we cover include: * The one thing you shouldn’t do - and why * The deceptively simple thing you should always do * Will a sub-woofer help, or hinder ? * How EQ for better bass can sometimes make things worse - because phase * Dynamic EQ versus multiband compression * How distortion might help * Ah, duck it http://themasteringshow.com/episode-53The Mastering Show #52 - DON'T aim for LUFS targets onlineThe Mastering Show #52 - DON'T aim for LUFS targets onlineMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/455738013Fri, 08 Jun 2018 19:40:37 -040033:19falsefullAll the online streaming services play music back at roughly -14 LUFS, so that’s the level we should aim for when we’re mastering, right ? Wrong. That may sound strange, given how much we’ve talked about online loudness over the years - but we’re serious. In this show we dive deeper into one of the points we discussed in the last show: why you shouldn't be aiming for specific integrated LUFS values when mastering you music for online streaming. But, why it is still useful to know how your music will be affected. Topics we cover include: * A quick introduction to normalization * How it works * Why peak normalisation is useless for matching loudness * Why mastering songs to a specific LUFS value doesn’t work * So why are LUFS measurements of streaming services useful AT ALL ? * When Spotify’s normalization fails * The biggest problem with normalization right now Full show notes and links at http://themasteringshow.com/episode-52The Mastering Show #51 - What IS the Loudness Penalty?The Mastering Show #51 - What IS the Loudness Penalty?Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/449459805Sat, 26 May 2018 15:23:39 -040037:41falsefull"How loud will my music sound online ?" It’s the question everyone is asking these days, and the answer has always been “it depends”. Until now. In this episode Ian Kerr from MeterPlugs talks about the new tool he has been developing with Ian Shepherd to answer this question. It’s a website called Loudness Penalty, and it’s free ! Along the way we also discuss * Why -14 LUFS isn’t the right target for online loudness * Why Ian Kerr decided to make plugins that won’t change your audio - but will make it sound better * How coding 3D computer game graphics helped him develop LCast and Dynameter * Why the Ians decided to make Loudness Penalty free * How to use Loudness Penalty to find out what your music will sound like online * Why different streaming services all manage loudness in different ways http://loudnesspenalty.com http://themasteringshow.com/episode-51The Mastering Show # 50 - Mastering on Headphones ?!The Mastering Show # 50 - Mastering on Headphones ?!Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/441936600Thu, 10 May 2018 04:11:16 -040046:32falsefullYou can’t master on headphones, right ? Well, let’s see… This year’s Dynamic Range Day Award-winner broke all the streaming records in it’s first week, debuted at Number 1 in the Billboard chart and... it was mastered on headphones. In this episode we talk to Glenn Schick, the engineer who mastered KOD by J Cole about his decision to become a “mobile” mastering engineer, including: * How (and why) he closed his analogue mastering studio to go mobile * Why he thinks it actually helps him to get better results... * And makes his job easier * The type of headphones he uses, and why * His mastering process for KOD, and * The decision to master with more dynamics Full show notes at http://themasteringshow.com/episode-50The Mastering Show #49 - Great Audio PodcastsThe Mastering Show #49 - Great Audio PodcastsMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/431695191Wed, 18 Apr 2018 18:42:06 -040029:37falsefullAs well as running our own show, we’re huge fans of other podcasts too, and in this show we take a little time to wander off-topic and recommend some of our favourite audio-related shows. We each choose four podcasts, and suggest great episodes of each to get started with. If you listen to all the episodes we recommend, you’ll get to hear hours of useful, interesting and amusing content, including things like: * A podcast with higher production standards than ours (gasp!) * Career advice from Andrew Scheps * How to turn a studio mistake into a win * How to cope with Imposter Syndrome * One of Ian’s biggest heroes * Why it’s good to fail - and much much more. Seriously, it’s a great list ! http://themasteringshow.com/episode-49The Mastering Show # 48 - How to become a mastering engineerThe Mastering Show # 48 - How to become a mastering engineerMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/422067141Thu, 29 Mar 2018 22:54:13 -040048:54falsefullOur guest in this episode is Katie Tavini, who shares the inspiring story of how she got into mastering. It’s something we’re asked all the time, and Katie is a great example of one way to start in the industry, in a time when internships and junior positions are becoming less and less accessible. She also talks about the great network of engineers she’s discovered through Red Bull’s Normal Not Novelty initiative. Other topics include: * Why Katie got into mastering * Do you need expensive gear to master effectively ? * Katie’s favourite piece of gear * Does understanding classical music help with mastering ? * The challenges of being a female engineer * The pros and cons of attended sessions Full links and show notes on the website http://themasteringshow.com/episode-48The Mastering Show #47 - What’s the best DAW for mastering ?The Mastering Show #47 - What’s the best DAW for mastering ?Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/411308280Fri, 09 Mar 2018 22:08:15 -040046:05falsefullIt’s a question we get asked regularly, and our answer may surprise you. To answer the question, we put together a “shopping list” for the ultimate DAW, and then discuss which of the applications is the best fit, and why. Topics include: * Which DAW sounds best ? * What does that mean ? * Do all digital EQs sound the same ? * What’s a DDP file ? * Pro mastering applications * Workflow versus features Full show notes and links on our website http://themasteringshow.com/episode-47/The Mastering Show #46 - Answering questions again (QnA 5)The Mastering Show #46 - Answering questions again (QnA 5)Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/404178888Fri, 23 Feb 2018 19:51:05 -040041:39falsefullAnother chance for us to catch up with some of the questions you’ve been asking us. In this episode we talk about: * Bass - where does it start, where does it begin ? * How to use an analyser to assess EQ balance * When NOT to use an analyser to balance EQ and * What to do instead * Adding saturation in mastering - should you do this, and if so, how ? * The most difficult projects we’ve each worked on * How to extend an abrupt fade-out Full show notes and links http://themasteringshow.com/episode-46The Mastering Show #45 - Jonathan WynerThe Mastering Show #45 - Jonathan WynerMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/396958347Fri, 09 Feb 2018 17:23:18 -040050:25falsefullMany of you will already know Jonathan from iZotope's excellent educational videos on mastering - he's also an experienced producer and recording engineer, head engineer at M-Works mastering (www.m-works.com), a lecturer at Berklee and has written a book on mastering. In this interview we talk about many different aspects of his career, including: * The delights (and perils) of analogue tape * Re-mastering David Bowie * Digital mastering tools - and the risk of over-using them * Humans versus machines in mastering (again) and * Getting the best of both worlds Full show notes and links http://themasteringshow.com/episode-45The Mastering Show #44 - Loudness Units 101The Mastering Show #44 - Loudness Units 101Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/388549017Wed, 24 Jan 2018 19:39:27 -040053:22falsefullLUFS… WTF ?!? (And why aiming for -14 isn’t the right answer for online loudness) We talk about loudness all the time on this show, but how do you actually measure it ? How big is a “loudness unit”, and why are there three different kinds ? What does LUFS stand for, anyway ? How do you loudness match two files using LUFS measurements, and what free software can you use to get started ? In this show we answer all these questions and more - plus Ian explains the simple technique he uses to optimise loudness for all the online streaming platforms, and why it isn’t about aiming for -14 LUFS. If you find the show helpful, please share it with your friends, and leave us a rating and review : http://www.themasteringshow.com/review Full show notes http://themasteringshow.com/episode-44The Mastering Show #43 - The Christmas EpisodeThe Mastering Show #43 - The Christmas EpisodeMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/373130438Fri, 22 Dec 2017 17:41:01 -040058:01falsefullSomething a bit different to celebrate the festive season this week - we invited a group of cool audio guests to join us on the show, and asked each of them to bring a “gift” to fill an imaginary "Christmas Stocking” for you. So, you get a pile of cool, interesting and funny little treats to keep you amused in the run-up to christmas - or, just to amuse you, if you don’t celebrate it ! There are SO many great bits & pieces in this show, there’s sure to be something for everyone, we hope. If you enjoy it, please leave us a rating and review : http://www.themasteringshow.com/review Our guests on the show are: Lij Shaw - from the Recording Studio Rockstars podcast Mike Hillier - audio engineer and writer for Music Tech magazine Sigurdór Guðmundsson - mastering engineer & mixer from Skonrokk Studio Chris Selim from mixdown.online Ian Stewart - mastering engineer & mixer Matt Boudreau from the Working Class Audio podcast Full show notes and links to everything we mentioned at: http://themasteringshow.com/episode-43-xmasThe Mastering Show #42 - Man versus machine - automated masteringThe Mastering Show #42 - Man versus machine - automated masteringMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/360414347Fri, 24 Nov 2017 18:53:04 -040001:23:50falsefullCan robots really master our music ? Kenny Gioia set up poll on Facebook to see, asking people to choose between six different masters of the same song - three by humans (John Longley, an anonymous engineer from Sterling Sound and Steven Slate) and three by machines (LANDR, Aria and iZoTope Ozone). The great thing is, the test was blind, and loudness matched - so no-one knew which master they were listening to, and loudness didn’t influence the way the masters sounded. And the results of the poll were fascinating. In this show Kenny reveals which master was which, and we discuss the results - including: * Why this is not a scientific test * Ian’s blind comments on the masters, including his instincts about which was which * Why the poll results are probably skewed * When automated makes sense * What the robots still can’t do - and maybe never will Full show notes and links: http://themasteringshow.com/episode-43The Mastering Show #41 - The problem with loudness normalization - and TIDAL’s solutionThe Mastering Show #41 - The problem with loudness normalization - and TIDAL’s solutionMentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/354007544Fri, 10 Nov 2017 22:16:47 -040001:15:55falsefullThis is huge. There’s a problem with loudness normalization, and TIDAL asked Eelco Grimm to find a solution for them. What he found in his research was unexpected and exciting. Eelco has been involved with loudness measurement and the LUFS standard from the very beginning, and in this show we also talk a little about his story and how it involves: * Technology versus emotion in music * The origins of loudness research * Eelco’s TIDAL research findings (which you should know about, even if you’re not interested in normalization !) * His advice to TIDAL and * How they reacted * The future of normalization STOP PRESS Since recording the show we've heard that TIDAL have implemented all the changes we discuss in the show by default, in all new installs of their iOS and Android apps, with desktop to follow. For more information, click here: http://productionadvice.co.uk/tidal-normalization-upgrade/ Full show notes and links at http://themasteringshow.com/episode-41/The Mastering Show #40 - Your Questions Answered - LiveThe Mastering Show #40 - Your Questions Answered - LiveMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/346647149Fri, 13 Oct 2017 00:42:26 -040055:34falsefullA Q&A episode with a twist - we recorded it live, with questions arriving all the time we were recording. We’ve added them all to the list for future episodes - here are the ones we had time to tackle this time: * How has mastering changed over Ian's career, and where is it going next ? * Is there somewhere out there with reference tracks for mixing and mastering ? * Are there any tips for avoiding the trap of "mastering with your eyes" ? * Should you use compression when mastering classical music ? If so, when ? * Why you shouldn’t make master everything at -14 LUFS for online streaming * Is absolute polarity audible ? Does it matter ? * Is “AI” mastering like iZoTope Ozone 8 any good ? This episode is sponsored by the Home Mastering Masterclass. If you enjoy The Mastering Show, take a look ! http://homemastering.com Full show notes and links at http://themasteringshow.com/episode-40The Mastering Show #39 - Digital Gain Staging: what’s the point ?The Mastering Show #39 - Digital Gain Staging: what’s the point ?Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/345176906Tue, 03 Oct 2017 16:54:41 -040047:34falsefullGain staging used to be a crucial consideration for analogue recording and mixing - but you’ll hear plenty of people saying it doesn’t really matter, in a modern digital audio workstation. And they have a (floating) point. But you’ll also hear lots of other people, me included, saying it IS important to understand what gain staging is and how it works, even in a digital environment. So who’s right ? In this show we dig into the details, and discuss: * How much peak headroom should you leave before mastering ? * What IS gain staging, anyway ? * Why do people say it doesn’t matter in digital ? Or: * What’s the point of floating point ? * How does it work ? * When digital gain staging does matter Full show notes on the website: http://themasteringshow.com/episode-39The Mastering Show # 38 - If you can't hear it, does it really matter ?The Mastering Show # 38 - If you can't hear it, does it really matter ?Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/343101966Tue, 19 Sep 2017 17:38:15 -040050:40falsefullIf something is technically wrong but inaudible, is that a problem ? When is it OK to break the rules ? What is “audibility”, anyway ? Topics include: * If everyone else is listening is listening on earbuds and phones, why shouldn’t we ? * If music is art, it’s just a matter of taste - so how can anything be wrong ? * Ear training - how do you learn to listen ? * Are the answers to any of these questions different for mastering engineers ? * Plus: The secret super-power of Stealth Tambourines Full show notes and links http://themasteringshow.com/episode-38The Mastering Show #37 - Does Gear Matter?The Mastering Show #37 - Does Gear Matter?Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/333523234Mon, 17 Jul 2017 16:09:33 -040042:36falsefullGear: does it matter ? And if so, how much ? And if gear DOES matter, does it define your sound ? And how ? In this episode we’re joined by Mike Hillier to talk about the significance of gear in mastering. Topics include: * Is a wide selection of gear essential to success in mastering (and mixing) ? * What are the “essential” pieces of gear we just couldn’t live without ? * If two pieces of gear can be made to sound almost identical, does that mean there’s no worthwhile difference ? * Is that even a question worth asking ? * Do mastering engineers have a “sound” ? What defines it ? * How does your gear shape your “sound” ? Full show notes on the website http://themasteringshow.com/episode-37The Mastering Show #36 - Compression versus compression (and sponges)The Mastering Show #36 - Compression versus compression (and sponges)Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/331728157Wed, 05 Jul 2017 18:50:15 -040040:22falsefullIn which Ian probably goes too far with his analogy explaining compression using sponges. And in which Jon describes the concept of “sloppage headroom” and inter-sample peaks, and in which we also discuss: * Why lossy data compression doesn’t affect dynamics, except * When it does. And * Why dynamic compression doesn’t affect lossy compression quality, except * When it does. Plus * mp3 or AAC ? VBR or CBR ? Do we care ? * The ultimate mp3 encoder stress-test Full show notes http://themasteringshow.com/episode-36The Mastering Show #35 - Even More Questions AnsweredThe Mastering Show #35 - Even More Questions AnsweredMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/328257861Thu, 15 Jun 2017 20:23:19 -040001:00:24falsefullYou asked questions. We answered them. Or tried to, at least! Featuring another mind-mangling guest appearance by Ian Stewart - although he’s not the one to blame for any confusion :-) Questions include: * What are LUFS loudness units, and are there any guidelines for using them ? * What is the K-System, and how does it relate to LUFS ? * Should you always use low and high-cut filters while mastering ? * What’s the best bit-depth to supply for mastering ? 24-bit or 32-bit float ? * Can Ian’s Perception plugin be used while mixing ? * How do you manage payments and file security when working for clients ? * Phase-linear EQ in mastering - what, when, why and how Full show notes: http://themasteringshow.com/episode-35The Mastering Show #34 - What ARE dynamics ?The Mastering Show #34 - What ARE dynamics ?Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/324528522Thu, 25 May 2017 23:51:05 -040054:05falsefullDynamics. I talk about them ALL the time. “This song has great dynamics”... “make sure you keep plenty of dynamics”... “your music NEEDS balanced dynamics”… but what actually ARE they ? Just like everything else we talk about on this show, dynamics are more complicated than they might seem at first glance. For example, there are at least two different types ! In this show we unpick the topic and try to shed some life on the truth about dynamics, including: * Why the loudness war hasn’t reduced loudness range * Why “DR” measurements don’t measure dynamic range * Why “crest factor” is a better term, and how it relates to the two types of dynamics * The natural dynamics of different sounds, and * When you don’t want to hear them * What Ian really thinks of the Prodigy, Skrillex and the Chemical Brothers - and their dynamics * How to measure dynamics Check the show notes for links http://themasteringshow.com/episode-34The Mastering Show #33 - Before MasteringThe Mastering Show #33 - Before MasteringMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/321588369Mon, 08 May 2017 16:50:58 -040050:13falsefullHow should I prepare for mastering to get the best results ? It’s one of the things we get asked most often, and it often seems like the answers are really straightforward. But then you record a 50-minute podcast answering the question and realise maybe it’s not quite as simple as it seems, once you get into the details... (And even if you’re planning to master your own music, keep listening - almost all these points still apply !) In this show we cover topics like: * Seven deal-breaking mistakes that can halt the mastering process in it’s tracks - before it’s even started * The best file format to use for exporting your mixes * How to send files - is it safe to “zip" audio ? * Dynamics for mastering * What can (and can’t) be fixed in mastering * Ian’s "Mastering Maxim” for getting the best results when working with a mastering engineerThe Mastering Show #32 - Bob LudwigThe Mastering Show #32 - Bob LudwigMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/319482926Tue, 25 Apr 2017 22:56:45 -040054:31falsefullBob Ludwig is a mastering superstar. This show starts out with the interview I did with him for this year’s Dynamic Range Day, after which Jon and I dig a little deeper into some of the topics we touched on: * Why some of Bob’s clients ignore his advice (!) * The #1 problem with many of the mixes being sent to him lately * How he used to cut really hot masters for vinyl Plus we branch out into a few other subjects, including: * Bob's approach to client requests for loud masters * What is Loudness FUD ? * How to use a loudness meter in mixing Bob Ludwig: http://gatewaymastering.com/bob-ludwig/ Show notes & links: http://themasteringshow.com/episode-32The Mastering Show #31 - What IS loudness ?The Mastering Show #31 - What IS loudness ?Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/314731256Mon, 27 Mar 2017 17:51:50 -040053:47falsefullEverybody wants their music to sound loud. But does it need to be loud in order to sound loud ? What does that mean ? Well, it takes us about 30 minutes to really nail the answer to that question in this Dynamic Range Day themed episode, but we get there eventually - and we cover some pretty interesting ground along the way ! For example: * How to make things sound loud without making them (much) louder * The trick of balancing loud and quiet songs against each other * When to turn things down * What is "loudness potential" ? * How to get the right balance of loudness before mastering * The most common loudness issue Ian faces when mastering, and * The 100% successful strategy he uses to solve it Full show notes http://themasteringshow.com/episode-31 Dynamic Range Day http://www.dynamicrangeday.co.uk/ Dynameter http://bit.ly/2nnWQY6The Mastering Show #30 - More Questions AnsweredThe Mastering Show #30 - More Questions AnsweredMentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/312180568Mon, 13 Mar 2017 17:42:06 -040045:56falsefullThe first Q&A show got a great reaction, so we decided it was time for another one ! Questions this time: - Re-mastering - opinions about the 2009 Stone Roses re-issues - Do young people find clipping and other distortion more acceptable ? - Should a clipper ever be used after a limiter ? - Should bass sounds always be in mono ? How do you treat them ? - Does speaker or headphone calibration software really work ? http://themasteringshow.com/episode-30The Mastering Show #29 - Mastering Live SoundThe Mastering Show #29 - Mastering Live SoundMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/310436877Fri, 03 Mar 2017 02:14:09 -040049:21falsefullSome of our favourite albums are live recordings - and some of the most challenging and interesting mastering projects are also recorded live. In this episode we discuss - The most common problems with live sound, and the mastering rules you’re allowed to break to solve them - What is the “ideal” live recording ? - How restoration tools can be useful for mastering live sound - Two of Ian’s favourite live albums - Techniques for mastering live classical music - How to preserve the most important aspect of any live recording in mastering Links: http://themasteringshow.com/episode-29/The Mastering Show #28 - Remastering & RestorationThe Mastering Show #28 - Remastering & RestorationMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/308385384Sat, 18 Feb 2017 17:38:20 -040001:01:17falsefullWhat is re-mastering ? Why would you want to do it ? And how ? And even - should you ? Topics include: * The ultimate goal of great remastering * Why getting an ideal source isn’t always as simple as it sounds * Restoration tools for mastering, and how to use them * When remastering goes bad - the remastering backlash * One of Ian’s most challenging remastering projects Full show notes http://themasteringshow.com/episode-28The Mastering Show #27 - Mastering Audio For GamesThe Mastering Show #27 - Mastering Audio For GamesMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/305282216Mon, 30 Jan 2017 18:52:05 -040001:01:03falsefullHow do you master audio for games ? Can you master audio for games ? Is it even a thing ? It turns out the answer is Yes, but it’s complicated. In this episode we talk to Jay Fernandes about audio in games, including: * Why audio is critical to the gaming experience * How “mastering” works in games * Challenges and solutions in gaming audio * How to measure the loudness of a game, what to aim for, and why it matters * Some of the best games for audio * Why Jon hates "3D sound" Visit the website for all the links http://themasteringshow.com/episode-27The Mastering Show #26 - Clipping: What is it, and is it ever acceptable ?The Mastering Show #26 - Clipping: What is it, and is it ever acceptable ?Mentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/303019900Mon, 16 Jan 2017 19:55:42 -040054:44falsefullSome people say clipping distortion is inaudible, some say it’s the true secret of really “loud” mastering, some say it’s a powerful creative effect, others that it’s the spawn of the devil. So who is right, and why ? In this show we talk about: * What clipping is, and the difference between the analogue & digital varieties *When and why we use it *Whether you can repair clipping damage *The difference between clipping and limiting *Why clipping & saturation are NOT the secret of "analogue warmth" Full show notes and links http://themasteringshow.com/episode-26The Mastering Show #25 - Stereo: width, depth and image - how to measure, monitor and master themThe Mastering Show #25 - Stereo: width, depth and image - how to measure, monitor and master themMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/297404182Mon, 12 Dec 2016 07:57:40 -040001:11:24falsefullIt’s amazing how much control you can have of the stereo image in mastering, even with quite simple tools. In this show we explore: * What is stereo ? The simplest and most sophisticated types * Ian's new favourite mixing plugin for creating stereo from a mono sound * How to measure stereo width and control it * How to influence reverb levels in mastering * What is M/S processing - and why it's probably not exactly what you think * The power & problems of M/S processing * Recommended stereo processing plugins Our guest this week is Ian Stewart Links: Ian Stewart's Blog http://ianstewartmusic.us/blog/ Flux stereo tool http://www.fluxhome.com/products/freewares/stereotool-v3 Jerobeam Fenderson - music made for oscilloscope http://oscilloscopemusic.com Voxengo MSED - mid/side plugin http://www.voxengo.com/product/msed/ VUMT - VU meter emulation (new version) http://klanghelm.com/contents/products/VUMT/VUMT.php Fabfilter Pro Q 2 http://www.fabfilter.com/products/pro-q-2-equalizer-plug-in Stereo width in mastering – how to measure, monitor and modify it http://productionadvice.co.uk/stereo-width/ (Video includes demos of a simple correlator and the Nugen Visualizer 2 with 'correlation by frequency' display)The Mastering Show #24 - Mastering for online streaming (including Mastered for iTunes)The Mastering Show #24 - Mastering for online streaming (including Mastered for iTunes)Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/294621143Thu, 24 Nov 2016 19:20:30 -040053:01falsefullHow do you optimise your music for online streaming, when there are so many different services and standards out there ? Specifically: * What’s the best file format to submit ? * What about the specifications ? * Can you compensate for the sound of the encoder ? * How do you know how loud to make your music ? * Should you make separate masters for every service ? * What about Mastered for iTunes ? To get the “Black Friday” discount on Dynameter or any other MeterPlugs product, use this link and the coupon code TMSBLACK in the shopping cart: Ian Shepherd’s Dynameter, by MeterPlugs https://transactions.sendowl.com/stores/5980/11556 Links Why mp3 sucks, and how to hear it http://productionadvice.co.uk/why-mp3-sounds-bad/ Sample rate conversion comparisons http://src.infinitewave.ca TMS - The Dither Episode http://themasteringshow.com/episode-21/ Online streaming loudness infographic http://productionadvice.co.uk/online-loudness/ TMS - The Loudness Episode http://themasteringshow.com/episode-6/ Mastered for iTunes - the saviour of great sound ? http://productionadvice.co.uk/what-is-mastered-for-itunes/ Online streaming loudness petition https://www.change.org/p/music-streaming-services-bring-peace-to-the-loudness-warThe Mastering Show #23 - Balance (Or, How to Master an Album)The Mastering Show #23 - Balance (Or, How to Master an Album)Mentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/293030950Mon, 14 Nov 2016 20:36:14 -040056:31falsefullThe most common question I’ve been asked since starting the show is - “how do I balance songs against one another ?”. Especially balancing quiet and loud songs, or when they’re from diverse genres. So in this show, we try to answer that - and touch on many other topics, too: * The mastering tip that’s almost too simple to say - but embodies the heart and soul of mastering * Why Ian doesn't master single songs any more (if he can help it) * Do all digital EQs sound the same ? And Ian’s new favourite (free) EQ plugin * Why we need "Album mode” to stop loudness management sucking the heart out of our music * The first thing Ian does in every mastering session * A ninja loudness trick when balancing quiet & loud songs * Should you use automation when mastering ? Links The Heart & Soul of Mastering http://productionadvice.co.uk/heart-and-soul/ iTunes Sound Check has “album mode” - finally ! http://productionadvice.co.uk/sound-check-album-mode/ TDR Nova EQ http://www.tokyodawn.net/tdr-nova/ Multiband compression – the mastering engineer’s secret weapon ? http://productionadvice.co.uk/multiband-compression-for-mastering/The Mastering Show #22 - Your questions answeredThe Mastering Show #22 - Your questions answeredMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/288175313Mon, 17 Oct 2016 07:51:59 -040001:11:42falsefullYour questions answered. Well, some of them, anyway ! It’s been over 20 episodes, people seem to be liking the show, and have been asking lots of questions - it seemed like a good time to answer some of them. Topics include: Do we really NEED mastering ? - Why you shouldn’t master on the mix bus (if you want to be good !) - Dealing with clients (and why you should make yourself expensive) - The best way to burn a master disc, and which brands to buy - How to mix and master drums LOUD And many more... Links The three Ms of mastering (including Mindset) - TMS Episode #2 http://themasteringshow.com/episode-2/ Limiting - TMS Episode #3 http://themasteringshow.com/episode-3/ Why your EDM will sound better with more dynamics – and 6 places to find them http://productionadvice.co.uk/edm-dynamics/ Mastering in Reaper Interview with Jon about Mastering http://reaperblog.net/2015/03/mastering-in-reaper-interview/ Jon's Mastering session setup tips http://reaperblog.net/2014/11/video-mastering-project-setup/ Jon's new Reaper mastering workflow video http://wp.me/p2EzQl-1kf The Home Mastering Masterclass http://www.homemastering.comThe Mastering Show #21 - Why digital “resolution” doesn’t exist - because ditherThe Mastering Show #21 - Why digital “resolution” doesn’t exist - because ditherMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/284895707Tue, 27 Sep 2016 08:35:13 -040053:50falsefullYes - it’s The Dither Episode ! But hang in there, it’s not as bad as you might think. My guest host this week is Jon Tidey from reaperblog.net, who *hates* talking about dither, so I had to work hard to keep it interesting. And I think I succeeded, mostly! We cover loads of topics, like why the analogy of hi-res digital audio with digital photos is wrong (or at least deeply misleading) and why dither means digital ‘resolution’ is NOT a real thing. Plus: - Why dither helps prevent your audio from 'sounding digital’ - How the right kind of dither can make even 8-bit audio sound OK - Why it works - and what that has to do with my lava lamp - Whether we can *really* hear the difference - How to test yourself using “Gangnam Style" - Why you should stop worrying and just dither ! Visit the website for links http://themasteringshow.com/the-mastering-show-21-why-digital-resolution-doesnt-exist-because-dither/The Mastering Show #20 - Steve LillywhiteThe Mastering Show #20 - Steve LillywhiteMentioned in this episode:

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]]>tag:soundcloud,2010:tracks/278665472Wed, 17 Aug 2016 16:01:12 -040057:20falsefullYou’ve already seen who my guest is this week, so why are you still reading this ?!? Click Play now ! Seriously though, a guest whose discography includes U2, Dave Matthews, The Pogues, The Stones, Peter Gabriel, Talking Heads, Morrissey, The Psychedelic Furs, The Las, The Killers and 30 Seconds to Mars plus about 500 others *really* shouldn’t need any further introduction from me ! There are SO many great anecdotes and useful nuggets of wisdom in this episode I can’t even begin to list them, but just in case you need any more persuading, here are a few sample topics we discuss: - How Steve became a music producer, and why he did it mostly out of fear - What he hates about the production of “Sunday Bloody Sunday” - Why he always mixes the records he produces - The secret of his success (which anyone can steal) - His feelings about the Loudness War, and whether stem mastering is a good idea or not Now stop reading this and listen ! Links Steve Lilywhite (Wikipedia) https://en.wikipedia.org/wiki/Steve_Lillywhite Steve on Discogs.com https://www.discogs.com/artist/50809-Steve-Lillywhite 10 records that changed Steve’s life - some may surprise you ! http://www.musicradar.com/news/guitars/steve-lillywhite-the-10-records-that-changed-my-life-612922 Documentary teaser https://youtu.be/13ohHBmviE8The Mastering Show #19 - Sylvia MassyThe Mastering Show #19 - Sylvia MassyMentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/276741210Thu, 04 Aug 2016 03:13:32 -040049:16falsefullIn this show Ian talks to the fabulous Sylvia Massy about her fantastic new book, "Recording Unhinged" - and how perhaps mastering could be a little more unhinged sometimes, too. Topics include: - Ian's first ever mastering project (although he didn't know it at the time) - Recording underwater brass - Why gaffer-taping Peter Gabriel to a column wasn't such a bad idea - How to make a REALLY hidden track on CD - How to record like Harry Potter - What Sylvia does to prepare her music for mastering, and why Links www.sylviamassy.com http://www.sylviamassy.com/recording-unhinged/ http://shop.wbstudiotour.co.uk/product-categories/toys/info/extendable-ear/1232294.htmlThe Mastering Show #18 - The Emperor's New EarsThe Mastering Show #18 - The Emperor's New EarsMentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/274206852Mon, 18 Jul 2016 11:22:38 -040001:00:30falsefullIn this show we give a conclusive answer to all those heated online debates about what audio gear sounds best. Mics, converters, cables - you name it. And we tell you how to find out for yourself. But why you probably shouldn't bother. And along the way we discuss: - When data-identical files sound different (and why) - What the Three Fingered Mouse Click is, and why you need it - The ultimate audio test: "5000 dollars or your house" ! - Why you really shouldn't move your head when working on audio - When expensive cables really CAN sound better, and why - even though they actually don't And plenty more ! Links Can you trust your ears ? http://productionadvice.co.uk/can-you-trust-your-ears/ Does it matter whether or not pain medication is branded? http://digest.bps.org.uk/2015/11/does-it-matter-if-pain-medication-is.html Ronan's Drum Recording Bootcamp http://bit.ly/rcm-drums More about Ronan http://www.venetowest.com/rcm/ The Mastering Show #17 - Hi Res Audio (New science proves...what?)The Mastering Show #17 - Hi Res Audio (New science proves...what?)Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/273071128Sun, 10 Jul 2016 22:51:21 -040001:09:25falsefullA new study proves that high sample rates really DO sound better. Or does it ? As usual it's a little more complicated than that... in this episode we investigate why, and also discuss how to test this stuff for yourself, plus - when you might choose NOT to mix at Abbey Road, why all CD players don't sound the same, and why Ian hates the sound of swirling ultrasonic birdies. And, what that actually means! Links: AES Paper: A Meta-Analysis of High Resolution Audio Perceptual Evaluation https://secure.aes.org/forum/pubs/journal/?ID=591 Intermodulation distortion http://productionadvice.co.uk/high-sample-rates-make-your-music-sound-worse/ Test files for intermodulation distortion http://people.xiph.org/~xiphmont/demo/neil-young.html#toc_1ch The importance of loudness matching http://productionadvice.co.uk/you-must-do-this/ Why mp3 sucks - and how to hear it http://productionadvice.co.uk/why-mp3-sounds-bad/ The amazing Record Production Dot Com website http://www.recordproduction.com Russell Cottier's site http://www.russellcottier.com The Mastering Show #16 - Podcasts (Mastering, recording & mixing)The Mastering Show #16 - Podcasts (Mastering, recording & mixing)Mentioned in this episode:

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]]>tag:soundcloud,2010:tracks/271777620Fri, 01 Jul 2016 21:20:32 -040001:09:11falsefullHow to get great results mastering audio for podcasts - AND record and mix them. Plus - how to build a studio from hay bales (and why you'd want to), what really IS a "home" studio in the 21st century, and the mic Ian uses to record this show. Links The Mastering Show - Acoustic treatment http://themasteringshow.com/episode-8/ The Mastering Show - Loudness http://themasteringshow.com/episode-6/ Streaming Loudness Recommendations http://www.aes.org/technical/documents/AESTD1004_1_15_10.pdf Recording Studio Rockstars Podcast http://www.rsrockstars.comThe Mastering Show #15 - Perspective (How to know what your music is SUPPOSED to sound like)The Mastering Show #15 - Perspective (How to know what your music is SUPPOSED to sound like)Mentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/270637244Fri, 24 Jun 2016 11:45:44 -040024:41falsefullIn this episode I describe a simple, straightforward strategy to make your masters sound more like those of your favourite artists – whether you’re a beginner or a pro. I explain how to decide how loud you want to master your music, and how to make sure you achieve that without becoming a victim of the loudness war - and, using this method you’ll be able to asses objectively what you want your music to sound like, and figure out how to get there. Links How to read the new loudness meters http://productionadvice.co.uk/lufs-dbfs-rms/ What does a mastering engineer do ? My mastering process http://productionadvice.co.uk/mastering-process/ Using Perception with reference tracks http://productionadvice.co.uk/using-the-perception-plugin-with-reference-tracks/ More info on Perception http://perceptionplugin.com The Mastering Show #14 - Distortion (The good, the bad and the ugly)The Mastering Show #14 - Distortion (The good, the bad and the ugly)Mentioned in this episode:

Leapwing

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]]>tag:soundcloud,2010:tracks/269631341Fri, 17 Jun 2016 18:42:31 -040055:32falsefullIn this show we talk about distortion. Good distortion, bad distortion - and how to tell the difference. Find out what Ian REALLY thinks about distortion, how you can use it effectively in mastering - and when you should. What is soft clipping - and how do you use it ? Plus Ian explains why ALL audio processing is distortion, strictly speaking - and the benefits (and costs) of using it. Links: Fab DuPont on Death Magnetic http://www.puremix.net/mixcheck-mix-analysis/metallica-vs-metallica-metallica.html What is 'aliasing' and what causes it? http://www.soundonsound.com/sound-advice/q-what-aliasing-and-what-causes-it When in doubt, dither http://productionadvice.co.uk/when-in-doubt-dither/ Why you need amazing monitoring http://productionadvice.co.uk/if-you-cant-hear-it-it-doesnt-matter/ The Home Mastering Masterclass http://www.homemastering.com The Mastering Show #13 - Vinyl (This may ruffle a few feathers !)The Mastering Show #13 - Vinyl (This may ruffle a few feathers !)Mentioned in this episode:

Learn to master !

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Leapwing

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]]>tag:soundcloud,2010:tracks/268398391Fri, 10 Jun 2016 02:32:36 -040044:55falsefullHow to master for vinyl, including key problems to watch out for, plus: why Ian loves everything about vinyl (except for one thing); is vinyl better than CD; why most vinyl in the 80s was actually digital, not analogue (!); why hiss is your friend; what "HD vinyl” is, and why it might help fix that one thing Ian doesn’t like Links Why custom mastering for vinyl isn’t necessary http://productionadvice.co.uk/vinyl-mastering/ It’s a kind of magic – Or: It’s not about the f****** format ! http://productionadvice.co.uk/its-not-the-format/ Why you can’t measure vinyl with the TT Meter http://productionadvice.co.uk/tt-meter-not-for-vinyl/ The Hitch Hiker’s Guide to Sound Engineering http://productionadvice.co.uk/hitchhikers-guide-to-sound-engineering/ Star Wars: The original radio drama https://www.amazon.com/Star-Wars-Original-Radio-Drama/dp/1565110056 Patents filed for HD Vinyl http://www.digitalmusicnews.com/2016/03/15/high-definition-vinyl-will-soon-become-a-reality/The Mastering Show #12 - NOT MasteringThe Mastering Show #12 - NOT MasteringMentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

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]]>Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

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]]>tag:soundcloud,2010:tracks/267213510Fri, 03 Jun 2016 03:12:10 -040040:41falsefullWhy you might NOT want to master your music - or get it mastered; what I think of LANDR and other online "mastering" services; when mastering ISN'T mastering; plus the problem with re-mastering; a brief tangent on Dave Grohl; can you master on the mix buss? And why deciding not to master is STILL mastering. Links LANDR: Automated online mastering – but is it any good ? My test http://productionadvice.co.uk/landr/ How the Loudness War is crushing Dave Grohl’s analogue ambitions http://productionadvice.co.uk/how-the-loudness-war-is-crushing-dave-grohls-analogue-ambitions/ The heart and soul of mastering http://productionadvice.co.uk/heart-and-soul/The Mastering Show #11 - You're going to love thisThe Mastering Show #11 - You're going to love thisMentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>tag:soundcloud,2010:tracks/266177204Fri, 27 May 2016 12:20:26 -040001:10:24falsefullFull-length interview with Matt Colton from Alchemy Mastering, who mastered James Blake’s Dynamic Range Day Award-winning “The Colour of Anything”. Topics include the processing chain Matt used (and why it possibly doesn’t matter as much as you think it might); the limiter he used (which you may already have) and his favourite default settings for it; the unique story of how he became a mastering engineer - and why vinyl really DOES sometimes sound better than CD Links: Matt Colton https://en.wikipedia.org/wiki/Matt_Colton Alchemy Mastering http://www.alchemymastering.com The Dynamic Range Day Award http://dynamicrangeday.com/award/ James Blake and the dynamics of The Colour In Anything http://productionadvice.co.uk/james-blake-dynamics/ Pop goes the loudness war http://productionadvice.co.uk/pop-dynamics/ The Mastering Show #10 - Dynamic Range DayThe Mastering Show #10 - Dynamic Range DayMentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

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]]>Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

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]]>tag:soundcloud,2010:tracks/263720756Thu, 12 May 2016 03:56:47 -040044:37falsefullWhy “Dynamic Range Day” is a really bad name. And come to think of it, why “dynamic range” probably isn’t what you think it is. And neither are “dynamics”! And why the Loudness War hasn’t changed them. At least, not one kind – or not in the way that you think. Because physics. It’s complicated! Plus special bonus topics: Autotune and Taylor Swift (!) Links: Dynamic Range Day http://dynamicrangeday.co.uk/ How to use the TT ‘Dynamic Range’ Meter – and where to get it http://productionadvice.co.uk/how-to-avoid-over-compressing-your-mix/ The ‘Dynamic Range’ Database http://dr.loudness-war.info/ Dynameter http://www.meterplugs.com/dynameter?a_aid=edmmr&a_bid=3bb60bda Did they REALLY just auto-tune Aretha ? SERIOUSLY ? http://productionadvice.co.uk/aretha-autotune/ So Taylor Swift is louder than Motorhead, AC/DC and The Sex Pistols… – wait, WHAT? http://productionadvice.co.uk/taylor-swift-loudness/ The Mastering Show #9 - Analogue versus DigitalThe Mastering Show #9 - Analogue versus DigitalMentioned in this episode:

Leapwing

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Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>Mentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>tag:soundcloud,2010:tracks/262558279Thu, 05 May 2016 02:01:47 -040053:53falsefullCan digital really sound as good as analogue ? Should you use analogue or digital gear when mastering ? Could higher sample rates be hurting your music ? What’s wrong with the phrase “in the box” ? Why is a digital photograph NOT a good analogy for a digital audio file ? Why does Ian think recorded sound is miraculous, and what does that have to do with the answers to all the previous questions ? Links: There are no “stair steps” in digital audio http://productionadvice.co.uk/no-stair-steps-in-digital-audio/ How to test for intermodulation distortion http://productionadvice.co.uk/high-sample-rates-make-your-music-sound-worse/ When to use dither http://productionadvice.co.uk/when-to-dither/ Monty’s superb analogue versus digital demo video https://youtu.be/cIQ9IXSUzuM The Mastering Show #8 - You Need ThisThe Mastering Show #8 - You Need ThisMentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

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Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>tag:soundcloud,2010:tracks/261319147Thu, 28 Apr 2016 12:37:25 -040056:42falsefullSome people may think this week’s topic is dull - but DON’T skip it ! If you follow Ian’s advice in this show it will have the single biggest impact on the quality of the results you can achieve in every area of audio work, not just mastering. It’s affordable, it’s simple and you need to do it. Listen now, then follow the links below ! Links How this method transformed Ian’s home studio http://productionadvice.co.uk/building-a-home-mastering-studio-part-3/ Where Ian got the stuff he used http://gikacoustics.co.uk/ A free tool to help you find out if you need to use it too http://realtraps.com/modecalc.htm A way to run that tool on a Mac, if you want to https://www.codeweavers.com/products/crossover-mac The DIY alternative http://www.gikacoustics.com/product-category/diy-acoustic-panel-bass-traps-supplies/ The Mastering Show #7 - Advanced TechniquesThe Mastering Show #7 - Advanced TechniquesMentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

Find out more about Leapwing's plugins

Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>tag:soundcloud,2010:tracks/260138316Thu, 21 Apr 2016 04:55:56 -040055:25falsefullAt it’s heart, mastering is simple - but there are plenty of more sophisticated techniques available, too. In this show we talk about some of these - and why you might not want to use them. Topics include: - Stereo width & M/S (mid-side) processing - An impossible EQ challenge - Stem mastering - Mix buss processing - Tape emulation & saturation - Creating a production master Links Stereo width in mastering – how to measure, monitor and modify it http://productionadvice.co.uk/stereo-width/ Should you use a buss compressor on your mix? http://productionadvice.co.uk/buss-compressor/ The heart and soul of mastering http://productionadvice.co.uk/heart-and-soul/ The Mastering Show #6 - LoudnessThe Mastering Show #6 - LoudnessMentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

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Learn to master !

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Leapwing

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]]>tag:soundcloud,2010:tracks/258909929Thu, 14 Apr 2016 04:26:29 -040049:30falsefullLoudness is still one of the hottest topics in mastering. In this episode we discuss why louder is better, but Too Loud is worse. And... - Why you must set the gain FIRST - How your plugins are fooling you - Optimising dynamics for online loudness - How loudness matching can be liberating - 90% of mastering in nutshell Links: Audio Bloggers Live http://productionadvice.co.uk/audio-bloggers-live/ Radio loudness – the Truth Loudness research Perception plugin Spotify loudness Dynamic range database DynameterThe Mastering Show #5 - EQThe Mastering Show #5 - EQMentioned in this episode:

Learn to master !

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Leapwing

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]]>Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

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]]>tag:soundcloud,2010:tracks/257732682Thu, 07 Apr 2016 03:42:31 -040054:52falsefullMastering EQ is about balance, not matching. In this episode we explain what the difference is, why it matters and and ways you can get it right. Topics include: - Why “radio ready” sound is a mastering myth - How you can affect the balance of instruments in the mix, even within a stereo file - A simple but crucial point of mastering technique - The pros and cons of phase linear EQ - Ian’s recommended EQ plugins Links Loudness means NOTHING on the radio - the proof http://productionadvice.co.uk/loudness-means-nothing-on-the-radio/ The Heart And Soul of Mastering http://productionadvice.co.uk/heart-and-soul/ Phase linear EQ demonstration https://youtu.be/efKabAQQsPQ Rock music and gynaecology http://mastering-media.blogspot.co.uk/2008/08/rock-music-and-gynaecology.htmlThe Mastering Show #4 - CompressionThe Mastering Show #4 - CompressionMentioned in this episode:

Leapwing

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Learn to master !

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]]>Mentioned in this episode:

Leapwing

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Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>tag:soundcloud,2010:tracks/256676822Fri, 01 Apr 2016 01:57:33 -040055:22falsefullCompression explained - using pillows and punchbags. Yes, you read that right ! And in this show we also talk about: - Why mastering compression is all about loudness. Except it’s not. - How compression in mastering is different than in mixing - How to make mastering compression invisible - Ian’s suggested starting-point settings for mastering compression - Why you might want to use multi-band compression Links Using compression to add punch, warmth and power to your mix http://productionadvice.co.uk/using-compression/ What is compression ? Sponges hold the answer http://productionadvice.co.uk/what-is-compression/ Multiband compression – the mastering engineer’s secret weapon? http://productionadvice.co.uk/multiband-compression-for-mastering/ Gregory Scott - Demolishing Compression Myths https://www.attackmagazine.com/features/columns/gregory-scott-demolishing-the-myths-of-compression/ Cheers !The Mastering Show #3 - LimitingThe Mastering Show #3 - LimitingMentioned in this episode:

Learn to master !

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Leapwing

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Learn to master !

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Leapwing

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]]>tag:soundcloud,2010:tracks/254368087Wed, 23 Mar 2016 03:48:36 -040039:26falsefullIn this show we take a deep dive into the topic of limiting. We explain why you need limiters, important Do’s and Dont’s, recommended plugins – and why there’s a good chance you’re using them wrong… Links: Are brickwall limiters nothing but pure evil ? http://productionadvice.co.uk/brickwall-limiters/ Video demonstrating inter-sample peaks and how they affect Mastering for iTunes http://productionadvice.co.uk/mastered-for-itunes-video/ Intersample peaks and why they matter - more about why you should leave at least 1 dB peak headroom when mastering, with audio examples https://youtu.be/veLLvoIubzo The Mastering Show #2 - The Three M's of MasteringThe Mastering Show #2 - The Three M's of MasteringMentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

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]]>Mentioned in this episode:

Learn to master !

Click HERE to see Ian's courses and mastering resources

Leapwing

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]]>tag:soundcloud,2010:tracks/254367398Wed, 23 Mar 2016 03:42:04 -040049:37falsefullWe’re kicking off the show with a short mini-series covering every aspect of the mastering chain in turn – levels, EQ, compression, limiting and metering. We’re going to be starting at the end and working backwards – and in case you’re wondering why, Ian explains during the show ! So in this episode we cover the “Three M’s” of mastering- and to find out what they are, you’ll need to listen to the show. Show Links: The acoustic treatment material we talked about in the show is Owens Corning 703, sometimes known as Rockwool. http://www.gikacoustics.com/product/owens-corning-703-2-inch/ To find out more about using acoustic treatment to improve the sound of your studio: http://productionadvice.co.uk/building-a-home-mastering-studio-part-3/ For more about loudness meters: http://productionadvice.co.uk/lufs-dbfs-rms/ To assess the EQ balance of your music: http://www.voxengo.com/product/span/ More about the mindset of mastering: http://productionadvice.co.uk/heart-and-soul/ The Mastering Show #1 - The Basics of MasteringThe Mastering Show #1 - The Basics of MasteringMentioned in this episode:

Leapwing

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Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>Mentioned in this episode:

Leapwing

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Learn to master !

Click HERE to see Ian's courses and mastering resources

]]>tag:soundcloud,2010:tracks/254364414Wed, 23 Mar 2016 03:14:04 -040027:32falsefullIn this first introductory episode, we introduce ourselves and talk about what we have in store for the show. We then cover some mastering basics that will give you a solid grounding for the rest of the shows. Not sure what mastering is ? Start here ! Show links: What is mastering ? Photoshop for audio http://productionadvice.co.uk/mastering-as-photoshop/ LUFS, dBFS, RMS… WTF ?!? How to read the new loudness meters http://productionadvice.co.uk/lufs-dbfs-rms/