<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="https://feeds.captivate.fm/style.xsl" type="text/xsl"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:podcast="https://podcastindex.org/namespace/1.0"><channel><atom:link href="https://feeds.captivate.fm/working-class-audio/" rel="self" type="application/rss+xml"/><title><![CDATA[Working Class Audio]]></title><podcast:guid>fd247845-5937-54c3-ad30-e46a1180c3c0</podcast:guid><lastBuildDate>Fri, 10 Apr 2026 23:35:28 +0000</lastBuildDate><generator>Captivate.fm</generator><language><![CDATA[en]]></language><copyright><![CDATA[Copyright Working Class Audio All Rights Reserved.]]></copyright><managingEditor>Working Class Audio</managingEditor><itunes:summary><![CDATA[Peel back the glamour of the professional recording world. Guests from the world of audio for music, film, games, restoration, and more share their insights on how they made their journey, how they survive, their advice on the real things including wins, losses, working with other people, money, and career advice. 
Hosted by audio engineer Matt Boudreau.
The Working Class Audio Podcast - Navigating the World of Recording with a working class perspective.]]></itunes:summary><image><url>https://artwork.captivate.fm/aca3486b-7dc3-4334-9b08-b2e6961965fe/148de9fb480fc0b4b6c726f04976eed3.jpg</url><title>Working Class Audio</title><link><![CDATA[http://www.workingclassaudio.com]]></link></image><itunes:image href="https://artwork.captivate.fm/aca3486b-7dc3-4334-9b08-b2e6961965fe/148de9fb480fc0b4b6c726f04976eed3.jpg"/><itunes:owner><itunes:name>Working Class Audio</itunes:name></itunes:owner><itunes:author>Working Class Audio</itunes:author><description>Peel back the glamour of the professional recording world. Guests from the world of audio for music, film, games, restoration, and more share their insights on how they made their journey, how they survive, their advice on the real things including wins, losses, working with other people, money, and career advice. 
Hosted by audio engineer Matt Boudreau.
The Working Class Audio Podcast - Navigating the World of Recording with a working class perspective.</description><link>http://www.workingclassaudio.com</link><atom:link href="https://pubsubhubbub.appspot.com" rel="hub"/><itunes:subtitle><![CDATA[Navigating the World of Recording With a Working Class Perspective]]></itunes:subtitle><itunes:explicit>true</itunes:explicit><itunes:type>episodic</itunes:type><itunes:category text="Music"><itunes:category text="Music Interviews"/></itunes:category><itunes:category text="Music"><itunes:category text="Music Interviews"/></itunes:category><itunes:category text="Business"><itunes:category text="Entrepreneurship"/></itunes:category><itunes:new-feed-url>https://feeds.captivate.fm/working-class-audio/</itunes:new-feed-url><podcast:locked>yes</podcast:locked><podcast:medium>podcast</podcast:medium><podcast:funding url="https://working-class-audio.captivate.fm/support">Support the show!</podcast:funding><item><title>WCA #590 with Phillip Broussard –Gulf Coast, Kingsway, Teatro, Rick Rubin, and Prioritizing Vibe</title><itunes:title>WCA #590 with Phillip Broussard –Gulf Coast, Kingsway, Teatro, Rick Rubin, and Prioritizing Vibe</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer/engineer/mixer and archivist, Phillip Broussard who has worked with the Red Hot Chili Peppers, Slipknot, System of a Down, and many more</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Texas upbringing</strong></li><li><strong>Jobs in Gulf Coast refineries</strong></li><li><strong>First studio internships in Austin</strong></li><li><strong>Houston and Austin</strong></li><li><strong>Kingsway Studio in New Orleans</strong></li><li><strong>Prioritizing vibe over gear</strong></li><li><strong>Relocating to Los Angeles</strong></li><li><strong>Managing Teatro in Oxnard</strong></li><li><strong>Collaboration with Rick Rubin</strong></li><li><strong>Handling limited recording budgets</strong></li><li><strong>Skills in reading the room</strong></li><li><strong>Balancing career and family life</strong></li><li><strong>Negotiating rates and invoicing</strong></li><li><strong>Audio archiving and session restoration</strong></li><li><strong>Networking to find new music</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.phillipbroussardjr.com/" rel="noopener noreferrer" target="_blank">Phillip's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-327-with-trina-shoemaker/" rel="noopener noreferrer" target="_blank">Trina Shoemaker on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-398-with-dave-schiffman-part-1/" rel="noopener noreferrer" target="_blank">Dave Schiffman on WCA</a></li></ul><br/><h3>Matt's Rant:<strong> Inspiration and Imagination</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Phillip Broussard</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer/engineer/mixer and archivist, Phillip Broussard who has worked with the Red Hot Chili Peppers, Slipknot, System of a Down, and many more</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Texas upbringing</strong></li><li><strong>Jobs in Gulf Coast refineries</strong></li><li><strong>First studio internships in Austin</strong></li><li><strong>Houston and Austin</strong></li><li><strong>Kingsway Studio in New Orleans</strong></li><li><strong>Prioritizing vibe over gear</strong></li><li><strong>Relocating to Los Angeles</strong></li><li><strong>Managing Teatro in Oxnard</strong></li><li><strong>Collaboration with Rick Rubin</strong></li><li><strong>Handling limited recording budgets</strong></li><li><strong>Skills in reading the room</strong></li><li><strong>Balancing career and family life</strong></li><li><strong>Negotiating rates and invoicing</strong></li><li><strong>Audio archiving and session restoration</strong></li><li><strong>Networking to find new music</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.phillipbroussardjr.com/" rel="noopener noreferrer" target="_blank">Phillip's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-327-with-trina-shoemaker/" rel="noopener noreferrer" target="_blank">Trina Shoemaker on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-398-with-dave-schiffman-part-1/" rel="noopener noreferrer" target="_blank">Dave Schiffman on WCA</a></li></ul><br/><h3>Matt's Rant:<strong> Inspiration and Imagination</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Phillip Broussard</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-xxx-with-guest-name-item-1-item-2-item-3-item-4-and-item-5]]></link><guid isPermaLink="false">b221859d-8e54-4a26-a094-bfa58bbc8d04</guid><itunes:image href="https://artwork.captivate.fm/7969291c-f8c5-42e6-b0a8-c93337547dd5/WCA-590-PHILLIP-BROUSSARD-2026-04-06-THUMB.jpg"/><pubDate>Mon, 06 Apr 2026 21:05:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b221859d-8e54-4a26-a094-bfa58bbc8d04.mp3" length="187973805" type="audio/mpeg"/><itunes:duration>01:18:19</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>590</itunes:episode><podcast:episode>590</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #590 with PHILLIP BROUSARD"><podcast:source uri="https://youtu.be/2EQDUJnzzLg"/></podcast:alternateEnclosure></item><item><title>WCA #589 with Mitch Easter – R.E.M., Drive-In Studio, Don Dixon, North Carolina, and Fidelatorium Recordings</title><itunes:title>WCA #589 with Mitch Easter – R.E.M., Drive-In Studio, Don Dixon, North Carolina, and Fidelatorium Recordings</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcome musician/songwriter/producer/engineer Mitch Easter known for his work on the early R.E.M. records as well as his work with the db's, Game Theory, and Marshal Crenshaw as well as his own band Let's Active.</p><h3>In This Episode, We Discuss:</h3><ul><li>Background and Upbringing</li><li>Early Interest in Recording</li><li>Drive-In Studio</li><li>Fidelatorium Recordings</li><li>Balancing Multiple Roles</li><li>Collaboration with Don Dixon</li><li>The Music Industry and the Indie Ecosystem</li><li>Influences and Inspirations</li><li>Views on Retirement</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://youtu.be/_oCX7DnEmR4" rel="noopener noreferrer" target="_blank">YouTube version</a></li><li><a href="https://www.fidelitorium.com/" rel="noopener noreferrer" target="_blank">Mitch's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Creating Opportunity</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Mitch Easter</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcome musician/songwriter/producer/engineer Mitch Easter known for his work on the early R.E.M. records as well as his work with the db's, Game Theory, and Marshal Crenshaw as well as his own band Let's Active.</p><h3>In This Episode, We Discuss:</h3><ul><li>Background and Upbringing</li><li>Early Interest in Recording</li><li>Drive-In Studio</li><li>Fidelatorium Recordings</li><li>Balancing Multiple Roles</li><li>Collaboration with Don Dixon</li><li>The Music Industry and the Indie Ecosystem</li><li>Influences and Inspirations</li><li>Views on Retirement</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://youtu.be/_oCX7DnEmR4" rel="noopener noreferrer" target="_blank">YouTube version</a></li><li><a href="https://www.fidelitorium.com/" rel="noopener noreferrer" target="_blank">Mitch's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Creating Opportunity</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Mitch Easter</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-589-with-mitch-easter-]]></link><guid isPermaLink="false">0147e87c-8d25-4209-b2c7-e07ed35a5b4b</guid><itunes:image href="https://artwork.captivate.fm/3e256677-c291-467b-a86b-9e3962f10c04/WCA-589-MITCH-EASTER-2026-03-30-THUMB.jpg"/><pubDate>Mon, 30 Mar 2026 19:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0147e87c-8d25-4209-b2c7-e07ed35a5b4b.mp3" length="197371245" type="audio/mpeg"/><itunes:duration>01:22:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>589</itunes:episode><podcast:episode>589</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #589 with MITCH EASTER"><podcast:source uri="https://youtu.be/_oCX7DnEmR4"/></podcast:alternateEnclosure></item><item><title>WCA #588 with Joe Costa– Ordering Lunch with William Shatner, Berklee School of Music, Mixing from Home, and Reading the Room</title><itunes:title>WCA #588 with Joe Costa– Ordering Lunch with William Shatner, Berklee School of Music, Mixing from Home, and Reading the Room</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes engineer/mixer Joe Costa who has worked with Ben Folds. Sara Bareilles, William Shatner and many more.</p><h3>In This Episode, We Discuss:</h3><ul><li>Ordering Lunch with William (Bill) Shatner</li><li>Working with Ben Folds</li><li>Mixing from Home</li><li>Moving to Nashville</li><li>Berklee School of Music</li><li>Reading the Room</li></ul><br/><h3>Links and Show Notes:</h3><ul><li>Joe On Instagram <a href="https://www.instagram.com/costa71/" rel="noopener noreferrer" target="_blank">@costa71</a></li><li><a href="https://youtu.be/Mgielu4P37I" rel="noopener noreferrer" target="_blank">Watch the Interview on YouTube</a></li></ul><br/><h3>Matt's Rant:<strong> Know Your Value</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Joe Costa</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes engineer/mixer Joe Costa who has worked with Ben Folds. Sara Bareilles, William Shatner and many more.</p><h3>In This Episode, We Discuss:</h3><ul><li>Ordering Lunch with William (Bill) Shatner</li><li>Working with Ben Folds</li><li>Mixing from Home</li><li>Moving to Nashville</li><li>Berklee School of Music</li><li>Reading the Room</li></ul><br/><h3>Links and Show Notes:</h3><ul><li>Joe On Instagram <a href="https://www.instagram.com/costa71/" rel="noopener noreferrer" target="_blank">@costa71</a></li><li><a href="https://youtu.be/Mgielu4P37I" rel="noopener noreferrer" target="_blank">Watch the Interview on YouTube</a></li></ul><br/><h3>Matt's Rant:<strong> Know Your Value</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Joe Costa</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-xxx-with-guest-name-item-1-item-2-item-3-item-4-and-item-5]]></link><guid isPermaLink="false">4930b54e-d780-4ae8-9302-5e1a13b0abed</guid><itunes:image href="https://artwork.captivate.fm/11e88649-c1ec-4b0e-9e2e-f18397901e7a/WCA-588-JOE-COSTA-2026-03-23-THUMB.jpg"/><pubDate>Mon, 23 Mar 2026 16:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4930b54e-d780-4ae8-9302-5e1a13b0abed.mp3" length="152379885" type="audio/mpeg"/><itunes:duration>01:03:29</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>588</itunes:episode><podcast:episode>588</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #588 with JOE COSTA"><podcast:source uri="https://youtu.be/Mgielu4P37I"/></podcast:alternateEnclosure></item><item><title>WCA #587 with Willie Green – The Green House, Physical Media, Business Strategy, Daily Patterns, and Innovation</title><itunes:title>WCA #587 with Willie Green – The Green House, Physical Media, Business Strategy, Daily Patterns, and Innovation</itunes:title><description><![CDATA[<p>Producer, engineer, artist, and professor Willie Green returns to WCA to chat with Matt about about his new studio adventure and much more! Willie has worked with renowned artists such as Armand Hammer, The Roots, The Alchemist, and Wiz Khalifa.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> The Green House Expands!</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Physical Media</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Marketing Strategies for Creative Spaces</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Daily Patterns and Balancing Responsibilities</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Adapting to Client Needs and Studio Management</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Business Strategy</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Innovation</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><u><a href="https://www.williegreenmusic.com/" rel="noopener noreferrer" target="_blank">Willie Green’s Website</a></u></li></ol><br/><h3>Matt's Rant:<strong> Which music industry do you work in?</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Willie Green</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>Producer, engineer, artist, and professor Willie Green returns to WCA to chat with Matt about about his new studio adventure and much more! Willie has worked with renowned artists such as Armand Hammer, The Roots, The Alchemist, and Wiz Khalifa.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> The Green House Expands!</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Physical Media</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Marketing Strategies for Creative Spaces</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Daily Patterns and Balancing Responsibilities</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Adapting to Client Needs and Studio Management</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Business Strategy</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span> Innovation</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><u><a href="https://www.williegreenmusic.com/" rel="noopener noreferrer" target="_blank">Willie Green’s Website</a></u></li></ol><br/><h3>Matt's Rant:<strong> Which music industry do you work in?</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Willie Green</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-587-with-willie-green-the-green-house-]]></link><guid isPermaLink="false">ff9323e6-68ab-469d-b73e-d8ef6e2d044d</guid><itunes:image href="https://artwork.captivate.fm/b7506054-ba59-4876-8366-86d055ccdf23/WCA-587-PAUL-WILLIE-GREEN-WOMAK-2026-03-16-THUMB.jpg"/><pubDate>Mon, 16 Mar 2026 18:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ff9323e6-68ab-469d-b73e-d8ef6e2d044d.mp3" length="186817005" type="audio/mpeg"/><itunes:duration>01:17:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>587</itunes:episode><podcast:episode>587</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #587 with WILLIE GREEN"><podcast:source uri="https://youtu.be/zFhfWG3nVik"/></podcast:alternateEnclosure></item><item><title>WCA #586 with Richard Chycki  Part 2– Management, Networking, Cultural Transition, Future Plans, and The Rush Connection</title><itunes:title>WCA #586 with Richard Chycki  Part 2– Management, Networking, Cultural Transition, Future Plans, and The Rush Connection</itunes:title><description><![CDATA[<p>This is part 2 of a discussion Matt had with multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.</p><h3>In This Episode, We Discuss:</h3><ul><li>Management</li><li>Networking: Building Relationships for Success</li><li>Cultural Transition: From Canada to the U.S. Music Scene</li><li>The Rush Connection: Networking and Opportunities</li><li>Navigating the World of Immersive Audio Technologies</li><li>Future Plans and Networking in Nashville</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.workingclassaudio.com/wca-583-with-richard-chycki-part-1/" rel="noopener noreferrer" target="_blank">Part 1 Interview</a></li><li><a href="https://richardchycki.ca/" rel="noopener noreferrer" target="_blank">Rich's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Auto Pilot</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Richard Chycki</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>This is part 2 of a discussion Matt had with multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.</p><h3>In This Episode, We Discuss:</h3><ul><li>Management</li><li>Networking: Building Relationships for Success</li><li>Cultural Transition: From Canada to the U.S. Music Scene</li><li>The Rush Connection: Networking and Opportunities</li><li>Navigating the World of Immersive Audio Technologies</li><li>Future Plans and Networking in Nashville</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.workingclassaudio.com/wca-583-with-richard-chycki-part-1/" rel="noopener noreferrer" target="_blank">Part 1 Interview</a></li><li><a href="https://richardchycki.ca/" rel="noopener noreferrer" target="_blank">Rich's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Auto Pilot</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Richard Chycki</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-586-with-richard-chycki-]]></link><guid isPermaLink="false">a5dc869b-caee-4435-acca-4dc62fb563c1</guid><itunes:image href="https://artwork.captivate.fm/8589a9d2-801e-45d3-a42e-aebd627c1315/WCA-583-RICH-CHYCKI-PART-2-2026-03-09.jpg"/><pubDate>Mon, 09 Mar 2026 17:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a5dc869b-caee-4435-acca-4dc62fb563c1.mp3" length="151358445" type="audio/mpeg"/><itunes:duration>01:03:04</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>586</itunes:episode><podcast:episode>586</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #586 with RICHARD CHYCKI PART 2"><podcast:source uri="https://youtu.be/hzgjSdFKgf0"/></podcast:alternateEnclosure></item><item><title>WCA #585 with Jade Alysse Berry – Passion for Music, Overcoming a Health Crisis, Navigating Industry Politics and Client Communication</title><itunes:title>WCA #585 with Jade Alysse Berry – Passion for Music, Overcoming a Health Crisis, Navigating Industry Politics and Client Communication</itunes:title><description><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt welcomes mixing engineer, producer and composerJade Alysse Berry, whose path to mixing was sparked by a life‑changing health event and a deep love for music. Jade shares practical insights on creativity, collaboration, and setting clear boundaries with clients.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>How a health crisis redirected Jade’s career toward audio engineering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Challenges and politics of the music industry</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Collaborative dynamics with partner Bob Horn </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The creative process of mixing</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Setting boundaries</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Understanding client expectations</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Effective communication</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.instagram.com/jadealysse/" rel="noopener noreferrer" target="_blank">Jade on Instagram</a></li></ol><br/><h3>Matt's Rant:<strong> The Home Studio</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Jade Alysse Berry</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt welcomes mixing engineer, producer and composerJade Alysse Berry, whose path to mixing was sparked by a life‑changing health event and a deep love for music. Jade shares practical insights on creativity, collaboration, and setting clear boundaries with clients.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>How a health crisis redirected Jade’s career toward audio engineering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Challenges and politics of the music industry</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Collaborative dynamics with partner Bob Horn </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The creative process of mixing</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Setting boundaries</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Understanding client expectations</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Effective communication</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.instagram.com/jadealysse/" rel="noopener noreferrer" target="_blank">Jade on Instagram</a></li></ol><br/><h3>Matt's Rant:<strong> The Home Studio</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Jade Alysse Berry</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-xxx-with-guest-name-item-1-item-2-item-3-item-4-and-item-5]]></link><guid isPermaLink="false">ed8bdefe-886e-4eed-af35-929e48f0bf3c</guid><itunes:image href="https://artwork.captivate.fm/941f19f9-5cca-4ef1-8a80-020f511a5428/WCA-585-JADE-ALYSSE-BERRY-2026-03-02.jpg"/><pubDate>Mon, 02 Mar 2026 20:19:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ed8bdefe-886e-4eed-af35-929e48f0bf3c.mp3" length="133264365" type="audio/mpeg"/><itunes:duration>55:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>585</itunes:episode><podcast:episode>585</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #585 with JADE ALYSSE BERRY"><podcast:source uri="https://youtu.be/XsYjVBMCITY"/></podcast:alternateEnclosure></item><item><title>WCA #584 with Tom Camuso – Preserving Les Paul&apos;s Legacy, Education, Los Angeles vs. New York, Cracking the Preservation Code, and Weather</title><itunes:title>WCA #584 with Tom Camuso – Preserving Les Paul&apos;s Legacy, Education, Los Angeles vs. New York, Cracking the Preservation Code, and Weather</itunes:title><description><![CDATA[<p>Matt is joined by grammy winning engineer Tom Camuso who has worked with Lenny Kravitz, Blondie, Steve Earl as well as a number of commercial, television and film projects. Tom is also the Chief Engineer at The Les Paul Recording Studio in Holly wood.</p><h3>In This Episode, We Discuss:</h3><ul><li>Preserving Les Paul's Legacy</li><li>Los Angeles vs. New York</li><li>Cracking the Preservation Code</li><li>Weather</li><li>Education</li><li>Library of Congress</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.tomcamuso.com/about" rel="noopener noreferrer" target="_blank">Tom's Site</a></li><li><a href="https://www.studio.les-paul.com/" rel="noopener noreferrer" target="_blank">Les Paul Studio</a></li></ul><br/><h3>Matt's Rant:<strong> Economic Reevaluation</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Tom Camuso</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>Matt is joined by grammy winning engineer Tom Camuso who has worked with Lenny Kravitz, Blondie, Steve Earl as well as a number of commercial, television and film projects. Tom is also the Chief Engineer at The Les Paul Recording Studio in Holly wood.</p><h3>In This Episode, We Discuss:</h3><ul><li>Preserving Les Paul's Legacy</li><li>Los Angeles vs. New York</li><li>Cracking the Preservation Code</li><li>Weather</li><li>Education</li><li>Library of Congress</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.tomcamuso.com/about" rel="noopener noreferrer" target="_blank">Tom's Site</a></li><li><a href="https://www.studio.les-paul.com/" rel="noopener noreferrer" target="_blank">Les Paul Studio</a></li></ul><br/><h3>Matt's Rant:<strong> Economic Reevaluation</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Tom Camuso</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/temp]]></link><guid isPermaLink="false">50739c26-d689-48c7-b9a9-a76698e64625</guid><itunes:image href="https://artwork.captivate.fm/8ea3cb80-6d6f-46cf-b389-4da34b436ab6/WCA-584-TOM-CAMUSO-2026-02-23-THUMB.jpg"/><pubDate>Mon, 23 Feb 2026 17:25:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/50739c26-d689-48c7-b9a9-a76698e64625.mp3" length="153115245" type="audio/mpeg"/><itunes:duration>01:03:48</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>584</itunes:episode><podcast:episode>584</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #584 with TOM CAMUSO"><podcast:source uri="https://youtu.be/OCv1uXiq6RQ"/></podcast:alternateEnclosure></item><item><title>WCA #583 with Richard Chycki Part 1– Networking, Finances, ATMOS, Learning from Major Artists, and Adapting to Technological Changes in Audio</title><itunes:title>WCA #583 with Richard Chycki Part 1– Networking, Finances, ATMOS, Learning from Major Artists, and Adapting to Technological Changes in Audio</itunes:title><description><![CDATA[<p>Matt is joined by multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.</p><h3>In This Episode, We Discuss:</h3><p>NAMM Experience</p><ul><li>Current State of Immersive Audio</li><li>Moving to Nashville: Reasons and Plans</li><li>Early Musical Journey and Transition to Engineering</li><li>The Shift from Musician to Engineer</li><li>Adapting to Technological Changes in Audio</li><li>The Future of Atmos and Immersive Audio</li><li>Artist Reactions to Immersive Mixing</li><li>The Evolution of Atmos Technology</li><li>Learning from Major Artists</li><li>Navigating the Music Industry</li><li>Financial Strategies in Music Production</li><li>The Importance of Networking</li><li>Mixing Classic Records in Atmos</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://richardchycki.ca/" rel="noopener noreferrer" target="_blank">Rich's Site</a></li></ul><br/><h3>Matt's Rant:<strong> The Expenses</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Richard Chycki</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>Matt is joined by multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.</p><h3>In This Episode, We Discuss:</h3><p>NAMM Experience</p><ul><li>Current State of Immersive Audio</li><li>Moving to Nashville: Reasons and Plans</li><li>Early Musical Journey and Transition to Engineering</li><li>The Shift from Musician to Engineer</li><li>Adapting to Technological Changes in Audio</li><li>The Future of Atmos and Immersive Audio</li><li>Artist Reactions to Immersive Mixing</li><li>The Evolution of Atmos Technology</li><li>Learning from Major Artists</li><li>Navigating the Music Industry</li><li>Financial Strategies in Music Production</li><li>The Importance of Networking</li><li>Mixing Classic Records in Atmos</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://richardchycki.ca/" rel="noopener noreferrer" target="_blank">Rich's Site</a></li></ul><br/><h3>Matt's Rant:<strong> The Expenses</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Richard Chycki</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-583-with-richard-chycki-networking-finances-atmos-learning-from-major-artists-and-adapting-to-technological-changes-in-audio]]></link><guid isPermaLink="false">f1a88eeb-e9e8-4ffd-80d5-7dcf65225b80</guid><itunes:image href="https://artwork.captivate.fm/580613f3-652c-496a-9228-55d3e4554ea6/WCA-583-RICH-CHYCKI-PART-1-2026-02-16.jpg"/><pubDate>Mon, 16 Feb 2026 21:11:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f1a88eeb-e9e8-4ffd-80d5-7dcf65225b80.mp3" length="176864685" type="audio/mpeg"/><itunes:duration>01:13:42</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>583</itunes:episode><podcast:episode>583</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #583 with RICHARD CHYCKI PART 1"><podcast:source uri="https://youtu.be/58JROYaANHE"/></podcast:alternateEnclosure></item><item><title>WCA #582 with Joel Weldon Willis – Church to indie music, Freelancing, Grammy Nominations, Remote Mixing, and The Importance of Collaboration Over Competition</title><itunes:title>WCA #582 with Joel Weldon Willis – Church to indie music, Freelancing, Grammy Nominations, Remote Mixing, and The Importance of Collaboration Over Competition</itunes:title><description><![CDATA[<p>Matt welcomes Grammy Nominated producer /engineer/mixer Joel Weldon Willis.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Building a Home Studio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Early Experiences in Music Production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Transitioning to Freelance and Indie Music Scene</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Creative Approaches to Music Production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Navigating Financial Challenges in the Studio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Recording Techniques and Live Sessions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Lessons Learned in the Studio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Freelancing and Renting Studio Spaces</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Community and Collaboration in Music Production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Balancing Promotion and Authenticity</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Impact of Grammy Nominations</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Adapting to Client Needs and Communication</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Remote Mixing</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Handling Criticism and Professional Growth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Importance of Collaboration Over Competition</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://misfitmusicnc.com/" rel="noopener noreferrer" target="_blank">Joel's Site</a></li></ol><br/><h3>Matt's Rant:<strong> Inspiration</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Joel Weldon WIllis</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>Matt welcomes Grammy Nominated producer /engineer/mixer Joel Weldon Willis.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Building a Home Studio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Early Experiences in Music Production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Transitioning to Freelance and Indie Music Scene</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Creative Approaches to Music Production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Navigating Financial Challenges in the Studio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Recording Techniques and Live Sessions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Lessons Learned in the Studio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Freelancing and Renting Studio Spaces</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Community and Collaboration in Music Production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Balancing Promotion and Authenticity</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Impact of Grammy Nominations</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Adapting to Client Needs and Communication</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Remote Mixing</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Handling Criticism and Professional Growth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Importance of Collaboration Over Competition</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://misfitmusicnc.com/" rel="noopener noreferrer" target="_blank">Joel's Site</a></li></ol><br/><h3>Matt's Rant:<strong> Inspiration</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Joel Weldon WIllis</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-582-with-joel-weldon-willis-church-to-indie-music-freelancing-grammy-nominations-remote-mixing-and-the-importance-of-collaboration-over-competition]]></link><guid isPermaLink="false">66206e3c-d3d7-4d94-8512-a600d8f9ccf3</guid><itunes:image href="https://artwork.captivate.fm/2dfbf544-194e-4829-8939-012ab2eddab4/WCA-582-JOEL-WELDON-WILLIS-2026-02-09-THUMB.jpg"/><pubDate>Mon, 09 Feb 2026 16:27:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/66206e3c-d3d7-4d94-8512-a600d8f9ccf3.mp3" length="156716205" type="audio/mpeg"/><itunes:duration>01:05:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>582</itunes:episode><podcast:episode>582</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #582 with JOEL WELDON WILLIS"><podcast:source uri="https://youtu.be/ws9j8Epj98Y"/></podcast:alternateEnclosure></item><item><title>WCA #581 with Sanford Parker – Chicago Music Scene, Independent Artists, Managing Overhead, and Getting out of Florida.</title><itunes:title>WCA #581 with Sanford Parker – Chicago Music Scene, Independent Artists, Managing Overhead, and Getting out of Florida.</itunes:title><description><![CDATA[<p>Matt welcomes Producer /engineer/mixer and film composer Sanford Parker. As an artist he’s performed and released albums with extreme heavy and industrial bands like Black Cross Hotel, Corrections House, Mirrors for Psychic Warfare and Minsk. Throughout the years he’s collaborated with members of Sonic Youth, Ministry, Napalm Death and Neurosis as well as producing and mixing albums for Darkthrone, Voivod, Brutal Truth, Pelican, YOB, Hide, Youth Code, Wovenhand, Rwake, Local H and many others. </p><p><strong>Takeaways</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Sanford opened his studio in March 2020, just before the pandemic.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>He prefers working with independent artists and punk music.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Chicago's music scene is affordable compared to other major cities.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Managing overhead is crucial for running a successful studio.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Sanford transitioned to mixing in the box for efficiency.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>He values genuine relationships with artists over bureaucracy.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The pandemic shifted his work focus back to mixing.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The flexibility of working remotely with clients.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Learning to navigate financial discussions with bands.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Independent music often allows for quicker decision-making.</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://sanfordparker.com/" rel="noopener noreferrer" target="_blank">Sanford's Site</a></li></ol><br/><h3>Matt's Rant:<strong> Your Journey</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Sanford Parker</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>Matt welcomes Producer /engineer/mixer and film composer Sanford Parker. As an artist he’s performed and released albums with extreme heavy and industrial bands like Black Cross Hotel, Corrections House, Mirrors for Psychic Warfare and Minsk. Throughout the years he’s collaborated with members of Sonic Youth, Ministry, Napalm Death and Neurosis as well as producing and mixing albums for Darkthrone, Voivod, Brutal Truth, Pelican, YOB, Hide, Youth Code, Wovenhand, Rwake, Local H and many others. </p><p><strong>Takeaways</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Sanford opened his studio in March 2020, just before the pandemic.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>He prefers working with independent artists and punk music.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Chicago's music scene is affordable compared to other major cities.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Managing overhead is crucial for running a successful studio.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Sanford transitioned to mixing in the box for efficiency.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>He values genuine relationships with artists over bureaucracy.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The pandemic shifted his work focus back to mixing.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The flexibility of working remotely with clients.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Learning to navigate financial discussions with bands.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Independent music often allows for quicker decision-making.</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://sanfordparker.com/" rel="noopener noreferrer" target="_blank">Sanford's Site</a></li></ol><br/><h3>Matt's Rant:<strong> Your Journey</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Sanford Parker</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-581-with-sanford-parker-chicago-music-scene-independent-artists-managing-overhead-and-getting-out-of-florida-]]></link><guid isPermaLink="false">ba72ab21-c71c-4f7a-af99-bec95437268c</guid><itunes:image href="https://artwork.captivate.fm/10568513-75aa-49a3-98e6-ad9b7d3281ea/WCA-581-SANFORD-PARKER-2026-02-02-THUMB.jpg"/><pubDate>Mon, 02 Feb 2026 21:58:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ba72ab21-c71c-4f7a-af99-bec95437268c.mp3" length="140844525" type="audio/mpeg"/><itunes:duration>58:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>581</itunes:episode><podcast:episode>581</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #581 with SANFORD PARKER"><podcast:source uri="https://youtu.be/UWdM6-1Nd2M"/></podcast:alternateEnclosure></item><item><title>WCA #580 with Steve Chadie – LIVE FROM NAMM 2026</title><itunes:title>WCA #580 with Steve Chadie – LIVE FROM NAMM 2026</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back GRAMMY-winning recording engineer and producer Steve Chadie live from the AudioScape booth at NAMM 2026 to talk about recording bands. Steve has worked with WIllie Nelson, Los Lonely Boys, Wilco, and the Supersuckers.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mic placement and monitoring.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The bleed</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Band dynamics</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Food and energy levels</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Expectations</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Creative ruts.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Being invisible</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Headphone mixes</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Less substance abuse</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-245-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve on WCA #245</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-487-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve on WCA #487</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://stevechadie.com/" rel="noopener noreferrer" target="_blank">Steve's Site</a></li></ol><br/><h3>Matt's Rant:<strong> The People</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Steve Chadie</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Editing:</strong> Anne-Marie Pleau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back GRAMMY-winning recording engineer and producer Steve Chadie live from the AudioScape booth at NAMM 2026 to talk about recording bands. Steve has worked with WIllie Nelson, Los Lonely Boys, Wilco, and the Supersuckers.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mic placement and monitoring.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The bleed</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Band dynamics</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Food and energy levels</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Expectations</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Creative ruts.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Being invisible</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Headphone mixes</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Less substance abuse</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-245-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve on WCA #245</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-487-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve on WCA #487</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://stevechadie.com/" rel="noopener noreferrer" target="_blank">Steve's Site</a></li></ol><br/><h3>Matt's Rant:<strong> The People</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Steve Chadie</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Editing:</strong> Anne-Marie Pleau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-580-with-steve-chadie-live-from-namm-2026]]></link><guid isPermaLink="false">49dacbd4-5abf-4271-a315-1375488ad3b6</guid><itunes:image href="https://artwork.captivate.fm/4e543352-8cef-4b48-a21e-0a31990434ec/WCA-580-STEVE-CHADIE-2026-01-26-THUMB.jpg"/><pubDate>Mon, 26 Jan 2026 19:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/49dacbd4-5abf-4271-a315-1375488ad3b6.mp3" length="146005485" type="audio/mpeg"/><itunes:duration>01:00:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>580</itunes:episode><podcast:episode>580</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #580 with STEVE CHADIE Live from NAMM 2026"><podcast:source uri="https://youtu.be/rNAJQmTDEyw"/></podcast:alternateEnclosure></item><item><title>WCA #579 with Fran Cathcart – Studio Ownership, Herbie Hancock, Stress, and Moving to the Bay Area</title><itunes:title>WCA #579 with Fran Cathcart – Studio Ownership, Herbie Hancock, Stress, and Moving to the Bay Area</itunes:title><description><![CDATA[<p>Matt welcomes producer/engineer/composer Fran Cathcart. Fran having just moved to the Bay Area from New York recounts his journey in studio ownership, working with Herbie Hancock, and facing down serious challenges that would make most throw in the towel, yet he still keeps going.</p><h3>In This Episode, We Discuss:</h3><ul><li>Studio Ownership</li><li>Herbie Hancock</li><li>Early Digital Recording</li><li>Divorce</li><li>Covid</li><li>Getting Sued</li><li>Stress</li><li>Moving to the Bay Area</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://francathcart.com/" rel="noopener noreferrer" target="_blank">Fran's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Client Communication</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Fran Cathcart</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>Matt welcomes producer/engineer/composer Fran Cathcart. Fran having just moved to the Bay Area from New York recounts his journey in studio ownership, working with Herbie Hancock, and facing down serious challenges that would make most throw in the towel, yet he still keeps going.</p><h3>In This Episode, We Discuss:</h3><ul><li>Studio Ownership</li><li>Herbie Hancock</li><li>Early Digital Recording</li><li>Divorce</li><li>Covid</li><li>Getting Sued</li><li>Stress</li><li>Moving to the Bay Area</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://francathcart.com/" rel="noopener noreferrer" target="_blank">Fran's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Client Communication</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Fran Cathcart</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-579-with-fran-cathcart-studio-ownership-herbie-hancock-stress-and-moving-to-the-bay-area]]></link><guid isPermaLink="false">4b83c816-f534-40cd-a97d-ed70a038e13c</guid><itunes:image href="https://artwork.captivate.fm/4ad6a81a-d2fe-4c6d-a3a7-c36b9aff5570/WCA-579-FRAN-CATHCART-2026-01-19-THUMB.jpg"/><pubDate>Mon, 19 Jan 2026 20:37:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4b83c816-f534-40cd-a97d-ed70a038e13c.mp3" length="199144365" type="audio/mpeg"/><itunes:duration>01:22:59</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>579</itunes:episode><podcast:episode>579</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #579 with FRAN CATHCART"><podcast:source uri="https://youtu.be/i33CRghzO2I"/></podcast:alternateEnclosure></item><item><title>WCA #578 with Joe Caithness – Pro Audio Minimalism, Finding Balance, Decluttering, Embracing Whimsy, and The Bell Curve</title><itunes:title>WCA #578 with Joe Caithness – Pro Audio Minimalism, Finding Balance, Decluttering, Embracing Whimsy, and The Bell Curve</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Mastering Engineering Joe Caithness. Joe has worked on mastering the soundtrack music for games such as Borderlands, and Tekken, the soundtracks for the Netflix movie Close, bands such as Don Martin 3 and Palooka 5.</p><p>In this episode we discuss Pro Audio Minimalism.</p><h3>In This Episode, We Discuss:</h3><ul><li>Pro audio minimalism focuses on efficiency and workflow.</li><li>Post-pandemic, many have adapted to home studios.</li><li>Stripping down gear can lead to better productivity.</li><li>Quality of work is not determined by the amount of gear.</li><li>The bell curve illustrates the journey of audio engineers.</li><li>Social media can exacerbate gear obsession.</li><li>It's important to focus on skills rather than equipment.</li><li>Minimalism can reduce stress in the creative process.</li><li>Finding balance in audio engineering is crucial.</li><li>Personal interests outside of audio can influence spending. Being debt-free allows for better control over finances.</li><li>Intentional communication can streamline workflows and reduce confusion.</li><li>Minimalism in workflow can lead to increased efficiency.</li><li>Decluttering can help identify unnecessary subscriptions and expenses.</li><li>Applying minimalism to business practices can enhance focus and productivity.</li><li>The thrill of the hunt can lead to unnecessary clutter if not managed.</li><li>Intentional equipment purchases can prevent buyer's remorse.</li><li>Every purchase has a domino effect on workflow and finances.</li><li>Embracing whimsy can make minimalism enjoyable and fulfilling.</li><li>Sharing resources can benefit others and reduce personal clutter.</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.joecaithnessmastering.com/" rel="noopener noreferrer" target="_blank">Joe's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-329-with-joe-caithness/" rel="noopener noreferrer" target="_blank">Joe on WCA #329</a></li></ul><br/><h3>Matt's Rant:<strong> </strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Joe Caithness</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Mastering Engineering Joe Caithness. Joe has worked on mastering the soundtrack music for games such as Borderlands, and Tekken, the soundtracks for the Netflix movie Close, bands such as Don Martin 3 and Palooka 5.</p><p>In this episode we discuss Pro Audio Minimalism.</p><h3>In This Episode, We Discuss:</h3><ul><li>Pro audio minimalism focuses on efficiency and workflow.</li><li>Post-pandemic, many have adapted to home studios.</li><li>Stripping down gear can lead to better productivity.</li><li>Quality of work is not determined by the amount of gear.</li><li>The bell curve illustrates the journey of audio engineers.</li><li>Social media can exacerbate gear obsession.</li><li>It's important to focus on skills rather than equipment.</li><li>Minimalism can reduce stress in the creative process.</li><li>Finding balance in audio engineering is crucial.</li><li>Personal interests outside of audio can influence spending. Being debt-free allows for better control over finances.</li><li>Intentional communication can streamline workflows and reduce confusion.</li><li>Minimalism in workflow can lead to increased efficiency.</li><li>Decluttering can help identify unnecessary subscriptions and expenses.</li><li>Applying minimalism to business practices can enhance focus and productivity.</li><li>The thrill of the hunt can lead to unnecessary clutter if not managed.</li><li>Intentional equipment purchases can prevent buyer's remorse.</li><li>Every purchase has a domino effect on workflow and finances.</li><li>Embracing whimsy can make minimalism enjoyable and fulfilling.</li><li>Sharing resources can benefit others and reduce personal clutter.</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.joecaithnessmastering.com/" rel="noopener noreferrer" target="_blank">Joe's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-329-with-joe-caithness/" rel="noopener noreferrer" target="_blank">Joe on WCA #329</a></li></ul><br/><h3>Matt's Rant:<strong> </strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Joe Caithness</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-578-with-joe-caithness-pro-audio-minimalism-finding-balance-decluttering-embracing-whimsy-and-the-bell-curve]]></link><guid isPermaLink="false">d6e737e0-f5e0-4c02-92ee-a731c712737b</guid><itunes:image href="https://artwork.captivate.fm/ca5cebff-5cd4-4cd1-9bf1-4acda7107e59/WCA-578-JOE-CAITHNESS-2026-01-12-THUMB.jpg"/><pubDate>Mon, 12 Jan 2026 21:54:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d6e737e0-f5e0-4c02-92ee-a731c712737b.mp3" length="233229165" type="audio/mpeg"/><itunes:duration>01:37:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>578</itunes:episode><podcast:episode>578</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #578 with JOE CAITHNESS"><podcast:source uri="https://youtu.be/PNKu5uiKUrw"/></podcast:alternateEnclosure></item><item><title>WCA #577 with Justin Gray – Immersive, Balancing Family Support, Belief In Your Work, Early Surround, &amp; Being Engineer and Artist</title><itunes:title>WCA #577 with Justin Gray – Immersive, Balancing Family Support, Belief In Your Work, Early Surround, &amp; Being Engineer and Artist</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Producer, Mixer &amp; Mastering Engineer Justin Gray. Based in Toronto, Canada, Justin has worked on projects for Snoop Dogg, Brandy, Nicky Youre, Mother Mother, Arkells, Jamie Fine, Lola Brooke, Upsahl, and The Sheepdogs.</p><p>In this conversation, Justin Gray discusses his album 'Immersed', exploring the creative process, technical aspects of immersive audio, and the importance of community and collaboration in music production. He shares insights on funding, marketing strategies, and the role of social media in promoting his work. The discussion also touches on the challenges of balancing family life with artistic pursuits and the significance of believing in oneself as an artist.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Innovative immersive audio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Early surround experiments</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Community-driven collaboration</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Canadian arts funding</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Value of physical media</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Social media promotion</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Impact of recognition</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Balancing family support</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Belief in the work</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Engineer and artist</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://justingraysound.com/immersed/" rel="noopener noreferrer" target="_blank">Justin's Site </a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://justingray.lnk.to/immersed" rel="noopener noreferrer" target="_blank">Links to all streaming Platforms</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://justingraysound.bandcamp.com/album/immersed" rel="noopener noreferrer" target="_blank">Band Camp</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://immersiveaudioalbum.com/product/immersed-justin-gray-atmos-auro-3d-mkv-mp4/?srsltid=AfmBOoozK1BLarddxzdVO7_iFOjk30y4aREmqaP-s5wRUq_jtXpbgJAk" rel="noopener noreferrer" target="_blank">Immersive Audio Album</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-451-with-justin-gray/" rel="noopener noreferrer" target="_blank">Justin on WCA #451</a></li></ol><br/><h3>Matt's Rant:<strong> Forming Your Own Bubble</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Justin Gray</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Producer, Mixer &amp; Mastering Engineer Justin Gray. Based in Toronto, Canada, Justin has worked on projects for Snoop Dogg, Brandy, Nicky Youre, Mother Mother, Arkells, Jamie Fine, Lola Brooke, Upsahl, and The Sheepdogs.</p><p>In this conversation, Justin Gray discusses his album 'Immersed', exploring the creative process, technical aspects of immersive audio, and the importance of community and collaboration in music production. He shares insights on funding, marketing strategies, and the role of social media in promoting his work. The discussion also touches on the challenges of balancing family life with artistic pursuits and the significance of believing in oneself as an artist.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Innovative immersive audio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Early surround experiments</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Community-driven collaboration</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Canadian arts funding</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Value of physical media</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Social media promotion</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Impact of recognition</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Balancing family support</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Belief in the work</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Engineer and artist</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://justingraysound.com/immersed/" rel="noopener noreferrer" target="_blank">Justin's Site </a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://justingray.lnk.to/immersed" rel="noopener noreferrer" target="_blank">Links to all streaming Platforms</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://justingraysound.bandcamp.com/album/immersed" rel="noopener noreferrer" target="_blank">Band Camp</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://immersiveaudioalbum.com/product/immersed-justin-gray-atmos-auro-3d-mkv-mp4/?srsltid=AfmBOoozK1BLarddxzdVO7_iFOjk30y4aREmqaP-s5wRUq_jtXpbgJAk" rel="noopener noreferrer" target="_blank">Immersive Audio Album</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-451-with-justin-gray/" rel="noopener noreferrer" target="_blank">Justin on WCA #451</a></li></ol><br/><h3>Matt's Rant:<strong> Forming Your Own Bubble</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Justin Gray</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-577-with-justin-gray-immersive-balancing-family-support-belief-in-your-work-early-surround-being-engineer-and-artist]]></link><guid isPermaLink="false">bc3634b8-d705-421b-95af-eece420fd9fd</guid><itunes:image href="https://artwork.captivate.fm/c8b3a6eb-5695-4dc5-b060-e6c7e7f0d775/WCA-577-JUSTIN-GRAY-2026-01-05-THUMB.jpg"/><pubDate>Mon, 05 Jan 2026 16:42:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bc3634b8-d705-421b-95af-eece420fd9fd.mp3" length="181273965" type="audio/mpeg"/><itunes:duration>01:15:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>577</itunes:episode><podcast:episode>577</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #577 with JUSTIN GRAY"><podcast:source uri="https://youtu.be/6TqOVRQVVXw"/></podcast:alternateEnclosure></item><item><title>WCA #576 with Alan Evans – Health, Creativity, Reflections, Client Interactions, and 2026</title><itunes:title>WCA #576 with Alan Evans – Health, Creativity, Reflections, Client Interactions, and 2026</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer, engineer, mixer, multi-instrumentalist, singer and, songwriter, Alan Evans. Alan is of course well known as a member of his band Soulive. He's also been a past guest on WCA <a href="https://www.youtube.com/hashtag/133" rel="noopener noreferrer" target="_blank">#133</a> and 328.</p><p>Matt Boudreau and Alan Evans reflect on the past year and share insights on creativity, health, and the music industry. They discuss the importance of recharging creatively, embracing technology, and maintaining a healthy lifestyle to ensure longevity in their careers. The duo also emphasizes the significance of simplicity in music production, the role of album artwork, and the power of community and connection in fostering creativity. As they look ahead to 2026, they express excitement for new projects and the journey of self-discovery in their artistic endeavors.</p><h3>In This Episode, We Discuss:</h3><ul><li>Reflections on the past year</li><li>Creativity and staying inspired</li><li>Recharging creatively</li><li>Health, wellness, and career longevity</li><li>Simplicity in music production</li><li>The role and value of album artwork</li><li>Community and connection as creative fuel</li><li>Looking ahead to 2026</li><li>New projects on the horizon</li><li>Self-discovery through artistic work</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.alanevansmusic.com/" rel="noopener noreferrer" target="_blank">Al's Site</a></li><li><a href="https://www.orbaudio.com/" rel="noopener noreferrer" target="_blank">Orb Audio</a></li><li><a href="https://microcosmaudio.com/" rel="noopener noreferrer" target="_blank">Microcosm Audio</a></li><li><a href="https://www.workingclassaudio.com/wca-133-with-alan-evans/" rel="noopener noreferrer" target="_blank">Al on WCA #133</a></li><li><a href="https://www.workingclassaudio.com/wca-328-with-alan-evans/" rel="noopener noreferrer" target="_blank">Al on WCA #328</a></li></ul><br/><h3>Matt's Rant:<strong> What's Inspiring Me</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Alan Evans</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer, engineer, mixer, multi-instrumentalist, singer and, songwriter, Alan Evans. Alan is of course well known as a member of his band Soulive. He's also been a past guest on WCA <a href="https://www.youtube.com/hashtag/133" rel="noopener noreferrer" target="_blank">#133</a> and 328.</p><p>Matt Boudreau and Alan Evans reflect on the past year and share insights on creativity, health, and the music industry. They discuss the importance of recharging creatively, embracing technology, and maintaining a healthy lifestyle to ensure longevity in their careers. The duo also emphasizes the significance of simplicity in music production, the role of album artwork, and the power of community and connection in fostering creativity. As they look ahead to 2026, they express excitement for new projects and the journey of self-discovery in their artistic endeavors.</p><h3>In This Episode, We Discuss:</h3><ul><li>Reflections on the past year</li><li>Creativity and staying inspired</li><li>Recharging creatively</li><li>Health, wellness, and career longevity</li><li>Simplicity in music production</li><li>The role and value of album artwork</li><li>Community and connection as creative fuel</li><li>Looking ahead to 2026</li><li>New projects on the horizon</li><li>Self-discovery through artistic work</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.alanevansmusic.com/" rel="noopener noreferrer" target="_blank">Al's Site</a></li><li><a href="https://www.orbaudio.com/" rel="noopener noreferrer" target="_blank">Orb Audio</a></li><li><a href="https://microcosmaudio.com/" rel="noopener noreferrer" target="_blank">Microcosm Audio</a></li><li><a href="https://www.workingclassaudio.com/wca-133-with-alan-evans/" rel="noopener noreferrer" target="_blank">Al on WCA #133</a></li><li><a href="https://www.workingclassaudio.com/wca-328-with-alan-evans/" rel="noopener noreferrer" target="_blank">Al on WCA #328</a></li></ul><br/><h3>Matt's Rant:<strong> What's Inspiring Me</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Alan Evans</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-576-with-alan-evans-health-creativity-reflections-client-interactions-and-2026]]></link><guid isPermaLink="false">b93788fa-d2b9-44a4-be73-5e0d2d1bdfd1</guid><itunes:image href="https://artwork.captivate.fm/bc8f2467-781e-438c-aaca-f0c2eee1a0a0/WCA-576-ALAN-EVANS-2025-12-29-THUMB.jpg"/><pubDate>Mon, 29 Dec 2025 19:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b93788fa-d2b9-44a4-be73-5e0d2d1bdfd1.mp3" length="186918765" type="audio/mpeg"/><itunes:duration>01:17:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>576</itunes:episode><podcast:episode>576</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #576 with ALAN EVANS"><podcast:source uri="https://youtu.be/D0aOnl3Z5qs"/></podcast:alternateEnclosure></item><item><title>WCA #575 with Michael Beinhorn – Remote Production, Artist Development, Risk Taking, High-End Listening, and Unique Voices</title><itunes:title>WCA #575 with Michael Beinhorn – Remote Production, Artist Development, Risk Taking, High-End Listening, and Unique Voices</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer Michael Beinhorn who has worked with The Red Hot Chili Peppers, Soundgarden, Herbie Hancock, Korn, Marilyn Manson, Weezer, Ozzy Osbourne, Hole, Cuco, Aerosmith &amp; Violent Femmes. Michael originally appeared on WCA <a href="https://www.youtube.com/hashtag/029" rel="noopener noreferrer" target="_blank">#029</a> back in 2015. </p><h3>In This Episode, We Discuss:</h3><ul><li>Music production</li><li>Remote production</li><li>Pre-production</li><li>Music critique</li><li>Mainstream music</li><li>AI in music</li><li>Unique voices</li><li>Music industry</li><li>Creativity in music</li><li>Music technology</li><li>Artist development</li><li>Risk-taking in music</li><li>Music analysis</li><li>Recording industry</li><li>Listening setup</li><li>Collaboration</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://michaelbeinhorn.com/" rel="noopener noreferrer" target="_blank">Michael's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-029-with-michael-beinhorn/" rel="noopener noreferrer" target="_blank">Michael on WCA #029</a></li></ul><br/><h3>Matt's Rant:<strong> Auto Pilot</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Michael Beinhorn</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer Michael Beinhorn who has worked with The Red Hot Chili Peppers, Soundgarden, Herbie Hancock, Korn, Marilyn Manson, Weezer, Ozzy Osbourne, Hole, Cuco, Aerosmith &amp; Violent Femmes. Michael originally appeared on WCA <a href="https://www.youtube.com/hashtag/029" rel="noopener noreferrer" target="_blank">#029</a> back in 2015. </p><h3>In This Episode, We Discuss:</h3><ul><li>Music production</li><li>Remote production</li><li>Pre-production</li><li>Music critique</li><li>Mainstream music</li><li>AI in music</li><li>Unique voices</li><li>Music industry</li><li>Creativity in music</li><li>Music technology</li><li>Artist development</li><li>Risk-taking in music</li><li>Music analysis</li><li>Recording industry</li><li>Listening setup</li><li>Collaboration</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://michaelbeinhorn.com/" rel="noopener noreferrer" target="_blank">Michael's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-029-with-michael-beinhorn/" rel="noopener noreferrer" target="_blank">Michael on WCA #029</a></li></ul><br/><h3>Matt's Rant:<strong> Auto Pilot</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Michael Beinhorn</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-575-with-michael-beinhorn-remote-production-artist-development-risk-taking-high-end-listening-and-unique-voices]]></link><guid isPermaLink="false">bfc4fa9c-db40-47f5-8910-28219122212f</guid><itunes:image href="https://artwork.captivate.fm/0bd512f0-5eb5-47b4-98f9-41e1532c44a1/WCA-575-MICHAEL-BEINHORN-2025-12-22-THUMB.jpg"/><pubDate>Sun, 21 Dec 2025 13:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bfc4fa9c-db40-47f5-8910-28219122212f.mp3" length="238153005" type="audio/mpeg"/><itunes:duration>01:39:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>575</itunes:episode><podcast:episode>575</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #575 with MICHAEL BEINHORN"><podcast:source uri="https://youtu.be/3Gt2sxOIGdA"/></podcast:alternateEnclosure></item><item><title>WCA #574 with Stephen DeAcutis –Owning Your Time, Getting It Right At The Source, Solving Audio Problems, and Performing Live</title><itunes:title>WCA #574 with Stephen DeAcutis –Owning Your Time, Getting It Right At The Source, Solving Audio Problems, and Performing Live</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes mixer, producer, engineer, writer, and performer Stephen DeAcutis. Stephen has worked with Vanilla Fudge, Gladys Knight, Travers and Appice, Corey Glover, and Cyndi Lauper.</p><h3>In This Episode, We Discuss:</h3><ul><li>Owning Your Time</li><li>Embracing Old and New</li><li>Celebrating the New Generation</li><li>Solving Audio Problems</li><li>Working From Home</li><li>Communicating with Musicians</li><li>Getting It Right At The Source</li><li>Performing Live</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.soundspa.net/" rel="noopener noreferrer" target="_blank">Stephen's Site</a></li><li><a href="https://www.instagram.com/soundspaproductions/" rel="noopener noreferrer" target="_blank">Stephen on Instagram</a></li></ul><br/><h3>Matt's Rant:<strong> Staying Positive</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Stephen DeAcutis</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes mixer, producer, engineer, writer, and performer Stephen DeAcutis. Stephen has worked with Vanilla Fudge, Gladys Knight, Travers and Appice, Corey Glover, and Cyndi Lauper.</p><h3>In This Episode, We Discuss:</h3><ul><li>Owning Your Time</li><li>Embracing Old and New</li><li>Celebrating the New Generation</li><li>Solving Audio Problems</li><li>Working From Home</li><li>Communicating with Musicians</li><li>Getting It Right At The Source</li><li>Performing Live</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.soundspa.net/" rel="noopener noreferrer" target="_blank">Stephen's Site</a></li><li><a href="https://www.instagram.com/soundspaproductions/" rel="noopener noreferrer" target="_blank">Stephen on Instagram</a></li></ul><br/><h3>Matt's Rant:<strong> Staying Positive</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Stephen DeAcutis</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-571-with-stephen-deacutis-]]></link><guid isPermaLink="false">bcc54e28-1b1c-4551-8e7f-a05f58b72a97</guid><itunes:image href="https://artwork.captivate.fm/b3bdca22-f326-4439-88fc-f549400560df/WCA-574-STEPHEN-DEACUTIS-2025-12-15-THUMB.jpg"/><pubDate>Mon, 15 Dec 2025 20:04:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bcc54e28-1b1c-4551-8e7f-a05f58b72a97.mp3" length="158244525" type="audio/mpeg"/><itunes:duration>01:05:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>574</itunes:episode><podcast:episode>574</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #574 with STEPHEN DeACUTIS"><podcast:source uri="https://youtu.be/aBGpygmU7Ak"/></podcast:alternateEnclosure></item><item><title>WCA #573 with Natalie Bibby – AIR Studios, Direct to Disc, Attended Sessions, MPG, and Connecting with Others</title><itunes:title>WCA #573 with Natalie Bibby – AIR Studios, Direct to Disc, Attended Sessions, MPG, and Connecting with Others</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes mastering and lathe cutting engineer Natalie Bibby who works at AIR Studios in the U.K.. Natalie has worked with Kraftwerk, Bring Me The Horizon, Lola Young, Jimmy Eat World, The Vaccines, Lewis Capaldi, GIRLI, and CATTYShe's also led a world-class mastering workshop at Peter Gabriel’s Real World Studios, UK.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>Early musical influences</li><li>Starting in recording &amp; mixing</li><li>University training &amp; goals</li><li>Metropolis internship lessons</li><li>Moving into mastering</li><li>Live cuts &amp; direct-to-disc</li><li>Half-speed mastering overview</li><li>Learning &amp; mentorship insights</li><li>AIR Studios</li><li>Value of attended sessions</li><li>Managing client expectations</li><li>Hybrid mastering workflows</li><li>How mastering engineers listen</li><li>Common mixing problems</li><li>Music Producers Guild</li><li>Challenges for studios</li><li>AIR’s cutting reputation</li><li>Vinyl cutting process</li><li>Mastering vs. cutting</li><li>American mastering mystique</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.airstudios.com/" rel="noopener noreferrer" target="_blank">AIR Studios</a></li><li><a href="https://mpg.org.uk/" rel="noopener noreferrer" target="_blank">Music Producers Guild</a></li></ul><br/><h3>Matt's Rant:<strong> How we present ourselves</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Natalie Bibby</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes mastering and lathe cutting engineer Natalie Bibby who works at AIR Studios in the U.K.. Natalie has worked with Kraftwerk, Bring Me The Horizon, Lola Young, Jimmy Eat World, The Vaccines, Lewis Capaldi, GIRLI, and CATTYShe's also led a world-class mastering workshop at Peter Gabriel’s Real World Studios, UK.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>Early musical influences</li><li>Starting in recording &amp; mixing</li><li>University training &amp; goals</li><li>Metropolis internship lessons</li><li>Moving into mastering</li><li>Live cuts &amp; direct-to-disc</li><li>Half-speed mastering overview</li><li>Learning &amp; mentorship insights</li><li>AIR Studios</li><li>Value of attended sessions</li><li>Managing client expectations</li><li>Hybrid mastering workflows</li><li>How mastering engineers listen</li><li>Common mixing problems</li><li>Music Producers Guild</li><li>Challenges for studios</li><li>AIR’s cutting reputation</li><li>Vinyl cutting process</li><li>Mastering vs. cutting</li><li>American mastering mystique</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.airstudios.com/" rel="noopener noreferrer" target="_blank">AIR Studios</a></li><li><a href="https://mpg.org.uk/" rel="noopener noreferrer" target="_blank">Music Producers Guild</a></li></ul><br/><h3>Matt's Rant:<strong> How we present ourselves</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Natalie Bibby</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-xxx-with-guest-name-item-1-item-2-item-3-item-4-and-item-5]]></link><guid isPermaLink="false">91e948fc-c10c-4e3c-8aa7-37569d28cb07</guid><itunes:image href="https://artwork.captivate.fm/61352044-5273-4e8b-9a5b-dbbb4d9f9767/WCA-573-NATALIE-BIBBY-2025-12-08-THUMB.jpg"/><pubDate>Mon, 08 Dec 2025 17:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/91e948fc-c10c-4e3c-8aa7-37569d28cb07.mp3" length="171212205" type="audio/mpeg"/><itunes:duration>01:11:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>573</itunes:episode><podcast:episode>573</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #573 with NATALIE BIBBY"><podcast:source uri="https://youtu.be/KMWueqiNwyw"/></podcast:alternateEnclosure></item><item><title>WCA #572 with Alex Crescioni - Extreme Metal, Techniques, Clients, Survival, and Letting Go.</title><itunes:title>WCA #572 with Alex Crescioni - Extreme Metal, Techniques, Clients, Survival, and Letting Go.</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back guitarist,  producer, and mixing/mastering engineer Alex Crescioni to talk about Extreme Metal production. Alex is known for his work with Burton C. Bell, Deverauxx, and Siglos.</p><h3>In This Episode, We Discuss:</h3><ul><li>Extreme Metal</li><li>Techniques</li><li>Sounds</li><li>Room Tone</li><li>Business</li><li>Survival</li><li>Letting Go</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.alexcrescioni.com/" rel="noopener noreferrer" target="_blank"><strong>Alex’s Site</strong></a></li><li><a href="https://www.linkedin.com/in/alexcrescioni/" rel="noopener noreferrer" target="_blank"><strong>Alex on Linkedin</strong></a></li><li><a href="https://www.instagram.com/alexcrescioni/" rel="noopener noreferrer" target="_blank"><strong>Alex on Instagram</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-333-with-alex-crescioni/" rel="noopener noreferrer" target="_blank"><strong>Alex on WCA #333</strong></a></li></ul><br/><h3>Matt's Rant:<strong> Spread the Work</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Alex Crescioni</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back guitarist,  producer, and mixing/mastering engineer Alex Crescioni to talk about Extreme Metal production. Alex is known for his work with Burton C. Bell, Deverauxx, and Siglos.</p><h3>In This Episode, We Discuss:</h3><ul><li>Extreme Metal</li><li>Techniques</li><li>Sounds</li><li>Room Tone</li><li>Business</li><li>Survival</li><li>Letting Go</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.alexcrescioni.com/" rel="noopener noreferrer" target="_blank"><strong>Alex’s Site</strong></a></li><li><a href="https://www.linkedin.com/in/alexcrescioni/" rel="noopener noreferrer" target="_blank"><strong>Alex on Linkedin</strong></a></li><li><a href="https://www.instagram.com/alexcrescioni/" rel="noopener noreferrer" target="_blank"><strong>Alex on Instagram</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-333-with-alex-crescioni/" rel="noopener noreferrer" target="_blank"><strong>Alex on WCA #333</strong></a></li></ul><br/><h3>Matt's Rant:<strong> Spread the Work</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Alex Crescioni</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-572-alex-crescioni-2025-12-01]]></link><guid isPermaLink="false">329399a9-123f-41d8-ab3d-13d0a63eabcc</guid><itunes:image href="https://artwork.captivate.fm/06575920-266a-47bb-98ed-e8be3507d2c2/WCA-572-ALEX-CRESCIONI-2025-12-01-THUMB.jpg"/><pubDate>Mon, 01 Dec 2025 19:48:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/329399a9-123f-41d8-ab3d-13d0a63eabcc.mp3" length="178607085" type="audio/mpeg"/><itunes:duration>01:14:25</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>572</itunes:episode><podcast:episode>572</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #572 with ALEX CRESCIONI"><podcast:source uri="https://youtu.be/5ObBmq8o48I"/></podcast:alternateEnclosure></item><item><title>WCA #571 with Don Setaro –DEEP DIVE -  Gary Young Hospital For The Chemically Insane</title><itunes:title>WCA #571 with Don Setaro –DEEP DIVE -  Gary Young Hospital For The Chemically Insane</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer/engineer/mixer and record label owner Don Setaro. Matt and Don get into a deep dive discussion of the re-issue process for former Pavement drummer, Gary Young's album "Hospital For The Chemically Insane". Former WCA guests Dan Johnson and Justin Perkins chime in to talk about their role in the process. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ul><li>Pavement</li><li>Gary Young</li><li>Detective Work</li><li>Restoration</li><li>Tape Rescue</li><li>Mastering from CD</li><li>Re- Issue</li><li>Keeping the Vibe</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://garyyoung.bandcamp.com/music" rel="noopener noreferrer" target="_blank">Gary on Bandcamp</a></li><li><a href="https://iacrecords.com/" rel="noopener noreferrer" target="_blank">IAC Records</a></li></ul><br/><h3>Matt's Rant:<strong> Structure</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Don Setaro /Dan Johnson/Justin Perkins</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer/engineer/mixer and record label owner Don Setaro. Matt and Don get into a deep dive discussion of the re-issue process for former Pavement drummer, Gary Young's album "Hospital For The Chemically Insane". Former WCA guests Dan Johnson and Justin Perkins chime in to talk about their role in the process. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ul><li>Pavement</li><li>Gary Young</li><li>Detective Work</li><li>Restoration</li><li>Tape Rescue</li><li>Mastering from CD</li><li>Re- Issue</li><li>Keeping the Vibe</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://garyyoung.bandcamp.com/music" rel="noopener noreferrer" target="_blank">Gary on Bandcamp</a></li><li><a href="https://iacrecords.com/" rel="noopener noreferrer" target="_blank">IAC Records</a></li></ul><br/><h3>Matt's Rant:<strong> Structure</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Don Setaro /Dan Johnson/Justin Perkins</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-571-with-don-setaro-deep-dive-gary-young-hospital-for-the-chemically-insane]]></link><guid isPermaLink="false">9e45cc83-5ebb-43ce-942c-ae652d6c351a</guid><itunes:image href="https://artwork.captivate.fm/5bc8e0ca-3e2f-4d83-be02-f40a426e2d47/WCA-571-DON-SETARO-2025-11-24-THUMBNAIL.jpg"/><pubDate>Mon, 24 Nov 2025 13:39:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9e45cc83-5ebb-43ce-942c-ae652d6c351a.mp3" length="148278765" type="audio/mpeg"/><itunes:duration>01:01:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>571</itunes:episode><podcast:episode>571</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #571 with DON SETARO"><podcast:source uri="https://youtu.be/EqcNkNTOT4c"/></podcast:alternateEnclosure></item><item><title>WCA #570 with Ken Sluiter – A deep dive into stereo rebuilds for Atmos mixing.</title><itunes:title>WCA #570 with Ken Sluiter – A deep dive into stereo rebuilds for Atmos mixing.</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer/engineer and mixer Ken Sluiter to delve into the intricate process of stereo rebuilds for Atmos mixing. They discuss the challenges of finding and organizing original material, the importance of matching to comparison masters, and the unique aspects of each project. Ken shares insights on the ingestion process, the role of research in understanding original recordings, and the potential of AI tools in audio restoration. The discussion also touches on the future of mixing and the evolving landscape of music production. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Stereo rebuilds for Atmos mixing.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The process involves gathering original assets and recreating mixes.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Each project is unique, requiring a tailored approach.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Matching to a comparison master is crucial for accuracy.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Researching the original recording can provide valuable insights.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>AI tools can assist in stem separation but have limitations.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Finalizing mixes involves careful listening and adjustments.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The future of audio mixing may involve more AI and technology.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Understanding the original recording process is key to successful rebuilds.</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-166-with-ken-sluiter/" rel="noopener noreferrer" target="_blank">Ken on WCA #166</a></li></ol><br/><h3>Matt's Rant:<strong> Music Expo/AES/NAMM</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Ken Sluiter</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer/engineer and mixer Ken Sluiter to delve into the intricate process of stereo rebuilds for Atmos mixing. They discuss the challenges of finding and organizing original material, the importance of matching to comparison masters, and the unique aspects of each project. Ken shares insights on the ingestion process, the role of research in understanding original recordings, and the potential of AI tools in audio restoration. The discussion also touches on the future of mixing and the evolving landscape of music production. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Stereo rebuilds for Atmos mixing.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The process involves gathering original assets and recreating mixes.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Each project is unique, requiring a tailored approach.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Matching to a comparison master is crucial for accuracy.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Researching the original recording can provide valuable insights.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>AI tools can assist in stem separation but have limitations.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Finalizing mixes involves careful listening and adjustments.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The future of audio mixing may involve more AI and technology.</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Understanding the original recording process is key to successful rebuilds.</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-166-with-ken-sluiter/" rel="noopener noreferrer" target="_blank">Ken on WCA #166</a></li></ol><br/><h3>Matt's Rant:<strong> Music Expo/AES/NAMM</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Ken Sluiter</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-570-with-ken-sluiter-a-deep-dive-into-stereo-rebuilds-for-atmos-mixing-]]></link><guid isPermaLink="false">d7ea89f6-c0ee-40aa-9e7e-361ea152667e</guid><itunes:image href="https://artwork.captivate.fm/663c6b73-0e21-467f-bfd1-55696efc421d/WCA-570-KEN-SLUITER-2025-11-17-THUMB.jpg"/><pubDate>Mon, 17 Nov 2025 21:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d7ea89f6-c0ee-40aa-9e7e-361ea152667e.mp3" length="203500845" type="audio/mpeg"/><itunes:duration>01:24:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>570</itunes:episode><podcast:episode>570</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #570 with KEN SLUITER"><podcast:source uri="https://youtu.be/0i7zRhPDEVg"/></podcast:alternateEnclosure></item><item><title>WCA #569 with Dan Johnson &amp; Catherine Vericolli – Audio Restoration/Archive Deep Dive</title><itunes:title>WCA #569 with Dan Johnson &amp; Catherine Vericolli – Audio Restoration/Archive Deep Dive</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Dan Johnson of Audio Archiving Services and Catherine Vericolli of Central Audio Archiving to do a deep dive into the world of audio archiving, preservation, and restoration. </p><h3>In This Episode, We Discuss:</h3><ul><li>Analog Tapes</li><li>Analog Machines</li><li>Modular Digital Multitracks</li><li>DAT Machines</li><li>DASH Machines</li><li>Pro Digi</li><li>Retrospect</li><li>Mezzo</li></ul><br/><h3>Links and Show Notes:</h3><p><strong>Links to Dan</strong></p><ul><li><a href="https://www.audioarchivingservices.com/" rel="noopener noreferrer" target="_blank">https://www.audioarchivingservices.com/</a></li><li><a href="https://www.workingclassaudio.com/wca-405-with-dan-johnson/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-405-with-dan-johnson/</a></li></ul><br/><p><strong>Links to Catherine</strong> </p><ul><li><a href="https://www.centralaudioarchiving.com/" rel="noopener noreferrer" target="_blank">https://www.centralaudioarchiving.com/</a></li><li><a href="https://www.workingclassaudio.com/wca-035-with-catherine-vericolli/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-035-with-catherine-vericolli/</a></li><li><a href="https://www.workingclassaudio.com/wca-403-with-catherine-vericolli/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-403-with-catherine-vericolli/</a></li></ul><br/><h3>Matt's Rant:<strong> This AI Thing</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Dan Johnson &amp; Catherine Vericolli</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Dan Johnson of Audio Archiving Services and Catherine Vericolli of Central Audio Archiving to do a deep dive into the world of audio archiving, preservation, and restoration. </p><h3>In This Episode, We Discuss:</h3><ul><li>Analog Tapes</li><li>Analog Machines</li><li>Modular Digital Multitracks</li><li>DAT Machines</li><li>DASH Machines</li><li>Pro Digi</li><li>Retrospect</li><li>Mezzo</li></ul><br/><h3>Links and Show Notes:</h3><p><strong>Links to Dan</strong></p><ul><li><a href="https://www.audioarchivingservices.com/" rel="noopener noreferrer" target="_blank">https://www.audioarchivingservices.com/</a></li><li><a href="https://www.workingclassaudio.com/wca-405-with-dan-johnson/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-405-with-dan-johnson/</a></li></ul><br/><p><strong>Links to Catherine</strong> </p><ul><li><a href="https://www.centralaudioarchiving.com/" rel="noopener noreferrer" target="_blank">https://www.centralaudioarchiving.com/</a></li><li><a href="https://www.workingclassaudio.com/wca-035-with-catherine-vericolli/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-035-with-catherine-vericolli/</a></li><li><a href="https://www.workingclassaudio.com/wca-403-with-catherine-vericolli/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-403-with-catherine-vericolli/</a></li></ul><br/><h3>Matt's Rant:<strong> This AI Thing</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Dan Johnson &amp; Catherine Vericolli</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-569-with-dan-johnson-catherine-vericolli-restoration-archive-deep-dive]]></link><guid isPermaLink="false">ee204829-5065-4a0c-b316-ebf92ad26ed1</guid><itunes:image href="https://artwork.captivate.fm/6092911a-932b-4ebb-8403-b460e6686282/WCA-569-DAN-JOHNSON-CATHERINE-VERICOLLI-2025-11-10-THUMB-1.jpg"/><pubDate>Mon, 10 Nov 2025 17:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ee204829-5065-4a0c-b316-ebf92ad26ed1.mp3" length="163825005" type="audio/mpeg"/><itunes:duration>01:08:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>569</itunes:episode><podcast:episode>569</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #569 with DAN JOHNSON &amp; CATHERINE VERICOLLI"><podcast:source uri="https://youtu.be/Yy61G5vbRSU"/></podcast:alternateEnclosure></item><item><title>WCA #568 with John Cuniberti – OneMIc, Dynamics, Acoustics, Placement, and 2 Tracks</title><itunes:title>WCA #568 with John Cuniberti – OneMIc, Dynamics, Acoustics, Placement, and 2 Tracks</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back John Cuniberti who produces, engineers, mixes and masters records for many artists including most notably Joe Satriani, Sammy Hagar, The Dead Kennedys, and Chicken Foot. John originally appeared WCA #005 back in 2014 and returns to do a deep dive into his OneMic recording concept. -Enjoy</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>OneMic Series</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Dynamics</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Acoustics</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Placement</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Tempo</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>2 Track as Multi-Track</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Ribbon Mics</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.youtube.com/@onemic-theminimalist/videos" rel="noopener noreferrer" target="_blank">OneMIc on YouTube</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.johncuniberti.com/" rel="noopener noreferrer" target="_blank">John's Site</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://shinyeyesstudio.com/" rel="noopener noreferrer" target="_blank">Shiny Eyes Studio</a></li></ol><br/><h3>Matt's Rant:<strong> Focus of Your Attention</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> John Cuniberti</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back John Cuniberti who produces, engineers, mixes and masters records for many artists including most notably Joe Satriani, Sammy Hagar, The Dead Kennedys, and Chicken Foot. John originally appeared WCA #005 back in 2014 and returns to do a deep dive into his OneMic recording concept. -Enjoy</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>OneMic Series</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Dynamics</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Acoustics</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Placement</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Tempo</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>2 Track as Multi-Track</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Ribbon Mics</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.youtube.com/@onemic-theminimalist/videos" rel="noopener noreferrer" target="_blank">OneMIc on YouTube</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.johncuniberti.com/" rel="noopener noreferrer" target="_blank">John's Site</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://shinyeyesstudio.com/" rel="noopener noreferrer" target="_blank">Shiny Eyes Studio</a></li></ol><br/><h3>Matt's Rant:<strong> Focus of Your Attention</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> John Cuniberti</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-568-with-john-cuniberti-onemic-dynamics-acoustics-placement-and-2-tracks]]></link><guid isPermaLink="false">357aed52-3af9-4f5f-8f32-9a94ed8db629</guid><itunes:image href="https://artwork.captivate.fm/2cb301c5-5b8c-4c27-afd5-d3dfd746cc46/WCA-568-JOHN-CUNIBERTI-2025-11-03-THUMBNAIL.jpg"/><pubDate>Mon, 03 Nov 2025 18:51:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/357aed52-3af9-4f5f-8f32-9a94ed8db629.mp3" length="256961325" type="audio/mpeg"/><itunes:duration>01:47:04</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>568</itunes:episode><podcast:episode>568</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #568 with JOHN CUNIBERTI"><podcast:source uri="https://youtu.be/zLxjNSdWVdg"/></podcast:alternateEnclosure></item><item><title>WCA #567 with Gena Johnson – Listening to Artists, Keeping Overhead Low, Career Champions, and Glitter Walls</title><itunes:title>WCA #567 with Gena Johnson – Listening to Artists, Keeping Overhead Low, Career Champions, and Glitter Walls</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Grammy Winning producer/engineer/mixer Gena Johnson who has worked with Chris Stapleton, Jason Isbell, Brandi Carlile, and John Prine. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Leave your ego at the door</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Make people feel comfortable</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Listen to the artist</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Labels are business partners</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Word of mouth work</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Feminine energy in production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Women in the industry</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Classical voice training for 12 years</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Internship at Welcome 1979</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Learned tape machines and soldering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Assisting at Nashville studios</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>First number one record</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Working at RCA Studio A</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Rewiring Studio A intensively</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mentor Michael Wagner's influence</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Champions Vance Powell and Daryl Thorp</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Walls painted with glitter</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Keep overhead low</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Good attorney and manager combination</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.genajohnson.com/bio" rel="noopener noreferrer" target="_blank">Gena's Website</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.instagram.com/genajohnson507" rel="noopener noreferrer" target="_blank">Gena on Instagram</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-450-with-vance-powell/" rel="noopener noreferrer" target="_blank">Vance Powell on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-362-with-matt-ross-spang/" rel="noopener noreferrer" target="_blank">Matt Ross-Spang on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-053-with-darrell-thorp/" rel="noopener noreferrer" target="_blank">Darrel Thorpe on WCA</a></li></ol><br/><h3>Matt's Rant:<strong> Sonic Intrusion Revisited</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Gena Johnson</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Grammy Winning producer/engineer/mixer Gena Johnson who has worked with Chris Stapleton, Jason Isbell, Brandi Carlile, and John Prine. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Leave your ego at the door</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Make people feel comfortable</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Listen to the artist</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Labels are business partners</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Word of mouth work</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Feminine energy in production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Women in the industry</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Classical voice training for 12 years</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Internship at Welcome 1979</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Learned tape machines and soldering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Assisting at Nashville studios</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>First number one record</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Working at RCA Studio A</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Rewiring Studio A intensively</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mentor Michael Wagner's influence</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Champions Vance Powell and Daryl Thorp</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Walls painted with glitter</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Keep overhead low</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Good attorney and manager combination</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.genajohnson.com/bio" rel="noopener noreferrer" target="_blank">Gena's Website</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.instagram.com/genajohnson507" rel="noopener noreferrer" target="_blank">Gena on Instagram</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-450-with-vance-powell/" rel="noopener noreferrer" target="_blank">Vance Powell on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-362-with-matt-ross-spang/" rel="noopener noreferrer" target="_blank">Matt Ross-Spang on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-053-with-darrell-thorp/" rel="noopener noreferrer" target="_blank">Darrel Thorpe on WCA</a></li></ol><br/><h3>Matt's Rant:<strong> Sonic Intrusion Revisited</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Gena Johnson</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-567-with-gena-johnson-listening-to-artists-keeping-overhead-low-career-champions-and-glitter-walls]]></link><guid isPermaLink="false">ca9d970b-6a72-463f-8d35-491b6bd22b87</guid><itunes:image href="https://artwork.captivate.fm/59621bc9-e4da-4917-b544-6c079e631dfa/WCA-567-GENA-JOHNSON-2025-10-27-THUMBNAIL.jpg"/><pubDate>Mon, 27 Oct 2025 16:13:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ca9d970b-6a72-463f-8d35-491b6bd22b87.mp3" length="161929005" type="audio/mpeg"/><itunes:duration>01:07:28</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>567</itunes:episode><podcast:episode>567</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #567 with GENA JOHNSON"><podcast:source uri="https://youtu.be/5-Glla1EAQ4"/></podcast:alternateEnclosure></item><item><title>WCA #566 with Mike Blodgett – Isolated Ground, Ground Rods, Isolation Transformers, Power Conditioners, and Electrical Safety</title><itunes:title>WCA #566 with Mike Blodgett – Isolated Ground, Ground Rods, Isolation Transformers, Power Conditioners, and Electrical Safety</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back engineer/producer electrician, Mike Blodgett to discuss electricity and pro audio! Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Isolated Grounds</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Isolation Transformers</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Ground Rods</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Power Conditioners</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Apartment Power</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Home Studio Power</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Electrical Safety</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-348-with-mike-blodgett/" rel="noopener noreferrer" target="_blank">Mike on WCA #348</a></li></ol><br/><h3>Matt's Rant:<strong> How You Listen</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Mike Blodgett</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back engineer/producer electrician, Mike Blodgett to discuss electricity and pro audio! Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Isolated Grounds</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Isolation Transformers</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Ground Rods</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Power Conditioners</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Apartment Power</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Home Studio Power</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Electrical Safety</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-348-with-mike-blodgett/" rel="noopener noreferrer" target="_blank">Mike on WCA #348</a></li></ol><br/><h3>Matt's Rant:<strong> How You Listen</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Mike Blodgett</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-566-with-mike-blodgett-isolated-ground-ground-rods-isolation-transformers-power-conditioners-and-electrical-safety]]></link><guid isPermaLink="false">cff9d9ea-4fde-46de-a5c1-0d023c1ab79a</guid><itunes:image href="https://artwork.captivate.fm/95c908d4-0aa2-4df3-aa7a-29055df6f21b/WCA-566-MIKE-BLODGETT-2025-10-20-THUMBNAIL.jpg"/><pubDate>Mon, 20 Oct 2025 16:01:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cff9d9ea-4fde-46de-a5c1-0d023c1ab79a.mp3" length="134371245" type="audio/mpeg"/><itunes:duration>55:59</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>566</itunes:episode><podcast:episode>566</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #566 with MIKE BLODGETT"><podcast:source uri="https://youtu.be/alij5CREXv4"/></podcast:alternateEnclosure></item><item><title>WCA #565 with Hans-Martin Buff – Tearjerkers, Peter Gabriel, Real World, Binaural, and ATMOS</title><itunes:title>WCA #565 with Hans-Martin Buff – Tearjerkers, Peter Gabriel, Real World, Binaural, and ATMOS</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back engineer/producer and 3D audio geek, Hans-Martin Buff to discuss mixing Peter Gabriel's I/O as well as his own project Tearjerkers. </p><h3>In This Episode, We Discuss:</h3><ul><li>Tearjerkers</li><li>Peter Gabriel</li><li>Real Word Studios</li><li>Binaural Mixing</li><li>ATMOS</li><li>Format Haters</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://music.pureaudiostreaming.com/dashboard/home/albums/3915/5143" rel="noopener noreferrer" target="_blank">Pure Audio Streaming:</a></li><li><a href="https://immersiveaudioalbum.com/product/tearjerkers-tearjerkers-atmos-mkv-mp4/" rel="noopener noreferrer" target="_blank">Immersive Audio Album:</a></li><li><a href="https://buff.lnk.to/tearjerkers" rel="noopener noreferrer" target="_blank">Link tree Album:</a></li><li><a href="https://youtu.be/QcmNuq8ahiY" rel="noopener noreferrer" target="_blank">Youtube Siren Video:</a></li><li><a href="https://audiomovers.com/products/binaural-renderer-for-apple-music" rel="noopener noreferrer" target="_blank">Audiomovers Apple:&nbsp;</a></li><li><a href="https://www.illusonic.com/en/plugins/test-ballon-plugins/" rel="noopener noreferrer" target="_blank">Illusonics </a></li><li><a href="https://www.neumann.com/en-de/products/software/rime" rel="noopener noreferrer" target="_blank">Neumann Rime</a></li><li><a href="https://apl-hud.com/product/virtuoso/" rel="noopener noreferrer" target="_blank">Virtuoso:&nbsp;</a></li><li><a href="https://www.waves.com/plugins/nx?w_campaign=21717571195&amp;gad_source=1&amp;gad_campaignid=21717571195&amp;gbraid=0AAAAADPwrXCtOrgsXEVQfbrJUfkO3AwWi" rel="noopener noreferrer" target="_blank">Waves NX:&nbsp;</a></li></ul><br/><h3>Matt's Rant:<strong> Focused Discussion</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Hans-Martin Buff</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back engineer/producer and 3D audio geek, Hans-Martin Buff to discuss mixing Peter Gabriel's I/O as well as his own project Tearjerkers. </p><h3>In This Episode, We Discuss:</h3><ul><li>Tearjerkers</li><li>Peter Gabriel</li><li>Real Word Studios</li><li>Binaural Mixing</li><li>ATMOS</li><li>Format Haters</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://music.pureaudiostreaming.com/dashboard/home/albums/3915/5143" rel="noopener noreferrer" target="_blank">Pure Audio Streaming:</a></li><li><a href="https://immersiveaudioalbum.com/product/tearjerkers-tearjerkers-atmos-mkv-mp4/" rel="noopener noreferrer" target="_blank">Immersive Audio Album:</a></li><li><a href="https://buff.lnk.to/tearjerkers" rel="noopener noreferrer" target="_blank">Link tree Album:</a></li><li><a href="https://youtu.be/QcmNuq8ahiY" rel="noopener noreferrer" target="_blank">Youtube Siren Video:</a></li><li><a href="https://audiomovers.com/products/binaural-renderer-for-apple-music" rel="noopener noreferrer" target="_blank">Audiomovers Apple:&nbsp;</a></li><li><a href="https://www.illusonic.com/en/plugins/test-ballon-plugins/" rel="noopener noreferrer" target="_blank">Illusonics </a></li><li><a href="https://www.neumann.com/en-de/products/software/rime" rel="noopener noreferrer" target="_blank">Neumann Rime</a></li><li><a href="https://apl-hud.com/product/virtuoso/" rel="noopener noreferrer" target="_blank">Virtuoso:&nbsp;</a></li><li><a href="https://www.waves.com/plugins/nx?w_campaign=21717571195&amp;gad_source=1&amp;gad_campaignid=21717571195&amp;gbraid=0AAAAADPwrXCtOrgsXEVQfbrJUfkO3AwWi" rel="noopener noreferrer" target="_blank">Waves NX:&nbsp;</a></li></ul><br/><h3>Matt's Rant:<strong> Focused Discussion</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Hans-Martin Buff</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-565-with-hans-martin-buff-tearjerkers-peter-gabriel-real-world-binaural-and-atmos]]></link><guid isPermaLink="false">d4e642fc-a20d-4cc7-91ef-a8318af83f7b</guid><itunes:image href="https://artwork.captivate.fm/dacd249a-993c-4812-a21b-579b8f175ad0/WCA-565-HANS-MARTIN-BUFF-2025-10-13THUMBNAIL.jpg"/><pubDate>Mon, 13 Oct 2025 18:51:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d4e642fc-a20d-4cc7-91ef-a8318af83f7b.mp3" length="193380525" type="audio/mpeg"/><itunes:duration>01:20:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>565</itunes:episode><podcast:episode>565</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #565 with HANS-MARTIN BUFF"><podcast:source uri="https://youtu.be/Iwh7NlXjmkk"/></podcast:alternateEnclosure></item><item><title>WCA #564 with Steve Dierkens – Career Path Shift, Joy in Work, Financial Balance, Global Collaborations, and Redefining Success</title><itunes:title>WCA #564 with Steve Dierkens – Career Path Shift, Joy in Work, Financial Balance, Global Collaborations, and Redefining Success</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Engineer, Producer, Mixer Steve Dierkens. In this conversation, Steve shares his journey from as a succesful enginer working in film in California to a professional audio engineer and producer living in Canada. He discusses his early influences, the transition to a professional career, and the lifestyle changes that came with moving to Canada. Steve reflects on the challenges of building a studio, the importance of family, and the reevaluation of his career goals. He emphasizes the need for joy in music production and offers insights into financial perspectives in the audio profession. The conversation also touches on remote collaborations, social media challenges, and the definition of success and happiness in the industry. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ul><li>Career path shift</li><li>Family-driven choices</li><li>Moved to Canada</li><li>Studio-building challenges</li><li>Joy in work</li><li>Financial balance</li><li>Valued client relationships</li><li>Global collaborations</li><li>Social media pressure</li><li>Redefining success</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.studiostuffpodcast.com/podcasts/studio-stuff" rel="noopener noreferrer" target="_blank">Steve and Chris Selim's Podcast</a></li></ul><br/><h3>Matt's Rant:<strong> More on Streaming vs Physical Media</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Steve Dierkens</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Engineer, Producer, Mixer Steve Dierkens. In this conversation, Steve shares his journey from as a succesful enginer working in film in California to a professional audio engineer and producer living in Canada. He discusses his early influences, the transition to a professional career, and the lifestyle changes that came with moving to Canada. Steve reflects on the challenges of building a studio, the importance of family, and the reevaluation of his career goals. He emphasizes the need for joy in music production and offers insights into financial perspectives in the audio profession. The conversation also touches on remote collaborations, social media challenges, and the definition of success and happiness in the industry. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ul><li>Career path shift</li><li>Family-driven choices</li><li>Moved to Canada</li><li>Studio-building challenges</li><li>Joy in work</li><li>Financial balance</li><li>Valued client relationships</li><li>Global collaborations</li><li>Social media pressure</li><li>Redefining success</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.studiostuffpodcast.com/podcasts/studio-stuff" rel="noopener noreferrer" target="_blank">Steve and Chris Selim's Podcast</a></li></ul><br/><h3>Matt's Rant:<strong> More on Streaming vs Physical Media</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Steve Dierkens</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-564-with-steve-dierkens-career-path-shift-joy-in-work-financial-balance-global-collaborations-and-redefining-success]]></link><guid isPermaLink="false">5960545f-6af3-47a0-ba1c-932404738a23</guid><itunes:image href="https://artwork.captivate.fm/1ab36cdc-ae52-44b3-b660-9b3d3faa1763/WCA-564-STEVE-DIERKINS-2025-10-06-THUMBNAIL.jpg"/><pubDate>Mon, 06 Oct 2025 17:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5960545f-6af3-47a0-ba1c-932404738a23.mp3" length="159187245" type="audio/mpeg"/><itunes:duration>01:06:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>564</itunes:episode><podcast:episode>564</podcast:episode></item><item><title>WCA #563 with Jon Rezin– Working Remotely in Ohio, Mixing, Saving Time, Skills and Network</title><itunes:title>WCA #563 with Jon Rezin– Working Remotely in Ohio, Mixing, Saving Time, Skills and Network</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Grammy winning Mixer, Producer, &amp; Mastering Engineer Jon Rezin who has worked with Natalia Jimenez, One Direction, Andy Grammer, BoA, and Santana.</p><h3>In This Episode, We Discuss:</h3><ul><li>Working Remotely in Ohio</li><li>Mixing</li><li>Saving Time</li><li>Skills</li><li>Network</li><li>Building Relationships</li><li>The Masked Singer</li><li>American Idol</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://jonrezin.com/" rel="noopener noreferrer" target="_blank">Jon's Site</a></li><li><a href="https://www.instagram.com/jonrezin/" rel="noopener noreferrer" target="_blank">Jon on Instagram</a></li></ul><br/><h3>Matt's Rant:<strong> Streaming vs Physical Media</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Jon Rezin</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Grammy winning Mixer, Producer, &amp; Mastering Engineer Jon Rezin who has worked with Natalia Jimenez, One Direction, Andy Grammer, BoA, and Santana.</p><h3>In This Episode, We Discuss:</h3><ul><li>Working Remotely in Ohio</li><li>Mixing</li><li>Saving Time</li><li>Skills</li><li>Network</li><li>Building Relationships</li><li>The Masked Singer</li><li>American Idol</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://jonrezin.com/" rel="noopener noreferrer" target="_blank">Jon's Site</a></li><li><a href="https://www.instagram.com/jonrezin/" rel="noopener noreferrer" target="_blank">Jon on Instagram</a></li></ul><br/><h3>Matt's Rant:<strong> Streaming vs Physical Media</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Jon Rezin</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-563-with-jon-rezin-working-remotely-in-ohio-mixing-saving-time-skills-and-network]]></link><guid isPermaLink="false">9673e1af-6d0c-40e2-b1eb-88836fbdc5e4</guid><itunes:image href="https://artwork.captivate.fm/25973700-1ec5-4f47-8a34-6dfe989b3528/WCA-563-JON-REZIN-2025-09-29-THUMBNAIL.jpg"/><pubDate>Mon, 29 Sep 2025 19:56:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9673e1af-6d0c-40e2-b1eb-88836fbdc5e4.mp3" length="178282605" type="audio/mpeg"/><itunes:duration>01:14:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>563</itunes:episode><podcast:episode>563</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #563 with JON REZIN"><podcast:source uri="https://youtu.be/ACbHHppCHFU"/></podcast:alternateEnclosure></item><item><title>WCA #562 - STEVE GENEWICK talks SPINAL TAP</title><itunes:title>WCA #562 - STEVE GENEWICK talks SPINAL TAP</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Recording and Mixing Engineer Steve Genewick. Steve gives us the full behind the scenes look into the making of the new Spinal Tap record "The End Continues". From the initial phone call to the release of the record and movie we get into the details. </p><h3>In This Episode, We Discuss:</h3><ul><li>Initial Phone Call</li><li>Where to Record</li><li>Setup</li><li>Mics, Preamps, etc..</li><li>Mixing</li><li>Mixing in ATMOS</li><li>WIG Day!</li><li>In The Box</li><li>Cracking Up</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://timecodesync.com/monitor/" rel="noopener noreferrer" target="_blank">The time code software</a></li><li><a href="https://drive.proton.me/urls/FX5QMGCJV0#GSQnJdWX24jv" rel="noopener noreferrer" target="_blank">Download the Input List!</a></li><li><a href="https://stevegenewick.com/" rel="noopener noreferrer" target="_blank">Steve's site</a> </li><li><a href="https://music.apple.com/us/album/the-end-continues/1829091963" rel="noopener noreferrer" target="_blank">Link to the record on Apple Music</a></li><li><a href="https://www.workingclassaudio.com/wca-070-al-schmitt-steve-genewick/" rel="noopener noreferrer" target="_blank">WCA #070 with Al Schmitt &amp; Steve Genewick</a></li><li><a href="https://www.workingclassaudio.com/wca-324-with-steve-genewick/" rel="noopener noreferrer" target="_blank">WCA #324 with Steve Genewick</a></li><li><a href="https://www.workingclassaudio.com/wca-476-live-from-namm-2024-part-1/" rel="noopener noreferrer" target="_blank">WCA Live from NAMM 2024</a></li></ul><br/><h3>Matt's Rant:<strong> Perfection</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Steve Genewick</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Recording and Mixing Engineer Steve Genewick. Steve gives us the full behind the scenes look into the making of the new Spinal Tap record "The End Continues". From the initial phone call to the release of the record and movie we get into the details. </p><h3>In This Episode, We Discuss:</h3><ul><li>Initial Phone Call</li><li>Where to Record</li><li>Setup</li><li>Mics, Preamps, etc..</li><li>Mixing</li><li>Mixing in ATMOS</li><li>WIG Day!</li><li>In The Box</li><li>Cracking Up</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://timecodesync.com/monitor/" rel="noopener noreferrer" target="_blank">The time code software</a></li><li><a href="https://drive.proton.me/urls/FX5QMGCJV0#GSQnJdWX24jv" rel="noopener noreferrer" target="_blank">Download the Input List!</a></li><li><a href="https://stevegenewick.com/" rel="noopener noreferrer" target="_blank">Steve's site</a> </li><li><a href="https://music.apple.com/us/album/the-end-continues/1829091963" rel="noopener noreferrer" target="_blank">Link to the record on Apple Music</a></li><li><a href="https://www.workingclassaudio.com/wca-070-al-schmitt-steve-genewick/" rel="noopener noreferrer" target="_blank">WCA #070 with Al Schmitt &amp; Steve Genewick</a></li><li><a href="https://www.workingclassaudio.com/wca-324-with-steve-genewick/" rel="noopener noreferrer" target="_blank">WCA #324 with Steve Genewick</a></li><li><a href="https://www.workingclassaudio.com/wca-476-live-from-namm-2024-part-1/" rel="noopener noreferrer" target="_blank">WCA Live from NAMM 2024</a></li></ul><br/><h3>Matt's Rant:<strong> Perfection</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Steve Genewick</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-562-steve-genewick-talks-spinal-tap]]></link><guid isPermaLink="false">7f450842-60c9-4c72-a6c1-52ec465088a0</guid><itunes:image href="https://artwork.captivate.fm/96d746a8-d12e-462d-84e4-c0924bea0647/WCA-562-STEVE-GENEWICK-2025-09-22-THUMBNAIL.jpg"/><pubDate>Mon, 22 Sep 2025 14:49:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7f450842-60c9-4c72-a6c1-52ec465088a0.mp3" length="175140525" type="audio/mpeg"/><itunes:duration>01:12:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>562</itunes:episode><podcast:episode>562</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #562 STEVE GENEWICK talks SPINAL TAP"><podcast:source uri="https://youtu.be/XIXPVc7m0Gg"/></podcast:alternateEnclosure></item><item><title>WCA #561 with Jordan Lonn – FOH, Paying Dues, Failing Kidney&apos;s, Home Town Gig, and Sustained Energy</title><itunes:title>WCA #561 with Jordan Lonn – FOH, Paying Dues, Failing Kidney&apos;s, Home Town Gig, and Sustained Energy</itunes:title><description><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt welcomes <strong>Jordan Lonn</strong>, Head Audio Engineer at the Gallo Center for the Arts in Modesto, California. The venue hosts a wide range of performances, including musical acts such as Joss Stone, Joan Osborne, and the Count Basie Orchestra, as well as musical theater and stand-up comedy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Guitar Center</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Dropping Out Of College</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Paying Dues</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Sustained Energy</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Failing Kidney's</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Health Epiphany</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Home Town Gig</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>FOH</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Gallo Center</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.galloarts.org/" rel="noopener noreferrer" target="_blank">Gallo Center for The Arts</a></li></ol><br/><h3>Matt's Rant:<strong> Acting Territorial</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Jordan Lonn</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt welcomes <strong>Jordan Lonn</strong>, Head Audio Engineer at the Gallo Center for the Arts in Modesto, California. The venue hosts a wide range of performances, including musical acts such as Joss Stone, Joan Osborne, and the Count Basie Orchestra, as well as musical theater and stand-up comedy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Guitar Center</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Dropping Out Of College</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Paying Dues</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Sustained Energy</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Failing Kidney's</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Health Epiphany</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Home Town Gig</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>FOH</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Gallo Center</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.galloarts.org/" rel="noopener noreferrer" target="_blank">Gallo Center for The Arts</a></li></ol><br/><h3>Matt's Rant:<strong> Acting Territorial</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Jordan Lonn</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-561-with-jordan-lonn-foh-paying-dues-failing-kidneys-home-town-gig-and-sustained-energy]]></link><guid isPermaLink="false">e56ef0c5-3c85-4720-842b-be9dffc6a6ac</guid><itunes:image href="https://artwork.captivate.fm/16c2d0a8-f369-46d5-bc06-dfcb5edd7d7a/WCA-561-JORDAN-LONN-2025-09-15-THUMBNAIL.jpg"/><pubDate>Mon, 15 Sep 2025 14:40:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e56ef0c5-3c85-4720-842b-be9dffc6a6ac.mp3" length="133609965" type="audio/mpeg"/><itunes:duration>55:40</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>561</itunes:episode><podcast:episode>561</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #561 with JORDAN LONN"><podcast:source uri="https://youtu.be/VEo8yCDv4CE"/></podcast:alternateEnclosure></item><item><title>WCA #560 The Backup Episode – 3-2-1 System, Nevada City Fire Scare, Altadena Fire Experience, and Best Practices &amp; Considerations</title><itunes:title>WCA #560 The Backup Episode – 3-2-1 System, Nevada City Fire Scare, Altadena Fire Experience, and Best Practices &amp; Considerations</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Grammy Nominated producer, engineer, and mixer Travis Ference as well as multi-instrumentalist, sound designer and audio engineer Kerry Rose to talk all about backing up and archiving audio. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>3-2-1 System</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Best Practices &amp; Considerations</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Insurance &amp; Liability</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Personal Experiences</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Travis's Altadena Fire Experience</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Kerry's Nevada City Fire Scare</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Scorched Earth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Remote/Cloud Storage</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Challenges with Cloud</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Offsite NAS</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Methodology Over Tools</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.watchduty.org/" rel="noopener noreferrer" target="_blank">Watch Duty App </a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://amzn.to/4pcSIc2" rel="noopener noreferrer" target="_blank">GMRS Radios</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://films.nationalgeographic.com/rebuilding-paradise" rel="noopener noreferrer" target="_blank">Documentary on Paradise</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://secure.backblaze.com/r/01gzv5" rel="noopener noreferrer" target="_blank">Backblaze</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.sync.com/" rel="noopener noreferrer" target="_blank">Sync.com</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.cdfinder.de/" rel="noopener noreferrer" target="_blank">Neofinder</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://amzn.to/4m6z7ro" rel="noopener noreferrer" target="_blank">Synology NAS</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.owc.com/" rel="noopener noreferrer" target="_blank">OWC</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.travisference.com/" rel="noopener noreferrer" target="_blank">Travis online</a></li></ol><br/><h3>Matt's Rant:<strong> The Many Hats We Wear</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Travis Ference and Kerry Rose</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Grammy Nominated producer, engineer, and mixer Travis Ference as well as multi-instrumentalist, sound designer and audio engineer Kerry Rose to talk all about backing up and archiving audio. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>3-2-1 System</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Best Practices &amp; Considerations</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Insurance &amp; Liability</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Personal Experiences</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Travis's Altadena Fire Experience</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Kerry's Nevada City Fire Scare</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Scorched Earth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Remote/Cloud Storage</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Challenges with Cloud</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Offsite NAS</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Methodology Over Tools</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.watchduty.org/" rel="noopener noreferrer" target="_blank">Watch Duty App </a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://amzn.to/4pcSIc2" rel="noopener noreferrer" target="_blank">GMRS Radios</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://films.nationalgeographic.com/rebuilding-paradise" rel="noopener noreferrer" target="_blank">Documentary on Paradise</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://secure.backblaze.com/r/01gzv5" rel="noopener noreferrer" target="_blank">Backblaze</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.sync.com/" rel="noopener noreferrer" target="_blank">Sync.com</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.cdfinder.de/" rel="noopener noreferrer" target="_blank">Neofinder</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://amzn.to/4m6z7ro" rel="noopener noreferrer" target="_blank">Synology NAS</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.owc.com/" rel="noopener noreferrer" target="_blank">OWC</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.travisference.com/" rel="noopener noreferrer" target="_blank">Travis online</a></li></ol><br/><h3>Matt's Rant:<strong> The Many Hats We Wear</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Travis Ference and Kerry Rose</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-560-the-backup-episode-]]></link><guid isPermaLink="false">38510da1-8ef5-487b-97ab-3858cce4366c</guid><itunes:image href="https://artwork.captivate.fm/a1f41e9a-f1d0-462e-9a66-1348d6a69c5a/WCA-560-THE-BACKUP-EPISODE-2025-09-08-THUMBnail.jpg"/><pubDate>Sun, 07 Sep 2025 15:43:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/38510da1-8ef5-487b-97ab-3858cce4366c.mp3" length="177354285" type="audio/mpeg"/><itunes:duration>01:13:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>560</itunes:episode><podcast:episode>560</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #560 The BACKUP EPISODE"><podcast:source uri="https://youtu.be/4EeV6Gy88vw"/></podcast:alternateEnclosure></item><item><title>WCA #559 with Moses Schneider – Hansa Studios, Disco Powder, Obscuring Audio, The Wall, and No Sandwich Recording</title><itunes:title>WCA #559 with Moses Schneider – Hansa Studios, Disco Powder, Obscuring Audio, The Wall, and No Sandwich Recording</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes engineer and producer Moses Schneider. The Berliner is responsible for some of the most successful records of recent years. The Beatsteaks achieved their breakthrough in the German charts under his direction. His other productions include Tocotronic, Fehlfarben, Dendemann, Kreator and others. In 2008, Schneider was nominated for the German music award Echo for his work on "Kapitulation" by Tocotronic and "Limbo Messiah" by the Beatsteaks. In 2018 and 2022 he was nominated for the German music Award "Preis für Popkultur" as "favorite Producer". </p><h3>In This Episode, We Discuss:</h3><ul><li>Hansa Studios</li><li>The Pixies</li><li>Gil Norton</li><li>Gordon Raphael</li><li>New York</li><li>Berlin</li><li>Disco Powder</li><li>Gentrification</li><li>Obscuring Audio</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.instagram.com/mosesschneiderofficial/" rel="noopener noreferrer" target="_blank">Moses on Instagram</a></li><li><a href="https://www.mosesschneider.com/" rel="noopener noreferrer" target="_blank">Moses website</a></li></ul><br/><h3>Matt's Rant:<strong> Walking.....yes walking</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Moses Schneider</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes engineer and producer Moses Schneider. The Berliner is responsible for some of the most successful records of recent years. The Beatsteaks achieved their breakthrough in the German charts under his direction. His other productions include Tocotronic, Fehlfarben, Dendemann, Kreator and others. In 2008, Schneider was nominated for the German music award Echo for his work on "Kapitulation" by Tocotronic and "Limbo Messiah" by the Beatsteaks. In 2018 and 2022 he was nominated for the German music Award "Preis für Popkultur" as "favorite Producer". </p><h3>In This Episode, We Discuss:</h3><ul><li>Hansa Studios</li><li>The Pixies</li><li>Gil Norton</li><li>Gordon Raphael</li><li>New York</li><li>Berlin</li><li>Disco Powder</li><li>Gentrification</li><li>Obscuring Audio</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.instagram.com/mosesschneiderofficial/" rel="noopener noreferrer" target="_blank">Moses on Instagram</a></li><li><a href="https://www.mosesschneider.com/" rel="noopener noreferrer" target="_blank">Moses website</a></li></ul><br/><h3>Matt's Rant:<strong> Walking.....yes walking</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Moses Schneider</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-559-with-moses-schneider-hansa-studios-disco-powder-obscuring-audio-the-wall-and-no-sandwich-recording]]></link><guid isPermaLink="false">01a2c098-2dde-4a5c-a573-6768817cecf8</guid><itunes:image href="https://artwork.captivate.fm/34694770-c358-42b0-96da-4a628a3f5348/WCA-559-MOSES-SCHNEIDER-2025-09-01-THUMBNAIL.jpg"/><pubDate>Mon, 01 Sep 2025 16:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/01a2c098-2dde-4a5c-a573-6768817cecf8.mp3" length="190007085" type="audio/mpeg"/><itunes:duration>01:19:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>559</itunes:episode><podcast:episode>559</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #559 with MOSES SCHNEIDER"><podcast:source uri="https://youtu.be/hMT1NGHLTjk"/></podcast:alternateEnclosure></item><item><title>WCA #558 with Ady Parzentny – Barcelona, Artist Support, Studio Connections, and the Audio Nomad Book</title><itunes:title>WCA #558 with Ady Parzentny – Barcelona, Artist Support, Studio Connections, and the Audio Nomad Book</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Ady Parzentny. Adrian Parzentny is a German‒Polish music producer, audio engineer, and creative adventurer. With over 13 years of travel and music production experience, Adrian has recorded traditional musicians across Morocco, the Sahara Desert, and beyond — often in remote villages, mountain ranges, and DIY setups built inside vans and hotel rooms.</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Barcelona move</strong></li><li><strong>Audio Nomad book</strong></li><li><strong>Studio connections</strong></li><li><strong>Modeling</strong></li><li><strong>Freelance audio</strong></li><li><strong>Travel recording</strong></li><li><strong>Gear philosophy</strong></li><li><strong>Artist support</strong></li><li><strong>Music mediums</strong></li><li><strong>Authentic living</strong></li><li><strong>Intuition guides</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://audionomad.hittheroadmusicstudio.com/" rel="noopener noreferrer" target="_blank">Get the book! </a></li><li><a href="https://www.workingclassaudio.com/wca-468-with-ady-parzentney/" rel="noopener noreferrer" target="_blank">Listen to Ady on WCA #468</a></li></ul><br/><h3>Matt's Rant:<strong> More Discipline</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong>  Ady Parzentny</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Ady Parzentny. Adrian Parzentny is a German‒Polish music producer, audio engineer, and creative adventurer. With over 13 years of travel and music production experience, Adrian has recorded traditional musicians across Morocco, the Sahara Desert, and beyond — often in remote villages, mountain ranges, and DIY setups built inside vans and hotel rooms.</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Barcelona move</strong></li><li><strong>Audio Nomad book</strong></li><li><strong>Studio connections</strong></li><li><strong>Modeling</strong></li><li><strong>Freelance audio</strong></li><li><strong>Travel recording</strong></li><li><strong>Gear philosophy</strong></li><li><strong>Artist support</strong></li><li><strong>Music mediums</strong></li><li><strong>Authentic living</strong></li><li><strong>Intuition guides</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://audionomad.hittheroadmusicstudio.com/" rel="noopener noreferrer" target="_blank">Get the book! </a></li><li><a href="https://www.workingclassaudio.com/wca-468-with-ady-parzentney/" rel="noopener noreferrer" target="_blank">Listen to Ady on WCA #468</a></li></ul><br/><h3>Matt's Rant:<strong> More Discipline</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong>  Ady Parzentny</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-558-with-ady-parzentny-barcelona-artist-support-studio-connections-and-the-audio-nomad-book]]></link><guid isPermaLink="false">2f3798a8-b5bf-421f-ad9f-242b8bf19b63</guid><itunes:image href="https://artwork.captivate.fm/b284b8b6-a65c-4f21-94d3-8485eb5433ea/WCA-558-ADY-PARZENTNEY-2025-08-25-THUMBNAIL.jpg"/><pubDate>Mon, 25 Aug 2025 18:03:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2f3798a8-b5bf-421f-ad9f-242b8bf19b63.mp3" length="192272685" type="audio/mpeg"/><itunes:duration>01:20:07</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>558</itunes:episode><podcast:episode>558</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #558 with ADY PARZENTNY"><podcast:source uri="https://youtu.be/w_8AVotTUnQ"/></podcast:alternateEnclosure></item><item><title>WCA #557 with Assaad Lakkis– Bullfunk Studios, Financial Realities, Continuous Learning, Perseverance, and Mental Health</title><itunes:title>WCA #557 with Assaad Lakkis– Bullfunk Studios, Financial Realities, Continuous Learning, Perseverance, and Mental Health</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer, engineer, and musician <strong>Assad Lakkis</strong>, the creative force behind <strong>Bull Funk Zoo</strong> and owner of <strong>Bull Funk Studios</strong> in Dubai. Assad’s career blends boundary-pushing rock, funk, and experimental sounds with his work producing and recording artists from around the world, making him a central figure in the Middle Eastern music scene.</p><h3>In This Episode, We Discuss:</h3><ul><li>The Bullfunk Identity</li><li>Time in the US</li><li>Bullfunk Studios</li><li>Learning and Mentorship</li><li>First Studio Challenges</li><li>Job Market in Dubai</li><li>Current Home Studio</li><li>Financial Realities</li><li>Client Acquisition </li><li>Diversified Income</li><li>Continuous Learning</li><li>Perseverance</li><li>Mental Health</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.bullfunkzoo.com/" rel="noopener noreferrer" target="_blank">Bull Funk Zoo</a></li><li><a href="https://bullfunkstudios.com/" rel="noopener noreferrer" target="_blank">Bull Funk Studios</a></li><li><a href="https://www.youtube.com/@BullFunkZoo/videos" rel="noopener noreferrer" target="_blank">Bull Funk Zoo on YouTube</a>: </li></ul><br/><h3>Matt's Rant: Self-employed discipline</h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Assad Lakkis</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer, engineer, and musician <strong>Assad Lakkis</strong>, the creative force behind <strong>Bull Funk Zoo</strong> and owner of <strong>Bull Funk Studios</strong> in Dubai. Assad’s career blends boundary-pushing rock, funk, and experimental sounds with his work producing and recording artists from around the world, making him a central figure in the Middle Eastern music scene.</p><h3>In This Episode, We Discuss:</h3><ul><li>The Bullfunk Identity</li><li>Time in the US</li><li>Bullfunk Studios</li><li>Learning and Mentorship</li><li>First Studio Challenges</li><li>Job Market in Dubai</li><li>Current Home Studio</li><li>Financial Realities</li><li>Client Acquisition </li><li>Diversified Income</li><li>Continuous Learning</li><li>Perseverance</li><li>Mental Health</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.bullfunkzoo.com/" rel="noopener noreferrer" target="_blank">Bull Funk Zoo</a></li><li><a href="https://bullfunkstudios.com/" rel="noopener noreferrer" target="_blank">Bull Funk Studios</a></li><li><a href="https://www.youtube.com/@BullFunkZoo/videos" rel="noopener noreferrer" target="_blank">Bull Funk Zoo on YouTube</a>: </li></ul><br/><h3>Matt's Rant: Self-employed discipline</h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Assad Lakkis</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-557-with-assaad-lakkis-bullfunk-studios-financial-realities-continuous-learning-perseverance-and-mental-health]]></link><guid isPermaLink="false">ae1c9c9d-7ea4-4ab2-ad20-41616f1f8ba7</guid><itunes:image href="https://artwork.captivate.fm/917c415a-bf20-4fb5-a390-cfb2efbf747e/WCA-557-ASSAAD-LAKKIS-2025-08-18-THUMBNAIL.jpg"/><pubDate>Mon, 18 Aug 2025 15:11:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ae1c9c9d-7ea4-4ab2-ad20-41616f1f8ba7.mp3" length="161605485" type="audio/mpeg"/><itunes:duration>01:07:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>557</itunes:episode><podcast:episode>557</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #556 with ASSAAD LAKKIS (AKA BULL FUNK ZOO)"><podcast:source uri="https://youtu.be/kFmjZgxZYGo"/></podcast:alternateEnclosure></item><item><title>WCA #556 with Toby Lloyd– Working in Film, Returning to Music, New Zealand Scene, Being a Good Dad, and The Morning Cold Plunge</title><itunes:title>WCA #556 with Toby Lloyd– Working in Film, Returning to Music, New Zealand Scene, Being a Good Dad, and The Morning Cold Plunge</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer, engineer, mixer, Toby Lloyd who runs Tiny Triumph Recordings in Wellington, New Zealand. Toby's career spans working in film (The Hobbit Trilogy, Avatar, Mortal Engines) as well as music by playing a central role in the New Zealand Music world. </p><h3>In This Episode, We Discuss:</h3><ul><li>Producing And Mixing Music</li><li>Rooftop Recording Studio</li><li>Meditation And Cold Plunge</li><li>Punk Rock Beginnings</li><li>110 Studio Rejections</li><li>Sound Recordist On The Hobbit</li><li>Learning In Collaboration</li><li>Eight Years In Film</li><li>University Studio Engineer</li><li>Full-Time Music Producer</li><li>Intimate Studio Design</li><li>New Studio Lease</li><li>Parenting Five Children</li><li>Artist Relationship Building</li><li>Financial Discipline Strategy</li><li>Wellington Music Challenges</li><li>Safe Space For Artists</li><li>Staying In New Zealand</li><li>Stories Of Perseverance</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.tinytriumphrecordings.com/" rel="noopener noreferrer" target="_blank">Toby's Studio</a></li></ul><br/><h3>Matt's Rant:<strong> A Brainstorm</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Toby Lloyd</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer, engineer, mixer, Toby Lloyd who runs Tiny Triumph Recordings in Wellington, New Zealand. Toby's career spans working in film (The Hobbit Trilogy, Avatar, Mortal Engines) as well as music by playing a central role in the New Zealand Music world. </p><h3>In This Episode, We Discuss:</h3><ul><li>Producing And Mixing Music</li><li>Rooftop Recording Studio</li><li>Meditation And Cold Plunge</li><li>Punk Rock Beginnings</li><li>110 Studio Rejections</li><li>Sound Recordist On The Hobbit</li><li>Learning In Collaboration</li><li>Eight Years In Film</li><li>University Studio Engineer</li><li>Full-Time Music Producer</li><li>Intimate Studio Design</li><li>New Studio Lease</li><li>Parenting Five Children</li><li>Artist Relationship Building</li><li>Financial Discipline Strategy</li><li>Wellington Music Challenges</li><li>Safe Space For Artists</li><li>Staying In New Zealand</li><li>Stories Of Perseverance</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.tinytriumphrecordings.com/" rel="noopener noreferrer" target="_blank">Toby's Studio</a></li></ul><br/><h3>Matt's Rant:<strong> A Brainstorm</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Toby Lloyd</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-556-with-toby-lloyd-working-in-film-returning-to-music-new-zealand-scene-being-a-good-dad-and-the-morning-cold-plunge]]></link><guid isPermaLink="false">5880b013-b0e8-4297-a78b-5473f7c38f56</guid><itunes:image href="https://artwork.captivate.fm/00d6144b-2075-431c-afd5-bfaa3a3142c0/b6Hi49JCn6kDCL4pSahYp3j4.jpg"/><pubDate>Mon, 11 Aug 2025 14:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5880b013-b0e8-4297-a78b-5473f7c38f56.mp3" length="179718765" type="audio/mpeg"/><itunes:duration>01:14:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>556</itunes:episode><podcast:episode>556</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #556 with TOBY LLOYD"><podcast:source uri="https://youtu.be/TRNaW0LCcu4"/></podcast:alternateEnclosure></item><item><title>WCA #555 with Pierre de Reeder – Rilo Kiley, LA Survival, 64 Sound, and A New Studio Business Model</title><itunes:title>WCA #555 with Pierre de Reeder – Rilo Kiley, LA Survival, 64 Sound, and A New Studio Business Model</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer/engineer/musician Pierre de Reeder. Pierre owns and runs 64 Sound and is a member of the band Rilo Kiley. </p><h3>In This Episode, We Discuss:</h3><ul><li>Rilo Kiley</li><li>LA Survival</li><li>64 Sound</li><li>Dave Trumfio</li><li>Recording on 8 Track Cassette</li><li>New Studio Business Model</li><li>Bonding with the Landlord</li><li>The Hunt</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.64sound.com/" rel="noopener noreferrer" target="_blank">64 Sound</a></li><li><a href="https://www.kingsizesoundlabs.com/" rel="noopener noreferrer" target="_blank">King Size Sound Labs</a></li><li><a href="https://www.workingclassaudio.com/wca-099-with-rob-schnapf/" rel="noopener noreferrer" target="_blank">Rob Schnapf on WCA</a></li><li><a href="https://mikemichalowicz.com/profit-first/" rel="noopener noreferrer" target="_blank">Profit First Book</a></li><li><a href="https://music.apple.com/us/artist/rilo-kiley/5602901" rel="noopener noreferrer" target="_blank">Rilo Kiley on Apple Music</a></li><li><a href="https://www.audible.com/pd/You-Are-a-Badass-at-Making-Money-Audiobook/B01N9EC5T7" rel="noopener noreferrer" target="_blank">You Are a Bad Ass at Making Money Book</a></li><li><a href="https://www.audible.com/pd/The-Psychology-of-Money-Audiobook/B08D9TXF3H" rel="noopener noreferrer" target="_blank">The Psychology of Money</a></li></ul><br/><h3>Matt's Rant:<strong> Money Talk</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Pierre de Reeder</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer/engineer/musician Pierre de Reeder. Pierre owns and runs 64 Sound and is a member of the band Rilo Kiley. </p><h3>In This Episode, We Discuss:</h3><ul><li>Rilo Kiley</li><li>LA Survival</li><li>64 Sound</li><li>Dave Trumfio</li><li>Recording on 8 Track Cassette</li><li>New Studio Business Model</li><li>Bonding with the Landlord</li><li>The Hunt</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.64sound.com/" rel="noopener noreferrer" target="_blank">64 Sound</a></li><li><a href="https://www.kingsizesoundlabs.com/" rel="noopener noreferrer" target="_blank">King Size Sound Labs</a></li><li><a href="https://www.workingclassaudio.com/wca-099-with-rob-schnapf/" rel="noopener noreferrer" target="_blank">Rob Schnapf on WCA</a></li><li><a href="https://mikemichalowicz.com/profit-first/" rel="noopener noreferrer" target="_blank">Profit First Book</a></li><li><a href="https://music.apple.com/us/artist/rilo-kiley/5602901" rel="noopener noreferrer" target="_blank">Rilo Kiley on Apple Music</a></li><li><a href="https://www.audible.com/pd/You-Are-a-Badass-at-Making-Money-Audiobook/B01N9EC5T7" rel="noopener noreferrer" target="_blank">You Are a Bad Ass at Making Money Book</a></li><li><a href="https://www.audible.com/pd/The-Psychology-of-Money-Audiobook/B08D9TXF3H" rel="noopener noreferrer" target="_blank">The Psychology of Money</a></li></ul><br/><h3>Matt's Rant:<strong> Money Talk</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Pierre de Reeder</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-555-with-pierre-de-reeder-rilo-kiley-la-survival-64-sound-and-a-new-studio-business-model]]></link><guid isPermaLink="false">41d0da03-ec34-4958-8a5b-e78016bbe3ee</guid><itunes:image href="https://artwork.captivate.fm/fe8be5b8-0ed5-4a65-a912-613b15e7a9ff/sKPYN-K3RKwaMNaUXMRQRBih.jpg"/><pubDate>Mon, 04 Aug 2025 18:54:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/41d0da03-ec34-4958-8a5b-e78016bbe3ee.mp3" length="137488365" type="audio/mpeg"/><itunes:duration>57:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>555</itunes:episode><podcast:episode>555</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #555 with PIERRE de REEDER"><podcast:source uri="https://youtu.be/Vqwhcrj3ZQI"/></podcast:alternateEnclosure></item><item><title>WCA #554 with Mark Pistel – Sampler Revolution, Disposable Heroes, Consolidated, Union Work, and Adapting to Industry Changes</title><itunes:title>WCA #554 with Mark Pistel – Sampler Revolution, Disposable Heroes, Consolidated, Union Work, and Adapting to Industry Changes</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes engineer and producer Mark Pistel. His extensive credits include influential work with Disposable Heroes of Hiphoprisy and Consolidated, as well as notable collaborations with artists such as Meat Beat Manifesto, Grace Jones, Hercules and Love Affair, Chuck Prophet, Rykarda Parasol, Machines of Loving Grace, Holly Herndon, Los Mocosos, and many others.</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Growing up in Duluth</strong></li><li><strong>Vibrant San Francisco Scene</strong></li><li><strong>Sampler Revolution</strong></li><li><strong>Disposable Heroes Album Production</strong></li><li><strong>Jack Dangers</strong></li><li><strong>Adapting to Industry Changes</strong></li><li><strong>Union Work</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.markpistel.com" rel="noopener noreferrer" target="_blank">https://www.markpistel.com</a></li></ul><br/><h3>Matt's Rant:<strong> Differences</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Mark Pistel</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes engineer and producer Mark Pistel. His extensive credits include influential work with Disposable Heroes of Hiphoprisy and Consolidated, as well as notable collaborations with artists such as Meat Beat Manifesto, Grace Jones, Hercules and Love Affair, Chuck Prophet, Rykarda Parasol, Machines of Loving Grace, Holly Herndon, Los Mocosos, and many others.</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Growing up in Duluth</strong></li><li><strong>Vibrant San Francisco Scene</strong></li><li><strong>Sampler Revolution</strong></li><li><strong>Disposable Heroes Album Production</strong></li><li><strong>Jack Dangers</strong></li><li><strong>Adapting to Industry Changes</strong></li><li><strong>Union Work</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.markpistel.com" rel="noopener noreferrer" target="_blank">https://www.markpistel.com</a></li></ul><br/><h3>Matt's Rant:<strong> Differences</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Mark Pistel</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-554-with-mark-pistel-sampler-revolution-disposable-heroes-consolidated-union-work-and-adapting-to-industry-changes]]></link><guid isPermaLink="false">141fc23a-8900-4581-a199-c99309f73e7b</guid><itunes:image href="https://artwork.captivate.fm/c64c4daa-11fe-48f9-99ac-60d500e52062/PN3Udx_xkVeaaG5ebihAlh65.jpg"/><pubDate>Mon, 28 Jul 2025 13:24:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/141fc23a-8900-4581-a199-c99309f73e7b.mp3" length="139320045" type="audio/mpeg"/><itunes:duration>58:03</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>554</itunes:episode><podcast:episode>554</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #554 MARK PISTEL"><podcast:source uri="https://youtu.be/yGKs3d7ovQY"/></podcast:alternateEnclosure></item><item><title>WCA #553 with Stefan Bock – Being Too Early, Inventions, Immersive Audio, Pure Audio Streaming, and the Value of Good Acoustics Spaces.</title><itunes:title>WCA #553 with Stefan Bock – Being Too Early, Inventions, Immersive Audio, Pure Audio Streaming, and the Value of Good Acoustics Spaces.</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Engineer &amp; Producer Stefan Bock. His credits include productions for Peter Maffay, Herbert Grönemeyer, Sarah Brightman, Yello, 2L, Berliner Philharmoniker and Deutsche Grammophon.</p><p>Due to his expertise in the field of immersive audio, Stefan Bock is a renown speaker at international congresses, including those of the Audio Engineering Society and the Association of German Sound Engineers. He is also a regular lecturer at the ARD.ZDF Medienakademie. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Being Too Early</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Inventions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Immersive Audio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pure Audio Streaming</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>MSM Studios</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Beauty of Niche</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Good Acoustics</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://pureaudiostreaming.com/" rel="noopener noreferrer" target="_blank">Pure Audio Streaming</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.msm-studios.com/" rel="noopener noreferrer" target="_blank">MSM Studios</a></li></ol><br/><h3>Matt's Rant:<strong> Nerd Groups</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Stefan Bock</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Engineer &amp; Producer Stefan Bock. His credits include productions for Peter Maffay, Herbert Grönemeyer, Sarah Brightman, Yello, 2L, Berliner Philharmoniker and Deutsche Grammophon.</p><p>Due to his expertise in the field of immersive audio, Stefan Bock is a renown speaker at international congresses, including those of the Audio Engineering Society and the Association of German Sound Engineers. He is also a regular lecturer at the ARD.ZDF Medienakademie. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Being Too Early</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Inventions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Immersive Audio</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pure Audio Streaming</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>MSM Studios</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Beauty of Niche</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Good Acoustics</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://pureaudiostreaming.com/" rel="noopener noreferrer" target="_blank">Pure Audio Streaming</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.msm-studios.com/" rel="noopener noreferrer" target="_blank">MSM Studios</a></li></ol><br/><h3>Matt's Rant:<strong> Nerd Groups</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Stefan Bock</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-553-with-stefan-bock-being-too-early-inventions-immersive-audio-pure-audio-streaming-and-the-value-of-good-acoustics-spaces-]]></link><guid isPermaLink="false">8740e470-5bb9-4626-8fdf-a27404e27435</guid><itunes:image href="https://artwork.captivate.fm/4bd50c98-b9f1-4e76-8217-4111e3ea8979/utzgbKytDtPfv9NjzRv2t7HI.jpg"/><pubDate>Mon, 21 Jul 2025 19:27:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8740e470-5bb9-4626-8fdf-a27404e27435.mp3" length="147640365" type="audio/mpeg"/><itunes:duration>01:01:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>553</itunes:episode><podcast:episode>553</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #553 with STEFAN BOCK"><podcast:source uri="https://youtu.be/KY6AI-qjfG4"/></podcast:alternateEnclosure></item><item><title>WCA #552 with Daniel Holter – Studio Aesthetics, Hospitality, Presentation, Relationships, and Cashflow</title><itunes:title>WCA #552 with Daniel Holter – Studio Aesthetics, Hospitality, Presentation, Relationships, and Cashflow</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer, mixer, composer and songwriter Daniel Holter. Daniel first appeared in 2018 on WCA Episode <a href="https://www.youtube.com/hashtag/179" rel="noopener noreferrer" target="_blank">#179</a>. Over the years, Daniel has mixed music by artists such as <strong>Nick Lowe</strong>, <strong>Field Report, Over The Rhine</strong>, <strong>Amos Lee</strong>, <strong>Blitzen Trapper</strong>, <strong>Collections of Colonies of Bees</strong>, <strong>Phil Keaggy</strong>, <strong>Crowded House</strong>, <strong>Dead Horses, WebsterX</strong>, and <strong>Ryan Higa</strong>. He’s also composed and/or produced thousands of cues currently being used by such varied clients as <strong>Apple</strong>, <strong>Nike</strong>, <strong>Google</strong>, <strong>Microsoft</strong>, <strong>GM</strong> &amp; <strong>Gatorade</strong>, virtually all of the top shows on <strong>HBO</strong>, <strong>ESPN</strong>, <strong>CBS</strong>, <strong>ABC</strong>, <strong>NBC</strong>, <strong>Fox</strong>, and all across the globe in tv, radio, advertisements, video games and film. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ul><li>Studio Aesthetics</li><li>Hospitality</li><li>Making Artists Feel at Home</li><li>THUD Studios</li><li>Relationships</li><li>Cashflow</li><li>Seattle</li><li>Family Business</li><li>Candles</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.workingclassaudio.com/wca-179-with-daniel-holter/" rel="noopener noreferrer" target="_blank">Daniel on WCA #179</a></li><li><a href="https://floodedwith.com/promo/WCA10" rel="noopener noreferrer" target="_blank">The Candles!</a> (discount Applied on Checkout)</li><li><a href="https://thud-studio.com/" rel="noopener noreferrer" target="_blank">THUD Studio</a></li></ul><br/><h3>Matt's Rant:<strong> The Curse</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Daniel Holter</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer, mixer, composer and songwriter Daniel Holter. Daniel first appeared in 2018 on WCA Episode <a href="https://www.youtube.com/hashtag/179" rel="noopener noreferrer" target="_blank">#179</a>. Over the years, Daniel has mixed music by artists such as <strong>Nick Lowe</strong>, <strong>Field Report, Over The Rhine</strong>, <strong>Amos Lee</strong>, <strong>Blitzen Trapper</strong>, <strong>Collections of Colonies of Bees</strong>, <strong>Phil Keaggy</strong>, <strong>Crowded House</strong>, <strong>Dead Horses, WebsterX</strong>, and <strong>Ryan Higa</strong>. He’s also composed and/or produced thousands of cues currently being used by such varied clients as <strong>Apple</strong>, <strong>Nike</strong>, <strong>Google</strong>, <strong>Microsoft</strong>, <strong>GM</strong> &amp; <strong>Gatorade</strong>, virtually all of the top shows on <strong>HBO</strong>, <strong>ESPN</strong>, <strong>CBS</strong>, <strong>ABC</strong>, <strong>NBC</strong>, <strong>Fox</strong>, and all across the globe in tv, radio, advertisements, video games and film. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ul><li>Studio Aesthetics</li><li>Hospitality</li><li>Making Artists Feel at Home</li><li>THUD Studios</li><li>Relationships</li><li>Cashflow</li><li>Seattle</li><li>Family Business</li><li>Candles</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.workingclassaudio.com/wca-179-with-daniel-holter/" rel="noopener noreferrer" target="_blank">Daniel on WCA #179</a></li><li><a href="https://floodedwith.com/promo/WCA10" rel="noopener noreferrer" target="_blank">The Candles!</a> (discount Applied on Checkout)</li><li><a href="https://thud-studio.com/" rel="noopener noreferrer" target="_blank">THUD Studio</a></li></ul><br/><h3>Matt's Rant:<strong> The Curse</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Daniel Holter</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-552-with-daniel-holter-studio-aesthetics-hospitality-presentation-relationships-and-cashflow]]></link><guid isPermaLink="false">a08a4fc4-5186-4ccd-81d3-d65d6198a2ae</guid><itunes:image href="https://artwork.captivate.fm/6fed0541-3212-4b41-85a8-2fc008b9a67f/8gJAsP4HUDZaUW3rz2xrAtRT.jpg"/><pubDate>Mon, 14 Jul 2025 16:49:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a08a4fc4-5186-4ccd-81d3-d65d6198a2ae.mp3" length="162649005" type="audio/mpeg"/><itunes:duration>01:07:46</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>552</itunes:episode><podcast:episode>552</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #552 with DANIEL HOLTER"><podcast:source uri="https://youtu.be/M1LyjQCwbqU"/></podcast:alternateEnclosure></item><item><title>WCA #551 with Dane Giordano – Sun Studio, Steve Albini&apos;s Kindness, Financial Discipline, and Diversifying Services</title><itunes:title>WCA #551 with Dane Giordano – Sun Studio, Steve Albini&apos;s Kindness, Financial Discipline, and Diversifying Services</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Engineer and Composer Dane Giordano who has engineered artists for Warner, Sony and Universal Music Group. Dane has composed music for Film, Video Games, Television and more! He is also one of the House Engineers at Young Avenue Sound &amp; Sun Studio.</p><h3>In This Episode, We Discuss:</h3><ul><li>First Studio Experience</li><li>Touring Survival Methods</li><li>Bad Engineer Experiences</li><li>Positive Studio Experiences</li><li>Flat Rates</li><li>Engineering Transition</li><li>Sun Studio</li><li>Electrical Audio Internship</li><li>Steve Albini's Kindness</li><li>Professional Studio Habits</li><li>Embrace Beginner Mindset</li><li>Clients By Word-Of-Mouth</li><li>Financial Discipline</li><li>Diversifying Services</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://danegaudio.wixsite.com/dane-giordano-audio" rel="noopener noreferrer" target="_blank">Dane's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Session Documentation in the 21st Century</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Dane Giordano</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Engineer and Composer Dane Giordano who has engineered artists for Warner, Sony and Universal Music Group. Dane has composed music for Film, Video Games, Television and more! He is also one of the House Engineers at Young Avenue Sound &amp; Sun Studio.</p><h3>In This Episode, We Discuss:</h3><ul><li>First Studio Experience</li><li>Touring Survival Methods</li><li>Bad Engineer Experiences</li><li>Positive Studio Experiences</li><li>Flat Rates</li><li>Engineering Transition</li><li>Sun Studio</li><li>Electrical Audio Internship</li><li>Steve Albini's Kindness</li><li>Professional Studio Habits</li><li>Embrace Beginner Mindset</li><li>Clients By Word-Of-Mouth</li><li>Financial Discipline</li><li>Diversifying Services</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://danegaudio.wixsite.com/dane-giordano-audio" rel="noopener noreferrer" target="_blank">Dane's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Session Documentation in the 21st Century</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Dane Giordano</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-551-with-dane-giordano-sun-studio-steve-albinis-kindness-financial-discipline-and-diversifying-services]]></link><guid isPermaLink="false">68bab16f-f342-490e-bad0-839ba982106b</guid><itunes:image href="https://artwork.captivate.fm/cc0efd59-792a-420d-84d4-09cffd2d4693/Rb0RoepfdkaXLUBwi4RfKmmu.jpg"/><pubDate>Mon, 07 Jul 2025 00:15:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/68bab16f-f342-490e-bad0-839ba982106b.mp3" length="177333120" type="audio/mpeg"/><itunes:duration>01:13:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>551</itunes:episode><podcast:episode>551</podcast:episode></item><item><title>WCA #550 with Justin Francis – Remote Studio Benefits, Nashville Efficiency, Beyond Music Row, and Navigating Payment Ethics</title><itunes:title>WCA #550 with Justin Francis – Remote Studio Benefits, Nashville Efficiency, Beyond Music Row, and Navigating Payment Ethics</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Grammy WInning Producer/engineer/mixer, Justin Francis who has worked alongside artists like Sheryl Crow, Kacey Musgraves, Tyler Childers, Lake Street Dive, Justin Timberlake, Madison Cunningham, Gary Clark Jr, Sarah Jarosz and Lauren Daigle. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Early Music Passion</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Audio Production Path</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Studio Immersion</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Formal Audio Training</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Nashville Career Growth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Efficient Studio Culture</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Navigating Payment Ethics</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Community Client Insights</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Nashville's "Clicky" Nature</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Remote Studio Benefits</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Beyond Music Row</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.jryanfrancis.com/" rel="noopener noreferrer" target="_blank">Justin's Site</a></li></ol><br/><h3>Matt's Rant:<strong> Simplification</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Justin Francis</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Grammy WInning Producer/engineer/mixer, Justin Francis who has worked alongside artists like Sheryl Crow, Kacey Musgraves, Tyler Childers, Lake Street Dive, Justin Timberlake, Madison Cunningham, Gary Clark Jr, Sarah Jarosz and Lauren Daigle. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Early Music Passion</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Audio Production Path</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Studio Immersion</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Formal Audio Training</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Nashville Career Growth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Efficient Studio Culture</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Navigating Payment Ethics</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Community Client Insights</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Nashville's "Clicky" Nature</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Remote Studio Benefits</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Beyond Music Row</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.jryanfrancis.com/" rel="noopener noreferrer" target="_blank">Justin's Site</a></li></ol><br/><h3>Matt's Rant:<strong> Simplification</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Justin Francis</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-550-with-justin-francis-remote-studio-benefits-nashville-efficiency-beyond-music-row-and-navigating-payment-ethics]]></link><guid isPermaLink="false">166a0eaf-2073-45af-b735-8e183f1099a1</guid><itunes:image href="https://artwork.captivate.fm/ff715929-300c-4679-bbf3-b4f739bc0dec/BzYxaJ2nJkmXZpSsCGfJxcU4.jpg"/><pubDate>Mon, 30 Jun 2025 00:15:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/166a0eaf-2073-45af-b735-8e183f1099a1.mp3" length="146790765" type="audio/mpeg"/><itunes:duration>01:01:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>550</itunes:episode><podcast:episode>550</podcast:episode></item><item><title>WCA #549 with Ian Shepherd – Mastering Democratized, AI, Physical or Virtual Gear, and Empty Nests</title><itunes:title>WCA #549 with Ian Shepherd – Mastering Democratized, AI, Physical or Virtual Gear, and Empty Nests</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back mastering engineer and host of The Mastering Show, Ian Shepherd. They dive into the current state of mastering, AI’s growing role, work/life balance, and in-the-box vs. out-of-the-box mastering. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Companion podcast episode</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Advances in mastering technology</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The rise of AI mastering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Shift toward releasing singles</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Impact of social media</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mastering now democratized</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Lower barrier to entry</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>AI lacks human context</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>AI results often bland/generic</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Humans provide taste and nuance</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Networking challenges in rural areas</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Technology removes many practical limits</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Career hasn’t suffered despite changes</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Facing an empty nest soon</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Focus on intentional, joyful work</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Known as the "loudness guy"</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://themasteringshow.com/episode-100/" rel="noopener noreferrer" target="_blank">Ian's 100th episode</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-132-with-ian-shepherd/" rel="noopener noreferrer" target="_blank">Ian on WCA #132</a></li></ol><br/><h3>Matt's Rant:<strong> Building Things</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Ian Shepherd</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back mastering engineer and host of The Mastering Show, Ian Shepherd. They dive into the current state of mastering, AI’s growing role, work/life balance, and in-the-box vs. out-of-the-box mastering. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Companion podcast episode</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Advances in mastering technology</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The rise of AI mastering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Shift toward releasing singles</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Impact of social media</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mastering now democratized</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Lower barrier to entry</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>AI lacks human context</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>AI results often bland/generic</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Humans provide taste and nuance</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Networking challenges in rural areas</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Technology removes many practical limits</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Career hasn’t suffered despite changes</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Facing an empty nest soon</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Focus on intentional, joyful work</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Known as the "loudness guy"</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://themasteringshow.com/episode-100/" rel="noopener noreferrer" target="_blank">Ian's 100th episode</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-132-with-ian-shepherd/" rel="noopener noreferrer" target="_blank">Ian on WCA #132</a></li></ol><br/><h3>Matt's Rant:<strong> Building Things</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Ian Shepherd</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-549-with-ian-shepherd-mastering-democratized-ai-physical-or-virtual-gear-and-empty-nests]]></link><guid isPermaLink="false">bcf29ba1-3ae1-4455-a32e-ba12b0c08bec</guid><itunes:image href="https://artwork.captivate.fm/1bb88b39-e270-4887-a504-4be767ea35ad/2WHtxNoHXo_KGYcFyKj552qO.jpg"/><pubDate>Mon, 23 Jun 2025 18:44:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bcf29ba1-3ae1-4455-a32e-ba12b0c08bec.mp3" length="148692525" type="audio/mpeg"/><itunes:duration>01:01:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>549</itunes:episode><podcast:episode>549</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #549 with IAN SHEPHERD"><podcast:source uri="https://youtu.be/4NdRLozfUHE"/></podcast:alternateEnclosure></item><item><title>WCA #548 with Dan Malsch – Touring Guitarist to Full-Time Engineer, Building a Studio Career, Mixing Ghost, Working with Andy Wallace, and Running a Successful Studio Outside the Big Cities</title><itunes:title>WCA #548 with Dan Malsch – Touring Guitarist to Full-Time Engineer, Building a Studio Career, Mixing Ghost, Working with Andy Wallace, and Running a Successful Studio Outside the Big Cities</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer and mixer Dan Malsch to discuss his journey from guitarist to studio owner, working with bands like Ghost and Avenged Sevenfold, building studios with his own hands, and maintaining a no-ego approach to recording at the highest level. Enjoy!</p><h3>In This Episode, We Discuss:</h3><h3><strong>Dan Malsch’s Journey From Guitarist to Music Producer</strong></h3><p>Explore how Dan transitioned from touring with his metal band Wicked Mariah to becoming a full-time producer and mix engineer.</p><h3><strong>Building and Running a Professional Recording Studio</strong></h3><p>Learn how Dan used his construction background to build a world-class recording studio in the Poconos from the ground up.</p><h3><strong>Working With Major Artists Like Ghost and Avenged Sevenfold</strong></h3><p>Dan shares behind-the-scenes stories of working with chart-topping rock and metal bands including Ghost, Avenged Sevenfold, and Gojira.</p><h3><strong>Mixing in Dolby Atmos</strong></h3><p>Get insight into how Dan created an Atmos mix room in two weeks and how he mixed Ghost's <em>Impera</em> and <em>Skeletor</em> albums in Dolby Atmos.</p><h3><strong>Collaborating With Legendary Mixer Andy Wallace</strong></h3><p>Hear how a chance meeting led to a close working relationship with Andy Wallace and how that partnership elevated Dan’s career.</p><h3><strong>Running a Successful Studio in a Secondary Market</strong></h3><p>Discover how Dan attracts big-name clients to his Pennsylvania studio without being based in LA, Nashville, or New York.</p><h3><strong>How to Maintain Long-Term Clients as a Music Producer</strong></h3><p>Dan discusses how professionalism, personal communication, and trust help him retain high-profile clients year after year.</p><h3><strong>Balancing Studio Life and Family Life</strong></h3><p>Hear how Dan prioritized being present for his family while running a busy studio and raising two kids.</p><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.danmalschmusic.com/" rel="noopener noreferrer" target="_blank">Dan's Studio</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.immersivemusicgroup.com/" rel="noopener noreferrer" target="_blank">IMSRV Studio In Stockholm</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://youtu.be/-sciUJKjUfM" rel="noopener noreferrer" target="_blank">Advice from Robert Diniro video</a></li></ol><br/><h3>Matt's Rant:<strong> Persistence</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Dan Malsch</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer and mixer Dan Malsch to discuss his journey from guitarist to studio owner, working with bands like Ghost and Avenged Sevenfold, building studios with his own hands, and maintaining a no-ego approach to recording at the highest level. Enjoy!</p><h3>In This Episode, We Discuss:</h3><h3><strong>Dan Malsch’s Journey From Guitarist to Music Producer</strong></h3><p>Explore how Dan transitioned from touring with his metal band Wicked Mariah to becoming a full-time producer and mix engineer.</p><h3><strong>Building and Running a Professional Recording Studio</strong></h3><p>Learn how Dan used his construction background to build a world-class recording studio in the Poconos from the ground up.</p><h3><strong>Working With Major Artists Like Ghost and Avenged Sevenfold</strong></h3><p>Dan shares behind-the-scenes stories of working with chart-topping rock and metal bands including Ghost, Avenged Sevenfold, and Gojira.</p><h3><strong>Mixing in Dolby Atmos</strong></h3><p>Get insight into how Dan created an Atmos mix room in two weeks and how he mixed Ghost's <em>Impera</em> and <em>Skeletor</em> albums in Dolby Atmos.</p><h3><strong>Collaborating With Legendary Mixer Andy Wallace</strong></h3><p>Hear how a chance meeting led to a close working relationship with Andy Wallace and how that partnership elevated Dan’s career.</p><h3><strong>Running a Successful Studio in a Secondary Market</strong></h3><p>Discover how Dan attracts big-name clients to his Pennsylvania studio without being based in LA, Nashville, or New York.</p><h3><strong>How to Maintain Long-Term Clients as a Music Producer</strong></h3><p>Dan discusses how professionalism, personal communication, and trust help him retain high-profile clients year after year.</p><h3><strong>Balancing Studio Life and Family Life</strong></h3><p>Hear how Dan prioritized being present for his family while running a busy studio and raising two kids.</p><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.danmalschmusic.com/" rel="noopener noreferrer" target="_blank">Dan's Studio</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.immersivemusicgroup.com/" rel="noopener noreferrer" target="_blank">IMSRV Studio In Stockholm</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://youtu.be/-sciUJKjUfM" rel="noopener noreferrer" target="_blank">Advice from Robert Diniro video</a></li></ol><br/><h3>Matt's Rant:<strong> Persistence</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Dan Malsch</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-548-with-dan-malsch-touring-guitarist-to-full-time-engineer-building-a-studio-career-mixing-ghost-working-with-andy-wallace-and-running-a-successful-studio-outside-the-big-cities]]></link><guid isPermaLink="false">95cbed64-2f59-4d65-8b73-79440a0cc5c4</guid><itunes:image href="https://artwork.captivate.fm/7cacb7c0-1f6a-4332-adf2-65aa11fb217e/qKU-HjmUIAHCCf0UDljxcP0s.jpg"/><pubDate>Mon, 16 Jun 2025 20:08:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/95cbed64-2f59-4d65-8b73-79440a0cc5c4.mp3" length="170688045" type="audio/mpeg"/><itunes:duration>01:11:07</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>548</itunes:episode><podcast:episode>548</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #548 with DAN MALSCH"><podcast:source uri="https://youtu.be/7wNWq0ZfS9w"/></podcast:alternateEnclosure></item><item><title>WCA #547 with Lij Shaw – Friendship, Communication, Collaboration, Mixing, and Time Management</title><itunes:title>WCA #547 with Lij Shaw – Friendship, Communication, Collaboration, Mixing, and Time Management</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer, engineer, songwriter and host of Recording Studio Rockstars Lij Shaw.</p><h3>In This Episode, We Discuss:</h3><ul><li>Friendship &amp; Communication</li><li>Studio &amp; Workspace</li><li>Costa Rica Trip</li><li>Music &amp; Production</li><li>Collaboration &amp; Mixing</li><li>Identity &amp; Roles</li><li>Time Management</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank">Recording Studio Rockstars</a></li><li><a href="https://music.apple.com/us/album/living-with-my-ghost-electric-single/1809497110" rel="noopener noreferrer" target="_blank">Chris Chamness  (Matt &amp; Lij colab)</a></li></ul><br/><h3>Matt's Rant:<strong> Barriers</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Lij Shaw</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer, engineer, songwriter and host of Recording Studio Rockstars Lij Shaw.</p><h3>In This Episode, We Discuss:</h3><ul><li>Friendship &amp; Communication</li><li>Studio &amp; Workspace</li><li>Costa Rica Trip</li><li>Music &amp; Production</li><li>Collaboration &amp; Mixing</li><li>Identity &amp; Roles</li><li>Time Management</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank">Recording Studio Rockstars</a></li><li><a href="https://music.apple.com/us/album/living-with-my-ghost-electric-single/1809497110" rel="noopener noreferrer" target="_blank">Chris Chamness  (Matt &amp; Lij colab)</a></li></ul><br/><h3>Matt's Rant:<strong> Barriers</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Lij Shaw</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-547-with-lij-shaw-friendship-communication-collaboration-mixing-and-time-management]]></link><guid isPermaLink="false">fbefc538-488c-4564-a820-eba8275d3686</guid><itunes:image href="https://artwork.captivate.fm/7a381c7d-fbb3-4333-b176-130eec26488e/0985hBoZR8lgwSLEXpgIfFdc.jpg"/><pubDate>Mon, 09 Jun 2025 16:52:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/fbefc538-488c-4564-a820-eba8275d3686.mp3" length="145231725" type="audio/mpeg"/><itunes:duration>01:00:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>547</itunes:episode><podcast:episode>547</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #547 with LIJ SHAW | BALANCE"><podcast:source uri="https://youtu.be/2VGXLcgfEtQ"/></podcast:alternateEnclosure></item><item><title>WCA #546 with Elad Marish –Surf Culture, The Magic of KISS, Guitar Obsession, Post Production Powerhouse, and The Growth of Swell</title><itunes:title>WCA #546 with Elad Marish –Surf Culture, The Magic of KISS, Guitar Obsession, Post Production Powerhouse, and The Growth of Swell</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Elad Marish, co-founder and producer at Swell Music + Sound, a leading creative audio agency based in San Francisco. Elad and his team at Swell have brought music, sound design, and audio branding to high-profile clients including Apple, Nike, Google, and Uber, working on everything from global ad campaigns to immersive brand experiences.</p><h3>In This Episode, We Discuss:</h3><ul><li>The Magic of KISS</li><li>Wearing Out Record Needles</li><li>Hating Piano</li><li>Surf Culture</li><li>Guitar Obsession</li><li>Early Parenthood</li><li>Painful Band Experiences</li><li>Post Production Powerhouse</li><li>Growing Swell Sound</li><li>Navigating COVID</li><li>Staying Lean</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://swellmusicsound.com/" rel="noopener noreferrer" target="_blank">Swell </a></li><li><a href="https://www.linkedin.com/in/elad-marish-8b95637/" rel="noopener noreferrer" target="_blank">Elad on Linkedin</a></li></ul><br/><h3>Matt's Rant:<strong> Getting Some Space</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Elas Marish</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Elad Marish, co-founder and producer at Swell Music + Sound, a leading creative audio agency based in San Francisco. Elad and his team at Swell have brought music, sound design, and audio branding to high-profile clients including Apple, Nike, Google, and Uber, working on everything from global ad campaigns to immersive brand experiences.</p><h3>In This Episode, We Discuss:</h3><ul><li>The Magic of KISS</li><li>Wearing Out Record Needles</li><li>Hating Piano</li><li>Surf Culture</li><li>Guitar Obsession</li><li>Early Parenthood</li><li>Painful Band Experiences</li><li>Post Production Powerhouse</li><li>Growing Swell Sound</li><li>Navigating COVID</li><li>Staying Lean</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://swellmusicsound.com/" rel="noopener noreferrer" target="_blank">Swell </a></li><li><a href="https://www.linkedin.com/in/elad-marish-8b95637/" rel="noopener noreferrer" target="_blank">Elad on Linkedin</a></li></ul><br/><h3>Matt's Rant:<strong> Getting Some Space</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Elas Marish</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-546-with-elad-marish-surf-culture-the-magic-of-kiss-guitar-obsession-post-production-powerhouse-and-the-growth-of-swell]]></link><guid isPermaLink="false">44236e24-0fd1-4708-bbcf-4bda6e05fbeb</guid><itunes:image href="https://artwork.captivate.fm/e2616b30-2f56-461d-b4f2-72555424efb5/zxUr_Bsxcz_8C962ZUJORmzi.jpg"/><pubDate>Mon, 02 Jun 2025 08:44:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/44236e24-0fd1-4708-bbcf-4bda6e05fbeb.mp3" length="182553645" type="audio/mpeg"/><itunes:duration>01:16:04</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>546</itunes:episode><podcast:episode>546</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #546 with ELAD MARISH | CREATING SWELL SOUND"><podcast:source uri="https://youtu.be/rwJiTZatMl4"/></podcast:alternateEnclosure></item><item><title>WCA #545 with Howie Beck - Musician to Producer, 4 Tracks to Pro Tools, Independence, Polishing Turds, and Saving the Day</title><itunes:title>WCA #545 with Howie Beck - Musician to Producer, 4 Tracks to Pro Tools, Independence, Polishing Turds, and Saving the Day</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Howie Beck who is a multi Juno nominated Mixer, Producer and musician located in Toronto who has mixed or produced music by artists as diverse as Feist, Charlotte Day Wilson, Barenaked Ladies, Chilly Gonzales, Ron Sexsmith, and the Weather Station amongst many more. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Musician to Producer</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>4 Tracks to Pro Tools</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Challenges &amp; Rewards of Audio Production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Polishing Turds</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Smart Financial Decisions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Health Care Challenges</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Problems with Apple and ATMOS</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Independence to Set Schedule</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Saving the Day</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.howiebeck.com/" rel="noopener noreferrer" target="_blank">Howie's Website</a></li></ol><br/><h3>Matt's Rant:<strong> Small Chunks </strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Howie Beck</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Howie Beck who is a multi Juno nominated Mixer, Producer and musician located in Toronto who has mixed or produced music by artists as diverse as Feist, Charlotte Day Wilson, Barenaked Ladies, Chilly Gonzales, Ron Sexsmith, and the Weather Station amongst many more. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Musician to Producer</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>4 Tracks to Pro Tools</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Challenges &amp; Rewards of Audio Production</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Polishing Turds</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Smart Financial Decisions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Health Care Challenges</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Problems with Apple and ATMOS</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Independence to Set Schedule</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Saving the Day</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.howiebeck.com/" rel="noopener noreferrer" target="_blank">Howie's Website</a></li></ol><br/><h3>Matt's Rant:<strong> Small Chunks </strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Howie Beck</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-5454-with-howie-beck-item-1-item-2-item-3-item-4-and-item-5]]></link><guid isPermaLink="false">15ed25d2-0b5d-4d70-9389-9f0f6f036580</guid><itunes:image href="https://artwork.captivate.fm/843ef324-fe34-41b2-a5ae-a250c265d428/i52S5R2VmD-8RrUmHrmnrBXE.jpg"/><pubDate>Mon, 26 May 2025 18:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/15ed25d2-0b5d-4d70-9389-9f0f6f036580.mp3" length="187932525" type="audio/mpeg"/><itunes:duration>01:18:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>545</itunes:episode><podcast:episode>545</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #545 with HOWIE BECK"><podcast:source uri="https://youtu.be/7ajpy_MJTEM"/></podcast:alternateEnclosure></item><item><title>WCA #544 with Benedikt Hain – Helping Bands Record Better, Mixing in Bavaria, Revisions, and Client Filter</title><itunes:title>WCA #544 with Benedikt Hain – Helping Bands Record Better, Mixing in Bavaria, Revisions, and Client Filter</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes mixing engineer and podcaster Benedikt Hain. Benedikt discussed his journey from growing up in Bavaria to becoming a full-time mixing engineer and running a studio called Outback Recordings . Benedikt has worked with with bands like Pulley and Swallow's Rose and labels like Warner Music and SBÄM Records. Enjoy!</p><h3>In This Episode, We Discuss:</h3><p>• Remote Mixing In Bavaria</p><p>• Mindset and Songwriting</p><p>• Exclusive Focus on Mixing</p><p>• Client Revisions</p><p>• Mixing Heavy Rock</p><p>• Lessons Learned From His Podcast</p><p>• Client Filter</p><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://www.workingclassaudio.com/wca-027-with-dan-jaspar/" rel="noopener noreferrer" target="_blank">RIP Dan Jasper WCA #027</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://benedikthain.com" rel="noopener noreferrer" target="_blank">Studio Website</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://theselfrecordingband.com" rel="noopener noreferrer" target="_blank">The Self Recording Band</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://theselfrecordingband.com/wca/" rel="noopener noreferrer" target="_blank">Special Site for WCA Listeners</a></li></ol><br/><h3>Matt's Rant:<strong> Enjoying the Journey</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Benedikt Hain</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes mixing engineer and podcaster Benedikt Hain. Benedikt discussed his journey from growing up in Bavaria to becoming a full-time mixing engineer and running a studio called Outback Recordings . Benedikt has worked with with bands like Pulley and Swallow's Rose and labels like Warner Music and SBÄM Records. Enjoy!</p><h3>In This Episode, We Discuss:</h3><p>• Remote Mixing In Bavaria</p><p>• Mindset and Songwriting</p><p>• Exclusive Focus on Mixing</p><p>• Client Revisions</p><p>• Mixing Heavy Rock</p><p>• Lessons Learned From His Podcast</p><p>• Client Filter</p><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://www.workingclassaudio.com/wca-027-with-dan-jaspar/" rel="noopener noreferrer" target="_blank">RIP Dan Jasper WCA #027</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://benedikthain.com" rel="noopener noreferrer" target="_blank">Studio Website</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://theselfrecordingband.com" rel="noopener noreferrer" target="_blank">The Self Recording Band</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://theselfrecordingband.com/wca/" rel="noopener noreferrer" target="_blank">Special Site for WCA Listeners</a></li></ol><br/><h3>Matt's Rant:<strong> Enjoying the Journey</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Benedikt Hain</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-544-with-benedikt-hain-helping-bands-record-better-mixing-in-bavaria-revisions-and-client-filter]]></link><guid isPermaLink="false">7ff022a6-3e7f-4bfb-93f5-683e3a7a9a40</guid><itunes:image href="https://artwork.captivate.fm/5b6b15db-1b3b-4cea-a2d7-21bf1d89e7cc/TvLT4JgYSxsnL8Gg60xR6jCW.jpg"/><pubDate>Mon, 19 May 2025 15:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7ff022a6-3e7f-4bfb-93f5-683e3a7a9a40.mp3" length="156969645" type="audio/mpeg"/><itunes:duration>01:05:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>544</itunes:episode><podcast:episode>544</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WORKING CLASS AUDIO #544 with BENEDIKT HAIN"><podcast:source uri="https://youtu.be/9ZLcOG7x9fE"/></podcast:alternateEnclosure></item><item><title>WCA #543 with Sarah Register –Mastering, 10,000 Hours at Once, NYC &amp; The Nervous System, Avant Garde, and PLaying with Kim Gordon</title><itunes:title>WCA #543 with Sarah Register –Mastering, 10,000 Hours at Once, NYC &amp; The Nervous System, Avant Garde, and PLaying with Kim Gordon</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Mastering engineer, Composer, and Guitarist Sarah Register. Her mastering clients include Faye Webster, Channel Tres, Jeffrey Lewis, Alice Longyu Gao, Lee "Scratch" Perry, S.G. Goodman, Wye Oak and many more. </p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Identity &amp; Balance</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Avant Garde</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Egoic Attachment to Past Methods</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Health and Sanity</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>NYC &amp; The Nervous System</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>10,000 Hours at Once</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Playing with Kim Gordon</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Touring</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mastering In The Box</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Being Flexible on Rate</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://sarahregister.com/" rel="noopener noreferrer" target="_blank">Sarah’s Site</a></li></ol><br/><h3>Matt's Rant:<strong> The Battle for Organization</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Sarah Register</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Mastering engineer, Composer, and Guitarist Sarah Register. Her mastering clients include Faye Webster, Channel Tres, Jeffrey Lewis, Alice Longyu Gao, Lee "Scratch" Perry, S.G. Goodman, Wye Oak and many more. </p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Identity &amp; Balance</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Avant Garde</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Egoic Attachment to Past Methods</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Health and Sanity</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>NYC &amp; The Nervous System</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>10,000 Hours at Once</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Playing with Kim Gordon</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Touring</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mastering In The Box</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Being Flexible on Rate</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://sarahregister.com/" rel="noopener noreferrer" target="_blank">Sarah’s Site</a></li></ol><br/><h3>Matt's Rant:<strong> The Battle for Organization</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Sarah Register</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-543-with-sarah-register-mastering-10-000-hours-at-once-nyc-the-nervous-system-avant-garde-and-playing-with-kim-gordon]]></link><guid isPermaLink="false">d82a5412-7bd5-4257-b078-b343d9d98cef</guid><itunes:image href="https://artwork.captivate.fm/93fde560-aa78-4dad-8157-396f4ee29b15/UVLi-rbCaS9Ny6cx3P3aJ_I7.jpg"/><pubDate>Mon, 12 May 2025 17:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d82a5412-7bd5-4257-b078-b343d9d98cef.mp3" length="194321325" type="audio/mpeg"/><itunes:duration>01:20:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>543</itunes:episode><podcast:episode>543</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #543 with SARAH REGISTER | MASTERING BALANCE"><podcast:source uri="https://youtu.be/G1Dx1ztfoH4"/></podcast:alternateEnclosure></item><item><title>WCA #542 with Emre Ramazanoglu – ATMOS For Brian Eno, Session Drumming, Fashion Shows, Family Balance, and ADHD</title><itunes:title>WCA #542 with Emre Ramazanoglu – ATMOS For Brian Eno, Session Drumming, Fashion Shows, Family Balance, and ADHD</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer, engineer, mixer, drummer, and composer Emre Ramazanoglu who has worked on projects for Brian Eno, David Bowie, Noel Gallagher Nova Twins and many more. </p><h3>In This Episode, We Discuss:</h3><ul><li>ATMOS for Brian Eno</li><li>Ziggy Stardust. &amp; Ken Scott</li><li>Playing on Pillows</li><li>Mimicking Reverb</li><li>Fashion Shows</li><li>Session Drumming</li><li>Giving a Shit</li><li>ATMOS Success</li><li>Apple Issues</li><li>Dolby Curve</li><li>Know Your Worth</li><li>Family Balance</li><li>ADHD</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.emreaudio.com/" rel="noopener noreferrer" target="_blank">Emre's Site</a></li><li><a href="https://illconsidered.bandcamp.com/music" rel="noopener noreferrer" target="_blank">Emre's Band</a></li></ul><br/><h3>Matt's Rant:<strong> Embrace the Unpredictable</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> (Current Guest)</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes producer, engineer, mixer, drummer, and composer Emre Ramazanoglu who has worked on projects for Brian Eno, David Bowie, Noel Gallagher Nova Twins and many more. </p><h3>In This Episode, We Discuss:</h3><ul><li>ATMOS for Brian Eno</li><li>Ziggy Stardust. &amp; Ken Scott</li><li>Playing on Pillows</li><li>Mimicking Reverb</li><li>Fashion Shows</li><li>Session Drumming</li><li>Giving a Shit</li><li>ATMOS Success</li><li>Apple Issues</li><li>Dolby Curve</li><li>Know Your Worth</li><li>Family Balance</li><li>ADHD</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.emreaudio.com/" rel="noopener noreferrer" target="_blank">Emre's Site</a></li><li><a href="https://illconsidered.bandcamp.com/music" rel="noopener noreferrer" target="_blank">Emre's Band</a></li></ul><br/><h3>Matt's Rant:<strong> Embrace the Unpredictable</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> (Current Guest)</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-xxx-with-emre-ramazanoglu-atmos-for-brian-eno-session-drumming-fashion-shows-family-balance-and-adhd]]></link><guid isPermaLink="false">bf69215a-15ae-41c6-9236-5c619f39a6bf</guid><itunes:image href="https://artwork.captivate.fm/e0d787f1-aa17-4cfc-894e-7af9ff29267a/nRFClR5sTBgzR-RehGyDYtp-.jpg"/><pubDate>Mon, 05 May 2025 17:39:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bf69215a-15ae-41c6-9236-5c619f39a6bf.mp3" length="229252845" type="audio/mpeg"/><itunes:duration>01:35:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>542</itunes:episode><podcast:episode>542</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #542 with Emre Ramazanoglu – ATMOS For Brian Eno, Session Drumming, Fashion Shows, Family Balance, and ADHD"><podcast:source uri="https://youtu.be/gOuKu8xADc4"/></podcast:alternateEnclosure></item><item><title>WCA #541 with Michael Roache – Producing Game Sound, Blizzard, Formosa, Mental Health, and Storytelling Across Mediums</title><itunes:title>WCA #541 with Michael Roache – Producing Game Sound, Blizzard, Formosa, Mental Health, and Storytelling Across Mediums</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Producer Michael Roache who has worked for Halo/KDA, Blizzard, Formosa, Rebound, and TNM. Now he is launching a new company called Broken Stick. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pyramind</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producing Game Sound</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Blizzard</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Formosa</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mental Health</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Storytelling Across Mediums</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Consulting</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.brokenstickproductions.com/" rel="noopener noreferrer" target="_blank">Broken Stick Productions</a></li></ol><br/><h3>Matt's Rant:<strong> Staying Well Rounded</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Michael Roache</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Producer Michael Roache who has worked for Halo/KDA, Blizzard, Formosa, Rebound, and TNM. Now he is launching a new company called Broken Stick. Enjoy.</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pyramind</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producing Game Sound</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Blizzard</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Formosa</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mental Health</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Storytelling Across Mediums</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Consulting</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.brokenstickproductions.com/" rel="noopener noreferrer" target="_blank">Broken Stick Productions</a></li></ol><br/><h3>Matt's Rant:<strong> Staying Well Rounded</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Michael Roache</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-541-with-michael-roache-producing-game-sound-blizzard-formosa-mental-health-and-storytelling-across-mediums]]></link><guid isPermaLink="false">a89280fc-ee1c-49a6-9a49-9f0b6af1bfe4</guid><itunes:image href="https://artwork.captivate.fm/a13b8893-01ec-4037-94b4-25e1c7ac7824/8r72UiFbIfGBrOgQK6ZcY9s3.jpg"/><pubDate>Mon, 28 Apr 2025 16:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a89280fc-ee1c-49a6-9a49-9f0b6af1bfe4.mp3" length="101613165" type="audio/mpeg"/><itunes:duration>42:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>541</itunes:episode><podcast:episode>541</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #541 with MICHAEL ROACHE | PRODUCING GAME SOUND"><podcast:source uri="https://youtu.be/5Wmvl1w1d_c"/></podcast:alternateEnclosure></item><item><title>WCA #540 with Max Dearing – Struck by Lightening, Building a Studio, Pounding Sand, Inflation, and Fasteners.</title><itunes:title>WCA #540 with Max Dearing – Struck by Lightening, Building a Studio, Pounding Sand, Inflation, and Fasteners.</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes recording and mix engineer at Dark Pine Studios, Max Dearing, to discuss his brush with being struck by lightening, the healing nature of music, and building a studio. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>North Carolina Talent</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Journey Into Music and Recording</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Recording Studio Design</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Studio Building Experience</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Critical Measurement</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Construction Challenges</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Being Struck by Lightening</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Live Sound Production</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://darkpinestudios.com/" rel="noopener noreferrer" target="_blank">Dark Pine Studios</a></li></ol><br/><h3>Matt's Rant:<strong> Revisiting Imagination</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Max Dearing</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes recording and mix engineer at Dark Pine Studios, Max Dearing, to discuss his brush with being struck by lightening, the healing nature of music, and building a studio. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>North Carolina Talent</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Journey Into Music and Recording</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Recording Studio Design</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Studio Building Experience</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Critical Measurement</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Construction Challenges</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Being Struck by Lightening</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Live Sound Production</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://darkpinestudios.com/" rel="noopener noreferrer" target="_blank">Dark Pine Studios</a></li></ol><br/><h3>Matt's Rant:<strong> Revisiting Imagination</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Max Dearing</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-540-with-max-dearing-struck-by-lightening-building-a-studio-pounding-sand-inflation-and-fasteners-]]></link><guid isPermaLink="false">5bf96c39-3a86-45f6-815b-bed2a7abdd62</guid><itunes:image href="https://artwork.captivate.fm/29c12f08-00fd-4193-a170-c86c1c128cbf/orLMHc1SgYEREo16agF0Z6JM.jpg"/><pubDate>Mon, 21 Apr 2025 18:08:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5bf96c39-3a86-45f6-815b-bed2a7abdd62.mp3" length="160127085" type="audio/mpeg"/><itunes:duration>01:06:43</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>540</itunes:episode><podcast:episode>540</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #540 with MAX DEARING | STUDIO BUILD"><podcast:source uri="https://youtu.be/pIj-foHwG4E"/></podcast:alternateEnclosure></item><item><title>WCA #539 with Mixerman –New Book, Five Planes of Space, Studio Design &amp; Monitoring, Budgeting &amp; The Punter</title><itunes:title>WCA #539 with Mixerman –New Book, Five Planes of Space, Studio Design &amp; Monitoring, Budgeting &amp; The Punter</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Mixerman (aka Eric Sarafin) to talk about his new book MIXERMAN'S Ultimate Guide to PRODUCING Records, Music &amp; Songs. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Studio Design &amp; Monitoring</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mixerman's New Book</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producing Philosophy &amp; Process</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Five Planes of Space</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Punter</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Budgeting &amp; Money</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Music Business Landscape</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://mybook.to/MUG2PRMS" rel="noopener noreferrer" target="_blank">New Book</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://mixerman.net/" rel="noopener noreferrer" target="_blank">Mixerman's SIte</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-202-with-mixerman/" rel="noopener noreferrer" target="_blank">Mixerman on WCA #202</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.rottentomatoes.com/tv/patriot" rel="noopener noreferrer" target="_blank">Patriot Series</a></li></ol><br/><h3>Matt's Rant:<strong> Finding Your Place</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Mixerman</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Mixerman (aka Eric Sarafin) to talk about his new book MIXERMAN'S Ultimate Guide to PRODUCING Records, Music &amp; Songs. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Studio Design &amp; Monitoring</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mixerman's New Book</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producing Philosophy &amp; Process</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Five Planes of Space</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Punter</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Budgeting &amp; Money</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Music Business Landscape</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://mybook.to/MUG2PRMS" rel="noopener noreferrer" target="_blank">New Book</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://mixerman.net/" rel="noopener noreferrer" target="_blank">Mixerman's SIte</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-202-with-mixerman/" rel="noopener noreferrer" target="_blank">Mixerman on WCA #202</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.rottentomatoes.com/tv/patriot" rel="noopener noreferrer" target="_blank">Patriot Series</a></li></ol><br/><h3>Matt's Rant:<strong> Finding Your Place</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Mixerman</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-xxx-with-guest-name-item-1-item-2-item-3-item-4-and-item-5]]></link><guid isPermaLink="false">1f8d7a76-1d5f-4ef4-86f9-f6d10b3f7d7e</guid><itunes:image href="https://artwork.captivate.fm/b1688318-4631-4e2e-8987-1a0f4a11bb9b/TozhsbZAflWpdeP08q-Xbhjl.jpg"/><pubDate>Mon, 14 Apr 2025 18:25:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1f8d7a76-1d5f-4ef4-86f9-f6d10b3f7d7e.mp3" length="171650925" type="audio/mpeg"/><itunes:duration>01:11:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>539</itunes:episode><podcast:episode>539</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #539 with MIXERMAN | PRODUCING"><podcast:source uri="https://youtu.be/ICkok1Vpyn4"/></podcast:alternateEnclosure></item><item><title>WCA #538 with Greg Norman – Steve Albini, Electrical Audio, Community, Family, &amp; Institutional Knowledge</title><itunes:title>WCA #538 with Greg Norman – Steve Albini, Electrical Audio, Community, Family, &amp; Institutional Knowledge</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Greg Norman of Electrical Audio to the show to talk about his journey, Steve Albini, the future of Electrical Audio and much more. </p><h3>In This Episode, We Discuss:</h3><ul><li>State of Electrical Audio</li><li>Steve Albini's Influence</li><li>Greg's Interest in Sound</li><li>Internship with Steve</li><li>Growth and Independence</li><li>The Financial Aspect</li><li>Legacy and The Future</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.electricalaudio.com/" rel="noopener noreferrer" target="_blank">Electrical Audio</a></li><li><a href="https://www.normaphone.com/" rel="noopener noreferrer" target="_blank">Greg's Site</a></li><li><a href="https://archive.org/details/YamahaSoundReinforcementHandbookByGaryDavisRalphJones/mode/2up" rel="noopener noreferrer" target="_blank">Yamaha Sound Reinforcement</a></li></ul><br/><h3>Matt's Rant:<strong> Visiting Other Studios</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Greg Norman</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Greg Norman of Electrical Audio to the show to talk about his journey, Steve Albini, the future of Electrical Audio and much more. </p><h3>In This Episode, We Discuss:</h3><ul><li>State of Electrical Audio</li><li>Steve Albini's Influence</li><li>Greg's Interest in Sound</li><li>Internship with Steve</li><li>Growth and Independence</li><li>The Financial Aspect</li><li>Legacy and The Future</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.electricalaudio.com/" rel="noopener noreferrer" target="_blank">Electrical Audio</a></li><li><a href="https://www.normaphone.com/" rel="noopener noreferrer" target="_blank">Greg's Site</a></li><li><a href="https://archive.org/details/YamahaSoundReinforcementHandbookByGaryDavisRalphJones/mode/2up" rel="noopener noreferrer" target="_blank">Yamaha Sound Reinforcement</a></li></ul><br/><h3>Matt's Rant:<strong> Visiting Other Studios</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Greg Norman</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-538-with-greg-norman-steve-albini-electrical-audio-community-family-institutional-knowledge]]></link><guid isPermaLink="false">be6b5dd7-2d74-4920-9d1d-df8935aa8960</guid><itunes:image href="https://artwork.captivate.fm/7f7905e3-ac94-4f44-abb3-9382135c932a/4RAvPHdwqHZyOnfJmbTozPUv.jpg"/><pubDate>Mon, 07 Apr 2025 17:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/be6b5dd7-2d74-4920-9d1d-df8935aa8960.mp3" length="252164205" type="audio/mpeg"/><itunes:duration>01:45:04</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>538</itunes:episode><podcast:episode>538</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #538 with GREG NORMAN | ELECTRICAL AUDIO"><podcast:source uri="https://youtu.be/heYPMDPzTXY"/></podcast:alternateEnclosure></item><item><title>WCA #537 with Peter Craft – Napa Destination Studio, Bonding Experiences, Life in Tech, Songwriters as Magicians, and Inspiration of Scenes</title><itunes:title>WCA #537 with Peter Craft – Napa Destination Studio, Bonding Experiences, Life in Tech, Songwriters as Magicians, and Inspiration of Scenes</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt Boudreau chats with Peter Craft of Boxer Lodge Studio in Napa. From a tech career to full-time audio engineering, Peter shares his inspiring path back to music. Hear about his early recording dreams, building a destination studio, recording philosophy, and working with the vibrant Bay Area Americana scene. A journey of passion, creativity, and community. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ul><li>The Day to Day</li><li>Past Experiences</li><li>Influences &amp; Philosophy</li><li>Studio and Gear</li><li>Career Transition</li><li>Pricing</li><li>Love for Audio</li><li>Unforeseen Expenses</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.boxerlodge.com/" rel="noopener noreferrer" target="_blank">Peter's Studio </a></li></ul><br/><h3>Matt's Rant:<strong> Thank you!</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Peter Craft</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt Boudreau chats with Peter Craft of Boxer Lodge Studio in Napa. From a tech career to full-time audio engineering, Peter shares his inspiring path back to music. Hear about his early recording dreams, building a destination studio, recording philosophy, and working with the vibrant Bay Area Americana scene. A journey of passion, creativity, and community. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ul><li>The Day to Day</li><li>Past Experiences</li><li>Influences &amp; Philosophy</li><li>Studio and Gear</li><li>Career Transition</li><li>Pricing</li><li>Love for Audio</li><li>Unforeseen Expenses</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.boxerlodge.com/" rel="noopener noreferrer" target="_blank">Peter's Studio </a></li></ul><br/><h3>Matt's Rant:<strong> Thank you!</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Peter Craft</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-537-with-peter-craft-napa-destination-studio-bonding-experiences-life-in-tech-songwriters-as-magicians-and-inspiration-of-scenes]]></link><guid isPermaLink="false">e418d8fd-5056-4357-b86d-e30472cfc1a7</guid><itunes:image href="https://artwork.captivate.fm/a4699214-0245-4382-a082-db2d62eee6d1/o1ou5otwlVvsO-kQRPHCswxS.jpg"/><pubDate>Sun, 30 Mar 2025 18:24:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e418d8fd-5056-4357-b86d-e30472cfc1a7.mp3" length="129715245" type="audio/mpeg"/><itunes:duration>54:03</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>537</itunes:episode><podcast:episode>537</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #537 with PETER CRAFT | DESTINATION STUDIO in NAPA, CALIFORNIA"><podcast:source uri="https://youtu.be/RDBzcVKp-0A"/></podcast:alternateEnclosure></item><item><title>WCA #536 with Robert Kirby – Leaving Home, Tahoe, Education, Fantasy Studios, Growth, and The Noise Shop</title><itunes:title>WCA #536 with Robert Kirby – Leaving Home, Tahoe, Education, Fantasy Studios, Growth, and The Noise Shop</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Bay Area producer and engineer Robert Kirby, who shares his journey from audio student to studio intern, assistant, and ultimately to running his own studio space. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Building a Sustainable Audio Career</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Gaining Experience at Legendary Studios</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Creating Opportunities Through Relocation</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Starting With DIY Audio Experimentation</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Leveraging Early Interests for Growth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Embracing Hands-On Studio Education</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Transitioning From Hobbyist to Professional</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pursuing Formal Audio Education Intentionally</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Learning From World-Class Sessions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Growing Through Industry Mentorships</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Staying Versatile With Income Streams</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Building Reputation Through Referrals</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.thenoiseshop.com/" rel="noopener noreferrer" target="_blank">Robert's Studio</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-256-with-scott-evans/" rel="noopener noreferrer" target="_blank">Scott Evans on WCA #256</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-010-scott-evans/" rel="noopener noreferrer" target="_blank">Scott Evans on WCA #010</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-030-with-bruce-kaphan/" rel="noopener noreferrer" target="_blank">Bruce Kaphan on WCA #030</a></li></ol><br/><h3>Matt's Rant:<strong> A Different Way To Handle Money</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Robert Kirby</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Bay Area producer and engineer Robert Kirby, who shares his journey from audio student to studio intern, assistant, and ultimately to running his own studio space. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Building a Sustainable Audio Career</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Gaining Experience at Legendary Studios</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Creating Opportunities Through Relocation</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Starting With DIY Audio Experimentation</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Leveraging Early Interests for Growth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Embracing Hands-On Studio Education</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Transitioning From Hobbyist to Professional</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pursuing Formal Audio Education Intentionally</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Learning From World-Class Sessions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Growing Through Industry Mentorships</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Staying Versatile With Income Streams</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Building Reputation Through Referrals</li></ol><br/><h3>Links and Show Notes:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.thenoiseshop.com/" rel="noopener noreferrer" target="_blank">Robert's Studio</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-256-with-scott-evans/" rel="noopener noreferrer" target="_blank">Scott Evans on WCA #256</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-010-scott-evans/" rel="noopener noreferrer" target="_blank">Scott Evans on WCA #010</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-030-with-bruce-kaphan/" rel="noopener noreferrer" target="_blank">Bruce Kaphan on WCA #030</a></li></ol><br/><h3>Matt's Rant:<strong> A Different Way To Handle Money</strong></h3><h3>Credits:</h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Robert Kirby</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>The Voice:</strong> Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-536-with-robert-kirby-leaving-home-tahoe-education-fantasy-studios-growth-and-the-noise-shop]]></link><guid isPermaLink="false">16b9313c-a6a3-4299-beab-bd288436b265</guid><itunes:image href="https://artwork.captivate.fm/d5ce3c55-be44-42bb-b2c4-56e554fd2172/s0_Zxzx_Z1e4OmOA0qhWneBK.jpg"/><pubDate>Mon, 24 Mar 2025 18:50:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/16b9313c-a6a3-4299-beab-bd288436b265.mp3" length="129641325" type="audio/mpeg"/><itunes:duration>54:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>536</itunes:episode><podcast:episode>536</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #536 with ROBERT KIRBY | FANTASY DREAM JOB"><podcast:source uri="https://youtu.be/5luFDB8mLSY"/></podcast:alternateEnclosure></item><item><title>WCA #535 with Case Newcomb – COVID Career Shift, Industry Connections, Taking Command, Learning Process, and Customer Service</title><itunes:title>WCA #535 with Case Newcomb – COVID Career Shift, Industry Connections, Taking Command, Learning Process, and Customer Service</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes San Francisco based Producer, Engineer and Mixer Case Newcomb. Case works out of many studios including Hyde Street and 25th Street Recording and has worked on projects for Ishmael Reed, NVRMAN, and Rafe Stepto. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ul><li>Audio Journey</li><li>COVID Career Shift</li><li>City College Program</li><li>First Real Mix</li><li>Passion For Audio</li><li>Mentors</li><li>Industry Connections</li><li>Early Mixing Struggles</li><li>Taking Command</li><li>Customer Service</li><li>Learning Process</li><li>Career Aspirations</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.casenewcomb.com/" rel="noopener noreferrer" target="_blank">Case's Site</a></li><li><a href="https://www.instagram.com/casenewcomb/" rel="noopener noreferrer" target="_blank">Case on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-157-with-dana-jae/" rel="noopener noreferrer" target="_blank">WCA # 157 with Dana Jae</a></li><li><a href="https://www.workingclassaudio.com/wca-018-with-david-v-r-bowles/" rel="noopener noreferrer" target="_blank">WCA #018 with David R. Bowels</a></li></ul><br/><h3>Matt's Rant:<strong> The People Around You</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Case Newcomb</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes San Francisco based Producer, Engineer and Mixer Case Newcomb. Case works out of many studios including Hyde Street and 25th Street Recording and has worked on projects for Ishmael Reed, NVRMAN, and Rafe Stepto. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ul><li>Audio Journey</li><li>COVID Career Shift</li><li>City College Program</li><li>First Real Mix</li><li>Passion For Audio</li><li>Mentors</li><li>Industry Connections</li><li>Early Mixing Struggles</li><li>Taking Command</li><li>Customer Service</li><li>Learning Process</li><li>Career Aspirations</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.casenewcomb.com/" rel="noopener noreferrer" target="_blank">Case's Site</a></li><li><a href="https://www.instagram.com/casenewcomb/" rel="noopener noreferrer" target="_blank">Case on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-157-with-dana-jae/" rel="noopener noreferrer" target="_blank">WCA # 157 with Dana Jae</a></li><li><a href="https://www.workingclassaudio.com/wca-018-with-david-v-r-bowles/" rel="noopener noreferrer" target="_blank">WCA #018 with David R. Bowels</a></li></ul><br/><h3>Matt's Rant:<strong> The People Around You</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Case Newcomb</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-535-with-case-newcomb-covid-career-shift-industry-connections-taking-command-learning-process-and-customer-service]]></link><guid isPermaLink="false">dfa8318c-8ec9-4ba0-a907-8cc76b5d014c</guid><itunes:image href="https://artwork.captivate.fm/a8efa896-2221-4a05-927f-76511d2d8761/DMMgPDuc2Eh9m8Obm5qAc2c1.jpg"/><pubDate>Mon, 17 Mar 2025 12:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/dfa8318c-8ec9-4ba0-a907-8cc76b5d014c.mp3" length="156656685" type="audio/mpeg"/><itunes:duration>01:05:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>535</itunes:episode><podcast:episode>535</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #535 with CASE NEWCOMB | PROFESSIONAL COMMAND"><podcast:source uri="https://youtu.be/A796vRlSn8Y"/></podcast:alternateEnclosure></item><item><title>WCA #534 with Brendan Duffey – Genre Diversity, Grounded Mindset, Career Evolution, Peaceful Living, and A Berklee Degree</title><itunes:title>WCA #534 with Brendan Duffey – Genre Diversity, Grounded Mindset, Career Evolution, Peaceful Living, and A Berklee Degree</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Grammy Winning Producer, Mixing and Mastering Engineer Brendan Duffey who has worked on projects for Bruce Dickinson, Devon Townsend, Sheryl Crow, Kendrick Lamar. Brendan is also the Senior ATMOS mastering engineer for Million Dollar Snare.</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Relocation</strong></li><li><strong>Studio build</strong></li><li><strong>Atmos mixing</strong></li><li><strong>Hip-hop projects</strong></li><li><strong>Bruce Dickinson</strong></li><li><strong>Genre diversity</strong></li><li><strong>Berklee degree</strong></li><li><strong>Teaching plans</strong></li><li><strong>Pricing growth</strong></li><li><strong>Networking</strong></li><li><strong>Grounded mindset</strong></li><li><strong>Peaceful living</strong></li><li><strong>Career evolution</strong></li><li><strong>Encouragement</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.workingclassaudio.com/wca-231-with-brendan-duffey/" rel="noopener noreferrer" target="_blank">Brendan Duffey on WCA #231</a></li><li><a href="https://www.workingclassaudio.com/wca-174-with-jack-endino/" rel="noopener noreferrer" target="_blank">Jack Endino on WCA #174</a></li><li><a href="https://www.brendanduffeyaudio.com/" rel="noopener noreferrer" target="_blank">Brendan's Site</a></li><li><a href="https://milliondollarsnare.com/" rel="noopener noreferrer" target="_blank">Million Dollar Snare</a></li></ul><br/><h3>Matt's Rant:<strong> Dealing with Challenges</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Brendan Duffey</li><li><strong>Host/Engineer/Editing</strong>/<strong>Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Grammy Winning Producer, Mixing and Mastering Engineer Brendan Duffey who has worked on projects for Bruce Dickinson, Devon Townsend, Sheryl Crow, Kendrick Lamar. Brendan is also the Senior ATMOS mastering engineer for Million Dollar Snare.</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Relocation</strong></li><li><strong>Studio build</strong></li><li><strong>Atmos mixing</strong></li><li><strong>Hip-hop projects</strong></li><li><strong>Bruce Dickinson</strong></li><li><strong>Genre diversity</strong></li><li><strong>Berklee degree</strong></li><li><strong>Teaching plans</strong></li><li><strong>Pricing growth</strong></li><li><strong>Networking</strong></li><li><strong>Grounded mindset</strong></li><li><strong>Peaceful living</strong></li><li><strong>Career evolution</strong></li><li><strong>Encouragement</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.workingclassaudio.com/wca-231-with-brendan-duffey/" rel="noopener noreferrer" target="_blank">Brendan Duffey on WCA #231</a></li><li><a href="https://www.workingclassaudio.com/wca-174-with-jack-endino/" rel="noopener noreferrer" target="_blank">Jack Endino on WCA #174</a></li><li><a href="https://www.brendanduffeyaudio.com/" rel="noopener noreferrer" target="_blank">Brendan's Site</a></li><li><a href="https://milliondollarsnare.com/" rel="noopener noreferrer" target="_blank">Million Dollar Snare</a></li></ul><br/><h3>Matt's Rant:<strong> Dealing with Challenges</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Brendan Duffey</li><li><strong>Host/Engineer/Editing</strong>/<strong>Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-534-with-brendan-duffey-genre-diversity-grounded-mindset-career-evolution-peaceful-living-and-berklee-degree]]></link><guid isPermaLink="false">c1ed9569-7a39-43ad-bfdb-72876893ab50</guid><itunes:image href="https://artwork.captivate.fm/58895517-9055-4e30-b322-6171bfdc667a/A53OLVGD_HepXb_dxD65Aa54.jpg"/><pubDate>Mon, 10 Mar 2025 16:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c1ed9569-7a39-43ad-bfdb-72876893ab50.mp3" length="141051885" type="audio/mpeg"/><itunes:duration>58:46</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>534</itunes:episode><podcast:episode>534</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #534 with BRENDAN DUFFEY | CAREER EVOLUTION - FROM BRUCE DICKINSON to KENDRICK LAMAR"><podcast:source uri="https://youtu.be/nYRenVI7tEg"/></podcast:alternateEnclosure></item><item><title>WCA #533 with Mike Fraser – Mixing, Psychology, Workflow, Managers, and Starting as a Janitor</title><itunes:title>WCA #533 with Mike Fraser – Mixing, Psychology, Workflow, Managers, and Starting as a Janitor</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Legendary rock mix engineer Mike Fraser to discuss his 40+ year career crafting iconic records for Aerosmith, AC/DC, &amp; more.</p><h3>In This Episode, We Discuss:</h3><ul><li>Mixing approach – Keeping it minimalist &amp; focusing on the song</li><li>Time management &amp; career longevity in the music business</li><li>Building trust with high-profile artists in the studio</li><li>Gear &amp; workflow preferences – Why he sticks to SSL consoles &amp; NS-10s</li><li>Adapting to the industry’s shift to digital &amp; remote work</li><li>Navigating band dynamics &amp; working with creative personalities</li><li>Dropping Out of School</li><li>Starting as a Janitor</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://mikefrasermix.com/" rel="noopener noreferrer" target="_blank">Mike's Website</a></li></ul><br/><h3>Matt's Rant:<strong> Reignite the Spark!</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Mike Fraser</li><li><strong>Host/Engineer/Editor/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Legendary rock mix engineer Mike Fraser to discuss his 40+ year career crafting iconic records for Aerosmith, AC/DC, &amp; more.</p><h3>In This Episode, We Discuss:</h3><ul><li>Mixing approach – Keeping it minimalist &amp; focusing on the song</li><li>Time management &amp; career longevity in the music business</li><li>Building trust with high-profile artists in the studio</li><li>Gear &amp; workflow preferences – Why he sticks to SSL consoles &amp; NS-10s</li><li>Adapting to the industry’s shift to digital &amp; remote work</li><li>Navigating band dynamics &amp; working with creative personalities</li><li>Dropping Out of School</li><li>Starting as a Janitor</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://mikefrasermix.com/" rel="noopener noreferrer" target="_blank">Mike's Website</a></li></ul><br/><h3>Matt's Rant:<strong> Reignite the Spark!</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Mike Fraser</li><li><strong>Host/Engineer/Editor/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-533-with-mike-fraser-mixing-psychology-workflow-managers-and-starting-as-a-janitor]]></link><guid isPermaLink="false">0b52e2f6-5ce5-4c30-a7d6-6926d234cad7</guid><itunes:image href="https://artwork.captivate.fm/d6e0a9e3-eae0-4867-83d0-8623f6118d59/gwpW-oN4j1kXZivs8D1lThlh.jpg"/><pubDate>Mon, 03 Mar 2025 13:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0b52e2f6-5ce5-4c30-a7d6-6926d234cad7.mp3" length="187779885" type="audio/mpeg"/><itunes:duration>01:18:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>533</itunes:episode><podcast:episode>533</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #533 MIKE FRASER – The Career of One of Rock&apos;s Biggest Mixing Engineers"><podcast:source uri="https://youtu.be/Fz7Yws5kmDY"/></podcast:alternateEnclosure></item><item><title>WCA #532 with George Bokos –Studios In Athens, Nap Time, Working With Remote Clients, and Sunlight Over Isolation</title><itunes:title>WCA #532 with George Bokos –Studios In Athens, Nap Time, Working With Remote Clients, and Sunlight Over Isolation</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes George Bokos who runs Grind House Studios Athens in Athens, Greece. George has worked with numerous bands including <strong>ALL SINS UNDONE, CALYCES, COSTIN CHIOREANU, and BLACK KAISER. </strong></p><h3>In This Episode, We Discuss:</h3><ul><li>From Musician to Studio Owner</li><li>Studios In Athens</li><li>Working With Remote Clients</li><li>Working with Drummers</li><li>Nap Time in Athens</li><li>Sunlight Over Isolation</li><li>Choosing Gear That Makes an Impact</li><li>Being Part of The Team</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://grindhousestudiosathens.com/" rel="noopener noreferrer" target="_blank">Grind House Studios Athens</a></li></ul><br/><h3>Matt's Rant:<strong> 30 Second Burst Method</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> George Bokos</li><li><strong>Host/Engineer/Producer/Editing: </strong>Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes George Bokos who runs Grind House Studios Athens in Athens, Greece. George has worked with numerous bands including <strong>ALL SINS UNDONE, CALYCES, COSTIN CHIOREANU, and BLACK KAISER. </strong></p><h3>In This Episode, We Discuss:</h3><ul><li>From Musician to Studio Owner</li><li>Studios In Athens</li><li>Working With Remote Clients</li><li>Working with Drummers</li><li>Nap Time in Athens</li><li>Sunlight Over Isolation</li><li>Choosing Gear That Makes an Impact</li><li>Being Part of The Team</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://grindhousestudiosathens.com/" rel="noopener noreferrer" target="_blank">Grind House Studios Athens</a></li></ul><br/><h3>Matt's Rant:<strong> 30 Second Burst Method</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> George Bokos</li><li><strong>Host/Engineer/Producer/Editing: </strong>Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-532-with-george-bokas-studios-in-athen-nap-time-working-with-remote-clients-and-sunlight-over-isolation]]></link><guid isPermaLink="false">bb0fbd24-28ac-4bdd-8f45-44bf55f6a34a</guid><itunes:image href="https://artwork.captivate.fm/09523012-131a-4c0c-a620-a3042f9dc5eb/wmDDGnYvIg2-UfuZ90bFyT-E.jpg"/><pubDate>Mon, 24 Feb 2025 15:58:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bb0fbd24-28ac-4bdd-8f45-44bf55f6a34a.mp3" length="142468845" type="audio/mpeg"/><itunes:duration>59:22</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>532</itunes:episode><podcast:episode>532</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #532: GEORGE BOKOS – Inside Grindhouse Studio Athens | Audio Engineering &amp; Studio Insights"><podcast:source uri="https://youtu.be/C7EYTOMRFyM"/></podcast:alternateEnclosure></item><item><title>WCA #531 with Travis Ference– LA Fires, Rebuilding a Studio, Insurance Lessons, Backup Strategies &amp; Community Support</title><itunes:title>WCA #531 with Travis Ference– LA Fires, Rebuilding a Studio, Insurance Lessons, Backup Strategies &amp; Community Support</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer, engineer, and mixer Travis Ference who has worked worked on projects for Imagine Dragons, John Mayer, Ariana Grande, and Bush, to name a few. Travis is also the host of the podcast Progressions: Success in the Music Industry.</p><p>Travis recently lost his studio in the fires in Altadena and this episode is all about that. </p><h3><strong>In This Episode, We Discuss:</strong></h3><ul><li>The LA fire’s impact on Travis’s home and studio</li><li>The challenges of rebuilding after disaster</li><li>Community support in times of crisis</li><li>Key lessons on insurance and coverage gaps</li><li>Backup strategies for audio professionals</li><li>Using AI and cloud services for recovery</li><li>Planning a flexible studio rebuild</li><li>First responders and aid efforts</li><li>Protecting your gear, business, and home</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.travisference.com/" rel="noopener noreferrer" target="_blank">Travis's site</a></li><li><a href="https://www.progressionspodcast.com/" rel="noopener noreferrer" target="_blank">Travis's podcast</a></li><li><a href="https://musicares.org/" rel="noopener noreferrer" target="_blank">https://musicares.org/</a></li><li><a href="https://www.wearemovingtheneedle.org/..." rel="noopener noreferrer" target="_blank">https://www.wearemovingtheneedle.org/</a></li></ul><br/><h3><strong>Matt’s Rant: Planning for The Worst</strong></h3><h3><strong>Credits:</strong></h3><ul><li>Guest: Travis Ference</li><li>Host/Engineer/Editing/Producer: Matt Boudreau</li><li>WCA Theme Music: Cliff Truesdell</li><li>The Voice: Chuck Smith</li></ul><br/><p> </p>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back producer, engineer, and mixer Travis Ference who has worked worked on projects for Imagine Dragons, John Mayer, Ariana Grande, and Bush, to name a few. Travis is also the host of the podcast Progressions: Success in the Music Industry.</p><p>Travis recently lost his studio in the fires in Altadena and this episode is all about that. </p><h3><strong>In This Episode, We Discuss:</strong></h3><ul><li>The LA fire’s impact on Travis’s home and studio</li><li>The challenges of rebuilding after disaster</li><li>Community support in times of crisis</li><li>Key lessons on insurance and coverage gaps</li><li>Backup strategies for audio professionals</li><li>Using AI and cloud services for recovery</li><li>Planning a flexible studio rebuild</li><li>First responders and aid efforts</li><li>Protecting your gear, business, and home</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.travisference.com/" rel="noopener noreferrer" target="_blank">Travis's site</a></li><li><a href="https://www.progressionspodcast.com/" rel="noopener noreferrer" target="_blank">Travis's podcast</a></li><li><a href="https://musicares.org/" rel="noopener noreferrer" target="_blank">https://musicares.org/</a></li><li><a href="https://www.wearemovingtheneedle.org/..." rel="noopener noreferrer" target="_blank">https://www.wearemovingtheneedle.org/</a></li></ul><br/><h3><strong>Matt’s Rant: Planning for The Worst</strong></h3><h3><strong>Credits:</strong></h3><ul><li>Guest: Travis Ference</li><li>Host/Engineer/Editing/Producer: Matt Boudreau</li><li>WCA Theme Music: Cliff Truesdell</li><li>The Voice: Chuck Smith</li></ul><br/><p> </p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-531-with-travis-ference-la-fires-rebuilding-a-studio-insurance-lessons-backup-strategies-community-support]]></link><guid isPermaLink="false">b85ccf52-681c-44d9-a72a-a9eefc281532</guid><itunes:image href="https://artwork.captivate.fm/4a83c5b1-efa0-4409-8eb5-88abc19a64bf/kvt7dMKNhFaOXy7XBuid-OWh.jpg"/><pubDate>Mon, 17 Feb 2025 11:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b85ccf52-681c-44d9-a72a-a9eefc281532.mp3" length="167496045" type="audio/mpeg"/><itunes:duration>01:09:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>531</itunes:episode><podcast:episode>531</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #531 with TRAVIS FERENCE | LA STUDIO FIRE"><podcast:source uri="https://youtu.be/HlbTblEPS7c"/></podcast:alternateEnclosure></item><item><title>WCA #530 with Justin Perkins – Mastering, Client Experience, Data Archival &amp; Backup, Automation &amp; Templates and Streamlined Communication</title><itunes:title>WCA #530 with Justin Perkins – Mastering, Client Experience, Data Archival &amp; Backup, Automation &amp; Templates and Streamlined Communication</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Mastering Engineer Justin Perkins who has worked with The Replacements, Rufus Wainwright, En Vogue, Ol’ Dirty Bastard, Shania Twain, Jellyfish, Johnny Cash, The All-American Rejects, Rickie Lee Jones, Donna Summer, Busta Rhymes, Jason Mraz, Lucero, Hanson, New Kids on the Block , Sum 41, Asia</p><p>Justin Perkins' success as a mastering engineer is not solely based on his audio skills but also on his meticulous approach to business operations. His emphasis on automation, client communication, and data management provides valuable lessons for anyone in the audio industry seeking to optimize their workflow and deliver exceptional service. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Streamlined Project Intake &amp; Communication</strong></li><li><strong>Automation &amp; Templates</strong></li><li><strong>Client Experience</strong></li><li><strong>Mastering Workflow &amp; Tools</strong></li><li><strong>Data Archival &amp; Backup</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><strong><a href="https://www.mysteryroommastering.com/" rel="noopener noreferrer" target="_blank">Justin's Site </a></strong></li><li><strong><a href="https://www.steinberg.net/wavelab/" rel="noopener noreferrer" target="_blank">WaveLab:</a></strong><a href="https://www.steinberg.net/wavelab/" rel="noopener noreferrer" target="_blank"> Mastering software.</a></li><li><strong><a href="https://www.izotope.com/en/products.html/" rel="noopener noreferrer" target="_blank">iZotope RX:</a></strong><a href="https://www.izotope.com/en/products.html/" rel="noopener noreferrer" target="_blank"> Audio repair and quality control.</a></li><li><strong><a href="https://samply.app/" rel="noopener noreferrer" target="_blank">Samply:</a></strong><a href="https://samply.app/" rel="noopener noreferrer" target="_blank"> Lossless audio delivery and approval platform.</a> <strong>Use Code WCA20</strong></li><li><strong><a href="https://www.omnigroup.com/omnifocus/" rel="noopener noreferrer" target="_blank">OmniFocus:</a></strong><a href="https://www.omnigroup.com/omnifocus/" rel="noopener noreferrer" target="_blank"> Task management software.</a></li><li><strong><a href="https://www.backblaze.com/cloud-backup.html#af9h3h" rel="noopener noreferrer" target="_blank">Backblaze:</a></strong><a href="https://www.backblaze.com/cloud-backup.html#af9h3h" rel="noopener noreferrer" target="_blank"> Cloud backup service.</a></li><li><strong><a href="https://cdfinder.de/" rel="noopener noreferrer" target="_blank">NeoFinder:</a></strong><a href="https://cdfinder.de/" rel="noopener noreferrer" target="_blank"> Hard drive cataloging software.</a></li><li><strong><a href="https://www.owc.com/solutions/thunderbay-4-mini-thunderbolt-2" rel="noopener noreferrer" target="_blank">Thunder Bay 8 and Mini 4 (OWC):</a></strong><a href="https://www.owc.com/solutions/thunderbay-4-mini-thunderbolt-2" rel="noopener noreferrer" target="_blank"> External hard drive enclosures.</a></li><li><strong><a href="https://bombich.com/" rel="noopener noreferrer" target="_blank">Carbon Copy Cloner:</a></strong><a href="https://bombich.com/" rel="noopener noreferrer" target="_blank"> Backup software.</a></li></ul><br/><h3>Matt's Rant:<strong> Piggy Backing off of Victory</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Justin Perkins</li><li><strong>Host/Engineer/Editing</strong>/<strong>Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Mastering Engineer Justin Perkins who has worked with The Replacements, Rufus Wainwright, En Vogue, Ol’ Dirty Bastard, Shania Twain, Jellyfish, Johnny Cash, The All-American Rejects, Rickie Lee Jones, Donna Summer, Busta Rhymes, Jason Mraz, Lucero, Hanson, New Kids on the Block , Sum 41, Asia</p><p>Justin Perkins' success as a mastering engineer is not solely based on his audio skills but also on his meticulous approach to business operations. His emphasis on automation, client communication, and data management provides valuable lessons for anyone in the audio industry seeking to optimize their workflow and deliver exceptional service. Enjoy!</p><h3>In This Episode, We Discuss:</h3><ul><li><strong>Streamlined Project Intake &amp; Communication</strong></li><li><strong>Automation &amp; Templates</strong></li><li><strong>Client Experience</strong></li><li><strong>Mastering Workflow &amp; Tools</strong></li><li><strong>Data Archival &amp; Backup</strong></li></ul><br/><h3>Links and Show Notes:</h3><ul><li><strong><a href="https://www.mysteryroommastering.com/" rel="noopener noreferrer" target="_blank">Justin's Site </a></strong></li><li><strong><a href="https://www.steinberg.net/wavelab/" rel="noopener noreferrer" target="_blank">WaveLab:</a></strong><a href="https://www.steinberg.net/wavelab/" rel="noopener noreferrer" target="_blank"> Mastering software.</a></li><li><strong><a href="https://www.izotope.com/en/products.html/" rel="noopener noreferrer" target="_blank">iZotope RX:</a></strong><a href="https://www.izotope.com/en/products.html/" rel="noopener noreferrer" target="_blank"> Audio repair and quality control.</a></li><li><strong><a href="https://samply.app/" rel="noopener noreferrer" target="_blank">Samply:</a></strong><a href="https://samply.app/" rel="noopener noreferrer" target="_blank"> Lossless audio delivery and approval platform.</a> <strong>Use Code WCA20</strong></li><li><strong><a href="https://www.omnigroup.com/omnifocus/" rel="noopener noreferrer" target="_blank">OmniFocus:</a></strong><a href="https://www.omnigroup.com/omnifocus/" rel="noopener noreferrer" target="_blank"> Task management software.</a></li><li><strong><a href="https://www.backblaze.com/cloud-backup.html#af9h3h" rel="noopener noreferrer" target="_blank">Backblaze:</a></strong><a href="https://www.backblaze.com/cloud-backup.html#af9h3h" rel="noopener noreferrer" target="_blank"> Cloud backup service.</a></li><li><strong><a href="https://cdfinder.de/" rel="noopener noreferrer" target="_blank">NeoFinder:</a></strong><a href="https://cdfinder.de/" rel="noopener noreferrer" target="_blank"> Hard drive cataloging software.</a></li><li><strong><a href="https://www.owc.com/solutions/thunderbay-4-mini-thunderbolt-2" rel="noopener noreferrer" target="_blank">Thunder Bay 8 and Mini 4 (OWC):</a></strong><a href="https://www.owc.com/solutions/thunderbay-4-mini-thunderbolt-2" rel="noopener noreferrer" target="_blank"> External hard drive enclosures.</a></li><li><strong><a href="https://bombich.com/" rel="noopener noreferrer" target="_blank">Carbon Copy Cloner:</a></strong><a href="https://bombich.com/" rel="noopener noreferrer" target="_blank"> Backup software.</a></li></ul><br/><h3>Matt's Rant:<strong> Piggy Backing off of Victory</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Justin Perkins</li><li><strong>Host/Engineer/Editing</strong>/<strong>Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-530-with-justin-perkins-mastering-client-experience-data-archival-backup-automation-templates-and-streamlined-communication]]></link><guid isPermaLink="false">82bdba04-5e47-4adc-a52f-81054578d936</guid><itunes:image href="https://artwork.captivate.fm/4aa702a6-6d53-4eed-877a-70331c1dd129/Y3MV4heQd1LBhCjZs-ab4HVr.jpeg"/><pubDate>Mon, 10 Feb 2025 17:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/82bdba04-5e47-4adc-a52f-81054578d936.mp3" length="140083245" type="audio/mpeg"/><itunes:duration>58:22</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>530</itunes:episode><podcast:episode>530</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #530 with JUSTIN PERKINS | CLIENT EXPERIENCE"><podcast:source uri="https://youtu.be/SGlnfQb09MI"/></podcast:alternateEnclosure></item><item><title>WCA #529 with David Stagl – Worship Sound, Broadcast, Bruce Springsteen, Live Sound Mistakes, and Feedback City</title><itunes:title>WCA #529 with David Stagl – Worship Sound, Broadcast, Bruce Springsteen, Live Sound Mistakes, and Feedback City</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Mixing Engineer David Stagl who has worked on projects for or with North Point Community Church, Christ Fellowship(West Palm Beach, FL), Eagle Brook Church (Minneapolis, MN), musical artists: Kristian Stanfill, Jesus Culture, Passion, Phil Keaggy, North Point Music and in broadcast: Discovery Channel, HGTV. Corporate: Home Depot, Wyndham Vacations, and Motorola.</p><h3>In This Episode, We Discuss:</h3><ul><li>Post Production</li><li>Broadcast</li><li>Audio Books</li><li>Worship Sound</li><li>Dolby ATMOS</li><li>Live Sound Mistakes</li><li>Audio Professionals in Religious Settings</li><li>Immersive Audio for Churches</li><li>Worship Audio Challenges and Solutions</li><li>North Point Church</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://staglsound.com/" rel="noopener noreferrer" target="_blank">David's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Humility in Audio</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> David Stagl</li><li><strong>Host/Engineer/Editor/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Mixing Engineer David Stagl who has worked on projects for or with North Point Community Church, Christ Fellowship(West Palm Beach, FL), Eagle Brook Church (Minneapolis, MN), musical artists: Kristian Stanfill, Jesus Culture, Passion, Phil Keaggy, North Point Music and in broadcast: Discovery Channel, HGTV. Corporate: Home Depot, Wyndham Vacations, and Motorola.</p><h3>In This Episode, We Discuss:</h3><ul><li>Post Production</li><li>Broadcast</li><li>Audio Books</li><li>Worship Sound</li><li>Dolby ATMOS</li><li>Live Sound Mistakes</li><li>Audio Professionals in Religious Settings</li><li>Immersive Audio for Churches</li><li>Worship Audio Challenges and Solutions</li><li>North Point Church</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://staglsound.com/" rel="noopener noreferrer" target="_blank">David's Site</a></li></ul><br/><h3>Matt's Rant:<strong> Humility in Audio</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> David Stagl</li><li><strong>Host/Engineer/Editor/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-529-with-david-stagl-worship-sound-broadcast-bruce-springsteen-live-sound-mistakes-and-feedback-city]]></link><guid isPermaLink="false">6212cac0-a888-4081-ac15-72b536895879</guid><itunes:image href="https://artwork.captivate.fm/772a3a4f-99e8-47c9-88bf-391e843d855b/kW1o_KFmekMVCNFqefayUaHs.jpg"/><pubDate>Mon, 03 Feb 2025 19:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6212cac0-a888-4081-ac15-72b536895879.mp3" length="172718445" type="audio/mpeg"/><itunes:duration>01:11:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>529</itunes:episode><podcast:episode>529</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #529 with DAVID STAGL | WORSHIP SOUND CAREER"><podcast:source uri="https://youtu.be/sIE0ae0QN6A"/></podcast:alternateEnclosure></item><item><title>WCA #528 with NAMM 2025 – Community, Gear We Saw, Companies We Like, Seminars, Good Shoes, and Drinking Water</title><itunes:title>WCA #528 with NAMM 2025 – Community, Gear We Saw, Companies We Like, Seminars, Good Shoes, and Drinking Water</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt is joined by Chris Selim from Mixdown Online <a href="https://www.youtube.com/@mixdownonline" rel="noopener noreferrer" target="_blank">‪</a>and Lij Shaw from Recording Studio Rockstars to discuss our NAMM 2025 experience.</p><h3>In This Episode, We Discuss:</h3><ul><li>Wearing Good Shoes</li><li>Drinking Water</li><li>Community</li><li>Gear We Saw</li><li>Companies We Like</li><li>Seminars at NAMM</li><li>Podcaster and YouTuber Things</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbklVSnl4Q3dOVWRjdUoxOTZkZjNOVWM2RU9od3xBQ3Jtc0ttcW9wREVOMng3eG44LW1WNXlaSDNIclBudmRhWFFZeUg1X3ZHTDRhOHhOdU1ndEhBLTJyQVhxdXU1Mjl1bG05NnZEZjVoT0x2aVdZUmdXQnRNbE4zVUJSdDlhbzZhd0d6UDVORkRlbThVci1iUUtlWQ&amp;q=https%3A%2F%2Fgracedesign.com%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://gracedesign.com/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbDliOW9hMFZ4Mk1jbjdjX3ZnQWV5SjdnUGtVUXxBQ3Jtc0ttT3plVWh2TjJtREdWcDdKNHFtWkJLSmtlVGwxRUo3YU1MdnRubHg0OXRwTWY1VmhaU1NJUklPc2J3WHlZM205cnFldzcxMHRJSjN2amFST1E0MnN5dllsRkpULW1BM0wyOTl2cDJaX1luQlR0Mk9JTQ&amp;q=https%3A%2F%2Fgracedesign.com%2Fproduct%2Fm900-wca-limited-edition&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://gracedesign.com/product/m900-...</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbjRtZGxxYUZGWTFYeXVZMVF6RGxoeDVXQk4wUXxBQ3Jtc0tsQUpnWUhaUGdhNmJ4LVVkZ3dMYlB6dmtNZDl5ZElIRjFzdTEtOEROYWJfMEc5ZXBGaDdzc3FtckJsZmNiaUU1b1czWnNGbnFxNXdub2p4VUhvVTVRU3hVZ29pZjM1X1pIb1g2RDZ6cEtNcEkzQ3Uxaw&amp;q=https%3A%2F%2Fwww.audio-scape.com%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://www.audio-scape.com/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqa0NaT1JhUXNUWmJVVzBwMG5lenpSTVZWNVViQXxBQ3Jtc0ttbUo0NVUxelkyMFFUV1NQbXVHZW8xUVBxcm1XVC1jajJacUJvWGs5N19za1JzMlVheTk4eW4tX2Y5b1VsMEdwRHM4NVBUZ3ZxZkdyWlpMaldUSzU2ajBXZTI3SVN6RmU5SU40OXRyYVgtTlByb1hZZw&amp;q=https%3A%2F%2Fkorneffaudio.com%2Fplugins%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://korneffaudio.com/plugins/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbkR0OGY4ZFhZNF83dzMyZjRWYXFmSkdoR3RjUXxBQ3Jtc0trMFVZdUFzenk2QU5WRkZlYUxxZjN0ZlRyU0hXZWktOUw0ZmxWWHdnWjcyMjk0TTl0MFI2cVlDaERHSFBDVGR2QXZDWmpJdzI4S1NrNDFlZW53UC1ZVllhY3pxZFRGN0ZQSXluSVJHVjhZS2pIZ3JKOA&amp;q=https%3A%2F%2Fwww.soundtoys.com%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://www.soundtoys.com/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbFlSZkFjb0p5Q2Vodl9aUkNfWm15eDNDdVFRUXxBQ3Jtc0tsVDZQczBYMHRBa0Nsdjh6S3drRVVBanM1MlJwSkRmakt4cFl5WW5nc3dUTWJaRmJxbTI3X3otT2Y1ZGlHZmt1TWx6Sk1PUlI2YlhyZnZSQjJNcy14cm9EbkQ5czdKU1RoSXhneTRYc3kwT1ZPNkZsWQ&amp;q=https%3A%2F%2Fmicrokits.net%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://microkits.net/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbWs0VGh6UEUzLV9mdzF3c0xhY0xaM0xYZGs3UXxBQ3Jtc0tuZWpUakJVd00xRWJUeERwYW1BT0JkTkRZMjNtMjZsM3NoU2V1bVhpcWFxczdxcUdxSnIzN1c5UEQtc0w2OVpfQm9iVURVX3ZDR1pPeU5aaDBsUXprclF1N2M4Qlo0dWtMS25IVnpzdGNtUTNIeG1Qaw&amp;q=https%3A%2F%2Fwww.musikhack.com%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://www.musikhack.com/</a></li><li><a href="https://blinq.me/" rel="noopener noreferrer" target="_blank">https://blinq.me/</a></li></ul><br/><h3>Matt's Rant:<strong> Connecting With People At NAMM</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> NAMM 2025</li><li><strong>Host/Engineer/Editor/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt is joined by Chris Selim from Mixdown Online <a href="https://www.youtube.com/@mixdownonline" rel="noopener noreferrer" target="_blank">‪</a>and Lij Shaw from Recording Studio Rockstars to discuss our NAMM 2025 experience.</p><h3>In This Episode, We Discuss:</h3><ul><li>Wearing Good Shoes</li><li>Drinking Water</li><li>Community</li><li>Gear We Saw</li><li>Companies We Like</li><li>Seminars at NAMM</li><li>Podcaster and YouTuber Things</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbklVSnl4Q3dOVWRjdUoxOTZkZjNOVWM2RU9od3xBQ3Jtc0ttcW9wREVOMng3eG44LW1WNXlaSDNIclBudmRhWFFZeUg1X3ZHTDRhOHhOdU1ndEhBLTJyQVhxdXU1Mjl1bG05NnZEZjVoT0x2aVdZUmdXQnRNbE4zVUJSdDlhbzZhd0d6UDVORkRlbThVci1iUUtlWQ&amp;q=https%3A%2F%2Fgracedesign.com%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://gracedesign.com/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbDliOW9hMFZ4Mk1jbjdjX3ZnQWV5SjdnUGtVUXxBQ3Jtc0ttT3plVWh2TjJtREdWcDdKNHFtWkJLSmtlVGwxRUo3YU1MdnRubHg0OXRwTWY1VmhaU1NJUklPc2J3WHlZM205cnFldzcxMHRJSjN2amFST1E0MnN5dllsRkpULW1BM0wyOTl2cDJaX1luQlR0Mk9JTQ&amp;q=https%3A%2F%2Fgracedesign.com%2Fproduct%2Fm900-wca-limited-edition&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://gracedesign.com/product/m900-...</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbjRtZGxxYUZGWTFYeXVZMVF6RGxoeDVXQk4wUXxBQ3Jtc0tsQUpnWUhaUGdhNmJ4LVVkZ3dMYlB6dmtNZDl5ZElIRjFzdTEtOEROYWJfMEc5ZXBGaDdzc3FtckJsZmNiaUU1b1czWnNGbnFxNXdub2p4VUhvVTVRU3hVZ29pZjM1X1pIb1g2RDZ6cEtNcEkzQ3Uxaw&amp;q=https%3A%2F%2Fwww.audio-scape.com%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://www.audio-scape.com/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqa0NaT1JhUXNUWmJVVzBwMG5lenpSTVZWNVViQXxBQ3Jtc0ttbUo0NVUxelkyMFFUV1NQbXVHZW8xUVBxcm1XVC1jajJacUJvWGs5N19za1JzMlVheTk4eW4tX2Y5b1VsMEdwRHM4NVBUZ3ZxZkdyWlpMaldUSzU2ajBXZTI3SVN6RmU5SU40OXRyYVgtTlByb1hZZw&amp;q=https%3A%2F%2Fkorneffaudio.com%2Fplugins%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://korneffaudio.com/plugins/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbkR0OGY4ZFhZNF83dzMyZjRWYXFmSkdoR3RjUXxBQ3Jtc0trMFVZdUFzenk2QU5WRkZlYUxxZjN0ZlRyU0hXZWktOUw0ZmxWWHdnWjcyMjk0TTl0MFI2cVlDaERHSFBDVGR2QXZDWmpJdzI4S1NrNDFlZW53UC1ZVllhY3pxZFRGN0ZQSXluSVJHVjhZS2pIZ3JKOA&amp;q=https%3A%2F%2Fwww.soundtoys.com%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://www.soundtoys.com/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbFlSZkFjb0p5Q2Vodl9aUkNfWm15eDNDdVFRUXxBQ3Jtc0tsVDZQczBYMHRBa0Nsdjh6S3drRVVBanM1MlJwSkRmakt4cFl5WW5nc3dUTWJaRmJxbTI3X3otT2Y1ZGlHZmt1TWx6Sk1PUlI2YlhyZnZSQjJNcy14cm9EbkQ5czdKU1RoSXhneTRYc3kwT1ZPNkZsWQ&amp;q=https%3A%2F%2Fmicrokits.net%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://microkits.net/</a></li><li><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbWs0VGh6UEUzLV9mdzF3c0xhY0xaM0xYZGs3UXxBQ3Jtc0tuZWpUakJVd00xRWJUeERwYW1BT0JkTkRZMjNtMjZsM3NoU2V1bVhpcWFxczdxcUdxSnIzN1c5UEQtc0w2OVpfQm9iVURVX3ZDR1pPeU5aaDBsUXprclF1N2M4Qlo0dWtMS25IVnpzdGNtUTNIeG1Qaw&amp;q=https%3A%2F%2Fwww.musikhack.com%2F&amp;v=taZMNmirfvE" rel="noopener noreferrer" target="_blank">https://www.musikhack.com/</a></li><li><a href="https://blinq.me/" rel="noopener noreferrer" target="_blank">https://blinq.me/</a></li></ul><br/><h3>Matt's Rant:<strong> Connecting With People At NAMM</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> NAMM 2025</li><li><strong>Host/Engineer/Editor/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-528-with-namm-2025-community-gear-we-saw-companies-we-like-seminars-good-shoes-and-drinking-water]]></link><guid isPermaLink="false">18755cdf-cb2b-4f51-a5f5-8b0142337de5</guid><itunes:image href="https://artwork.captivate.fm/1bc0ec82-b909-4233-9773-fe31f9c5f701/9PRVz2mK4lzGe0RTYIpdFTYT.jpg"/><pubDate>Mon, 27 Jan 2025 16:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/18755cdf-cb2b-4f51-a5f5-8b0142337de5.mp3" length="124668525" type="audio/mpeg"/><itunes:duration>51:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>528</itunes:episode><podcast:episode>528</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #528 with NAMM 2025 | REVIEW &amp; RECAP"><podcast:source uri="https://youtu.be/taZMNmirfvE"/></podcast:alternateEnclosure></item><item><title>WCA #527 with Owen Davies – Studio Design, Recording Everything, Tap Dancing, and Building THE Home Studio</title><itunes:title>WCA #527 with Owen Davies – Studio Design, Recording Everything, Tap Dancing, and Building THE Home Studio</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Engineer / Producer Owen Davies who has worked with Broken Teeth, Survival, Fangs Out, Netherhall, Yo Titan, and Brookhorse.</p><h3>In This Episode, We Discuss:</h3><ul><li>Building THE Home Studio</li><li>Working with a Studio Designer</li><li>Navigating Studio Design Challenges</li><li>Lessons from Early Studios</li><li>Tap Dancing and Legal Battles</li><li>Freelancing and Passion Projects</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.loudnoisesproduction.co.uk/" rel="noopener noreferrer" target="_blank">Owen's Studio</a></li></ul><br/><h3>Matt's Rant:<strong> Things You Should Charge For (In My Opinion)</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Owen Davies</li><li><strong>Host/Engineer/Editor/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Engineer / Producer Owen Davies who has worked with Broken Teeth, Survival, Fangs Out, Netherhall, Yo Titan, and Brookhorse.</p><h3>In This Episode, We Discuss:</h3><ul><li>Building THE Home Studio</li><li>Working with a Studio Designer</li><li>Navigating Studio Design Challenges</li><li>Lessons from Early Studios</li><li>Tap Dancing and Legal Battles</li><li>Freelancing and Passion Projects</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.loudnoisesproduction.co.uk/" rel="noopener noreferrer" target="_blank">Owen's Studio</a></li></ul><br/><h3>Matt's Rant:<strong> Things You Should Charge For (In My Opinion)</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Owen Davies</li><li><strong>Host/Engineer/Editor/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-527-with-owen-davies-studio-design-recording-everything-tap-dancing-and-building-the-home-studio]]></link><guid isPermaLink="false">00ec4120-2541-4c07-874b-e166666ba6ef</guid><itunes:image href="https://artwork.captivate.fm/608b72d8-b810-477e-98de-082f977737a7/uTjiWDIeCa6qoewWqDmPSrAx.jpg"/><pubDate>Mon, 20 Jan 2025 08:37:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/00ec4120-2541-4c07-874b-e166666ba6ef.mp3" length="152049645" type="audio/mpeg"/><itunes:duration>01:03:21</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>527</itunes:episode><podcast:episode>527</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #527 with OWEN DAVIES | PERSEVERANCE &amp; AUTHENTICITY"><podcast:source uri="https://youtu.be/LyD1SBh7r94"/></podcast:alternateEnclosure></item><item><title>WCA #526 with Adam Haggar – Los Angeles Life, New Jersey Living, The Importance Of Networking, Maintaining High Standards, and a Passion For Music</title><itunes:title>WCA #526 with Adam Haggar – Los Angeles Life, New Jersey Living, The Importance Of Networking, Maintaining High Standards, and a Passion For Music</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes mastering engineer Adam Haggar who has worked with Migos, Belinda Carlisle, and The Antlers.</p><h3>In This Episode, We Discuss:</h3><ul><li>Adam's Journey In The Audio Industry</li><li>Different Cities, Studios, And Roles Within The Music Industry</li><li>His Approach To Mastering And Building His Business</li><li>The Importance Of Networking</li><li>Challenges Of Maintaining High Standards In A Competitive Industry</li><li>Value Of Staying Connected To One's Passion For Music</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.adamhaggarmastering.com/" rel="noopener noreferrer" target="_blank">Adam s Site</a></li></ul><br/><h3>Matt's Rant:<strong> Los Angeles</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Adam Haggar</li><li><strong>Host/Engineer/Producer/Editor:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes mastering engineer Adam Haggar who has worked with Migos, Belinda Carlisle, and The Antlers.</p><h3>In This Episode, We Discuss:</h3><ul><li>Adam's Journey In The Audio Industry</li><li>Different Cities, Studios, And Roles Within The Music Industry</li><li>His Approach To Mastering And Building His Business</li><li>The Importance Of Networking</li><li>Challenges Of Maintaining High Standards In A Competitive Industry</li><li>Value Of Staying Connected To One's Passion For Music</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.adamhaggarmastering.com/" rel="noopener noreferrer" target="_blank">Adam s Site</a></li></ul><br/><h3>Matt's Rant:<strong> Los Angeles</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Adam Haggar</li><li><strong>Host/Engineer/Producer/Editor:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-526-with-adam-haggar-los-angeles-life-new-jersey-living-the-importance-of-networking-maintaining-high-standards-and-a-passion-for-music]]></link><guid isPermaLink="false">3caff168-99df-421d-b288-bb82b9b9bf2e</guid><itunes:image href="https://artwork.captivate.fm/f26c8a4b-60cc-4b04-b811-38833d148a8d/cq-AeT2lGtybRvBral5L5Hbt.jpg"/><pubDate>Mon, 13 Jan 2025 17:19:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3caff168-99df-421d-b288-bb82b9b9bf2e.mp3" length="184070445" type="audio/mpeg"/><itunes:duration>01:16:42</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>526</itunes:episode><podcast:episode>526</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #526 with ADAM HAGGAR | METHODICAL MASTERING"><podcast:source uri="https://youtu.be/1VNOnpEElkc"/></podcast:alternateEnclosure></item><item><title>WCA #525 with The Pellicci Brothers – Shared Commitment, Creative Collaboration, Cultural Influence, Literal Creativity, and Burlap</title><itunes:title>WCA #525 with The Pellicci Brothers – Shared Commitment, Creative Collaboration, Cultural Influence, Literal Creativity, and Burlap</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back the Pellicci Brothers, Jay and Ian, who appeared originally on WCA #054. They have worked with Deerhoof, John Vanderslice, Sleater-Kinney, and the Magnetic Fields.They currently run Brothers (Chinese) Recording in the Bay Area.</p><h3>In This Episode, We Discuss:</h3><ul><li>Challenges in Naming</li><li>Unintentional Uniformity</li><li>Studio History</li><li>Literal Creativity</li><li>Creative Decision Making</li><li>Not Planning</li><li>Studio Projects</li><li>Burlap</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.brotherschineserecording.com/" rel="noopener noreferrer" target="_blank">Brothers (Chinese) Recording</a></li><li><a href="https://www.workingclassaudio.com/wca-057-with-the-pellici-brothers/" rel="noopener noreferrer" target="_blank">WCA #057 with The Pellicci Brothers</a></li></ul><br/><h3>Matt's Rant:<strong> Identity</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> The Pellicci Brothers</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back the Pellicci Brothers, Jay and Ian, who appeared originally on WCA #054. They have worked with Deerhoof, John Vanderslice, Sleater-Kinney, and the Magnetic Fields.They currently run Brothers (Chinese) Recording in the Bay Area.</p><h3>In This Episode, We Discuss:</h3><ul><li>Challenges in Naming</li><li>Unintentional Uniformity</li><li>Studio History</li><li>Literal Creativity</li><li>Creative Decision Making</li><li>Not Planning</li><li>Studio Projects</li><li>Burlap</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.brotherschineserecording.com/" rel="noopener noreferrer" target="_blank">Brothers (Chinese) Recording</a></li><li><a href="https://www.workingclassaudio.com/wca-057-with-the-pellici-brothers/" rel="noopener noreferrer" target="_blank">WCA #057 with The Pellicci Brothers</a></li></ul><br/><h3>Matt's Rant:<strong> Identity</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> The Pellicci Brothers</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-525-with-the-pellicci-brothers-shared-commitment-creative-collaboration-cultural-influence-literal-creativity-and-burlap]]></link><guid isPermaLink="false">a6801aed-40bc-4024-a237-901e6a404aef</guid><itunes:image href="https://artwork.captivate.fm/2ee9fd3f-b3ff-4ab2-a0af-6b95e062b2ca/pT8lRYEQ15wXyGVwdNxCMyCl.jpg"/><pubDate>Mon, 06 Jan 2025 12:52:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a6801aed-40bc-4024-a237-901e6a404aef.mp3" length="126977325" type="audio/mpeg"/><itunes:duration>52:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>525</itunes:episode><podcast:episode>525</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #525 with THE PELLICCI BROTHERS | BROTHERS IN RECORDING"><podcast:source uri="https://youtu.be/H2wDzWlO8ZY"/></podcast:alternateEnclosure></item><item><title>WCA #524 with Michael Romanowski – Immersive Audio, Critical Listening, Value Of Community, and The Dangers of Comparison</title><itunes:title>WCA #524 with Michael Romanowski – Immersive Audio, Critical Listening, Value Of Community, and The Dangers of Comparison</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Grammy Winning mastering engineer, Michael Romanowski. Michael’s extensive credits include Alicia Keys, Bonnie Raitt, Lyle, Lovett, Earth Wind &amp; Fire, Kane Brown, and the Grateful Dead.</p><h3>In This Episode, We Discuss:</h3><ul><li>Studio Acoustics</li><li>Immersive Audio Advocacy</li><li>Future Of Immersive Audio</li><li>Value Of Community Collaboration</li><li>Critical Listening Skills</li><li>Balancing Artistic Vision With Label Demands</li><li>Bass Management Challenges In Immersive Audio</li><li>Consumer Perceptions Of Immersive Audio</li><li>Role Of VR And AR In Audio Localization</li><li>The Dangers of Comparison</li></ul><br/><h2>Links and Show Notes:</h2><ul><li><a href="https://www.coastmastering.com/" rel="noopener noreferrer" target="_blank">Michael's Studio</a></li><li><a href="https://www.workingclassaudio.com/wca-309-with-michael-romanowski/" rel="noopener noreferrer" target="_blank">Michael on WCA #309</a></li></ul><br/><h3>Matt's Rant:<strong> Year End Review</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Michael Romanowski</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back Grammy Winning mastering engineer, Michael Romanowski. Michael’s extensive credits include Alicia Keys, Bonnie Raitt, Lyle, Lovett, Earth Wind &amp; Fire, Kane Brown, and the Grateful Dead.</p><h3>In This Episode, We Discuss:</h3><ul><li>Studio Acoustics</li><li>Immersive Audio Advocacy</li><li>Future Of Immersive Audio</li><li>Value Of Community Collaboration</li><li>Critical Listening Skills</li><li>Balancing Artistic Vision With Label Demands</li><li>Bass Management Challenges In Immersive Audio</li><li>Consumer Perceptions Of Immersive Audio</li><li>Role Of VR And AR In Audio Localization</li><li>The Dangers of Comparison</li></ul><br/><h2>Links and Show Notes:</h2><ul><li><a href="https://www.coastmastering.com/" rel="noopener noreferrer" target="_blank">Michael's Studio</a></li><li><a href="https://www.workingclassaudio.com/wca-309-with-michael-romanowski/" rel="noopener noreferrer" target="_blank">Michael on WCA #309</a></li></ul><br/><h3>Matt's Rant:<strong> Year End Review</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Michael Romanowski</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-524-with-michael-romanowski-item-1-item-2-item-3-item-4-and-item-5]]></link><guid isPermaLink="false">9a2b48fa-241e-4330-ad20-885851deab4e</guid><itunes:image href="https://artwork.captivate.fm/d32609b4-db02-42a9-ae30-ad5b7991384e/zEVnBsxKYEyfr_OH1qR5O_HB.jpg"/><pubDate>Sat, 28 Dec 2024 23:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9a2b48fa-241e-4330-ad20-885851deab4e.mp3" length="196022445" type="audio/mpeg"/><itunes:duration>01:21:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>524</itunes:episode><podcast:episode>524</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #524 with MICHAEL ROMANOWSKI | IMMERSIVE ADVOCACY"><podcast:source uri="https://youtu.be/fUN1p_YYdqs"/></podcast:alternateEnclosure></item><item><title>WCA #523 with Lizzie Westsmith – Role of a Monitor Engineer, Touring Life Balance, Community, and 924 Gilman Influence</title><itunes:title>WCA #523 with Lizzie Westsmith – Role of a Monitor Engineer, Touring Life Balance, Community, and 924 Gilman Influence</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes monitor engineer Lizzie Westsmith who has worked for numerous bands and sound companies including Rancid, Ice Spice, Rat Sound and Coachella. Lizzie shares her journey from discovering her love for audio at Berkeley's iconic Gilman Street to navigating the challenges of the live production industry.</p><h3>In This Episode, We Discuss:</h3><ul><li>Role of a Monitor Engineer</li><li>Maintaining Personal Balance</li><li>924 Gilman Influence</li><li>Addiction and Recovery</li><li>Rate Transparency</li><li>Touring Life Balance</li><li>Systems Engineering Goals</li><li>Financial Management Strategies</li><li>Community and Respect</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.instagram.com/darth_faders/" rel="noopener noreferrer" target="_blank">Lizzie on Instagram</a></li></ul><br/><h3>Matt's Rant:<strong> Parlay, Pivot and Change Course</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Lizzie Westsmith</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes monitor engineer Lizzie Westsmith who has worked for numerous bands and sound companies including Rancid, Ice Spice, Rat Sound and Coachella. Lizzie shares her journey from discovering her love for audio at Berkeley's iconic Gilman Street to navigating the challenges of the live production industry.</p><h3>In This Episode, We Discuss:</h3><ul><li>Role of a Monitor Engineer</li><li>Maintaining Personal Balance</li><li>924 Gilman Influence</li><li>Addiction and Recovery</li><li>Rate Transparency</li><li>Touring Life Balance</li><li>Systems Engineering Goals</li><li>Financial Management Strategies</li><li>Community and Respect</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.instagram.com/darth_faders/" rel="noopener noreferrer" target="_blank">Lizzie on Instagram</a></li></ul><br/><h3>Matt's Rant:<strong> Parlay, Pivot and Change Course</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Lizzie Westsmith</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-523-with-lizzie-westsmith-item-1-item-2-item-3-item-4-and-item-5]]></link><guid isPermaLink="false">b0b191d2-db42-41f5-832a-e592b01bb3d1</guid><itunes:image href="https://artwork.captivate.fm/5f87706f-ad24-4ca6-acba-c246a95805f1/_ZjrMefFBOgqXWP-Z7vpliGn.jpg"/><pubDate>Sun, 22 Dec 2024 00:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b0b191d2-db42-41f5-832a-e592b01bb3d1.mp3" length="145407405" type="audio/mpeg"/><itunes:duration>01:00:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>523</itunes:episode><podcast:episode>523</podcast:episode><podcast:alternateEnclosure type="video/youtube" title="WCA #523 with LIZZIE WESTSMITH | RESILIENCE &amp; EVOLUTION"><podcast:source uri="https://youtu.be/taw8uVScZI4"/></podcast:alternateEnclosure></item><item><title>WCA #522 with Ed Donnelly – Independent Mindset, Live Recording, Indie Bands, Immersive Audio and Inspiration</title><itunes:title>WCA #522 with Ed Donnelly – Independent Mindset, Live Recording, Indie Bands, Immersive Audio and Inspiration</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Producer/Engineer Ed Donnelly, who has worked with Willie Nelson, Zac Brown, Old 97s, Son Volt, Del McCoury, Nathan Jacques, Lorin Hart, Cole Gallagher, The Lonesome Captain, Trent Summar &amp; The New Row Mob</p><h3>In This Episode, We Discuss:</h3><ul><li>Musical Journey and Career</li><li>Live Event Recording Journey</li><li>Journey From Performer to Producer</li><li>Independent Artist Budget Challenges</li><li>Managing Budgets in Independent Bands</li><li>Music Industry Evolution and Strategy</li><li>Inspiration and Approaches in Work</li><li>Independent Artists and Audio Professionals</li><li>Immersive Audio Formats and Music</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.barbersbasement.com/" rel="noopener noreferrer" target="_blank">Ed's Studio</a></li></ul><br/><h3>Matt's Rant:<strong> Revisiting Community</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Ed Donnelly</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes Producer/Engineer Ed Donnelly, who has worked with Willie Nelson, Zac Brown, Old 97s, Son Volt, Del McCoury, Nathan Jacques, Lorin Hart, Cole Gallagher, The Lonesome Captain, Trent Summar &amp; The New Row Mob</p><h3>In This Episode, We Discuss:</h3><ul><li>Musical Journey and Career</li><li>Live Event Recording Journey</li><li>Journey From Performer to Producer</li><li>Independent Artist Budget Challenges</li><li>Managing Budgets in Independent Bands</li><li>Music Industry Evolution and Strategy</li><li>Inspiration and Approaches in Work</li><li>Independent Artists and Audio Professionals</li><li>Immersive Audio Formats and Music</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="https://www.barbersbasement.com/" rel="noopener noreferrer" target="_blank">Ed's Studio</a></li></ul><br/><h3>Matt's Rant:<strong> Revisiting Community</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Ed Donnelly</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-522-with-ed-donnelly-independent-mindset-live-recording-indie-bands-immersive-audio-and-inspiration]]></link><guid isPermaLink="false">a3f76624-c461-11ee-a4ca-e390653c64ec</guid><itunes:image href="https://artwork.captivate.fm/c764ea68-ec7f-4c1f-98a6-1579d12f378c/342c1e8f0cf6187be9234c21b9d7fdcf.jpg"/><pubDate>Mon, 16 Dec 2024 00:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d75ad3d0-dbac-44b5-84f6-0c32dcb674dc.mp3" length="164873851" type="audio/mpeg"/><itunes:duration>01:08:42</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>522</itunes:episode><podcast:episode>522</podcast:episode><itunes:summary>In this episode of Working Class Audio, Matt welcomes Producer/Engineer Ed Donnelly, who has worked with Willie Nelson, Zac Brown, Old 97s, Son Volt, Del McCoury, Nathan Jacques, Lorin Hart, Cole Gallagher, The Lonesome Captain, Trent Summar &amp; The New Row Mob
In This Episode, We Discuss:

Musical Journey and Career

Live Event Recording Journey

Journey From Performer to Producer

Independent Artist Budget Challenges

Managing Budgets in Independent Bands

Music Industry Evolution and Strategy

Inspiration and Approaches in Work

Independent Artists and Audio Professionals

Immersive Audio Formats and Music

Links and Show Notes:
Ed&apos;s Studio
Matt&apos;s Rant: Revisiting Community

Credits:


Guest: Ed Donnelly


Host/Engineer/Producer: Matt Boudreau


Editing: Anne-Marie Pleau


WCA Theme Music: Cliff Truesdell


The Voice: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #522 with ED DONNELLY | INDEPENDENT MINDSET"><podcast:source uri="https://youtu.be/j5XJq-fgvBg"/></podcast:alternateEnclosure></item><item><title>WCA #521 with Maor Appelbaum – Genre-Specific Mastering, Creating Analog Hardware, Building Client Relationships, and Being Part of the Team</title><itunes:title>WCA #521 with Maor Appelbaum – Genre-Specific Mastering, Creating Analog Hardware, Building Client Relationships, and Being Part of the Team</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back mastering engineer Maor Appelbaum (originally on WCA #062)to discuss his career, his approach to mastering across genres, and how he adapts to new technology. Maor has worked on projects for artists such as Faith No More, Yes, and Meat Loaf.</p><h3>In This Episode, We Discuss:</h3><ul><li>Genre-specific mastering approaches</li><li>Creating and collaborating on new analog hardware</li><li>Strategies for effective client communication</li><li>Building and maintaining long-term professional relationships</li><li>The value of being part of a collaborative team in the audio process</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="http://www.maorappelbaum.com/" rel="noopener noreferrer" target="_blank">Maor Appelbaum Mastering</a></li><li><a href="https://www.workingclassaudio.com/wca-062-with-maor-appelbaum/" rel="noopener noreferrer" target="_blank">WCA #062 with Maor Appelbaum</a></li></ul><br/><h3>Matt's Rant:<strong> The Value of Independent Clients</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Maor Appelbaum</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt welcomes back mastering engineer Maor Appelbaum (originally on WCA #062)to discuss his career, his approach to mastering across genres, and how he adapts to new technology. Maor has worked on projects for artists such as Faith No More, Yes, and Meat Loaf.</p><h3>In This Episode, We Discuss:</h3><ul><li>Genre-specific mastering approaches</li><li>Creating and collaborating on new analog hardware</li><li>Strategies for effective client communication</li><li>Building and maintaining long-term professional relationships</li><li>The value of being part of a collaborative team in the audio process</li></ul><br/><h3>Links and Show Notes:</h3><ul><li><a href="http://www.maorappelbaum.com/" rel="noopener noreferrer" target="_blank">Maor Appelbaum Mastering</a></li><li><a href="https://www.workingclassaudio.com/wca-062-with-maor-appelbaum/" rel="noopener noreferrer" target="_blank">WCA #062 with Maor Appelbaum</a></li></ul><br/><h3>Matt's Rant:<strong> The Value of Independent Clients</strong></h3><h3>Credits:</h3><ul><li><strong>Guest:</strong> Maor Appelbaum</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice:</strong> Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-521-with-maor-appelbaum-genre-specific-mastering-creating-analog-hardware-building-client-relationships-and-being-part-of-the-team]]></link><guid isPermaLink="false">a483c1f0-c461-11ee-a4ca-cfd5e58b8e57</guid><itunes:image href="https://artwork.captivate.fm/dc3f809f-b5ec-4cc3-9a8b-ab08e320395c/f973af018d0e63ec5858f36136778008.jpg"/><pubDate>Mon, 09 Dec 2024 21:08:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/eef5731c-aead-4b3a-a83e-adfa79ea585a.mp3" length="172404525" type="audio/mpeg"/><itunes:duration>01:11:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>521</itunes:episode><podcast:episode>521</podcast:episode><itunes:summary>In this episode of Working Class Audio, Matt welcomes back mastering engineer Maor Appelbaum (originally on WCA #062)to discuss his career, his approach to mastering across genres, and how he adapts to new technology. Maor has worked on projects for artists such as Faith No More, Yes, and Meat Loaf.
In This Episode, We Discuss:

Genre-specific mastering approaches

Creating and collaborating on new analog hardware

Strategies for effective client communication

Building and maintaining long-term professional relationships

The value of being part of a collaborative team in the audio process

Links and Show Notes:

Maor Appelbaum Mastering

WCA #062 with Maor Appelbaum

Matt&apos;s Rant: The Value of Independent Clients

Credits:


Guest: Maor Appelbaum


Host/Engineer/Producer: Matt Boudreau


Editing: Anne-Marie Pleau


WCA Theme Music: Cliff Truesdell


The Voice: Chuck Smith</itunes:summary><podcast:chapters url="https://transcripts.captivate.fm/chapter-b76d805a-a1a8-4e8f-9017-3113b652f699.json" type="application/json+chapters"/><podcast:alternateEnclosure type="video/youtube" title="WCA #521 MAOR APPELBAUM | ESSENTIAL COMMUNICATION"><podcast:source uri="https://youtu.be/1kKuZXJRp20"/></podcast:alternateEnclosure></item><item><title>WCA #520 with Jeremy Goody – Studio Rebranding, Shifting to Voice Recording, Battling Cell Towers, Building Faraday Cages, and Overcoming Obstacles</title><itunes:title>WCA #520 with Jeremy Goody – Studio Rebranding, Shifting to Voice Recording, Battling Cell Towers, Building Faraday Cages, and Overcoming Obstacles</itunes:title><description><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt reconnects with engineer and studio owner Jeremy Goody, who was last featured in Episode 85. Jeremy has worked on VO projects for Microsoft, Nuance, Google, Seasonal Visions, and music projects for John Santos, Anticon, and Winfred E. Eye.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>Studio Rebranding</li><li>Battling Cell Towers</li><li>Building Faraday Cages</li><li>Shifting to Voice Recording</li><li>Podcasting</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><a href="https://www.goodysound.com/" rel="noopener noreferrer" target="_blank">Jeremy's Studio</a></li><li><a href="https://www.25thstreetrecording.com/" rel="noopener noreferrer" target="_blank">25th Street Recording</a></li><li><a href="https://www.workingclassaudio.com/wca-047-with-john-vanderslice/" rel="noopener noreferrer" target="_blank">John Vanderslice on WCA</a></li><li><a href="https://podcast.adobe.com/" rel="noopener noreferrer" target="_blank">Adobe Podcast Tools</a></li><li><a href="https://www.neutrik.com/en/neutrik/products/xlr-connectors/xlr-cable-connectors/emc-series?c=audio" rel="noopener noreferrer" target="_blank">Neutrik EMC Series</a></li><li><a href="http://double%20take/" rel="noopener noreferrer" target="_blank">Filmic Double Take</a></li><li><a href="https://www.audible.com/pd/Essentialism-Audiobook/B00IWZ6XGA?source_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Essentialism on Audible</a> (I really like this one)</li><li><a href="https://www.audible.com/pd/Essentialism-Audiobook/B00IWZ6XGA?source_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">The Compound Effect on Audible</a></li><li><a href="https://www.audible.com/pd/Switch-Audiobook/B0035C6SMO?source_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Switch on Audible</a></li><li><a href="https://www.audible.com/pd/Day-Trading-Attention-Audiobook/B0CLLLG4M3?source_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Day Trading Attention on Audible</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Jeremy Goody</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice: </strong>Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt reconnects with engineer and studio owner Jeremy Goody, who was last featured in Episode 85. Jeremy has worked on VO projects for Microsoft, Nuance, Google, Seasonal Visions, and music projects for John Santos, Anticon, and Winfred E. Eye.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>Studio Rebranding</li><li>Battling Cell Towers</li><li>Building Faraday Cages</li><li>Shifting to Voice Recording</li><li>Podcasting</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><a href="https://www.goodysound.com/" rel="noopener noreferrer" target="_blank">Jeremy's Studio</a></li><li><a href="https://www.25thstreetrecording.com/" rel="noopener noreferrer" target="_blank">25th Street Recording</a></li><li><a href="https://www.workingclassaudio.com/wca-047-with-john-vanderslice/" rel="noopener noreferrer" target="_blank">John Vanderslice on WCA</a></li><li><a href="https://podcast.adobe.com/" rel="noopener noreferrer" target="_blank">Adobe Podcast Tools</a></li><li><a href="https://www.neutrik.com/en/neutrik/products/xlr-connectors/xlr-cable-connectors/emc-series?c=audio" rel="noopener noreferrer" target="_blank">Neutrik EMC Series</a></li><li><a href="http://double%20take/" rel="noopener noreferrer" target="_blank">Filmic Double Take</a></li><li><a href="https://www.audible.com/pd/Essentialism-Audiobook/B00IWZ6XGA?source_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Essentialism on Audible</a> (I really like this one)</li><li><a href="https://www.audible.com/pd/Essentialism-Audiobook/B00IWZ6XGA?source_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">The Compound Effect on Audible</a></li><li><a href="https://www.audible.com/pd/Switch-Audiobook/B0035C6SMO?source_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Switch on Audible</a></li><li><a href="https://www.audible.com/pd/Day-Trading-Attention-Audiobook/B0CLLLG4M3?source_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Day Trading Attention on Audible</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Jeremy Goody</li><li><strong>Host/Engineer/Producer:</strong> Matt Boudreau</li><li><strong>Editing:</strong> Anne-Marie Pleau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>The Voice: </strong>Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-520-with-jeremy-goody-studio-rebranding-shifting-to-voice-recording-battling-cell-towers-building-faraday-cages-and-overcoming-obstacles]]></link><guid isPermaLink="false">a50b7d98-c461-11ee-a4ca-37c8b6004653</guid><itunes:image href="https://artwork.captivate.fm/72b68d04-b365-4989-8a79-42cbfe89ad1e/a4458583e1f86c7968f0f651f8f05eea.jpg"/><pubDate>Mon, 02 Dec 2024 21:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/44e6ce9f-8624-4085-abe0-24d93f0182c1.mp3" length="165229235" type="audio/mpeg"/><itunes:duration>01:08:51</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>520</itunes:episode><podcast:episode>520</podcast:episode><itunes:summary>In this episode of Working Class Audio, Matt reconnects with engineer and studio owner Jeremy Goody, who was last featured in Episode 85. Jeremy has worked on VO projects for Microsoft, Nuance, Google, Seasonal Visions, and music projects for John Santos, Anticon, and Winfred E. Eye.
In This Episode, We Discuss:

Studio Rebranding

Battling Cell Towers

Building Faraday Cages

Shifting to Voice Recording

Podcasting

Links and Show Notes:

Jeremy&apos;s Studio

25th Street Recording

John Vanderslice on WCA

Adobe Podcast Tools

Neutrik EMC Series

Filmic Double Take


Essentialism on Audible (I really like this one)

The Compound Effect on Audible

Switch on Audible

Day Trading Attention on Audible


Credits:


Guest: Jeremy Goody


Host/Engineer/Producer: Matt Boudreau


Editing: Anne-Marie Pleau


WCA Theme Music: Cliff Truesdell


The Voice: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #520 with JEREMY GOODY | OVERCOMING OBSTACLES"><podcast:source uri="https://youtu.be/Rmc1xWv74eI"/></podcast:alternateEnclosure></item><item><title>WCA #519 with J.J. Blair – Studio Construction, Microphone Insights, Heart Surgery, and Navigating the Modern Music Landscape</title><itunes:title>WCA #519 with J.J. Blair – Studio Construction, Microphone Insights, Heart Surgery, and Navigating the Modern Music Landscape</itunes:title><description><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt reconnects with Grammy-winning producer and engineer J.J. Blair, last featured in Episode 96. J.J. shares the challenges of building a state-of-the-art recording studio in the Hollywood Hills and offers insights from his popular "Microphone Mondays" series. He also opens up about his recent heart surgery and recovery, emphasizing the importance of prioritizing health in a demanding profession.</p><p>J.J.'s impressive credits include producing and mixing the Grammy-winning album <em>Press On</em> by June Carter Cash, engineering Rod Stewart's Grammy-winning and #1 Billboard album <em>The Great American Songbook, Vol. 3,</em> and engineering and mixing Joanna Connor's #1 Billboard Blues album, <em>4801 South Indiana Avenue.</em></p><h3></h3><h3>In This Episode, We Discuss:</h3><ul><li>"Microphone Mondays" series</li><li>Building a state-of-the-art recording studio</li><li>Acoustic design, soundproofing, and the science of great studio environments</li><li>Incorporating vintage and modern gear, including a custom Rupert Neve console</li><li>Adapting production techniques for genres from Motown to modern rock</li><li>Reflections on heart surgery, health, and maintaining resilience in the industry</li><li>The importance of studying hit productions and what makes songs stand out</li><li>J.J.'s experience with social media success and connecting with audiences</li></ul><br/><h3></h3><h3>Links and Show Notes:</h3><ul><li><a href="https://www.instagram.com/j.j.blair" rel="noopener noreferrer" target="_blank">J.J. on Instagram</a></li><li><a href="https://www.jjblairrecording.com/" rel="noopener noreferrer" target="_blank">J.J.'s Website</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li>Guest: J.J. Blair</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt reconnects with Grammy-winning producer and engineer J.J. Blair, last featured in Episode 96. J.J. shares the challenges of building a state-of-the-art recording studio in the Hollywood Hills and offers insights from his popular "Microphone Mondays" series. He also opens up about his recent heart surgery and recovery, emphasizing the importance of prioritizing health in a demanding profession.</p><p>J.J.'s impressive credits include producing and mixing the Grammy-winning album <em>Press On</em> by June Carter Cash, engineering Rod Stewart's Grammy-winning and #1 Billboard album <em>The Great American Songbook, Vol. 3,</em> and engineering and mixing Joanna Connor's #1 Billboard Blues album, <em>4801 South Indiana Avenue.</em></p><h3></h3><h3>In This Episode, We Discuss:</h3><ul><li>"Microphone Mondays" series</li><li>Building a state-of-the-art recording studio</li><li>Acoustic design, soundproofing, and the science of great studio environments</li><li>Incorporating vintage and modern gear, including a custom Rupert Neve console</li><li>Adapting production techniques for genres from Motown to modern rock</li><li>Reflections on heart surgery, health, and maintaining resilience in the industry</li><li>The importance of studying hit productions and what makes songs stand out</li><li>J.J.'s experience with social media success and connecting with audiences</li></ul><br/><h3></h3><h3>Links and Show Notes:</h3><ul><li><a href="https://www.instagram.com/j.j.blair" rel="noopener noreferrer" target="_blank">J.J. on Instagram</a></li><li><a href="https://www.jjblairrecording.com/" rel="noopener noreferrer" target="_blank">J.J.'s Website</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li>Guest: J.J. Blair</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-519-with-j-j-blair-studio-construction-microphone-insights-heart-surgery-and-navigating-the-modern-music-landscape]]></link><guid isPermaLink="false">a0a5397e-c461-11ee-a4ca-67771a383d25</guid><itunes:image href="https://artwork.captivate.fm/f967aa0a-3835-4b19-bb01-2981d24881f4/8de069ad69ba62b8fe51241c9607bbd0.jpg"/><pubDate>Mon, 25 Nov 2024 04:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0da7a9ab-09a8-4af9-849c-2756a79677e9.mp3" length="128828577" type="audio/mpeg"/><itunes:duration>53:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>519</itunes:episode><podcast:episode>519</podcast:episode><itunes:summary>In this episode of Working Class Audio, Matt reconnects with Grammy-winning producer and engineer J.J. Blair, last featured in Episode 96. J.J. shares the challenges of building a state-of-the-art recording studio in the Hollywood Hills and offers insights from his popular &quot;Microphone Mondays&quot; series. He also opens up about his recent heart surgery and recovery, emphasizing the importance of prioritizing health in a demanding profession.
J.J.&apos;s impressive credits include producing and mixing the Grammy-winning album Press On by June Carter Cash, engineering Rod Stewart&apos;s Grammy-winning and #1 Billboard album The Great American Songbook, Vol. 3, and engineering and mixing Joanna Connor&apos;s #1 Billboard Blues album, 4801 South Indiana Avenue.

In This Episode, We Discuss:

&quot;Microphone Mondays&quot; series

Building a state-of-the-art recording studio

Acoustic design, soundproofing, and the science of great studio environments

Incorporating vintage and modern gear, including a custom Rupert Neve console

Adapting production techniques for genres from Motown to modern rock

Reflections on heart surgery, health, and maintaining resilience in the industry

The importance of studying hit productions and what makes songs stand out

J.J.&apos;s experience with social media success and connecting with audiences


Links and Show Notes:

J.J. on Instagram

J.J.&apos;s Website


Credits:

Guest: J.J. Blair

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #519 with J.J. BLAIR | HOLLYWOOD STUDIO BUILD"><podcast:source uri="https://youtu.be/qRuAmFFKleA"/></podcast:alternateEnclosure></item><item><title>WCA #518 with Willie Green - Teaching Hip-Hop, Mentoring, Collaborating with Artists, and Hearing Your Work on the Other Side of the Globe</title><itunes:title>WCA #518 with Willie Green - Teaching Hip-Hop, Mentoring, Collaborating with Artists, and Hearing Your Work on the Other Side of the Globe</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt talks with Paul "Willie Green" Womack, a producer, engineer, and professor based in Brooklyn, NY. With nearly two decades of experience, Willie shares his passion for hip-hop production, teaching, and building meaningful connections in the studio. Having worked with renowned artists such as Armand Hammer, The Roots, The Alchemist, and Wiz Khalifa, Willie provides an insider's perspective on balancing artistry with the technical demands of audio production.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>Teaching Hip-Hop History and Vocal Production</li><li>Remote Education and In-Person Dynamics</li><li>Building a Studio in Brooklyn</li><li>Mentoring Upcoming Artists</li><li>Bridging Creativity and Technical Expertise</li><li>The Role of Community in Creative Spaces</li><li>Balancing Work and Passion Projects</li><li>The Unique Challenges of Teaching During COVID</li><li>Willie's Journey from Engineer to Educator</li></ul><br/><p><strong>Matt's Rant:</strong> Blank Spaces</p><p><strong>Links and Show Notes:</strong></p><ul><li><a href="https://www.williegreenmusic.com/" rel="noopener noreferrer" target="_blank">Willie Green's Website</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li>Guest: Paul "Willie Green" Womack</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt talks with Paul "Willie Green" Womack, a producer, engineer, and professor based in Brooklyn, NY. With nearly two decades of experience, Willie shares his passion for hip-hop production, teaching, and building meaningful connections in the studio. Having worked with renowned artists such as Armand Hammer, The Roots, The Alchemist, and Wiz Khalifa, Willie provides an insider's perspective on balancing artistry with the technical demands of audio production.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>Teaching Hip-Hop History and Vocal Production</li><li>Remote Education and In-Person Dynamics</li><li>Building a Studio in Brooklyn</li><li>Mentoring Upcoming Artists</li><li>Bridging Creativity and Technical Expertise</li><li>The Role of Community in Creative Spaces</li><li>Balancing Work and Passion Projects</li><li>The Unique Challenges of Teaching During COVID</li><li>Willie's Journey from Engineer to Educator</li></ul><br/><p><strong>Matt's Rant:</strong> Blank Spaces</p><p><strong>Links and Show Notes:</strong></p><ul><li><a href="https://www.williegreenmusic.com/" rel="noopener noreferrer" target="_blank">Willie Green's Website</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li>Guest: Paul "Willie Green" Womack</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-518-with-willie-green-teaching-hip-hop-mentoring-collaborating-with-artists-and-hearing-your-work-on-the-other-side-of-the-globe]]></link><guid isPermaLink="false">a1380b46-c461-11ee-a4ca-a790b4c48ec8</guid><itunes:image href="https://artwork.captivate.fm/f5a678b7-6550-4b54-8426-0e69944d6a40/9d4caaedb0275c83968751788e22eae8.jpg"/><pubDate>Mon, 18 Nov 2024 06:37:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1dcddece-37a5-428c-8a95-91af54a08821.mp3" length="193346586" type="audio/mpeg"/><itunes:duration>01:20:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>518</itunes:episode><podcast:episode>518</podcast:episode><itunes:summary>In this episode of Working Class Audio, Matt talks with Paul &quot;Willie Green&quot; Womack, a producer, engineer, and professor based in Brooklyn, NY. With nearly two decades of experience, Willie shares his passion for hip-hop production, teaching, and building meaningful connections in the studio. Having worked with renowned artists such as Armand Hammer, The Roots, The Alchemist, and Wiz Khalifa, Willie provides an insider&apos;s perspective on balancing artistry with the technical demands of audio production.
In This Episode, We Discuss:

Teaching Hip-Hop History and Vocal Production

Remote Education and In-Person Dynamics

Building a Studio in Brooklyn

Mentoring Upcoming Artists

Bridging Creativity and Technical Expertise

The Role of Community in Creative Spaces

Balancing Work and Passion Projects

The Unique Challenges of Teaching During COVID

Willie&apos;s Journey from Engineer to Educator

Matt&apos;s Rant: Blank Spaces
Links and Show Notes:
Willie Green&apos;s Website
Credits:

Guest: Paul &quot;Willie Green&quot; Womack

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #518 with WILLIE GREEN | TEACHING|PRODUCING HIP-HOP"><podcast:source uri="https://youtu.be/r-zh7_EI5_g"/></podcast:alternateEnclosure></item><item><title>WCA #517 with Julie Kathryn - Career Shift, Sample Creation, Becoming the Artist, Collaborative Mixing, Film Scoring, and Parenting</title><itunes:title>WCA #517 with Julie Kathryn - Career Shift, Sample Creation, Becoming the Artist, Collaborative Mixing, Film Scoring, and Parenting</itunes:title><description><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt discusses Julie Kahryns extensive experience in the music industry as a producer, sound designer, composer, and educator. With a background spanning from criminal justice to a full-time music career, Julie has worked on a wide range of projects, including crafting unique audio samples for top software companies such as Ableton, Output, Cherry Audio, Splice, and Bandlab, as well as supervising music for films, and composing original scores.</p><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li>Career Shift From Justice</li><li>Roles: Producer, Composer, Designer</li><li>Teaching at Berklee NYC</li><li>Early Music Influences</li><li>Mentor Tony Conniff's Guidance</li><li>Learning Logic Pro</li><li>Income From Samples</li><li>Film Music Supervision</li><li>Balancing Creativity and Business</li><li>Parenthood's Career Impact</li><li>Building Artist Confidence</li><li>Collaborative Mixing Work</li><li>Income Diversification</li><li>Influences: Brian Eno, Laurie Anderson</li><li>Film Scoring Techniques</li></ul><br/><h3><strong>Matt's Rant:</strong> Your Health</h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><a href="https://www.iamsnowangel.com/" rel="noopener noreferrer" target="_blank">Julie's Site (iamsnowangel.com)</a></li></ul><br/><h3><strong>Credits</strong>:</h3><ul><li>Guest: Julie Kathryn</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt discusses Julie Kahryns extensive experience in the music industry as a producer, sound designer, composer, and educator. With a background spanning from criminal justice to a full-time music career, Julie has worked on a wide range of projects, including crafting unique audio samples for top software companies such as Ableton, Output, Cherry Audio, Splice, and Bandlab, as well as supervising music for films, and composing original scores.</p><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li>Career Shift From Justice</li><li>Roles: Producer, Composer, Designer</li><li>Teaching at Berklee NYC</li><li>Early Music Influences</li><li>Mentor Tony Conniff's Guidance</li><li>Learning Logic Pro</li><li>Income From Samples</li><li>Film Music Supervision</li><li>Balancing Creativity and Business</li><li>Parenthood's Career Impact</li><li>Building Artist Confidence</li><li>Collaborative Mixing Work</li><li>Income Diversification</li><li>Influences: Brian Eno, Laurie Anderson</li><li>Film Scoring Techniques</li></ul><br/><h3><strong>Matt's Rant:</strong> Your Health</h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><a href="https://www.iamsnowangel.com/" rel="noopener noreferrer" target="_blank">Julie's Site (iamsnowangel.com)</a></li></ul><br/><h3><strong>Credits</strong>:</h3><ul><li>Guest: Julie Kathryn</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-517-with-julie-kathryn-career-shift-sample-creation-becoming-the-artist-collaborative-mixing-film-scoring-and-parenting]]></link><guid isPermaLink="false">a1cadd90-c461-11ee-a4ca-23316d58dc4e</guid><itunes:image href="https://artwork.captivate.fm/070877f0-600d-4c2b-9bcf-3a50895f5a08/768a6a1f8015cbd0e26393200f6317f6.jpg"/><pubDate>Tue, 12 Nov 2024 01:24:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4de4e9ca-782a-46af-859c-57c41b5a9c02.mp3" length="122271516" type="audio/mpeg"/><itunes:duration>01:03:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>517</itunes:episode><podcast:episode>517</podcast:episode><itunes:summary>In this episode of Working Class Audio, Matt discusses Julie Kahryns extensive experience in the music industry as a producer, sound designer, composer, and educator. With a background spanning from criminal justice to a full-time music career, Julie has worked on a wide range of projects, including crafting unique audio samples for top software companies such as Ableton, Output, Cherry Audio, Splice, and Bandlab, as well as supervising music for films, and composing original scores.

In This Episode, We Discuss:

Career Shift From Justice

Roles: Producer, Composer, Designer

Teaching at Berklee NYC

Early Music Influences

Mentor Tony Conniff&apos;s Guidance

Learning Logic Pro

Income From Samples

Film Music Supervision

Balancing Creativity and Business

Parenthood&apos;s Career Impact

Building Artist Confidence

Collaborative Mixing Work

Income Diversification

Influences: Brian Eno, Laurie Anderson

Film Scoring Techniques


Matt&apos;s Rant: Your Health

Links and Show Notes:
Julie&apos;s Site (iamsnowangel.com)

Credits:

Guest: Julie Kathryn

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #517 with JULIE KATHRYN | BLENDING ART &amp; AUDIO"><podcast:source uri="https://youtu.be/SbMPu72aZn0"/></podcast:alternateEnclosure></item><item><title>WCA #516 with Will Holland - Internship Turned Career, Ownership Advantages, Low Overhead, Setting Rates, and Staying Young</title><itunes:title>WCA #516 with Will Holland - Internship Turned Career, Ownership Advantages, Low Overhead, Setting Rates, and Staying Young</itunes:title><description><![CDATA[<p>In this episode, Matt talks with Will Holland, owner of Chill House, a 2,000-square-foot studio in Charlestown, Massachusetts. Will has worked with acts like SeepeopleS, Club d'Elf, Nth Power, Berklee, and the Lowell Chamber Orchestra.</p><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li><strong>Chill House Studio Location</strong></li><li><strong>2,000 Square Feet Space</strong></li><li><strong>Multiple Studio Rooms</strong></li><li><strong>Local, Mid-Level Clients</strong></li><li><strong>Will's Boston Beginnings</strong></li><li><strong>Internship Turned Career</strong></li><li><strong>Ownership Advantages Discussed</strong></li><li><strong>Low Overhead Emphasized</strong></li><li><strong>Word-of-Mouth Marketing</strong></li><li><strong>Work-Life Balance Focus</strong></li><li><strong>Future Relocation Possible</strong></li><li><strong>Classic Rock Influence</strong></li><li><strong>Staying Young</strong></li><li><strong>Setting Rates</strong></li></ul><br/><h3><strong>Matt's Rant:</strong> Following Up!</h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><a href="https://www.chillhousestudios.com/" rel="noopener noreferrer" target="_blank">Will's Studio</a></li></ul><br/><h3><strong>Credits</strong>:</h3><ul><li>Guest: Will Holland</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode, Matt talks with Will Holland, owner of Chill House, a 2,000-square-foot studio in Charlestown, Massachusetts. Will has worked with acts like SeepeopleS, Club d'Elf, Nth Power, Berklee, and the Lowell Chamber Orchestra.</p><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li><strong>Chill House Studio Location</strong></li><li><strong>2,000 Square Feet Space</strong></li><li><strong>Multiple Studio Rooms</strong></li><li><strong>Local, Mid-Level Clients</strong></li><li><strong>Will's Boston Beginnings</strong></li><li><strong>Internship Turned Career</strong></li><li><strong>Ownership Advantages Discussed</strong></li><li><strong>Low Overhead Emphasized</strong></li><li><strong>Word-of-Mouth Marketing</strong></li><li><strong>Work-Life Balance Focus</strong></li><li><strong>Future Relocation Possible</strong></li><li><strong>Classic Rock Influence</strong></li><li><strong>Staying Young</strong></li><li><strong>Setting Rates</strong></li></ul><br/><h3><strong>Matt's Rant:</strong> Following Up!</h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><a href="https://www.chillhousestudios.com/" rel="noopener noreferrer" target="_blank">Will's Studio</a></li></ul><br/><h3><strong>Credits</strong>:</h3><ul><li>Guest: Will Holland</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-516-with-will-holland-internship-turned-career-ownership-advantages-low-overhead-setting-rates-and-staying-young]]></link><guid isPermaLink="false">a25c384e-c461-11ee-a4ca-6b561dae42cf</guid><itunes:image href="https://artwork.captivate.fm/a28db160-e6ab-46b6-a58d-3606ada98b86/5124b7d7c4b8ac70f7ed4d6364d7a859.jpg"/><pubDate>Mon, 04 Nov 2024 23:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0d33c048-5533-4305-aa18-fbcabd2ce048.mp3" length="112969139" type="audio/mpeg"/><itunes:duration>58:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>516</itunes:episode><podcast:episode>516</podcast:episode><itunes:summary>In this episode, Matt talks with Will Holland, owner of Chill House, a 2,000-square-foot studio in Charlestown, Massachusetts. Will has worked with acts like SeepeopleS, Club d&apos;Elf, Nth Power, Berklee, and the Lowell Chamber Orchestra.

In This Episode, We Discuss:

Chill House Studio Location

2,000 Square Feet Space

Multiple Studio Rooms

Local, Mid-Level Clients

Will&apos;s Boston Beginnings

Internship Turned Career

Ownership Advantages Discussed

Low Overhead Emphasized

Word-of-Mouth Marketing

Work-Life Balance Focus

Future Relocation Possible

Classic Rock Influence

Staying Young

Setting Rates


Matt&apos;s Rant: Following Up!

Links and Show Notes:
Will&apos;s Studio

Credits:

Guest: Will Holland

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #516 with Will Holland | SUSTAINABLE STUDIO SUCCESS"><podcast:source uri="https://youtu.be/EhMbG49msPg"/></podcast:alternateEnclosure></item><item><title>WCA #515 with David Streit - Workflow Innovation, Gear Investments, Client Relations, Studio Efficiency, and Post-COVID Realities</title><itunes:title>WCA #515 with David Streit - Workflow Innovation, Gear Investments, Client Relations, Studio Efficiency, and Post-COVID Realities</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt Boudreau welcomes back audio engineer David, initially featured in WCA #210. David dives into his journey since his last interview, sharing updates on his Portland-based studio move, reflections on the city's music scene post-COVID, and how the pandemic shifted industry dynamics. David offers insights on balancing live sound with studio recording, the adaptive approaches required in today's music landscape, and how Portland's music community is showing resilience in challenging times. David has worked with fourhundred, Lucid Aisle, Storm Large, Kelly Koval, Joshua Lowe and the Juncos.</p><h3></h3><h3></h3><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li></li><li><strong>Relocating Studio Spaces and Adapting to New Work Environments</strong></li><li></li><li></li><li><strong>Post-COVID Shifts in Portland’s Music Scene and Industry-Wide Changes</strong></li><li></li><li></li><li><strong>Balancing Live Sound, Studio Recording, and Creative Roles</strong></li><li></li><li></li><li><strong>Community Support, Artist Resilience, and Collaborative Culture in Portland</strong></li><li></li><li></li><li><strong>Freelance Audio Strategies: Workflow Tips, Gear Decisions, and Client Relations</strong></li><li></li><li></li><li><strong>Navigating New Music Production Trends and Managing Technical Challenges</strong></li><li></li><li></li><li><strong>Challenges in Sustaining a Music Career in a Changing Industry Landscape</strong></li><li></li></ul><br/><h3></h3><h3></h3><h3><strong>Matt's Rant:</strong> Refuse to Giveup</h3><h3></h3><h3></h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li></li><li><a href="https://www.workingclassaudio.com/wca-210-with-david-streit/" rel="noopener noreferrer" target="_blank">David's First Appearance on WCA</a></li><li></li><li></li><li><a href="https://www.workingclassaudio.com/wca-082-justin-phelps/" rel="noopener noreferrer" target="_blank">Justin Phelps from Hallowed Halls</a></li><li></li><li></li><li><a href="https://www.davidstreit.com/" rel="noopener noreferrer" target="_blank">David's Site</a></li><li></li></ul><br/><h3></h3><h3></h3><h3><strong>Credits</strong>:</h3><ul><li></li><li>Guest: David Streit</li><li></li><li></li><li>Host: Matt Boudreau</li><li></li><li></li><li>Engineer: Matt Boudreau</li><li></li><li></li><li>Producer: Matt Boudreau</li><li></li><li></li><li>Editing: Anne-Marie Pleau</li><li></li><li></li><li>WCA Theme Music: Cliff Truesdell</li><li></li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt Boudreau welcomes back audio engineer David, initially featured in WCA #210. David dives into his journey since his last interview, sharing updates on his Portland-based studio move, reflections on the city's music scene post-COVID, and how the pandemic shifted industry dynamics. David offers insights on balancing live sound with studio recording, the adaptive approaches required in today's music landscape, and how Portland's music community is showing resilience in challenging times. David has worked with fourhundred, Lucid Aisle, Storm Large, Kelly Koval, Joshua Lowe and the Juncos.</p><h3></h3><h3></h3><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li></li><li><strong>Relocating Studio Spaces and Adapting to New Work Environments</strong></li><li></li><li></li><li><strong>Post-COVID Shifts in Portland’s Music Scene and Industry-Wide Changes</strong></li><li></li><li></li><li><strong>Balancing Live Sound, Studio Recording, and Creative Roles</strong></li><li></li><li></li><li><strong>Community Support, Artist Resilience, and Collaborative Culture in Portland</strong></li><li></li><li></li><li><strong>Freelance Audio Strategies: Workflow Tips, Gear Decisions, and Client Relations</strong></li><li></li><li></li><li><strong>Navigating New Music Production Trends and Managing Technical Challenges</strong></li><li></li><li></li><li><strong>Challenges in Sustaining a Music Career in a Changing Industry Landscape</strong></li><li></li></ul><br/><h3></h3><h3></h3><h3><strong>Matt's Rant:</strong> Refuse to Giveup</h3><h3></h3><h3></h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li></li><li><a href="https://www.workingclassaudio.com/wca-210-with-david-streit/" rel="noopener noreferrer" target="_blank">David's First Appearance on WCA</a></li><li></li><li></li><li><a href="https://www.workingclassaudio.com/wca-082-justin-phelps/" rel="noopener noreferrer" target="_blank">Justin Phelps from Hallowed Halls</a></li><li></li><li></li><li><a href="https://www.davidstreit.com/" rel="noopener noreferrer" target="_blank">David's Site</a></li><li></li></ul><br/><h3></h3><h3></h3><h3><strong>Credits</strong>:</h3><ul><li></li><li>Guest: David Streit</li><li></li><li></li><li>Host: Matt Boudreau</li><li></li><li></li><li>Engineer: Matt Boudreau</li><li></li><li></li><li>Producer: Matt Boudreau</li><li></li><li></li><li>Editing: Anne-Marie Pleau</li><li></li><li></li><li>WCA Theme Music: Cliff Truesdell</li><li></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-515-with-david-streit-workflow-innovation-gear-investments-client-relations-studio-efficiency-and-post-covid-realities]]></link><guid isPermaLink="false">9e7bc67c-c461-11ee-a4ca-8b2a0cb80a16</guid><itunes:image href="https://artwork.captivate.fm/3cee09c2-97f1-498c-84d5-16e64755c39f/494caa07a8dbb65995a8abaf3d527b95.jpg"/><pubDate>Mon, 28 Oct 2024 23:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f8f487a6-8590-43fc-8172-88c64d34899f.mp3" length="147576586" type="audio/mpeg"/><itunes:duration>01:16:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>515</itunes:episode><podcast:episode>515</podcast:episode><itunes:summary>In this episode of Working Class Audio, Matt Boudreau welcomes back audio engineer David, initially featured in WCA #210. David dives into his journey since his last interview, sharing updates on his Portland-based studio move, reflections on the city&apos;s music scene post-COVID, and how the pandemic shifted industry dynamics. David offers insights on balancing live sound with studio recording, the adaptive approaches required in today&apos;s music landscape, and how Portland&apos;s music community is showing resilience in challenging times. David has worked with fourhundred, Lucid Aisle, Storm Large, Kelly Koval, Joshua Lowe and the Juncos.


In This Episode, We Discuss:

Relocating Studio Spaces and Adapting to New Work Environments

Post-COVID Shifts in Portland’s Music Scene and Industry-Wide Changes

Balancing Live Sound, Studio Recording, and Creative Roles

Community Support, Artist Resilience, and Collaborative Culture in Portland

Freelance Audio Strategies: Workflow Tips, Gear Decisions, and Client Relations

Navigating New Music Production Trends and Managing Technical Challenges

Challenges in Sustaining a Music Career in a Changing Industry Landscape



Matt&apos;s Rant: Refuse to Giveup


Links and Show Notes:

David&apos;s First Appearance on WCA

Justin Phelps from Hallowed Halls

David&apos;s Site



Credits:

Guest: David Streit

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #515 with David Streit -Workflow Innovation, Gear Investments, Client Relations"><podcast:source uri="https://youtu.be/A362X9FpvGI"/></podcast:alternateEnclosure></item><item><title>WCA #514 with Christal Jerez - Education, Immersive Audio, Motherhood, New York Love, and VH1 Documentaries</title><itunes:title>WCA #514 with Christal Jerez - Education, Immersive Audio, Motherhood, New York Love, and VH1 Documentaries</itunes:title><description><![CDATA[<p>In this episode of <em>Working Class Audio</em>, recorded live at AES 2024 in New York, Christal Jerez shares her career journey from Los Angeles to the UK. She discusses her experiences in live and studio sound, her move to the UK for a PhD, and the challenges of balancing motherhood with freelance work. Christal has worked with artists such as Lil Kim, Malik Moses, Al-Doms, and Timi O.</p><h3><br></h3><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li><strong>Move to the UK</strong>: Christal relocated to earn a PhD for the Andrew Scheps Music Production Scholarship, focused on immersive audio, supported by her family.</li><li><strong>Immersive Audio</strong>: Passion for 3D sound and binaural audio, working with psychoacoustic experts at NYU.</li><li><strong>Early Inspirations</strong>: Grew up in LA, influenced by family gatherings and VH1 documentaries.</li><li><strong>Education Path</strong>: Studied audio production in university, learned hands-on through radio station work recording live bluegrass music.</li><li><strong>Career Growth</strong>: Mentored by Serge Tsai at Platinum Sound, rising from assistant to freelance engineer. Focused on client relationships and studio professionalism.</li><li><strong>Challenges as a Woman in Audio</strong>: Faced bias and underrepresentation in the industry. Emphasized importance of mentorship and resilience.</li><li><strong>Balancing Work &amp; Motherhood</strong>: Struggled to balance freelance work with being a mother, setting boundaries to manage family and career.</li></ul><br/><h3><strong>Matt’s Rant:</strong> AES 2024 Debrief</h3><h3><br></h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><a href="https://www.christalssoniclab.com/about" rel="noopener noreferrer" target="_blank">Christal's Sonic Lab</a></li><li><a href="https://aes2.org/news/audio-engineering-society-highlights-latest-audio-engineering-advances-and-diversity-progress-in-the-field-at-successful-aes-show-2024-ny/" rel="noopener noreferrer" target="_blank">AES 2025 in Long Beach</a></li></ul><br/><h3><strong>Credits</strong>:</h3><ul><li>Guest: Christal Jerez</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of <em>Working Class Audio</em>, recorded live at AES 2024 in New York, Christal Jerez shares her career journey from Los Angeles to the UK. She discusses her experiences in live and studio sound, her move to the UK for a PhD, and the challenges of balancing motherhood with freelance work. Christal has worked with artists such as Lil Kim, Malik Moses, Al-Doms, and Timi O.</p><h3><br></h3><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li><strong>Move to the UK</strong>: Christal relocated to earn a PhD for the Andrew Scheps Music Production Scholarship, focused on immersive audio, supported by her family.</li><li><strong>Immersive Audio</strong>: Passion for 3D sound and binaural audio, working with psychoacoustic experts at NYU.</li><li><strong>Early Inspirations</strong>: Grew up in LA, influenced by family gatherings and VH1 documentaries.</li><li><strong>Education Path</strong>: Studied audio production in university, learned hands-on through radio station work recording live bluegrass music.</li><li><strong>Career Growth</strong>: Mentored by Serge Tsai at Platinum Sound, rising from assistant to freelance engineer. Focused on client relationships and studio professionalism.</li><li><strong>Challenges as a Woman in Audio</strong>: Faced bias and underrepresentation in the industry. Emphasized importance of mentorship and resilience.</li><li><strong>Balancing Work &amp; Motherhood</strong>: Struggled to balance freelance work with being a mother, setting boundaries to manage family and career.</li></ul><br/><h3><strong>Matt’s Rant:</strong> AES 2024 Debrief</h3><h3><br></h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><a href="https://www.christalssoniclab.com/about" rel="noopener noreferrer" target="_blank">Christal's Sonic Lab</a></li><li><a href="https://aes2.org/news/audio-engineering-society-highlights-latest-audio-engineering-advances-and-diversity-progress-in-the-field-at-successful-aes-show-2024-ny/" rel="noopener noreferrer" target="_blank">AES 2025 in Long Beach</a></li></ul><br/><h3><strong>Credits</strong>:</h3><ul><li>Guest: Christal Jerez</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-514-with-christal-jerez-education-immersive-audio-motherhood-new-york-love-and-vh1-documentaries]]></link><guid isPermaLink="false">9eed739e-c461-11ee-a4ca-0f77735896f2</guid><itunes:image href="https://artwork.captivate.fm/c0c5d123-46b8-4f4b-8074-8cb89e62f6d6/ba947c676852f2a4836c5600ef86dd25.jpg"/><pubDate>Mon, 21 Oct 2024 04:41:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c0df5176-bbae-45d4-b09a-08081ccd19ff.mp3" length="124214870" type="audio/mpeg"/><itunes:duration>01:04:42</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>514</itunes:episode><podcast:episode>514</podcast:episode><itunes:summary>In this episode of Working Class Audio, recorded live at AES 2024 in New York, Christal Jerez shares her career journey from Los Angeles to the UK. She discusses her experiences in live and studio sound, her move to the UK for a PhD, and the challenges of balancing motherhood with freelance work. Christal has worked with artists such as Lil Kim, Malik Moses, Al-Doms, and Timi O.

In This Episode, We Discuss:


Move to the UK: Christal relocated to earn a PhD for the Andrew Scheps Music Production Scholarship, focused on immersive audio, supported by her family.


Immersive Audio: Passion for 3D sound and binaural audio, working with psychoacoustic experts at NYU.


Early Inspirations: Grew up in LA, influenced by family gatherings and VH1 documentaries.


Education Path: Studied audio production in university, learned hands-on through radio station work recording live bluegrass music.


Career Growth: Mentored by Serge Tsai at Platinum Sound, rising from assistant to freelance engineer. Focused on client relationships and studio professionalism.


Challenges as a Woman in Audio: Faced bias and underrepresentation in the industry. Emphasized importance of mentorship and resilience.


Balancing Work &amp; Motherhood: Struggled to balance freelance work with being a mother, setting boundaries to manage family and career.


Matt’s Rant: AES 2024 Debrief

Links and Show Notes:

Christal&apos;s Sonic Lab

AES 2025 in Long Beach


Credits:

Guest: Christal Jerez

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #514 with Christal Jerez - Education, Immersive Audio, Motherhood, New York Love, and VH1 Documentaries"><podcast:source uri="https://youtu.be/bkP4KsKrEsU"/></podcast:alternateEnclosure></item><item><title>WCA #513 with Joel Jaffe - Navigating 40 Years of Studio Life, Recording Legends, Perfecting Live Room Techniques, Overcoming Bay Area Challenges, and Getting Out of the Chair</title><itunes:title>WCA #513 with Joel Jaffe - Navigating 40 Years of Studio Life, Recording Legends, Perfecting Live Room Techniques, Overcoming Bay Area Challenges, and Getting Out of the Chair</itunes:title><description><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt Boudreau chats with veteran producer and engineer Joel Jaffe, founder of Studio D Recording. Joel reflects on his 40-year journey running a renowned Bay Area studio, working with legendary artists like Faith No More and Huey Lewis, and perfecting live room recording techniques. He also shares insights on overcoming the challenges of studio life, the evolving music industry, and his decision to step away from day-to-day operations, or as Matt puts it, “getting out of the chair.”</p><h3><br></h3><h3><br></h3><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li><br></li><li><strong>Challenges of running a studio in the Bay Area</strong></li><li><br></li><li><br></li><li><strong>Building and managing Studio D Recording</strong></li><li><br></li><li><br></li><li><strong>Recording techniques for live rooms and handling isolation</strong></li><li><br></li><li><br></li><li><strong>Working with iconic artists like Faith No More, Huey Lewis, and Soundgarden</strong></li><li><br></li><li><br></li><li><strong>The impact of streaming and the changing music industry</strong></li><li><br></li><li><br></li><li><strong>Balancing a 40-year career with family life</strong></li><li><br></li><li><br></li><li><strong>Lessons learned from mentors and iconic engineers</strong></li><li><br></li><li><br></li><li><strong>Advice for aspiring audio engineers and producers</strong></li><li><br></li><li><br></li><li><strong>Shifting from studio ownership to freelance work</strong></li><li><br></li></ul><br/><h3><br></h3><h3><br></h3><h3><strong>Matt’s Rant:</strong>&nbsp;Revisiting <em>Putting Yourself Out There</em></h3><h3><br></h3><h3><br></h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><br></li><li><a href="https://www.studiodrecording.com" rel="noopener noreferrer" target="_blank">Studio D Recording</a></li><li><br></li><li><br></li><li><a href="https://en.wikipedia.org/wiki/Joel_Jaffe" rel="noopener noreferrer" target="_blank">Joel Jaffe on Wikipedia</a></li><li><br></li></ul><br/><h3><br></h3><h3><br></h3><h3><strong>Credits</strong>:</h3><ul><li><br></li><li>Guest: Joel Jaffe</li><li><br></li><li><br></li><li>Host: Matt Boudreau</li><li><br></li><li><br></li><li>Engineer: Matt Boudreau</li><li><br></li><li><br></li><li>Producer: Matt Boudreau</li><li><br></li><li><br></li><li>Editing: Anne-Marie Pleau</li><li><br></li><li><br></li><li>WCA Theme Music: Cliff Truesdell</li><li><br></li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Matt Boudreau chats with veteran producer and engineer Joel Jaffe, founder of Studio D Recording. Joel reflects on his 40-year journey running a renowned Bay Area studio, working with legendary artists like Faith No More and Huey Lewis, and perfecting live room recording techniques. He also shares insights on overcoming the challenges of studio life, the evolving music industry, and his decision to step away from day-to-day operations, or as Matt puts it, “getting out of the chair.”</p><h3><br></h3><h3><br></h3><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li><br></li><li><strong>Challenges of running a studio in the Bay Area</strong></li><li><br></li><li><br></li><li><strong>Building and managing Studio D Recording</strong></li><li><br></li><li><br></li><li><strong>Recording techniques for live rooms and handling isolation</strong></li><li><br></li><li><br></li><li><strong>Working with iconic artists like Faith No More, Huey Lewis, and Soundgarden</strong></li><li><br></li><li><br></li><li><strong>The impact of streaming and the changing music industry</strong></li><li><br></li><li><br></li><li><strong>Balancing a 40-year career with family life</strong></li><li><br></li><li><br></li><li><strong>Lessons learned from mentors and iconic engineers</strong></li><li><br></li><li><br></li><li><strong>Advice for aspiring audio engineers and producers</strong></li><li><br></li><li><br></li><li><strong>Shifting from studio ownership to freelance work</strong></li><li><br></li></ul><br/><h3><br></h3><h3><br></h3><h3><strong>Matt’s Rant:</strong>&nbsp;Revisiting <em>Putting Yourself Out There</em></h3><h3><br></h3><h3><br></h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><br></li><li><a href="https://www.studiodrecording.com" rel="noopener noreferrer" target="_blank">Studio D Recording</a></li><li><br></li><li><br></li><li><a href="https://en.wikipedia.org/wiki/Joel_Jaffe" rel="noopener noreferrer" target="_blank">Joel Jaffe on Wikipedia</a></li><li><br></li></ul><br/><h3><br></h3><h3><br></h3><h3><strong>Credits</strong>:</h3><ul><li><br></li><li>Guest: Joel Jaffe</li><li><br></li><li><br></li><li>Host: Matt Boudreau</li><li><br></li><li><br></li><li>Engineer: Matt Boudreau</li><li><br></li><li><br></li><li>Producer: Matt Boudreau</li><li><br></li><li><br></li><li>Editing: Anne-Marie Pleau</li><li><br></li><li><br></li><li>WCA Theme Music: Cliff Truesdell</li><li><br></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-513-with-joel-jaffe-navigating-40-years-of-studio-life-recording-legends-perfecting-live-room-techniques-overcoming-bay-area-challenges-and-getting-out-of-the-chair]]></link><guid isPermaLink="false">9f809084-c461-11ee-a4ca-4b76437b9043</guid><itunes:image href="https://artwork.captivate.fm/16a4a422-0a06-49ae-a5cf-5ba226a242b9/1bd18eed38b6a7805fe91b57b9aef18b.jpg"/><pubDate>Mon, 14 Oct 2024 20:17:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4f9ea7fb-7946-45d5-a9d7-426c7750106f.mp3" length="128114732" type="audio/mpeg"/><itunes:duration>01:06:44</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>513</itunes:episode><podcast:episode>513</podcast:episode><itunes:summary>In this episode of Working Class Audio, Matt Boudreau chats with veteran producer and engineer Joel Jaffe, founder of Studio D Recording. Joel reflects on his 40-year journey running a renowned Bay Area studio, working with legendary artists like Faith No More and Huey Lewis, and perfecting live room recording techniques. He also shares insights on overcoming the challenges of studio life, the evolving music industry, and his decision to step away from day-to-day operations, or as Matt puts it, “getting out of the chair.”


In This Episode, We Discuss:

Challenges of running a studio in the Bay Area

Building and managing Studio D Recording

Recording techniques for live rooms and handling isolation

Working with iconic artists like Faith No More, Huey Lewis, and Soundgarden

The impact of streaming and the changing music industry

Balancing a 40-year career with family life

Lessons learned from mentors and iconic engineers

Advice for aspiring audio engineers and producers

Shifting from studio ownership to freelance work



Matt’s Rant: Revisiting Putting Yourself Out There



Links and Show Notes:

Studio D Recording

Joel Jaffe on Wikipedia



Credits:

Guest: Joel Jaffe

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #513 with Joel Jaffe - Navigating 40 Years of Studio Life, Recording Legends, Perfecting Live Room Techniques, Overcoming Bay Area Challenges, and Getting Out of the Chair"><podcast:source uri="https://youtu.be/PD0EpbwJp0M"/></podcast:alternateEnclosure></item><item><title>WCA #512 with Dr. Mary Mazurek – Classical Recording, Mentoring, Microphone Techniques for Live Performances, Evolution of Audio Technology, and Moving to Canada</title><itunes:title>WCA #512 with Dr. Mary Mazurek – Classical Recording, Mentoring, Microphone Techniques for Live Performances, Evolution of Audio Technology, and Moving to Canada</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, Matt Boudreau talks with Grammy-nominated recording engineer and educator Dr. Mary Mazurek about her work in classical music recording and her approach to teaching and mentoring.</p><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li>Grammy-nominated projects</li><li>Challenges of recording classical music</li><li>Microphone techniques for live performances</li><li>Managing acoustics in different environments</li><li>Mentoring young engineers</li><li>Practical learning in audio</li><li>Evolution of audio technology</li><li>Moving to Canada</li><li>Summers in Chicago</li></ul><br/><h3><strong>Matt’s Rant:</strong>&nbsp;The most important thing is what comes out of the speakers!</h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><a href="https://www.ulethbridge.ca/fine-arts/profile/dr-mary-mazurek" rel="noopener noreferrer" target="_blank">Dr. Mary Mazurek's Faculty Profile</a></li><li><a href="https://www.workingclassaudio.com/wca-253-with-mary-mazurek/" rel="noopener noreferrer" target="_blank">Mary Mazurek's previous WCA episode #253</a></li></ul><br/><h3><strong>Credits</strong>:</h3><ul><li>Guest: Dr. Mary Mazurek</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, Matt Boudreau talks with Grammy-nominated recording engineer and educator Dr. Mary Mazurek about her work in classical music recording and her approach to teaching and mentoring.</p><h3><strong>In This Episode, We Discuss</strong>:</h3><ul><li>Grammy-nominated projects</li><li>Challenges of recording classical music</li><li>Microphone techniques for live performances</li><li>Managing acoustics in different environments</li><li>Mentoring young engineers</li><li>Practical learning in audio</li><li>Evolution of audio technology</li><li>Moving to Canada</li><li>Summers in Chicago</li></ul><br/><h3><strong>Matt’s Rant:</strong>&nbsp;The most important thing is what comes out of the speakers!</h3><h3><strong>Links and Show Notes</strong>:</h3><ul><li><a href="https://www.ulethbridge.ca/fine-arts/profile/dr-mary-mazurek" rel="noopener noreferrer" target="_blank">Dr. Mary Mazurek's Faculty Profile</a></li><li><a href="https://www.workingclassaudio.com/wca-253-with-mary-mazurek/" rel="noopener noreferrer" target="_blank">Mary Mazurek's previous WCA episode #253</a></li></ul><br/><h3><strong>Credits</strong>:</h3><ul><li>Guest: Dr. Mary Mazurek</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-512-with-dr-mary-mazurek-classical-recording-mentoring-microphone-techniques-for-live-performances-evolution-of-audio-technology-and-moving-to-canada]]></link><guid isPermaLink="false">a012843a-c461-11ee-a4ca-3ff447f221ca</guid><itunes:image href="https://artwork.captivate.fm/60786675-af20-41c6-bc05-eb12742a9c2b/c108bc007cd83c01acdcf200dd8dba9d.jpg"/><pubDate>Mon, 07 Oct 2024 05:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/39ef60ac-04c9-4db4-8b13-487751937df9.mp3" length="107712117" type="audio/mpeg"/><itunes:duration>56:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>512</itunes:episode><podcast:episode>512</podcast:episode><itunes:summary>In this episode of Working Class Audio, Matt Boudreau talks with Grammy-nominated recording engineer and educator Dr. Mary Mazurek about her work in classical music recording and her approach to teaching and mentoring.


In This Episode, We Discuss:

Grammy-nominated projects

Challenges of recording classical music

Microphone techniques for live performances

Managing acoustics in different environments

Mentoring young engineers

Practical learning in audio

Evolution of audio technology

Moving to Canada

Summers in Chicago


Matt’s Rant: The most important thing is what comes out of the speakers!

Links and Show Notes:

Dr. Mary Mazurek&apos;s Faculty Profile

Mary Mazurek&apos;s previous WCA episode #253


Credits:

Guest: Dr. Mary Mazurek

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #512 with Dr. Mary Mazurek – Classical Recording, Mentoring, Microphone Techniques for Live Performances, Evolution of Audio Technology, and Moving to Canada"><podcast:source uri="https://youtu.be/IBFlbjd2prI"/></podcast:alternateEnclosure></item><item><title>WCA #511 with Gabriel Shepard – 25th Street Recording, Building, and Maintaining Client Relationships, Burning Out, and Learning from Other Producers</title><itunes:title>WCA #511 with Gabriel Shepard – 25th Street Recording, Building, and Maintaining Client Relationships, Burning Out, and Learning from Other Producers</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, we welcome back <strong>Engineer/Producer Gabriel Shepard</strong>, who first appeared on <strong>WCA #011</strong>. Now, 500 episodes later, Gabriel returns to share more from his journey. Gabriel's impressive client list includes <strong>Cake</strong>, <strong>The Kronos Quartet</strong>, <strong>Bassnectar</strong>, <strong>Raphael Saadiq</strong>, and <strong>The Residents</strong>.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li><strong>25th Street Recording</strong></li><li><strong>Building Client Trust</strong></li><li><strong>Creative Collaboration</strong></li><li><strong>Crafting Signature Sound</strong></li><li><strong>Navigating Industry Changes</strong></li><li><strong>Freelance Persistence</strong></li><li><strong>Audio Gear Insights</strong></li><li><strong>Mixing Strategies</strong></li><li><strong>Studio Workflow</strong></li><li><strong>Client Communication</strong></li><li><strong>Recording Challenges</strong></li><li><strong>Evolving Sound Trends</strong></li><li><strong>Learning from Other Producers</strong></li><li><strong>Earning Fans of Your Work</strong></li></ul><br/><p><strong>Matt's Rant:</strong> Covid!</p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.gabrielshepard.com/" rel="noopener noreferrer" target="_blank">Gabriel's Site</a></li><li><a href="https://www.25thstreetrecording.com/" rel="noopener noreferrer" target="_blank">25th Street Recording Studio</a></li><li><a href="https://www.workingclassaudio.com/wca-011-gabriel-shepard/" rel="noopener noreferrer" target="_blank">Original WCA #011 with Gabriel</a></li><li><a href="https://www.workingclassaudio.com/wca-073-john-schimpf/" rel="noopener noreferrer" target="_blank">WCA #073 with John Schimpf</a></li><li><a href="https://www.workingclassaudio.com/wca-249-with-jeff-kolhede/" rel="noopener noreferrer" target="_blank">WCA #249 with Jeff Kolhede</a></li><li><a href="https://www.workingclassaudio.com/wca-005-with-john-cuniberti/" rel="noopener noreferrer" target="_blank">WCA #005 with John Cuniberti</a></li><li><a href="https://www.workingclassaudio.com/wca-290-with-joe-chiccarelli/" rel="noopener noreferrer" target="_blank">WCA #290 with Joe Chiccarelli</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Gabriel Shepard</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, we welcome back <strong>Engineer/Producer Gabriel Shepard</strong>, who first appeared on <strong>WCA #011</strong>. Now, 500 episodes later, Gabriel returns to share more from his journey. Gabriel's impressive client list includes <strong>Cake</strong>, <strong>The Kronos Quartet</strong>, <strong>Bassnectar</strong>, <strong>Raphael Saadiq</strong>, and <strong>The Residents</strong>.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li><strong>25th Street Recording</strong></li><li><strong>Building Client Trust</strong></li><li><strong>Creative Collaboration</strong></li><li><strong>Crafting Signature Sound</strong></li><li><strong>Navigating Industry Changes</strong></li><li><strong>Freelance Persistence</strong></li><li><strong>Audio Gear Insights</strong></li><li><strong>Mixing Strategies</strong></li><li><strong>Studio Workflow</strong></li><li><strong>Client Communication</strong></li><li><strong>Recording Challenges</strong></li><li><strong>Evolving Sound Trends</strong></li><li><strong>Learning from Other Producers</strong></li><li><strong>Earning Fans of Your Work</strong></li></ul><br/><p><strong>Matt's Rant:</strong> Covid!</p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.gabrielshepard.com/" rel="noopener noreferrer" target="_blank">Gabriel's Site</a></li><li><a href="https://www.25thstreetrecording.com/" rel="noopener noreferrer" target="_blank">25th Street Recording Studio</a></li><li><a href="https://www.workingclassaudio.com/wca-011-gabriel-shepard/" rel="noopener noreferrer" target="_blank">Original WCA #011 with Gabriel</a></li><li><a href="https://www.workingclassaudio.com/wca-073-john-schimpf/" rel="noopener noreferrer" target="_blank">WCA #073 with John Schimpf</a></li><li><a href="https://www.workingclassaudio.com/wca-249-with-jeff-kolhede/" rel="noopener noreferrer" target="_blank">WCA #249 with Jeff Kolhede</a></li><li><a href="https://www.workingclassaudio.com/wca-005-with-john-cuniberti/" rel="noopener noreferrer" target="_blank">WCA #005 with John Cuniberti</a></li><li><a href="https://www.workingclassaudio.com/wca-290-with-joe-chiccarelli/" rel="noopener noreferrer" target="_blank">WCA #290 with Joe Chiccarelli</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Gabriel Shepard</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-511-with-gabriel-shepard-25th-street-recording-building-and-maintaining-client-relationships-burning-out-and-learning-from-other-producers]]></link><guid isPermaLink="false">9ba34ce0-c461-11ee-a4ca-2b662b82508b</guid><itunes:image href="https://artwork.captivate.fm/2dd9d375-f527-497d-a5ff-2d54d903729c/612a903cb12999a09f8b8b5ec83cb687.jpg"/><pubDate>Mon, 30 Sep 2024 19:09:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/77f0cffc-3ada-4997-988a-544c59d7599c.mp3" length="147431635" type="audio/mpeg"/><itunes:duration>01:01:26</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>511</itunes:episode><podcast:episode>511</podcast:episode><itunes:summary>In this episode of Working Class Audio, we welcome back Engineer/Producer Gabriel Shepard, who first appeared on WCA #011. Now, 500 episodes later, Gabriel returns to share more from his journey. Gabriel&apos;s impressive client list includes Cake, The Kronos Quartet, Bassnectar, Raphael Saadiq, and The Residents.

In This Episode, We Discuss:

25th Street Recording

Building Client Trust

Creative Collaboration

Crafting Signature Sound

Navigating Industry Changes

Freelance Persistence

Audio Gear Insights

Mixing Strategies

Studio Workflow

Client Communication

Recording Challenges

Evolving Sound Trends

Learning from Other Producers

Earning Fans of Your Work


Matt&apos;s Rant: Covid!
Links and Show Notes

Gabriel&apos;s Site

25th Street Recording Studio

Original WCA #011 with Gabriel

WCA #073 with John Schimpf

WCA #249 with Jeff Kolhede

WCA #005 with John Cuniberti

WCA #290 with Joe Chiccarelli

Credits

Guest: Gabriel Shepard

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #511 with Gabriel Shepard – 25th Street Recording, Building, and Maintaining Client Relationships, Burning Out, and Learning from Other Producers"><podcast:source uri="https://youtu.be/waFCDvIOmoc"/></podcast:alternateEnclosure></item><item><title>WCA #510 with Steve Lack- Freedom In Podcasting, Freelance Journey Shifts, Midlife Career Pivot, Seinfeld, and Working from a Sailboat</title><itunes:title>WCA #510 with Steve Lack- Freedom In Podcasting, Freelance Journey Shifts, Midlife Career Pivot, Seinfeld, and Working from a Sailboat</itunes:title><description><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Steve Lack shares his extensive background in audio post-production and podcasting. Steve reflects on his time working with Warner Brothers Discovery and his contributions to iconic shows like <em>Seinfeld</em>. With experience at NPR, VPM, Al Jazeera, and HBO, Steve now operates remotely from Richmond, Virginia. He discusses the flexibility of podcasting and how his journey from network television to podcasting has shaped his approach to building lasting client relationships.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>Freelancing Journey Shifts</li><li>Early Adoption Of Pro Tools</li><li>Discovery Channel Experience</li><li>Remote Podcast Production</li><li>Transition From Drumming To Film Composition</li><li>Midlife Career Pivot</li><li>Freedom In Podcasting</li><li>Networking And Relationships</li><li>Working From A Sailboat</li><li>Overcoming Corporate Mergers</li><li>Embracing Technological Changes</li></ul><br/><p><strong>Matt's Rant: Learning to Swim First</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://stevelackaudio.com/" rel="noopener noreferrer" target="_blank">Steve's Site</a></li><li><a href="https://acondigital.com/products/deverberate/" rel="noopener noreferrer" target="_blank">Acon DeReverberate</a></li><li><a href="https://www.accentize.com/dxrevive/" rel="noopener noreferrer" target="_blank">Accentize Plugins</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Steve Lack</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of <em>Working Class Audio</em>, Steve Lack shares his extensive background in audio post-production and podcasting. Steve reflects on his time working with Warner Brothers Discovery and his contributions to iconic shows like <em>Seinfeld</em>. With experience at NPR, VPM, Al Jazeera, and HBO, Steve now operates remotely from Richmond, Virginia. He discusses the flexibility of podcasting and how his journey from network television to podcasting has shaped his approach to building lasting client relationships.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>Freelancing Journey Shifts</li><li>Early Adoption Of Pro Tools</li><li>Discovery Channel Experience</li><li>Remote Podcast Production</li><li>Transition From Drumming To Film Composition</li><li>Midlife Career Pivot</li><li>Freedom In Podcasting</li><li>Networking And Relationships</li><li>Working From A Sailboat</li><li>Overcoming Corporate Mergers</li><li>Embracing Technological Changes</li></ul><br/><p><strong>Matt's Rant: Learning to Swim First</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://stevelackaudio.com/" rel="noopener noreferrer" target="_blank">Steve's Site</a></li><li><a href="https://acondigital.com/products/deverberate/" rel="noopener noreferrer" target="_blank">Acon DeReverberate</a></li><li><a href="https://www.accentize.com/dxrevive/" rel="noopener noreferrer" target="_blank">Accentize Plugins</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Steve Lack</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-510-with-steve-lack-freedom-in-podcasting-freelance-journey-shifts-midlife-career-pivot-seinfeld-and-working-from-a-sailboat]]></link><guid isPermaLink="false">9c36db04-c461-11ee-a4ca-2795e1aba1ca</guid><itunes:image href="https://artwork.captivate.fm/56bfe1ea-59de-4918-9ea1-5b8cc7ecddcc/b4ad401760ddd53969963f8ddfb26856.jpg"/><pubDate>Mon, 23 Sep 2024 15:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8180db7d-3e62-446b-9700-f2b6768e42cd.mp3" length="179855928" type="audio/mpeg"/><itunes:duration>01:14:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>510</itunes:episode><podcast:episode>510</podcast:episode><itunes:summary>In this episode of Working Class Audio, Steve Lack shares his extensive background in audio post-production and podcasting. Steve reflects on his time working with Warner Brothers Discovery and his contributions to iconic shows like Seinfeld. With experience at NPR, VPM, Al Jazeera, and HBO, Steve now operates remotely from Richmond, Virginia. He discusses the flexibility of podcasting and how his journey from network television to podcasting has shaped his approach to building lasting client relationships.
In This Episode, We Discuss:

Freelancing Journey Shifts

Early Adoption Of Pro Tools

Discovery Channel Experience

Remote Podcast Production

Transition From Drumming To Film Composition

Midlife Career Pivot

Freedom In Podcasting

Networking And Relationships

Working From A Sailboat

Overcoming Corporate Mergers

Embracing Technological Changes


Matt&apos;s Rant: Learning to Swim First
Links and Show Notes

Steve&apos;s Site

Acon DeReverberate

Accentize Plugins

Credits

Guest: Steve Lack

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #510 with Steve Lack- Freedom In Podcasting, Freelance Journey Shifts, Midlife Career Pivot, Seinfeld, and Working from a Sailboat"><podcast:source uri="https://youtu.be/pHW21n0HaIM"/></podcast:alternateEnclosure></item><item><title>WCA #509 with Alberto de Icaza- Mastering, Cash Flow Management, From Mexico to New Jersey, to Texas, Client Relations, and Crashing His Car</title><itunes:title>WCA #509 with Alberto de Icaza- Mastering, Cash Flow Management, From Mexico to New Jersey, to Texas, Client Relations, and Crashing His Car</itunes:title><description><![CDATA[<p>In this episode of <em>Working Class Audio</em>, mastering engineer Alberto de Icaza shares his journey from Mexico City to the U.S., transitioning from playing in metal bands to becoming a mastering engineer. Now based in Austin, Texas, Alberto discusses his path to mastering during the pandemic and the importance of building client relationships organically through word-of-mouth.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>AI Tools Usage</li><li>Mastering Career Shift</li><li>Industry Challenges</li><li>Impact Of AI On Work</li><li>Client Relations</li><li>Networking Expansion</li><li>Spanish Market Strategy</li><li>Social Media Promotion</li><li>Professional Collaborations</li><li>Remote Work Preference</li><li>Cash Flow Management</li><li>Studio Setup</li><li>Adapting To New Tech</li><li>Working With Key Mentors</li><li>Crashing His Car</li><li>From Mexico to New Jersey, to Texas</li></ul><br/><p><strong>Matt's Rant: All The Other Stuff</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.albertomixes.com/" rel="noopener noreferrer" target="_blank">Alberto's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-245-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve Chadie on WCA #245</a></li><li><a href="https://www.workingclassaudio.com/wca-487-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve Chadie on WCA #487</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Alberto de Icaza</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of <em>Working Class Audio</em>, mastering engineer Alberto de Icaza shares his journey from Mexico City to the U.S., transitioning from playing in metal bands to becoming a mastering engineer. Now based in Austin, Texas, Alberto discusses his path to mastering during the pandemic and the importance of building client relationships organically through word-of-mouth.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li>AI Tools Usage</li><li>Mastering Career Shift</li><li>Industry Challenges</li><li>Impact Of AI On Work</li><li>Client Relations</li><li>Networking Expansion</li><li>Spanish Market Strategy</li><li>Social Media Promotion</li><li>Professional Collaborations</li><li>Remote Work Preference</li><li>Cash Flow Management</li><li>Studio Setup</li><li>Adapting To New Tech</li><li>Working With Key Mentors</li><li>Crashing His Car</li><li>From Mexico to New Jersey, to Texas</li></ul><br/><p><strong>Matt's Rant: All The Other Stuff</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.albertomixes.com/" rel="noopener noreferrer" target="_blank">Alberto's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-245-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve Chadie on WCA #245</a></li><li><a href="https://www.workingclassaudio.com/wca-487-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve Chadie on WCA #487</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Alberto de Icaza</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-509-with-alberto-de-icaza-mastering-cash-flow-management-from-mexico-to-new-jersey-to-texas-client-relations-and-crashing-his-car]]></link><guid isPermaLink="false">9cc7e7c0-c461-11ee-a4ca-c73b8d1cf974</guid><itunes:image href="https://artwork.captivate.fm/fb12629d-8cb5-458f-8e7d-aa596267f749/ef412348520175961a3c83c838e9414f.jpg"/><pubDate>Mon, 16 Sep 2024 18:44:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4801274b-55cc-4cc7-835f-5420486b3deb.mp3" length="194065355" type="audio/mpeg"/><itunes:duration>01:20:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>509</itunes:episode><podcast:episode>509</podcast:episode><itunes:summary>In this episode of Working Class Audio, mastering engineer Alberto de Icaza shares his journey from Mexico City to the U.S., transitioning from playing in metal bands to becoming a mastering engineer. Now based in Austin, Texas, Alberto discusses his path to mastering during the pandemic and the importance of building client relationships organically through word-of-mouth.
In This Episode, We Discuss:

AI Tools Usage

Mastering Career Shift

Industry Challenges

Impact Of AI On Work

Client Relations

Networking Expansion

Spanish Market Strategy

Social Media Promotion

Professional Collaborations

Remote Work Preference

Cash Flow Management

Studio Setup

Adapting To New Tech

Working With Key Mentors

Crashing His Car

From Mexico to New Jersey, to Texas


Matt&apos;s Rant: All The Other Stuff
Links and Show Notes

Alberto&apos;s Site

Steve Chadie on WCA #245

Steve Chadie on WCA #487

Credits

Guest: Alberto de Icaza

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #509 with Alberto de Icaza- Mastering, Cash Flow Management, From Mexico to New Jersey, to Texas, Client Relations, and Crashing His Car"><podcast:source uri="https://youtu.be/RRedJINXqfk"/></podcast:alternateEnclosure></item><item><title>WCA #508 with Cesar Mejia – Navigating Post-COVID Teaching, Balancing Studio Ownership, Diversifying Income Streams, Expanding Shelter Studios, and Longtime Collaboration with Herbie Hancock</title><itunes:title>WCA #508 with Cesar Mejia – Navigating Post-COVID Teaching, Balancing Studio Ownership, Diversifying Income Streams, Expanding Shelter Studios, and Longtime Collaboration with Herbie Hancock</itunes:title><description><![CDATA[<p>In this episode of Working Class Audio, host Matt Boudreau welcomes back Cesar Mejia, a longtime friend of the podcast, to discuss his continued journey as an educator, studio owner, and audio professional. Cesar, first featured in episode #117 back in 2017, shares his experiences navigating the post-pandemic world, teaching the next generation of musicians, and balancing life at his studio, Shelter Studios.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li><strong>Cesar Mejia's Return to Podcast</strong>: Reflecting on his first appearance in 2017, episode 117, and discussing his journey.</li><li><strong>Teaching Post-COVID</strong>: Cesar talks about teaching at Cal State Dominguez Hills and Whittier College, highlighting changes in student mentality and the shift in teaching due to the pandemic.</li><li><strong>Students' Musical Preferences</strong>: Discussing the differences between students at Dominguez Hills, who are more electronic-focused, and those at Whittier, who are often acoustic musicians.</li><li><strong>Shelter Studios and Family Property</strong>: Cesar's studio, Shelter Studios, is located on family property that he inherited. He is working on possibly expanding the space while keeping the studio comfortable and home-like.</li><li><strong>Balancing Expansion and Stability</strong>: Conversations about the benefits of expanding the studio or staying in the current location and the importance of financial stability.</li><li><strong>Wiring and Additional Gigs</strong>: In addition to teaching and studio work, Cesar occasionally takes on wiring gigs for other studios, keeping his income diversified.</li><li><strong>Collaboration with Herbie Hancock</strong>: Cesar continues to work with Herbie Hancock, especially on tours post-COVID, and handles audio tasks such as mixing stems for live performances.</li></ul><br/><p><strong>Matt's Rant: Being in Asset</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.theshelterstudios.com/" rel="noopener noreferrer" target="_blank">The Shelter Studios</a></li><li><a href="https://www.instagram.com/theshelterstudios/" rel="noopener noreferrer" target="_blank">The Shelter on Instangram</a></li><li><a href="https://www.workingclassaudio.com/wca-117-with-cesar-mejia/" rel="noopener noreferrer" target="_blank">WCA Episode #117 with Cesar Mejia</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Cesar Mejia</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>In this episode of Working Class Audio, host Matt Boudreau welcomes back Cesar Mejia, a longtime friend of the podcast, to discuss his continued journey as an educator, studio owner, and audio professional. Cesar, first featured in episode #117 back in 2017, shares his experiences navigating the post-pandemic world, teaching the next generation of musicians, and balancing life at his studio, Shelter Studios.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li><strong>Cesar Mejia's Return to Podcast</strong>: Reflecting on his first appearance in 2017, episode 117, and discussing his journey.</li><li><strong>Teaching Post-COVID</strong>: Cesar talks about teaching at Cal State Dominguez Hills and Whittier College, highlighting changes in student mentality and the shift in teaching due to the pandemic.</li><li><strong>Students' Musical Preferences</strong>: Discussing the differences between students at Dominguez Hills, who are more electronic-focused, and those at Whittier, who are often acoustic musicians.</li><li><strong>Shelter Studios and Family Property</strong>: Cesar's studio, Shelter Studios, is located on family property that he inherited. He is working on possibly expanding the space while keeping the studio comfortable and home-like.</li><li><strong>Balancing Expansion and Stability</strong>: Conversations about the benefits of expanding the studio or staying in the current location and the importance of financial stability.</li><li><strong>Wiring and Additional Gigs</strong>: In addition to teaching and studio work, Cesar occasionally takes on wiring gigs for other studios, keeping his income diversified.</li><li><strong>Collaboration with Herbie Hancock</strong>: Cesar continues to work with Herbie Hancock, especially on tours post-COVID, and handles audio tasks such as mixing stems for live performances.</li></ul><br/><p><strong>Matt's Rant: Being in Asset</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.theshelterstudios.com/" rel="noopener noreferrer" target="_blank">The Shelter Studios</a></li><li><a href="https://www.instagram.com/theshelterstudios/" rel="noopener noreferrer" target="_blank">The Shelter on Instangram</a></li><li><a href="https://www.workingclassaudio.com/wca-117-with-cesar-mejia/" rel="noopener noreferrer" target="_blank">WCA Episode #117 with Cesar Mejia</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Cesar Mejia</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-508-with-cesar-mejia-navigating-post-covid-teaching-balancing-studio-ownership-diversifying-income-streams-expanding-shelter-studios-and-longtime-collaboration-with-herbie-hancock]]></link><guid isPermaLink="false">9d59166e-c461-11ee-a4ca-73af6e9e2a50</guid><itunes:image href="https://artwork.captivate.fm/c800639a-f9a3-4cfb-a404-b77b23ee7a10/1ebb277b10f9c40b3829dccd95d74a95.jpg"/><pubDate>Mon, 09 Sep 2024 05:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7b872863-c544-4e5c-9af7-c2d506b83388.mp3" length="169359932" type="audio/mpeg"/><itunes:duration>01:10:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>508</itunes:episode><podcast:episode>508</podcast:episode><itunes:summary>In this episode of Working Class Audio, host Matt Boudreau welcomes back Cesar Mejia, a longtime friend of the podcast, to discuss his continued journey as an educator, studio owner, and audio professional. Cesar, first featured in episode #117 back in 2017, shares his experiences navigating the post-pandemic world, teaching the next generation of musicians, and balancing life at his studio, Shelter Studios.

In This Episode, We Discuss:


Cesar Mejia&apos;s Return to Podcast: Reflecting on his first appearance in 2017, episode 117, and discussing his journey.


Teaching Post-COVID: Cesar talks about teaching at Cal State Dominguez Hills and Whittier College, highlighting changes in student mentality and the shift in teaching due to the pandemic.


Students&apos; Musical Preferences: Discussing the differences between students at Dominguez Hills, who are more electronic-focused, and those at Whittier, who are often acoustic musicians.


Shelter Studios and Family Property: Cesar&apos;s studio, Shelter Studios, is located on family property that he inherited. He is working on possibly expanding the space while keeping the studio comfortable and home-like.


Balancing Expansion and Stability: Conversations about the benefits of expanding the studio or staying in the current location and the importance of financial stability.


Wiring and Additional Gigs: In addition to teaching and studio work, Cesar occasionally takes on wiring gigs for other studios, keeping his income diversified.


Collaboration with Herbie Hancock: Cesar continues to work with Herbie Hancock, especially on tours post-COVID, and handles audio tasks such as mixing stems for live performances.


Matt&apos;s Rant: Being in Asset
Links and Show Notes

The Shelter Studios

The Shelter on Instangram

WCA Episode #117 with Cesar Mejia

Credits

Guest: Cesar Mejia

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #508 with Cesar Mejia – Navigating Post-COVID Teaching, Balancing Studio Ownership, Diversifying Income Streams, Expanding Shelter Studios, and Longtime Collaboration with Herbie Hancock"><podcast:source uri="https://youtu.be/M_2SeARHjiE"/></podcast:alternateEnclosure></item><item><title>WCA #507 with Ebonie Smith - Memphis Upbringing, Education, Atlantic Records, Administrative Proficiency, and Multitasking As A Necessity</title><itunes:title>WCA #507 with Ebonie Smith - Memphis Upbringing, Education, Atlantic Records, Administrative Proficiency, and Multitasking As A Necessity</itunes:title><description><![CDATA[<p>My guest for this episode is Producer/Engineer/ Composer Ebonie Smith, who currently holds the esteemed roles of senior audio engineer and producer at Atlantic Records. Ebonie has worked on projects for The Hamilton Cast Album, Janelle Monae, Sturgill Simpson, and Jason Mraz.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li><strong>Memphis Upbringing and Tri-State Area</strong></li><li><strong>Radio and Musical Influences</strong></li><li><strong>Transition from Sports to Music</strong></li><li><strong>College Struggles and Musical Pursuit</strong></li><li><strong>Technological Fascination and Audio</strong></li><li><strong>Barnard College Audio Tech Job</strong></li><li><strong>Pursuit of Music Technology</strong></li><li><strong>Parental Expectations vs. Music</strong></li><li><strong>NYU and Advanced Music Studies</strong></li><li><strong>Career Start at Atlantic Records</strong></li><li><strong>Evolution from Editing to Producing</strong></li><li><strong>Hamilton Cast Recording Involvement</strong></li><li><strong>Creating an Incubator Program</strong></li><li><strong>Move to Los Angeles Decision</strong></li><li><strong>Differences Between NYC and LA</strong></li><li><strong>Atlantic Records Role Transformation</strong></li><li><strong>Producing Unique Label Projects</strong></li><li><strong>Challenges in the Music Industry</strong></li><li><strong>Importance of Administrative Proficiency</strong></li><li><strong>Balancing Multiple Creative Roles</strong></li><li><strong>A Continuing Passion for Audio</strong></li><li><strong>Multitasking Is a Necessity</strong></li><li><strong>Full Control of the Signal Chain</strong></li></ul><br/><p><strong>Matt's Rant: Making Opportunity For Yourself</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.eboniesmith.com/" rel="noopener noreferrer" target="_blank">Ebonie's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Ebonie Smith</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest for this episode is Producer/Engineer/ Composer Ebonie Smith, who currently holds the esteemed roles of senior audio engineer and producer at Atlantic Records. Ebonie has worked on projects for The Hamilton Cast Album, Janelle Monae, Sturgill Simpson, and Jason Mraz.</p><p><strong>In This Episode, We Discuss:</strong></p><ul><li><strong>Memphis Upbringing and Tri-State Area</strong></li><li><strong>Radio and Musical Influences</strong></li><li><strong>Transition from Sports to Music</strong></li><li><strong>College Struggles and Musical Pursuit</strong></li><li><strong>Technological Fascination and Audio</strong></li><li><strong>Barnard College Audio Tech Job</strong></li><li><strong>Pursuit of Music Technology</strong></li><li><strong>Parental Expectations vs. Music</strong></li><li><strong>NYU and Advanced Music Studies</strong></li><li><strong>Career Start at Atlantic Records</strong></li><li><strong>Evolution from Editing to Producing</strong></li><li><strong>Hamilton Cast Recording Involvement</strong></li><li><strong>Creating an Incubator Program</strong></li><li><strong>Move to Los Angeles Decision</strong></li><li><strong>Differences Between NYC and LA</strong></li><li><strong>Atlantic Records Role Transformation</strong></li><li><strong>Producing Unique Label Projects</strong></li><li><strong>Challenges in the Music Industry</strong></li><li><strong>Importance of Administrative Proficiency</strong></li><li><strong>Balancing Multiple Creative Roles</strong></li><li><strong>A Continuing Passion for Audio</strong></li><li><strong>Multitasking Is a Necessity</strong></li><li><strong>Full Control of the Signal Chain</strong></li></ul><br/><p><strong>Matt's Rant: Making Opportunity For Yourself</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.eboniesmith.com/" rel="noopener noreferrer" target="_blank">Ebonie's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Ebonie Smith</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-507-with-ebonie-smith-memphis-upbringing-education-atlantic-records-administrative-proficiency-and-multitasking-as-a-necessity]]></link><guid isPermaLink="false">9de9ee3c-c461-11ee-a4ca-17e73e0e87ad</guid><itunes:image href="https://artwork.captivate.fm/d5e7e6d1-0df7-498b-8a3e-f4a9a3c89e6c/4dbb65118daa341f83c6c1d5277de508.jpg"/><pubDate>Mon, 02 Sep 2024 04:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/02ae55d4-bacb-4bd8-9aa7-994504a3dfe4.mp3" length="178564183" type="audio/mpeg"/><itunes:duration>01:14:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>507</itunes:episode><podcast:episode>507</podcast:episode><itunes:summary>My guest for this episode is Producer/Engineer/ Composer Ebonie Smith, who currently holds the esteemed roles of senior audio engineer and producer at Atlantic Records. Ebonie has worked on projects for The Hamilton Cast Album, Janelle Monae, Sturgill Simpson, and Jason Mraz.
In This Episode, We Discuss:

Memphis Upbringing and Tri-State Area

Radio and Musical Influences

Transition from Sports to Music

College Struggles and Musical Pursuit

Technological Fascination and Audio

Barnard College Audio Tech Job

Pursuit of Music Technology

Parental Expectations vs. Music

NYU and Advanced Music Studies

Career Start at Atlantic Records

Evolution from Editing to Producing

Hamilton Cast Recording Involvement

Creating an Incubator Program

Move to Los Angeles Decision

Differences Between NYC and LA

Atlantic Records Role Transformation

Producing Unique Label Projects

Challenges in the Music Industry

Importance of Administrative Proficiency

Balancing Multiple Creative Roles

A Continuing Passion for Audio

Multitasking Is a Necessity

Full Control of the Signal Chain


Matt&apos;s Rant: Making Opportunity For Yourself

Links and Show Notes
Ebonie&apos;s Site

Credits

Guest: Ebonie Smith

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #507 with Ebonie Smith - Memphis Upbringing, Education, Atlantic Records, Administrative Proficiency, and Multitasking As A Necessity"><podcast:source uri="https://youtu.be/KRKIoZxr8fA"/></podcast:alternateEnclosure></item><item><title>WCA #506 with Wesley Heaton &amp; Kamaron Lockwood – Studio Resilience, DIY Spaces, Live Sound Lessons, Gear Overload, And Lessons From Their First Studio Fiasco</title><itunes:title>WCA #506 with Wesley Heaton &amp; Kamaron Lockwood – Studio Resilience, DIY Spaces, Live Sound Lessons, Gear Overload, And Lessons From Their First Studio Fiasco</itunes:title><description><![CDATA[<p>My guests today are Wesley Heaton and Kameron Lockwood, producers, engineers, and mixers from Indianapolis, Indiana. They are studio partners at Holy Ground Productions and have extensive live sound experience working with bands like Bingo Boys, Skeletonwitch Rituaal, and Pillars.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Studio Location And Name</li><li>Early Friendship Timeline</li><li>Growing Up Experiences</li><li>Meeting Through Audio</li><li>Live Sound Frustrations</li><li>Musical Background Origins</li><li>Gear Acquisition Journey</li><li>First Paid Recordings</li><li>Studio Environment Challenges</li><li>DIY Venue Recordings</li><li>Recording School Experiences</li><li>Self-Education In Audio</li><li>Recording With Anthrax</li><li>Transition From Live Sound</li><li>Studio Construction Challenges</li><li>Importance Of Deposits</li><li>Business Partnership Dynamics</li><li>Studio Community Focus</li><li>Lessons From First Studio</li><li>Hospitality And Client Comfort</li></ul><br/><p><strong>Matt's Rant: Perfection</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://holygroundproductions.com/" rel="noopener noreferrer" target="_blank">Holy Ground Productions</a></li><li><a href="https://www.instagram.com/holy_ground_productions/" rel="noopener noreferrer" target="_blank">Holy Ground on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Wesley Heaton and Kameron Lockwood</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guests today are Wesley Heaton and Kameron Lockwood, producers, engineers, and mixers from Indianapolis, Indiana. They are studio partners at Holy Ground Productions and have extensive live sound experience working with bands like Bingo Boys, Skeletonwitch Rituaal, and Pillars.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Studio Location And Name</li><li>Early Friendship Timeline</li><li>Growing Up Experiences</li><li>Meeting Through Audio</li><li>Live Sound Frustrations</li><li>Musical Background Origins</li><li>Gear Acquisition Journey</li><li>First Paid Recordings</li><li>Studio Environment Challenges</li><li>DIY Venue Recordings</li><li>Recording School Experiences</li><li>Self-Education In Audio</li><li>Recording With Anthrax</li><li>Transition From Live Sound</li><li>Studio Construction Challenges</li><li>Importance Of Deposits</li><li>Business Partnership Dynamics</li><li>Studio Community Focus</li><li>Lessons From First Studio</li><li>Hospitality And Client Comfort</li></ul><br/><p><strong>Matt's Rant: Perfection</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://holygroundproductions.com/" rel="noopener noreferrer" target="_blank">Holy Ground Productions</a></li><li><a href="https://www.instagram.com/holy_ground_productions/" rel="noopener noreferrer" target="_blank">Holy Ground on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Wesley Heaton and Kameron Lockwood</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-506-with-wesley-heaton-kamaron-lockwood-studio-resilience-diy-spaces-live-sound-lessons-gear-overload-and-lessons-from-their-first-studio-fiasco]]></link><guid isPermaLink="false">9b0cec32-c461-11ee-a4ca-b38db6bdc888</guid><itunes:image href="https://artwork.captivate.fm/419e059a-ecc6-409f-a73b-094a44e9034a/fcab85117b4431a905931106b7426ccd.jpg"/><pubDate>Mon, 26 Aug 2024 06:35:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/29ad38d0-db95-48fa-85a7-8c75df9c100e.mp3" length="183691524" type="audio/mpeg"/><itunes:duration>01:16:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>506</itunes:episode><podcast:episode>506</podcast:episode><itunes:summary>My guests today are Wesley Heaton and Kameron Lockwood, producers, engineers, and mixers from Indianapolis, Indiana. They are studio partners at Holy Ground Productions and have extensive live sound experience working with bands like Bingo Boys, Skeletonwitch Rituaal, and Pillars.
In this episode, we discuss:

Studio Location And Name

Early Friendship Timeline

Growing Up Experiences

Meeting Through Audio

Live Sound Frustrations

Musical Background Origins

Gear Acquisition Journey

First Paid Recordings

Studio Environment Challenges

DIY Venue Recordings

Recording School Experiences

Self-Education In Audio

Recording With Anthrax

Transition From Live Sound

Studio Construction Challenges

Importance Of Deposits

Business Partnership Dynamics

Studio Community Focus

Lessons From First Studio

Hospitality And Client Comfort

Matt&apos;s Rant: Perfection
Links and Show Notes

Holy Ground Productions

Holy Ground on Instagram

Credits

Guest: Wesley Heaton and Kameron Lockwood

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #506 with Wesley Heaton &amp; Kamaron Lockwood – Studio Resilience, DIY Spaces, Live Sound Lessons, Gear Overload, And Lessons From Their First Studio Fiasco"><podcast:source uri="https://youtu.be/sdq_rhMD_ag"/></podcast:alternateEnclosure></item><item><title>WCA #505 with Ben Pike – Vinyl Mastering, Lathe Cut Records, Analog Studio Setup, and Navigating Chronic Illness</title><itunes:title>WCA #505 with Ben Pike – Vinyl Mastering, Lathe Cut Records, Analog Studio Setup, and Navigating Chronic Illness</itunes:title><description><![CDATA[<p>My guest today is Mastering Engineer Ben Pike, who runs an analog-based mastering and record cutting studio in Leeds, West Yorkshire, UK. Ben specializes in vinyl mastering and custom lathe cut records, working primarily with independent artists. He has collaborated with artists and groups such as ATA Records, Yaatri, The London Ambient Orchestra, Smith &amp; The Honey Badgers, and King Zepha.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Leeds, West Yorkshire Roots</li><li>Discovering Recording Technology</li><li>DIY Recording Beginnings</li><li>Home Studio Evolution</li><li>Transition to Mastering</li><li>Vinyl Mastering Journey</li><li>Analog Studio Setup</li><li>Custom Lathe Cut Records</li><li>Challenges of Chronic Illness</li><li>Building a Mastering Studio</li><li>Navigating the Music Industry</li><li>Supporting Independent Artists</li><li>Small Batch Vinyl Production</li><li>Innovative Vinyl Techniques</li><li>Mastering and Cutting Synergy</li><li>Restoring Vintage Gear</li></ul><br/><p><strong>Matt's Rant: The Art of Being Concise</strong></p><p><strong>Links and Show Notes</strong></p><ul><li>Ben Pike's Studio: <a href="https://www.raretonemastering.com/" rel="noopener noreferrer" target="_blank">Rare Tone Mastering</a></li><li><a href="https://www.workingclassaudio.com/wca-454-with-jeff-powell/" rel="noopener noreferrer" target="_blank">Jeff Powell Companion Episode</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Ben Pike</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li><li><br></li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Mastering Engineer Ben Pike, who runs an analog-based mastering and record cutting studio in Leeds, West Yorkshire, UK. Ben specializes in vinyl mastering and custom lathe cut records, working primarily with independent artists. He has collaborated with artists and groups such as ATA Records, Yaatri, The London Ambient Orchestra, Smith &amp; The Honey Badgers, and King Zepha.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Leeds, West Yorkshire Roots</li><li>Discovering Recording Technology</li><li>DIY Recording Beginnings</li><li>Home Studio Evolution</li><li>Transition to Mastering</li><li>Vinyl Mastering Journey</li><li>Analog Studio Setup</li><li>Custom Lathe Cut Records</li><li>Challenges of Chronic Illness</li><li>Building a Mastering Studio</li><li>Navigating the Music Industry</li><li>Supporting Independent Artists</li><li>Small Batch Vinyl Production</li><li>Innovative Vinyl Techniques</li><li>Mastering and Cutting Synergy</li><li>Restoring Vintage Gear</li></ul><br/><p><strong>Matt's Rant: The Art of Being Concise</strong></p><p><strong>Links and Show Notes</strong></p><ul><li>Ben Pike's Studio: <a href="https://www.raretonemastering.com/" rel="noopener noreferrer" target="_blank">Rare Tone Mastering</a></li><li><a href="https://www.workingclassaudio.com/wca-454-with-jeff-powell/" rel="noopener noreferrer" target="_blank">Jeff Powell Companion Episode</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Ben Pike</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li><li><br></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-505-with-ben-pike-vinyl-mastering-lathe-cut-records-analog-studio-setup-and-navigating-chronic-illness]]></link><guid isPermaLink="false">9a79f3a0-c461-11ee-a4ca-f7f74307aad7</guid><itunes:image href="https://artwork.captivate.fm/e0c38aef-85bf-4608-bab4-2de6ff0ceff0/69352d7168d9d0f6419c7deb1b3a8262.jpg"/><pubDate>Mon, 19 Aug 2024 20:31:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/df9d9fb5-3199-45f7-8201-39bd2f167f84.mp3" length="169880112" type="audio/mpeg"/><itunes:duration>01:10:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>505</itunes:episode><podcast:episode>505</podcast:episode><itunes:summary>My guest today is Mastering Engineer Ben Pike, who runs an analog-based mastering and record cutting studio in Leeds, West Yorkshire, UK. Ben specializes in vinyl mastering and custom lathe cut records, working primarily with independent artists. He has collaborated with artists and groups such as ATA Records, Yaatri, The London Ambient Orchestra, Smith &amp; The Honey Badgers, and King Zepha.
In this episode, we discuss:

Leeds, West Yorkshire Roots

Discovering Recording Technology

DIY Recording Beginnings

Home Studio Evolution

Transition to Mastering

Vinyl Mastering Journey

Analog Studio Setup

Custom Lathe Cut Records

Challenges of Chronic Illness

Building a Mastering Studio

Navigating the Music Industry

Supporting Independent Artists

Small Batch Vinyl Production

Innovative Vinyl Techniques

Mastering and Cutting Synergy

Restoring Vintage Gear


Matt&apos;s Rant: The Art of Being Concise
Links and Show Notes

Ben Pike&apos;s Studio: Rare Tone Mastering


Jeff Powell Companion Episode


Credits

Guest: Ben Pike

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau

WCA Theme Music: Cliff Truesdell

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #505 with Ben Pike – Vinyl Mastering, Lathe Cut Records, Analog Studio Setup, and Navigating Chronic Illness"><podcast:source uri="https://youtu.be/F0pQb-EYxKo"/></podcast:alternateEnclosure></item><item><title>WCA #504 with Jordan Brooke Hamlin – Encouraging Artistic Risk, Moxe Studio, Nashville&apos;s Music Culture, Zeppelin Hippies, and Reclaiming Neglected Land</title><itunes:title>WCA #504 with Jordan Brooke Hamlin – Encouraging Artistic Risk, Moxe Studio, Nashville&apos;s Music Culture, Zeppelin Hippies, and Reclaiming Neglected Land</itunes:title><description><![CDATA[<p>My guest today is Producer/Multi-Instrumentalist/Engineer, Jordan Brooke Hamlin, who has worked with Indigo Girls, KT Tunstall, Vienna Teng, Lila Blue, Katie Herzig, Lucy Wainwright Roche, Allison Russell, and Brandy Clark.</p><p>---------------------------------</p><h2><strong>In this episode, we discuss</strong></h2><ul><li><strong>Upbringing In Kentucky</strong></li><li><strong>Music-Loving Family</strong></li><li><strong>Zeppelin Hippies</strong></li><li><strong>Deep Connection To Music</strong></li><li><strong>Early Music Exposure</strong></li><li><strong>Discovery Of Production</strong></li><li><strong>Sarah McLachlan Influence</strong></li><li><strong>Running Her Studio</strong></li><li><strong>Creating Artist Space</strong></li><li><strong>Mental Health Focus</strong></li><li><strong>Challenges In Nashville</strong></li><li><strong>Supportive Studio Environment</strong></li><li><strong>Economic Challenges</strong></li><li><strong>Studio Setup Efficiency</strong></li><li><strong>Working With Labels</strong></li><li><strong>Navigating Industry Changes</strong></li><li><strong>Moxie Studio Origin</strong></li><li><strong>Residential Studio Blend</strong></li><li><strong>Artist Commune Vision</strong></li><li><strong>Reclaiming Neglected Land</strong></li><li><strong>Importance Of Environment</strong></li><li><strong>Balancing Creativity And Deadlines</strong></li><li><strong>Nashville's Music Culture</strong></li><li><strong>Contrasting With Los Angeles</strong></li><li><strong>Session Efficiency Vs. Exploration</strong></li><li><strong>Encouraging Artistic Risk</strong></li><li><strong>Challenges In Studio Ownership</strong></li><li><strong>Supporting Independent Artists</strong></li><li><strong>Grant Programs For Artists</strong></li><li><strong>Gender Equity In The Audio Industry</strong></li><li><strong>Financial Pressures On Music</strong></li><li><strong>Organizational Tools (Airtable)</strong></li><li><strong>Payment Delays From Labels</strong></li><li><strong>Navigating Professional Relationships</strong></li><li><strong>Empathy For Touring Artists</strong></li><li><strong>Evolving Industry Dynamics</strong></li></ul><br/><p>---------------------------------</p><p><strong>Matt's Rant: Getting Organized</strong></p><p>---------------------------------</p><p><strong>Links and Show Notes</strong></p><ul><li>Book Matt mentions in Interview: <a href="https://www.audible.com/pd/Day-Trading-Attention-Audiobook/B0CLLLG4M3?action_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Day Trading Attention</a></li><li><a href="https://airtable.com/invite/r/3ankFWD8" rel="noopener noreferrer" target="_blank">AirTable</a></li><li><a href="https://www.moxe.space/" rel="noopener noreferrer" target="_blank">Jordan's Studio</a></li></ul><br/><p>---------------------------------</p><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Jordan Brooke Hamlin</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Producer/Multi-Instrumentalist/Engineer, Jordan Brooke Hamlin, who has worked with Indigo Girls, KT Tunstall, Vienna Teng, Lila Blue, Katie Herzig, Lucy Wainwright Roche, Allison Russell, and Brandy Clark.</p><p>---------------------------------</p><h2><strong>In this episode, we discuss</strong></h2><ul><li><strong>Upbringing In Kentucky</strong></li><li><strong>Music-Loving Family</strong></li><li><strong>Zeppelin Hippies</strong></li><li><strong>Deep Connection To Music</strong></li><li><strong>Early Music Exposure</strong></li><li><strong>Discovery Of Production</strong></li><li><strong>Sarah McLachlan Influence</strong></li><li><strong>Running Her Studio</strong></li><li><strong>Creating Artist Space</strong></li><li><strong>Mental Health Focus</strong></li><li><strong>Challenges In Nashville</strong></li><li><strong>Supportive Studio Environment</strong></li><li><strong>Economic Challenges</strong></li><li><strong>Studio Setup Efficiency</strong></li><li><strong>Working With Labels</strong></li><li><strong>Navigating Industry Changes</strong></li><li><strong>Moxie Studio Origin</strong></li><li><strong>Residential Studio Blend</strong></li><li><strong>Artist Commune Vision</strong></li><li><strong>Reclaiming Neglected Land</strong></li><li><strong>Importance Of Environment</strong></li><li><strong>Balancing Creativity And Deadlines</strong></li><li><strong>Nashville's Music Culture</strong></li><li><strong>Contrasting With Los Angeles</strong></li><li><strong>Session Efficiency Vs. Exploration</strong></li><li><strong>Encouraging Artistic Risk</strong></li><li><strong>Challenges In Studio Ownership</strong></li><li><strong>Supporting Independent Artists</strong></li><li><strong>Grant Programs For Artists</strong></li><li><strong>Gender Equity In The Audio Industry</strong></li><li><strong>Financial Pressures On Music</strong></li><li><strong>Organizational Tools (Airtable)</strong></li><li><strong>Payment Delays From Labels</strong></li><li><strong>Navigating Professional Relationships</strong></li><li><strong>Empathy For Touring Artists</strong></li><li><strong>Evolving Industry Dynamics</strong></li></ul><br/><p>---------------------------------</p><p><strong>Matt's Rant: Getting Organized</strong></p><p>---------------------------------</p><p><strong>Links and Show Notes</strong></p><ul><li>Book Matt mentions in Interview: <a href="https://www.audible.com/pd/Day-Trading-Attention-Audiobook/B0CLLLG4M3?action_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Day Trading Attention</a></li><li><a href="https://airtable.com/invite/r/3ankFWD8" rel="noopener noreferrer" target="_blank">AirTable</a></li><li><a href="https://www.moxe.space/" rel="noopener noreferrer" target="_blank">Jordan's Studio</a></li></ul><br/><p>---------------------------------</p><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Jordan Brooke Hamlin</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-504-with-jordan-brooke-hamlin-encouraging-artistic-risk-moxe-studio-nashvilles-music-culture-zeppelin-hippies-and-reclaiming-neglected-land]]></link><guid isPermaLink="false">99e62c24-c461-11ee-a4ca-dfab49f24d0d</guid><itunes:image href="https://artwork.captivate.fm/65f5ada0-ecfa-4df0-8142-fdbdfc910c7b/6ce642f319fd2adad494d6688d47041d.jpg"/><pubDate>Mon, 12 Aug 2024 05:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/44b020e3-36ba-47e7-9392-e97b227d13ac.mp3" length="165076650" type="audio/mpeg"/><itunes:duration>01:08:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>504</itunes:episode><podcast:episode>504</podcast:episode><itunes:summary>My guest today is Producer/Multi-Instrumentalist/Engineer, Jordan Brooke Hamlin, who has worked with Indigo Girls, KT Tunstall, Vienna Teng, Lila Blue, Katie Herzig, Lucy Wainwright Roche, Allison Russell, and Brandy Clark.
---------------------------------
In this episode, we discuss

Upbringing In Kentucky

Music-Loving Family

Zeppelin Hippies

Deep Connection To Music

Early Music Exposure

Discovery Of Production

Sarah McLachlan Influence

Running Her Studio

Creating Artist Space

Mental Health Focus

Challenges In Nashville

Supportive Studio Environment

Economic Challenges

Studio Setup Efficiency

Working With Labels

Navigating Industry Changes

Moxie Studio Origin

Residential Studio Blend

Artist Commune Vision

Reclaiming Neglected Land

Importance Of Environment

Balancing Creativity And Deadlines

Nashville&apos;s Music Culture

Contrasting With Los Angeles

Session Efficiency Vs. Exploration

Encouraging Artistic Risk

Challenges In Studio Ownership

Supporting Independent Artists

Grant Programs For Artists

Gender Equity In The Audio Industry

Financial Pressures On Music

Organizational Tools (Airtable)

Payment Delays From Labels

Navigating Professional Relationships

Empathy For Touring Artists

Evolving Industry Dynamics

---------------------------------
Matt&apos;s Rant: Getting Organized
---------------------------------
Links and Show Notes

Book Matt mentions in Interview: Day Trading Attention


AirTable

Jordan&apos;s Studio

---------------------------------
Credits

Guest: Jordan Brooke Hamlin

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #504 with Jordan Brooke Hamlin – Encouraging Artistic Risk, Moxe Studio, Nashville&apos;s Music Culture, Zeppelin Hippies, and Reclaiming Neglected Land"><podcast:source uri="https://youtu.be/dlzow1KrqJk"/></podcast:alternateEnclosure></item><item><title>WCA #503 with Tony Brooke - Audio Data Management, Seasonal Income Fluctuations, Career Coach Influence, Music Data Management Tools, and Getting Credit</title><itunes:title>WCA #503 with Tony Brooke - Audio Data Management, Seasonal Income Fluctuations, Career Coach Influence, Music Data Management Tools, and Getting Credit</itunes:title><description><![CDATA[<p>My guest is Grammy Nominated Music Metadata Professional Tony Brooke. Tony has worked on projects for Richard Thompson, Coldplay, David Byrne, twenty one pilots, Maroon 5, Jane's Addiction, Duran Duran, Steve Miller, Norah Jones, Erasure, Ramblin' Jack Elliott, Doobie Brothers, Sarah McLachlan, Elvis Costello, Seal, George Clinton, Emmylou Harris, Indigo Girls, Lucinda Williams, Dave Chappelle, Khaled &amp; Carlos Santana, Herbie Hancock, Stern Grove Festival, Hardly Strictly Bluegrass Festival. He's also worked for Pandora/SiriusXM and Warner Music Group.</p><p>---------------------------------</p><h2><strong>In this episode, we discuss</strong></h2><ul><li>Tony's Audio Production Journey</li><li>Background and Education</li><li>Bay Area Move</li><li>Technical Skills &amp; Equipment</li><li>Live Music Engineer to Entrepreneur</li><li>Tascam DA88 Benefits</li><li>Multi-Track Services</li><li>Gig Organization Logistics</li><li>Music Industry Experiences</li><li>Seasonal Income Fluctuations</li><li>Business Diversification</li><li>Website Development</li><li>Ultimate Track Sheet</li><li>Career Transition Insights</li><li>Digital Console Shift</li><li>Career Coach Influence</li><li>Master's Degree Pursuit</li><li>Family Support Gratitude</li><li>Work-Life Balance Challenges</li><li>Music Industry Pressures</li><li>Honesty and Humility Importance</li><li>Music Data Exchange Research</li><li>DDEX XML Format</li><li>Pandora Credit Inclusion</li><li>Apple Credit Attribution Issues</li><li>Identifier Initiative</li><li>Music Data Management Tools</li><li>Sound Credit Replacement</li><li>Muse.AI &amp; Other Databases</li><li>Data Accuracy Challenges</li><li>Technological Changes Preparation</li><li>Three-Tiered Data Storage</li><li>Data Preservation Strategies</li><li>Copyrighted Compositions Importance</li><li>Streaming Service Identification</li><li>Online Course Idea</li><li>Digital Data Management Strategies</li></ul><br/><p><strong>Matt's Rant: Embracing Social Media</strong></p><p><strong>Links and Show Notes</strong></p><ul><li>Book Matt mentions in Rant: <a href="https://www.audible.com/pd/Day-Trading-Attention-Audiobook/B0CLLLG4M3?action_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Day Trading Attention</a></li><li>Tools for capturing data in the studio:&nbsp;</li><li>Sound Credit:&nbsp;<a href="https://www.soundcredit.com/" rel="noopener noreferrer" target="_blank">https://www.soundcredit.com/</a>&nbsp;</li><li>Session Studio:&nbsp;<a href="https://www.sessionstudio.com/" rel="noopener noreferrer" target="_blank">https://www.sessionstudio.com/</a>&nbsp;</li><li>VEVA Collect:&nbsp;<a href="https://vevacollect.com/" rel="noopener noreferrer" target="_blank">https://vevacollect.com/</a>&nbsp;</li><li>ISNI (International Standard Name Identifier):&nbsp;<a href="http://isni.org/" rel="noopener noreferrer" target="_blank">http://isni.org/</a>&nbsp;</li><li>ISWC (International Standard Musical Work Code):&nbsp;<a href="https://www.iswc.org/" rel="noopener noreferrer" target="_blank">https://www.iswc.org/</a>&nbsp;</li><li>DDEX standards for music data exchange:&nbsp;<a href="https://ddex.net/" rel="noopener noreferrer" target="_blank">https://ddex.net/</a>&nbsp;</li><li>CLIP - Free resource to learn industry terminology, creator rights, and how to get credited and paid:&nbsp;<a href="https://goclip.org/en/music" rel="noopener noreferrer" target="_blank">https://goclip.org/en/music</a>&nbsp;</li><li>Master Tape Rescue project to find a home for lost tapes and other formats (Brian Kehew and Danny White):&nbsp;<a href="https://www.mastertaperescue.com/" rel="noopener noreferrer" target="_blank">https://www.mastertaperescue.com/</a>&nbsp;</li><li>Tony&nbsp;Brooke&nbsp;on LinkedIn:&nbsp;<a href="https://www.linkedin.com/in/tonybrooke/" rel="noopener noreferrer" target="_blank">https://www.linkedin.com/in/tonybrooke/</a>&nbsp;</li><li>SilentWay.com:&nbsp;<a href="http://www.silentway.com/" rel="noopener noreferrer" target="_blank">http://www.silentway.com/</a>&nbsp;</li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Tony Brooke</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Nominated Music Metadata Professional Tony Brooke. Tony has worked on projects for Richard Thompson, Coldplay, David Byrne, twenty one pilots, Maroon 5, Jane's Addiction, Duran Duran, Steve Miller, Norah Jones, Erasure, Ramblin' Jack Elliott, Doobie Brothers, Sarah McLachlan, Elvis Costello, Seal, George Clinton, Emmylou Harris, Indigo Girls, Lucinda Williams, Dave Chappelle, Khaled &amp; Carlos Santana, Herbie Hancock, Stern Grove Festival, Hardly Strictly Bluegrass Festival. He's also worked for Pandora/SiriusXM and Warner Music Group.</p><p>---------------------------------</p><h2><strong>In this episode, we discuss</strong></h2><ul><li>Tony's Audio Production Journey</li><li>Background and Education</li><li>Bay Area Move</li><li>Technical Skills &amp; Equipment</li><li>Live Music Engineer to Entrepreneur</li><li>Tascam DA88 Benefits</li><li>Multi-Track Services</li><li>Gig Organization Logistics</li><li>Music Industry Experiences</li><li>Seasonal Income Fluctuations</li><li>Business Diversification</li><li>Website Development</li><li>Ultimate Track Sheet</li><li>Career Transition Insights</li><li>Digital Console Shift</li><li>Career Coach Influence</li><li>Master's Degree Pursuit</li><li>Family Support Gratitude</li><li>Work-Life Balance Challenges</li><li>Music Industry Pressures</li><li>Honesty and Humility Importance</li><li>Music Data Exchange Research</li><li>DDEX XML Format</li><li>Pandora Credit Inclusion</li><li>Apple Credit Attribution Issues</li><li>Identifier Initiative</li><li>Music Data Management Tools</li><li>Sound Credit Replacement</li><li>Muse.AI &amp; Other Databases</li><li>Data Accuracy Challenges</li><li>Technological Changes Preparation</li><li>Three-Tiered Data Storage</li><li>Data Preservation Strategies</li><li>Copyrighted Compositions Importance</li><li>Streaming Service Identification</li><li>Online Course Idea</li><li>Digital Data Management Strategies</li></ul><br/><p><strong>Matt's Rant: Embracing Social Media</strong></p><p><strong>Links and Show Notes</strong></p><ul><li>Book Matt mentions in Rant: <a href="https://www.audible.com/pd/Day-Trading-Attention-Audiobook/B0CLLLG4M3?action_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Day Trading Attention</a></li><li>Tools for capturing data in the studio:&nbsp;</li><li>Sound Credit:&nbsp;<a href="https://www.soundcredit.com/" rel="noopener noreferrer" target="_blank">https://www.soundcredit.com/</a>&nbsp;</li><li>Session Studio:&nbsp;<a href="https://www.sessionstudio.com/" rel="noopener noreferrer" target="_blank">https://www.sessionstudio.com/</a>&nbsp;</li><li>VEVA Collect:&nbsp;<a href="https://vevacollect.com/" rel="noopener noreferrer" target="_blank">https://vevacollect.com/</a>&nbsp;</li><li>ISNI (International Standard Name Identifier):&nbsp;<a href="http://isni.org/" rel="noopener noreferrer" target="_blank">http://isni.org/</a>&nbsp;</li><li>ISWC (International Standard Musical Work Code):&nbsp;<a href="https://www.iswc.org/" rel="noopener noreferrer" target="_blank">https://www.iswc.org/</a>&nbsp;</li><li>DDEX standards for music data exchange:&nbsp;<a href="https://ddex.net/" rel="noopener noreferrer" target="_blank">https://ddex.net/</a>&nbsp;</li><li>CLIP - Free resource to learn industry terminology, creator rights, and how to get credited and paid:&nbsp;<a href="https://goclip.org/en/music" rel="noopener noreferrer" target="_blank">https://goclip.org/en/music</a>&nbsp;</li><li>Master Tape Rescue project to find a home for lost tapes and other formats (Brian Kehew and Danny White):&nbsp;<a href="https://www.mastertaperescue.com/" rel="noopener noreferrer" target="_blank">https://www.mastertaperescue.com/</a>&nbsp;</li><li>Tony&nbsp;Brooke&nbsp;on LinkedIn:&nbsp;<a href="https://www.linkedin.com/in/tonybrooke/" rel="noopener noreferrer" target="_blank">https://www.linkedin.com/in/tonybrooke/</a>&nbsp;</li><li>SilentWay.com:&nbsp;<a href="http://www.silentway.com/" rel="noopener noreferrer" target="_blank">http://www.silentway.com/</a>&nbsp;</li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Tony Brooke</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-503-with-tony-brooke-audio-data-management-seasonal-income-fluctuations-career-coach-influence-music-data-management-tools-and-getting-credit]]></link><guid isPermaLink="false">992a1c32-c461-11ee-a4ca-ffd506ca6530</guid><itunes:image href="https://artwork.captivate.fm/d43d4f79-ddf5-4b04-9c6f-b597ba36ef21/1ed7ecbc6a3a5d874f6be4c6f8ff5336.jpg"/><pubDate>Mon, 05 Aug 2024 06:52:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c6ec15f4-b7ae-4956-9f5e-14ed4307c1d0.mp3" length="197176263" type="audio/mpeg"/><itunes:duration>01:22:09</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>503</itunes:episode><podcast:episode>503</podcast:episode><itunes:summary>My guest is Grammy Nominated Music Metadata Professional Tony Brooke. Tony has worked on projects for Richard Thompson, Coldplay, David Byrne, twenty one pilots, Maroon 5, Jane&apos;s Addiction, Duran Duran, Steve Miller, Norah Jones, Erasure, Ramblin&apos; Jack Elliott, Doobie Brothers, Sarah McLachlan, Elvis Costello, Seal, George Clinton, Emmylou Harris, Indigo Girls, Lucinda Williams, Dave Chappelle, Khaled &amp; Carlos Santana, Herbie Hancock, Stern Grove Festival, Hardly Strictly Bluegrass Festival. He&apos;s also worked for Pandora/SiriusXM and Warner Music Group.
---------------------------------
In this episode, we discuss

Tony&apos;s Audio Production Journey

Background and Education

Bay Area Move

Technical Skills &amp; Equipment

Live Music Engineer to Entrepreneur

Tascam DA88 Benefits

Multi-Track Services

Gig Organization Logistics

Music Industry Experiences

Seasonal Income Fluctuations

Business Diversification

Website Development

Ultimate Track Sheet

Career Transition Insights

Digital Console Shift

Career Coach Influence

Master&apos;s Degree Pursuit

Family Support Gratitude

Work-Life Balance Challenges

Music Industry Pressures

Honesty and Humility Importance

Music Data Exchange Research

DDEX XML Format

Pandora Credit Inclusion

Apple Credit Attribution Issues

Identifier Initiative

Music Data Management Tools

Sound Credit Replacement

Muse.AI &amp; Other Databases

Data Accuracy Challenges

Technological Changes Preparation

Three-Tiered Data Storage

Data Preservation Strategies

Copyrighted Compositions Importance

Streaming Service Identification

Online Course Idea

Digital Data Management Strategies

---------------------------------
Matt&apos;s Rant: Embracing Social Media
---------------------------------
Links and Show Notes

Book Matt mentions in Rant: Day Trading Attention


Tools for capturing data in the studio: 

Sound Credit: https://www.soundcredit.com/ 

Session Studio: https://www.sessionstudio.com/ 

VEVA Collect: https://vevacollect.com/ 

Identifiers:

ISNI (International Standard Name Identifier): http://isni.org/ 

ISWC (International Standard Musical Work Code): https://www.iswc.org/ 

DDEX standards for music data exchange: https://ddex.net/ 

CLIP - Free resource to learn industry terminology, creator rights, and how to get credited and paid: https://goclip.org/en/music 

Master Tape Rescue project to find a home for lost tapes and other formats (Brian Kehew and Danny White): https://www.mastertaperescue.com/ 

Tony Brooke on LinkedIn: https://www.linkedin.com/in/tonybrooke/ 

SilentWay.com: http://www.silentway.com/ 

---------------------------------
Credits

Guest: Tony Brooke

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #503 with Tony Brooke - Audio Data Management, Seasonal Income Fluctuations, Career Coach Influence, Music Data Management Tools, and Getting Credit"><podcast:source uri="https://youtu.be/VUcHx71PYE4"/></podcast:alternateEnclosure></item><item><title>WCA #502 with Hans-Martin Buff - From Journalism to Audio: Exploring Binaural Sound, Working with Prince, Dolby Atmos, and Mastering the Art of Sequencing and Assembly</title><itunes:title>WCA #502 with Hans-Martin Buff - From Journalism to Audio: Exploring Binaural Sound, Working with Prince, Dolby Atmos, and Mastering the Art of Sequencing and Assembly</itunes:title><description><![CDATA[<p>My guest is Hans-Martin Buff, a Recording Engineer, Music Producer, and 3D Geek based in Munich, Germany. Hans has worked with Prince, Peter Gabriel, and the Scorpions.</p><p>---------------------------------</p><h2><strong>In this episode, we discuss</strong></h2><ul><li>Introduction and Background</li><li>Family Musical Influence</li><li>Early Musical Interests</li><li>Educational Background</li><li>Transition to Music Career</li><li>Pachyderm Studio Experience</li><li>Nirvana Recording Sessions</li><li>Working with Prince</li><li>Paisley Park Experience</li><li>Prince's Influence on Hans</li><li>Challenges in the Industry</li><li>Difficult Clients and Lessons</li><li>Technical Recording Techniques</li><li>Personal Growth and Development</li><li>Sequencing and Assembly</li><li>Memorable Projects and Highlights</li><li>Impact on Personal Music Enjoyment</li></ul><br/><p>---------------------------------</p><p><strong>Matt's Rant: When to Let it Go</strong></p><p>---------------------------------</p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.buffwerk.com/" rel="noopener noreferrer" target="_blank">Hans' Site</a></li><li><a href="https://www.instagram.com/buffwerk/" rel="noopener noreferrer" target="_blank">Hans on Instagram</a></li></ul><br/><p>---------------------------------</p><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Hans-Martin Buff</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Hans-Martin Buff, a Recording Engineer, Music Producer, and 3D Geek based in Munich, Germany. Hans has worked with Prince, Peter Gabriel, and the Scorpions.</p><p>---------------------------------</p><h2><strong>In this episode, we discuss</strong></h2><ul><li>Introduction and Background</li><li>Family Musical Influence</li><li>Early Musical Interests</li><li>Educational Background</li><li>Transition to Music Career</li><li>Pachyderm Studio Experience</li><li>Nirvana Recording Sessions</li><li>Working with Prince</li><li>Paisley Park Experience</li><li>Prince's Influence on Hans</li><li>Challenges in the Industry</li><li>Difficult Clients and Lessons</li><li>Technical Recording Techniques</li><li>Personal Growth and Development</li><li>Sequencing and Assembly</li><li>Memorable Projects and Highlights</li><li>Impact on Personal Music Enjoyment</li></ul><br/><p>---------------------------------</p><p><strong>Matt's Rant: When to Let it Go</strong></p><p>---------------------------------</p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.buffwerk.com/" rel="noopener noreferrer" target="_blank">Hans' Site</a></li><li><a href="https://www.instagram.com/buffwerk/" rel="noopener noreferrer" target="_blank">Hans on Instagram</a></li></ul><br/><p>---------------------------------</p><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Hans-Martin Buff</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-502-with-hans-martin-buff-from-journalism-to-audio-exploring-binaural-sound-working-with-prince-dolby-atmos-and-mastering-the-art-of-sequencing-and-assembly]]></link><guid isPermaLink="false">98bc4dc4-c461-11ee-a4ca-1b5249165f31</guid><itunes:image href="https://artwork.captivate.fm/c8d490b3-89c2-4c80-af08-076a866be7e8/56d2d5dcc9745c496ab430ae49f0aee7.jpg"/><pubDate>Mon, 29 Jul 2024 04:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/acf95e24-c9cb-4f69-b930-d0815194a8d1.mp3" length="234602049" type="audio/mpeg"/><itunes:duration>01:37:45</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>502</itunes:episode><podcast:episode>502</podcast:episode><itunes:summary>My guest is Hans-Martin Buff, a Recording Engineer, Music Producer, and 3D Geek based in Munich, Germany. Hans has worked with Prince, Peter Gabriel, and the Scorpions.
---------------------------------
In this episode, we discuss

Introduction and Background

Family Musical Influence

Early Musical Interests

Educational Background

Transition to Music Career

Pachyderm Studio Experience

Nirvana Recording Sessions

Working with Prince

Paisley Park Experience

Prince&apos;s Influence on Hans

Challenges in the Industry

Difficult Clients and Lessons

Technical Recording Techniques

Personal Growth and Development

Sequencing and Assembly

Memorable Projects and Highlights

Impact on Personal Music Enjoyment

---------------------------------
Matt&apos;s Rant: When to Let it Go
---------------------------------
Links and Show Notes

Hans&apos; Site

Hans on Instagram

---------------------------------
Credits

Guest: Hans-Martin Buff

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #502 with Hans-Martin Buff - From Journalism to Audio: Exploring Binaural Sound, Working with Prince, Dolby Atmos, and Mastering the Art of Sequencing and Assembly"><podcast:source uri="https://youtu.be/UxJBWxzIGq8"/></podcast:alternateEnclosure></item><item><title>WCA #501 with Chris Dugan – Green Day Tours, Studio Setup, Balancing Work and Family, Travel Tips, Freelance Pricing, and Backup Technology</title><itunes:title>WCA #501 with Chris Dugan – Green Day Tours, Studio Setup, Balancing Work and Family, Travel Tips, Freelance Pricing, and Backup Technology</itunes:title><description><![CDATA[<p>My guest today is Grammy-winning engineer and Mixer Chris Dugan, who has worked on projects for Green Day, Gaslight Anthem, Weezer, and Alanis Morissette.</p><p>---------------------------------</p><h3><strong>In this episode, we discuss:</strong></h3><h3>Touring and Work with Green Day</h3><ul><li>European Tour</li><li>Recording Live Shows</li><li>Studio Engineer</li><li>Mixing for TV Broadcasts</li><li>Transition to More Mixing</li><li>Mixing with the Artist Present</li></ul><br/><h3>Studio Setup and Equipment</h3><ul><li>Family-Friendly Home Studio</li><li>Home Studio Customization Efforts</li><li>Studio Setup During the Pandemic</li><li>Importance of Sound Reflections</li><li>Portable Mixing Setup Benefits</li><li>Atmos Setup Decision Factors</li><li>Affordable Speaker Tuning</li></ul><br/><h3>Balancing Work and Family</h3><ul><li>Balancing Family and Work</li><li>Parenting While Touring</li><li>Encouraging Kids' Musical Interest</li><li>Family's Involvement in Music</li><li>Kids' Interest in Studio</li></ul><br/><h3>Travel and Jet Lag Tips</h3><ul><li>Managing Sleep and Travel</li><li>Jet Lag Recovery Strategies</li><li>Efficient Airport Tips</li><li>Global Entry Efficiency</li><li>Time Shifter App Usage</li></ul><br/><h3>Freelance Work and Pricing</h3><ul><li>Freelance Pricing Challenges</li><li>Word-of-Mouth Opportunities</li><li>Managing Project Deadlines</li><li>Impact of Unconventional Tracks</li><li>Importance of Politeness</li><li>Importance of Session Prep</li></ul><br/><h3>Backup Storage and Technology</h3><ul><li>Backup Storage Discussions</li><li>Travel-Friendly Work Strategies</li></ul><br/><p>---------------------------------</p><p><strong>Matt's Rant: The Battle for Your Attention</strong></p><p>---------------------------------</p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-078-chris-dugan/" rel="noopener noreferrer" target="_blank">Chris Dugan on WCA #078</a></li><li><a href="https://www.timeshifter.com/the-jet-lag-app" rel="noopener noreferrer" target="_blank">TimeShifter APP</a></li><li><a href="https://www.cbp.gov/travel/trusted-traveler-programs/global-entry" rel="noopener noreferrer" target="_blank">Global Entry</a></li></ul><br/><p>---------------------------------</p><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Chris Dugan</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is Grammy-winning engineer and Mixer Chris Dugan, who has worked on projects for Green Day, Gaslight Anthem, Weezer, and Alanis Morissette.</p><p>---------------------------------</p><h3><strong>In this episode, we discuss:</strong></h3><h3>Touring and Work with Green Day</h3><ul><li>European Tour</li><li>Recording Live Shows</li><li>Studio Engineer</li><li>Mixing for TV Broadcasts</li><li>Transition to More Mixing</li><li>Mixing with the Artist Present</li></ul><br/><h3>Studio Setup and Equipment</h3><ul><li>Family-Friendly Home Studio</li><li>Home Studio Customization Efforts</li><li>Studio Setup During the Pandemic</li><li>Importance of Sound Reflections</li><li>Portable Mixing Setup Benefits</li><li>Atmos Setup Decision Factors</li><li>Affordable Speaker Tuning</li></ul><br/><h3>Balancing Work and Family</h3><ul><li>Balancing Family and Work</li><li>Parenting While Touring</li><li>Encouraging Kids' Musical Interest</li><li>Family's Involvement in Music</li><li>Kids' Interest in Studio</li></ul><br/><h3>Travel and Jet Lag Tips</h3><ul><li>Managing Sleep and Travel</li><li>Jet Lag Recovery Strategies</li><li>Efficient Airport Tips</li><li>Global Entry Efficiency</li><li>Time Shifter App Usage</li></ul><br/><h3>Freelance Work and Pricing</h3><ul><li>Freelance Pricing Challenges</li><li>Word-of-Mouth Opportunities</li><li>Managing Project Deadlines</li><li>Impact of Unconventional Tracks</li><li>Importance of Politeness</li><li>Importance of Session Prep</li></ul><br/><h3>Backup Storage and Technology</h3><ul><li>Backup Storage Discussions</li><li>Travel-Friendly Work Strategies</li></ul><br/><p>---------------------------------</p><p><strong>Matt's Rant: The Battle for Your Attention</strong></p><p>---------------------------------</p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-078-chris-dugan/" rel="noopener noreferrer" target="_blank">Chris Dugan on WCA #078</a></li><li><a href="https://www.timeshifter.com/the-jet-lag-app" rel="noopener noreferrer" target="_blank">TimeShifter APP</a></li><li><a href="https://www.cbp.gov/travel/trusted-traveler-programs/global-entry" rel="noopener noreferrer" target="_blank">Global Entry</a></li></ul><br/><p>---------------------------------</p><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Chris Dugan</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-501-with-chris-dugan-green-day-tours-studio-setup-balancing-work-and-family-travel-tips-freelance-pricing-and-backup-technology]]></link><guid isPermaLink="false">982707f0-c461-11ee-a4ca-ef05e87b52b1</guid><itunes:image href="https://artwork.captivate.fm/7d914cb1-2678-49be-a493-0c8c3c5e191a/11a0028ac6da3b38f908343c3f408077.jpg"/><pubDate>Mon, 22 Jul 2024 04:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4ef280b5-5e5c-4982-b37c-57b65cf600fb.mp3" length="142025113" type="audio/mpeg"/><itunes:duration>59:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>501</itunes:episode><podcast:episode>501</podcast:episode><itunes:summary>My guest today is Grammy-winning engineer and Mixer Chris Dugan, who has worked on projects for Green Day, Gaslight Anthem, Weezer, and Alanis Morissette.
---------------------------------
In this episode, we discuss:
Touring and Work with Green Day

European Tour

Recording Live Shows

Studio Engineer

Mixing for TV Broadcasts

Transition to More Mixing

Mixing with the Artist Present

Studio Setup and Equipment

Family-Friendly Home Studio

Home Studio Customization Efforts

Studio Setup During the Pandemic

Importance of Sound Reflections

Portable Mixing Setup Benefits

Atmos Setup Decision Factors

Affordable Speaker Tuning

Balancing Work and Family

Balancing Family and Work

Parenting While Touring

Encouraging Kids&apos; Musical Interest

Family&apos;s Involvement in Music

Kids&apos; Interest in Studio

Travel and Jet Lag Tips

Managing Sleep and Travel

Jet Lag Recovery Strategies

Efficient Airport Tips

Global Entry Efficiency

Time Shifter App Usage

Freelance Work and Pricing

Freelance Pricing Challenges

Word-of-Mouth Opportunities

Managing Project Deadlines

Impact of Unconventional Tracks

Importance of Politeness

Importance of Session Prep

Backup Storage and Technology

Backup Storage Discussions

Travel-Friendly Work Strategies

---------------------------------
Matt&apos;s Rant: The Battle for Your Attention
---------------------------------
Links and Show Notes

Chris Dugan on WCA #078

TimeShifter APP

Global Entry

---------------------------------
Credits

Guest: Chris Dugan

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #500 with Catherine Marks - From Architect to Producer, Fearlessness, Supportive Mentors, Managing Creative Conflicts, and Capturing the Immediacy of a Moment</title><itunes:title>WCA #500 with Catherine Marks - From Architect to Producer, Fearlessness, Supportive Mentors, Managing Creative Conflicts, and Capturing the Immediacy of a Moment</itunes:title><description><![CDATA[<p>My guest today is Grammy-winning London-based producer and mixer Catherine Marks, who has worked on projects for boygenius, Wolf Alice, and The Mysterines.&nbsp;&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Upbringing in Australia</li><li>Early exposure to music through parents' record collection</li><li>Participation in a Yamaha piano course at an all-girls school</li><li>Development of interest in songwriting and record production</li><li>Studying architecture at the University of Melbourne</li><li>Taking a year out to work in Dublin</li><li>Introduction to Dublin's music</li><li>Immersion in live music and DJ nights in Dublin</li><li>Discovery of interest in music production and reverb</li><li>Transition from architecture degree to music production career</li><li>Learning about music production while working for Flood</li><li>Recording a song with Elastica, gaining Flood's attention</li><li>Fearlessness and willingness to take opportunities</li><li>Early advice from her father and</li><li>Support from the Dublin community</li><li>Early experiences in the studio,</li><li>Multitasking in various roles</li><li>Learning via observing, asking questions, and reading manuals</li><li>Development of skills and studio efficiency</li><li>Mentorship from Alan Moulder</li><li>Working with producers like Dmitry Tikovoy, Ben Hillier, and Flood</li><li>Importance of capturing the immediacy of a moment over technical perfection</li><li>Discipline to let go of awareness and move forward in projects</li><li>Managing creative conflicts and rising from unknown engineer to sought-after producer</li><li>Establishing connections with key individuals in the music industry</li><li>Importance of mutual understanding and communication in the recording process</li><li>Working with Alan Moulder and Flood, enhancing her career</li><li>Mutual respect and high expectations foster professional growth</li><li>Importance of enjoying projects and respecting colleagues</li><li>Prioritizing a balanced lifestyle over immediate success</li><li>Pressure to maintain career momentum and need for self-care to prevent burnout</li><li>Consistent commitment and passion for work</li><li>Experiences and reflections on winning a Grammy award</li><li>Highs and lows of industry recognition</li><li>Challenges of being away for extended periods during album work</li><li>Anticipation for future projects and collaborations</li></ul><br/><p><strong>Matt's Rant: 500 Episodes and Pressing On</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.catherinejmarks.com/" rel="noopener noreferrer" target="_blank">Catherine's Site</a></li><li><a href="https://www.instagram.com/cjmarks/?hl=en" rel="noopener noreferrer" target="_blank">Catherine on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Catherine Marks</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Grammy-winning London-based producer and mixer Catherine Marks, who has worked on projects for boygenius, Wolf Alice, and The Mysterines.&nbsp;&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Upbringing in Australia</li><li>Early exposure to music through parents' record collection</li><li>Participation in a Yamaha piano course at an all-girls school</li><li>Development of interest in songwriting and record production</li><li>Studying architecture at the University of Melbourne</li><li>Taking a year out to work in Dublin</li><li>Introduction to Dublin's music</li><li>Immersion in live music and DJ nights in Dublin</li><li>Discovery of interest in music production and reverb</li><li>Transition from architecture degree to music production career</li><li>Learning about music production while working for Flood</li><li>Recording a song with Elastica, gaining Flood's attention</li><li>Fearlessness and willingness to take opportunities</li><li>Early advice from her father and</li><li>Support from the Dublin community</li><li>Early experiences in the studio,</li><li>Multitasking in various roles</li><li>Learning via observing, asking questions, and reading manuals</li><li>Development of skills and studio efficiency</li><li>Mentorship from Alan Moulder</li><li>Working with producers like Dmitry Tikovoy, Ben Hillier, and Flood</li><li>Importance of capturing the immediacy of a moment over technical perfection</li><li>Discipline to let go of awareness and move forward in projects</li><li>Managing creative conflicts and rising from unknown engineer to sought-after producer</li><li>Establishing connections with key individuals in the music industry</li><li>Importance of mutual understanding and communication in the recording process</li><li>Working with Alan Moulder and Flood, enhancing her career</li><li>Mutual respect and high expectations foster professional growth</li><li>Importance of enjoying projects and respecting colleagues</li><li>Prioritizing a balanced lifestyle over immediate success</li><li>Pressure to maintain career momentum and need for self-care to prevent burnout</li><li>Consistent commitment and passion for work</li><li>Experiences and reflections on winning a Grammy award</li><li>Highs and lows of industry recognition</li><li>Challenges of being away for extended periods during album work</li><li>Anticipation for future projects and collaborations</li></ul><br/><p><strong>Matt's Rant: 500 Episodes and Pressing On</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.catherinejmarks.com/" rel="noopener noreferrer" target="_blank">Catherine's Site</a></li><li><a href="https://www.instagram.com/cjmarks/?hl=en" rel="noopener noreferrer" target="_blank">Catherine on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Catherine Marks</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-500-with-catherine-marks-from-architect-to-producer-fearlessness-supportive-mentors-managing-creative-conflicts-and-capturing-the-immediacy-of-a-moment]]></link><guid isPermaLink="false">9796e292-c461-11ee-a4ca-7b517468dd6d</guid><itunes:image href="https://artwork.captivate.fm/c3ae88ad-9358-4e59-9edc-6d158614460e/6a2aee474dec067b7f4c733c2f6fccc3.jpg"/><pubDate>Mon, 15 Jul 2024 04:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f47dd17d-4188-46d5-873d-0196b0c6dec2.mp3" length="191670055" type="audio/mpeg"/><itunes:duration>01:19:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>500</itunes:episode><podcast:episode>500</podcast:episode><itunes:summary>My guest today is Grammy-winning London-based producer and mixer Catherine Marks, who has worked on projects for boygenius, Wolf Alice, and The Mysterines.  

In this episode, we discuss

Upbringing in Australia

Early exposure to music through parents&apos; record collection

Participation in a Yamaha piano course at an all-girls school

Development of interest in songwriting and record production

Studying architecture at the University of Melbourne

Taking a year out to work in Dublin

Introduction to Dublin&apos;s music

Immersion in live music and DJ nights in Dublin

Discovery of interest in music production and reverb

Transition from architecture degree to music production career

Learning about music production while working for Flood

Recording a song with Elastica, gaining Flood&apos;s attention

Fearlessness and willingness to take opportunities

Early advice from her father and

Support from the Dublin community

Early experiences in the studio,

Multitasking in various roles

Learning via observing, asking questions, and reading manuals

Development of skills and studio efficiency

Mentorship from Alan Moulder

Working with producers like Dmitry Tikovoy, Ben Hillier, and Flood

Importance of capturing the immediacy of a moment over technical perfection

Discipline to let go of awareness and move forward in projects

Managing creative conflicts and rising from unknown engineer to sought-after producer

Establishing connections with key individuals in the music industry

Importance of mutual understanding and communication in the recording process

Working with Alan Moulder and Flood, enhancing her career

Mutual respect and high expectations foster professional growth

Importance of enjoying projects and respecting colleagues

Prioritizing a balanced lifestyle over immediate success

Pressure to maintain career momentum and need for self-care to prevent burnout

Consistent commitment and passion for work

Experiences and reflections on winning a Grammy award

Highs and lows of industry recognition

Challenges of being away for extended periods during album work

Anticipation for future projects and collaborations


Matt&apos;s Rant: 500 Episodes and Pressing On
Links and Show Notes

Catherine&apos;s Site

Catherine on Instagram


Credits

Guest: Catherine Marks

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #499 with Stephen Kerrison - Touring to Mastering, Weird Jungle, Liverpool Music Scene, Instilling Confidence, Listening, and The Importance of Taste in Mastering</title><itunes:title>WCA #499 with Stephen Kerrison - Touring to Mastering, Weird Jungle, Liverpool Music Scene, Instilling Confidence, Listening, and The Importance of Taste in Mastering</itunes:title><description><![CDATA[<p>My guest today is UK-based mastering engineer Stephen Kerrison, known for his work with Petbrick, Ditz, Charles Watson, Jake Isaac, Lleo, and Liz Lawrence. This is Stephen's second appearance on Working Class Audio, his first being WCA #413 alongside Katie Tavini, a fellow Weird Jungle Mastering Collective member.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Weird Jungle Collective Update</strong></li><li><strong>Liverpool Music Scene Evolution</strong></li><li><strong>Working Under a Record Shop</strong></li><li><strong>From Touring to Mastering</strong></li><li><strong>Collective's Structural Changes</strong></li><li><strong>Industry's Financial Realities</strong></li><li><strong>Instilling Confidence</strong></li><li><strong>Balancing Creativity and Technique</strong></li><li><strong>Musicians' Record Perspectives</strong></li><li><strong>Older vs. Younger Musicians</strong></li><li><strong>Transition to Mastering</strong></li><li><strong>Mastering Different Genres</strong></li><li><strong>Challenges of Live Performance</strong></li><li><strong>Importance of Taste in Mastering</strong></li><li><strong>Exploring the UK Music Scene</strong></li><li><strong>Collaborative Music Environment</strong></li><li><strong>Managing Work-Life Balance</strong></li><li><strong>Financial Strategy</strong></li><li><strong>Use of Backing Tracks</strong></li><li><strong>Maintaining Artist Confidence</strong></li><li><strong>Comparison to Visual Art</strong></li><li><strong>Listening</strong></li><li><strong>Checking Out The Competition</strong></li><li><strong>Seth Godin</strong></li></ul><br/><p><strong>Matt's Rant: Stepping Away</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/matt_stops_time" rel="noopener noreferrer" target="_blank">Matt's Photo Instagram account</a></li><li><a href="https://www.workingclassaudio.com/wca-413-with-katie-tavini-and-stephen-kerrison/" rel="noopener noreferrer" target="_blank">WCA #413</a></li><li><a href="https://www.stephenkerrison.com/" rel="noopener noreferrer" target="_blank">Stephens Site</a></li><li><a href="https://www.katietavini.co.uk/" rel="noopener noreferrer" target="_blank">Katie's Site</a></li><li><a href="https://www.weirdjungle.com/" rel="noopener noreferrer" target="_blank">Weird Jungle</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Stephen Kerrison</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is UK-based mastering engineer Stephen Kerrison, known for his work with Petbrick, Ditz, Charles Watson, Jake Isaac, Lleo, and Liz Lawrence. This is Stephen's second appearance on Working Class Audio, his first being WCA #413 alongside Katie Tavini, a fellow Weird Jungle Mastering Collective member.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Weird Jungle Collective Update</strong></li><li><strong>Liverpool Music Scene Evolution</strong></li><li><strong>Working Under a Record Shop</strong></li><li><strong>From Touring to Mastering</strong></li><li><strong>Collective's Structural Changes</strong></li><li><strong>Industry's Financial Realities</strong></li><li><strong>Instilling Confidence</strong></li><li><strong>Balancing Creativity and Technique</strong></li><li><strong>Musicians' Record Perspectives</strong></li><li><strong>Older vs. Younger Musicians</strong></li><li><strong>Transition to Mastering</strong></li><li><strong>Mastering Different Genres</strong></li><li><strong>Challenges of Live Performance</strong></li><li><strong>Importance of Taste in Mastering</strong></li><li><strong>Exploring the UK Music Scene</strong></li><li><strong>Collaborative Music Environment</strong></li><li><strong>Managing Work-Life Balance</strong></li><li><strong>Financial Strategy</strong></li><li><strong>Use of Backing Tracks</strong></li><li><strong>Maintaining Artist Confidence</strong></li><li><strong>Comparison to Visual Art</strong></li><li><strong>Listening</strong></li><li><strong>Checking Out The Competition</strong></li><li><strong>Seth Godin</strong></li></ul><br/><p><strong>Matt's Rant: Stepping Away</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/matt_stops_time" rel="noopener noreferrer" target="_blank">Matt's Photo Instagram account</a></li><li><a href="https://www.workingclassaudio.com/wca-413-with-katie-tavini-and-stephen-kerrison/" rel="noopener noreferrer" target="_blank">WCA #413</a></li><li><a href="https://www.stephenkerrison.com/" rel="noopener noreferrer" target="_blank">Stephens Site</a></li><li><a href="https://www.katietavini.co.uk/" rel="noopener noreferrer" target="_blank">Katie's Site</a></li><li><a href="https://www.weirdjungle.com/" rel="noopener noreferrer" target="_blank">Weird Jungle</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Stephen Kerrison</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-499-with-stephen-kerrison-touring-to-mastering-weird-jungle-liverpool-music-scene-instilling-confidence-listening-and-the-importance-of-taste-in-mastering]]></link><guid isPermaLink="false">97040b8e-c461-11ee-a4ca-4f03e79fa3c1</guid><itunes:image href="https://artwork.captivate.fm/3f963715-e517-4f56-8ff2-2721ad4da7f1/4180fe0303df6cffce9274bce6968222.jpg"/><pubDate>Mon, 08 Jul 2024 05:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b6ee8b19-9a59-47cd-aed4-b6afe4984ac8.mp3" length="147233009" type="audio/mpeg"/><itunes:duration>01:01:21</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>499</itunes:episode><podcast:episode>499</podcast:episode><itunes:summary>My guest today is UK-based mastering engineer Stephen Kerrison, known for his work with Petbrick, Ditz, Charles Watson, Jake Isaac, Lleo, and Liz Lawrence. This is Stephen&apos;s second appearance on Working Class Audio, his first being WCA #413 alongside Katie Tavini, a fellow Weird Jungle Mastering Collective member.
In this episode, we discuss

Weird Jungle Collective Update

Liverpool Music Scene Evolution

Working Under a Record Shop

From Touring to Mastering

Collective&apos;s Structural Changes

Industry&apos;s Financial Realities

Instilling Confidence

Balancing Creativity and Technique

Musicians&apos; Record Perspectives

Older vs. Younger Musicians

Transition to Mastering

Mastering Different Genres

Challenges of Live Performance

Importance of Taste in Mastering

Exploring the UK Music Scene

Collaborative Music Environment

Managing Work-Life Balance

Financial Strategy

Use of Backing Tracks

Maintaining Artist Confidence

Comparison to Visual Art

Listening

Checking Out The Competition

Seth Godin


Matt&apos;s Rant: Stepping Away
Links and Show Notes

Matt&apos;s Photo Instagram account

WCA #413

Stephens Site

Katie&apos;s Site

Weird Jungle



Credits

Guest: Stephen Kerrison

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #498 with Jacob Winik - Gillman Street Experiences, Improving Live Sound, Tiny Telephone, Improved Quality of Life, and Cosmic Standard</title><itunes:title>WCA #498 with Jacob Winik - Gillman Street Experiences, Improving Live Sound, Tiny Telephone, Improved Quality of Life, and Cosmic Standard</itunes:title><description><![CDATA[<p>My guest today is Jacob Winik, the COO, Technical Director, and Sound Designer at Cosmic Standard, an audio production company he co-founded with his wife, Eliza Smith, in January 2020. Jacob has collaborated on projects with TED, Patagonia, Dropbox, KQED, Samantha Crain, Meernaa, Doe Eye, and Steep Ravine. He previously worked as an audio engineer at Tiny Telephone in San Francisco.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Bay Area Upbringing</strong></li><li><strong>Parents' Musical Influence</strong></li><li><strong>Early Punk Music</strong></li><li><strong>Divorce Sparks Punk Interest</strong></li><li><strong>Gillman Street Experiences</strong></li><li><strong>Technology at Home</strong></li><li><strong>Early Instruments</strong></li><li><strong>School Band Reluctance</strong></li><li><strong>Discovering DIY Punk</strong></li><li><strong>College Band Experience</strong></li><li><strong>House Shows in College</strong></li><li><strong>Obsessed with Music Making</strong></li><li><strong>Improving Live Sound</strong></li><li><strong>Early Recording Awareness</strong></li><li><strong>DIY Recording at Gillman</strong></li><li><strong>First Demo Recording</strong></li><li><strong>College Film Studies</strong></li><li><strong>Pursuit of Music Recording</strong></li><li><strong>Internship at The Compound</strong></li><li><strong>Learning Basic Recording Skills</strong></li><li><strong>Building Client Relationships</strong></li><li><strong>Internship at Fantasy Studios</strong></li><li><strong>Analog Tape Recording Challenges</strong></li><li><strong>Journey Recording Experience</strong></li><li><strong>Interning with Magic Magic Orchestra</strong></li><li><strong>John Vanderslice </strong></li><li><strong>Studio Setup at Tiny Telephone</strong></li><li><strong>Transition to Professional Engineer</strong></li><li><strong>Hands-on Learning with Tape</strong></li><li><strong>Podcast Company Formation</strong></li><li><strong>Balancing Overhead Costs</strong></li><li><strong>Scalable Team Structure</strong></li><li><strong>Remote Work Adaptation</strong></li><li><strong>Handling Pandemic Challenges</strong></li><li><strong>Client Training Remotely</strong></li><li><strong>Improved Quality of Life</strong></li><li><strong>Building Client Relationships</strong></li></ul><br/><p><strong>Matt's Rant: Moving Through Your Audio Career with Blinders On</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.cosmicstandard.fm/" rel="noopener noreferrer" target="_blank"><strong>Cosmic Standard</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-047-with-john-vanderslice/" rel="noopener noreferrer" target="_blank"><strong>John Vanderslice on WCA</strong></a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Jacob Winik</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is Jacob Winik, the COO, Technical Director, and Sound Designer at Cosmic Standard, an audio production company he co-founded with his wife, Eliza Smith, in January 2020. Jacob has collaborated on projects with TED, Patagonia, Dropbox, KQED, Samantha Crain, Meernaa, Doe Eye, and Steep Ravine. He previously worked as an audio engineer at Tiny Telephone in San Francisco.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Bay Area Upbringing</strong></li><li><strong>Parents' Musical Influence</strong></li><li><strong>Early Punk Music</strong></li><li><strong>Divorce Sparks Punk Interest</strong></li><li><strong>Gillman Street Experiences</strong></li><li><strong>Technology at Home</strong></li><li><strong>Early Instruments</strong></li><li><strong>School Band Reluctance</strong></li><li><strong>Discovering DIY Punk</strong></li><li><strong>College Band Experience</strong></li><li><strong>House Shows in College</strong></li><li><strong>Obsessed with Music Making</strong></li><li><strong>Improving Live Sound</strong></li><li><strong>Early Recording Awareness</strong></li><li><strong>DIY Recording at Gillman</strong></li><li><strong>First Demo Recording</strong></li><li><strong>College Film Studies</strong></li><li><strong>Pursuit of Music Recording</strong></li><li><strong>Internship at The Compound</strong></li><li><strong>Learning Basic Recording Skills</strong></li><li><strong>Building Client Relationships</strong></li><li><strong>Internship at Fantasy Studios</strong></li><li><strong>Analog Tape Recording Challenges</strong></li><li><strong>Journey Recording Experience</strong></li><li><strong>Interning with Magic Magic Orchestra</strong></li><li><strong>John Vanderslice </strong></li><li><strong>Studio Setup at Tiny Telephone</strong></li><li><strong>Transition to Professional Engineer</strong></li><li><strong>Hands-on Learning with Tape</strong></li><li><strong>Podcast Company Formation</strong></li><li><strong>Balancing Overhead Costs</strong></li><li><strong>Scalable Team Structure</strong></li><li><strong>Remote Work Adaptation</strong></li><li><strong>Handling Pandemic Challenges</strong></li><li><strong>Client Training Remotely</strong></li><li><strong>Improved Quality of Life</strong></li><li><strong>Building Client Relationships</strong></li></ul><br/><p><strong>Matt's Rant: Moving Through Your Audio Career with Blinders On</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.cosmicstandard.fm/" rel="noopener noreferrer" target="_blank"><strong>Cosmic Standard</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-047-with-john-vanderslice/" rel="noopener noreferrer" target="_blank"><strong>John Vanderslice on WCA</strong></a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Jacob Winik</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-498-with-jacob-winik-gillman-street-experiences-improving-live-sound-tiny-telephone-improved-quality-of-life-and-cosmic-standard]]></link><guid isPermaLink="false">964cb718-c461-11ee-a4ca-c7b7126571f4</guid><itunes:image href="https://artwork.captivate.fm/79f0aa8a-9841-4c80-b153-7e1076d23ae2/d9d6d76b1d23db70d7b5a885fbbb2738.jpg"/><pubDate>Mon, 01 Jul 2024 05:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2506b035-5b78-425b-9366-030fad17a99b.mp3" length="161160476" type="audio/mpeg"/><itunes:duration>01:07:09</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>498</itunes:episode><podcast:episode>498</podcast:episode><itunes:summary>My guest today is Jacob Winik, the COO, Technical Director, and Sound Designer at Cosmic Standard, an audio production company he co-founded with his wife, Eliza Smith, in January 2020. Jacob has collaborated on projects with TED, Patagonia, Dropbox, KQED, Samantha Crain, Meernaa, Doe Eye, and Steep Ravine. He previously worked as an audio engineer at Tiny Telephone in San Francisco.
In this episode, we discuss

Bay Area Upbringing

Parents&apos; Musical Influence

Early Punk Music

Divorce Sparks Punk Interest

Gillman Street Experiences

Technology at Home

Early Instruments

School Band Reluctance

Discovering DIY Punk

College Band Experience

House Shows in College

Obsessed with Music Making

Improving Live Sound

Early Recording Awareness

DIY Recording at Gillman

First Demo Recording

College Film Studies

Pursuit of Music Recording

Internship at The Compound

Learning Basic Recording Skills

Building Client Relationships

Internship at Fantasy Studios

Analog Tape Recording Challenges

Journey Recording Experience

Interning with Magic Magic Orchestra

John Vanderslice 

Studio Setup at Tiny Telephone

Transition to Professional Engineer

Hands-on Learning with Tape

Podcast Company Formation

Balancing Overhead Costs

Scalable Team Structure

Remote Work Adaptation

Handling Pandemic Challenges

Client Training Remotely

Improved Quality of Life

Building Client Relationships


Matt&apos;s Rant: Moving Through Your Audio Career with Blinders On
Links and Show Notes

Cosmic Standard

John Vanderslice on WCA


Credits

Guest: Jacob Winik

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #497 with Danny Reisch - Dallas Childhood Memories, Back to the Future, Daytrotter Sessions, Austin Music Scene, Moving to LA, and Making Records on Cassette 8 Tracks.</title><itunes:title>WCA #497 with Danny Reisch - Dallas Childhood Memories, Back to the Future, Daytrotter Sessions, Austin Music Scene, Moving to LA, and Making Records on Cassette 8 Tracks.</itunes:title><description><![CDATA[<p>My guest today is Los Angeles-based Producer/Mixer/Engineer/Drummer Danny Reisch, who has worked on projects for Local Natives, Dirty Projectors, Khruangbin, Barns Courtney, White Denim, Other Lives, Shearwater, Sun June, Tele Novella, Intocable, Halo video game ( last 3 seasons), The Green Knight score (a24), Disney Peter Pan score, Interview With The Vampire score, Willie Nelson, Ed Sheeran, Lizzo, The Zombies, Counting Crows, Jimmy Cliff, Father John Misty and many more.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Dallas Childhood Memories</strong></li><li><strong>Early Band Experiences</strong></li><li><strong>Four Track Beginnings</strong></li><li><strong>Michael Jackson Obsession</strong></li><li><strong>Back to Future Influence</strong></li><li><strong>Supportive Creative Family</strong></li><li><strong>Unique School Experience</strong></li><li><strong>Discipline</strong></li><li><strong>College Music Degree</strong></li><li><strong>Early Audio Awareness</strong></li><li><strong>Atmos Mixing Insights</strong></li><li><strong>Texas State University </strong></li><li><strong>Touring and College Life</strong></li><li><strong>Sound Design Job</strong></li><li><strong>Band Experiences Takeaways</strong></li><li><strong>Respect for Bands</strong></li><li><strong>Working with Passionate Clients</strong></li><li><strong>Good Danny's Studio Journey</strong></li><li><strong>Early Studio Challenges</strong></li><li><strong>Austin Music Scene</strong></li><li><strong>Daytrotter Sessions Impact</strong></li><li><strong>South by Southwest Frenzy</strong></li><li><strong>Live Recording Skills</strong></li><li><strong>Move to Los Angeles</strong></li><li><strong>Pandemic Mixing Shift</strong></li><li><strong>Film Score Mixing</strong></li><li><strong>Financial Ecosystem Differences</strong></li><li><strong>LA Studio Setup Challenges</strong></li><li><strong>John Congleton's Advice</strong></li></ul><br/><p><strong>Matt's Rant: What If?</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/gooddannys/" rel="noopener noreferrer" target="_blank">Danny on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-028-with-john-congleton/" rel="noopener noreferrer" target="_blank">John Congelton on WCA </a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Danny Reisch</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is Los Angeles-based Producer/Mixer/Engineer/Drummer Danny Reisch, who has worked on projects for Local Natives, Dirty Projectors, Khruangbin, Barns Courtney, White Denim, Other Lives, Shearwater, Sun June, Tele Novella, Intocable, Halo video game ( last 3 seasons), The Green Knight score (a24), Disney Peter Pan score, Interview With The Vampire score, Willie Nelson, Ed Sheeran, Lizzo, The Zombies, Counting Crows, Jimmy Cliff, Father John Misty and many more.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Dallas Childhood Memories</strong></li><li><strong>Early Band Experiences</strong></li><li><strong>Four Track Beginnings</strong></li><li><strong>Michael Jackson Obsession</strong></li><li><strong>Back to Future Influence</strong></li><li><strong>Supportive Creative Family</strong></li><li><strong>Unique School Experience</strong></li><li><strong>Discipline</strong></li><li><strong>College Music Degree</strong></li><li><strong>Early Audio Awareness</strong></li><li><strong>Atmos Mixing Insights</strong></li><li><strong>Texas State University </strong></li><li><strong>Touring and College Life</strong></li><li><strong>Sound Design Job</strong></li><li><strong>Band Experiences Takeaways</strong></li><li><strong>Respect for Bands</strong></li><li><strong>Working with Passionate Clients</strong></li><li><strong>Good Danny's Studio Journey</strong></li><li><strong>Early Studio Challenges</strong></li><li><strong>Austin Music Scene</strong></li><li><strong>Daytrotter Sessions Impact</strong></li><li><strong>South by Southwest Frenzy</strong></li><li><strong>Live Recording Skills</strong></li><li><strong>Move to Los Angeles</strong></li><li><strong>Pandemic Mixing Shift</strong></li><li><strong>Film Score Mixing</strong></li><li><strong>Financial Ecosystem Differences</strong></li><li><strong>LA Studio Setup Challenges</strong></li><li><strong>John Congleton's Advice</strong></li></ul><br/><p><strong>Matt's Rant: What If?</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/gooddannys/" rel="noopener noreferrer" target="_blank">Danny on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-028-with-john-congleton/" rel="noopener noreferrer" target="_blank">John Congelton on WCA </a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Danny Reisch</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-497-with-danny-reisch-dallas-childhood-memories-back-to-the-future-daytrotter-sessions-austin-music-scene-moving-to-la-and-making-records-on-cassette-8-tracks-]]></link><guid isPermaLink="false">95e1011c-c461-11ee-a4ca-1759bb353be4</guid><itunes:image href="https://artwork.captivate.fm/ffe2dae3-b2b9-402b-bc56-de3707b281b9/c1126387bf033ea94eab367139592556.jpg"/><pubDate>Mon, 24 Jun 2024 05:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/98fb3968-b838-4b6d-9bb4-c5efe3f6db6a.mp3" length="143597988" type="audio/mpeg"/><itunes:duration>59:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>497</itunes:episode><podcast:episode>497</podcast:episode><itunes:summary>My guest today is Los Angeles-based Producer/Mixer/Engineer/Drummer Danny Reisch, who has worked on projects for Local Natives, Dirty Projectors, Khruangbin, Barns Courtney, White Denim, Other Lives, Shearwater, Sun June, Tele Novella, Intocable, Halo video game ( last 3 seasons), The Green Knight score (a24), Disney Peter Pan score, Interview With The Vampire score, Willie Nelson, Ed Sheeran, Lizzo, The Zombies, Counting Crows, Jimmy Cliff, Father John Misty and many more.
In this episode, we discuss

Dallas Childhood Memories

Early Band Experiences

Four Track Beginnings

Michael Jackson Obsession

Back to Future Influence

Supportive Creative Family

Unique School Experience

Discipline

College Music Degree

Early Audio Awareness

Atmos Mixing Insights

Texas State University 

Touring and College Life

Sound Design Job

Band Experiences Takeaways

Respect for Bands

Working with Passionate Clients

Good Danny&apos;s Studio Journey

Early Studio Challenges

Austin Music Scene

Daytrotter Sessions Impact

South by Southwest Frenzy

Live Recording Skills

Move to Los Angeles

Pandemic Mixing Shift

Film Score Mixing

Financial Ecosystem Differences

LA Studio Setup Challenges

John Congleton&apos;s Advice


Matt&apos;s Rant: What If?
Links and Show Notes

Danny on Instagram

John Congelton on WCA 


Credits

Guest: Danny Reisch

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #496 with Don Zientara - Historical Significance, Studio Relocation, Curated Gear Choices, Surfing, and Staying Young, and Back to the Basement Where It All Started</title><itunes:title>WCA #496 with Don Zientara - Historical Significance, Studio Relocation, Curated Gear Choices, Surfing, and Staying Young, and Back to the Basement Where It All Started</itunes:title><description><![CDATA[<p>My guest today is the return of producer/engineer/mixer Don Zientara. Don has been highly influential in the D.C. hardcore music scene for over 30 years for his work with iconic punk and rock bands, including Fugazi, Minor Threat, Bad Brains, Jawbox, and The Evens. His contributions have been pivotal in shaping the sound of many Dischord Records artists.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Studio Relocation</strong></li><li><strong>New Basement Setup</strong></li><li><strong>Historical Recordings</strong></li><li><strong>Studio Gear Changes</strong></li><li><strong>Analog to Digital Shift</strong></li><li><strong>Compact Studio Space</strong></li><li><strong>Recording Challenges and Success</strong></li><li><strong>Microphone Selection Strategy</strong></li><li><strong>Digital Console Benefits</strong></li><li><strong>Outboard Gear Preferences</strong></li><li><strong>Lower Overhead Costs</strong></li><li><strong>Promotion and Clientele</strong></li><li><strong>Reflection on Studio History</strong></li><li><strong>Neighborhood and Noise Management</strong></li><li><strong>Surfing and Staying Young</strong></li><li><strong>Selective Project Choices</strong></li><li><strong>Client Reactions</strong></li><li><strong>Control and Live Room Setup</strong></li><li><strong>Communication in Studio</strong></li><li><strong>Evolution of Punk Scene</strong></li><li><strong>Consistent Studio Rates</strong></li><li><strong>Historical Significance</strong></li><li><strong>Industry Perception</strong></li></ul><br/><p><strong>Matt's Rant: Beginning the Journey</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-106-with-don-zientara/" rel="noopener noreferrer" target="_blank">Don on WCA #106</a></li><li><strong>Don Zientara's Biography</strong>: <a href="https://en.wikipedia.org/wiki/Don_Zientara" rel="noopener noreferrer" target="_blank">Wikipedia</a></li><li><strong>Inner Ear Studio</strong>: <a href="http://www.innerearstudio.com/" rel="noopener noreferrer" target="_blank">Inner Ear Studio Official Website</a></li><li><strong>Rights of Spring</strong>: <a href="https://en.wikipedia.org/wiki/Rites_of_Spring" rel="noopener noreferrer" target="_blank">Rights of Spring - Wikipedia</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Don Zientara</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is the return of producer/engineer/mixer Don Zientara. Don has been highly influential in the D.C. hardcore music scene for over 30 years for his work with iconic punk and rock bands, including Fugazi, Minor Threat, Bad Brains, Jawbox, and The Evens. His contributions have been pivotal in shaping the sound of many Dischord Records artists.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Studio Relocation</strong></li><li><strong>New Basement Setup</strong></li><li><strong>Historical Recordings</strong></li><li><strong>Studio Gear Changes</strong></li><li><strong>Analog to Digital Shift</strong></li><li><strong>Compact Studio Space</strong></li><li><strong>Recording Challenges and Success</strong></li><li><strong>Microphone Selection Strategy</strong></li><li><strong>Digital Console Benefits</strong></li><li><strong>Outboard Gear Preferences</strong></li><li><strong>Lower Overhead Costs</strong></li><li><strong>Promotion and Clientele</strong></li><li><strong>Reflection on Studio History</strong></li><li><strong>Neighborhood and Noise Management</strong></li><li><strong>Surfing and Staying Young</strong></li><li><strong>Selective Project Choices</strong></li><li><strong>Client Reactions</strong></li><li><strong>Control and Live Room Setup</strong></li><li><strong>Communication in Studio</strong></li><li><strong>Evolution of Punk Scene</strong></li><li><strong>Consistent Studio Rates</strong></li><li><strong>Historical Significance</strong></li><li><strong>Industry Perception</strong></li></ul><br/><p><strong>Matt's Rant: Beginning the Journey</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-106-with-don-zientara/" rel="noopener noreferrer" target="_blank">Don on WCA #106</a></li><li><strong>Don Zientara's Biography</strong>: <a href="https://en.wikipedia.org/wiki/Don_Zientara" rel="noopener noreferrer" target="_blank">Wikipedia</a></li><li><strong>Inner Ear Studio</strong>: <a href="http://www.innerearstudio.com/" rel="noopener noreferrer" target="_blank">Inner Ear Studio Official Website</a></li><li><strong>Rights of Spring</strong>: <a href="https://en.wikipedia.org/wiki/Rites_of_Spring" rel="noopener noreferrer" target="_blank">Rights of Spring - Wikipedia</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Don Zientara</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-496-with-don-zientara-historical-significance-studio-relocation-curated-gear-choices-surfing-and-staying-young-and-back-to-the-basement-where-it-all-started]]></link><guid isPermaLink="false">95507606-c461-11ee-a4ca-a723ef03e8d4</guid><itunes:image href="https://artwork.captivate.fm/46b4fdbb-8e7e-4074-ba0a-6b050284ba5a/7463f0279b34b71e3c704fb4e6843e8f.jpg"/><pubDate>Mon, 17 Jun 2024 05:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ffa76080-d9e9-4a95-b033-7cffed162f5c.mp3" length="179759466" type="audio/mpeg"/><itunes:duration>01:14:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>496</itunes:episode><podcast:episode>496</podcast:episode><itunes:summary>My guest today is the return of producer/engineer/mixer Don Zientara. Don has been highly influential in the D.C. hardcore music scene for over 30 years for his work with iconic punk and rock bands, including Fugazi, Minor Threat, Bad Brains, Jawbox, and The Evens. His contributions have been pivotal in shaping the sound of many Dischord Records artists.
In this episode, we discuss

Studio Relocation

New Basement Setup

Historical Recordings

Studio Gear Changes

Analog to Digital Shift

Compact Studio Space

Recording Challenges and Success

Microphone Selection Strategy

Digital Console Benefits

Outboard Gear Preferences

Lower Overhead Costs

Promotion and Clientele

Reflection on Studio History

Neighborhood and Noise Management

Surfing and Staying Young

Selective Project Choices

Client Reactions

Control and Live Room Setup

Communication in Studio

Evolution of Punk Scene

Consistent Studio Rates

Historical Significance

Industry Perception


Matt&apos;s Rant: Beginning the Journey
Links and Show Notes

Don on WCA #106


Don Zientara&apos;s Biography: Wikipedia



Inner Ear Studio: Inner Ear Studio Official Website



Rights of Spring: Rights of Spring - Wikipedia


Credits

Guest: Don Zientara

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #495 with Elliot Vaughan - City of Black Sabbath, Music In the House, Mission Impossible Night, and Persistent Learning</title><itunes:title>WCA #495 with Elliot Vaughan - City of Black Sabbath, Music In the House, Mission Impossible Night, and Persistent Learning</itunes:title><description><![CDATA[<p>My guest today is Bristol, UK-based producer and mixer Elliot Vaughan, who has worked on projects by Frank Turner, Jason Ringenberg, Spunge, Ugly Kid Joe, Sonic Boom 6, The Wildhearts, Masca, and Hectares. Elliot is also an MPG Awards 2024 Breakthrough Producer Of The Year Nominee.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Bristol</strong></li><li><strong>Miles to Kilometers Conversion</strong></li><li><strong>City of Black Sabbath</strong></li><li><strong>Birmingham Heavy Metal Roots</strong></li><li><strong>Born Near John Bonham</strong></li><li><strong>Mom's Bank to Nurse Career</strong></li><li><strong>Dad's Ever-Changing Jobs</strong></li><li><strong>Peacefully Divorced Parents</strong></li><li><strong>Music In the House</strong></li><li><strong>Piano Practice</strong></li><li><strong>Hated Old Piano Teacher</strong></li><li><strong>Drum Lessons to Escape Math</strong></li><li><strong>Parents' Divorce Silver Lining</strong></li><li><strong>Drums vs Piano </strong></li><li><strong>Early Band Touring Adventures</strong></li><li><strong>Recording Studio Misfit</strong></li><li><strong>Mission Impossible Night</strong></li><li><strong>Pro Tools Learning Struggles</strong></li><li><strong>Band Tour Realization Moment</strong></li><li><strong>Day Job at Museum</strong></li><li><strong>Begging for Studio Time</strong></li><li><strong>Faked Experience for Bands</strong></li><li><strong>Building Reputation</strong></li><li><strong>Persistent Learning</strong></li></ul><br/><p><strong>Matt's Rant: Change of Heart</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.elliotmvaughan.co.uk/" rel="noopener noreferrer" target="_blank">Elliots site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Elliot Vaughan</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is Bristol, UK-based producer and mixer Elliot Vaughan, who has worked on projects by Frank Turner, Jason Ringenberg, Spunge, Ugly Kid Joe, Sonic Boom 6, The Wildhearts, Masca, and Hectares. Elliot is also an MPG Awards 2024 Breakthrough Producer Of The Year Nominee.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Bristol</strong></li><li><strong>Miles to Kilometers Conversion</strong></li><li><strong>City of Black Sabbath</strong></li><li><strong>Birmingham Heavy Metal Roots</strong></li><li><strong>Born Near John Bonham</strong></li><li><strong>Mom's Bank to Nurse Career</strong></li><li><strong>Dad's Ever-Changing Jobs</strong></li><li><strong>Peacefully Divorced Parents</strong></li><li><strong>Music In the House</strong></li><li><strong>Piano Practice</strong></li><li><strong>Hated Old Piano Teacher</strong></li><li><strong>Drum Lessons to Escape Math</strong></li><li><strong>Parents' Divorce Silver Lining</strong></li><li><strong>Drums vs Piano </strong></li><li><strong>Early Band Touring Adventures</strong></li><li><strong>Recording Studio Misfit</strong></li><li><strong>Mission Impossible Night</strong></li><li><strong>Pro Tools Learning Struggles</strong></li><li><strong>Band Tour Realization Moment</strong></li><li><strong>Day Job at Museum</strong></li><li><strong>Begging for Studio Time</strong></li><li><strong>Faked Experience for Bands</strong></li><li><strong>Building Reputation</strong></li><li><strong>Persistent Learning</strong></li></ul><br/><p><strong>Matt's Rant: Change of Heart</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.elliotmvaughan.co.uk/" rel="noopener noreferrer" target="_blank">Elliots site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Elliot Vaughan</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-495-withelliot-vaughan-city-of-black-sabbath-music-in-the-house-mission-impossible-night-and-persistent-learning]]></link><guid isPermaLink="false">94bafcf2-c461-11ee-a4ca-4b8e35656ae2</guid><itunes:image href="https://artwork.captivate.fm/0050a700-4fc8-4050-8a54-2e58333d37a5/1d7fdf1c107b5e6ed83c2173ef566955.jpg"/><pubDate>Mon, 10 Jun 2024 05:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4272f730-cc85-4e2b-bd6b-43724c8cfe1a.mp3" length="164731801" type="audio/mpeg"/><itunes:duration>01:08:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>495</itunes:episode><podcast:episode>495</podcast:episode><itunes:summary>My guest today is Bristol, UK-based producer and mixer Elliot Vaughan, who has worked on projects by Frank Turner, Jason Ringenberg, Spunge, Ugly Kid Joe, Sonic Boom 6, The Wildhearts, Masca, and Hectares. Elliot is also an MPG Awards 2024 Breakthrough Producer Of The Year Nominee.
In this episode, we discuss

Bristol

Miles to Kilometers Conversion

City of Black Sabbath

Birmingham Heavy Metal Roots

Born Near John Bonham

Mom&apos;s Bank to Nurse Career

Dad&apos;s Ever-Changing Jobs

Peacefully Divorced Parents

Music In the House

Piano Practice

Hated Old Piano Teacher

Drum Lessons to Escape Math

Parents&apos; Divorce Silver Lining

Drums vs Piano 

Early Band Touring Adventures

Recording Studio Misfit

Mission Impossible Night

Pro Tools Learning Struggles

Band Tour Realization Moment

Day Job at Museum

Begging for Studio Time

Faked Experience for Bands

Building Reputation

Persistent Learning


Matt&apos;s Rant: Change of Heart
Links and Show Notes
Elliots site

Credits

Guest: Elliot Vaughan

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #494 with Aaron C Schroeder - Battle of the Bands, Palm Pilot Payment, Recording a Scene, and The Return to Physical Goods</title><itunes:title>WCA #494 with Aaron C Schroeder - Battle of the Bands, Palm Pilot Payment, Recording a Scene, and The Return to Physical Goods</itunes:title><description><![CDATA[<p>My guest today is Producer/Engineer Aaron C Schroeder, who has worked on projects for Willie Nelson, Hotegaia, Hallows, Arden Leas, Sharkie, Coasthouse Materials, and Hollow Earth Radio.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Texas Upbringing</li><li>Roller Blading &amp; Silverchair</li><li>Battle of the Bands</li><li>Early Recording Experiments</li><li>Recording School</li><li>Studio Watchdog</li><li>Recording Willie Nelson</li><li>Palm Pilot Payment</li><li>Recording at Home</li><li>Mell Dettmer</li><li>Moving to Seattle</li><li>Working In a Gay Porn Store</li><li>Recording a Scene</li><li>Landlord Challenges</li><li>Recording in A Former Strip Club</li><li>Running a Basement Studio</li><li>The Fugazi Ethos</li><li>Don Zientara</li><li>Diversification of Audio</li><li>Podcasting Gigs</li><li>The Return to Physical Goods</li><li>Patreon Page</li><li>Audio for Film</li><li>Business Manager Role</li><li>Chuck Vanderbilt</li></ul><br/><p><strong>Matt's Rant: Not Missing Out on Life</strong></p><p><strong>Links and Show Notes</strong></p><ul><li>Jacob Sciba on WCA <a href="https://www.workingclassaudio.com/wca-263-with-jacob-sciba/" rel="noopener noreferrer" target="_blank">#263</a></li><li>Steve Chadie on WCA <a href="https://www.workingclassaudio.com/wca-245-with-steve-chadie/" rel="noopener noreferrer" target="_blank">#245</a> / <a href="https://www.workingclassaudio.com/wca-487-with-steve-chadie/" rel="noopener noreferrer" target="_blank">#487</a></li><li>Alan Evans on WCA <a href="https://www.workingclassaudio.com/wca-133-with-alan-evans/" rel="noopener noreferrer" target="_blank">#133</a> /<a href="https://www.workingclassaudio.com/wca-328-with-alan-evans/" rel="noopener noreferrer" target="_blank">#328</a></li><li><a href="https://www.coutant.org/altec639/index.html" rel="noopener noreferrer" target="_blank">The Altec Bird Cage</a></li><li><a href="https://www.patreon.com/PiercedEarsRecordingCo" rel="noopener noreferrer" target="_blank">Aaron's Patreon</a></li><li><a href="https://www.piercedearsrec.com/" rel="noopener noreferrer" target="_blank">Aaron's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Aaron C Schroeder</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is Producer/Engineer Aaron C Schroeder, who has worked on projects for Willie Nelson, Hotegaia, Hallows, Arden Leas, Sharkie, Coasthouse Materials, and Hollow Earth Radio.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Texas Upbringing</li><li>Roller Blading &amp; Silverchair</li><li>Battle of the Bands</li><li>Early Recording Experiments</li><li>Recording School</li><li>Studio Watchdog</li><li>Recording Willie Nelson</li><li>Palm Pilot Payment</li><li>Recording at Home</li><li>Mell Dettmer</li><li>Moving to Seattle</li><li>Working In a Gay Porn Store</li><li>Recording a Scene</li><li>Landlord Challenges</li><li>Recording in A Former Strip Club</li><li>Running a Basement Studio</li><li>The Fugazi Ethos</li><li>Don Zientara</li><li>Diversification of Audio</li><li>Podcasting Gigs</li><li>The Return to Physical Goods</li><li>Patreon Page</li><li>Audio for Film</li><li>Business Manager Role</li><li>Chuck Vanderbilt</li></ul><br/><p><strong>Matt's Rant: Not Missing Out on Life</strong></p><p><strong>Links and Show Notes</strong></p><ul><li>Jacob Sciba on WCA <a href="https://www.workingclassaudio.com/wca-263-with-jacob-sciba/" rel="noopener noreferrer" target="_blank">#263</a></li><li>Steve Chadie on WCA <a href="https://www.workingclassaudio.com/wca-245-with-steve-chadie/" rel="noopener noreferrer" target="_blank">#245</a> / <a href="https://www.workingclassaudio.com/wca-487-with-steve-chadie/" rel="noopener noreferrer" target="_blank">#487</a></li><li>Alan Evans on WCA <a href="https://www.workingclassaudio.com/wca-133-with-alan-evans/" rel="noopener noreferrer" target="_blank">#133</a> /<a href="https://www.workingclassaudio.com/wca-328-with-alan-evans/" rel="noopener noreferrer" target="_blank">#328</a></li><li><a href="https://www.coutant.org/altec639/index.html" rel="noopener noreferrer" target="_blank">The Altec Bird Cage</a></li><li><a href="https://www.patreon.com/PiercedEarsRecordingCo" rel="noopener noreferrer" target="_blank">Aaron's Patreon</a></li><li><a href="https://www.piercedearsrec.com/" rel="noopener noreferrer" target="_blank">Aaron's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Aaron C Schroeder</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-494-with-aaron-c-schroeder-battle-of-the-bands-palm-pilot-payment-recording-a-scene-and-the-return-to-physical-goods]]></link><guid isPermaLink="false">9429dd30-c461-11ee-a4ca-1f7a0db92d0e</guid><itunes:image href="https://artwork.captivate.fm/42fb5a0c-7ff5-4c12-95d0-6148e0933a65/b89a9db2e9635609124581687c56cd1e.jpg"/><pubDate>Mon, 03 Jun 2024 22:26:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4f9df58f-7eb7-4774-be5f-52b6d5e0a4fb.mp3" length="232708587" type="audio/mpeg"/><itunes:duration>01:36:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>494</itunes:episode><podcast:episode>494</podcast:episode><itunes:summary>My guest today is Producer/Engineer Aaron C Schroeder, who has worked on projects for Willie Nelson, Hotegaia, Hallows, Arden Leas, Sharkie, Coasthouse Materials, and Hollow Earth Radio.
In this episode, we discuss

Texas Upbringing

Roller Blading &amp; Silverchair

Battle of the Bands

Early Recording Experiments

Recording School

Studio Watchdog

Recording Willie Nelson

Palm Pilot Payment

Recording at Home

Mell Dettmer

Moving to Seattle

Working In a Gay Porn Store

Recording a Scene

Landlord Challenges

Recording in A Former Strip Club

Running a Basement Studio

The Fugazi Ethos

Don Zientara

Diversification of Audio

Podcasting Gigs

The Return to Physical Goods

Patreon Page

Audio for Film

Business Manager Role

Chuck Vanderbilt


Matt&apos;s Rant: Not Missing Out on Life
Links and Show Notes

Jacob Sciba on WCA #263


Steve Chadie on WCA #245 / #487


Alan Evans on WCA #133 /#328


The Altec Bird Cage

Aaron&apos;s Patreon

Aaron&apos;s Site

Credits

Guest: Aaron C Schroeder

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #493 with William Garrett - Stereo Under the Stairs, Tossing X-Rays, After Hours Recording, Producing for Spotify, Hugging Smokey Robinson, and Burt Bacharach&apos;s Jacket</title><itunes:title>WCA #493 with William Garrett - Stereo Under the Stairs, Tossing X-Rays, After Hours Recording, Producing for Spotify, Hugging Smokey Robinson, and Burt Bacharach&apos;s Jacket</itunes:title><description><![CDATA[<p>My guest today is Producer, Engineer &amp; Mixer William Garrett. William has worked with a LARGE amount of people! That's includes Esperanza Spalding, Grouplove, John Legend, The Head and the Heart, Migos, Zara Larsson, The Shins, Max Richter, Sting, Ed Sheeran, Zac Brown Band, Rascal Flatts, TLC, Arcade Fire, Miley Cyrus, Norah Jones, Kelly Clarkson, Jennifer Lopez, The National, Greta Van Fleet, St. Vincent, Iron &amp; Wine, Luke Combs, Jack White, The Raconteurs, Cyndi Lauper, John Cale, Conor Oberst, New Kids On The Block, Michael Monroe, Jennifer Lopez, John Waite, Slayer, Brandi Carlile, Def Leppard, Tony Bennett, Diana Krall, Shawn Mendes, Mac Miller, Elton John, Yo-Yo Ma, Michael Bublé, Jon Batiste, Vampire Weekend, Carly Rae Jepsen, Alicia Keys, The Lumineers, Alanis Morissette, Black Pumas, James Blake, Finneas, Arlo Parks, Shania Twain, Avril Lavigne, Samara Joy, Molly Tuttle, and Margot Price........to name a few!&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Winston Salem, North Carolina</li><li>Tobacco Leaves&nbsp;</li><li>A Great Childhood</li><li>Stereo Under the Stairs</li><li>Early Musical Influences</li><li>Wipeout!</li><li>Playing Coffee Houses</li><li>Tossing X-Rays</li><li>Sound on Sound Recording</li><li>Boarding School in Maine</li><li>The World of Jingles</li><li>Nashville Sessions</li><li>Political Science and Economics</li><li>Berklee College of Music</li><li>Networking</li><li>Working as a Janitor</li><li>Driving Cabs on the Side</li><li>Burt Bacharach's Jacket</li><li>Tape Copy Guy</li><li>Alpha Media Records</li><li>After Hours Recording</li><li>House Sound Guy</li><li>Recording band Demos</li><li>The Norah Jones Story</li><li>Changing Technology</li><li>Presence and Perseverance</li><li>Jolly Automatic</li><li>Slayer</li><li>The Black Crowes</li><li>Rick Ruben</li><li>Ed Stasium</li><li>George Drakoulius</li><li>Hugging Smokey Robinson</li><li>Producing Artists for Spotify</li><li>Getting Laid Off</li><li>Going back to Freelance</li><li>Being Grateful</li></ul><br/><p><strong>Matt's Rant: Going&nbsp;the Extra Mile</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.linkedin.com/in/william-garrett-97636a58/" rel="noopener noreferrer" target="_blank">William on Linkedin</a></li><li><a href="https://www.instagram.com/electracraft/?hl=en" rel="noopener noreferrer" target="_blank">William on Instagram</a></li><li><a href="https://linktr.ee/electracraft" rel="noopener noreferrer" target="_blank">William's Linktree</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;William Garrett</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is Producer, Engineer &amp; Mixer William Garrett. William has worked with a LARGE amount of people! That's includes Esperanza Spalding, Grouplove, John Legend, The Head and the Heart, Migos, Zara Larsson, The Shins, Max Richter, Sting, Ed Sheeran, Zac Brown Band, Rascal Flatts, TLC, Arcade Fire, Miley Cyrus, Norah Jones, Kelly Clarkson, Jennifer Lopez, The National, Greta Van Fleet, St. Vincent, Iron &amp; Wine, Luke Combs, Jack White, The Raconteurs, Cyndi Lauper, John Cale, Conor Oberst, New Kids On The Block, Michael Monroe, Jennifer Lopez, John Waite, Slayer, Brandi Carlile, Def Leppard, Tony Bennett, Diana Krall, Shawn Mendes, Mac Miller, Elton John, Yo-Yo Ma, Michael Bublé, Jon Batiste, Vampire Weekend, Carly Rae Jepsen, Alicia Keys, The Lumineers, Alanis Morissette, Black Pumas, James Blake, Finneas, Arlo Parks, Shania Twain, Avril Lavigne, Samara Joy, Molly Tuttle, and Margot Price........to name a few!&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Winston Salem, North Carolina</li><li>Tobacco Leaves&nbsp;</li><li>A Great Childhood</li><li>Stereo Under the Stairs</li><li>Early Musical Influences</li><li>Wipeout!</li><li>Playing Coffee Houses</li><li>Tossing X-Rays</li><li>Sound on Sound Recording</li><li>Boarding School in Maine</li><li>The World of Jingles</li><li>Nashville Sessions</li><li>Political Science and Economics</li><li>Berklee College of Music</li><li>Networking</li><li>Working as a Janitor</li><li>Driving Cabs on the Side</li><li>Burt Bacharach's Jacket</li><li>Tape Copy Guy</li><li>Alpha Media Records</li><li>After Hours Recording</li><li>House Sound Guy</li><li>Recording band Demos</li><li>The Norah Jones Story</li><li>Changing Technology</li><li>Presence and Perseverance</li><li>Jolly Automatic</li><li>Slayer</li><li>The Black Crowes</li><li>Rick Ruben</li><li>Ed Stasium</li><li>George Drakoulius</li><li>Hugging Smokey Robinson</li><li>Producing Artists for Spotify</li><li>Getting Laid Off</li><li>Going back to Freelance</li><li>Being Grateful</li></ul><br/><p><strong>Matt's Rant: Going&nbsp;the Extra Mile</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.linkedin.com/in/william-garrett-97636a58/" rel="noopener noreferrer" target="_blank">William on Linkedin</a></li><li><a href="https://www.instagram.com/electracraft/?hl=en" rel="noopener noreferrer" target="_blank">William on Instagram</a></li><li><a href="https://linktr.ee/electracraft" rel="noopener noreferrer" target="_blank">William's Linktree</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;William Garrett</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-493-withwilliam-garrett-stereo-under-the-stairs-tossing-x-rays-after-hours-recording-producing-for-spotify-hugging-smokey-robinson-and-burt-bacharachs-jacket]]></link><guid isPermaLink="false">939ade5a-c461-11ee-a4ca-132669484430</guid><itunes:image href="https://artwork.captivate.fm/e06b2beb-cadb-4e0f-8237-e4bcee681e04/1d21f09a377260de39ac38825d6a8e2e.jpg"/><pubDate>Mon, 27 May 2024 19:38:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9c1bf670-0268-4122-adba-7957227ef6a0.mp3" length="237534793" type="audio/mpeg"/><itunes:duration>01:38:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>493</itunes:episode><podcast:episode>493</podcast:episode><itunes:summary>My guest today is Producer, Engineer &amp; Mixer William Garrett. William has worked with a LARGE amount of people! That&apos;s includes Esperanza Spalding, Grouplove, John Legend, The Head and the Heart, Migos, Zara Larsson, The Shins, Max Richter, Sting, Ed Sheeran, Zac Brown Band, Rascal Flatts, TLC, Arcade Fire, Miley Cyrus, Norah Jones, Kelly Clarkson, Jennifer Lopez, The National, Greta Van Fleet, St. Vincent, Iron &amp; Wine, Luke Combs, Jack White, The Raconteurs, Cyndi Lauper, John Cale, Conor Oberst, New Kids On The Block, Michael Monroe, Jennifer Lopez, John Waite, Slayer, Brandi Carlile, Def Leppard, Tony Bennett, Diana Krall, Shawn Mendes, Mac Miller, Elton John, Yo-Yo Ma, Michael Bublé, Jon Batiste, Vampire Weekend, Carly Rae Jepsen, Alicia Keys, The Lumineers, Alanis Morissette, Black Pumas, James Blake, Finneas, Arlo Parks, Shania Twain, Avril Lavigne, Samara Joy, Molly Tuttle, and Margot Price........to name a few! 
In this episode, we discuss

Winston Salem, North Carolina

Tobacco Leaves 

A Great Childhood

Stereo Under the Stairs

Early Musical Influences

Wipeout!

Playing Coffee Houses

Tossing X-Rays

Sound on Sound Recording

Boarding School in Maine

The World of Jingles

Nashville Sessions

Political Science and Economics

Berklee College of Music

Networking

Working as a Janitor

Driving Cabs on the Side

Burt Bacharach&apos;s Jacket

Tape Copy Guy

Alpha Media Records

After Hours Recording

House Sound Guy

Recording band Demos

The Norah Jones Story

Changing Technology

Presence and Perseverance

Jolly Automatic

Slayer

The Black Crowes

Rick Ruben

Ed Stasium

George Drakoulius

Hugging Smokey Robinson

Producing Artists for Spotify

Getting Laid Off

Going back to Freelance

Being Grateful


Matt&apos;s Rant: Going the Extra Mile
Links and Show Notes

William on Linkedin

William on Instagram

William&apos;s Linktree

Credits

Guest: William Garrett

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #493 with William Garrett - Stereo Under the Stairs, Tossing X-Rays, After Hours Recording, Producing for Spotify, Hugging Smokey Robinson, and Burt Bacharach&apos;s Jacket"><podcast:source uri="https://youtu.be/oq5oYZAmTCo"/></podcast:alternateEnclosure></item><item><title>WCA #492 with Toby Campen - Mastering Mindset, Switching Lanes, Keeping Rates Up, Human Interaction, and Taking Care of Yourself</title><itunes:title>WCA #492 with Toby Campen - Mastering Mindset, Switching Lanes, Keeping Rates Up, Human Interaction, and Taking Care of Yourself</itunes:title><description><![CDATA[<p>My guest today is Mastering Engineer Toby Campen, based in Brighton, UK, who has worked with Black Pines, Everyday Saints, The Endearing, Young Empress, Thorisson, Bekimachine, Rodney Cromwell, Daniel Hugh, Gemma Cullingford, The Droppers Neck, and Pixelstorm.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Essex</li><li>Recording His Band</li><li>Crappy College Studio</li><li>Liner Note Reading</li><li>Recording Local Bands</li><li>Book Heavy Recording Classes</li><li>Archiving</li><li>Mixing for Film and TV</li><li>Mastering Mindset</li><li>Switching Lanes</li><li>Setting Up a Business</li><li>Going Part Time</li><li>Help From Wierd Jungle</li><li>Inspiration from Justin Perkins</li><li>Inspiration from Glenn Schick</li><li>Early Mistakes</li><li>Keeping Rates Up</li><li>Travis Ference&nbsp;</li><li>AI Considerations</li><li>Getting Clients</li><li>The Tube</li><li>Human Interaction</li><li>Social Media Messaging</li><li>Audio Minimalism</li><li>Taking Care of Yourself</li><li>Standup/Sit Down</li><li>Production Expert</li></ul><br/><p><strong>Matt's Rant: Net 30 and Beyond</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.tobycampen.com/" rel="noopener noreferrer" target="_blank">TobyCampen.com</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Toby Campen</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is Mastering Engineer Toby Campen, based in Brighton, UK, who has worked with Black Pines, Everyday Saints, The Endearing, Young Empress, Thorisson, Bekimachine, Rodney Cromwell, Daniel Hugh, Gemma Cullingford, The Droppers Neck, and Pixelstorm.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Essex</li><li>Recording His Band</li><li>Crappy College Studio</li><li>Liner Note Reading</li><li>Recording Local Bands</li><li>Book Heavy Recording Classes</li><li>Archiving</li><li>Mixing for Film and TV</li><li>Mastering Mindset</li><li>Switching Lanes</li><li>Setting Up a Business</li><li>Going Part Time</li><li>Help From Wierd Jungle</li><li>Inspiration from Justin Perkins</li><li>Inspiration from Glenn Schick</li><li>Early Mistakes</li><li>Keeping Rates Up</li><li>Travis Ference&nbsp;</li><li>AI Considerations</li><li>Getting Clients</li><li>The Tube</li><li>Human Interaction</li><li>Social Media Messaging</li><li>Audio Minimalism</li><li>Taking Care of Yourself</li><li>Standup/Sit Down</li><li>Production Expert</li></ul><br/><p><strong>Matt's Rant: Net 30 and Beyond</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.tobycampen.com/" rel="noopener noreferrer" target="_blank">TobyCampen.com</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Toby Campen</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-492-withtoby-campen-mastering-mindset-switching-lanes-keeping-rates-up-human-interaction-and-taking-care-of-yourself]]></link><guid isPermaLink="false">930a18b6-c461-11ee-a4ca-f72e304ee52d</guid><itunes:image href="https://artwork.captivate.fm/07151ec0-81c9-4ba9-abf9-527cebad9c69/5cfc1f370b5eb92e0748fa1d1ebd627c.jpg"/><pubDate>Mon, 20 May 2024 20:42:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/33da4513-d8df-40dc-91f2-316611c726ee.mp3" length="147505603" type="audio/mpeg"/><itunes:duration>01:01:28</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>492</itunes:episode><podcast:episode>492</podcast:episode><itunes:summary>My guest today is Mastering Engineer Toby Campen, based in Brighton, UK, who has worked with Black Pines, Everyday Saints, The Endearing, Young Empress, Thorisson, Bekimachine, Rodney Cromwell, Daniel Hugh, Gemma Cullingford, The Droppers Neck, and Pixelstorm.
In this episode, we discuss

Growing up in Essex

Recording His Band

Crappy College Studio

Liner Note Reading

Recording Local Bands

Book Heavy Recording Classes

Archiving

Mixing for Film and TV

Mastering Mindset

Switching Lanes

Setting Up a Business

Going Part Time

Help From Wierd Jungle

Inspiration from Justin Perkins

Inspiration from Glenn Schick

Early Mistakes

Keeping Rates Up

Travis Ference 

AI Considerations

Getting Clients

The Tube

Human Interaction

Social Media Messaging

Audio Minimalism

Taking Care of Yourself

Standup/Sit Down

Production Expert


Matt&apos;s Rant: Net 30 and Beyond
Links and Show Notes
TobyCampen.com

Credits

Guest: Toby Campen

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #491 with Bruno Barcella - Brothers Influence, Attraction of Tape, Laundry Room Recording, Importance of Family, and Music in Sarnico, Italy</title><itunes:title>WCA #491 with Bruno Barcella - Brothers Influence, Attraction of Tape, Laundry Room Recording, Importance of Family, and Music in Sarnico, Italy</itunes:title><description><![CDATA[<p>My guest today is Producer/ Recording and Mixing Engineer Bruno Barcella, based in Sarnico, Italy, who has worked with The Peawees, Bee Bee Sea, Faz Waltz, The Manges, Dahlmanns, Kurt Baker, Gluts, The Apers, Freez, and Zatopeks.</p><p><strong>In this episode, we discuss</strong></p><ul><li><a href="https://en.wikipedia.org/wiki/Sarnico" rel="noopener noreferrer" target="_blank">Sarnico, Italy</a></li><li>Brothers Influence</li><li>American Music&nbsp;</li><li>Playing Drums</li><li>Recording in Middle School</li><li>Punk Rock Bands</li><li>The Attraction of Tape</li><li>Sense of Community</li><li><a href="https://en.wikipedia.org/wiki/Vasco_Rossi" rel="noopener noreferrer" target="_blank">Vasco Rossi</a></li><li>60's Girl Groups</li><li>Power Pop</li><li>Laundry Room Recording</li><li>Becoming a Studio Partner</li><li>Mixing at Home</li><li>Big Tree Studio</li><li>Live Sound</li><li>The Weird Jungle Influence</li><li>Trading Sticks for Faders</li><li>Importance of Family</li><li>Grumpy Live Sound People</li><li>Rates</li><li>Steve Albini</li></ul><br/><p><strong>Matt's Rant: Reflecting on Steve Albini</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-164-with-steve-albini/" rel="noopener noreferrer" target="_blank">Steve Albini on WCA</a></li><li><a href="https://klanggalerie.bandcamp.com/album/better-than-life" rel="noopener noreferrer" target="_blank">MX80 Sound (mentioned in Rant)</a></li><li><a href="http://www.brownbarcella.com/" rel="noopener noreferrer" target="_blank">Bruno's Site</a></li><li><a href="http://strepitososounds.com/" rel="noopener noreferrer" target="_blank">Bruno's Collective</a></li><li><a href="https://wildhoneyrecords.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://wildhoneyrecords.bandcamp.com/</a></li><li><a href="https://www.bigtreestudio.it/" rel="noopener noreferrer" target="_blank">Big Tree Studio</a></li><li><a href="https://www.weirdjungle.com/" rel="noopener noreferrer" target="_blank">Weird Jungle</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Bruno Barcella</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is Producer/ Recording and Mixing Engineer Bruno Barcella, based in Sarnico, Italy, who has worked with The Peawees, Bee Bee Sea, Faz Waltz, The Manges, Dahlmanns, Kurt Baker, Gluts, The Apers, Freez, and Zatopeks.</p><p><strong>In this episode, we discuss</strong></p><ul><li><a href="https://en.wikipedia.org/wiki/Sarnico" rel="noopener noreferrer" target="_blank">Sarnico, Italy</a></li><li>Brothers Influence</li><li>American Music&nbsp;</li><li>Playing Drums</li><li>Recording in Middle School</li><li>Punk Rock Bands</li><li>The Attraction of Tape</li><li>Sense of Community</li><li><a href="https://en.wikipedia.org/wiki/Vasco_Rossi" rel="noopener noreferrer" target="_blank">Vasco Rossi</a></li><li>60's Girl Groups</li><li>Power Pop</li><li>Laundry Room Recording</li><li>Becoming a Studio Partner</li><li>Mixing at Home</li><li>Big Tree Studio</li><li>Live Sound</li><li>The Weird Jungle Influence</li><li>Trading Sticks for Faders</li><li>Importance of Family</li><li>Grumpy Live Sound People</li><li>Rates</li><li>Steve Albini</li></ul><br/><p><strong>Matt's Rant: Reflecting on Steve Albini</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-164-with-steve-albini/" rel="noopener noreferrer" target="_blank">Steve Albini on WCA</a></li><li><a href="https://klanggalerie.bandcamp.com/album/better-than-life" rel="noopener noreferrer" target="_blank">MX80 Sound (mentioned in Rant)</a></li><li><a href="http://www.brownbarcella.com/" rel="noopener noreferrer" target="_blank">Bruno's Site</a></li><li><a href="http://strepitososounds.com/" rel="noopener noreferrer" target="_blank">Bruno's Collective</a></li><li><a href="https://wildhoneyrecords.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://wildhoneyrecords.bandcamp.com/</a></li><li><a href="https://www.bigtreestudio.it/" rel="noopener noreferrer" target="_blank">Big Tree Studio</a></li><li><a href="https://www.weirdjungle.com/" rel="noopener noreferrer" target="_blank">Weird Jungle</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;Bruno Barcella</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-491-withbruno-barcella-brothers-influence-attraction-of-tape-laundry-room-recording-importance-of-family-and-music-in-sarnico-italy]]></link><guid isPermaLink="false">92787546-c461-11ee-a4ca-b312cd7a1526</guid><itunes:image href="https://artwork.captivate.fm/af15d148-ff70-4e23-be48-b7e971ecd4b6/6e2e0e12d8fec6e2349917f72d1cb337.jpg"/><pubDate>Mon, 13 May 2024 21:01:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/02a4b94a-87b8-4de0-8aa4-dade02d5107f.mp3" length="143800393" type="audio/mpeg"/><itunes:duration>59:55</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>491</itunes:episode><podcast:episode>491</podcast:episode><itunes:summary>My guest today is Producer/ Recording and Mixing Engineer Bruno Barcella, based in Sarnico, Italy, who has worked with The Peawees, Bee Bee Sea, Faz Waltz, The Manges, Dahlmanns, Kurt Baker, Gluts, The Apers, Freez, and Zatopeks.
In this episode, we discuss

Sarnico, Italy

Brothers Influence

American Music 

Playing Drums

Recording in Middle School

Punk Rock Bands

The Attraction of Tape

Sense of Community

Vasco Rossi

60&apos;s Girl Groups

Power Pop

Laundry Room Recording

Becoming a Studio Partner

Mixing at Home

Big Tree Studio

Live Sound

The Weird Jungle Influence

Trading Sticks for Faders

Importance of Family

Grumpy Live Sound People

Rates

Steve Albini


Matt&apos;s Rant: Reflecting on Steve Albini

Links and Show Notes

Steve Albini on WCA

MX80 Sound (mentioned in Rant)

Bruno&apos;s Site

Bruno&apos;s Collective

https://wildhoneyrecords.bandcamp.com/

Big Tree Studio

Weird Jungle


Credits

Guest: Bruno Barcella

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #490 with Joe Bagale, AKA Otis McDonald - Music with Family, San Francisco, The Creation of Otis McDonald, Hyde Street Studios, Pandemic Recording, and Working 9-5</title><itunes:title>WCA #490 with Joe Bagale, AKA Otis McDonald - Music with Family, San Francisco, The Creation of Otis McDonald, Hyde Street Studios, Pandemic Recording, and Working 9-5</itunes:title><description><![CDATA[<p>My guest today is artist, producer, engineer, mixing, and mastering engineer Joe Bagale, AKA Otis McDonald, who has worked with<strong>&nbsp;</strong>Aloe Blacc, DJ Jazzy Jeff, Eric Krasno, King Canyon, Nicholas Payton, Son Little, Nigel Hall, and Adam Deitch.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Rochester</li><li>Music Teacher Dad</li><li>Attic Studio</li><li>Music with Family</li><li>Playing Drums</li><li>Bill Clinton on Sax</li><li>Recording Lessons from Dad</li><li>Home Recording</li><li>Steve Gadd</li><li>Eastman School of Music</li><li>Moving to San Francisco</li><li>Intro to Pro Tools</li><li>Coast Recorders</li><li>Jazz Mafia</li><li>Connecting the Dots</li><li>Becoming a Producer</li><li>Micky Hart Band</li><li>YouTube Library</li><li>Identity Crisis</li><li>The Creation of Otis McDonald</li><li>Facebook Sound Collection</li><li>Pandemic</li><li>Royalties</li><li>Song a Week</li><li><a href="https://www.hydestreet.com/" rel="noopener noreferrer" target="_blank">Hyde Street Studios</a></li><li>Working 9-5</li><li>The New Music Industry</li><li>Financial Philosophy</li><li>Pandemic Recording</li></ul><br/><p><strong>Matt's Rant: Another Habit Talk</strong></p><p><strong>Links and Show Notes</strong></p><ul><li>From Matt's Rant&nbsp;<a href="https://www.cambridge-mt.com/ms/mtk/" rel="noopener noreferrer" target="_blank">Mike Seniors Multitracks</a></li><li><a href="https://www.otismacmusic.com/" rel="noopener noreferrer" target="_blank">Joe's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-054-with-sebastien-richard/" rel="noopener noreferrer" target="_blank">Sebastian Richard</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-309-with-michael-romanowski/" rel="noopener noreferrer" target="_blank">Michael Romanowski</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-272-with-alberto-hernandez/" rel="noopener noreferrer" target="_blank">Alberto Hernandez</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-328-with-alan-evans/" rel="noopener noreferrer" target="_blank">Alan Evans</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-040-with-nino-moschella/" rel="noopener noreferrer" target="_blank">Nino Moschella</a>&nbsp;on WCA</li><li><a href="https://collabwithpedal.com/" rel="noopener noreferrer" target="_blank">Pedal</a>&nbsp;mentioned in&nbsp;interview</li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is artist, producer, engineer, mixing, and mastering engineer Joe Bagale, AKA Otis McDonald, who has worked with<strong>&nbsp;</strong>Aloe Blacc, DJ Jazzy Jeff, Eric Krasno, King Canyon, Nicholas Payton, Son Little, Nigel Hall, and Adam Deitch.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Rochester</li><li>Music Teacher Dad</li><li>Attic Studio</li><li>Music with Family</li><li>Playing Drums</li><li>Bill Clinton on Sax</li><li>Recording Lessons from Dad</li><li>Home Recording</li><li>Steve Gadd</li><li>Eastman School of Music</li><li>Moving to San Francisco</li><li>Intro to Pro Tools</li><li>Coast Recorders</li><li>Jazz Mafia</li><li>Connecting the Dots</li><li>Becoming a Producer</li><li>Micky Hart Band</li><li>YouTube Library</li><li>Identity Crisis</li><li>The Creation of Otis McDonald</li><li>Facebook Sound Collection</li><li>Pandemic</li><li>Royalties</li><li>Song a Week</li><li><a href="https://www.hydestreet.com/" rel="noopener noreferrer" target="_blank">Hyde Street Studios</a></li><li>Working 9-5</li><li>The New Music Industry</li><li>Financial Philosophy</li><li>Pandemic Recording</li></ul><br/><p><strong>Matt's Rant: Another Habit Talk</strong></p><p><strong>Links and Show Notes</strong></p><ul><li>From Matt's Rant&nbsp;<a href="https://www.cambridge-mt.com/ms/mtk/" rel="noopener noreferrer" target="_blank">Mike Seniors Multitracks</a></li><li><a href="https://www.otismacmusic.com/" rel="noopener noreferrer" target="_blank">Joe's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-054-with-sebastien-richard/" rel="noopener noreferrer" target="_blank">Sebastian Richard</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-309-with-michael-romanowski/" rel="noopener noreferrer" target="_blank">Michael Romanowski</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-272-with-alberto-hernandez/" rel="noopener noreferrer" target="_blank">Alberto Hernandez</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-328-with-alan-evans/" rel="noopener noreferrer" target="_blank">Alan Evans</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-040-with-nino-moschella/" rel="noopener noreferrer" target="_blank">Nino Moschella</a>&nbsp;on WCA</li><li><a href="https://collabwithpedal.com/" rel="noopener noreferrer" target="_blank">Pedal</a>&nbsp;mentioned in&nbsp;interview</li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest:&nbsp;</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-490-withjoe-bagale-aka-otis-mcdonald-music-with-family-san-francisco-the-creation-of-otis-mcdonald-hyde-street-studios-pandemic-recording-and-working-9-5]]></link><guid isPermaLink="false">91e6c268-c461-11ee-a4ca-9728ae3cb438</guid><itunes:image href="https://artwork.captivate.fm/43154a43-0c72-49f6-b3fa-d88d99884405/ac81ea715ee6b1769de01bd39af46c13.jpg"/><pubDate>Mon, 06 May 2024 21:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/670ca796-ac2e-41b6-921d-0c113e93cc21.mp3" length="208246634" type="audio/mpeg"/><itunes:duration>01:26:46</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>490</itunes:episode><podcast:episode>490</podcast:episode><itunes:summary>My guest today is artist, producer, engineer, mixing, and mastering engineer Joe Bagale, AKA Otis McDonald, who has worked with Aloe Blacc, DJ Jazzy Jeff, Eric Krasno, King Canyon, Nicholas Payton, Son Little, Nigel Hall, and Adam Deitch.

In this episode, we discuss

Growing up in Rochester

Music Teacher Dad

Attic Studio

Music with Family

Playing Drums

Bill Clinton on Sax

Recording Lessons from Dad

Home Recording

Steve Gadd

Eastman School of Music

Moving to San Francisco

Intro to Pro Tools

Coast Recorders

Jazz Mafia

Connecting the Dots

Becoming a Producer

Micky Hart Band

YouTube Library

Identity Crisis

The Creation of Otis McDonald

Facebook Sound Collection

Pandemic

Royalties

Song a Week

Hyde Street Studios

Working 9-5

The New Music Industry

Financial Philosophy

Pandemic Recording


Matt&apos;s Rant: Another Habit Talk
Links and Show Notes

From Matt&apos;s Rant Mike Seniors Multitracks


Joe&apos;s Site


Sebastian Richard on WCA


Michael Romanowski on WCA


Alberto Hernandez on WCA


Alan Evans on WCA


Nino Moschella on WCA


Pedal mentioned in interview


Credits

Guest: 

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary><podcast:alternateEnclosure type="video/youtube" title="WCA #490 with Joe Bagale, AKA Otis McDonald - Music with Family, San Francisco, The Creation of Otis McDonald, Hyde Street Studios, Pandemic Recording, and Working 9-5"><podcast:source uri="https://youtu.be/uUrKKulzS9s"/></podcast:alternateEnclosure></item><item><title>WCA #489 with BZ Lewis - Big Spring, TX, Tumbleweed Smith, Outlier Status, Prophetic Dreams, and The Yellow Page Crowd</title><itunes:title>WCA #489 with BZ Lewis - Big Spring, TX, Tumbleweed Smith, Outlier Status, Prophetic Dreams, and The Yellow Page Crowd</itunes:title><description><![CDATA[<p>My guest today is Composer/Producer/Engineer BZ Lewis who has worked on projects for Blame Sally, Roberta Flack, MTV, Microsoft, Mapplethorpe, World Poker Tour, Dateline, All My Children, The Shield, and Guitar Hero to name just a few.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Origin of BZ</li><li>Big Spring, TX</li><li>Tumbleweed Smith</li><li>Reel to Reel Duplication</li><li>Outlier Status</li><li>David Koresh</li><li>UT Austin</li><li>Guilt Over Leaving Music</li><li>Prophetic Dreams</li><li>Starting a Production Company</li><li>Making a Movie</li><li>Moving From Texas</li><li>Easily Digital Audio</li><li>Riding a Bike</li><li>San Francisco Studio</li><li>Working in Mall Music Store</li><li>Media Creature</li><li>Luck</li><li>POPTUNA</li><li>Company Splits</li><li>Working with New Beginners</li><li>Music Libraries</li><li>Saving Early</li><li>Frugal Living</li><li>Work-Life Balance</li><li>Yellow Page Crowd</li></ul><br/><p><strong>Matt's Rant: Taking the Weekend Off</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.studio132.com/" rel="noopener noreferrer" target="_blank">BZ's Site</a></li><li><a href="http://www.tumbleweedsmith.com/index.php" rel="noopener noreferrer" target="_blank">BZ's Dad's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: BZ Lewis</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Composer/Producer/Engineer BZ Lewis who has worked on projects for Blame Sally, Roberta Flack, MTV, Microsoft, Mapplethorpe, World Poker Tour, Dateline, All My Children, The Shield, and Guitar Hero to name just a few.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Origin of BZ</li><li>Big Spring, TX</li><li>Tumbleweed Smith</li><li>Reel to Reel Duplication</li><li>Outlier Status</li><li>David Koresh</li><li>UT Austin</li><li>Guilt Over Leaving Music</li><li>Prophetic Dreams</li><li>Starting a Production Company</li><li>Making a Movie</li><li>Moving From Texas</li><li>Easily Digital Audio</li><li>Riding a Bike</li><li>San Francisco Studio</li><li>Working in Mall Music Store</li><li>Media Creature</li><li>Luck</li><li>POPTUNA</li><li>Company Splits</li><li>Working with New Beginners</li><li>Music Libraries</li><li>Saving Early</li><li>Frugal Living</li><li>Work-Life Balance</li><li>Yellow Page Crowd</li></ul><br/><p><strong>Matt's Rant: Taking the Weekend Off</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.studio132.com/" rel="noopener noreferrer" target="_blank">BZ's Site</a></li><li><a href="http://www.tumbleweedsmith.com/index.php" rel="noopener noreferrer" target="_blank">BZ's Dad's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: BZ Lewis</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-489-withbz-lewis-big-spring-tx-tumbleweed-smith-outlier-status-prophetic-dreams-and-the-yellow-page-crowd]]></link><guid isPermaLink="false">9154c6e2-c461-11ee-a4ca-1fb6fe93a3c9</guid><itunes:image href="https://artwork.captivate.fm/ef3ef9e9-d0a5-41cd-b4d2-1986b0dc2986/73841dc0ccaf6a0b7cb95987d5cf246e.jpg"/><pubDate>Mon, 29 Apr 2024 22:35:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/33002b69-bdc3-4046-b6db-76b5ea9b432a.mp3" length="162733906" type="audio/mpeg"/><itunes:duration>01:07:48</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>489</itunes:episode><podcast:episode>489</podcast:episode><itunes:summary>My guest today is Composer/Producer/Engineer BZ Lewis who has worked on projects for Blame Sally, Roberta Flack, MTV, Microsoft, Mapplethorpe, World Poker Tour, Dateline, All My Children, The Shield, and Guitar Hero to name just a few. 
In this episode, we discuss

The Origin of BZ

Big Spring, TX

Tumbleweed Smith

Reel to Reel Duplication

Outlier Status

David Koresh

UT Austin

Guilt Over Leaving Music

Prophetic Dreams

Starting a Production Company

Making a Movie

Moving From Texas

Easily Digital Audio

Riding a Bike

San Francisco Studio

Working in a Mall Music Store

Media Creature

Luck

POPTUNA

Company Splits

Working with New Beginners

Music Libraries

Saving Early

Frugal Living

Work-Life Balance

Yellow Page Crowd

Matt&apos;s Rant: Taking the Weekend Off
Links and Show Notes

BZ&apos;s Site

BZ&apos;s Dad&apos;s Site

Credits

Guest: BZ Lewis

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #488 with Gavin Haverstick - Acoustical Design, Love of Music, Investing in Yourself, Creating Inspiring Rooms, Acoustic Myths, and Meeting People Where They&apos;re At</title><itunes:title>WCA #488 with Gavin Haverstick - Acoustical Design, Love of Music, Investing in Yourself, Creating Inspiring Rooms, Acoustic Myths, and Meeting People Where They&apos;re At</itunes:title><description><![CDATA[<p>My guest today is Acoustical Consultant Gavin Haverstick. Gavin has worked on projects for Ringo Starr, Coldplay, Twenty One Pilots, Louis Bell, Tim Henson, Tori Kelly, David Crowder, and Luca Pretolesi.&nbsp;</p><h3><strong>In this episode, we discuss</strong></h3><ul><li>Small Town in Indiana</li><li>Colorado State University</li><li>Love of Music</li><li>Highschool Sweethearts</li><li>Musical Theater</li><li>Love of Stability</li><li>Robotics and Mechanical Engineering</li><li>Working for Auralex</li><li>Laminating Battery Cells</li><li>Going Solo</li><li>Relationships</li><li>Hiring People Better Than You</li><li><a href="https://www.riderleadership.com/" rel="noopener noreferrer" target="_blank">Rider Leadership Solutions</a></li><li>Investing in Yourself</li><li>Adding Value</li><li>Meeting People Where They’re At</li><li>Underestimating Isolation</li><li>Building Codes</li><li>Aiding Contractors</li><li>Working with Dolby</li><li>ATMOS Rooms</li><li>Creating Inspiring Rooms</li><li>Storage Space</li><li>Lighting</li><li>Acoustic Myths</li><li>Planning for the Future</li><li>Core Values</li></ul><br/><h3><strong>Matt’s Rant: Stepping Outside The Bubble</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://www.haverstickdesigns.com/" rel="noopener noreferrer" target="_blank">Haverstick Designs</a></li><li><a href="https://www.workingclassaudio.com/wca-479-with-richard-carrasco/" rel="noopener noreferrer" target="_blank">Richard Carasco on WCA</a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Gavin Haverstick</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Acoustical Consultant Gavin Haverstick. Gavin has worked on projects for Ringo Starr, Coldplay, Twenty One Pilots, Louis Bell, Tim Henson, Tori Kelly, David Crowder, and Luca Pretolesi.&nbsp;</p><h3><strong>In this episode, we discuss</strong></h3><ul><li>Small Town in Indiana</li><li>Colorado State University</li><li>Love of Music</li><li>Highschool Sweethearts</li><li>Musical Theater</li><li>Love of Stability</li><li>Robotics and Mechanical Engineering</li><li>Working for Auralex</li><li>Laminating Battery Cells</li><li>Going Solo</li><li>Relationships</li><li>Hiring People Better Than You</li><li><a href="https://www.riderleadership.com/" rel="noopener noreferrer" target="_blank">Rider Leadership Solutions</a></li><li>Investing in Yourself</li><li>Adding Value</li><li>Meeting People Where They’re At</li><li>Underestimating Isolation</li><li>Building Codes</li><li>Aiding Contractors</li><li>Working with Dolby</li><li>ATMOS Rooms</li><li>Creating Inspiring Rooms</li><li>Storage Space</li><li>Lighting</li><li>Acoustic Myths</li><li>Planning for the Future</li><li>Core Values</li></ul><br/><h3><strong>Matt’s Rant: Stepping Outside The Bubble</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://www.haverstickdesigns.com/" rel="noopener noreferrer" target="_blank">Haverstick Designs</a></li><li><a href="https://www.workingclassaudio.com/wca-479-with-richard-carrasco/" rel="noopener noreferrer" target="_blank">Richard Carasco on WCA</a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Gavin Haverstick</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-488-withgavin-haverstick-acoustical-design-love-of-music-investing-in-yourself-creating-inspiring-rooms-acoustic-myths-and-meeting-people-where-theyre-at]]></link><guid isPermaLink="false">909bf23e-c461-11ee-a4ca-07c75ff11ffc</guid><itunes:image href="https://artwork.captivate.fm/e28cb133-8185-4c67-8687-37d1e56387a6/20e1e7f81716db793283dfb735a76185.jpg"/><pubDate>Mon, 22 Apr 2024 22:44:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a36aa74f-cf43-41cf-bf93-8721d3eedb8a.mp3" length="177166105" type="audio/mpeg"/><itunes:duration>01:13:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>488</itunes:episode><podcast:episode>488</podcast:episode><itunes:summary>My guest today is Acoustical Consultant Gavin Haverstick. Gavin has worked on projects for Ringo Starr, Coldplay, Twenty One Pilots, Louis Bell, Tim Henson, Tori Kelly, David Crowder, and Luca Pretolesi. 

In this episode, we discuss

Small Town in Indiana

Colorado State University

Love of Music

Highschool Sweethearts

Musical Theater

Love of Stability

Robotics and Mechanical Engineering

Working for Auralex

Laminating Battery Cells

Going Solo

Relationships

Hiring People Better Than You

Rider Leadership Solutions

Investing in Yourself

Adding Value

Meeting People Where They&apos;re At

Underestimating Isolation

Building Codes

Aiding Contractors

Working with Dolby

ATMOS Rooms

Creating Inspiring Rooms

Storage Space

Lighting

Acoustic Myths

Planning for the Future

Core Values


Matt&apos;s Rant: Stepping Outside The Bubble

Links and Show Notes

Haverstick Designs

Richard Carasco on WCA


Credits

Guest: Gavin Haverstick

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #487 with Steve Chadie - Sharing Knowledge, Leaving the Nest, Gig Snagging, Low Maintenance Living, and The Loudness Button</title><itunes:title>WCA #487 with Steve Chadie - Sharing Knowledge, Leaving the Nest, Gig Snagging, Low Maintenance Living, and The Loudness Button</itunes:title><description><![CDATA[<p>My guest today is the return of Grammy-winning engineer and Mixer Steve Chadie. Steve has worked on projects for Willie Nelson, Los Lonely Boys, Particle Kid, &amp; Supersuckers.</p><h3><strong>In this episode, we discuss</strong></h3><ul><li>The Shroom Room</li><li>Rupert Neve Design</li><li>The Well-Behaved Self</li><li>Potty Mouth</li><li>Too Much Truck Time</li><li>Denton, Texas</li><li>Titty Bingo</li><li>Expanding Client Base</li><li>Management</li><li>Painfully Introverted</li><li>Networking</li><li>Willie Nelson</li><li>Leaving the Nest</li><li>College Ball</li><li>Leaving Texas</li><li>Making it Work</li><li>Being Challenged</li><li>Time to Make The Doughnuts</li><li>The Inner Asshole</li><li>Staying Invisible</li><li><a href="https://rogernichols.com/wendel" rel="noopener noreferrer" target="_blank">Wendel Junior</a></li><li>Missle Command</li><li>Low Maintenance Living</li><li><a href="https://en.wikipedia.org/wiki/Ikigai" rel="noopener noreferrer" target="_blank">Ikigai</a></li><li>Free Work</li><li>Gig Snagging</li><li>Legal Pads</li><li>Mold Sickness</li><li>Recalls</li><li>Thinking About Quitting</li><li>The Loudness Button</li><li>Commitment</li><li>Willing to Learn</li><li>Nighttime Calm</li><li>Financial Advice</li><li>Sharing Knowledge</li></ul><br/><h3><strong>Matt’s Rant: Tune Out</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://stevechadie.com/" rel="noopener noreferrer" target="_blank">Steve’s Site</a></li><li><a href="https://www.workingclassaudio.com/wca-245-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve’s first episode</a></li><li><a href="https://tittybingo.com/" rel="noopener noreferrer" target="_blank">Titty Bingo</a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Steve Chadie</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is the return of Grammy-winning engineer and Mixer Steve Chadie. Steve has worked on projects for Willie Nelson, Los Lonely Boys, Particle Kid, &amp; Supersuckers.</p><h3><strong>In this episode, we discuss</strong></h3><ul><li>The Shroom Room</li><li>Rupert Neve Design</li><li>The Well-Behaved Self</li><li>Potty Mouth</li><li>Too Much Truck Time</li><li>Denton, Texas</li><li>Titty Bingo</li><li>Expanding Client Base</li><li>Management</li><li>Painfully Introverted</li><li>Networking</li><li>Willie Nelson</li><li>Leaving the Nest</li><li>College Ball</li><li>Leaving Texas</li><li>Making it Work</li><li>Being Challenged</li><li>Time to Make The Doughnuts</li><li>The Inner Asshole</li><li>Staying Invisible</li><li><a href="https://rogernichols.com/wendel" rel="noopener noreferrer" target="_blank">Wendel Junior</a></li><li>Missle Command</li><li>Low Maintenance Living</li><li><a href="https://en.wikipedia.org/wiki/Ikigai" rel="noopener noreferrer" target="_blank">Ikigai</a></li><li>Free Work</li><li>Gig Snagging</li><li>Legal Pads</li><li>Mold Sickness</li><li>Recalls</li><li>Thinking About Quitting</li><li>The Loudness Button</li><li>Commitment</li><li>Willing to Learn</li><li>Nighttime Calm</li><li>Financial Advice</li><li>Sharing Knowledge</li></ul><br/><h3><strong>Matt’s Rant: Tune Out</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://stevechadie.com/" rel="noopener noreferrer" target="_blank">Steve’s Site</a></li><li><a href="https://www.workingclassaudio.com/wca-245-with-steve-chadie/" rel="noopener noreferrer" target="_blank">Steve’s first episode</a></li><li><a href="https://tittybingo.com/" rel="noopener noreferrer" target="_blank">Titty Bingo</a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Steve Chadie</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau</li><li>WCA Theme Music: Cliff Truesdell</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-487-with-steve-chadie-sharing-knowledge-leaving-the-nest-gig-snagging-low-maintenance-living-and-the-loudness-button]]></link><guid isPermaLink="false">900a1cd8-c461-11ee-a4ca-eb8324d9f1d2</guid><itunes:image href="https://artwork.captivate.fm/dbcf57c4-0156-4439-9921-a1eddef26977/f4d80e9671c7dfefb4288fa235570480.jpg"/><pubDate>Mon, 15 Apr 2024 21:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8499a6af-e756-4ce4-99cb-d4232dab2819.mp3" length="53747876" type="audio/mpeg"/><itunes:duration>22:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>487</itunes:episode><podcast:episode>487</podcast:episode><itunes:summary>My guest today is the return of Grammy-winning engineer and Mixer Steve Chadie. Steve has worked on projects for Willie Nelson, Los Lonely Boys, Particle Kid, and Supersuckers. 

In this episode, we discuss

The Shroom Room

Rupert Neve Design

The Well-Behaved Self

Potty Mouth

Too Much Truck Time

Denton, Texas

Titty Bingo

Expanding Client Base

Management

Painfully Introverted

Networking

Willie Nelson

Leaving the Nest

College Ball

Leaving Texas

Making it Work

Being Challenged

Time to Make The Doughnuts

The Inner Asshole

Staying Invisible

Wendel Junior

Missle Command

Low Maintenance Living

Ikigai

Free Work

Gig Snagging

Legal Pads

Mold Sickness

Recalls

Thinking About Quitting

The Loudness Button

Commitment

Willing to Learn

Nighttime Calm

Financial Advice

Sharing Knowledge



Matt&apos;s Rant: Tune Out
Links and Show Notes

Steve&apos;s Site

Steve&apos;s first episode

Titty Bingo


Credits

Guest: Steve Chadie

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #486 with Ryan Ordway - Music Learned Via Camping, The Rembrandts, Fallback Plans, Client Trends, and the Portland Music Scene</title><itunes:title>WCA #486 with Ryan Ordway - Music Learned Via Camping, The Rembrandts, Fallback Plans, Client Trends, and the Portland Music Scene</itunes:title><description><![CDATA[<p>My guest today is Producer/Engineer/Songwriter, Ryan Ordway. Ryan runs The Studio Portland and has worked with 98.9 WCLZ Studio Z Series, The Heavy Heavy, Gregory Alan Isa Kov, Nature Valley, and actor Xander Berkeley.</p><h3><strong>In this episode, we discuss</strong></h3><ul><li>Central New Hampshire</li><li>Music Learned Via Camping</li><li>Being Connected Technologically</li><li>The Rembrandts</li><li>Fallback Plan</li><li>LA Kicking his Ass</li><li>Not Going to Berklee School of Music</li><li>Starting on Tape</li><li>Home Studio Struggles</li><li>Moving to Portland</li><li>Clear Lines Between Home and Work</li><li>Studio Portland</li><li>Facelift for an Old Studio</li><li>Portland Music Scene</li><li>Speaker Choice&nbsp;</li><li>Ready to Record</li><li>Client Trends</li><li>Mark Rubel</li><li>Focusing on the Client</li><li>Songwriter Perspective</li></ul><br/><h3><strong>Matt’s Rant: Food for Thought</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://thestudioportland.com/" rel="noopener noreferrer" target="_blank">The Studio Portland</a></li><li><a href="https://www.workingclassaudio.com/wca-371-with-pete-morse/" rel="noopener noreferrer" target="_blank">Pete Morse</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-356-with-todd-hutchisen/" rel="noopener noreferrer" target="_blank">Todd Hutchison</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-355-with-jason-phelps/" rel="noopener noreferrer" target="_blank">Jason Phelps</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-034-with-mark-rubel/" rel="noopener noreferrer" target="_blank">Mark Rubel</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-136-with-kevin-becka/" rel="noopener noreferrer" target="_blank">Kevin Becka</a>&nbsp;on WCA</li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Ryan Ordway</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Producer/Engineer/Songwriter, Ryan Ordway. Ryan runs The Studio Portland and has worked with 98.9 WCLZ Studio Z Series, The Heavy Heavy, Gregory Alan Isa Kov, Nature Valley, and actor Xander Berkeley.</p><h3><strong>In this episode, we discuss</strong></h3><ul><li>Central New Hampshire</li><li>Music Learned Via Camping</li><li>Being Connected Technologically</li><li>The Rembrandts</li><li>Fallback Plan</li><li>LA Kicking his Ass</li><li>Not Going to Berklee School of Music</li><li>Starting on Tape</li><li>Home Studio Struggles</li><li>Moving to Portland</li><li>Clear Lines Between Home and Work</li><li>Studio Portland</li><li>Facelift for an Old Studio</li><li>Portland Music Scene</li><li>Speaker Choice&nbsp;</li><li>Ready to Record</li><li>Client Trends</li><li>Mark Rubel</li><li>Focusing on the Client</li><li>Songwriter Perspective</li></ul><br/><h3><strong>Matt’s Rant: Food for Thought</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://thestudioportland.com/" rel="noopener noreferrer" target="_blank">The Studio Portland</a></li><li><a href="https://www.workingclassaudio.com/wca-371-with-pete-morse/" rel="noopener noreferrer" target="_blank">Pete Morse</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-356-with-todd-hutchisen/" rel="noopener noreferrer" target="_blank">Todd Hutchison</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-355-with-jason-phelps/" rel="noopener noreferrer" target="_blank">Jason Phelps</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-034-with-mark-rubel/" rel="noopener noreferrer" target="_blank">Mark Rubel</a>&nbsp;on WCA</li><li><a href="https://www.workingclassaudio.com/wca-136-with-kevin-becka/" rel="noopener noreferrer" target="_blank">Kevin Becka</a>&nbsp;on WCA</li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Ryan Ordway</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-486-with-ryan-ordway-music-learned-via-camping-the-rembrandts-fallback-plans-client-trends-and-the-portland-music-scene]]></link><guid isPermaLink="false">8f781e50-c461-11ee-a4ca-635dbad5359f</guid><itunes:image href="https://artwork.captivate.fm/bf1a4f2b-07e8-4b93-b871-2427b971cef1/ed0fa08307c648fee2b7f515bc72b307.jpg"/><pubDate>Mon, 08 Apr 2024 22:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7a68bfac-13ca-4334-bf42-b9cc74685875.mp3" length="136988677" type="audio/mpeg"/><itunes:duration>57:05</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>486</itunes:episode><podcast:episode>486</podcast:episode><itunes:summary>My guest today is Producer/Engineer/Songwriter, Ryan Ordway. Ryan runs The Studio Portland and has worked with 98.9 WCLZ Studio Z Series, The Heavy Heavy, Gregory Alan Isa Kov, Nature Valley, and actor Xander Berkeley.

In this episode, we discuss

Central New Hampshire

Music Learned Via Camping

Being Connected Technologically

The Rembrandts

Fallback Plan

LA Kicking his Ass

Not Going to Berklee School of Music

Starting on Tape

Home Studio Struggles

Moving to Portland

Clear Lines Between Home and Work

Studio Portland

Facelift for an Old Studio

Portland Music Scene

Speaker Choice 

Ready to Record

Client Trends

Mark Rubel

Focusing on the Client

Songwriter Perspective


Matt&apos;s Rant: Food for Thought

Links and Show Notes

The Studio Portland


Pete Morse on WCA


Todd Hutchison on WCA


Jason Phelps on WCA


Mark Rubel on WCA


Kevin Becka on WCA


Credits

Guest: Ryan Ordway

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #485 with Andy Nelson - Recording Friends, Financial Realities, Wedding Invitations, Getting Serious About Audio, and Postal Jobs</title><itunes:title>WCA #485 with Andy Nelson - Recording Friends, Financial Realities, Wedding Invitations, Getting Serious About Audio, and Postal Jobs</itunes:title><description><![CDATA[<p>My guest today is Producer/Engineer/Mixer Andy Nelson. Andy has worked on projects for Pain of Truth, 200 Stab Wounds, Fireworks, Primitive Man, Never Ending Game, Full of Hell, Dead in the Dirt, Gridiron, Harms Way, Weekend Nachos, and Inclination.&nbsp;</p><p>Andy is also the guitarist of Weekend Nachos, Singer/Guitarist of Dust Muscle, and bassist of Like Rats, a self-described art education dropout and a former synthesizer tech.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Early Days</strong></li><li><strong>Middle-Class Western Household</strong></li><li><strong>School band&nbsp;</strong></li><li><strong>Columbia College</strong></li><li><strong>Getting Serious About Audio</strong></li><li><strong>Recording Friends</strong></li><li><strong>Pricing&nbsp;</strong></li><li><strong>Music Industry's Challenges</strong></li><li><strong>Financial Realities&nbsp;</strong></li><li><strong>Postal Workers</strong></li><li><strong>Imposter Syndrome</strong></li><li><strong>Partnership with Pete Grossman</strong></li><li><strong>Chasing Other Sounds</strong></li><li><strong>Wedding Invitations</strong></li><li><strong>Navigating Financial Waters</strong></li><li><strong>Future Plans&nbsp;</strong></li><li><strong>Financial Tips</strong></li></ul><br/><p><strong>Matt's Rant: Pricing</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.bricktoprecording.com/" rel="noopener noreferrer" target="_blank">Bricktop Recording</a></li><li><a href="https://weekendnachos.bandcamp.com/album/apology" rel="noopener noreferrer" target="_blank">Weekend Nachos</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Andy Nelson</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Producer/Engineer/Mixer Andy Nelson. Andy has worked on projects for Pain of Truth, 200 Stab Wounds, Fireworks, Primitive Man, Never Ending Game, Full of Hell, Dead in the Dirt, Gridiron, Harms Way, Weekend Nachos, and Inclination.&nbsp;</p><p>Andy is also the guitarist of Weekend Nachos, Singer/Guitarist of Dust Muscle, and bassist of Like Rats, a self-described art education dropout and a former synthesizer tech.</p><p><strong>In this episode, we discuss</strong></p><ul><li><strong>Early Days</strong></li><li><strong>Middle-Class Western Household</strong></li><li><strong>School band&nbsp;</strong></li><li><strong>Columbia College</strong></li><li><strong>Getting Serious About Audio</strong></li><li><strong>Recording Friends</strong></li><li><strong>Pricing&nbsp;</strong></li><li><strong>Music Industry's Challenges</strong></li><li><strong>Financial Realities&nbsp;</strong></li><li><strong>Postal Workers</strong></li><li><strong>Imposter Syndrome</strong></li><li><strong>Partnership with Pete Grossman</strong></li><li><strong>Chasing Other Sounds</strong></li><li><strong>Wedding Invitations</strong></li><li><strong>Navigating Financial Waters</strong></li><li><strong>Future Plans&nbsp;</strong></li><li><strong>Financial Tips</strong></li></ul><br/><p><strong>Matt's Rant: Pricing</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.bricktoprecording.com/" rel="noopener noreferrer" target="_blank">Bricktop Recording</a></li><li><a href="https://weekendnachos.bandcamp.com/album/apology" rel="noopener noreferrer" target="_blank">Weekend Nachos</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Andy Nelson</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-485-with-andy-nelson-recording-friends-financial-realities-wedding-invitations-getting-serious-about-audio-and-postal-jobs]]></link><guid isPermaLink="false">8ee86292-c461-11ee-a4ca-13cdfcdca18f</guid><itunes:image href="https://artwork.captivate.fm/7ac8fc66-9889-441c-ab0b-bd8b9834e07e/756397f41c892992376b850185e4ad6b.jpg"/><pubDate>Mon, 01 Apr 2024 21:42:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/aec11cd5-380c-412e-a8d9-b9974d42e7ed.mp3" length="146902889" type="audio/mpeg"/><itunes:duration>01:01:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>485</itunes:episode><podcast:episode>485</podcast:episode><itunes:summary>My guest today is Producer/Engineer/Mixer Andy Nelson. Andy has worked on projects for Pain of Truth, 200 Stab Wounds, Fireworks, Primitive Man, Never Ending Game, Full of Hell, Dead in the Dirt, Gridiron, Harms Way, Weekend Nachos, and Inclination. 
Andy is also the guitarist of Weekend Nachos, Singer/Guitarist of Dust Muscle, and bassist of Like Rats, a self-described art education dropout and a former synthesizer tech.

In this episode, we discuss

Early Days

Middle-Class Western Household

School band 

Columbia College

Getting Serious About Audio

Recording Friends

Pricing 

Music Industry&apos;s Challenges

Financial Realities 

Postal Workers

Imposter Syndrome

Partnership with Pete Grossman

Chasing Other Sounds

Wedding Invitations

Navigating Financial Waters

Future Plans 

Financial Tips


Matt&apos;s Rant: Pricing
Links and Show Notes

Bricktop Recording

Weekend Nachos


Credits

Guest: Andy Nelson

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #484 with Fernando Reyes - Leaving Peru, Challenging Cultural Norms, Life in a Different Language, Working with Michael Brauer, and Flying Solo</title><itunes:title>WCA #484 with Fernando Reyes - Leaving Peru, Challenging Cultural Norms, Life in a Different Language, Working with Michael Brauer, and Flying Solo</itunes:title><description><![CDATA[<p>My guest today is Mix Engineer Fernando Reyes, who has worked on projects for The Rolling Stones, Bon Jovi, Bob Dylan, Aerosmith, Fabio Capri, ARIZONA, and Idina Menzel. Fernando has also spent the last 7.5 years working as Michael Brauers' assistant.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Lima, Peru</li><li>Exposure to Computer Recording</li><li>Early Recording</li><li>Leaving Lima</li><li>Challenging Cultural Norms</li><li>PowerPoint</li><li>Planning Ahead</li><li>Therapy</li><li>Full Sail</li><li>Flying Solo</li><li>Adulting</li><li>Life in a Different Language</li><li>Grandparents Spoiling</li><li>Friends</li><li>Alternaitves to School</li><li>Electric Lady Studios</li><li>General Assistant&nbsp;</li><li>Michael Brauer</li><li>Longevity</li><li>Raising Questions</li><li>Thrown Into the Deep End</li><li>Doing His Own Thing</li><li>Lessons Learned</li><li>ATMOS</li><li>New York to Miami</li><li>Watering The Seeds</li><li>Having Family Close</li><li>Taking Meetings</li><li>Building Community</li><li>Management</li></ul><br/><p><strong>Matt's Rant: The Gear We Choose</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.fernandoreyesdlc.com/" rel="noopener noreferrer" target="_blank">Fernando's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-319-with-michael-brauer/" rel="noopener noreferrer" target="_blank">Michael Brauer on WCA</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Fernando Reyes</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Mix Engineer Fernando Reyes, who has worked on projects for The Rolling Stones, Bon Jovi, Bob Dylan, Aerosmith, Fabio Capri, ARIZONA, and Idina Menzel. Fernando has also spent the last 7.5 years working as Michael Brauers' assistant.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Lima, Peru</li><li>Exposure to Computer Recording</li><li>Early Recording</li><li>Leaving Lima</li><li>Challenging Cultural Norms</li><li>PowerPoint</li><li>Planning Ahead</li><li>Therapy</li><li>Full Sail</li><li>Flying Solo</li><li>Adulting</li><li>Life in a Different Language</li><li>Grandparents Spoiling</li><li>Friends</li><li>Alternaitves to School</li><li>Electric Lady Studios</li><li>General Assistant&nbsp;</li><li>Michael Brauer</li><li>Longevity</li><li>Raising Questions</li><li>Thrown Into the Deep End</li><li>Doing His Own Thing</li><li>Lessons Learned</li><li>ATMOS</li><li>New York to Miami</li><li>Watering The Seeds</li><li>Having Family Close</li><li>Taking Meetings</li><li>Building Community</li><li>Management</li></ul><br/><p><strong>Matt's Rant: The Gear We Choose</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.fernandoreyesdlc.com/" rel="noopener noreferrer" target="_blank">Fernando's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-319-with-michael-brauer/" rel="noopener noreferrer" target="_blank">Michael Brauer on WCA</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Fernando Reyes</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-484-with-fernando-reyes-leaving-peru-challenging-cultural-norms-life-in-a-different-language-working-with-michael-brauer-and-flying-solo]]></link><guid isPermaLink="false">8e548266-c461-11ee-a4ca-8700b02ae9f8</guid><itunes:image href="https://artwork.captivate.fm/2f8e1100-7b6d-4429-ad8a-3ba8adb06bd5/a8a948ddda5f7d6acec6678098fee263.jpg"/><pubDate>Mon, 25 Mar 2024 21:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/45b67a67-b786-4bd1-bae1-6e78dde55a1d.mp3" length="167024326" type="audio/mpeg"/><itunes:duration>01:09:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>484</itunes:episode><podcast:episode>484</podcast:episode><itunes:summary>My guest today is Mix Engineer Fernando Reyes. Fernando has worked on projects for The Rolling Stones, Bon Jovi, Bob Dylan, Aerosmith, Fabio Capri, ARIZONA, and Idina Menzel. He has also spent the last 7.5 years as Michael Brauers&apos; assistant. 

In this episode, we discuss

Lima, Peru

Exposure to Computer Recording

Early Recording

Leaving Lima

Challenging Cultural Norms

PowerPoint

Planning Ahead

Therapy

Full Sail

Flying Solo

Adulting

Life in a Different Language

Grandparents Spoiling

Friends

Alternaitves to School

Electric Lady Studios

General Assistant 

Michael Brauer

Longevity

Raising Questions

Thrown Into the Deep End

Doing His Own Thing

Lessons Learned

ATMOS

New York to Miami

Watering The Seeds

Having Family Close

Taking Meetings

Building Community

Management


Matt&apos;s Rant: The Gear We Choose

Links and Show Notes

Fernando&apos;s Site

Michael Brauer on WCA

Credits

Guest: Fernando Reyes

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #483 with Lars Deutsch - Impact Mixing, Composition, Classical Music, Heavy Metal, Soccer, and Brute Force Networking</title><itunes:title>WCA #483 with Lars Deutsch - Impact Mixing, Composition, Classical Music, Heavy Metal, Soccer, and Brute Force Networking</itunes:title><description><![CDATA[<p>My guest today is composer, producer, and engineer Lars Deutsch.</p><p>Lars has worked with 88 Rising Accura Adidas Amazon Anthony Anderson (Transformers) Blacklist (Trailer) Brett Gelman (Stranger Things) Budweiser California Energy Upgrade CBS Conde Nast (featuring BTS, Dua Lipa, Lizzo, Rihanna, Black Pink, Alicia Keys, ASAP Rocky and Dolly Parton, Chris Hemsworth, David Schwimmer, Jessica Chastain, Malin Akerman, Idris Alba, Hillary Duff, Scotty Pippen, Dwayne Haskins, Danielle Brooks, Kendrick Sampson and Billy Eichner) Epson FOX Flying Theater Mexico City Generali Ghostface Killah (Wu-Tang Clan) Intel IRKO Higher Brothers Honda Hyundai Ian McKellen (Lord Of The Rings) James Earl Jones (Darth Vader) Joji Kate Micucci (Scrubs, Big Bang Theory) Joseph Fiennes (The Handmaid's Tale) Katie Melua Keith Ape Keke Palmer (Hustlers) Lewis Hamilton Magic Wands MBL Mercedes Neckermann Niki Nowness (Louis Vuitton) Oreos Palm Springs Film Festival Patrick Williams Paul Alexander Juutilainen Philip Rivers (NFL quarterback) Philips Rachel Shelley (Deep State) Red Bull Rich Brian Ruinart Stephen King's The Passenger Tencent The Martian (trailer) The Masked Singer Toyota Voices for Children VW Wink Martindale (Tic-Tac-Dough)</p><p><strong>In this episode, we discuss</strong></p><ul><li>Heavy Metal and Soccer</li><li>Classical Music</li><li>Excited About Guitar</li><li>Studying in London</li><li>Composition</li><li>Audio Branding</li><li>Impact Mixing</li><li>Berlin</li><li>German Stereotypes</li><li>Love of Los Angeles</li><li>Brute Force Network</li><li>Working with Irko</li><li>Mixing on His Own</li><li>Prodixing</li><li>Development</li><li>Cash Flow</li><li>Always Working</li><li>Flagship Projects</li><li>Pricing</li><li>Voice Doubles</li><li>Credits</li><li>Revisions</li></ul><br/><p><strong>Matt's Rant: Always Be Learning</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.larsdeutsch.net/" rel="noopener noreferrer" target="_blank">Lar's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Lars Deutsch</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is composer, producer, and engineer Lars Deutsch.</p><p>Lars has worked with 88 Rising Accura Adidas Amazon Anthony Anderson (Transformers) Blacklist (Trailer) Brett Gelman (Stranger Things) Budweiser California Energy Upgrade CBS Conde Nast (featuring BTS, Dua Lipa, Lizzo, Rihanna, Black Pink, Alicia Keys, ASAP Rocky and Dolly Parton, Chris Hemsworth, David Schwimmer, Jessica Chastain, Malin Akerman, Idris Alba, Hillary Duff, Scotty Pippen, Dwayne Haskins, Danielle Brooks, Kendrick Sampson and Billy Eichner) Epson FOX Flying Theater Mexico City Generali Ghostface Killah (Wu-Tang Clan) Intel IRKO Higher Brothers Honda Hyundai Ian McKellen (Lord Of The Rings) James Earl Jones (Darth Vader) Joji Kate Micucci (Scrubs, Big Bang Theory) Joseph Fiennes (The Handmaid's Tale) Katie Melua Keith Ape Keke Palmer (Hustlers) Lewis Hamilton Magic Wands MBL Mercedes Neckermann Niki Nowness (Louis Vuitton) Oreos Palm Springs Film Festival Patrick Williams Paul Alexander Juutilainen Philip Rivers (NFL quarterback) Philips Rachel Shelley (Deep State) Red Bull Rich Brian Ruinart Stephen King's The Passenger Tencent The Martian (trailer) The Masked Singer Toyota Voices for Children VW Wink Martindale (Tic-Tac-Dough)</p><p><strong>In this episode, we discuss</strong></p><ul><li>Heavy Metal and Soccer</li><li>Classical Music</li><li>Excited About Guitar</li><li>Studying in London</li><li>Composition</li><li>Audio Branding</li><li>Impact Mixing</li><li>Berlin</li><li>German Stereotypes</li><li>Love of Los Angeles</li><li>Brute Force Network</li><li>Working with Irko</li><li>Mixing on His Own</li><li>Prodixing</li><li>Development</li><li>Cash Flow</li><li>Always Working</li><li>Flagship Projects</li><li>Pricing</li><li>Voice Doubles</li><li>Credits</li><li>Revisions</li></ul><br/><p><strong>Matt's Rant: Always Be Learning</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.larsdeutsch.net/" rel="noopener noreferrer" target="_blank">Lar's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Lars Deutsch</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-483-with-lars-deutsch-impact-mixing-composition-classical-music-heavy-metal-soccer-and-brute-force-networking]]></link><guid isPermaLink="false">8dc2a2d8-c461-11ee-a4ca-bf34da543645</guid><itunes:image href="https://artwork.captivate.fm/4bb6d6e5-1c8b-4a44-91fd-befeac68ae6d/693fe585d0021f5f2dc0d7d9a15c8739.jpg"/><pubDate>Mon, 18 Mar 2024 19:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cdbc2149-a18d-4746-8ae1-f050ce5f508c.mp3" length="163658319" type="audio/mpeg"/><itunes:duration>01:08:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>483</itunes:episode><podcast:episode>483</podcast:episode><itunes:summary>My guest today is composer, producer, and engineer Lars Deutsch.

Lars has worked with 88 Rising Accura Adidas Amazon Anthony Anderson (Transformers) Blacklist (Trailer) Brett Gelman (Stranger Things) Budweiser California Energy Upgrade CBS Conde Nast (featuring BTS, Dua Lipa, Lizzo, Rihanna, Black Pink, Alicia Keys, ASAP Rocky and Dolly Parton, Chris Hemsworth, David Schwimmer, Jessica Chastain, Malin Akerman, Idris Alba, Hillary Duff, Scotty Pippen, Dwayne Haskins, Danielle Brooks, Kendrick Sampson and Billy Eichner) Epson FOX Flying Theater Mexico City Generali Ghostface Killah (Wu-Tang Clan) Intel IRKO Higher Brothers Honda Hyundai Ian McKellen (Lord Of The Rings) James Earl Jones (Darth Vader) Joji Kate Micucci (Scrubs, Big Bang Theory) Joseph Fiennes (The Handmaid&apos;s Tale) Katie Melua Keith Ape Keke Palmer (Hustlers) Lewis Hamilton Magic Wands MBL Mercedes Neckermann Niki Nowness (Louis Vuitton) Oreos Palm Springs Film Festival Patrick Williams Paul Alexander Juutilainen Philip Rivers (NFL quarterback) Philips Rachel Shelley (Deep State) Red Bull Rich Brian Ruinart Stephen King&apos;s The Passenger Tencent The Martian (trailer) The Masked Singer Toyota Voices for Children VW Wink Martindale (Tic-Tac-Dough)

In this episode, we discuss

Heavy Metal and Soccer

Classical Music

Excited About Guitar

Studying in London

Composition

Audio Branding

Impact Mixing

Berlin

German Stereotypes

Love of Los Angeles

Brute Force Network

Working with Irko

Mixing on His Own

Prodixing

Development

Cash Flow

Always Working

Flagship Projects

Pricing

Voice Doubles

Credits

Revisions


Matt&apos;s Rant: Always Be Learning
Links and Show Notes
Lar&apos;s Site
Credits

Guest: Lars Deutsch

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #482 with Ken Lewis - Working from Ohio, Cancelling Vacations, Go Getter Attitude, Producing Remotely, and Mixing Night</title><itunes:title>WCA #482 with Ken Lewis - Working from Ohio, Cancelling Vacations, Go Getter Attitude, Producing Remotely, and Mixing Night</itunes:title><description><![CDATA[<p>My guest today is Grammy-winning producer/mixer/finisher Ken Lewis. Ken has worked on projects for BTS, The Old Kanye, Taylor Swift, and David Byrne.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Working from Ohio</li><li>Playing Guitar at 10</li><li>Basement Records at 16</li><li>Berklee College of Music</li><li>Parents Support</li><li>Go Getter Attitude</li><li>Talent is the Entry</li><li>Moving to New York</li><li>Getting Mugged</li><li>Soundtrack Studios</li><li>Interning Etiquette</li><li>Specializing</li><li>Cancelling Vacations</li><li>Working From Home</li><li>Leaving New York</li><li>Producing Remotely</li><li>Being Perceived as Too Expensive</li><li>ATMOS</li><li>Running A Little Factory</li><li>Having Open Heart Surgery</li><li>Getting More Rest</li><li>Make More Money Than You Spend</li><li>Money Press</li><li>Mixing Night</li></ul><br/><p><strong>Matt's Rant: Reflecting on Mark Rubel</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-034-with-mark-rubel/" rel="noopener noreferrer" target="_blank">Mark Rubel WCA #034</a></li><li><a href="https://kenlewis.com/" rel="noopener noreferrer" target="_blank">Ken's Site</a></li><li><a href="https://www.youtube.com/mixingnight" rel="noopener noreferrer" target="_blank">Mixing Night</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Ken Lewis</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Grammy-winning producer/mixer/finisher Ken Lewis. Ken has worked on projects for BTS, The Old Kanye, Taylor Swift, and David Byrne.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Working from Ohio</li><li>Playing Guitar at 10</li><li>Basement Records at 16</li><li>Berklee College of Music</li><li>Parents Support</li><li>Go Getter Attitude</li><li>Talent is the Entry</li><li>Moving to New York</li><li>Getting Mugged</li><li>Soundtrack Studios</li><li>Interning Etiquette</li><li>Specializing</li><li>Cancelling Vacations</li><li>Working From Home</li><li>Leaving New York</li><li>Producing Remotely</li><li>Being Perceived as Too Expensive</li><li>ATMOS</li><li>Running A Little Factory</li><li>Having Open Heart Surgery</li><li>Getting More Rest</li><li>Make More Money Than You Spend</li><li>Money Press</li><li>Mixing Night</li></ul><br/><p><strong>Matt's Rant: Reflecting on Mark Rubel</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-034-with-mark-rubel/" rel="noopener noreferrer" target="_blank">Mark Rubel WCA #034</a></li><li><a href="https://kenlewis.com/" rel="noopener noreferrer" target="_blank">Ken's Site</a></li><li><a href="https://www.youtube.com/mixingnight" rel="noopener noreferrer" target="_blank">Mixing Night</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Ken Lewis</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-482-with-ken-lewis-working-from-ohio-cancelling-vacations-go-getter-attitude-producing-remotely-and-mixing-night]]></link><guid isPermaLink="false">8d32dd10-c461-11ee-a4ca-2f9bd6f9e8a2</guid><itunes:image href="https://artwork.captivate.fm/eb85a9eb-a7de-4d06-a357-b4b7b98f4e5b/9deeb0a30e0fb3b5829ddcda5ebdf257.jpg"/><pubDate>Mon, 11 Mar 2024 20:47:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cbababa6-69d1-4098-b52a-a5f942371964.mp3" length="159934555" type="audio/mpeg"/><itunes:duration>01:06:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>482</itunes:episode><podcast:episode>482</podcast:episode><itunes:summary>My guest today is Grammy-winning producer/mixer/finisher Ken Lewis. Ken has worked on projects for BTS, The Old Kanye, Taylor Swift, and David Byrne.

In this episode, we discuss

Working from Ohio

Playing Guitar at 10

Basement Records at 16

Berklee College of Music

Parents Support

Go Getter Attitude

Talent is the Entry

Moving to New York

Getting Mugged

Soundtrack Studios

Interning Etiquette

Specializing

Cancelling Vacations

Working From Home

Leaving New York

Producing Remotely

Being Perceived as Too Expensive

ATMOS

Running A Little Factory

Having Open Heart Surgery

Getting More Rest

Make More Money Than You Spend

Money Press

Mixing Night


Matt&apos;s Rant: Reflecting on Mark Rubel

Links and Show Notes

Mark Rubel WCA #034

Ken&apos;s Site

Mixing Night


Credits

Guest: Ken Lewis

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #480 with Pete Grossman - Local Hardcore and Metal, Chicago Recording Studios, Word of Mouth, Balancing Family  and Playing Guitar Upside Down</title><itunes:title>WCA #480 with Pete Grossman - Local Hardcore and Metal, Chicago Recording Studios, Word of Mouth, Balancing Family  and Playing Guitar Upside Down</itunes:title><description><![CDATA[<p>My guest today is Pete Grossman, Producer/Engineer/Mixer/Mastering Engineer and owner of Bricktop Recording in Chicago, Illinois. Pete has worked with Veil Of Maya, Inclination, Frail Body, Gates to Hell, and Weekend Nachos.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Library Research</li><li>Playing Guitar Upside Down</li><li>Guitar Lessons</li><li>Jazz Band</li><li>Columbia College</li><li>Family Building</li><li>Family Business</li><li>Studio Building</li><li>Contractor Pricing</li><li>Isolation</li><li>Word of Mouth</li><li>Low Overhead</li><li>Property Taxes</li><li>Local Hardcore and Metal</li><li>Calendar Management</li><li>Covid</li><li>Accommodating Clients</li><li>Remote Work</li><li>18 Years of Business</li><li>Balancing Family</li><li>Growing Financially</li><li>No Console</li><li>Future Studio Plans</li><li>Chicago Recording Studios</li></ul><br/><p><strong>Matt's Rant: Business Continuity</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.bricktoprecording.com/" rel="noopener noreferrer" target="_blank">Pete's Studio</a></li><li><a href="https://www.instagram.com/bricktoprecording" rel="noopener noreferrer" target="_blank">Bricktop on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Pete Grossman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Pete Grossman, Producer/Engineer/Mixer/Mastering Engineer and owner of Bricktop Recording in Chicago, Illinois. Pete has worked with Veil Of Maya, Inclination, Frail Body, Gates to Hell, and Weekend Nachos.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Library Research</li><li>Playing Guitar Upside Down</li><li>Guitar Lessons</li><li>Jazz Band</li><li>Columbia College</li><li>Family Building</li><li>Family Business</li><li>Studio Building</li><li>Contractor Pricing</li><li>Isolation</li><li>Word of Mouth</li><li>Low Overhead</li><li>Property Taxes</li><li>Local Hardcore and Metal</li><li>Calendar Management</li><li>Covid</li><li>Accommodating Clients</li><li>Remote Work</li><li>18 Years of Business</li><li>Balancing Family</li><li>Growing Financially</li><li>No Console</li><li>Future Studio Plans</li><li>Chicago Recording Studios</li></ul><br/><p><strong>Matt's Rant: Business Continuity</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.bricktoprecording.com/" rel="noopener noreferrer" target="_blank">Pete's Studio</a></li><li><a href="https://www.instagram.com/bricktoprecording" rel="noopener noreferrer" target="_blank">Bricktop on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Pete Grossman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-480-with-pete-grossman-local-hardcore-and-metal-chicago-recording-studios-word-of-mouth-balancing-family-and-playing-guitar-upside-down]]></link><guid isPermaLink="false">8c0c7a40-c461-11ee-a4ca-9f5ce168c8bb</guid><itunes:image href="https://artwork.captivate.fm/bb952766-cfc5-44ca-932e-f2f53049117d/9d9c8889e512df67091bde22fe96ad2f.jpg"/><pubDate>Mon, 26 Feb 2024 19:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b70f8046-a780-4840-b8e4-be1ff3bc9718.mp3" length="134137188" type="audio/mpeg"/><itunes:duration>55:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>480</itunes:episode><podcast:episode>480</podcast:episode><itunes:summary>My guest today is Pete Grossman, Producer/Engineer/Mixer/Mastering Engineer and owner of Bricktop Recording in Chicago, Illinois. Pete has worked with Veil Of Maya, Inclination, Frail Body, Gates to Hell, and Weekend Nachos. 

In this episode, we discuss

Library Research

Playing Guitar Upside Down

Guitar Lessons

Jazz Band

Columbia College

Family Building

Family Business

Studio Building

Contractor Pricing

Isolation

Word of Mouth

Low Overhead

Property Taxes

Local Hardcore and Metal

Calendar Management

Covid

Accommodating Clients

Remote Work

18 Years of Business

Balancing Family

Growing Financially

No Console

Future Studio Plans

Chicago Recording Studios


Matt&apos;s Rant: Business Continuity
Links and Show Notes

Pete&apos;s Studio

Bricktop on Instagram

Credits

Guest: Pete Grossman

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #479 with Richard Carrasco - Punk Rock, Electrical Engineering, Sync Libraries, Lame Contractors, and New Studio Construction</title><itunes:title>WCA #479 with Richard Carrasco - Punk Rock, Electrical Engineering, Sync Libraries, Lame Contractors, and New Studio Construction</itunes:title><description><![CDATA[<p>My guest today is Producer/Engineer/Composer/Mixer Richard Carrasco, who runs FullWave Studios in Eastvale, California.</p><p><strong>In this episode, we discuss</strong></p><ul><li>South Los Angeles</li><li>Weekend Cleaning</li><li>Middle Child</li><li>Playing Guitar</li><li>Community College</li><li>Electrical Engineering Degree</li><li>Punk Rock&nbsp;</li><li>GODSNATAS</li><li>Creating a Label</li><li><a href="https://archive.org/details/byofl_01/page/n41/mode/2up" rel="noopener noreferrer" target="_blank">Book Your Own Fucking Life</a></li><li>Electro Magnetics</li><li>US Navy</li><li>Freelance Recording</li><li>Garage Studio</li><li>New Studio Construction</li><li>Job Flexibility</li><li><a href="https://www.haverstickdesigns.com/" rel="noopener noreferrer" target="_blank">Haverstick Designs</a></li><li>Lame Contractors</li><li>Taking Over Construction</li><li>Sync Libraries</li><li>Creating Clinics</li><li>Live Instruments for Libraries</li></ul><br/><p><strong>Matt's Rant: Update on School</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.haverstickdesigns.com/portfolio-item/fullwave-studio/" rel="noopener noreferrer" target="_blank">Fullwave on Haverstick Designs Site</a></li><li><a href="https://www.fullwavestudios.com/" rel="noopener noreferrer" target="_blank">Fullwave Studios Site</a></li><li><a href="https://www.instagram.com/fullwavestudios" rel="noopener noreferrer" target="_blank">Richard on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Richard Carrasco</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Producer/Engineer/Composer/Mixer Richard Carrasco, who runs FullWave Studios in Eastvale, California.</p><p><strong>In this episode, we discuss</strong></p><ul><li>South Los Angeles</li><li>Weekend Cleaning</li><li>Middle Child</li><li>Playing Guitar</li><li>Community College</li><li>Electrical Engineering Degree</li><li>Punk Rock&nbsp;</li><li>GODSNATAS</li><li>Creating a Label</li><li><a href="https://archive.org/details/byofl_01/page/n41/mode/2up" rel="noopener noreferrer" target="_blank">Book Your Own Fucking Life</a></li><li>Electro Magnetics</li><li>US Navy</li><li>Freelance Recording</li><li>Garage Studio</li><li>New Studio Construction</li><li>Job Flexibility</li><li><a href="https://www.haverstickdesigns.com/" rel="noopener noreferrer" target="_blank">Haverstick Designs</a></li><li>Lame Contractors</li><li>Taking Over Construction</li><li>Sync Libraries</li><li>Creating Clinics</li><li>Live Instruments for Libraries</li></ul><br/><p><strong>Matt's Rant: Update on School</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.haverstickdesigns.com/portfolio-item/fullwave-studio/" rel="noopener noreferrer" target="_blank">Fullwave on Haverstick Designs Site</a></li><li><a href="https://www.fullwavestudios.com/" rel="noopener noreferrer" target="_blank">Fullwave Studios Site</a></li><li><a href="https://www.instagram.com/fullwavestudios" rel="noopener noreferrer" target="_blank">Richard on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Richard Carrasco</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-479-with-richard-carrasco-punk-rock-electrical-engineering-sync-libraries-lame-contractors-and-new-studio-construction]]></link><guid isPermaLink="false">8b77e772-c461-11ee-a4ca-9f547761fa67</guid><itunes:image href="https://artwork.captivate.fm/20b17238-4352-4d85-9062-10864ef19790/8033a0.jpg"/><pubDate>Mon, 19 Feb 2024 18:36:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ba3100ff-f527-4b7a-aa52-ecab5e6ebe05.mp3" length="143147188" type="audio/mpeg"/><itunes:duration>59:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>479</itunes:episode><podcast:episode>479</podcast:episode><itunes:summary>My guest today is Producer/Engineer/Composer/Mixer Richard Carrasco, who runs FullWave Studios in Eastvale, California.
In this episode, we discuss

South Los Angeles

Weekend Cleaning

Middle Child

Playing Guitar

Community College

Electrical Engineering Degree

Punk Rock 

GODSNATAS

Creating a Label

Book Your Own Fucking Life

Electro Magnetics

US Navy

Freelance Recording

Garage Studio

New Studio Construction

Job Flexibility

Haverstick Designs

Lame Contractors

Taking Over Construction

Sync Libraries

Creating Clinics

Live Instruments for Libraries


Matt&apos;s Rant: Update on School
Links and Show Notes

Fullwave on Haverstick Designs Site

Fullwave Studios Site

Richard on Instagram


Credits

Guest: Richard Carrasco

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #478 with Javi Bañuelos - Work Ethic, Day job Balancing, Keeping the Family Happy, Tchad Blake, and Justifying Purchases</title><itunes:title>WCA #478 with Javi Bañuelos - Work Ethic, Day job Balancing, Keeping the Family Happy, Tchad Blake, and Justifying Purchases</itunes:title><description><![CDATA[<p>My guest today is audio engineer Javi Bañuelos, who has worked with Kayla Von Der Heide, Manantial de Fuego, Daise. , and Kiki Diago, Dreamlover.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Victorville, CA</li><li>Tchad Blake</li><li>South Bay</li><li>Hawthorne, CA</li><li>Sibling Influence</li><li>Drumming/Playing in Bands</li><li>Old School Parents</li><li>Work Ethic</li><li>Demos to Records</li><li>Mix with The Masters</li><li>Losing Sleep</li><li>Pricing&nbsp;</li><li>Payment Plans</li><li>Dayjob Balancing</li><li>The Railroad</li><li>Communication</li><li>Hearing Protection</li><li>Growing the Audio Biz</li><li>ATMOS</li><li>Sonos</li><li>Audeze</li><li>HEDD</li><li>Home Studio</li><li>Family Dynamic</li><li>Roommates and Neighbors</li><li>Word of Mouth</li><li>Being an Introvert</li><li>Keeping the Family Happy</li><li>Justifying Purchases</li></ul><br/><p><strong>Matt's Rant: The Cold Hard Truth</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/elastro23/?hl=en" rel="noopener noreferrer" target="_blank">Javi on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Javi Bañuelos&nbsp;</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest today is audio engineer Javi Bañuelos, who has worked with Kayla Von Der Heide, Manantial de Fuego, Daise. , and Kiki Diago, Dreamlover.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Victorville, CA</li><li>Tchad Blake</li><li>South Bay</li><li>Hawthorne, CA</li><li>Sibling Influence</li><li>Drumming/Playing in Bands</li><li>Old School Parents</li><li>Work Ethic</li><li>Demos to Records</li><li>Mix with The Masters</li><li>Losing Sleep</li><li>Pricing&nbsp;</li><li>Payment Plans</li><li>Dayjob Balancing</li><li>The Railroad</li><li>Communication</li><li>Hearing Protection</li><li>Growing the Audio Biz</li><li>ATMOS</li><li>Sonos</li><li>Audeze</li><li>HEDD</li><li>Home Studio</li><li>Family Dynamic</li><li>Roommates and Neighbors</li><li>Word of Mouth</li><li>Being an Introvert</li><li>Keeping the Family Happy</li><li>Justifying Purchases</li></ul><br/><p><strong>Matt's Rant: The Cold Hard Truth</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/elastro23/?hl=en" rel="noopener noreferrer" target="_blank">Javi on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Javi Bañuelos&nbsp;</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-478-with-javi-banuelos-work-ethic-day-job-balancing-keeping-the-family-happy-tchad-blake-and-justifying-purchases]]></link><guid isPermaLink="false">8ad9ce52-c461-11ee-a4ca-53dcf88b54d7</guid><itunes:image href="https://artwork.captivate.fm/211256eb-f154-492f-a274-8a86491ab66a/6364dd.jpg"/><pubDate>Mon, 12 Feb 2024 21:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f0f18c71-b345-42a6-aa82-3c72c1134b6e.mp3" length="157057980" type="audio/mpeg"/><itunes:duration>01:05:26</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>478</itunes:episode><podcast:episode>478</podcast:episode><itunes:summary>My guest today is audio engineer Javi Bañuelos, who has worked with Kayla Von Der Heide, Manantial de Fuego, Daise. , and Kiki Diago, Dreamlover. 

In this episode, we discuss

Victorville, CA

Tchad Blake

South Bay

Hawthorne, CA

Sibling Influence

Drumming/Playing in Bands

Old School Parents

Work Ethic

Demos to Records

Mix with The Masters

Losing Sleep

Pricing 

Payment Plans

Dayjob Balancing

The Railroad

Communication

Hearing Protection

Growing the Audio Biz

ATMOS

Sonos

Audeze

HEDD

Home Studio

Family Dynamic

Roommates and Neighbors

Word of Mouth

Being an Introvert

Keeping the Family Happy

Justifying Purchases


Matt&apos;s Rant: The Cold Hard Truth
Links and Show Notes
Javi on Instagram

Credits

Guest: Javi Bañuelos 

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #477 LIVE From NAMM 2024 Part 2 - Imposter Syndrome, Mixing Remote, ATMOS, Self Promotion, and Carrots and Celery</title><itunes:title>WCA #477 LIVE From NAMM 2024 Part 2 - Imposter Syndrome, Mixing Remote, ATMOS, Self Promotion, and Carrots and Celery</itunes:title><description><![CDATA[<p>WCA Live from the PMC Booth at NAMM 2024. My guest is Andrew Scheps. Andrew is a mixing and recording engineer, producer, and record label owner in the United Kingdom. Andrew's work with various artists includes Green Day, Low Roar, Adele, the Red Hot Chili Peppers, Hosier, My Brightest Diamond, Lady Gaga, Beyonce, Jay Z, and Black Sabbath.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Structure of The Day</li><li>Andrew Talks to Awesome People</li><li>Carrots and Celery</li><li>Imposter Syndrome</li><li>Not Living in LA</li><li>Mixing Remote</li><li>Soundflow</li><li>Other Professions</li><li>Mailbox Money</li><li>Selling Gear</li><li>Shopping for Gear</li><li>ATMOS</li><li>Steve Genewick</li><li>Greg Penny</li><li>Room Simulation/Virtualization</li><li>Self Promotion</li><li>Q&amp;A</li><li>Memphis Recording Scene</li><li>Diversification</li></ul><br/><p><strong>Matt's Rant: Getting to Work</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.pmc-speakers.com/studio" rel="noopener noreferrer" target="_blank">PMC</a></li><li><a href="https://www.instagram.com/ascheps/?hl=en" rel="noopener noreferrer" target="_blank">Andrew on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-009-andrew-scheps/" rel="noopener noreferrer" target="_blank">Andrew on WCA #009</a></li><li><a href="https://www.workingclassaudio.com/wca-300-with-andrew-scheps/" rel="noopener noreferrer" target="_blank">Andrew on WCA #300</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Andrew Scheps</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>WCA Live from the PMC Booth at NAMM 2024. My guest is Andrew Scheps. Andrew is a mixing and recording engineer, producer, and record label owner in the United Kingdom. Andrew's work with various artists includes Green Day, Low Roar, Adele, the Red Hot Chili Peppers, Hosier, My Brightest Diamond, Lady Gaga, Beyonce, Jay Z, and Black Sabbath.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Structure of The Day</li><li>Andrew Talks to Awesome People</li><li>Carrots and Celery</li><li>Imposter Syndrome</li><li>Not Living in LA</li><li>Mixing Remote</li><li>Soundflow</li><li>Other Professions</li><li>Mailbox Money</li><li>Selling Gear</li><li>Shopping for Gear</li><li>ATMOS</li><li>Steve Genewick</li><li>Greg Penny</li><li>Room Simulation/Virtualization</li><li>Self Promotion</li><li>Q&amp;A</li><li>Memphis Recording Scene</li><li>Diversification</li></ul><br/><p><strong>Matt's Rant: Getting to Work</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.pmc-speakers.com/studio" rel="noopener noreferrer" target="_blank">PMC</a></li><li><a href="https://www.instagram.com/ascheps/?hl=en" rel="noopener noreferrer" target="_blank">Andrew on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-009-andrew-scheps/" rel="noopener noreferrer" target="_blank">Andrew on WCA #009</a></li><li><a href="https://www.workingclassaudio.com/wca-300-with-andrew-scheps/" rel="noopener noreferrer" target="_blank">Andrew on WCA #300</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Andrew Scheps</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-477-live-from-namm-2024-part-2-imposter-syndrome-mixing-remote-atmos-self-promotion-and-carrots-and-celery]]></link><guid isPermaLink="false">8505fe08-b6b9-11ed-98dd-33c44bdf416c</guid><itunes:image href="https://artwork.captivate.fm/ea736351-d75a-4285-ad9e-62301255eb20/e202f1.jpg"/><pubDate>Mon, 05 Feb 2024 20:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c5ffc150-f8a8-42dc-9c5e-1dcbbd4259c7.mp3" length="162801926" type="audio/mpeg"/><itunes:duration>01:07:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>477</itunes:episode><podcast:episode>477</podcast:episode><itunes:summary>WCA Live from the PMC Booth at NAMM 2024. My guest is Andrew Scheps. Andrew is a mixing and recording engineer, producer, and record label owner in the United Kingdom. Andrew&apos;s work with various artists includes Green Day, Low Roar, Adele, the Red Hot Chili Peppers, Hosier, My Brightest Diamond, Lady Gaga, Beyonce, Jay Z, and Black Sabbath. 

In this episode, we discuss

Structure of The Day

Andrew Talks to Awesome People

Carrots and Celery

Imposter Syndrome

Not Living in LA

Mixing Remote

Soundflow

Other Professions

Mailbox Money

Selling Gear

Shopping for Gear

ATMOS

Steve Genewick

Greg Penny

Room Simulation/Virtualization

Self Promotion

Q&amp;A

Memphis Recording Scene

Diversification


Matt&apos;s Rant: Getting to Work
Links and Show Notes

PMC

Andrew on Instagram

Andrew on WCA #009

Andrew on WCA #300


Credits

Guest: Andrew Scheps

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #476 LIVE From NAMM 2024 Part 1 - State of ATMOS 2024, Home Setups, Stereo Rebuilding, Catalog vs Front Line Work, and The Naysayers</title><itunes:title>WCA #476 LIVE From NAMM 2024 Part 1 - State of ATMOS 2024, Home Setups, Stereo Rebuilding, Catalog vs Front Line Work, and The Naysayers</itunes:title><description><![CDATA[<p>WCA Live from the PMC Booth at NAMM. My guests, Steve Genewick (<em>Paul McCartney, Robert Cray Band, Mary J Blige )&nbsp;</em>and Brad Wood<em>&nbsp;(Liz Phair, Veruca Salt, Smashing Pumpkins)&nbsp;</em>talk all about ATMOS.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>State of ATMOS 2024</li><li>Headphones and Speakers</li><li>Home Setups</li><li>DIY Aspects</li><li>Economics of ATMOS</li><li>Stereo Rebuilding</li><li>Catalog and Front Line Work</li><li>Artist's and ATMOS</li><li>Tracking for ATMOS</li><li>The Naysayers</li><li>Consumer Electronics</li><li>Stereo and ATMOS at the Same Time</li><li>Delivery</li><li>Smaller Rooms</li></ul><br/><p><strong>Matt's Rant: Charting Your Own Path</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.pmc-speakers.com/studio" rel="noopener noreferrer" target="_blank">PMC</a></li><li><a href="https://www.workingclassaudio.com/wca-095-with-brad-wood/" rel="noopener noreferrer" target="_blank">Brad on WCA #095</a></li><li><a href="https://www.workingclassaudio.com/wca-280-with-brad-wood/" rel="noopener noreferrer" target="_blank">Brad on WCA #280</a></li><li><a href="https://www.workingclassaudio.com/wca-070-al-schmitt-steve-genewick/" rel="noopener noreferrer" target="_blank">Steve on WCA #070</a></li><li><a href="https://www.workingclassaudio.com/wca-324-with-steve-genewick/" rel="noopener noreferrer" target="_blank">Steve on WCA #324</a></li><li><a href="https://www.bradwoodmusic.com/" rel="noopener noreferrer" target="_blank">Brad's Site</a></li><li><a href="https://stevegenewick.com/" rel="noopener noreferrer" target="_blank">Steve's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Brad Wood &amp; Steve Genewick</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>WCA Live from the PMC Booth at NAMM. My guests, Steve Genewick (<em>Paul McCartney, Robert Cray Band, Mary J Blige )&nbsp;</em>and Brad Wood<em>&nbsp;(Liz Phair, Veruca Salt, Smashing Pumpkins)&nbsp;</em>talk all about ATMOS.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>State of ATMOS 2024</li><li>Headphones and Speakers</li><li>Home Setups</li><li>DIY Aspects</li><li>Economics of ATMOS</li><li>Stereo Rebuilding</li><li>Catalog and Front Line Work</li><li>Artist's and ATMOS</li><li>Tracking for ATMOS</li><li>The Naysayers</li><li>Consumer Electronics</li><li>Stereo and ATMOS at the Same Time</li><li>Delivery</li><li>Smaller Rooms</li></ul><br/><p><strong>Matt's Rant: Charting Your Own Path</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.pmc-speakers.com/studio" rel="noopener noreferrer" target="_blank">PMC</a></li><li><a href="https://www.workingclassaudio.com/wca-095-with-brad-wood/" rel="noopener noreferrer" target="_blank">Brad on WCA #095</a></li><li><a href="https://www.workingclassaudio.com/wca-280-with-brad-wood/" rel="noopener noreferrer" target="_blank">Brad on WCA #280</a></li><li><a href="https://www.workingclassaudio.com/wca-070-al-schmitt-steve-genewick/" rel="noopener noreferrer" target="_blank">Steve on WCA #070</a></li><li><a href="https://www.workingclassaudio.com/wca-324-with-steve-genewick/" rel="noopener noreferrer" target="_blank">Steve on WCA #324</a></li><li><a href="https://www.bradwoodmusic.com/" rel="noopener noreferrer" target="_blank">Brad's Site</a></li><li><a href="https://stevegenewick.com/" rel="noopener noreferrer" target="_blank">Steve's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Brad Wood &amp; Steve Genewick</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-476-live-from-namm-2024-part-1-state-of-atmos-2024-home-setups-stereo-rebuilding-catalog-vs-front-line-work-and-the-naysayers]]></link><guid isPermaLink="false">84c82d76-b6b9-11ed-98dd-8392d542c9a3</guid><itunes:image href="https://artwork.captivate.fm/389be017-6cfe-404a-b36a-f0e761762278/dab3f0.jpg"/><pubDate>Mon, 29 Jan 2024 20:37:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/05e0c424-15bf-43ce-8494-aa39ff9e0744.mp3" length="148672726" type="audio/mpeg"/><itunes:duration>01:01:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>476</itunes:episode><podcast:episode>476</podcast:episode><itunes:summary>WCA Live from the PMC Booth at NAMM. My guests, Steve Genewick (Paul McCartney, Robert Cray Band, Mary J Blige ) and Brad Wood (Liz Phair, Veruca Salt, Smashing Pumpkins) talk all about ATMOS. 

In this episode, we discuss

State of ATMOS 2024

Headphones and Speakers

Home Setups

DIY Aspects

Economics of ATMOS

Stereo Rebuilding

Catalog and Front Line Work

Artist&apos;s and ATMOS

Tracking for ATMOS

The Naysayers

Consumer Electronics

Stereo and ATMOS at the Same Time

Delivery

Smaller Rooms


Matt&apos;s Rant: Charting Your Own Path
Links and Show Notes

PMC

Brad on WCA #095

Brad on WCA #280

Steve on WCA #070

Steve on WCA #324

Brad&apos;s Site

Steve&apos;s Site


Credits

Guest: Brad Wood &amp; Steve Genewick

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #475 with Brian Vibberts- Learning Everyday, Getting Fired, Building Confidence, Bruce Swedien, Networking, and Cardboard Patch Bay&apos;s</title><itunes:title>WCA #475 with Brian Vibberts- Learning Everyday, Getting Fired, Building Confidence, Bruce Swedien, Networking, and Cardboard Patch Bay&apos;s</itunes:title><description><![CDATA[<p>My guest is Grammy-winning recording &amp; Mixing Engineer Brian Vibberts, who has worked on projects for Chick Corea, Michael Jackson, Disney, and Metallica.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li><a href="https://www.portlandct.org/" rel="noopener noreferrer" target="_blank">Portland, CT</a></li><li>School Band</li><li>Chorus</li><li>Buying Vinyl</li><li>Early Recording Experience</li><li>NASA</li><li>Shuttle Challenger Accident</li><li>Switching Majors</li><li>Berklee College of Music</li><li>Asking to Be Paid</li><li>Parents Business</li><li>DJ Business</li><li>Right Track Recording</li><li>Learning Everyday</li><li>Cardboard Patch Bay</li><li>The Hit Factory</li><li>Getting Fired</li><li>Sony</li><li>More Skills</li><li>Building Confidence</li><li><a href="https://en.wikipedia.org/wiki/Bruce_Swedien" rel="noopener noreferrer" target="_blank">Bruce Swedien</a></li><li>Being Diverse</li><li>Moving to Los Angeles</li><li>Over Qualified</li><li>Home Studio&nbsp;</li><li>Navigating LA</li><li>Joining Groups</li><li>Networking</li><li>Working From Home</li><li>Dinosaurs</li><li>Opportunities</li><li>Star Trek</li></ul><br/><p><strong>Matt's Rant: Patience</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.vibbertsmixing.com/" rel="noopener noreferrer" target="_blank">Brian's Site</a></li><li><a href="https://www.instagram.com/vibbertsmixing/?hl=en" rel="noopener noreferrer" target="_blank">Brian on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Brian Vibberts</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-winning recording &amp; Mixing Engineer Brian Vibberts, who has worked on projects for Chick Corea, Michael Jackson, Disney, and Metallica.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li><a href="https://www.portlandct.org/" rel="noopener noreferrer" target="_blank">Portland, CT</a></li><li>School Band</li><li>Chorus</li><li>Buying Vinyl</li><li>Early Recording Experience</li><li>NASA</li><li>Shuttle Challenger Accident</li><li>Switching Majors</li><li>Berklee College of Music</li><li>Asking to Be Paid</li><li>Parents Business</li><li>DJ Business</li><li>Right Track Recording</li><li>Learning Everyday</li><li>Cardboard Patch Bay</li><li>The Hit Factory</li><li>Getting Fired</li><li>Sony</li><li>More Skills</li><li>Building Confidence</li><li><a href="https://en.wikipedia.org/wiki/Bruce_Swedien" rel="noopener noreferrer" target="_blank">Bruce Swedien</a></li><li>Being Diverse</li><li>Moving to Los Angeles</li><li>Over Qualified</li><li>Home Studio&nbsp;</li><li>Navigating LA</li><li>Joining Groups</li><li>Networking</li><li>Working From Home</li><li>Dinosaurs</li><li>Opportunities</li><li>Star Trek</li></ul><br/><p><strong>Matt's Rant: Patience</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.vibbertsmixing.com/" rel="noopener noreferrer" target="_blank">Brian's Site</a></li><li><a href="https://www.instagram.com/vibbertsmixing/?hl=en" rel="noopener noreferrer" target="_blank">Brian on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Brian Vibberts</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-475-with-brian-vibberts-learning-everyday-getting-fired-building-confidence-bruce-swedien-networking-and-cardboard-patch-bays]]></link><guid isPermaLink="false">84a8349e-b6b9-11ed-98dd-97a42ffefc63</guid><itunes:image href="https://artwork.captivate.fm/cc084baa-e2da-44b8-992b-9f3801e0f140/68e7e9.jpg"/><pubDate>Mon, 22 Jan 2024 19:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/fbde5674-8fd6-4a49-a913-c3d8bf267f9d.mp3" length="175413697" type="audio/mpeg"/><itunes:duration>01:13:05</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>475</itunes:episode><podcast:episode>475</podcast:episode><itunes:summary>My guest is Grammy-winning recording &amp; Mixing Engineer Brian Vibberts, who has worked on projects for Chick Corea, Michael Jackson, Disney, and Metallica. 
In this episode, we discuss

Portland, CT

School Band

Chorus

Buying Vinyl

Early Recording Experience

NASA

Shuttle Challenger Accident

Switching Majors

Berklee College of Music

Asking to Be Paid

Parents Business

DJ Business

Right Track Recording

Learning Everyday

Cardboard Patch Bay

The Hit Factory

Getting Fired

Sony

More Skills

Building Confidence

Bruce Swedien

Being Diverse

Moving to Los Angeles

Over Qualified

Home Studio 

Navigating LA

Joining Groups

Networking

Working From Home

Dinosaurs

Opportunities

Star Trek


Matt&apos;s Rant: Patience
Links and Show Notes

Brian&apos;s Site

Brian on Instagram


Credits

Guest: Brian Vibberts

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #474 with Luke Argilla- Snowboarding, The Eureka Moment, Drum and Bass Music, Working in ATMOS, and Adventures in Freelancing</title><itunes:title>WCA #474 with Luke Argilla- Snowboarding, The Eureka Moment, Drum and Bass Music, Working in ATMOS, and Adventures in Freelancing</itunes:title><description><![CDATA[<p>My guest is Luke Argilla, a Grammy-nominated Mixer / Music Producer. Luke has worked on projects by Wu-Tang Clan, Summer Walker, and Slauson Malone 1, plus he's a member of the famed Drum and Bass Group Bachelors of Science.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Bay Area Raised</li><li>Playing Guitar at 11</li><li>Punk Rock Music</li><li>Communications Academy</li><li>Hip Hop</li><li>Snowboarding</li><li><a href="https://beca.sfsu.edu/people/john-barsotti" rel="noopener noreferrer" target="_blank">Dr. John Barsotti</a></li><li><a href="https://www.sfsu.edu/index.html" rel="noopener noreferrer" target="_blank">Analog at SF State</a></li><li>Working in Tahoe</li><li>Deciding on College</li><li>The Eureka Moment</li><li>Drum and Bass Music</li><li><a href="https://en.wikipedia.org/wiki/Bachelors_of_Science_(group)" rel="noopener noreferrer" target="_blank">Bachelors of Science</a></li><li><a href="https://www.local16.org/" rel="noopener noreferrer" target="_blank">IATSE Local 16 Union</a></li><li>Dolby Labs</li><li>Working in ATMOS</li><li>ATMOS in Nightclubs</li><li>Adventures in Freelancing</li><li>Splitting Time between LA and SF</li><li>Importance of Family</li><li>ATMOS in an Apartment</li><li>Getting Work</li></ul><br/><p><strong>Matt's Rant: Networking</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://argillamusic.com/" rel="noopener noreferrer" target="_blank">Luke's Site</a></li><li><a href="https://blinq.me/" rel="noopener noreferrer" target="_blank">Blinq Digital Bix Card</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Luke Argilla</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest is Luke Argilla, a Grammy-nominated Mixer / Music Producer. Luke has worked on projects by Wu-Tang Clan, Summer Walker, and Slauson Malone 1, plus he's a member of the famed Drum and Bass Group Bachelors of Science.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Bay Area Raised</li><li>Playing Guitar at 11</li><li>Punk Rock Music</li><li>Communications Academy</li><li>Hip Hop</li><li>Snowboarding</li><li><a href="https://beca.sfsu.edu/people/john-barsotti" rel="noopener noreferrer" target="_blank">Dr. John Barsotti</a></li><li><a href="https://www.sfsu.edu/index.html" rel="noopener noreferrer" target="_blank">Analog at SF State</a></li><li>Working in Tahoe</li><li>Deciding on College</li><li>The Eureka Moment</li><li>Drum and Bass Music</li><li><a href="https://en.wikipedia.org/wiki/Bachelors_of_Science_(group)" rel="noopener noreferrer" target="_blank">Bachelors of Science</a></li><li><a href="https://www.local16.org/" rel="noopener noreferrer" target="_blank">IATSE Local 16 Union</a></li><li>Dolby Labs</li><li>Working in ATMOS</li><li>ATMOS in Nightclubs</li><li>Adventures in Freelancing</li><li>Splitting Time between LA and SF</li><li>Importance of Family</li><li>ATMOS in an Apartment</li><li>Getting Work</li></ul><br/><p><strong>Matt's Rant: Networking</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://argillamusic.com/" rel="noopener noreferrer" target="_blank">Luke's Site</a></li><li><a href="https://blinq.me/" rel="noopener noreferrer" target="_blank">Blinq Digital Bix Card</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Luke Argilla</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-474-with-luke-argilla-snowboarding-the-eureka-moment-drum-and-bass-music-working-in-atmos-and-adventures-in-freelancing]]></link><guid isPermaLink="false">8479a1ec-b6b9-11ed-98dd-d7d153be7e99</guid><itunes:image href="https://artwork.captivate.fm/b933be9b-a38e-489b-b7af-103a8bbf0abb/ab5b04.jpg"/><pubDate>Mon, 15 Jan 2024 20:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f484173f-df9c-4e27-9072-e436f12484b4.mp3" length="128953418" type="audio/mpeg"/><itunes:duration>53:44</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>474</itunes:episode><podcast:episode>474</podcast:episode><itunes:summary>My guest is Luke Argilla, a Grammy-nominated Mixer / Music Producer. Luke has worked on projects by Wu-Tang Clan, Summer Walker, and Slauson Malone 1, plus he&apos;s a member of the famed Drum and Bass Group Bachelors of Science. 

In this episode, we discuss

Bay Area Raised

Playing Guitar at 11

Punk Rock Music

Communications Academy

Hip Hop

Snowboarding

Dr. John Barsotti

Analog at SF State

Working in Tahoe

Deciding on College

The Eureka Moment

Drum and Bass Music

Bachelors of Science

IATSE Local 16 Union

Dolby Labs

Working in ATMOS

ATMOS in Nightclubs

Adventures in Freelancing

Splitting Time between LA and SF

Importance of Family

ATMOS in an Apartment

Getting Work


Matt&apos;s Rant: Networking

Links and Show Notes

Luke&apos;s Site

Blinq Digital Bix Card


Credits

Guest: Luke Argilla

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #473 with David Rideau- The Tracking Guy, The Wisdom of Jam and Lewis, Mentoring by Bruce Swedien, Staying in the Box, and Recording in Denmark</title><itunes:title>WCA #473 with David Rideau- The Tracking Guy, The Wisdom of Jam and Lewis, Mentoring by Bruce Swedien, Staying in the Box, and Recording in Denmark</itunes:title><description><![CDATA[<p>My guest is a Grammy-winning mixer/engineer, David Rideau, who has worked with Janet Jackson, Marcus Miller, Earth Wind and Fire, George Benson, Juan Gabriel, and Boney James.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Louisiana Connection</li><li>Growing up In Phoenix</li><li>Audiophile Dad</li><li>Mom's Musical Family</li><li>ASU</li><li>Social/Psych</li><li>The Scully Tape Machine</li><li>Arizona State Fair</li><li>The US10 Freeway</li><li>Audio Workshops</li><li>West Lake Pro</li><li>The Car Wash Session</li><li>Mentoring by Bruce Swedien</li><li>80 hour Weeks</li><li>All About Relationships</li><li>The Wisdom of Jam and Lewis</li><li>Recording in Denmark</li><li>All Over The Map</li><li>Not Being Extravagant</li><li>Mixing at Home</li><li>Staying in the Box</li><li>ATMOS</li><li>Janet Jackson ATMOS Work</li><li>Stems vs Tracks</li><li>No Mobile Rigs</li></ul><br/><p><strong>Matt's Rant: Examining the New Year 2024</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://caneriverstudios.com/" rel="noopener noreferrer" target="_blank">David's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-083-pablo-munguia/" rel="noopener noreferrer" target="_blank">Pablo Muniguia on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-136-with-kevin-becka/" rel="noopener noreferrer" target="_blank">Kevin Becka on WCA</a></li><li><a href="https://www.netflix.com/title/81214929" rel="noopener noreferrer" target="_blank">Blue Zones</a></li><li><a href="https://www.masterclass.com/series/gut-health" rel="noopener noreferrer" target="_blank">Gut Biome</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: David Rideau</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is a Grammy-winning mixer/engineer, David Rideau, who has worked with Janet Jackson, Marcus Miller, Earth Wind and Fire, George Benson, Juan Gabriel, and Boney James.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Louisiana Connection</li><li>Growing up In Phoenix</li><li>Audiophile Dad</li><li>Mom's Musical Family</li><li>ASU</li><li>Social/Psych</li><li>The Scully Tape Machine</li><li>Arizona State Fair</li><li>The US10 Freeway</li><li>Audio Workshops</li><li>West Lake Pro</li><li>The Car Wash Session</li><li>Mentoring by Bruce Swedien</li><li>80 hour Weeks</li><li>All About Relationships</li><li>The Wisdom of Jam and Lewis</li><li>Recording in Denmark</li><li>All Over The Map</li><li>Not Being Extravagant</li><li>Mixing at Home</li><li>Staying in the Box</li><li>ATMOS</li><li>Janet Jackson ATMOS Work</li><li>Stems vs Tracks</li><li>No Mobile Rigs</li></ul><br/><p><strong>Matt's Rant: Examining the New Year 2024</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://caneriverstudios.com/" rel="noopener noreferrer" target="_blank">David's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-083-pablo-munguia/" rel="noopener noreferrer" target="_blank">Pablo Muniguia on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-136-with-kevin-becka/" rel="noopener noreferrer" target="_blank">Kevin Becka on WCA</a></li><li><a href="https://www.netflix.com/title/81214929" rel="noopener noreferrer" target="_blank">Blue Zones</a></li><li><a href="https://www.masterclass.com/series/gut-health" rel="noopener noreferrer" target="_blank">Gut Biome</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: David Rideau</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-473-with-david-rideau-the-tracking-guy-the-wisdom-of-jam-and-lewis-mentoring-by-bruce-swedien-staying-in-the-box-and-recording-in-denmark]]></link><guid isPermaLink="false">843ae1dc-b6b9-11ed-98dd-47f95fdba313</guid><itunes:image href="https://artwork.captivate.fm/d6f92dcc-dde6-4ac6-8bdc-4e6a4b1db837/0fe70a.jpg"/><pubDate>Mon, 08 Jan 2024 22:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d003332c-efea-4c39-be8c-86db50065a07.mp3" length="163750596" type="audio/mpeg"/><itunes:duration>01:08:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>473</itunes:episode><podcast:episode>473</podcast:episode><itunes:summary>My guest is a Grammy-winning mixer/engineer, David Rideau, who has worked with Janet Jackson, Marcus Miller, Earth Wind and Fire, George Benson, Juan Gabriel, and Boney James. 

In this episode, we discuss

The Louisiana Connection

Growing up In Phoenix

Audiophile Dad

Mom&apos;s Musical Family

ASU

Social/Psych

The Scully Tape Machine

Arizona State Fair

The US10 Freeway

Audio Workshops

West Lake Pro

The Car Wash Session

Mentoring by Bruce Swedien

80 hour Weeks

All About Relationships

The Wisdom of Jam and Lewis

Recording in Denmark

All Over The Map

Not Being Extravagant

Mixing at Home

Staying in the Box

ATMOS

Janet Jackson ATMOS Work

Stems vs Tracks

No Mobile Rigs



Matt&apos;s Rant: Examining the New Year 2024

Links and Show Notes

David&apos;s Site

Pablo Muniguia on WCA

Kevin Becka on WCA

Blue Zones

 Gut Biome




Credits

Guest: David Rideau

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #472 with Leslie Ann Jones Part 2- Operating at a High Level, Exceeding Low Expectations, Surrounded by Greatness, Being Open to Growth, and The Importance Travel</title><itunes:title>WCA #472 with Leslie Ann Jones Part 2- Operating at a High Level, Exceeding Low Expectations, Surrounded by Greatness, Being Open to Growth, and The Importance Travel</itunes:title><description><![CDATA[<p>My guest is a seven-time Grammy Award-winning Recording and Mixing Engineer, Record Producer, and Director of Music Recording and Scoring at Skywalker Sound, Leslie Ann Jones. This is part 2 of a two-part interview.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Operating at a High Level</li><li>Being Present in a Session</li><li>Professionalism</li><li>Mix Magazine</li><li>Skywalker Sound</li><li>George Lucas</li><li>Surrounded by Greatness</li><li>Knowing Your Limitations</li><li>Being Open to Growth</li><li>Riding Faders</li><li>Institute for Recording Arts</li><li>Be Yourself</li><li>Finding Mentors</li><li>Retirement</li><li>Buying an RV</li><li>The Importance of Travel</li></ul><br/><p><strong>Matt's Rant: Who You Spend Your Time With</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.linkedin.com/in/leslie-ann-jones-30a4878/" rel="noopener noreferrer" target="_blank">Leslie on Linkedin</a></li><li><a href="https://www.skysound.com/people/leslie-ann-jones/" rel="noopener noreferrer" target="_blank">Leslie's Profile at Skywalker Sound</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Leslie Ann Jones</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></description><content:encoded><![CDATA[<p>My guest is a seven-time Grammy Award-winning Recording and Mixing Engineer, Record Producer, and Director of Music Recording and Scoring at Skywalker Sound, Leslie Ann Jones. This is part 2 of a two-part interview.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Operating at a High Level</li><li>Being Present in a Session</li><li>Professionalism</li><li>Mix Magazine</li><li>Skywalker Sound</li><li>George Lucas</li><li>Surrounded by Greatness</li><li>Knowing Your Limitations</li><li>Being Open to Growth</li><li>Riding Faders</li><li>Institute for Recording Arts</li><li>Be Yourself</li><li>Finding Mentors</li><li>Retirement</li><li>Buying an RV</li><li>The Importance of Travel</li></ul><br/><p><strong>Matt's Rant: Who You Spend Your Time With</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.linkedin.com/in/leslie-ann-jones-30a4878/" rel="noopener noreferrer" target="_blank">Leslie on Linkedin</a></li><li><a href="https://www.skysound.com/people/leslie-ann-jones/" rel="noopener noreferrer" target="_blank">Leslie's Profile at Skywalker Sound</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Leslie Ann Jones</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-472-with-leslie-ann-jones-part-2-operating-at-a-high-level-exceeding-low-expectations-surrounded-by-greatness-being-open-to-growth-and-the-importance-travel]]></link><guid isPermaLink="false">840881a6-b6b9-11ed-98dd-e38cd16c416d</guid><itunes:image href="https://artwork.captivate.fm/e3898a37-82e7-4ad6-bc6f-466097929b09/1bd58a.jpg"/><pubDate>Mon, 01 Jan 2024 19:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/de1b1d08-74d7-4c79-a9ac-142a906471a1.mp3" length="129598178" type="audio/mpeg"/><itunes:duration>54:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>472</itunes:episode><podcast:episode>472</podcast:episode><itunes:summary>My guest is a seven-time Grammy Award-winning Recording and Mixing Engineer, Record Producer, and Director of Music Recording and Scoring at Skywalker Sound, Leslie Ann Jones. This is part 2 of a two-part interview. 

In this episode, we discuss

Operating at a High Level

Being Present in a Session

Professionalism

Mix Magazine

Skywalker Sound

George Lucas

Surrounded by Greatness

Knowing Your Limitations

Being Open to Growth

Riding Faders

Institute for Recording Arts

Be Yourself

Finding Mentors

Retirement

Buying an RV

The Importance of Travel


Matt&apos;s Rant: Who You Spend Your Time With

Links and Show Notes

Leslie on Linkedin

Leslie&apos;s Profile at Skywalker Sound


Credits

Guest: Leslie Ann Jones

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #471 with Leslie Ann Jones Part 1- The Big Chair, Enjoying a Challenge, Cheat Sheets, The Automatt, Contributing as an Engineer, and Punching Above Your Weight</title><itunes:title>WCA #471 with Leslie Ann Jones Part 1- The Big Chair, Enjoying a Challenge, Cheat Sheets, The Automatt, Contributing as an Engineer, and Punching Above Your Weight</itunes:title><description><![CDATA[<p>My guest is a seven-time Grammy Award-winning Recording and Mixing Engineer, Record Producer, and Director of Music Recording and Scoring at Skywalker Sound, Leslie Ann Jones.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Beverly Hills</li><li><a href="https://en.wikipedia.org/wiki/Spike_Jones" rel="noopener noreferrer" target="_blank">Spike Jones</a></li><li>PA Company</li><li>ABC Studios</li><li>Capital Studios</li><li>Education Via Hi-Fi Mags</li><li>Creating Cheat Sheets</li><li>The Big Chair</li><li><a href="https://en.wikipedia.org/wiki/Danny_Thomas" rel="noopener noreferrer" target="_blank">Danny Thomas</a>'s House</li><li>Going to Rehearsals</li><li>Playing with Cousins</li><li>Doing Live Sound</li><li>Self-Taught Path</li><li>Contributing as an Engineer</li><li>Tascam Half Inch 4-Track</li><li>Sherwood Oaks Experimental College</li><li>Enjoying a Challenge</li><li>West LA Music</li><li>Punching Above Your Weight</li><li><a href="https://en.wikipedia.org/wiki/The_Automatt" rel="noopener noreferrer" target="_blank">The Automatt</a></li><li><a href="https://en.wikipedia.org/wiki/Fred_Catero" rel="noopener noreferrer" target="_blank">Fred Catero&nbsp;</a></li><li>The Bay Area</li><li>First Digital Recording</li><li>Tony Williams</li><li><a href="https://gamh.com/" rel="noopener noreferrer" target="_blank">The Great American Music Hall</a></li><li>Freelancing</li><li>Staff Recording Jobs</li><li>Synching Machines</li><li>Phil Ramone</li><li>ISDN</li></ul><br/><p><strong>Matt's Rant: Taking Things off Your Plate</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.linkedin.com/in/leslie-ann-jones-30a4878/" rel="noopener noreferrer" target="_blank">Leslie on Linkedin</a></li><li><a href="https://www.skysound.com/people/leslie-ann-jones/" rel="noopener noreferrer" target="_blank">Leslie's Profile at Skywalker Sound</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Leslie Ann Jones</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is a seven-time Grammy Award-winning Recording and Mixing Engineer, Record Producer, and Director of Music Recording and Scoring at Skywalker Sound, Leslie Ann Jones.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Beverly Hills</li><li><a href="https://en.wikipedia.org/wiki/Spike_Jones" rel="noopener noreferrer" target="_blank">Spike Jones</a></li><li>PA Company</li><li>ABC Studios</li><li>Capital Studios</li><li>Education Via Hi-Fi Mags</li><li>Creating Cheat Sheets</li><li>The Big Chair</li><li><a href="https://en.wikipedia.org/wiki/Danny_Thomas" rel="noopener noreferrer" target="_blank">Danny Thomas</a>'s House</li><li>Going to Rehearsals</li><li>Playing with Cousins</li><li>Doing Live Sound</li><li>Self-Taught Path</li><li>Contributing as an Engineer</li><li>Tascam Half Inch 4-Track</li><li>Sherwood Oaks Experimental College</li><li>Enjoying a Challenge</li><li>West LA Music</li><li>Punching Above Your Weight</li><li><a href="https://en.wikipedia.org/wiki/The_Automatt" rel="noopener noreferrer" target="_blank">The Automatt</a></li><li><a href="https://en.wikipedia.org/wiki/Fred_Catero" rel="noopener noreferrer" target="_blank">Fred Catero&nbsp;</a></li><li>The Bay Area</li><li>First Digital Recording</li><li>Tony Williams</li><li><a href="https://gamh.com/" rel="noopener noreferrer" target="_blank">The Great American Music Hall</a></li><li>Freelancing</li><li>Staff Recording Jobs</li><li>Synching Machines</li><li>Phil Ramone</li><li>ISDN</li></ul><br/><p><strong>Matt's Rant: Taking Things off Your Plate</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.linkedin.com/in/leslie-ann-jones-30a4878/" rel="noopener noreferrer" target="_blank">Leslie on Linkedin</a></li><li><a href="https://www.skysound.com/people/leslie-ann-jones/" rel="noopener noreferrer" target="_blank">Leslie's Profile at Skywalker Sound</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Leslie Ann Jones</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-471-with-leslie-ann-jones-part-1-the-big-chair-enjoying-a-challenge-cheat-sheets-the-automatt-contributing-as-an-engineer-and-punching-above-your-weight]]></link><guid isPermaLink="false">83d1b266-b6b9-11ed-98dd-87745b51a604</guid><itunes:image href="https://artwork.captivate.fm/95cb46e6-54cf-44c9-a68f-da32005021f1/c084e7.jpg"/><pubDate>Mon, 25 Dec 2023 10:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ef3fb99a-27a3-4f7d-a347-77f3a696b049.mp3" length="156128087" type="audio/mpeg"/><itunes:duration>01:05:03</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>471</itunes:episode><podcast:episode>471</podcast:episode><itunes:summary>My guest is a seven-time Grammy Award-winning Recording and Mixing Engineer, Record Producer, and Director of Music Recording and Scoring at Skywalker Sound, Leslie Ann Jones. 

In this episode, we discuss

Growing up in Beverly Hills

Spike Jones

PA Company

ABC Studios

Capital Studios

Education Via Hi-Fi Mags

Creating Cheat Sheets

The Big Chair


Danny Thomas&apos;s House

Going to Rehearsals

Playing with Cousins

Doing Live Sound

Self-Taught Path

Contributing as an Engineer

Tascam Half Inch 4-Track

Sherwood Oaks Experimental College

Enjoying a Challenge

West LA Music

Punching Above Your Weight

The Automatt

Fred Catero 

The Bay Area

First Digital Recording

Tony Williams

The Great American Music Hall

Freelancing

Staff Recording Jobs

Synching Machines

Phil Ramone

ISDN


Matt&apos;s Rant: Taking Things off Your Plate

Links and Show Notes

Leslie on Linkedin

Leslie&apos;s Profile at Skywalker Sound


Credits

Guest: Leslie Ann Jones

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #470 with Jeanne Montalvo - Human Jukebox, 24 Hour Engineer, Classical vs Latin Music Recording, Podcasting, and Getting Work</title><itunes:title>WCA #470 with Jeanne Montalvo - Human Jukebox, 24 Hour Engineer, Classical vs Latin Music Recording, Podcasting, and Getting Work</itunes:title><description><![CDATA[<p>My guest is Audio Engineer/Producer Jeanne Montalvo, who has worked with Ivy Queen, Making Movies and Ruben Blades, Flor de Toloache, and Williamsburg Salsa Orchestra, Bobby Sanabria, Renee Goust, Erni Lu, and Lucy Kalantari.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Dominican Republic</li><li>Settling in New York</li><li>Music in Household</li><li>Classically Trained&nbsp;</li><li>Distracted by Musicality</li><li>Tendonitis</li><li>Human Jukebox</li><li>Georgia State</li><li>Foreign Language Studies</li><li>Studying in Barcelona</li><li>Starting from Scratch</li><li>Falling Asleep on Mackie Manuals</li><li>What is a Buss?</li><li>AES Paris</li><li><a href="https://tisch.nyu.edu/about/directory/clive-davis-institute/1169001913" rel="noopener noreferrer" target="_blank">Jim Anderson from NYU</a></li><li><a href="https://www.banffcentre.ca/programs?gad_source=1&amp;gclid=CjwKCAiA-P-rBhBEEiwAQEXhHx80St08JRuHIu71JJXu15-qYCLJRTQ4bV3okRdgu2EfxCzlZHqt7RoCc3IQAvD_BwE" rel="noopener noreferrer" target="_blank">The BANNF Center</a></li><li><a href="https://www.bso.org/tanglewood" rel="noopener noreferrer" target="_blank">Tanglewood Festival</a></li><li>Opera Gig</li><li>Doing Podcasts</li><li>Live from Latino USA</li><li>24 Hour Engineer</li><li>Classical vs Latin Music Recording</li><li>Getting Work</li><li>Being a Women in Audio</li><li>Needs-Based Audio Gear</li><li>Podcasting</li></ul><br/><p><strong>Matt's Rant: Persistence</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.linkedin.com/in/jmolucar/" rel="noopener noreferrer" target="_blank">Jeanne on Linkedin</a></li><li><a href="https://www.instagram.com/jmosound/?hl=en" rel="noopener noreferrer" target="_blank">Jeanne on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-194-with-sara-carter/" rel="noopener noreferrer" target="_blank">Sara Carter WCA #194</a></li><li><a href="https://www.workingclassaudio.com/wca-382-with-sara-carter/" rel="noopener noreferrer" target="_blank">Sara Carter WCA #382</a></li><li><a href="https://youtu.be/UF8uR6Z6KLc" rel="noopener noreferrer" target="_blank">Steve Jobs Video #1</a></li><li><a href="https://youtu.be/kYfNvmF0Bqw" rel="noopener noreferrer" target="_blank">Steve Jobs Video #2</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Jeanne Montalvo</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Audio Engineer/Producer Jeanne Montalvo, who has worked with Ivy Queen, Making Movies and Ruben Blades, Flor de Toloache, and Williamsburg Salsa Orchestra, Bobby Sanabria, Renee Goust, Erni Lu, and Lucy Kalantari.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Dominican Republic</li><li>Settling in New York</li><li>Music in Household</li><li>Classically Trained&nbsp;</li><li>Distracted by Musicality</li><li>Tendonitis</li><li>Human Jukebox</li><li>Georgia State</li><li>Foreign Language Studies</li><li>Studying in Barcelona</li><li>Starting from Scratch</li><li>Falling Asleep on Mackie Manuals</li><li>What is a Buss?</li><li>AES Paris</li><li><a href="https://tisch.nyu.edu/about/directory/clive-davis-institute/1169001913" rel="noopener noreferrer" target="_blank">Jim Anderson from NYU</a></li><li><a href="https://www.banffcentre.ca/programs?gad_source=1&amp;gclid=CjwKCAiA-P-rBhBEEiwAQEXhHx80St08JRuHIu71JJXu15-qYCLJRTQ4bV3okRdgu2EfxCzlZHqt7RoCc3IQAvD_BwE" rel="noopener noreferrer" target="_blank">The BANNF Center</a></li><li><a href="https://www.bso.org/tanglewood" rel="noopener noreferrer" target="_blank">Tanglewood Festival</a></li><li>Opera Gig</li><li>Doing Podcasts</li><li>Live from Latino USA</li><li>24 Hour Engineer</li><li>Classical vs Latin Music Recording</li><li>Getting Work</li><li>Being a Women in Audio</li><li>Needs-Based Audio Gear</li><li>Podcasting</li></ul><br/><p><strong>Matt's Rant: Persistence</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.linkedin.com/in/jmolucar/" rel="noopener noreferrer" target="_blank">Jeanne on Linkedin</a></li><li><a href="https://www.instagram.com/jmosound/?hl=en" rel="noopener noreferrer" target="_blank">Jeanne on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-194-with-sara-carter/" rel="noopener noreferrer" target="_blank">Sara Carter WCA #194</a></li><li><a href="https://www.workingclassaudio.com/wca-382-with-sara-carter/" rel="noopener noreferrer" target="_blank">Sara Carter WCA #382</a></li><li><a href="https://youtu.be/UF8uR6Z6KLc" rel="noopener noreferrer" target="_blank">Steve Jobs Video #1</a></li><li><a href="https://youtu.be/kYfNvmF0Bqw" rel="noopener noreferrer" target="_blank">Steve Jobs Video #2</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Jeanne Montalvo</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-470-with-jeanne-montalvo-human-jukebox-24-hour-engineer-classical-vs-latin-music-recording-podcasting-and-getting-work]]></link><guid isPermaLink="false">83ac3d7e-b6b9-11ed-98dd-57d666fd03b7</guid><itunes:image href="https://artwork.captivate.fm/fa550243-b7d6-4de1-838f-c031cea3f1c6/9a7bbb.jpg"/><pubDate>Mon, 18 Dec 2023 20:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/33fe8bb1-58ff-429a-9422-7ae08ff5f003.mp3" length="149425055" type="audio/mpeg"/><itunes:duration>01:02:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>470</itunes:episode><podcast:episode>470</podcast:episode><itunes:summary>My guest is Audio Engineer/Producer Jeanne Montalvo, who has worked with Ivy Queen, Making Movies and Ruben Blades, Flor de Toloache, and Williamsburg Salsa Orchestra, Bobby Sanabria, Renee Goust, Erni Lu, and Lucy Kalantari. 

In this episode, we discuss

Dominican Republic

Settling in New York

Music in Household

Classically Trained 

Distracted by Musicality

Tendonitis

Human Jukebox

Georgia State

Foreign Language Studies

Studying in Barcelona

Starting from Scratch

Falling Asleep on Mackie Manuals

What is a Buss?

AES Paris

Jim Anderson from NYU

The BANNF Center

Tanglewood Festival

Opera Gig

Doing Podcasts

Live from Latino USA

24 Hour Engineer

Classical vs Latin Music Recording

Getting Work

Being a Women in Audio

Needs-Based Audio Gear

Podcasting


Matt&apos;s Rant: Persistence

Links and Show Notes

Jeanne on Linkedin

Jeanne on Instagram

Sara Carter WCA #194

Sara Carter WCA #382

Steve Jobs Video #1

Steve Jobs Video #2


Credits

Guest: Jeanne Montalvo

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #469 with Ryan Ulyate - Doing a Solo Record, Taking on a Different Role, Planning for ATMOS, The Tom Petty Catalog, and The Imaginary Glass Window</title><itunes:title>WCA #469 with Ryan Ulyate - Doing a Solo Record, Taking on a Different Role, Planning for ATMOS, The Tom Petty Catalog, and The Imaginary Glass Window</itunes:title><description><![CDATA[<p>My guest is the return of Grammy Nominated producer/engineer Ryan Ulyate, who has worked with Tom Petty, George Harrison, Traveling Wilburys, Mick Fleetwood &amp; Friends, and ELO. Ryan has jumped through the "Imaginary Glass Window" to create a solo record, which we discuss in this episode.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Tom Petty Catalog&nbsp;</li><li>Making a Solo Record</li><li>Planning for ATMOS</li><li>Taking on a Different Role</li><li>The Imaginary Glass Window</li><li>Difficulty in Writing Lyrics</li><li>California Song</li><li>Putting Things Together</li><li>Mastering with Romanowski</li><li>The ATMOS Mercedes</li><li>1973 Instrumentation</li><li>Recording Steve Ferrone</li><li>Getting Nominated for a Grammy</li><li>ATMOS Downloads</li><li>Lessons for Audio Pros Who Write</li><li>Blu-Ray</li><li>The Japanese Market</li><li>Being Aware of Audio Trends</li><li>Creature of Habit</li></ul><br/><p><strong>Matt's Rant: Staying Calm, Staying Humble</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-378-with-ryan-ulyate/" rel="noopener noreferrer" target="_blank">Ryan on WCA #378</a></li><li><a href="https://www.workingclassaudio.com/wca-309-with-michael-romanowski/" rel="noopener noreferrer" target="_blank">Michael Romanowski on WCA #309</a></li><li><a href="https://immersiveaudioalbum.com/product/act-3-immersive-edition-ryan-ulyate-atmos-mkv-mp4/" rel="noopener noreferrer" target="_blank">Ryan's Record on Immersive Audio Album</a></li><li><a href="https://music.apple.com/us/album/act-3/1716301899" rel="noopener noreferrer" target="_blank">Ryan's Record on Apple Music</a></li><li><a href="https://www.ulyate.com/Ryan_Ulyate/Home.html" rel="noopener noreferrer" target="_blank">Ryan's Site</a></li><li><a href="https://youtu.be/-sciUJKjUfM" rel="noopener noreferrer" target="_blank">Advice from De Niro</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Ryan Ulyate</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is the return of Grammy Nominated producer/engineer Ryan Ulyate, who has worked with Tom Petty, George Harrison, Traveling Wilburys, Mick Fleetwood &amp; Friends, and ELO. Ryan has jumped through the "Imaginary Glass Window" to create a solo record, which we discuss in this episode.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Tom Petty Catalog&nbsp;</li><li>Making a Solo Record</li><li>Planning for ATMOS</li><li>Taking on a Different Role</li><li>The Imaginary Glass Window</li><li>Difficulty in Writing Lyrics</li><li>California Song</li><li>Putting Things Together</li><li>Mastering with Romanowski</li><li>The ATMOS Mercedes</li><li>1973 Instrumentation</li><li>Recording Steve Ferrone</li><li>Getting Nominated for a Grammy</li><li>ATMOS Downloads</li><li>Lessons for Audio Pros Who Write</li><li>Blu-Ray</li><li>The Japanese Market</li><li>Being Aware of Audio Trends</li><li>Creature of Habit</li></ul><br/><p><strong>Matt's Rant: Staying Calm, Staying Humble</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-378-with-ryan-ulyate/" rel="noopener noreferrer" target="_blank">Ryan on WCA #378</a></li><li><a href="https://www.workingclassaudio.com/wca-309-with-michael-romanowski/" rel="noopener noreferrer" target="_blank">Michael Romanowski on WCA #309</a></li><li><a href="https://immersiveaudioalbum.com/product/act-3-immersive-edition-ryan-ulyate-atmos-mkv-mp4/" rel="noopener noreferrer" target="_blank">Ryan's Record on Immersive Audio Album</a></li><li><a href="https://music.apple.com/us/album/act-3/1716301899" rel="noopener noreferrer" target="_blank">Ryan's Record on Apple Music</a></li><li><a href="https://www.ulyate.com/Ryan_Ulyate/Home.html" rel="noopener noreferrer" target="_blank">Ryan's Site</a></li><li><a href="https://youtu.be/-sciUJKjUfM" rel="noopener noreferrer" target="_blank">Advice from De Niro</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Ryan Ulyate</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-469-with-ryan-ulyate-doing-a-solo-record-taking-on-a-different-role-planning-for-atmos-the-tom-petty-catalog-and-the-imaginary-glass-window]]></link><guid isPermaLink="false">8376cf86-b6b9-11ed-98dd-278b9bfeec71</guid><itunes:image href="https://artwork.captivate.fm/c6d65dad-56f9-4978-9a9a-dd020c32ca35/f4ee90.jpg"/><pubDate>Mon, 11 Dec 2023 19:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d49452d9-4dd8-4ced-9b16-1530435fe757.mp3" length="133990981" type="audio/mpeg"/><itunes:duration>55:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>469</itunes:episode><podcast:episode>469</podcast:episode><itunes:summary>My guest is the return of Grammy Nominated producer/engineer Ryan Ulyate, who has worked with Tom Petty, George Harrison, Traveling Wilburys, Mick Fleetwood &amp; Friends, and ELO. Ryan has jumped through the &quot;Imaginary Glass Window&quot; to create a solo record, which we discuss in this episode. 

In this episode, we discuss

The Tom Petty Catalog 

Making a Solo Record

Planning for ATMOS

Taking on a Different Role

The Imaginary Glass Window

Difficulty in Writing Lyrics

California Song

Putting Things Together

Mastering with Romanowski

The ATMOS Mercedes

1973 Instrumentation

Recording Steve Ferrone

Getting Nominated for a Grammy

ATMOS Downloads

Lessons for Audio Pros Who Write

Blu-Ray

The Japanese Market

Being Aware of Audio Trends

Creature of Habit


Matt&apos;s Rant: Staying Calm, Staying Humble

Links and Show Notes

Ryan on WCA #378

Michael Romanowski on WCA #309

Ryan&apos;s Record on Immersive Audio Album

Ryan&apos;s Record on Apple Music

Ryan&apos;s Site

Advice from De Niro


Credits

Guest: Ryan Ulyate

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #468 with Ady Parzentney - Hit The Road Music Studio, Recording in Morocco, Walking Your Path, Focusing on the Positive and Beautiful Mistakes</title><itunes:title>WCA #468 with Ady Parzentney - Hit The Road Music Studio, Recording in Morocco, Walking Your Path, Focusing on the Positive and Beautiful Mistakes</itunes:title><description><![CDATA[<p>My guest is Musician, Mixing Engineer, and mobile Music Producer Ady Parzentney from Hit The Road Music Studio. Ady has traveled in a mobile recording studio for five years, supporting local artists. During the pandemic, he stayed two years in Morocco with his life partner Kasia, and together, they created over 40+ Singles, Music Videos, 2 LPs, and 6 Live Shows to keep the music up and running. As a music producer, he has worked with Nani Noam Vazana, Mehdi Nassouli, and Karim Ziad, who plays with bands like Snarky Puppy, Lala Tamar, Omri Mor, and many more.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Born in Poland</li><li>Raised in Germany</li><li>Playing in Punk Bands</li><li>Living in the Rehearsal Room</li><li>DNA and Music</li><li>Pure Magic Through Music</li><li>Working Young</li><li>Parental Acceptance</li><li>Hit The Road Music Studio</li><li>Recording at 13&nbsp;</li><li>Bad Studio Experience</li><li>Walking Your Path</li><li>Expanding Musical Horizons</li><li>Seeing the Sun</li><li>Recording in Morocco</li><li>The Yes Moment</li><li>Van as Vocal Booth</li><li>Creating Temporary Studios</li><li>Car Maintenance</li><li>Working 16 Hours a Day</li><li>Focusing on the Positive</li><li>Dust and Gear</li><li>Recording in the Desert</li><li>Warren Huart's Support</li><li>File Management</li><li>Reaper</li><li>Writing a Book</li><li>Location Recording</li><li>Hiring a Business Coach</li><li>Exploring Los Angeles</li><li>BMG</li><li>Beautiful Mistakes</li><li>Music is Community</li></ul><br/><p><strong>Matt's Rant: Using What We Have</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/hittheroadmusic/" rel="noopener noreferrer" target="_blank">Ady's Instagram</a></li><li><a href="https://hittheroadmusicstudio.com/" rel="noopener noreferrer" target="_blank">Ady's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-036-with-warren-huart/" rel="noopener noreferrer" target="_blank">Warren Huart on WCA</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Ady Parzentney</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Musician, Mixing Engineer, and mobile Music Producer Ady Parzentney from Hit The Road Music Studio. Ady has traveled in a mobile recording studio for five years, supporting local artists. During the pandemic, he stayed two years in Morocco with his life partner Kasia, and together, they created over 40+ Singles, Music Videos, 2 LPs, and 6 Live Shows to keep the music up and running. As a music producer, he has worked with Nani Noam Vazana, Mehdi Nassouli, and Karim Ziad, who plays with bands like Snarky Puppy, Lala Tamar, Omri Mor, and many more.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Born in Poland</li><li>Raised in Germany</li><li>Playing in Punk Bands</li><li>Living in the Rehearsal Room</li><li>DNA and Music</li><li>Pure Magic Through Music</li><li>Working Young</li><li>Parental Acceptance</li><li>Hit The Road Music Studio</li><li>Recording at 13&nbsp;</li><li>Bad Studio Experience</li><li>Walking Your Path</li><li>Expanding Musical Horizons</li><li>Seeing the Sun</li><li>Recording in Morocco</li><li>The Yes Moment</li><li>Van as Vocal Booth</li><li>Creating Temporary Studios</li><li>Car Maintenance</li><li>Working 16 Hours a Day</li><li>Focusing on the Positive</li><li>Dust and Gear</li><li>Recording in the Desert</li><li>Warren Huart's Support</li><li>File Management</li><li>Reaper</li><li>Writing a Book</li><li>Location Recording</li><li>Hiring a Business Coach</li><li>Exploring Los Angeles</li><li>BMG</li><li>Beautiful Mistakes</li><li>Music is Community</li></ul><br/><p><strong>Matt's Rant: Using What We Have</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/hittheroadmusic/" rel="noopener noreferrer" target="_blank">Ady's Instagram</a></li><li><a href="https://hittheroadmusicstudio.com/" rel="noopener noreferrer" target="_blank">Ady's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-036-with-warren-huart/" rel="noopener noreferrer" target="_blank">Warren Huart on WCA</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Ady Parzentney</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-468-with-ady-parzentney-hit-the-road-music-studio-recording-in-morocco-walking-your-path-focusing-on-the-positive-and-beautiful-mistakes]]></link><guid isPermaLink="false">832ae44a-b6b9-11ed-98dd-7b79c6d1f06f</guid><itunes:image href="https://artwork.captivate.fm/3f2c921a-5496-4de6-a10b-c298bc1f0dea/7bd2a1.jpg"/><pubDate>Mon, 04 Dec 2023 21:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/31a11dd5-3848-45d5-8c68-fdaeaef5fe8c.mp3" length="157297691" type="audio/mpeg"/><itunes:duration>01:05:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>468</itunes:episode><podcast:episode>468</podcast:episode><itunes:summary>My guest is Musician, Mixing Engineer, and mobile Music Producer Ady Parzentney from Hit The Road Music Studio. Ady has traveled in a mobile recording studio for five years, supporting local artists. During the pandemic, he stayed two years in Morocco with his life partner Kasia, and together, they created over 40+ Singles, Music Videos, 2 LPs, and 6 Live Shows to keep the music up and running. As a music producer, he has worked with Nani Noam Vazana, Mehdi Nassouli, and Karim Ziad, who plays with bands like Snarky Puppy, Lala Tamar, Omri Mor, and many more. 

In this episode, we discuss

Born in Poland

Raised in Germany

Playing in Punk Bands

Living in the Rehearsal Room

DNA and Music

Pure Magic Through Music

Working Young

Parental Acceptance

Hit The Road Music Studio

Recording at 13 

Bad Studio Experience

Walking Your Path

Expanding Musical Horizons

Seeing the Sun

Recording in Morocco

The Yes Moment

Van as Vocal Booth

Creating Temporary Studios

Car Maintenance

Working 16 Hours a Day

Focusing on the Positive

Dust and Gear

Recording in the Desert

Warren Huart&apos;s Support

File Management

Reaper

Writing a Book

Location Recording

Hiring a Business Coach

Exploring Los Angeles

BMG

Beautiful Mistakes

Music is Community


Matt&apos;s Rant: Using What We Have
Links and Show Notes

Ady&apos;s Instagram

Ady&apos;s Site

Warren Huart on WCA

Credits

Guest: Ady Parzentney

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #467 with Paula Salvatore - Sewing Clothes, Sound City, Capitol Studios, Rental Furniture, The Front Office, and Supporting Clients</title><itunes:title>WCA #467 with Paula Salvatore - Sewing Clothes, Sound City, Capitol Studios, Rental Furniture, The Front Office, and Supporting Clients</itunes:title><description><![CDATA[<p>My guest is Paula Salvatore, VP of Client Relations &amp; Studio Marketing, Universal Music Group. Paula has worked with Al Schmitt, Paul McCartney, John Mayer, Frank Sinatra, Quincy Jones, Diana Krall, Phil Ramone &amp; David Foster. She has worked 33 1/3 years in Capitol Studios/UMG Studios. Paula is featured in Dave Grohl's documentary "Sound City" as the Studio Manager in the 80s. She was instrumental in getting Al Schmitt a Star on the Hollywood Walk of Fame in front of the Capitol Records building.</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Rolling Stones</li><li>Sewing Clothes</li><li>The Fashion Path</li><li>Kendun Studios</li><li>First Job at a Recording Studio</li><li>Rose Mann-Cherney</li><li>Candace Stewart</li><li>Sound City</li><li>Capitol Studios</li><li>Rental Furniture</li><li>The Front Office</li><li>Al Schmitt</li><li>Women in Studios</li><li>Basic Human Skills</li><li>Supporting Clients</li></ul><br/><p><br></p><p><strong>Matt's Rant: Revisiting Saying No to Work</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/paulajeansalvatore/?hl=en" rel="noopener noreferrer" target="_blank">Paula on Instagram</a></li><li><a href="https://www.linkedin.com/in/paula-salvatore-877b1817/" rel="noopener noreferrer" target="_blank">Paula on Linkedin</a></li><li><a href="https://www.capitolstudios.com/" rel="noopener noreferrer" target="_blank">Capitol Studios</a></li><li><a href="https://www.workingclassaudio.com/wca-462-with-candace-stewart/" rel="noopener noreferrer" target="_blank">Candace Stewart on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-070-al-schmitt-steve-genewick/" rel="noopener noreferrer" target="_blank">Al Schmitt &amp; Steve Genewick on WCA</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Paula Salvatore</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Paula Salvatore, VP of Client Relations &amp; Studio Marketing, Universal Music Group. Paula has worked with Al Schmitt, Paul McCartney, John Mayer, Frank Sinatra, Quincy Jones, Diana Krall, Phil Ramone &amp; David Foster. She has worked 33 1/3 years in Capitol Studios/UMG Studios. Paula is featured in Dave Grohl's documentary "Sound City" as the Studio Manager in the 80s. She was instrumental in getting Al Schmitt a Star on the Hollywood Walk of Fame in front of the Capitol Records building.</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Rolling Stones</li><li>Sewing Clothes</li><li>The Fashion Path</li><li>Kendun Studios</li><li>First Job at a Recording Studio</li><li>Rose Mann-Cherney</li><li>Candace Stewart</li><li>Sound City</li><li>Capitol Studios</li><li>Rental Furniture</li><li>The Front Office</li><li>Al Schmitt</li><li>Women in Studios</li><li>Basic Human Skills</li><li>Supporting Clients</li></ul><br/><p><br></p><p><strong>Matt's Rant: Revisiting Saying No to Work</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/paulajeansalvatore/?hl=en" rel="noopener noreferrer" target="_blank">Paula on Instagram</a></li><li><a href="https://www.linkedin.com/in/paula-salvatore-877b1817/" rel="noopener noreferrer" target="_blank">Paula on Linkedin</a></li><li><a href="https://www.capitolstudios.com/" rel="noopener noreferrer" target="_blank">Capitol Studios</a></li><li><a href="https://www.workingclassaudio.com/wca-462-with-candace-stewart/" rel="noopener noreferrer" target="_blank">Candace Stewart on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-070-al-schmitt-steve-genewick/" rel="noopener noreferrer" target="_blank">Al Schmitt &amp; Steve Genewick on WCA</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Paula Salvatore</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-467-with-paula-salvatore-sewing-clothes-sound-city-capitol-studios-rental-furniture-the-front-office-and-supporting-clients]]></link><guid isPermaLink="false">830787fc-b6b9-11ed-98dd-334efc464ac2</guid><itunes:image href="https://artwork.captivate.fm/4108b095-4144-4a73-83af-41a604ee7eab/f037bd.jpg"/><pubDate>Mon, 27 Nov 2023 20:01:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1c17eec1-4ea2-4334-b88a-a8ffc59b925d.mp3" length="136711031" type="audio/mpeg"/><itunes:duration>56:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>467</itunes:episode><podcast:episode>467</podcast:episode><itunes:summary>My guest is Paula Salvatore, VP of Client Relations &amp; Studio Marketing, Universal Music Group. Paula has worked with Al Schmitt, Paul McCartney, John Mayer, Frank Sinatra, Quincy Jones, Diana Krall, Phil Ramone &amp; David Foster. She has worked 33 1/3 years in Capitol Studios/UMG Studios. Paula is featured in Dave Grohl&apos;s documentary &quot;Sound City&quot; as the Studio Manager in the 80s. She was instrumental in getting Al Schmitt a Star on the Hollywood Walk of Fame in front of the Capitol Records building.

In this episode, we discuss

The Rolling Stones

Sewing Clothes

The Fashion Path

Kendun Studios

First Job at a Recording Studio

Rose Mann-Cherney

Candace Stewart

Sound City

Capitol  Studios

Rental Furniture

The Front Office

Al Schmitt

Women in Studios

Basic Human Skills

Supporting Clients



Matt&apos;s Rant: Revisiting Saying No to Work

Links and Show Notes

Paula on Instagram

Paula on Linkedin

Capitol Studios

Candace Stewart on WCA

Al Schmitt &amp; Steve Genewick on WCA


Credits

Guest: Paula Salvatore

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #466 with David Hughes - Shine On Studio, College Radio, Getting Clients, Commercial Studio at Home, and Learning Through Mistakes</title><itunes:title>WCA #466 with David Hughes - Shine On Studio, College Radio, Getting Clients, Commercial Studio at Home, and Learning Through Mistakes</itunes:title><description><![CDATA[<p>My guest is Producer/Engineer David Hughes, who runs Shine On Studio and has worked with The Mid-Whiskeys, Justin Fawsitt, and SaidTheAnimals.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Being the New Kid</li><li>Love of California</li><li>Sanyo Tape Recorder</li><li>Recording Uncle</li><li>Bootleg Tapes</li><li>College Radio Station</li><li>CMJ</li><li>Saint Marys College</li><li>Taking a Loan</li><li>Opening His First Studio</li><li>Working in Radio</li><li>Driving Muscle Cars</li><li>Studio in an Office Building</li><li>Commercial Studio at Home</li><li>Technology</li><li>Getting Clients</li><li>Unexpected Work via Networking</li><li>Clients with Guns</li><li>Learning Through Mistakes</li><li>Ultrasonic Record Cleaning</li><li>No Love for Guitar Center</li><li>Origin of Shine On</li></ul><br/><p><strong>Matt's Rant: Repairs</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://shineon.studio/" rel="noopener noreferrer" target="_blank">Shine On Studio</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: David Hughes</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Engineer David Hughes, who runs Shine On Studio and has worked with The Mid-Whiskeys, Justin Fawsitt, and SaidTheAnimals.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Being the New Kid</li><li>Love of California</li><li>Sanyo Tape Recorder</li><li>Recording Uncle</li><li>Bootleg Tapes</li><li>College Radio Station</li><li>CMJ</li><li>Saint Marys College</li><li>Taking a Loan</li><li>Opening His First Studio</li><li>Working in Radio</li><li>Driving Muscle Cars</li><li>Studio in an Office Building</li><li>Commercial Studio at Home</li><li>Technology</li><li>Getting Clients</li><li>Unexpected Work via Networking</li><li>Clients with Guns</li><li>Learning Through Mistakes</li><li>Ultrasonic Record Cleaning</li><li>No Love for Guitar Center</li><li>Origin of Shine On</li></ul><br/><p><strong>Matt's Rant: Repairs</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://shineon.studio/" rel="noopener noreferrer" target="_blank">Shine On Studio</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: David Hughes</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-466-with-david-hughes-shine-on-studio-college-radio-getting-clients-commercial-studio-at-home-and-learning-through-mistakes]]></link><guid isPermaLink="false">82c395a6-b6b9-11ed-98dd-771f0bc91f2b</guid><itunes:image href="https://artwork.captivate.fm/518d3e24-a199-44d3-855e-a3ac2b63ab15/073aef.jpg"/><pubDate>Mon, 20 Nov 2023 18:04:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6f54a515-ee80-416f-8a53-7ba31de7d75a.mp3" length="159272104" type="audio/mpeg"/><itunes:duration>01:06:22</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>466</itunes:episode><podcast:episode>466</podcast:episode><itunes:summary>My guest is Producer/Engineer David Hughes, who runs Shine On Studio and has worked with The Mid-Whiskeys, Justin Fawsitt, and SaidTheAnimals. 

In this episode, we discuss

Being the New Kid

Love of California

Sanyo Tape Recorder

Recording Uncle

Bootleg Tapes

College Radio Station

CMJ

Saint Marys College

Taking a Loan

Opening His First Studio

Working in Radio

Driving Muscle Cars

Studio in an Office Building

Commercial Studio at Home

Technology

Getting Clients

Unexpected Work via Networking

Clients with Guns

Learning Through Mistakes

Ultrasonic Record Cleaning

No Love for Guitar Center

Origin of Shine On


Matt&apos;s Rant: Repairs

Links and Show Notes
Shine On Studio

Credits

Guest: David Hughes

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #465 with Chris Athens - Mastering, Burning Out, Health, Outworking Others, Remote Rigs, and a Girl From Texas</title><itunes:title>WCA #465 with Chris Athens - Mastering, Burning Out, Health, Outworking Others, Remote Rigs, and a Girl From Texas</itunes:title><description><![CDATA[<p>My guest is a Grammy-winning Mastering engineer, Chris Athens, who has worked on projects for Coldplay, Blink 182, Coheed and Cambria, Drake, Rick Ross, and the Beastie Boys. </p><p><strong>In this episode, we discuss</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>New York Upbringing</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Listening to Music</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Songs in the Key of Life</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Playing Instruments Badly</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Wasn't a Joiner</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Primitive Electronic Music</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Working at Sony</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Discovering Mastering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Keeping His Mouth Shut</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Tape Librarian</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Learning in Reverse</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Reissues</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Fit for Mastering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Moving into Mastering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Working at Sterling Sound</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Tom Coyne's Assistant</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Heavy Hitters</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Chris Muth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Regional Gear</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Starting Late</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Outworking Others</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Attended Hip-Hop Sessions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Getting a Room at Sterling</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Tom Coyne's Influence</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>A Girl from Texas</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Burn Out</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Moving to Austin</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Working From Home</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Building at Home</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Health</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Balance</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Refusing Attended Sessions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Shootouts</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Having a Remote Rig</li></ol><br/><p><strong>Matt's Rant: Saving for Retirement</strong></p><p><strong>Links and Show Notes</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://chrisathensmasters.com/" rel="noopener noreferrer" target="_blank">Chris's Site</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://credits.muso.ai/profile/16080bbf-facd-4f79-ac32-adc5ffe5ca93" rel="noopener noreferrer" target="_blank">Chris on Muso</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://bit.ly/3c62Nql" rel="noopener noreferrer" target="_blank">Betterment</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://investor.vanguard.com/accounts-plans/small-business-retirement-plans/individual-solo-401k" rel="noopener noreferrer" target="_blank">Vanguard</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-372-with-glenn-schick/" rel="noopener noreferrer" target="_blank">Glenn Schick Episode </a></li></ol><br/><p><br></p><p><strong>Credits</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Guest: Chris Athens</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Host: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Engineer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Editing: Anne-Marie Pleau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>WCA Theme Music: Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Announcer: Chuck Smith  </li></ol><br/>]]></description><content:encoded><![CDATA[<p>My guest is a Grammy-winning Mastering engineer, Chris Athens, who has worked on projects for Coldplay, Blink 182, Coheed and Cambria, Drake, Rick Ross, and the Beastie Boys. </p><p><strong>In this episode, we discuss</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>New York Upbringing</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Listening to Music</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Songs in the Key of Life</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Playing Instruments Badly</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Wasn't a Joiner</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Primitive Electronic Music</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Working at Sony</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Discovering Mastering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Keeping His Mouth Shut</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Tape Librarian</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Learning in Reverse</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Reissues</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Fit for Mastering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Moving into Mastering</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Working at Sterling Sound</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Tom Coyne's Assistant</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Heavy Hitters</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Chris Muth</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Regional Gear</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Starting Late</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Outworking Others</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Attended Hip-Hop Sessions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Getting a Room at Sterling</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Tom Coyne's Influence</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>A Girl from Texas</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Burn Out</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Moving to Austin</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Working From Home</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Building at Home</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Health</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Balance</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Refusing Attended Sessions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Shootouts</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Having a Remote Rig</li></ol><br/><p><strong>Matt's Rant: Saving for Retirement</strong></p><p><strong>Links and Show Notes</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://chrisathensmasters.com/" rel="noopener noreferrer" target="_blank">Chris's Site</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://credits.muso.ai/profile/16080bbf-facd-4f79-ac32-adc5ffe5ca93" rel="noopener noreferrer" target="_blank">Chris on Muso</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://bit.ly/3c62Nql" rel="noopener noreferrer" target="_blank">Betterment</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://investor.vanguard.com/accounts-plans/small-business-retirement-plans/individual-solo-401k" rel="noopener noreferrer" target="_blank">Vanguard</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-372-with-glenn-schick/" rel="noopener noreferrer" target="_blank">Glenn Schick Episode </a></li></ol><br/><p><br></p><p><strong>Credits</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Guest: Chris Athens</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Host: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Engineer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Editing: Anne-Marie Pleau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>WCA Theme Music: Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Announcer: Chuck Smith  </li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-465-with-chris-athens-mastering-burning-out-health-outworking-others-remote-rigs-and-a-girl-from-texas]]></link><guid isPermaLink="false">828f6f2e-b6b9-11ed-98dd-cbbc8ffc73d7</guid><itunes:image href="https://artwork.captivate.fm/080ac018-e679-446f-a4ed-6e75588e6e5d/f8f2e6.jpg"/><pubDate>Mon, 13 Nov 2023 20:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2b507523-e943-4f60-b23d-e22c1906d2de.mp3" length="186982790" type="audio/mpeg"/><itunes:duration>01:17:55</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>465</itunes:episode><podcast:episode>465</podcast:episode><itunes:summary>My guest is a Grammy-winning Mastering engineer, Chris Athens, who has worked on projects for Coldplay, Blink 182, Coheed and Cambria, Drake, Rick Ross, and the Beastie Boys. 

In this episode, we discuss

New York Upbringing

Listening to Music

Songs in the Key of Life

Playing Instruments Badly

Wasn&apos;t a Joiner

Primitive Electronic Music

Working at Sony

Discovering Mastering

Keeping His Mouth Shut

Tape Librarian

Learning in Reverse

Reissues

Fit for Mastering

Moving into Mastering

Working at Sterling Sound

Tom Coyne&apos;s Assistant

Heavy Hitters

Chris Muth

Regional Gear

Starting Late

Outworking Others

Attended Hip-Hop Sessions

Getting a Room at Sterling

Tom Coyne&apos;s Influence

A Girl from Texas

Burn Out

Moving to Austin

Working From Home

Building at Home

Health

Balance

Refusing Attended Sessions

Shootouts

Having a Remote Rig


Matt&apos;s Rant: Saving for Retirement

Links and Show Notes

Chris&apos;s Site

Chris on Muso

Betterment

Vanguard

Glenn Schick Episode 


Credits

Guest: Chris Athens

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #464 with Damian Taylor - Exploring the Artist&apos;s World, Kung Foo Films, Knocking Down Dominoes, Planting Seeds, and Controlling Your Narrative</title><itunes:title>WCA #464 with Damian Taylor - Exploring the Artist&apos;s World, Kung Foo Films, Knocking Down Dominoes, Planting Seeds, and Controlling Your Narrative</itunes:title><description><![CDATA[<p>My guest is a Grammy-nominated Producer / Mixer / Writer Damian Taylor. Damian has worked with Björk, The Prodigy, Bomba Estereo, The Killers, Trust, Arcade Fire, and Odette.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Pan-Oceanic</li><li>Worldly Parents</li><li>Making Quick Friends</li><li>Tough Older Brother</li><li>Selling Books Door-to-door</li><li>SAE</li><li>Playing Multiple Instruments</li><li>Live Electronics</li><li><a href="https://reactable.com/" rel="noopener noreferrer" target="_blank">The Reactiable</a></li><li>Playing with Björk</li><li>Early Exposure to Recording</li><li>Gun on the Console</li><li>Exploring the Artist's World</li><li>Knocking Down Dominoes</li><li>Parenting and Producing</li><li><a href="https://en.wikipedia.org/wiki/Guy_Sigsworth" rel="noopener noreferrer" target="_blank">Guy Sigsworth</a></li><li>Kung Foo Films</li><li>Pro Tools Mastery</li><li>Stalling Out</li><li>Studying Business</li><li>Management</li><li>Getting Your Own Gigs</li><li>Planting Seeds</li><li>GPS Management</li><li>Build Your Production Breakthrough</li><li>Controlling Your Narrative</li></ul><br/><p><strong>Matt's Rant: Practice, Practice, Practice</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.damiantaylor.com/" rel="noopener noreferrer" target="_blank">Damian's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Damian Taylor</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is a Grammy-nominated Producer / Mixer / Writer Damian Taylor. Damian has worked with Björk, The Prodigy, Bomba Estereo, The Killers, Trust, Arcade Fire, and Odette.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Pan-Oceanic</li><li>Worldly Parents</li><li>Making Quick Friends</li><li>Tough Older Brother</li><li>Selling Books Door-to-door</li><li>SAE</li><li>Playing Multiple Instruments</li><li>Live Electronics</li><li><a href="https://reactable.com/" rel="noopener noreferrer" target="_blank">The Reactiable</a></li><li>Playing with Björk</li><li>Early Exposure to Recording</li><li>Gun on the Console</li><li>Exploring the Artist's World</li><li>Knocking Down Dominoes</li><li>Parenting and Producing</li><li><a href="https://en.wikipedia.org/wiki/Guy_Sigsworth" rel="noopener noreferrer" target="_blank">Guy Sigsworth</a></li><li>Kung Foo Films</li><li>Pro Tools Mastery</li><li>Stalling Out</li><li>Studying Business</li><li>Management</li><li>Getting Your Own Gigs</li><li>Planting Seeds</li><li>GPS Management</li><li>Build Your Production Breakthrough</li><li>Controlling Your Narrative</li></ul><br/><p><strong>Matt's Rant: Practice, Practice, Practice</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.damiantaylor.com/" rel="noopener noreferrer" target="_blank">Damian's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Damian Taylor</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-464-with-damian-taylor-exploring-the-artists-world-kung-foo-films-knocking-down-dominoes-planting-seeds-and-controlling-your-narrative]]></link><guid isPermaLink="false">82539242-b6b9-11ed-98dd-db3ff1d687e9</guid><itunes:image href="https://artwork.captivate.fm/6529471a-611a-4bf2-a05f-9f9628bcfdc1/97a86c.jpg"/><pubDate>Mon, 06 Nov 2023 20:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6cde63ae-982c-4fe6-b89c-8833bc1767fb.mp3" length="167679407" type="audio/mpeg"/><itunes:duration>01:09:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>464</itunes:episode><podcast:episode>464</podcast:episode><itunes:summary>My guest is a Grammy-nominated Producer / Mixer / Writer Damian Taylor. Damian has worked with Björk, The Prodigy, Bomba Estereo, The Killers, Trust, Arcade Fire, and Odette. 

In this episode, we discuss

Pan-Oceanic

Worldly Parents

Making Quick Friends

Tough Older Brother

Selling Books Door-to-door

SAE

Playing Multiple Instruments

Live Electronics

The Reactiable

Playing with Björk

Early Exposure to Recording

Gun on the Console

Exploring the Artist&apos;s World

Knocking Down Dominoes

Parenting and Producing

Guy Sigsworth

Kung Foo Films

Pro Tools Mastery

Stalling Out

Studying Business

Management

Getting Your Own Gigs

Planting Seeds

GPS Management

Build Your Production Breakthrough

Controlling Your Narrative


Matt&apos;s Rant: Practice, Practice, Practice

Links and Show Notes
Damian&apos;s Site

Credits

Guest: Damian Taylor

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #463 with Mike Senior - High Powered Education, Concertos with Yo-Yo Ma, Compressed Studio Path, Mix Rescue, Sound on Sound, and Remote Recording</title><itunes:title>WCA #463 with Mike Senior - High Powered Education, Concertos with Yo-Yo Ma, Compressed Studio Path, Mix Rescue, Sound on Sound, and Remote Recording</itunes:title><description><![CDATA[<p>My guest is a Recording/Mixing Engineer and Educator, Mike Senior. Mike has been a Sound On Sound magazine contributor for 20+ years (including 65 Mix Rescue columns), Author of Mixing Secrets &amp; Recording Secrets books, Author of The Mix Review production critique blog, and Host of the web's most extensive free multitrack download library for mixing students/teachers.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Classically Trained</li><li>Windsor Castle</li><li>Boys Choir</li><li>High Powered Education</li><li>Emotional Breakdown</li><li>Tanglewood Festival</li><li>Concertos with Yo Yo Ma</li><li>Desire to Record Himself</li><li>Roland VS880</li><li>Busking</li><li>Studio in Wimbledon</li><li>Sound on Sound</li><li>Academic PTSD</li><li>Residential Studio Work</li><li>Moving to Cambridge</li><li>Mix Rescue</li><li>Project Studios</li><li>Bobby Owsinski</li><li>Moving to Germany</li><li>Remote Recording</li><li>Network for Gear</li><li>Wearing Gloves</li><li>Compressed Studio Path</li><li>Being Diversified</li><li>Reflecting on Past Work</li><li>Avoiding Changing Platforms</li></ul><br/><p><strong>Matt's Rant: Talking You Out of a Building a Studio</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.radialeng.com/product/catapult" rel="noopener noreferrer" target="_blank">Radial Catapult</a></li><li><a href="https://cambridge-mt.com/" rel="noopener noreferrer" target="_blank">Link to all things Mike Senior</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Mike Senior</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is a Recording/Mixing Engineer and Educator, Mike Senior. Mike has been a Sound On Sound magazine contributor for 20+ years (including 65 Mix Rescue columns), Author of Mixing Secrets &amp; Recording Secrets books, Author of The Mix Review production critique blog, and Host of the web's most extensive free multitrack download library for mixing students/teachers.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Classically Trained</li><li>Windsor Castle</li><li>Boys Choir</li><li>High Powered Education</li><li>Emotional Breakdown</li><li>Tanglewood Festival</li><li>Concertos with Yo Yo Ma</li><li>Desire to Record Himself</li><li>Roland VS880</li><li>Busking</li><li>Studio in Wimbledon</li><li>Sound on Sound</li><li>Academic PTSD</li><li>Residential Studio Work</li><li>Moving to Cambridge</li><li>Mix Rescue</li><li>Project Studios</li><li>Bobby Owsinski</li><li>Moving to Germany</li><li>Remote Recording</li><li>Network for Gear</li><li>Wearing Gloves</li><li>Compressed Studio Path</li><li>Being Diversified</li><li>Reflecting on Past Work</li><li>Avoiding Changing Platforms</li></ul><br/><p><strong>Matt's Rant: Talking You Out of a Building a Studio</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.radialeng.com/product/catapult" rel="noopener noreferrer" target="_blank">Radial Catapult</a></li><li><a href="https://cambridge-mt.com/" rel="noopener noreferrer" target="_blank">Link to all things Mike Senior</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Mike Senior</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-463-with-mike-senior-high-powered-education-concertos-with-yo-yo-ma-compressed-studio-path-mix-rescue-sound-on-sound-and-remote-recording]]></link><guid isPermaLink="false">823110b4-b6b9-11ed-98dd-378766c936e6</guid><itunes:image href="https://artwork.captivate.fm/0d2d3e24-c377-48ba-8b63-70b0f9abb8b7/4da26f.jpg"/><pubDate>Mon, 30 Oct 2023 19:42:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7b83270a-4d4d-468e-b55f-c14bb38738fe.mp3" length="165882389" type="audio/mpeg"/><itunes:duration>01:09:07</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>463</itunes:episode><podcast:episode>463</podcast:episode><itunes:summary>My guest is a Recording/Mixing Engineer and Educator, Mike Senior. Mike has been a Sound On Sound magazine contributor for 20+ years (including 65 Mix Rescue columns), Author of Mixing Secrets &amp; Recording Secrets books, Author of The Mix Review production critique blog, and Host of the web&apos;s most extensive free multitrack download library for mixing students/teachers.

In this episode, we discuss

Classically Trained

Windsor Castle

Boys Choir

High Powered Education

Emotional Breakdown

Tanglewood Festival

Concertos with Yo Yo Ma

Desire to Record Himself

Roland VS880

Busking

Studio in Wimbledon

Sound on Sound

Academic PTSD

Residential Studio Work

Moving to Cambridge

Mix Rescue

Project Studios

Bobby Owsinski

Moving to Germany

Remote Recording

Network for Gear

Wearing Gloves

Compressed Studio Path

Being Diversified

Reflecting on Past Work

Avoiding Changing Platforms


Matt&apos;s Rant: Talking You Out of a Building a Studio
Links and Show Notes

Radial Catapult

Link to all things Mike Senior


Credits

Guest: Mike Senior

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #462 with Candace Stewart - East West Studios, The Importance of Brothers, Collecting Guns, Loyalty, Engineers as Pilots, and Hotels with Technology</title><itunes:title>WCA #462 with Candace Stewart - East West Studios, The Importance of Brothers, Collecting Guns, Loyalty, Engineers as Pilots, and Hotels with Technology</itunes:title><description><![CDATA[<p>My guest is the legendary manager of East West Studios in Los Angeles, Candace Stewart.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Importance of Brothers</li><li>Substance Experimentation</li><li>Growing up a Jock</li><li>Amazing Parents</li><li>Dad Survived Normandy</li><li>Mom was Bipolar</li><li>Talking Books at Dinner</li><li>Dad worked for Lockheed</li><li>Growing up in South Carolina</li><li>Book Worm/Stoner</li><li>Desire to Be A Diamond Cutter</li><li>Geology</li><li>Moving to California for Love</li><li>Bartending</li><li>The Two Hot Tamales</li><li>Paula and Rose</li><li>Studio Managers as Women</li><li>Take One</li><li>Experience in Hospitality</li><li>Mike Clink</li><li>Unsung Heros</li><li>Good with Money</li><li>Hotels with Technology</li><li>Red Zone Studio</li><li>Training Future Clients</li><li>John Porter</li><li>Sound Castle</li><li>Buddy King</li><li>Gangster Rap</li><li>Collecting Guns</li><li>Slash and GNR</li><li>Tape Tug of War</li><li>Firehouse</li><li>Tina Clark</li><li>Cello Drama</li><li>Resignation Letter&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</li><li>Height of Rock and Budgets</li><li>East West</li><li>Doug Rodgers</li><li>Phillip Stark</li><li>Historical Acoustics</li><li>Bill Putnam</li><li>Studio Advice</li><li>Banks</li><li>Drinks</li><li>Community</li><li>Plumbers and Electricians</li><li>Loyalty</li><li>Challenges</li><li>Engineers and Producers as Clients</li><li>Producer/Engineer Managers</li><li>Integrity</li><li>Book Before the Night Before</li><li>Ryan Hewitt</li><li>Treat Your Alum Well</li><li>A&amp;R</li><li>Engineers as Pilots</li><li>Broken System</li><li>It's Not about you&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</li></ul><br/><p><strong>Matt's Rant: Expanding Our Experiences</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.eastweststudios.com/" rel="noopener noreferrer" target="_blank">East West Studios</a></li><li><a href="https://open.spotify.com/show/6jYaowJdubRVl5sdaSBA35?si=a2318199b0e046ca" rel="noopener noreferrer" target="_blank">Candace's Podcast&nbsp;</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Candace Stewart</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is the legendary manager of East West Studios in Los Angeles, Candace Stewart.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Importance of Brothers</li><li>Substance Experimentation</li><li>Growing up a Jock</li><li>Amazing Parents</li><li>Dad Survived Normandy</li><li>Mom was Bipolar</li><li>Talking Books at Dinner</li><li>Dad worked for Lockheed</li><li>Growing up in South Carolina</li><li>Book Worm/Stoner</li><li>Desire to Be A Diamond Cutter</li><li>Geology</li><li>Moving to California for Love</li><li>Bartending</li><li>The Two Hot Tamales</li><li>Paula and Rose</li><li>Studio Managers as Women</li><li>Take One</li><li>Experience in Hospitality</li><li>Mike Clink</li><li>Unsung Heros</li><li>Good with Money</li><li>Hotels with Technology</li><li>Red Zone Studio</li><li>Training Future Clients</li><li>John Porter</li><li>Sound Castle</li><li>Buddy King</li><li>Gangster Rap</li><li>Collecting Guns</li><li>Slash and GNR</li><li>Tape Tug of War</li><li>Firehouse</li><li>Tina Clark</li><li>Cello Drama</li><li>Resignation Letter&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</li><li>Height of Rock and Budgets</li><li>East West</li><li>Doug Rodgers</li><li>Phillip Stark</li><li>Historical Acoustics</li><li>Bill Putnam</li><li>Studio Advice</li><li>Banks</li><li>Drinks</li><li>Community</li><li>Plumbers and Electricians</li><li>Loyalty</li><li>Challenges</li><li>Engineers and Producers as Clients</li><li>Producer/Engineer Managers</li><li>Integrity</li><li>Book Before the Night Before</li><li>Ryan Hewitt</li><li>Treat Your Alum Well</li><li>A&amp;R</li><li>Engineers as Pilots</li><li>Broken System</li><li>It's Not about you&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</li></ul><br/><p><strong>Matt's Rant: Expanding Our Experiences</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.eastweststudios.com/" rel="noopener noreferrer" target="_blank">East West Studios</a></li><li><a href="https://open.spotify.com/show/6jYaowJdubRVl5sdaSBA35?si=a2318199b0e046ca" rel="noopener noreferrer" target="_blank">Candace's Podcast&nbsp;</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Candace Stewart</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-462-with-candace-stewart-east-west-studios-the-importance-of-brothers-collecting-guns-loyalty-engineers-as-pilots-and-hotels-with-technology]]></link><guid isPermaLink="false">81fea8cc-b6b9-11ed-98dd-d33d3cea032f</guid><itunes:image href="https://artwork.captivate.fm/faa63774-a2f4-4715-8b22-59087d2a3eab/8eca4d.jpg"/><pubDate>Mon, 23 Oct 2023 19:26:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3f66e6b2-bd0f-444f-bed1-f8c13e185245.mp3" length="159369259" type="audio/mpeg"/><itunes:duration>01:06:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>462</itunes:episode><podcast:episode>462</podcast:episode><itunes:summary>My guest is the legendary manager of East West Studios in Los Angeles, Candace Stewart. 

In this episode, we discuss

The Importance of Brothers

Substance Experimentation

Growing up a Jock

Amazing Parents

Dad Survived Normandy

Mom was Bipolar

Talking Books at Dinner

Dad worked for Lockheed

Growing up in South Carolina

Book Worm/Stoner

Desire to Be A Diamond Cutter

Geology

Moving to California for Love

Bartending

The Two Hot Tamales

Paula and Rose

Studio Managers as Women

Take One

Experience in Hospitality

Mike Clink

Unsung Heros

Good with Money

Hotels with Technology

Red Zone Studio

Training Future Clients

John Porter

Sound Castle

Buddy King

Gangster Rap

Collecting Guns

Slash and GNR

Tape Tug of War

Firehouse

Tina Clark

Cello Drama

Resignation Letter        

Height of Rock and Budgets

East West

Doug Rodgers

Phillip Stark

Historical Acoustics

Bill Putnam

Studio Advice

Banks

Drinks

Community

Plumbers and Electricians

Loyalty

Challenges

Engineers and Producers as Clients

Producer/Engineer Managers

Integrity

Book Before the Night Before

Ryan Hewitt

Treat Your Alum Well

A&amp;R

Engineers as Pilots

Broken System

It&apos;s Not about you     


Matt&apos;s Rant: Expanding Our Experiences

Links and Show Notes

East West Studios

Candace&apos;s Podcast 


Credits

Guest: Candace Stewart

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #461 with John Pfiffner - Becoming a Southerner, Piano Regrets, Fostex X15, Socioeconomics, and Living Lean</title><itunes:title>WCA #461 with John Pfiffner - Becoming a Southerner, Piano Regrets, Fostex X15, Socioeconomics, and Living Lean</itunes:title><description><![CDATA[<p>My guest is Producer/Engineer John Pfiffner, who has worked with Geggy Tah, Mitch Easter, and Church Girls. John is based in Winston-Salem, North Carolina.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>North Carolina</li><li>Mitch Easter</li><li>REM</li><li>Growing Up In Michigan</li><li>Becoming a Southerner</li><li>Atticus Finch For Dad</li><li>Culture Shock</li><li>Sanford and Son</li><li>Southern Accents</li><li>School Chorus</li><li>Sister In Ballet</li><li>MTV</li><li>VHS Tapes</li><li>Guitar</li><li>Piano Regrets</li><li>Great Teachers</li><li>Smoke Breaks and Coffee</li><li>Awareness of Recording</li><li>Fostex X15</li><li>Tascam 246</li><li>James Brown</li><li>Trying to Keep a Band Together</li><li>Living in Atlanta</li><li>Drinking Sweet Tea</li><li>Playing Covers</li><li>Playing with McKay Garner</li><li>Bad Run of Tape</li><li>Early Studio Lessons</li><li>Learning Phase</li><li>No Real Jobs</li><li>Cover Bands</li><li>College Radio &amp; Hair Metal</li><li>Dentist Office Studio</li><li>Living Lean</li><li>Magic in Musicians</li><li>Feeling Isolated</li><li>Susan Rodgers</li><li>1176 Knobs</li><li>Mitch Easter</li><li>John Keane</li><li>Tape to ADATS to Pro Tools</li><li>Planning Ahead</li><li>Calendars</li><li>Scott Solter</li><li>Socioeconomics&nbsp;&nbsp;&nbsp;&nbsp;</li></ul><br/><p><strong>Matt's Rant: Credits</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.johnpfiffner.com/" rel="noopener noreferrer" target="_blank">John's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: John Pfiffner</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Engineer John Pfiffner, who has worked with Geggy Tah, Mitch Easter, and Church Girls. John is based in Winston-Salem, North Carolina.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>North Carolina</li><li>Mitch Easter</li><li>REM</li><li>Growing Up In Michigan</li><li>Becoming a Southerner</li><li>Atticus Finch For Dad</li><li>Culture Shock</li><li>Sanford and Son</li><li>Southern Accents</li><li>School Chorus</li><li>Sister In Ballet</li><li>MTV</li><li>VHS Tapes</li><li>Guitar</li><li>Piano Regrets</li><li>Great Teachers</li><li>Smoke Breaks and Coffee</li><li>Awareness of Recording</li><li>Fostex X15</li><li>Tascam 246</li><li>James Brown</li><li>Trying to Keep a Band Together</li><li>Living in Atlanta</li><li>Drinking Sweet Tea</li><li>Playing Covers</li><li>Playing with McKay Garner</li><li>Bad Run of Tape</li><li>Early Studio Lessons</li><li>Learning Phase</li><li>No Real Jobs</li><li>Cover Bands</li><li>College Radio &amp; Hair Metal</li><li>Dentist Office Studio</li><li>Living Lean</li><li>Magic in Musicians</li><li>Feeling Isolated</li><li>Susan Rodgers</li><li>1176 Knobs</li><li>Mitch Easter</li><li>John Keane</li><li>Tape to ADATS to Pro Tools</li><li>Planning Ahead</li><li>Calendars</li><li>Scott Solter</li><li>Socioeconomics&nbsp;&nbsp;&nbsp;&nbsp;</li></ul><br/><p><strong>Matt's Rant: Credits</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.johnpfiffner.com/" rel="noopener noreferrer" target="_blank">John's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: John Pfiffner</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-461-with-john-pfiffner-becoming-a-southerner-piano-regrets-fostex-x15-socioeconomics-and-living-lean]]></link><guid isPermaLink="false">81cbc9e8-b6b9-11ed-98dd-9f550b984acf</guid><itunes:image href="https://artwork.captivate.fm/0121da3b-24da-4381-87c9-7de86b309177/35a914.jpg"/><pubDate>Mon, 16 Oct 2023 16:50:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a05fc346-0f77-4f0d-9a0f-c722b6c33b5c.mp3" length="194865474" type="audio/mpeg"/><itunes:duration>01:21:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>461</itunes:episode><podcast:episode>461</podcast:episode><itunes:summary>My guest is Producer/Engineer John Pfiffner, who has worked with Geggy Tah, Mitch Easter, and Church Girls. John is based in Winston-Salem, North Carolina. 

In this episode, we discuss

North Carolina

Mitch Easter

REM

Growing Up In Michigan

Becoming a Southerner

Atticus Finch For Dad

Culture Shock

Sanford and Son

Southern Accents

School Chorus

Sister In Ballet

MTV

VHS Tapes

Guitar

Piano Regrets

Great Teachers

Smoke Breaks and Coffee

Awareness of Recording

Fostex X15

Tascam 246

James Brown

Trying to Keep a Band Together

Living in Atlanta

Drinking Sweet Tea

Playing Covers

Playing with McKay Garner

Bad Run of Tape

Early Studio Lessons

Learning Phase

No Real Jobs

Cover Bands

College Radio &amp; Hair Metal

Dentist Office Studio

Living Lean

Magic in Musicians

Feeling Isolated

Susan Rodgers

1176 Knobs

Mitch Easter

John Keane

Tape to ADATS to Pro Tools

Planning Ahead

Calendars

Scott Solter

Socioeconomics    


Matt&apos;s Rant: Credits

Links and Show Notes
John&apos;s Site

Credits

Guest: John Pfiffner

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #460 with Abigail La Bianca - Jersey Driving, Learning the Building Blocks, Attic Mini Studio, Fighting Back, and Personal Goals</title><itunes:title>WCA #460 with Abigail La Bianca - Jersey Driving, Learning the Building Blocks, Attic Mini Studio, Fighting Back, and Personal Goals</itunes:title><description><![CDATA[<p>My guest is Audio Engineer / Production Manager Abigail La Bianca, who has flown PA, done monitors, and front of house for various artists, including Lindsey Stirling, Sara Evans, and Phillip Phillips.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Jersey Driving</li><li>Homeschool</li><li>Isolated From People</li><li>Dad's Studio</li><li>Attic Mini Studio</li><li>Strict Homelife</li><li>Abusive Environment</li><li>Culture Shock</li><li>Socialization</li><li>The Band Experience</li><li>Stage Fright</li><li>Adopting the Uniform</li><li>Contemporary Music Center</li><li>Loving Audio</li><li>Women in Audio</li><li>Discouraged to Be in Music</li><li>Fighting Back</li><li>Handtrucks</li><li>Crushed Pelvis</li><li>Podcast Editing</li><li>Working for Clair Brothers</li><li>Learning the Building Blocks</li><li>Terrified of Driving</li><li>Church in a Box</li><li>Leaving in the Middle of the Night</li><li>Working During COVID</li><li>Casino Gig</li><li>Moving to Nashville</li><li>Studio Work</li><li>The Dialect of Audio Tribes</li><li>Nashville Challenges</li><li>Going on Tour</li><li>Quitting Over the Phone</li><li>Life Changing Decisions</li><li>Reflecting on the Past</li><li>Embracing the Freelance Life</li><li>Hanging PA</li><li>Meyer Sound</li><li>Rain killing boxes</li><li>Handling Being Gone</li><li>Building a Resume on Linkedin</li><li>Networking</li><li>Clashes of Personalities</li><li>Personal Goals&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</li></ul><br/><p><strong>Matt's Rant: Home Rigs</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/abigaillabianca/" rel="noopener noreferrer" target="_blank">Abigail on Instagram</a></li><li><a href="https://www.linkedin.com/in/abigail-la-bianca-7912aa100/" rel="noopener noreferrer" target="_blank">Abigail on Linkedin</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Abigail La Bianca</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Audio Engineer / Production Manager Abigail La Bianca, who has flown PA, done monitors, and front of house for various artists, including Lindsey Stirling, Sara Evans, and Phillip Phillips.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Jersey Driving</li><li>Homeschool</li><li>Isolated From People</li><li>Dad's Studio</li><li>Attic Mini Studio</li><li>Strict Homelife</li><li>Abusive Environment</li><li>Culture Shock</li><li>Socialization</li><li>The Band Experience</li><li>Stage Fright</li><li>Adopting the Uniform</li><li>Contemporary Music Center</li><li>Loving Audio</li><li>Women in Audio</li><li>Discouraged to Be in Music</li><li>Fighting Back</li><li>Handtrucks</li><li>Crushed Pelvis</li><li>Podcast Editing</li><li>Working for Clair Brothers</li><li>Learning the Building Blocks</li><li>Terrified of Driving</li><li>Church in a Box</li><li>Leaving in the Middle of the Night</li><li>Working During COVID</li><li>Casino Gig</li><li>Moving to Nashville</li><li>Studio Work</li><li>The Dialect of Audio Tribes</li><li>Nashville Challenges</li><li>Going on Tour</li><li>Quitting Over the Phone</li><li>Life Changing Decisions</li><li>Reflecting on the Past</li><li>Embracing the Freelance Life</li><li>Hanging PA</li><li>Meyer Sound</li><li>Rain killing boxes</li><li>Handling Being Gone</li><li>Building a Resume on Linkedin</li><li>Networking</li><li>Clashes of Personalities</li><li>Personal Goals&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</li></ul><br/><p><strong>Matt's Rant: Home Rigs</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/abigaillabianca/" rel="noopener noreferrer" target="_blank">Abigail on Instagram</a></li><li><a href="https://www.linkedin.com/in/abigail-la-bianca-7912aa100/" rel="noopener noreferrer" target="_blank">Abigail on Linkedin</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Abigail La Bianca</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-460-with-abigail-la-bianca-jersey-driving-learning-the-building-blocks-attic-mini-studio-fighting-back-and-personal-goals]]></link><guid isPermaLink="false">8189eeb0-b6b9-11ed-98dd-f33c70539c87</guid><itunes:image href="https://artwork.captivate.fm/b9c92600-0297-43dc-a38c-79d708a3b047/7f659a.jpg"/><pubDate>Mon, 09 Oct 2023 18:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f8997a2a-da87-482a-92da-8ab6a00faae2.mp3" length="147289266" type="audio/mpeg"/><itunes:duration>01:01:22</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>460</itunes:episode><podcast:episode>460</podcast:episode><itunes:summary>My guest is Audio Engineer / Production Manager Abigail La Bianca, who has flown PA, done monitors, and front of house for various artists, including Lindsey Stirling, Sara Evans, and Phillip Phillips.

In this episode, we discuss

Jersey Driving

Homeschool

Isolated From People

Dad&apos;s Studio

Attic Mini Studio

Strict Homelife

Abusive Environment

Culture Shock

Socialization

The Band Experience

Stage Fright

Adopting the Uniform

Contemporary Music Center

Loving Audio

Women in Audio

Discouraged to Be in Music

Fighting Back

Handtrucks

Crushed Pelvis

Podcast Editing

Working for Clair Brothers

Learning the Building Blocks

Terrified of Driving

Church in a Box

Leaving in the Middle of the Night

Working During COVID

Casino Gig

Moving to Nashville

Studio Work

The Dialect of Audio Tribes

Nashville Challenges

Going on Tour

Quitting Over the Phone

Life Changing Decisions

Reflecting on the Past

Embracing the Freelance Life

Hanging PA

Meyer Sound

Rain killing boxes

Handling Being Gone

Building a Resume on Linkedin

Networking

Clashes of Personalities

Personal Goals     


Matt&apos;s Rant: Home Rigs

Links and Show Notes

Abigail on Instagram

Abigail on Linkedin


Credits

Guest: Abigail La Bianca

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #459 with Anni Casella - Art and Consciousness, 3-Dimensional Audio, Following Breadcrumbs, Learning How To Listen, and Less Crap in the Path</title><itunes:title>WCA #459 with Anni Casella - Art and Consciousness, 3-Dimensional Audio, Following Breadcrumbs, Learning How To Listen, and Less Crap in the Path</itunes:title><description><![CDATA[<p>My guest is Mastering Engineer, Producer, and Yung Priestess Anni Casella, who works with Kay peeri evie, Club Casualties, and does circuit design with Paul Reed Smith.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Engineer Parents</li><li>Jaco and Crayons</li><li>Audio Doula</li><li>Making Soup</li><li>Art and Consciousness</li><li><a href="https://www.purchase.edu/live/profiles/260-silas-brown" rel="noopener noreferrer" target="_blank">Silas Brown</a>&nbsp;and&nbsp;<a href="http://www.peterdenenberg.com/" rel="noopener noreferrer" target="_blank">Peter Deneberg</a>&nbsp;&nbsp;</li><li>Mark Kenise</li><li>Avalon EQ</li><li>Paul Reed Smith</li><li>3 Dimensional Audio</li><li>Muscle Shoals</li><li>Time Domain</li><li>Mastering</li><li>Taking a Step Back</li><li>Word of Mouth</li><li>Don't Open a Studio</li><li>Following Breadcrumbs</li><li><a href="https://www.hebakadry.com/" rel="noopener noreferrer" target="_blank">Heba Kadry&nbsp;&nbsp;</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</li><li>Building Microphones</li><li>Being Autistic</li><li>Looking for Opportunities</li><li>Build Community</li><li>Grocery Store Meltdown</li><li>GAS</li><li>Building Gear</li><li>Tools for Making ART</li><li>Apple Ear Buds</li><li>Hearing Peoples Monitors</li><li>Self Control</li><li>Learning How To Listen</li><li>Mics with Paul Smith</li><li>Modding Apex Mics</li><li>Less Crap in the Path</li></ul><br/><p><strong>Matt's Rant: Analogies</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.annicasella.com/" rel="noopener noreferrer" target="_blank">Anni's Site</a></li><li><a href="https://www.instagram.com/anni_abigail/" rel="noopener noreferrer" target="_blank">Anni on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Anni Casella</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Mastering Engineer, Producer, and Yung Priestess Anni Casella, who works with Kay peeri evie, Club Casualties, and does circuit design with Paul Reed Smith.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Engineer Parents</li><li>Jaco and Crayons</li><li>Audio Doula</li><li>Making Soup</li><li>Art and Consciousness</li><li><a href="https://www.purchase.edu/live/profiles/260-silas-brown" rel="noopener noreferrer" target="_blank">Silas Brown</a>&nbsp;and&nbsp;<a href="http://www.peterdenenberg.com/" rel="noopener noreferrer" target="_blank">Peter Deneberg</a>&nbsp;&nbsp;</li><li>Mark Kenise</li><li>Avalon EQ</li><li>Paul Reed Smith</li><li>3 Dimensional Audio</li><li>Muscle Shoals</li><li>Time Domain</li><li>Mastering</li><li>Taking a Step Back</li><li>Word of Mouth</li><li>Don't Open a Studio</li><li>Following Breadcrumbs</li><li><a href="https://www.hebakadry.com/" rel="noopener noreferrer" target="_blank">Heba Kadry&nbsp;&nbsp;</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</li><li>Building Microphones</li><li>Being Autistic</li><li>Looking for Opportunities</li><li>Build Community</li><li>Grocery Store Meltdown</li><li>GAS</li><li>Building Gear</li><li>Tools for Making ART</li><li>Apple Ear Buds</li><li>Hearing Peoples Monitors</li><li>Self Control</li><li>Learning How To Listen</li><li>Mics with Paul Smith</li><li>Modding Apex Mics</li><li>Less Crap in the Path</li></ul><br/><p><strong>Matt's Rant: Analogies</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.annicasella.com/" rel="noopener noreferrer" target="_blank">Anni's Site</a></li><li><a href="https://www.instagram.com/anni_abigail/" rel="noopener noreferrer" target="_blank">Anni on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Anni Casella</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-459-with-anni-casella-art-and-consciousness-3-dimensional-audio-following-breadcrumbs-learning-how-to-listen-and-less-crap-in-the-path]]></link><guid isPermaLink="false">8168a1f6-b6b9-11ed-98dd-a3c15243464c</guid><itunes:image href="https://artwork.captivate.fm/24121229-de17-427e-b9a3-3c72b64e6109/bc9e14.jpg"/><pubDate>Mon, 02 Oct 2023 15:11:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/67d69020-7b20-49e6-9a2d-b01874943b87.mp3" length="50881555" type="audio/mpeg"/><itunes:duration>53:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>459</itunes:episode><podcast:episode>459</podcast:episode><itunes:summary>My guest is Mastering Engineer, Producer, and Yung Priestess Anni Casella, who works with Kay peeri evie, Club Casualties, and does circuit design with Paul Reed Smith.

In this episode, we discuss

Engineer Parents

Jaco and Crayons

Audio Doula

Making Soup

Art and Consciousness


Silas Brown and Peter Deneberg  

Mark Kenise

Avalon EQ

Paul Reed Smith

3 Dimensional Audio

Muscle Shoals

Time Domain

Mastering

Taking a Step Back

Word of Mouth

Don&apos;t Open a Studio

Following Breadcrumbs


Heba Kadry             

Building Microphones

Being Autistic

Looking for Opportunities

Build Community

Grocery Store Meltdown

GAS

Building Gear

Tools for Making ART

Apple Ear Buds

Hearing Peoples Monitors

Self Control

Learning How To Listen

Mics with Paul Smith

Modding Apex Mics

Less Crap in the Path


Matt&apos;s Rant: Analogies

Links and Show Notes

Anni&apos;s Site

Anni on Instagram


Credits

Guest: Anni Casella

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #458 with Matt Hennessy - Radio Shack, The Legendary Traxster, Chicago Basements, Cognac, and Being Locked into the Studio, Literally</title><itunes:title>WCA #458 with Matt Hennessy - Radio Shack, The Legendary Traxster, Chicago Basements, Cognac, and Being Locked into the Studio, Literally</itunes:title><description><![CDATA[<p>My guest is Grammy-nominated mixer/engineer Matt Hennessy. Matt has worked with R Kelly, Jay Z, Kanye West, Twista, The Legendary Traxster, Jamila Woods, PJ Morton, and G Herbo.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Illinois Upbringing</li><li><a href="https://en.wikipedia.org/wiki/RadioShack" rel="noopener noreferrer" target="_blank">Radio Shack</a></li><li><a href="https://en.wikipedia.org/wiki/Walkman" rel="noopener noreferrer" target="_blank">The Walkman</a></li><li>Playing Alto Sax</li><li><a href="https://en.wikipedia.org/wiki/Eye_of_the_Tiger" rel="noopener noreferrer" target="_blank">Eye of The Tiger</a></li><li>Berklee School of Music</li><li>Interning</li><li>The Reality of the Music Biz</li><li>Changing Direction</li><li>The Grind of School</li><li>Back Street Boys Studio</li><li>In Over His Head</li><li><a href="https://www.britannica.com/topic/Cabrini-Green" rel="noopener noreferrer" target="_blank">Cabrini Green</a></li><li>Chicago Tracks</li><li>Assembling Frankin-takes</li><li>Transitioning to Pro Tools</li><li>Being in Touch with RnB and Hip Hop</li><li>Drug Dealers Washing Money</li><li>Safe-Guarding Clients Work</li><li>Thug Labels</li><li><a href="https://www.traxster.com/" rel="noopener noreferrer" target="_blank">The Legendary </a>Traxster</li><li>Being Literally Locked into the Studio</li><li>Rebuilding the Client Base</li><li>Being in Control of Your Building</li><li>6 Feet of Sewage</li><li>Cognac</li><li>Chicago Basements</li><li>Albini and Tape</li><li><a href="https://www.villagestudios.com/" rel="noopener noreferrer" target="_blank">The Village</a>&nbsp;Business Model</li><li>ATMOS</li><li>Financial Philosophy</li></ul><br/><p><strong>Matt's Rant: Discovery</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://vsopproductions.com/" rel="noopener noreferrer" target="_blank">Matt's Studio Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Matt Hennessy</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-nominated mixer/engineer Matt Hennessy. Matt has worked with R Kelly, Jay Z, Kanye West, Twista, The Legendary Traxster, Jamila Woods, PJ Morton, and G Herbo.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Illinois Upbringing</li><li><a href="https://en.wikipedia.org/wiki/RadioShack" rel="noopener noreferrer" target="_blank">Radio Shack</a></li><li><a href="https://en.wikipedia.org/wiki/Walkman" rel="noopener noreferrer" target="_blank">The Walkman</a></li><li>Playing Alto Sax</li><li><a href="https://en.wikipedia.org/wiki/Eye_of_the_Tiger" rel="noopener noreferrer" target="_blank">Eye of The Tiger</a></li><li>Berklee School of Music</li><li>Interning</li><li>The Reality of the Music Biz</li><li>Changing Direction</li><li>The Grind of School</li><li>Back Street Boys Studio</li><li>In Over His Head</li><li><a href="https://www.britannica.com/topic/Cabrini-Green" rel="noopener noreferrer" target="_blank">Cabrini Green</a></li><li>Chicago Tracks</li><li>Assembling Frankin-takes</li><li>Transitioning to Pro Tools</li><li>Being in Touch with RnB and Hip Hop</li><li>Drug Dealers Washing Money</li><li>Safe-Guarding Clients Work</li><li>Thug Labels</li><li><a href="https://www.traxster.com/" rel="noopener noreferrer" target="_blank">The Legendary </a>Traxster</li><li>Being Literally Locked into the Studio</li><li>Rebuilding the Client Base</li><li>Being in Control of Your Building</li><li>6 Feet of Sewage</li><li>Cognac</li><li>Chicago Basements</li><li>Albini and Tape</li><li><a href="https://www.villagestudios.com/" rel="noopener noreferrer" target="_blank">The Village</a>&nbsp;Business Model</li><li>ATMOS</li><li>Financial Philosophy</li></ul><br/><p><strong>Matt's Rant: Discovery</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://vsopproductions.com/" rel="noopener noreferrer" target="_blank">Matt's Studio Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Matt Hennessy</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-458-with-matt-hennessy-radio-shack-the-legendary-traxster-chicago-basements-cognac-and-being-locked-into-the-studio-literally]]></link><guid isPermaLink="false">8136546c-b6b9-11ed-98dd-ffa58aa105a7</guid><itunes:image href="https://artwork.captivate.fm/40db1f86-88f9-48e9-8a2f-239cfd3beaea/d3d502.jpeg"/><pubDate>Mon, 25 Sep 2023 19:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0987be85-52f0-4a44-b11f-7605e5c0306f.mp3" length="218406874" type="audio/mpeg"/><itunes:duration>01:31:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>458</itunes:episode><podcast:episode>458</podcast:episode><itunes:summary>My guest is Grammy-nominated mixer/engineer Matt Hennessy. Matt has worked with R Kelly, Jay Z, Kanye West, Twista, The Legendary Traxster, Jamila Woods, PJ Morton, and G Herbo. 

In this episode, we discuss

Illinois Upbringing

Radio Shack

The Walkman

Playing Alto Sax

Eye of The Tiger

Berklee School of Music

Interning

The Reality of the Music Biz

Changing Direction

The Grind of School

Back Street Boys Studio

In Over His Head

Cabrini Green

Chicago Tracks

Assembling Frankin-takes

Transitioning to Pro Tools

Being in Touch with RnB and Hip Hop

Drug Dealers Washing Money

Safe-Guarding Clients Work

Thug Labels


The Legendary Traxster

Being Literally Locked into the Studio

Rebuilding the Client Base

Being in Control of Your Building

6 Feet of Sewage

Cognac

Chicago Basements

Albini and Tape


The Village Business Model

ATMOS

Financial Philosophy


Matt&apos;s Rant: Discovery

Links and Show Notes
Matt&apos;s Studio Site

Credits

Guest: Matt Hennessy

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #457 with David Davis - Fuzzy Sharks, The Fantasy World of LA, Hipster Sleep Noise, Headbangers Ball, and Mountain Dew</title><itunes:title>WCA #457 with David Davis - Fuzzy Sharks, The Fantasy World of LA, Hipster Sleep Noise, Headbangers Ball, and Mountain Dew</itunes:title><description><![CDATA[<p>My guest is Grammy-winning producer/mixer David Davis, who has worked on projects for PWNT, Izzy Bizu, Miguel, and The War on Drugs.</p><p><strong>In this episode, we discuss</strong></p><ul><li>East Tennessee Upbringing</li><li>Headbangers Ball and Mountain Dew</li><li>Chicago Metal Shows</li><li>Running from The Law</li><li>White Zombie</li><li>Hour Drive to School</li><li>Going to CRAS</li><li>LA Internships</li><li>Roaches</li><li>Moms Passing</li><li>The Fantasy World of LA</li><li>Being Grateful</li><li>Great Radio</li><li>Ocean Studios</li><li>Runner Positions</li><li>East West</li><li>Climbing the Ladder</li><li>Leaving East West</li><li>Maintaining a Home Studio</li><li>Fuzzy Sharks</li><li>Fried Chicken&nbsp;</li><li>Fireman</li><li>Hipster Sleep Noise</li><li>Creating Home Base</li><li>Work/Life</li><li>Production</li><li>Not Getting Credit</li></ul><br/><p><strong>Matt's Rant: Audio Grownups</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://mamawsautoparts.com/" rel="noopener noreferrer" target="_blank">David's Site</a></li><li><a href="https://jaxsta.com/" rel="noopener noreferrer" target="_blank">Jaxsta</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: David Davis</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-winning producer/mixer David Davis, who has worked on projects for PWNT, Izzy Bizu, Miguel, and The War on Drugs.</p><p><strong>In this episode, we discuss</strong></p><ul><li>East Tennessee Upbringing</li><li>Headbangers Ball and Mountain Dew</li><li>Chicago Metal Shows</li><li>Running from The Law</li><li>White Zombie</li><li>Hour Drive to School</li><li>Going to CRAS</li><li>LA Internships</li><li>Roaches</li><li>Moms Passing</li><li>The Fantasy World of LA</li><li>Being Grateful</li><li>Great Radio</li><li>Ocean Studios</li><li>Runner Positions</li><li>East West</li><li>Climbing the Ladder</li><li>Leaving East West</li><li>Maintaining a Home Studio</li><li>Fuzzy Sharks</li><li>Fried Chicken&nbsp;</li><li>Fireman</li><li>Hipster Sleep Noise</li><li>Creating Home Base</li><li>Work/Life</li><li>Production</li><li>Not Getting Credit</li></ul><br/><p><strong>Matt's Rant: Audio Grownups</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://mamawsautoparts.com/" rel="noopener noreferrer" target="_blank">David's Site</a></li><li><a href="https://jaxsta.com/" rel="noopener noreferrer" target="_blank">Jaxsta</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: David Davis</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-457-with-david-davis-fuzzy-sharks-the-fantasy-world-of-la-hipster-sleep-noise-headbangers-ball-and-mountain-dew]]></link><guid isPermaLink="false">80f02460-b6b9-11ed-98dd-1be40e0c2e40</guid><itunes:image href="https://artwork.captivate.fm/a6c0eeee-6c63-44a3-9546-27832cd1c045/121274.jpg"/><pubDate>Mon, 18 Sep 2023 19:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0aac3469-b428-4c4a-9c0a-696d3c0b7c58.mp3" length="129160201" type="audio/mpeg"/><itunes:duration>53:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>457</itunes:episode><podcast:episode>457</podcast:episode><itunes:summary>My guest is Grammy-winning producer/mixer David Davis, who has worked on projects for PWNT, Izzy Bizu, Miguel, and The War on Drugs.

In this episode, we discuss

East Tennessee Upbringing

Headbangers Ball and Mountain Dew

Chicago Metal Shows

Running from The Law

White Zombie

Hour Drive to School

Going to CRAS

LA Internships

Roaches

Moms Passing

The Fantasy World of LA

Being Grateful

Great Radio

Ocean Studios

Runner Positions

East West

Climbing the Ladder

Leaving East West

Maintaining a Home Studio

Fuzzy Sharks

Fried Chicken 

Fireman

Hipster Sleep Noise

Creating Home Base

Work/Life

Production

Not Getting Credit


Matt&apos;s Rant: Audio Grownups

Links and Show Notes

David&apos;s Site

Jaxsta


Credits

Guest: David Davis

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #456 with Ryan Hewitt - Taking Care of Business, Solution-Oriented Thinking, Infinite Possibilities, Spare Mics, and The Red Hot Chili Peppers</title><itunes:title>WCA #456 with Ryan Hewitt - Taking Care of Business, Solution-Oriented Thinking, Infinite Possibilities, Spare Mics, and The Red Hot Chili Peppers</itunes:title><description><![CDATA[<p>My guest is Producer/Mixer/Engineer Ryan Hewitt, known for his work with The Red Hot Chili Peppers, Blink-182, and Noah Kahan, among many others. Ryan last appeared on WCA in 2015 on WCA #023.&nbsp;</p><p>&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Reflecting on the Past</li><li>The Red Hot Chili Peppers</li><li>Keeping Things Fresh</li><li>Enthusiasm for ATMOS</li><li>Being Solution Oriented</li><li>Management Decisions</li><li>Taking Care of Business</li><li>The Point System</li><li>Lawyers</li><li>Working During Covid</li><li>Los Angeles</li><li>Revisiting Analog</li><li>Letting Go</li><li>Upleveling</li><li>The Optimist View</li><li>Staying Focused</li><li>Discipline</li><li>Awareness</li><li>Solution Oriented Thinking</li><li>Infinite Possibilities</li><li>Spare Mics</li></ul><br/><p><strong>Matt's Rant: The In-Between Moments</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.ryanhewitt.com/" rel="noopener noreferrer" target="_blank">Ryan's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-023-with-ryan-hewitt/" rel="noopener noreferrer" target="_blank">Ryan's First WCA Episode</a></li><li><a href="https://www.youtube.com/@hubermanlab" rel="noopener noreferrer" target="_blank">Huberman Lab</a>&nbsp;(Mentioned in the interview)</li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Ryan Hewitt</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Mixer/Engineer Ryan Hewitt, known for his work with The Red Hot Chili Peppers, Blink-182, and Noah Kahan, among many others. Ryan last appeared on WCA in 2015 on WCA #023.&nbsp;</p><p>&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Reflecting on the Past</li><li>The Red Hot Chili Peppers</li><li>Keeping Things Fresh</li><li>Enthusiasm for ATMOS</li><li>Being Solution Oriented</li><li>Management Decisions</li><li>Taking Care of Business</li><li>The Point System</li><li>Lawyers</li><li>Working During Covid</li><li>Los Angeles</li><li>Revisiting Analog</li><li>Letting Go</li><li>Upleveling</li><li>The Optimist View</li><li>Staying Focused</li><li>Discipline</li><li>Awareness</li><li>Solution Oriented Thinking</li><li>Infinite Possibilities</li><li>Spare Mics</li></ul><br/><p><strong>Matt's Rant: The In-Between Moments</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.ryanhewitt.com/" rel="noopener noreferrer" target="_blank">Ryan's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-023-with-ryan-hewitt/" rel="noopener noreferrer" target="_blank">Ryan's First WCA Episode</a></li><li><a href="https://www.youtube.com/@hubermanlab" rel="noopener noreferrer" target="_blank">Huberman Lab</a>&nbsp;(Mentioned in the interview)</li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Ryan Hewitt</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-456-with-ryan-hewitt-taking-care-of-business-solution-oriented-thinking-infinite-possibilities-spare-mics-and-the-red-hot-chili-peppers]]></link><guid isPermaLink="false">80cde576-b6b9-11ed-98dd-c7b193e3ea86</guid><itunes:image href="https://artwork.captivate.fm/dfbb78c1-b5d2-4f55-907a-90459af7c28f/ae31f7.png"/><pubDate>Mon, 11 Sep 2023 17:04:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/eecae543-8068-402a-b23f-752aed9866de.mp3" length="197185256" type="audio/mpeg"/><itunes:duration>01:22:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>456</itunes:episode><podcast:episode>456</podcast:episode><itunes:summary>My guest is Producer/Mixer/Engineer Ryan Hewitt, known for his work with The Red Hot Chili Peppers, Blink-182, and Noah Kahan, among many others. Ryan last appeared on WCA in 2015 on WCA #023. 
 
In this episode, we discuss

Reflecting on the Past

The Red Hot Chili Peppers

Keeping Things Fresh

Enthusiasm for ATMOS

Being Solution Oriented

Management Decisions

Taking Care of Business

The Point System

Lawyers

Working During Covid

Los Angeles

Revisiting Analog

Letting Go

Upleveling

The Optimist View

Staying Focused

Discipline

Awareness

Solution Oriented Thinking

Infinite Possibilities

Spare Mics


Matt&apos;s Rant: The In-Between Moments

Links and Show Notes

Ryan&apos;s Site

Ryan&apos;s First WCA Episode


Huberman Lab (Mentioned in the interview)



Credits

Guest: Ryan Hewitt

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #455 with Josh Garcia - SoCal Upbringing, Straight to Chaos Life, Audio Parenting, Dealing with Life, and The Wretching Crew</title><itunes:title>WCA #455 with Josh Garcia - SoCal Upbringing, Straight to Chaos Life, Audio Parenting, Dealing with Life, and The Wretching Crew</itunes:title><description><![CDATA[<p>My guest is Record Producer/Mixing Engineer/Front of House Engineer Josh Garcia. Josh has worked with Depeche Mode, Leftover Crack, Me First And The Gimme Gimmes, and Uke Hunt.</p><p>&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>SoCal Upbringing</li><li>Behavioral Issues</li><li>Remo Drums</li><li>Recording to 4 Tracks</li><li>Internship in LA</li><li>Robin, The Yeller</li><li>Moving to Santa Cruz</li><li>The Banana Slugs</li><li>Internship in San Jose</li><li>Straight to Chaos Life</li><li>Interning at The Plant</li><li>Getting Fired</li><li>Joining Hyde Street</li><li>Studio in Chico</li><li>Audio Parenting</li><li>Front of House</li><li>Depeche Mode</li><li>Santa Barbara</li><li>SF Soundworks</li><li>Self Promotion</li><li>Dealing with Life</li><li>The Wretching Crew</li></ul><br/><p><strong>Matt's Rant: Remote Recording</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-402-with-arne-frager/" rel="noopener noreferrer" target="_blank">Arnie Frager on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-019-with-matt-kelley/" rel="noopener noreferrer" target="_blank">Matt Kelley on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-113-with-mike-wells/" rel="noopener noreferrer" target="_blank">Mike Wells on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-011-gabriel-shepard/" rel="noopener noreferrer" target="_blank">Gabrial Shepard on WCA</a></li><li><a href="https://www.jgaudioproductions.com/" rel="noopener noreferrer" target="_blank">Josh's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Josh Garcia</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Record Producer/Mixing Engineer/Front of House Engineer Josh Garcia. Josh has worked with Depeche Mode, Leftover Crack, Me First And The Gimme Gimmes, and Uke Hunt.</p><p>&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>SoCal Upbringing</li><li>Behavioral Issues</li><li>Remo Drums</li><li>Recording to 4 Tracks</li><li>Internship in LA</li><li>Robin, The Yeller</li><li>Moving to Santa Cruz</li><li>The Banana Slugs</li><li>Internship in San Jose</li><li>Straight to Chaos Life</li><li>Interning at The Plant</li><li>Getting Fired</li><li>Joining Hyde Street</li><li>Studio in Chico</li><li>Audio Parenting</li><li>Front of House</li><li>Depeche Mode</li><li>Santa Barbara</li><li>SF Soundworks</li><li>Self Promotion</li><li>Dealing with Life</li><li>The Wretching Crew</li></ul><br/><p><strong>Matt's Rant: Remote Recording</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-402-with-arne-frager/" rel="noopener noreferrer" target="_blank">Arnie Frager on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-019-with-matt-kelley/" rel="noopener noreferrer" target="_blank">Matt Kelley on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-113-with-mike-wells/" rel="noopener noreferrer" target="_blank">Mike Wells on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-011-gabriel-shepard/" rel="noopener noreferrer" target="_blank">Gabrial Shepard on WCA</a></li><li><a href="https://www.jgaudioproductions.com/" rel="noopener noreferrer" target="_blank">Josh's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Josh Garcia</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-455-with-josh-garcia-socal-upbringing-straight-to-chaos-life-audio-parenting-dealing-with-life-and-the-wretching-crew]]></link><guid isPermaLink="false">808bbda4-b6b9-11ed-98dd-0b0372d77693</guid><itunes:image href="https://artwork.captivate.fm/3ece7bfd-1cf0-47ae-bcd8-8338f0ef83c5/0d1919.jpg"/><pubDate>Mon, 04 Sep 2023 14:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/afdfccb2-4e43-4f71-ba6f-cfda9ddbc673.mp3" length="135919698" type="audio/mpeg"/><itunes:duration>56:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>455</itunes:episode><podcast:episode>455</podcast:episode><itunes:summary>My guest is Record Producer/Mixing Engineer/Front of House Engineer Josh Garcia. Josh has worked with Depeche Mode, Leftover Crack, Me First And The Gimme Gimmes, and Uke Hunt.
 
In this episode, we discuss

SoCal Upbringing

Behavioral Issues

Remo Drums

Recording to 4 Tracks

Internship in LA

Robin, The Yeller

Moving to Santa Cruz

The Banana Slugs

Internship in San Jose

Straight to Chaos Life

Interning at The Plant

Getting Fired

Joining Hyde Street

Studio in Chico

Audio Parenting

Front of House

Depeche Mode

Santa Barbara

SF Soundworks

Self Promotion

Dealing with Life

The Wretching Crew


Matt&apos;s Rant: Remote Recording

Links and Show Notes

Arnie Frager on WCA

Matt Kelley on WCA

Mike Wells on WCA

Gabrial Shepard on WCA

Josh&apos;s Site


Credits

Guest: Josh Garcia

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #454 with Jeff Powell - Cutting Lacquer, not Vinyl, Daily Fed Ex Visits, Fathers, Mothers, Stampers, Charlie Brown Christmas, and 1950&apos;s Technology</title><itunes:title>WCA #454 with Jeff Powell - Cutting Lacquer, not Vinyl, Daily Fed Ex Visits, Fathers, Mothers, Stampers, Charlie Brown Christmas, and 1950&apos;s Technology</itunes:title><description><![CDATA[<p>My guest is Vinyl Mastering Engineer Jeff Powell, based in Memphis, Tennessee. Jeff has worked with Jackson Browne, Allison Kraus, and Robert Plant, Bob Dylan, Randy Newman, Dusty Springfield, Afghan Whigs, T-Bone Burnett, Al Green, Elvis Presley, and The Black Keys.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Focus on Laquer Cutting</li><li>Cutting Lacquer, not Vinyl</li><li>Daily Fed Ex Visits</li><li>Sam Phillips&nbsp;</li><li>Chip and Swarf</li><li><a href="https://thevinylfactory.com/news/apollo-transco-vinyl-lacquer-fire/" rel="noopener noreferrer" target="_blank">Apollo/Transco Fire</a></li><li>MDC Lacquers</li><li>Keeping the Line Moving</li><li>Curing, Ditches, Halos,&nbsp;</li><li>Blowing a Cutter Head&nbsp;</li><li>3 Step Plating</li><li>Fathers, Mothers, and Stampers</li><li>Charlie Brown Christmas</li><li>Humidity&nbsp;</li><li>T-Bone Burnett</li><li>Chris Muth</li><li>Larry Nix</li><li><a href="https://www.psaudio.com/blogs/copper/breaking-news-hd-vinyl-enters-bankruptcy-and-some-thoughts-on-vinyl-manufacturing" rel="noopener noreferrer" target="_blank">HD Vinyl</a></li><li>Culture of Vinyl</li><li>Backlog of Work</li><li>1950's Technology</li><li>Business Planning</li><li>Last Minute Loans</li><li>Credits</li><li>Preview Deck</li><li>Elliptical EQ</li></ul><br/><p><strong>Matt's Rant: Revisiting Backing Up</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-015-with-jeff-powell/" rel="noopener noreferrer" target="_blank">Jeff On WCA #015</a></li><li><a href="https://www.cdfinder.de/" rel="noopener noreferrer" target="_blank">Neo Finder (mentioned in Rant</a></li><li>Hire Jeff! jeff at takeoutvinyl.com</li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Jeff Powell</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Vinyl Mastering Engineer Jeff Powell, based in Memphis, Tennessee. Jeff has worked with Jackson Browne, Allison Kraus, and Robert Plant, Bob Dylan, Randy Newman, Dusty Springfield, Afghan Whigs, T-Bone Burnett, Al Green, Elvis Presley, and The Black Keys.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Focus on Laquer Cutting</li><li>Cutting Lacquer, not Vinyl</li><li>Daily Fed Ex Visits</li><li>Sam Phillips&nbsp;</li><li>Chip and Swarf</li><li><a href="https://thevinylfactory.com/news/apollo-transco-vinyl-lacquer-fire/" rel="noopener noreferrer" target="_blank">Apollo/Transco Fire</a></li><li>MDC Lacquers</li><li>Keeping the Line Moving</li><li>Curing, Ditches, Halos,&nbsp;</li><li>Blowing a Cutter Head&nbsp;</li><li>3 Step Plating</li><li>Fathers, Mothers, and Stampers</li><li>Charlie Brown Christmas</li><li>Humidity&nbsp;</li><li>T-Bone Burnett</li><li>Chris Muth</li><li>Larry Nix</li><li><a href="https://www.psaudio.com/blogs/copper/breaking-news-hd-vinyl-enters-bankruptcy-and-some-thoughts-on-vinyl-manufacturing" rel="noopener noreferrer" target="_blank">HD Vinyl</a></li><li>Culture of Vinyl</li><li>Backlog of Work</li><li>1950's Technology</li><li>Business Planning</li><li>Last Minute Loans</li><li>Credits</li><li>Preview Deck</li><li>Elliptical EQ</li></ul><br/><p><strong>Matt's Rant: Revisiting Backing Up</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-015-with-jeff-powell/" rel="noopener noreferrer" target="_blank">Jeff On WCA #015</a></li><li><a href="https://www.cdfinder.de/" rel="noopener noreferrer" target="_blank">Neo Finder (mentioned in Rant</a></li><li>Hire Jeff! jeff at takeoutvinyl.com</li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Jeff Powell</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-454-with-jeff-powell-cutting-lacquer-not-vinyl-daily-fed-ex-visits-fathers-mothers-stampers-charlie-brown-christmas-and-1950s-technology]]></link><guid isPermaLink="false">806917e0-b6b9-11ed-98dd-337edc117902</guid><itunes:image href="https://artwork.captivate.fm/effd28f9-21d6-432b-bbb0-921e9b928720/19ba34.jpg"/><pubDate>Mon, 28 Aug 2023 19:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/deaa0134-1cb1-4c07-b09a-bc29d55fd050.mp3" length="187994417" type="audio/mpeg"/><itunes:duration>01:18:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>454</itunes:episode><podcast:episode>454</podcast:episode><itunes:summary>My guest is Vinyl Mastering Engineer Jeff Powell, based in Memphis, Tennessee. Jeff has worked with Jackson Browne, Allison Kraus, and Robert Plant, Bob Dylan, Randy Newman, Dusty Springfield, Afghan Whigs, T-Bone Burnett, Al Green, Elvis Presley, and The Black Keys.

In this episode, we discuss

Focus on Laquer Cutting

Cutting Lacquer, not Vinyl

Daily Fed Ex Visits

Sam Phillips 

Chip and Swarf

Apollo/Transco Fire

MDC Lacquers

Keeping the Line Moving

Curing, Ditches, Halos, 

Blowing a Cutter Head 

3 Step Plating

Fathers, Mothers, and Stampers

Charlie Brown Christmas

Humidity 

T-Bone Burnett

Chris Muth

Larry Nix

HD Vinyl

Culture of Vinyl

Backlog of Work

1950&apos;s Technology

Business Planning

Last Minute Loans

Credits

Preview Deck

Elliptical EQ


Matt&apos;s Rant: Revisiting Backing Up

Links and Show Notes

Jeff On WCA #015

Neo Finder (mentioned in Rant

Hire Jeff! jeff at takeoutvinyl.com


Credits

Guest: Jeff Powell

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #453 with Jason Kick - Basketball Band, Working at Radio Shack, The Tascam 388, Playing in Bands as Exercise, and Black Magic</title><itunes:title>WCA #453 with Jason Kick - Basketball Band, Working at Radio Shack, The Tascam 388, Playing in Bands as Exercise, and Black Magic</itunes:title><description><![CDATA[<p>My guest is Producer/Audio Engineer Jason Kick, who is the chief engineer at Santo Recording in Oakland. Jason has worked with Mild High Club (Gold-certified), Marinero, Sonny &amp; the Sunsets, Abracadabra, Maus Haus, Healing Potpourri, Mustard Service, Mae Powell, and Body Double.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Basketball Band</li><li>Garage Band</li><li>Music Theory</li><li>Positive Studio Experience</li><li>The Tascam 388</li><li>Live Sound</li><li>Adobe Audition on PC</li><li>Daytrotter Sessions</li><li>San Francisco Studios</li><li>Santo Recording</li><li>Surviving</li><li>Stage Hand Work</li><li>Working at Radio Shack</li><li>Being Frugal</li><li>Studio Economics</li><li>LA living</li><li>Finding Work</li><li>Playing in Bands as Exercise</li><li>David Lynch</li><li>Transcendental Mediation</li><li>Unfocused Bands</li><li>Tracking vs. Mixing</li><li>Black Magic</li></ul><br/><p><strong>Matt's Rant: To Self-Promote or Not</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.santorecording.com/" rel="noopener noreferrer" target="_blank">Santo Recording</a></li><li><a href="https://www.instagram.com/jasonkick/?hl=en" rel="noopener noreferrer" target="_blank">Jason on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-056-with-josh-roberts/" rel="noopener noreferrer" target="_blank">Josh Roberts on WCA</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Jason Kick</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Audio Engineer Jason Kick, who is the chief engineer at Santo Recording in Oakland. Jason has worked with Mild High Club (Gold-certified), Marinero, Sonny &amp; the Sunsets, Abracadabra, Maus Haus, Healing Potpourri, Mustard Service, Mae Powell, and Body Double.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Basketball Band</li><li>Garage Band</li><li>Music Theory</li><li>Positive Studio Experience</li><li>The Tascam 388</li><li>Live Sound</li><li>Adobe Audition on PC</li><li>Daytrotter Sessions</li><li>San Francisco Studios</li><li>Santo Recording</li><li>Surviving</li><li>Stage Hand Work</li><li>Working at Radio Shack</li><li>Being Frugal</li><li>Studio Economics</li><li>LA living</li><li>Finding Work</li><li>Playing in Bands as Exercise</li><li>David Lynch</li><li>Transcendental Mediation</li><li>Unfocused Bands</li><li>Tracking vs. Mixing</li><li>Black Magic</li></ul><br/><p><strong>Matt's Rant: To Self-Promote or Not</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.santorecording.com/" rel="noopener noreferrer" target="_blank">Santo Recording</a></li><li><a href="https://www.instagram.com/jasonkick/?hl=en" rel="noopener noreferrer" target="_blank">Jason on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-056-with-josh-roberts/" rel="noopener noreferrer" target="_blank">Josh Roberts on WCA</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Jason Kick</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-453-with-jason-kick-basketball-band-working-at-radio-shack-the-tascam-388-playing-in-bands-as-exercise-and-black-magic]]></link><guid isPermaLink="false">8027215a-b6b9-11ed-98dd-837fbf5a93a0</guid><itunes:image href="https://artwork.captivate.fm/48631248-8968-47cb-9b12-aea1bd0e037e/bf3bca.jpg"/><pubDate>Mon, 21 Aug 2023 19:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ac6372ae-2fce-48f2-a154-ecb421ec097d.mp3" length="152463691" type="audio/mpeg"/><itunes:duration>01:03:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>453</itunes:episode><podcast:episode>453</podcast:episode><itunes:summary>My guest is Producer/Audio Engineer Jason Kick, who is the chief engineer at Santo Recording in Oakland. Jason has worked with Mild High Club (Gold-certified), Marinero, Sonny &amp; the Sunsets, Abracadabra, Maus Haus, Healing Potpourri, Mustard Service, Mae Powell, and Body Double.


In this episode, we discuss

Basketball Band

Garage Band

Music Theory

Positive Studio Experience

The Tascam 388

Live Sound

Adobe Audition on PC

Daytrotter Sessions

San Francisco Studios

Santo Recording

Surviving

Stage Hand Work

Working at Radio Shack

Being Frugal

Studio Economics

LA living

Finding Work

Playing in Bands as Exercise

David Lynch

Transcendental Mediation

Unfocused Bands

Tracking vs. Mixing

Black Magic


Matt&apos;s Rant: To Self-Promote or Not
Links and Show Notes

Santo Recording

Jason on Instagram

Josh Roberts on WCA


Credits

Guest: Jason Kick

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #452 with Steven Lee Tracy - The Worst Intern, The Biggest Roaches, Strict Upbringing, Stories of the Saints, and Finding Solace in Music</title><itunes:title>WCA #452 with Steven Lee Tracy - The Worst Intern, The Biggest Roaches, Strict Upbringing, Stories of the Saints, and Finding Solace in Music</itunes:title><description><![CDATA[<p>My guest is producer/engineer Steven Lee Tracy who has written music for MTV, Adobe, Axon, and many others. He wrote, produced, and toured with Seattle indie band The Myriad for a decade. Worked on records for Besides Daniel, Orkesta Mendoza, and Mexrrissey,</p><p><strong>In this episode, we discuss</strong></p><ul><li>Commercial Studio in Tucson</li><li>Strict Upbringing</li><li>Moving Out</li><li>Selling His Car for Gear</li><li>The Fostex R8&nbsp;</li><li>Mental Health</li><li>Fathers Approval</li><li>Writing Horrible Songs</li><li>Machines of Loving Grace</li><li>Harvey Mason Jr.</li><li>The Biggest Roaches</li><li>Seattle Studio Internship</li><li>Tucson Good</li><li><a href="https://en.wikipedia.org/wiki/The_Myriad" rel="noopener noreferrer" target="_blank">The Myriad</a></li><li>Michael Ilbert</li><li>Hansa Studios</li><li>The Worst Intern&nbsp;</li><li>Record Deal</li><li>Matt Goldman</li><li>Real Estate Taxes</li><li>Atlanta</li><li>Divorce</li><li>Projects That Make You Hate Music</li><li>Recording in Albuquerque</li><li>Stories of the Saints</li><li>Hotel Mini Studio</li><li>Advice to Small Studios</li><li>Finding Solace in Music</li></ul><br/><p><br></p><p><strong>Matt's Rant: The Sale of Avid</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://en.wikipedia.org/wiki/Saint_Cecilia" rel="noopener noreferrer" target="_blank">Saint Cecilia&nbsp;</a></li><li><a href="https://www.saintceciliastudios.com/" rel="noopener noreferrer" target="_blank">Steven's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-213-with-ken-riley/" rel="noopener noreferrer" target="_blank">Ken Riley on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-127-with-craig-schumacher/" rel="noopener noreferrer" target="_blank">Craig Schumacher on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-282-with-bjorgvin-benediktsson/" rel="noopener noreferrer" target="_blank">Björgvin Benediktsson on WCA</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Steven Lee Tracy</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is producer/engineer Steven Lee Tracy who has written music for MTV, Adobe, Axon, and many others. He wrote, produced, and toured with Seattle indie band The Myriad for a decade. Worked on records for Besides Daniel, Orkesta Mendoza, and Mexrrissey,</p><p><strong>In this episode, we discuss</strong></p><ul><li>Commercial Studio in Tucson</li><li>Strict Upbringing</li><li>Moving Out</li><li>Selling His Car for Gear</li><li>The Fostex R8&nbsp;</li><li>Mental Health</li><li>Fathers Approval</li><li>Writing Horrible Songs</li><li>Machines of Loving Grace</li><li>Harvey Mason Jr.</li><li>The Biggest Roaches</li><li>Seattle Studio Internship</li><li>Tucson Good</li><li><a href="https://en.wikipedia.org/wiki/The_Myriad" rel="noopener noreferrer" target="_blank">The Myriad</a></li><li>Michael Ilbert</li><li>Hansa Studios</li><li>The Worst Intern&nbsp;</li><li>Record Deal</li><li>Matt Goldman</li><li>Real Estate Taxes</li><li>Atlanta</li><li>Divorce</li><li>Projects That Make You Hate Music</li><li>Recording in Albuquerque</li><li>Stories of the Saints</li><li>Hotel Mini Studio</li><li>Advice to Small Studios</li><li>Finding Solace in Music</li></ul><br/><p><br></p><p><strong>Matt's Rant: The Sale of Avid</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://en.wikipedia.org/wiki/Saint_Cecilia" rel="noopener noreferrer" target="_blank">Saint Cecilia&nbsp;</a></li><li><a href="https://www.saintceciliastudios.com/" rel="noopener noreferrer" target="_blank">Steven's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-213-with-ken-riley/" rel="noopener noreferrer" target="_blank">Ken Riley on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-127-with-craig-schumacher/" rel="noopener noreferrer" target="_blank">Craig Schumacher on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-282-with-bjorgvin-benediktsson/" rel="noopener noreferrer" target="_blank">Björgvin Benediktsson on WCA</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Steven Lee Tracy</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-452-with-steven-lee-tracy-the-worst-intern-the-biggest-roaches-strict-upbringing-stories-of-the-saints-and-finding-solace-in-music]]></link><guid isPermaLink="false">8003b756-b6b9-11ed-98dd-03e6e12546ad</guid><itunes:image href="https://artwork.captivate.fm/b9321ea4-696c-417b-ac55-45cbf3d3e6e3/c9e629.jpg"/><pubDate>Mon, 14 Aug 2023 21:17:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/63afee91-4fec-43c7-b314-f8b2e24404ac.mp3" length="142215324" type="audio/mpeg"/><itunes:duration>59:15</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>452</itunes:episode><podcast:episode>452</podcast:episode><itunes:summary>My guest is producer/engineer Steven Lee Tracy who has written music for MTV, Adobe, Axon, and many others. He wrote, produced, and toured with Seattle indie band The Myriad for a decade. Worked on records for Besides Daniel, Orkesta Mendoza, and Mexrrissey,


In this episode, we discuss

Commercial Studio in Tucson

Strict Upbringing

Moving Out

Selling His Car for Gear

The Fostex R8 

Mental Health

Fathers Approval

Writing Horrible Songs

Machines of Loving Grace

Harvey Mason Jr.

The Biggest Roaches

Seattle Studio Internship

Tucson Good

The Myriad

Michael Ilbert

Hansa Studios

The Worst Intern 

Record Deal

Matt Goldman

Real Estate Taxes

Atlanta

Divorce

Projects That Make You Hate Music

Recording in Albuquerque

Stories of the Saints

Hotel Mini Studio

Advice to Small Studios

Finding Solace in Music


Matt&apos;s Rant: The Sale of Avid

Links and Show Notes

Saint Cecilia 

Steven&apos;s Site

Ken Riley on WCA

Craig Schumacher on WCA

Björgvin Benediktsson on WCA


Credits

Guest: Steven Lee Tracy

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #451 with Justin Gray - Playing Bass, Transition to Audio, ATMOS, Competing with Yourself, Being Challenged, and Having Nerdy Friends</title><itunes:title>WCA #451 with Justin Gray - Playing Bass, Transition to Audio, ATMOS, Competing with Yourself, Being Challenged, and Having Nerdy Friends</itunes:title><description><![CDATA[<p>My guest is Producer, Mixer &amp; Mastering Engineer Justin Gray. Based in Toronto, Canada, Justin has worked on projects for Snoop Dogg, Brandy, Nicky Youre, Mother Mother, Arkells, Jamie Fine, Lola Brooke, Upsahl, and The Sheepdogs.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Listing to Music with Dad</li><li>Playing Bass</li><li>Transition to Audio</li><li>Getting to the Other Side of the Glass</li><li>Immersive Audio</li><li>ATMOS</li><li>SACD</li><li>Wedding Bands</li><li>Film Music</li><li>Having Nerdy Friends</li><li>Canadian Funding</li><li>Competing with Yourself</li><li>Getting Paid</li><li>Inspiration</li><li>Health</li><li>Musical Project</li><li>Being Challenged</li><li>Movement of Players&nbsp;</li></ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Getting Paid</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://synthesissound.com/" rel="noopener noreferrer" target="_blank">Justin's Site</a></li><li><a href="https://simpleinvoices.io/signup" rel="noopener noreferrer" target="_blank">simpleinvoices.io</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Justin Gray</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer, Mixer &amp; Mastering Engineer Justin Gray. Based in Toronto, Canada, Justin has worked on projects for Snoop Dogg, Brandy, Nicky Youre, Mother Mother, Arkells, Jamie Fine, Lola Brooke, Upsahl, and The Sheepdogs.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Listing to Music with Dad</li><li>Playing Bass</li><li>Transition to Audio</li><li>Getting to the Other Side of the Glass</li><li>Immersive Audio</li><li>ATMOS</li><li>SACD</li><li>Wedding Bands</li><li>Film Music</li><li>Having Nerdy Friends</li><li>Canadian Funding</li><li>Competing with Yourself</li><li>Getting Paid</li><li>Inspiration</li><li>Health</li><li>Musical Project</li><li>Being Challenged</li><li>Movement of Players&nbsp;</li></ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Getting Paid</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://synthesissound.com/" rel="noopener noreferrer" target="_blank">Justin's Site</a></li><li><a href="https://simpleinvoices.io/signup" rel="noopener noreferrer" target="_blank">simpleinvoices.io</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Justin Gray</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-451-with-justin-gray-playing-bass-transition-to-audio-atmos-competing-with-yourself-being-challenged-and-having-nerdy-friends]]></link><guid isPermaLink="false">7fce3b94-b6b9-11ed-98dd-972c9525ee2b</guid><itunes:image href="https://artwork.captivate.fm/a4a7e9bc-8212-4b06-b1c9-795ae8a4aa8d/7ef27d.jpg"/><pubDate>Mon, 07 Aug 2023 13:51:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0876cbe6-7a4b-4d7c-ad19-b3d70aed7133.mp3" length="202369028" type="audio/mpeg"/><itunes:duration>01:24:19</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>451</itunes:episode><podcast:episode>451</podcast:episode><itunes:summary>My guest is Producer, Mixer &amp; Mastering Engineer Justin Gray. Based in Toronto, Canada, Justin has worked on projects for Snoop Dogg, Brandy, Nicky Youre, Mother Mother, Arkells, Jamie Fine, Lola Brooke, Upsahl, and The Sheepdogs.


In this episode, we discuss

Listing to Music with Dad

Playing Bass

Transition to Audio

Getting to the Other Side of the Glass

Immersive Audio

ATMOS

SACD

Wedding Bands

Film Music

Having Nerdy Friends

Canadian Funding

Competing with Yourself

Getting Paid

Inspiration

Health

Musical Project

Being Challenged

Movement of Players 



Matt&apos;s Rant: Getting Paid

Links and Show Notes

Justin&apos;s Site

simpleinvoices.io


Credits

Guest: Justin Gray

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #450 with Vance Powell - Getting Along, Being In Control, Too Rogue, Diversification, and an Unnatural Fear of Failure</title><itunes:title>WCA #450 with Vance Powell - Getting Along, Being In Control, Too Rogue, Diversification, and an Unnatural Fear of Failure</itunes:title><description><![CDATA[<p>My guest is seven-time Grammy award-winning producer, engineer, and mixer Vance Powell. Vance's list of credits includes Chris Stapleton, Elle King, The Raconteurs, The Dead Weather, The White Stripes, Arctic Monkeys, Wolfmother, Seasick Steve, Black Prairie, Tinariwe, and Jeff The Brotherhood, among many others.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Grammy's and Dog Shit</li><li>Jealousy</li><li>Unnatural Fear of Failure</li><li>Fresh Produce</li><li>Getting Along</li><li>Taking Responsibility</li><li>Being In Control</li><li>Diversification</li><li>Phish</li><li>The Complexity of Live Sound</li><li>Too Rogue</li><li>Jack and Chris</li><li>Looking to the Future</li><li>Leaving Nashville</li><li>Nashville Resources</li><li>&nbsp;ATMOS</li></ul><br/><p><strong>Matt's Rant: Reflecting On 450 episodes.&nbsp;</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-007-vance-powell/" rel="noopener noreferrer" target="_blank">Vance Interview #1</a></li><li><a href="https://www.workingclassaudio.com/wca-250-with-vance-powell/" rel="noopener noreferrer" target="_blank">Vance Interview #2</a></li><li><a href="https://globalpositioningservices.net/vance-powell/" rel="noopener noreferrer" target="_blank">Vance Info</a></li><li><a href="https://www.instagram.com/vancalot/?hl=en" rel="noopener noreferrer" target="_blank">Vance on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Vance Powell</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is seven-time Grammy award-winning producer, engineer, and mixer Vance Powell. Vance's list of credits includes Chris Stapleton, Elle King, The Raconteurs, The Dead Weather, The White Stripes, Arctic Monkeys, Wolfmother, Seasick Steve, Black Prairie, Tinariwe, and Jeff The Brotherhood, among many others.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Grammy's and Dog Shit</li><li>Jealousy</li><li>Unnatural Fear of Failure</li><li>Fresh Produce</li><li>Getting Along</li><li>Taking Responsibility</li><li>Being In Control</li><li>Diversification</li><li>Phish</li><li>The Complexity of Live Sound</li><li>Too Rogue</li><li>Jack and Chris</li><li>Looking to the Future</li><li>Leaving Nashville</li><li>Nashville Resources</li><li>&nbsp;ATMOS</li></ul><br/><p><strong>Matt's Rant: Reflecting On 450 episodes.&nbsp;</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-007-vance-powell/" rel="noopener noreferrer" target="_blank">Vance Interview #1</a></li><li><a href="https://www.workingclassaudio.com/wca-250-with-vance-powell/" rel="noopener noreferrer" target="_blank">Vance Interview #2</a></li><li><a href="https://globalpositioningservices.net/vance-powell/" rel="noopener noreferrer" target="_blank">Vance Info</a></li><li><a href="https://www.instagram.com/vancalot/?hl=en" rel="noopener noreferrer" target="_blank">Vance on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Vance Powell</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-450-with-vance-powell-getting-along-being-in-control-too-rogue-diversification-and-an-unnatural-fear-of-failure]]></link><guid isPermaLink="false">7f990550-b6b9-11ed-98dd-1b5eb5de942e</guid><itunes:image href="https://artwork.captivate.fm/478ad170-0e22-464b-88ca-bee1a4c9d4cd/e6f883.jpg"/><pubDate>Mon, 31 Jul 2023 20:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e4c099bf-f53a-4c20-8a51-e289255666cd.mp3" length="197408935" type="audio/mpeg"/><itunes:duration>01:22:15</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>450</itunes:episode><podcast:episode>450</podcast:episode><itunes:summary>My guest is seven-time Grammy award-winning producer, engineer, and mixer Vance Powell. Vance&apos;s list of credits includes Chris Stapleton, Elle King, The Raconteurs, The Dead Weather, The White Stripes, Arctic Monkeys, Wolfmother, Seasick Steve, Black Prairie, Tinariwe, and Jeff The Brotherhood, among many others.

In this episode, we discuss

Grammy&apos;s and Dog Shit

Jealousy

Unnatural Fear of Failure

Fresh Produce

Getting Along

Taking Responsibility

Being In Control

Diversification

Phish

The Complexity of Live Sound

Too Rogue

Jack and Chris

Looking to the Future

Leaving Nashville

Nashville Resources

 ATMOS


Matt&apos;s Rant: Reflecting On 450 episodes. 

Links and Show Notes

Vance Interview #1

Vance Interview #2

Vance Info

Vance on Instagram


Credits

Guest: Vance Powell

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #449 with A.J.Hicks - Wearing Many Hats, Flotation Tanks, Panic Attacks, Music as a Tool, and the Panasonic Cassette Recorder</title><itunes:title>WCA #449 with A.J.Hicks - Wearing Many Hats, Flotation Tanks, Panic Attacks, Music as a Tool, and the Panasonic Cassette Recorder</itunes:title><description><![CDATA[<p>My guest is Producer/Engineer Musician A.J. (Austin James) Hicks. A.J. has worked with Powerhouse, Fang, Suede Razors, Ultra Sect, Camellia Boutros, and Scott Erdy. A'J' has also worked with some of the best Bay Area musicians and producers, including Michael Rosen, Michael Urbano, Jim Bogios, Jeff Campitelli, Uriah Duffey, James DePrato, Jerry Becker, Vicki Randle, and Vooo.</p><p> </p><p><strong>In this episode, we discuss</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Wearing Many Hats</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Panasonic Cassette</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Alzheimer's </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Music as a tool</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Music and the Brain</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Panic Attacks</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Flotation Tanks</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pandemic Recording</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Chabot College</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Michael Rosen</li></ol><br/><p><strong>Matt's Rant: Audio Personalities</strong></p><p><strong>Links and Show Notes</strong></p><p><a href="https://www.makenobonesmusic.com/" rel="noopener noreferrer" target="_blank">A.J.'s Site</a></p><p><a href="https://music.apple.com/us/album/unconditional/1689802191" rel="noopener noreferrer" target="_blank">A.J.'s new album</a></p><p><a href="https://www.workingclassaudio.com/wca-297-with-michael-rosen/" rel="noopener noreferrer" target="_blank">Michael Rosen on WCA</a></p><p><strong>Credits</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Guest: A.J.Hicks</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Host: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Engineer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Editing: Anne-Marie Pleau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>WCA Theme Music: Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Announcer: Chuck Smith </li></ol><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Engineer Musician A.J. (Austin James) Hicks. A.J. has worked with Powerhouse, Fang, Suede Razors, Ultra Sect, Camellia Boutros, and Scott Erdy. A'J' has also worked with some of the best Bay Area musicians and producers, including Michael Rosen, Michael Urbano, Jim Bogios, Jeff Campitelli, Uriah Duffey, James DePrato, Jerry Becker, Vicki Randle, and Vooo.</p><p> </p><p><strong>In this episode, we discuss</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Wearing Many Hats</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Panasonic Cassette</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Alzheimer's </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Music as a tool</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Music and the Brain</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Panic Attacks</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Flotation Tanks</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pandemic Recording</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Chabot College</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Michael Rosen</li></ol><br/><p><strong>Matt's Rant: Audio Personalities</strong></p><p><strong>Links and Show Notes</strong></p><p><a href="https://www.makenobonesmusic.com/" rel="noopener noreferrer" target="_blank">A.J.'s Site</a></p><p><a href="https://music.apple.com/us/album/unconditional/1689802191" rel="noopener noreferrer" target="_blank">A.J.'s new album</a></p><p><a href="https://www.workingclassaudio.com/wca-297-with-michael-rosen/" rel="noopener noreferrer" target="_blank">Michael Rosen on WCA</a></p><p><strong>Credits</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Guest: A.J.Hicks</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Host: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Engineer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Editing: Anne-Marie Pleau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>WCA Theme Music: Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Announcer: Chuck Smith </li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-449-with-a-jhicks-wearing-many-hats-flotation-tanks-panic-attacks-music-as-a-tool-and-the-panasonic-cassette-recorder]]></link><guid isPermaLink="false">7f565a84-b6b9-11ed-98dd-23eb075bf106</guid><itunes:image href="https://artwork.captivate.fm/4ba17f55-88e4-4257-81b6-37c805302864/d4eb40.jpg"/><pubDate>Mon, 24 Jul 2023 19:36:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/67696feb-1379-45c2-8e12-5107a2b27325.mp3" length="125733194" type="audio/mpeg"/><itunes:duration>52:23</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>449</itunes:episode><podcast:episode>449</podcast:episode><itunes:summary>My guest is Producer/Engineer Musician A.J. (Austin James) Hicks. A.J. has worked with Powerhouse, Fang, Suede Razors, Ultra Sect, Camellia Boutros, and Scott Erdy. A&apos;J&apos; has also worked with some of the best Bay Area musicians and producers, including Michael Rosen, Michael Urbano, Jim Bogios, Jeff Campitelli, Uriah Duffey, James DePrato, Jerry Becker, Vicki Randle, and Vooo.
 
In this episode, we discuss

Wearing Many Hats

Panasonic Cassette

Alzheimer&apos;s 

Music as a tool

Music and the Brain

Panic Attacks

Flotation Tanks

Pandemic Recording

Chabot College

Michael Rosen


Matt&apos;s Rant: Audio Personalities

Links and Show Notes
A.J.&apos;s Site
A.J.&apos;s new album
Michael Rosen on WCA
Credits

Guest: A.J.Hicks

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #448 with Tim O&apos;Sullivan - Cars on Fire, The Phoenix Sun, Niko Bolas, Eric Valentine, and Polite Persistence</title><itunes:title>WCA #448 with Tim O&apos;Sullivan - Cars on Fire, The Phoenix Sun, Niko Bolas, Eric Valentine, and Polite Persistence</itunes:title><description><![CDATA[<p>My guest is Grammy Nominated producer /engineer Tim O'Sullivan who has worked with Rayland Baxter, Yeah Yeah Yeah's, Mia Doi Todd, Chicano Batman, and É Arenas.&nbsp;</p><p>&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Phoenix Sun</li><li>Uncles Band</li><li>College Studio</li><li>Cars on Fire</li><li>Mechanical Engineering</li><li>Arizona Studios</li><li>Working at Capital</li><li>The Runner Pool</li><li>Niko Bolas</li><li>Being Honest&nbsp;</li><li>Basic Signal Flow</li><li>Night Crew</li><li>Eric Valentine</li><li>Archives at EMI</li><li>Amazing Time</li><li>Polite Persistence</li><li>Working for UTA</li><li>Studio Installs</li><li>Brooklyn</li><li>Tech work</li></ul><br/><p><strong>Matt's Rant: Doing Audio in Public</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://osullivanaudio.com/" rel="noopener noreferrer" target="_blank">Tim's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-071-niko-bolas/" rel="noopener noreferrer" target="_blank">Niko Bolas</a></li><li><a href="https://www.workingclassaudio.com/wca-324-with-steve-genewick/" rel="noopener noreferrer" target="_blank">Steve Genewick</a></li><li><a href="https://www.workingclassaudio.com/wca-043-with-eric-valentine/" rel="noopener noreferrer" target="_blank">Eric Valentine</a></li></ul><br/><p>&nbsp;</p><p><strong>Credits</strong></p><ul><li>Guest: Tim O'Sullivan</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Nominated producer /engineer Tim O'Sullivan who has worked with Rayland Baxter, Yeah Yeah Yeah's, Mia Doi Todd, Chicano Batman, and É Arenas.&nbsp;</p><p>&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Phoenix Sun</li><li>Uncles Band</li><li>College Studio</li><li>Cars on Fire</li><li>Mechanical Engineering</li><li>Arizona Studios</li><li>Working at Capital</li><li>The Runner Pool</li><li>Niko Bolas</li><li>Being Honest&nbsp;</li><li>Basic Signal Flow</li><li>Night Crew</li><li>Eric Valentine</li><li>Archives at EMI</li><li>Amazing Time</li><li>Polite Persistence</li><li>Working for UTA</li><li>Studio Installs</li><li>Brooklyn</li><li>Tech work</li></ul><br/><p><strong>Matt's Rant: Doing Audio in Public</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://osullivanaudio.com/" rel="noopener noreferrer" target="_blank">Tim's Site</a></li><li><a href="https://www.workingclassaudio.com/wca-071-niko-bolas/" rel="noopener noreferrer" target="_blank">Niko Bolas</a></li><li><a href="https://www.workingclassaudio.com/wca-324-with-steve-genewick/" rel="noopener noreferrer" target="_blank">Steve Genewick</a></li><li><a href="https://www.workingclassaudio.com/wca-043-with-eric-valentine/" rel="noopener noreferrer" target="_blank">Eric Valentine</a></li></ul><br/><p>&nbsp;</p><p><strong>Credits</strong></p><ul><li>Guest: Tim O'Sullivan</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-448-with-tim-osullivan-cars-on-fire-the-phoenix-sun-niko-bolas-eric-valentine-and-polite-persistence]]></link><guid isPermaLink="false">7f343936-b6b9-11ed-98dd-a3cc5c193e4e</guid><itunes:image href="https://artwork.captivate.fm/49f0b1eb-cac0-4042-b48b-6410ea6ddc76/5e25e9.jpg"/><pubDate>Mon, 17 Jul 2023 18:49:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3c00d456-ef26-44d3-96a1-5ff6292d3ec6.mp3" length="143384401" type="audio/mpeg"/><itunes:duration>59:45</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>448</itunes:episode><podcast:episode>448</podcast:episode><itunes:summary>My guest is Grammy Nominated producer /engineer Tim O&apos;Sullivan who has worked with Rayland Baxter, Yeah Yeah Yeah&apos;s, Mia Doi Todd, Chicano Batman, and É Arenas. 
 
In this episode, we discuss

The Phoenix Sun

Uncles Band

College Studio

Cars on Fire

Mechanical Engineering

Arizona Studios

Working at Capital

The Runner Pool

Niko Bolas

Being Honest 

Basic Signal Flow

Night Crew

Eric Valentine

Archives at EMI

Amazing Time

Polite Persistence

Working for UTA

Studio Installs

Brooklyn

Tech work


Matt&apos;s Rant: Doing Audio in Public
Links and Show Notes

Tim&apos;s Site

Niko Bolas

Steve Genewick

Eric Valentine

 
Credits

Guest: Tim O&apos;Sullivan

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #447 with Harold LaRue- Mastering, Michigan Winters, Restaurant Lessons, Discharging Capacitors, Connecting Via The Union, and Professional Communications</title><itunes:title>WCA #447 with Harold LaRue- Mastering, Michigan Winters, Restaurant Lessons, Discharging Capacitors, Connecting Via The Union, and Professional Communications</itunes:title><description><![CDATA[<p>My guest is Grammy Winning Mastering engineer Harold LaRue who has worked with Wayne Shorter, Terri Lyne Carrington, Esperanza Spalding, Lisa Bella Donna, Jeffrey Osborne (L.T.D.), Joey Alexander, Kayley Hill (The Voice), Jack Russell's Great White, and Southern Raised.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Navy Brat Life</li><li>Michigan Winters</li><li>4 Track Entry</li><li>Ronan Chris Murphy&nbsp;</li><li>Software Development</li><li>Pro Audio Repair</li><li>Discharging Capacitors</li><li>Restaurant Lessons</li><li>Earned Marketing</li><li>Food Recycling</li><li>Retro Instruments</li><li>Moving Around the US</li><li>Networking via NARAS</li><li>Transitioning to Mastering</li><li>Growing Tired of Moving</li><li>Moving to Houston</li><li>Connecting Via The Union</li><li>How to Join The Union</li><li>Winning a Grammy</li><li>Professional Communications</li></ul><br/><p><strong>Matt's Rant: Studio Owner Diversification</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-131-with-ronan-chris-murphy/" rel="noopener noreferrer" target="_blank">Ronan Chris Murphy on WCA</a></li><li><a href="https://haroldlaruemastering.com/" rel="noopener noreferrer" target="_blank">Harold's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Harold LaRue</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Winning Mastering engineer Harold LaRue who has worked with Wayne Shorter, Terri Lyne Carrington, Esperanza Spalding, Lisa Bella Donna, Jeffrey Osborne (L.T.D.), Joey Alexander, Kayley Hill (The Voice), Jack Russell's Great White, and Southern Raised.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Navy Brat Life</li><li>Michigan Winters</li><li>4 Track Entry</li><li>Ronan Chris Murphy&nbsp;</li><li>Software Development</li><li>Pro Audio Repair</li><li>Discharging Capacitors</li><li>Restaurant Lessons</li><li>Earned Marketing</li><li>Food Recycling</li><li>Retro Instruments</li><li>Moving Around the US</li><li>Networking via NARAS</li><li>Transitioning to Mastering</li><li>Growing Tired of Moving</li><li>Moving to Houston</li><li>Connecting Via The Union</li><li>How to Join The Union</li><li>Winning a Grammy</li><li>Professional Communications</li></ul><br/><p><strong>Matt's Rant: Studio Owner Diversification</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-131-with-ronan-chris-murphy/" rel="noopener noreferrer" target="_blank">Ronan Chris Murphy on WCA</a></li><li><a href="https://haroldlaruemastering.com/" rel="noopener noreferrer" target="_blank">Harold's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Harold LaRue</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-447-with-harold-larue-mastering-michigan-winters-restaurant-lessons-discharging-capacitors-connecting-via-the-union-and-professional-communications]]></link><guid isPermaLink="false">7eeee25a-b6b9-11ed-98dd-5bdbdff98559</guid><itunes:image href="https://artwork.captivate.fm/e253b0cd-ad41-4b72-a4fe-8b71ebcf4d00/09cf87.jpg"/><pubDate>Mon, 10 Jul 2023 20:36:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d3abcba6-98cb-4f23-a6eb-a3e16f2605ee.mp3" length="150231824" type="audio/mpeg"/><itunes:duration>01:02:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>447</itunes:episode><podcast:episode>447</podcast:episode><itunes:summary>My guest is Grammy Winning Mastering engineer Harold LaRue who has worked with Wayne Shorter, Terri Lyne Carrington, Esperanza Spalding, Lisa Bella Donna, Jeffrey Osborne (L.T.D.), Joey Alexander, Kayley Hill (The Voice), Jack Russell&apos;s Great White, and Southern Raised. 

In this episode, we discuss

Navy Brat Life

Michigan Winters

4 Track Entry

Ronan Chris Murphy 

Software Development

Pro Audio Repair

Discharging Capacitors

Restaurant Lessons

Earned Marketing

Food Recycling

Retro Instruments

Moving Around the US

Networking via NARAS

Transitioning to Mastering

Growing Tired of Moving

Moving to Houston

Connecting Via The Union

How to Join The Union

Winning a Grammy

Professional Communications


Matt&apos;s Rant: Studio Owner Diversification

Links and Show Notes

Ronan Chris Murphy on WCA

Harold&apos;s Site


Credits

Guest: Harold LaRue

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #446 with Andrew Oedel- Running a Church Studio, Costco TV&apos;s, Diversification, Goodfellas, and Dressing Up As An Elf</title><itunes:title>WCA #446 with Andrew Oedel- Running a Church Studio, Costco TV&apos;s, Diversification, Goodfellas, and Dressing Up As An Elf</itunes:title><description><![CDATA[<p>My guest is Grammy Nominated Recording Engineer/Mixer Andrew Oedel. Andrew owns Ghost Hit Recording and has worked with Sophie B. Hawkins, Brynn Cartelli, Mandy Harvey, Heather Maloney, Rachael Price, Seth Glier, The Front Bottoms, Sincere Engineer, and Watsky.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Western Mass</li><li>Early Focus on Music</li><li>Connecticut College</li><li>NYU</li><li>Internships</li><li>Freelancing&nbsp;</li><li>Avatar</li><li>Casting A Wide Net</li><li>Dressing Up As An Elf</li><li>Customer Service</li><li>Handouts</li><li>Willing to Clean Toilets</li><li>Studio Etiquette</li><li>Goodfellas</li><li>Working with Watsky</li><li>Studio in a Warehouse</li><li>220-Year-Old Church Studio</li><li>Double Mortgages</li><li>Accommodating Outside Producer/Engineers</li><li>Studio Rates</li><li>Family</li><li>Costco TV's</li><li>Diversification</li><li>Studio Expenses</li><li>Property Tax</li></ul><br/><p><strong>Matt's Rant: Matt's New Machine</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.ghosthitrecording.com/" rel="noopener noreferrer" target="_blank">Andrew's Studio</a></li><li><a href="https://www.hollowmountainsound.com/" rel="noopener noreferrer" target="_blank">Hollow Mountain Sound</a></li><li><a href="https://www.instagram.com/matt_stops_time/" rel="noopener noreferrer" target="_blank">Matts Picture Instagram</a></li><li><a href="https://en.wikipedia.org/wiki/X_Infinity" rel="noopener noreferrer" target="_blank">Watsky x Infinity</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Andrew Oedel</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Nominated Recording Engineer/Mixer Andrew Oedel. Andrew owns Ghost Hit Recording and has worked with Sophie B. Hawkins, Brynn Cartelli, Mandy Harvey, Heather Maloney, Rachael Price, Seth Glier, The Front Bottoms, Sincere Engineer, and Watsky.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Western Mass</li><li>Early Focus on Music</li><li>Connecticut College</li><li>NYU</li><li>Internships</li><li>Freelancing&nbsp;</li><li>Avatar</li><li>Casting A Wide Net</li><li>Dressing Up As An Elf</li><li>Customer Service</li><li>Handouts</li><li>Willing to Clean Toilets</li><li>Studio Etiquette</li><li>Goodfellas</li><li>Working with Watsky</li><li>Studio in a Warehouse</li><li>220-Year-Old Church Studio</li><li>Double Mortgages</li><li>Accommodating Outside Producer/Engineers</li><li>Studio Rates</li><li>Family</li><li>Costco TV's</li><li>Diversification</li><li>Studio Expenses</li><li>Property Tax</li></ul><br/><p><strong>Matt's Rant: Matt's New Machine</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.ghosthitrecording.com/" rel="noopener noreferrer" target="_blank">Andrew's Studio</a></li><li><a href="https://www.hollowmountainsound.com/" rel="noopener noreferrer" target="_blank">Hollow Mountain Sound</a></li><li><a href="https://www.instagram.com/matt_stops_time/" rel="noopener noreferrer" target="_blank">Matts Picture Instagram</a></li><li><a href="https://en.wikipedia.org/wiki/X_Infinity" rel="noopener noreferrer" target="_blank">Watsky x Infinity</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Andrew Oedel</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-446-with-andrew-oedel-running-a-church-studio-costco-tvs-diversification-goodfellas-and-dressing-up-as-an-elf]]></link><guid isPermaLink="false">7ecc7bb6-b6b9-11ed-98dd-73abd7d3e2bd</guid><itunes:image href="https://artwork.captivate.fm/ff477d3d-19c0-4cc6-aed8-d848e6d2f816/94e0a4.jpg"/><pubDate>Mon, 03 Jul 2023 14:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/81740b1b-ff0f-410c-92fc-53ca9e055c9c.mp3" length="197244831" type="audio/mpeg"/><itunes:duration>01:22:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>446</itunes:episode><podcast:episode>446</podcast:episode><itunes:summary>My guest is Grammy Nominated Recording Engineer/Mixer Andrew Oedel. Andrew owns Ghost Hit Recording and has worked with Sophie B. Hawkins, Brynn Cartelli, Mandy Harvey, Heather Maloney, Rachael Price, Seth Glier, The Front Bottoms, Sincere Engineer, and Watsky.

In this episode, we discuss

Growing up in Western Mass

Early Focus on Music

Connecticut College

NYU

Internships

Freelancing 

Avatar

Casting A Wide Net

Dressing Up As An Elf

Customer Service

Handouts

Willing to Clean Toilets

Studio Etiquette

Goodfellas

Working with Watsky

Studio in a Warehouse

220-Year-Old Church Studio

Double Mortgages

Accommodating Outside Producer/Engineers

Studio Rates

Family

Costco TV&apos;s

Diversification

Studio Expenses

Property Tax


Matt&apos;s Rant: Matt&apos;s New Machine

Links and Show Notes

Andrew&apos;s Studio

Hollow Mountain Sound

Matts Picture Instagram

Watsky x Infinity


Credits

Guest: Andrew Oedel

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #445 with Brad Smalling- Adopting ATMOS, Watching the Bottom Line, Relationships, Outreach, and Networking</title><itunes:title>WCA #445 with Brad Smalling- Adopting ATMOS, Watching the Bottom Line, Relationships, Outreach, and Networking</itunes:title><description><![CDATA[<p>My guest is Brad Smalling, Atmos Creative, Engineer, and Owner of Evergroove Studio. Brad has worked on projects for J Balvin, Carly Simon, Story of the Year, RoSaWay, and Enisa, Bava.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Reconnecting</li><li>Athena Wilkinson</li><li>Ergonomic Nightmare</li><li>Adopting ATMOS</li><li>Spousal Instinct</li><li>UMG</li><li>J Balvin</li><li>Wes LaChot</li><li>Watching the Bottom Line</li><li>D Mixing</li><li>Solar Power&nbsp;</li><li>Inspiration</li><li>Business Coaching</li><li>Relationships&nbsp;</li><li>Outreach</li><li>Sonos ERA300</li><li>Getting Out and Networking</li></ul><br/><p><strong>Matt's Rant: Sonic Intrusion</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.evergroove.com/" rel="noopener noreferrer" target="_blank">Evergroove Studio</a></li><li><a href="https://www.lisazahiya.com/" rel="noopener noreferrer" target="_blank">Lisa Zahiya Business Coach</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Brad Smalling</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Brad Smalling, Atmos Creative, Engineer, and Owner of Evergroove Studio. Brad has worked on projects for J Balvin, Carly Simon, Story of the Year, RoSaWay, and Enisa, Bava.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Reconnecting</li><li>Athena Wilkinson</li><li>Ergonomic Nightmare</li><li>Adopting ATMOS</li><li>Spousal Instinct</li><li>UMG</li><li>J Balvin</li><li>Wes LaChot</li><li>Watching the Bottom Line</li><li>D Mixing</li><li>Solar Power&nbsp;</li><li>Inspiration</li><li>Business Coaching</li><li>Relationships&nbsp;</li><li>Outreach</li><li>Sonos ERA300</li><li>Getting Out and Networking</li></ul><br/><p><strong>Matt's Rant: Sonic Intrusion</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.evergroove.com/" rel="noopener noreferrer" target="_blank">Evergroove Studio</a></li><li><a href="https://www.lisazahiya.com/" rel="noopener noreferrer" target="_blank">Lisa Zahiya Business Coach</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Brad Smalling</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-445-with-brad-smalling-adopting-atmos-watching-the-bottom-line-relationships-outreach-and-networking]]></link><guid isPermaLink="false">7e967e12-b6b9-11ed-98dd-13c531886b5f</guid><itunes:image href="https://artwork.captivate.fm/7f96fb77-f25c-4a36-99a6-a7672e036863/a0b229.jpeg"/><pubDate>Mon, 26 Jun 2023 19:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/77a8a7a6-227f-440a-ba74-4cd26ffc51db.mp3" length="166934552" type="audio/mpeg"/><itunes:duration>01:09:33</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>445</itunes:episode><podcast:episode>445</podcast:episode><itunes:summary>My guest is Brad Smalling, Atmos Creative, Engineer, and Owner of Evergroove Studio. Brad has worked on projects for J Balvin, Carly Simon, Story of the Year, RoSaWay, and Enisa, Bava.

In this episode, we discuss

Reconnecting

Athena Wilkinson

Ergonomic Nightmare

Adopting ATMOS

Spousal Instinct

UMG

J Balvin

Wes LaChot

Watching the Bottom Line

D Mixing

Solar Power 

Inspiration

Business Coaching

Relationships 

Outreach

Sonos ERA300

Getting Out and Networking


Matt&apos;s Rant: Sonic Intrusion

Links and Show Notes

Evergroove Studio

Lisa Zahiya Business Coach

Credits

Guest: Brad Smalling

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #444 with Jacob Light- The Acute Student, Survival, Focus, Discipline, Financial Literacy, and Music as Religion</title><itunes:title>WCA #444 with Jacob Light- The Acute Student, Survival, Focus, Discipline, Financial Literacy, and Music as Religion</itunes:title><description><![CDATA[<p>My guest is Producer/Engineer and owner of&nbsp;<a href="https://moderntonestudios.com/" rel="noopener noreferrer" target="_blank">Modern Tone Studios</a>, Jacob Light. Jacob has worked with Tess Stevens &amp; The Details, Briget Boyle, Lipstick, and many local artists, bands, and singer/songwriters that write fantastic music.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Israel</li><li>School and Music</li><li>Falling in Love with The Beatles</li><li>Legendary Mix Tapes</li><li>Curators</li><li>Recording Discovery</li><li>Digidesign VHS Tapes</li><li>Focus and Discipline</li><li>Growing the Network</li><li>Weed and Pizza</li><li>School Negotiations</li><li>Survival</li><li>Lack of Entitlement</li><li>Israeli Airforce</li><li>Acute Student</li><li>Moving to The US</li><li>Starting Over</li><li>Music as Religion</li><li>Building a Studio</li><li>Running a Successful Studio</li><li>Financial Literacy</li><li>Buy Back Your Time</li></ul><br/><p><strong>Matt's Rant: A New Laptop</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://moderntonestudios.com/" rel="noopener noreferrer" target="_blank">Modern Tone Studios</a></li><li><a href="https://www.audible.com/pd/Buy-Back-Your-Time-Audiobook/B09YMMFV2G?action_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Buy Back Your Time</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Jacob Light</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Engineer and owner of&nbsp;<a href="https://moderntonestudios.com/" rel="noopener noreferrer" target="_blank">Modern Tone Studios</a>, Jacob Light. Jacob has worked with Tess Stevens &amp; The Details, Briget Boyle, Lipstick, and many local artists, bands, and singer/songwriters that write fantastic music.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Israel</li><li>School and Music</li><li>Falling in Love with The Beatles</li><li>Legendary Mix Tapes</li><li>Curators</li><li>Recording Discovery</li><li>Digidesign VHS Tapes</li><li>Focus and Discipline</li><li>Growing the Network</li><li>Weed and Pizza</li><li>School Negotiations</li><li>Survival</li><li>Lack of Entitlement</li><li>Israeli Airforce</li><li>Acute Student</li><li>Moving to The US</li><li>Starting Over</li><li>Music as Religion</li><li>Building a Studio</li><li>Running a Successful Studio</li><li>Financial Literacy</li><li>Buy Back Your Time</li></ul><br/><p><strong>Matt's Rant: A New Laptop</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://moderntonestudios.com/" rel="noopener noreferrer" target="_blank">Modern Tone Studios</a></li><li><a href="https://www.audible.com/pd/Buy-Back-Your-Time-Audiobook/B09YMMFV2G?action_code=ASSGB149080119000H&amp;share_location=pdp" rel="noopener noreferrer" target="_blank">Buy Back Your Time</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Jacob Light</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-444-with-jacob-light-the-acute-student-survival-focus-discipline-financial-literacy-and-music-as-religion]]></link><guid isPermaLink="false">7e536b0e-b6b9-11ed-98dd-3fabd1f3e448</guid><itunes:image href="https://artwork.captivate.fm/8cf2992c-16a6-4924-88ed-411c42c121c0/4f2e1f.jpeg"/><pubDate>Mon, 19 Jun 2023 19:48:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0c98d20f-bbcc-427e-88e2-05ab0571cbf2.mp3" length="227697361" type="audio/mpeg"/><itunes:duration>01:58:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>444</itunes:episode><podcast:episode>444</podcast:episode><itunes:summary>My guest is Producer/Engineer and owner of Modern Tone Studios, Jacob Light. Jacob has worked with Tess Stevens &amp; The Details, Briget Boyle, Lipstick, and many local artists, bands, and singer/songwriters that write fantastic music.

In this episode, we discuss

Israel

School and Music

Falling in Love with The Beatles

Legendary Mix Tapes

Curators

Recording Discovery

Digidesign VHS Tapes

Focus and Discipline

Growing the Network

Weed and Pizza

School Negotiations

Survival

Lack of Entitlement

Israeli Airforce

Acute Student

Moving to The US

Starting Over

Music as Religion

Building a Studio

Running a Successful Studio

Financial Literacy

Buy Back Your Time


Matt&apos;s Rant: A New Laptop
Links and Show Notes

Modern Tone Studios

Buy Back Your Time

Credits

Guest: Jacob Light

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #443 with Golden Gate Mixers - Mixing Collective, Mutual Respect, Working in Silos, Coffee Bar Needs, and Putting on Pants</title><itunes:title>WCA #443 with Golden Gate Mixers - Mixing Collective, Mutual Respect, Working in Silos, Coffee Bar Needs, and Putting on Pants</itunes:title><description><![CDATA[<p>My guest is my mixing and mastering collective with Reto Peter and Mckay Garner called Golden Gate Mixers.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Mixing Collective</li><li>Celebrating Wins</li><li>Working in Silo's</li><li>Mutual Respect</li><li>The Dynamics of Numbers</li><li>Working from Home</li><li>Putting on Pants</li><li>Feeling Isolated</li><li>Coffee Bar Needs</li><li>Focusing</li><li>Space Constraints</li><li>Selling Gear</li><li>The Hassle of Setup</li><li>Apartment Studios</li><li>Separation&nbsp;</li><li>Soundproofing</li><li>Neighbors</li><li>ATMOS Considerations</li><li>Competition</li><li>Support Systems</li></ul><br/><p><strong>Matt's Rant: Working From Home</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.goldengatemixers.com/" rel="noopener noreferrer" target="_blank">Golden Gate Mixers Site</a></li><li><a href="https://www.workingclassaudio.com/wca-294-with-mckay-garner/" rel="noopener noreferrer" target="_blank">McKay on WCA #294</a></li><li><a href="https://www.workingclassaudio.com/wca-295-with-reto-peter/" rel="noopener noreferrer" target="_blank">Reto on WCA #295</a></li><li><a href="https://www.weirdjungle.com/" rel="noopener noreferrer" target="_blank">Weird Jungle Collective</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Golden Gate Mixers</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is my mixing and mastering collective with Reto Peter and Mckay Garner called Golden Gate Mixers.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Mixing Collective</li><li>Celebrating Wins</li><li>Working in Silo's</li><li>Mutual Respect</li><li>The Dynamics of Numbers</li><li>Working from Home</li><li>Putting on Pants</li><li>Feeling Isolated</li><li>Coffee Bar Needs</li><li>Focusing</li><li>Space Constraints</li><li>Selling Gear</li><li>The Hassle of Setup</li><li>Apartment Studios</li><li>Separation&nbsp;</li><li>Soundproofing</li><li>Neighbors</li><li>ATMOS Considerations</li><li>Competition</li><li>Support Systems</li></ul><br/><p><strong>Matt's Rant: Working From Home</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.goldengatemixers.com/" rel="noopener noreferrer" target="_blank">Golden Gate Mixers Site</a></li><li><a href="https://www.workingclassaudio.com/wca-294-with-mckay-garner/" rel="noopener noreferrer" target="_blank">McKay on WCA #294</a></li><li><a href="https://www.workingclassaudio.com/wca-295-with-reto-peter/" rel="noopener noreferrer" target="_blank">Reto on WCA #295</a></li><li><a href="https://www.weirdjungle.com/" rel="noopener noreferrer" target="_blank">Weird Jungle Collective</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Golden Gate Mixers</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-443-with-golden-gate-mixers-mixing-collective-mutual-respect-working-in-silos-coffee-bar-needs-and-putting-on-pants]]></link><guid isPermaLink="false">7e314114-b6b9-11ed-98dd-7f813d0b36ca</guid><itunes:image href="https://artwork.captivate.fm/43199217-38c5-4217-86da-23b49c630ff7/69fdfa.jpeg"/><pubDate>Mon, 12 Jun 2023 19:46:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ce65c9d5-910a-4f18-a751-109c21a60f89.mp3" length="182271295" type="audio/mpeg"/><itunes:duration>01:15:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>443</itunes:episode><podcast:episode>443</podcast:episode><itunes:summary>My guest is my mixing and mastering collective with Reto Peter and Mckay Garner called Golden Gate Mixers. 

In this episode, we discuss

Mixing Collective

Celebrating Wins

Working in Silo&apos;s

Mutual Respect

The Dynamics of Numbers

Working from Home

Putting on Pants

Feeling Isolated

Coffee Bar Needs

Focusing

Space Constraints

Selling Gear

The Hassle of Setup

Apartment Studios

Separation 

Soundproofing

Neighbors

ATMOS Considerations

Competition

Support Systems


Matt&apos;s Rant: Working From Home

Links and Show Notes

Golden Gate Mixers Site

McKay on WCA #294

Reto on WCA #295

Weird Jungle Collective

Credits

Guest: Golden Gate Mixers

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #442 with Louie Gonzalez - Family, Listening Habits, Recording as a Drug, Financial Consistency, Day Gigs, and Being Happy</title><itunes:title>WCA #442 with Louie Gonzalez - Family, Listening Habits, Recording as a Drug, Financial Consistency, Day Gigs, and Being Happy</itunes:title><description><![CDATA[<p>My guest is Recording Engineer/Mastering Engineer/Producer, Louie Gonzalez who has worked on projects with Tropa Magica, Discordant, 4thy, LIV, Suzie True, little fighter, and Banana Leaf Boy.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>San Pedro California</li><li>Swimming</li><li>Family</li><li>Access to Music</li><li>Oldest Child</li><li>Value in Failure</li><li>Death Metal Pedal</li><li>Recording as a Drug</li><li>Cal State Dominguez</li><li>The Apple Store</li><li>Financial Consistency</li><li>Viacom CBS</li><li>The Shelter Studios</li><li>Moving to Mastering</li><li>Listening Habits</li><li>Saying No</li><li>Day Gigs</li><li>Purchase Decisions</li><li>Having Audio Pay For Itself</li><li>Being Happy</li></ul><br/><p><strong>Matt's Rant: Taking My Own Advice</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-117-with-cesar-mejia/" rel="noopener noreferrer" target="_blank">Cesar on WCA</a></li><li><a href="http://podcast.tssmastering.com/" rel="noopener noreferrer" target="_blank">Louie's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Louie Gonzalez</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Recording Engineer/Mastering Engineer/Producer, Louie Gonzalez who has worked on projects with Tropa Magica, Discordant, 4thy, LIV, Suzie True, little fighter, and Banana Leaf Boy.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>San Pedro California</li><li>Swimming</li><li>Family</li><li>Access to Music</li><li>Oldest Child</li><li>Value in Failure</li><li>Death Metal Pedal</li><li>Recording as a Drug</li><li>Cal State Dominguez</li><li>The Apple Store</li><li>Financial Consistency</li><li>Viacom CBS</li><li>The Shelter Studios</li><li>Moving to Mastering</li><li>Listening Habits</li><li>Saying No</li><li>Day Gigs</li><li>Purchase Decisions</li><li>Having Audio Pay For Itself</li><li>Being Happy</li></ul><br/><p><strong>Matt's Rant: Taking My Own Advice</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-117-with-cesar-mejia/" rel="noopener noreferrer" target="_blank">Cesar on WCA</a></li><li><a href="http://podcast.tssmastering.com/" rel="noopener noreferrer" target="_blank">Louie's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Louie Gonzalez</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-442-with-louie-gonzalez-family-listening-habits-recording-as-a-drug-financial-consistency-day-gigs-and-being-happy]]></link><guid isPermaLink="false">7deeb60a-b6b9-11ed-98dd-73a41dc4f504</guid><itunes:image href="https://artwork.captivate.fm/d048e70a-e97b-4eb5-87a8-40c0a8d3859e/e76622.jpeg"/><pubDate>Mon, 05 Jun 2023 18:52:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3ce09e58-9053-4700-875e-dc50e3b941eb.mp3" length="170082650" type="audio/mpeg"/><itunes:duration>01:10:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>442</itunes:episode><podcast:episode>442</podcast:episode><itunes:summary>My guest is Recording Engineer/Mastering Engineer/Producer, Louie Gonzalez who has worked on projects with Tropa Magica, Discordant, 4thy, LIV, Suzie True, little fighter, and Banana Leaf Boy. 

In this episode, we discuss

San Pedro California

Swimming

Family

Access to Music

Oldest Child

Value in Failure

Death Metal Pedal

Recording as a Drug

Cal State Dominguez

The Apple Store

Financial Consistency

Viacom CBS

The Shelter Studios

Moving to Mastering

Listening Habits

Saying No

Day Gigs

Purchase Decisions

Having Audio Pay For Itself

Being Happy


Matt&apos;s Rant: Taking My Own Advice

Links and Show Notes

Cesar on WCA

Louie&apos;s Site


Credits

Guest: Louie Gonzalez

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #441 with Anna Frick- Polyester School Band, Mix Tapes, Post College Challenges, Saturn Return, and Surviving the Cut</title><itunes:title>WCA #441 with Anna Frick- Polyester School Band, Mix Tapes, Post College Challenges, Saturn Return, and Surviving the Cut</itunes:title><description><![CDATA[<p>My guest is Colorado-based mastering and restoration engineer Anna Frick who has worked on projects for Billy Strings, Wayne Gottstine (of Split Lip Rayfield), Wood &amp; Wire (GRAMMY-nominated), Ben Sollee, Bill &amp; the Belles, Stelth Ulvang, Cellista, Cody Qualls, Curtis McMurtry, Lil Smokies, LVDY, Dzirae Gold, Justin Hiltner, The Rise and Fall of Paramount Records (Third Man Records), the Navajo Nations (oral history project).</p><p><strong>In this episode, we discuss</strong></p><ul><li>Fort Collins Born</li><li>Outdoor Upbringing</li><li>Polyester School Band</li><li>Game Boy Soundman</li><li>Recording Friends</li><li>Positive Recording Experience</li><li>Mix Tapes</li><li>Music Industry Studies</li><li>CU Denver</li><li>Post College Challenges</li><li>Booking Agency Internship</li><li>Trying to Get a Foot In The Door</li><li>Calling the Cops</li><li>Audio Book Publishing</li><li>Editing Room Tone</li><li>Airshow Mastering</li><li>Saturn Return</li><li>Financial Planning</li><li>Developing Workflows</li><li>Mastering Mastering</li><li>QCing&nbsp;</li><li>The Growth of Hearing</li><li>File Management</li><li>Surviving the Cut</li><li>CRM Nerd Fest</li><li>Going Solo</li><li>Setting Up Shop</li><li><a href="http://www.windovertheearth.com/index.html" rel="noopener noreferrer" target="_blank">Wind Over the Earth</a></li><li>Branding</li><li>Centering Oneself</li></ul><br/><p><strong>Matt's Rant: How Are We Spending Our Time?</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://allysound.com/" rel="noopener noreferrer" target="_blank">Anna's Site</a></li><li><a href="https://www.instagram.com/frickinanna/" rel="noopener noreferrer" target="_blank">Anna on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-151-with-david-glasser/" rel="noopener noreferrer" target="_blank">David Glasser on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-258-with-jason-livermore/" rel="noopener noreferrer" target="_blank">Jason Livermore on WCA</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Anna Frick</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Colorado-based mastering and restoration engineer Anna Frick who has worked on projects for Billy Strings, Wayne Gottstine (of Split Lip Rayfield), Wood &amp; Wire (GRAMMY-nominated), Ben Sollee, Bill &amp; the Belles, Stelth Ulvang, Cellista, Cody Qualls, Curtis McMurtry, Lil Smokies, LVDY, Dzirae Gold, Justin Hiltner, The Rise and Fall of Paramount Records (Third Man Records), the Navajo Nations (oral history project).</p><p><strong>In this episode, we discuss</strong></p><ul><li>Fort Collins Born</li><li>Outdoor Upbringing</li><li>Polyester School Band</li><li>Game Boy Soundman</li><li>Recording Friends</li><li>Positive Recording Experience</li><li>Mix Tapes</li><li>Music Industry Studies</li><li>CU Denver</li><li>Post College Challenges</li><li>Booking Agency Internship</li><li>Trying to Get a Foot In The Door</li><li>Calling the Cops</li><li>Audio Book Publishing</li><li>Editing Room Tone</li><li>Airshow Mastering</li><li>Saturn Return</li><li>Financial Planning</li><li>Developing Workflows</li><li>Mastering Mastering</li><li>QCing&nbsp;</li><li>The Growth of Hearing</li><li>File Management</li><li>Surviving the Cut</li><li>CRM Nerd Fest</li><li>Going Solo</li><li>Setting Up Shop</li><li><a href="http://www.windovertheearth.com/index.html" rel="noopener noreferrer" target="_blank">Wind Over the Earth</a></li><li>Branding</li><li>Centering Oneself</li></ul><br/><p><strong>Matt's Rant: How Are We Spending Our Time?</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://allysound.com/" rel="noopener noreferrer" target="_blank">Anna's Site</a></li><li><a href="https://www.instagram.com/frickinanna/" rel="noopener noreferrer" target="_blank">Anna on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-151-with-david-glasser/" rel="noopener noreferrer" target="_blank">David Glasser on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-258-with-jason-livermore/" rel="noopener noreferrer" target="_blank">Jason Livermore on WCA</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Anna Frick</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-441-with-anna-frick-polyester-school-band-mix-tapes-post-college-challenges-saturn-return-and-surviving-the-cut]]></link><guid isPermaLink="false">7dbc8dec-b6b9-11ed-98dd-8bd1fa7b3bc6</guid><itunes:image href="https://artwork.captivate.fm/a2cb65aa-676f-401e-814c-ad792a7009c5/f1c5c9.jpeg"/><pubDate>Mon, 29 May 2023 20:07:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6378dc4b-a0f0-4272-a49f-bfc7d9a0f7c3.mp3" length="137252193" type="audio/mpeg"/><itunes:duration>57:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>441</itunes:episode><podcast:episode>441</podcast:episode><itunes:summary>My guest is Colorado-based mastering and restoration engineer Anna Frick who has worked on projects for Billy Strings, Wayne Gottstine (of Split Lip Rayfield), Wood &amp; Wire (GRAMMY-nominated), Ben Sollee, Bill &amp; the Belles, Stelth Ulvang, Cellista, Cody Qualls, Curtis McMurtry, Lil Smokies, LVDY, Dzirae Gold, Justin Hiltner, The Rise and Fall of Paramount Records (Third Man Records), the Navajo Nations (oral history project).

In this episode, we discuss

Fort Collins Born

Outdoor Upbringing

Polyester School Band

Game Boy Soundman

Recording Friends

Positive Recording Experience

Mix Tapes

Music Industry Studies

CU Denver

Post College Challenges

Booking Agency Internship

Trying to Get a Foot In The Door

Calling the Cops

Audio Book Publishing

Editing Room Tone

Airshow Mastering

Saturn Return

Financial Planning

Developing Workflows

Mastering Mastering

QCing 

The Growth of Hearing

File Management

Surviving the Cut

CRM Nerd Fest

Going Solo

Setting Up Shop

Wind Over the Earth

Branding

Centering Oneself


Matt&apos;s Rant: How Are We Spending Our Time?
Links and Show Notes

Anna&apos;s Site

Anna on Instagram

David Glasser on WCA

Jason Livermore on WCA

Credits

Guest: Anna Frick

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #440 with Tess Greenham - Training the Ears, Understanding the Business, Mastering Notes, Sonic Growth, and Working with Her Dad</title><itunes:title>WCA #440 with Tess Greenham - Training the Ears, Understanding the Business, Mastering Notes, Sonic Growth, and Working with Her Dad</itunes:title><description><![CDATA[<p>My guest is Los Angeles-based Mastering Engineer Tess Greenham, who has worked with Trousdale, McCall, RF Shannon, Cami Petyn, and Bellsaint.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing Up In SF</li><li>Moving to LA</li><li>Awareness of Audio</li><li>Working with Her Dad</li><li>Pandemic Discovery</li><li>Training the Ears</li><li>Understanding the Business</li><li>Keeping Calm with Clients</li><li>Mastering Notes</li><li>Sonic Growth</li><li>Appreciating Analog Gear</li><li>Honoring the Artist's Intention</li><li>Dealing with Slammed Mixes</li><li>Learning From a Parent</li><li>Being a Nepo Baby</li><li>Being Organized</li><li>Leaving the Sonic Nest</li><li>Working From Home</li><li>Financial Approach</li></ul><br/><p><strong>Matt's Rant: Taking Care of the Clients</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.clearlightmastering.com/" rel="noopener noreferrer" target="_blank">Tess and John's Site</a></li><li><a href="https://www.instagram.com/tessgreenham/?hl=en" rel="noopener noreferrer" target="_blank">Tess on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Tess Greenham</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Los Angeles-based Mastering Engineer Tess Greenham, who has worked with Trousdale, McCall, RF Shannon, Cami Petyn, and Bellsaint.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing Up In SF</li><li>Moving to LA</li><li>Awareness of Audio</li><li>Working with Her Dad</li><li>Pandemic Discovery</li><li>Training the Ears</li><li>Understanding the Business</li><li>Keeping Calm with Clients</li><li>Mastering Notes</li><li>Sonic Growth</li><li>Appreciating Analog Gear</li><li>Honoring the Artist's Intention</li><li>Dealing with Slammed Mixes</li><li>Learning From a Parent</li><li>Being a Nepo Baby</li><li>Being Organized</li><li>Leaving the Sonic Nest</li><li>Working From Home</li><li>Financial Approach</li></ul><br/><p><strong>Matt's Rant: Taking Care of the Clients</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.clearlightmastering.com/" rel="noopener noreferrer" target="_blank">Tess and John's Site</a></li><li><a href="https://www.instagram.com/tessgreenham/?hl=en" rel="noopener noreferrer" target="_blank">Tess on Instagram</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Tess Greenham</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-440-with-tess-greenham-training-the-ears-understanding-the-business-mastering-notes-sonic-growth-and-working-with-her-dad]]></link><guid isPermaLink="false">7d8b44b2-b6b9-11ed-98dd-abcdc65e9455</guid><itunes:image href="https://artwork.captivate.fm/8c9ca3b3-facf-4460-8703-cabefebf93c4/7a9f76.jpeg"/><pubDate>Mon, 22 May 2023 19:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/71b3d262-8265-43b0-9786-ebf119510c02.mp3" length="131722316" type="audio/mpeg"/><itunes:duration>54:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>440</itunes:episode><podcast:episode>440</podcast:episode><itunes:summary>My guest is Los Angeles-based Mastering Engineer Tess Greenham, who has worked with Trousdale, McCall, RF Shannon, Cami Petyn, and Bellsaint.

In this episode, we discuss

Growing Up In SF

Moving to LA

Awareness of Audio

Working with Her Dad

Pandemic Discovery

Training the Ears

Understanding the Business

Keeping Calm with Clients

Mastering Notes

Sonic Growth

Appreciating Analog Gear

Honoring the Artist&apos;s Intention

Dealing with Slammed Mixes

Learning From a Parent

Being a Nepo Baby

Being Organized

Leaving the Sonic Nest

Working From Home

Financial Approach


Matt&apos;s Rant: Taking Care of the Clients

Links and Show Notes

Tess and John&apos;s Site

Tess on Instagram

Credits

Guest: Tess Greenham

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #439 with John McBride - Always Learning, The Golden Rule, The Next Lennon and McCartney, Positive Attitude, and Inside Blackbird</title><itunes:title>WCA #439 with John McBride - Always Learning, The Golden Rule, The Next Lennon and McCartney, Positive Attitude, and Inside Blackbird</itunes:title><description><![CDATA[<p>My guest is Engineer/Mixer, Studio Owner, and Live FOH Engineer John McBride, who many know as the man behind Blackbird Studios. John has worked with his wife, Martina McBride, Stevie Nicks, Dave Stewart, Take 6, Joss Stone, and Greta Van Fleet, to name a few.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Wichita, Kansas</li><li>Joe Walsh</li><li>Parents Musical Tastes</li><li>The 10 Best Years of Music&nbsp;</li><li>Piano Lessons</li><li>Save The Music</li><li>Dissecting Music</li><li>The Next Lennon and McCartney</li><li>Chemistry Major</li><li>Getting Laughed at By The Bank</li><li>Starting a Sound Company</li><li>Always Learning</li><li>Parents House Collateral</li><li>Selling to Clare Brothers</li><li>Having No Debt</li><li>Positive Attitude&nbsp;</li><li>James Brown to Metallica</li><li>RATT and the Birth of KYFO</li><li>Small World of Touring</li><li>Moving to Nashville</li><li>Garth Brooks</li><li>The Golden Rule</li><li>Building Blackbird Studios</li><li>Richard Dodd</li><li>Vance Powell</li><li>Rolf Zweep</li><li>Mark Rubel</li><li>Luck in Business</li><li>Gretch Round Badge</li><li>Inside Blackbird</li><li>Trina Shoemaker</li></ul><br/><p><strong>Matt's Rant: Investing in Yourself!</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://insideblackbird.com/" rel="noopener noreferrer" target="_blank">Inside Blackbird</a></li><li><a href="https://blackbirdstudio.com/" rel="noopener noreferrer" target="_blank">Blackbird Studio</a></li><li><a href="https://theblackbirdacademy.com/" rel="noopener noreferrer" target="_blank">Blackbird Academy</a></li><li><a href="https://www.blackbirdaudiorentals.com/" rel="noopener noreferrer" target="_blank">Blackbird Rentals</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: John McBride</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Engineer/Mixer, Studio Owner, and Live FOH Engineer John McBride, who many know as the man behind Blackbird Studios. John has worked with his wife, Martina McBride, Stevie Nicks, Dave Stewart, Take 6, Joss Stone, and Greta Van Fleet, to name a few.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Wichita, Kansas</li><li>Joe Walsh</li><li>Parents Musical Tastes</li><li>The 10 Best Years of Music&nbsp;</li><li>Piano Lessons</li><li>Save The Music</li><li>Dissecting Music</li><li>The Next Lennon and McCartney</li><li>Chemistry Major</li><li>Getting Laughed at By The Bank</li><li>Starting a Sound Company</li><li>Always Learning</li><li>Parents House Collateral</li><li>Selling to Clare Brothers</li><li>Having No Debt</li><li>Positive Attitude&nbsp;</li><li>James Brown to Metallica</li><li>RATT and the Birth of KYFO</li><li>Small World of Touring</li><li>Moving to Nashville</li><li>Garth Brooks</li><li>The Golden Rule</li><li>Building Blackbird Studios</li><li>Richard Dodd</li><li>Vance Powell</li><li>Rolf Zweep</li><li>Mark Rubel</li><li>Luck in Business</li><li>Gretch Round Badge</li><li>Inside Blackbird</li><li>Trina Shoemaker</li></ul><br/><p><strong>Matt's Rant: Investing in Yourself!</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://insideblackbird.com/" rel="noopener noreferrer" target="_blank">Inside Blackbird</a></li><li><a href="https://blackbirdstudio.com/" rel="noopener noreferrer" target="_blank">Blackbird Studio</a></li><li><a href="https://theblackbirdacademy.com/" rel="noopener noreferrer" target="_blank">Blackbird Academy</a></li><li><a href="https://www.blackbirdaudiorentals.com/" rel="noopener noreferrer" target="_blank">Blackbird Rentals</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: John McBride</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-439-with-john-mcbride-always-learning-the-golden-rule-the-next-lennon-and-mccartney-positive-attitude-and-inside-blackbird]]></link><guid isPermaLink="false">7d57ff8a-b6b9-11ed-98dd-93f5a65fb3f0</guid><itunes:image href="https://artwork.captivate.fm/6d4040cc-6826-4a52-a3e2-8de370880c34/a1ebe5.jpeg"/><pubDate>Mon, 15 May 2023 15:46:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/99019d71-6524-4dcf-9462-9f54f3436e89.mp3" length="194533346" type="audio/mpeg"/><itunes:duration>01:21:03</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>439</itunes:episode><podcast:episode>439</podcast:episode><itunes:summary>My guest is Engineer/Mixer, Studio Owner, and Live FOH Engineer John McBride, who many know as the man behind Blackbird Studios. John has worked with his wife, Martina McBride, Stevie Nicks, Dave Stewart, Take 6, Joss Stone, and Greta Van Fleet, to name a few. 

In this episode, we discuss

Wichita, Kansas

Joe Walsh

Parents Musical Tastes

The 10 Best Years of Music 

Piano Lessons

Save The Music

Dissecting Music

The Next Lennon and McCartney

Chemistry Major

Getting Laughed at By The Bank

Starting a Sound Company

Always Learning

Parents House Collateral

Selling to Clare Brothers

Having No Debt

Positive Attitude 

James Brown to Metallica

RATT and the Birth of KYFO

Small World of Touring

Moving to Nashville

Garth Brooks

The Golden Rule

Building Blackbird Studios

Richard Dodd

Vance Powell

Rolf Zweep

Mark Rubel

Luck in Business

Gretch Round Badge

Inside Blackbird

Trina Shoemaker


Matt&apos;s Rant: Investing in Yourself!

Links and Show Notes

Inside Blackbird

Blackbird Studio

Blackbird Academy

Blackbird Rentals



Credits

Guest: John McBride

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #438 with Orlando Torres - Discovering His Uncles Walkman, Multi Tracking with Cassettes, Recording at Mom&apos;s House, Putting Yourself Out There, and Enjoying Family</title><itunes:title>WCA #438 with Orlando Torres - Discovering His Uncles Walkman, Multi Tracking with Cassettes, Recording at Mom&apos;s House, Putting Yourself Out There, and Enjoying Family</itunes:title><description><![CDATA[<p>My guest is engineer Orlando Torres based in Los Angeles. Orlando has worked with Abraham Laboriel, Joey DeFrancesco, Alex Acuña, Lee Rocker, and Kobe Bryant, to name a few.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Born in Mexico</li><li>Mexican and US Culture</li><li>Discovering the Walkman</li><li>Late Night Edgy Television</li><li>Guitar Lessons</li><li>Multi Tracking with Cassettes</li><li>Construction</li><li>Audio School</li><li>Recording at Mom's House</li><li>Learning the Techincal Ropes</li><li>Figuring It Out</li><li>Ditching an Office Job</li><li>Love and Laughter Studios</li><li>Mentors</li><li>Diversification</li><li>Playback Gigs</li><li>Enjoying Family</li><li>Permanent Job Considerations</li><li>Introverts and Extroverts</li><li>Coffee the Great Connector</li><li>Helping Others</li><li>Putting Yourself Out There</li><li>Finances</li><li>Working from Home</li><li>Local Work</li></ul><br/><p><strong>Matt's Rant: Don't Be Afraid to Fail!</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://mymixingpropaganda.com/" rel="noopener noreferrer" target="_blank">Orlando's Site</a></li><li><a href="https://www.acorns.com/" rel="noopener noreferrer" target="_blank">Acorn</a></li><li><a href="http://betterment.com/friend-referral-offer?referral_key=mattboudreau" rel="noopener noreferrer" target="_blank">Betterment</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Orlando Torres</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is engineer Orlando Torres based in Los Angeles. Orlando has worked with Abraham Laboriel, Joey DeFrancesco, Alex Acuña, Lee Rocker, and Kobe Bryant, to name a few.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Born in Mexico</li><li>Mexican and US Culture</li><li>Discovering the Walkman</li><li>Late Night Edgy Television</li><li>Guitar Lessons</li><li>Multi Tracking with Cassettes</li><li>Construction</li><li>Audio School</li><li>Recording at Mom's House</li><li>Learning the Techincal Ropes</li><li>Figuring It Out</li><li>Ditching an Office Job</li><li>Love and Laughter Studios</li><li>Mentors</li><li>Diversification</li><li>Playback Gigs</li><li>Enjoying Family</li><li>Permanent Job Considerations</li><li>Introverts and Extroverts</li><li>Coffee the Great Connector</li><li>Helping Others</li><li>Putting Yourself Out There</li><li>Finances</li><li>Working from Home</li><li>Local Work</li></ul><br/><p><strong>Matt's Rant: Don't Be Afraid to Fail!</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://mymixingpropaganda.com/" rel="noopener noreferrer" target="_blank">Orlando's Site</a></li><li><a href="https://www.acorns.com/" rel="noopener noreferrer" target="_blank">Acorn</a></li><li><a href="http://betterment.com/friend-referral-offer?referral_key=mattboudreau" rel="noopener noreferrer" target="_blank">Betterment</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Orlando Torres</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-438-with-orlando-torres-discovering-his-uncles-walkman-multi-tracking-with-cassettes-recording-at-moms-house-putting-yourself-out-there-and-enjoying-family]]></link><guid isPermaLink="false">7d23e79a-b6b9-11ed-98dd-cb72fe6793d6</guid><itunes:image href="https://artwork.captivate.fm/b4fe3914-ae1f-4607-8e6a-063873bc647b/399540.jpeg"/><pubDate>Mon, 08 May 2023 18:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5e51c7f1-679d-4469-b21f-e54e047449d1.mp3" length="151400983" type="audio/mpeg"/><itunes:duration>01:03:05</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>438</itunes:episode><podcast:episode>438</podcast:episode><itunes:summary>My guest is engineer Orlando Torres based in Los Angeles. Orlando has worked with Abraham Laboriel, Joey DeFrancesco, Alex Acuña, Lee Rocker, and Kobe Bryant, to name a few. 

In this episode, we discuss

Born in Mexico

Mexican and US Culture

Discovering the Walkman

Late Night Edgy Television

Guitar Lessons

Multi Tracking with Cassettes

Construction

Audio School

Recording at Mom&apos;s House

Learning the Techincal Ropes

Figuring It Out

Ditching an Office Job

Love and Laughter Studios

Mentors

Diversification

Playback Gigs

Enjoying Family

Permanent Job Considerations

Introverts and Extroverts

Coffee the Great Connector

Helping Others

Putting Yourself Out There

Finances

Working from Home

Local Work


Matt&apos;s Rant: Don&apos;t Be Afraid to Fail!

Links and Show Notes

Orlando&apos;s Site

Acorn

Betterment

Credits

Guest: Orlando Torres

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #437 with Noam Levinberg - Tel Aviv and New Jersey, Sibling Competition, Earning Your Place in the Studio, Building Plugins, and Diversification</title><itunes:title>WCA #437 with Noam Levinberg - Tel Aviv and New Jersey, Sibling Competition, Earning Your Place in the Studio, Building Plugins, and Diversification</itunes:title><description><![CDATA[<p>My guest is Noam Levinberg, a mixing and mastering engineer in Tel Aviv, Israel. He has worked on various projects for Artlist.io, providing music for companies such as Netflix, Volvo, Stripe, Google, Adobe, Shopify, and Nike. He's also the owner and creator behind the plugins from Safari Pedals.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Tel Aviv and New Jersey</li><li>Sibling Competition</li><li>Teenage Recording</li><li>Supportive Parents</li><li>Hanging Outside a Studio</li><li>Dreaming About Studios</li><li>Earning Your Place in the Studio</li><li>Recording and Living in India</li><li>Fluid Time in India</li><li>Building a Client Base&nbsp;</li><li>Working Relationships</li><li>MWTM Revalations</li><li>Building Plugins</li><li>Having Kids</li><li>Diversification</li></ul><br/><p><strong>Matt's Rant: Are You Running on Autopilot?</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://safaripedals.com/" rel="noopener noreferrer" target="_blank">Safari Pedals</a></li><li><a href="https://www.workingclassaudio.com/wca-281-with-baba-prasad/" rel="noopener noreferrer" target="_blank">Baba Prasad WCA #281</a></li><li><a href="https://www.noamlevinberg.com/" rel="noopener noreferrer" target="_blank">Noam's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Noam Levinberg</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Noam Levinberg, a mixing and mastering engineer in Tel Aviv, Israel. He has worked on various projects for Artlist.io, providing music for companies such as Netflix, Volvo, Stripe, Google, Adobe, Shopify, and Nike. He's also the owner and creator behind the plugins from Safari Pedals.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Tel Aviv and New Jersey</li><li>Sibling Competition</li><li>Teenage Recording</li><li>Supportive Parents</li><li>Hanging Outside a Studio</li><li>Dreaming About Studios</li><li>Earning Your Place in the Studio</li><li>Recording and Living in India</li><li>Fluid Time in India</li><li>Building a Client Base&nbsp;</li><li>Working Relationships</li><li>MWTM Revalations</li><li>Building Plugins</li><li>Having Kids</li><li>Diversification</li></ul><br/><p><strong>Matt's Rant: Are You Running on Autopilot?</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://safaripedals.com/" rel="noopener noreferrer" target="_blank">Safari Pedals</a></li><li><a href="https://www.workingclassaudio.com/wca-281-with-baba-prasad/" rel="noopener noreferrer" target="_blank">Baba Prasad WCA #281</a></li><li><a href="https://www.noamlevinberg.com/" rel="noopener noreferrer" target="_blank">Noam's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Noam Levinberg</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-437-with-noam-levinberg-tel-aviv-and-new-jersey-sibling-competition-earning-your-place-in-the-studio-building-plugins-and-diversification]]></link><guid isPermaLink="false">7cf12bf2-b6b9-11ed-98dd-2b7af9543397</guid><itunes:image href="https://artwork.captivate.fm/1fe20ee0-aa61-4872-8582-ac3a2e4a7266/9a43f4.jpeg"/><pubDate>Mon, 01 May 2023 15:13:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7baa0310-56d3-4e7d-8cc0-ff1abb5362d4.mp3" length="147200579" type="audio/mpeg"/><itunes:duration>01:01:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>437</itunes:episode><podcast:episode>437</podcast:episode><itunes:summary>My guest is Noam Levinberg, a mixing and mastering engineer in Tel Aviv, Israel. He has worked on various projects for Artlist.io, providing music for companies such as Netflix, Volvo, Stripe, Google, Adobe, Shopify, and Nike. He&apos;s also the owner and creator behind the plugins from Safari Pedals. 

In this episode, we discuss

Tel Aviv and New Jersey

Sibling Competition

Teenage Recording

Supportive Parents

Hanging Outside a Studio

Dreaming About Studios

Earning Your Place in the Studio

Recording and Living in India

Fluid Time in India

Building a Client Base 

Working Relationships

MWTM Revalations

Building Plugins

Having Kids

Diversification


Matt&apos;s Rant: Are You Running on Autopilot?

Links and Show Notes

Safari Pedals

Baba Prasad WCA #281

Noam&apos;s Site


Credits

Guest: Noam Levinberg

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #436 with NAMM 2023 - Garth Richardson, Grace Design, Audiomovers, AEA, Antelope Audio, and Soundflow</title><itunes:title>WCA #436 with NAMM 2023 - Garth Richardson, Grace Design, Audiomovers, AEA, Antelope Audio, and Soundflow</itunes:title><description><![CDATA[<p>All of the guests for this episode were recorded on my recent trip to NAMM 2023. They include Producer/Engineer Garth Richardson, Igor Maxymenko from Audiomovers, Julie Tan from AEA, Momchil Shishkov (Momo) and Nick Georgiev from Antelope Audio, and Christian Scheuer from Soundflow.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Garth Richardson</li><li>Talking Grace M908</li><li>Garth's Real Reverb</li><li>Igor Maxymenko from Audiomovers</li><li>Omnibus</li><li>Transmitter</li><li>Inject</li><li>Julie Tan from AEA</li><li>Buying AEA</li><li>TRP3</li><li>RPQ3</li><li>Momchil Shishkov (Momo) and Nick Georgiev from Antelope Audio</li><li>ATLAS I8 Speakers&nbsp;</li><li>Orion Interface</li><li>Christian Scheuer from Soundflow</li><li>Bounce Factory</li><li>Stream Deck</li><li>Izotope RX Workflows</li><li>Eucon Integration</li></ul><br/><p><strong>Matt's Rant: Talking ATMOS</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.gggarth.com/" rel="noopener noreferrer" target="_blank">Garth's Site</a></li><li><a href="https://audiomovers.com/wp/" rel="noopener noreferrer" target="_blank">Audiomovers&nbsp;</a></li><li><a href="https://aearibbonmics.com/" rel="noopener noreferrer" target="_blank">AEA</a></li><li><a href="https://soundflow.org/" rel="noopener noreferrer" target="_blank">Soundflow</a></li><li><a href="https://en.antelopeaudio.com/" rel="noopener noreferrer" target="_blank">Antelope</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: NAMM 2023</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>All of the guests for this episode were recorded on my recent trip to NAMM 2023. They include Producer/Engineer Garth Richardson, Igor Maxymenko from Audiomovers, Julie Tan from AEA, Momchil Shishkov (Momo) and Nick Georgiev from Antelope Audio, and Christian Scheuer from Soundflow.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Garth Richardson</li><li>Talking Grace M908</li><li>Garth's Real Reverb</li><li>Igor Maxymenko from Audiomovers</li><li>Omnibus</li><li>Transmitter</li><li>Inject</li><li>Julie Tan from AEA</li><li>Buying AEA</li><li>TRP3</li><li>RPQ3</li><li>Momchil Shishkov (Momo) and Nick Georgiev from Antelope Audio</li><li>ATLAS I8 Speakers&nbsp;</li><li>Orion Interface</li><li>Christian Scheuer from Soundflow</li><li>Bounce Factory</li><li>Stream Deck</li><li>Izotope RX Workflows</li><li>Eucon Integration</li></ul><br/><p><strong>Matt's Rant: Talking ATMOS</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.gggarth.com/" rel="noopener noreferrer" target="_blank">Garth's Site</a></li><li><a href="https://audiomovers.com/wp/" rel="noopener noreferrer" target="_blank">Audiomovers&nbsp;</a></li><li><a href="https://aearibbonmics.com/" rel="noopener noreferrer" target="_blank">AEA</a></li><li><a href="https://soundflow.org/" rel="noopener noreferrer" target="_blank">Soundflow</a></li><li><a href="https://en.antelopeaudio.com/" rel="noopener noreferrer" target="_blank">Antelope</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: NAMM 2023</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-436-with-namm-2023-garth-richardson-grace-design-audiomovers-aea-antelope-audio-and-soundflow]]></link><guid isPermaLink="false">7cbb467c-b6b9-11ed-98dd-b34ea8b6064a</guid><itunes:image href="https://artwork.captivate.fm/ed44743e-0d83-466e-9061-79595e0ed4c5/58e919.jpeg"/><pubDate>Mon, 24 Apr 2023 19:05:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/da39c72d-8c3a-480d-9136-4c722e28fcd6.mp3" length="101538441" type="audio/mpeg"/><itunes:duration>42:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>436</itunes:episode><podcast:episode>436</podcast:episode><itunes:summary>All of the guests for this episode were recorded on my recent trip to NAMM 2023. They include Producer/Engineer Garth Richardson, Igor Maxymenko from Audiomovers, Julie Tan from AEA, Momchil Shishkov (Momo) and Nick Georgiev from Antelope Audio, and Christian Scheuer from Soundflow.

In this episode, we discuss

Garth Richardson

Talking Grace M908

Garth&apos;s Real Reverb

Igor Maxymenko from Audiomovers

Omnibus

Transmitter

Inject

Julie Tan from AEA

Buying AEA

TRP3

RPQ3

Momchil Shishkov (Momo) and Nick Georgiev from Antelope Audio

ATLAS I8 Speakers 

Orion Interface

Christian Scheuer from Soundflow

Bounce Factory

Stream Deck

Izotope RX Workflows

Eucon Integration


Matt&apos;s Rant: Talking ATMOS

Links and Show Notes

Garth&apos;s Site

Audiomovers 

AEA

Soundflow

Antelope

Credits

Guest: NAMM 2023

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #435 with Maria Elisa Ayerbe - Education, Latin America, Understanding Culture, The Listening Experience, and Needing a Nap</title><itunes:title>WCA #435 with Maria Elisa Ayerbe - Education, Latin America, Understanding Culture, The Listening Experience, and Needing a Nap</itunes:title><description><![CDATA[<p>My guest is Maria Elisa Ayerbe, a producer/engineer who has worked with MaryJ Blig, New Kids on the Block, and Kronos Quartet.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Bogota, Columbia</li><li>Family</li><li>Mom in Television</li><li>Working for Pizza</li><li>Dad Architect/Music Lover</li><li>Studying Music</li><li>A Tiny Audience</li><li>Education</li><li>Electronically Inclined</li><li>Teaching</li><li>MTSU</li><li>Dealing with Sexism</li><li>Music Theory</li><li>Getting Bored</li><li>Needing a Nap</li><li>Dancing Music</li><li>Latin American Culture</li><li>Community Involvement</li><li>Diversification</li><li>Running a Record Label</li><li>Women in Audio</li><li>Languages</li><li>Understanding Culture</li><li>The Listening Experience</li></ul><br/><p><strong>Matt's Rant: NAMM Recap</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/southmountainmusic/?hl=en" rel="noopener noreferrer" target="_blank">South Mountain Music</a></li><li><a href="https://www.mariaelisaayerbe.com/" rel="noopener noreferrer" target="_blank">Marias Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Maria Elisa Ayerbe</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Maria Elisa Ayerbe, a producer/engineer who has worked with MaryJ Blig, New Kids on the Block, and Kronos Quartet.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Bogota, Columbia</li><li>Family</li><li>Mom in Television</li><li>Working for Pizza</li><li>Dad Architect/Music Lover</li><li>Studying Music</li><li>A Tiny Audience</li><li>Education</li><li>Electronically Inclined</li><li>Teaching</li><li>MTSU</li><li>Dealing with Sexism</li><li>Music Theory</li><li>Getting Bored</li><li>Needing a Nap</li><li>Dancing Music</li><li>Latin American Culture</li><li>Community Involvement</li><li>Diversification</li><li>Running a Record Label</li><li>Women in Audio</li><li>Languages</li><li>Understanding Culture</li><li>The Listening Experience</li></ul><br/><p><strong>Matt's Rant: NAMM Recap</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/southmountainmusic/?hl=en" rel="noopener noreferrer" target="_blank">South Mountain Music</a></li><li><a href="https://www.mariaelisaayerbe.com/" rel="noopener noreferrer" target="_blank">Marias Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Maria Elisa Ayerbe</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-435-with-maria-elisa-ayerbe-education-latin-america-understanding-culture-the-listening-experience-and-needing-a-nap]]></link><guid isPermaLink="false">7c891058-b6b9-11ed-98dd-4b5020512e49</guid><itunes:image href="https://artwork.captivate.fm/1d02fcbb-e86c-46fa-882f-0fd80479d969/6bbe14.jpeg"/><pubDate>Mon, 17 Apr 2023 20:48:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cc95e34d-ada9-4288-b32e-18f15507d213.mp3" length="155948247" type="audio/mpeg"/><itunes:duration>01:04:59</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>435</itunes:episode><podcast:episode>435</podcast:episode><itunes:summary>My guest is Maria Elisa Ayerbe, a producer/engineer who has worked with MaryJ Blig, New Kids on the Block, and Kronos Quartet. 

In this episode, we discuss

Bogota, Columbia

Family

Mom in Television

Working for Pizza

Dad Architect/Music Lover

Studying Music

A Tiny Audience

Education

Electronically Inclined

Teaching

MTSU

Dealing with Sexism

Music Theory

Getting Bored

Needing a Nap

Dancing Music

Latin American Culture

Community Involvement

Diversification

Running a Record Label

Women in Audio

Languages

Understanding Culture

The Listening Experience


Matt&apos;s Rant: NAMM Recap

Links and Show Notes

South Mountain Music

Marias Site

Credits

Guest: Maria Elisa Ayerbe

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #434 with Shawn Dealey - Hockey and Punk Rock, Work Ethic, Handling Business Friendships, Sweetwater Studios, and Having a Steady Gig</title><itunes:title>WCA #434 with Shawn Dealey - Hockey and Punk Rock, Work Ethic, Handling Business Friendships, Sweetwater Studios, and Having a Steady Gig</itunes:title><description><![CDATA[<p>My guest is Shawn Dealey, Chief Engineer and ATMOS Mixer at Sweetwater Studios. Shawn has worked with Counting Crows, Animals As Leaders, Jared James Nichols, Propagandhi, Bones Owens, and The Weakerthans.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Middle of Canada</li><li>Hockey and Punk Rock</li><li>Dad's Road Case Company</li><li>Early Exposure to Recording</li><li>Drum Tech Work</li><li>Learning the Studio Business</li><li>Work Ethic</li><li>Touring</li><li>Connections and Networking</li><li>Recording the Counting Crows</li><li>Leaving the Road</li><li>Joining Forces with a Studio Competitor</li><li>Working for Sweetwater</li><li>Handling Business Friendships</li><li>Running Sweetwater Studios</li><li>Lynn Fuston</li><li>Having a Steady Gig</li></ul><br/><p><strong>Matt's Rant: Security</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://bigdealcases.com/" rel="noopener noreferrer" target="_blank">Big Deal Road Cases</a></li><li><a href="https://sweetwaterstudios.com/" rel="noopener noreferrer" target="_blank">Sweetwater Studios</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Shawn Dealy</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Shawn Dealey, Chief Engineer and ATMOS Mixer at Sweetwater Studios. Shawn has worked with Counting Crows, Animals As Leaders, Jared James Nichols, Propagandhi, Bones Owens, and The Weakerthans.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Middle of Canada</li><li>Hockey and Punk Rock</li><li>Dad's Road Case Company</li><li>Early Exposure to Recording</li><li>Drum Tech Work</li><li>Learning the Studio Business</li><li>Work Ethic</li><li>Touring</li><li>Connections and Networking</li><li>Recording the Counting Crows</li><li>Leaving the Road</li><li>Joining Forces with a Studio Competitor</li><li>Working for Sweetwater</li><li>Handling Business Friendships</li><li>Running Sweetwater Studios</li><li>Lynn Fuston</li><li>Having a Steady Gig</li></ul><br/><p><strong>Matt's Rant: Security</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://bigdealcases.com/" rel="noopener noreferrer" target="_blank">Big Deal Road Cases</a></li><li><a href="https://sweetwaterstudios.com/" rel="noopener noreferrer" target="_blank">Sweetwater Studios</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Shawn Dealy</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-434-with-shawn-dealey-hockey-and-punk-rock-work-ethic-handling-business-friendships-sweetwater-studios-and-having-a-steady-gig]]></link><guid isPermaLink="false">7c580346-b6b9-11ed-98dd-330e6358306f</guid><itunes:image href="https://artwork.captivate.fm/e3493eb6-b090-4fa4-9f81-10fb6ead79d6/485def.jpeg"/><pubDate>Mon, 10 Apr 2023 18:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/233fcd49-9718-451a-8220-d395ceb3859d.mp3" length="143164024" type="audio/mpeg"/><itunes:duration>59:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>434</itunes:episode><podcast:episode>434</podcast:episode><itunes:summary>My guest is Shawn Dealey, Chief Engineer and ATMOS Mixer at Sweetwater Studios. Shawn has worked with Counting Crows, Animals As Leaders, Jared James Nichols, Propagandhi, Bones Owens, and The Weakerthans.

In this episode, we discuss

Middle of Canada

Hockey and Punk Rock

Dad&apos;s Road Case Company

Early Exposure to Recording

Drum Tech Work

Learning the Studio Business

Work Ethic

Touring

Connections and Networking

Recording the Counting Crows

Leaving the Road

Joining Forces with a Studio Competitor

Working for Sweetwater

Handling Business Friendships

Running Sweetwater Studios

Lynn Fuston

Having a Steady Gig

Matt&apos;s Rant: Security

Links and Show Notes

Big Deal Road Cases

Sweetwater Studios

Credits

Guest: Shawn Dealy

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #433 with Nicholas Messitte - Discovering Audio, Creating Opportunities For Yourself, Drug Use and Abuse, Theatrical Podcasts, and ChatGPT</title><itunes:title>WCA #433 with Nicholas Messitte - Discovering Audio, Creating Opportunities For Yourself, Drug Use and Abuse, Theatrical Podcasts, and ChatGPT</itunes:title><description><![CDATA[<p>My guest is Producer/Engineer/Sound Designer/Editor/Mixing &amp; Mastering Engineer Nicholas Messitte, who has done podcasting work for Amazon, ABC, iHeartRadio, NPR, and music work for Animal Adjective, Super City, Micah E. Wood, Leland Sundries, Pete Mancini.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Kids</li><li>His Dad's Musical Side</li><li>Early Recording&nbsp;</li><li>Discovering Audio</li><li>Boss Recorder Experiments</li><li>Oceans Eleven&nbsp;</li><li>Guitar Center</li><li>Imagination and Mixing</li><li>Creating Opportunities For Yourself</li><li>Drug Use and Abuse</li><li>Working from Home</li><li>Dealing with Opportunities</li><li>Finding Your Value</li><li>Spirituality</li><li>Listserves and Getting Work</li><li>Money and Taxes</li><li>Theatrical Podcasts</li><li>Opening Doors</li><li>Keeping it Fun</li><li>ChatGPT</li></ul><br/><p><strong>Matt's Rant: Fear of Missing Out</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.nicholasmessitte.com/" rel="noopener noreferrer" target="_blank">Nick's SIte</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Nicholas Messitte</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Engineer/Sound Designer/Editor/Mixing &amp; Mastering Engineer Nicholas Messitte, who has done podcasting work for Amazon, ABC, iHeartRadio, NPR, and music work for Animal Adjective, Super City, Micah E. Wood, Leland Sundries, Pete Mancini.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Kids</li><li>His Dad's Musical Side</li><li>Early Recording&nbsp;</li><li>Discovering Audio</li><li>Boss Recorder Experiments</li><li>Oceans Eleven&nbsp;</li><li>Guitar Center</li><li>Imagination and Mixing</li><li>Creating Opportunities For Yourself</li><li>Drug Use and Abuse</li><li>Working from Home</li><li>Dealing with Opportunities</li><li>Finding Your Value</li><li>Spirituality</li><li>Listserves and Getting Work</li><li>Money and Taxes</li><li>Theatrical Podcasts</li><li>Opening Doors</li><li>Keeping it Fun</li><li>ChatGPT</li></ul><br/><p><strong>Matt's Rant: Fear of Missing Out</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.nicholasmessitte.com/" rel="noopener noreferrer" target="_blank">Nick's SIte</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Nicholas Messitte</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-433-with-nicholas-messitte-discovering-audio-creating-opportunities-for-yourself-drug-use-and-abuse-theatrical-podcasts-and-chatgpt]]></link><guid isPermaLink="false">7c271f88-b6b9-11ed-98dd-3396281e7f95</guid><itunes:image href="https://artwork.captivate.fm/2bb4dfc3-e4eb-4139-96f1-34ab2e1f6663/7af84b.jpeg"/><pubDate>Mon, 03 Apr 2023 14:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/397908d6-cd19-4ada-bb04-992dba41e4d5.mp3" length="137189358" type="audio/mpeg"/><itunes:duration>57:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>433</itunes:episode><podcast:episode>433</podcast:episode><itunes:summary>My guest is Producer/Engineer/Sound Designer/Editor/Mixing &amp; Mastering Engineer Nicholas Messitte, who has done podcasting work for Amazon, ABC, iHeartRadio, NPR, and music work for Animal Adjective, Super City, Micah E. Wood, Leland Sundries, Pete Mancini.

In this episode, we discuss

Kids

His Dad&apos;s Musical Side

Early Recording 

Discovering Audio

Boss Recorder Experiments

Oceans Eleven 

Guitar Center

Imagination and Mixing

Creating Opportunities For Yourself

Drug Use and Abuse

Working from Home

Dealing with Opportunities

Finding Your Value

Spirituality

Listserves and Getting Work

Money and Taxes

Theatrical Podcasts

Opening Doors

Keeping it Fun

ChatGPT


Matt&apos;s Rant: Fear of Missing Out

Links and Show Notes
Nick&apos;s SIte

Credits

Guest: Nicholas Messitte

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #432 with Phil Feinman - Bedrock LA, Studying Electronics, Taking Care of Staff, Microphone Technology, and Infrasonic Sound</title><itunes:title>WCA #432 with Phil Feinman - Bedrock LA, Studying Electronics, Taking Care of Staff, Microphone Technology, and Infrasonic Sound</itunes:title><description><![CDATA[<p>My guest is mastering engineer Phil Feinman who has worked with Lauren Ruth Ward, Mae Martin, Guns N' Roses, Band of Horses, Butch Vig, and Weird Al Yankovic. Phil is also a part of the team at Infrasonic Sound.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Long Island Upbringing</li><li>Murphy's Music</li><li>University of Hartford</li><li>Entrepreneurial Parents</li><li>Playing Drums</li><li>Studying Electronics</li><li>Working for Telefunkin</li><li>Crime in Connecticut</li><li>Moving to Los Angeles</li><li>Working at East West</li><li>Running a 40,000 SF Spot</li><li>Bedrock LA</li><li>Tech Work</li><li>Grumpy Tech Theory</li><li>Losing Space</li><li>Taking Care of Staff</li><li>Working for Infrasonic</li><li>Working at AKG</li><li>Culture Change</li><li>Microphone Technology</li><li>Mastering</li></ul><br/><p><strong>Matt's Rant: Tools for Organization</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.infrasonicsound.com/phil" rel="noopener noreferrer" target="_blank">Phil on the Infrasonic Site</a></li><li><a href="https://asana.com/" rel="noopener noreferrer" target="_blank">Asana</a></li><li><a href="https://en.wikipedia.org/wiki/Google_Sheets" rel="noopener noreferrer" target="_blank">Google Sheets</a></li><li><a href="http://fbuy.me/oLXTP" rel="noopener noreferrer" target="_blank">Quickbooks Self-Employed</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Phil Feinman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is mastering engineer Phil Feinman who has worked with Lauren Ruth Ward, Mae Martin, Guns N' Roses, Band of Horses, Butch Vig, and Weird Al Yankovic. Phil is also a part of the team at Infrasonic Sound.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Long Island Upbringing</li><li>Murphy's Music</li><li>University of Hartford</li><li>Entrepreneurial Parents</li><li>Playing Drums</li><li>Studying Electronics</li><li>Working for Telefunkin</li><li>Crime in Connecticut</li><li>Moving to Los Angeles</li><li>Working at East West</li><li>Running a 40,000 SF Spot</li><li>Bedrock LA</li><li>Tech Work</li><li>Grumpy Tech Theory</li><li>Losing Space</li><li>Taking Care of Staff</li><li>Working for Infrasonic</li><li>Working at AKG</li><li>Culture Change</li><li>Microphone Technology</li><li>Mastering</li></ul><br/><p><strong>Matt's Rant: Tools for Organization</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.infrasonicsound.com/phil" rel="noopener noreferrer" target="_blank">Phil on the Infrasonic Site</a></li><li><a href="https://asana.com/" rel="noopener noreferrer" target="_blank">Asana</a></li><li><a href="https://en.wikipedia.org/wiki/Google_Sheets" rel="noopener noreferrer" target="_blank">Google Sheets</a></li><li><a href="http://fbuy.me/oLXTP" rel="noopener noreferrer" target="_blank">Quickbooks Self-Employed</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Phil Feinman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-432-with-phil-feinman-bedrock-la-studying-electronics-taking-care-of-staff-microphone-technology-and-infrasonic-sound]]></link><guid isPermaLink="false">7bf55bb0-b6b9-11ed-98dd-374ce3be08c2</guid><itunes:image href="https://artwork.captivate.fm/4aafad9e-c455-4c7f-9fdf-f2fa601a81b4/6457ad.jpg"/><pubDate>Mon, 27 Mar 2023 16:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9f89802f-1569-492a-8164-f7f625639d78.mp3" length="138451522" type="audio/mpeg"/><itunes:duration>57:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>432</itunes:episode><podcast:episode>432</podcast:episode><itunes:summary>My guest is mastering engineer Phil Feinman who has worked with Lauren Ruth Ward, Mae Martin, Guns N&apos; Roses, Band of Horses, Butch Vig, and Weird Al Yankovic. Phil is also a part of the team at Infrasonic Sound.

In this episode, we discuss

Long Island Upbringing

Murphy&apos;s Music

University of Hartford

Entrepreneurial Parents

Playing Drums

Studying Electronics

Working for Telefunkin

Crime in Connecticut

Moving to Los Angeles

Working at East West

Running a 40,000 SF Spot

Bedrock LA

Tech Work

Grumpy Tech Theory

Losing Space

Taking Care of Staff

Working for Infrasonic

Working at AKG

Culture Change

Microphone Technology

Mastering


Matt&apos;s Rant: Tools for Organization

Links and Show Notes

Phil on the Infrasonic Site

Asana

Google Sheets

Quickbooks Self-Employed


Credits

Guest: Phil Feinman

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #431 with Josh Rogosin - Recording Tiny Desk Concerts, Rejecting Stage Life, World Travel, Recording Music with Field Recorders, and National Public Radio</title><itunes:title>WCA #431 with Josh Rogosin - Recording Tiny Desk Concerts, Rejecting Stage Life, World Travel, Recording Music with Field Recorders, and National Public Radio</itunes:title><description><![CDATA[<p>My guest is Josh Rogosin, an accomplished audio engineer and producer who has worked with a wide range of renowned bands and musicians. With an extensive background at NPR, Josh is best known for his outstanding work on the Tiny Desk Concerts series.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Hollywood</li><li>4 Track Amazment</li><li>Move to New Hamshire</li><li>Acting in Theater</li><li>Culture Differences</li><li>Rejecting Stage Life</li><li>Musical Theater Sound</li><li>NPR</li><li>Working Analog at Radio</li><li>Apprenticing in New York</li><li>Radio Expeditions</li><li>Leaving Theater Sound</li><li>Fulltime Position</li><li>World Travel</li><li>Voodoo&nbsp;</li><li>Signal Flow &amp; Routing</li><li>Getting Laid Off</li><li>Market Place in LA</li><li>Recording Tiny Desk Concerts</li><li>Shotgun Mics</li><li>The Mechanics of Tiny Desk</li><li>Recording Music with Field Recorders</li><li>NPR Pay Rates</li><li>Union</li><li>Blue Man Group</li></ul><br/><p><strong>Matt's Rant: Connecting with Others</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.npr.org/series/tiny-desk-concerts/" rel="noopener noreferrer" target="_blank">Tiny Desk</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Josh Rogosin</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Josh Rogosin, an accomplished audio engineer and producer who has worked with a wide range of renowned bands and musicians. With an extensive background at NPR, Josh is best known for his outstanding work on the Tiny Desk Concerts series.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in Hollywood</li><li>4 Track Amazment</li><li>Move to New Hamshire</li><li>Acting in Theater</li><li>Culture Differences</li><li>Rejecting Stage Life</li><li>Musical Theater Sound</li><li>NPR</li><li>Working Analog at Radio</li><li>Apprenticing in New York</li><li>Radio Expeditions</li><li>Leaving Theater Sound</li><li>Fulltime Position</li><li>World Travel</li><li>Voodoo&nbsp;</li><li>Signal Flow &amp; Routing</li><li>Getting Laid Off</li><li>Market Place in LA</li><li>Recording Tiny Desk Concerts</li><li>Shotgun Mics</li><li>The Mechanics of Tiny Desk</li><li>Recording Music with Field Recorders</li><li>NPR Pay Rates</li><li>Union</li><li>Blue Man Group</li></ul><br/><p><strong>Matt's Rant: Connecting with Others</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.npr.org/series/tiny-desk-concerts/" rel="noopener noreferrer" target="_blank">Tiny Desk</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Josh Rogosin</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-431-with-josh-rogosin-recording-tiny-desk-concerts-rejecting-stage-life-world-travel-recording-music-with-field-recorders-and-national-public-radio]]></link><guid isPermaLink="false">7bc2b9da-b6b9-11ed-98dd-87f6cdf032bb</guid><itunes:image href="https://artwork.captivate.fm/4809c644-bcd0-457b-a9ed-28245cd1f04c/f37766.jpeg"/><pubDate>Mon, 20 Mar 2023 21:48:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2a3deb3c-e238-4a56-93ad-5f9cd1c6a115.mp3" length="131522903" type="audio/mpeg"/><itunes:duration>54:48</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>431</itunes:episode><podcast:episode>431</podcast:episode><itunes:summary>My guest is Josh Rogosin, an accomplished audio engineer and producer who has worked with a wide range of renowned bands and musicians. With an extensive background at NPR, Josh is best known for his outstanding work on the Tiny Desk Concerts series.

In this episode, we discuss

Growing up in Hollywood

4 Track Amazment

Move to New Hamshire

Acting in Theater

Culture Differences

Rejecting Stage Life

Musical Theater Sound

NPR

Working Analog at Radio

Apprenticing in New York

Radio Expeditions

Leaving Theater Sound

Fulltime Position

World Travel

Voodoo 

Signal Flow &amp; Routing

Getting Laid Off

Market Place in LA

Recording Tiny Desk Concerts

Shotgun Mics

The Mechanics of Tiny Desk

Recording Music with Field Recorders

NPR Pay Rates

Union

Blue Man Group


Matt&apos;s Rant: Connecting with Others

Links and Show Notes
Tiny Desk

Credits

Guest: Josh Rogosin

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #430 with Stephen Cole - Data Cassettes, Recycled Magazines, Self Sufficiency, Mini Disk 4 Track, and Music 24/7</title><itunes:title>WCA #430 with Stephen Cole - Data Cassettes, Recycled Magazines, Self Sufficiency, Mini Disk 4 Track, and Music 24/7</itunes:title><description><![CDATA[<p>My guest is Liverpool-based Producer/Studio Owner/Composer Stephen Cole, who has worked with Ex-Easter Island Head, Bonnacons of Doom, Lonesaw, a.P.A.t.T., /Sainsbury's, Nokia, City Council.</p><p><strong>In this episode, we discuss</strong></p><ul><li>&nbsp;Liverpool</li><li>4 Track</li><li>Data Cassettes</li><li>Prank Calls</li><li>Slayer</li><li>Recycled Magazines</li><li>Mini Disk</li><li>Ambient Noise Core</li><li>Self Sufficiency</li><li>Community Studio</li><li>Audio Movers</li><li>Studio In a Church</li><li>Studio G</li><li>Buying Gear</li><li>Reinvesting In the Studio</li><li>Music 24/7</li></ul><br/><p><strong>Matt's Rant: Checking Your Work</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.whatstudio.info/" rel="noopener noreferrer" target="_blank">Stephen's Studio</a></li><li><a href="http://www.analogue-addicts.co.uk/" rel="noopener noreferrer" target="_blank">Analog Addicts</a></li><li><a href="https://audiomovers.com/" rel="noopener noreferrer" target="_blank">Audio Movers</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Stephen Cole</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li><li><br></li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Liverpool-based Producer/Studio Owner/Composer Stephen Cole, who has worked with Ex-Easter Island Head, Bonnacons of Doom, Lonesaw, a.P.A.t.T., /Sainsbury's, Nokia, City Council.</p><p><strong>In this episode, we discuss</strong></p><ul><li>&nbsp;Liverpool</li><li>4 Track</li><li>Data Cassettes</li><li>Prank Calls</li><li>Slayer</li><li>Recycled Magazines</li><li>Mini Disk</li><li>Ambient Noise Core</li><li>Self Sufficiency</li><li>Community Studio</li><li>Audio Movers</li><li>Studio In a Church</li><li>Studio G</li><li>Buying Gear</li><li>Reinvesting In the Studio</li><li>Music 24/7</li></ul><br/><p><strong>Matt's Rant: Checking Your Work</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.whatstudio.info/" rel="noopener noreferrer" target="_blank">Stephen's Studio</a></li><li><a href="http://www.analogue-addicts.co.uk/" rel="noopener noreferrer" target="_blank">Analog Addicts</a></li><li><a href="https://audiomovers.com/" rel="noopener noreferrer" target="_blank">Audio Movers</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Stephen Cole</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li><li><br></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-430-with-stephen-cole-data-cassettes-recycled-magazines-self-sufficiency-mini-disk-4-track-and-music-24-7]]></link><guid isPermaLink="false">7b901d90-b6b9-11ed-98dd-6f7cc9b4259c</guid><itunes:image href="https://artwork.captivate.fm/edc9a171-d01d-4da7-8250-74d1b5930a81/a58023.jpeg"/><pubDate>Sun, 12 Mar 2023 20:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0a8652a7-958b-40e9-90df-0a70e0e61ba5.mp3" length="127477959" type="audio/mpeg"/><itunes:duration>53:07</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>430</itunes:episode><podcast:episode>430</podcast:episode><itunes:summary>My guest is Liverpool-based Producer/Studio Owner/Composer Stephen Cole, who has worked with Ex-Easter Island Head, Bonnacons of Doom, Lonesaw, a.P.A.t.T., /Sainsbury&apos;s, Nokia, City Council.

In this episode, we discuss

 Liverpool

4 Track

Data Cassettes

Prank Calls

Slayer

Recycled Magazines

Mini Disk

Ambient Noise Core

Self Sufficiency

Community Studio

Audio Movers

Studio In a Church

Studio G

Buying Gear

Reinvesting In the Studio

Music 24/7


Matt&apos;s Rant: Checking Your Work

Links and Show Notes

Stephen&apos;s Studio

Analog Addicts

Audio Movers


Credits

Guest: Stephen Cole

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #429 with Andy Reed - Remote Collaboration, Mixing at Low Volumes, Working in Small Markets, Communication Advice, and Covid Era Survival</title><itunes:title>WCA #429 with Andy Reed - Remote Collaboration, Mixing at Low Volumes, Working in Small Markets, Communication Advice, and Covid Era Survival</itunes:title><description><![CDATA[<p>My guest is Producer/Engineer Andy Reed, who has worked with Amy Petty, The Legal Matters, and The Verve Pipe; this is Andy's second appearance on WCA.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Covid Era Survival</li><li>Remote Collaboration</li><li>Changes to Gear</li><li>Mixing at Low Volumes</li><li>Working in Small Markets</li><li>Advice to Others</li><li>Online Presence</li><li>Communication Advice</li><li>Health Challenges</li><li>Exercise</li><li>Business Changes</li><li>Running a Commercial Home Studio</li></ul><br/><p><strong>Matt's Rant: Keeping Your Foot on the Gas</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-130-with-andy-reed/" rel="noopener noreferrer" target="_blank">WCA #130 with Andy</a></li><li><a href="https://www.reedrecordingcompany.com/home" rel="noopener noreferrer" target="_blank">Andy's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Andy Reed</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Engineer Andy Reed, who has worked with Amy Petty, The Legal Matters, and The Verve Pipe; this is Andy's second appearance on WCA.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Covid Era Survival</li><li>Remote Collaboration</li><li>Changes to Gear</li><li>Mixing at Low Volumes</li><li>Working in Small Markets</li><li>Advice to Others</li><li>Online Presence</li><li>Communication Advice</li><li>Health Challenges</li><li>Exercise</li><li>Business Changes</li><li>Running a Commercial Home Studio</li></ul><br/><p><strong>Matt's Rant: Keeping Your Foot on the Gas</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-130-with-andy-reed/" rel="noopener noreferrer" target="_blank">WCA #130 with Andy</a></li><li><a href="https://www.reedrecordingcompany.com/home" rel="noopener noreferrer" target="_blank">Andy's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Andy Reed</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-429-with-andy-reed-remote-collaboration-mixing-at-low-volumes-working-in-small-markets-communication-advice-and-covid-era-survival]]></link><guid isPermaLink="false">7b59dae6-b6b9-11ed-98dd-83f8d9cc00ee</guid><itunes:image href="https://artwork.captivate.fm/187e7ae3-befb-4ef0-8d28-fd8760218a4b/182ba1.jpeg"/><pubDate>Mon, 06 Mar 2023 19:41:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7a84c471-e8c6-4d70-ae3c-230433a31d4c.mp3" length="141835917" type="audio/mpeg"/><itunes:duration>59:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>429</itunes:episode><podcast:episode>429</podcast:episode><itunes:summary>My guest is Producer/Engineer Andy Reed, who has worked with Amy Petty, The Legal Matters, and The Verve Pipe; this is Andy&apos;s second appearance on WCA. 

In this episode, we discuss

Covid Era Survival

Remote Collaboration

Changes to Gear

Mixing at Low Volumes

Working in Small Markets

Advice to Others

Online Presence

Communication Advice

Health Challenges

Exercise

Business Changes

Running a Commercial Home Studio


Matt&apos;s Rant: Keeping Your Foot on the Gas

Links and Show Notes

WCA #130 with Andy

Andy&apos;s Site


Credits

Guest: Andy Reed

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #428 with J Clark - Headbangers Ball, Punk Rock, Touring, ATMOS, Kenny G, and The Clarinet Incident</title><itunes:title>WCA #428 with J Clark - Headbangers Ball, Punk Rock, Touring, ATMOS, Kenny G, and The Clarinet Incident</itunes:title><description><![CDATA[<p>My guest is Mixer J Clark, who has mixed for Madame Gandhi, Elle King, Cautious Clay, and Jennifer Lopez. J is also a member of the Infrasonic Sound team.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Born in Indiana</li><li>Minneapolis</li><li>Seattle</li><li>Headbangers Ball</li><li>Skateboarding</li><li>Touring</li><li>Kenny G&nbsp;</li><li>The Clarinet Incident</li><li>American Punk Rock</li><li>Playing in Bands</li><li>Recording School</li><li>Post Production&nbsp;</li><li>Sound Design</li><li>ATMOS &amp; Sony 360</li><li>Short Sightedness</li><li>Working for Infrasonic</li><li>Work/Life Balance</li><li>Finances</li></ul><br/><p><strong>Matt's Rant: Keeping Your Cool</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://jcroweclark.com/" rel="noopener noreferrer" target="_blank">J's Site</a></li><li><a href="https://www.instagram.com/_j.croweclark/" rel="noopener noreferrer" target="_blank">J on Instagram</a></li><li><a href="https://www.infrasonicsound.com/jclark" rel="noopener noreferrer" target="_blank">J at Infrasonic</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: J Clark</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Mixer J Clark, who has mixed for Madame Gandhi, Elle King, Cautious Clay, and Jennifer Lopez. J is also a member of the Infrasonic Sound team.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Born in Indiana</li><li>Minneapolis</li><li>Seattle</li><li>Headbangers Ball</li><li>Skateboarding</li><li>Touring</li><li>Kenny G&nbsp;</li><li>The Clarinet Incident</li><li>American Punk Rock</li><li>Playing in Bands</li><li>Recording School</li><li>Post Production&nbsp;</li><li>Sound Design</li><li>ATMOS &amp; Sony 360</li><li>Short Sightedness</li><li>Working for Infrasonic</li><li>Work/Life Balance</li><li>Finances</li></ul><br/><p><strong>Matt's Rant: Keeping Your Cool</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://jcroweclark.com/" rel="noopener noreferrer" target="_blank">J's Site</a></li><li><a href="https://www.instagram.com/_j.croweclark/" rel="noopener noreferrer" target="_blank">J on Instagram</a></li><li><a href="https://www.infrasonicsound.com/jclark" rel="noopener noreferrer" target="_blank">J at Infrasonic</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: J Clark</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-428-with-j-clark-headbangers-ball-punk-rock-touring-atmos-kenny-g-and-the-clarinet-incident]]></link><guid isPermaLink="false">1cfa7abc-7d46-11ec-8454-138da06a7884</guid><itunes:image href="https://artwork.captivate.fm/d9bc1c34-18b8-4eae-b11a-13b98df4bd46/7e68b7.jpeg"/><pubDate>Mon, 27 Feb 2023 16:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2855b7c0-4ad8-4f23-8ada-6227fec34506.mp3" length="143884891" type="audio/mpeg"/><itunes:duration>59:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>428</itunes:episode><podcast:episode>428</podcast:episode><itunes:summary>My guest is Mixer J Clark, who has mixed for Madame Gandhi, Elle King, Cautious Clay, and Jennifer Lopez. J is also a member of the Infrasonic Sound team. 

In this episode, we discuss

Born in Indiana

Minneapolis

Seattle

Headbangers Ball

Skateboarding

Touring

Kenny G 

The Clarinet Incident

American Punk Rock

Playing in Bands

Recording School

Post Production 

Sound Design

ATMOS &amp; Sony 360

Short Sightedness

Working for Infrasonic

Work/Life Balance

Finances


Matt&apos;s Rant: Keeping Your Cool
Links and Show Notes

J&apos;s Site

J on Instagram

J at Infrasonic


Credits

Guest: J Clark

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #427 with Brett Bullion - BC/AC, MAX Msp, Remote Mixing, Expectations, and the Minneapolis Music Scene</title><itunes:title>WCA #427 with Brett Bullion - BC/AC, MAX Msp, Remote Mixing, Expectations, and the Minneapolis Music Scene</itunes:title><description><![CDATA[<p>My guest is Producer / Mixer Brett Bullion, who has worked with<strong>&nbsp;</strong>The Bad Plus, Margaret Glaspy, Low, and Bad Bad Hats. This is Brett's second appearance on the show; he originally appeared on&nbsp;<a href="https://www.workingclassaudio.com/wca-147-with-brett-bullion/" rel="noopener noreferrer" target="_blank">WCA #147</a>.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Home Mix Room</li><li>Before Covid/After Covid (BC/AC)</li><li>Acoustics</li><li>Treatment vs. Sound Proofing</li><li>Getting Work</li><li>Max MSP</li><li>Playing Games</li><li>The Finances of Audio</li><li>Career&nbsp;</li><li>Management</li><li>Minneapolis Music Scene</li><li>Traveling for Work</li><li>MWTM</li><li>Emulation</li><li>Budgets</li><li>Expectations</li><li>Remote Mixing</li><li>Deep Glenns</li><li>In the Box vs. Out of the Box</li><li>Buying Habits</li></ul><br/><p><strong>Matt's Rant: Transparency</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://deepglens.com/" rel="noopener noreferrer" target="_blank">Brett's Deep Glenns Project</a></li><li><a href="https://amzn.to/3IAvl94" rel="noopener noreferrer" target="_blank">The Money Book</a></li><li><a href="https://brettbullion.com/" rel="noopener noreferrer" target="_blank">Brett's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Brett Bullion</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer / Mixer Brett Bullion, who has worked with<strong>&nbsp;</strong>The Bad Plus, Margaret Glaspy, Low, and Bad Bad Hats. This is Brett's second appearance on the show; he originally appeared on&nbsp;<a href="https://www.workingclassaudio.com/wca-147-with-brett-bullion/" rel="noopener noreferrer" target="_blank">WCA #147</a>.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Home Mix Room</li><li>Before Covid/After Covid (BC/AC)</li><li>Acoustics</li><li>Treatment vs. Sound Proofing</li><li>Getting Work</li><li>Max MSP</li><li>Playing Games</li><li>The Finances of Audio</li><li>Career&nbsp;</li><li>Management</li><li>Minneapolis Music Scene</li><li>Traveling for Work</li><li>MWTM</li><li>Emulation</li><li>Budgets</li><li>Expectations</li><li>Remote Mixing</li><li>Deep Glenns</li><li>In the Box vs. Out of the Box</li><li>Buying Habits</li></ul><br/><p><strong>Matt's Rant: Transparency</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://deepglens.com/" rel="noopener noreferrer" target="_blank">Brett's Deep Glenns Project</a></li><li><a href="https://amzn.to/3IAvl94" rel="noopener noreferrer" target="_blank">The Money Book</a></li><li><a href="https://brettbullion.com/" rel="noopener noreferrer" target="_blank">Brett's Site</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Brett Bullion</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-427-with-brett-bullion-bc-ac-max-msp-remote-mixing-expectations-and-the-minneapolis-music-scene]]></link><guid isPermaLink="false">1cde87bc-7d46-11ec-8454-ef9f6ffb769a</guid><itunes:image href="https://artwork.captivate.fm/5289b39a-f634-40f5-82e5-d4d3266a196d/11dbc7.png"/><pubDate>Mon, 20 Feb 2023 17:07:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e9a976d5-2f03-4ebd-b49d-582c79ef6450.mp3" length="148644543" type="audio/mpeg"/><itunes:duration>01:01:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>427</itunes:episode><podcast:episode>427</podcast:episode><itunes:summary>My guest is Producer / Mixer Brett Bullion, who has worked with The Bad Plus, Margaret Glaspy, Low, and Bad Bad Hats. This is Brett&apos;s second appearance on the show; he originally appeared on WCA #147. 

In this episode, we discuss

Home Mix Room

Before Covid/After Covid (BC/AC)

Acoustics

Treatment vs. Sound Proofing

Getting Work

Max MSP

Playing Games

The Finances of Audio

Career 

Management

Minneapolis Music Scene

Traveling for Work

MWTM

Emulation

Budgets

Expectations

Remote Mixing

Deep Glenns

In the Box vs. Out of the Box

Buying Habits


Matt&apos;s Rant: Transparency

Links and Show Notes

Brett&apos;s Deep Glenns Project

The Money Book

Brett&apos;s Site


Credits

Guest: Brett Bullion

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #426 with Pete Droge - Seattle Punk Rock, Boombox Multitracking, Investing in Career, Diversifying in all Directions, and Staying Mellow</title><itunes:title>WCA #426 with Pete Droge - Seattle Punk Rock, Boombox Multitracking, Investing in Career, Diversifying in all Directions, and Staying Mellow</itunes:title><description><![CDATA[<p>My guest is Producer/Engineer, Singer-Songwriter &amp; Media Composer Pete Droge. Pete has had a diverse career as a solo artist and producer, working with Stone Gossard of Pearl Jam and Chris Ballew of The Presidents of the United States of America. He's had movie cameos and hit songs. Produced, engineered, and mixed national broadcast ads. Composed, produced, engineered, and mixed scores for three feature films and several shorts, including Sam Jones' "Miles to Go Before I Sleep" for Showtime. He's also had Film and TV placements, including Dumb &amp; Dumber, Zomblieland, Grey's Anatomy, Nashville, and many more. He's also a member of the band The Thorns with Matthew Sweet and Shawn Mullins.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Cassette Machines</li><li>Moving Around</li><li>Dad's Group Homes</li><li>Washington State</li><li>Piano Lessons</li><li>Guitar</li><li>March of Crimes</li><li>Seattle Punk Rock</li><li>25th Hour</li><li>Mellow Vibe</li><li>Going Solo</li><li>Boombox Multitracking</li><li>Mike and Stone from Pearl Jam</li><li>Brendan O'Brien</li><li>Comping</li><li>Learning Recording as an Artist</li><li>Southern Tracks</li><li>Surviving</li><li>How Music is Made</li><li>Playing to the Venue</li><li>Doing Well</li><li>Producing</li><li>Building a Studio</li><li>Investing in Career</li><li>Moving into Audio</li><li>Arrangement vs. Mixing</li><li>Working on Commercials</li><li>Diversifying</li><li>Chronic Fatigue Syndrome</li><li>Meditating</li></ul><br/><p><strong>Matt's Rant: Automation</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://zapier.com/" rel="noopener noreferrer" target="_blank">Zapier</a></li><li><a href="https://www.typeform.com/" rel="noopener noreferrer" target="_blank">Typeform</a></li><li><a href="https://calendly.com/" rel="noopener noreferrer" target="_blank">Calendly</a></li><li>Pete on&nbsp;<a href="https://youtu.be/plHsur0dugw" rel="noopener noreferrer" target="_blank">Letterman</a></li><li><a href="https://petedroge.com/" rel="noopener noreferrer" target="_blank">Pete's Site</a></li><li><a href="https://substack.com/" rel="noopener noreferrer" target="_blank">Substack</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Pete Droge</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Engineer, Singer-Songwriter &amp; Media Composer Pete Droge. Pete has had a diverse career as a solo artist and producer, working with Stone Gossard of Pearl Jam and Chris Ballew of The Presidents of the United States of America. He's had movie cameos and hit songs. Produced, engineered, and mixed national broadcast ads. Composed, produced, engineered, and mixed scores for three feature films and several shorts, including Sam Jones' "Miles to Go Before I Sleep" for Showtime. He's also had Film and TV placements, including Dumb &amp; Dumber, Zomblieland, Grey's Anatomy, Nashville, and many more. He's also a member of the band The Thorns with Matthew Sweet and Shawn Mullins.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Cassette Machines</li><li>Moving Around</li><li>Dad's Group Homes</li><li>Washington State</li><li>Piano Lessons</li><li>Guitar</li><li>March of Crimes</li><li>Seattle Punk Rock</li><li>25th Hour</li><li>Mellow Vibe</li><li>Going Solo</li><li>Boombox Multitracking</li><li>Mike and Stone from Pearl Jam</li><li>Brendan O'Brien</li><li>Comping</li><li>Learning Recording as an Artist</li><li>Southern Tracks</li><li>Surviving</li><li>How Music is Made</li><li>Playing to the Venue</li><li>Doing Well</li><li>Producing</li><li>Building a Studio</li><li>Investing in Career</li><li>Moving into Audio</li><li>Arrangement vs. Mixing</li><li>Working on Commercials</li><li>Diversifying</li><li>Chronic Fatigue Syndrome</li><li>Meditating</li></ul><br/><p><strong>Matt's Rant: Automation</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://zapier.com/" rel="noopener noreferrer" target="_blank">Zapier</a></li><li><a href="https://www.typeform.com/" rel="noopener noreferrer" target="_blank">Typeform</a></li><li><a href="https://calendly.com/" rel="noopener noreferrer" target="_blank">Calendly</a></li><li>Pete on&nbsp;<a href="https://youtu.be/plHsur0dugw" rel="noopener noreferrer" target="_blank">Letterman</a></li><li><a href="https://petedroge.com/" rel="noopener noreferrer" target="_blank">Pete's Site</a></li><li><a href="https://substack.com/" rel="noopener noreferrer" target="_blank">Substack</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Pete Droge</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-426-with-pete-droge-seattle-punk-rock-boombox-multitracking-investing-in-career-diversifying-in-all-directions-and-staying-mellow]]></link><guid isPermaLink="false">1cc191b6-7d46-11ec-8454-1f69fec27771</guid><itunes:image href="https://artwork.captivate.fm/e9dd461d-3bfe-4932-b38c-07e9e3b2b5ae/61cb06.png"/><pubDate>Mon, 13 Feb 2023 20:56:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/294a9fbd-e2c0-4a28-85e1-dddd0cd67302.mp3" length="180912514" type="audio/mpeg"/><itunes:duration>01:15:23</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>426</itunes:episode><podcast:episode>426</podcast:episode><itunes:summary>My guest is Producer/Engineer, Singer-Songwriter &amp; Media Composer Pete Droge. Pete has had a diverse career as a solo artist and producer, working with Stone Gossard of Pearl Jam and Chris Ballew of The Presidents of the United States of America. He&apos;s had movie cameos and hit songs. Produced, engineered, and mixed national broadcast ads. Composed, produced, engineered, and mixed scores for three feature films and several shorts, including Sam Jones&apos; &quot;Miles to Go Before I Sleep&quot; for Showtime. He&apos;s also had Film and TV placements, including Dumb &amp; Dumber, Zomblieland, Grey&apos;s Anatomy, Nashville, and many more. He&apos;s also a member of the band The Thorns with Matthew Sweet and Shawn Mullins.

In this episode, we discuss

Cassette Machines

Moving Around

Dad&apos;s Group Homes

Washington State

Piano Lessons

Guitar

March of Crimes

Seattle Punk Rock

25th Hour

Mellow Vibe

Going Solo

Boombox Multitracking

Mike and Stone from Pearl Jam

Brendan O&apos;Brien

Comping

Learning Recording as an Artist

Southern Tracks

Surviving

How Music is Made

Playing to the Venue

Doing Well

Producing

Building a Studio

Investing in Career

Moving into Audio

Arrangement vs. Mixing

Working on Commercials

Diversifying

Chronic Fatigue Syndrome

Meditating


Matt&apos;s Rant: Automation

Links and Show Notes

Zapier

Typeform

Calendly

Pete on Letterman


Pete&apos;s Site

Substack


Credits

Guest: Pete Droge

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #425 with Evan Bakke - Power Station New England, Minneapolis Suburbs, Working with Fluff, Working for Prince, and Recording in Che Guevara&apos;s House</title><itunes:title>WCA #425 with Evan Bakke - Power Station New England, Minneapolis Suburbs, Working with Fluff, Working for Prince, and Recording in Che Guevara&apos;s House</itunes:title><description><![CDATA[<p>My guest is Engineer/Mixer Evan Bakke, who is the chief engineer and studio manager at Power Station New England. Evan has worked with Jake Huffman, Prince, Chuck Leah, and Sam Nitsch.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Minneapolis Suburbs</li><li>Production School</li><li>Working with Fluff</li><li>Jim Scott Influence</li><li>Living in His Car</li><li>Bouncing Around&nbsp;</li><li>Moving to Bolivia</li><li>Recording in Che Guevara's House</li><li>Trying out Nashville</li><li>Working for Prince</li><li>Power Station New England</li><li>Studio Manager Duties</li><li>Recording in Connecticut</li><li>Work/Life Balance</li></ul><br/><p><strong>Matt's Rant: Collectives</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.evanbakke.com/" rel="noopener noreferrer" target="_blank">Evan's Site</a></li><li><a href="http://powerstationne.com/" rel="noopener noreferrer" target="_blank">Power Station New England</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Evan Bakke</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Engineer/Mixer Evan Bakke, who is the chief engineer and studio manager at Power Station New England. Evan has worked with Jake Huffman, Prince, Chuck Leah, and Sam Nitsch.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Minneapolis Suburbs</li><li>Production School</li><li>Working with Fluff</li><li>Jim Scott Influence</li><li>Living in His Car</li><li>Bouncing Around&nbsp;</li><li>Moving to Bolivia</li><li>Recording in Che Guevara's House</li><li>Trying out Nashville</li><li>Working for Prince</li><li>Power Station New England</li><li>Studio Manager Duties</li><li>Recording in Connecticut</li><li>Work/Life Balance</li></ul><br/><p><strong>Matt's Rant: Collectives</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.evanbakke.com/" rel="noopener noreferrer" target="_blank">Evan's Site</a></li><li><a href="http://powerstationne.com/" rel="noopener noreferrer" target="_blank">Power Station New England</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Evan Bakke</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-425-with-evan-bakke-power-station-new-england-minneapolis-suburbs-working-with-fluff-working-for-prince-and-recording-in-che-guevaras-house]]></link><guid isPermaLink="false">1ca5fb9a-7d46-11ec-8454-3beb6ce51d86</guid><itunes:image href="https://artwork.captivate.fm/5761b846-eba5-4c92-a79e-2ec47d5b6184/43a791.png"/><pubDate>Mon, 06 Feb 2023 21:23:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ce4822c5-727b-41be-bc3c-ac0babf15747.mp3" length="120735298" type="audio/mpeg"/><itunes:duration>50:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>425</itunes:episode><podcast:episode>425</podcast:episode><itunes:summary>My guest is Engineer/Mixer Evan Bakke, who is the chief engineer and studio manager at Power Station New England. Evan has worked with Jake Huffman, Prince, Chuck Leah, and Sam Nitsch.

In this episode, we discuss

Minneapolis Suburbs

Production School

Working with Fluff

Jim Scott Influence

Living in His Car

Bouncing Around 

Moving to Bolivia

Recording in Che Guevara&apos;s House

Trying out Nashville

Working for Prince

Power Station New England

Studio Manager Duties

Recording in Connecticut

Work/Life Balance


Matt&apos;s Rant: Collectives
Links and Show Notes

Evan&apos;s Site

Power Station New England


Credits

Guest: Evan Bakke

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #424 with Kevin Paul - Pirate Radio, Getting into the Chair, Working with Nick Cave, Knowing Your Value, and Revamping Audio Education</title><itunes:title>WCA #424 with Kevin Paul - Pirate Radio, Getting into the Chair, Working with Nick Cave, Knowing Your Value, and Revamping Audio Education</itunes:title><description><![CDATA[<p>My guest is Producer/Mixing/Mastering Engineer Kevin Paul who has worked with Nick Cave and the Bad Seeds, David Bowie, Depeche Mode, Goldfrapp, and Paul Simon.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in London</li><li>Pirate Radio</li><li>Hip Hop Culture</li><li>DJing</li><li>Learning Signal Flow</li><li>Working for a Sleaze Bag</li><li><a href="https://www.konkstudios.com/" rel="noopener noreferrer" target="_blank">Konk Studios</a></li><li>Lesson Learned</li><li>Working Long Hours</li><li>Cooking Analogies</li><li><a href="https://mute.com/" rel="noopener noreferrer" target="_blank">Mute</a></li><li>Archiving</li><li>Boy to Man</li><li>Getting into the Chair</li><li>Working with Nick Cave</li><li>Working at Abbey Road</li><li>Surround Mixing</li><li>Working Remote</li><li>Education Work</li><li>Kevin's Podcast</li><li>Mixing Challenging Tracks</li><li>Knowing Your Value</li><li>UK Studio Health</li><li>Revamping Audio Education</li></ul><br/><p><strong>Matt's Rant: Freelance Challenges</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://podcasts.apple.com/gb/podcast/episode-1-grammy-nominated-producer-catherine-marks/id1493259785?i=1000462091668" rel="noopener noreferrer" target="_blank">Kevin's Podcast</a></li><li><a href="http://www.kevin-paul.com/" rel="noopener noreferrer" target="_blank">Kevin's Website</a></li><li><a href="https://www.westminster.ac.uk/music-courses/2023-24/september/full-time/audio-production-ma" rel="noopener noreferrer" target="_blank">Kevin's School&nbsp;</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Kevin Paul</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Mixing/Mastering Engineer Kevin Paul who has worked with Nick Cave and the Bad Seeds, David Bowie, Depeche Mode, Goldfrapp, and Paul Simon.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in London</li><li>Pirate Radio</li><li>Hip Hop Culture</li><li>DJing</li><li>Learning Signal Flow</li><li>Working for a Sleaze Bag</li><li><a href="https://www.konkstudios.com/" rel="noopener noreferrer" target="_blank">Konk Studios</a></li><li>Lesson Learned</li><li>Working Long Hours</li><li>Cooking Analogies</li><li><a href="https://mute.com/" rel="noopener noreferrer" target="_blank">Mute</a></li><li>Archiving</li><li>Boy to Man</li><li>Getting into the Chair</li><li>Working with Nick Cave</li><li>Working at Abbey Road</li><li>Surround Mixing</li><li>Working Remote</li><li>Education Work</li><li>Kevin's Podcast</li><li>Mixing Challenging Tracks</li><li>Knowing Your Value</li><li>UK Studio Health</li><li>Revamping Audio Education</li></ul><br/><p><strong>Matt's Rant: Freelance Challenges</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://podcasts.apple.com/gb/podcast/episode-1-grammy-nominated-producer-catherine-marks/id1493259785?i=1000462091668" rel="noopener noreferrer" target="_blank">Kevin's Podcast</a></li><li><a href="http://www.kevin-paul.com/" rel="noopener noreferrer" target="_blank">Kevin's Website</a></li><li><a href="https://www.westminster.ac.uk/music-courses/2023-24/september/full-time/audio-production-ma" rel="noopener noreferrer" target="_blank">Kevin's School&nbsp;</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Kevin Paul</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-424-with-kevin-paul-pirate-radio-getting-into-the-chair-working-with-nick-cave-knowing-your-value-and-revamping-audio-education]]></link><guid isPermaLink="false">1c7a707e-7d46-11ec-8454-870b140b3243</guid><itunes:image href="https://artwork.captivate.fm/16ade53a-fee5-476f-a238-c53a5c856bfb/b83b9d.png"/><pubDate>Mon, 30 Jan 2023 06:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/802da6f9-b545-4b7f-ae0e-2753d5b5fdad.mp3" length="163771460" type="audio/mpeg"/><itunes:duration>01:08:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>424</itunes:episode><podcast:episode>424</podcast:episode><itunes:summary>My guest is Producer/Mixing/Mastering Engineer Kevin Paul who has worked with Nick Cave and the Bad Seeds, David Bowie, Depeche Mode, Goldfrapp, and Paul Simon.

In this episode, we discuss

Growing up in London

Pirate Radio

Hip Hop Culture

DJing

Learning Signal Flow

Working for a Sleaze Bag

Konk Studios

Lesson Learned

Working Long Hours

Cooking Analogies

Mute

Archiving

Boy to Man

Getting into the Chair

Working with Nick Cave

Working at Abbey Road

Surround Mixing

Working Remote

Education Work

Kevin&apos;s Podcast

Mixing Challenging Tracks

Knowing Your Value

UK Studio Health

Revamping Audio Education


Matt&apos;s Rant: Freelance Challenges
Links and Show Notes

Kevin&apos;s Podcast

Kevin&apos;s Website

Kevin&apos;s School 


Credits

Guest: Kevin Paul

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #423 with &quot;Greazy&quot; Wil Anspach - Iraq War, Marine Corp, Purple Heart, Working at East West, Communication, and Those Tik Tok Posts</title><itunes:title>WCA #423 with &quot;Greazy&quot; Wil Anspach - Iraq War, Marine Corp, Purple Heart, Working at East West, Communication, and Those Tik Tok Posts</itunes:title><description><![CDATA[<p>My guest is Producer/Engineer, Marine Corps veteran, and Purple Heart recipient "Greazy" Wil Anspach. Will has worked with Killer Mike, Jon Batiste, Vic Mensa, Zach de la Rocha. </p><p><strong>In this episode, we discuss</strong></p><ul><li>Coal Mining Grandfather</li><li>Musical Mixtures</li><li>John, The Piano Player</li><li>Marine Corp</li><li>Military Training</li><li>Iraq War</li><li>The Slow Mover Award</li><li>Progressive Metal Band</li><li>Meth Head Engineer</li><li>Selling Tibetan Rugs</li><li>CRAS</li><li>Having a Child</li><li>East West History</li><li>Interviewing for an Internship</li><li>Working at East West</li><li>80 Hours a Week</li><li>Marriage and Divorce</li><li>Impact of The Marine Corp</li><li>Making Mistakes</li><li>Working Freelance</li><li>Robert Caranza</li><li>Personalities in Rap and Rock</li><li>Stepping Outside</li><li>Communication</li><li>Those Tik Tok Posts</li><li>The Role of Tracking</li></ul><br/><p><strong>Matt's Rant: Keeping Your House in Order</strong></p><p></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.tiktok.com/@greazywilmusic" rel="noopener noreferrer" target="_blank">Wil on Tik Tok</a></li><li><a href="https://www.wilanspach.com/" rel="noopener noreferrer" target="_blank">Wil's Website</a></li><li><a href="https://www.instagram.com/greazywil/" rel="noopener noreferrer" target="_blank">Wil on Instagram</a></li></ul><br/><p></p><p><strong>Credits</strong></p><ul><li>Guest: "Greazy" Wil Anspach</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau </li><li>WCA Theme Music: Cliff Truesdell </li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer/Engineer, Marine Corps veteran, and Purple Heart recipient "Greazy" Wil Anspach. Will has worked with Killer Mike, Jon Batiste, Vic Mensa, Zach de la Rocha. </p><p><strong>In this episode, we discuss</strong></p><ul><li>Coal Mining Grandfather</li><li>Musical Mixtures</li><li>John, The Piano Player</li><li>Marine Corp</li><li>Military Training</li><li>Iraq War</li><li>The Slow Mover Award</li><li>Progressive Metal Band</li><li>Meth Head Engineer</li><li>Selling Tibetan Rugs</li><li>CRAS</li><li>Having a Child</li><li>East West History</li><li>Interviewing for an Internship</li><li>Working at East West</li><li>80 Hours a Week</li><li>Marriage and Divorce</li><li>Impact of The Marine Corp</li><li>Making Mistakes</li><li>Working Freelance</li><li>Robert Caranza</li><li>Personalities in Rap and Rock</li><li>Stepping Outside</li><li>Communication</li><li>Those Tik Tok Posts</li><li>The Role of Tracking</li></ul><br/><p><strong>Matt's Rant: Keeping Your House in Order</strong></p><p></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.tiktok.com/@greazywilmusic" rel="noopener noreferrer" target="_blank">Wil on Tik Tok</a></li><li><a href="https://www.wilanspach.com/" rel="noopener noreferrer" target="_blank">Wil's Website</a></li><li><a href="https://www.instagram.com/greazywil/" rel="noopener noreferrer" target="_blank">Wil on Instagram</a></li></ul><br/><p></p><p><strong>Credits</strong></p><ul><li>Guest: "Greazy" Wil Anspach</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau </li><li>WCA Theme Music: Cliff Truesdell </li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-423-with-greazy-wil-anspach-iraq-war-marine-corp-purple-heart-working-at-east-west-communication-and-those-tik-tok-posts]]></link><guid isPermaLink="false">1c5ebb0e-7d46-11ec-8454-8b7b4e91441d</guid><itunes:image href="https://artwork.captivate.fm/f59fe5fa-8ba6-4dff-b842-fe137cf982c8/0a5fb2.png"/><pubDate>Mon, 23 Jan 2023 21:05:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/03d11894-0480-495e-bc2a-d5d42e2a68ef.mp3" length="230353832" type="audio/mpeg"/><itunes:duration>01:59:59</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>423</itunes:episode><podcast:episode>423</podcast:episode><itunes:summary>My guest is Producer/Engineer, Marine Corps veteran, and Purple Heart recipient &quot;Greazy&quot; Wil Anspach. Will has worked with Killer Mike, Jon Batiste, Vic Mensa, Zach de la Rocha. 

In this episode, we discuss

Coal Mining Grandfather

Musical Mixtures

John, The Piano Player

Marine Corp

Military Training

Iraq War

The Slow Mover Award

Progressive Metal Band

Meth Head Engineer

Selling Tibetan Rugs

CRAS

Having a Child

East West History

Interviewing for an Internship

Working at East West

80 Hours a Week

Marriage and Divorce

Impact of The Marine Corp

Making Mistakes

Working Freelance

Robert Caranza

Personalities in Rap and Rock

Stepping Outside

Communication

Those Tik Tok Posts

The Role of Tracking


Matt&apos;s Rant: Keeping Your House in Order

Links and Show Notes

Wil on Tik Tok

Wil&apos;s Website

Wil on Instagram


Credits

Guest: &quot;Greazy&quot; Wil Anspach

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #422 with Mat Leffler-Schulman - The Bartender Analogy, Handling Money, Flooded Basements, Analog Mastering, and Oblique Strategies</title><itunes:title>WCA #422 with Mat Leffler-Schulman - The Bartender Analogy, Handling Money, Flooded Basements, Analog Mastering, and Oblique Strategies</itunes:title><description><![CDATA[<p>My guest is Mat Leffler-Schulman, a mastering engineer based out of Baltimore, Maryland, who has worked with Jon Batiste, will.i.am, Blondie, Gipsy Kings, The National Symphony Orchestra, and Ice Cube.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Flooded Basements</li><li>DC Suburbs</li><li>Running a Studio</li><li>Spousal Business Partner</li><li>MTSU</li><li>Handling Money</li><li>Business Entities</li><li>Errors and Omissions</li><li>Row House Studio</li><li>Moving Overseas</li><li>The Finances of Remote Work</li><li>Moving to Mastering</li><li>The Bartender Analogy</li><li>Analog Mastering</li><li>Working from Home</li><li>Word of Mouth</li><li>Oblique Strategies</li><li>Mastering Process</li><li>Rates</li><li>Likes and Dislikes of Pro Audio</li><li>Work/Life Balance</li></ul><br/><p><strong>Matt's Rant: Holding the Line</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://matlefflerschulman.com/" rel="noopener noreferrer" target="_blank">Mat's Site</a></li><li><a href="https://en.wikipedia.org/wiki/Oblique_Strategies" rel="noopener noreferrer" target="_blank">Oblique Strategies</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Mat Leffler-Schulman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Mat Leffler-Schulman, a mastering engineer based out of Baltimore, Maryland, who has worked with Jon Batiste, will.i.am, Blondie, Gipsy Kings, The National Symphony Orchestra, and Ice Cube.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Flooded Basements</li><li>DC Suburbs</li><li>Running a Studio</li><li>Spousal Business Partner</li><li>MTSU</li><li>Handling Money</li><li>Business Entities</li><li>Errors and Omissions</li><li>Row House Studio</li><li>Moving Overseas</li><li>The Finances of Remote Work</li><li>Moving to Mastering</li><li>The Bartender Analogy</li><li>Analog Mastering</li><li>Working from Home</li><li>Word of Mouth</li><li>Oblique Strategies</li><li>Mastering Process</li><li>Rates</li><li>Likes and Dislikes of Pro Audio</li><li>Work/Life Balance</li></ul><br/><p><strong>Matt's Rant: Holding the Line</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://matlefflerschulman.com/" rel="noopener noreferrer" target="_blank">Mat's Site</a></li><li><a href="https://en.wikipedia.org/wiki/Oblique_Strategies" rel="noopener noreferrer" target="_blank">Oblique Strategies</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Mat Leffler-Schulman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-422-with-mat-leffler-schulman-the-bartender-analogy-handling-money-flooded-basements-analog-mastering-and-oblique-strategies]]></link><guid isPermaLink="false">1c42f1d0-7d46-11ec-8454-fb002a13e033</guid><itunes:image href="https://artwork.captivate.fm/38c352e8-e220-424f-8701-bd6226b58b9a/0cc25d.png"/><pubDate>Mon, 16 Jan 2023 21:07:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b5074a2c-48c0-4d3d-9779-e5241d92c982.mp3" length="122595191" type="audio/mpeg"/><itunes:duration>51:05</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>422</itunes:episode><podcast:episode>422</podcast:episode><itunes:summary>My guest is Mat Leffler-Schulman, a mastering engineer based out of Baltimore, Maryland, who has worked with Jon Batiste, will.i.am, Blondie, Gipsy Kings, The National Symphony Orchestra, and Ice Cube.

In this episode, we discuss

Flooded Basements

DC Suburbs

Running a Studio

Spousal Business Partner

MTSU

Handling Money

Business Entities

Errors and Omissions

Row House Studio

Moving Overseas

The Finances of Remote Work

Moving to Mastering

The Bartender Analogy

Analog Mastering

Working from Home

Word of Mouth

Oblique Strategies

Mastering Process

Rates

Likes and Dislikes of Pro Audio

Work/Life Balance


Matt&apos;s Rant: Holding the Line
Links and Show Notes

Mat&apos;s Site

Oblique Strategies


Credits

Guest: Mat Leffler-Schulman

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #421 with Raelynn Janicke - Mastering and Managing, New York Hardcore, Absorbing New Info, Being a Good Hang, Staying Healthy, and Communication</title><itunes:title>WCA #421 with Raelynn Janicke - Mastering and Managing, New York Hardcore, Absorbing New Info, Being a Good Hang, Staying Healthy, and Communication</itunes:title><description><![CDATA[<p>My guest is Raelynn Janicke, a mastering engineer and studio manager for Infrasonic in Nashville. Raelynn has worked with The Shins, Hematite, J.R. Carroll, Kayla Hall, Talia Stewart, and Bazookatooth.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in&nbsp;<a href="https://en.wikipedia.org/wiki/Selkirk,_New_York" rel="noopener noreferrer" target="_blank">Selkirk, NY</a></li><li>New York Hardcore</li><li>Alto Sax&nbsp;</li><li>Church</li><li>Moving to Boston</li><li>Computer Science</li><li>Crying in The Bathroom</li><li>A Capella</li><li>Moving to Nashville</li><li>Bartending</li><li>Reid Shippen</li><li>Getting Hired by Infrasonic</li><li>Mastering and Managing</li><li>Running a Mastering Facility</li><li>Absorbing New Info</li><li>Traffic Cop</li><li>Being Nice to People</li><li>Being a Good Hang</li><li>Communication</li><li>Client Focus</li><li>Billing Practices in Mastering</li><li>Work/Life Balance</li><li>Staying Healthy</li></ul><br/><p><strong>Matt's Rant: Personal Check In</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.infrasonicsound.com/raelynn" rel="noopener noreferrer" target="_blank">Infrasonic Sound</a></li><li><a href="https://thesextants.bandcamp.com/" rel="noopener noreferrer" target="_blank">The Sextants on Bandcamp</a></li><li><a href="https://disneyplusoriginals.disney.com/show/limitless-with-chris-hemsworth" rel="noopener noreferrer" target="_blank">Limitless with Chris Hemsworth</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Raelynn Janicke</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Raelynn Janicke, a mastering engineer and studio manager for Infrasonic in Nashville. Raelynn has worked with The Shins, Hematite, J.R. Carroll, Kayla Hall, Talia Stewart, and Bazookatooth.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up in&nbsp;<a href="https://en.wikipedia.org/wiki/Selkirk,_New_York" rel="noopener noreferrer" target="_blank">Selkirk, NY</a></li><li>New York Hardcore</li><li>Alto Sax&nbsp;</li><li>Church</li><li>Moving to Boston</li><li>Computer Science</li><li>Crying in The Bathroom</li><li>A Capella</li><li>Moving to Nashville</li><li>Bartending</li><li>Reid Shippen</li><li>Getting Hired by Infrasonic</li><li>Mastering and Managing</li><li>Running a Mastering Facility</li><li>Absorbing New Info</li><li>Traffic Cop</li><li>Being Nice to People</li><li>Being a Good Hang</li><li>Communication</li><li>Client Focus</li><li>Billing Practices in Mastering</li><li>Work/Life Balance</li><li>Staying Healthy</li></ul><br/><p><strong>Matt's Rant: Personal Check In</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.infrasonicsound.com/raelynn" rel="noopener noreferrer" target="_blank">Infrasonic Sound</a></li><li><a href="https://thesextants.bandcamp.com/" rel="noopener noreferrer" target="_blank">The Sextants on Bandcamp</a></li><li><a href="https://disneyplusoriginals.disney.com/show/limitless-with-chris-hemsworth" rel="noopener noreferrer" target="_blank">Limitless with Chris Hemsworth</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Raelynn Janicke</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-421-with-raelynn-janicke-mastering-and-managing-new-york-hardcore-absorbing-new-info-being-a-good-hang-staying-healthy-and-communication]]></link><guid isPermaLink="false">1c2723f6-7d46-11ec-8454-8fa00fd5534e</guid><itunes:image href="https://artwork.captivate.fm/09db8b11-26f2-4000-9b26-da3234364547/2434b2.png"/><pubDate>Mon, 09 Jan 2023 19:47:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a65a6244-eec0-4c9c-9361-88b69b598c31.mp3" length="143212106" type="audio/mpeg"/><itunes:duration>59:40</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>421</itunes:episode><podcast:episode>421</podcast:episode><itunes:summary>My guest is Raelynn Janicke, a mastering engineer and studio manager for Infrasonic in Nashville. Raelynn has worked with The Shins, Hematite, J.R. Carroll, Kayla Hall, Talia Stewart, and Bazookatooth. 

In this episode, we discuss

Growing up in Selkirk, NY


New York Hardcore

Alto Sax 

Church

Moving to Boston

Computer Science

Crying in The Bathroom

A Capella

Moving to Nashville

Bartending

Reid Shippen

Getting Hired by Infrasonic

Mastering and Managing

Running a Mastering Facility

Absorbing New Info

Traffic Cop

Being Nice to People

Being a Good Hang

Communication

Client Focus

Billing Practices in Mastering

Work/Life Balance

Staying Healthy


Matt&apos;s Rant: Personal Check In
Links and Show Notes

Infrasonic Sound

The Sextants on Bandcamp

Limitless with Chris Hemsworth


Credits

Guest: Raelynn Janicke

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #420 with Hugh Padgham Part 2- Approach to Production, Gearbox Records, The Analog Sound, The Excess of the &apos;80s, and Not Cutting Corners</title><itunes:title>WCA #420 with Hugh Padgham Part 2- Approach to Production, Gearbox Records, The Analog Sound, The Excess of the &apos;80s, and Not Cutting Corners</itunes:title><description><![CDATA[<p>My guest is Grammy Winning Producer Hugh Padgham who has worked with Phil Collins, Peter Gabriel, Sting, Genesis, The Police, XTC, and David Bowie. He's also well known for THE Gated Drum Sound on "In The Air Tonight." This is Part 2 of a 2-part interview.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Approach to Production</li><li>Steve Lillywhite</li><li>Trust in Management</li><li>Producer Differences</li><li>The Excess of the '80s</li><li>Comparing Eras of Recording</li><li>Superior Drummer</li><li>Budgets of Old</li><li>Mixing Workflow</li><li>Hugh's Jazz Label</li><li>Gearbox Records</li><li>The Analog Sound</li><li>Thelonious Monk</li><li>Buddy Rich</li><li>The Momentum of Recording</li><li>Digital Recorders</li><li>Recording Sting</li><li>The iPod's Effect</li><li>Home Studio Phase</li><li>PIL Metal Box</li><li>Not Cutting Corners</li><li>Finances for the Future</li><li>Divorce</li><li>Giving Back</li></ul><br/><p><strong>Matt's Rant: Saying Yes</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://jdmanagement.com/hughpadgham/" rel="noopener noreferrer" target="_blank">Hugh's Site</a></li><li><a href="https://www.gearboxrecords.com/" rel="noopener noreferrer" target="_blank">Gearbox Records</a></li><li><a href="https://www.toontrack.com/product/hitmaker-sdx/" rel="noopener noreferrer" target="_blank">Hugh's Drum Pack for Superior Drummer</a></li><li><a href="https://podcasts.apple.com/us/podcast/working-class-audio/id919266944" rel="noopener noreferrer" target="_blank">Please leave us a 5 Star Review!</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Hugh Padgham</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Winning Producer Hugh Padgham who has worked with Phil Collins, Peter Gabriel, Sting, Genesis, The Police, XTC, and David Bowie. He's also well known for THE Gated Drum Sound on "In The Air Tonight." This is Part 2 of a 2-part interview.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Approach to Production</li><li>Steve Lillywhite</li><li>Trust in Management</li><li>Producer Differences</li><li>The Excess of the '80s</li><li>Comparing Eras of Recording</li><li>Superior Drummer</li><li>Budgets of Old</li><li>Mixing Workflow</li><li>Hugh's Jazz Label</li><li>Gearbox Records</li><li>The Analog Sound</li><li>Thelonious Monk</li><li>Buddy Rich</li><li>The Momentum of Recording</li><li>Digital Recorders</li><li>Recording Sting</li><li>The iPod's Effect</li><li>Home Studio Phase</li><li>PIL Metal Box</li><li>Not Cutting Corners</li><li>Finances for the Future</li><li>Divorce</li><li>Giving Back</li></ul><br/><p><strong>Matt's Rant: Saying Yes</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://jdmanagement.com/hughpadgham/" rel="noopener noreferrer" target="_blank">Hugh's Site</a></li><li><a href="https://www.gearboxrecords.com/" rel="noopener noreferrer" target="_blank">Gearbox Records</a></li><li><a href="https://www.toontrack.com/product/hitmaker-sdx/" rel="noopener noreferrer" target="_blank">Hugh's Drum Pack for Superior Drummer</a></li><li><a href="https://podcasts.apple.com/us/podcast/working-class-audio/id919266944" rel="noopener noreferrer" target="_blank">Please leave us a 5 Star Review!</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Hugh Padgham</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-420-with-hugh-padgham-part-2-approach-to-production-gearbox-records-the-analog-sound-the-excess-of-the-80s-and-not-cutting-corners]]></link><guid isPermaLink="false">1c13a9d4-7d46-11ec-8454-63e005b65b23</guid><itunes:image href="https://artwork.captivate.fm/044e59f5-742b-4078-87a0-7eeff529708f/82f3ed.png"/><pubDate>Mon, 02 Jan 2023 04:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3aa2e153-3a60-4e59-b5c7-7e484bd6f542.mp3" length="201621938" type="audio/mpeg"/><itunes:duration>01:24:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>420</itunes:episode><podcast:episode>420</podcast:episode><itunes:summary>My guest is Grammy Winning Producer Hugh Padgham who has worked with Phil Collins, Peter Gabriel, Sting, Genesis, The Police, XTC, and David Bowie. He&apos;s also well known for THE Gated Drum Sound on &quot;In The Air Tonight.&quot; This is Part 2 of a 2-part interview.

In this episode, we discuss

Approach to Production

Steve Lillywhite

Trust in Management

Producer Differences

The Excess of the &apos;80s

Comparing Eras of Recording

Superior Drummer

Budgets of Old

Mixing Workflow

Hugh&apos;s Jazz Label

Gearbox Records

The Analog Sound

Thelonious Monk

Buddy Rich

The Momentum of Recording

Digital Recorders

Recording Sting

The iPod&apos;s Effect

Home Studio Phase

PIL Metal Box

Not Cutting Corners

Finances for the Future

Divorce

Giving Back


Matt&apos;s Rant: Saying Yes
Links and Show Notes

Hugh&apos;s Site

Gearbox Records

Hugh&apos;s Drum Pack for Superior Drummer

Please leave us a 5 Star Review!


Credits

Guest: Hugh Padgham

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #419 with Hugh Padgham Part 1- Jingles, Recorders without Counters, Miles Copeland, Townhouse Studios, and THE Gated Drum Sound</title><itunes:title>WCA #419 with Hugh Padgham Part 1- Jingles, Recorders without Counters, Miles Copeland, Townhouse Studios, and THE Gated Drum Sound</itunes:title><description><![CDATA[<p>My guest is Grammy Winning Producer Hugh Padgham who has worked with Phil Collins, Peter Gabriel, Sting, Genesis, The Police, XTC, and David Bowie. He's also well known for THE Gated Drum Sound on "In The Air Tonight."</p><p><strong>In this episode, we discuss</strong></p><ul><li>Buckinghamshire Upbringing</li><li>Boarding School in Oxford</li><li>Led Zeppelin 1</li><li>Pipe Organ Building</li><li>Writing Studio Letters</li><li>Recorders without Counters</li><li>Working on Jingles</li><li>Getting Fired</li><li>Pie Studios</li><li><a href="https://en.wikipedia.org/wiki/Lansdowne_Studios" rel="noopener noreferrer" target="_blank">Lansdowne Studios</a></li><li>Virgin Records</li><li><a href="https://en.wikipedia.org/wiki/The_Manor_Studio" rel="noopener noreferrer" target="_blank">Manor Studios</a></li><li><a href="https://en.wikipedia.org/wiki/Townhouse_Studios" rel="noopener noreferrer" target="_blank">Townhouse Studios</a></li><li>SSL</li><li>NAB vs. CCIR</li><li>Getting into Production</li><li>Peter Gabriel</li><li>Steve Lillywhite</li><li>Phil Collins</li><li>XTC</li><li>THE Gated Drum Sound</li><li>Management</li><li>The Police and Miles Copeland</li><li>Points and Royalties</li><li>Non-Featured Artists</li><li>Residential Studio Hell</li></ul><br/><p><strong>Matt's Rant: Adapting</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://jdmanagement.com/hughpadgham/" rel="noopener noreferrer" target="_blank">Hugh's Site</a></li><li><a href="https://podcasts.apple.com/us/podcast/working-class-audio/id919266944" rel="noopener noreferrer" target="_blank">Please leave us a 5 Star Review!</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Hugh Padgham</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Winning Producer Hugh Padgham who has worked with Phil Collins, Peter Gabriel, Sting, Genesis, The Police, XTC, and David Bowie. He's also well known for THE Gated Drum Sound on "In The Air Tonight."</p><p><strong>In this episode, we discuss</strong></p><ul><li>Buckinghamshire Upbringing</li><li>Boarding School in Oxford</li><li>Led Zeppelin 1</li><li>Pipe Organ Building</li><li>Writing Studio Letters</li><li>Recorders without Counters</li><li>Working on Jingles</li><li>Getting Fired</li><li>Pie Studios</li><li><a href="https://en.wikipedia.org/wiki/Lansdowne_Studios" rel="noopener noreferrer" target="_blank">Lansdowne Studios</a></li><li>Virgin Records</li><li><a href="https://en.wikipedia.org/wiki/The_Manor_Studio" rel="noopener noreferrer" target="_blank">Manor Studios</a></li><li><a href="https://en.wikipedia.org/wiki/Townhouse_Studios" rel="noopener noreferrer" target="_blank">Townhouse Studios</a></li><li>SSL</li><li>NAB vs. CCIR</li><li>Getting into Production</li><li>Peter Gabriel</li><li>Steve Lillywhite</li><li>Phil Collins</li><li>XTC</li><li>THE Gated Drum Sound</li><li>Management</li><li>The Police and Miles Copeland</li><li>Points and Royalties</li><li>Non-Featured Artists</li><li>Residential Studio Hell</li></ul><br/><p><strong>Matt's Rant: Adapting</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://jdmanagement.com/hughpadgham/" rel="noopener noreferrer" target="_blank">Hugh's Site</a></li><li><a href="https://podcasts.apple.com/us/podcast/working-class-audio/id919266944" rel="noopener noreferrer" target="_blank">Please leave us a 5 Star Review!</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Hugh Padgham</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-419-with-hugh-padgham-part-1-jingles-recorders-without-counters-miles-copeland-townhouse-studios-and-the-gated-drum-sound]]></link><guid isPermaLink="false">cd372a12-7ff0-11ed-a736-e73e98e82d5d</guid><itunes:image href="https://artwork.captivate.fm/332d7c07-2f34-40f9-90a9-fbec881e395b/a29e9b.png"/><pubDate>Sun, 25 Dec 2022 23:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/70deef47-7613-4b3e-a16b-82e40e194a1b.mp3" length="173316639" type="audio/mpeg"/><itunes:duration>01:12:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>419</itunes:episode><podcast:episode>419</podcast:episode><itunes:summary>My guest is Grammy Winning Producer Hugh Padgham who has worked with Phil Collins, Peter Gabriel, Sting, Genesis, The Police, XTC, and David Bowie. He&apos;s also well known for THE Gated Drum Sound on &quot;In The Air Tonight.&quot;

In this episode, we discuss

Buckinghamshire Upbringing

Boarding School in Oxford

Led Zeppelin 1

Pipe Organ Building

Writing Studio Letters

Recorders without Counters

Working on Jingles

Getting Fired

Pie Studios

Lansdowne Studios

Virgin Records

Manor Studios

Townhouse Studios

SSL

NAB vs. CCIR

Getting into Production

Peter Gabriel

Steve Lillywhite

Phil Collins

XTC

THE Gated Drum Sound

Management

The Police and Miles Copeland

Points and Royalties

Non-Featured Artists

Residential Studio Hell


Matt&apos;s Rant: Adapting

Links and Show Notes

Hugh&apos;s Site

Please leave us a 5 Star Review!


Credits

Guest: Hugh Padgham

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #418 with Dave Greenberg - Finding Your Value, Studio Real Estate Lessons, Specializing, Learning from Failure, and a Spite Career</title><itunes:title>WCA #418 with Dave Greenberg - Finding Your Value, Studio Real Estate Lessons, Specializing, Learning from Failure, and a Spite Career</itunes:title><description><![CDATA[<p>My guest is Grammy-Nominated mastering engineer Dave Greenberg who has worked with Lamb, Switchfoot, Gone is Gone, Niklas Paschburg, The Soft Moon, The Shotgun Wedding Quintet, Mickey Hart, Jelen, Feed the Rhino, and many more.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Photography and Music</li><li>Sound and Art</li><li>Spite Career</li><li>Bad Studio Experience</li><li>Assisting in Boston</li><li>Cutting Edge Audio</li><li>Steven Jarvis</li><li>BAYVC</li><li>Boomtown</li><li>Keller and Cohen</li><li>Fred Catero</li><li>ISDN</li><li>Matt Getting Fired</li><li>Moving to Florida</li><li>Buying Property</li><li>Sonopod</li><li>Bankers Hours</li><li>Mastering</li><li>Specializing</li><li>Finding a Building</li><li>Designing studio</li><li>Studio Real Estate Lessons</li><li>Learning from Failure</li><li>Finding Your Value</li></ul><br/><p><strong>Matt's Rant: The Love of Audio</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://sonopod.com/" rel="noopener noreferrer" target="_blank">Dave's Site Sonopod</a></li><li><a href="https://www.instagram.com/sonopod.mastering/" rel="noopener noreferrer" target="_blank">Sonopod on Instagram</a></li><li><a href="http://www.northwardacoustics.com/" rel="noopener noreferrer" target="_blank">Northward Acoustics</a></li><li><a href="https://podcasts.apple.com/us/podcast/working-class-audio/id919266944" rel="noopener noreferrer" target="_blank">Please leave us a 5 Star Review!</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Dave Greenberg</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-Nominated mastering engineer Dave Greenberg who has worked with Lamb, Switchfoot, Gone is Gone, Niklas Paschburg, The Soft Moon, The Shotgun Wedding Quintet, Mickey Hart, Jelen, Feed the Rhino, and many more.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Photography and Music</li><li>Sound and Art</li><li>Spite Career</li><li>Bad Studio Experience</li><li>Assisting in Boston</li><li>Cutting Edge Audio</li><li>Steven Jarvis</li><li>BAYVC</li><li>Boomtown</li><li>Keller and Cohen</li><li>Fred Catero</li><li>ISDN</li><li>Matt Getting Fired</li><li>Moving to Florida</li><li>Buying Property</li><li>Sonopod</li><li>Bankers Hours</li><li>Mastering</li><li>Specializing</li><li>Finding a Building</li><li>Designing studio</li><li>Studio Real Estate Lessons</li><li>Learning from Failure</li><li>Finding Your Value</li></ul><br/><p><strong>Matt's Rant: The Love of Audio</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://sonopod.com/" rel="noopener noreferrer" target="_blank">Dave's Site Sonopod</a></li><li><a href="https://www.instagram.com/sonopod.mastering/" rel="noopener noreferrer" target="_blank">Sonopod on Instagram</a></li><li><a href="http://www.northwardacoustics.com/" rel="noopener noreferrer" target="_blank">Northward Acoustics</a></li><li><a href="https://podcasts.apple.com/us/podcast/working-class-audio/id919266944" rel="noopener noreferrer" target="_blank">Please leave us a 5 Star Review!</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Dave Greenberg</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-418-with-dave-greenberg-finding-your-value-studio-real-estate-lessons-specializing-learning-from-failure-and-a-spite-career]]></link><guid isPermaLink="false">1bf7804c-7d46-11ec-8454-eb40519be7db</guid><itunes:image href="https://artwork.captivate.fm/c2802929-5d32-4665-b1ce-7fbd345b9cd6/9cdf32.png"/><pubDate>Sun, 18 Dec 2022 17:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4111473b-2a5b-41ca-a122-a9265aa9e6a7.mp3" length="142290503" type="audio/mpeg"/><itunes:duration>59:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>418</itunes:episode><podcast:episode>418</podcast:episode><itunes:summary>My guest is Grammy-Nominated mastering engineer Dave Greenberg who has worked with Lamb, Switchfoot, Gone is Gone, Niklas Paschburg, The Soft Moon, The Shotgun Wedding Quintet, Mickey Hart, Jelen, Feed the Rhino, and many more.

In this episode, we discuss

Photography and Music

Sound and Art

Spite Career

Bad Studio Experience

Assisting in Boston

Cutting Edge Audio

Steven Jarvis

BAYVC

Boomtown

Keller and Cohen

Fred Catero

ISDN

Matt Getting Fired

Moving to Florida

Buying Property

Sonopod

Bankers Hours

Mastering

Specializing

Finding a Building

Designing studio

Studio Real Estate Lessons

Learning from Failure

Finding Your Value


Matt&apos;s Rant: The Love of Audio
Links and Show Notes

Dave&apos;s Site Sonopod

Sonopod on Instagram

Northward Acoustics

Please leave us a 5 Star Review!


Credits

Guest: Dave Greenberg

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #417 with Pamela Parker - Hyde Street Studios, Occupying Multiple Lanes, Collaboration, Growing Up In DC, and Penny Loafers with Dimes</title><itunes:title>WCA #417 with Pamela Parker - Hyde Street Studios, Occupying Multiple Lanes, Collaboration, Growing Up In DC, and Penny Loafers with Dimes</itunes:title><description><![CDATA[<p>My guest is Producer, Engineer &amp; Funk Rock Artist Pamela Parker, based in San Francisco. Pamela has worked with Flor De Toloache, Iman Shumpert, and Shock-G and is also a staff engineer at the famed Hyde Street Studios.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing Up In DC</li><li>Oklahoma Stop</li><li>Penny Loafers with Dimes</li><li>Playing Numerous Instruments</li><li>Soul Searching</li><li>Reliving Critical Moments</li><li>Music School</li><li>Exposure to Studios</li><li>One World Studios</li><li>Electric Lady Studios</li><li>Citizen Cope</li><li>Managing Avalon Studios</li><li>Color and Music</li><li>Side Hustles</li><li>Rehearsal Studio/Studio Combo</li><li>Jam Cruise</li><li>Michael Franti</li><li>Maestro Curtis</li><li>East Coast&nbsp;</li><li>Hyde Street Studios</li><li>Singing and Engineering</li><li>Occupying Multiple Lanes</li><li>Vocal Coaching</li><li>Challenging Clients</li><li>Collaboration</li><li>Surviving</li></ul><br/><p><strong>Matt's Rant: Speaking to the Right Audience</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.pamelaparkerrocks.com/" rel="noopener noreferrer" target="_blank">Pamela's Site</a></li><li><a href="http://www.pamelaparkervocalacademy.com/" rel="noopener noreferrer" target="_blank">Pamela's Vocal Academy</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Pamela Parker</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer, Engineer &amp; Funk Rock Artist Pamela Parker, based in San Francisco. Pamela has worked with Flor De Toloache, Iman Shumpert, and Shock-G and is also a staff engineer at the famed Hyde Street Studios.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing Up In DC</li><li>Oklahoma Stop</li><li>Penny Loafers with Dimes</li><li>Playing Numerous Instruments</li><li>Soul Searching</li><li>Reliving Critical Moments</li><li>Music School</li><li>Exposure to Studios</li><li>One World Studios</li><li>Electric Lady Studios</li><li>Citizen Cope</li><li>Managing Avalon Studios</li><li>Color and Music</li><li>Side Hustles</li><li>Rehearsal Studio/Studio Combo</li><li>Jam Cruise</li><li>Michael Franti</li><li>Maestro Curtis</li><li>East Coast&nbsp;</li><li>Hyde Street Studios</li><li>Singing and Engineering</li><li>Occupying Multiple Lanes</li><li>Vocal Coaching</li><li>Challenging Clients</li><li>Collaboration</li><li>Surviving</li></ul><br/><p><strong>Matt's Rant: Speaking to the Right Audience</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.pamelaparkerrocks.com/" rel="noopener noreferrer" target="_blank">Pamela's Site</a></li><li><a href="http://www.pamelaparkervocalacademy.com/" rel="noopener noreferrer" target="_blank">Pamela's Vocal Academy</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Pamela Parker</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-417-with-pamela-parker-hyde-street-studios-occupying-multiple-lanes-collaboration-growing-up-in-dc-and-penny-loafers-with-dimes]]></link><guid isPermaLink="false">1bd2025e-7d46-11ec-8454-73c511483fc3</guid><itunes:image href="https://artwork.captivate.fm/10282881-cdbb-408b-93d8-c3b612bea747/1d1379.png"/><pubDate>Mon, 12 Dec 2022 06:25:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6801cf81-a897-4608-9c1e-f92e694a9aca.mp3" length="132514445" type="audio/mpeg"/><itunes:duration>55:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>417</itunes:episode><podcast:episode>417</podcast:episode><itunes:summary>My guest is Producer, Engineer &amp; Funk Rock Artist Pamela Parker, based in San Francisco. Pamela has worked with Flor De Toloache, Iman Shumpert, and Shock-G and is also a staff engineer at the famed Hyde Street Studios. 

In this episode, we discuss

Growing Up In DC

Oklahoma Stop

Penny Loafers with Dimes

Playing Numerous Instruments

Soul Searching

Reliving Critical Moments

Music School

Exposure to Studios

One World Studios

Electric Lady Studios

Citizen Cope

Managing Avalon Studios

Color and Music

Side Hustles

Rehearsal Studio/Studio Combo

Jam Cruise

Michael Franti

Maestro Curtis

East Coast 

Hyde Street Studios

Singing and Engineering

Occupying Multiple Lanes

Vocal Coaching

Challenging Clients

Collaboration

Surviving


Matt&apos;s Rant: Speaking to the Right Audience

Links and Show Notes

Pamela&apos;s Site

Pamela&apos;s Vocal Academy


Credits

Guest: Pamela Parker

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #416 with Jez riley French - Listening Below the Surface, Contact Mics and Hydrophones, Traces, Swapping Cassettes, and Music Shop Blokes</title><itunes:title>WCA #416 with Jez riley French - Listening Below the Surface, Contact Mics and Hydrophones, Traces, Swapping Cassettes, and Music Shop Blokes</itunes:title><description><![CDATA[<p>My guest is Sound Artist Jez riley French. Jez is widely regarded as having played a pivotal role in expanding the use of contact microphones, hydrophones, electromagnetic coils, ultrasonic detectors, geophones, and VLF receivers in the sound arts, sound design (for the screen, theatre, and radio), and music in a wide range of contexts. His work has included commissions and performances for&nbsp;</p><ul><li>Tate Modern (UK)</li><li>The Whitworth (UK)</li><li>Paradise Air (Japan)</li><li>MoT - Museum of Contemporary Art Tokyo (Japan)</li><li>Spikersuppa Lydgalleri, Oslo (Norway)</li><li>Baltic (UK)</li><li>Steklenik (Slovenia)</li><li>Museo Reina Sofia (Spain)</li><li>Catalyst Arts (N. Ireland)</li><li>Artisphere (USA)</li><li>Harpa (Iceland)</li><li>Mengi (Iceland)</li><li>The Wired Lab (Australia)</li><li>Mullae Art Space (Korea)</li><li>q-02 (Belgium)&nbsp;</li></ul><br/><p><strong>In this episode, we discuss</strong></p><ul><li>Open Space of Yorkshire</li><li>New Wave and Punk</li><li>Sharp Recorder</li><li>Fascination with Listening</li><li>Sexism in Music</li><li>Discovering Contact Mics and Hydrophones</li><li>Listening Below the Surface</li><li>Pre-Internet Research</li><li>Music Shop Blokes</li><li>Swapping Cassettes</li><li>Feeling Right to Press Record</li><li>Traces</li><li>Setting up a Distribution Company</li><li>Durational Listening</li><li>The Emotion of Listening</li><li>Audio Memory</li><li>Recording Mediums</li><li>Sound Art</li><li>Making a Living</li><li>Field Recording Approaches</li><li>There Are No Rules</li><li>Influences</li></ul><br/><p><strong>Matt's Rant: Holiday Reset</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://jezrileyfrench.co.uk/" rel="noopener noreferrer" target="_blank">Jez's Website&nbsp;</a></li><li><a href="https://linktr.ee/pheobelaw" rel="noopener noreferrer" target="_blank">Pheobe riley Law</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Jex riley French</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Sound Artist Jez riley French. Jez is widely regarded as having played a pivotal role in expanding the use of contact microphones, hydrophones, electromagnetic coils, ultrasonic detectors, geophones, and VLF receivers in the sound arts, sound design (for the screen, theatre, and radio), and music in a wide range of contexts. His work has included commissions and performances for&nbsp;</p><ul><li>Tate Modern (UK)</li><li>The Whitworth (UK)</li><li>Paradise Air (Japan)</li><li>MoT - Museum of Contemporary Art Tokyo (Japan)</li><li>Spikersuppa Lydgalleri, Oslo (Norway)</li><li>Baltic (UK)</li><li>Steklenik (Slovenia)</li><li>Museo Reina Sofia (Spain)</li><li>Catalyst Arts (N. Ireland)</li><li>Artisphere (USA)</li><li>Harpa (Iceland)</li><li>Mengi (Iceland)</li><li>The Wired Lab (Australia)</li><li>Mullae Art Space (Korea)</li><li>q-02 (Belgium)&nbsp;</li></ul><br/><p><strong>In this episode, we discuss</strong></p><ul><li>Open Space of Yorkshire</li><li>New Wave and Punk</li><li>Sharp Recorder</li><li>Fascination with Listening</li><li>Sexism in Music</li><li>Discovering Contact Mics and Hydrophones</li><li>Listening Below the Surface</li><li>Pre-Internet Research</li><li>Music Shop Blokes</li><li>Swapping Cassettes</li><li>Feeling Right to Press Record</li><li>Traces</li><li>Setting up a Distribution Company</li><li>Durational Listening</li><li>The Emotion of Listening</li><li>Audio Memory</li><li>Recording Mediums</li><li>Sound Art</li><li>Making a Living</li><li>Field Recording Approaches</li><li>There Are No Rules</li><li>Influences</li></ul><br/><p><strong>Matt's Rant: Holiday Reset</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://jezrileyfrench.co.uk/" rel="noopener noreferrer" target="_blank">Jez's Website&nbsp;</a></li><li><a href="https://linktr.ee/pheobelaw" rel="noopener noreferrer" target="_blank">Pheobe riley Law</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Jex riley French</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-416-with-jez-riley-french-listening-below-the-surface-contact-mics-and-hydrophones-traces-swapping-cassettes-and-music-shop-blokes]]></link><guid isPermaLink="false">6d0d802a-7369-11ed-9d1f-17dcd96b1d1c</guid><itunes:image href="https://artwork.captivate.fm/d56989a4-0da6-4b02-b7bf-5e91b760da76/eb7cc9.jpeg"/><pubDate>Sun, 04 Dec 2022 20:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e8788198-7cc3-498a-a15d-4c8a5d768184.mp3" length="137310637" type="audio/mpeg"/><itunes:duration>57:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>416</itunes:episode><podcast:episode>416</podcast:episode><itunes:summary>My guest is Sound Artist Jez riley French. Jez is widely regarded as having played a pivotal role in expanding the use of contact microphones, hydrophones, electromagnetic coils, ultrasonic detectors, geophones, and VLF receivers in the sound arts, sound design (for the screen, theatre, and radio), and music in a wide range of contexts. His work has included commissions and performances for 

Tate Modern (UK)

The Whitworth (UK)

Paradise Air (Japan)

MoT - Museum of Contemporary Art Tokyo (Japan)

Spikersuppa Lydgalleri, Oslo (Norway)

Baltic (UK)

Steklenik (Slovenia)

Museo Reina Sofia (Spain)

Catalyst Arts (N. Ireland)

Artisphere (USA)

Harpa (Iceland)

Mengi (Iceland)

The Wired Lab (Australia)

Mullae Art Space (Korea)

q-02 (Belgium) 


In this episode, we discuss

Open Space of Yorkshire

New Wave and Punk

Sharp Recorder

Fascination with Listening

Sexism in Music

Discovering Contact Mics and Hydrophones

Listening Below the Surface

Pre-Internet Research

Music Shop Blokes

Swapping Cassettes

Feeling Right to Press Record

Traces

Setting up a Distribution Company

Durational Listening

The Emotion of Listening

Audio Memory

Recording Mediums

Sound Art

Making a Living

Field Recording Approaches

There Are No Rules

Influences


Matt&apos;s Rant: Holiday Reset
Links and Show Notes

Jez&apos;s Website 

Pheobe riley Law


Credits

Guest: Jex riley French

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #415 with David Kalmusky - Acid Dropping Hippies, Drum Lessons with Levon Helm, Advocating For Yourself, Addiction Studios, and Swinging the Bat Everyday</title><itunes:title>WCA #415 with David Kalmusky - Acid Dropping Hippies, Drum Lessons with Levon Helm, Advocating For Yourself, Addiction Studios, and Swinging the Bat Everyday</itunes:title><description><![CDATA[<p>My guest is Grammy Nominated producer, engineer, session guitarist, and mixer David Kalmusky who has worked with Shawn Mendes, Carrie Underwood, Mötley Crue, Keith Urban, and Journey.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Stratford, Ontario</li><li>The Band</li><li>The Rebels/The Hawks</li><li>Acid Dropping Hippies</li><li>Drum Lessons with Levon Helm</li><li>Guitar Lessons with John Till</li><li>Family Friends</li><li>Addiction Studios</li><li>Career Growth in Canada</li><li>First Nashville Session</li><li>International Conduits</li><li>Swinging the Bat Everyday</li><li>Focus on the Body of Work</li><li>Overnetworking</li><li>Mistakes&nbsp;</li><li>Experimenting on Your Own Time</li><li>Underground Echo Chamber</li><li>Building a Workshop</li><li>Advocating For Yourself</li><li>Social Media Restraint</li><li>Division in the Studio</li><li>Education&nbsp;</li></ul><br/><p><strong>Matt's Rant: Rewriting Our Code From The Groundup</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://addictionsound.squarespace.com/" rel="noopener noreferrer" target="_blank">Dave's studio</a></li><li><a href="https://kalmusky.com/" rel="noopener noreferrer" target="_blank">Dave's Site</a></li><li><a href="https://www.instagram.com/kalmusky/" rel="noopener noreferrer" target="_blank">Dave on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: David Kalmusky</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Nominated producer, engineer, session guitarist, and mixer David Kalmusky who has worked with Shawn Mendes, Carrie Underwood, Mötley Crue, Keith Urban, and Journey.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Stratford, Ontario</li><li>The Band</li><li>The Rebels/The Hawks</li><li>Acid Dropping Hippies</li><li>Drum Lessons with Levon Helm</li><li>Guitar Lessons with John Till</li><li>Family Friends</li><li>Addiction Studios</li><li>Career Growth in Canada</li><li>First Nashville Session</li><li>International Conduits</li><li>Swinging the Bat Everyday</li><li>Focus on the Body of Work</li><li>Overnetworking</li><li>Mistakes&nbsp;</li><li>Experimenting on Your Own Time</li><li>Underground Echo Chamber</li><li>Building a Workshop</li><li>Advocating For Yourself</li><li>Social Media Restraint</li><li>Division in the Studio</li><li>Education&nbsp;</li></ul><br/><p><strong>Matt's Rant: Rewriting Our Code From The Groundup</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://addictionsound.squarespace.com/" rel="noopener noreferrer" target="_blank">Dave's studio</a></li><li><a href="https://kalmusky.com/" rel="noopener noreferrer" target="_blank">Dave's Site</a></li><li><a href="https://www.instagram.com/kalmusky/" rel="noopener noreferrer" target="_blank">Dave on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: David Kalmusky</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-415-with-david-kalmusky-acid-dropping-hippies-drum-lessons-with-levon-helm-advocating-for-yourself-addiction-studios-and-swinging-the-bat-everyday]]></link><guid isPermaLink="false">1bb5aa32-7d46-11ec-8454-07b5ab4d1f77</guid><itunes:image href="https://artwork.captivate.fm/84c92053-8b16-4dbd-ae62-b465d56b3e7c/3d47b9.png"/><pubDate>Mon, 28 Nov 2022 01:15:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ae5969c9-6c27-4d1c-88d6-6bd53d85f727.mp3" length="171056549" type="audio/mpeg"/><itunes:duration>01:11:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>415</itunes:episode><podcast:episode>415</podcast:episode><itunes:summary>My guest is Grammy Nominated producer, engineer, session guitarist, and mixer David Kalmusky who has worked with Shawn Mendes, Carrie Underwood, Mötley Crue, Keith Urban, and Journey. 

In this episode, we discuss

Stratford, Ontario

The Band

The Rebels/The Hawks

Acid Dropping Hippies

Drum Lessons with Levon Helm

Guitar Lessons with John Till

Family Friends

Addiction Studios

Career Growth in Canada

First Nashville Session

International Conduits

Swinging the Bat Everyday

Focus on the Body of Work

Overnetworking

Mistakes 

Experimenting on Your Own Time

Underground Echo Chamber

Building a Workshop

Advocating For Yourself

Social Media Restraint

Division in the Studio

Education 


Matt&apos;s Rant: Rewriting Our Code From The Groundup
Links and Show Notes

Dave&apos;s studio

Dave&apos;s Site

Dave on Instagram


Credits

Guest: David Kalmusky

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #414 with Todd Burke - One-Stoplight Towns, Grandmaster Studios, Cocaine Trafficking, Sleeping on a Gobo, The Social Aspects of Recording, and All About Relationships</title><itunes:title>WCA #414 with Todd Burke - One-Stoplight Towns, Grandmaster Studios, Cocaine Trafficking, Sleeping on a Gobo, The Social Aspects of Recording, and All About Relationships</itunes:title><description><![CDATA[<p>My guest is Grammy Nominated Recording Engineer Todd Burke, who has worked with Ben Harper, Jack Johnson, The Kooks, Belle and Sebastian, M83, and Fitz and the Tantrums.</p><p><strong>In this episode, we discuss</strong></p><ul><li>One-Stoplight Towns</li><li>Colorado</li><li>Arizona</li><li>California</li><li>Conservatory of Arts and Sciences</li><li>Grandmaster Studios</li><li>Cocaine Trafficking</li><li>Sylvia Massey</li><li>Sleeping on a Gobo</li><li>Ben Harper</li><li>The Right Questions at The Right Time</li><li>The Social Aspect of Recording</li><li>Practicing on Downtime</li><li>Figuring Out Your Rate</li><li>All About Relationships</li><li>Record Better</li><li>Tony Hoffer</li><li>Affordable Tracking Needs</li><li>Enhanced Zoom Calls</li><li>Human Interaction</li></ul><br/><p><strong>Matt's Rant: Working Remotely</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.toddburke.com/" rel="noopener noreferrer" target="_blank">Todd's Site</a></li><li><a href="https://www.instagram.com/toddburke/" rel="noopener noreferrer" target="_blank">Todd on Instagram</a></li><li><a href="https://www.tiktok.com/@todd.burke" rel="noopener noreferrer" target="_blank">Todd on TikTok</a></li><li><a href="https://www.recordbetter.com/" rel="noopener noreferrer" target="_blank">Record Better</a></li><li><a href="https://www.instagram.com/recordbetter/" rel="noopener noreferrer" target="_blank">Record Better on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Todd Burke</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Nominated Recording Engineer Todd Burke, who has worked with Ben Harper, Jack Johnson, The Kooks, Belle and Sebastian, M83, and Fitz and the Tantrums.</p><p><strong>In this episode, we discuss</strong></p><ul><li>One-Stoplight Towns</li><li>Colorado</li><li>Arizona</li><li>California</li><li>Conservatory of Arts and Sciences</li><li>Grandmaster Studios</li><li>Cocaine Trafficking</li><li>Sylvia Massey</li><li>Sleeping on a Gobo</li><li>Ben Harper</li><li>The Right Questions at The Right Time</li><li>The Social Aspect of Recording</li><li>Practicing on Downtime</li><li>Figuring Out Your Rate</li><li>All About Relationships</li><li>Record Better</li><li>Tony Hoffer</li><li>Affordable Tracking Needs</li><li>Enhanced Zoom Calls</li><li>Human Interaction</li></ul><br/><p><strong>Matt's Rant: Working Remotely</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.toddburke.com/" rel="noopener noreferrer" target="_blank">Todd's Site</a></li><li><a href="https://www.instagram.com/toddburke/" rel="noopener noreferrer" target="_blank">Todd on Instagram</a></li><li><a href="https://www.tiktok.com/@todd.burke" rel="noopener noreferrer" target="_blank">Todd on TikTok</a></li><li><a href="https://www.recordbetter.com/" rel="noopener noreferrer" target="_blank">Record Better</a></li><li><a href="https://www.instagram.com/recordbetter/" rel="noopener noreferrer" target="_blank">Record Better on Instagram</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Todd Burke</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-414-with-todd-burke-one-stoplight-towns-grandmaster-studios-cocaine-trafficking-sleeping-on-a-gobo-the-social-aspects-of-recording-and-all-about-relationships]]></link><guid isPermaLink="false">1b99b854-7d46-11ec-8454-f72ac687acf6</guid><itunes:image href="https://artwork.captivate.fm/5e5c7f5e-1973-44bf-8d8d-943ab33a3bc1/60d60e.png"/><pubDate>Mon, 21 Nov 2022 01:15:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6d8a1d48-a00b-4dc9-91f4-e4a4b6b8d8bc.mp3" length="145289378" type="audio/mpeg"/><itunes:duration>01:00:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>414</itunes:episode><podcast:episode>414</podcast:episode><itunes:summary>My guest is Grammy Nominated Recording Engineer Todd Burke, who has worked with Ben Harper, Jack Johnson, The Kooks, Belle and Sebastian, M83, and Fitz and the Tantrums.

In this episode, we discuss

One-Stoplight Towns

Colorado

Arizona

California

Conservatory of Arts and Sciences

Grandmaster Studios

Cocaine Trafficking

Sylvia Massey

Sleeping on a Gobo

Ben Harper

The Right Questions at The Right Time

The Social Aspect of Recording

Practicing on Downtime

Figuring Out Your Rate

All About Relationships

Record Better

Tony Hoffer

Affordable Tracking Needs

Enhanced Zoom Calls

Human Interaction


Matt&apos;s Rant: Working Remotely

Links and Show Notes

Todd&apos;s Site

Todd on Instagram

Todd on TikTok

Record Better

Record Better on Instagram


Credits

Guest: Todd Burke

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #413 with Katie Tavini and Stephen Kerrison - Running a Virtual Mastering Facility, Sharing Knowledge, The Right Reasons, Social Media Preferences, and Imposter Syndrome.</title><itunes:title>WCA #413 with Katie Tavini and Stephen Kerrison - Running a Virtual Mastering Facility, Sharing Knowledge, The Right Reasons, Social Media Preferences, and Imposter Syndrome.</itunes:title><description><![CDATA[<p>My guests today are mastering engineers Katie Tavini and Stephen Kerrison, 2/3rds of the virtual mastering facility/collective, Weird Jungle.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Running a Virtual Mastering Facility</li><li>Social Media Preferences</li><li>Quitting Archiving Job</li><li>Imposter Syndrome</li><li>Handling Attended Sessions</li><li>Liverpool Music Scene</li><li>Juggling Calendars</li><li>Love of Music</li><li>Sharing Knowledge</li><li>The Right Reasons</li><li>Rates</li></ul><br/><p><strong>Matt's Rant: Enveloping</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.weirdjungle.com/" rel="noopener noreferrer" target="_blank">Weird Jungle Site</a></li><li><a href="https://www.katietavini.co.uk/" rel="noopener noreferrer" target="_blank">Katie's Site</a></li><li><a href="https://talltreesaudiomastering.com/" rel="noopener noreferrer" target="_blank">Stephen's Site</a></li><li><a href="https://www.instagram.com/katietavini/?hl=en" rel="noopener noreferrer" target="_blank">Katie on Instagram</a></li><li><a href="https://www.instagram.com/stephen_kerrison/?hl=en" rel="noopener noreferrer" target="_blank">Stephen on Instagram</a></li><li><a href="https://www.instagram.com/weird_jungle/" rel="noopener noreferrer" target="_blank">Weird Jungle on Instagram</a></li><li><a href="https://onboarding.novo.co/signup?referral_code=MatthewBoudreau1" rel="noopener noreferrer" target="_blank">Matt's Biz Bank Suggestion</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Katie Tavini &amp; Stephen Kerrison</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guests today are mastering engineers Katie Tavini and Stephen Kerrison, 2/3rds of the virtual mastering facility/collective, Weird Jungle.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Running a Virtual Mastering Facility</li><li>Social Media Preferences</li><li>Quitting Archiving Job</li><li>Imposter Syndrome</li><li>Handling Attended Sessions</li><li>Liverpool Music Scene</li><li>Juggling Calendars</li><li>Love of Music</li><li>Sharing Knowledge</li><li>The Right Reasons</li><li>Rates</li></ul><br/><p><strong>Matt's Rant: Enveloping</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.weirdjungle.com/" rel="noopener noreferrer" target="_blank">Weird Jungle Site</a></li><li><a href="https://www.katietavini.co.uk/" rel="noopener noreferrer" target="_blank">Katie's Site</a></li><li><a href="https://talltreesaudiomastering.com/" rel="noopener noreferrer" target="_blank">Stephen's Site</a></li><li><a href="https://www.instagram.com/katietavini/?hl=en" rel="noopener noreferrer" target="_blank">Katie on Instagram</a></li><li><a href="https://www.instagram.com/stephen_kerrison/?hl=en" rel="noopener noreferrer" target="_blank">Stephen on Instagram</a></li><li><a href="https://www.instagram.com/weird_jungle/" rel="noopener noreferrer" target="_blank">Weird Jungle on Instagram</a></li><li><a href="https://onboarding.novo.co/signup?referral_code=MatthewBoudreau1" rel="noopener noreferrer" target="_blank">Matt's Biz Bank Suggestion</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Katie Tavini &amp; Stephen Kerrison</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-413-with-katie-tavini-and-stephen-kerrison-running-a-virtual-mastering-facility-sharing-knowledge-the-right-reasons-social-media-preferences-and-imposter-syndrome-]]></link><guid isPermaLink="false">1b7d6000-7d46-11ec-8454-9b87e872e9ba</guid><itunes:image href="https://artwork.captivate.fm/dffc2f15-5d70-417c-b23a-c1cf6663978d/55f52f.png"/><pubDate>Mon, 14 Nov 2022 22:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2981a5cc-39ae-4f34-bda3-50de2140f6ed.mp3" length="126594025" type="audio/mpeg"/><itunes:duration>52:45</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>413</itunes:episode><podcast:episode>413</podcast:episode><itunes:summary>My guests today are mastering engineers Katie Tavini and Stephen Kerrison, 2/3rds of the virtual mastering facility/collective, Weird Jungle. 

In this episode, we discuss

Running a Virtual Mastering Facility

Social Media Preferences

Quitting Archiving Job

Imposter Syndrome

Handling Attended Sessions

Liverpool Music Scene

Juggling Calendars

Love of Music

Sharing Knowledge

The Right Reasons

Rates


Matt&apos;s Rant: Enveloping

Links and Show Notes

Weird Jungle Site

Katie&apos;s Site

Stephen&apos;s Site

Katie on Instagram

Stephen on Instagram

Weird Jungle on Instagram

Matt&apos;s Biz Bank Suggestion


Credits

Guest: Katie Tavini &amp; Stephen Kerrison

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #412 with Nathan Ruyle - Growing Up on a Farm, The Wild West, Sound for Film, Bootstrapping and Staying Nimble</title><itunes:title>WCA #412 with Nathan Ruyle - Growing Up on a Farm, The Wild West, Sound for Film, Bootstrapping and Staying Nimble</itunes:title><description><![CDATA[<p>My guest today is a Sound Designer / Re-recording Mixer and founder of This Is Sound Design in Burbank, California. Nathan's credits include Joyland - Cannes Jury Prize, Academy Awards, I Love My Dad - SXSW Jury &amp; Audience Award, The Voyeurs - Amazon Studios United Skates - HBO, Academy Awards Short List Searching - Sony, Sundance.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up on a Farm</li><li>Scouting</li><li>Theater</li><li>Singing in Bands</li><li>Technology Exposure</li><li>Sound Design for Theater</li><li>Saint Louis</li><li>Cal Arts</li><li>Survival</li><li>Walt Disney</li><li>The Wild West</li><li>Coming to California</li><li>Building Studios</li><li>Making Your Own Way</li><li>The Film Industry</li><li>Analog vs. Digital Production</li><li>Studio Consolidation</li><li>NPR and Marketplace</li><li>Mixing Efficiency</li><li>Bootstrapping</li><li>Leasing to Own Gear</li><li>Indie Film </li><li>Staying Nimble</li><li>Financial Track Record</li></ul><br/><p><strong>Matt's Rant: Detours</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://tisd.tv/" rel="noopener noreferrer" target="_blank">Nathan's Site</a></li><li><a href="https://www.instagram.com/tisdstudios/" rel="noopener noreferrer" target="_blank">Nathan on Instagram</a></li><li><a href="http://fbuy.me/oLXTP" rel="noopener noreferrer" target="_blank">Quickbooks Online</a></li><li><a href="https://smallbizla.org" rel="noopener noreferrer" target="_blank">Small Biz Help</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Nathan Ruyle</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau </li><li>WCA Theme Music: Cliff Truesdell </li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is a Sound Designer / Re-recording Mixer and founder of This Is Sound Design in Burbank, California. Nathan's credits include Joyland - Cannes Jury Prize, Academy Awards, I Love My Dad - SXSW Jury &amp; Audience Award, The Voyeurs - Amazon Studios United Skates - HBO, Academy Awards Short List Searching - Sony, Sundance.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Growing up on a Farm</li><li>Scouting</li><li>Theater</li><li>Singing in Bands</li><li>Technology Exposure</li><li>Sound Design for Theater</li><li>Saint Louis</li><li>Cal Arts</li><li>Survival</li><li>Walt Disney</li><li>The Wild West</li><li>Coming to California</li><li>Building Studios</li><li>Making Your Own Way</li><li>The Film Industry</li><li>Analog vs. Digital Production</li><li>Studio Consolidation</li><li>NPR and Marketplace</li><li>Mixing Efficiency</li><li>Bootstrapping</li><li>Leasing to Own Gear</li><li>Indie Film </li><li>Staying Nimble</li><li>Financial Track Record</li></ul><br/><p><strong>Matt's Rant: Detours</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://tisd.tv/" rel="noopener noreferrer" target="_blank">Nathan's Site</a></li><li><a href="https://www.instagram.com/tisdstudios/" rel="noopener noreferrer" target="_blank">Nathan on Instagram</a></li><li><a href="http://fbuy.me/oLXTP" rel="noopener noreferrer" target="_blank">Quickbooks Online</a></li><li><a href="https://smallbizla.org" rel="noopener noreferrer" target="_blank">Small Biz Help</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Nathan Ruyle</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau </li><li>WCA Theme Music: Cliff Truesdell </li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-412-with-nathan-ruyle-growing-up-on-a-farm-the-wild-west-sound-for-film-bootstrapping-and-staying-nimble]]></link><guid isPermaLink="false">1b61a93c-7d46-11ec-8454-fb64103b32e6</guid><itunes:image href="https://artwork.captivate.fm/dfe7c792-a675-44b2-a2ac-760fc1452a70/ac42eb.png"/><pubDate>Mon, 07 Nov 2022 23:31:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ca624a1d-03f4-4fc0-a82f-feadc5d9efb3.mp3" length="160779001" type="audio/mpeg"/><itunes:duration>01:06:59</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>412</itunes:episode><podcast:episode>412</podcast:episode><itunes:summary>My guest today is a Sound Designer / Re-recording Mixer and founder of This Is Sound Design in Burbank, California. Nathan&apos;s credits include Joyland - Cannes Jury Prize, Academy Awards, I Love My Dad - SXSW Jury &amp; Audience Award, The Voyeurs - Amazon Studios United Skates - HBO, Academy Awards Short List Searching - Sony, Sundance.

In this episode, we discuss

Growing up on a Farm

Scouting

Theater

Singing in Bands

Technology Exposure

Sound Design for Theater

Saint Louis

Cal Arts

Survival

Walt Disney

The Wild West

Coming to California

Building Studios

Making Your Own Way

The Film Industry

Analog vs. Digital Production

Studio Consolidation

NPR and Marketplace

Mixing Efficiency

Bootstrapping

Leasing to Own Gear

Indie Film 

Staying Nimble

Financial Track Record


Matt&apos;s Rant: Detours

Links and Show Notes

Nathan&apos;s Site

Nathan on Instagram

Quickbooks Online

Small Biz Help


Credits

Guest: Nathan Ruyle

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #411 with James &quot;Fluff&quot; Harley - The Origin of Fluff, Hockeytown USA, Fear of the Unknown, Operating at a Top Level, and Surviving the Prince Bootcamp</title><itunes:title>WCA #411 with James &quot;Fluff&quot; Harley - The Origin of Fluff, Hockeytown USA, Fear of the Unknown, Operating at a Top Level, and Surviving the Prince Bootcamp</itunes:title><description><![CDATA[<p>My guest today is Engineer/Mixer James "Fluff" Harley, who has worked with KoRn, Prince, and Yumi Matsutoya.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Origin of Fluff</li><li>Hockeytown USA</li><li>Car Accident</li><li>Recording School</li><li>Fear of the Unknown</li><li>Craving Knowledge</li><li>Crazy Synchronizing</li><li>Operating at a Top Level</li><li>Tough Skin</li><li>Being a Facilitator</li><li>Magic in The Booth</li><li>Taking a Year Off</li><li>Moving to LA</li><li>Audio Test Kitchen</li><li>Los Angeles</li><li>Surviving the Prince Bootcamp</li><li>Making a Living</li><li>The Stress of the Music Biz</li><li>Getting up at 5 AM</li><li>Figuring Out What to be Paid</li><li>Working with Korn</li></ul><br/><p><strong>Matt's Rant: Making Lists!</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/_iamfluff_/" rel="noopener noreferrer" target="_blank">James on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca397-with-bryan-cook/" rel="noopener noreferrer" target="_blank">Bryan Cook Episode</a></li><li><a href="https://www.workingclassaudio.com/wca-265-with-alex-oana/" rel="noopener noreferrer" target="_blank">Alex Oana Episode</a></li><li><a href="https://www.workingclassaudio.com/wca-092-chuck-zwicky/" rel="noopener noreferrer" target="_blank">Chuck Zwicky Episode #1</a></li><li><a href="https://www.workingclassaudio.com/wca-345-with-chuck-zwicky/" rel="noopener noreferrer" target="_blank">Chuck Zwicky Episode #2</a></li><li><a href="https://www.workingclassaudio.com/wca-364-with-chris-collier/" rel="noopener noreferrer" target="_blank">Chris Collier Episode</a></li><li><a href="https://www.workingclassaudio.com/wca-380-with-nick-raskulinecz/" rel="noopener noreferrer" target="_blank">Nick Raskulinecz Episode</a></li><li><a href="https://korneffaudio.com/" rel="noopener noreferrer" target="_blank">Dan Korneff Plugins</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: James "Fluff" Harley</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is Engineer/Mixer James "Fluff" Harley, who has worked with KoRn, Prince, and Yumi Matsutoya.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>The Origin of Fluff</li><li>Hockeytown USA</li><li>Car Accident</li><li>Recording School</li><li>Fear of the Unknown</li><li>Craving Knowledge</li><li>Crazy Synchronizing</li><li>Operating at a Top Level</li><li>Tough Skin</li><li>Being a Facilitator</li><li>Magic in The Booth</li><li>Taking a Year Off</li><li>Moving to LA</li><li>Audio Test Kitchen</li><li>Los Angeles</li><li>Surviving the Prince Bootcamp</li><li>Making a Living</li><li>The Stress of the Music Biz</li><li>Getting up at 5 AM</li><li>Figuring Out What to be Paid</li><li>Working with Korn</li></ul><br/><p><strong>Matt's Rant: Making Lists!</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/_iamfluff_/" rel="noopener noreferrer" target="_blank">James on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca397-with-bryan-cook/" rel="noopener noreferrer" target="_blank">Bryan Cook Episode</a></li><li><a href="https://www.workingclassaudio.com/wca-265-with-alex-oana/" rel="noopener noreferrer" target="_blank">Alex Oana Episode</a></li><li><a href="https://www.workingclassaudio.com/wca-092-chuck-zwicky/" rel="noopener noreferrer" target="_blank">Chuck Zwicky Episode #1</a></li><li><a href="https://www.workingclassaudio.com/wca-345-with-chuck-zwicky/" rel="noopener noreferrer" target="_blank">Chuck Zwicky Episode #2</a></li><li><a href="https://www.workingclassaudio.com/wca-364-with-chris-collier/" rel="noopener noreferrer" target="_blank">Chris Collier Episode</a></li><li><a href="https://www.workingclassaudio.com/wca-380-with-nick-raskulinecz/" rel="noopener noreferrer" target="_blank">Nick Raskulinecz Episode</a></li><li><a href="https://korneffaudio.com/" rel="noopener noreferrer" target="_blank">Dan Korneff Plugins</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: James "Fluff" Harley</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-411-with-james-fluff-harley-the-origin-of-fluff-hockeytown-usa-fear-of-the-unknown-operating-at-a-top-level-and-surviving-the-prince-bootcamp]]></link><guid isPermaLink="false">1b45de8c-7d46-11ec-8454-87dcd369ec33</guid><itunes:image href="https://artwork.captivate.fm/44e2e552-1941-4fdb-8322-1a426dc26d73/e1cb64.png"/><pubDate>Mon, 31 Oct 2022 19:23:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/12f1514e-5d10-45c8-9d24-612be9150908.mp3" length="199394094" type="audio/mpeg"/><itunes:duration>01:23:05</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>411</itunes:episode><podcast:episode>411</podcast:episode><itunes:summary>My guest today is Engineer/Mixer James &quot;Fluff&quot; Harley, who has worked with KoRn, Prince, and Yumi Matsutoya. 

In this episode, we discuss

The Origin of Fluff

Hockeytown USA

Car Accident

Recording School

Fear of the Unknown

Craving Knowledge

Crazy Synchronizing

Operating at a Top Level

Tough Skin

Being a Facilitator

Magic in The Booth

Taking a Year Off

Moving to LA

Audio Test Kitchen

Los Angeles

Surviving the Prince Bootcamp

Making a Living

The Stress of the Music Biz

Getting up at 5 AM

Figuring Out What to be Paid

Working with Korn


Matt&apos;s Rant: Making Lists!

Links and Show Notes

James on Instagram

Bryan Cook Episode

Alex Oana Episode

Chuck Zwicky Episode #1

Chuck Zwicky Episode #2

Chris Collier Episode

Nick Raskulinecz Episode

Dan Korneff Plugins


Credits

Guest: James &quot;Fluff&quot; Harley

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #410 The Impact of WCA Guests - The Emotion of A Mix, Field Recording, Backing Up and Archiving, The Cup Test, and the Many Lessons Learned.</title><itunes:title>WCA #410 The Impact of WCA Guests - The Emotion of A Mix, Field Recording, Backing Up and Archiving, The Cup Test, and the Many Lessons Learned.</itunes:title><description><![CDATA[<p>Engineer, theatrical sound designer, and editor of WCA Anne-Marie Pleau joins Matt to discuss the impact that particular WCA guests have had on each of them.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Michael Brauer</li><li>Jessica Thompson</li><li>George Vlad</li><li>Field Recording</li><li>Backing Up and Archiving</li><li>The Emotion of A Mix</li><li>Brian Charles</li><li>Saving Masters from a Fire</li><li>Tchad Blake</li><li>Leslie Braithwaite&nbsp;</li><li>Staying Steps Ahead</li><li>The Cup Test</li><li>Sara Carter&nbsp;</li><li>Getting into audio as an adult</li><li>Bryan Matheson</li><li>Dan Johnson</li><li>Working Your Say Up The Ladder</li><li>Survival</li><li>Andrew Scheps&nbsp;</li><li>Steve Albini</li><li>Piper Payne</li><li>Leslie Braithwaite&nbsp;</li></ul><br/><p><strong>Matt's Rant: Dealing with Burnout</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-319-with-michael-brauer/" rel="noopener noreferrer" target="_blank">Michael Brauer #319</a></li><li><a href="https://www.workingclassaudio.com/wca-289-with-george-vlad/" rel="noopener noreferrer" target="_blank">George Vlad #289</a></li><li><a href="https://www.workingclassaudio.com/wca-080-jessica-thompson/" rel="noopener noreferrer" target="_blank">Jessica Thompson #080</a></li><li><a href="https://www.workingclassaudio.com/wca-338-with-jessica-thompson/" rel="noopener noreferrer" target="_blank">Jessica Thompson #338</a></li><li><a href="https://www.workingclassaudio.com/wca-164-with-steve-albini/" rel="noopener noreferrer" target="_blank">Steve Albini #164</a></li><li><a href="https://www.workingclassaudio.com/wca-045-with-piper-payne/" rel="noopener noreferrer" target="_blank">Piper Payne #045</a></li><li><a href="https://www.workingclassaudio.com/wca-251-with-piper-payne/" rel="noopener noreferrer" target="_blank">Piper Payne #251</a></li><li><a href="https://www.workingclassaudio.com/wca-376-with-brian-charles/" rel="noopener noreferrer" target="_blank">Brian Charles #376</a></li><li><a href="https://www.workingclassaudio.com/wca-200-with-tchad-blake/" rel="noopener noreferrer" target="_blank">Tchad Blake #200</a></li><li><a href="https://www.workingclassaudio.com/wca-009-andrew-scheps/" rel="noopener noreferrer" target="_blank">Andrew Scheps #009</a></li><li><a href="https://www.workingclassaudio.com/wca-300-with-andrew-scheps/" rel="noopener noreferrer" target="_blank">Andrew Scheps #300</a></li><li><a href="https://www.workingclassaudio.com/wca-194-with-sara-carter/" rel="noopener noreferrer" target="_blank">Sara Carter #194</a></li><li><a href="https://www.workingclassaudio.com/wca-382-with-sara-carter/" rel="noopener noreferrer" target="_blank">Sara Carter #382</a></li><li><a href="https://www.workingclassaudio.com/wca-360-with-bryan-matheson/" rel="noopener noreferrer" target="_blank">Bryan Matheson #380</a></li><li><a href="https://www.workingclassaudio.com/wca-405-with-dan-johnson/" rel="noopener noreferrer" target="_blank">Dan Johnson #405</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Anne-Marie Pleau &amp; Matt Boudreau</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Matt Boudreau</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>Engineer, theatrical sound designer, and editor of WCA Anne-Marie Pleau joins Matt to discuss the impact that particular WCA guests have had on each of them.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Michael Brauer</li><li>Jessica Thompson</li><li>George Vlad</li><li>Field Recording</li><li>Backing Up and Archiving</li><li>The Emotion of A Mix</li><li>Brian Charles</li><li>Saving Masters from a Fire</li><li>Tchad Blake</li><li>Leslie Braithwaite&nbsp;</li><li>Staying Steps Ahead</li><li>The Cup Test</li><li>Sara Carter&nbsp;</li><li>Getting into audio as an adult</li><li>Bryan Matheson</li><li>Dan Johnson</li><li>Working Your Say Up The Ladder</li><li>Survival</li><li>Andrew Scheps&nbsp;</li><li>Steve Albini</li><li>Piper Payne</li><li>Leslie Braithwaite&nbsp;</li></ul><br/><p><strong>Matt's Rant: Dealing with Burnout</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.workingclassaudio.com/wca-319-with-michael-brauer/" rel="noopener noreferrer" target="_blank">Michael Brauer #319</a></li><li><a href="https://www.workingclassaudio.com/wca-289-with-george-vlad/" rel="noopener noreferrer" target="_blank">George Vlad #289</a></li><li><a href="https://www.workingclassaudio.com/wca-080-jessica-thompson/" rel="noopener noreferrer" target="_blank">Jessica Thompson #080</a></li><li><a href="https://www.workingclassaudio.com/wca-338-with-jessica-thompson/" rel="noopener noreferrer" target="_blank">Jessica Thompson #338</a></li><li><a href="https://www.workingclassaudio.com/wca-164-with-steve-albini/" rel="noopener noreferrer" target="_blank">Steve Albini #164</a></li><li><a href="https://www.workingclassaudio.com/wca-045-with-piper-payne/" rel="noopener noreferrer" target="_blank">Piper Payne #045</a></li><li><a href="https://www.workingclassaudio.com/wca-251-with-piper-payne/" rel="noopener noreferrer" target="_blank">Piper Payne #251</a></li><li><a href="https://www.workingclassaudio.com/wca-376-with-brian-charles/" rel="noopener noreferrer" target="_blank">Brian Charles #376</a></li><li><a href="https://www.workingclassaudio.com/wca-200-with-tchad-blake/" rel="noopener noreferrer" target="_blank">Tchad Blake #200</a></li><li><a href="https://www.workingclassaudio.com/wca-009-andrew-scheps/" rel="noopener noreferrer" target="_blank">Andrew Scheps #009</a></li><li><a href="https://www.workingclassaudio.com/wca-300-with-andrew-scheps/" rel="noopener noreferrer" target="_blank">Andrew Scheps #300</a></li><li><a href="https://www.workingclassaudio.com/wca-194-with-sara-carter/" rel="noopener noreferrer" target="_blank">Sara Carter #194</a></li><li><a href="https://www.workingclassaudio.com/wca-382-with-sara-carter/" rel="noopener noreferrer" target="_blank">Sara Carter #382</a></li><li><a href="https://www.workingclassaudio.com/wca-360-with-bryan-matheson/" rel="noopener noreferrer" target="_blank">Bryan Matheson #380</a></li><li><a href="https://www.workingclassaudio.com/wca-405-with-dan-johnson/" rel="noopener noreferrer" target="_blank">Dan Johnson #405</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Anne-Marie Pleau &amp; Matt Boudreau</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Matt Boudreau</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-410-the-impact-of-wca-guests-the-emotion-of-a-mix-field-recording-backing-up-and-archiving-the-cup-test-and-the-many-lessons-learned-]]></link><guid isPermaLink="false">1b330190-7d46-11ec-8454-176b9813013e</guid><itunes:image href="https://artwork.captivate.fm/ed41a4a2-54f3-44c1-9dd9-c9434d58065f/f5dd10.png"/><pubDate>Mon, 24 Oct 2022 15:31:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1ae3d004-8241-4886-93d5-0768731f7206.mp3" length="127241830" type="audio/mpeg"/><itunes:duration>53:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>410</itunes:episode><podcast:episode>410</podcast:episode><itunes:summary>Engineer, theatrical sound designer, and editor of WCA Anne-Marie Pleau joins Matt to discuss the impact that particular WCA guests have had on each of them.

In this episode, we discuss

Michael Brauer

Jessica Thompson

George Vlad

Field Recording

Backing Up and Archiving

The Emotion of A Mix

Brian Charles

Saving Masters from a Fire

Tchad Blake

Leslie Braithwaite 

Staying Steps Ahead

The Cup Test

Sara Carter 

Getting into audio as an adult

Bryan Matheson

Dan Johnson

Working Your Say Up The Ladder

Survival

Andrew Scheps 

Steve Albini

Piper Payne

Leslie Braithwaite 


Matt&apos;s Rant: Dealing with Burnout

Links and Show Notes

Michael Brauer #319

George Vlad #289

Jessica Thompson #080

Jessica Thompson #338

Steve Albini #164

Piper Payne #045

Piper Payne #251

Brian Charles #376

Tchad Blake #200

Andrew Scheps #009

Andrew Scheps #300

Sara Carter #194

Sara Carter #382

Bryan Matheson #380

Dan Johnson #405


Credits

Guest: Anne-Marie Pleau &amp; Matt Boudreau

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Matt Boudreau

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #409 with Roy Silverstein - Golden Handcuffs,  Burning Out on the Corporate Life, Building a Studio, Taking a Paycut, and No Regrets</title><itunes:title>WCA #409 with Roy Silverstein - Golden Handcuffs,  Burning Out on the Corporate Life, Building a Studio, Taking a Paycut, and No Regrets</itunes:title><description><![CDATA[<p>My guest is Engineer and studio owner Roy Silverstein who has worked with Stephen El Rey, The Verigolds, The Finches, Matelotage, and Blue Largo. Roy owns Rarefied Recording in San Diego.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Evanston, Illinois</li><li>The House Piano</li><li>Playing Guitar</li><li>University of Miami</li><li>Working for Qualcomm</li><li>Moonlighting as a Recording Engineer</li><li>Burning Out on the Corporate Life</li><li>Working with&nbsp;<a href="http://weslachot.com/" rel="noopener noreferrer" target="_blank">Wes Lachot</a></li><li>Building a Studio</li><li>Golden Handcuffs</li><li>Taking a Paycut</li><li>No Regrets</li><li>Looking Ahead</li><li>Neve Genesys</li><li>Marketing His Studio</li><li>Working with Interns</li></ul><br/><p><strong>Matt's Rant: Doing It Yourself</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://rarefiedrecording.com/" rel="noopener noreferrer" target="_blank">Roy's site</a></li><li><a href="https://www.instagram.com/rarefiedrecording/?hl=en" rel="noopener noreferrer" target="_blank">Roy on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-294-with-mckay-garner/" rel="noopener noreferrer" target="_blank">Mckay Garner on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-360-with-bryan-matheson/" rel="noopener noreferrer" target="_blank">Bryan Matheson on WCA</a></li><li><a href="https://microphone-parts.com/" rel="noopener noreferrer" target="_blank">Microphone Parts</a></li><li><a href="https://www.redco.com/" rel="noopener noreferrer" target="_blank">Redco</a></li><li><a href="https://www.diyrecordingequipment.com/" rel="noopener noreferrer" target="_blank">DIY RE</a></li><li><a href="https://www.acoustimac.com/acoustic-insulation-materials/diy-kits-1?gclid=Cj0KCQjw166aBhDEARIsAMEyZh4AK7nZBRDsEXYORPGyFiTTtMnq4QFORoXmDXQKzuTf9kNIeq1PTkwaArv-EALw_wcB" rel="noopener noreferrer" target="_blank">Acoustimac</a></li><li><a href="https://www.atsacoustics.com/cat--DIY-Acoustic-Materials--102.html" rel="noopener noreferrer" target="_blank">ATS Acoustics</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Roy Silverstein</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Engineer and studio owner Roy Silverstein who has worked with Stephen El Rey, The Verigolds, The Finches, Matelotage, and Blue Largo. Roy owns Rarefied Recording in San Diego.</p><p><strong>In this episode, we discuss</strong></p><ul><li>Evanston, Illinois</li><li>The House Piano</li><li>Playing Guitar</li><li>University of Miami</li><li>Working for Qualcomm</li><li>Moonlighting as a Recording Engineer</li><li>Burning Out on the Corporate Life</li><li>Working with&nbsp;<a href="http://weslachot.com/" rel="noopener noreferrer" target="_blank">Wes Lachot</a></li><li>Building a Studio</li><li>Golden Handcuffs</li><li>Taking a Paycut</li><li>No Regrets</li><li>Looking Ahead</li><li>Neve Genesys</li><li>Marketing His Studio</li><li>Working with Interns</li></ul><br/><p><strong>Matt's Rant: Doing It Yourself</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://rarefiedrecording.com/" rel="noopener noreferrer" target="_blank">Roy's site</a></li><li><a href="https://www.instagram.com/rarefiedrecording/?hl=en" rel="noopener noreferrer" target="_blank">Roy on Instagram</a></li><li><a href="https://www.workingclassaudio.com/wca-294-with-mckay-garner/" rel="noopener noreferrer" target="_blank">Mckay Garner on WCA</a></li><li><a href="https://www.workingclassaudio.com/wca-360-with-bryan-matheson/" rel="noopener noreferrer" target="_blank">Bryan Matheson on WCA</a></li><li><a href="https://microphone-parts.com/" rel="noopener noreferrer" target="_blank">Microphone Parts</a></li><li><a href="https://www.redco.com/" rel="noopener noreferrer" target="_blank">Redco</a></li><li><a href="https://www.diyrecordingequipment.com/" rel="noopener noreferrer" target="_blank">DIY RE</a></li><li><a href="https://www.acoustimac.com/acoustic-insulation-materials/diy-kits-1?gclid=Cj0KCQjw166aBhDEARIsAMEyZh4AK7nZBRDsEXYORPGyFiTTtMnq4QFORoXmDXQKzuTf9kNIeq1PTkwaArv-EALw_wcB" rel="noopener noreferrer" target="_blank">Acoustimac</a></li><li><a href="https://www.atsacoustics.com/cat--DIY-Acoustic-Materials--102.html" rel="noopener noreferrer" target="_blank">ATS Acoustics</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Roy Silverstein</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-409-with-roy-silverstein-golden-handcuffs-burning-out-on-the-corporate-life-building-a-studio-taking-a-paycut-and-no-regrets]]></link><guid isPermaLink="false">1b177bf0-7d46-11ec-8454-0bee41c6efb1</guid><itunes:image href="https://artwork.captivate.fm/ed40a0bb-e79b-49e0-b610-0145b7142563/ad418a.png"/><pubDate>Mon, 17 Oct 2022 15:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e7821fb3-6c87-4f42-b944-ea4f513e52ae.mp3" length="134398352" type="audio/mpeg"/><itunes:duration>56:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>409</itunes:episode><podcast:episode>409</podcast:episode><itunes:summary>My guest is Engineer and studio owner Roy Silverstein who has worked with Stephen El Rey, The Verigolds, The Finches, Matelotage, and Blue Largo. Roy owns Rarefied Recording in San Diego.

In this episode, we discuss

Evanston, Illinois

The House Piano

Playing Guitar

University of Miami

Working for Qualcomm

Moonlighting as a Recording Engineer

Burning Out on the Corporate Life

Working with Wes Lachot


Building a Studio

Golden Handcuffs

Taking a Paycut

No Regrets

Looking Ahead

Neve Genesys

Marketing His Studio

Working with Interns


Matt&apos;s Rant: Doing It Yourself

Links and Show Notes

Roy&apos;s site

Roy on Instagram

Mckay Garner on WCA

Bryan Matheson on WCA

Microphone Parts

Redco

DIY RE

Acoustimac

ATS Acoustics

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Roy Silverstein

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #408 with Justin Cortelyou - Working with the Greats, Chuck Ainlay, Mike Shipley, Bob Ezrin, Soultrain Sound Studios, Family Time, and Meditation</title><itunes:title>WCA #408 with Justin Cortelyou - Working with the Greats, Chuck Ainlay, Mike Shipley, Bob Ezrin, Soultrain Sound Studios, Family Time, and Meditation</itunes:title><description><![CDATA[<p>My guest is Grammy Nominated Mixer/Engineer/Producer Justin Cortelyou, who has worked with Paul McCartney, Hollywood Vampires, Taylor Swift, Andrea Bocelli, Phish, The Darkness, Carrie Underwood, and Luke Bryan.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Greensburg, PA</li><li>Playing Trombone</li><li>Youth Orchestra</li><li>Ibanez Guitars</li><li>Shred Metal</li><li>MTSU</li><li>How to Be a Good Assistant</li><li><a href="https://en.wikipedia.org/wiki/Mr._Miyagi" rel="noopener noreferrer" target="_blank">Mr. Miyagi</a></li><li><a href="https://chuckainlay.com/bio.php" rel="noopener noreferrer" target="_blank">Chuck Ainlay</a></li><li>Radar</li><li>Soundstage</li><li><a href="https://en.wikipedia.org/wiki/Mike_Shipley" rel="noopener noreferrer" target="_blank">Mike Shipley</a></li><li>Moving to LA</li><li>The Mutt Lang Editing Style</li><li>Surviving 2007</li><li><a href="https://en.wikipedia.org/wiki/Pink_Floyd_%E2%80%93_The_Wall" rel="noopener noreferrer" target="_blank">The Wall</a></li><li><a href="https://en.wikipedia.org/wiki/Bob_Ezrin" rel="noopener noreferrer" target="_blank">Bob Ezrin</a></li><li>Quitting Bob</li><li>Soultrain Sound Studios</li><li>Family Time</li><li>Meditation</li></ul><br/><p><strong>Matt's Rant: Using a Financial Advisor</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.justincortelyou.com/" rel="noopener noreferrer" target="_blank">Justin's Site</a></li><li><a href="https://www.soultrainstudios.com/" rel="noopener noreferrer" target="_blank">Justin's Studio&nbsp;</a></li><li><a href="https://www.instagram.com/justincortelyou/?hl=en" rel="noopener noreferrer" target="_blank">Instagram for Justin</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Justin Cortelyou</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Nominated Mixer/Engineer/Producer Justin Cortelyou, who has worked with Paul McCartney, Hollywood Vampires, Taylor Swift, Andrea Bocelli, Phish, The Darkness, Carrie Underwood, and Luke Bryan.&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Greensburg, PA</li><li>Playing Trombone</li><li>Youth Orchestra</li><li>Ibanez Guitars</li><li>Shred Metal</li><li>MTSU</li><li>How to Be a Good Assistant</li><li><a href="https://en.wikipedia.org/wiki/Mr._Miyagi" rel="noopener noreferrer" target="_blank">Mr. Miyagi</a></li><li><a href="https://chuckainlay.com/bio.php" rel="noopener noreferrer" target="_blank">Chuck Ainlay</a></li><li>Radar</li><li>Soundstage</li><li><a href="https://en.wikipedia.org/wiki/Mike_Shipley" rel="noopener noreferrer" target="_blank">Mike Shipley</a></li><li>Moving to LA</li><li>The Mutt Lang Editing Style</li><li>Surviving 2007</li><li><a href="https://en.wikipedia.org/wiki/Pink_Floyd_%E2%80%93_The_Wall" rel="noopener noreferrer" target="_blank">The Wall</a></li><li><a href="https://en.wikipedia.org/wiki/Bob_Ezrin" rel="noopener noreferrer" target="_blank">Bob Ezrin</a></li><li>Quitting Bob</li><li>Soultrain Sound Studios</li><li>Family Time</li><li>Meditation</li></ul><br/><p><strong>Matt's Rant: Using a Financial Advisor</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.justincortelyou.com/" rel="noopener noreferrer" target="_blank">Justin's Site</a></li><li><a href="https://www.soultrainstudios.com/" rel="noopener noreferrer" target="_blank">Justin's Studio&nbsp;</a></li><li><a href="https://www.instagram.com/justincortelyou/?hl=en" rel="noopener noreferrer" target="_blank">Instagram for Justin</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Justin Cortelyou</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-408-with-justin-cortelyou-working-with-the-greats-chuck-ainlay-mike-shipley-bob-ezrin-soultrain-sound-studios-family-time-and-meditation]]></link><guid isPermaLink="false">1afb3404-7d46-11ec-8454-cfbeaec1c4ed</guid><itunes:image href="https://artwork.captivate.fm/bf53b37b-a0bc-43c5-a245-2a66f6758a47/f984d3.png"/><pubDate>Mon, 10 Oct 2022 19:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/76cc8a00-462c-4ed7-858c-7c810b3e58be.mp3" length="141118778" type="audio/mpeg"/><itunes:duration>01:13:30</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>408</itunes:episode><podcast:episode>408</podcast:episode><itunes:summary>My guest is Grammy Nominated Mixer/Engineer/Producer Justin Cortelyou, who has worked with Paul McCartney, Hollywood Vampires, Taylor Swift, Andrea Bocelli, Phish, The Darkness, Carrie Underwood, and Luke Bryan. 

In this episode, we discuss

Greensburg, PA

Playing Trombone

Youth Orchestra

Ibanez Guitars

Shred Metal

MTSU

How to Be a Good Assistant

Mr. Miyagi

Chuck Ainlay

Radar

Soundstage

Mike Shipley

Moving to LA

The Mutt Lang Editing Style

Surviving 2007

The Wall

Bob Ezrin

Quitting Bob

Soultrain Sound Studios

Family Time

Meditation


Matt&apos;s Rant: Using a Financial Advisor

Links and Show Notes

Justin&apos;s Site

Justin&apos;s Studio 

Instagram for Justin

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Justin Cortelyou

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #407 with Maryam Qudus - Pursuing Music, Transitioning to Recording, Spacemoth, The Role of Recording in Marriage, and So Much Coffee</title><itunes:title>WCA #407 with Maryam Qudus - Pursuing Music, Transitioning to Recording, Spacemoth, The Role of Recording in Marriage, and So Much Coffee</itunes:title><description><![CDATA[<p>My guest is Producer / Engineer / Mixer Maryam Qudus who has worked with Spellling, Toro y Moi, Sad13, Tune-Yards, and Zelma Stone. Maryam also writes, records, and produces music for her solo project Spacemoth and composes music for film on top of all that! Enjoy!</p><p><strong>In this episode, we discuss:</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Growing up in the Bay Area</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Parents from Afghanistan </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Days in the Family Restaurant</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Role of Language</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pursuing Music</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Stacking The Cheese</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Singing on The Countertop</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Recording at Tiny Telephone</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Teaching</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Transitioning to Recording</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>So Much Coffee</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Women's Audio Mission</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Surviving</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Joy of Recording</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Role of Recording in Marriage</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Spacemoth</li></ol><br/><p><strong>Matt's Rant: The Complexities of Selling Gear</strong></p><p><strong>Links and Show Notes</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.maryamqudus.com/" rel="noopener noreferrer" target="_blank">Maryam's Site</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-233-with-beau-sorenson/" rel="noopener noreferrer" target="_blank">Beau Sorenson (Maryam's Husband) on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://womensaudiomission.org/" rel="noopener noreferrer" target="_blank">Women's Audio Mission</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-047-with-john-vanderslice/" rel="noopener noreferrer" target="_blank">John Vanderslice on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-057-with-the-pellici-brothers/" rel="noopener noreferrer" target="_blank">The Pellici Brothers on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><em><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank">Download 15 Tips to Help you Survive as an Audio Pro</a></em></li></ol><br/><p><strong>Credits</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Guest: Maryam Qudus</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Host: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Engineer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Editing: Anne-Marie Pleau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>WCA Theme Music: Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Announcer: Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>My guest is Producer / Engineer / Mixer Maryam Qudus who has worked with Spellling, Toro y Moi, Sad13, Tune-Yards, and Zelma Stone. Maryam also writes, records, and produces music for her solo project Spacemoth and composes music for film on top of all that! Enjoy!</p><p><strong>In this episode, we discuss:</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Growing up in the Bay Area</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Parents from Afghanistan </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Days in the Family Restaurant</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Role of Language</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pursuing Music</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Stacking The Cheese</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Singing on The Countertop</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Recording at Tiny Telephone</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Teaching</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Transitioning to Recording</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>So Much Coffee</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Women's Audio Mission</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Surviving</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Joy of Recording</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Role of Recording in Marriage</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Spacemoth</li></ol><br/><p><strong>Matt's Rant: The Complexities of Selling Gear</strong></p><p><strong>Links and Show Notes</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.maryamqudus.com/" rel="noopener noreferrer" target="_blank">Maryam's Site</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-233-with-beau-sorenson/" rel="noopener noreferrer" target="_blank">Beau Sorenson (Maryam's Husband) on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://womensaudiomission.org/" rel="noopener noreferrer" target="_blank">Women's Audio Mission</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-047-with-john-vanderslice/" rel="noopener noreferrer" target="_blank">John Vanderslice on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><a href="https://www.workingclassaudio.com/wca-057-with-the-pellici-brothers/" rel="noopener noreferrer" target="_blank">The Pellici Brothers on WCA</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><em><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank">Download 15 Tips to Help you Survive as an Audio Pro</a></em></li></ol><br/><p><strong>Credits</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Guest: Maryam Qudus</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Host: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Engineer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Producer: Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Editing: Anne-Marie Pleau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>WCA Theme Music: Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Announcer: Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-407-with-maryam-qudus-pursuing-music-transitioning-to-recording-spacemoth-the-role-of-recording-in-marriage-and-so-much-coffee]]></link><guid isPermaLink="false">1adf2660-7d46-11ec-8454-afa1040e565c</guid><itunes:image href="https://artwork.captivate.fm/cae81178-13f8-458e-8e3a-a691929bf47c/wca-407-with-maryam-qudus-thumbnail.png"/><pubDate>Mon, 03 Oct 2022 06:47:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e6256c8e-51fc-4995-b3e9-b23609454ebe.mp3" length="149825306" type="audio/mpeg"/><itunes:duration>01:02:26</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>407</itunes:episode><podcast:episode>407</podcast:episode><itunes:summary>My guest is Producer / Engineer / Mixer Maryam Qudus who has worked with Spellling, Toro y Moi, Sad13, Tune-Yards, and Zelma Stone. Maryam also writes, records, and produces music for her solo project Spacemoth and composes music for film on top of all that! 

In this episode, we discuss:

Growing up in the Bay Area

Parents from Afghanistan 

Days in the Family Restaurant

The Role of Language

Pursuing Music

Stacking The Cheese

Singing on The Countertop

Recording at Tiny Telephone

Teaching

Transitioning to Recording

So Much Coffee

Women&apos;s Audio Mission

Surviving

The Joy of Recording

The Role of Recording in Marriage

Spacemoth


Matt&apos;s Rant: The Complexities of Selling Gear
Links and Show Notes

Maryam&apos;s Site

Beau Sorenson (Maryam&apos;s Husband) on WCA

Women&apos;s Audio Mission

John Vanderslice on WCA

The Pellici Brothers on WCA

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Maryam Qudus

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #406 with Joe Carrell - Owen &amp; Bobby Bradley, Being Allowed to Fail, In The Hot Seat, Being on the Cusp of Change, and Helping People Have a Good Time</title><itunes:title>WCA #406 with Joe Carrell - Owen &amp; Bobby Bradley, Being Allowed to Fail, In The Hot Seat, Being on the Cusp of Change, and Helping People Have a Good Time</itunes:title><description><![CDATA[<p>My guest is Grammy Nominated mixer, engineer, and producer Joe Carrell who has worked with Walt Disney, Chase Goehring, Jane Monheit, Birdland Jazz Club, Linda Lavin, and George Jones. Joe has had 11 Grammy Nominations and mixed/recorded 33 number ones in multiple genres.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Branson, Missouri</li><li>Treasure Ilse Studios</li><li>Southern Illinois</li><li>Early Music Lessons</li><li>Cheap Trick&nbsp;</li><li>School Band</li><li>Pursuing Studio Drumming</li><li>Jeff Porcaro</li><li>Recording Drums</li><li>The Other Side of The Glass</li><li>Owen &amp; Bobby Bradly</li><li>Being Allowed to Fail</li><li>In The Hot Seat</li><li>Leaving the Nest</li><li>Moving to Nashville</li><li>Family of Four</li><li>Being on the Cusp of Change</li><li>Wayne Hahn</li><li>Relationships</li><li>Never Discuss Questionable Things</li><li>Being Professional &amp; Neutral</li><li>Keeping Your Mouth Shut</li><li>Being Team Player</li><li>Being The Bright Spot</li><li>Attention to Detail</li><li>Helping People Have a Good Time</li><li>Financial Strategy</li><li>Saying No To Work</li></ul><br/><p><strong>Matt's Rant: One Mic Recording</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.johncuniberti.com/onemic/" rel="noopener noreferrer" target="_blank">OneMic Series</a></li><li><a href="https://joecarrell.com/home" rel="noopener noreferrer" target="_blank">Joe's Site</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Joe Carrell</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Nominated mixer, engineer, and producer Joe Carrell who has worked with Walt Disney, Chase Goehring, Jane Monheit, Birdland Jazz Club, Linda Lavin, and George Jones. Joe has had 11 Grammy Nominations and mixed/recorded 33 number ones in multiple genres.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Branson, Missouri</li><li>Treasure Ilse Studios</li><li>Southern Illinois</li><li>Early Music Lessons</li><li>Cheap Trick&nbsp;</li><li>School Band</li><li>Pursuing Studio Drumming</li><li>Jeff Porcaro</li><li>Recording Drums</li><li>The Other Side of The Glass</li><li>Owen &amp; Bobby Bradly</li><li>Being Allowed to Fail</li><li>In The Hot Seat</li><li>Leaving the Nest</li><li>Moving to Nashville</li><li>Family of Four</li><li>Being on the Cusp of Change</li><li>Wayne Hahn</li><li>Relationships</li><li>Never Discuss Questionable Things</li><li>Being Professional &amp; Neutral</li><li>Keeping Your Mouth Shut</li><li>Being Team Player</li><li>Being The Bright Spot</li><li>Attention to Detail</li><li>Helping People Have a Good Time</li><li>Financial Strategy</li><li>Saying No To Work</li></ul><br/><p><strong>Matt's Rant: One Mic Recording</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.johncuniberti.com/onemic/" rel="noopener noreferrer" target="_blank">OneMic Series</a></li><li><a href="https://joecarrell.com/home" rel="noopener noreferrer" target="_blank">Joe's Site</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Joe Carrell</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-406-with-joe-carrell-owen-bobby-bradley-being-allowed-to-fail-in-the-hot-seat-being-on-the-cusp-of-change-and-helping-people-have-a-good-time]]></link><guid isPermaLink="false">1ac33900-7d46-11ec-8454-2b7e81a97b3b</guid><itunes:image href="https://artwork.captivate.fm/54517473-43f5-4310-8f4b-b68493bfad08/wca-406-with-joe-carrell-thumbnail.png"/><pubDate>Mon, 26 Sep 2022 06:27:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/169b4f2d-ebfe-4de6-ad86-4d6a03fc6d8f.mp3" length="163521876" type="audio/mpeg"/><itunes:duration>01:08:08</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>406</itunes:episode><podcast:episode>406</podcast:episode><itunes:summary>My guest is Grammy Nominated mixer, engineer, and producer Joe Carrell who has worked with Walt Disney, Chase Goehring, Jane Monheit, Birdland Jazz Club, Linda Lavin, and George Jones. Joe has had 11 Grammy Nominations and mixed/recorded 33 number ones in multiple genres. 

In this episode, we discuss:

Branson, Missouri

Treasure Ilse Studios

Southern Illinois

Early Music Lessons

Cheap Trick 

School Band

Pursuing Studio Drumming

Jeff Porcaro

Recording Drums

The Other Side of The Glass

Owen &amp; Bobby Bradly

Being Allowed to Fail

In The Hot Seat

Leaving the Nest

Moving to Nashville

Family of Four

Being on the Cusp of Change

Wayne Hahn

Relationships

Never Discuss Questionable Things

Being Professional &amp; Neutral

Keeping Your Mouth Shut

Being Team Player

Being The Bright Spot

Attention to Detail

Helping People Have a Good Time

Financial Strategy

Saying No To Work


Matt&apos;s Rant: One Mic Recording

Links and Show Notes

OneMic Series

Joe&apos;s Site

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Joe Carrell

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #405 with Dan Johnson - Solving Archiving Puzzles, Burning Out, Rogue Tape Machines, Going Independent, and Not Cutting Corners</title><itunes:title>WCA #405 with Dan Johnson - Solving Archiving Puzzles, Burning Out, Rogue Tape Machines, Going Independent, and Not Cutting Corners</itunes:title><description><![CDATA[<p>My guest is Audio Archivist Dan Johnson, who owns and runs Audio Archiving Services. Dan has worked with several well-known artists, including KISS, Jackson Browne, Jimi Hendrix Estate, WAR, TOOL, Duff McKagan, Aimee Man, Tommy Boy Records, Trust Records, Ansonia Records, Now-Again Records, Light In The Attic Records, ORG Records, Warner Bros, Universal, and Sony.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Rural Upbringing</li><li>Foreigner's "Hot Blooded"</li><li>Recording the Radio</li><li>Playing in Bands</li><li>Medical Records Work</li><li>Failed A&amp;M Internship</li><li>Poor Brad</li><li>Working at Ocean Way</li><li>Friends with the Tech Staff</li><li>Surviving as a Runner</li><li>Thomas Maps and Pagers</li><li>No Guns at Capital&nbsp;</li><li>Burning Out</li><li>Cleaning Rat Traps</li><li>Working for Ikea</li><li>Living in a Closet</li><li>The Benefits of Capital</li><li>Going Independent</li><li>Audio Archiving</li><li>It's All About Friendships</li><li>Tape Triage</li><li>70 Hours a Week</li><li>Tape Machine Scarcity</li><li>Noahs Ark of Tape Machines</li><li>United Archiving</li><li>Not Cutting Corners</li><li>Solving Archiving Puzzles</li><li>Rogue Tape Machines</li><li>Rod Stewart Farting</li><li>Knocking Michael Jackson Down</li></ul><br/><p><strong>Matt's Rant: Appreciating Our Tools</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.audioarchivingservices.com/" rel="noopener noreferrer" target="_blank">Dan's Site</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Dan Johnson</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Audio Archivist Dan Johnson, who owns and runs Audio Archiving Services. Dan has worked with several well-known artists, including KISS, Jackson Browne, Jimi Hendrix Estate, WAR, TOOL, Duff McKagan, Aimee Man, Tommy Boy Records, Trust Records, Ansonia Records, Now-Again Records, Light In The Attic Records, ORG Records, Warner Bros, Universal, and Sony.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Rural Upbringing</li><li>Foreigner's "Hot Blooded"</li><li>Recording the Radio</li><li>Playing in Bands</li><li>Medical Records Work</li><li>Failed A&amp;M Internship</li><li>Poor Brad</li><li>Working at Ocean Way</li><li>Friends with the Tech Staff</li><li>Surviving as a Runner</li><li>Thomas Maps and Pagers</li><li>No Guns at Capital&nbsp;</li><li>Burning Out</li><li>Cleaning Rat Traps</li><li>Working for Ikea</li><li>Living in a Closet</li><li>The Benefits of Capital</li><li>Going Independent</li><li>Audio Archiving</li><li>It's All About Friendships</li><li>Tape Triage</li><li>70 Hours a Week</li><li>Tape Machine Scarcity</li><li>Noahs Ark of Tape Machines</li><li>United Archiving</li><li>Not Cutting Corners</li><li>Solving Archiving Puzzles</li><li>Rogue Tape Machines</li><li>Rod Stewart Farting</li><li>Knocking Michael Jackson Down</li></ul><br/><p><strong>Matt's Rant: Appreciating Our Tools</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.audioarchivingservices.com/" rel="noopener noreferrer" target="_blank">Dan's Site</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Dan Johnson</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-405-with-dan-johnson-solving-archiving-puzzles-burning-out-rogue-tape-machines-going-independent-and-not-cutting-corners]]></link><guid isPermaLink="false">1a9d54a6-7d46-11ec-8454-4fea9c9d0b4b</guid><itunes:image href="https://artwork.captivate.fm/80052ec9-13bb-4a67-bba3-381b6878e7c6/wca-405-with-dan-johnson-thumbnail.png"/><pubDate>Mon, 19 Sep 2022 17:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cc771f15-e265-422b-b817-cd579e5c8086.mp3" length="135494845" type="audio/mpeg"/><itunes:duration>01:10:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>405</itunes:episode><podcast:episode>405</podcast:episode><itunes:summary>My guest is Audio Archivist Dan Johnson, who owns and runs Audio Archiving Services. Dan has worked with several well-known artists, including KISS, Jackson Browne, Jimi Hendrix Estate, WAR, TOOL, Duff McKagan, Aimee Man, Tommy Boy Records, Trust Records, Ansonia Records, Now-Again Records, Light In The Attic Records, ORG Records, Warner Bros, Universal, and Sony. 

In this episode, we discuss:

Rural Upbringing

Foreigner&apos;s &quot;Hot Blooded&quot;

Recording the Radio

Playing in Bands

Medical Records Work

Failed A&amp;M Internship

Poor Brad

Working at Ocean Way

Friends with the Tech Staff

Surviving as a Runner

Thomas Maps and Pagers

No Guns at Capital 

Burning Out

Cleaning Rat Traps

Working for Ikea

Living in a Closet

The Benefits of Capital

Going Independent

Audio Archiving

It&apos;s All About Friendships

Tape Triage

70 Hours a Week

Tape Machine Scarcity

Noahs Ark of Tape Machines

United Archiving

Not Cutting Corners

Solving Archiving Puzzles

Rogue Tape Machines

Rod Stewart Farting

Knocking Michael Jackson Down


Matt&apos;s Rant: Appreciating Our Tools

Links and Show Notes

Dan&apos;s Site

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Dan Johnson

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #404 with Chris Clark - Playing Trombone, The Draw of Classical Music, The President&apos;s Own Marine Band, Classical Recording, Planning for Second Career, and the Perfect Guilt Trip.</title><itunes:title>WCA #404 with Chris Clark - Playing Trombone, The Draw of Classical Music, The President&apos;s Own Marine Band, Classical Recording, Planning for Second Career, and the Perfect Guilt Trip.</itunes:title><description><![CDATA[<p>My guest is Recording Engineer, Producer, and Trombonist, Chris Clark. Chris works with artists such as Jack Sutte, Thomas Circle Singers, Jonathan Bisesi, and The Lantana Trio on the recording side of things, but he also plays Trombone in The President's Own Marine Band.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Growing Up in Commerce, Texas</li><li>Playing Trombone</li><li>Listening to Dad's Vinyl Collection</li><li>Family Listening to Orchestral Music</li><li>Hiring an Outside Teacher</li><li>The Draw of Classical Music</li><li>Dad's Return to Music</li><li>The Perfect Guilt Trip</li><li><a href="https://www.curtis.edu/" rel="noopener noreferrer" target="_blank">Curtis Institute of Music</a></li><li>Blind Auditions</li><li>Active Duty Marine&nbsp;</li><li>The President's Own Marine Band</li><li>Jumping Into Recording</li><li>Creating a Production Company</li><li>Classical Recording</li><li>Gear Used on Remotes</li><li>Planning for Second Career</li><li>Accepting Video&nbsp;</li><li>Working With Great Musicians</li><li>Source to Destination Editing</li><li>Insurance</li><li>Time Management</li></ul><br/><p><strong>Matt's Rant: Whatever Works</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.clarkmediaproductions.com/" rel="noopener noreferrer" target="_blank">Chris's Site</a></li><li><a href="https://www.cna.com/web/guest/cna/home" rel="noopener noreferrer" target="_blank">Insurance We Talked About CNA</a></li><li><a href="https://music.apple.com/us/album/inaugural/997422947" rel="noopener noreferrer" target="_blank">Valor Brass album on Apple of Spotify:&nbsp;</a></li><li><a href="https://www.rachelalina.com/" rel="noopener noreferrer" target="_blank">Rachel Alina (teaches at Berklee)</a></li><li><a href="https://www.curtis.edu/" rel="noopener noreferrer" target="_blank">Curtis Institute of Music</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Chris Clark</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Recording Engineer, Producer, and Trombonist, Chris Clark. Chris works with artists such as Jack Sutte, Thomas Circle Singers, Jonathan Bisesi, and The Lantana Trio on the recording side of things, but he also plays Trombone in The President's Own Marine Band.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Growing Up in Commerce, Texas</li><li>Playing Trombone</li><li>Listening to Dad's Vinyl Collection</li><li>Family Listening to Orchestral Music</li><li>Hiring an Outside Teacher</li><li>The Draw of Classical Music</li><li>Dad's Return to Music</li><li>The Perfect Guilt Trip</li><li><a href="https://www.curtis.edu/" rel="noopener noreferrer" target="_blank">Curtis Institute of Music</a></li><li>Blind Auditions</li><li>Active Duty Marine&nbsp;</li><li>The President's Own Marine Band</li><li>Jumping Into Recording</li><li>Creating a Production Company</li><li>Classical Recording</li><li>Gear Used on Remotes</li><li>Planning for Second Career</li><li>Accepting Video&nbsp;</li><li>Working With Great Musicians</li><li>Source to Destination Editing</li><li>Insurance</li><li>Time Management</li></ul><br/><p><strong>Matt's Rant: Whatever Works</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.clarkmediaproductions.com/" rel="noopener noreferrer" target="_blank">Chris's Site</a></li><li><a href="https://www.cna.com/web/guest/cna/home" rel="noopener noreferrer" target="_blank">Insurance We Talked About CNA</a></li><li><a href="https://music.apple.com/us/album/inaugural/997422947" rel="noopener noreferrer" target="_blank">Valor Brass album on Apple of Spotify:&nbsp;</a></li><li><a href="https://www.rachelalina.com/" rel="noopener noreferrer" target="_blank">Rachel Alina (teaches at Berklee)</a></li><li><a href="https://www.curtis.edu/" rel="noopener noreferrer" target="_blank">Curtis Institute of Music</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Chris Clark</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-404-with-chris-clark-playing-trombone-the-draw-of-classical-music-the-presidents-own-marine-band-classical-recording-planning-for-second-career-and-the-perfect-guilt-trip-]]></link><guid isPermaLink="false">1a81975c-7d46-11ec-8454-2f25f8c07652</guid><itunes:image href="https://artwork.captivate.fm/57602961-f019-41f1-987f-1a2e1d1ee46a/wca-404-with-chris-clark-thumbnail.png"/><pubDate>Mon, 12 Sep 2022 05:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/21a5d4e3-0b21-4663-ae87-1e8c5bd2ac61.mp3" length="116771120" type="audio/mpeg"/><itunes:duration>01:00:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>404</itunes:episode><podcast:episode>404</podcast:episode><itunes:summary>My guest is Recording Engineer, Producer, and Trombonist, Chris Clark. Chris works with artists such as Jack Sutte, Thomas Circle Singers, Jonathan Bisesi, and The Lantana Trio on the recording side of things, but he also plays Trombone in The President&apos;s Own Marine Band. 

In this episode, we discuss:

Growing Up in Commerce, Texas

Playing Trombone

Listening to Dad&apos;s Vinyl Collection

Family Listening to Orchestral Music

Hiring an Outside Teacher

The Draw of Classical Music

Dad&apos;s Return to Music

The Perfect Guilt Trip

Curtis Institute of Music

Blind Auditions

Active Duty Marine 

The President&apos;s Own Marine Band

Jumping Into Recording

Creating a Production Company

Classical Recording

Gear Used on Remotes

Planning for Second Career

Accepting Video 

Working With Great Musicians

Source to Destination Editing

Insurance

Time Management


Matt&apos;s Rant: Whatever Works

Links and Show Notes

Chris&apos;s Site

Insurance We Talked About CNA

Valor Brass album on Apple of Spotify: 

Rachel Alina (teaches at Berklee)

Curtis Institute of Music

Download 15 Tips to Help you Survive as an Audio Pro



Credits

Guest: Chris Clark

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #403 with Catherine Vericolli- Changing Audio Careers, Shifting Mindset, Learning on The Fly, 90&apos;s Digital Formats, and Archivists Anonymous</title><itunes:title>WCA #403 with Catherine Vericolli- Changing Audio Careers, Shifting Mindset, Learning on The Fly, 90&apos;s Digital Formats, and Archivists Anonymous</itunes:title><description><![CDATA[<p>My guest is Catherine Vericolli, the Chief Transfer Engineer &amp; Archive manager for Infrasonic Mastering. Catherine works on projects for Third Man, ORG Music, Oh Boy! Records, and Sun Records. This is Catherine's second appearance on the show. She originally appeared on&nbsp;<a href="https://www.workingclassaudio.com/wca-035-with-catherine-vericolli/" rel="noopener noreferrer" target="_blank"><strong>WCA #035</strong></a>&nbsp;in 2015.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Changing Audio Careers</li><li>Moving to Nashville</li><li>Moving Two Studios</li><li>Selling Her House</li><li>Getting Into Archiving</li><li>The Economics of Archiving</li><li>Nashville Recording Practices</li><li>Academia&nbsp;</li><li>Shifting Mindset</li><li>Getting Settled</li><li>Learning on The Fly</li><li>Comparing Stress in Audio Jobs</li><li>Play and Pray</li><li>90's Digital Formats</li><li>World War 2 and Tape</li><li>Archivists Anonymous</li><li>Prosumer Audio</li><li>ATMOS</li><li>MONO</li><li>Will The Transfer Work Runout?</li><li>The Dixie Cups</li></ul><br/><h3><strong>Matt's Rant: Let's Read a Letter&nbsp;</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://www.infrasonictransfers.com/our-crew" rel="noopener noreferrer" target="_blank">Transfers and Archival at Infrasonic&nbsp;</a></li><li><a href="https://www.jrfmagnetics.com/" rel="noopener noreferrer" target="_blank">JRF Magnetics</a></li><li><a href="https://music.apple.com/us/album/chapel-of-love-mono-remastered-2022/1622745494?i=1622745500" rel="noopener noreferrer" target="_blank">The Dixie Cups "Chapel of Love"</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Catherine Vericolli</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Catherine Vericolli, the Chief Transfer Engineer &amp; Archive manager for Infrasonic Mastering. Catherine works on projects for Third Man, ORG Music, Oh Boy! Records, and Sun Records. This is Catherine's second appearance on the show. She originally appeared on&nbsp;<a href="https://www.workingclassaudio.com/wca-035-with-catherine-vericolli/" rel="noopener noreferrer" target="_blank"><strong>WCA #035</strong></a>&nbsp;in 2015.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Changing Audio Careers</li><li>Moving to Nashville</li><li>Moving Two Studios</li><li>Selling Her House</li><li>Getting Into Archiving</li><li>The Economics of Archiving</li><li>Nashville Recording Practices</li><li>Academia&nbsp;</li><li>Shifting Mindset</li><li>Getting Settled</li><li>Learning on The Fly</li><li>Comparing Stress in Audio Jobs</li><li>Play and Pray</li><li>90's Digital Formats</li><li>World War 2 and Tape</li><li>Archivists Anonymous</li><li>Prosumer Audio</li><li>ATMOS</li><li>MONO</li><li>Will The Transfer Work Runout?</li><li>The Dixie Cups</li></ul><br/><h3><strong>Matt's Rant: Let's Read a Letter&nbsp;</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://www.infrasonictransfers.com/our-crew" rel="noopener noreferrer" target="_blank">Transfers and Archival at Infrasonic&nbsp;</a></li><li><a href="https://www.jrfmagnetics.com/" rel="noopener noreferrer" target="_blank">JRF Magnetics</a></li><li><a href="https://music.apple.com/us/album/chapel-of-love-mono-remastered-2022/1622745494?i=1622745500" rel="noopener noreferrer" target="_blank">The Dixie Cups "Chapel of Love"</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Catherine Vericolli</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-403-with-catherine-vericolli-changing-audio-careers-shifting-mindset-learning-on-the-fly-90s-digital-formats-and-archivists-anonymous]]></link><guid isPermaLink="false">1a660a64-7d46-11ec-8454-af1c98c0430d</guid><itunes:image href="https://artwork.captivate.fm/7e64e77d-f708-4323-a645-21eca1e90dab/wca-403-with-catherine-verocolli-thumbnail.png"/><pubDate>Mon, 05 Sep 2022 07:17:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/90bc6e8c-d3b5-40e7-ae18-16630f5a3bc3.mp3" length="144015396" type="audio/mpeg"/><itunes:duration>01:15:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>403</itunes:episode><podcast:episode>403</podcast:episode><itunes:summary>My guest is Catherine Vericolli, the Chief Transfer Engineer &amp; Archive manager for Infrasonic Mastering. Catherine works on projects for Third Man, ORG Music, Oh Boy! Records, and Sun Records. This is Catherine&apos;s second appearance on the show. She originally appeared on WCA #035 in 2015.
In this episode, we discuss:

Changing Audio Careers

Moving to Nashville

Moving Two Studios

Selling Her House

Getting Into Archiving

The Economics of Archiving

Nashville Recording Practices

Academia 

Shifting Mindset

Getting Settled

Learning on The Fly

Comparing Stress in Audio Jobs

Play and Pray

90&apos;s Digital Formats

World War 2 and Tape

Archivists Anonymous

Prosumer Audio

ATMOS

MONO

Will The Transfer Work Runout?

The Dixie Cups

Matt&apos;s Rant: Let&apos;s Read a Letter 
Links and Show Notes

Transfers and Archival at Infrasonic 

JRF Magnetics

The Dixie Cups &quot;Chapel of Love&quot;

Download 15 Tips to Help you Survive as an Audio Pro

Credits

Guest: Catherine Vericolli

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #402 with Arne Frager - The Plant Studios, Finding a Path to Recording, Studio on the Beach, Lessons for Aspiring Studio Owners, and the Best Gig He Never Did</title><itunes:title>WCA #402 with Arne Frager - The Plant Studios, Finding a Path to Recording, Studio on the Beach, Lessons for Aspiring Studio Owners, and the Best Gig He Never Did</itunes:title><description><![CDATA[<p>My guest is Grammy-Winning producer and engineer Arne Frager. Arne is known for his run as owner/operator of The Plant Studios in Sausalito and his work with Paul McCartney, Prince, Beyonce, Michael Jackson, Santana, Dolly Parton, and Clare Fischer.&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Growing up in Cleveland</li><li>Lifetime musician</li><li>Selling computer systems</li><li>Finding a path to recording</li><li>Recording in the 70s</li><li>Spectrum on the beach</li><li>Having no fallback, so you have to succeed</li><li><a href="https://en.wikipedia.org/wiki/Ray_Brown_(musician)" rel="noopener noreferrer" target="_blank">Ray Brown&nbsp;</a></li><li>Sony Digital 2 Track</li><li><a href="https://en.wikipedia.org/wiki/George_Winston" rel="noopener noreferrer" target="_blank">George Winston&nbsp;</a></li><li><a href="https://www.discogs.com/artist/492710-Eric-Prestidge" rel="noopener noreferrer" target="_blank">Eric Prestidge&nbsp;</a></li><li>Learning to survive&nbsp;</li><li>Mars Studios</li><li>Almost arrested for picking up gear</li><li>The best gig I never did</li><li><a href="https://en.wikipedia.org/wiki/Al_Schmitt" rel="noopener noreferrer" target="_blank">Al Schmitt&nbsp;</a></li><li>The story of The Plant</li><li>The Plant in the 90s</li><li>The dark times</li><li>Seeing mistakes from the past</li><li>Lawsuits against home studios</li><li>Lessons for aspiring studio owners</li></ul><br/><h3><strong>Matt's Rant: Book Recommendations</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="http://plantstudios.com/" rel="noopener noreferrer" target="_blank">The Plant Studios</a></li><li><a href="https://music.apple.com/us/album/piece-of-me-single/1631439487" rel="noopener noreferrer" target="_blank">Franki Jupiter - Piece of Me</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Arne Frager</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-Winning producer and engineer Arne Frager. Arne is known for his run as owner/operator of The Plant Studios in Sausalito and his work with Paul McCartney, Prince, Beyonce, Michael Jackson, Santana, Dolly Parton, and Clare Fischer.&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Growing up in Cleveland</li><li>Lifetime musician</li><li>Selling computer systems</li><li>Finding a path to recording</li><li>Recording in the 70s</li><li>Spectrum on the beach</li><li>Having no fallback, so you have to succeed</li><li><a href="https://en.wikipedia.org/wiki/Ray_Brown_(musician)" rel="noopener noreferrer" target="_blank">Ray Brown&nbsp;</a></li><li>Sony Digital 2 Track</li><li><a href="https://en.wikipedia.org/wiki/George_Winston" rel="noopener noreferrer" target="_blank">George Winston&nbsp;</a></li><li><a href="https://www.discogs.com/artist/492710-Eric-Prestidge" rel="noopener noreferrer" target="_blank">Eric Prestidge&nbsp;</a></li><li>Learning to survive&nbsp;</li><li>Mars Studios</li><li>Almost arrested for picking up gear</li><li>The best gig I never did</li><li><a href="https://en.wikipedia.org/wiki/Al_Schmitt" rel="noopener noreferrer" target="_blank">Al Schmitt&nbsp;</a></li><li>The story of The Plant</li><li>The Plant in the 90s</li><li>The dark times</li><li>Seeing mistakes from the past</li><li>Lawsuits against home studios</li><li>Lessons for aspiring studio owners</li></ul><br/><h3><strong>Matt's Rant: Book Recommendations</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="http://plantstudios.com/" rel="noopener noreferrer" target="_blank">The Plant Studios</a></li><li><a href="https://music.apple.com/us/album/piece-of-me-single/1631439487" rel="noopener noreferrer" target="_blank">Franki Jupiter - Piece of Me</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li>Guest: Arne Frager</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-402-with-arne-frager-the-plant-studios-finding-a-path-to-recording-studio-on-the-beach-lessons-for-aspiring-studio-owners-and-the-best-gig-he-never-did]]></link><guid isPermaLink="false">1a52cf1c-7d46-11ec-8454-9f85b3b24c38</guid><itunes:image href="https://artwork.captivate.fm/6a1af0ed-f98e-4791-a617-3587736b4626/wca-402-with-arnew-frager-thumbnail.png"/><pubDate>Mon, 29 Aug 2022 01:05:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/91fafd4f-ddf7-4306-afa7-253b67acc347.mp3" length="165880415" type="audio/mpeg"/><itunes:duration>01:26:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>402</itunes:episode><podcast:episode>402</podcast:episode><itunes:summary>My guest is Grammy-Winning producer and engineer Arne Frager. Arne is known for his run as owner/operator of The Plant Studios in Sausalito and his work with Paul McCartney, Prince, Beyonce, Michael Jackson, Santana, Dolly Parton, and Clare Fischer. 
In this episode, we discuss:

Growing up in Cleveland

Lifetime musician

Selling computer systems

Finding a path to recording

Recording in the 70s

Spectrum on the beach

Having no fallback, so you have to succeed

Ray Brown 

Sony Digital 2 Track

George Winston 

Eric Prestidge 

Learning to survive 

Mars Studios

Almost arrested for picking up gear

The best gig I never did

Al Schmitt 

The story of The Plant

The Plant in the 90s

The dark times

Seeing mistakes from the past

Lawsuits against home studios

Lessons for aspiring studio owners

Matt&apos;s Rant: Book Recommendations
Links and Show Notes

The Plant Studios

Franki Jupiter - Piece of Me

Download 15 Tips to Help you Survive as an Audio Pro

Credits

Guest: Arne Frager

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #401 with Matt Wallace - Staying Visible in the Business, Crushing it with ATMOS, Keeping a Low Overhead, and the Importance of Alternative Income</title><itunes:title>WCA #401 with Matt Wallace - Staying Visible in the Business, Crushing it with ATMOS, Keeping a Low Overhead, and the Importance of Alternative Income</itunes:title><description><![CDATA[<p>My guest is Grammy-Winning producer, engineer, and mixer Matt Wallace. This is Matt's second appearance on the show, originally appearing on WCA #046. He has worked with Faith No More, Maroon 5, O.A.R., Dio, Tank and The Bangas, Replacements, Eric Gales, 3 Doors Down, Andy Grammer, Blackberry Smoke, Ludo, Train, Blues Traveler, Satchel, Mushroomhead, and I Prevail.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Status since the last episode</li><li>Difficulties in the industry</li><li>Challenges with ATMOS Legacy Mix</li><li>ATMOS and Apple, WTF?</li><li>Crushing it with ATMOS</li><li>Smart Speakers</li><li>Moving Towards the Future</li><li>What kept you in the business?</li><li>If you build it, they will come</li><li>Keeping low overhead</li><li>Musician first, construction second</li><li>Importance of Alternative Income</li><li>Staying Visible in the business</li><li>"Prodixing"</li><li>Band performance quality</li><li>ProTools - No need for those pesky chops</li><li>Studio Deluxe&nbsp;</li><li>Vibe is more important than gear</li><li>Studio space influences performance</li><li>Leaving the Bay Area</li><li>LA is the best place to make a record</li></ul><br/><p><strong>Matt's Rant: Managing Your Money</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.wallacematt.com/" rel="noopener noreferrer" target="_blank">Matt's site</a></li><li><a href="https://www.instagram.com/wizardwallace/" rel="noopener noreferrer" target="_blank">Matt on instagram</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Matt Wallace</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-Winning producer, engineer, and mixer Matt Wallace. This is Matt's second appearance on the show, originally appearing on WCA #046. He has worked with Faith No More, Maroon 5, O.A.R., Dio, Tank and The Bangas, Replacements, Eric Gales, 3 Doors Down, Andy Grammer, Blackberry Smoke, Ludo, Train, Blues Traveler, Satchel, Mushroomhead, and I Prevail.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Status since the last episode</li><li>Difficulties in the industry</li><li>Challenges with ATMOS Legacy Mix</li><li>ATMOS and Apple, WTF?</li><li>Crushing it with ATMOS</li><li>Smart Speakers</li><li>Moving Towards the Future</li><li>What kept you in the business?</li><li>If you build it, they will come</li><li>Keeping low overhead</li><li>Musician first, construction second</li><li>Importance of Alternative Income</li><li>Staying Visible in the business</li><li>"Prodixing"</li><li>Band performance quality</li><li>ProTools - No need for those pesky chops</li><li>Studio Deluxe&nbsp;</li><li>Vibe is more important than gear</li><li>Studio space influences performance</li><li>Leaving the Bay Area</li><li>LA is the best place to make a record</li></ul><br/><p><strong>Matt's Rant: Managing Your Money</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.wallacematt.com/" rel="noopener noreferrer" target="_blank">Matt's site</a></li><li><a href="https://www.instagram.com/wizardwallace/" rel="noopener noreferrer" target="_blank">Matt on instagram</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Matt Wallace</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-401-with-matt-wallace-staying-visible-in-the-business-crushing-it-with-atmos-keeping-a-low-overhead-and-the-importance-of-alternative-income]]></link><guid isPermaLink="false">1a362f7e-7d46-11ec-8454-afd4224e0e96</guid><itunes:image href="https://artwork.captivate.fm/2856ceb1-7240-48bc-b080-695e2fea74db/wca-401-with-matt-wallace-thumbnail.jpeg"/><pubDate>Mon, 22 Aug 2022 04:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f0142d03-79fb-417d-a80b-8494bac4847c.mp3" length="154703448" type="audio/mpeg"/><itunes:duration>01:20:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>401</itunes:episode><podcast:episode>401</podcast:episode><itunes:summary>My guest is Grammy-Winning producer, engineer, and mixer Matt Wallace. This is Matt&apos;s second appearance on the show, originally appearing on WCA #046. He has worked with Faith No More, Maroon 5, O.A.R., Dio, Tank and The Bangas, Replacements, Eric Gales, 3 Doors Down, Andy Grammer, Blackberry Smoke, Ludo, Train, Blues Traveler, Satchel, Mushroomhead, and I Prevail.

In this episode, we discuss:

Status since the last episode

Difficulties in the industry

Challenges with ATMOS Legacy Mix

ATMOS and Apple, WTF?

Crushing it with ATMOS

Smart Speakers

Moving Towards the Future

What kept you in the business?

If you build it, they will come

Keeping low overhead

Musician first, construction second

Importance of Alternative Income

Staying Visible in the business

&quot;Prodixing&quot;

Band performance quality

ProTools - No need for those pesky chops

Studio Deluxe 

Vibe is more important than gear

Studio space influences performance

Leaving the Bay Area

LA is the best place to make a record


Matt&apos;s Rant: Managing Your Money
Links and Show Notes

Matt&apos;s site

Matt on instagram

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Matt Wallace

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #400 with David Hewitt - Car Racing, Recording Trucks, Dallas Summer Heat, and Recording the Stars in a Golden Era of Live Music</title><itunes:title>WCA #400 with David Hewitt - Car Racing, Recording Trucks, Dallas Summer Heat, and Recording the Stars in a Golden Era of Live Music</itunes:title><description><![CDATA[<p>My guest is Grammy-Winning Remote Recording Engineer David Hewitt. David has worked with many artists, including, The Rolling Stones, Frank Zappa, U2, Bruce Springsteen, Miles Davis, Neil Young, The Who, Pavarotti, Simon and Garfunkel, Live Aid, Allman Brothers, Newport Jazz Festival, Aretha Franklin, Hall &amp; Oates Bob Seger, Jackson Browne, and George Benson.</p><p>David is also the father of former WCA guest and friend of the show, Ryann Hewitt.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Upbringing in Montana</li><li>Early Music Exposure as a Military Brat</li><li>Travel As a Way of Life</li><li>First Career in Car Racing</li><li>Struggling guitarist to punching the record button</li><li>First Recording Job at Regent Sound Studios</li><li><a href="https://en.wikipedia.org/wiki/Record_Plant" rel="noopener noreferrer" target="_blank">Adventure with Record Plant NY&nbsp;</a></li><li><a href="https://en.wikipedia.org/wiki/Mahavishnu_Orchestra" rel="noopener noreferrer" target="_blank">Mahavishnu Orchestra</a>&nbsp;</li><li><a href="https://en.wikipedia.org/wiki/King_Biscuit_Flower_Hour" rel="noopener noreferrer" target="_blank">King Biscuit Flower Hour&nbsp;</a></li><li>Just Making Shit Work</li><li>Recording Aerosmith in the Dallas summer heat</li><li>Remote Recording Rates</li><li>Making a Living</li><li>Concert for NY after 9/11</li><li><a href="https://youtu.be/afifZfUkU8I" rel="noopener noreferrer" target="_blank">David Bowie America&nbsp;</a></li><li>Remote recording vs. Studio recording</li><li><a href="https://davidhewittontheroad.com/" rel="noopener noreferrer" target="_blank">On the Road Book&nbsp;</a></li><li>Keeping the truck secure during a show</li><li>Financial Advice&nbsp;</li></ul><br/><p><strong>Matt's Rant: Reflecting on 400 Episodes</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://davidhewittontheroad.com/" rel="noopener noreferrer" target="_blank"><strong>David's Site and Book</strong></a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: David Hewitt</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-Winning Remote Recording Engineer David Hewitt. David has worked with many artists, including, The Rolling Stones, Frank Zappa, U2, Bruce Springsteen, Miles Davis, Neil Young, The Who, Pavarotti, Simon and Garfunkel, Live Aid, Allman Brothers, Newport Jazz Festival, Aretha Franklin, Hall &amp; Oates Bob Seger, Jackson Browne, and George Benson.</p><p>David is also the father of former WCA guest and friend of the show, Ryann Hewitt.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Upbringing in Montana</li><li>Early Music Exposure as a Military Brat</li><li>Travel As a Way of Life</li><li>First Career in Car Racing</li><li>Struggling guitarist to punching the record button</li><li>First Recording Job at Regent Sound Studios</li><li><a href="https://en.wikipedia.org/wiki/Record_Plant" rel="noopener noreferrer" target="_blank">Adventure with Record Plant NY&nbsp;</a></li><li><a href="https://en.wikipedia.org/wiki/Mahavishnu_Orchestra" rel="noopener noreferrer" target="_blank">Mahavishnu Orchestra</a>&nbsp;</li><li><a href="https://en.wikipedia.org/wiki/King_Biscuit_Flower_Hour" rel="noopener noreferrer" target="_blank">King Biscuit Flower Hour&nbsp;</a></li><li>Just Making Shit Work</li><li>Recording Aerosmith in the Dallas summer heat</li><li>Remote Recording Rates</li><li>Making a Living</li><li>Concert for NY after 9/11</li><li><a href="https://youtu.be/afifZfUkU8I" rel="noopener noreferrer" target="_blank">David Bowie America&nbsp;</a></li><li>Remote recording vs. Studio recording</li><li><a href="https://davidhewittontheroad.com/" rel="noopener noreferrer" target="_blank">On the Road Book&nbsp;</a></li><li>Keeping the truck secure during a show</li><li>Financial Advice&nbsp;</li></ul><br/><p><strong>Matt's Rant: Reflecting on 400 Episodes</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://davidhewittontheroad.com/" rel="noopener noreferrer" target="_blank"><strong>David's Site and Book</strong></a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><em>Download 15 Tips to Help you Survive as an Audio Pro</em></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: David Hewitt</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-400-with-david-hewitt-car-racing-recording-trucks-dallas-summer-heat-and-recording-the-stars-in-a-golden-era-of-live-music]]></link><guid isPermaLink="false">1a1aa056-7d46-11ec-8454-e7e5e26ca108</guid><itunes:image href="https://artwork.captivate.fm/de739bcb-5992-405a-a8d3-14fec7d0ad6c/wca-400-with-david-hewitt-thumbnail.png"/><pubDate>Mon, 15 Aug 2022 03:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/01407645-ba20-4eba-94a5-ecef585dadb1.mp3" length="113295450" type="audio/mpeg"/><itunes:duration>59:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>400</itunes:episode><podcast:episode>400</podcast:episode><itunes:summary>My guest is Grammy-Winning Remote Recording Engineer David Hewitt. David has worked with many artists, including, The Rolling Stones, Frank Zappa, U2, Bruce Springsteen, Miles Davis, Neil Young, The Who, Pavarotti, Simon and Garfunkel, Live Aid, Allman Brothers, Newport Jazz Festival, Aretha Franklin, Hall &amp; Oates Bob Seger, Jackson Browne, and George Benson.
David is also the father of former WCA guest and friend of the show, Ryann Hewitt. 

In this episode, we discuss:

Upbringing in Montana

Early Music Exposure as a Military Brat

Travel As a Way of Life

First Career in Car Racing

Struggling guitarist to punching the record button

First Recording Job at Regent Sound Studios

Adventure with Record Plant NY 


Mahavishnu Orchestra 

King Biscuit Flower Hour 

Just Making Shit Work

Recording Aerosmith in the Dallas summer heat

Remote Recording Rates

Making a Living

Concert for NY after 9/11

David Bowie America 

Remote recording vs. Studio recording

On the Road Book 

Keeping the truck secure during a show

Financial Advice 


Matt&apos;s Rant: Reflecting on 400 Episodes

Links and Show Notes

David&apos;s Site and Book

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: David Hewitt

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #399 with Dave Schiffman Part 2 - Mix Note Etiquette, The Journey of Creating a Studio, Deciding on ATMOS, Communication with Bands, and Evolving the Craft</title><itunes:title>WCA #399 with Dave Schiffman Part 2 - Mix Note Etiquette, The Journey of Creating a Studio, Deciding on ATMOS, Communication with Bands, and Evolving the Craft</itunes:title><description><![CDATA[<p>Part 2 of my interview with Grammy Winning Producer/mixer and Engineer who has worked on projects for System of a Down, Audioslave, The Mars Volta, PUP, Johnny Cash, Tom Petty, Adele, Vampire Weekend, Cass Mccombs, Thrice, and Haim.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Parting Ways with Rick Rubin</li><li><a href="https://en.wikipedia.org/wiki/Stellastarr" rel="noopener noreferrer" target="_blank">Stellastarr</a>&nbsp;</li><li>Role with Rick vs. Engineers</li><li>Dry vs. Wet</li><li>Mix Shootouts</li><li>Importance of Artist Feedback</li><li>Evolving the Craft</li><li>Keeping a Good Vibe</li><li>Dealing with Varying Personalities</li><li>Communication with Bands&nbsp;</li><li>Mix Note Etiquette</li><li>Mix Adjectives</li><li>The Journey of Creating a Studio</li><li>Deciding on ATMOS</li><li>Doing ATMOS That Makes Sense</li><li>Money and Engineering</li><li>Priorities on What You Really Need</li><li>Gear Should Be used, Not Just Displayed</li><li>Work-Life Balance</li><li>Only as Good as Your Last Credit</li></ul><br/><p><br></p><p><strong>Matt's Rant: Inspiration from Outside the Audio World</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://atyourside.wixsite.com/mysite-1" rel="noopener noreferrer" target="_blank">Dave's Site</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li><li><a href="https://www.disneyplus.com/series/light-magic/3OtlwhtW6Z7E" rel="noopener noreferrer" target="_blank"><strong>ILM Documentary</strong></a></li><li><a href="https://www.masterclass.com/?require_signin=true" rel="noopener noreferrer" target="_blank"><strong>Masterclass</strong></a></li><li><a href="https://www.npr.org/series/490248027/how-i-built-this" rel="noopener noreferrer" target="_blank"><strong>How I Built This Podcast</strong></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Dave Schiffman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>Part 2 of my interview with Grammy Winning Producer/mixer and Engineer who has worked on projects for System of a Down, Audioslave, The Mars Volta, PUP, Johnny Cash, Tom Petty, Adele, Vampire Weekend, Cass Mccombs, Thrice, and Haim.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Parting Ways with Rick Rubin</li><li><a href="https://en.wikipedia.org/wiki/Stellastarr" rel="noopener noreferrer" target="_blank">Stellastarr</a>&nbsp;</li><li>Role with Rick vs. Engineers</li><li>Dry vs. Wet</li><li>Mix Shootouts</li><li>Importance of Artist Feedback</li><li>Evolving the Craft</li><li>Keeping a Good Vibe</li><li>Dealing with Varying Personalities</li><li>Communication with Bands&nbsp;</li><li>Mix Note Etiquette</li><li>Mix Adjectives</li><li>The Journey of Creating a Studio</li><li>Deciding on ATMOS</li><li>Doing ATMOS That Makes Sense</li><li>Money and Engineering</li><li>Priorities on What You Really Need</li><li>Gear Should Be used, Not Just Displayed</li><li>Work-Life Balance</li><li>Only as Good as Your Last Credit</li></ul><br/><p><br></p><p><strong>Matt's Rant: Inspiration from Outside the Audio World</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://atyourside.wixsite.com/mysite-1" rel="noopener noreferrer" target="_blank">Dave's Site</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li><li><a href="https://www.disneyplus.com/series/light-magic/3OtlwhtW6Z7E" rel="noopener noreferrer" target="_blank"><strong>ILM Documentary</strong></a></li><li><a href="https://www.masterclass.com/?require_signin=true" rel="noopener noreferrer" target="_blank"><strong>Masterclass</strong></a></li><li><a href="https://www.npr.org/series/490248027/how-i-built-this" rel="noopener noreferrer" target="_blank"><strong>How I Built This Podcast</strong></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Dave Schiffman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-399-with-dave-schiffman-part-2-mix-note-etiquette-the-journey-of-creating-a-studio-deciding-on-atmos-communication-with-bands-and-evolving-the-craft]]></link><guid isPermaLink="false">19f6648e-7d46-11ec-8454-5f7d615648d0</guid><itunes:image href="https://artwork.captivate.fm/3a8f69d5-92a7-4a12-9d62-651ee73a6c3e/copy-of-wca-399-with-dave-schiffman-part-2-thumbnail.png"/><pubDate>Mon, 08 Aug 2022 03:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a667d090-0228-45a8-a893-faf2af822d42.mp3" length="117000063" type="audio/mpeg"/><itunes:duration>01:00:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>399</itunes:episode><podcast:episode>399</podcast:episode><itunes:summary>Part 2 of my interview with Grammy Winning Producer/mixer and Engineer who has worked on projects for System of a Down, Audioslave, The Mars Volta, PUP, Johnny Cash, Tom Petty, Adele, Vampire Weekend, Cass Mccombs, Thrice, and Haim. 

In this episode, we discuss:

Parting Ways with Rick Rubin


Stellastarr 

Role with Rick vs. Engineers

Dry vs. Wet

Mix Shootouts

Importance of Artist Feedback

Evolving the Craft

Keeping a Good Vibe

Dealing with Varying Personalities

Communication with Bands 

Mix Note Etiquette

Mix Adjectives

The Journey of Creating a Studio

Deciding on ATMOS

Doing ATMOS That Makes Sense

Money and Engineering

Priorities on What You Really Need

Gear Should Be used, Not Just Displayed

Work-Life Balance

Only as Good as Your Last Credit


Matt&apos;s Rant: Inspiration from Outside the Audio World
Links and Show Notes

Dave&apos;s Site

Download 15 Tips to Help you Survive as an Audio Pro

ILM Documentary

Masterclass

How I Built This Podcast


Credits

Guest: Dave Schiffman

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #398 with Dave Schiffman Part 1 - Tape Copies, Chicken and Egg Issues, Lessons from Rick Rubin, The Land of Yes, and Not Being Tall Enough To Record</title><itunes:title>WCA #398 with Dave Schiffman Part 1 - Tape Copies, Chicken and Egg Issues, Lessons from Rick Rubin, The Land of Yes, and Not Being Tall Enough To Record</itunes:title><description><![CDATA[<p>My guest is Grammy Winning Producer/mixer and Engineer who has worked on projects for System of a Down, Audioslave, The Mars Volta, PUP Johnny Cash, Tom Petty, Adele, Vampire Weekend, Cass Mccombs, Thrice, and Haim.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Giving Up Piano</li><li>Dad's Love of Big Band/Yacht Rock</li><li>Playing Trumpet</li><li>Marching Band</li><li>Not Being Tall Enough To Record</li><li>Following Credits on Albums</li><li>Making Tape Copies</li><li>Chicken and Egg Issues</li><li>Moving Up the Studio Ladder</li><li>Surviving on Tuna Fish Sandwiches</li><li>"Smoking Section" of Planes</li><li>Working at Ocean Way</li><li>Moving to LA from NY</li><li>Working with Rick Rubin</li><li>Red Hot Chili Peppers</li><li>Lessons from Rick Rubin</li><li>East Coast Honesty</li><li>The Land of Yes</li></ul><br/><p><br></p><p><strong>Matt's Rant: Who are We Spending Time With?</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://atyourside.wixsite.com/mysite-1" rel="noopener noreferrer" target="_blank"><strong>Dave's Site</strong></a></li><li><a href="https://www.instagram.com/dave_schiffman" rel="noopener noreferrer" target="_blank"><strong>Dave on Instagram</strong></a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Dave Schiffman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Winning Producer/mixer and Engineer who has worked on projects for System of a Down, Audioslave, The Mars Volta, PUP Johnny Cash, Tom Petty, Adele, Vampire Weekend, Cass Mccombs, Thrice, and Haim.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Giving Up Piano</li><li>Dad's Love of Big Band/Yacht Rock</li><li>Playing Trumpet</li><li>Marching Band</li><li>Not Being Tall Enough To Record</li><li>Following Credits on Albums</li><li>Making Tape Copies</li><li>Chicken and Egg Issues</li><li>Moving Up the Studio Ladder</li><li>Surviving on Tuna Fish Sandwiches</li><li>"Smoking Section" of Planes</li><li>Working at Ocean Way</li><li>Moving to LA from NY</li><li>Working with Rick Rubin</li><li>Red Hot Chili Peppers</li><li>Lessons from Rick Rubin</li><li>East Coast Honesty</li><li>The Land of Yes</li></ul><br/><p><br></p><p><strong>Matt's Rant: Who are We Spending Time With?</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://atyourside.wixsite.com/mysite-1" rel="noopener noreferrer" target="_blank"><strong>Dave's Site</strong></a></li><li><a href="https://www.instagram.com/dave_schiffman" rel="noopener noreferrer" target="_blank"><strong>Dave on Instagram</strong></a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Dave Schiffman</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-398-with-dave-schiffman-part-1-tape-copies-chicken-and-egg-issues-lessons-from-rick-rubin-the-land-of-yes-and-not-being-tall-enough-to-record]]></link><guid isPermaLink="false">19da3872-7d46-11ec-8454-8f08730c89e0</guid><itunes:image href="https://artwork.captivate.fm/004c34bd-08df-4e8a-947d-8fa52e2fc6e5/wca-398-with-dave-schiffman-part-1-thumbnail.png"/><pubDate>Mon, 01 Aug 2022 03:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/42d58e4f-9bb7-4778-9571-4f0973403738.mp3" length="102054645" type="audio/mpeg"/><itunes:duration>53:09</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>398</itunes:episode><podcast:episode>398</podcast:episode><itunes:summary>My guest is Grammy Winning Producer/mixer and Engineer who has worked on projects for System of a Down, Audioslave, The Mars Volta, PUP Johnny Cash, Tom Petty, Adele, Vampire Weekend, Cass Mccombs, Thrice, and Haim.

In this episode, we discuss:

Giving Up Piano

Dad&apos;s Love of Big Band/Yacht Rock

Playing Trumpet

Marching Band

Not Being Tall Enough To Record

Following Credits on Albums

Making Tape Copies

Chicken and Egg Issues

Moving Up the Studio Ladder

Surviving on Tuna Fish Sandwiches

&quot;Smoking Section&quot; of Planes

Working at Ocean Way

Moving to LA from NY

Working with Rick Rubin

Red Hot Chili Peppers

Lessons from Rick Rubin

East Coast Honesty

The Land of Yes


Matt&apos;s Rant: Who are We Spending Time With?
Links and Show Notes

Dave&apos;s Site

Dave on Instagram

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Dave Schiffman

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #397 with Bryan Cook - Recording as An Exit Strategy, Chillin with Tom Dowd, Landing at A&amp;M Studios, and Doing Non-Music Things</title><itunes:title>WCA #397 with Bryan Cook - Recording as An Exit Strategy, Chillin with Tom Dowd, Landing at A&amp;M Studios, and Doing Non-Music Things</itunes:title><description><![CDATA[<p>My guest is Grammy Nominated Mixing engineer Bryan Cook who has worked with U2, One Republic, Jeff Goldblum, and Switchfoot.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Early life in Philly</li><li>Studios - A thing that people did</li><li>Love for Jazz&nbsp;</li><li>Saxophone</li><li>Recording as an exit strategy</li><li><a href="https://www.fmdesign.com/projects/blue-jay-studios/" rel="noopener noreferrer" target="_blank">Bluejay Internship</a></li><li>Chillin with&nbsp;<a href="https://en.wikipedia.org/wiki/Tom_Dowd" rel="noopener noreferrer" target="_blank">Tom Dowd</a></li><li><a href="https://www.workingclassaudio.com/wca-023-with-ryan-hewitt/" rel="noopener noreferrer" target="_blank">Ryan Hewitt&nbsp;</a></li><li>Deciding on a move to LA</li><li>Landing at A&amp;M Studios</li><li>Moving up in the industry</li><li>Professionalism - Egos working together</li><li>Moving up the engineering ladder</li><li>Sensing upcoming burnout</li><li><a href="https://en.wikipedia.org/wiki/Michael_Andrews_(musician)" rel="noopener noreferrer" target="_blank">Michael Andrews&nbsp;</a></li><li>Nobody likes the bad vibe guy</li><li><a href="https://en.wikipedia.org/wiki/Walk_Hard:_The_Dewey_Cox_Story" rel="noopener noreferrer" target="_blank">Walk Hard&nbsp;</a></li><li>Transitioning to flying solo</li><li><a href="https://en.wikipedia.org/wiki/OneRepublic" rel="noopener noreferrer" target="_blank">One Republic</a></li><li>How artists find an engineer</li><li><a href="https://en.wikipedia.org/wiki/U2" rel="noopener noreferrer" target="_blank">U2 project</a></li><li>Push them into the pool</li><li>Mixing from home</li><li>How to do pricing?</li><li>Handling disappointment</li><li>Ease with setup</li><li><a href="https://www.bouncefactory.net/" rel="noopener noreferrer" target="_blank">Bounce Factory&nbsp;</a></li><li>Doing non-music things</li></ul><br/><p><br></p><p><strong>Matt's Rant: Audio File Management</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.bryancookmixer.com/" rel="noopener noreferrer" target="_blank">Bryan's Site</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Bryan Cook</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>My guest is Grammy Nominated Mixing engineer Bryan Cook who has worked with U2, One Republic, Jeff Goldblum, and Switchfoot.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Early life in Philly</li><li>Studios - A thing that people did</li><li>Love for Jazz&nbsp;</li><li>Saxophone</li><li>Recording as an exit strategy</li><li><a href="https://www.fmdesign.com/projects/blue-jay-studios/" rel="noopener noreferrer" target="_blank">Bluejay Internship</a></li><li>Chillin with&nbsp;<a href="https://en.wikipedia.org/wiki/Tom_Dowd" rel="noopener noreferrer" target="_blank">Tom Dowd</a></li><li><a href="https://www.workingclassaudio.com/wca-023-with-ryan-hewitt/" rel="noopener noreferrer" target="_blank">Ryan Hewitt&nbsp;</a></li><li>Deciding on a move to LA</li><li>Landing at A&amp;M Studios</li><li>Moving up in the industry</li><li>Professionalism - Egos working together</li><li>Moving up the engineering ladder</li><li>Sensing upcoming burnout</li><li><a href="https://en.wikipedia.org/wiki/Michael_Andrews_(musician)" rel="noopener noreferrer" target="_blank">Michael Andrews&nbsp;</a></li><li>Nobody likes the bad vibe guy</li><li><a href="https://en.wikipedia.org/wiki/Walk_Hard:_The_Dewey_Cox_Story" rel="noopener noreferrer" target="_blank">Walk Hard&nbsp;</a></li><li>Transitioning to flying solo</li><li><a href="https://en.wikipedia.org/wiki/OneRepublic" rel="noopener noreferrer" target="_blank">One Republic</a></li><li>How artists find an engineer</li><li><a href="https://en.wikipedia.org/wiki/U2" rel="noopener noreferrer" target="_blank">U2 project</a></li><li>Push them into the pool</li><li>Mixing from home</li><li>How to do pricing?</li><li>Handling disappointment</li><li>Ease with setup</li><li><a href="https://www.bouncefactory.net/" rel="noopener noreferrer" target="_blank">Bounce Factory&nbsp;</a></li><li>Doing non-music things</li></ul><br/><p><br></p><p><strong>Matt's Rant: Audio File Management</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.bryancookmixer.com/" rel="noopener noreferrer" target="_blank">Bryan's Site</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Bryan Cook</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-397-with-bryan-cook-recording-as-an-exit-strategy-chillin-with-tom-dowd-landing-at-am-studios-and-doing-non-music-things]]></link><guid isPermaLink="false">19c7000e-7d46-11ec-8454-fb22f56ee2be</guid><itunes:image href="https://artwork.captivate.fm/c78291fb-2231-4c3d-9e36-ddd72d7b0964/wca-397-with-bryan-cook-thumbnail.png"/><pubDate>Mon, 25 Jul 2022 03:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0a826afc-075c-4444-b673-99fb7f3904eb.mp3" length="101142538" type="audio/mpeg"/><itunes:duration>52:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>397</itunes:episode><podcast:episode>397</podcast:episode><itunes:summary>My guest is Grammy Nominated Mixing engineer Bryan Cook who has worked with U2, One Republic, Jeff Goldblum, and Switchfoot. 

In this episode, we discuss:

Early life in Philly

Studios - A thing that people did

Love for Jazz 

Saxophone

Recording as an exit strategy

Bluejay Internship

Chillin with Tom Dowd


Ryan Hewitt 

Deciding on a move to LA

Landing at A&amp;M Studios

Moving up in the industry

Professionalism - Egos working together

Moving up the engineering ladder

Sensing upcoming burnout

Michael Andrews 

Nobody likes the bad vibe guy

Walk Hard 

Transitioning to flying solo

One Republic

How artists find an engineer

U2 project

Push them into the pool

Mixing from home

How to do pricing?

Handling disappointment

Ease with setup

Bounce Factory 

Doing non-music things


Matt&apos;s Rant: Audio File Management

Links and Show Notes

Bryan&apos;s Site

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Bryan Cook

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #396 with Nick Townsend - Punk Rock, Community College, Fishing, Mastering and Cutting Lacquers</title><itunes:title>WCA #396 with Nick Townsend - Punk Rock, Community College, Fishing, Mastering and Cutting Lacquers</itunes:title><description><![CDATA[<p>My guest is Los Angeles-based mastering engineer Nick Townsend. Nick loves cutting Lacquers and has worked on releases by Cheap Trick, Weezer, Iron Maiden, Bad Religion, Garbage, Dr. Dre, 2Pac, Grimes, and more. Nick works at Infrasonic Sound.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Musical Household</li><li>Stoner Rock Uncle</li><li>Drums at Grandmas House</li><li>Punk Rock Bands</li><li>Catching the Recording Bug</li><li>Community College Recording Program</li><li>Pete Lyman</li><li>Mechanical Side of the Brain</li><li>Fishing</li><li>Clay Shooting</li><li>Outdoors Activities</li><li>Interning</li><li>Cutting Lacquers</li><li>Cutter Heads</li><li>Freelance Mastering</li><li>Infrasonic</li><li><a href="https://en.wikipedia.org/wiki/Apollo_Masters_Corporation_fire" rel="noopener noreferrer" target="_blank">Apollo Lacquers Fire</a></li></ul><br/><p><br></p><p><strong>Matt's Rant: Audio Degrees</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.infrasonicsound.com/" rel="noopener noreferrer" target="_blank"><strong>Infrasonic Sound</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-306-with-daniel-bacigalupi/" rel="noopener noreferrer" target="_blank"><strong>WCA #306 with Dan Baccigalupi</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-261-with-dave-gardner/" rel="noopener noreferrer" target="_blank"><strong>WCA #261 with Dave Gardner&nbsp;</strong></a></li><li><a href="https://bit.ly/2YOSKLi" rel="noopener noreferrer" target="_blank"><strong>WCA #199 with Pete Lyman</strong></a></li><li><a href="https://bit.ly/2POVhkD" rel="noopener noreferrer" target="_blank"><strong>WCA #251 with Piper Payne</strong></a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li></ul><br/><p><br></p><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Nick Townsend</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>My guest is Los Angeles-based mastering engineer Nick Townsend. Nick loves cutting Lacquers and has worked on releases by Cheap Trick, Weezer, Iron Maiden, Bad Religion, Garbage, Dr. Dre, 2Pac, Grimes, and more. Nick works at Infrasonic Sound.</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Musical Household</li><li>Stoner Rock Uncle</li><li>Drums at Grandmas House</li><li>Punk Rock Bands</li><li>Catching the Recording Bug</li><li>Community College Recording Program</li><li>Pete Lyman</li><li>Mechanical Side of the Brain</li><li>Fishing</li><li>Clay Shooting</li><li>Outdoors Activities</li><li>Interning</li><li>Cutting Lacquers</li><li>Cutter Heads</li><li>Freelance Mastering</li><li>Infrasonic</li><li><a href="https://en.wikipedia.org/wiki/Apollo_Masters_Corporation_fire" rel="noopener noreferrer" target="_blank">Apollo Lacquers Fire</a></li></ul><br/><p><br></p><p><strong>Matt's Rant: Audio Degrees</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.infrasonicsound.com/" rel="noopener noreferrer" target="_blank"><strong>Infrasonic Sound</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-306-with-daniel-bacigalupi/" rel="noopener noreferrer" target="_blank"><strong>WCA #306 with Dan Baccigalupi</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-261-with-dave-gardner/" rel="noopener noreferrer" target="_blank"><strong>WCA #261 with Dave Gardner&nbsp;</strong></a></li><li><a href="https://bit.ly/2YOSKLi" rel="noopener noreferrer" target="_blank"><strong>WCA #199 with Pete Lyman</strong></a></li><li><a href="https://bit.ly/2POVhkD" rel="noopener noreferrer" target="_blank"><strong>WCA #251 with Piper Payne</strong></a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li></ul><br/><p><br></p><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Nick Townsend</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-396-with-nick-townsend-punk-rock-community-college-fishing-mastering-and-cutting-lacquers]]></link><guid isPermaLink="false">19ab56b0-7d46-11ec-8454-5b03ea5f0b83</guid><itunes:image href="https://artwork.captivate.fm/ffdff73d-44ef-48ef-a416-3985b750a5df/wca-396-with-nick-townsend-thumbnail.jpeg"/><pubDate>Mon, 18 Jul 2022 03:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/da9281ed-b39d-4ff5-86d1-0e6572d54cf1.mp3" length="109261864" type="audio/mpeg"/><itunes:duration>56:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>396</itunes:episode><podcast:episode>396</podcast:episode><itunes:summary>My guest is Los Angeles-based mastering engineer Nick Townsend. Nick loves cutting Lacquers and has worked on releases by Cheap Trick, Weezer, Iron Maiden, Bad Religion, Garbage, Dr. Dre, 2Pac, Grimes, and more. Nick works at Infrasonic Sound.

In this episode, we discuss:

Musical Household

Stoner Rock Uncle

Drums at Grandmas House

Punk Rock Bands

Catching the Recording Bug

Community College Recording Program

Pete Lyman

Mechanical Side of the Brain

Fishing

Clay Shooting

Outdoors Activities

Interning

Cutting Lacquers

Cutter Heads

Freelance Mastering

Infrasonic

Apollo Lacquers Fire


Matt&apos;s Rant: Audio Degrees

Links and Show Notes

Infrasonic Sound

WCA #306 with Dan Baccigalupi

WCA #261 with Dave Gardner 

WCA #199 with Pete Lyman

WCA #251 with Piper Payne

Download 15 Tips to Help you Survive as an Audio Pro



Credits

Guest: Nick Townsend

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #395 with Daniel Rowland - Rehab vs. College, MTSU, Adrian Belew, LANDR, and The ATMOS Gold Rush</title><itunes:title>WCA #395 with Daniel Rowland - Rehab vs. College, MTSU, Adrian Belew, LANDR, and The ATMOS Gold Rush</itunes:title><description><![CDATA[<p>My guest is Daniel Rowland, Head of Strategy and Partnerships at LANDR, Co-owner of Immersive Mixers, Professor at MTSU, and audio engineer. Daniel has worked with Nine Inch Nails, Adrian Belew, Disney, Pixar, David Foster, Star Wars, Marvel, DC Comics, Denzel Curry, Netflix, Fox, Flo Rida, Seal, and Phillip Glass.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Playing Guitar</li><li>Rehab vs. College</li><li><a href="https://www.mtsu.edu/" rel="noopener noreferrer" target="_blank">MTSU</a></li><li>Production Work</li><li><a href="https://adrianbelew.net/" rel="noopener noreferrer" target="_blank">Adrian Belew</a></li><li>NOISE</li><li><a href="https://www.landr.com/" rel="noopener noreferrer" target="_blank">LANDR</a></li><li>AI Mastering</li><li>Linkedin</li><li>Rejection of New Ideas</li><li>Time Management</li><li>The ATMOS Goldrush</li></ul><br/><p><br></p><p><strong>Matt's Rant: Things to Consider When Building a Studio</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.rowland-studios.com/" rel="noopener noreferrer" target="_blank">Daniel's Site</a></li><li><a href="https://www.linkedin.com/in/rowlanddaniel/" rel="noopener noreferrer" target="_blank">Daniel on Linkedin</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Daniel Rowland</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>My guest is Daniel Rowland, Head of Strategy and Partnerships at LANDR, Co-owner of Immersive Mixers, Professor at MTSU, and audio engineer. Daniel has worked with Nine Inch Nails, Adrian Belew, Disney, Pixar, David Foster, Star Wars, Marvel, DC Comics, Denzel Curry, Netflix, Fox, Flo Rida, Seal, and Phillip Glass.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Playing Guitar</li><li>Rehab vs. College</li><li><a href="https://www.mtsu.edu/" rel="noopener noreferrer" target="_blank">MTSU</a></li><li>Production Work</li><li><a href="https://adrianbelew.net/" rel="noopener noreferrer" target="_blank">Adrian Belew</a></li><li>NOISE</li><li><a href="https://www.landr.com/" rel="noopener noreferrer" target="_blank">LANDR</a></li><li>AI Mastering</li><li>Linkedin</li><li>Rejection of New Ideas</li><li>Time Management</li><li>The ATMOS Goldrush</li></ul><br/><p><br></p><p><strong>Matt's Rant: Things to Consider When Building a Studio</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.rowland-studios.com/" rel="noopener noreferrer" target="_blank">Daniel's Site</a></li><li><a href="https://www.linkedin.com/in/rowlanddaniel/" rel="noopener noreferrer" target="_blank">Daniel on Linkedin</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Daniel Rowland</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-395-with-daniel-rowland-rehab-vs-college-mtsu-adrian-belew-landr-and-the-atmos-gold-rush]]></link><guid isPermaLink="false">198707c4-7d46-11ec-8454-e39785837b12</guid><itunes:image href="https://artwork.captivate.fm/c4e2d613-1f7b-4005-8546-93bc14d7ae2e/wca-395-with-daniel-rowland-thumbnail.jpeg"/><pubDate>Mon, 11 Jul 2022 04:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0437fbdd-0dc2-4104-b689-85cbdc3418a5.mp3" length="124748999" type="audio/mpeg"/><itunes:duration>01:04:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>395</itunes:episode><podcast:episode>395</podcast:episode><itunes:summary>My guest is Daniel Rowland, Head of Strategy and Partnerships at LANDR, Co-owner of Immersive Mixers, Professor at MTSU, and audio engineer. Daniel has worked with Nine Inch Nails, Adrian Belew, Disney, Pixar, David Foster, Star Wars, Marvel, DC Comics, Denzel Curry, Netflix, Fox, Flo Rida, Seal, and Phillip Glass. 

In this episode, we discuss:

Playing Guitar

Rehab vs. College

MTSU

Production Work

Adrian Belew

NOISE

LANDR

AI Mastering

Linkedin

Rejection of New Ideas

Time Management

The ATMOS Goldrush


Matt&apos;s Rant: Things to Consider When Building a Studio

Links and Show Notes

Daniel&apos;s Site

Daniel on Linkedin

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Daniel Rowland

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #394 with Mike Tucci - Playing in Bands, Seeing the Value In Recording Studios, Working at Masterdisk, The Slow Magic Of LA, and Focusing on Results, Not Gear</title><itunes:title>WCA #394 with Mike Tucci - Playing in Bands, Seeing the Value In Recording Studios, Working at Masterdisk, The Slow Magic Of LA, and Focusing on Results, Not Gear</itunes:title><description><![CDATA[<p>My guest is Grammy-Nominated Mastering Engineer Mike Tucci, who has worked with Cory Henry, Living Colour, Doja Cat, Chris Brown, Young Thug, and Unstoppable Death Machines.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li><br></li><li>Queens</li><li><br></li><li><br></li><li>NYC</li><li><br></li><li><br></li><li>Music in Heard Growing Up</li><li><br></li><li><br></li><li>Playing in Bands</li><li><br></li><li><br></li><li>Seeing the Value In Recording Studios</li><li><br></li><li><br></li><li>Going to College</li><li><br></li><li><br></li><li>Understanding Recording</li><li><br></li><li><br></li><li>Masterdisk</li><li><br></li><li><br></li><li>Howie Weinberg</li><li><br></li><li><br></li><li>Moving o LA</li><li><br></li><li><br></li><li>Moving Into The Box</li><li><br></li><li><br></li><li>Not Depending on Other People's Gear</li><li><br></li><li><br></li><li>Slow Magic Of LA</li><li><br></li><li><br></li><li>Keeping a Simple Setup</li><li><br></li><li><br></li><li>Working From Home</li><li><br></li><li><br></li><li>Results Are The Only Thing That Matters</li><li><br></li></ul><br/><p><br></p><p><strong>Matt's Rant: Who is Professional?</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><br></li><li><a href="https://www.instagram.com/miketuccimane/?hl=en" rel="noopener noreferrer" target="_blank">Mike on IG</a></li><li><br></li><li><br></li><li><a href="https://soundbetter.com/profiles/237103-mike-tucci" rel="noopener noreferrer" target="_blank">Mike on Soundbetter</a></li><li><br></li><li><br></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li><li><br></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li><br></li><li>Guest: Mike Tucci</li><li><br></li><li><br></li><li>Host: Matt Boudreau</li><li><br></li><li><br></li><li>Engineer: Matt Boudreau</li><li><br></li><li><br></li><li>Producer: Matt Boudreau</li><li><br></li><li><br></li><li>Editing: Anne-Marie Pleau&nbsp;</li><li><br></li><li><br></li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li><br></li><li><br></li><li>Announcer: Chuck Smith</li><li><br></li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-Nominated Mastering Engineer Mike Tucci, who has worked with Cory Henry, Living Colour, Doja Cat, Chris Brown, Young Thug, and Unstoppable Death Machines.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li><br></li><li>Queens</li><li><br></li><li><br></li><li>NYC</li><li><br></li><li><br></li><li>Music in Heard Growing Up</li><li><br></li><li><br></li><li>Playing in Bands</li><li><br></li><li><br></li><li>Seeing the Value In Recording Studios</li><li><br></li><li><br></li><li>Going to College</li><li><br></li><li><br></li><li>Understanding Recording</li><li><br></li><li><br></li><li>Masterdisk</li><li><br></li><li><br></li><li>Howie Weinberg</li><li><br></li><li><br></li><li>Moving o LA</li><li><br></li><li><br></li><li>Moving Into The Box</li><li><br></li><li><br></li><li>Not Depending on Other People's Gear</li><li><br></li><li><br></li><li>Slow Magic Of LA</li><li><br></li><li><br></li><li>Keeping a Simple Setup</li><li><br></li><li><br></li><li>Working From Home</li><li><br></li><li><br></li><li>Results Are The Only Thing That Matters</li><li><br></li></ul><br/><p><br></p><p><strong>Matt's Rant: Who is Professional?</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><br></li><li><a href="https://www.instagram.com/miketuccimane/?hl=en" rel="noopener noreferrer" target="_blank">Mike on IG</a></li><li><br></li><li><br></li><li><a href="https://soundbetter.com/profiles/237103-mike-tucci" rel="noopener noreferrer" target="_blank">Mike on Soundbetter</a></li><li><br></li><li><br></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li><li><br></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li><br></li><li>Guest: Mike Tucci</li><li><br></li><li><br></li><li>Host: Matt Boudreau</li><li><br></li><li><br></li><li>Engineer: Matt Boudreau</li><li><br></li><li><br></li><li>Producer: Matt Boudreau</li><li><br></li><li><br></li><li>Editing: Anne-Marie Pleau&nbsp;</li><li><br></li><li><br></li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li><br></li><li><br></li><li>Announcer: Chuck Smith</li><li><br></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-394-with-mike-tucci-playing-in-bands-seeing-the-value-in-recording-studios-working-at-masterdisk-the-slow-magic-of-la-and-focusing-on-results-not-gear]]></link><guid isPermaLink="false">196aee72-7d46-11ec-8454-1721191f39a9</guid><itunes:image href="https://artwork.captivate.fm/53565cc4-8854-4825-945c-354a63fd7c71/wca-394-with-mike-tucci-thumbnail.png"/><pubDate>Mon, 04 Jul 2022 04:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c56ba548-0a50-4c50-8975-d7344c6c32e3.mp3" length="107845879" type="audio/mpeg"/><itunes:duration>56:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>394</itunes:episode><podcast:episode>394</podcast:episode><itunes:summary>My guest is Grammy-Nominated Mastering Engineer Mike Tucci, who has worked with Cory Henry, Living Colour, Doja Cat, Chris Brown, Young Thug, and Unstoppable Death Machines. 

In this episode, we discuss:

Queens

NYC

Music in Heard Growing Up

Playing in Bands

Seeing the Value In Recording Studios

Going to College

Understanding Recording

Masterdisk

Howie Weinberg

Moving o LA

Moving Into The Box

Not Depending on Other People&apos;s Gear

Slow Magic Of LA

Keeping a Simple Setup

Working From Home

Results Are The Only Thing That Matters


Matt&apos;s Rant: Who is Professional?
Links and Show Notes

Mike on IG

Mike on Soundbetter

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Mike Tucci

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #393 with Leff Lefferts - The World of Film Sound, Working with Randy Thom, Telling Stories, Planning Your Life, Financial Security, and ATMOS</title><itunes:title>WCA #393 with Leff Lefferts - The World of Film Sound, Working with Randy Thom, Telling Stories, Planning Your Life, Financial Security, and ATMOS</itunes:title><description><![CDATA[<p>My guest is Leff Lefferts making a return to WCA after his first appearance on WCA #101. Leff comes from a music recording background but has worked in film sound for the last 16 years at Skywalker Sound. He's worked as a Sound Effects Editor, Sound Editor, Supervising Sound Editor, Sound Designer, and Re-Recording Mixer on various movies, including, The Croods: A New Age, The Revenant, The Peanuts Movie, How to Train Your Dragon 2, and many more.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li><br></li><li><a href="https://www.imdb.com/name/nm0858378/" rel="noopener noreferrer" target="_blank">Randy Thom</a></li><li><br></li><li><br></li><li><a href="https://www.skysound.com/" rel="noopener noreferrer" target="_blank">Skywalker Sound</a></li><li><br></li><li><br></li><li>ATMOS</li><li><br></li><li><br></li><li>Telling Stories</li><li><br></li><li><br></li><li>Roles in Film Sound</li><li><br></li><li><br></li><li>Technology Changes&nbsp;</li><li><br></li><li><br></li><li>Content on Streaming Services</li><li><br></li><li><br></li><li>Planning Your Life</li><li><br></li><li><br></li><li>Music Industry vs Film Industry</li><li><br></li><li><br></li><li>Watching the Credits</li><li><br></li><li><br></li><li>Making Records for Enjoyment</li><li><br></li><li><br></li><li>Financial Security</li><li><br></li><li><br></li><li>UA Plugins</li><li><br></li><li><br></li><li>Early Days of Pro Tools</li><li><br></li><li><br></li><li>Bay Area Pro Audio Lore</li><li><br></li></ul><br/><p><br></p><p><strong>Matt's Rant: Being Proactive</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><br></li><li><a href="https://www.workingclassaudio.com/wca-101-leff-lefferts/" rel="noopener noreferrer" target="_blank">Leff on WCA #101</a></li><li><br></li><li><br></li><li><a href="mailto:leff@lazlo.com" rel="noopener noreferrer" target="_blank">Leff's Email</a></li><li><br></li><li><br></li><li><a href="https://www.imdb.com/name/nm1396496/" rel="noopener noreferrer" target="_blank">Leff on IMDB</a></li><li><br></li><li><br></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li><li><br></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li><br></li><li>Guest: Leff Lefferts</li><li><br></li><li><br></li><li>Host: Matt Boudreau</li><li><br></li><li><br></li><li>Engineer: Matt Boudreau</li><li><br></li><li><br></li><li>Producer: Matt Boudreau</li><li><br></li><li><br></li><li>Editing: Anne-Marie Pleau&nbsp;</li><li><br></li><li><br></li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li><br></li><li><br></li><li>Announcer: Chuck Smith</li><li><br></li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Leff Lefferts making a return to WCA after his first appearance on WCA #101. Leff comes from a music recording background but has worked in film sound for the last 16 years at Skywalker Sound. He's worked as a Sound Effects Editor, Sound Editor, Supervising Sound Editor, Sound Designer, and Re-Recording Mixer on various movies, including, The Croods: A New Age, The Revenant, The Peanuts Movie, How to Train Your Dragon 2, and many more.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li><br></li><li><a href="https://www.imdb.com/name/nm0858378/" rel="noopener noreferrer" target="_blank">Randy Thom</a></li><li><br></li><li><br></li><li><a href="https://www.skysound.com/" rel="noopener noreferrer" target="_blank">Skywalker Sound</a></li><li><br></li><li><br></li><li>ATMOS</li><li><br></li><li><br></li><li>Telling Stories</li><li><br></li><li><br></li><li>Roles in Film Sound</li><li><br></li><li><br></li><li>Technology Changes&nbsp;</li><li><br></li><li><br></li><li>Content on Streaming Services</li><li><br></li><li><br></li><li>Planning Your Life</li><li><br></li><li><br></li><li>Music Industry vs Film Industry</li><li><br></li><li><br></li><li>Watching the Credits</li><li><br></li><li><br></li><li>Making Records for Enjoyment</li><li><br></li><li><br></li><li>Financial Security</li><li><br></li><li><br></li><li>UA Plugins</li><li><br></li><li><br></li><li>Early Days of Pro Tools</li><li><br></li><li><br></li><li>Bay Area Pro Audio Lore</li><li><br></li></ul><br/><p><br></p><p><strong>Matt's Rant: Being Proactive</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><br></li><li><a href="https://www.workingclassaudio.com/wca-101-leff-lefferts/" rel="noopener noreferrer" target="_blank">Leff on WCA #101</a></li><li><br></li><li><br></li><li><a href="mailto:leff@lazlo.com" rel="noopener noreferrer" target="_blank">Leff's Email</a></li><li><br></li><li><br></li><li><a href="https://www.imdb.com/name/nm1396496/" rel="noopener noreferrer" target="_blank">Leff on IMDB</a></li><li><br></li><li><br></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank"><strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong></a></li><li><br></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li><br></li><li>Guest: Leff Lefferts</li><li><br></li><li><br></li><li>Host: Matt Boudreau</li><li><br></li><li><br></li><li>Engineer: Matt Boudreau</li><li><br></li><li><br></li><li>Producer: Matt Boudreau</li><li><br></li><li><br></li><li>Editing: Anne-Marie Pleau&nbsp;</li><li><br></li><li><br></li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li><br></li><li><br></li><li>Announcer: Chuck Smith</li><li><br></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-393-with-leff-lefferts-the-world-of-film-sound-working-with-randy-thom-telling-stories-planning-your-life-financial-security-and-atmos]]></link><guid isPermaLink="false">194efd34-7d46-11ec-8454-dbb3fe44f584</guid><itunes:image href="https://artwork.captivate.fm/9feeefa8-fb24-48b5-8995-a12f09b945f5/wca-393-with-leff-lefferts-thumbnail.jpeg"/><pubDate>Mon, 27 Jun 2022 03:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f449d62f-6710-4480-9ab7-0b7b8c853452.mp3" length="111876084" type="audio/mpeg"/><itunes:duration>58:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>393</itunes:episode><podcast:episode>393</podcast:episode><itunes:summary>My guest is Leff Lefferts making a return to WCA after his first appearance on WCA #101. Leff comes from a music recording background but has worked in film sound for the last 16 years at Skywalker Sound. He&apos;s worked as a Sound Effects Editor, Sound Editor, Supervising Sound Editor, Sound Designer, and Re-Recording Mixer on various movies, including, The Croods: A New Age, The Revenant, The Peanuts Movie, How to Train Your Dragon 2, and many more. 

In this episode, we discuss:

Randy Thom

Skywalker Sound

ATMOS

Telling Stories

Roles in Film Sound

Technology Changes 

Content on Streaming Services

Planning Your Life

Music Industry vs Film Industry

Watching the Credits

Making Records for Enjoyment

Financial Security

UA Plugins

Early Days of Pro Tools

Bay Area Pro Audio Lore


Matt&apos;s Rant: Being Proactive
Links and Show Notes

Leff on WCA #101

Leff&apos;s Email

Leff on IMDB

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Leff Lefferts

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #392 with Rachael Moore - Meeting Your Heroes, Community of Success, Thinking Outside the Box, T Bone Burnett, and The Value of Being a Good Human Being</title><itunes:title>WCA #392 with Rachael Moore - Meeting Your Heroes, Community of Success, Thinking Outside the Box, T Bone Burnett, and The Value of Being a Good Human Being</itunes:title><description><![CDATA[<p>My guest is Grammy-Nominated engineer/mixer Rachael Moore. Rachael primarily works with T Bone Burnett and, as a result, has worked with Robert Plant, Alison Krauss, Elvis Costello, and Jessica Chastain. Rachael also has a hectic freelance schedule working around Nashville, where she is currently based.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Early Years in Texas</li><li>Getting Your Feet Wet at Full Sail</li><li>Internship with&nbsp;<a href="https://www.workingclassaudio.com/wca-135-with-jacquire-king/" rel="noopener noreferrer" target="_blank">Jacquire King</a></li><li>Meeting Your Heroes</li><li>Community of Success</li><li>Dealing with Challenges</li><li><a href="https://www.soundemporiumstudios.com/" rel="noopener noreferrer" target="_blank">Sound Emporium&nbsp;</a></li><li>Financially Making it Work</li><li>Learning to Tune Pianos</li><li>Thinking Outside the Box</li><li>Working with T-Bone</li><li><a href="https://en.wikipedia.org/wiki/T_Bone_Burnett" rel="noopener noreferrer" target="_blank">T-Bone Burnett&nbsp;</a></li><li>How You Make People Feel In a Session</li><li>Do’s and Don’ts with T-Bone</li><li>Freelancing&nbsp;</li><li>Home Studio&nbsp;</li><li>The Traveling Rig</li><li>Dealing with Recalls</li><li>Advice for the Up and Comers</li><li>Financial Lessons As You Grow</li><li>Think of income as a triangle</li><li>The Value of Being a Good Human Being</li></ul><br/><p><strong>Matt's Rant: Sonic Space</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/rachaellmoore/?hl=en" rel="noopener noreferrer" target="_blank">Rachel Moore Instagram</a>&nbsp;</li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Rachael Moore</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-Nominated engineer/mixer Rachael Moore. Rachael primarily works with T Bone Burnett and, as a result, has worked with Robert Plant, Alison Krauss, Elvis Costello, and Jessica Chastain. Rachael also has a hectic freelance schedule working around Nashville, where she is currently based.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Early Years in Texas</li><li>Getting Your Feet Wet at Full Sail</li><li>Internship with&nbsp;<a href="https://www.workingclassaudio.com/wca-135-with-jacquire-king/" rel="noopener noreferrer" target="_blank">Jacquire King</a></li><li>Meeting Your Heroes</li><li>Community of Success</li><li>Dealing with Challenges</li><li><a href="https://www.soundemporiumstudios.com/" rel="noopener noreferrer" target="_blank">Sound Emporium&nbsp;</a></li><li>Financially Making it Work</li><li>Learning to Tune Pianos</li><li>Thinking Outside the Box</li><li>Working with T-Bone</li><li><a href="https://en.wikipedia.org/wiki/T_Bone_Burnett" rel="noopener noreferrer" target="_blank">T-Bone Burnett&nbsp;</a></li><li>How You Make People Feel In a Session</li><li>Do’s and Don’ts with T-Bone</li><li>Freelancing&nbsp;</li><li>Home Studio&nbsp;</li><li>The Traveling Rig</li><li>Dealing with Recalls</li><li>Advice for the Up and Comers</li><li>Financial Lessons As You Grow</li><li>Think of income as a triangle</li><li>The Value of Being a Good Human Being</li></ul><br/><p><strong>Matt's Rant: Sonic Space</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://www.instagram.com/rachaellmoore/?hl=en" rel="noopener noreferrer" target="_blank">Rachel Moore Instagram</a>&nbsp;</li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Rachael Moore</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-392-with-rachael-moore-meeting-your-heroes-community-of-success-thinking-outside-the-box-t-bone-burnett-and-the-value-of-being-a-good-human-being]]></link><guid isPermaLink="false">19335e9e-7d46-11ec-8454-17957b3782b2</guid><itunes:image href="https://artwork.captivate.fm/2b061d18-ce98-4a81-b1c9-2607a295de60/wca-392-with-rachael-moore-thumbnail.png"/><pubDate>Mon, 20 Jun 2022 06:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2b2d0148-64d6-4f64-bca8-2d7a5cc1261d.mp3" length="77738723" type="audio/mpeg"/><itunes:duration>40:29</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>392</itunes:episode><podcast:episode>392</podcast:episode><itunes:summary>My guest is Grammy-Nominated engineer/mixer Rachael Moore. Rachael primarily works with T Bone Burnett and, as a result, has worked with Robert Plant, Alison Krauss, Elvis Costello, and Jessica Chastain. Rachael also has a hectic freelance schedule working around Nashville, where she is currently based. 

In this episode, we discuss:

Early Years in Texas

Getting Your Feet Wet at Full Sail

Internship with Jacquire King


Meeting Your Heroes

Community of Success

Dealing with Challenges

Sound Emporium 

Financially Making it Work

Learning to Tune Pianos

Thinking Outside the Box

Working with T-Bone

T-Bone Burnett 

How You Make People Feel In a Session

Do’s and Don’ts with T-Bone

Freelancing 

Home Studio 

The Traveling Rig

Dealing with Recalls

Advice for the Up and Comers

Financial Lessons As You Grow

Think of income as a triangle

The Value of Being a Good Human Being


Matt&apos;s Rant: Sonic Space
Links and Show Notes


Rachel Moore Instagram 

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Rachael Moore

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #391 with Steve Rosenthal Part 2 - Magic Shop History, NDA&apos;s, 9/11, Importance of Good Staff, and The Business of Restoration</title><itunes:title>WCA #391 with Steve Rosenthal Part 2 - Magic Shop History, NDA&apos;s, 9/11, Importance of Good Staff, and The Business of Restoration</itunes:title><description><![CDATA[<p>My guest is Grammy-Winning producer, studio owner, and archivist Steve Rosenthal. The man behind the Magic Shop in New York. Steve has worked on projects for Woody Guthrie, Les Paul, Blondie, David Bowie, Foo Fighters, and Erroll Garner projects. Part two of a two-part interview.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Growing a Client Base</li><li>Magic Shop History</li><li><a href="https://www.allmusic.com/artist/roger-moutenot-mn0000302671/credits" rel="noopener noreferrer" target="_blank">⁠Roger Moutenot⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-381-with-ed-stasium/" rel="noopener noreferrer" target="_blank">⁠Ed Stasium⁠</a></li><li>The World Before Nirvana</li><li>Studio Ownership</li><li>Lessons Learned Running a Studio</li><li><a href="https://en.wikipedia.org/wiki/Foo_Fighters:_Sonic_Highways" rel="noopener noreferrer" target="_blank">⁠Sonic Highways⁠</a></li><li>Importance of Good Staff</li><li>Ownership Style</li><li>Getting Coffee for Rick Rubin</li><li>NDA's</li><li>The Dissolution of the Magic Shop</li><li>The Impact of 9/11</li><li>Shifting to Restoration</li><li><a href="https://www.tedyoungmusic.com/" rel="noopener noreferrer" target="_blank">⁠Ted Young⁠</a></li><li>Working with Blondie</li><li>Lou Reed</li><li>Reinventing yourself</li><li><a href="https://en.wikipedia.org/wiki/Nora_Guthrie" rel="noopener noreferrer" target="_blank">⁠Nora Guthrie&nbsp;⁠</a></li><li>DA-88s and ADATS</li><li>MARS</li><li>The Business of Restoration&nbsp;</li></ul><br/><p><br></p><p><strong>Matt's Rant: Billing</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://magicshopny.com" rel="noopener noreferrer" target="_blank">⁠Steve's website.⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-295-with-reto-peter/" rel="noopener noreferrer" target="_blank">⁠Reto Peter on WCA⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-338-with-jessica-thompson/" rel="noopener noreferrer" target="_blank">⁠Jessica Thompson on WCA⁠</a></li><li><a href="https://simpleinvoices.io/signup" rel="noopener noreferrer" target="_blank">⁠Simple Invoices⁠</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank">⁠<strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong>⁠</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Steve Rosenthal</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-Winning producer, studio owner, and archivist Steve Rosenthal. The man behind the Magic Shop in New York. Steve has worked on projects for Woody Guthrie, Les Paul, Blondie, David Bowie, Foo Fighters, and Erroll Garner projects. Part two of a two-part interview.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Growing a Client Base</li><li>Magic Shop History</li><li><a href="https://www.allmusic.com/artist/roger-moutenot-mn0000302671/credits" rel="noopener noreferrer" target="_blank">⁠Roger Moutenot⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-381-with-ed-stasium/" rel="noopener noreferrer" target="_blank">⁠Ed Stasium⁠</a></li><li>The World Before Nirvana</li><li>Studio Ownership</li><li>Lessons Learned Running a Studio</li><li><a href="https://en.wikipedia.org/wiki/Foo_Fighters:_Sonic_Highways" rel="noopener noreferrer" target="_blank">⁠Sonic Highways⁠</a></li><li>Importance of Good Staff</li><li>Ownership Style</li><li>Getting Coffee for Rick Rubin</li><li>NDA's</li><li>The Dissolution of the Magic Shop</li><li>The Impact of 9/11</li><li>Shifting to Restoration</li><li><a href="https://www.tedyoungmusic.com/" rel="noopener noreferrer" target="_blank">⁠Ted Young⁠</a></li><li>Working with Blondie</li><li>Lou Reed</li><li>Reinventing yourself</li><li><a href="https://en.wikipedia.org/wiki/Nora_Guthrie" rel="noopener noreferrer" target="_blank">⁠Nora Guthrie&nbsp;⁠</a></li><li>DA-88s and ADATS</li><li>MARS</li><li>The Business of Restoration&nbsp;</li></ul><br/><p><br></p><p><strong>Matt's Rant: Billing</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://magicshopny.com" rel="noopener noreferrer" target="_blank">⁠Steve's website.⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-295-with-reto-peter/" rel="noopener noreferrer" target="_blank">⁠Reto Peter on WCA⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-338-with-jessica-thompson/" rel="noopener noreferrer" target="_blank">⁠Jessica Thompson on WCA⁠</a></li><li><a href="https://simpleinvoices.io/signup" rel="noopener noreferrer" target="_blank">⁠Simple Invoices⁠</a></li><li><a href="https://www.workingclassaudio.com/15tips/" rel="noopener noreferrer" target="_blank">⁠<strong><em>Download 15 Tips to Help you Survive as an Audio Pro</em></strong>⁠</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Steve Rosenthal</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-391-with-steve-rosenthal-part-2-magic-shop-history-ndas-9-11-importance-of-good-staff-and-the-business-of-restoration]]></link><guid isPermaLink="false">1920c8c4-7d46-11ec-8454-0771883fb177</guid><itunes:image href="https://artwork.captivate.fm/1d559720-1274-4073-b64a-88c7abcecca9/wca-391-with-steve-rosenthal-part-2-thumbnail.png"/><pubDate>Mon, 13 Jun 2022 06:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b0edb1ca-a928-4315-8596-7361f95dcd21.mp3" length="103333622" type="audio/mpeg"/><itunes:duration>53:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>391</itunes:episode><podcast:episode>391</podcast:episode><itunes:summary>My guest is Grammy-Winning producer, studio owner, and archivist Steve Rosenthal. The man behind the Magic Shop in New York. Steve has worked on projects for Woody Guthrie, Les Paul, Blondie, David Bowie, Foo Fighters, and Erroll Garner projects. Part two of a two-part interview. 

In this episode, we discuss:

Growing a Client Base

Magic Shop History

Roger Moutenot

Ed Stasium

The World Before Nirvana

Studio Ownership

Lessons Learned Running a Studio

Sonic Highways

Importance of Good Staff

Ownership Style

Getting Coffee for Rick Rubin

NDA&apos;s

The Dissolution of the Magic Shop

The Impact of 9/11

Shifting to Restoration

Ted Young

Working with Blondie

Lou Reed

Reinventing yourself

Nora Guthrie 

DA-88s and ADATS

MARS

The Business of Restoration 


Matt&apos;s Rant: Billing
Links and Show Notes

Steve&apos;s website.

Reto Peter on WCA

Jessica Thompson on WCA

Simple Invoices

Download 15 Tips to Help you Survive as an Audio Pro


Credits

Guest: Steve Rosenthal

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #390 with Steve Rosenthal Part 1 - Driving Cabs, Punching 16th Notes, Bathrobe Sessions, Living in Dreamland, and The Search for the Perfect Console</title><itunes:title>WCA #390 with Steve Rosenthal Part 1 - Driving Cabs, Punching 16th Notes, Bathrobe Sessions, Living in Dreamland, and The Search for the Perfect Console</itunes:title><description><![CDATA[<p>My guest is Grammy-Winning producer, studio owner, and archivist Steve Rosenthal. The man behind the Magic Shop in New York. Steve has worked on projects for Woody Guthrie, Les Paul, Blondie, David Bowie, Foo Fighters, and Erroll Garner projects. Part one of a two-part interview.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Growing up in NY</li><li>Getting Started on a Development Deal</li><li>The Recording Institute of America</li><li>Bad Cab Driver Turned Engineer</li><li>Early Days at Atlantic</li><li>Learning the "Atlantic Recording Way"</li><li>Punching 16th Notes</li><li>Skully 12 track</li><li>Learning Business and Engineering</li><li>Mentorship&nbsp;</li><li>Bathrobe Sessions</li><li>Buying the Fixtures</li><li><a href="https://en.wikipedia.org/wiki/Otis_Blackwell" rel="noopener noreferrer" target="_blank">⁠Otis Blackwell&nbsp;⁠</a></li><li>Working in the Basement at A&amp;R Records</li><li>Buying a Studio in Manhattan&nbsp;</li><li>Living in Dreamland</li><li>New Wave and Punk in the 80s</li><li>Technology Informing Art</li><li>Sonic Fashion Trends</li><li><a href="https://en.wikipedia.org/wiki/Alan_Lomax" rel="noopener noreferrer" target="_blank">⁠Alan Lomax⁠</a>&nbsp;</li><li>Sonic Cues</li><li><a href="https://www.plangentprocesses.com/" rel="noopener noreferrer" target="_blank">⁠The Plangent Process&nbsp;⁠</a></li><li><a href="https://www.independent.co.uk/arts-entertainment/david-bowie-s-secret-recording-studio-the-magic-shop-closes-after-28-years-a6895676.html" rel="noopener noreferrer" target="_blank">⁠The Magic Shop⁠</a></li><li>Building a Studio for Making Rock Records</li><li>The Search for the Perfect Console</li></ul><br/><p><br></p><p><strong>Matt's Rant: Billing</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://magicshopny.com" rel="noopener noreferrer" target="_blank">⁠Steve's website.⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-295-with-reto-peter/" rel="noopener noreferrer" target="_blank">⁠Reto Peter on WCA⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-338-with-jessica-thompson/" rel="noopener noreferrer" target="_blank">⁠Jessica Thompson on WCA⁠</a></li><li><a href="https://simpleinvoices.io/signup" rel="noopener noreferrer" target="_blank">⁠Simple Invoices⁠</a></li><li><a href="https://www.instagram.com/working_class_audio/?hl=en" rel="noopener noreferrer" target="_blank">⁠WCA on Instagram⁠</a></li><li><a href="https://www.instagram.com/matt_boudreau/?hl=en" rel="noopener noreferrer" target="_blank">⁠Matt on Instagram&nbsp;⁠</a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank">⁠Connect with Matt on Linkedin⁠</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Steve Rosenthal</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>My guest is Grammy-Winning producer, studio owner, and archivist Steve Rosenthal. The man behind the Magic Shop in New York. Steve has worked on projects for Woody Guthrie, Les Paul, Blondie, David Bowie, Foo Fighters, and Erroll Garner projects. Part one of a two-part interview.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Growing up in NY</li><li>Getting Started on a Development Deal</li><li>The Recording Institute of America</li><li>Bad Cab Driver Turned Engineer</li><li>Early Days at Atlantic</li><li>Learning the "Atlantic Recording Way"</li><li>Punching 16th Notes</li><li>Skully 12 track</li><li>Learning Business and Engineering</li><li>Mentorship&nbsp;</li><li>Bathrobe Sessions</li><li>Buying the Fixtures</li><li><a href="https://en.wikipedia.org/wiki/Otis_Blackwell" rel="noopener noreferrer" target="_blank">⁠Otis Blackwell&nbsp;⁠</a></li><li>Working in the Basement at A&amp;R Records</li><li>Buying a Studio in Manhattan&nbsp;</li><li>Living in Dreamland</li><li>New Wave and Punk in the 80s</li><li>Technology Informing Art</li><li>Sonic Fashion Trends</li><li><a href="https://en.wikipedia.org/wiki/Alan_Lomax" rel="noopener noreferrer" target="_blank">⁠Alan Lomax⁠</a>&nbsp;</li><li>Sonic Cues</li><li><a href="https://www.plangentprocesses.com/" rel="noopener noreferrer" target="_blank">⁠The Plangent Process&nbsp;⁠</a></li><li><a href="https://www.independent.co.uk/arts-entertainment/david-bowie-s-secret-recording-studio-the-magic-shop-closes-after-28-years-a6895676.html" rel="noopener noreferrer" target="_blank">⁠The Magic Shop⁠</a></li><li>Building a Studio for Making Rock Records</li><li>The Search for the Perfect Console</li></ul><br/><p><br></p><p><strong>Matt's Rant: Billing</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://magicshopny.com" rel="noopener noreferrer" target="_blank">⁠Steve's website.⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-295-with-reto-peter/" rel="noopener noreferrer" target="_blank">⁠Reto Peter on WCA⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-338-with-jessica-thompson/" rel="noopener noreferrer" target="_blank">⁠Jessica Thompson on WCA⁠</a></li><li><a href="https://simpleinvoices.io/signup" rel="noopener noreferrer" target="_blank">⁠Simple Invoices⁠</a></li><li><a href="https://www.instagram.com/working_class_audio/?hl=en" rel="noopener noreferrer" target="_blank">⁠WCA on Instagram⁠</a></li><li><a href="https://www.instagram.com/matt_boudreau/?hl=en" rel="noopener noreferrer" target="_blank">⁠Matt on Instagram&nbsp;⁠</a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank">⁠Connect with Matt on Linkedin⁠</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: Steve Rosenthal</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-390-with-steve-rosenthal-part-1-driving-cabs-punching-16th-notes-bathrobe-sessions-living-in-dreamland-and-the-search-for-the-perfect-console]]></link><guid isPermaLink="false">190528bc-7d46-11ec-8454-37c9993f7479</guid><itunes:image href="https://artwork.captivate.fm/0ef0aa29-e0e9-48f6-b1c6-4c657be3d07b/wca-390-with-steve-rosenthal-part-1-thumbnail.jpeg"/><pubDate>Mon, 06 Jun 2022 06:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1cf9abbe-9993-46f7-b24b-784ae966fd00.mp3" length="109333888" type="audio/mpeg"/><itunes:duration>56:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>390</itunes:episode><podcast:episode>390</podcast:episode><itunes:summary>My guest is Grammy-Winning producer, studio owner, and archivist Steve Rosenthal. The man behind the Magic Shop in New York. Steve has worked on projects for Woody Guthrie, Les Paul, Blondie, David Bowie, Foo Fighters, and Erroll Garner projects. Part one of a two-part interview. 

In this episode, we discuss:

Growing up in NY

Getting Started on a Development Deal

The Recording Institute of America

Bad Cab Driver Turned Engineer

Early Days at Atlantic

Learning the &quot;Atlantic Recording Way&quot;

Punching 16th Notes

Skully 12 track

Learning Business and Engineering

Mentorship 

Bathrobe Sessions

Buying the Fixtures

Otis Blackwell 

Working in the Basement at A&amp;R Records

Buying a Studio in Manhattan 

Living in Dreamland

New Wave and Punk in the 80s

Technology Informing Art

Sonic Fashion Trends


Alan Lomax 

Sonic Cues

The Plangent Process 

The Magic Shop

Building a Studio for Making Rock Records

The Search for the Perfect Console


Matt&apos;s Rant: Billing
Links and Show Notes

Steve&apos;s website.

Reto Peter on WCA

Jessica Thompson on WCA

Simple Invoices

WCA on Instagram

Matt on Instagram 

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Steve Rosenthal

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #389 with Carlos Castro - Falling in Love with Recording, Dealing with Hypocrisy, Bruce Swedien, Bilingual Opportunities, and The Bigger Picture</title><itunes:title>WCA #389 with Carlos Castro - Falling in Love with Recording, Dealing with Hypocrisy, Bruce Swedien, Bilingual Opportunities, and The Bigger Picture</itunes:title><description><![CDATA[<p>My guest is a Grammy-Nominated Mixer, Engineer, and Producer, Carlos Castro. Carlos has worked with Shawn Colvin, Selena Gomez, Demi Lovato, Luis Miguel, Shaila Durcal, and many others.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Raised in Mexico City</li><li>Family History in Music</li><li>Falling in Love with Recording at 16</li><li><a href="https://www.fullsail.edu/" rel="noopener noreferrer" target="_blank">⁠Full Sail Center&nbsp;⁠</a></li><li>Dealing with Hypocrisy</li><li><a href="https://en.wikipedia.org/wiki/Bruce_Swedien" rel="noopener noreferrer" target="_blank">⁠Bruce Swedien⁠</a></li><li>The Bigger Picture</li><li>Learning from Bruce</li><li>Understanding Sonic Personality</li><li>Avoiding Paralysis from Analysis&nbsp;</li><li><a href="https://www.barryrudolph.com/mix/rayandterry.html" rel="noopener noreferrer" target="_blank">⁠Terry Howard&nbsp;⁠</a></li><li><a href="https://www.oceanwaynashville.com/" rel="noopener noreferrer" target="_blank">⁠Experience at Ocean Way&nbsp;⁠</a></li><li>Learning on the Night Shift</li><li>Ocean Studios &amp; Mama Joes</li><li><a href="https://en.wikipedia.org/wiki/Jerry_Finn" rel="noopener noreferrer" target="_blank">⁠Jerry Finn&nbsp;⁠</a></li><li><a href="https://www.galaxyaudio.com/products/cpts" rel="noopener noreferrer" target="_blank">⁠Checking Polarity with Galaxy Audio⁠</a></li><li>Neve 5224 Compressors</li><li>Building WaterSound Studios</li><li>Built From the Ground Up</li><li>Maintaining Relevance in the Market</li><li>Bilingual Opportunities - Both language and cultural</li><li>Advice for Up and Comers</li></ul><br/><p><br></p><p><strong>Matt's Rant: Well-built tools.</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://carloscastro.com/en/home" rel="noopener noreferrer" target="_blank">⁠Carlos Castro website⁠</a></li><li><a href="https://www.pbs.org/the-farthest/" rel="noopener noreferrer" target="_blank">⁠Voyager 1 Documentary⁠</a></li><li><a href="https://www.instagram.com/working_class_audio/?hl=en" rel="noopener noreferrer" target="_blank">⁠WCA on Instagram⁠</a></li><li><a href="https://www.instagram.com/matt_boudreau/?hl=en" rel="noopener noreferrer" target="_blank">⁠Matt on Instagram&nbsp;⁠</a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank">⁠Connect with Matt on Linkedin⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank">⁠Current sponsors &amp; promos⁠</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Carlos Castro</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>My guest is a Grammy-Nominated Mixer, Engineer, and Producer, Carlos Castro. Carlos has worked with Shawn Colvin, Selena Gomez, Demi Lovato, Luis Miguel, Shaila Durcal, and many others.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Raised in Mexico City</li><li>Family History in Music</li><li>Falling in Love with Recording at 16</li><li><a href="https://www.fullsail.edu/" rel="noopener noreferrer" target="_blank">⁠Full Sail Center&nbsp;⁠</a></li><li>Dealing with Hypocrisy</li><li><a href="https://en.wikipedia.org/wiki/Bruce_Swedien" rel="noopener noreferrer" target="_blank">⁠Bruce Swedien⁠</a></li><li>The Bigger Picture</li><li>Learning from Bruce</li><li>Understanding Sonic Personality</li><li>Avoiding Paralysis from Analysis&nbsp;</li><li><a href="https://www.barryrudolph.com/mix/rayandterry.html" rel="noopener noreferrer" target="_blank">⁠Terry Howard&nbsp;⁠</a></li><li><a href="https://www.oceanwaynashville.com/" rel="noopener noreferrer" target="_blank">⁠Experience at Ocean Way&nbsp;⁠</a></li><li>Learning on the Night Shift</li><li>Ocean Studios &amp; Mama Joes</li><li><a href="https://en.wikipedia.org/wiki/Jerry_Finn" rel="noopener noreferrer" target="_blank">⁠Jerry Finn&nbsp;⁠</a></li><li><a href="https://www.galaxyaudio.com/products/cpts" rel="noopener noreferrer" target="_blank">⁠Checking Polarity with Galaxy Audio⁠</a></li><li>Neve 5224 Compressors</li><li>Building WaterSound Studios</li><li>Built From the Ground Up</li><li>Maintaining Relevance in the Market</li><li>Bilingual Opportunities - Both language and cultural</li><li>Advice for Up and Comers</li></ul><br/><p><br></p><p><strong>Matt's Rant: Well-built tools.</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="https://carloscastro.com/en/home" rel="noopener noreferrer" target="_blank">⁠Carlos Castro website⁠</a></li><li><a href="https://www.pbs.org/the-farthest/" rel="noopener noreferrer" target="_blank">⁠Voyager 1 Documentary⁠</a></li><li><a href="https://www.instagram.com/working_class_audio/?hl=en" rel="noopener noreferrer" target="_blank">⁠WCA on Instagram⁠</a></li><li><a href="https://www.instagram.com/matt_boudreau/?hl=en" rel="noopener noreferrer" target="_blank">⁠Matt on Instagram&nbsp;⁠</a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank">⁠Connect with Matt on Linkedin⁠</a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank">⁠Current sponsors &amp; promos⁠</a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li>Guest: Carlos Castro</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>Editing: Anne-Marie Pleau&nbsp;</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-389-with-carlos-castro-falling-in-love-with-recording-dealing-with-hypocrisy-bruce-swedien-bilingual-opportunities-and-the-bigger-picture]]></link><guid isPermaLink="false">18e9ce82-7d46-11ec-8454-af40038d7521</guid><itunes:image href="https://artwork.captivate.fm/625fb06d-5ba5-4538-b919-eda440f46f74/wca-389-with-carlos-castro-thumbnail.png"/><pubDate>Mon, 30 May 2022 06:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f1a4c31b-2064-46fd-bb14-afa08a5d9931.mp3" length="95282007" type="audio/mpeg"/><itunes:duration>49:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>389</itunes:episode><podcast:episode>389</podcast:episode><itunes:summary>My guest is a Grammy-Nominated Mixer, Engineer, and Producer, Carlos Castro. Carlos has worked with Shawn Colvin, Selena Gomez, Demi Lovato, Luis Miguel, Shaila Durcal, and many others. 

In this episode, we discuss:

Raised in Mexico City

Family History in Music

Falling in Love with Recording at 16

Full Sail Center 

Dealing with Hypocrisy

Bruce Swedien

The Bigger Picture

Learning from Bruce

Understanding Sonic Personality

Avoiding Paralysis from Analysis 

Terry Howard 

Experience at Ocean Way 

Learning on the Night Shift

Ocean Studios &amp; Mama Joes

Jerry Finn 

Checking Polarity with Galaxy Audio

Neve 5224 Compressors

Building WaterSound Studios

Built From the Ground Up

Maintaining Relevance in the Market

Bilingual Opportunities - Both language and cultural

Advice for Up and Comers


Matt&apos;s Rant: Well-built tools.
Links and Show Notes

Carlos Castro website

Voyager 1 Documentary

WCA on Instagram

Matt on Instagram 

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Carlos Castro

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #388 with Will Kennedy - Harvard AV, New York Struggles, LA Mentors, ATMOS, and the Rise of the Unintentional Tech</title><itunes:title>WCA #388 with Will Kennedy - Harvard AV, New York Struggles, LA Mentors, ATMOS, and the Rise of the Unintentional Tech</itunes:title><description><![CDATA[
        <p>My guest is a Producer, Mixer, and Recording Engineer, Will Kennedy. Will has worked on projects for O.A.R., U2, Michael Franti and Spearhead, OneRepublic, The 88, B-52s, Jason Mraz, and many more. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Early Life in Farmland</li>
<li>Band Directors</li>
<li>Berklee College of Music</li>
<li>Behind the Scenes Person</li>
<li>Ocean Way Nashville</li>
<li><a href="https://www.oceanwayrecording.com/about-allen.php">Allen Sides </a></li>
<li>Unintentional Tech</li>
<li>Life is Short Moment </li>
<li><a href="https://en-academic.com/dic.nsf/enwiki/1148727">Right Track Recording</a></li>
<li>Hard to Be Broke In New York</li>
<li>Want work? Plan a Vacation</li>
<li>Health Issues</li>
<li>Back to Boston</li>
<li>Harvard AV Department</li>
<li>Moving to LA at 30</li>
<li><a href="https://www.discogs.com/label/271278-Ray-Charles-Enterprises-Inc">Ray Charles Enterprises</a></li>
<li><a href="https://www.berklee.edu/people/carl-beatty">Carl Beatty </a></li>
<li>Shady Work in Northridge</li>
<li><a href="https://en.wikipedia.org/wiki/David_Bianco_(producer)">David Bianco </a></li>
<li><a href="http://www.davesroom.net/">Dave's Room </a></li>
<li><a href="https://www.workingclassaudio.com/wca-046-with-matt-wallace/">Matt Wallace </a></li>
<li>The Back Room Guy</li>
<li>Working Well with Others Matters</li>
<li>The Future of ATMOS</li>
<li><a href="https://www.kaliaudio.com/">Kali Audio </a></li>
<li>Affordable Atmos </li>
<li><a href="https://jblpro.com/products/intonato-24">JBL Intonato </a></li>
<li>The Love Shack Atmos Mix</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Paying it Forward</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://willkennedyproducer.com/">Will's Site</a></li>
<li><a href="https://www.workingclassaudio.com/wca-046-with-matt-wallace/">Matt Wallace on WCA</a></li>
<li><a href="https://www.workingclassaudio.com/wca-332-with-frank-filipetti/">Frank Fillipeti on WCA </a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt on Instagram </a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Will Kennedy</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is a Producer, Mixer, and Recording Engineer, Will Kennedy. Will has worked on projects for O.A.R., U2, Michael Franti and Spearhead, OneRepublic, The 88, B-52s, Jason Mraz, and many more. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Early Life in Farmland</li>
<li>Band Directors</li>
<li>Berklee College of Music</li>
<li>Behind the Scenes Person</li>
<li>Ocean Way Nashville</li>
<li><a href="https://www.oceanwayrecording.com/about-allen.php">Allen Sides </a></li>
<li>Unintentional Tech</li>
<li>Life is Short Moment </li>
<li><a href="https://en-academic.com/dic.nsf/enwiki/1148727">Right Track Recording</a></li>
<li>Hard to Be Broke In New York</li>
<li>Want work? Plan a Vacation</li>
<li>Health Issues</li>
<li>Back to Boston</li>
<li>Harvard AV Department</li>
<li>Moving to LA at 30</li>
<li><a href="https://www.discogs.com/label/271278-Ray-Charles-Enterprises-Inc">Ray Charles Enterprises</a></li>
<li><a href="https://www.berklee.edu/people/carl-beatty">Carl Beatty </a></li>
<li>Shady Work in Northridge</li>
<li><a href="https://en.wikipedia.org/wiki/David_Bianco_(producer)">David Bianco </a></li>
<li><a href="http://www.davesroom.net/">Dave's Room </a></li>
<li><a href="https://www.workingclassaudio.com/wca-046-with-matt-wallace/">Matt Wallace </a></li>
<li>The Back Room Guy</li>
<li>Working Well with Others Matters</li>
<li>The Future of ATMOS</li>
<li><a href="https://www.kaliaudio.com/">Kali Audio </a></li>
<li>Affordable Atmos </li>
<li><a href="https://jblpro.com/products/intonato-24">JBL Intonato </a></li>
<li>The Love Shack Atmos Mix</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Paying it Forward</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://willkennedyproducer.com/">Will's Site</a></li>
<li><a href="https://www.workingclassaudio.com/wca-046-with-matt-wallace/">Matt Wallace on WCA</a></li>
<li><a href="https://www.workingclassaudio.com/wca-332-with-frank-filipetti/">Frank Fillipeti on WCA </a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt on Instagram </a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Will Kennedy</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-388-with-will-kennedy-harvard-av-new-york-struggles-la-mentors-atmos-and-the-rise-of-the-unintentional-tech]]></link><guid isPermaLink="false">18c4f076-7d46-11ec-8454-a39d19769894</guid><itunes:image href="https://artwork.captivate.fm/fb78e4f5-0350-41b2-83c3-6178251e15c3/wca-388-with-will-kennedy-thumbnail.jpeg"/><pubDate>Mon, 23 May 2022 06:15:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/15ff0c79-8683-4d49-81dc-bbe2ef383336.mp3" length="144879508" type="audio/mpeg"/><itunes:duration>01:15:27</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>388</itunes:episode><podcast:episode>388</podcast:episode><itunes:summary>My guest is a Producer, Mixer, and Recording Engineer, Will Kennedy. Will has worked on projects for O.A.R., U2, Michael Franti and Spearhead, OneRepublic, The 88, B-52s, Jason Mraz, and many more. 

In this episode, we discuss:

Early Life in Farmland

Band Directors

Berklee College of Music

Behind the Scenes Person

Ocean Way Nashville

Allen Sides 

Unintentional Tech

Life is Short Moment 

Right Track Recording

Hard to Be Broke In New York

Want work? Plan a Vacation

Health Issues

Back to Boston

Harvard AV Department

Moving to LA at 30

Ray Charles Enterprises

Carl Beatty 

Shady Work in Northridge

David Bianco 

Dave&apos;s Room 

Matt Wallace 

The Back Room Guy

Working Well with Others Matters

The Future of ATMOS

Kali Audio 

Affordable Atmos 

JBL Intonato 

The Love Shack Atmos Mix


Matt&apos;s Rant: Paying it Forward
Links and Show Notes

Will&apos;s Site

Matt Wallace on WCA

Frank Fillipeti on WCA 

WCA on Instagram

Matt on Instagram 

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Will Kennedy

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #387 with Bobby Owsinski - The Mix Engineers Handbook, Dolby Atmos, Collecting Ideas, Networking, and Clarity</title><itunes:title>WCA #387 with Bobby Owsinski - The Mix Engineers Handbook, Dolby Atmos, Collecting Ideas, Networking, and Clarity</itunes:title><description><![CDATA[
        <p>My guest is a mixer, producer, author, and coach Bobby Owsinski. Bobby is the author of many books, including The Mixing Engineers Handbook; Bobby has also worked with many artists and companies, including Mick Taylor, Joe Houston, Rhino DVD, Forbes, Surround Pro Magazine, Adrianna Marie, and her Groovecutters. This is Bobby's second appearance on the show. </p><p><br></p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Dolby Atmos</li>
<li>5.1 Surround</li>
<li>Kludging Surround Tools Together</li>
<li>The Mix Engineers Handbook</li>
<li>Smart Plugins</li>
<li>Dynamics Timing</li>
<li>Self-Mastering</li>
<li>Saturation</li>
<li>Collecting Ideas</li>
<li>Networking</li>
<li>Clarity</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Random Thoughts</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://bobbyowsinski.com/best-selling-books/">Bobby's Books</a></li>
<li><a href="https://bobbyoinnercircle.com/">Bobby's Podcast</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt on Instagram </a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Bobby Owsinski</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is a mixer, producer, author, and coach Bobby Owsinski. Bobby is the author of many books, including The Mixing Engineers Handbook; Bobby has also worked with many artists and companies, including Mick Taylor, Joe Houston, Rhino DVD, Forbes, Surround Pro Magazine, Adrianna Marie, and her Groovecutters. This is Bobby's second appearance on the show. </p><p><br></p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Dolby Atmos</li>
<li>5.1 Surround</li>
<li>Kludging Surround Tools Together</li>
<li>The Mix Engineers Handbook</li>
<li>Smart Plugins</li>
<li>Dynamics Timing</li>
<li>Self-Mastering</li>
<li>Saturation</li>
<li>Collecting Ideas</li>
<li>Networking</li>
<li>Clarity</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Random Thoughts</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://bobbyowsinski.com/best-selling-books/">Bobby's Books</a></li>
<li><a href="https://bobbyoinnercircle.com/">Bobby's Podcast</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt on Instagram </a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Bobby Owsinski</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-387-with-bobby-owsinski-the-mix-engineers-handbook-dolby-atmos-collecting-ideas-networking-and-clarity]]></link><guid isPermaLink="false">18a937d2-7d46-11ec-8454-33931ea9cfc5</guid><itunes:image href="https://artwork.captivate.fm/49a41262-3e6a-4dfe-bc5d-633de9da2552/wca-387-with-bobby-owsinski-thumbnail.jpeg"/><pubDate>Mon, 16 May 2022 19:36:20 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/fa71e10b-3eef-4855-b9ff-b398668e3844.mp3" length="105468625" type="audio/mpeg"/><itunes:duration>54:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>387</itunes:episode><podcast:episode>387</podcast:episode><itunes:summary>My guest is a mixer, producer, author, and coach Bobby Owsinski. Bobby is the author of many books, including The Mixing Engineers Handbook; Bobby has also worked with many artists and companies, including Mick Taylor, Joe Houston, Rhino DVD, Forbes, Surround Pro Magazine, Adrianna Marie, and her Groovecutters. This is Bobby&apos;s second appearance on the show. 


In this episode, we discuss:

Dolby Atmos

5.1 Surround

Kludging Surround Tools Together

The Mix Engineers Handbook

Smart Plugins

Dynamics Timing

Self-Mastering

Saturation

Collecting Ideas

Networking

Clarity


Matt&apos;s Rant: Random Thoughts
Links and Show Notes

Bobby&apos;s Books

Bobby&apos;s Podcast

WCA on Instagram

Matt on Instagram 

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Bobby Owsinski

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #386 with Richard Dodd Part 2 - Kung Fu Fighting, Cowboy Engineering, Testing Limits, Sleight of Hand, and The Old Way</title><itunes:title>WCA #386 with Richard Dodd Part 2 - Kung Fu Fighting, Cowboy Engineering, Testing Limits, Sleight of Hand, and The Old Way</itunes:title><description><![CDATA[
        <p>My guest is a self-described lucky bastard, grammy-winning engineer Richard Dodd who has worked with Tom Petty, George Harrison, Roy Orbison, Clannad, Mike Moran, Del Newman, and Brian Protheroe. This is part 2 of a 2 part interview.</p>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is a self-described lucky bastard, grammy-winning engineer Richard Dodd who has worked with Tom Petty, George Harrison, Roy Orbison, Clannad, Mike Moran, Del Newman, and Brian Protheroe. This is part 2 of a 2 part interview.</p>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-386-with-richard-dodd-part-2-kung-fu-fighting-cowboy-engineering-testing-limits-sleight-of-hand-and-the-old-way]]></link><guid isPermaLink="false">188d6aac-7d46-11ec-8454-679a1822872a</guid><itunes:image href="https://artwork.captivate.fm/5f223e41-db80-4488-b6c9-99676c449590/wca-386-with-richard-dodd-part-2-thumbnail.png"/><pubDate>Mon, 09 May 2022 06:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3d9c8bcc-e7ff-4b10-af99-aebe7bd76843.mp3" length="141897755" type="audio/mpeg"/><itunes:duration>01:13:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>386</itunes:episode><podcast:episode>386</podcast:episode><itunes:summary>My guest is a self-described lucky bastard, grammy-winning engineer Richard Dodd who has worked with Tom Petty, George Harrison, Roy Orbison, Clannad, Mike Moran, Del Newman, and Brian Protheroe. This is part 2 of a 2 part interview.</itunes:summary></item><item><title>WCA #385 with Richard Dodd Part 1 - Electronics Apprentice, Lansdowne Studios, Peter Coleman, Ashley Howe, Trying To Fit In, and Dropping in For the First Time</title><itunes:title>WCA #385 with Richard Dodd Part 1 - Electronics Apprentice, Lansdowne Studios, Peter Coleman, Ashley Howe, Trying To Fit In, and Dropping in For the First Time</itunes:title><description><![CDATA[
        <p>My guest is a self-described lucky bastard, grammy-winning engineer Richard Dodd who has worked with Tom Petty, George Harrison, Roy Orbison, Clannad, Mike Moran, Del Newman, and Brian Protheroe.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Luton Beginnings</li>
<li>School Band</li>
<li><a href="https://www.allmusic.com/artist/peter-coleman-mn0000322170/credits">Peter Coleman</a></li>
<li><a href="https://www.linkedin.com/in/ashley-howe-18a28513/">Ashley Howe</a></li>
<li>Discovering Recording at 14</li>
<li>First Professional Recording Gig</li>
<li>Put Up or Shut Up</li>
<li>Counsel Housing</li>
<li>Electronics Apprentice</li>
<li>British Aircraft Corporation</li>
<li>Late Night Friday Sessions</li>
<li><a href="https://en.wikipedia.org/wiki/Lansdowne_Studios">Lansdowne Studios</a></li>
<li>Cassettes</li>
<li>Studio Interview Golden Questions</li>
<li>Leaving His Apprenticeship</li>
<li>Studio Trajectory in England as a New Engineer</li>
<li>From Within the Rabbit Hole</li>
<li>Trying To Fit In</li>
<li>LA - Like Walking Into The Movies</li>
<li>Overcoming Studio Hazing</li>
<li>Recording All Night at 17</li>
<li><a href="https://en.wikipedia.org/wiki/Atomic_Rooster">Atomic Rooster </a></li>
<li>Solid Family Life</li>
<li>Dropping in For the First Time</li>
<li><a href="https://www.discogs.com/artist/366803-Gerald-Chevin">Gerald Chevin</a></li>
<li>Helping Annie Farrow</li>
<li>Respect for Musicians</li>
<li>
<a href="https://en.wikipedia.org/wiki/Stanley_Myers">Stanley Myers</a> </li>
<li>Editing Tape - No Redos</li>
<li>Going Freelance</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: The Role of Gear</strong></p><p><strong>Links and Show Notes</strong></p><p><br></p><ul>
<li><a href="https://richarddodd.com">Richard's Site</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt's other Instagram Account</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Richard Dodd</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is a self-described lucky bastard, grammy-winning engineer Richard Dodd who has worked with Tom Petty, George Harrison, Roy Orbison, Clannad, Mike Moran, Del Newman, and Brian Protheroe.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Luton Beginnings</li>
<li>School Band</li>
<li><a href="https://www.allmusic.com/artist/peter-coleman-mn0000322170/credits">Peter Coleman</a></li>
<li><a href="https://www.linkedin.com/in/ashley-howe-18a28513/">Ashley Howe</a></li>
<li>Discovering Recording at 14</li>
<li>First Professional Recording Gig</li>
<li>Put Up or Shut Up</li>
<li>Counsel Housing</li>
<li>Electronics Apprentice</li>
<li>British Aircraft Corporation</li>
<li>Late Night Friday Sessions</li>
<li><a href="https://en.wikipedia.org/wiki/Lansdowne_Studios">Lansdowne Studios</a></li>
<li>Cassettes</li>
<li>Studio Interview Golden Questions</li>
<li>Leaving His Apprenticeship</li>
<li>Studio Trajectory in England as a New Engineer</li>
<li>From Within the Rabbit Hole</li>
<li>Trying To Fit In</li>
<li>LA - Like Walking Into The Movies</li>
<li>Overcoming Studio Hazing</li>
<li>Recording All Night at 17</li>
<li><a href="https://en.wikipedia.org/wiki/Atomic_Rooster">Atomic Rooster </a></li>
<li>Solid Family Life</li>
<li>Dropping in For the First Time</li>
<li><a href="https://www.discogs.com/artist/366803-Gerald-Chevin">Gerald Chevin</a></li>
<li>Helping Annie Farrow</li>
<li>Respect for Musicians</li>
<li>
<a href="https://en.wikipedia.org/wiki/Stanley_Myers">Stanley Myers</a> </li>
<li>Editing Tape - No Redos</li>
<li>Going Freelance</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: The Role of Gear</strong></p><p><strong>Links and Show Notes</strong></p><p><br></p><ul>
<li><a href="https://richarddodd.com">Richard's Site</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt's other Instagram Account</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Richard Dodd</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-385-with-richard-dodd-part-1-electronics-apprentice-lansdowne-studios-peter-coleman-ashley-howe-trying-to-fit-in-and-dropping-in-for-the-first-time]]></link><guid isPermaLink="false">18715e48-7d46-11ec-8454-7ff4046858a7</guid><itunes:image href="https://artwork.captivate.fm/5f8e5541-b5a2-4799-a08a-0060eff69dc4/wca-385-with-richard-dodd-part-1-thumbnail.png"/><pubDate>Mon, 02 May 2022 20:19:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5dd95933-aadb-4bfa-b042-56ba4d2c4353.mp3" length="122178544" type="audio/mpeg"/><itunes:duration>01:03:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>385</itunes:episode><podcast:episode>385</podcast:episode><itunes:summary>My guest is a self-described lucky bastard, grammy-winning engineer Richard Dodd who has worked with Tom Petty, George Harrison, Roy Orbison, Clannad, Mike Moran, Del Newman, and Brian Protheroe.

In this episode, we discuss:

Luton Beginnings

School Band

Peter Coleman

Ashley Howe

Discovering Recording at 14

First Professional Recording Gig

Put Up or Shut Up

Counsel Housing

Electronics Apprentice

British Aircraft Corporation

Late Night Friday Sessions

Lansdowne Studios

Cassettes

Studio Interview Golden Questions

Leaving His Apprenticeship

Studio Trajectory in England as a New Engineer

From Within the Rabbit Hole

Trying To Fit In

LA - Like Walking Into The Movies

Overcoming Studio Hazing

Recording All Night at 17

Atomic Rooster 

Solid Family Life

Dropping in For the First Time

Gerald Chevin

Helping Annie Farrow

Respect for Musicians


Stanley Myers 

Editing Tape - No Redos

Going Freelance



Matt&apos;s Rant: The Role of Gear
Links and Show Notes


Richard&apos;s Site

Matt&apos;s other Instagram Account

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Richard Dodd

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #384 with Sam Moses - Private Closet Parties, Musical Assassins, Focusing on Mastering, Leaving the Church, and The Curtain Wall System</title><itunes:title>WCA #384 with Sam Moses - Private Closet Parties, Musical Assassins, Focusing on Mastering, Leaving the Church, and The Curtain Wall System</itunes:title><description><![CDATA[
        <p>My guest is Mastering engineer Sam Moses based in Nashville. Sam has worked with Billy Ray Cyrus, Joan, Nightly, Smallpools, Shoffy, and The Aces. Sam has also developed The Curtain Wall system of acoustics. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing Up in the Middle of Nowhere</li>
<li>Aspiring Pro Golfer</li>
<li>Blue Grass Cross Roads</li>
<li>Cornfield Concerts</li>
<li>Secret Boombox Rap Recordings</li>
<li>Discovering Music As A Career</li>
<li>Chicago Living</li>
<li>Recording vs. Rock Stardom</li>
<li>
<a href="https://soundbetter.com/profiles/355092-zachary-jablow"><strong>Zach Jablow</strong></a><strong> </strong>
</li>
<li>Making HipHop Beats</li>
<li>Working Retail</li>
<li>Keys to The Studio</li>
<li>Discount Apartment Recording to Keys For a Studio</li>
<li>Private Closet Parties</li>
<li>Learning Mastering</li>
<li>West Palm Beach's Creative Sound</li>
<li>
<a href="https://www.zayasstudios.com/our-team"><strong>Daniel Zayas</strong></a><strong> </strong>
</li>
<li>Studio Artist Development Project</li>
<li>A Good Step but Not enough</li>
<li>
<a href="http://www.joebarresi.com/"><strong>Joe Barresi</strong></a><strong> </strong>
</li>
<li>Mix with the Masters in France</li>
<li>Going to Nashville</li>
<li>
<a href="https://hartwellstudios.com/about-us/"><strong>Michael Hugues</strong></a><strong> </strong>
</li>
<li>Musical Assassins</li>
<li>
<a href="http://www.paulmoakmusic.com/the-smoakstack"><strong>Paul Moak</strong></a><strong> </strong>
</li>
<li>Focusing on Mastering</li>
<li>People make it possible</li>
<li>Mentoring Matthew Garber</li>
<li>From Mentor to Peer Births a Podcast</li>
<li><a href="https://attackandreleaseshow.fireside.fm/">The Attack and Release Show</a></li>
<li>Home Studio Evolution </li>
<li>The Curtain Wall System</li>
<li>Nashville Community</li>
<li>Leaving the Church</li>
<li>Focus on the Present</li>
<li>Bad Religion (Not the band)</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: The Importance of Our Peers</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<a href="https://www.mosesmastering.com/">Moses Mastering</a> </li>
<li><a href="https://attackandreleaseshow.fireside.fm/">The Attack and Release Show</a></li>
<li><a href="https://www.instagram.com/mosesmastering/">Sam on Instagram</a></li>
<li><a href="https://drive.google.com/file/d/1PXhEoLmRdPbG0WIJYfx9axoPIPFm4iGH/view?usp=sharing">Download the Curtain Wall System</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt's other Instagram Account</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Sam Moses</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Mastering engineer Sam Moses based in Nashville. Sam has worked with Billy Ray Cyrus, Joan, Nightly, Smallpools, Shoffy, and The Aces. Sam has also developed The Curtain Wall system of acoustics. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing Up in the Middle of Nowhere</li>
<li>Aspiring Pro Golfer</li>
<li>Blue Grass Cross Roads</li>
<li>Cornfield Concerts</li>
<li>Secret Boombox Rap Recordings</li>
<li>Discovering Music As A Career</li>
<li>Chicago Living</li>
<li>Recording vs. Rock Stardom</li>
<li>
<a href="https://soundbetter.com/profiles/355092-zachary-jablow"><strong>Zach Jablow</strong></a><strong> </strong>
</li>
<li>Making HipHop Beats</li>
<li>Working Retail</li>
<li>Keys to The Studio</li>
<li>Discount Apartment Recording to Keys For a Studio</li>
<li>Private Closet Parties</li>
<li>Learning Mastering</li>
<li>West Palm Beach's Creative Sound</li>
<li>
<a href="https://www.zayasstudios.com/our-team"><strong>Daniel Zayas</strong></a><strong> </strong>
</li>
<li>Studio Artist Development Project</li>
<li>A Good Step but Not enough</li>
<li>
<a href="http://www.joebarresi.com/"><strong>Joe Barresi</strong></a><strong> </strong>
</li>
<li>Mix with the Masters in France</li>
<li>Going to Nashville</li>
<li>
<a href="https://hartwellstudios.com/about-us/"><strong>Michael Hugues</strong></a><strong> </strong>
</li>
<li>Musical Assassins</li>
<li>
<a href="http://www.paulmoakmusic.com/the-smoakstack"><strong>Paul Moak</strong></a><strong> </strong>
</li>
<li>Focusing on Mastering</li>
<li>People make it possible</li>
<li>Mentoring Matthew Garber</li>
<li>From Mentor to Peer Births a Podcast</li>
<li><a href="https://attackandreleaseshow.fireside.fm/">The Attack and Release Show</a></li>
<li>Home Studio Evolution </li>
<li>The Curtain Wall System</li>
<li>Nashville Community</li>
<li>Leaving the Church</li>
<li>Focus on the Present</li>
<li>Bad Religion (Not the band)</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: The Importance of Our Peers</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<a href="https://www.mosesmastering.com/">Moses Mastering</a> </li>
<li><a href="https://attackandreleaseshow.fireside.fm/">The Attack and Release Show</a></li>
<li><a href="https://www.instagram.com/mosesmastering/">Sam on Instagram</a></li>
<li><a href="https://drive.google.com/file/d/1PXhEoLmRdPbG0WIJYfx9axoPIPFm4iGH/view?usp=sharing">Download the Curtain Wall System</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt's other Instagram Account</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Sam Moses</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-384-with-sam-moses-private-closet-parties-musical-assassins-focusing-on-mastering-leaving-the-church-and-the-curtain-wall-system]]></link><guid isPermaLink="false">18558380-7d46-11ec-8454-4fb2c30a0e84</guid><itunes:image href="https://artwork.captivate.fm/bb2feabe-c17a-4217-b007-3965d248f25f/wca-384-with-sam-moses-thumbnail.png"/><pubDate>Mon, 25 Apr 2022 18:39:16 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ef4efdf2-8b81-466c-ba5e-f5ab82b2e357.mp3" length="100936170" type="audio/mpeg"/><itunes:duration>52:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>384</itunes:episode><podcast:episode>384</podcast:episode><itunes:summary>My guest is Mastering engineer Sam Moses based in Nashville. Sam has worked with Billy Ray Cyrus, Joan, Nightly, Smallpools, Shoffy, and The Aces. Sam has also developed The Curtain Wall system of acoustics. 

In this episode, we discuss:

Growing Up in the Middle of Nowhere

Aspiring Pro Golfer

Blue Grass Cross Roads

Cornfield Concerts

Secret Boombox Rap Recordings

Discovering Music As A Career

Chicago Living

Recording vs. Rock Stardom


Zach Jablow 


Making HipHop Beats

Working Retail

Keys to The Studio

Discount Apartment Recording to Keys For a Studio

Private Closet Parties

Learning Mastering

West Palm Beach&apos;s Creative Sound


Daniel Zayas 


Studio Artist Development Project

A Good Step but Not enough


Joe Barresi 


Mix with the Masters in France

Going to Nashville


Michael Hugues 


Musical Assassins


Paul Moak 


Focusing on Mastering

People make it possible

Mentoring Matthew Garber

From Mentor to Peer Births a Podcast

The Attack and Release Show

Home Studio Evolution 

The Curtain Wall System

Nashville Community

Leaving the Church

Focus on the Present

Bad Religion (Not the band)


Matt&apos;s Rant: The Importance of Our Peers
Links and Show Notes


Moses Mastering 

The Attack and Release Show

Sam on Instagram

Download the Curtain Wall System

Matt&apos;s other Instagram Account

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Sam Moses

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #383 with Michael Cumming - Trading London for Philly, Leaving School, Cooking, Building a Studio, and Rewarding the People You Inconvenience</title><itunes:title>WCA #383 with Michael Cumming - Trading London for Philly, Leaving School, Cooking, Building a Studio, and Rewarding the People You Inconvenience</itunes:title><description><![CDATA[
        <p>My guest is London-born, Philly-based producer/engineer Michael Cumming who has worked with <a href="http://www.sunraarkestra.com/">The Sun Ra Arkestra</a>, <a href="https://www.orionsun.space/">Orion Sun</a>, <a href="https://www.odeanpope.com/">Odean Pope</a>, Tom Hamilton, <a href="https://www.sophiecoran.com/">Sophie Coran</a>, <a href="https://traprabbitmusic.bandcamp.com/">Trap Rabbit</a>. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Moving from London to Philly</li>
<li>Falling in Love with the US</li>
<li>Brothers Influence</li>
<li>Leaving School</li>
<li>Cooking</li>
<li>Building a Studio</li>
<li>Business with Friends</li>
<li>Communication</li>
<li>Rewarding the People You Inconvenience</li>
<li>Get Up and Go Attitude</li>
<li>Gil Norton at Costco</li>
<li>Quality of Life</li>
<li>Trust in the Accent</li>
<li>Age Challenges</li>
<li>Harvesting Spaghetti</li>
<li>Philly Studio</li>
<li>Building Acoustic Treatments</li>
<li>Open Room Recording</li>
<li>Getting Financially Comfortable</li>
<li>Gear Issues</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: ATMOS Update: Post ATMOS Tuning Update</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.treacleminerecording.com/">Michael's Site</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt's other Instagram Account</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Michael Cumming</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is London-born, Philly-based producer/engineer Michael Cumming who has worked with <a href="http://www.sunraarkestra.com/">The Sun Ra Arkestra</a>, <a href="https://www.orionsun.space/">Orion Sun</a>, <a href="https://www.odeanpope.com/">Odean Pope</a>, Tom Hamilton, <a href="https://www.sophiecoran.com/">Sophie Coran</a>, <a href="https://traprabbitmusic.bandcamp.com/">Trap Rabbit</a>. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Moving from London to Philly</li>
<li>Falling in Love with the US</li>
<li>Brothers Influence</li>
<li>Leaving School</li>
<li>Cooking</li>
<li>Building a Studio</li>
<li>Business with Friends</li>
<li>Communication</li>
<li>Rewarding the People You Inconvenience</li>
<li>Get Up and Go Attitude</li>
<li>Gil Norton at Costco</li>
<li>Quality of Life</li>
<li>Trust in the Accent</li>
<li>Age Challenges</li>
<li>Harvesting Spaghetti</li>
<li>Philly Studio</li>
<li>Building Acoustic Treatments</li>
<li>Open Room Recording</li>
<li>Getting Financially Comfortable</li>
<li>Gear Issues</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: ATMOS Update: Post ATMOS Tuning Update</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.treacleminerecording.com/">Michael's Site</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt's other Instagram Account</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Michael Cumming</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-383-with-michael-cumming-trading-london-for-philly-leaving-school-cooking-building-a-studio-and-rewarding-the-people-you-inconvenience]]></link><guid isPermaLink="false">1839b3b2-7d46-11ec-8454-03fb1294e20e</guid><itunes:image href="https://artwork.captivate.fm/fc9936d6-f505-4a8e-b0bc-4f6e57eaa6b6/wca-383-with-michael-cumming-thumbnail.png"/><pubDate>Mon, 18 Apr 2022 16:15:37 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6de3f732-6e1c-4860-8096-40f80d3e38ae.mp3" length="120186725" type="audio/mpeg"/><itunes:duration>01:02:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>383</itunes:episode><podcast:episode>383</podcast:episode><itunes:summary>My guest is London-born, Philly-based producer/engineer Michael Cumming who has worked with The Sun Ra Arkestra, Orion Sun, Odean Pope, Tom Hamilton, Sophie Coran, Trap Rabbit. 
In this episode, we discuss:

Moving from London to Philly

Falling in Love with the US

Brothers Influence

Leaving School

Cooking

Building a Studio

Business with Friends

Communication

Rewarding the People You Inconvenience

Get Up and Go Attitude

Gil Norton at Costco

Quality of Life

Trust in the Accent

Age Challenges

Harvesting Spaghetti

Philly Studio

Building Acoustic Treatments

Open Room Recording

Getting Financially Comfortable

Gear Issues



Matt&apos;s Rant: ATMOS Update: Post ATMOS Tuning Update
Links and Show Notes

Michael&apos;s Site

Matt&apos;s other Instagram Account

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos



Credits

Guest: Michael Cumming

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #382 with Sara Carter - COVID Silver Linings, Learning By Teaching, Giving Away Secrets, Self Development Time, and Having Fun With It</title><itunes:title>WCA #382 with Sara Carter - COVID Silver Linings, Learning By Teaching, Giving Away Secrets, Self Development Time, and Having Fun With It</itunes:title><description><![CDATA[
        <p>My guest is the return of mixing engineer Sara Carter who has worked with Corinne Bailey Rae, KT Tunstall, Wistful Sleepers, and BPMoore. Sara has worked at the BBC, worked in the Motor Trade, and has a great YouTube channel called Simply Mixing. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>COVID Silver Linings</li>
<li><a href="https://www.youtube.com/channel/UCvz8VhBU49nbFpJ4MrW_QYg">Simply Mixing on YouTube</a></li>
<li>Learning to Learn</li>
<li>Brewing Exams</li>
<li>Teaching Visually</li>
<li>Imposter Syndrome</li>
<li>Opportunities from YouTube</li>
<li><a href="https://www.youtube.com/c/Producelikeapro/featured">Warren Huart </a></li>
<li>Produce Like a Pro</li>
<li>Video Challenges</li>
<li>Putting It All Out There</li>
<li>Learning from Content Creation</li>
<li><a href="https://mixwiththemasters.com/">Mix with the Masters </a></li>
<li>Overcoming Self-Doubt</li>
<li>Taking A Chance</li>
<li>Balancing Mixing and YouTube</li>
<li>Self Development Time</li>
<li>Advice for Aspiring Audio Teachers</li>
<li>Equipment for YouTube </li>
<li>Lack of Trolls</li>
<li>Learning By Teaching</li>
<li>Audio Gigs from YouTube</li>
<li>One-to-One Mentorship </li>
<li>Production Advice for YouTube</li>
<li>Get It Working, Then Improve</li>
<li>Giving Away Secrets</li>
<li>Having Fun With It</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: ATMOS Update: It's all working!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://musicmixpro.co.uk/">Sara's Site</a></li>
<li><a href="https://www.youtube.com/c/SaraCarterSimplyMixing">Sara on YouTube</a></li>
<li><a href="https://www.workingclassaudio.com/wca-194-with-sara-carter/">WCA #194 with Sara Carter</a></li>
<li><a href="https://www.facebook.com/musicmixprouk/">Sara on Facebook</a></li>
<li><a href="https://www.instagram.com/saramixmastermusic/">Sara on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/sara-carter/">Sara on Linkedin</a></li>
<li><a href="https://soundbetter.com/profiles/37283-sara-carter">Sara on Soundbetter</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt's other Instagram Account</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Sara Carter</strong></li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is the return of mixing engineer Sara Carter who has worked with Corinne Bailey Rae, KT Tunstall, Wistful Sleepers, and BPMoore. Sara has worked at the BBC, worked in the Motor Trade, and has a great YouTube channel called Simply Mixing. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>COVID Silver Linings</li>
<li><a href="https://www.youtube.com/channel/UCvz8VhBU49nbFpJ4MrW_QYg">Simply Mixing on YouTube</a></li>
<li>Learning to Learn</li>
<li>Brewing Exams</li>
<li>Teaching Visually</li>
<li>Imposter Syndrome</li>
<li>Opportunities from YouTube</li>
<li><a href="https://www.youtube.com/c/Producelikeapro/featured">Warren Huart </a></li>
<li>Produce Like a Pro</li>
<li>Video Challenges</li>
<li>Putting It All Out There</li>
<li>Learning from Content Creation</li>
<li><a href="https://mixwiththemasters.com/">Mix with the Masters </a></li>
<li>Overcoming Self-Doubt</li>
<li>Taking A Chance</li>
<li>Balancing Mixing and YouTube</li>
<li>Self Development Time</li>
<li>Advice for Aspiring Audio Teachers</li>
<li>Equipment for YouTube </li>
<li>Lack of Trolls</li>
<li>Learning By Teaching</li>
<li>Audio Gigs from YouTube</li>
<li>One-to-One Mentorship </li>
<li>Production Advice for YouTube</li>
<li>Get It Working, Then Improve</li>
<li>Giving Away Secrets</li>
<li>Having Fun With It</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: ATMOS Update: It's all working!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://musicmixpro.co.uk/">Sara's Site</a></li>
<li><a href="https://www.youtube.com/c/SaraCarterSimplyMixing">Sara on YouTube</a></li>
<li><a href="https://www.workingclassaudio.com/wca-194-with-sara-carter/">WCA #194 with Sara Carter</a></li>
<li><a href="https://www.facebook.com/musicmixprouk/">Sara on Facebook</a></li>
<li><a href="https://www.instagram.com/saramixmastermusic/">Sara on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/sara-carter/">Sara on Linkedin</a></li>
<li><a href="https://soundbetter.com/profiles/37283-sara-carter">Sara on Soundbetter</a></li>
<li><a href="https://www.instagram.com/matt_boudreau/?hl=en">Matt's other Instagram Account</a></li>
<li><a href="https://www.instagram.com/working_class_audio/?hl=en">WCA on Instagram</a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/">Connect with Matt on Linkedin</a></li>
<li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/">Current sponsors &amp; promos</a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Sara Carter</strong></li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-382-with-sara-carter-covid-silver-linings-learning-by-teaching-giving-away-secrets-self-development-time-and-having-fun-with-it]]></link><guid isPermaLink="false">181df87a-7d46-11ec-8454-6f9bf1af091b</guid><itunes:image href="https://artwork.captivate.fm/ec0195c4-20a8-4ad5-b8fc-91d49cf37df4/wca-382-with-sara-carter-thumbnail.png"/><pubDate>Mon, 11 Apr 2022 05:40:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a7760f18-e09d-4283-9c19-95232adc68ed.mp3" length="107182187" type="audio/mpeg"/><itunes:duration>55:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>382</itunes:episode><podcast:episode>382</podcast:episode><itunes:summary>My guest is the return of mixing engineer Sara Carter who has worked with Corinne Bailey Rae, KT Tunstall, Wistful Sleepers, and BPMoore. Sara has worked at the BBC, worked in the Motor Trade, and has a great YouTube channel called Simply Mixing. 

In this episode, we discuss:

COVID Silver Linings

Simply Mixing on YouTube

Learning to Learn

Brewing Exams

Teaching Visually

Imposter Syndrome

Opportunities from YouTube

Warren Huart 

Produce Like a Pro

Video Challenges

Putting It All Out There

Learning from Content Creation

Mix with the Masters 

Overcoming Self-Doubt

Taking A Chance

Balancing Mixing and YouTube

Self Development Time

Advice for Aspiring Audio Teachers

Equipment for YouTube 

Lack of Trolls

Learning By Teaching

Audio Gigs from YouTube

One-to-One Mentorship 

Production Advice for YouTube

Get It Working, Then Improve

Giving Away Secrets

Having Fun With It


Matt&apos;s Rant: ATMOS Update: It&apos;s all working!
Links and Show Notes

Sara&apos;s Site

Sara on YouTube

WCA #194 with Sara Carter

Sara on Facebook

Sara on Instagram

Sara on Linkedin

Sara on Soundbetter

Matt&apos;s other Instagram Account

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Sara Carter

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #381 with Ed Stasium - Tape Recorders, Making Prank Calls, Living Colour, Vari Speeding JFK, Time Travel, and the Lockerbie Plane Crash</title><itunes:title>WCA #381 with Ed Stasium - Tape Recorders, Making Prank Calls, Living Colour, Vari Speeding JFK, Time Travel, and the Lockerbie Plane Crash</itunes:title><description><![CDATA[
        <p>My guest is Producer/Engineer Ed Stasium who has worked with Skull Snaps, The Ramones, Talking Heads, Living Colour, the Smithereens, and many more. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><a href="https://www.youtube.com/watch?v=Ky4wYjMkHH4">Mono Webcore Record Player</a></li>
<li>Music Filled House</li>
<li><a href="https://www.youtube.com/watch?v=zhJF_hTJ2Rw">Slag Heaps</a></li>
<li>Playing Piano</li>
<li>Childhood Tape Recorders</li>
<li>Making Prank Calls</li>
<li>Playing in Bands</li>
<li><a href="https://www.youtube.com/watch?v=kW3S5LquPLU">Seafoam Green Strat</a></li>
<li><a href="https://en.wikipedia.org/wiki/Robert_Margouleff">Bob Margouleff</a></li>
<li>Scully 12 Track</li>
<li><a href="https://en.wikipedia.org/wiki/Bruce_Swedien">Bruce Swedien</a></li>
<li><a href="https://en.wikipedia.org/wiki/Tony_Bongiovi">Tony Bongiovi</a></li>
<li>The Ramones</li>
<li>Living Colour</li>
<li><a href="https://en.wikipedia.org/wiki/Ron_Saint_Germain">Ron St. Germain</a></li>
<li>Vernon Reid</li>
<li>Malcolm X</li>
<li>MLK</li>
<li>Vari Speeding JFK</li>
<li>Producer Royalties</li>
<li>Time Travel</li>
<li>Moving Around</li>
<li><a href="https://en.wikipedia.org/wiki/Pan_Am_Flight_103">Lockerbie Plane Crash</a></li>
<li>Carrying His Own Edit Block</li>
<li>Regrets</li>
</ul><br/><p><strong>Matt's Rant: Inspiring Others</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://edstasium.com/">edstasium.com</a></li>
<li>WCA on Instagram</li>
<li>Connect with Matt on Linkedin</li>
<li>Current sponsors &amp; promos</li>
</ul><br/><p><strong>Credits</strong></p><ul>
<li>Guest: Ed Stasium</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Producer/Engineer Ed Stasium who has worked with Skull Snaps, The Ramones, Talking Heads, Living Colour, the Smithereens, and many more. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><a href="https://www.youtube.com/watch?v=Ky4wYjMkHH4">Mono Webcore Record Player</a></li>
<li>Music Filled House</li>
<li><a href="https://www.youtube.com/watch?v=zhJF_hTJ2Rw">Slag Heaps</a></li>
<li>Playing Piano</li>
<li>Childhood Tape Recorders</li>
<li>Making Prank Calls</li>
<li>Playing in Bands</li>
<li><a href="https://www.youtube.com/watch?v=kW3S5LquPLU">Seafoam Green Strat</a></li>
<li><a href="https://en.wikipedia.org/wiki/Robert_Margouleff">Bob Margouleff</a></li>
<li>Scully 12 Track</li>
<li><a href="https://en.wikipedia.org/wiki/Bruce_Swedien">Bruce Swedien</a></li>
<li><a href="https://en.wikipedia.org/wiki/Tony_Bongiovi">Tony Bongiovi</a></li>
<li>The Ramones</li>
<li>Living Colour</li>
<li><a href="https://en.wikipedia.org/wiki/Ron_Saint_Germain">Ron St. Germain</a></li>
<li>Vernon Reid</li>
<li>Malcolm X</li>
<li>MLK</li>
<li>Vari Speeding JFK</li>
<li>Producer Royalties</li>
<li>Time Travel</li>
<li>Moving Around</li>
<li><a href="https://en.wikipedia.org/wiki/Pan_Am_Flight_103">Lockerbie Plane Crash</a></li>
<li>Carrying His Own Edit Block</li>
<li>Regrets</li>
</ul><br/><p><strong>Matt's Rant: Inspiring Others</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://edstasium.com/">edstasium.com</a></li>
<li>WCA on Instagram</li>
<li>Connect with Matt on Linkedin</li>
<li>Current sponsors &amp; promos</li>
</ul><br/><p><strong>Credits</strong></p><ul>
<li>Guest: Ed Stasium</li>
<li>Host: Matt Boudreau</li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau </li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-381-with-ed-stasium-tape-recorders-making-prank-calls-living-colour-vari-speeding-jfk-time-travel-and-the-lockerbie-plane-crash]]></link><guid isPermaLink="false">1801bab6-7d46-11ec-8454-a7e790dfcae7</guid><itunes:image href="https://artwork.captivate.fm/973e0cde-626a-4704-bc79-7e48c9f54d6a/7bfbed.jpeg"/><pubDate>Mon, 04 Apr 2022 22:06:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ee900f2f-c356-43dd-bdf3-53a89a03a645.mp3" length="111083312" type="audio/mpeg"/><itunes:duration>57:51</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>381</itunes:episode><podcast:episode>381</podcast:episode><itunes:summary>My guest is Producer/Engineer Ed Stasium who has worked with Skull Snaps, The Ramones, Talking Heads, Living Colour, the Smithereens, and many more. 
In this episode, we discuss:

Mono Webcore Record Player

Music Filled House

Slag Heaps

Playing Piano

Childhood Tape Recorders

Making Prank Calls

Playing in Bands

Seafoam Green Strat

Bob Margouleff

Scully 12 Track

Bruce Swedien

Tony Bongiovi

The Ramones

Living Colour

Ron St. Germain

Vernon Reid

Malcolm X

MLK

Vari Speeding JFK

Producer Royalties

Time Travel

Moving Around

Lockerbie Plane Crash

Carrying His Own Edit Block

Regrets

Matt&apos;s Rant: Inspiring Others
Links and Show Notes

edstasium.com

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos

Credits

Guest: Ed Stasium

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #380 with Nick Raskulinecz - Rock Star Dreams, From Runner to Grammy Winning Producer, The Foo Fighters Story, Connecting with people, and Living on Taco Bell</title><itunes:title>WCA #380 with Nick Raskulinecz - Rock Star Dreams, From Runner to Grammy Winning Producer, The Foo Fighters Story, Connecting with people, and Living on Taco Bell</itunes:title><description><![CDATA[
        <p>My guest is Grammy Winning producer, engineer, mixer Nick Raskulinecz who has worked with Rush, Alice In Chains, Foo Fighters, Deftones, and many more. </p><p><br></p><h3>In this episode, we discuss:</h3><ul>
<li>Growing up in Knoxville.</li>
<li>Rock Star Dreams. </li>
<li>Falling in love with the guitar.</li>
<li>Instrument knowledge helps speak the language.</li>
<li>Drummers are a different breed.</li>
<li>College money bought an 8-track.</li>
<li>Switching gears - Dreams of Rock stardom to Recording Guru.</li>
<li><a href="https://en.wikipedia.org/wiki/Brian_Bell">Brian Bell </a></li>
<li>Opportunity at <a href="https://en.wikipedia.org/wiki/Sound_City_Studios">Sound City</a>.</li>
<li>Living on Taco Bell and loving it.</li>
<li>From runner to assistant.</li>
<li>Leaving the nest - quitting the band.</li>
<li>The recording obsession.</li>
<li><a href="https://en.wikipedia.org/wiki/Greg_Fidelman">Greg Fidleman </a></li>
<li>Transitioning beyond assistant.</li>
<li>Odd jobs to engineer.</li>
<li><a href="https://en.wikipedia.org/wiki/Danzig_(band)">Danzig </a></li>
<li><a href="https://en.wikipedia.org/wiki/Duff_McKagan">Duff McKagan </a></li>
<li>Barely surviving but doing well.</li>
<li>The Foo Fighters Story.</li>
<li><a href="https://en.wikipedia.org/wiki/One_by_One_(Foo_Fighters_album)">Working on One By One </a></li>
<li><a href="https://en.wikipedia.org/wiki/Matt_Hyde">Matt Hyde </a></li>
<li>Connecting with people.</li>
<li>Logistics on getting paid.</li>
<li>
<a href="https://en.wikipedia.org/wiki/Alice_in_Chains">Alice and Chains</a> and the new singer.</li>
<li>Breaking the ice with a new group.</li>
<li>Working with <a href="https://en.wikipedia.org/wiki/Rush_(band)">Rush</a>. </li>
<li>What decisions made this career possible?</li>
<li>Work-life balance.</li>
<li>Moving back to Tennessee - Family matters.</li>
</ul><br/><p><br></p><p><br></p><h3><strong>Matt's Rant: Perseverance</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul>
<li><a href="http://mcdman.com/raskulinecz"><strong>Nick's Management </strong></a></li>
<li><a href="https://www.instagram.com/officialnickraskulinecz"><strong>Nick on Instagram</strong></a></li>
<li><a href="https://jamesclear.com/atomic-habits"><strong>Atomic Habits</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-315-with-paul-fig/"><strong>Paul Fig on WCA</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Nick Raskulinecz</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Grammy Winning producer, engineer, mixer Nick Raskulinecz who has worked with Rush, Alice In Chains, Foo Fighters, Deftones, and many more. </p><p><br></p><h3>In this episode, we discuss:</h3><ul>
<li>Growing up in Knoxville.</li>
<li>Rock Star Dreams. </li>
<li>Falling in love with the guitar.</li>
<li>Instrument knowledge helps speak the language.</li>
<li>Drummers are a different breed.</li>
<li>College money bought an 8-track.</li>
<li>Switching gears - Dreams of Rock stardom to Recording Guru.</li>
<li><a href="https://en.wikipedia.org/wiki/Brian_Bell">Brian Bell </a></li>
<li>Opportunity at <a href="https://en.wikipedia.org/wiki/Sound_City_Studios">Sound City</a>.</li>
<li>Living on Taco Bell and loving it.</li>
<li>From runner to assistant.</li>
<li>Leaving the nest - quitting the band.</li>
<li>The recording obsession.</li>
<li><a href="https://en.wikipedia.org/wiki/Greg_Fidelman">Greg Fidleman </a></li>
<li>Transitioning beyond assistant.</li>
<li>Odd jobs to engineer.</li>
<li><a href="https://en.wikipedia.org/wiki/Danzig_(band)">Danzig </a></li>
<li><a href="https://en.wikipedia.org/wiki/Duff_McKagan">Duff McKagan </a></li>
<li>Barely surviving but doing well.</li>
<li>The Foo Fighters Story.</li>
<li><a href="https://en.wikipedia.org/wiki/One_by_One_(Foo_Fighters_album)">Working on One By One </a></li>
<li><a href="https://en.wikipedia.org/wiki/Matt_Hyde">Matt Hyde </a></li>
<li>Connecting with people.</li>
<li>Logistics on getting paid.</li>
<li>
<a href="https://en.wikipedia.org/wiki/Alice_in_Chains">Alice and Chains</a> and the new singer.</li>
<li>Breaking the ice with a new group.</li>
<li>Working with <a href="https://en.wikipedia.org/wiki/Rush_(band)">Rush</a>. </li>
<li>What decisions made this career possible?</li>
<li>Work-life balance.</li>
<li>Moving back to Tennessee - Family matters.</li>
</ul><br/><p><br></p><p><br></p><h3><strong>Matt's Rant: Perseverance</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul>
<li><a href="http://mcdman.com/raskulinecz"><strong>Nick's Management </strong></a></li>
<li><a href="https://www.instagram.com/officialnickraskulinecz"><strong>Nick on Instagram</strong></a></li>
<li><a href="https://jamesclear.com/atomic-habits"><strong>Atomic Habits</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-315-with-paul-fig/"><strong>Paul Fig on WCA</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Nick Raskulinecz</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-380-with-nick-raskulinecz-rock-star-dreams-from-runner-to-grammy-winning-producer-the-foo-fighters-story-connecting-with-people-and-living-on-taco-bell]]></link><guid isPermaLink="false">17e5e21e-7d46-11ec-8454-33fabead6e35</guid><itunes:image href="https://artwork.captivate.fm/20577905-4e0d-44a8-8a00-5fafba385bc0/wca-380-with-nick-raskulinecz-thumbnail.png"/><pubDate>Mon, 28 Mar 2022 18:42:17 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/798e55b9-08f0-4ea4-b16b-ea7884b1238a.mp3" length="112588004" type="audio/mpeg"/><itunes:duration>58:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>380</itunes:episode><podcast:episode>380</podcast:episode><itunes:summary>My guest is Grammy Winning producer, engineer, mixer Nick Raskulinecz who has worked with Rush, Alice In Chains, Foo Fighters, Deftones, and many more. 

In this episode, we discuss:

Growing up in Knoxville.

Rock Star Dreams. 

Falling in love with the guitar.

Instrument knowledge helps speak the language.

Drummers are a different breed.

College money bought an 8-track.

Switching gears - Dreams of Rock stardom to Recording Guru.

Brian Bell 

Opportunity at Sound City.

Living on Taco Bell and loving it.

From runner to assistant.

Leaving the nest - quitting the band.

The recording obsession.

Greg Fidleman 

Transitioning beyond assistant.

Odd jobs to engineer.

Danzig 

Duff McKagan 

Barely surviving but doing well.

The Foo Fighters Story.

Working on One By One 

Matt Hyde 

Connecting with people.

Logistics on getting paid.


Alice and Chains and the new singer.

Breaking the ice with a new group.

Working with Rush. 

What decisions made this career possible?

Work-life balance.

Moving back to Tennessee - Family matters.



Matt&apos;s Rant: Perseverance
Links and Show Notes

Nick&apos;s Management 

Nick on Instagram

Atomic Habits

Paul Fig on WCA

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits


Guest: Nick Raskulinecz


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #379 with Margaret Luthar - BANFF, NPR, Moving to Big Bad LA, The Studio Bubble, and Fancy Cocktails</title><itunes:title>WCA #379 with Margaret Luthar - BANFF, NPR, Moving to Big Bad LA, The Studio Bubble, and Fancy Cocktails</itunes:title><description><![CDATA[
        <p>My guest is Broadcast Recording tech and Grammy Winning Mastering engineer Margaret Luthar. </p><h3><br></h3><h3><strong>In this episode, we discuss:</strong></h3><ul>
<li>Moving to LA From Nashville</li>
<li>NPR</li>
<li>
<a href="https://welcometo1979.com/">Welcome to 1979</a> </li>
<li>
<a href="https://chicagomasteringservice.com/">Chicago Mastering Service</a> </li>
<li>What Works and What Doesn't </li>
<li>Finding the Right Software for Each Client</li>
<li>
<a href="https://en.wikipedia.org/wiki/Customer_relationship_management">The Value of CRM</a> </li>
<li>Living in Norway</li>
<li><a href="https://www.banffcentre.ca/banffmountainfestival/tour">BANFF </a></li>
<li>Canadian Immigration Drama</li>
<li>Pennsylvania Origins</li>
<li>Why NPR After Cutting Vinyl?</li>
<li>Acknowledging the Studio Bubble</li>
<li>Work-Life Balance &amp; Freelance</li>
<li>Benefits of a Corporate Environment</li>
<li>Moving to Big Bad LA</li>
<li>
<a href="https://www.workingclassaudio.com/wca-253-with-mary-mazurek/">Mary Mazurek</a> on WCA</li>
<li>The Importance of Always Learning </li>
<li>Running For a Clear Mind</li>
<li>Staying Mobile</li>
<li>Fancy Cocktails </li>
<li>Acclimating To a New Place</li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Dolby Atmos Update</strong></h3><p><br></p><h3><strong>Links and Show Notes</strong></h3><ul>
<li><a href="https://solo.to/domesofenergy"><strong>Domes of Energy</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Margaret Luthar</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Broadcast Recording tech and Grammy Winning Mastering engineer Margaret Luthar. </p><h3><br></h3><h3><strong>In this episode, we discuss:</strong></h3><ul>
<li>Moving to LA From Nashville</li>
<li>NPR</li>
<li>
<a href="https://welcometo1979.com/">Welcome to 1979</a> </li>
<li>
<a href="https://chicagomasteringservice.com/">Chicago Mastering Service</a> </li>
<li>What Works and What Doesn't </li>
<li>Finding the Right Software for Each Client</li>
<li>
<a href="https://en.wikipedia.org/wiki/Customer_relationship_management">The Value of CRM</a> </li>
<li>Living in Norway</li>
<li><a href="https://www.banffcentre.ca/banffmountainfestival/tour">BANFF </a></li>
<li>Canadian Immigration Drama</li>
<li>Pennsylvania Origins</li>
<li>Why NPR After Cutting Vinyl?</li>
<li>Acknowledging the Studio Bubble</li>
<li>Work-Life Balance &amp; Freelance</li>
<li>Benefits of a Corporate Environment</li>
<li>Moving to Big Bad LA</li>
<li>
<a href="https://www.workingclassaudio.com/wca-253-with-mary-mazurek/">Mary Mazurek</a> on WCA</li>
<li>The Importance of Always Learning </li>
<li>Running For a Clear Mind</li>
<li>Staying Mobile</li>
<li>Fancy Cocktails </li>
<li>Acclimating To a New Place</li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Dolby Atmos Update</strong></h3><p><br></p><h3><strong>Links and Show Notes</strong></h3><ul>
<li><a href="https://solo.to/domesofenergy"><strong>Domes of Energy</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Margaret Luthar</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-379-with-margaret-luthar-banff-npr-moving-to-big-bad-la-the-studio-bubble-and-fancy-cocktails]]></link><guid isPermaLink="false">17c9e226-7d46-11ec-8454-0f3b1decf92c</guid><itunes:image href="https://artwork.captivate.fm/04aefc85-4b80-4326-bf3b-3a3d5e6c9dfb/wca-379-with-margaret-luthar-thumbnail.png"/><pubDate>Mon, 21 Mar 2022 17:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cc474f25-c089-4d56-bcab-5c0a3e112b62.mp3" length="95663009" type="audio/mpeg"/><itunes:duration>49:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>379</itunes:episode><podcast:episode>379</podcast:episode><itunes:summary>My guest is Broadcast Recording tech and Grammy Winning Mastering engineer Margaret Luthar. 

In this episode, we discuss:

Moving to LA From Nashville

NPR


Welcome to 1979 


Chicago Mastering Service 

What Works and What Doesn&apos;t 

Finding the Right Software for Each Client


The Value of CRM 

Living in Norway

BANFF 

Canadian Immigration Drama

Pennsylvania Origins

Why NPR After Cutting Vinyl?

Acknowledging the Studio Bubble

Work-Life Balance &amp; Freelance

Benefits of a Corporate Environment

Moving to Big Bad LA


Mary Mazurek on WCA

The Importance of Always Learning 

Running For a Clear Mind

Staying Mobile

Fancy Cocktails 

Acclimating To a New Place


Matt&apos;s Rant: Dolby Atmos Update

Links and Show Notes

Domes of Energy

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits


Guest: Margaret Luthar


Producer/Host/Engineer: Matt Boudreau 


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #378 with Ryan Ulyate - Self Taught Skills, Making a Living, Vibe Patrol, Dolby Atmos, Tom Petty, and Whatever It Takes</title><itunes:title>WCA #378 with Ryan Ulyate - Self Taught Skills, Making a Living, Vibe Patrol, Dolby Atmos, Tom Petty, and Whatever It Takes</itunes:title><description><![CDATA[
        <p>My guest is Grammy Nominated producer/engineer Ryan Ulyate who has worked with Tom Petty, George Harrison, Traveling Wilburys, Mick Fleetwood &amp; Friends, and ELO.</p><p><br></p><h3><strong>In this episode, we discuss:</strong></h3><p><br></p><ul>
<li><strong>Growing Up In California</strong></li>
<li><strong>Family and Music</strong></li>
<li><strong>Dad's Influence</strong></li>
<li><a href="https://www.jazzmessengers.com/en/6932/hollywood-saxophone-quartet/hollywood-saxophone-quartet"><strong>Hollywood Saxophone Quartet</strong></a></li>
<li><strong>Crappy Musician Turns Into Kick-Ass Recording Engineer</strong></li>
<li><strong>Building Model Kits</strong></li>
<li><strong>Self Taught Skills</strong></li>
<li><strong>Studio Sound Recorders</strong></li>
<li><strong>Whatever it Takes</strong></li>
<li><strong>Foot In The Door at Studio City</strong></li>
<li><strong>Old School Industry Behaviors</strong></li>
<li><a href="https://en.wikipedia.org/wiki/Sad_Eyes_(Robert_John_song)"><strong>Working on Sad Eyes</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/Erhard_Seminars_Training"><strong>“Est” Training </strong></a></li>
<li>
<a href="https://en.wikipedia.org/wiki/Alain_Chamfort"><strong>Alain Chamfort</strong></a><strong> </strong>
</li>
<li><strong>Making a Living</strong></li>
<li><strong>Working with Craig Harris</strong></li>
<li><strong>Television Sound Design</strong></li>
<li><a href="https://en.wikipedia.org/wiki/Jeff_Lynne"><strong>Jeff Lynne</strong></a></li>
<li><strong>Shut Up and Let The Artist FIiure It Out</strong></li>
<li><a href="https://en.wikipedia.org/wiki/The_Beatles"><strong>Ringo, George, and Paul</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/Tom_Petty"><strong>Tom Petty</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/Highway_Companion"><strong>The Highway Companion</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/Mudcrutch"><strong>Mudcrutch</strong></a></li>
<li><strong>Vibe Patrol</strong></li>
<li><strong>Topanga Studio</strong></li>
<li><strong>Dolby Atmos</strong></li>
<li><strong>Tesla X Atmos </strong></li>
<li><strong>Financial Advice </strong></li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Just Doing It!</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul>
<li><a href="http://www.ulyate.com/Ryan_Ulyate/Home.html"><strong>Ryan’s Site</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-140-with-robert-scovill/"><strong>Robert Scoville on WCA</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Ryan Ulate</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Grammy Nominated producer/engineer Ryan Ulyate who has worked with Tom Petty, George Harrison, Traveling Wilburys, Mick Fleetwood &amp; Friends, and ELO.</p><p><br></p><h3><strong>In this episode, we discuss:</strong></h3><p><br></p><ul>
<li><strong>Growing Up In California</strong></li>
<li><strong>Family and Music</strong></li>
<li><strong>Dad's Influence</strong></li>
<li><a href="https://www.jazzmessengers.com/en/6932/hollywood-saxophone-quartet/hollywood-saxophone-quartet"><strong>Hollywood Saxophone Quartet</strong></a></li>
<li><strong>Crappy Musician Turns Into Kick-Ass Recording Engineer</strong></li>
<li><strong>Building Model Kits</strong></li>
<li><strong>Self Taught Skills</strong></li>
<li><strong>Studio Sound Recorders</strong></li>
<li><strong>Whatever it Takes</strong></li>
<li><strong>Foot In The Door at Studio City</strong></li>
<li><strong>Old School Industry Behaviors</strong></li>
<li><a href="https://en.wikipedia.org/wiki/Sad_Eyes_(Robert_John_song)"><strong>Working on Sad Eyes</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/Erhard_Seminars_Training"><strong>“Est” Training </strong></a></li>
<li>
<a href="https://en.wikipedia.org/wiki/Alain_Chamfort"><strong>Alain Chamfort</strong></a><strong> </strong>
</li>
<li><strong>Making a Living</strong></li>
<li><strong>Working with Craig Harris</strong></li>
<li><strong>Television Sound Design</strong></li>
<li><a href="https://en.wikipedia.org/wiki/Jeff_Lynne"><strong>Jeff Lynne</strong></a></li>
<li><strong>Shut Up and Let The Artist FIiure It Out</strong></li>
<li><a href="https://en.wikipedia.org/wiki/The_Beatles"><strong>Ringo, George, and Paul</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/Tom_Petty"><strong>Tom Petty</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/Highway_Companion"><strong>The Highway Companion</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/Mudcrutch"><strong>Mudcrutch</strong></a></li>
<li><strong>Vibe Patrol</strong></li>
<li><strong>Topanga Studio</strong></li>
<li><strong>Dolby Atmos</strong></li>
<li><strong>Tesla X Atmos </strong></li>
<li><strong>Financial Advice </strong></li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Just Doing It!</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul>
<li><a href="http://www.ulyate.com/Ryan_Ulyate/Home.html"><strong>Ryan’s Site</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-140-with-robert-scovill/"><strong>Robert Scoville on WCA</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Ryan Ulate</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-378-with-ryan-ulyate-self-taught-skills-making-a-living-vibe-patrol-dolby-atmos-tom-petty-and-whatever-it-takes]]></link><guid isPermaLink="false">17ae8c42-7d46-11ec-8454-dbb66bf2269e</guid><itunes:image href="https://artwork.captivate.fm/5f233f07-d2cf-4929-a625-0e323115e617/wca-378-with-ryan-ulyate-thumbnail.png"/><pubDate>Mon, 14 Mar 2022 16:42:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8631a674-684f-4a3f-8d8f-aaf753e84621.mp3" length="105999263" type="audio/mpeg"/><itunes:duration>55:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>378</itunes:episode><podcast:episode>378</podcast:episode><itunes:summary>My guest is Grammy Nominated producer/engineer Ryan Ulyate who has worked with Tom Petty, George Harrison, Traveling Wilburys, Mick Fleetwood &amp; Friends, and ELO.

In this episode, we discuss:


Growing Up In California

Family and Music

Dad&apos;s Influence

Hollywood Saxophone Quartet

Crappy Musician Turns Into Kick-Ass Recording Engineer

Building Model Kits

Self Taught Skills

Studio Sound Recorders

Whatever it Takes

Foot In The Door at Studio City

Old School Industry Behaviors

Working on Sad Eyes

“Est” Training 


Alain Chamfort 


Making a Living

Working with Craig Harris

Television Sound Design

Jeff Lynne

Shut Up and Let The Artist FIiure It Out

Ringo, George, and Paul

Tom Petty

The Highway Companion

Mudcrutch

Vibe Patrol

Topanga Studio

Dolby Atmos

Tesla X Atmos 

Financial Advice 


Matt&apos;s Rant: Just Doing It!
Links and Show Notes

Ryan’s Site

Robert Scoville on WCA

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits


Guest: Ryan Ulate


Producer/Host/Engineer: Matt Boudreau 


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #377 with Rob Folson Jr - DMV, Go Go Music, Working for the Church, 9 to 5 Audio, and The Drag that is Commuting</title><itunes:title>WCA #377 with Rob Folson Jr - DMV, Go Go Music, Working for the Church, 9 to 5 Audio, and The Drag that is Commuting</itunes:title><description><![CDATA[
        <p>My guest is a producer, engineer, mixer, Rob Folson Jr., who has worked with Rare Essence, The Chuck Brown Band, Ceelo Green, Citizen Cope, Blackbyrds, The Huck-a-Bucks, Tracey Lee, Black Alley, Greg Rice, Leonard Taylor-Arron Burroughs.</p><p><br></p><h2>In this episode, we discuss:</h2><ul>
<li>The DMV</li>
<li>Quitting College</li>
<li>Go Go Music</li>
<li>Discovery of Recording</li>
<li>Sequencers</li>
<li>Playing The Kennedy Center</li>
<li>Church Mixing</li>
<li>Working for the Church</li>
<li><a href="https://charlesharrisgroup.com/about/">Charles Harris</a></li>
<li>A/V for the NIH (National Institute of Health)</li>
<li>Benefits and 401K</li>
<li>The Drag that is Commuting</li>
<li>Home Studio</li>
<li>Studio One</li>
<li>Dealing with Burnout</li>
</ul><br/><p><br></p><h2><strong>Matt's Rant: Helping Ukraine</strong></h2><h2><strong>Links and Show Notes</strong></h2><ul>
<li><a href="https://solo.to/producerrobf"><strong>Rob's Site</strong></a></li>
<li><a href="https://www.soundtoys.com/peace-for-ukraine/"><strong>Sound Toys</strong></a></li>
<li><a href="https://www.doctorswithoutborders.org/what-we-do/countries/ukraine"><strong>Doctors without Borders</strong></a></li>
<li><a href="https://wck.org/relief/activation-chefs-for-ukraine"><strong>World Central Kitchen</strong></a></li>
<li><a href="https://redcross.org.ua/en/"><strong>The Red Cross Society of Ukraine</strong></a></li>
<li><a href="https://www.unicefusa.org/stories/unicef-children-crossfire-ukraine-crisis/39542?utm_content=Ukraine3&amp;ms=cpc_dig_2021_Ukraine3_20210801_google_Ukraine3_delve_None&amp;initialms=cpc_dig_2020_Ukraine3_20210801_google_Ukraine3_delve_None&amp;gclid=CjwKCAiA1JGRBhBSEiwAxXblwcqnVuAdWBFBmwGJZOLlMwU3_x1SekiKuBzqVP1pd-Zj-hoKWshSahoCoDAQAvD_BwE"><strong>UNICEF</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-326-with-stephen-dent/"><strong>Stephen Dent</strong></a></li>
<li><a href="https://reverb.com/item/5412610-soundcraft-scm-760-24-track-2-analogue-tape-recorder"><strong>Soundcraft Tape Machines</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h2><strong>Credits</strong></h2><ul>
<li><strong>Guest: Rob Folson Jr. </strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is a producer, engineer, mixer, Rob Folson Jr., who has worked with Rare Essence, The Chuck Brown Band, Ceelo Green, Citizen Cope, Blackbyrds, The Huck-a-Bucks, Tracey Lee, Black Alley, Greg Rice, Leonard Taylor-Arron Burroughs.</p><p><br></p><h2>In this episode, we discuss:</h2><ul>
<li>The DMV</li>
<li>Quitting College</li>
<li>Go Go Music</li>
<li>Discovery of Recording</li>
<li>Sequencers</li>
<li>Playing The Kennedy Center</li>
<li>Church Mixing</li>
<li>Working for the Church</li>
<li><a href="https://charlesharrisgroup.com/about/">Charles Harris</a></li>
<li>A/V for the NIH (National Institute of Health)</li>
<li>Benefits and 401K</li>
<li>The Drag that is Commuting</li>
<li>Home Studio</li>
<li>Studio One</li>
<li>Dealing with Burnout</li>
</ul><br/><p><br></p><h2><strong>Matt's Rant: Helping Ukraine</strong></h2><h2><strong>Links and Show Notes</strong></h2><ul>
<li><a href="https://solo.to/producerrobf"><strong>Rob's Site</strong></a></li>
<li><a href="https://www.soundtoys.com/peace-for-ukraine/"><strong>Sound Toys</strong></a></li>
<li><a href="https://www.doctorswithoutborders.org/what-we-do/countries/ukraine"><strong>Doctors without Borders</strong></a></li>
<li><a href="https://wck.org/relief/activation-chefs-for-ukraine"><strong>World Central Kitchen</strong></a></li>
<li><a href="https://redcross.org.ua/en/"><strong>The Red Cross Society of Ukraine</strong></a></li>
<li><a href="https://www.unicefusa.org/stories/unicef-children-crossfire-ukraine-crisis/39542?utm_content=Ukraine3&amp;ms=cpc_dig_2021_Ukraine3_20210801_google_Ukraine3_delve_None&amp;initialms=cpc_dig_2020_Ukraine3_20210801_google_Ukraine3_delve_None&amp;gclid=CjwKCAiA1JGRBhBSEiwAxXblwcqnVuAdWBFBmwGJZOLlMwU3_x1SekiKuBzqVP1pd-Zj-hoKWshSahoCoDAQAvD_BwE"><strong>UNICEF</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-326-with-stephen-dent/"><strong>Stephen Dent</strong></a></li>
<li><a href="https://reverb.com/item/5412610-soundcraft-scm-760-24-track-2-analogue-tape-recorder"><strong>Soundcraft Tape Machines</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h2><strong>Credits</strong></h2><ul>
<li><strong>Guest: Rob Folson Jr. </strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-377-with-rob-folson-jr-dmv-go-go-music-working-for-the-church-9-to-5-audio-and-the-drag-that-is-commuting]]></link><guid isPermaLink="false">1792d79a-7d46-11ec-8454-8b1b3730443c</guid><itunes:image href="https://artwork.captivate.fm/6840276a-4d23-46a1-baf5-5411e682213e/wca-377-with-rob-folson-jr-thumbnail.png"/><pubDate>Mon, 07 Mar 2022 18:44:22 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3ece9d59-2c29-4342-9a56-dc8d828a44b8.mp3" length="102361374" type="audio/mpeg"/><itunes:duration>53:19</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>377</itunes:episode><podcast:episode>377</podcast:episode><itunes:summary>My guest is a producer, engineer, mixer, Rob Folson Jr., who has worked with Rare Essence, The Chuck Brown Band, Ceelo Green, Citizen Cope, Blackbyrds, The Huck-a-Bucks, Tracey Lee, Black Alley, Greg Rice, Leonard Taylor-Arron Burroughs.

In this episode, we discuss:

The DMV

Quitting College

Go Go Music

Discovery of Recording

Sequencers

Playing The Kennedy Center

Church Mixing

Working for the Church

Charles Harris

A/V for the NIH (National Institute of Health)

Benefits and 401K

The Drag that is Commuting

Home Studio

Studio One

Dealing with Burnout


Matt&apos;s Rant: Helping Ukraine
Links and Show Notes

Rob&apos;s Site

Sound Toys

Doctors without Borders

World Central Kitchen

The Red Cross Society of Ukraine

UNICEF

Stephen Dent

Soundcraft Tape Machines

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Rob Folson Jr. 


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #376 with Brian Charles- Zippah Recording Studio Fire, Community Support, Band Directors, Studio Insurance, and The Jimi Hendrix Pep Rally </title><itunes:title>WCA #376 with Brian Charles- Zippah Recording Studio Fire, Community Support, Band Directors, Studio Insurance, and The Jimi Hendrix Pep Rally </itunes:title><description><![CDATA[
        <p>My guest is Brian Charles, producer, engineer, mixer, writer, educator, guitarist, and plug-in designer. Brian has worked with The Sheila Divine, Dispatch, Weakened Friends, Marina and the Diamonds, The Gigolo Aunts, and Mike Slap. Brian is the owner of Zippah recording, which suffered fire damage in December of 2021. </p><p><br></p><h3><strong>In this episode, we discuss:</strong></h3><ul>
<li>Moving Around As a KId</li>
<li>Boston</li>
<li>Grade School Rock Band</li>
<li>Early Recording Discoveries</li>
<li>Jimi Hendrix Pep Rally </li>
<li>Band Directors</li>
<li>Being a Tape Op</li>
<li>Writing and Producing</li>
<li>Zippah Recording Studio Fire</li>
<li>Making Improvements</li>
<li>Studio Finances</li>
<li>Water and Smoke</li>
<li>The Smell of a Campfire</li>
<li>Community Support</li>
<li>Studio Insurance</li>
<li>Manufacturer Support</li>
<li><a href="https://www.raresignals.com/">Transatlantic Reverb</a></li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Dolby Atmos Update</strong></h3><p><br></p><h3><strong>Show Notes</strong></h3><ul>
<li><a href="https://www.gofundme.com/f/zippah-recording-recovery-fund"><strong>Zippah GoFund Me</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-357-with-michael-james/"><strong>Michael James on WCA</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-197-with-pete-weiss/"><strong>Pete Wiess on WCA</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><h3><strong>Rant Notes</strong></h3><ul>
<li><a href="https://learning.dolby.com/hc/en-us/sections/4406037447828-Dolby-Atmos-Music-Training"><strong>Dolby Learning Site</strong></a></li>
<li><a href="https://dolby.my.salesforce.com/sfc/p/#700000009YuG/a/4u000000lFIV/YHgXgrJVKAcelcXkD.DnlRUBZU1CqEMGDKweLRpuu98"><strong>Best Practices from Dolby</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-324-with-steve-genewick/"><strong>Steve Genewick on WCA</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-321-with-dave-way/"><strong>Dave Way on WCA</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-280-with-brad-wood/"><strong>Brad Wood on WCA</strong></a></li>
</ul><br/><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Brian Charles</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>﻿Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Brian Charles, producer, engineer, mixer, writer, educator, guitarist, and plug-in designer. Brian has worked with The Sheila Divine, Dispatch, Weakened Friends, Marina and the Diamonds, The Gigolo Aunts, and Mike Slap. Brian is the owner of Zippah recording, which suffered fire damage in December of 2021. </p><p><br></p><h3><strong>In this episode, we discuss:</strong></h3><ul>
<li>Moving Around As a KId</li>
<li>Boston</li>
<li>Grade School Rock Band</li>
<li>Early Recording Discoveries</li>
<li>Jimi Hendrix Pep Rally </li>
<li>Band Directors</li>
<li>Being a Tape Op</li>
<li>Writing and Producing</li>
<li>Zippah Recording Studio Fire</li>
<li>Making Improvements</li>
<li>Studio Finances</li>
<li>Water and Smoke</li>
<li>The Smell of a Campfire</li>
<li>Community Support</li>
<li>Studio Insurance</li>
<li>Manufacturer Support</li>
<li><a href="https://www.raresignals.com/">Transatlantic Reverb</a></li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Dolby Atmos Update</strong></h3><p><br></p><h3><strong>Show Notes</strong></h3><ul>
<li><a href="https://www.gofundme.com/f/zippah-recording-recovery-fund"><strong>Zippah GoFund Me</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-357-with-michael-james/"><strong>Michael James on WCA</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-197-with-pete-weiss/"><strong>Pete Wiess on WCA</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><h3><strong>Rant Notes</strong></h3><ul>
<li><a href="https://learning.dolby.com/hc/en-us/sections/4406037447828-Dolby-Atmos-Music-Training"><strong>Dolby Learning Site</strong></a></li>
<li><a href="https://dolby.my.salesforce.com/sfc/p/#700000009YuG/a/4u000000lFIV/YHgXgrJVKAcelcXkD.DnlRUBZU1CqEMGDKweLRpuu98"><strong>Best Practices from Dolby</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-324-with-steve-genewick/"><strong>Steve Genewick on WCA</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-321-with-dave-way/"><strong>Dave Way on WCA</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-280-with-brad-wood/"><strong>Brad Wood on WCA</strong></a></li>
</ul><br/><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Brian Charles</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>﻿Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-376-with-brian-charles-zippah-recording-studio-fire-community-support-band-directors-studio-insurance-and-the-jimi-hendrix-pep-rally-]]></link><guid isPermaLink="false">17769dbe-7d46-11ec-8454-a31397037eb1</guid><itunes:image href="https://artwork.captivate.fm/b144d858-d1bc-4fea-9c70-85a594569342/wca-376-with-brian-charles-thumbnail.png"/><pubDate>Mon, 28 Feb 2022 19:48:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2c2792f2-4973-40e2-9d20-5dd5adcdd28e.mp3" length="136214552" type="audio/mpeg"/><itunes:duration>01:10:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>376</itunes:episode><podcast:episode>376</podcast:episode><itunes:summary>My guest is Brian Charles, producer, engineer, mixer, writer, educator, guitarist, and plug-in designer. Brian has worked with The Sheila Divine, Dispatch, Weakened Friends, Marina and the Diamonds, The Gigolo Aunts, and Mike Slap. Brian is the owner of Zippah recording, which suffered fire damage in December of 2021. 

In this episode, we discuss:

Moving Around As a KId

Boston

Grade School Rock Band

Early Recording Discoveries

Jimi Hendrix Pep Rally 

Band Directors

Being a Tape Op

Writing and Producing

Zippah Recording Studio Fire

Making Improvements

Studio Finances

Water and Smoke

The Smell of a Campfire

Community Support

Studio Insurance

Manufacturer Support

Transatlantic Reverb


Matt&apos;s Rant: Dolby Atmos Update

Show Notes

Zippah GoFund Me

Michael James on WCA

Pete Wiess on WCA

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos

Rant Notes

Dolby Learning Site

Best Practices from Dolby

Steve Genewick on WCA

Dave Way on WCA

Brad Wood on WCA

Credits


Guest: Brian Charles


Producer/Host/Engineer: Matt Boudreau 


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


﻿Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #375 with Hillary Johnson - Home Ownership, Pandemic Records, Experiencing The Symphony, Home R&amp;D, and The Love of Recording Bands</title><itunes:title>WCA #375 with Hillary Johnson - Home Ownership, Pandemic Records, Experiencing The Symphony, Home R&amp;D, and The Love of Recording Bands</itunes:title><description><![CDATA[
        <p>My guest is New York-based recording engineer and producer Hillary Johnson. Hillary has worked with Bootblacks, Bell Hollow, The Prids, and Second Still. This is Hillary’s second appearance on the show. Her first appearance was on <a href="https://www.workingclassaudio.com/wca-003-with-hillary-johnson/">WCA #003</a>.</p><h3><strong>In this episode, we discuss:</strong></h3><ul>
<li>Home Ownership</li>
<li>Moving To the Exurbs</li>
<li>Future Home Studio</li>
<li>Livestreaming DJ</li>
<li>Home R&amp;D</li>
<li>AV Design</li>
<li>Learning Logic</li>
<li>Home Studio Plans</li>
<li>House Buying Process</li>
<li>Experiencing The Symphony</li>
<li>Having Your Own Space</li>
<li>Having a Day Job</li>
<li>New York Recording Ecosystem</li>
<li>Studio Closings</li>
<li>Pandemic Records</li>
<li>The Love of Recording Bands</li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Collectors and Users</strong></h3><h3><br></h3><p><strong>﻿Links and Show Notes</strong></p><ul>
<li><a href="https://www.workingclassaudio.com/wca-003-with-hillary-johnson/"><strong>Hillary on WCA #003 </strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-335-with-dan-alexander/"><strong>Dan Alexander on WCA #335</strong></a></li>
<li><a href="https://amzn.to/3Bzrkwm"><strong>Dan Alexander’s Book on Gear</strong></a></li>
<li><a href="http://www.hillaryjohnson.com/"><strong>Hillary’s site</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Hillary Johnson</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is New York-based recording engineer and producer Hillary Johnson. Hillary has worked with Bootblacks, Bell Hollow, The Prids, and Second Still. This is Hillary’s second appearance on the show. Her first appearance was on <a href="https://www.workingclassaudio.com/wca-003-with-hillary-johnson/">WCA #003</a>.</p><h3><strong>In this episode, we discuss:</strong></h3><ul>
<li>Home Ownership</li>
<li>Moving To the Exurbs</li>
<li>Future Home Studio</li>
<li>Livestreaming DJ</li>
<li>Home R&amp;D</li>
<li>AV Design</li>
<li>Learning Logic</li>
<li>Home Studio Plans</li>
<li>House Buying Process</li>
<li>Experiencing The Symphony</li>
<li>Having Your Own Space</li>
<li>Having a Day Job</li>
<li>New York Recording Ecosystem</li>
<li>Studio Closings</li>
<li>Pandemic Records</li>
<li>The Love of Recording Bands</li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Collectors and Users</strong></h3><h3><br></h3><p><strong>﻿Links and Show Notes</strong></p><ul>
<li><a href="https://www.workingclassaudio.com/wca-003-with-hillary-johnson/"><strong>Hillary on WCA #003 </strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-335-with-dan-alexander/"><strong>Dan Alexander on WCA #335</strong></a></li>
<li><a href="https://amzn.to/3Bzrkwm"><strong>Dan Alexander’s Book on Gear</strong></a></li>
<li><a href="http://www.hillaryjohnson.com/"><strong>Hillary’s site</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Hillary Johnson</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-375-with-hillary-johnson-home-ownership-pandemic-records-experiencing-the-symphony-home-rd-and-the-love-of-recording-bands]]></link><guid isPermaLink="false">175a68a6-7d46-11ec-8454-afbdd3d57116</guid><itunes:image href="https://artwork.captivate.fm/d661e394-d587-4db1-9beb-4f875b7267fe/wca-375-with-hillary-johnson-thumbnail.png"/><pubDate>Mon, 21 Feb 2022 16:45:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b21a1476-19fa-41f6-a11f-6067bbf416a5.mp3" length="101018177" type="audio/mpeg"/><itunes:duration>52:37</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>375</itunes:episode><podcast:episode>375</podcast:episode><itunes:summary>My guest is New York-based recording engineer and producer Hillary Johnson. Hillary has worked with Bootblacks, Bell Hollow, The Prids, and Second Still. This is Hillary’s second appearance on the show. Her first appearance was on WCA #003.
In this episode, we discuss:

Home Ownership

Moving To the Exurbs

Future Home Studio

Livestreaming DJ

Home R&amp;D

AV Design

Learning Logic

Home Studio Plans

House Buying Process

Experiencing The Symphony

Having Your Own Space

Having a Day Job

New York Recording Ecosystem

Studio Closings

Pandemic Records

The Love of Recording Bands


Matt&apos;s Rant: Collectors and Users

﻿Links and Show Notes

Hillary on WCA #003 

Dan Alexander on WCA #335

Dan Alexander’s Book on Gear

Hillary’s site

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos

Credits


Guest: Hillary Johnson


Producer/Host/Engineer: Matt Boudreau 


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #374 with Kolton Lee - Target Karaoke Machine, Dumpster Diving, Working with Jacquire King, Finding Your Role, and the Green Beret’s of Audio</title><itunes:title>WCA #374 with Kolton Lee - Target Karaoke Machine, Dumpster Diving, Working with Jacquire King, Finding Your Role, and the Green Beret’s of Audio</itunes:title><description><![CDATA[
        <p>My guest is mixer, engineer, producer Kolton Lee. Kolton worked with producer Jacquire King for several years and has worked with artists such as Daughtry and Shania Twain. He currently resides in Scottsdale, Arizona. </p><p><br></p><h3>In this episode, we discuss:</h3><ul>
<li><a href="https://www.cavecreek.org/">Cave Creek, AZ</a></li>
<li>Target Karaoke Machine</li>
<li>Garageband</li>
<li>Dumpster Diving</li>
<li><a href="https://www.workingclassaudio.com/wca-127-with-craig-schumacher/">Craig Schumacher</a></li>
<li>Cave Creek Studio</li>
<li>The Need to Grow</li>
<li>Moving to Nashville</li>
<li>Working with <a href="https://www.workingclassaudio.com/wca-135-with-jacquire-king/">Jacquire King</a>
</li>
<li>Session Documentation</li>
<li>Green Beret’s of Audio</li>
<li>Finding Your Role</li>
<li>Working Multiple Jobs</li>
<li>Financial Advice</li>
<li>Moving Back to Arizona</li>
<li>Working with High Profile Artists</li>
<li>Getting Reestablished</li>
<li>Luna and Apollo’s</li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Audio and Fame</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul>
<li><a href="http://www.koltonlee.com/"><strong>Kolton’s Site</strong></a></li>
<li>
<a href="https://www.workingclassaudio.com/wca-135-with-jacquire-king/"><strong>Jacquire King</strong></a><strong> on WCA</strong>
</li>
<li>
<a href="https://www.workingclassaudio.com/wca-127-with-craig-schumacher/"><strong>Craig Schumacher</strong></a><strong> on WCA</strong>
</li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Kolton Lee</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is mixer, engineer, producer Kolton Lee. Kolton worked with producer Jacquire King for several years and has worked with artists such as Daughtry and Shania Twain. He currently resides in Scottsdale, Arizona. </p><p><br></p><h3>In this episode, we discuss:</h3><ul>
<li><a href="https://www.cavecreek.org/">Cave Creek, AZ</a></li>
<li>Target Karaoke Machine</li>
<li>Garageband</li>
<li>Dumpster Diving</li>
<li><a href="https://www.workingclassaudio.com/wca-127-with-craig-schumacher/">Craig Schumacher</a></li>
<li>Cave Creek Studio</li>
<li>The Need to Grow</li>
<li>Moving to Nashville</li>
<li>Working with <a href="https://www.workingclassaudio.com/wca-135-with-jacquire-king/">Jacquire King</a>
</li>
<li>Session Documentation</li>
<li>Green Beret’s of Audio</li>
<li>Finding Your Role</li>
<li>Working Multiple Jobs</li>
<li>Financial Advice</li>
<li>Moving Back to Arizona</li>
<li>Working with High Profile Artists</li>
<li>Getting Reestablished</li>
<li>Luna and Apollo’s</li>
</ul><br/><p><br></p><h3><strong>Matt's Rant: Audio and Fame</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul>
<li><a href="http://www.koltonlee.com/"><strong>Kolton’s Site</strong></a></li>
<li>
<a href="https://www.workingclassaudio.com/wca-135-with-jacquire-king/"><strong>Jacquire King</strong></a><strong> on WCA</strong>
</li>
<li>
<a href="https://www.workingclassaudio.com/wca-127-with-craig-schumacher/"><strong>Craig Schumacher</strong></a><strong> on WCA</strong>
</li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><h3><strong>Credits</strong></h3><ul>
<li>
<strong>Guest: </strong>Kolton Lee</li>
<li>
<strong>Producer/Host/Engineer: </strong>Matt Boudreau </li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-374-with-kolton-lee-target-karaoke-machine-dumpster-diving-working-with-jacquire-king-finding-your-role-and-the-green-berets-of-audio]]></link><guid isPermaLink="false">173e7b50-7d46-11ec-8454-935a0ffed13d</guid><itunes:image href="https://artwork.captivate.fm/2156883e-c188-4f9d-b088-d7abe053b95a/wca-374-with-koltom-lee-thumbnail.png"/><pubDate>Mon, 14 Feb 2022 18:00:38 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d6377a6f-6762-485b-8301-a405eb196919.mp3" length="117685476" type="audio/mpeg"/><itunes:duration>01:01:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>374</itunes:episode><podcast:episode>374</podcast:episode><itunes:summary>My guest is mixer, engineer, producer Kolton Lee. Kolton worked with producer Jacquire King for several years and has worked with artists such as Daughtry and Shania Twain. He currently resides in Scottsdale, Arizona. 

In this episode, we discuss:

Cave Creek, AZ

Target Karaoke Machine

Garageband

Dumpster Diving

Craig Schumacher

Cave Creek Studio

The Need to Grow

Moving to Nashville

Working with Jacquire King


Session Documentation

Green Beret’s of Audio

Finding Your Role

Working Multiple Jobs

Financial Advice

Moving Back to Arizona

Working with High Profile Artists

Getting Reestablished

Luna and Apollo’s


Matt&apos;s Rant: Audio and Fame
Links and Show Notes

Kolton’s Site


Jacquire King on WCA



Craig Schumacher on WCA


WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits


Guest: Kolton Lee


Producer/Host/Engineer: Matt Boudreau 


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #373 with Mark Abrams - Puremix, Supportive Family, Automation, Intention, and Skipping the Bar for the SSL</title><itunes:title>WCA #373 with Mark Abrams - Puremix, Supportive Family, Automation, Intention, and Skipping the Bar for the SSL</itunes:title><description><![CDATA[<h3><strong>WCA #373 with Mark Abrams –&nbsp;</strong>Puremix, Supportive Family, Automation, Intention, and Skipping the Bar for the SSL</h3><p>My guest is Columbus, Ohio-based Producer/Mixing Engineer Mark Abrams. Mark has worked with Angel Lopez (Kanye West, Coldplay, Sam Smith), Kara Dioguardi, Spencer Sutherland, Buggie, Effee, Mark Stepro (Drummer for Butch Walker, The Wallflowers, Aaron Lee Tasjan), Ryan Brown (Drummer for Dweezil Zappa), Kid Runner, and Lydia Loveless. Mark is also the content manager for&nbsp;<a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank">Puremix</a>.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Matt’s Shower Voice</li><li>Growing up in Illinois &amp; Ohio</li><li>Supportive Family</li><li>Discovering Audio</li><li><a href="https://www.cras.edu/" rel="noopener noreferrer" target="_blank">Conservatory of Recording</a></li><li>Weather</li><li>Skipping the Bar for the SSL</li><li>Bullshit Studio Behavior</li><li>Parents Basement Studio</li><li>Getting Financially Savy</li><li>Working Jobs You Hate</li><li>Work Ethic</li><li>Working for&nbsp;<a href="https://www.sweetwater.com/" rel="noopener noreferrer" target="_blank">Sweetwater</a></li><li>Doing Post Work</li><li>Nintendo Games</li><li>Las Vegas</li><li>Building a New Studio</li><li><a href="https://carltatzdesign.com/" rel="noopener noreferrer" target="_blank">Carl Tatz Designs</a></li><li>Watching&nbsp;<a href="http://www.sputniksound.com/" rel="noopener noreferrer" target="_blank">Vance Powell</a>&nbsp;Work</li><li><a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank">Puremix&nbsp;</a></li><li>Intention</li><li><a href="https://www.thesixfigurehomestudio.com/podcast/" rel="noopener noreferrer" target="_blank">Six-Figure Home Studio Podcast</a></li><li><a href="https://zapier.com/app/dashboard" rel="noopener noreferrer" target="_blank">Zapier</a></li></ul><br/><h3><strong>Matt’s Rant:</strong>&nbsp;<strong>Staying on Top of Your Money</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://fbuy.io/quickbooks/ptayh2pd" rel="noopener noreferrer" target="_blank"><strong>Quickbooks Link</strong></a></li><li><a href="https://www.markabramsmixing.com/" rel="noopener noreferrer" target="_blank"><strong>Mark’s SIte</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-107-with-chris-graham/" rel="noopener noreferrer" target="_blank"><strong>Chris Graham on WCA&nbsp;</strong></a></li><li><a href="https://www.irs.gov/" rel="noopener noreferrer" target="_blank"><strong>IRS Website</strong></a></li><li><a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank"><strong>Puremix</strong></a></li><li><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank"><strong>WCA on Instagram</strong></a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>Connect with Matt on Linkedin</strong></a></li><li><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos</strong></a></li></ul><br/><h3>Credits</h3><ul><li><strong>Guest:&nbsp;</strong>Mark Abrams</li><li><strong>Producer/Host/Engineer:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<h3><strong>WCA #373 with Mark Abrams –&nbsp;</strong>Puremix, Supportive Family, Automation, Intention, and Skipping the Bar for the SSL</h3><p>My guest is Columbus, Ohio-based Producer/Mixing Engineer Mark Abrams. Mark has worked with Angel Lopez (Kanye West, Coldplay, Sam Smith), Kara Dioguardi, Spencer Sutherland, Buggie, Effee, Mark Stepro (Drummer for Butch Walker, The Wallflowers, Aaron Lee Tasjan), Ryan Brown (Drummer for Dweezil Zappa), Kid Runner, and Lydia Loveless. Mark is also the content manager for&nbsp;<a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank">Puremix</a>.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Matt’s Shower Voice</li><li>Growing up in Illinois &amp; Ohio</li><li>Supportive Family</li><li>Discovering Audio</li><li><a href="https://www.cras.edu/" rel="noopener noreferrer" target="_blank">Conservatory of Recording</a></li><li>Weather</li><li>Skipping the Bar for the SSL</li><li>Bullshit Studio Behavior</li><li>Parents Basement Studio</li><li>Getting Financially Savy</li><li>Working Jobs You Hate</li><li>Work Ethic</li><li>Working for&nbsp;<a href="https://www.sweetwater.com/" rel="noopener noreferrer" target="_blank">Sweetwater</a></li><li>Doing Post Work</li><li>Nintendo Games</li><li>Las Vegas</li><li>Building a New Studio</li><li><a href="https://carltatzdesign.com/" rel="noopener noreferrer" target="_blank">Carl Tatz Designs</a></li><li>Watching&nbsp;<a href="http://www.sputniksound.com/" rel="noopener noreferrer" target="_blank">Vance Powell</a>&nbsp;Work</li><li><a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank">Puremix&nbsp;</a></li><li>Intention</li><li><a href="https://www.thesixfigurehomestudio.com/podcast/" rel="noopener noreferrer" target="_blank">Six-Figure Home Studio Podcast</a></li><li><a href="https://zapier.com/app/dashboard" rel="noopener noreferrer" target="_blank">Zapier</a></li></ul><br/><h3><strong>Matt’s Rant:</strong>&nbsp;<strong>Staying on Top of Your Money</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://fbuy.io/quickbooks/ptayh2pd" rel="noopener noreferrer" target="_blank"><strong>Quickbooks Link</strong></a></li><li><a href="https://www.markabramsmixing.com/" rel="noopener noreferrer" target="_blank"><strong>Mark’s SIte</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-107-with-chris-graham/" rel="noopener noreferrer" target="_blank"><strong>Chris Graham on WCA&nbsp;</strong></a></li><li><a href="https://www.irs.gov/" rel="noopener noreferrer" target="_blank"><strong>IRS Website</strong></a></li><li><a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank"><strong>Puremix</strong></a></li><li><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank"><strong>WCA on Instagram</strong></a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>Connect with Matt on Linkedin</strong></a></li><li><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos</strong></a></li></ul><br/><h3>Credits</h3><ul><li><strong>Guest:&nbsp;</strong>Mark Abrams</li><li><strong>Producer/Host/Engineer:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-373-with-mark-abrams-puremix-supportive-family-automation-intention-and-skipping-the-bar-for-the-ssl]]></link><guid isPermaLink="false">1722199c-7d46-11ec-8454-bb1d056eecda</guid><itunes:image href="https://artwork.captivate.fm/b782af04-8e83-406d-a3fa-76231628410a/wca-373-with-mark-abrams-thumbnail.png"/><pubDate>Mon, 07 Feb 2022 20:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/13956747-d821-4b08-ba5f-ec565b83afb6.mp3" length="146914350" type="audio/mpeg"/><itunes:duration>01:16:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>373</itunes:episode><podcast:episode>373</podcast:episode><itunes:summary>My guest is Columbus, Ohio-based Producer/Mixing Engineer Mark Abrams.
Mark has worked with Angel Lopez (Kanye West, Coldplay, Sam Smith), Kara Dioguardi, Spencer Sutherland, Buggie, Effee, Mark Stepro (Drummer for Butch Walker, The Wallflowers, Aaron Lee Tasjan), Ryan Brown (Drummer for Dweezil Zappa), Kid Runner, and Lydia Loveless. Mark is also the content manager for Puremix. 

In this episode, we discuss:

Matt’s Shower Voice

Growing up in Illinois &amp; Ohio

Supportive Family

Discovering Audio

Conservatory of Recording

Weather

Skipping the Bar for the SSL

Bullshit Studio Behavior

Parents Basement Studio

Getting Financially Savy

Working Jobs You Hate

Work Ethic

Working for Sweetwater


Doing Post Work

Nintendo Games

Las Vegas

Building a New Studio

Carl Tatz Designs

Watching Vance Powell Work

Puremix 

Intention

Six-Figure Home Studio Podcast

Zapier


Matt&apos;s Rant: Staying on Top of Your MoneyLinks and Show Notes

Quickbooks Link

Mark’s SIte

Chris Graham on WCA 

IRS Website

Puremix

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits


Guest: Mark Abrams


Producer/Host/Engineer: Matt Boudreau 


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #372 with Glenn Schick - Mastering Without Speakers, Customer Service, Audio Travel Tips, Streaming Levels, and Working Remote</title><itunes:title>WCA #372 with Glenn Schick - Mastering Without Speakers, Customer Service, Audio Travel Tips, Streaming Levels, and Working Remote</itunes:title><description><![CDATA[
        <p>My guest is Grammy-Winning mastering engineer Glenn Schick. Glenn abandoned his old mastering rooms in Atlanta and masters all of his records on the go, on headphones, and travels the world doing so. </p><p><br></p><p>In this episode, we discuss:</p><ul>
<li>Queens Upbringing</li>
<li>Discovering Recording</li>
<li>Transitioning To Mastering</li>
<li>Moving to Atlanta</li>
<li>Atlanta Hip-Hop</li>
<li>Customer Service</li>
<li>Downsizing</li>
<li>Working in The Box</li>
<li>Mastering Without Speakers</li>
<li>Retraining the Brain</li>
<li>Room Simulation Software</li>
<li>Audio Travel Tips</li>
<li>Artificial Intelligence</li>
<li>Streaming Levels</li>
<li>Vinyl Mastering</li>
<li>New Communities</li>
<li>Working Remote</li>
</ul><br/><p><strong>Matt's Rant:</strong> Our Passion</p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.gsmastering.com/"><strong>Glenns Site</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Glenn Schick</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Grammy-Winning mastering engineer Glenn Schick. Glenn abandoned his old mastering rooms in Atlanta and masters all of his records on the go, on headphones, and travels the world doing so. </p><p><br></p><p>In this episode, we discuss:</p><ul>
<li>Queens Upbringing</li>
<li>Discovering Recording</li>
<li>Transitioning To Mastering</li>
<li>Moving to Atlanta</li>
<li>Atlanta Hip-Hop</li>
<li>Customer Service</li>
<li>Downsizing</li>
<li>Working in The Box</li>
<li>Mastering Without Speakers</li>
<li>Retraining the Brain</li>
<li>Room Simulation Software</li>
<li>Audio Travel Tips</li>
<li>Artificial Intelligence</li>
<li>Streaming Levels</li>
<li>Vinyl Mastering</li>
<li>New Communities</li>
<li>Working Remote</li>
</ul><br/><p><strong>Matt's Rant:</strong> Our Passion</p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.gsmastering.com/"><strong>Glenns Site</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Glenn Schick</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-372-with-glenn-schick-mastering-without-speakers-customer-service-audio-travel-tips-streaming-levels-and-working-remote]]></link><guid isPermaLink="false">c1bc5110-6460-11eb-8f60-2f1cd8cbd5cd</guid><itunes:image href="https://artwork.captivate.fm/0d253cf9-0abe-4713-b06b-fe5118fe0d9e/wca-372.png"/><pubDate>Mon, 31 Jan 2022 18:54:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/905705bf-1db9-4fd2-91c3-9133a9fe0a6c.mp3" length="97149414" type="audio/mpeg"/><itunes:duration>50:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>372</itunes:episode><podcast:episode>372</podcast:episode><itunes:summary>My guest is Grammy-Winning mastering engineer Glenn Schick. Glenn abandoned his old mastering rooms in Atlanta and masters all of his records on the go, on headphones, and travels the world doing so. 

In this episode, we discuss:

Queens Upbringing

Discovering Recording

Transitioning To Mastering

Moving to Atlanta

Atlanta Hip-Hop

Customer Service

Downsizing

Working in The Box

Mastering Without Speakers

Retraining the Brain

Room Simulation Software

Audio Travel Tips

Artificial Intelligence

Streaming Levels

Vinyl Mastering

New Communities

Working Remote

Matt&apos;s Rant: Our Passion
Links and Show Notes

Glenns Site

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Glenn Schick


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #371 with Pete Morse - Mixing for Video, Sketchy Contractors, Working From Home, Camaraderie, and Frozen Dance Parties</title><itunes:title>WCA #371 with Pete Morse - Mixing for Video, Sketchy Contractors, Working From Home, Camaraderie, and Frozen Dance Parties</itunes:title><description><![CDATA[
        <p>My guest is Pete Morse, who runs Red Vault Audio in Portland, Maine. </p><p><br></p><p>In this episode, we discuss:</p><ul>
<li>Portland Studios</li>
<li>Red Vault Audio</li>
<li>WWF</li>
<li>Working From Home</li>
<li>Building a Studio at Home</li>
<li>Studio Build Details</li>
<li>Sketchy Contractors</li>
<li>Camaraderie</li>
<li>Mixing for Video</li>
<li>Stock Music Creation</li>
<li>Perfectionism</li>
<li>MTV Influence</li>
<li>Pink Floyd</li>
<li>0% Financing</li>
<li>Streamdeck</li>
<li>Worklife Balance</li>
<li>Frozen Dance Partys</li>
<li>SBA Counseling</li>
<li>Family Communication</li>
</ul><br/><p><br></p><p><strong>Matt's Rant:</strong> More Backup Talk!<strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.redvaultaudio.com/"><strong>Pete's Studio</strong></a></li>
<li><a href="https://www.instagram.com/redvaultaudio/"><strong>Pete on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/pete-morse-74b6181a/"><strong>Pete on Linkedin</strong></a></li>
<li><a href="https://www.synology.com/en-us"><strong>Synology </strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Pete Morse</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Pete Morse, who runs Red Vault Audio in Portland, Maine. </p><p><br></p><p>In this episode, we discuss:</p><ul>
<li>Portland Studios</li>
<li>Red Vault Audio</li>
<li>WWF</li>
<li>Working From Home</li>
<li>Building a Studio at Home</li>
<li>Studio Build Details</li>
<li>Sketchy Contractors</li>
<li>Camaraderie</li>
<li>Mixing for Video</li>
<li>Stock Music Creation</li>
<li>Perfectionism</li>
<li>MTV Influence</li>
<li>Pink Floyd</li>
<li>0% Financing</li>
<li>Streamdeck</li>
<li>Worklife Balance</li>
<li>Frozen Dance Partys</li>
<li>SBA Counseling</li>
<li>Family Communication</li>
</ul><br/><p><br></p><p><strong>Matt's Rant:</strong> More Backup Talk!<strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.redvaultaudio.com/"><strong>Pete's Studio</strong></a></li>
<li><a href="https://www.instagram.com/redvaultaudio/"><strong>Pete on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/pete-morse-74b6181a/"><strong>Pete on Linkedin</strong></a></li>
<li><a href="https://www.synology.com/en-us"><strong>Synology </strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Pete Morse</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-371-with-pete-morse-mixing-for-video-sketchy-contractors-working-from-home-camaraderie-and-frozen-dance-parties]]></link><guid isPermaLink="false">c1a67f3e-6460-11eb-8f60-53cac6d449bc</guid><itunes:image href="https://artwork.captivate.fm/4bd38ee4-aad7-4630-8b0d-4646656628fa/wca-371-with-pete-morse-thumbnail.png"/><pubDate>Mon, 24 Jan 2022 18:54:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a80b4484-1d81-4e79-af59-74f6ca52b97b.mp3" length="112668091" type="audio/mpeg"/><itunes:duration>58:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>371</itunes:episode><podcast:episode>371</podcast:episode><itunes:summary>My guest is Pete Morse, who runs Red Vault Audio in Portland, Maine. 

In this episode, we discuss:

Portland Studios

Red Vault Audio

WWF

Working From Home

Building a Studio at Home

Studio Build Details

Sketchy Contractors

Camaraderie

Mixing for Video

Stock Music Creation

Perfectionism

MTV Influence

Pink Floyd

0% Financing

Streamdeck

Worklife Balance

Frozen Dance Partys

SBA Counseling

Family Communication


Matt&apos;s Rant: More Backup Talk!Links and Show Notes

Pete&apos;s Studio

Pete on Instagram

Pete on Linkedin

Synology 

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Pete Morse


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #370 with Nikki McGuinness - Farm Life, Studio Building, Thinking on Your Feet, Pygmy Goats, and Falling Off Ladders</title><itunes:title>WCA #370 with Nikki McGuinness - Farm Life, Studio Building, Thinking on Your Feet, Pygmy Goats, and Falling Off Ladders</itunes:title><description><![CDATA[
        <p>My guest is Songwriter / Engineer / Producer Nikki McGuinness, who runs Creation X Recording based on a farm in Berkshire, England.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Farm Life</li>
<li>Building a Studio</li>
<li>Contractors</li>
<li>Open Recording Spaces</li>
<li>Learning to Record</li>
<li>The Corporate World</li>
<li>Low-Grade Depression</li>
<li>Health Issues</li>
<li>Thinking on Your Feet</li>
<li>Pygmy Goats</li>
<li>Loving Life</li>
<li>Ladders</li>
<li>Creative ventures</li>
<li>Choosing Gear</li>
<li>Sylvia Massey</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Capturing Stories</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.creationxrecording.co.uk/"><strong>Nikki's Studio</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/MX-80"><strong>MX80 Sound</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-113-with-mike-wells/"><strong>Mike Wells on WCA #113</strong></a></li>
<li><a href="https://saturdaysradio.com/home"><strong>Rob Christensen</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
<li><a href="https://podinbox.com/WCA"><strong>Leave Matt a message.</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Nikki McGuinness</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Songwriter / Engineer / Producer Nikki McGuinness, who runs Creation X Recording based on a farm in Berkshire, England.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Farm Life</li>
<li>Building a Studio</li>
<li>Contractors</li>
<li>Open Recording Spaces</li>
<li>Learning to Record</li>
<li>The Corporate World</li>
<li>Low-Grade Depression</li>
<li>Health Issues</li>
<li>Thinking on Your Feet</li>
<li>Pygmy Goats</li>
<li>Loving Life</li>
<li>Ladders</li>
<li>Creative ventures</li>
<li>Choosing Gear</li>
<li>Sylvia Massey</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Capturing Stories</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.creationxrecording.co.uk/"><strong>Nikki's Studio</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/MX-80"><strong>MX80 Sound</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-113-with-mike-wells/"><strong>Mike Wells on WCA #113</strong></a></li>
<li><a href="https://saturdaysradio.com/home"><strong>Rob Christensen</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
<li><a href="https://podinbox.com/WCA"><strong>Leave Matt a message.</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Nikki McGuinness</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-370-with-nikki-mcguinness-farm-life-studio-building-thinking-on-your-feet-pygmy-goats-and-falling-off-ladders]]></link><guid isPermaLink="false">c196ba68-6460-11eb-8f60-872863531fe4</guid><itunes:image href="https://artwork.captivate.fm/63ddb0f5-bd70-496b-82d6-4f3e13d2179d/wca-370-with-nikki-mcguinness-thumbnail.png"/><pubDate>Mon, 17 Jan 2022 23:07:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/754173fd-2104-4f12-bacf-55797f7611a3.mp3" length="92069462" type="audio/mpeg"/><itunes:duration>47:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>370</itunes:episode><podcast:episode>370</podcast:episode><itunes:summary>My guest is Songwriter / Engineer / Producer Nikki McGuinness, who runs Creation X Recording based on a farm in Berkshire, England.

In this episode, we discuss:

Farm Life

Building a Studio

Contractors

Open Recording Spaces

Learning to Record

The Corporate World

Low-Grade Depression

Health Issues

Thinking on Your Feet

Pygmy Goats

Loving Life

Ladders

Creative ventures

Choosing Gear

Sylvia Massey


Matt&apos;s Rant: Capturing Stories
Links and Show Notes

Nikki&apos;s Studio

MX80 Sound

Mike Wells on WCA #113

Rob Christensen

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos

Leave Matt a message.


Credits

Guest: Nikki McGuinness


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #369 with Heidi Trefethen &amp; Ben Bernstein- Dolby Atmos, Gear Purchases, Audio Janitors, and Breaking Into Matts&apos; House</title><itunes:title>WCA #369 with Heidi Trefethen &amp; Ben Bernstein- Dolby Atmos, Gear Purchases, Audio Janitors, and Breaking Into Matts&apos; House</itunes:title><description><![CDATA[
        <p>My guests today are former WCA guests Heidi Trefethen and Ben Bernstein. <strong>Heidi </strong>is a French Hornist, multi-instrumentalist, educator, and sought-after sound engineer. <strong>Ben</strong> is a producer, engineer, and mixer based in Oakland, California.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Dolby Atmos</li>
<li>Studios Vs. Covid</li>
<li>Future Sessions</li>
<li>Skywalker Sound</li>
<li>Gear Purchases</li>
<li>Studio Ownership</li>
<li>Breaking Into Matt's House</li>
<li>Gear Lending Library</li>
<li><a href="https://www.brokenguitarsoakland.com/">Broken Guitars</a></li>
<li><a href="https://www.mountainmusicstore.com/">Mountain Music</a></li>
<li>Great Musicians</li>
<li>Getting Along</li>
<li>Audio Janitors</li>
</ul><br/><p><strong>Matt's Rant: Mixing it Up!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.workingclassaudio.com/wca-293-with-heidi-trefethen/"><strong>Heidi on WCA #293</strong></a></li>
<li>
<a href="https://www.workingclassaudio.com/wca-260-with-ben-bernstein/"><strong>Ben On WCA #260</strong></a><strong> &amp; WCA </strong><a href="https://www.workingclassaudio.com/wca-055-with-ben-bernstein/"><strong>#055</strong></a>
</li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Heidi Trefethen &amp; Ben Bernstein</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guests today are former WCA guests Heidi Trefethen and Ben Bernstein. <strong>Heidi </strong>is a French Hornist, multi-instrumentalist, educator, and sought-after sound engineer. <strong>Ben</strong> is a producer, engineer, and mixer based in Oakland, California.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Dolby Atmos</li>
<li>Studios Vs. Covid</li>
<li>Future Sessions</li>
<li>Skywalker Sound</li>
<li>Gear Purchases</li>
<li>Studio Ownership</li>
<li>Breaking Into Matt's House</li>
<li>Gear Lending Library</li>
<li><a href="https://www.brokenguitarsoakland.com/">Broken Guitars</a></li>
<li><a href="https://www.mountainmusicstore.com/">Mountain Music</a></li>
<li>Great Musicians</li>
<li>Getting Along</li>
<li>Audio Janitors</li>
</ul><br/><p><strong>Matt's Rant: Mixing it Up!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.workingclassaudio.com/wca-293-with-heidi-trefethen/"><strong>Heidi on WCA #293</strong></a></li>
<li>
<a href="https://www.workingclassaudio.com/wca-260-with-ben-bernstein/"><strong>Ben On WCA #260</strong></a><strong> &amp; WCA </strong><a href="https://www.workingclassaudio.com/wca-055-with-ben-bernstein/"><strong>#055</strong></a>
</li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Heidi Trefethen &amp; Ben Bernstein</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-369-with-heidi-trefethen-ben-bernstein-dolby-atmos-gear-purchases-audio-janitors-and-breaking-into-matts-house]]></link><guid isPermaLink="false">c187442a-6460-11eb-8f60-c3ef8bd55709</guid><itunes:image href="https://artwork.captivate.fm/77238497-c80a-44e7-beea-7684171818cb/wca-369-with-heidi-trefethen-ben-bernstein-thumbnail.png"/><pubDate>Mon, 10 Jan 2022 19:46:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4189526b-2bc9-4fa3-9fc9-d8cac25f9c70.mp3" length="108640002" type="audio/mpeg"/><itunes:duration>56:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>369</itunes:episode><podcast:episode>369</podcast:episode><itunes:summary>My guests today are former WCA guests Heidi Trefethen and Ben Bernstein. Heidi is a French Hornist, multi-instrumentalist, educator, and sought-after sound engineer. Ben is a producer, engineer, and mixer based in Oakland, California.

In this episode, we discuss:

Dolby Atmos

Studios Vs. Covid

Future Sessions

Skywalker Sound

Gear Purchases

Studio Ownership

Breaking Into Matt&apos;s House

Gear Lending Library

Broken Guitars

Mountain Music

Great Musicians

Getting Along

Audio Janitors

Matt&apos;s Rant: Mixing it Up!
Links and Show Notes

Heidi on WCA #293


Ben On WCA #260 &amp; WCA #055


WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Heidi Trefethen &amp; Ben Bernstein


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #368 with Wavy Wayne - Thinking Bigger Picture, One Bad Night, Audio Education, Social Media Advice, and 7 AM Algebra</title><itunes:title>WCA #368 with Wavy Wayne - Thinking Bigger Picture, One Bad Night, Audio Education, Social Media Advice, and 7 AM Algebra</itunes:title><description><![CDATA[
        <p>My guest is mixing engineer and audio educator Wavy Wayne, who has worked with Jim Jones, Future, Ashanti, Yo Gotti, Dave East, and many more. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>St. Louis</li>
<li>Discovering Music</li>
<li>Being a Kid Rapper</li>
<li>Positive Studio Exposure</li>
<li>Stage Fright</li>
<li>Sony Acid</li>
<li>Education</li>
<li>7 AM Algebra</li>
<li>One Bad Night</li>
<li>Getting Kicked Out of Full Sail</li>
<li>Surviving in New York</li>
<li>Audio Education</li>
<li>School Debt</li>
<li>Thinking Bigger Picture</li>
<li>Teaching in St. Louis</li>
<li>Social Media Advice</li>
</ul><br/><p><br></p><p><strong>﻿Matt's Rant: Clear the Clutter!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.wavywayne.com/"><strong>Wavy Wayne's Site</strong></a></li>
<li><a href="https://www.instagram.com/wayne.wav/"><strong>Wavy Wayne on Instagram</strong></a></li>
<li><a href="https://amzn.to/3eNzOWk"><strong>Label Maker</strong></a></li>
<li><a href="https://www.adobe.com/acrobat/mobile/scanner-app.html"><strong>Adobe Scan</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Wavy Wayne</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is mixing engineer and audio educator Wavy Wayne, who has worked with Jim Jones, Future, Ashanti, Yo Gotti, Dave East, and many more. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>St. Louis</li>
<li>Discovering Music</li>
<li>Being a Kid Rapper</li>
<li>Positive Studio Exposure</li>
<li>Stage Fright</li>
<li>Sony Acid</li>
<li>Education</li>
<li>7 AM Algebra</li>
<li>One Bad Night</li>
<li>Getting Kicked Out of Full Sail</li>
<li>Surviving in New York</li>
<li>Audio Education</li>
<li>School Debt</li>
<li>Thinking Bigger Picture</li>
<li>Teaching in St. Louis</li>
<li>Social Media Advice</li>
</ul><br/><p><br></p><p><strong>﻿Matt's Rant: Clear the Clutter!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.wavywayne.com/"><strong>Wavy Wayne's Site</strong></a></li>
<li><a href="https://www.instagram.com/wayne.wav/"><strong>Wavy Wayne on Instagram</strong></a></li>
<li><a href="https://amzn.to/3eNzOWk"><strong>Label Maker</strong></a></li>
<li><a href="https://www.adobe.com/acrobat/mobile/scanner-app.html"><strong>Adobe Scan</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Wavy Wayne</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-368-with-wavy-wayne-thinking-bigger-picture-one-bad-night-audio-education-social-media-advice-and-7-am-algebra]]></link><guid isPermaLink="false">c17744f8-6460-11eb-8f60-5b0ba5e9bed8</guid><itunes:image href="https://artwork.captivate.fm/40f252e5-b3c3-431a-8ac5-60cdbd59e97b/wca-368-with-wavy-wayne-thumbnail.png"/><pubDate>Mon, 03 Jan 2022 19:21:39 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9493e32d-bf4d-489c-bc19-4ad22617c559.mp3" length="91121551" type="audio/mpeg"/><itunes:duration>47:28</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>368</itunes:episode><podcast:episode>368</podcast:episode><itunes:summary>My guest is mixing engineer and audio educator Wavy Wayne, who has worked with Jim Jones, Future, Ashanti, Yo Gotti, Dave East, and many more. 

In this episode, we discuss:

St. Louis

Discovering Music

Being a Kid Rapper

Positive Studio Exposure

Stage Fright

Sony Acid

Education

7 AM Algebra

One Bad Night

Getting Kicked Out of Full Sail

Surviving in New York

Audio Education

School Debt

Thinking Bigger Picture

Teaching in St. Louis

Social Media Advice


﻿Matt&apos;s Rant: Clear the Clutter!
Links and Show Notes

Wavy Wayne&apos;s Site

Wavy Wayne on Instagram

Label Maker

Adobe Scan

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Wavy Wayne


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #367 with Brad Dollar - Moving to Nashville, Getting Work, Classic Money Mistakes, Survival, and Time Travel Retrospective</title><itunes:title>WCA #367 with Brad Dollar - Moving to Nashville, Getting Work, Classic Money Mistakes, Survival, and Time Travel Retrospective</itunes:title><description><![CDATA[
        <p><strong>My guest is producer, engineer, and coach Brad Dollar who has worked with Bob Weir, Journey, G-Eazy, and Parmalee. </strong></p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Moving to Nashville</li>
<li>Coaching</li>
<li>Transition of Culture</li>
<li>Music Business</li>
<li>Competition</li>
<li>Buying a House</li>
<li>Getting Work</li>
<li>Bay Area vs. Nashville</li>
<li>Recording School</li>
<li>Mentors</li>
<li>Grammy U</li>
<li>Survival</li>
<li>Classic Money Mistakes</li>
<li><a href="https://youtu.be/wJB90G-tsgo">Managing Money Tip</a></li>
<li>Time Travel Retrospective</li>
<li>Just Ask</li>
<li>Advice For Newbies</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Do We Really Need A Website?</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://solo.to/inv/MjAwNTM"><strong>solo.to</strong></a></li>
<li><a href="https://www.braddollar.com/"><strong>Brad's Site</strong></a></li>
<li><a href="https://www.youtube.com/c/BradDollar"><strong>Brad's YouTube Channel</strong></a></li>
<li><a href="https://www.instagram.com/bradkdollar/?hl=en"><strong>Brad on Instagram</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-360-with-bryan-matheson/"><strong>WCA #360 Bryan Mathison</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-100-stephen-hart-cookie-marenco/"><strong>WCA #100 Steven Hart</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Brad Dollar</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>My guest is producer, engineer, and coach Brad Dollar who has worked with Bob Weir, Journey, G-Eazy, and Parmalee. </strong></p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Moving to Nashville</li>
<li>Coaching</li>
<li>Transition of Culture</li>
<li>Music Business</li>
<li>Competition</li>
<li>Buying a House</li>
<li>Getting Work</li>
<li>Bay Area vs. Nashville</li>
<li>Recording School</li>
<li>Mentors</li>
<li>Grammy U</li>
<li>Survival</li>
<li>Classic Money Mistakes</li>
<li><a href="https://youtu.be/wJB90G-tsgo">Managing Money Tip</a></li>
<li>Time Travel Retrospective</li>
<li>Just Ask</li>
<li>Advice For Newbies</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Do We Really Need A Website?</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://solo.to/inv/MjAwNTM"><strong>solo.to</strong></a></li>
<li><a href="https://www.braddollar.com/"><strong>Brad's Site</strong></a></li>
<li><a href="https://www.youtube.com/c/BradDollar"><strong>Brad's YouTube Channel</strong></a></li>
<li><a href="https://www.instagram.com/bradkdollar/?hl=en"><strong>Brad on Instagram</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-360-with-bryan-matheson/"><strong>WCA #360 Bryan Mathison</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-100-stephen-hart-cookie-marenco/"><strong>WCA #100 Steven Hart</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Brad Dollar</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-367-with-brad-dollar-moving-to-nashville-getting-work-classic-money-mistakes-survival-and-time-travel-retrospective]]></link><guid isPermaLink="false">c168ec78-6460-11eb-8f60-8380c6dac96b</guid><itunes:image href="https://artwork.captivate.fm/0db90ac8-8408-4b34-ac3b-05a1245557cb/wca-367-with-brad-dollar-thumbnail.png"/><pubDate>Sun, 26 Dec 2021 19:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8f4cadb3-6bbd-4006-84a0-28f222326814.mp3" length="102552732" type="audio/mpeg"/><itunes:duration>53:25</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>367</itunes:episode><podcast:episode>367</podcast:episode><itunes:summary>My guest is producer, engineer, and coach Brad Dollar who has worked with Bob Weir, Journey, G-Eazy, and Parmalee. 

In this episode, we discuss:

Moving to Nashville

Coaching

Transition of Culture

Music Business

Competition

Buying a House

Getting Work

Bay Area vs. Nashville

Recording School

Mentors

Grammy U

Survival

Classic Money Mistakes

Managing Money Tip

Time Travel Retrospective

Just Ask

Advice For Newbies


Matt&apos;s Rant: Do We Really Need A Website?
Links and Show Notes

solo.to

Brad&apos;s Site

Brad&apos;s YouTube Channel

Brad on Instagram

WCA #360 Bryan Mathison

WCA #100 Steven Hart

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Brad Dollar


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #366 with Perry Leenhouts - Anything is Possible, US &amp; Europe Comparison, Punk Rock Lessons Learned, and Living in an Abandon School.</title><itunes:title>WCA #366 with Perry Leenhouts - Anything is Possible, US &amp; Europe Comparison, Punk Rock Lessons Learned, and Living in an Abandon School.</itunes:title><description><![CDATA[
        <p>My guest is Perry Leenhouts, producer, engineer, and owner of Point Break Sound Studio in Stockholm, Sweden. Perry is also a member of the band, The Travoltas. </p><p> </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Point Break Sound</li>
<li>Welfare State</li>
<li>US &amp; Europe Comparison</li>
<li>The Travoltas</li>
<li>Pop Rock Lessons Learned</li>
<li>Working with Others</li>
<li>Being in The Van</li>
<li>From Drummer to Engineer</li>
<li>Living in an Abandon School</li>
<li>Public Radio Internship</li>
<li>Anything is Possible</li>
<li>Stockholm</li>
<li>Shared Space</li>
<li>Marketing</li>
<li>Finances</li>
<li>Taxes</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Another Dolby Atmos Update</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://gracedesign.com/products/monitor-controllers/m908"><strong>Grace M908</strong></a></li>
<li><a href="https://reverb.com/shop/workingclassaudio"><strong>WCA Reverb Shop</strong></a></li>
<li><a href="https://www.pointbreaksound.com/"><strong>Perry's Studio</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/The_Travoltas"><strong>The Travoltas</strong></a></li>
<li><a href="https://www.instagram.com/pointbreaksound/?hl=en"><strong>Perry on Instagram</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Perry Leenhouts</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Perry Leenhouts, producer, engineer, and owner of Point Break Sound Studio in Stockholm, Sweden. Perry is also a member of the band, The Travoltas. </p><p> </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Point Break Sound</li>
<li>Welfare State</li>
<li>US &amp; Europe Comparison</li>
<li>The Travoltas</li>
<li>Pop Rock Lessons Learned</li>
<li>Working with Others</li>
<li>Being in The Van</li>
<li>From Drummer to Engineer</li>
<li>Living in an Abandon School</li>
<li>Public Radio Internship</li>
<li>Anything is Possible</li>
<li>Stockholm</li>
<li>Shared Space</li>
<li>Marketing</li>
<li>Finances</li>
<li>Taxes</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Another Dolby Atmos Update</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://gracedesign.com/products/monitor-controllers/m908"><strong>Grace M908</strong></a></li>
<li><a href="https://reverb.com/shop/workingclassaudio"><strong>WCA Reverb Shop</strong></a></li>
<li><a href="https://www.pointbreaksound.com/"><strong>Perry's Studio</strong></a></li>
<li><a href="https://en.wikipedia.org/wiki/The_Travoltas"><strong>The Travoltas</strong></a></li>
<li><a href="https://www.instagram.com/pointbreaksound/?hl=en"><strong>Perry on Instagram</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Perry Leenhouts</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-366-with-perry-leenhouts-anything-is-possible-us-europe-comparison-punk-rock-lessons-learned-and-living-in-an-abandon-school-]]></link><guid isPermaLink="false">c15cdb5e-6460-11eb-8f60-573d99b0f422</guid><itunes:image href="https://artwork.captivate.fm/c73ce0bb-9bdf-4f4c-bb17-c113aa8d4330/wca-366-with-perry-leenhouts-thumbnail.png"/><pubDate>Sun, 19 Dec 2021 21:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/91330d3d-4173-4336-a37b-dd75affb89ed.mp3" length="108700956" type="audio/mpeg"/><itunes:duration>56:37</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>366</itunes:episode><podcast:episode>366</podcast:episode><itunes:summary>My guest is Perry Leenhouts, producer, engineer, and owner of Point Break Sound Studio in Stockholm, Sweden. Perry is also a member of the band, The Travoltas. 
 
In this episode, we discuss:

Point Break Sound

Welfare State

US &amp; Europe Comparison

The Travoltas

Pop Rock Lessons Learned

Working with Others

Being in The Van

From Drummer to Engineer

Living in an Abandon School

Public Radio Internship

Anything is Possible

Stockholm

Shared Space

Marketing

Finances

Taxes


Matt&apos;s Rant: Another Dolby Atmos Update
Links and Show Notes

Grace M908

WCA Reverb Shop

Perry&apos;s Studio

The Travoltas

Perry on Instagram

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Perry Leenhouts


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #365 with Alex Allinson - Cooking, Parallels, Presentation, Running a Studio, and Taking the Crooked Path</title><itunes:title>WCA #365 with Alex Allinson - Cooking, Parallels, Presentation, Running a Studio, and Taking the Crooked Path</itunes:title><description><![CDATA[
        <p>My guest is Alex Allinson, producer/engineer, and co-owner of The Bridge Sound and Stage in the greater Boston area. </p><p>In this episode, we discuss:</p><ul>
<li>Interning</li>
<li>Being Driven</li>
<li>Taking the Crooked Path</li>
<li>Cooking</li>
<li>Parallels</li>
<li>Not Coasting</li>
<li>Avoiding Growing Stale</li>
<li>Moving On</li>
<li>Diverse Clients</li>
<li>Presentation</li>
<li>Running a Studio</li>
<li>Saving For the Future</li>
<li>Financial Mentors</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: End of The Year Downtime</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://thebridgesoundstage.com/"><strong>Alexs' Studio (The Bridge Sound &amp; Stage)</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Alex Allinson</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is Alex Allinson, producer/engineer, and co-owner of The Bridge Sound and Stage in the greater Boston area. </p><p>In this episode, we discuss:</p><ul>
<li>Interning</li>
<li>Being Driven</li>
<li>Taking the Crooked Path</li>
<li>Cooking</li>
<li>Parallels</li>
<li>Not Coasting</li>
<li>Avoiding Growing Stale</li>
<li>Moving On</li>
<li>Diverse Clients</li>
<li>Presentation</li>
<li>Running a Studio</li>
<li>Saving For the Future</li>
<li>Financial Mentors</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: End of The Year Downtime</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://thebridgesoundstage.com/"><strong>Alexs' Studio (The Bridge Sound &amp; Stage)</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Alex Allinson</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-365-with-alex-allinson-cooking-parallels-presentation-running-a-studio-and-taking-the-crooked-path]]></link><guid isPermaLink="false">c150b338-6460-11eb-8f60-130595ac3f85</guid><itunes:image href="https://artwork.captivate.fm/283dba1c-930f-49cb-9b7f-bdc21f4831e9/wca-365-with-alex-allinson-thumbnail.png"/><pubDate>Mon, 13 Dec 2021 20:16:53 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/098ad4fb-d58f-4ac0-b5f6-1e8d793ff3fe.mp3" length="93674364" type="audio/mpeg"/><itunes:duration>48:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>365</itunes:episode><podcast:episode>365</podcast:episode><itunes:summary>My guest is Alex Allinson, producer/engineer, and co-owner of The Bridge Sound and Stage in the greater Boston area. 
In this episode, we discuss:

Interning

Being Driven

Taking the Crooked Path

Cooking

Parallels

Not Coasting

Avoiding Growing Stale

Moving On

Diverse Clients

Presentation

Running a Studio

Saving For the Future

Financial Mentors


Matt&apos;s Rant: End of The Year Downtime
Links and Show Notes

Alexs&apos; Studio (The Bridge Sound &amp; Stage)

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Alex Allinson


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #364 with Chris Collier - Fathers Influence, Controlling Your Destiny, Getting Involved, Client Tree Branches, and Realizing Your Worth</title><itunes:title>WCA #364 with Chris Collier - Fathers Influence, Controlling Your Destiny, Getting Involved, Client Tree Branches, and Realizing Your Worth</itunes:title><description><![CDATA[<h3><strong>WCA #364 with Chris Collier – Fathers Influence, Controlling Your Destiny, Getting Involved, Client Tree Branches, and Realizing Your Worth</strong></h3><p>My guest is producer, engineer, mixer, and multi-instrumentalist Chris Collier, who has worked with Lynch Mob, Mick Mars, Korn, Whitesnake, and many more.&nbsp;</p><h3>I<strong>n this episode, we discuss:</strong></h3><ul><li>Fathers Influence</li><li>Home Studios</li><li>Getting Your Name Out There</li><li>Identity Crisis</li><li>Being a Homebody</li><li>The Drive of Recording</li><li>Just Doing It</li><li>Discovering Pro Tools</li><li>Getting Involved</li><li>Controlling Your Destiny</li><li>Recording Dave Grohl Style</li><li>Moving to Vegas</li><li>Mick Mars</li><li>Client Tree Branches</li><li>Realizing Your Worth</li></ul><br/><h3><strong>Matt’s Rant: Remembering the Bigger Picture</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://www.instagram.com/cmc21productions/?hl=en" rel="noopener noreferrer" target="_blank"><strong>Chris on Instagram</strong></a></li><li><a href="https://www.linkedin.com/in/chris-collier-10b10652/" rel="noopener noreferrer" target="_blank"><strong>Chris on Linkedin</strong></a></li><li><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank"><strong>WCA on Instagram</strong></a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>Connect with Matt on Linkedin</strong></a></li><li><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos</strong></a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li><strong>Guest: Chris Collier</strong></li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Engineer:&nbsp;</strong>Matt Boudreau</li><li><strong>Producer:&nbsp;</strong>Matt Boudreau</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<h3><strong>WCA #364 with Chris Collier – Fathers Influence, Controlling Your Destiny, Getting Involved, Client Tree Branches, and Realizing Your Worth</strong></h3><p>My guest is producer, engineer, mixer, and multi-instrumentalist Chris Collier, who has worked with Lynch Mob, Mick Mars, Korn, Whitesnake, and many more.&nbsp;</p><h3>I<strong>n this episode, we discuss:</strong></h3><ul><li>Fathers Influence</li><li>Home Studios</li><li>Getting Your Name Out There</li><li>Identity Crisis</li><li>Being a Homebody</li><li>The Drive of Recording</li><li>Just Doing It</li><li>Discovering Pro Tools</li><li>Getting Involved</li><li>Controlling Your Destiny</li><li>Recording Dave Grohl Style</li><li>Moving to Vegas</li><li>Mick Mars</li><li>Client Tree Branches</li><li>Realizing Your Worth</li></ul><br/><h3><strong>Matt’s Rant: Remembering the Bigger Picture</strong></h3><h3><strong>Links and Show Notes</strong></h3><ul><li><a href="https://www.instagram.com/cmc21productions/?hl=en" rel="noopener noreferrer" target="_blank"><strong>Chris on Instagram</strong></a></li><li><a href="https://www.linkedin.com/in/chris-collier-10b10652/" rel="noopener noreferrer" target="_blank"><strong>Chris on Linkedin</strong></a></li><li><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank"><strong>WCA on Instagram</strong></a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>Connect with Matt on Linkedin</strong></a></li><li><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos</strong></a></li></ul><br/><h3><strong>Credits</strong></h3><ul><li><strong>Guest: Chris Collier</strong></li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Engineer:&nbsp;</strong>Matt Boudreau</li><li><strong>Producer:&nbsp;</strong>Matt Boudreau</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-364-with-chris-collier-fathers-influence-controlling-your-destiny-getting-involved-client-tree-branches-and-realizing-your-worth]]></link><guid isPermaLink="false">c144d284-6460-11eb-8f60-6382750d8d32</guid><itunes:image href="https://artwork.captivate.fm/89c8e6a8-5bb4-4416-9b19-6a2f5c96395f/wca-364-with-chris-collier-thumbnail.png"/><pubDate>Mon, 06 Dec 2021 20:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/84d4a4ba-ffc9-4e24-8406-a7172c921417.mp3" length="111567304" type="audio/mpeg"/><itunes:duration>58:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>364</itunes:episode><podcast:episode>364</podcast:episode><itunes:summary>My guest is producer, engineer, mixer, and multi-instrumentalist Chris Collier, who has worked with Lynch Mob, Mick Mars, Korn, Whitesnake, and many more. 
 
In this episode, we discuss:

Fathers Influence

Home Studios

Getting Your Name Out There

Identity Crisis

Being a Homebody

The Drive of Recording

Just Doing It

Discovering Pro Tools

Getting Involved

Controlling Your Destiny

Recording Dave Grohl Style

Moving to Vegas

Mick Mars

Client Tree Branches

Realizing Your Worth


Matt&apos;s Rant: Remembering the Bigger Picture
Links and Show Notes

Chris on Instagram

Chris on Linkedin

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Chris Collier


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #363 with Chaz Root - Classical Training, Going Blind, 4 Track Mastery, and Residential Recording</title><itunes:title>WCA #363 with Chaz Root - Classical Training, Going Blind, 4 Track Mastery, and Residential Recording</itunes:title><description><![CDATA[
        <p>My guest is producer, engineer, and mixer Charles Root III, better known as Chaz Root of Electric Owl Works Recording in upstate New York. </p><p> </p><p>In this episode, we discuss:</p><ul>
<li>Root History</li>
<li>Playing Bars</li>
<li>Drinking Ages</li>
<li>Classical Training</li>
<li>Stuttering</li>
<li>Going Blind </li>
<li>Garbage Picking Stereos</li>
<li>Wah Wah Discovery</li>
<li>Rudy Van Gelder</li>
<li>4 Track Mastery</li>
<li>Starting Small</li>
<li>Electric Owl Works</li>
<li>Residential Recording</li>
<li>Finances</li>
</ul><br/><p><br></p><p>Matt's Rant: Taking a Break from the Audio Party<strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.electricowlworks.com"><strong>Electric Owl Works Website</strong></a></li>
<li><a href="https://www.instagram.com/eowaudio"><strong>Electric Owl Works on Instagram</strong></a></li>
<li><a href="https://www.youtube.com/c/Electricowlworks"><strong>Electric Owl Works on YouTube</strong></a></li>
<li><a href="https://www.facebook.com/EOWAudio"><strong>Electric Owl Works on Facebook</strong></a></li>
<li><a href="https://twitter.com/EOWAudio"><strong>Electric Owl Works on Twitter</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Chaz Root</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest is producer, engineer, and mixer Charles Root III, better known as Chaz Root of Electric Owl Works Recording in upstate New York. </p><p> </p><p>In this episode, we discuss:</p><ul>
<li>Root History</li>
<li>Playing Bars</li>
<li>Drinking Ages</li>
<li>Classical Training</li>
<li>Stuttering</li>
<li>Going Blind </li>
<li>Garbage Picking Stereos</li>
<li>Wah Wah Discovery</li>
<li>Rudy Van Gelder</li>
<li>4 Track Mastery</li>
<li>Starting Small</li>
<li>Electric Owl Works</li>
<li>Residential Recording</li>
<li>Finances</li>
</ul><br/><p><br></p><p>Matt's Rant: Taking a Break from the Audio Party<strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.electricowlworks.com"><strong>Electric Owl Works Website</strong></a></li>
<li><a href="https://www.instagram.com/eowaudio"><strong>Electric Owl Works on Instagram</strong></a></li>
<li><a href="https://www.youtube.com/c/Electricowlworks"><strong>Electric Owl Works on YouTube</strong></a></li>
<li><a href="https://www.facebook.com/EOWAudio"><strong>Electric Owl Works on Facebook</strong></a></li>
<li><a href="https://twitter.com/EOWAudio"><strong>Electric Owl Works on Twitter</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p>Credits</p><ul>
<li><strong>Guest: Chaz Root</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-363-with-chaz-root-classical-training-going-blind-4-track-mastery-and-residential-recording]]></link><guid isPermaLink="false">c12b36da-6460-11eb-8f60-6f645a97292d</guid><itunes:image href="https://artwork.captivate.fm/81567dbb-eca2-41d8-aacc-eb2594d0bfc6/wca-363-with-chaz-root-thumbnail.png"/><pubDate>Mon, 29 Nov 2021 19:01:53 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a961b985-d093-440d-a527-4c6d39e4958b.mp3" length="101938272" type="audio/mpeg"/><itunes:duration>53:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>363</itunes:episode><podcast:episode>363</podcast:episode><itunes:summary>My guest is producer, engineer, and mixer Charles Root III, better known as Chaz Root of Electric Owl Works Recording in upstate New York. 
 
In this episode, we discuss:

Root History

Playing Bars

Drinking Ages

Classical Training

Stuttering

Going Blind 

Garbage Picking Stereos

Wah Wah Discovery

Rudy Van Gelder

4 Track Mastery

Starting Small

Electric Owl Works

Residential Recording

Finances


Matt&apos;s Rant: Taking a Break from the Audio PartyLinks and Show Notes

Electric Owl Works Website

Electric Owl Works on Instagram

Electric Owl Works on YouTube

Electric Owl Works on Facebook

Electric Owl Works on Twitter

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Chaz Root


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #362 with Matt Ross-Spang - New Studio, 60&apos;s and 70&apos;s Inspiration, 30,000 Feet Of Cable, 15% Redneck, and Nice But Not Too Nice</title><itunes:title>WCA #362 with Matt Ross-Spang - New Studio, 60&apos;s and 70&apos;s Inspiration, 30,000 Feet Of Cable, 15% Redneck, and Nice But Not Too Nice</itunes:title><description><![CDATA[<p>My guest today is grammy-winning producer, engineer, and mixer Matt Ross-Spang. This is Matt's second appearance on WCA.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Sam Phillips Recording</li><li>New Studio</li><li><a href="https://crosstownconcourse.com/" rel="noopener noreferrer" target="_blank">Crosstown Concourse</a></li><li>Sun Studios</li><li>Workflow</li><li><a href="http://www.stevendurr.com/steve-durr.html" rel="noopener noreferrer" target="_blank">Steven Durr</a></li><li>Wiring</li><li>30,000 feet Of Audio cable</li><li>Aesthetic Choices</li><li>15% Red Neck</li><li>60's and 70's Inspiration</li><li>Custom Headphones System</li><li>Howard Hughes OCD</li><li>Nice But Not Too Nice</li><li>The Price of Wood</li></ul><br/><p><strong>﻿Matt's Rant: Staying Positive</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.southerngrooves.com/" rel="noopener noreferrer" target="_blank"><strong>Southern Grooves</strong></a></li><li><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank"><strong>WCA on Instagram</strong></a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>Connect with Matt on Linkedin</strong></a></li><li><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos</strong></a></li></ul><br/><p><strong>Credits</strong></p><ul><li><strong>Guest: Matt Ross-Spang</strong></li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Engineer:&nbsp;</strong>Matt Boudreau</li><li><strong>Producer:&nbsp;</strong>Matt Boudreau</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest today is grammy-winning producer, engineer, and mixer Matt Ross-Spang. This is Matt's second appearance on WCA.&nbsp;</p><p><strong>In this episode, we discuss:</strong></p><ul><li>Sam Phillips Recording</li><li>New Studio</li><li><a href="https://crosstownconcourse.com/" rel="noopener noreferrer" target="_blank">Crosstown Concourse</a></li><li>Sun Studios</li><li>Workflow</li><li><a href="http://www.stevendurr.com/steve-durr.html" rel="noopener noreferrer" target="_blank">Steven Durr</a></li><li>Wiring</li><li>30,000 feet Of Audio cable</li><li>Aesthetic Choices</li><li>15% Red Neck</li><li>60's and 70's Inspiration</li><li>Custom Headphones System</li><li>Howard Hughes OCD</li><li>Nice But Not Too Nice</li><li>The Price of Wood</li></ul><br/><p><strong>﻿Matt's Rant: Staying Positive</strong></p><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.southerngrooves.com/" rel="noopener noreferrer" target="_blank"><strong>Southern Grooves</strong></a></li><li><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank"><strong>WCA on Instagram</strong></a></li><li><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>Connect with Matt on Linkedin</strong></a></li><li><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos</strong></a></li></ul><br/><p><strong>Credits</strong></p><ul><li><strong>Guest: Matt Ross-Spang</strong></li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Engineer:&nbsp;</strong>Matt Boudreau</li><li><strong>Producer:&nbsp;</strong>Matt Boudreau</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-362-with-matt-ross-spang-new-studio-60s-and-70s-inspiration-30-000-feet-of-cable-15-redneck-and-nice-but-not-too-nice]]></link><guid isPermaLink="false">c11f54f0-6460-11eb-8f60-db3df80ce909</guid><itunes:image href="https://artwork.captivate.fm/cd061270-7750-4a4a-9c83-1113f970d6e0/wca-362-with-matt-ross-spang-thumbnail.png"/><pubDate>Mon, 22 Nov 2021 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ad7127a8-7030-4c1e-a4ab-ae7de1c8ad4a.mp3" length="109642140" type="audio/mpeg"/><itunes:duration>57:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>362</itunes:episode><podcast:episode>362</podcast:episode><itunes:summary>My guest today is grammy-winning producer, engineer, and mixer Matt Ross-Spang. This is Matt&apos;s second appearance on WCA. 
In this episode, we discuss:

Sam Phillips Recording

New Studio

Crosstown Concourse

Sun Studios

Workflow

Steven Durr

Wiring

30,000 feet Of Audio cable

Aesthetic Choices

15% Red Neck

60&apos;s and 70&apos;s Inspiration

Custom Headphones System

Howard Hughes OCD

Nice But Not Too Nice

The Price of Wood


﻿Matt&apos;s Rant: Staying Positive
Links and Show Notes

Southern Grooves

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Matt Ross-Spang


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #361 with Patrick Keane - Tinkering, Being Prepared, Choosing Gear, Room Building, and Problem Solving Lessons</title><itunes:title>WCA #361 with Patrick Keane - Tinkering, Being Prepared, Choosing Gear, Room Building, and Problem Solving Lessons</itunes:title><description><![CDATA[
        <p>Today, my guest is Portland, Maine-based mastering engineer Patrick Keane. </p><p> </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up w/out Screens</li>
<li>Tinkering</li>
<li>Problem Solving Lessons</li>
<li>Being Prepared</li>
<li>FOH</li>
<li>Producing</li>
<li>Discovering Mastering</li>
<li>Bob Ludwig</li>
<li>Choosing Gear</li>
<li>Selling Gear</li>
<li>Room Building</li>
<li>Finances</li>
<li>Retirement</li>
</ul><br/><p>Matt's Rant: A Belated Birthday Celebration</p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.patkeanemastering.com/"><strong>Patricks' Site</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Patrick Keane</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today, my guest is Portland, Maine-based mastering engineer Patrick Keane. </p><p> </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up w/out Screens</li>
<li>Tinkering</li>
<li>Problem Solving Lessons</li>
<li>Being Prepared</li>
<li>FOH</li>
<li>Producing</li>
<li>Discovering Mastering</li>
<li>Bob Ludwig</li>
<li>Choosing Gear</li>
<li>Selling Gear</li>
<li>Room Building</li>
<li>Finances</li>
<li>Retirement</li>
</ul><br/><p>Matt's Rant: A Belated Birthday Celebration</p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.patkeanemastering.com/"><strong>Patricks' Site</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Patrick Keane</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-361-with-patrick-keane-tinkering-being-prepared-choosing-gear-room-building-and-problem-solving-lessons]]></link><guid isPermaLink="false">c13896fe-6460-11eb-8f60-b7178f000aac</guid><itunes:image href="https://artwork.captivate.fm/15e7c75d-312c-4aa6-a7a8-d53f4643a43c/wca-361-with-pat-keane-thumbnail.png"/><pubDate>Mon, 15 Nov 2021 19:31:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/63f49a61-2f85-410b-89cf-20d3b675782c.mp3" length="97864817" type="audio/mpeg"/><itunes:duration>50:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>361</itunes:episode><podcast:episode>361</podcast:episode><itunes:summary>Today, my guest is Portland, Maine-based mastering engineer Patrick Keane. 
 
In this episode, we discuss:

Growing up w/out Screens

Tinkering

Problem Solving Lessons

Being Prepared

FOH

Producing

Discovering Mastering

Bob Ludwig

Choosing Gear

Selling Gear

Room Building

Finances

Retirement

Matt&apos;s Rant: A Belated Birthday Celebration
Links and Show Notes

Patricks&apos; Site

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Patrick Keane


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #360 with Bryan Matheson - Keeping a Studio In Business, Always Learning, Good Landlords, and RTFM!</title><itunes:title>WCA #360 with Bryan Matheson - Keeping a Studio In Business, Always Learning, Good Landlords, and RTFM!</itunes:title><description><![CDATA[
        <p>Today, my guest is studio owner, engineer, composer, and vocalist Bryan Matheson who owns and runs Skyline Studios in Oakland, California.  </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Teac 2340</li>
<li>PCM Beta</li>
<li>Leos Pro Audio</li>
<li>Skyline Studios</li>
<li>Converting A Warehouse</li>
<li>Chips Davis</li>
<li>Ad Work</li>
<li>Keeping Outside Noise Out</li>
<li>Client Growth</li>
<li>Keeping a Studio In Business</li>
<li>Always Learning</li>
<li>RTFM</li>
<li>Covid Survival</li>
<li>UVC Lights</li>
<li>Good Landlords</li>
<li>Live Streaming</li>
<li>Sustaining Waves</li>
<li>Work/Life Balance</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Use It or Lose it!</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.skylinestudios.com/"><strong>Skyline Studios Site</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Bryan Matheson</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today, my guest is studio owner, engineer, composer, and vocalist Bryan Matheson who owns and runs Skyline Studios in Oakland, California.  </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Teac 2340</li>
<li>PCM Beta</li>
<li>Leos Pro Audio</li>
<li>Skyline Studios</li>
<li>Converting A Warehouse</li>
<li>Chips Davis</li>
<li>Ad Work</li>
<li>Keeping Outside Noise Out</li>
<li>Client Growth</li>
<li>Keeping a Studio In Business</li>
<li>Always Learning</li>
<li>RTFM</li>
<li>Covid Survival</li>
<li>UVC Lights</li>
<li>Good Landlords</li>
<li>Live Streaming</li>
<li>Sustaining Waves</li>
<li>Work/Life Balance</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Use It or Lose it!</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.skylinestudios.com/"><strong>Skyline Studios Site</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Bryan Matheson</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-360-with-bryan-matheson-keeping-a-studio-in-business-always-learning-good-landlords-and-rtfm]]></link><guid isPermaLink="false">c1127820-6460-11eb-8f60-9ba3f95aaf6c</guid><itunes:image href="https://artwork.captivate.fm/672dce21-874f-48a3-9877-373fdb60c4cf/wca-360-with-bryan-matheson-thumbnail.png"/><pubDate>Mon, 08 Nov 2021 18:52:25 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/247d7eec-247b-47f2-a1b2-d45e5d60e46a.mp3" length="84172519" type="audio/mpeg"/><itunes:duration>43:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>360</itunes:episode><podcast:episode>360</podcast:episode><itunes:summary>Today, my guest is studio owner, engineer, composer, and vocalist Bryan Matheson who owns and runs Skyline Studios in Oakland, California.  

In this episode, we discuss:

Teac 2340

PCM Beta

Leos Pro Audio

Skyline Studios

Converting A Warehouse

Chips Davis

Ad Work

Keeping Outside Noise Out

Client Growth

Keeping a Studio In Business

Always Learning

RTFM

Covid Survival

UVC Lights

Good Landlords

Live Streaming

Sustaining Waves

Work/Life Balance


Matt&apos;s Rant: Use It or Lose it!

Links and Show Notes

Skyline Studios Site

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Bryan Matheson


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #359 with Will Yip - Feeding Off Stress, Setting Goals, Power of Routine, Investment in Songs, and Hard Working Parents</title><itunes:title>WCA #359 with Will Yip - Feeding Off Stress, Setting Goals, Power of Routine, Investment in Songs, and Hard Working Parents</itunes:title><description><![CDATA[
        <p>Today, my guest is Grammy-nominated record producer, audio engineer, songwriter, and musician <strong>Will Yip</strong> who has worked with Lauryn Hill, Panic! at the Disco, Blacklisted, and many others.</p><p> </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Hard Working Parents</li>
<li>Strict Upbringing</li>
<li>Drums</li>
<li>Feeding off Stress</li>
<li>Falling in Love with Recording</li>
<li>Free Demos</li>
<li>Setting Goals</li>
<li>Mom's Basement Studio</li>
<li>Buying into a Studio</li>
<li>Investment in Songs</li>
<li>Starting a Record Label</li>
<li>Management</li>
<li>Power of Routine</li>
<li>Taking Care of Your Body</li>
</ul><br/><p><br></p><p><br></p><p>Matt's Rant: <strong>Complacency</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.willyip.com/"><strong>Wills' Site</strong></a></li>
<li><a href="https://www.instagram.com/willyipmusic/?hl=en"><strong>Will on Instagram</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Will Yip</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today, my guest is Grammy-nominated record producer, audio engineer, songwriter, and musician <strong>Will Yip</strong> who has worked with Lauryn Hill, Panic! at the Disco, Blacklisted, and many others.</p><p> </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Hard Working Parents</li>
<li>Strict Upbringing</li>
<li>Drums</li>
<li>Feeding off Stress</li>
<li>Falling in Love with Recording</li>
<li>Free Demos</li>
<li>Setting Goals</li>
<li>Mom's Basement Studio</li>
<li>Buying into a Studio</li>
<li>Investment in Songs</li>
<li>Starting a Record Label</li>
<li>Management</li>
<li>Power of Routine</li>
<li>Taking Care of Your Body</li>
</ul><br/><p><br></p><p><br></p><p>Matt's Rant: <strong>Complacency</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.willyip.com/"><strong>Wills' Site</strong></a></li>
<li><a href="https://www.instagram.com/willyipmusic/?hl=en"><strong>Will on Instagram</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Will Yip</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-359-with-will-yip-feeding-off-stress-setting-goals-power-of-routine-investment-in-songs-and-hard-working-parents]]></link><guid isPermaLink="false">c105d84a-6460-11eb-8f60-137403724b52</guid><itunes:image href="https://artwork.captivate.fm/4acbcf6d-be6f-44dd-a443-b248dcb0df54/wca-359-with-will-yip-thumbnail.png"/><pubDate>Mon, 01 Nov 2021 18:12:40 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b1be5656-2b5a-48dc-97d2-f9e77a5ad822.mp3" length="108517911" type="audio/mpeg"/><itunes:duration>56:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>359</itunes:episode><podcast:episode>359</podcast:episode><itunes:summary>Today, my guest is Grammy-nominated record producer, audio engineer, songwriter, and musician Will Yip who has worked with Lauryn Hill, Panic! at the Disco, Blacklisted, and many others.
 
In this episode, we discuss:

Hard Working Parents

Strict Upbringing

Drums

Feeding off Stress

Falling in Love with Recording

Free Demos

Setting Goals

Mom&apos;s Basement Studio

Buying into a Studio

Investment in Songs

Starting a Record Label

Management

Power of Routine

Taking Care of Your Body



Matt&apos;s Rant: Complacency

Links and Show Notes

Wills&apos; Site

Will on Instagram

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Will Yip


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #358 with Robert Carranza - East LA, Lessons from Musicians, Gear vs. Good Songs, Listening, and Family</title><itunes:title>WCA #358 with Robert Carranza - East LA, Lessons from Musicians, Gear vs. Good Songs, Listening, and Family</itunes:title><description><![CDATA[<p>My guest today is 4x Grammy Awarded Mixer, Engineer, Producer Robert Carranza. Robert has worked with Ozomatli, Marilyn Manson, Jack Johnson, Los Lobos, and many others.</p><p><strong>In this episode, we discuss:</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>East LA</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Black Sabbath</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Music Today</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>First 4 Track</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Bruce Swedien</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Floating Assistant</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Studio Managers</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pagers</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Paul Rothchild</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Getting Fired</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Lessons from Musicians</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Asking Questions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Listening</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Emotion</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Money Management</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Gear vs. Good Songs</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Beatles</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mentors</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Ego</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Family</li></ol><br/><p><br></p><p><strong>Matt's Rant: Communication</strong></p><p><strong>Links and Show Notes</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://www.instagram.com/robertcarranza/?hl=en" rel="noopener noreferrer" target="_blank">Robert in Instagram</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank">WCA on Instagram</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank">Connect with Matt on Linkedin</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank">Current sponsors &amp; promos</a></strong></li></ol><br/><p><br></p><p><strong>Credits</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest: Robert Carranza</strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host: </strong>Matt Boudreau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Engineer: </strong>Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Producer: </strong>Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Editing: </strong>Anne-Marie Pleau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Announcer: </strong>Chuck Smith</li></ol><br/>]]></description><content:encoded><![CDATA[<p>My guest today is 4x Grammy Awarded Mixer, Engineer, Producer Robert Carranza. Robert has worked with Ozomatli, Marilyn Manson, Jack Johnson, Los Lobos, and many others.</p><p><strong>In this episode, we discuss:</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>East LA</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Black Sabbath</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Music Today</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>First 4 Track</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Bruce Swedien</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Floating Assistant</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Studio Managers</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Pagers</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Paul Rothchild</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Getting Fired</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Lessons from Musicians</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Asking Questions</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Listening</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Emotion</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Money Management</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Gear vs. Good Songs</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>The Beatles</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mentors</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Ego</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Family</li></ol><br/><p><br></p><p><strong>Matt's Rant: Communication</strong></p><p><strong>Links and Show Notes</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://www.instagram.com/robertcarranza/?hl=en" rel="noopener noreferrer" target="_blank">Robert in Instagram</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank">WCA on Instagram</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank">Connect with Matt on Linkedin</a></strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank">Current sponsors &amp; promos</a></strong></li></ol><br/><p><br></p><p><strong>Credits</strong></p><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest: Robert Carranza</strong></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host: </strong>Matt Boudreau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Engineer: </strong>Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Producer: </strong>Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Editing: </strong>Anne-Marie Pleau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Announcer: </strong>Chuck Smith</li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-358-with-robert-carranza-east-la-lessons-from-musicians-gear-vs-good-songs-listening-and-family]]></link><guid isPermaLink="false">c0f9d78e-6460-11eb-8f60-073c1b585061</guid><itunes:image href="https://artwork.captivate.fm/d8476c05-9c53-4286-ae20-f7813b8b2765/wca-358-with-robert-carranza-thumbnail.jpeg"/><pubDate>Mon, 25 Oct 2021 19:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c525036f-779d-49ff-a430-ad2fb287795e.mp3" length="133360498" type="audio/mpeg"/><itunes:duration>01:09:27</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>358</itunes:episode><podcast:episode>358</podcast:episode><itunes:summary>My guest today is 4x Grammy Awarded Mixer, Engineer, Producer Robert Carranza. Robert has worked with Ozomatli, Marilyn Manson, Jack Johnson, Los Lobos, and many others.

In this episode, we discuss:

East LA

Black Sabbath

Music Today

First 4 Track

Bruce Swedien

Floating Assistant

Studio Managers

Pagers

Paul Rothchild

Getting Fired

Lessons from Musicians

Asking Questions

Listening

Emotion

Money Management

Gear vs. Good Songs

The Beatles

Mentors

Ego

Family


Matt&apos;s Rant: Communication
Links and Show Notes

Robert in Instagram

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Robert Carranza


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #357 with Michael James - Small Town Strategies, Dolby Atmos, Alternator Records, Shelter In Place, and a Room of 100 People</title><itunes:title>WCA #357 with Michael James - Small Town Strategies, Dolby Atmos, Alternator Records, Shelter In Place, and a Room of 100 People</itunes:title><description><![CDATA[
        <p>Today, my guest is producer, mix engineer, and artist Michael James. Michael has worked with Hole, L7, Robben Ford, A.J. Croce, and many others. This is Michael's second appearance on the show. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Reflecting on Petaluma vs. Los Angeles</li>
<li>Balance</li>
<li>Pandemic Related Changes</li>
<li>Fiber Internet</li>
<li>Rogue Amoeba</li>
<li>Zoom</li>
<li>Dolby Atmos</li>
<li>Alternator Records</li>
<li>Shelter In Place</li>
<li>Alternative Audio Business</li>
<li>Tire Balancing</li>
<li>Having Open Plans</li>
<li>Small Town Strategies</li>
<li>Room of 100 People</li>
</ul><br/><p><br></p><p>Matt's Rant: Dolby Atmos Update</p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://michaeljamesproducer.com/"><strong>Michael's Site</strong></a></li>
<li><a href="https://www.alternatorrecords.com/"><strong>Michaels Label</strong></a></li>
<li><a href="https://music.apple.com/us/album/shelter-in-place/1587261305"><strong>Michael's New Record</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-125-with-michael-james/"><strong>WCA #125 w/ Michael James</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-211-with-jaimeson-durr/"><strong>WCA #211 w/ Jamison Durr</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Michael James</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today, my guest is producer, mix engineer, and artist Michael James. Michael has worked with Hole, L7, Robben Ford, A.J. Croce, and many others. This is Michael's second appearance on the show. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Reflecting on Petaluma vs. Los Angeles</li>
<li>Balance</li>
<li>Pandemic Related Changes</li>
<li>Fiber Internet</li>
<li>Rogue Amoeba</li>
<li>Zoom</li>
<li>Dolby Atmos</li>
<li>Alternator Records</li>
<li>Shelter In Place</li>
<li>Alternative Audio Business</li>
<li>Tire Balancing</li>
<li>Having Open Plans</li>
<li>Small Town Strategies</li>
<li>Room of 100 People</li>
</ul><br/><p><br></p><p>Matt's Rant: Dolby Atmos Update</p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://michaeljamesproducer.com/"><strong>Michael's Site</strong></a></li>
<li><a href="https://www.alternatorrecords.com/"><strong>Michaels Label</strong></a></li>
<li><a href="https://music.apple.com/us/album/shelter-in-place/1587261305"><strong>Michael's New Record</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-125-with-michael-james/"><strong>WCA #125 w/ Michael James</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-211-with-jaimeson-durr/"><strong>WCA #211 w/ Jamison Durr</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Michael James</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-357-with-michael-james-small-town-strategies-dolby-atmos-alternator-records-shelter-in-place-and-a-room-of-100-people]]></link><guid isPermaLink="false">c0edd3e4-6460-11eb-8f60-071cca174534</guid><itunes:image href="https://artwork.captivate.fm/e403fc75-0d9b-4b5f-92a7-13c8f19a82dc/wca-357-with-michael-james-thumbnail.png"/><pubDate>Mon, 18 Oct 2021 18:27:35 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5cf1ea1b-6470-4f2c-8065-121dd31424a1.mp3" length="121325015" type="audio/mpeg"/><itunes:duration>01:03:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>357</itunes:episode><podcast:episode>357</podcast:episode><itunes:summary>Today, my guest is producer, mix engineer, and artist Michael James. Michael has worked with Hole, L7, Robben Ford, A.J. Croce, and many others. This is Michael&apos;s second appearance on the show. 

In this episode, we discuss:

Reflecting on Petaluma vs. Los Angeles

Balance

Pandemic Related Changes

Fiber Internet

Rogue Amoeba

Zoom

Dolby Atmos

Alternator Records

Shelter In Place

Alternative Audio Business

Tire Balancing

Having Open Plans

Small Town Strategies

Room of 100 People


Matt&apos;s Rant: Dolby Atmos Update

Links and Show Notes

Michael&apos;s Site

Michaels Label

Michael&apos;s New Record

WCA #125 w/ Michael James

WCA #211 w/ Jamison Durr

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Michael James


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #356 with Todd Hutchisen - Blinders on Head Down, Serving the Scene, Anti-Trend, Triple Sessions, and Family Balance</title><itunes:title>WCA #356 with Todd Hutchisen - Blinders on Head Down, Serving the Scene, Anti-Trend, Triple Sessions, and Family Balance</itunes:title><description><![CDATA[
        <p>Today, my guest is musician, multi-instrumentalist, producer, and engineer Todd Hutchisen, co-owner of Acadia Recording Company located in Portland, Maine. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Taking Ownership of Acadia</li>
<li>Studio Names</li>
<li>Tripple Sessions</li>
<li>Rudy Van Gelder</li>
<li>Don Zientara</li>
<li>Anti-Trend</li>
<li>Gear Restraint</li>
<li>Buying and Building Once</li>
<li>Analogies</li>
<li>Studio Ownership</li>
<li>Blinders on Head Down</li>
<li>Family Balance</li>
<li>Financial Philosophy</li>
<li>Serving The Scene</li>
<li>Safe Covid Sessions</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Knowing when to say Yes or No to Gigs</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.acadiarecording.com/"><strong>acadiarecording.com</strong></a></li>
<li><a href="https://www.linkedin.com/in/todd-hutchisen-73b456222"><strong>Todd on Linkedin</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Todd Hutchisen</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today, my guest is musician, multi-instrumentalist, producer, and engineer Todd Hutchisen, co-owner of Acadia Recording Company located in Portland, Maine. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Taking Ownership of Acadia</li>
<li>Studio Names</li>
<li>Tripple Sessions</li>
<li>Rudy Van Gelder</li>
<li>Don Zientara</li>
<li>Anti-Trend</li>
<li>Gear Restraint</li>
<li>Buying and Building Once</li>
<li>Analogies</li>
<li>Studio Ownership</li>
<li>Blinders on Head Down</li>
<li>Family Balance</li>
<li>Financial Philosophy</li>
<li>Serving The Scene</li>
<li>Safe Covid Sessions</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Knowing when to say Yes or No to Gigs</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.acadiarecording.com/"><strong>acadiarecording.com</strong></a></li>
<li><a href="https://www.linkedin.com/in/todd-hutchisen-73b456222"><strong>Todd on Linkedin</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Todd Hutchisen</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-356-with-todd-hutchisen-blinders-on-head-down-serving-the-scene-anti-trend-triple-sessions-and-family-balance]]></link><guid isPermaLink="false">c0e1b618-6460-11eb-8f60-53b53d49900a</guid><itunes:image href="https://artwork.captivate.fm/b5684809-3ca6-412c-b0a8-98d240e8b15e/wca-356-with-todd-hutchisen-thumbnail.png"/><pubDate>Mon, 11 Oct 2021 17:40:30 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c98800a3-a76c-4a87-bcb9-4fe6e0ecfb54.mp3" length="93677796" type="audio/mpeg"/><itunes:duration>48:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>358</itunes:episode><podcast:episode>358</podcast:episode><itunes:summary>Today, my guest is musician, multi-instrumentalist, producer, and engineer Todd Hutchisen, co-owner of Acadia Recording Company located in Portland, Maine. 

In this episode, we discuss:

Taking Ownership of Acadia

Studio Names

Tripple Sessions

Rudy Van Gelder

Don Zientara

Anti-Trend

Gear Restraint

Buying and Building Once

Analogies

Studio Ownership

Blinders on Head Down

Family Balance

Financial Philosophy

Serving The Scene

Safe Covid Sessions



Matt&apos;s Rant: Knowing when to say Yes or No to Gigs

Links and Show Notes

acadiarecording.com

Todd on Linkedin

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Todd Hutchisen


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #355 with Jason Phelps - Lobster, Landlords, Studio Partnerships, Portland, Maine, and Bluegrass</title><itunes:title>WCA #355 with Jason Phelps - Lobster, Landlords, Studio Partnerships, Portland, Maine, and Bluegrass</itunes:title><description><![CDATA[
        <p>Today, my guest is producer, engineer, and musician Jason Phelps, co-owner of Acadia Recording Company located in Portland, Maine. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Portland, Maine</li>
<li>Lobster</li>
<li>Acadia Recording CO. </li>
<li>Gateway Mastering</li>
<li>Landlords</li>
<li>Mini Splits</li>
<li>Studio Business</li>
<li>Shared Workflows</li>
<li>Studio Partnerships</li>
<li>Grants and Loans</li>
<li>Handling Studio Money</li>
<li>Trust</li>
<li>Making People Comfortable</li>
<li>8 Tracks</li>
<li>Back Ordered Guitars</li>
<li>Bluegrass</li>
<li>Networking</li>
<li>Teaching</li>
<li>Having A Plan</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Having Coffee with New Friends</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.acadiarecording.com/"><strong>acadiarecording.com</strong></a></li>
<li><a href="http://www.jasonphelpsmusic.com/"><strong>jasonphelpsmusic.com</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Jason Phelps</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today, my guest is producer, engineer, and musician Jason Phelps, co-owner of Acadia Recording Company located in Portland, Maine. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Portland, Maine</li>
<li>Lobster</li>
<li>Acadia Recording CO. </li>
<li>Gateway Mastering</li>
<li>Landlords</li>
<li>Mini Splits</li>
<li>Studio Business</li>
<li>Shared Workflows</li>
<li>Studio Partnerships</li>
<li>Grants and Loans</li>
<li>Handling Studio Money</li>
<li>Trust</li>
<li>Making People Comfortable</li>
<li>8 Tracks</li>
<li>Back Ordered Guitars</li>
<li>Bluegrass</li>
<li>Networking</li>
<li>Teaching</li>
<li>Having A Plan</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Having Coffee with New Friends</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.acadiarecording.com/"><strong>acadiarecording.com</strong></a></li>
<li><a href="http://www.jasonphelpsmusic.com/"><strong>jasonphelpsmusic.com</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Jason Phelps</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-355-with-jason-phelps-lobster-landlords-studio-partnerships-portland-maine-and-bluegrass]]></link><guid isPermaLink="false">c0d49e24-6460-11eb-8f60-675acfec8c4f</guid><itunes:image href="https://artwork.captivate.fm/e15e7679-c610-4054-a77d-3a7dc4a370c1/wca-355-with-jason-phelps-thumbnail.png"/><pubDate>Mon, 04 Oct 2021 18:21:28 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/80beaad9-cba7-4429-95b2-003870313eaf.mp3" length="88686464" type="audio/mpeg"/><itunes:duration>46:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>355</itunes:episode><podcast:episode>355</podcast:episode><itunes:summary>Today, my guest is producer, engineer, and musician Jason Phelps, co-owner of Acadia Recording Company located in Portland, Maine. 

In this episode, we discuss:

Portland, Maine

Lobster

Acadia Recording CO. 

Gateway Mastering

Landlords

Mini Splits

Studio Business

Shared Workflows

Studio Partnerships

Grants and Loans

Handling Studio Money

Trust

Making People Comfortable

8 Tracks

Back Ordered Guitars

Bluegrass

Networking

Teaching

Having A Plan



Matt&apos;s Rant: Having Coffee with New Friends
Links and Show Notes

acadiarecording.com

jasonphelpsmusic.com

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Jason Phelps


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #354 with Tom Gordon - Granny&apos;s House, Weed Offerings, 80 Hour Weeks, Sammy Davis Jr., and Advice from Shelly Yakus</title><itunes:title>WCA #354 with Tom Gordon - Granny&apos;s House, Weed Offerings, 80 Hour Weeks, Sammy Davis Jr., and Advice from Shelly Yakus</itunes:title><description><![CDATA[
        <p>My guest today is Producer, Engineer, and Educator Tom Gordon. Tom has worked with Ozzy Osbourne, Dr. Dre, The Beach Boys, Boyz II Men, Willie Nelson, Whitesnake, and Bruce Dickenson of Iron Maiden, to name a few. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up In Reno</li>
<li>Theater Parents</li>
<li>Sammy Davis Jr. </li>
<li>Reel to Reel Discoveries</li>
<li>Endless Love</li>
<li>Granny's House</li>
<li>USC</li>
<li>Discovering Recording</li>
<li>Advice from Shelly Yakus</li>
<li>Milli Vanilli</li>
<li>Spec Deals</li>
<li>Music Bias</li>
<li>Weed Offerings </li>
<li>Working with Famous People</li>
<li>Whitesnake</li>
<li>Imirage Studios</li>
<li>Teaching</li>
<li>80 Hour Weeks</li>
<li>Lessons for Students</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Inspiration from Other Things</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://inspired-amateur.com/"><strong>Tom's Site</strong></a></li>
<li><a href="https://www.unr.edu/music/people/tom-gordon"><strong>Tom at UNR</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-348-with-mike-blodgett/"><strong>Mike Blodgett WCA #348</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Tom Gordon</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Producer, Engineer, and Educator Tom Gordon. Tom has worked with Ozzy Osbourne, Dr. Dre, The Beach Boys, Boyz II Men, Willie Nelson, Whitesnake, and Bruce Dickenson of Iron Maiden, to name a few. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up In Reno</li>
<li>Theater Parents</li>
<li>Sammy Davis Jr. </li>
<li>Reel to Reel Discoveries</li>
<li>Endless Love</li>
<li>Granny's House</li>
<li>USC</li>
<li>Discovering Recording</li>
<li>Advice from Shelly Yakus</li>
<li>Milli Vanilli</li>
<li>Spec Deals</li>
<li>Music Bias</li>
<li>Weed Offerings </li>
<li>Working with Famous People</li>
<li>Whitesnake</li>
<li>Imirage Studios</li>
<li>Teaching</li>
<li>80 Hour Weeks</li>
<li>Lessons for Students</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Inspiration from Other Things</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://inspired-amateur.com/"><strong>Tom's Site</strong></a></li>
<li><a href="https://www.unr.edu/music/people/tom-gordon"><strong>Tom at UNR</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-348-with-mike-blodgett/"><strong>Mike Blodgett WCA #348</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Tom Gordon</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-354-with-tom-gordon-grannys-house-weed-offerings-80-hour-weeks-sammy-davis-jr-and-advice-from-shelly-yakus]]></link><guid isPermaLink="false">c0c839e0-6460-11eb-8f60-f7912291f100</guid><itunes:image href="https://artwork.captivate.fm/5648f966-3711-428b-83ab-454a7fe7e09e/wca-354-with-tom-gordon-thumbnail.png"/><pubDate>Mon, 27 Sep 2021 18:44:06 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a378080f-58a8-49dd-b569-93fecd6200dc.mp3" length="130362969" type="audio/mpeg"/><itunes:duration>01:07:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>354</itunes:episode><podcast:episode>354</podcast:episode><itunes:summary>My guest today is Producer, Engineer, and Educator Tom Gordon. Tom has worked with Ozzy Osbourne, Dr. Dre, The Beach Boys, Boyz II Men, Willie Nelson, Whitesnake, and Bruce Dickenson of Iron Maiden, to name a few. 

In this episode, we discuss:

Growing up In Reno

Theater Parents

Sammy Davis Jr. 

Reel to Reel Discoveries

Endless Love

Granny&apos;s House

USC

Discovering Recording

Advice from Shelly Yakus

Milli Vanilli

Spec Deals

Music Bias

Weed Offerings 

Working with Famous People

Whitesnake

Imirage Studios

Teaching

80 Hour Weeks

Lessons for Students



Matt&apos;s Rant: Inspiration from Other Things

Links and Show Notes

Tom&apos;s Site

Tom at UNR

Mike Blodgett WCA #348

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Tom Gordon


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #353 with Matt Qualls - Van Burnout, Doctors Office Recording, Working with Limitations, Sound Baths, and Memphis</title><itunes:title>WCA #353 with Matt Qualls - Van Burnout, Doctors Office Recording, Working with Limitations, Sound Baths, and Memphis</itunes:title><description><![CDATA[
        <p>My guest today is recording, mixing, and mastering engineer Matt Qualls who is based in Memphis, Tennessee. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing Up In Memphis</li>
<li>Early Recording</li>
<li>Van Burnout</li>
<li>Doctors Office Recording</li>
<li><a href="https://www.ardentstudios.com/">Ardent Studios</a></li>
<li>Working with Limitations</li>
<li>Neve VR-60 and Toothpicks</li>
<li>Studio Maintenance</li>
<li><a href="https://en.wikipedia.org/wiki/San_Francisco_Bay_Area">The Bay Area</a></li>
<li><a href="https://en.wikipedia.org/wiki/Albuquerque,_New_Mexico">Albuquerque</a></li>
<li>Feeling Retired</li>
<li>Gear Talk</li>
<li>Sound Bath</li>
<li>Moving Back to Memphis</li>
<li><a href="http://www.youngavenuesound.com/">Young Avenue Sound</a></li>
<li>Nashville vs. Memphis</li>
<li>Invasion</li>
<li>Sacrifices</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Over Committing</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.instagram.com/letsjumpin/?hl=en"><strong>Matt Qualls on Instagram</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Matt Qualls</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is recording, mixing, and mastering engineer Matt Qualls who is based in Memphis, Tennessee. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing Up In Memphis</li>
<li>Early Recording</li>
<li>Van Burnout</li>
<li>Doctors Office Recording</li>
<li><a href="https://www.ardentstudios.com/">Ardent Studios</a></li>
<li>Working with Limitations</li>
<li>Neve VR-60 and Toothpicks</li>
<li>Studio Maintenance</li>
<li><a href="https://en.wikipedia.org/wiki/San_Francisco_Bay_Area">The Bay Area</a></li>
<li><a href="https://en.wikipedia.org/wiki/Albuquerque,_New_Mexico">Albuquerque</a></li>
<li>Feeling Retired</li>
<li>Gear Talk</li>
<li>Sound Bath</li>
<li>Moving Back to Memphis</li>
<li><a href="http://www.youngavenuesound.com/">Young Avenue Sound</a></li>
<li>Nashville vs. Memphis</li>
<li>Invasion</li>
<li>Sacrifices</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Over Committing</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.instagram.com/letsjumpin/?hl=en"><strong>Matt Qualls on Instagram</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Matt Qualls</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-353-with-matt-qualls-van-burnout-doctors-office-recording-working-with-limitations-sound-baths-and-memphis]]></link><guid isPermaLink="false">c0bbca16-6460-11eb-8f60-9b52c810e8f5</guid><itunes:image href="https://artwork.captivate.fm/be4bf453-12dc-4fe0-9602-a0430d439b6c/wca-353-with-matt-qualls-thumbnail.png"/><pubDate>Mon, 20 Sep 2021 18:16:29 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6c98d7a8-40e3-4a4b-8d8e-d46dd844aea1.mp3" length="108895639" type="audio/mpeg"/><itunes:duration>56:43</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>353</itunes:episode><podcast:episode>353</podcast:episode><itunes:summary>My guest today is recording, mixing, and mastering engineer Matt Qualls who is based in Memphis, Tennessee. 

In this episode, we discuss:

Growing Up In Memphis

Early Recording

Van Burnout

Doctors Office Recording

Ardent Studios

Working with Limitations

Neve VR-60 and Toothpicks

Studio Maintenance

The Bay Area

Albuquerque

Feeling Retired

Gear Talk

Sound Bath

Moving Back to Memphis

Young Avenue Sound

Nashville vs. Memphis

Invasion

Sacrifices


Matt&apos;s Rant: Over Committing
Links and Show Notes

Matt Qualls on Instagram

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Matt Qualls


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #352 with Sean O&apos;Keefe - Quitting School, Wednesday Warriors, Hacking the Intern Process, Managers, Royalties, and Soft Cities</title><itunes:title>WCA #352 with Sean O&apos;Keefe - Quitting School, Wednesday Warriors, Hacking the Intern Process, Managers, Royalties, and Soft Cities</itunes:title><description><![CDATA[
        <p>My guest today is Grammy Nominated Mixer, Producer, Sean O'Keefe who has worked with Fall Out Boy, Hawthorne Heights, and The Plain White T's, among many others. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Chicago</li>
<li>4 Track Recording</li>
<li>Academic Father</li>
<li>Quitting School</li>
<li>Living in an Office</li>
<li>Wednesday Warriors</li>
<li>Lessons Learned from Gravity Studios</li>
<li>Hacking the Intern Process</li>
<li>Smart Studios</li>
<li>Fall Out Boy</li>
<li>Evanston</li>
<li>Soft City</li>
<li>Managers</li>
<li>Royalties</li>
<li>Economic Lessons</li>
<li>Gear Doesn't Matter</li>
</ul><br/><p><br></p><p>Matt's Rant: Random Thoughts</p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.seanokeefeproducer.com/"><strong>Sean's Site</strong></a></li>
<li><a href="https://www.instagram.com/rosecrud/"><strong>Sean on Instagram</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-223-with-doug-mcbride/"><strong>Doug McBride </strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-264-with-justin-perkins/"><strong>Justin Perkins </strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-166-with-ken-sluiter/"><strong>Ken Sluiter</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-280-with-brad-wood/"><strong>Brad Wood</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-220-with-butch-vig/"><strong>Butch Vig</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Sean O'Keefe</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy Nominated Mixer, Producer, Sean O'Keefe who has worked with Fall Out Boy, Hawthorne Heights, and The Plain White T's, among many others. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Chicago</li>
<li>4 Track Recording</li>
<li>Academic Father</li>
<li>Quitting School</li>
<li>Living in an Office</li>
<li>Wednesday Warriors</li>
<li>Lessons Learned from Gravity Studios</li>
<li>Hacking the Intern Process</li>
<li>Smart Studios</li>
<li>Fall Out Boy</li>
<li>Evanston</li>
<li>Soft City</li>
<li>Managers</li>
<li>Royalties</li>
<li>Economic Lessons</li>
<li>Gear Doesn't Matter</li>
</ul><br/><p><br></p><p>Matt's Rant: Random Thoughts</p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.seanokeefeproducer.com/"><strong>Sean's Site</strong></a></li>
<li><a href="https://www.instagram.com/rosecrud/"><strong>Sean on Instagram</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-223-with-doug-mcbride/"><strong>Doug McBride </strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-264-with-justin-perkins/"><strong>Justin Perkins </strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-166-with-ken-sluiter/"><strong>Ken Sluiter</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-280-with-brad-wood/"><strong>Brad Wood</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-220-with-butch-vig/"><strong>Butch Vig</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Sean O'Keefe</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-352-with-sean-okeefe-quitting-school-wednesday-warriors-hacking-the-intern-process-managers-royalties-and-soft-cities]]></link><guid isPermaLink="false">c0af6960-6460-11eb-8f60-7f31d1e268b6</guid><itunes:image href="https://artwork.captivate.fm/5652a9ce-aba4-4b82-a45b-461baf79469a/wca-352-with-sean-o-keefe.png"/><pubDate>Mon, 13 Sep 2021 18:42:25 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bee5e1f3-c55c-44ab-80f0-46af5029939b.mp3" length="119726712" type="audio/mpeg"/><itunes:duration>01:02:21</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>352</itunes:episode><podcast:episode>352</podcast:episode><itunes:summary>My guest today is Grammy Nominated Mixer, Producer, Sean O&apos;Keefe who has worked with Fall Out Boy, Hawthorne Heights, and The Plain White T&apos;s, among many others. 

In this episode, we discuss:

Chicago

4 Track Recording

Academic Father

Quitting School

Living in an Office

Wednesday Warriors

Lessons Learned from Gravity Studios

Hacking the Intern Process

Smart Studios

Fall Out Boy

Evanston

Soft City

Managers

Royalties

Economic Lessons

Gear Doesn&apos;t Matter


Matt&apos;s Rant: Random Thoughts
Links and Show Notes

Sean&apos;s Site

Sean on Instagram

Doug McBride 

Justin Perkins 

Ken Sluiter

Brad Wood

Butch Vig

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Sean O&apos;Keefe


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #351 with Travis Ference - Talent Shows, Capital Studios, Waiting for the Phone to Ring, and Doing Awful Things to Audio</title><itunes:title>WCA #351 with Travis Ference - Talent Shows, Capital Studios, Waiting for the Phone to Ring, and Doing Awful Things to Audio</itunes:title><description><![CDATA[
        <p>My guest today is Grammy Nominated Mixer, Producer, and Recording Engineer Travis Ference. Travis has worked with Imagine Dragons, John Mayer, Ariana Grande, and Bush, to name a few. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>North Carolina</li>
<li>Blooming Late</li>
<li>Selling his only Zeppelin CD!</li>
<li>Talent Shows</li>
<li>Sports</li>
<li>Berklee College of Music</li>
<li>Boston</li>
<li>LA</li>
<li>Capital Studios</li>
<li>Waiting for the Phone to Ring</li>
<li>Life As a Studio Runner</li>
<li>Disney Pop</li>
<li>Doing Awful Things to Audio</li>
<li>Independence</li>
<li>Personality Types in Audio</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Staying Organized</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.travisference.com/"><strong>Travis's Site</strong></a></li>
<li><a href="https://www.progressionspodcast.com/"><strong>ProGressions Podcast</strong></a></li>
<li><a href="https://www.instagram.com/tference/"><strong>Travis on Instagram</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Travis Ference</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy Nominated Mixer, Producer, and Recording Engineer Travis Ference. Travis has worked with Imagine Dragons, John Mayer, Ariana Grande, and Bush, to name a few. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>North Carolina</li>
<li>Blooming Late</li>
<li>Selling his only Zeppelin CD!</li>
<li>Talent Shows</li>
<li>Sports</li>
<li>Berklee College of Music</li>
<li>Boston</li>
<li>LA</li>
<li>Capital Studios</li>
<li>Waiting for the Phone to Ring</li>
<li>Life As a Studio Runner</li>
<li>Disney Pop</li>
<li>Doing Awful Things to Audio</li>
<li>Independence</li>
<li>Personality Types in Audio</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Staying Organized</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.travisference.com/"><strong>Travis's Site</strong></a></li>
<li><a href="https://www.progressionspodcast.com/"><strong>ProGressions Podcast</strong></a></li>
<li><a href="https://www.instagram.com/tference/"><strong>Travis on Instagram</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Travis Ference</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-351-with-travis-ference-talent-shows-capital-studios-waiting-for-the-phone-to-ring-and-doing-awful-things-to-audio]]></link><guid isPermaLink="false">c0a32e66-6460-11eb-8f60-1353d7319676</guid><itunes:image href="https://artwork.captivate.fm/e4dbb2da-098f-4a03-a159-db3566c00a13/wca-351-with-travis-ference-thumbnail.png"/><pubDate>Mon, 06 Sep 2021 18:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/aa2fb257-9755-4dbb-bb74-0f074842d27e.mp3" length="115672515" type="audio/mpeg"/><itunes:duration>01:00:15</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>351</itunes:episode><podcast:episode>351</podcast:episode><itunes:summary>My guest today is Grammy Nominated Mixer, Producer, and Recording Engineer Travis Ference. Travis has worked with Imagine Dragons, John Mayer, Ariana Grande, and Bush, to name a few. 

In this episode, we discuss:

North Carolina

Blooming Late

Selling his only Zeppelin CD!

Talent Shows

Sports

Berklee College of Music

Boston

LA

Capital Studios

Waiting for the Phone to Ring

Life As a Studio Runner

Disney Pop

Doing Awful Things to Audio

Independence

Personality Types in Audio


Matt&apos;s Rant: Staying Organized
Links and Show Notes

Travis&apos;s Site

ProGressions Podcast

Travis on Instagram

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Travis Ference


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #350 with Leslie Brathwaite - Island Culture, The Craft of Recording, Taking Pride in Work, Valuing Peace, and Salads for Whitney Houston</title><itunes:title>WCA #350 with Leslie Brathwaite - Island Culture, The Craft of Recording, Taking Pride in Work, Valuing Peace, and Salads for Whitney Houston</itunes:title><description><![CDATA[
        <p>My guest today is recording and mixing engineer Leslie Brathwaite, who has worked with Pharrell Williams, Outkast, Björk, TLC, Jay Z, Madonna, Ludacris, Young Jeezy, Akon, T.I., Monica, Michael Jackson, Cher, Mary J. Blige, 2Pac, Notorious B.I.G just to name a few. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Virgin Islands</li>
<li>Calypso Music</li>
<li>Birth of Hip Hop</li>
<li>Drum Machines</li>
<li>Island Culture</li>
<li>Making Dubs</li>
<li>Leaving The Island</li>
<li>Full Sail</li>
<li>The Craft of Recording</li>
<li>Dallas Austin</li>
<li>Salads for Whitney Houston</li>
<li>Apple IIE</li>
<li>Taking Pride in Work</li>
<li>Good and Efficient</li>
<li>Building Relationships</li>
<li>The Cup Test</li>
<li>Turning Work Down</li>
<li>Valuing Peace</li>
<li>Mixing in the Box</li>
<li>Money Talk</li>
<li>Mix Philosophy</li>
</ul><br/><p><br></p><p>Matt's Rant: Revisiting Habits</p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.instagram.com/lesterbud/?hl=en"><strong>Leslie on Instagram</strong></a></li>
<li><a href="https://www.twitch.tv/lesterbud"><strong>Leslie on Twitch</strong></a></li>
<li><a href="https://amzn.to/3kFgygh"><strong>Atomic Habits</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Leslie Brathwaite</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is recording and mixing engineer Leslie Brathwaite, who has worked with Pharrell Williams, Outkast, Björk, TLC, Jay Z, Madonna, Ludacris, Young Jeezy, Akon, T.I., Monica, Michael Jackson, Cher, Mary J. Blige, 2Pac, Notorious B.I.G just to name a few. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Virgin Islands</li>
<li>Calypso Music</li>
<li>Birth of Hip Hop</li>
<li>Drum Machines</li>
<li>Island Culture</li>
<li>Making Dubs</li>
<li>Leaving The Island</li>
<li>Full Sail</li>
<li>The Craft of Recording</li>
<li>Dallas Austin</li>
<li>Salads for Whitney Houston</li>
<li>Apple IIE</li>
<li>Taking Pride in Work</li>
<li>Good and Efficient</li>
<li>Building Relationships</li>
<li>The Cup Test</li>
<li>Turning Work Down</li>
<li>Valuing Peace</li>
<li>Mixing in the Box</li>
<li>Money Talk</li>
<li>Mix Philosophy</li>
</ul><br/><p><br></p><p>Matt's Rant: Revisiting Habits</p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.instagram.com/lesterbud/?hl=en"><strong>Leslie on Instagram</strong></a></li>
<li><a href="https://www.twitch.tv/lesterbud"><strong>Leslie on Twitch</strong></a></li>
<li><a href="https://amzn.to/3kFgygh"><strong>Atomic Habits</strong></a></li>
<li><a href="https://www.instagram.com/working_class_audio"><strong>WCA on Instagram</strong></a></li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Leslie Brathwaite</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-350-with-leslie-brathwaite-island-culture-the-craft-of-recording-taking-pride-in-work-valuing-peace-and-salads-for-whitney-houston]]></link><guid isPermaLink="false">c096d2c4-6460-11eb-8f60-5bd71fbfbd7c</guid><itunes:image href="https://artwork.captivate.fm/3975beb3-6690-41ac-86db-a6e82ed1a5b0/wca-350-with-leslie-brathwaite-thumbnail.png"/><pubDate>Mon, 30 Aug 2021 16:10:47 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/429d4c4a-47e5-4517-bcb0-340ffd9b204a.mp3" length="153050720" type="audio/mpeg"/><itunes:duration>01:19:43</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>350</itunes:episode><podcast:episode>350</podcast:episode><itunes:summary>My guest today is recording and mixing engineer Leslie Brathwaite, who has worked with Pharrell Williams, Outkast, Björk, TLC, Jay Z, Madonna, Ludacris, Young Jeezy, Akon, T.I., Monica, Michael Jackson, Cher, Mary J. Blige, 2Pac, Notorious B.I.G just to name a few. 

In this episode, we discuss:

Virgin Islands

Calypso Music

Birth of Hip Hop

Drum Machines

Island Culture

Making Dubs

Leaving The Island

Full Sail

The Craft of Recording

Dallas Austin

Salads for Whitney Houston

Apple IIE

Taking Pride in Work

Good and Efficient

Building Relationships

The Cup Test

Turning Work Down

Valuing Peace

Mixing in the Box

Money Talk

Mix Philosophy


Matt&apos;s Rant: Revisiting Habits

Links and Show Notes

Leslie on Instagram

Leslie on Twitch

Atomic Habits

WCA on Instagram

Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Leslie Brathwaite


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #349 with Craig Alvin - Muscle Shoals,  Mentors, Survival, Bible College Neves, And A Brand New Studio  </title><itunes:title>WCA #349 with Craig Alvin - Muscle Shoals,  Mentors, Survival, Bible College Neves, And A Brand New Studio  </itunes:title><description><![CDATA[
        <p>My guest today is Grammy-Winning Mix Engineer and Producer Craig Alvin. Craig's recording credits include Hanson, Little Big Town, Amy Grant, Vanessa Carlton, Will Hoge, Andrew Belle, Brittany Howard, and a Grammy for his mix work on Kacey Musgraves' Golden Hour album in 2019.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Vancouver, Washington</li>
<li>Bible College Neves</li>
<li>5 O'Clock People</li>
<li>Joe Chicarelli</li>
<li>Always Be Listening</li>
<li>Oklahoma City</li>
<li>Advice on Nashville</li>
<li>Muscle Shoals</li>
<li>Mentors</li>
<li>Larry Crane</li>
<li>Aretha Franklin</li>
<li>Cost of Living</li>
<li>New Studio</li>
<li>Work/Life</li>
<li>Survival</li>
<li>Quality of Tracks</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Do We Always Need to Get Paid for Our Stuff?Links and Show Notes</strong></p><ul>
<li><a href="https://www.craigalvin.com/"><strong>Craig's Site</strong></a></li>
<li><a href="https://www.instagram.com/craigalvin/?hl=en"><strong>Craig On Instagram</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Craig Alvin</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy-Winning Mix Engineer and Producer Craig Alvin. Craig's recording credits include Hanson, Little Big Town, Amy Grant, Vanessa Carlton, Will Hoge, Andrew Belle, Brittany Howard, and a Grammy for his mix work on Kacey Musgraves' Golden Hour album in 2019.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Vancouver, Washington</li>
<li>Bible College Neves</li>
<li>5 O'Clock People</li>
<li>Joe Chicarelli</li>
<li>Always Be Listening</li>
<li>Oklahoma City</li>
<li>Advice on Nashville</li>
<li>Muscle Shoals</li>
<li>Mentors</li>
<li>Larry Crane</li>
<li>Aretha Franklin</li>
<li>Cost of Living</li>
<li>New Studio</li>
<li>Work/Life</li>
<li>Survival</li>
<li>Quality of Tracks</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Do We Always Need to Get Paid for Our Stuff?Links and Show Notes</strong></p><ul>
<li><a href="https://www.craigalvin.com/"><strong>Craig's Site</strong></a></li>
<li><a href="https://www.instagram.com/craigalvin/?hl=en"><strong>Craig On Instagram</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Craig Alvin</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-349-with-craig-alvin-muscle-shoals-mentors-survival-bible-college-neves-and-a-brand-new-studio-]]></link><guid isPermaLink="false">c089e2d0-6460-11eb-8f60-e36696473d34</guid><itunes:image href="https://artwork.captivate.fm/6554f1cb-f0bb-4e0b-9d1e-16e37d2a0e71/wca-349-with-craig-alvin-thumbnail.png"/><pubDate>Mon, 23 Aug 2021 16:27:02 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0c454baa-16b5-435c-a714-958b446b4c89.mp3" length="101322357" type="audio/mpeg"/><itunes:duration>52:46</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>349</itunes:episode><podcast:episode>349</podcast:episode><itunes:summary>My guest today is Grammy-Winning Mix Engineer and Producer Craig Alvin. Craig&apos;s recording credits include Hanson, Little Big Town, Amy Grant, Vanessa Carlton, Will Hoge, Andrew Belle, Brittany Howard, and a Grammy for his mix work on Kacey Musgraves&apos; Golden Hour album in 2019.
In this episode, we discuss:

Vancouver, Washington

Bible College Neves

5 O&apos;Clock People

Joe Chicarelli

Always Be Listening

Oklahoma City

Advice on Nashville

Muscle Shoals

Mentors

Larry Crane

Aretha Franklin

Cost of Living

New Studio

Work/Life

Survival

Quality of Tracks


Matt&apos;s Rant: Do We Always Need to Get Paid for Our Stuff?Links and Show Notes

Craig&apos;s Site

Craig On Instagram


WCA on Instagram: @working_class_audio


Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Craig Alvin


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #348 with Mike Blodgett - Reno to East Oakland, Starving Musician, Building a Studio, and Becoming an Electrician. </title><itunes:title>WCA #348 with Mike Blodgett - Reno to East Oakland, Starving Musician, Building a Studio, and Becoming an Electrician. </itunes:title><description><![CDATA[
        <p>Today, my guest is producer, engineer, composer, and electrician Mike Blodgett, the owner of Electric Sparky Land recording in East Oakland. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>East Oakland</li>
<li>Live/Work Space</li>
<li>Reno, Nevada</li>
<li>Viola</li>
<li>Field Recording</li>
<li>4 Tracks</li>
<li>Starving Musician</li>
<li>Becoming an Electrician</li>
<li>Business Practices</li>
<li>Building a Studio</li>
<li>Creating A Record Label</li>
<li>Recording Bands Live</li>
<li>Choosing Gear</li>
<li>Talking Electricity</li>
<li>Hiring an Electrician</li>
</ul><br/><p><br></p><p>Matt's Rant: Atmos Studio Update<strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.electricsparkyland.com/contact.html"><strong>Mike's Studio</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Mike Blodgett</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today, my guest is producer, engineer, composer, and electrician Mike Blodgett, the owner of Electric Sparky Land recording in East Oakland. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>East Oakland</li>
<li>Live/Work Space</li>
<li>Reno, Nevada</li>
<li>Viola</li>
<li>Field Recording</li>
<li>4 Tracks</li>
<li>Starving Musician</li>
<li>Becoming an Electrician</li>
<li>Business Practices</li>
<li>Building a Studio</li>
<li>Creating A Record Label</li>
<li>Recording Bands Live</li>
<li>Choosing Gear</li>
<li>Talking Electricity</li>
<li>Hiring an Electrician</li>
</ul><br/><p><br></p><p>Matt's Rant: Atmos Studio Update<strong>Links and Show Notes</strong></p><ul>
<li><a href="http://www.electricsparkyland.com/contact.html"><strong>Mike's Studio</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Mike Blodgett</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-348-with-mike-blodgett-reno-to-east-oakland-starving-musician-building-a-studio-and-becoming-an-electrician-]]></link><guid isPermaLink="false">c07d85f8-6460-11eb-8f60-b7af5d1dc4f0</guid><itunes:image href="https://artwork.captivate.fm/8927d690-8da3-4f6a-9cde-cbc1ca147fa5/wca-348-with-mike-blodgett-thumbnail.png"/><pubDate>Mon, 16 Aug 2021 17:22:13 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/785fc28d-68cc-4962-991b-49393210239e.mp3" length="89968799" type="audio/mpeg"/><itunes:duration>46:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>348</itunes:episode><podcast:episode>348</podcast:episode><itunes:summary>Today, my guest is producer, engineer, composer, and electrician Mike Blodgett, the owner of Electric Sparky Land recording in East Oakland. 
In this episode, we discuss:

East Oakland

Live/Work Space

Reno, Nevada

Viola

Field Recording

4 Tracks

Starving Musician

Becoming an Electrician

Business Practices

Building a Studio

Creating A Record Label

Recording Bands Live

Choosing Gear

Talking Electricity

Hiring an Electrician


Matt&apos;s Rant: Atmos Studio UpdateLinks and Show Notes

Mike&apos;s Studio


WCA on Instagram: @working_class_audio


Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Mike Blodgett


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #347 with Beckie Campbell - Controlling The Live Beast, Building A Resume, Planning for The Future, and Running Your Life From The Road</title><itunes:title>WCA #347 with Beckie Campbell - Controlling The Live Beast, Building A Resume, Planning for The Future, and Running Your Life From The Road</itunes:title><description><![CDATA[
        <p>My guest today is Live Sound engineer Beckie Campbell. Beckie does FOH for major acts like the Indigo Girls and the Commodores. She's also the owner of B4Media Production LLC, where she Produces corporate events, festivals, and live shows all over the US. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Live Sound</li>
<li>Union Work</li>
<li>The UP of Michigan</li>
<li>FullSail</li>
<li>Building A Resume</li>
<li>Worship Sound</li>
<li>Controlling The Live Beast</li>
<li>Building Troubleshooting Skills</li>
<li>Setting Rates</li>
<li>A1 AND A2 Distinctions</li>
<li>Working On Digital Consoles</li>
<li>Taking Deep Breaths</li>
<li>Recording Shows</li>
<li>Hearing Protection</li>
<li>Money Management</li>
<li>Planning for The Future</li>
<li>Health and Wellness</li>
<li>Work/Life Balance</li>
<li>Running Your Life From The Road</li>
<li>Health Insurance</li>
</ul><br/><p><strong>Matt's Rant: Making time for your imaginationLinks and Show Notes</strong></p><ul>
<li><a href="https://www.facebook.com/B4MediaProduction"><strong>Beckie on Facebook</strong></a></li>
<li><a href="http://www.linkedin.com/in/beckiecampbell"><strong>Beckie on Linkedin</strong></a></li>
<li><a href="https://www.instagram.com/b4mediaproduction"><strong>Beckie on Instagram</strong></a></li>
<li><a href="http://www.B4MediaProduction.com"><strong>Beckie's Website</strong></a></li>
<li>
<a href="http://www.soundgirls.org"><strong>Soundgirls</strong></a> <strong>Site</strong>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Beckie Campbell</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Live Sound engineer Beckie Campbell. Beckie does FOH for major acts like the Indigo Girls and the Commodores. She's also the owner of B4Media Production LLC, where she Produces corporate events, festivals, and live shows all over the US. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Live Sound</li>
<li>Union Work</li>
<li>The UP of Michigan</li>
<li>FullSail</li>
<li>Building A Resume</li>
<li>Worship Sound</li>
<li>Controlling The Live Beast</li>
<li>Building Troubleshooting Skills</li>
<li>Setting Rates</li>
<li>A1 AND A2 Distinctions</li>
<li>Working On Digital Consoles</li>
<li>Taking Deep Breaths</li>
<li>Recording Shows</li>
<li>Hearing Protection</li>
<li>Money Management</li>
<li>Planning for The Future</li>
<li>Health and Wellness</li>
<li>Work/Life Balance</li>
<li>Running Your Life From The Road</li>
<li>Health Insurance</li>
</ul><br/><p><strong>Matt's Rant: Making time for your imaginationLinks and Show Notes</strong></p><ul>
<li><a href="https://www.facebook.com/B4MediaProduction"><strong>Beckie on Facebook</strong></a></li>
<li><a href="http://www.linkedin.com/in/beckiecampbell"><strong>Beckie on Linkedin</strong></a></li>
<li><a href="https://www.instagram.com/b4mediaproduction"><strong>Beckie on Instagram</strong></a></li>
<li><a href="http://www.B4MediaProduction.com"><strong>Beckie's Website</strong></a></li>
<li>
<a href="http://www.soundgirls.org"><strong>Soundgirls</strong></a> <strong>Site</strong>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Beckie Campbell</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-347-with-beckie-campbell-controlling-the-live-beast-building-a-resume-planning-for-the-future-and-running-your-life-from-the-road]]></link><guid isPermaLink="false">c0712eca-6460-11eb-8f60-c370406d3cd2</guid><itunes:image href="https://artwork.captivate.fm/aaedaee7-1430-4e44-98af-a287ef81e66f/wca-347-with-beckie-campbell-thumbnail.png"/><pubDate>Mon, 09 Aug 2021 05:45:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/541539cf-911c-49b2-a6d0-1866f82f5bc2.mp3" length="118452035" type="audio/mpeg"/><itunes:duration>01:01:42</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>348</itunes:episode><podcast:episode>348</podcast:episode><itunes:summary>My guest today is Live Sound engineer Beckie Campbell. Beckie does FOH for major acts like the Indigo Girls and the Commodores. She&apos;s also the owner of B4Media Production LLC, where she Produces corporate events, festivals, and live shows all over the US. 
In this episode, we discuss:

Live Sound

Union Work

The UP of Michigan

FullSail

Building A Resume

Worship Sound

Controlling The Live Beast

Building Troubleshooting Skills

Setting Rates

A1 AND A2 Distinctions

Working On Digital Consoles

Taking Deep Breaths

Recording Shows

Hearing Protection

Money Management

Planning for The Future

Health and Wellness

Work/Life Balance

Running Your Life From The Road

Health Insurance

Matt&apos;s Rant: Making time for your imaginationLinks and Show Notes

Beckie on Facebook

Beckie on Linkedin

Beckie on Instagram

Beckie&apos;s Website


Soundgirls Site



WCA on Instagram: @working_class_audio


Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Beckie Campbell


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #346 with Dante Fumo - Post Production, Immersive Audio, Recording for 6 Packs, Finding Work, and The Sunk Cost Fallacy</title><itunes:title>WCA #346 with Dante Fumo - Post Production, Immersive Audio, Recording for 6 Packs, Finding Work, and The Sunk Cost Fallacy</itunes:title><description><![CDATA[
        <p>Today's guest today is sound designer, mixer, composer, and writer Dante Fumo. Dante started recording indie bands in Milwaukee, Wisconsin and has since branched out into sound design for film and games and relocating to Minnesota. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Copywriting</li>
<li>Prog Rock</li>
<li>Audio School</li>
<li>Recording for 6 Packs</li>
<li>Basement Studios</li>
<li>Day Jobs</li>
<li>Freelance Writing</li>
<li>Building a Studio</li>
<li>Working From Home</li>
<li>Post Production</li>
<li>Game Sound</li>
<li>Immersive Audio</li>
<li>Selling Gear</li>
<li>Lower Overhead</li>
<li>Studio Identity </li>
<li>The Sunk Cost Fallacy</li>
<li>Finding Work</li>
<li>Volunteering</li>
<li>Local Work Opportunities</li>
<li>Slack Channels</li>
<li>Hobby vs. Profession</li>
<li>Finances</li>
</ul><br/><p>Matt's Rant: Dolby Atmos Update<strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.dantefumo.com/"><strong>Dante's Site</strong></a></li>
<li><a href="https://www.instagram.com/dantefumo/"><strong>Dante on Instagram</strong></a></li>
<li><a href="https://twitter.com/DanteFumo"><strong>Dante on Twitter</strong></a></li>
<li><a href="http://soundanchors.com/products/2023/daw1x"><strong>Sound Anchor DAW stand </strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Dante Fumo</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today's guest today is sound designer, mixer, composer, and writer Dante Fumo. Dante started recording indie bands in Milwaukee, Wisconsin and has since branched out into sound design for film and games and relocating to Minnesota. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Copywriting</li>
<li>Prog Rock</li>
<li>Audio School</li>
<li>Recording for 6 Packs</li>
<li>Basement Studios</li>
<li>Day Jobs</li>
<li>Freelance Writing</li>
<li>Building a Studio</li>
<li>Working From Home</li>
<li>Post Production</li>
<li>Game Sound</li>
<li>Immersive Audio</li>
<li>Selling Gear</li>
<li>Lower Overhead</li>
<li>Studio Identity </li>
<li>The Sunk Cost Fallacy</li>
<li>Finding Work</li>
<li>Volunteering</li>
<li>Local Work Opportunities</li>
<li>Slack Channels</li>
<li>Hobby vs. Profession</li>
<li>Finances</li>
</ul><br/><p>Matt's Rant: Dolby Atmos Update<strong>Links and Show Notes</strong></p><ul>
<li><a href="https://www.dantefumo.com/"><strong>Dante's Site</strong></a></li>
<li><a href="https://www.instagram.com/dantefumo/"><strong>Dante on Instagram</strong></a></li>
<li><a href="https://twitter.com/DanteFumo"><strong>Dante on Twitter</strong></a></li>
<li><a href="http://soundanchors.com/products/2023/daw1x"><strong>Sound Anchor DAW stand </strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li><a href="https://www.linkedin.com/in/mattboudreau/"><strong>Connect with Matt on Linkedin</strong></a></li>
<li><a href="https://bit.ly/2WmKbFw"><strong>Current sponsors &amp; promos</strong></a></li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Dante Fumo</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-346-with-dante-fumo-post-production-immersive-audio-recording-for-6-packs-finding-work-and-the-sunk-cost-fallacy]]></link><guid isPermaLink="false">c0641438-6460-11eb-8f60-1f5cf211ae1b</guid><itunes:image href="https://artwork.captivate.fm/ad427114-2a29-4e00-8fa4-c383439a58ce/wca-346-with-dante-fumo-thumbnail.png"/><pubDate>Mon, 02 Aug 2021 03:47:28 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e3982146-15db-4a41-87b3-d126bce21d7a.mp3" length="102257737" type="audio/mpeg"/><itunes:duration>53:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>346</itunes:episode><podcast:episode>346</podcast:episode><itunes:summary>Today&apos;s guest today is sound designer, mixer, composer, and writer Dante Fumo. Dante started recording indie bands in Milwaukee, Wisconsin and has since branched out into sound design for film and games and relocating to Minnesota. 
In this episode, we discuss:

Copywriting

Prog Rock

Audio School

Recording for 6 Packs

Basement Studios

Day Jobs

Freelance Writing

Building a Studio

Working From Home

Post Production

Game Sound

Immersive Audio

Selling Gear

Lower Overhead

Studio Identity 

The Sunk Cost Fallacy

Finding Work

Volunteering

Local Work Opportunities

Slack Channels

Hobby vs. Profession

Finances

Matt&apos;s Rant: Dolby Atmos UpdateLinks and Show Notes

Dante&apos;s Site

Dante on Instagram

Dante on Twitter

Sound Anchor DAW stand 


WCA on Instagram: @working_class_audio


Connect with Matt on Linkedin

Current sponsors &amp; promos


Credits

Guest: Dante Fumo


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #345 with Chuck Zwicky - Collaboration, Analogies, Deterministic Latency, Social Media, and Flowers Next To Your Name</title><itunes:title>WCA #345 with Chuck Zwicky - Collaboration, Analogies, Deterministic Latency, Social Media, and Flowers Next To Your Name</itunes:title><description><![CDATA[
        <p>Today's guest is producer, engineer, mixer Chuck Zwicky, making a return appearance on WCA. Chuck has worked with Prince, Soul Asylum, The Rembrandts, Mandy Moore, and many others. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Collaboration</li>
<li>Social Media</li>
<li>COVID</li>
<li>Money</li>
<li>Survival</li>
<li>Analogies</li>
<li>Prince</li>
<li>Nostalgia</li>
<li>AI</li>
<li>Radio</li>
<li>Flowers Next To Your Name</li>
<li>1000 Sheets of Paper</li>
<li>Deterministic Latency</li>
<li>Outboard Gear </li>
</ul><br/><p><br></p><p>Matt's Rant: My Favorite Hobby</p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://zmix.net/main.asp"><strong>Chucks Website</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-092-chuck-zwicky/"><strong>Chucks First Interview on WCA</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-289-with-george-vlad/"><strong>George Vlad Interview</strong></a></li>
<li><a href="https://sonobus.net/"><strong>SonoBus that Chuck mentioned</strong></a></li>
<li><a href="https://chrome.google.com/webstore/detail/news-feed-eradicator/fjcldmjmjhkklehbacihaiopjklihlgg?hl=en"><strong>Facebook Feed Eradicator Matt mentioned</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Chuck Zwicky</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today's guest is producer, engineer, mixer Chuck Zwicky, making a return appearance on WCA. Chuck has worked with Prince, Soul Asylum, The Rembrandts, Mandy Moore, and many others. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Collaboration</li>
<li>Social Media</li>
<li>COVID</li>
<li>Money</li>
<li>Survival</li>
<li>Analogies</li>
<li>Prince</li>
<li>Nostalgia</li>
<li>AI</li>
<li>Radio</li>
<li>Flowers Next To Your Name</li>
<li>1000 Sheets of Paper</li>
<li>Deterministic Latency</li>
<li>Outboard Gear </li>
</ul><br/><p><br></p><p>Matt's Rant: My Favorite Hobby</p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li><a href="http://zmix.net/main.asp"><strong>Chucks Website</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-092-chuck-zwicky/"><strong>Chucks First Interview on WCA</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-289-with-george-vlad/"><strong>George Vlad Interview</strong></a></li>
<li><a href="https://sonobus.net/"><strong>SonoBus that Chuck mentioned</strong></a></li>
<li><a href="https://chrome.google.com/webstore/detail/news-feed-eradicator/fjcldmjmjhkklehbacihaiopjklihlgg?hl=en"><strong>Facebook Feed Eradicator Matt mentioned</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Chuck Zwicky</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-345-with-chuck-zwicky-collaboration-analogies-deterministic-latency-social-media-and-flowers-next-to-your-name]]></link><guid isPermaLink="false">c056e218-6460-11eb-8f60-4fd0a829dc75</guid><itunes:image href="https://artwork.captivate.fm/fe26336e-cc5b-4701-a6db-bc4bf8a52b48/wca-345-with-chuck-zwicky-thumbnail.png"/><pubDate>Mon, 26 Jul 2021 06:10:31 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/59f9eeea-1793-4348-824b-9022feb11062.mp3" length="137685572" type="audio/mpeg"/><itunes:duration>01:11:43</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>345</itunes:episode><podcast:episode>345</podcast:episode><itunes:summary>Today&apos;s guest is producer, engineer, mixer Chuck Zwicky, making a return appearance on WCA. Chuck has worked with Prince, Soul Asylum, The Rembrandts, Mandy Moore, and many others. 
In this episode, we discuss:

Collaboration

Social Media

COVID

Money

Survival

Analogies

Prince

Nostalgia

AI

Radio

Flowers Next To Your Name

1000 Sheets of Paper

Deterministic Latency

Outboard Gear 


Matt&apos;s Rant: My Favorite Hobby

Links and Show Notes

Chucks Website

Chucks First Interview on WCA

George Vlad Interview

SonoBus that Chuck mentioned

Facebook Feed Eradicator Matt mentioned


WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits

Guest: Chuck Zwicky


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #344 with Tim Palmer - Treating People Well, Remote Clients, Comfort Zones, and Prodixing (Production + Mixing)</title><itunes:title>WCA #344 with Tim Palmer - Treating People Well, Remote Clients, Comfort Zones, and Prodixing (Production + Mixing)</itunes:title><description><![CDATA[
        <p>Today's guest is producer, engineer, mixer, Tim Palmer known for his work with Pearl Jam, U2, Cutting Crew, Tears for Fears, and many more. This is Tim's second appearance on the show. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Key to Repeat Clients</li>
<li>Treating People Well</li>
<li>Humanizing Revisions</li>
<li>"Prodixing" (Producing + Mixing)</li>
<li>Remote Clients</li>
<li>Past vs. Present</li>
<li>State of Songwriting </li>
<li>Mutt Lang</li>
<li>Handling Compromise</li>
<li>Studio Building</li>
<li>Hearing Safety</li>
<li>Rethinking Gear </li>
<li>Music Cares</li>
<li>Black Fret</li>
<li>Pricing</li>
<li>U2</li>
<li>Comfort zones </li>
</ul><br/><p>Matt's Rant: Thinking and Working Globally<strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Tim's Site: </strong><a href="https://timpalmer.com/">https://timpalmer.com/</a>
</li>
<li>
<strong>Black Fret: </strong><a href="https://www.blackfret.org/">https://www.blackfret.org/</a>
</li>
<li>
<strong>Music Cares: </strong><a href="https://www.grammy.com/musicares">https://www.grammy.com/musicares</a>
</li>
<li>
<strong>Tim's First Interview on WCA: </strong><a href="https://www.workingclassaudio.com/wca-025-with-tim-palmer/"><strong>https://www.workingclassaudio.com/wca-025-with-tim-palmer/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Tim Palmer</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today's guest is producer, engineer, mixer, Tim Palmer known for his work with Pearl Jam, U2, Cutting Crew, Tears for Fears, and many more. This is Tim's second appearance on the show. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Key to Repeat Clients</li>
<li>Treating People Well</li>
<li>Humanizing Revisions</li>
<li>"Prodixing" (Producing + Mixing)</li>
<li>Remote Clients</li>
<li>Past vs. Present</li>
<li>State of Songwriting </li>
<li>Mutt Lang</li>
<li>Handling Compromise</li>
<li>Studio Building</li>
<li>Hearing Safety</li>
<li>Rethinking Gear </li>
<li>Music Cares</li>
<li>Black Fret</li>
<li>Pricing</li>
<li>U2</li>
<li>Comfort zones </li>
</ul><br/><p>Matt's Rant: Thinking and Working Globally<strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Tim's Site: </strong><a href="https://timpalmer.com/">https://timpalmer.com/</a>
</li>
<li>
<strong>Black Fret: </strong><a href="https://www.blackfret.org/">https://www.blackfret.org/</a>
</li>
<li>
<strong>Music Cares: </strong><a href="https://www.grammy.com/musicares">https://www.grammy.com/musicares</a>
</li>
<li>
<strong>Tim's First Interview on WCA: </strong><a href="https://www.workingclassaudio.com/wca-025-with-tim-palmer/"><strong>https://www.workingclassaudio.com/wca-025-with-tim-palmer/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Tim Palmer</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-344-with-tim-palmer-treating-people-well-remote-clients-comfort-zones-and-prodixing-production-mixing]]></link><guid isPermaLink="false">c04a45bc-6460-11eb-8f60-8305123aa3df</guid><itunes:image href="https://artwork.captivate.fm/f5ac6f2f-5f70-4f7a-8b02-e2a6d3572e3d/wca-344-with-tim-palmer-thumbnail.png"/><pubDate>Sun, 18 Jul 2021 23:07:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/77fd6806-b398-4e1e-b55d-f97aa37d70c0.mp3" length="131184629" type="audio/mpeg"/><itunes:duration>01:08:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>344</itunes:episode><podcast:episode>344</podcast:episode><itunes:summary>Today&apos;s guest is producer, engineer, mixer, Tim Palmer known for his work with Pearl Jam, U2, Cutting Crew, Tears for Fears, and many more. This is Tim&apos;s second appearance on the show. 
In this episode, we discuss:

Key to Repeat Clients

Treating People Well

Humanizing Revisions

&quot;Prodixing&quot; (Producing + Mixing)

Remote Clients

Past vs. Present

State of Songwriting 

Mutt Lang

Handling Compromise

Studio Building

Hearing Safety

Rethinking Gear 

Music Cares

Black Fret

Pricing

U2

Comfort zones 

Matt&apos;s Rant: Thinking and Working GloballyLinks and Show Notes


Tim&apos;s Site: https://timpalmer.com/



Black Fret: https://www.blackfret.org/



Music Cares: https://www.grammy.com/musicares



Tim&apos;s First Interview on WCA: https://www.workingclassaudio.com/wca-025-with-tim-palmer/



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits

Guest: Tim Palmer


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #343 with Tanner Campbell- Holding Court, Pound Puppies, Quality of Character, Imposter Syndrome, and Audio Dramas</title><itunes:title>WCA #343 with Tanner Campbell- Holding Court, Pound Puppies, Quality of Character, Imposter Syndrome, and Audio Dramas</itunes:title><description><![CDATA[
        <p>My guest today is podcast engineer, content producer, and thought leader Tanner Campbell. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Pound Puppies</li>
<li>Holding Court</li>
<li>IT Influence</li>
<li>Podcasts</li>
<li>Marijuana Legalization </li>
<li>Colorado</li>
<li>Podcast Audio Quality</li>
<li>Imposter Syndrome </li>
<li>Portland, Maine</li>
<li>ATM Studio</li>
<li>Joanne Fabrics</li>
<li>Podcast Studio</li>
<li>Corporate Clients</li>
<li>Joan London</li>
<li>Marketing Locally</li>
<li>Quality of Character</li>
<li>Surviving COVID</li>
<li>Bankruptcy Discussions</li>
<li>Binaural Audio</li>
<li>Spotify</li>
<li>Q-code</li>
<li>Audio Dramas</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Random Thoughts</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Tanner's Studio: </strong><a href="https://guthtaigh.com/"><strong>https://guthtaigh.com/</strong></a>
</li>
<li>
<strong>Tanner's Site: </strong><a href="https://www.tannerhelps.com/"><strong>https://www.tannerhelps.com/</strong></a>
</li>
<li>
<strong>Tanner's Blog: </strong><a href="https://blog.tannerhelps.com/"><strong>https://blog.tannerhelps.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Tanner Campbell</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is podcast engineer, content producer, and thought leader Tanner Campbell. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Pound Puppies</li>
<li>Holding Court</li>
<li>IT Influence</li>
<li>Podcasts</li>
<li>Marijuana Legalization </li>
<li>Colorado</li>
<li>Podcast Audio Quality</li>
<li>Imposter Syndrome </li>
<li>Portland, Maine</li>
<li>ATM Studio</li>
<li>Joanne Fabrics</li>
<li>Podcast Studio</li>
<li>Corporate Clients</li>
<li>Joan London</li>
<li>Marketing Locally</li>
<li>Quality of Character</li>
<li>Surviving COVID</li>
<li>Bankruptcy Discussions</li>
<li>Binaural Audio</li>
<li>Spotify</li>
<li>Q-code</li>
<li>Audio Dramas</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Random Thoughts</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Tanner's Studio: </strong><a href="https://guthtaigh.com/"><strong>https://guthtaigh.com/</strong></a>
</li>
<li>
<strong>Tanner's Site: </strong><a href="https://www.tannerhelps.com/"><strong>https://www.tannerhelps.com/</strong></a>
</li>
<li>
<strong>Tanner's Blog: </strong><a href="https://blog.tannerhelps.com/"><strong>https://blog.tannerhelps.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Tanner Campbell</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-343-with-tanner-campbell-holding-court-pound-puppies-quality-of-character-imposter-syndrome-and-audio-dramas]]></link><guid isPermaLink="false">c03dcca6-6460-11eb-8f60-9ff94defc577</guid><itunes:image href="https://artwork.captivate.fm/8649a149-710c-4b85-8756-38bf2b3dad30/wca-343-with-tanner-campbell-thumbnail.png"/><pubDate>Mon, 12 Jul 2021 01:22:59 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e316f5df-abbe-4cea-a17d-be05b64e613f.mp3" length="124607530" type="audio/mpeg"/><itunes:duration>01:04:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>343</itunes:episode><podcast:episode>343</podcast:episode><itunes:summary>My guest today is podcast engineer, content producer, and thought leader Tanner Campbell. 
In this episode, we discuss:

Pound Puppies

Holding Court

IT Influence

Podcasts

Marijuana Legalization 

Colorado

Podcast Audio Quality

Imposter Syndrome 

Portland, Maine

ATM Studio

Joanne Fabrics

Podcast Studio

Corporate Clients

Joan London

Marketing Locally

Quality of Character

Surviving COVID

Bankruptcy Discussions

Binaural Audio

Spotify

Q-code

Audio Dramas


Matt&apos;s Rant: Random Thoughts
Links and Show Notes


Tanner&apos;s Studio: https://guthtaigh.com/



Tanner&apos;s Site: https://www.tannerhelps.com/



Tanner&apos;s Blog: https://blog.tannerhelps.com/



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits

Guest: Tanner Campbell


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #342 with Steve Sykes - Jazz in Philadelphia, The Guys in the White Coats, The Other Side of The Glass, Miami Vice, and The Deli Accident.</title><itunes:title>WCA #342 with Steve Sykes - Jazz in Philadelphia, The Guys in the White Coats, The Other Side of The Glass, Miami Vice, and The Deli Accident.</itunes:title><description><![CDATA[
        <p>My guest today is producer/engineer/mixer, Steve Sykes. Steve has worked with Stanley Clark, Al Jarreau, Smokey Robinson, Enrique Iglesias, and many more. He talks to us from his studio in Los Angeles. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Jazz in Philadelphia</li>
<li>10th-Grade Education</li>
<li>Lunch in Denver</li>
<li>Homelessness </li>
<li>The Guys in the White Coats</li>
<li>The Deli Accident</li>
<li>Payphone Gig Offer</li>
<li>Learning Drums</li>
<li>Day Labor Jobs</li>
<li>Recording</li>
<li>Mike Chapman</li>
<li>Al Schmitt</li>
<li>Bill Smith</li>
<li>Steve Genewick</li>
<li>Pete Doell</li>
<li>Miami Vice</li>
<li>Syncing</li>
<li>Always Be in Record</li>
<li>Musician Engineers </li>
<li>Work-Life Balance</li>
</ul><br/><p><br></p><p><strong>Matts' Rant: Reclaimed Wood Walls</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Steve's Site: </strong><a href="https://www.stevesykes.com/"><strong>https://www.stevesykes.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Steve Sykes</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is producer/engineer/mixer, Steve Sykes. Steve has worked with Stanley Clark, Al Jarreau, Smokey Robinson, Enrique Iglesias, and many more. He talks to us from his studio in Los Angeles. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Jazz in Philadelphia</li>
<li>10th-Grade Education</li>
<li>Lunch in Denver</li>
<li>Homelessness </li>
<li>The Guys in the White Coats</li>
<li>The Deli Accident</li>
<li>Payphone Gig Offer</li>
<li>Learning Drums</li>
<li>Day Labor Jobs</li>
<li>Recording</li>
<li>Mike Chapman</li>
<li>Al Schmitt</li>
<li>Bill Smith</li>
<li>Steve Genewick</li>
<li>Pete Doell</li>
<li>Miami Vice</li>
<li>Syncing</li>
<li>Always Be in Record</li>
<li>Musician Engineers </li>
<li>Work-Life Balance</li>
</ul><br/><p><br></p><p><strong>Matts' Rant: Reclaimed Wood Walls</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Steve's Site: </strong><a href="https://www.stevesykes.com/"><strong>https://www.stevesykes.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Steve Sykes</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-342-with-steve-sykes-jazz-in-philadelphia-the-guys-in-the-white-coats-the-other-side-of-the-glass-miami-vice-and-the-deli-accident-]]></link><guid isPermaLink="false">c031785c-6460-11eb-8f60-af7a5351eea2</guid><itunes:image href="https://artwork.captivate.fm/96b73a50-a813-475b-a80f-14f0cea82ab2/wca-342-with-steve-sykes-thumbnail.png"/><pubDate>Mon, 05 Jul 2021 14:44:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3fd88c85-bb76-42ab-b9d2-fea3c3d4d198.mp3" length="131165484" type="audio/mpeg"/><itunes:duration>01:08:19</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>342</itunes:episode><podcast:episode>342</podcast:episode><itunes:summary>My guest today is producer/engineer/mixer, Steve Sykes. Steve has worked with Stanley Clark, Al Jarreau, Smokey Robinson, Enrique Iglesias, and many more. He talks to us from his studio in Los Angeles. 

In this episode, we discuss:

Jazz in Philadelphia

10th-Grade Education

Lunch in Denver

Homelessness 

The Guys in the White Coats

The Deli Accident

Payphone Gig Offer

Learning Drums

Day Labor Jobs

Recording

Mike Chapman

Al Schmitt

Bill Smith

Steve Genewick

Pete Doell

Miami Vice

Syncing

Always Be in Record

Musician Engineers 

Work-Life Balance


Matts&apos; Rant: Reclaimed Wood Walls
Links and Show Notes


Steve&apos;s Site: https://www.stevesykes.com/



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits

Guest: Steve Sykes


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #341 with Cynthia Daniels - Paying Dues, Proper Training, East Hampton, and The Downton Abbey Effect</title><itunes:title>WCA #341 with Cynthia Daniels - Paying Dues, Proper Training, East Hampton, and The Downton Abbey Effect</itunes:title><description><![CDATA[
        <p>My guest today is Grammy and Emmy award-winning producer/engineer Cynthia Daniels. Cynthia has worked with an incredible amount of talented ed people from the worlds of music, Broadway, television, radio, and film. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Stamford, Connecticut </li>
<li>Early Influence of Audio Equipment</li>
<li>Not The Chick on The Couch</li>
<li>Al Grundy</li>
<li>Institute of Audio Research</li>
<li>Paying Dues</li>
<li>Boot Camp of Audio</li>
<li>Weeding People Out</li>
<li>Proper Training</li>
<li>Phil Ramone</li>
<li>Inspiring Talent</li>
<li>Headphone Mixes</li>
<li>Talking With Other Engineers</li>
<li>Timing</li>
<li>Know Your Worth</li>
<li>Downton Abbey</li>
<li>Psychedelic Spinning Wheel of Doom</li>
<li>Hamptons Studio</li>
<li>John Storyk</li>
<li>Covid Protocols</li>
<li>Lockouts</li>
<li>Alec Baldwin</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: More Dolby Atmos </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Cynthia's Studio: </strong><a href="http://monkmusicstudios.com/"><strong>http://monkmusicstudios.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Cynthia Daniels</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy and Emmy award-winning producer/engineer Cynthia Daniels. Cynthia has worked with an incredible amount of talented ed people from the worlds of music, Broadway, television, radio, and film. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Stamford, Connecticut </li>
<li>Early Influence of Audio Equipment</li>
<li>Not The Chick on The Couch</li>
<li>Al Grundy</li>
<li>Institute of Audio Research</li>
<li>Paying Dues</li>
<li>Boot Camp of Audio</li>
<li>Weeding People Out</li>
<li>Proper Training</li>
<li>Phil Ramone</li>
<li>Inspiring Talent</li>
<li>Headphone Mixes</li>
<li>Talking With Other Engineers</li>
<li>Timing</li>
<li>Know Your Worth</li>
<li>Downton Abbey</li>
<li>Psychedelic Spinning Wheel of Doom</li>
<li>Hamptons Studio</li>
<li>John Storyk</li>
<li>Covid Protocols</li>
<li>Lockouts</li>
<li>Alec Baldwin</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: More Dolby Atmos </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Cynthia's Studio: </strong><a href="http://monkmusicstudios.com/"><strong>http://monkmusicstudios.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Cynthia Daniels</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-341-with-cynthia-daniels-paying-dues-proper-training-east-hampton-and-the-downton-abbey-effect]]></link><guid isPermaLink="false">c0255572-6460-11eb-8f60-5f280c8176a0</guid><itunes:image href="https://artwork.captivate.fm/a261ae7b-9c1a-44a1-bfc6-d2fe79bc3885/wca-341-with-cynthia-daniels-thumbnail.png"/><pubDate>Mon, 28 Jun 2021 13:56:02 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9ca223d3-c5c7-474d-836a-62272d7fa39d.mp3" length="106215751" type="audio/mpeg"/><itunes:duration>55:19</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>341</itunes:episode><podcast:episode>341</podcast:episode><itunes:summary>My guest today is Grammy and Emmy award-winning producer/engineer Cynthia Daniels. Cynthia has worked with an incredible amount of talented ed people from the worlds of music, Broadway, television, radio, and film. 
In this episode, we discuss:

Stamford, Connecticut 

Early Influence of Audio Equipment

Not The Chick on The Couch

Al Grundy

Institute of Audio Research

Paying Dues

Boot Camp of Audio

Weeding People Out

Proper Training

Phil Ramone

Inspiring Talent

Headphone Mixes

Talking With Other Engineers

Timing

Know Your Worth

Downton Abbey

Psychedelic Spinning Wheel of Doom

Hamptons Studio

John Storyk

Covid Protocols

Lockouts

Alec Baldwin


Matt&apos;s Rant: More Dolby Atmos 
Links and Show Notes


Cynthia&apos;s Studio: http://monkmusicstudios.com/



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits

Guest: Cynthia Daniels


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #340 with Collin Dupuis - Mid-West Work Ethic, Growing up In Michigan, The Learning Process, and Moving to Nashville</title><itunes:title>WCA #340 with Collin Dupuis - Mid-West Work Ethic, Growing up In Michigan, The Learning Process, and Moving to Nashville</itunes:title><description><![CDATA[
        <p>Today's guest is Grammy-winning producer, engineer, and mixer Collin Dupuis who has worked with many artists, including Lana Del Ray, Cage The Elephant, and the Black Keys. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up In Michigan</li>
<li>Norman Druce</li>
<li>Glenn Brown Productions</li>
<li>Impedance</li>
<li>The Learning Process</li>
<li>Detroit, MI</li>
<li>Nashville, TN</li>
<li>Al Sutton</li>
<li>Wiring and Tech Work</li>
<li>Working Late Hours</li>
<li>Vintage King</li>
<li>Working in Italy</li>
<li>Cost of Living in Michigan</li>
<li>Mid-West Work Ethic</li>
<li>Motown</li>
<li>Dan Auerbach</li>
<li>Moving to Nashville</li>
<li>Getting Replaced</li>
<li>Loyalty</li>
<li>Engineer Roles</li>
</ul><br/><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Collin's Site: </strong><a href="http://www.collindupuis.com/"><strong>www.collindupuis.com</strong></a>
</li>
<li>
<strong>Collin on Instagram: </strong><a href="https://www.instagram.com/collin_dupuis_mixer/"><strong>@collin_dupuis_mixer/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Collin Dupuis</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today's guest is Grammy-winning producer, engineer, and mixer Collin Dupuis who has worked with many artists, including Lana Del Ray, Cage The Elephant, and the Black Keys. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up In Michigan</li>
<li>Norman Druce</li>
<li>Glenn Brown Productions</li>
<li>Impedance</li>
<li>The Learning Process</li>
<li>Detroit, MI</li>
<li>Nashville, TN</li>
<li>Al Sutton</li>
<li>Wiring and Tech Work</li>
<li>Working Late Hours</li>
<li>Vintage King</li>
<li>Working in Italy</li>
<li>Cost of Living in Michigan</li>
<li>Mid-West Work Ethic</li>
<li>Motown</li>
<li>Dan Auerbach</li>
<li>Moving to Nashville</li>
<li>Getting Replaced</li>
<li>Loyalty</li>
<li>Engineer Roles</li>
</ul><br/><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Collin's Site: </strong><a href="http://www.collindupuis.com/"><strong>www.collindupuis.com</strong></a>
</li>
<li>
<strong>Collin on Instagram: </strong><a href="https://www.instagram.com/collin_dupuis_mixer/"><strong>@collin_dupuis_mixer/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Collin Dupuis</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-340-with-collin-dupuis-mid-west-work-ethic-growing-up-in-michigan-the-learning-process-and-moving-to-nashville]]></link><guid isPermaLink="false">c018fe4e-6460-11eb-8f60-33aef0f01e4d</guid><itunes:image href="https://artwork.captivate.fm/25ab9b7b-7803-4cf3-9b4d-3f624387aafc/wca-340-with-collin-dupuis-thumbnail-1.png"/><pubDate>Mon, 21 Jun 2021 18:08:30 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0aac02dc-0bb6-444b-b44e-bcb7a62e837e.mp3" length="112562871" type="audio/mpeg"/><itunes:duration>58:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>340</itunes:episode><podcast:episode>340</podcast:episode><itunes:summary>Today&apos;s guest is Grammy-winning producer, engineer, and mixer Collin Dupuis who has worked with many artists, including Lana Del Ray, Cage The Elephant, and the Black Keys. 
In this episode, we discuss:

Growing up In Michigan

Norman Druce

Glenn Brown Productions

Impedance

The Learning Process

Detroit, MI

Nashville, TN

Al Sutton

Wiring and Tech Work

Working Late Hours

Vintage King

Working in Italy

Cost of Living in Michigan

Mid-West Work Ethic

Motown

Dan Auerbach

Moving to Nashville

Getting Replaced

Loyalty

Engineer Roles

Links and Show Notes


Collin&apos;s Site: www.collindupuis.com



Collin on Instagram: @collin_dupuis_mixer/



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits

Guest: Collin Dupuis


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #339 with Sean Mclaughlin - Studio Marriages, Pushing the Envelope, Nashville vs. Boston, and Mini Split AC Units</title><itunes:title>WCA #339 with Sean Mclaughlin - Studio Marriages, Pushing the Envelope, Nashville vs. Boston, and Mini Split AC Units</itunes:title><description><![CDATA[
        <p>Today's guest is producer, engineer, mixer, and assistant professor at Berklee school of music, Sean McLaughlin. Sean has worked with notable producers Andy Johns, Jimbo Barton, Carmen Rizzo, and artists Rush, Elliott Smith, Marilyn Manson, Death Row Records, and many others. This is Sean's second appearance on the show, with his first being on WCA #037.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Zoom Teaching</li>
<li>Renting Studio Space</li>
<li>Mini Split AC Units</li>
<li>Studio Marriages</li>
<li>Great Landlords</li>
<li>Thought Leaders</li>
<li>Template Mixing</li>
<li>Billy Decker</li>
<li>Taking the Clients Temperature</li>
<li>Nashville vs. Boston</li>
<li>Audio Student Observations</li>
<li>Berklee Staff</li>
<li>Kaizen </li>
<li>The Myth of Sisyphus</li>
<li>Perfection</li>
<li>Pushing the Envelope</li>
<li>Screwing Up Star Wars </li>
</ul><br/><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Sean's Studio Site: </strong><a href="https://www.37ft.com/"><strong>https://www.37ft.com/</strong></a>
</li>
<li>
<strong>Sean's Site: </strong><a href="http://theseanmclaughlin.com/"><strong>http://theseanmclaughlin.com/</strong></a>
</li>
<li>
<strong>Sean's Previous Episode: </strong><a href="https://www.workingclassaudio.com/wca-037-with-sean-mclaughlin/"><strong>https://www.workingclassaudio.com/wca-037-with-sean-mclaughlin/</strong></a>
</li>
<li>
<strong>Dolby Link: </strong><a href="https://bit.ly/35j8gmY"><strong>https://bit.ly/35j8gmY</strong></a>
</li>
<li>
<strong>Dolby Surround Panner:</strong><a href="%20https://bit.ly/3vjScfi"><strong> https://bit.ly/3vjScfi</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Sean McLaughlin</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Today's guest is producer, engineer, mixer, and assistant professor at Berklee school of music, Sean McLaughlin. Sean has worked with notable producers Andy Johns, Jimbo Barton, Carmen Rizzo, and artists Rush, Elliott Smith, Marilyn Manson, Death Row Records, and many others. This is Sean's second appearance on the show, with his first being on WCA #037.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Zoom Teaching</li>
<li>Renting Studio Space</li>
<li>Mini Split AC Units</li>
<li>Studio Marriages</li>
<li>Great Landlords</li>
<li>Thought Leaders</li>
<li>Template Mixing</li>
<li>Billy Decker</li>
<li>Taking the Clients Temperature</li>
<li>Nashville vs. Boston</li>
<li>Audio Student Observations</li>
<li>Berklee Staff</li>
<li>Kaizen </li>
<li>The Myth of Sisyphus</li>
<li>Perfection</li>
<li>Pushing the Envelope</li>
<li>Screwing Up Star Wars </li>
</ul><br/><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Sean's Studio Site: </strong><a href="https://www.37ft.com/"><strong>https://www.37ft.com/</strong></a>
</li>
<li>
<strong>Sean's Site: </strong><a href="http://theseanmclaughlin.com/"><strong>http://theseanmclaughlin.com/</strong></a>
</li>
<li>
<strong>Sean's Previous Episode: </strong><a href="https://www.workingclassaudio.com/wca-037-with-sean-mclaughlin/"><strong>https://www.workingclassaudio.com/wca-037-with-sean-mclaughlin/</strong></a>
</li>
<li>
<strong>Dolby Link: </strong><a href="https://bit.ly/35j8gmY"><strong>https://bit.ly/35j8gmY</strong></a>
</li>
<li>
<strong>Dolby Surround Panner:</strong><a href="%20https://bit.ly/3vjScfi"><strong> https://bit.ly/3vjScfi</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li><strong>Guest: Sean McLaughlin</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-339-with-sean-mclaughlin-studio-marriages-pushing-the-envelope-nashville-vs-boston-and-mini-split-ac-units]]></link><guid isPermaLink="false">c00c59b4-6460-11eb-8f60-8b393898361a</guid><itunes:image href="https://artwork.captivate.fm/61ae276d-4256-4b8a-8337-24a215b8b950/wca-339-with-sean-mclaughlin-thumbnail.png"/><pubDate>Mon, 14 Jun 2021 06:57:06 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ce683f45-cbdb-41f0-889a-a11a11de91e5.mp3" length="120556932" type="audio/mpeg"/><itunes:duration>01:02:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>339</itunes:episode><podcast:episode>339</podcast:episode><itunes:summary>Today&apos;s guest is producer, engineer, mixer, and assistant professor at Berklee school of music, Sean McLaughlin. Sean has worked with notable producers Andy Johns, Jimbo Barton, Carmen Rizzo, and artists Rush, Elliott Smith, Marilyn Manson, Death Row Records, and many others. This is Sean&apos;s second appearance on the show, with his first being on WCA #037.
In this episode, we discuss:

Zoom Teaching

Renting Studio Space

Mini Split AC Units

Studio Marriages

Great Landlords

Thought Leaders

Template Mixing

Billy Decker

Taking the Clients Temperature

Nashville vs. Boston

Audio Student Observations

Berklee Staff

Kaizen 

The Myth of Sisyphus

Perfection

Pushing the Envelope

Screwing Up Star Wars 

Links and Show Notes


Sean&apos;s Studio Site: https://www.37ft.com/



Sean&apos;s Site: http://theseanmclaughlin.com/



Sean&apos;s Previous Episode: https://www.workingclassaudio.com/wca-037-with-sean-mclaughlin/



Dolby Link: https://bit.ly/35j8gmY



Dolby Surround Panner: https://bit.ly/3vjScfi



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits

Guest: Sean McLaughlin


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #338 with Jessica Thompson - Backup Strategies, File Management, Spending Money To Make Money, and Silver Linings</title><itunes:title>WCA #338 with Jessica Thompson - Backup Strategies, File Management, Spending Money To Make Money, and Silver Linings</itunes:title><description><![CDATA[
        <p>My guest today is GRAMMY-nominated mastering and restoration engineer, audio preservationist, and educator Jessica Thompson. Jessica originally appeared on WCA in episode #080, and I'm thrilled to have her back on the show to talk about backup strategies for audio, restoration, some gear talk, and changes in her new studio she is planning at her house. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Admin Work</li>
<li>Archiving</li>
<li>Formats</li>
<li>File Management</li>
<li>Backup Strategies</li>
<li>Working From Home</li>
<li>Data Tape Restore</li>
<li>DAT Tapes </li>
<li>Modular Digital Multitracks</li>
<li>COVID Work Challenges</li>
<li>Silver Linings</li>
<li>Building A Home Studio</li>
<li>The John Cuniberti ATR</li>
<li>Spending Money To Make Money</li>
<li>Gear</li>
<li>Backup Buddies</li>
<li>Zynaptic </li>
<li>Bettermaker EQ</li>
<li>Weiss Mastering</li>
<li>Turntables</li>
<li>Audeze Headphones</li>
<li>Future Formats</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Jessica's Site: </strong><a href="https://www.jessicathompsonaudio.com/"><strong>https://www.jessicathompsonaudio.com/</strong></a>
</li>
<li>
<strong>Jessica on Instagram: </strong><a href="https://www.instagram.com/jathompso/"><strong>@jathompso/</strong></a>
</li>
<li>
<strong>Jessica's Previous Episode: </strong><a href="https://www.workingclassaudio.com/wca-080-jessica-thompson/"><strong>WCA #080</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Jessica Thompson</li>
<li>Host: Matt Boudreau </li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
<li>Additional Music: The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is GRAMMY-nominated mastering and restoration engineer, audio preservationist, and educator Jessica Thompson. Jessica originally appeared on WCA in episode #080, and I'm thrilled to have her back on the show to talk about backup strategies for audio, restoration, some gear talk, and changes in her new studio she is planning at her house. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Admin Work</li>
<li>Archiving</li>
<li>Formats</li>
<li>File Management</li>
<li>Backup Strategies</li>
<li>Working From Home</li>
<li>Data Tape Restore</li>
<li>DAT Tapes </li>
<li>Modular Digital Multitracks</li>
<li>COVID Work Challenges</li>
<li>Silver Linings</li>
<li>Building A Home Studio</li>
<li>The John Cuniberti ATR</li>
<li>Spending Money To Make Money</li>
<li>Gear</li>
<li>Backup Buddies</li>
<li>Zynaptic </li>
<li>Bettermaker EQ</li>
<li>Weiss Mastering</li>
<li>Turntables</li>
<li>Audeze Headphones</li>
<li>Future Formats</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Jessica's Site: </strong><a href="https://www.jessicathompsonaudio.com/"><strong>https://www.jessicathompsonaudio.com/</strong></a>
</li>
<li>
<strong>Jessica on Instagram: </strong><a href="https://www.instagram.com/jathompso/"><strong>@jathompso/</strong></a>
</li>
<li>
<strong>Jessica's Previous Episode: </strong><a href="https://www.workingclassaudio.com/wca-080-jessica-thompson/"><strong>WCA #080</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits</strong></p><ul>
<li>Guest: Jessica Thompson</li>
<li>Host: Matt Boudreau </li>
<li>Engineer: Matt Boudreau</li>
<li>Producer: Matt Boudreau</li>
<li>Editing: Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>WCA Theme Music: Cliff Truesdell </li>
<li>Announcer: Chuck Smith</li>
<li>Additional Music: The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-338-with-jessica-thompson-backup-strategies-file-management-spending-money-to-make-money-and-silver-linings]]></link><guid isPermaLink="false">bffdecb2-6460-11eb-8f60-4b7c2879a093</guid><itunes:image href="https://artwork.captivate.fm/decb7fcb-3979-4be6-a610-ccbc93940dec/wca-338-with-jessica-thompson-thumbnail.png"/><pubDate>Mon, 07 Jun 2021 04:47:51 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e9a97abe-bf24-4abb-91da-03ef1aa934cc.mp3" length="113067096" type="audio/mpeg"/><itunes:duration>58:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>338</itunes:episode><podcast:episode>338</podcast:episode><itunes:summary>My guest today is GRAMMY-nominated mastering and restoration engineer, audio preservationist, and educator Jessica Thompson. Jessica originally appeared on WCA in episode #080, and I&apos;m thrilled to have her back on the show to talk about backup strategies for audio, restoration, some gear talk, and changes in her new studio she is planning at her house. 
In this episode, we discuss:

Admin Work

Archiving

Formats

File Management

Backup Strategies

Working From Home

Data Tape Restore

DAT Tapes 

Modular Digital Multitracks

COVID Work Challenges

Silver Linings

Building A Home Studio

The John Cuniberti ATR

Spending Money To Make Money

Gear

Backup Buddies

Zynaptic 

Bettermaker EQ

Weiss Mastering

Turntables

Audeze Headphones

Future Formats


Links and Show Notes


Jessica&apos;s Site: https://www.jessicathompsonaudio.com/



Jessica on Instagram: @jathompso/



Jessica&apos;s Previous Episode: WCA #080



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits

Guest: Jessica Thompson

Host: Matt Boudreau 

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau &amp; Matt Boudreau

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith

Additional Music: The License Lab</itunes:summary></item><item><title>WCA #337 with Peter Claes - Live Sound, YouTube, Sharing Knowledge, and The Family Music Shop</title><itunes:title>WCA #337 with Peter Claes - Live Sound, YouTube, Sharing Knowledge, and The Family Music Shop</itunes:title><description><![CDATA[
        <p>My guest today is live sound mixer, audio coach, and noise abatement consultant Peter Claes, who lives in Hasselt, Belgium.</p><p>Peter has a great Youtube channel that I watch called Masterclaes (spelled with his last name in mind ) Master Claes, and I enjoy his approach to teaching and sharing knowledge. After connecting on Linkedin, we made arrangements to join me to share his experience working in live sound with bands such as Simple Monds, The Human League, and Arsenal. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Hasselt, Belgium</li>
<li>Family Music Shop</li>
<li>Music School</li>
<li>Live Sound</li>
<li>Reading Music</li>
<li>Using Studio Gear Live</li>
<li>Playing In Bands</li>
<li>Mentors</li>
<li>Climbing The Live Sound Ladder</li>
<li>Working With Others</li>
<li>Making A Living</li>
<li>Business Outlook</li>
<li>Challenges</li>
<li>Striving For Perfection</li>
<li>Working With Musicians</li>
<li>Coaching</li>
<li>Sharing Knowledge</li>
<li>Masterclaes </li>
<li>The Critics</li>
<li>Ambition vs. Work/Life</li>
<li>Post COVID Work</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Exploration</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Peter's YouTube Channel: </strong><a href="https://www.youtube.com/c/MasterclaesBE"><strong>https://www.youtube.com/c/MasterclaesBE</strong></a>
</li>
<li>
<strong>Peter's Site: </strong><a href="https://www.varisound.be/"><strong>https://www.varisound.be/</strong></a>
</li>
<li>
<strong>MasterClaes: </strong><a href="https://masterclaes.be/"><strong>https://masterclaes.be/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Peter Claes</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is live sound mixer, audio coach, and noise abatement consultant Peter Claes, who lives in Hasselt, Belgium.</p><p>Peter has a great Youtube channel that I watch called Masterclaes (spelled with his last name in mind ) Master Claes, and I enjoy his approach to teaching and sharing knowledge. After connecting on Linkedin, we made arrangements to join me to share his experience working in live sound with bands such as Simple Monds, The Human League, and Arsenal. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Hasselt, Belgium</li>
<li>Family Music Shop</li>
<li>Music School</li>
<li>Live Sound</li>
<li>Reading Music</li>
<li>Using Studio Gear Live</li>
<li>Playing In Bands</li>
<li>Mentors</li>
<li>Climbing The Live Sound Ladder</li>
<li>Working With Others</li>
<li>Making A Living</li>
<li>Business Outlook</li>
<li>Challenges</li>
<li>Striving For Perfection</li>
<li>Working With Musicians</li>
<li>Coaching</li>
<li>Sharing Knowledge</li>
<li>Masterclaes </li>
<li>The Critics</li>
<li>Ambition vs. Work/Life</li>
<li>Post COVID Work</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Exploration</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Peter's YouTube Channel: </strong><a href="https://www.youtube.com/c/MasterclaesBE"><strong>https://www.youtube.com/c/MasterclaesBE</strong></a>
</li>
<li>
<strong>Peter's Site: </strong><a href="https://www.varisound.be/"><strong>https://www.varisound.be/</strong></a>
</li>
<li>
<strong>MasterClaes: </strong><a href="https://masterclaes.be/"><strong>https://masterclaes.be/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Peter Claes</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-337-with-peter-claes-live-sound-youtube-sharing-knowledge-and-the-family-music-shop]]></link><guid isPermaLink="false">bfed7f9e-6460-11eb-8f60-3bf509ef0e07</guid><itunes:image href="https://artwork.captivate.fm/e4d03f06-119e-4d3b-9dae-8765ee4f6492/wca-337-with-peter-claes-thumbnail.png"/><pubDate>Mon, 31 May 2021 16:27:31 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8e97adc5-503f-43a1-be37-0aa4fdf1e502.mp3" length="125587570" type="audio/mpeg"/><itunes:duration>01:05:25</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>337</itunes:episode><podcast:episode>337</podcast:episode><itunes:summary>My guest today is live sound mixer, audio coach, and noise abatement consultant Peter Claes, who lives in Hasselt, Belgium.
Peter has a great Youtube channel that I watch called Masterclaes (spelled with his last name in mind ) Master Claes, and I enjoy his approach to teaching and sharing knowledge. After connecting on Linkedin, we made arrangements to join me to share his experience working in live sound with bands such as Simple Monds, The Human League, and Arsenal. 
In this episode, we discuss:

Hasselt, Belgium

Family Music Shop

Music School

Live Sound

Reading Music

Using Studio Gear Live

Playing In Bands

Mentors

Climbing The Live Sound Ladder

Working With Others

Making A Living

Business Outlook

Challenges

Striving For Perfection

Working With Musicians

Coaching

Sharing Knowledge

Masterclaes 

The Critics

Ambition vs. Work/Life

Post COVID Work


Matt&apos;s Rant: Exploration
Links and Show Notes


Peter&apos;s YouTube Channel: https://www.youtube.com/c/MasterclaesBE



Peter&apos;s Site: https://www.varisound.be/



MasterClaes: https://masterclaes.be/



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits:

Guest: Peter Claes


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #336 with Val Garay - Making Hits, Teaching Others, Coaching Assistants, and The Stanford School of Medicine</title><itunes:title>WCA #336 with Val Garay - Making Hits, Teaching Others, Coaching Assistants, and The Stanford School of Medicine</itunes:title><description><![CDATA[
        <p>My guest today is producer, engineer, mixer Val Garay. Val has had an incredible career working with Linda Ronstadt, James Taylor, Kenny Rogers, Ringo Starr, Bonnie Raitt, Neil Diamond, Dolly Parton, Pablo Cruise, Queensrÿche, Santana, and many others. Val has garnered 5 Grammy wins, over 100 gold and platinum records, an Emmy nomination, and over 125 million worldwide record sales. In 1982, he shared a Grammy Award for Record of the Year with Kim Carnes for the iconic song, "Bette Davis Eyes." We catch up with Val at his home in Los Angeles. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Vals Dad</li>
<li>Frank Fillipetti</li>
<li>Stanford School of Medicine</li>
<li>Songwriting</li>
<li>Lou Adler</li>
<li>Dave Hassinger</li>
<li>Studio Work</li>
<li>Bill Schnee</li>
<li>Dissecting Mixes</li>
<li>Making Hits</li>
<li>Teaching Others</li>
<li>Niko Bolas</li>
<li>Royalties</li>
<li>Business</li>
<li>Choosing Representation </li>
<li>Working with Avid</li>
<li>Coaching Assistants</li>
<li>Do-overs</li>
<li>Work-Life Balance</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Getting Back Out in Person!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Val's Site: </strong><a href="http://www.valgaray.com/"><strong>http://www.valgaray.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Val Garay</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is producer, engineer, mixer Val Garay. Val has had an incredible career working with Linda Ronstadt, James Taylor, Kenny Rogers, Ringo Starr, Bonnie Raitt, Neil Diamond, Dolly Parton, Pablo Cruise, Queensrÿche, Santana, and many others. Val has garnered 5 Grammy wins, over 100 gold and platinum records, an Emmy nomination, and over 125 million worldwide record sales. In 1982, he shared a Grammy Award for Record of the Year with Kim Carnes for the iconic song, "Bette Davis Eyes." We catch up with Val at his home in Los Angeles. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Vals Dad</li>
<li>Frank Fillipetti</li>
<li>Stanford School of Medicine</li>
<li>Songwriting</li>
<li>Lou Adler</li>
<li>Dave Hassinger</li>
<li>Studio Work</li>
<li>Bill Schnee</li>
<li>Dissecting Mixes</li>
<li>Making Hits</li>
<li>Teaching Others</li>
<li>Niko Bolas</li>
<li>Royalties</li>
<li>Business</li>
<li>Choosing Representation </li>
<li>Working with Avid</li>
<li>Coaching Assistants</li>
<li>Do-overs</li>
<li>Work-Life Balance</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Getting Back Out in Person!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Val's Site: </strong><a href="http://www.valgaray.com/"><strong>http://www.valgaray.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Val Garay</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-336-with-val-garay-making-hits-teaching-others-coaching-assistants-and-the-stanford-school-of-medicine]]></link><guid isPermaLink="false">bfdcd360-6460-11eb-8f60-9fa6d4079002</guid><itunes:image href="https://artwork.captivate.fm/477ee94f-2b14-4a71-a4d5-518e8a2338b9/wca-336-with-val-garay-thumbnail.png"/><pubDate>Mon, 24 May 2021 14:50:41 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c1693367-5c1a-4d1e-88a6-58491d87f9a9.mp3" length="82049708" type="audio/mpeg"/><itunes:duration>42:44</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>336</itunes:episode><podcast:episode>336</podcast:episode><itunes:summary>My guest today is producer, engineer, mixer Val Garay. Val has had an incredible career working with Linda Ronstadt, James Taylor, Kenny Rogers, Ringo Starr, Bonnie Raitt, Neil Diamond, Dolly Parton, Pablo Cruise, Queensrÿche, Santana, and many others. Val has garnered 5 Grammy wins, over 100 gold and platinum records, an Emmy nomination, and over 125 million worldwide record sales. In 1982, he shared a Grammy Award for Record of the Year with Kim Carnes for the iconic song, &quot;Bette Davis Eyes.&quot; We catch up with Val at his home in Los Angeles. 
In this episode, we discuss:

Vals Dad

Frank Fillipetti

Stanford School of Medicine

Songwriting

Lou Adler

Dave Hassinger

Studio Work

Bill Schnee

Dissecting Mixes

Making Hits

Teaching Others

Niko Bolas

Royalties

Business

Choosing Representation 

Working with Avid

Coaching Assistants

Do-overs

Work-Life Balance


Matt&apos;s Rant: Getting Back Out in Person!
Links and Show Notes


Val&apos;s Site: http://www.valgaray.com/



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits:

Guest: Val Garay


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #335 with Dan Alexander - Vintage Recording Gear, Guitars, Radical Parents, Bill Putnam, and The Drain of The Studio Business</title><itunes:title>WCA #335 with Dan Alexander - Vintage Recording Gear, Guitars, Radical Parents, Bill Putnam, and The Drain of The Studio Business</itunes:title><description><![CDATA[
        <p>My guest today is engineer, former studio owner, author, and vintage gear dealer, Dan Alexander.</p><p>Dan was a fixture of the Bay Area recording scene in San Francisco for many years. He ran the same studio space I did, the former Coast Recorders building on Mission Street in San Francisco as well as Coast on Harrison. He’s spent many years of his life buying and selling vintage guitars and vintage recording equipment which we will talk about. He’s got a new book out called “<strong>Dan Alexander Audio: A Vintage Odyssey</strong>" He talk s to us from his home in Los Angeles.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Radical Parents</li>
<li><a href="https://en.wikipedia.org/wiki/House_Un-American_Activities_Committee">House UnAmerican Activities Committee </a></li>
<li>The Rockets</li>
<li>Eddie Money</li>
<li>Bay Area Music</li>
<li>Selling Guitars</li>
<li>Grocery Store Studio</li>
<li>Vintage Recording Gear</li>
<li>Wheeling and Dealing</li>
<li>Hyde Street Studios</li>
<li>Coast Recorders</li>
<li>Coast on Harrison</li>
<li>Bill Putnam</li>
<li>The Drain of The Studio Business</li>
<li>Getting Evicted</li>
<li>Divorce</li>
<li>Rising Gear Prices</li>
<li>Gear Clones</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Getting out of the Chair!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Dan's Site: </strong><a href="https://danalexanderaudio.com/"><strong>https://danalexanderaudio.com/</strong></a>
</li>
<li>
<a href="https://amzn.to/3hkiVou"><strong>Dan's Book</strong></a><strong>: Dan Alexander Audio: A Vintage Odyssey</strong>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Dan Alexander</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is engineer, former studio owner, author, and vintage gear dealer, Dan Alexander.</p><p>Dan was a fixture of the Bay Area recording scene in San Francisco for many years. He ran the same studio space I did, the former Coast Recorders building on Mission Street in San Francisco as well as Coast on Harrison. He’s spent many years of his life buying and selling vintage guitars and vintage recording equipment which we will talk about. He’s got a new book out called “<strong>Dan Alexander Audio: A Vintage Odyssey</strong>" He talk s to us from his home in Los Angeles.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Radical Parents</li>
<li><a href="https://en.wikipedia.org/wiki/House_Un-American_Activities_Committee">House UnAmerican Activities Committee </a></li>
<li>The Rockets</li>
<li>Eddie Money</li>
<li>Bay Area Music</li>
<li>Selling Guitars</li>
<li>Grocery Store Studio</li>
<li>Vintage Recording Gear</li>
<li>Wheeling and Dealing</li>
<li>Hyde Street Studios</li>
<li>Coast Recorders</li>
<li>Coast on Harrison</li>
<li>Bill Putnam</li>
<li>The Drain of The Studio Business</li>
<li>Getting Evicted</li>
<li>Divorce</li>
<li>Rising Gear Prices</li>
<li>Gear Clones</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Getting out of the Chair!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Dan's Site: </strong><a href="https://danalexanderaudio.com/"><strong>https://danalexanderaudio.com/</strong></a>
</li>
<li>
<a href="https://amzn.to/3hkiVou"><strong>Dan's Book</strong></a><strong>: Dan Alexander Audio: A Vintage Odyssey</strong>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Dan Alexander</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-335-with-dan-alexander-vintage-recording-gear-guitars-radical-parents-bill-putnam-and-the-drain-of-the-studio-business]]></link><guid isPermaLink="false">bfcc964e-6460-11eb-8f60-3701bba12dd7</guid><itunes:image href="https://artwork.captivate.fm/1cb96ab4-cf45-4eff-878b-b1d04880517d/wca-335-with-dan-alexander-thumbnail.png"/><pubDate>Mon, 17 May 2021 02:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/263f193a-9fc0-49af-9115-047ad8eb1055.mp3" length="112750550" type="audio/mpeg"/><itunes:duration>58:43</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>335</itunes:episode><podcast:episode>335</podcast:episode><itunes:summary>My guest today is engineer, former studio owner, author, and vintage gear dealer, Dan Alexander.
Dan was a fixture of the Bay Area recording scene in San Francisco for many years. He ran the same studio space I did, the former Coast Recorders building on Mission Street in San Francisco as well as Coast on Harrison. He’s spent many years of his life buying and selling vintage guitars and vintage recording equipment which we will talk about. He’s got a new book out called “Dan Alexander Audio: A Vintage Odyssey&quot; He talk s to us from his home in Los Angeles.
In this episode, we discuss:

Radical Parents

House UnAmerican Activities Committee 

The Rockets

Eddie Money

Bay Area Music

Selling Guitars

Grocery Store Studio

Vintage Recording Gear

Wheeling and Dealing

Hyde Street Studios

Coast Recorders

Coast on Harrison

Bill Putnam

The Drain of The Studio Business

Getting Evicted

Divorce

Rising Gear Prices

Gear Clones


Matt&apos;s Rant: Getting out of the Chair!
Links and Show Notes


Dan&apos;s Site: https://danalexanderaudio.com/



Dan&apos;s Book: Dan Alexander Audio: A Vintage Odyssey



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits:

Guest: Dan Alexander


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #334 with Jack Rubinacci - Dealing with Tinnitus, Working with Tchad Blake, iPad Production, and Sleeping By The Hotel Piano</title><itunes:title>WCA #334 with Jack Rubinacci - Dealing with Tinnitus, Working with Tchad Blake, iPad Production, and Sleeping By The Hotel Piano</itunes:title><description><![CDATA[
        <p>My guest today is musician, songwriter, author, and producer, Jack Rubinacci. Born in Rome, raised in the UK, and now residing in Norway. </p><p>Jack has been through the music industry on both sides of the glass including recorded his debut release with Tchad Blake Peter Gabriel’s Real World Studios, he’s sold produced and mixed his own releases, he’s opened for Joe Cocker, Lionel Richie, and Arcade Fire to name a few. Like many in the industry, Jack suffers from Tinnitus. He’s written two books on the topic and it is the focus of our conversation in today's episode. Jack came as a referral from our good friend and studio rat James Ivey. I felt it was important to have Jack on to discuss this topic of tinnitus since many people don’t. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Tinnitus</li>
<li>Monitoring low</li>
<li>Earplugs</li>
<li>Meeting Dad at 10</li>
<li>Sleeping By The Hotel Piano</li>
<li>Tchad Blake</li>
<li>Sympathetic Producers</li>
<li>IPad Production</li>
<li>Dealing with Tinnitus</li>
<li>Getting inside the Song</li>
<li>Ear Nose and Throat</li>
<li>Prepping Your Ears for Sonic Assault</li>
<li>Tools to Counteract Tinnitus</li>
<li>Sound Therapy</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: The Great Al Schmitt</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Jacks tinnitus website</strong> <a href="http://www.helpmytinnitus.com/"><strong>www.helpmytinnitus.com</strong></a>
</li>
<li><a href="https://www.amazon.com/dp/B09312PJB6/ref=cm_sw_em_r_mt_dp_6Z1ZAP6ZBF4C9A00M3GY"><strong>Overcoming Tinnitus. 12 Tools That Helped Me Overcome Tinnitus</strong></a></li>
<li><a href="https://amzn.to/2SttQBR"><strong>A Musician With Tinnitus: 14 Tools That Help Me Perform And Cope With Tinnitus</strong></a></li>
<li><a href="https://www.instagram.com/jack_rubinacci/?hl=en"><strong>Jack's Instagram</strong></a></li>
<li><a href="https://open.spotify.com/artist/5r2kLLlIdIuHbOMHOi8ACt?si=F9UCjd9ERfWg5cd3-3QLTQ"><strong>Jack on Spotify</strong></a></li>
<li>
<strong>Jack's Site: </strong><a href="http://www.jackrubinacci.com"><strong>http://www.jackrubinacci.com</strong></a>
</li>
<li><a href="https://www.youtube.com/user/jackrubinacci2/videos"><strong>Jack on Youtube</strong></a></li>
<li><a href="https://youtu.be/eQEaiZ2j9oc"><strong>Journey of Sound to the Brain</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Jack Rubinacci</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is musician, songwriter, author, and producer, Jack Rubinacci. Born in Rome, raised in the UK, and now residing in Norway. </p><p>Jack has been through the music industry on both sides of the glass including recorded his debut release with Tchad Blake Peter Gabriel’s Real World Studios, he’s sold produced and mixed his own releases, he’s opened for Joe Cocker, Lionel Richie, and Arcade Fire to name a few. Like many in the industry, Jack suffers from Tinnitus. He’s written two books on the topic and it is the focus of our conversation in today's episode. Jack came as a referral from our good friend and studio rat James Ivey. I felt it was important to have Jack on to discuss this topic of tinnitus since many people don’t. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Tinnitus</li>
<li>Monitoring low</li>
<li>Earplugs</li>
<li>Meeting Dad at 10</li>
<li>Sleeping By The Hotel Piano</li>
<li>Tchad Blake</li>
<li>Sympathetic Producers</li>
<li>IPad Production</li>
<li>Dealing with Tinnitus</li>
<li>Getting inside the Song</li>
<li>Ear Nose and Throat</li>
<li>Prepping Your Ears for Sonic Assault</li>
<li>Tools to Counteract Tinnitus</li>
<li>Sound Therapy</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: The Great Al Schmitt</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Jacks tinnitus website</strong> <a href="http://www.helpmytinnitus.com/"><strong>www.helpmytinnitus.com</strong></a>
</li>
<li><a href="https://www.amazon.com/dp/B09312PJB6/ref=cm_sw_em_r_mt_dp_6Z1ZAP6ZBF4C9A00M3GY"><strong>Overcoming Tinnitus. 12 Tools That Helped Me Overcome Tinnitus</strong></a></li>
<li><a href="https://amzn.to/2SttQBR"><strong>A Musician With Tinnitus: 14 Tools That Help Me Perform And Cope With Tinnitus</strong></a></li>
<li><a href="https://www.instagram.com/jack_rubinacci/?hl=en"><strong>Jack's Instagram</strong></a></li>
<li><a href="https://open.spotify.com/artist/5r2kLLlIdIuHbOMHOi8ACt?si=F9UCjd9ERfWg5cd3-3QLTQ"><strong>Jack on Spotify</strong></a></li>
<li>
<strong>Jack's Site: </strong><a href="http://www.jackrubinacci.com"><strong>http://www.jackrubinacci.com</strong></a>
</li>
<li><a href="https://www.youtube.com/user/jackrubinacci2/videos"><strong>Jack on Youtube</strong></a></li>
<li><a href="https://youtu.be/eQEaiZ2j9oc"><strong>Journey of Sound to the Brain</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Jack Rubinacci</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-334-with-jack-rubinacci-dealing-with-tinnitus-working-with-tchad-blake-ipad-production-and-sleeping-by-the-hotel-piano]]></link><guid isPermaLink="false">bfbd15d4-6460-11eb-8f60-639a6ab8182f</guid><itunes:image href="https://artwork.captivate.fm/07dc5425-2bc8-4804-aa03-f273b5aa6853/wca-334-with-jack-rubinacci-thumbnail.png"/><pubDate>Mon, 10 May 2021 06:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bebc9b94-7399-4d2f-b340-1a47f6bb9dd9.mp3" length="122953110" type="audio/mpeg"/><itunes:duration>01:04:02</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>334</itunes:episode><podcast:episode>334</podcast:episode><itunes:summary>My guest today is musician, songwriter, author, and producer, Jack Rubinacci. Born in Rome, raised in the UK, and now residing in Norway. 
Jack has been through the music industry on both sides of the glass including recorded his debut release with Tchad Blake Peter Gabriel’s Real World Studios, he’s sold produced and mixed his own releases, he’s opened for Joe Cocker, Lionel Richie, and Arcade Fire to name a few. Like many in the industry, Jack suffers from Tinnitus. He’s written two books on the topic and it is the focus of our conversation in today&apos;s episode. Jack came as a referral from our good friend and studio rat James Ivey. I felt it was important to have Jack on to discuss this topic of tinnitus since many people don’t. 

In this episode, we discuss:

Tinnitus

Monitoring low

Earplugs

Meeting Dad at 10

Sleeping By The Hotel Piano

Tchad Blake

Sympathetic Producers

IPad Production

Dealing with Tinnitus

Getting inside the Song

Ear Nose and Throat

Prepping Your Ears for Sonic Assault

Tools to Counteract Tinnitus

Sound Therapy


Matt&apos;s Rant: The Great Al Schmitt
Links and Show Notes


Jacks tinnitus website www.helpmytinnitus.com


Overcoming Tinnitus. 12 Tools That Helped Me Overcome Tinnitus

A Musician With Tinnitus: 14 Tools That Help Me Perform And Cope With Tinnitus

Jack&apos;s Instagram

Jack on Spotify


Jack&apos;s Site: http://www.jackrubinacci.com


Jack on Youtube

Journey of Sound to the Brain


WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits:

Guest: Jack Rubinacci


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #333 with Alex Crescioni - Doom Metal, Peter &amp; The Wolf, Bad Intern Experiences, and Garage Sale Four-Tracks</title><itunes:title>WCA #333 with Alex Crescioni - Doom Metal, Peter &amp; The Wolf, Bad Intern Experiences, and Garage Sale Four-Tracks</itunes:title><description><![CDATA[
        <p>My guest today is producer, engineer, mixer Alex Crescioni.</p><p>Alex is based in Los Angeles at his studio Stygian Sound, located in the legendary Sound City studio complex. He works with a wide variety of rock &amp; metal bands on Nuclear Blast Records, Napalm Records, Wind-Up Records, Craft Recordings, Cleopatra Records, Metal Assault Records, Steamhammer Records, Sliptrick Records, EMP Label Group, Gore House Productions, Frontiers Records, Danse Macabre Records, and Minotauro Records. I've followed Alex's career for a long time and am happy he's here to join me for a chat. Alex Crescioni, coming up here on The Working Class Audio Podcast. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Mothers Musical influence</li>
<li>The Suzuki Method</li>
<li>Musicians Institute</li>
<li>Peter and the wolf</li>
<li>Garage Sale Four-Track</li>
<li>Home base</li>
<li>Wanting To Give Up</li>
<li>Bad Intern Experiences</li>
<li>Sound City </li>
<li>LA Studio Complexes</li>
<li>Getting Work</li>
<li>Client Vetting Process</li>
<li>Rates</li>
<li>Mentors</li>
<li>Guitar Pedals</li>
<li>Doom metal</li>
<li>Matt Wallace</li>
<li>Tim Palmer</li>
<li>Chris Collier</li>
<li>Assistants</li>
<li>Struggling</li>
<li>Financial Awakening</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Sharing Your Knowledge</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Alex's Site: </strong><a href="https://www.alexcrescioni.com/"><strong>https://www.alexcrescioni.com/</strong></a>
</li>
<li>
<strong>Alex on Linkedin: </strong><a href="https://www.linkedin.com/in/alexcrescioni/"><strong>https://www.linkedin.com/in/alexcrescioni/</strong></a>
</li>
<li>
<strong>Alex on Instagram: </strong><a href="https://www.instagram.com/alexcrescioni/"><strong>https://www.instagram.com/alexcrescioni/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Alex Crescioni</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is producer, engineer, mixer Alex Crescioni.</p><p>Alex is based in Los Angeles at his studio Stygian Sound, located in the legendary Sound City studio complex. He works with a wide variety of rock &amp; metal bands on Nuclear Blast Records, Napalm Records, Wind-Up Records, Craft Recordings, Cleopatra Records, Metal Assault Records, Steamhammer Records, Sliptrick Records, EMP Label Group, Gore House Productions, Frontiers Records, Danse Macabre Records, and Minotauro Records. I've followed Alex's career for a long time and am happy he's here to join me for a chat. Alex Crescioni, coming up here on The Working Class Audio Podcast. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Mothers Musical influence</li>
<li>The Suzuki Method</li>
<li>Musicians Institute</li>
<li>Peter and the wolf</li>
<li>Garage Sale Four-Track</li>
<li>Home base</li>
<li>Wanting To Give Up</li>
<li>Bad Intern Experiences</li>
<li>Sound City </li>
<li>LA Studio Complexes</li>
<li>Getting Work</li>
<li>Client Vetting Process</li>
<li>Rates</li>
<li>Mentors</li>
<li>Guitar Pedals</li>
<li>Doom metal</li>
<li>Matt Wallace</li>
<li>Tim Palmer</li>
<li>Chris Collier</li>
<li>Assistants</li>
<li>Struggling</li>
<li>Financial Awakening</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Sharing Your Knowledge</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Alex's Site: </strong><a href="https://www.alexcrescioni.com/"><strong>https://www.alexcrescioni.com/</strong></a>
</li>
<li>
<strong>Alex on Linkedin: </strong><a href="https://www.linkedin.com/in/alexcrescioni/"><strong>https://www.linkedin.com/in/alexcrescioni/</strong></a>
</li>
<li>
<strong>Alex on Instagram: </strong><a href="https://www.instagram.com/alexcrescioni/"><strong>https://www.instagram.com/alexcrescioni/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Alex Crescioni</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-333-with-alex-crescioni-doom-metal-peter-the-wolf-bad-intern-experiences-and-garage-sale-four-tracks]]></link><guid isPermaLink="false">bfafcc4e-6460-11eb-8f60-6374d784ebcb</guid><itunes:image href="https://artwork.captivate.fm/113b1a86-b24f-45ea-b8b4-ac1b5850623f/wca-333-with-alex-crescioni-thumbnail.png"/><pubDate>Mon, 03 May 2021 04:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1cb2605c-afbb-4e11-9483-b0803056d856.mp3" length="127963468" type="audio/mpeg"/><itunes:duration>53:19</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>333</itunes:episode><podcast:episode>333</podcast:episode><itunes:summary>My guest today is producer, engineer, mixer Alex Crescioni.
Alex is based in Los Angeles at his studio Stygian Sound, located in the legendary Sound City studio complex. He works with a wide variety of rock &amp; metal bands on Nuclear Blast Records, Napalm Records, Wind-Up Records, Craft Recordings, Cleopatra Records, Metal Assault Records, Steamhammer Records, Sliptrick Records, EMP Label Group, Gore House Productions, Frontiers Records, Danse Macabre Records, and Minotauro Records. I&apos;ve followed Alex&apos;s career for a long time and am happy he&apos;s here to join me for a chat. Alex Crescioni, coming up here on The Working Class Audio Podcast. 

In this episode, we discuss:

Mothers Musical influence

The Suzuki Method

Musicians Institute

Peter and the wolf

Garage Sale Four-Track

Home base

Wanting To Give Up

Bad Intern Experiences

Sound City 

LA Studio Complexes

Getting Work

Client Vetting Process

Rates

Mentors

Guitar Pedals

Doom metal

Matt Wallace

Tim Palmer

Chris Collier

Assistants

Struggling

Financial Awakening


Matt&apos;s Rant: Sharing Your Knowledge

Links and Show Notes


Alex&apos;s Site: https://www.alexcrescioni.com/



Alex on Linkedin: https://www.linkedin.com/in/alexcrescioni/



Alex on Instagram: https://www.instagram.com/alexcrescioni/



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits:

Guest: Alex Crescioni


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #332 with Frank Filipetti - METAlliance, Physics to Music, Starting Late, Sticking With It, and Right Track Recording</title><itunes:title>WCA #332 with Frank Filipetti - METAlliance, Physics to Music, Starting Late, Sticking With It, and Right Track Recording</itunes:title><description><![CDATA[
        <p>My guest today is Frank Filipetti, a producer, engineer, mixer, and a seven-time Grammy winner. </p><p>Frank has worked with many artists, including Foreigner, KISS, Carly Simon, The Bangles, Barbra Streisand, Ray Charles, Billy Joel, Mariah Carey, Madonna, Elton John, Rod Stewart, and Paul McCartney, to name a few. Frank talks to us from his home in Connecticut about his journey, which I think you'll enjoy very much. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Parental Impact</li>
<li>Grammar School Band</li>
<li>Physics to Music</li>
<li>Losing Record Deals</li>
<li>Transition to Recording at 30</li>
<li>Right Track Recording</li>
<li>Peter Asher</li>
<li>Niko Bolas</li>
<li>Val Garay</li>
<li>METAlliance</li>
<li>Starting Late</li>
<li>Survival</li>
<li>Alan Myerson</li>
<li>Dealing with Doubt</li>
<li>Sticking With It</li>
<li>Assessing Career</li>
<li>Learning Everyday</li>
<li>Studio in Connecticut</li>
<li>Living Outside of Recording Hubs</li>
<li>Finances</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Protecting your Ears!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Frank's site: </strong><a href="http://frankfilipetti.com/bio/"><strong>http://frankfilipetti.com/bio/</strong></a>
</li>
<li>
<strong>METAlliance: </strong><a href="https://www.metalliance.com/"><strong>https://www.metalliance.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Frank Filipetti</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Frank Filipetti, a producer, engineer, mixer, and a seven-time Grammy winner. </p><p>Frank has worked with many artists, including Foreigner, KISS, Carly Simon, The Bangles, Barbra Streisand, Ray Charles, Billy Joel, Mariah Carey, Madonna, Elton John, Rod Stewart, and Paul McCartney, to name a few. Frank talks to us from his home in Connecticut about his journey, which I think you'll enjoy very much. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Parental Impact</li>
<li>Grammar School Band</li>
<li>Physics to Music</li>
<li>Losing Record Deals</li>
<li>Transition to Recording at 30</li>
<li>Right Track Recording</li>
<li>Peter Asher</li>
<li>Niko Bolas</li>
<li>Val Garay</li>
<li>METAlliance</li>
<li>Starting Late</li>
<li>Survival</li>
<li>Alan Myerson</li>
<li>Dealing with Doubt</li>
<li>Sticking With It</li>
<li>Assessing Career</li>
<li>Learning Everyday</li>
<li>Studio in Connecticut</li>
<li>Living Outside of Recording Hubs</li>
<li>Finances</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Protecting your Ears!</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Frank's site: </strong><a href="http://frankfilipetti.com/bio/"><strong>http://frankfilipetti.com/bio/</strong></a>
</li>
<li>
<strong>METAlliance: </strong><a href="https://www.metalliance.com/"><strong>https://www.metalliance.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Frank Filipetti</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-332-with-frank-filipetti-metalliance-physics-to-music-starting-late-sticking-with-it-and-right-track-recording]]></link><guid isPermaLink="false">bfa2ce0e-6460-11eb-8f60-8fc85b3046c4</guid><itunes:image href="https://artwork.captivate.fm/57dcc025-3b7b-4a54-aaf7-a99fce518fc5/wca-332-with-frank-filipetti-thumbnail.png"/><pubDate>Mon, 26 Apr 2021 02:57:01 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bf3d4560-a893-492f-b42c-79d4e311d4cf.mp3" length="135120806" type="audio/mpeg"/><itunes:duration>56:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>335</itunes:episode><podcast:episode>335</podcast:episode><itunes:summary>My guest today is Frank Filipetti, a producer, engineer, mixer, and a seven-time Grammy winner. 
Frank has worked with many artists, including Foreigner, KISS, Carly Simon, The Bangles, Barbra Streisand, Ray Charles, Billy Joel, Mariah Carey, Madonna, Elton John, Rod Stewart, and Paul McCartney, to name a few. Frank talks to us from his home in Connecticut about his journey, which I think you&apos;ll enjoy very much. 

In this episode, we discuss:

Parental Impact

Grammar School Band

Physics to Music

Losing Record Deals

Transition to Recording at 30

Right Track Recording

Peter Asher

Niko Bolas

Val Garay

METAlliance

Starting Late

Survival

Alan Myerson

Dealing with Doubt

Sticking With It

Assessing Career

Learning Everyday

Studio in Connecticut

Living Outside of Recording Hubs

Finances


Matt&apos;s Rant: Protecting your Ears!
Links and Show Notes


Frank&apos;s site: http://frankfilipetti.com/bio/



METAlliance: https://www.metalliance.com/



WCA on Instagram: @working_class_audio



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits:

Guest: Frank Filipetti


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


Editing: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #331 with Michael Castañeda - Tape Syncs, Podcasts, Network of Friends, West Covina, and Getting Super Lucky</title><itunes:title>WCA #331 with Michael Castañeda - Tape Syncs, Podcasts, Network of Friends, West Covina, and Getting Super Lucky</itunes:title><description><![CDATA[
        <p>My guest today is Michael Castañeda, who is an audio engineer who does location recordings, post-production, producing, and consultation for podcasts.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>West Covina</li>
<li>Tape Syncs</li>
<li>Covid Audio Practices</li>
<li>Cassettes</li>
<li>Drum &amp; Bugle Corps. </li>
<li>School Band</li>
<li>Citrus Community College</li>
<li>UC San Diego</li>
<li>Sending Resumes</li>
<li>Craigslist Illness</li>
<li>Reality Show Gigs</li>
<li>The Grind of TV</li>
<li>Recording School Bands</li>
<li>Getting Super Lucky</li>
<li>The Gift of Audio Gear</li>
<li>Live Sound</li>
<li>Podcast Work</li>
<li>Network of Friends</li>
<li>Enjoying Gigs</li>
<li>New York Times</li>
<li>Podcast Producing</li>
<li>Learning in the Field</li>
<li>Linkedin</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Banking Locally</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Michael on Instagram: </strong><a href="https://www.instagram.com/plasticaudio"><strong>https://www.instagram.com/plasticaudio</strong></a>
</li>
<li>
<strong>Michael on Twitter: </strong><a href="https://twitter.com/plasticaudio"><strong>https://twitter.com/plasticaudio</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Michael Castañeda</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Michael Castañeda, who is an audio engineer who does location recordings, post-production, producing, and consultation for podcasts.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>West Covina</li>
<li>Tape Syncs</li>
<li>Covid Audio Practices</li>
<li>Cassettes</li>
<li>Drum &amp; Bugle Corps. </li>
<li>School Band</li>
<li>Citrus Community College</li>
<li>UC San Diego</li>
<li>Sending Resumes</li>
<li>Craigslist Illness</li>
<li>Reality Show Gigs</li>
<li>The Grind of TV</li>
<li>Recording School Bands</li>
<li>Getting Super Lucky</li>
<li>The Gift of Audio Gear</li>
<li>Live Sound</li>
<li>Podcast Work</li>
<li>Network of Friends</li>
<li>Enjoying Gigs</li>
<li>New York Times</li>
<li>Podcast Producing</li>
<li>Learning in the Field</li>
<li>Linkedin</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Banking Locally</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Michael on Instagram: </strong><a href="https://www.instagram.com/plasticaudio"><strong>https://www.instagram.com/plasticaudio</strong></a>
</li>
<li>
<strong>Michael on Twitter: </strong><a href="https://twitter.com/plasticaudio"><strong>https://twitter.com/plasticaudio</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Michael Castañeda</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>Engineer: </strong>Matt Boudreau</li>
<li>
<strong>Producer: </strong>Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-331-with-michael-castaneda-tape-syncs-podcasts-network-of-friends-west-covina-and-getting-super-lucky]]></link><guid isPermaLink="false">bf96be98-6460-11eb-8f60-3fb453687061</guid><itunes:image href="https://artwork.captivate.fm/1d3825f2-1567-43ac-bf69-59d0c727a5e6/wca-331-with-michael-castaneda-thumbnail.png"/><pubDate>Mon, 19 Apr 2021 00:44:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8f7b7814-2a3b-422e-b254-2a404a8be877.mp3" length="88237185" type="audio/mpeg"/><itunes:duration>01:01:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>331</itunes:episode><podcast:episode>331</podcast:episode><itunes:summary>My guest today is Michael Castañeda, who is an audio engineer who does location recordings, post-production, producing, and consultation for podcasts.
In this episode, we discuss:

West Covina

Tape Syncs

Covid Audio Practices

Cassettes

Drum &amp; Bugle Corps. 

School Band

Citrus Community College

UC San Diego

Sending Resumes

Craigslist Illness

Reality Show Gigs

The Grind of TV

Recording School Bands

Getting Super Lucky

The Gift of Audio Gear

Live Sound

Podcast Work

Network of Friends

Enjoying Gigs

New York Times

Podcast Producing

Learning in the Field

Linkedin


Matt&apos;s Rant: Banking Locally
Links and Show Notes


Michael on Instagram: https://www.instagram.com/plasticaudio



Michael on Twitter: https://twitter.com/plasticaudio



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:

Guest: Michael Castañeda


Host: Matt Boudreau 


Engineer: Matt Boudreau


Producer: Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #330 with Bill Schnee - Love of Radio, Grammy’s, Dad Jokes, Faith, The R Word, and The Chairman at the Board</title><itunes:title>WCA #330 with Bill Schnee - Love of Radio, Grammy’s, Dad Jokes, Faith, The R Word, and The Chairman at the Board</itunes:title><description><![CDATA[
        <p>My guest today is Bill Schnee who is an internationally renowned producer, engineer, and mix master. He has over 125 Gold and Platinum records and 50 top twenty singles and is known as an engineer’s engineer. Bill has worked on dozens of Grammy-nominated and winning albums, and has been personally nominated 11 times for The Best Engineered Album category, winning twice for Steely Dan’s <em>Aja</em> and <em>Gaucho</em>. He also has won an Emmy Award for Best Sound Mixing for a Variety Special and a Dove Award. In his 50+ year career, Bill has found success in every musical genre, from Pop to Rock to R&amp;B to Gospel to Country. Bill talks to us from Blackbird Studios in Nashville where we have a great conversation I think you’ll enjoy.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up In Phoenix</li>
<li>Love of Radio</li>
<li>Early Record Deal</li>
<li>Quitting College</li>
<li>Law School</li>
<li>Parents Approval</li>
<li>San Francisco</li>
<li>Discovering Audio</li>
<li>Working with Hired Guns</li>
<li>Keeping Musicians Happy</li>
<li>Recording Drums</li>
<li>Working with Singers</li>
<li>High Profile Artists</li>
<li>Shyness</li>
<li>Faith</li>
<li>Peers</li>
<li>AL Schmitt</li>
<li>The Gift of Balancing</li>
<li>Putting Family First</li>
<li>Disagreements</li>
<li>Differences in Record Making</li>
<li>Nashville vs. Los Angeles</li>
<li>Money Management</li>
<li>Chairman at the Board</li>
<li>Grammy’s and Dad Jokes</li>
<li>Records That Don’t Get Promoted</li>
<li>The R Word</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Expanding your DAW skills</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Bill's Site: </strong><a href="https://www.billschnee.com/"><strong>https://www.billschnee.com/</strong></a>
</li>
<li>
<strong>Bill's Book: </strong><a href="https://amzn.to/326cjBj"><strong>https://amzn.to/326cjBj</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Bill Schnee</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Bill Schnee who is an internationally renowned producer, engineer, and mix master. He has over 125 Gold and Platinum records and 50 top twenty singles and is known as an engineer’s engineer. Bill has worked on dozens of Grammy-nominated and winning albums, and has been personally nominated 11 times for The Best Engineered Album category, winning twice for Steely Dan’s <em>Aja</em> and <em>Gaucho</em>. He also has won an Emmy Award for Best Sound Mixing for a Variety Special and a Dove Award. In his 50+ year career, Bill has found success in every musical genre, from Pop to Rock to R&amp;B to Gospel to Country. Bill talks to us from Blackbird Studios in Nashville where we have a great conversation I think you’ll enjoy.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up In Phoenix</li>
<li>Love of Radio</li>
<li>Early Record Deal</li>
<li>Quitting College</li>
<li>Law School</li>
<li>Parents Approval</li>
<li>San Francisco</li>
<li>Discovering Audio</li>
<li>Working with Hired Guns</li>
<li>Keeping Musicians Happy</li>
<li>Recording Drums</li>
<li>Working with Singers</li>
<li>High Profile Artists</li>
<li>Shyness</li>
<li>Faith</li>
<li>Peers</li>
<li>AL Schmitt</li>
<li>The Gift of Balancing</li>
<li>Putting Family First</li>
<li>Disagreements</li>
<li>Differences in Record Making</li>
<li>Nashville vs. Los Angeles</li>
<li>Money Management</li>
<li>Chairman at the Board</li>
<li>Grammy’s and Dad Jokes</li>
<li>Records That Don’t Get Promoted</li>
<li>The R Word</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Expanding your DAW skills</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Bill's Site: </strong><a href="https://www.billschnee.com/"><strong>https://www.billschnee.com/</strong></a>
</li>
<li>
<strong>Bill's Book: </strong><a href="https://amzn.to/326cjBj"><strong>https://amzn.to/326cjBj</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Bill Schnee</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-330-with-bill-schnee-love-of-radio-grammys-dad-jokes-faith-the-r-word-and-the-chairman-at-the-board]]></link><guid isPermaLink="false">bf8abb98-6460-11eb-8f60-db8fd87e375a</guid><itunes:image href="https://artwork.captivate.fm/ac3ffc05-00c7-4fd9-9889-701bf90b7493/wca-330-with-bill-schnee-thumbnail.png"/><pubDate>Mon, 12 Apr 2021 05:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5c264c65-cd66-4b44-8a43-519577002dbf.mp3" length="78060074" type="audio/mpeg"/><itunes:duration>54:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>330</itunes:episode><podcast:episode>330</podcast:episode><itunes:summary>My guest today is Bill Schnee who is an internationally renowned producer, engineer, and mix master. He has over 125 Gold and Platinum records and 50 top twenty singles and is known as an engineer’s engineer. Bill has worked on dozens of Grammy-nominated and winning albums, and has been personally nominated 11 times for The Best Engineered Album category, winning twice for Steely Dan’s Aja and Gaucho. He also has won an Emmy Award for Best Sound Mixing for a Variety Special and a Dove Award. In his 50+ year career, Bill has found success in every musical genre, from Pop to Rock to R&amp;B to Gospel to Country. Bill talks to us from Blackbird Studios in Nashville where we have a great conversation I think you’ll enjoy.
In this episode, we discuss:

Growing up In Phoenix

Love of Radio

Early Record Deal

Quitting College

Law School

Parents Approval

San Francisco

Discovering Audio

Working with Hired Guns

Keeping Musicians Happy

Recording Drums

Working with Singers

High Profile Artists

Shyness

Faith

Peers

AL Schmitt

The Gift of Balancing

Putting Family First

Disagreements

Differences in Record Making

Nashville vs. Los Angeles

Money Management

Chairman at the Board

Grammy’s and Dad Jokes

Records That Don’t Get Promoted

The R Word


Matt&apos;s Rant: Expanding your DAW skills
Links and Show Notes


Bill&apos;s Site: https://www.billschnee.com/



Bill&apos;s Book: https://amzn.to/326cjBj



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:

Guest: Bill Schnee


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #329 with Joe Caithness - Pragmatic Studio Building, Meta Data, Professionalism, Office Hours, and Gear Poverty </title><itunes:title>WCA #329 with Joe Caithness - Pragmatic Studio Building, Meta Data, Professionalism, Office Hours, and Gear Poverty </itunes:title><description><![CDATA[
        <p>My guest today is Mastering Engineering Joe Caithness. Joe has worked on mastering the soundtrack music for games such as Borderlands, and Tekken, the soundtracks for the Netflix movie Close, bands such as Don Martin 3 and Palooka 5 and he does it all from the comfort of his mastering studio located in his backyard in Nottingham, England. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Shakespeare</li>
<li>Early PC Recording</li>
<li>Clutter</li>
<li>Being An Audio Introvert</li>
<li>Forums</li>
<li>GateKeeper Mentality</li>
<li>Online Mentors</li>
<li>Gear Poverty</li>
<li>Inverse Financial Curves</li>
<li>Pragmatic Studio Building</li>
<li>Transfer Equipment</li>
<li>Test Pressings</li>
<li>Mastering QC Process</li>
<li>Meta Data</li>
<li>Professionalism</li>
<li>Office Hours</li>
<li>Back Issues</li>
<li>Being Debt Free</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Patience</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Joe’s site: </strong><a href="joecaithnessmastering.com"><strong>joecaithnessmastering.com</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Joe Caithness</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Mastering Engineering Joe Caithness. Joe has worked on mastering the soundtrack music for games such as Borderlands, and Tekken, the soundtracks for the Netflix movie Close, bands such as Don Martin 3 and Palooka 5 and he does it all from the comfort of his mastering studio located in his backyard in Nottingham, England. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Shakespeare</li>
<li>Early PC Recording</li>
<li>Clutter</li>
<li>Being An Audio Introvert</li>
<li>Forums</li>
<li>GateKeeper Mentality</li>
<li>Online Mentors</li>
<li>Gear Poverty</li>
<li>Inverse Financial Curves</li>
<li>Pragmatic Studio Building</li>
<li>Transfer Equipment</li>
<li>Test Pressings</li>
<li>Mastering QC Process</li>
<li>Meta Data</li>
<li>Professionalism</li>
<li>Office Hours</li>
<li>Back Issues</li>
<li>Being Debt Free</li>
</ul><br/><p><br></p><p><br></p><p><strong>Matt's Rant: Patience</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Joe’s site: </strong><a href="joecaithnessmastering.com"><strong>joecaithnessmastering.com</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Joe Caithness</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-329-with-joe-caithness-pragmatic-studio-building-meta-data-professionalism-office-hours-and-gear-poverty-]]></link><guid isPermaLink="false">bf7eb438-6460-11eb-8f60-633d98311e9b</guid><itunes:image href="https://artwork.captivate.fm/ed1aaa63-dfaa-4f89-b694-fdc444bd9cbd/wca-329-with-joe-caithness-thumbnail.png"/><pubDate>Sun, 04 Apr 2021 22:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ebb078ac-92c7-4fc6-8029-a414b80e6e2c.mp3" length="95581348" type="audio/mpeg"/><itunes:duration>01:06:23</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>329</itunes:episode><podcast:episode>329</podcast:episode><itunes:summary>My guest today is Mastering Engineering Joe Caithness. Joe has worked on mastering the soundtrack music for games such as Borderlands, and Tekken, the soundtracks for the Netflix movie Close, bands such as Don Martin 3 and Palooka 5 and he does it all from the comfort of his mastering studio located in his backyard in Nottingham, England. 
In this episode, we discuss:

Shakespeare

Early PC Recording

Clutter

Being An Audio Introvert

Forums

GateKeeper Mentality

Online Mentors

Gear Poverty

Inverse Financial Curves

Pragmatic Studio Building

Transfer Equipment

Test Pressings

Mastering QC Process

Meta Data

Professionalism

Office Hours

Back Issues

Being Debt Free



Matt&apos;s Rant: Patience
Links and Show Notes


Joe’s site: joecaithnessmastering.com



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:

Guest: Joe Caithness


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #328 with Alan Evans - Open Concept Recording, Studio Remodeling, Remote Teaching, Template Mixing, and Selling Vinyl Records</title><itunes:title>WCA #328 with Alan Evans - Open Concept Recording, Studio Remodeling, Remote Teaching, Template Mixing, and Selling Vinyl Records</itunes:title><description><![CDATA[
        <p>My guest today is producer, engineer, mixer, multi-instrumentalist, singer and, songwriter, Alan Evans. This is Alan’s second time on the podcast. He first joined us on episode 133. This time around He talks to us from Massachusetts where we have a great chat about his studio and, his record label, and what’s been happening lately in his life. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Studio Remodeling</li>
<li>Alan's Record Label</li>
<li>Remote Teaching</li>
<li>Audio Minimalism</li>
<li>Vinyl Flooring</li>
<li>Great Musicians</li>
<li>Open Concept Recording</li>
<li>Template Mixing</li>
<li>Financial Groove</li>
<li>Selling Vinyl Records</li>
<li>The Blockbuster Documentary</li>
<li>The Black Puma's</li>
<li>Great Monitoring</li>
<li>Boot Drives</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Audio Dogma</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Alan's Studio: </strong><a href="https://www.ironwax.com/"><strong>https://www.ironwax.com/</strong></a>
</li>
<li>
<strong>Alan's Band: </strong><a href="https://www.soulive.com/"><strong>https://www.soulive.com/</strong></a>
</li>
<li>
<strong>Alan's Label: </strong><a href="https://www.vintageleaguemusic.com/"><strong>https://www.vintageleaguemusic.com/</strong></a>
</li>
<li>
<strong>Listen to this song! </strong><a href="https://spoti.fi/3stsG6M"><strong>https://spoti.fi/3stsG6M</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Alan Evans</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is producer, engineer, mixer, multi-instrumentalist, singer and, songwriter, Alan Evans. This is Alan’s second time on the podcast. He first joined us on episode 133. This time around He talks to us from Massachusetts where we have a great chat about his studio and, his record label, and what’s been happening lately in his life. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Studio Remodeling</li>
<li>Alan's Record Label</li>
<li>Remote Teaching</li>
<li>Audio Minimalism</li>
<li>Vinyl Flooring</li>
<li>Great Musicians</li>
<li>Open Concept Recording</li>
<li>Template Mixing</li>
<li>Financial Groove</li>
<li>Selling Vinyl Records</li>
<li>The Blockbuster Documentary</li>
<li>The Black Puma's</li>
<li>Great Monitoring</li>
<li>Boot Drives</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Audio Dogma</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Alan's Studio: </strong><a href="https://www.ironwax.com/"><strong>https://www.ironwax.com/</strong></a>
</li>
<li>
<strong>Alan's Band: </strong><a href="https://www.soulive.com/"><strong>https://www.soulive.com/</strong></a>
</li>
<li>
<strong>Alan's Label: </strong><a href="https://www.vintageleaguemusic.com/"><strong>https://www.vintageleaguemusic.com/</strong></a>
</li>
<li>
<strong>Listen to this song! </strong><a href="https://spoti.fi/3stsG6M"><strong>https://spoti.fi/3stsG6M</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li><strong>Guest: Alan Evans</strong></li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-328-with-alan-evans-open-concept-recording-studio-remodeling-remote-teaching-template-mixing-and-selling-vinyl-records]]></link><guid isPermaLink="false">bf72abb6-6460-11eb-8f60-4bff9ba1346d</guid><itunes:image href="https://artwork.captivate.fm/00c636e8-57ed-4c41-b633-45e55f70e9d7/wca-328-with-alan-evans-thumbnail.png"/><pubDate>Mon, 29 Mar 2021 01:48:25 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6d7d01df-1438-4bb6-8f9c-0b50f81f5dfd.mp3" length="79033337" type="audio/mpeg"/><itunes:duration>54:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>328</itunes:episode><podcast:episode>328</podcast:episode><itunes:summary>My guest today is producer, engineer, mixer, multi-instrumentalist, singer and, songwriter, Alan Evans. This is Alan’s second time on the podcast. He first joined us on episode 133. This time around He talks to us from Massachusetts where we have a great chat about his studio and, his record label, and what’s been happening lately in his life. 
In this episode, we discuss:

Studio Remodeling

Alan&apos;s Record Label

Remote Teaching

Audio Minimalism

Vinyl Flooring

Great Musicians

Open Concept Recording

Template Mixing

Financial Groove

Selling Vinyl Records

The Blockbuster Documentary

The Black Puma&apos;s

Great Monitoring

Boot Drives


Matt&apos;s Rant: Audio Dogma
Links and Show Notes


Alan&apos;s Studio: https://www.ironwax.com/



Alan&apos;s Band: https://www.soulive.com/



Alan&apos;s Label: https://www.vintageleaguemusic.com/



Listen to this song! https://spoti.fi/3stsG6M



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:

Guest: Alan Evans


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #327 with Trina Shoemaker - Temp Jobs, Sheryl Crow, Daniel Lanois, Writing a Novel, Drug Runs, and Dads&apos; Control Room</title><itunes:title>WCA #327 with Trina Shoemaker - Temp Jobs, Sheryl Crow, Daniel Lanois, Writing a Novel, Drug Runs, and Dads&apos; Control Room</itunes:title><description><![CDATA[
        <p>My guest today is Grammy-winning producer/engineer and mixer, Trina Shoemaker. Trina has worked with Sheryl Crow, Tanya Tucker, the Indigo Girls, Pearl Jam, Patty Griffen, and many, many more. Trina comes to us by way of former WCA guest and friend Andrew Scheps who helped make the introduction. We have a great discussion that I think you’ll enjoy. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing Up In Joliet, Illinois</li>
<li>Concerts in Chicago</li>
<li>Jackson 5</li>
<li>Dads’ “Control Room”</li>
<li>Chicago</li>
<li>Los Angeles</li>
<li>Drive Aways</li>
<li>Capital Records Temp</li>
<li>Alternative Marketing</li>
<li>Rancho De La Luna</li>
<li>Living in London</li>
<li>Drug Runs</li>
<li>LA Recording Workshop</li>
<li>Susan Rodgers</li>
<li>New Orleans</li>
<li>Daniel Lanois</li>
<li>Canadians</li>
<li>Sheryl Crow</li>
<li>Needs-Based Creatures</li>
<li>Jeff Trott</li>
<li>Tchad Blake</li>
<li>Hurricane Katrina</li>
<li>Losing Her House</li>
<li>Counting on Music Moments</li>
<li>Alabama</li>
<li>The Peavy Brothers</li>
<li>Writing a Novel</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Lack of Work</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Trina's Site: </strong><a href="http://www.trinashoemaker.com/"><strong>http://www.trinashoemaker.com/</strong></a>
</li>
<li>
<strong>Trina on Instagram: </strong><a href="https://www.instagram.com/trinashoemaker"><strong>@trinashoemaker</strong></a>
</li>
<li>
<strong>Dauphin Street Studios: </strong><a href="http://www.dauphinstreetsound.com/"><strong>http://www.dauphinstreetsound.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Trina Shoemaker</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy-winning producer/engineer and mixer, Trina Shoemaker. Trina has worked with Sheryl Crow, Tanya Tucker, the Indigo Girls, Pearl Jam, Patty Griffen, and many, many more. Trina comes to us by way of former WCA guest and friend Andrew Scheps who helped make the introduction. We have a great discussion that I think you’ll enjoy. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing Up In Joliet, Illinois</li>
<li>Concerts in Chicago</li>
<li>Jackson 5</li>
<li>Dads’ “Control Room”</li>
<li>Chicago</li>
<li>Los Angeles</li>
<li>Drive Aways</li>
<li>Capital Records Temp</li>
<li>Alternative Marketing</li>
<li>Rancho De La Luna</li>
<li>Living in London</li>
<li>Drug Runs</li>
<li>LA Recording Workshop</li>
<li>Susan Rodgers</li>
<li>New Orleans</li>
<li>Daniel Lanois</li>
<li>Canadians</li>
<li>Sheryl Crow</li>
<li>Needs-Based Creatures</li>
<li>Jeff Trott</li>
<li>Tchad Blake</li>
<li>Hurricane Katrina</li>
<li>Losing Her House</li>
<li>Counting on Music Moments</li>
<li>Alabama</li>
<li>The Peavy Brothers</li>
<li>Writing a Novel</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Lack of Work</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Trina's Site: </strong><a href="http://www.trinashoemaker.com/"><strong>http://www.trinashoemaker.com/</strong></a>
</li>
<li>
<strong>Trina on Instagram: </strong><a href="https://www.instagram.com/trinashoemaker"><strong>@trinashoemaker</strong></a>
</li>
<li>
<strong>Dauphin Street Studios: </strong><a href="http://www.dauphinstreetsound.com/"><strong>http://www.dauphinstreetsound.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Trina Shoemaker</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>The License Lab</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-327-with-trina-shoemaker-temp-jobs-sheryl-crow-daniel-lanois-writing-a-novel-drug-runs-and-dads-control-room]]></link><guid isPermaLink="false">bf666f04-6460-11eb-8f60-bf9666dbddd2</guid><itunes:image href="https://artwork.captivate.fm/cdb6bb9f-b9d4-4412-9179-b0c25987d016/wca-327-with-trina-shoemaker-thumbnail.png"/><pubDate>Sun, 21 Mar 2021 23:49:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2c8d4b33-7460-48fd-8374-ba3cfa2ff042.mp3" length="97478486" type="audio/mpeg"/><itunes:duration>01:07:42</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>327</itunes:episode><podcast:episode>327</podcast:episode><itunes:summary>My guest today is Grammy-winning producer/engineer and mixer, Trina Shoemaker. Trina has worked with Sheryl Crow, Tanya Tucker, the Indigo Girls, Pearl Jam, Patty Griffen, and many, many more. Trina comes to us by way of former WCA guest and friend Andrew Scheps who helped make the introduction. We have a great discussion that I think you’ll enjoy. 
In this episode, we discuss:

Growing Up In Joliet, Illinois

Concerts in Chicago

Jackson 5

Dads’ “Control Room”

Chicago

Los Angeles

Drive Aways

Capital Records Temp

Alternative Marketing

Rancho De La Luna

Living in London

Drug Runs

LA Recording Workshop

Susan Rodgers

New Orleans

Daniel Lanois

Canadians

Sheryl Crow

Needs-Based Creatures

Jeff Trott

Tchad Blake

Hurricane Katrina

Losing Her House

Counting on Music Moments

Alabama

The Peavy Brothers

Writing a Novel


Matt&apos;s Rant: Lack of Work
Links and Show Notes


Trina&apos;s Site: http://www.trinashoemaker.com/



Trina on Instagram: @trinashoemaker



Dauphin Street Studios: http://www.dauphinstreetsound.com/



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Trina Shoemaker


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #326 with Stephen Dent - Working with Sean Combs, Go-go, House of Sound, Bob Rosa, DC, and The Forest Gump Effect</title><itunes:title>WCA #326 with Stephen Dent - Working with Sean Combs, Go-go, House of Sound, Bob Rosa, DC, and The Forest Gump Effect</itunes:title><description><![CDATA[
        <p>My guest today is Grammy Nominated engineer Stephen Dent. Stephen has worked on records for Notorious B.I.G, Sean Combs, Mary J. Blige, Faith Evans, and Lil Kim. He also spent a number of years running Daddy’s House, the studio owned by Sean “Diddy” Combs located in Brooklyn. I met Stephen while participating in rooms on Club House. I reached out and he accepted my invitation to come on the show. We have a great conversation and I’m looking forward to you hearing about his journey.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Motown</li>
<li>Gospel</li>
<li>Go Go Music</li>
<li>Yacht Rock</li>
<li>Anthony Wellington</li>
<li>Offset Printing</li>
<li>DJing</li>
<li>Making Beats</li>
<li>The Forest Gump Effect</li>
<li>Super VHS/Beta Max Recording</li>
<li>Engineering Out of Spite</li>
<li>Omega Recording School</li>
<li>SSL Plasma Meters</li>
<li>DC to NYC</li>
<li>House of Sound</li>
<li>Bob Rosa</li>
<li>Tackling the Tape Library</li>
<li>Sleeping on Trains</li>
<li>Befriending The Homeless </li>
<li>The One Page That Changed His Life</li>
<li>Working with Sean Diddy Combs</li>
<li>Not Leaving the Studio</li>
<li>Golf</li>
<li>Teaching</li>
<li>Sons Man Cave</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Self Evaluation</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Stephen on Instagram: </strong><a href="https://www.instagram.com/inlikedent"><strong>@inlikedent</strong></a>
</li>
<li>
<strong>Oblique Strategies: </strong><a href="https://bit.ly/3lkhNkW"><strong>https://bit.ly/3lkhNkW</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Stephen Dent</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>Cordova</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy Nominated engineer Stephen Dent. Stephen has worked on records for Notorious B.I.G, Sean Combs, Mary J. Blige, Faith Evans, and Lil Kim. He also spent a number of years running Daddy’s House, the studio owned by Sean “Diddy” Combs located in Brooklyn. I met Stephen while participating in rooms on Club House. I reached out and he accepted my invitation to come on the show. We have a great conversation and I’m looking forward to you hearing about his journey.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Motown</li>
<li>Gospel</li>
<li>Go Go Music</li>
<li>Yacht Rock</li>
<li>Anthony Wellington</li>
<li>Offset Printing</li>
<li>DJing</li>
<li>Making Beats</li>
<li>The Forest Gump Effect</li>
<li>Super VHS/Beta Max Recording</li>
<li>Engineering Out of Spite</li>
<li>Omega Recording School</li>
<li>SSL Plasma Meters</li>
<li>DC to NYC</li>
<li>House of Sound</li>
<li>Bob Rosa</li>
<li>Tackling the Tape Library</li>
<li>Sleeping on Trains</li>
<li>Befriending The Homeless </li>
<li>The One Page That Changed His Life</li>
<li>Working with Sean Diddy Combs</li>
<li>Not Leaving the Studio</li>
<li>Golf</li>
<li>Teaching</li>
<li>Sons Man Cave</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Self Evaluation</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Stephen on Instagram: </strong><a href="https://www.instagram.com/inlikedent"><strong>@inlikedent</strong></a>
</li>
<li>
<strong>Oblique Strategies: </strong><a href="https://bit.ly/3lkhNkW"><strong>https://bit.ly/3lkhNkW</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Stephen Dent</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong>Cordova</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-326-with-stephen-dent-working-with-sean-combs-go-go-house-of-sound-bob-rosa-dc-and-the-forest-gump-effect]]></link><guid isPermaLink="false">bf5a6330-6460-11eb-8f60-7f9238de4927</guid><itunes:image href="https://artwork.captivate.fm/14e0cc59-ab7f-47f7-8068-e2ab6ccb4ec1/wca-326-with-stephen-dent-thumbnail.png"/><pubDate>Mon, 15 Mar 2021 06:38:28 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/183f1120-c063-461c-8ab6-b54528bfe4a4.mp3" length="106838816" type="audio/mpeg"/><itunes:duration>01:14:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>324</itunes:episode><podcast:episode>324</podcast:episode><itunes:summary>My guest today is Grammy Nominated engineer Stephen Dent. Stephen has worked on records for Notorious B.I.G, Sean Combs, Mary J. Blige, Faith Evans, and Lil Kim. He also spent a number of years running Daddy’s House, the studio owned by Sean “Diddy” Combs located in Brooklyn. I met Stephen while participating in rooms on Club House. I reached out and he accepted my invitation to come on the show. We have a great conversation and I’m looking forward to you hearing about his journey.
In this episode, we discuss:

Motown

Gospel

Go Go Music

Yacht Rock

Anthony Wellington

Offset Printing

DJing

Making Beats

The Forest Gump Effect

Super VHS/Beta Max Recording

Engineering Out of Spite

Omega Recording School

SSL Plasma Meters

DC to NYC

House of Sound

Bob Rosa

Tackling the Tape Library

Sleeping on Trains

Befriending The Homeless 

The One Page That Changed His Life

Working with Sean Diddy Combs

Not Leaving the Studio

Golf

Teaching

Sons Man Cave


Matt&apos;s Rant: Self Evaluation
Links and Show Notes


Stephen on Instagram: @inlikedent



Oblique Strategies: https://bit.ly/3lkhNkW



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Stephen Dent


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: Cordova</itunes:summary></item><item><title>WCA #325 with Jason LaRocca - Mixing Music for Films and Games, Starting A Band, Fortnite, Working Smarter, and Breakfast with The Beatles</title><itunes:title>WCA #325 with Jason LaRocca - Mixing Music for Films and Games, Starting A Band, Fortnite, Working Smarter, and Breakfast with The Beatles</itunes:title><description><![CDATA[
        <p>My guest today is producer, mixer, and scoring engineer Jason LaRocca. Jason has worked on films such as “Bad Boys for Life,” “Paddington,” “Aquaman,” “The Accountant,” “Joy”, “Godzilla: King of Monsters,” Blumhouse horror hit “Ma,” and the 2018 Oscar-winning documentary “Icarus.” Jason also mixed the music for the smash-hit video game “Fortnite" as well as “Cyberpunk” and “Assassin’s Creed Valhalla.” Jason is formerly known as the singer/guitarist of the acclaimed punk band, The Briggs.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Mixing Music for Films and Games</li>
<li>Breakfast with The Beatles</li>
<li>Kids Choir with Toto</li>
<li>Music and Skateboarding</li>
<li>Starting A Band</li>
<li>Supportive Parents</li>
<li>Home Studio</li>
<li>Mackie 2408 </li>
<li>DIY Mentality</li>
<li>Free Tape</li>
<li>Mark Isham</li>
<li>Curveballs</li>
<li>Cold Calling</li>
<li>Fortnite</li>
<li>Music Mixing</li>
<li>Economics of The Gig</li>
<li>Work/Life Balance</li>
<li>Working Smarter </li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Maintaining A Presence</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Jason's Site: </strong><a href="https://www.jasonlarocca.com/"><strong>https://www.jasonlarocca.com/</strong></a>
</li>
<li>
<strong>Jason on Instagram: </strong><a href="https://www.instagram.com/jason_larocca/"><strong>@jason_larocca</strong></a>
</li>
<li>
<strong>solo.to for sharing links: </strong><a href="https://solo.to/inv/MjAwNTM"><strong>https://solo.to/inv/MjAwNTM</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Jason LaRocca</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is producer, mixer, and scoring engineer Jason LaRocca. Jason has worked on films such as “Bad Boys for Life,” “Paddington,” “Aquaman,” “The Accountant,” “Joy”, “Godzilla: King of Monsters,” Blumhouse horror hit “Ma,” and the 2018 Oscar-winning documentary “Icarus.” Jason also mixed the music for the smash-hit video game “Fortnite" as well as “Cyberpunk” and “Assassin’s Creed Valhalla.” Jason is formerly known as the singer/guitarist of the acclaimed punk band, The Briggs.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Mixing Music for Films and Games</li>
<li>Breakfast with The Beatles</li>
<li>Kids Choir with Toto</li>
<li>Music and Skateboarding</li>
<li>Starting A Band</li>
<li>Supportive Parents</li>
<li>Home Studio</li>
<li>Mackie 2408 </li>
<li>DIY Mentality</li>
<li>Free Tape</li>
<li>Mark Isham</li>
<li>Curveballs</li>
<li>Cold Calling</li>
<li>Fortnite</li>
<li>Music Mixing</li>
<li>Economics of The Gig</li>
<li>Work/Life Balance</li>
<li>Working Smarter </li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Maintaining A Presence</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Jason's Site: </strong><a href="https://www.jasonlarocca.com/"><strong>https://www.jasonlarocca.com/</strong></a>
</li>
<li>
<strong>Jason on Instagram: </strong><a href="https://www.instagram.com/jason_larocca/"><strong>@jason_larocca</strong></a>
</li>
<li>
<strong>solo.to for sharing links: </strong><a href="https://solo.to/inv/MjAwNTM"><strong>https://solo.to/inv/MjAwNTM</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Jason LaRocca</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-325-with-jason-larocca-mixing-music-for-films-and-games-starting-a-band-fortnite-working-smarter-and-breakfast-with-the-beatles]]></link><guid isPermaLink="false">bf4dfcf8-6460-11eb-8f60-cb2cc8d7920c</guid><itunes:image href="https://artwork.captivate.fm/6fc68dd3-cce8-4429-bb9d-cfb1b4c5f836/wca-325-with-jason-larocca-thumbnail.png"/><pubDate>Mon, 08 Mar 2021 07:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/43001044-5679-474a-9435-c3b471bf5f20.mp3" length="75747124" type="audio/mpeg"/><itunes:duration>52:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>325</itunes:episode><podcast:episode>325</podcast:episode><itunes:summary>My guest today is producer, mixer, and scoring engineer Jason LaRocca. Jason has worked on films such as “Bad Boys for Life,” “Paddington,” “Aquaman,” “The Accountant,” “Joy”, “Godzilla: King of Monsters,” Blumhouse horror hit “Ma,” and the 2018 Oscar-winning documentary “Icarus.” Jason also mixed the music for the smash-hit video game “Fortnite&quot; as well as “Cyberpunk” and “Assassin’s Creed Valhalla.” Jason is formerly known as the singer/guitarist of the acclaimed punk band, The Briggs.
In this episode, we discuss:

Mixing Music for Films and Games

Breakfast with The Beatles

Kids Choir with Toto

Music and Skateboarding

Starting A Band

Supportive Parents

Home Studio

Mackie 2408 

DIY Mentality

Free Tape

Mark Isham

Curveballs

Cold Calling

Fortnite

Music Mixing

Economics of The Gig

Work/Life Balance

Working Smarter 


Matt&apos;s Rant: Maintaining A Presence
Links and Show Notes


Jason&apos;s Site: https://www.jasonlarocca.com/



Jason on Instagram: @jason_larocca



solo.to for sharing links: https://solo.to/inv/MjAwNTM



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jason LaRocca


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #324 with Steve Genewick - Mixing for ATMOS, Al Schmitt, High-Pressure Sessions, Saying No to Gigs, and Cancer</title><itunes:title>WCA #324 with Steve Genewick - Mixing for ATMOS, Al Schmitt, High-Pressure Sessions, Saying No to Gigs, and Cancer</itunes:title><description><![CDATA[
        <p>My guest today is Grammy-nominated engineer, Steve Genewick. Steve is making a return appearance on WCA. With 30 years of experience and 20 of that spent working alongside Al Schmitt, Steve has worked all over the world with artists such as Paul McCartney, Diana Krall, and LL Cool Jay as well as games such as Apex Legend. Lately, Steve is deep into remixing classic records for release in ATMOS.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Preparing Capital for COVID</li>
<li>Mixing Atmos from Home</li>
<li>Setting up for Atmos</li>
<li>Working Independently </li>
<li>Working with Al Schmitt</li>
<li>High-Level Gigs</li>
<li>Diverse Sessions</li>
<li>Learning from Peers</li>
<li>Learning from Everybody</li>
<li>Being Prepared</li>
<li>High-Pressure Sessions</li>
<li>Sacrifices</li>
<li>Cancer</li>
<li>Saying No to Gigs</li>
<li>Knowing What’s Important </li>
<li>Shrinking Budgets</li>
<li>Mix Revisions</li>
<li>Mixing for Video Games</li>
<li>Home Studio Future</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Revisions</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Steve's Site:</strong><a href="%20http://stevegenewick.com/"><strong> http://stevegenewick.com/</strong></a>
</li>
<li>
<strong>Steve on Instagram: </strong><a href="https://www.instagram.com/steve_genewick/"><strong>@steve_genewick</strong></a>
</li>
<li><a href="https://www.workingclassaudio.com/wca-070-al-schmitt-steve-genewick/"><strong>WCA #070 with Al Schmitt &amp; Steve Genewick</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-112-with-frank-wolf/"><strong>WCA #112 with Frank Wolf</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Steve Genewick</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy-nominated engineer, Steve Genewick. Steve is making a return appearance on WCA. With 30 years of experience and 20 of that spent working alongside Al Schmitt, Steve has worked all over the world with artists such as Paul McCartney, Diana Krall, and LL Cool Jay as well as games such as Apex Legend. Lately, Steve is deep into remixing classic records for release in ATMOS.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Preparing Capital for COVID</li>
<li>Mixing Atmos from Home</li>
<li>Setting up for Atmos</li>
<li>Working Independently </li>
<li>Working with Al Schmitt</li>
<li>High-Level Gigs</li>
<li>Diverse Sessions</li>
<li>Learning from Peers</li>
<li>Learning from Everybody</li>
<li>Being Prepared</li>
<li>High-Pressure Sessions</li>
<li>Sacrifices</li>
<li>Cancer</li>
<li>Saying No to Gigs</li>
<li>Knowing What’s Important </li>
<li>Shrinking Budgets</li>
<li>Mix Revisions</li>
<li>Mixing for Video Games</li>
<li>Home Studio Future</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Revisions</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Steve's Site:</strong><a href="%20http://stevegenewick.com/"><strong> http://stevegenewick.com/</strong></a>
</li>
<li>
<strong>Steve on Instagram: </strong><a href="https://www.instagram.com/steve_genewick/"><strong>@steve_genewick</strong></a>
</li>
<li><a href="https://www.workingclassaudio.com/wca-070-al-schmitt-steve-genewick/"><strong>WCA #070 with Al Schmitt &amp; Steve Genewick</strong></a></li>
<li><a href="https://www.workingclassaudio.com/wca-112-with-frank-wolf/"><strong>WCA #112 with Frank Wolf</strong></a></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Steve Genewick</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-324-with-steve-genewick-mixing-for-atmos-al-schmitt-high-pressure-sessions-saying-no-to-gigs-and-cancer]]></link><guid isPermaLink="false">bf41cf78-6460-11eb-8f60-5b747ca1a2f4</guid><itunes:image href="https://artwork.captivate.fm/104988d1-ade8-433d-9a98-87ba68f0a44e/uploads-2f1614613173730-ifuguaa4gnn-4a394e67048e2944d352cb716a8.png"/><pubDate>Mon, 01 Mar 2021 15:59:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6d80b1de-6b08-4368-b530-c6551da20cfc.mp3" length="89508869" type="audio/mpeg"/><itunes:duration>01:02:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>324</itunes:episode><podcast:episode>324</podcast:episode><itunes:summary>My guest today is Grammy-nominated engineer, Steve Genewick. Steve is making a return appearance on WCA. With 30 years of experience and 20 of that spent working alongside Al Schmitt, Steve has worked all over the world with artists such as Paul McCartney, Diana Krall, and LL Cool Jay as well as games such as Apex Legend. Lately, Steve is deep into remixing classic records for release in ATMOS.
In this episode, we discuss:

Preparing Capital for COVID

Mixing Atmos from Home

Setting up for Atmos

Working Independently 

Working with Al Schmitt

High-Level Gigs

Diverse Sessions

Learning from Peers

Learning from Everybody

Being Prepared

High-Pressure Sessions

Sacrifices

Cancer

Saying No to Gigs

Knowing What’s Important 

Shrinking Budgets

Mix Revisions

Mixing for Video Games

Home Studio Future


Matt&apos;s Rant: Revisions
Links and Show Notes


Steve&apos;s Site: http://stevegenewick.com/



Steve on Instagram: @steve_genewick


WCA #070 with Al Schmitt &amp; Steve Genewick

WCA #112 with Frank Wolf


WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Steve Genewick


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #323 with David Gnozzi - MixBusTV, Bodybuilding, Horror Movies, Marvel Comics, and Knowing Your Limits</title><itunes:title>WCA #323 with David Gnozzi - MixBusTV, Bodybuilding, Horror Movies, Marvel Comics, and Knowing Your Limits</itunes:title><description><![CDATA[
        <p>My guest today is producer/engineer/mixer David Gnozzi. Originally from Tuscany and now living in Los Angeles, David hosts the very popular MixBusTV channel on YouTube and works in a variety of genres.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>MixBusTV</li>
<li>Tuscany</li>
<li>Moving to LA</li>
<li>Dave Pensado</li>
<li>Being Bullied</li>
<li>Metal and Rage</li>
<li>Marvel Comics</li>
<li>At Home In The US</li>
<li>Trial and Error</li>
<li>Being a Virgo</li>
<li>Bodybuilding</li>
<li>Self Discipline</li>
<li>Misinformation</li>
<li>False Expectations</li>
<li>Bella Kelly</li>
<li>Irons in the Fire</li>
<li>Dead Lifting</li>
<li>Health</li>
<li>Knowing Your Limits</li>
<li>Horror Movies</li>
<li>Gear Distractions</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Time Travel </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>David's Site: </strong><a href="davidgnozzimixing.com"><strong>davidgnozzimixing.com</strong></a>
</li>
<li>
<strong>MixBus TV SIte: </strong><a href="Mixbustv.com"><strong>Mixbustv.com</strong></a>
</li>
<li>
<strong>MixBusTV on YouTube: </strong><a href="https://bit.ly/2ZDYrx2"><strong>https://bit.ly/2ZDYrx2</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>David Gnozzi</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is producer/engineer/mixer David Gnozzi. Originally from Tuscany and now living in Los Angeles, David hosts the very popular MixBusTV channel on YouTube and works in a variety of genres.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>MixBusTV</li>
<li>Tuscany</li>
<li>Moving to LA</li>
<li>Dave Pensado</li>
<li>Being Bullied</li>
<li>Metal and Rage</li>
<li>Marvel Comics</li>
<li>At Home In The US</li>
<li>Trial and Error</li>
<li>Being a Virgo</li>
<li>Bodybuilding</li>
<li>Self Discipline</li>
<li>Misinformation</li>
<li>False Expectations</li>
<li>Bella Kelly</li>
<li>Irons in the Fire</li>
<li>Dead Lifting</li>
<li>Health</li>
<li>Knowing Your Limits</li>
<li>Horror Movies</li>
<li>Gear Distractions</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Time Travel </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>David's Site: </strong><a href="davidgnozzimixing.com"><strong>davidgnozzimixing.com</strong></a>
</li>
<li>
<strong>MixBus TV SIte: </strong><a href="Mixbustv.com"><strong>Mixbustv.com</strong></a>
</li>
<li>
<strong>MixBusTV on YouTube: </strong><a href="https://bit.ly/2ZDYrx2"><strong>https://bit.ly/2ZDYrx2</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>David Gnozzi</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-323-with-david-gnozzi-mixbustv-bodybuilding-horror-movies-marvel-comics-and-knowing-your-limits]]></link><guid isPermaLink="false">bf357692-6460-11eb-8f60-ab1627d210b0</guid><itunes:image href="https://artwork.captivate.fm/60040651-d802-4e28-a181-7b4ae5a42ecd/uploads-2f1613979550465-y23hbauapcm-814820e9a09def07c0ff3570050.png"/><pubDate>Mon, 22 Feb 2021 07:47:05 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7a9c3828-bb81-437d-9f3c-e427174f5f2d.mp3" length="73099175" type="audio/mpeg"/><itunes:duration>50:46</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>323</itunes:episode><podcast:episode>323</podcast:episode><itunes:summary>My guest today is producer/engineer/mixer David Gnozzi. Originally from Tuscany and now living in Los Angeles, David hosts the very popular MixBusTV channel on YouTube and works in a variety of genres.

In this episode, we discuss:

MixBusTV

Tuscany

Moving to LA

Dave Pensado

Being Bullied

Metal and Rage

Marvel Comics

At Home In The US

Trial and Error

Being a Virgo

Bodybuilding

Self Discipline

Misinformation

False Expectations

Bella Kelly

Irons in the Fire

Dead Lifting

Health

Knowing Your Limits

Horror Movies

Gear Distractions


Matt&apos;s Rant: Time Travel 
Links and Show Notes


David&apos;s Site: davidgnozzimixing.com



MixBus TV SIte: Mixbustv.com



MixBusTV on YouTube: https://bit.ly/2ZDYrx2



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: David Gnozzi


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #322 with Matthew Rifino - NBC&apos;s The Today Show, Union Work, Mixing Bands, Home Studio Build, and Free Wood</title><itunes:title>WCA #322 with Matthew Rifino - NBC&apos;s The Today Show, Union Work, Mixing Bands, Home Studio Build, and Free Wood</itunes:title><description><![CDATA[
        <p>My guest today is Matthew Rifino who is a music mixer for NBC's The Today Show as well as a freelance engineer. Matthew has worked with so many top names in music it would be futile to list them all here. That said, he is a 5 Time Emmy Award Winner for his mixing work in television.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>New Jersey Upbringing</li>
<li>Don Mcclean</li>
<li>Recording Lessons</li>
<li>Pushing Boundaries</li>
<li>Influence of Grandparents</li>
<li>Tony Bongiovi/Power Station</li>
<li>Five Towns College</li>
<li>911's Effect on Studios</li>
<li>Mixing Bands</li>
<li>NBC's The Today Show</li>
<li>40 Hours a Week</li>
<li>Working with Major Bands</li>
<li>Hierarchy of Union Audio</li>
<li>Covid Effects On Work</li>
<li>Stress Level</li>
<li>Freelance Work</li>
<li>Home Studio Build</li>
<li>Early to Bed</li>
<li>Early to Rise</li>
<li>Being Healthy</li>
<li>Freedom From Discipline</li>
<li>Mixing</li>
<li>Free Wood</li>
<li>Financial Health</li>
<li>Union Work</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Tax Season</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Matthew on Instagram: </strong><a href="https://www.instagram.com/rifinomatthew/"><strong>https://www.instagram.com/rifinomatthew/</strong></a>
</li>
<li>
<strong>Matthew's SIte: </strong><a href="https://www.mattrifinomusicmixer.com/"><strong>https://www.mattrifinomusicmixer.com/</strong></a>
</li>
<li>
<strong>Quickbooks Self Employed: </strong><a href="http://fbuy.me/oLXTP"><strong>http://fbuy.me/oLXTP</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Matthew Rifino</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Matthew Rifino who is a music mixer for NBC's The Today Show as well as a freelance engineer. Matthew has worked with so many top names in music it would be futile to list them all here. That said, he is a 5 Time Emmy Award Winner for his mixing work in television.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>New Jersey Upbringing</li>
<li>Don Mcclean</li>
<li>Recording Lessons</li>
<li>Pushing Boundaries</li>
<li>Influence of Grandparents</li>
<li>Tony Bongiovi/Power Station</li>
<li>Five Towns College</li>
<li>911's Effect on Studios</li>
<li>Mixing Bands</li>
<li>NBC's The Today Show</li>
<li>40 Hours a Week</li>
<li>Working with Major Bands</li>
<li>Hierarchy of Union Audio</li>
<li>Covid Effects On Work</li>
<li>Stress Level</li>
<li>Freelance Work</li>
<li>Home Studio Build</li>
<li>Early to Bed</li>
<li>Early to Rise</li>
<li>Being Healthy</li>
<li>Freedom From Discipline</li>
<li>Mixing</li>
<li>Free Wood</li>
<li>Financial Health</li>
<li>Union Work</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Tax Season</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Matthew on Instagram: </strong><a href="https://www.instagram.com/rifinomatthew/"><strong>https://www.instagram.com/rifinomatthew/</strong></a>
</li>
<li>
<strong>Matthew's SIte: </strong><a href="https://www.mattrifinomusicmixer.com/"><strong>https://www.mattrifinomusicmixer.com/</strong></a>
</li>
<li>
<strong>Quickbooks Self Employed: </strong><a href="http://fbuy.me/oLXTP"><strong>http://fbuy.me/oLXTP</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Matthew Rifino</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-322-with-matthew-rifino-nbcs-the-today-show-union-work-mixing-bands-home-studio-build-and-free-wood]]></link><guid isPermaLink="false">bf287104-6460-11eb-8f60-678846b3a8b7</guid><itunes:image href="https://artwork.captivate.fm/236d4d6e-173f-4b6a-8268-ac6fc882467d/uploads-2f1613371912063-p1axplwbox-5fea32adca6c6a6effa72ab0d8f5.png"/><pubDate>Mon, 15 Feb 2021 07:06:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b754d48b-a135-41ee-a6c8-92f19768f6c1.mp3" length="74126190" type="audio/mpeg"/><itunes:duration>51:29</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>322</itunes:episode><podcast:episode>322</podcast:episode><itunes:summary>My guest today is Matthew Rifino who is a music mixer for NBC&apos;s The Today Show as well as a freelance engineer. Matthew has worked with so many top names in music it would be futile to list them all here. That said, he is a 5 Time Emmy Award Winner for his mixing work in television.

In this episode, we discuss:

New Jersey Upbringing

Don Mcclean

Recording Lessons

Pushing Boundaries

Influence of Grandparents

Tony Bongiovi/Power Station

Five Towns College

911&apos;s Effect on Studios

Mixing Bands

NBC&apos;s The Today Show

40 Hours a Week

Working with Major Bands

Hierarchy of Union Audio

Covid Effects On Work

Stress Level

Freelance Work

Home Studio Build

Early to Bed

Early to Rise

Being Healthy

Freedom From Discipline

Mixing

Free Wood

Financial Health

Union Work


Matt&apos;s Rant: Tax Season
Links and Show Notes


Matthew on Instagram: https://www.instagram.com/rifinomatthew/



Matthew&apos;s SIte: https://www.mattrifinomusicmixer.com/



Quickbooks Self Employed: http://fbuy.me/oLXTP



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Matthew Rifino


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #321 with Dave Way - Pretending To Be a Beatle, Serendipitous Events, Home Studio Economics, and The Apple Farm Assassin</title><itunes:title>WCA #321 with Dave Way - Pretending To Be a Beatle, Serendipitous Events, Home Studio Economics, and The Apple Farm Assassin</itunes:title><description><![CDATA[
        <p>My guest today is producer, engineer, mixer Dave Way. Dave has a huge discography and a load of experience to share. He talks to us from his studio in Southern California, The Way Station.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Apple Farm Assassin</li>
<li>The Nun With A Guitar</li>
<li>Pretending To Be a Beatle</li>
<li>Hearing Life Through Cassette</li>
<li>Early Mono Recording</li>
<li>Music vs. Baseball</li>
<li>Berklee College of Music</li>
<li>New York Studios</li>
<li>Dance Remixes</li>
<li>Gig Opportunities </li>
<li>Teddy Riley</li>
<li>120 Hour Weeks</li>
<li>Competitiveness</li>
<li>Serendipitous Events</li>
<li>New York Success </li>
<li>Michael Jackson</li>
<li>Staying In California</li>
<li>John Doe</li>
<li>Genre Jumping</li>
<li>Jazz</li>
<li>Mixing Differences</li>
<li>Home Studio Economics</li>
<li>Dolby Atmos</li>
<li>Working With Stars</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: The Purge</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Dave's Site: </strong><a href="https://www.daveway.com/"><strong>https://www.daveway.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Dave Way</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is producer, engineer, mixer Dave Way. Dave has a huge discography and a load of experience to share. He talks to us from his studio in Southern California, The Way Station.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Apple Farm Assassin</li>
<li>The Nun With A Guitar</li>
<li>Pretending To Be a Beatle</li>
<li>Hearing Life Through Cassette</li>
<li>Early Mono Recording</li>
<li>Music vs. Baseball</li>
<li>Berklee College of Music</li>
<li>New York Studios</li>
<li>Dance Remixes</li>
<li>Gig Opportunities </li>
<li>Teddy Riley</li>
<li>120 Hour Weeks</li>
<li>Competitiveness</li>
<li>Serendipitous Events</li>
<li>New York Success </li>
<li>Michael Jackson</li>
<li>Staying In California</li>
<li>John Doe</li>
<li>Genre Jumping</li>
<li>Jazz</li>
<li>Mixing Differences</li>
<li>Home Studio Economics</li>
<li>Dolby Atmos</li>
<li>Working With Stars</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: The Purge</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Dave's Site: </strong><a href="https://www.daveway.com/"><strong>https://www.daveway.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Dave Way</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-321-with-dave-way-pretending-to-be-a-beatle-serendipitous-events-home-studio-economics-and-the-apple-farm-assassin]]></link><guid isPermaLink="false">bf1ac4a0-6460-11eb-8f60-7b776d907337</guid><itunes:image href="https://artwork.captivate.fm/0d9b94ce-21f4-43e9-ab23-568ad00c3002/uploads-2f1612803174102-0pc4nqtzg16-6a51a07164a22d716bcce360198.png"/><pubDate>Mon, 08 Feb 2021 17:11:21 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/57f585af-6389-4d6a-827f-80e30997eb70.mp3" length="109333128" type="audio/mpeg"/><itunes:duration>01:15:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>321</itunes:episode><podcast:episode>321</podcast:episode><itunes:summary>My guest today is producer, engineer, mixer Dave Way. Dave has a huge discography and a load of experience to share. He talks to us from his studio in Southern California, The Way Station.

In this episode, we discuss:

Apple Farm Assassin

The Nun With A Guitar

Pretending To Be a Beatle

Hearing Life Through Cassette

Early Mono Recording

Music vs. Baseball

Berklee College of Music

New York Studios

Dance Remixes

Gig Opportunities 

Teddy Riley

120 Hour Weeks

Competitiveness

Serendipitous Events

New York Success 

Michael Jackson

Staying In California

John Doe

Genre Jumping

Jazz

Mixing Differences

Home Studio Economics

Dolby Atmos

Working With Stars


Matt&apos;s Rant: The Purge
Links and Show Notes


Dave&apos;s Site: https://www.daveway.com/



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Dave Way


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #320 with Sam Sherbin - The influence of Bruce Swedien, Mixing During Covid, Simple Setups, Meditation, and 99 cent Pizzas</title><itunes:title>WCA #320 with Sam Sherbin - The influence of Bruce Swedien, Mixing During Covid, Simple Setups, Meditation, and 99 cent Pizzas</itunes:title><description><![CDATA[
        <p>My guest today is New York-based mix engineer Sam Sherbin. Sam studied under the late great Bruce Swedien and Manny Marroquin. Sam is also behind the podcast called In The Zone.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Studying with a Bruce Swedien</li>
<li>Listening to Thriller with Bernie Grundman and Bruce </li>
<li>Sonic Personality</li>
<li>Dropping Out</li>
<li>99 cent pizzas</li>
<li>Mixing During Covid</li>
<li>Pivoting into Podcasting</li>
<li>Management</li>
<li>The Money Talk</li>
<li>Meditation</li>
<li>Mental Health</li>
<li>Simple Setups</li>
<li>Balancing</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Revisiting Audio Minimalism </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Sam's site: </strong><a href="https://www.samsherbin.com/"><strong>https://www.samsherbin.com/</strong></a>
</li>
<li><strong>Sam on Instagram: @samsherbinmusic</strong></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Sam Sherbin</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is New York-based mix engineer Sam Sherbin. Sam studied under the late great Bruce Swedien and Manny Marroquin. Sam is also behind the podcast called In The Zone.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Studying with a Bruce Swedien</li>
<li>Listening to Thriller with Bernie Grundman and Bruce </li>
<li>Sonic Personality</li>
<li>Dropping Out</li>
<li>99 cent pizzas</li>
<li>Mixing During Covid</li>
<li>Pivoting into Podcasting</li>
<li>Management</li>
<li>The Money Talk</li>
<li>Meditation</li>
<li>Mental Health</li>
<li>Simple Setups</li>
<li>Balancing</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Revisiting Audio Minimalism </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Sam's site: </strong><a href="https://www.samsherbin.com/"><strong>https://www.samsherbin.com/</strong></a>
</li>
<li><strong>Sam on Instagram: @samsherbinmusic</strong></li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Sam Sherbin</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-320-with-sam-sherbin-the-influence-of-bruce-swedien-mixing-during-covid-simple-setups-meditation-and-99-cent-pizzas]]></link><guid isPermaLink="false">47b90d40-30ae-11ea-baad-a3363c19ba3b</guid><itunes:image href="https://artwork.captivate.fm/f4b5366d-1547-4616-b661-792837ecd042/uploads-2f1612164344174-g5nix9ss93o-bf371338dfbd3d0acfa98c8a45e.png"/><pubDate>Mon, 01 Feb 2021 07:40:44 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f5c23012-2d25-460a-b8f6-98a86c3bef71.mp3" length="115577848" type="audio/mpeg"/><itunes:duration>48:09</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>320</itunes:episode><podcast:episode>320</podcast:episode><itunes:summary>My guest today is New York-based mix engineer Sam Sherbin. Sam studied under the late great Bruce Swedien and Manny Marroquin. Sam is also behind the podcast called In The Zone.

In this episode, we discuss:

Studying with a Bruce Swedien

Listening to Thriller with Bernie Grundman and Bruce 

Sonic Personality

Dropping Out

99 cent pizzas

Mixing During Covid

Pivoting into Podcasting

Management

The Money Talk

Meditation

Mental Health

Simple Setups

Balancing


Matt&apos;s Rant: Revisiting Audio Minimalism 
Links and Show Notes


Sam&apos;s site: https://www.samsherbin.com/


Sam on Instagram: @samsherbinmusic


WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Sam Sherbin


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #319 with Michael Brauer - Total Clarity, Mixing From Your Heart, Transcendental Meditation, Forgetting Balance, and Having a Great Team</title><itunes:title>WCA #319 with Michael Brauer - Total Clarity, Mixing From Your Heart, Transcendental Meditation, Forgetting Balance, and Having a Great Team</itunes:title><description><![CDATA[
        <p>My guest today is Grammy Award-winning mix engineer Michael Brauer. Michael has worked with Coldplay, John Mayer, The Rolling Stones, My Morning Jacket, and Bob Dylan, to name a few. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Speaking French with Mom</li>
<li>Playing in Bands</li>
<li>Drummer/Soundman</li>
<li>Total Clarity</li>
<li>Working in Shipping</li>
<li>Being Ready to Help</li>
<li>Regional Sounds</li>
<li>Daytime Jingles</li>
<li>Luther Vandross</li>
<li>Dancing</li>
<li>Going to England</li>
<li>Shaving the Mustache</li>
<li>Producing</li>
<li>Fear of Sounding Like Others</li>
<li>Greg Calbi</li>
<li>Self Evaluation</li>
<li>Focusing on Mixing</li>
<li>Audience Acceptance</li>
<li>Forgetting Balance</li>
<li>Mixing From Your Heart</li>
<li>Mix Revisions</li>
<li>Having a Great Team</li>
<li>Bike Racing</li>
<li>Transcendental Meditation</li>
<li>Eating Well</li>
<li>Work/Life Balance</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Client Communication</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Michael's Site: </strong><a href="https://www.mbrauer.com/"><strong>https://www.mbrauer.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Michael Brauer</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy Award-winning mix engineer Michael Brauer. Michael has worked with Coldplay, John Mayer, The Rolling Stones, My Morning Jacket, and Bob Dylan, to name a few. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Speaking French with Mom</li>
<li>Playing in Bands</li>
<li>Drummer/Soundman</li>
<li>Total Clarity</li>
<li>Working in Shipping</li>
<li>Being Ready to Help</li>
<li>Regional Sounds</li>
<li>Daytime Jingles</li>
<li>Luther Vandross</li>
<li>Dancing</li>
<li>Going to England</li>
<li>Shaving the Mustache</li>
<li>Producing</li>
<li>Fear of Sounding Like Others</li>
<li>Greg Calbi</li>
<li>Self Evaluation</li>
<li>Focusing on Mixing</li>
<li>Audience Acceptance</li>
<li>Forgetting Balance</li>
<li>Mixing From Your Heart</li>
<li>Mix Revisions</li>
<li>Having a Great Team</li>
<li>Bike Racing</li>
<li>Transcendental Meditation</li>
<li>Eating Well</li>
<li>Work/Life Balance</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Client Communication</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Michael's Site: </strong><a href="https://www.mbrauer.com/"><strong>https://www.mbrauer.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Michael Brauer</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-319-with-michael-brauer-total-clarity-mixing-from-your-heart-transcendental-meditation-forgetting-balance-and-having-a-great-team]]></link><guid isPermaLink="false">47afa6b0-30ae-11ea-baad-e3bab881fcf7</guid><itunes:image href="https://artwork.captivate.fm/b9c98099-a832-47c1-b263-eb4599c86850/uploads-2f1611562249967-pbfqr6122v-75f1ac3bf6a3f153b6f140a430c7.png"/><pubDate>Mon, 25 Jan 2021 08:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b96420f6-f93b-4254-836a-972108608366.mp3" length="114637679" type="audio/mpeg"/><itunes:duration>01:19:37</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>319</itunes:episode><podcast:episode>319</podcast:episode><itunes:summary>My guest today is Grammy Award-winning mix engineer Michael Brauer. Michael has worked with Coldplay, John Mayer, The Rolling Stones, My Morning Jacket, and Bob Dylan, to name a few. 

In this episode, we discuss:

Speaking French with Mom

Playing in Bands

Drummer/Soundman

Total Clarity

Working in Shipping

Being Ready to Help

Regional Sounds

Daytime Jingles

Luther Vandross

Dancing

Going to England

Shaving the Mustache

Producing

Fear of Sounding Like Others

Greg Calbi

Self Evaluation

Focusing on Mixing

Audience Acceptance

Forgetting Balance

Mixing From Your Heart

Mix Revisions

Having a Great Team

Bike Racing

Transcendental Meditation

Eating Well

Work/Life Balance


Matt&apos;s Rant: Client Communication
Links and Show Notes


Michael&apos;s Site: https://www.mbrauer.com/



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Michael Brauer


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #318 with Andy D. Park - Idealism, Making Mistakes, Persistence, and TV Detectives</title><itunes:title>WCA #318 with Andy D. Park - Idealism, Making Mistakes, Persistence, and TV Detectives</itunes:title><description><![CDATA[
        <p>My guest today is Seattle-based producer-engineer Andy D. Park. Andy has worked with Death Cab for Cutie, John Van Deusen. K Flay, The Deftones, Alice in Chains, Pearl jam, and Soundgarden. He talks to us from his freshly built studio at his home in Seattle.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Idealism</li>
<li>Recording Schools</li>
<li>Making Mistakes</li>
<li>Tucson to Seattle</li>
<li>Persistence</li>
<li>Learning Lessons</li>
<li>The Beauty of Seattle</li>
<li>Working at a Bookstore</li>
<li>Eddie Vedder</li>
<li>Freelancing</li>
<li>Obama Care</li>
<li>24 Hours with Chance the Rapper &amp; Skrillex</li>
<li>Building a Home Studio</li>
<li>Full Circle with The Def Tones</li>
<li>Making a Living As An Engineer</li>
<li>TV Detectives</li>
<li>Learning To Take a Break</li>
<li>Planning Your Finances</li>
<li>Emotion over Fidelity</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Spreading the Work</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Andy's Site: </strong><a href="http://www.andyparkrecording.com/"><strong>http://www.andyparkrecording.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Andy D. Park</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Seattle-based producer-engineer Andy D. Park. Andy has worked with Death Cab for Cutie, John Van Deusen. K Flay, The Deftones, Alice in Chains, Pearl jam, and Soundgarden. He talks to us from his freshly built studio at his home in Seattle.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Idealism</li>
<li>Recording Schools</li>
<li>Making Mistakes</li>
<li>Tucson to Seattle</li>
<li>Persistence</li>
<li>Learning Lessons</li>
<li>The Beauty of Seattle</li>
<li>Working at a Bookstore</li>
<li>Eddie Vedder</li>
<li>Freelancing</li>
<li>Obama Care</li>
<li>24 Hours with Chance the Rapper &amp; Skrillex</li>
<li>Building a Home Studio</li>
<li>Full Circle with The Def Tones</li>
<li>Making a Living As An Engineer</li>
<li>TV Detectives</li>
<li>Learning To Take a Break</li>
<li>Planning Your Finances</li>
<li>Emotion over Fidelity</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Spreading the Work</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Andy's Site: </strong><a href="http://www.andyparkrecording.com/"><strong>http://www.andyparkrecording.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Andy D. Park</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-318-with-andy-d-park-idealism-making-mistakes-persistence-and-tv-detectives]]></link><guid isPermaLink="false">47a649b2-30ae-11ea-baad-e32ba9b01281</guid><itunes:image href="https://artwork.captivate.fm/0f4d0eed-331a-405a-9892-7c0166eeffbc/uploads-2f1610958356510-vr3nzmkpsrb-9e7f8db53abd06fc425ea50c2b3.png"/><pubDate>Mon, 18 Jan 2021 08:50:50 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/271c4606-b164-45a3-83a3-96d75aede20d.mp3" length="74321084" type="audio/mpeg"/><itunes:duration>51:37</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>311</itunes:episode><podcast:episode>311</podcast:episode><itunes:summary>My guest today is Seattle-based producer-engineer Andy D. Park. Andy has worked with Death Cab for Cutie, John Van Deusen. K Flay, The Deftones, Alice in Chains, Pearl jam, and Soundgarden. He talks to us from his freshly built studio at his home in Seattle.
In this episode, we discuss:

Idealism

Recording Schools

Making Mistakes

Tucson to Seattle

Persistence

Learning Lessons

The Beauty of Seattle

Working at a Bookstore

Eddie Vedder

Freelancing

Obama Care

24 Hours with Chance the Rapper &amp; Skrillex

Building a Home Studio

Full Circle with The Def Tones

Making a Living As An Engineer

TV Detectives

Learning To Take a Break

Planning Your Finances

Emotion over Fidelity


Matt&apos;s Rant: Spreading the Work
Links and Show Notes


Andy&apos;s Site: http://www.andyparkrecording.com/



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Andy D. Park


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #317 with Ryan Gilligan - Quad Studios, Busta Rhymes, Duffle Bags of Hard Drives, Michael Brauer, and Mixing Based on Emotion</title><itunes:title>WCA #317 with Ryan Gilligan - Quad Studios, Busta Rhymes, Duffle Bags of Hard Drives, Michael Brauer, and Mixing Based on Emotion</itunes:title><description><![CDATA[
        <p>My guest today is Grammy award-winning mixer engineer and producer Ryan Gilligan. Ryan got his start at Quad Studios in New York, where he started as an intern, then assistant before taking on a year-long engineering gig for Busta Rhymes. Following that, he returned to Quad and began a mentorship with Michael Brauer that would last for seven years. He worked alongside artists, such as Coldplay, John Mayer, Kanye West, Shakira, Grizzly Bear, and many others. Eventually, he moved to Los Angeles to work with producer John Hill on music for Adele, Gwen, Stefani, and Florence and the Machine. He ended up staying in Los Angeles and continues to work there to this day freelancing. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Playing Trumpet</li>
<li>Interning</li>
<li>Quad Studios</li>
<li>Electric Lady</li>
<li>Busta Rhymes</li>
<li>Duffle Bags of Hard Drives</li>
<li>Los Angeles</li>
<li>New York</li>
<li>Michael Brauer</li>
<li>Health Challenges</li>
<li>Mixing Based on Emotion</li>
<li>Surviving on Mixing</li>
<li>Strict Budgeting</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Banking! Yes, seriously. </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Ryan's Site: </strong><a href="https://ryangilligan.com/"><strong>https://ryangilligan.com/</strong></a>
</li>
<li>
<strong>Ryan on Instagram: </strong><a href="https://www.instagram.com/gillygong/"><strong>https://www.instagram.com/gillygong/</strong></a>
</li>
<li>
<strong>The Royalty site Ryan mentions: </strong><a href="https://vydia.com/"><strong>https://vydia.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Ryan Gilligan</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy award-winning mixer engineer and producer Ryan Gilligan. Ryan got his start at Quad Studios in New York, where he started as an intern, then assistant before taking on a year-long engineering gig for Busta Rhymes. Following that, he returned to Quad and began a mentorship with Michael Brauer that would last for seven years. He worked alongside artists, such as Coldplay, John Mayer, Kanye West, Shakira, Grizzly Bear, and many others. Eventually, he moved to Los Angeles to work with producer John Hill on music for Adele, Gwen, Stefani, and Florence and the Machine. He ended up staying in Los Angeles and continues to work there to this day freelancing. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Playing Trumpet</li>
<li>Interning</li>
<li>Quad Studios</li>
<li>Electric Lady</li>
<li>Busta Rhymes</li>
<li>Duffle Bags of Hard Drives</li>
<li>Los Angeles</li>
<li>New York</li>
<li>Michael Brauer</li>
<li>Health Challenges</li>
<li>Mixing Based on Emotion</li>
<li>Surviving on Mixing</li>
<li>Strict Budgeting</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Banking! Yes, seriously. </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Ryan's Site: </strong><a href="https://ryangilligan.com/"><strong>https://ryangilligan.com/</strong></a>
</li>
<li>
<strong>Ryan on Instagram: </strong><a href="https://www.instagram.com/gillygong/"><strong>https://www.instagram.com/gillygong/</strong></a>
</li>
<li>
<strong>The Royalty site Ryan mentions: </strong><a href="https://vydia.com/"><strong>https://vydia.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Ryan Gilligan</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-317-with-ryan-gilligan-quad-studios-busta-rhymes-duffle-bags-of-hard-drives-michael-brauer-and-mixing-based-on-emotion]]></link><guid isPermaLink="false">479cc9a0-30ae-11ea-baad-437fccd1ede0</guid><itunes:image href="https://artwork.captivate.fm/645d9f2e-4de3-4f98-a25a-8b11be438906/uploads-2f1610350423726-t7hd2yjigt-c49b94b062e8cd2748f6f71f04ac.png"/><pubDate>Mon, 11 Jan 2021 07:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/09fd66cb-021d-4525-b3e9-4890d8781d39.mp3" length="51455884" type="audio/mpeg"/><itunes:duration>35:44</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>317</itunes:episode><podcast:episode>317</podcast:episode><itunes:summary>My guest today is Grammy award-winning mixer engineer and producer Ryan Gilligan. Ryan got his start at Quad Studios in New York, where he started as an intern, then assistant before taking on a year-long engineering gig for Busta Rhymes. Following that, he returned to Quad and began a mentorship with Michael Brauer that would last for seven years. He worked alongside artists, such as Coldplay, John Mayer, Kanye West, Shakira, Grizzly Bear, and many others. Eventually, he moved to Los Angeles to work with producer John Hill on music for Adele, Gwen, Stefani, and Florence and the Machine. He ended up staying in Los Angeles and continues to work there to this day freelancing. 
In this episode, we discuss:

Playing Trumpet

Interning

Quad Studios

Electric Lady

Busta Rhymes

Duffle Bags of Hard Drives

Los Angeles

New York

Michael Brauer

Health Challenges

Mixing Based on Emotion

Surviving on Mixing

Strict Budgeting


Matt&apos;s Rant: Banking! Yes, seriously. 
Links and Show Notes


Ryan&apos;s Site: https://ryangilligan.com/



Ryan on Instagram: https://www.instagram.com/gillygong/



The Royalty site Ryan mentions: https://vydia.com/



WCA on Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Ryan Gilligan


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #316 with Jenny Ortiz aka mixedbyJNY - Behind The Scenes Videos, Using Social Media, Networking, Having Patience and Plan B </title><itunes:title>WCA #316 with Jenny Ortiz aka mixedbyJNY - Behind The Scenes Videos, Using Social Media, Networking, Having Patience and Plan B </itunes:title><description><![CDATA[
        <p>My guest today is Jenny Ortiz, also known as mixedbyJNY. Jenny has worked with K.A.A.N., JLA, Contraband, and Thurs. She talks to us from her home and home studio in Southern California, where we have a great conversation. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Behind The Scenes Videos</li>
<li>College Audio</li>
<li>Wrapping Cables</li>
<li>Shantih Hasst of Studio 770</li>
<li>Interning</li>
<li>Aligning Tape Machines</li>
<li>Being a Dispatcher</li>
<li>Spreading Her Wings</li>
<li>Networking</li>
<li>Using Social Media</li>
<li>Being a Runner</li>
<li>Not Depending on Others</li>
<li>Marketing Herself</li>
<li>Having Patience</li>
<li>Mixing Durning Covid</li>
<li>Home Studio Facility</li>
<li>Plan B</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Home Studio Income Ideas</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Jenny on Instagram: </strong><a href="https://www.instagram.com/mixedbyjny/"><strong>https://www.instagram.com/mixedbyjny/</strong></a>
</li>
<li>
<strong>Jenny on Twitter: </strong><a href="https://twitter.com/mixedbyjny"><strong>https://twitter.com/mixedbyjny</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Jenny Ortiz aka mixedbyJNY</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Jenny Ortiz, also known as mixedbyJNY. Jenny has worked with K.A.A.N., JLA, Contraband, and Thurs. She talks to us from her home and home studio in Southern California, where we have a great conversation. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Behind The Scenes Videos</li>
<li>College Audio</li>
<li>Wrapping Cables</li>
<li>Shantih Hasst of Studio 770</li>
<li>Interning</li>
<li>Aligning Tape Machines</li>
<li>Being a Dispatcher</li>
<li>Spreading Her Wings</li>
<li>Networking</li>
<li>Using Social Media</li>
<li>Being a Runner</li>
<li>Not Depending on Others</li>
<li>Marketing Herself</li>
<li>Having Patience</li>
<li>Mixing Durning Covid</li>
<li>Home Studio Facility</li>
<li>Plan B</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Home Studio Income Ideas</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Jenny on Instagram: </strong><a href="https://www.instagram.com/mixedbyjny/"><strong>https://www.instagram.com/mixedbyjny/</strong></a>
</li>
<li>
<strong>Jenny on Twitter: </strong><a href="https://twitter.com/mixedbyjny"><strong>https://twitter.com/mixedbyjny</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Jenny Ortiz aka mixedbyJNY</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-316-with-jenny-ortiz-aka-mixedbyjny-behind-the-scenes-videos-using-social-media-networking-having-patience-and-plan-b-]]></link><guid isPermaLink="false">47935e42-30ae-11ea-baad-4ffffb142129</guid><itunes:image href="https://artwork.captivate.fm/8bf44561-e5fc-42ff-a757-d34c95d1661d/uploads-2f1610349756875-cw2vmw6k018-4ea2996f283694098b4f226a186.png"/><pubDate>Mon, 04 Jan 2021 17:01:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/405541b3-819e-42d9-b9d8-974c77f4ded3.mp3" length="63439972" type="audio/mpeg"/><itunes:duration>44:03</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>316</itunes:episode><podcast:episode>316</podcast:episode><itunes:summary>My guest today is Jenny Ortiz, also known as mixedbyJNY. Jenny has worked with K.A.A.N., JLA, Contraband, and Thurs. She talks to us from her home and home studio in Southern California, where we have a great conversation. 
In this episode, we discuss:

Behind The Scenes Videos

College Audio

Wrapping Cables

Shantih Hasst of Studio 770

Interning

Aligning Tape Machines

Being a Dispatcher

Spreading Her Wings

Networking

Using Social Media

Being a Runner

Not Depending on Others

Marketing Herself

Having Patience

Mixing Durning Covid

Home Studio Facility

Plan B


Matt&apos;s Rant: Home Studio Income Ideas
Links and Show Notes


Jenny on Instagram: https://www.instagram.com/mixedbyjny/



Jenny on Twitter: https://twitter.com/mixedbyjny



WCA Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jenny Ortiz aka mixedbyJNY


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #315 with Paul Fig - Punk Rock Ethics, Handling Crashes, Mailbox Money, Managers, and Getting Out of the Chair</title><itunes:title>WCA #315 with Paul Fig - Punk Rock Ethics, Handling Crashes, Mailbox Money, Managers, and Getting Out of the Chair</itunes:title><description><![CDATA[
        <p>My guest today is engineer, musician Paul Fig. Paul has worked with Alice In Chains, Slipknot, Bush, the Def Tones, Rush, Stone Sour, The Mars Volta, and Johnny Cash. Paul's also worked alongside Joe Barresi, Matt Hyde, Don Smith, Matt Wallace, David Bianco, George Drakoulias, and Greg Fidelman. He's a former member of the band Amen. And when he's not working on other people's records, he's working on music for television and film, including the HBO documentary series Sonic Highways, Fox Sports, and MTV. Great guy. We hit it off immediately, and he comes to us via Joe Barresi. Once again. Thank you, Joe, for the referral.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Eddie Van Halen</li>
<li>Dantes Jazz Club</li>
<li>Punk Rock Ethics</li>
<li>Assisting</li>
<li>Falling Budgets</li>
<li>Acquiring Gear</li>
<li>Video People</li>
<li>Mailbox Money</li>
<li>Handling Crashes</li>
<li>Getting Gigs</li>
<li>Low Overhead</li>
<li>Managers</li>
<li>Getting Out of the Chair</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Gear Chat</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Paul's Site: </strong><a href="https://paulfigmusic.com/"><strong>https://paulfigmusic.com/</strong></a>
</li>
<li>
<strong>Paul on Instagram: </strong><a href="https://www.instagram.com/paulfigmusic/"><strong>https://www.instagram.com/paulfigmusic/</strong></a>
</li>
<li>
<strong>Paul on Facebook: </strong><a href="https://www.facebook.com/PaulFigMusic/"><strong>https://www.facebook.com/PaulFigMusic/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Paul Fig</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is engineer, musician Paul Fig. Paul has worked with Alice In Chains, Slipknot, Bush, the Def Tones, Rush, Stone Sour, The Mars Volta, and Johnny Cash. Paul's also worked alongside Joe Barresi, Matt Hyde, Don Smith, Matt Wallace, David Bianco, George Drakoulias, and Greg Fidelman. He's a former member of the band Amen. And when he's not working on other people's records, he's working on music for television and film, including the HBO documentary series Sonic Highways, Fox Sports, and MTV. Great guy. We hit it off immediately, and he comes to us via Joe Barresi. Once again. Thank you, Joe, for the referral.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Eddie Van Halen</li>
<li>Dantes Jazz Club</li>
<li>Punk Rock Ethics</li>
<li>Assisting</li>
<li>Falling Budgets</li>
<li>Acquiring Gear</li>
<li>Video People</li>
<li>Mailbox Money</li>
<li>Handling Crashes</li>
<li>Getting Gigs</li>
<li>Low Overhead</li>
<li>Managers</li>
<li>Getting Out of the Chair</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: Gear Chat</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Paul's Site: </strong><a href="https://paulfigmusic.com/"><strong>https://paulfigmusic.com/</strong></a>
</li>
<li>
<strong>Paul on Instagram: </strong><a href="https://www.instagram.com/paulfigmusic/"><strong>https://www.instagram.com/paulfigmusic/</strong></a>
</li>
<li>
<strong>Paul on Facebook: </strong><a href="https://www.facebook.com/PaulFigMusic/"><strong>https://www.facebook.com/PaulFigMusic/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Paul Fig</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-315-with-paul-fig-punk-rock-ethics-handling-crashes-mailbox-money-managers-and-getting-out-of-the-chair]]></link><guid isPermaLink="false">47892ff8-30ae-11ea-baad-1b4de1294f24</guid><itunes:image href="https://artwork.captivate.fm/aa777bcf-ff32-46f9-8095-9db35841e006/uploads-2f1609174753274-3h933efgsa-1b53fdaa0070dc693b41cf65a583.png"/><pubDate>Mon, 28 Dec 2020 17:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c97afa22-645a-404e-a00a-fa59db266006.mp3" length="68530483" type="audio/mpeg"/><itunes:duration>47:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>315</itunes:episode><podcast:episode>315</podcast:episode><itunes:summary>My guest today is engineer, musician Paul Fig. Paul has worked with Alice In Chains, Slipknot, Bush, the Def Tones, Rush, Stone Sour, The Mars Volta, and Johnny Cash. Paul&apos;s also worked alongside Joe Barresi, Matt Hyde, Don Smith, Matt Wallace, David Bianco, George Drakoulias, and Greg Fidelman. He&apos;s a former member of the band Amen. And when he&apos;s not working on other people&apos;s records, he&apos;s working on music for television and film, including the HBO documentary series Sonic Highways, Fox Sports, and MTV. Great guy. We hit it off immediately, and he comes to us via Joe Barresi. Once again. Thank you, Joe, for the referral.
In this episode, we discuss:

Eddie Van Halen

Dantes Jazz Club

Punk Rock Ethics

Assisting

Falling Budgets

Acquiring Gear

Video People

Mailbox Money

Handling Crashes

Getting Gigs

Low Overhead

Managers

Getting Out of the Chair


Matt&apos;s Rant: Gear Chat
Links and Show Notes


Paul&apos;s Site: https://paulfigmusic.com/



Paul on Instagram: https://www.instagram.com/paulfigmusic/



Paul on Facebook: https://www.facebook.com/PaulFigMusic/



WCA Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Paul Fig


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #314 with Shuta Shinoda - Tokyo to London, Sacrificing, Visa Challenges, Surviving, and Listening to Your Instincts</title><itunes:title>WCA #314 with Shuta Shinoda - Tokyo to London, Sacrificing, Visa Challenges, Surviving, and Listening to Your Instincts</itunes:title><description><![CDATA[
        <p>My guest today is engineer Shuta Shinoda. Based in London, originally from Tokyo. We talk all about Shuta's journey from Japan to the UK and everything in between. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Learning Audio</li>
<li>Visa Challenges</li>
<li>Working in Japan</li>
<li>Working in England</li>
<li>Cleaning windows</li>
<li>English classes</li>
<li>Sacrificing</li>
<li>Peak time Train Battles</li>
<li>Moving to London</li>
<li>Connecting with Local Bands</li>
<li>Surviving During Covid</li>
<li>Future Outlook</li>
<li>Listening to your Instincts</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: A Little Business and a Little Inspiration</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Shuta's Site: </strong><a href="https://www.shutashinoda.co.uk/"><strong>https://www.shutashinoda.co.uk/</strong></a>
</li>
<li>
<strong>Shuta on Instagram: </strong><a href="https://www.instagram.com/shutashinoda/"><strong>https://www.instagram.com/shutashinoda/</strong></a>
</li>
<li>
<strong>Radio Garden on IOS: </strong><a href="https://apps.apple.com/us/app/radio-garden-live/id1339670993"><strong>https://apps.apple.com/us/app/radio-garden-live/id1339670993</strong></a>
</li>
<li>
<strong>Radio Garden on Android: </strong><a href="https://tinyurl.com/ycambhd3"><strong>https://tinyurl.com/ycambhd3</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Shuta Shinoda</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is engineer Shuta Shinoda. Based in London, originally from Tokyo. We talk all about Shuta's journey from Japan to the UK and everything in between. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Learning Audio</li>
<li>Visa Challenges</li>
<li>Working in Japan</li>
<li>Working in England</li>
<li>Cleaning windows</li>
<li>English classes</li>
<li>Sacrificing</li>
<li>Peak time Train Battles</li>
<li>Moving to London</li>
<li>Connecting with Local Bands</li>
<li>Surviving During Covid</li>
<li>Future Outlook</li>
<li>Listening to your Instincts</li>
</ul><br/><p><br></p><p><strong>Matt's Rant: A Little Business and a Little Inspiration</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Shuta's Site: </strong><a href="https://www.shutashinoda.co.uk/"><strong>https://www.shutashinoda.co.uk/</strong></a>
</li>
<li>
<strong>Shuta on Instagram: </strong><a href="https://www.instagram.com/shutashinoda/"><strong>https://www.instagram.com/shutashinoda/</strong></a>
</li>
<li>
<strong>Radio Garden on IOS: </strong><a href="https://apps.apple.com/us/app/radio-garden-live/id1339670993"><strong>https://apps.apple.com/us/app/radio-garden-live/id1339670993</strong></a>
</li>
<li>
<strong>Radio Garden on Android: </strong><a href="https://tinyurl.com/ycambhd3"><strong>https://tinyurl.com/ycambhd3</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Shuta Shinoda</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-314-with-shuta-shinoda-tokyo-to-london-sacrificing-visa-challenges-surviving-and-listening-to-your-instincts]]></link><guid isPermaLink="false">477fd750-30ae-11ea-baad-b37390f4835e</guid><itunes:image href="https://artwork.captivate.fm/fe03c85e-875f-46f7-aa4e-98dcf3baf1f1/uploads-2f1608532256799-2qowttdwkcp-a58e4327c95858e7df4660ab191.png"/><pubDate>Mon, 21 Dec 2020 06:49:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/53febc47-1a66-42d7-ac13-57148e72d00c.mp3" length="58159202" type="audio/mpeg"/><itunes:duration>40:23</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>314</itunes:episode><podcast:episode>314</podcast:episode><itunes:summary>My guest today is engineer Shuta Shinoda. Based in London, originally from Tokyo. We talk all about Shuta&apos;s journey from Japan to the UK and everything in between. 
In this episode, we discuss:

Learning Audio

Visa Challenges

Working in Japan

Working in England

Cleaning windows

English classes

Sacrificing

Peak time Train Battles

Moving to London

Connecting with Local Bands

Surviving During Covid

Future Outlook

Listening to your Instincts


Matt&apos;s Rant: A Little Business and a Little Inspiration
Links and Show Notes


Shuta&apos;s Site: https://www.shutashinoda.co.uk/



Shuta on Instagram: https://www.instagram.com/shutashinoda/



Radio Garden on IOS: https://apps.apple.com/us/app/radio-garden-live/id1339670993



Radio Garden on Android: https://tinyurl.com/ycambhd3



WCA Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Shuta Shinoda


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #313 with John Baffa - Cal Arts, Stable Shows, Forecasting, Creating a Reverb Chamber, and The Hardest Thing About Teaching Audio</title><itunes:title>WCA #313 with John Baffa - Cal Arts, Stable Shows, Forecasting, Creating a Reverb Chamber, and The Hardest Thing About Teaching Audio</itunes:title><description><![CDATA[
        <p>My guest today is Grammy award-winning recording engineer John Baffa. He's worked with a wide array of people, including Mike Patton, Henry Rollins, the Melvins, as well as the Los Angeles percussion quartet. He joins us from his home in Southern California, and we talk about many things, including his work at Cal Arts as an instructor. John Baffa, coming up here on the working class audio podcast.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>John's Diverse Upbringing</li>
<li>Live Sound</li>
<li>Touring</li>
<li>The Troubadour</li>
<li>FOH</li>
<li>Paying Attention</li>
<li>Introduction to Recording</li>
<li>CAL ARTS</li>
<li>Late Nights </li>
<li>The Hardest Thing About Teaching Audio</li>
<li>John's House Studio</li>
<li>Going Solar</li>
<li>Socially Distanced Sessions</li>
<li>Remote audio instruction</li>
<li>Creating a Reverb Chamber</li>
<li>Ghosts in the Building</li>
<li>Diversification</li>
<li>Stable Shows</li>
<li>Forecasting</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: DIversification, again! </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Cal Arts: </strong><a href="https://calarts.edu/"><strong>https://calarts.edu/</strong></a>
</li>
<li>
<strong>John's Studio: </strong><a href="https://tvtrayrecording.com/"><strong>https://tvtrayrecording.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>John Baffa</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/><p><br></p>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Grammy award-winning recording engineer John Baffa. He's worked with a wide array of people, including Mike Patton, Henry Rollins, the Melvins, as well as the Los Angeles percussion quartet. He joins us from his home in Southern California, and we talk about many things, including his work at Cal Arts as an instructor. John Baffa, coming up here on the working class audio podcast.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>John's Diverse Upbringing</li>
<li>Live Sound</li>
<li>Touring</li>
<li>The Troubadour</li>
<li>FOH</li>
<li>Paying Attention</li>
<li>Introduction to Recording</li>
<li>CAL ARTS</li>
<li>Late Nights </li>
<li>The Hardest Thing About Teaching Audio</li>
<li>John's House Studio</li>
<li>Going Solar</li>
<li>Socially Distanced Sessions</li>
<li>Remote audio instruction</li>
<li>Creating a Reverb Chamber</li>
<li>Ghosts in the Building</li>
<li>Diversification</li>
<li>Stable Shows</li>
<li>Forecasting</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: DIversification, again! </strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Cal Arts: </strong><a href="https://calarts.edu/"><strong>https://calarts.edu/</strong></a>
</li>
<li>
<strong>John's Studio: </strong><a href="https://tvtrayrecording.com/"><strong>https://tvtrayrecording.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>John Baffa</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/><p><br></p>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-313-with-john-baffa-cal-arts-stable-shows-forecasting-creating-a-reverb-chamber-and-the-hardest-thing-about-teaching-audio]]></link><guid isPermaLink="false">477677aa-30ae-11ea-baad-a323958eb714</guid><itunes:image href="https://artwork.captivate.fm/8b2a9577-9335-43ae-901b-b0a7aa9a43da/uploads-2f1607925288516-n7m906qd2yi-e1750924e888a73793d6f62d5b5.png"/><pubDate>Mon, 14 Dec 2020 06:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/30837f50-fd14-4206-9d85-4253454e3874.mp3" length="60259087" type="audio/mpeg"/><itunes:duration>41:51</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>313</itunes:episode><podcast:episode>313</podcast:episode><itunes:summary>My guest today is Grammy award-winning recording engineer John Baffa. He&apos;s worked with a wide array of people, including Mike Patton, Henry Rollins, the Melvins, as well as the Los Angeles percussion quartet. He joins us from his home in Southern California, and we talk about many things, including his work at Cal Arts as an instructor. John Baffa, coming up here on the working class audio podcast.
In this episode, we discuss:

John&apos;s Diverse Upbringing

Live Sound

Touring

The Troubadour

FOH

Paying Attention

Introduction to Recording

CAL ARTS

Late Nights 

The Hardest Thing About Teaching Audio

John&apos;s House Studio

Going Solar

Socially Distanced Sessions

Remote audio instruction

Creating a Reverb Chamber

Ghosts in the Building

Diversification

Stable Shows

Forecasting


Matt&apos;s Monologue: DIversification, again! 
Links and Show Notes


Cal Arts: https://calarts.edu/



John&apos;s Studio: https://tvtrayrecording.com/



WCA Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: John Baffa


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #312 with Jesse Cannon - Panic Attacks, Producing, Podcasts, Diversifying, Steve Albini and Big Words</title><itunes:title>WCA #312 with Jesse Cannon - Panic Attacks, Producing, Podcasts, Diversifying, Steve Albini and Big Words</itunes:title><description><![CDATA[
        <p>My guest today is Jesse Cannon. Jesse is a man who covers a lot of territory. He produces, engineers, mixes, and masters. He hosts podcasts, he's an author, and he's the host of a YouTube channel. He does a lot of stuff, and he comes to us as a recommendation from our good friend, former WCA guest, Steve Evetts, and I'm excited to have him on. We had a great conversation the other day. And I'm looking forward to you hearing that conversation. Jesse Cannon, coming up here on the Working Class Audio podcast.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>WFMU</li>
<li>Producing</li>
<li>Podcasting</li>
<li>YouTube</li>
<li>Books</li>
<li>Identity</li>
<li>Steve Albini</li>
<li>Big Words</li>
<li>Freedom</li>
<li>Daily Beast</li>
<li>Panic Attacks</li>
<li>Managing Bands</li>
<li>Surviving</li>
<li>Diversifying</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Paying it Forward</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><strong>Jesse's Studio: http://cannonfoundsoundation.com/</strong></li>
<li>
<strong>Jesse's Book: </strong><a href="http://processingcreativitybook.com/"><strong>Processing Creativity</strong></a><strong> </strong>
</li>
<li>
<strong>Jesse's Book: </strong><a href="http://getmorefansbook.com/"><strong>Get More Fans: The DIY Guide To The New Music Business</strong></a><strong> </strong>
</li>
<li><strong>Jesse's Youtube Channel: https://bit.ly/33RHwcN </strong></li>
<li>
<strong>Twitter: </strong><a href="https://twitter.com/JesseCannon?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor"><strong>@jessecannon</strong></a>
</li>
<li>
<strong>Jesse's Podcasts: </strong><a href="https://podcasts.apple.com/us/podcast/the-new-abnormal-with-molly-jong-fast-rick-wilson/id1508202790"><strong>The New Abnormal Podcast</strong></a><strong>, </strong><a href="https://itunes.apple.com/us/podcast/inside-the-album/id1428972199"><strong>Atlantic Records Inside The Album</strong></a><strong>, </strong><a href="http://www.jessecannon.com/podcasts"><strong>Noise Creators</strong></a><strong> &amp; </strong><a href="http://killedbydesk.com/"><strong>Killed By Desk</strong></a><strong> </strong>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Jesse Cannon</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Jesse Cannon. Jesse is a man who covers a lot of territory. He produces, engineers, mixes, and masters. He hosts podcasts, he's an author, and he's the host of a YouTube channel. He does a lot of stuff, and he comes to us as a recommendation from our good friend, former WCA guest, Steve Evetts, and I'm excited to have him on. We had a great conversation the other day. And I'm looking forward to you hearing that conversation. Jesse Cannon, coming up here on the Working Class Audio podcast.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>WFMU</li>
<li>Producing</li>
<li>Podcasting</li>
<li>YouTube</li>
<li>Books</li>
<li>Identity</li>
<li>Steve Albini</li>
<li>Big Words</li>
<li>Freedom</li>
<li>Daily Beast</li>
<li>Panic Attacks</li>
<li>Managing Bands</li>
<li>Surviving</li>
<li>Diversifying</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Paying it Forward</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><strong>Jesse's Studio: http://cannonfoundsoundation.com/</strong></li>
<li>
<strong>Jesse's Book: </strong><a href="http://processingcreativitybook.com/"><strong>Processing Creativity</strong></a><strong> </strong>
</li>
<li>
<strong>Jesse's Book: </strong><a href="http://getmorefansbook.com/"><strong>Get More Fans: The DIY Guide To The New Music Business</strong></a><strong> </strong>
</li>
<li><strong>Jesse's Youtube Channel: https://bit.ly/33RHwcN </strong></li>
<li>
<strong>Twitter: </strong><a href="https://twitter.com/JesseCannon?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor"><strong>@jessecannon</strong></a>
</li>
<li>
<strong>Jesse's Podcasts: </strong><a href="https://podcasts.apple.com/us/podcast/the-new-abnormal-with-molly-jong-fast-rick-wilson/id1508202790"><strong>The New Abnormal Podcast</strong></a><strong>, </strong><a href="https://itunes.apple.com/us/podcast/inside-the-album/id1428972199"><strong>Atlantic Records Inside The Album</strong></a><strong>, </strong><a href="http://www.jessecannon.com/podcasts"><strong>Noise Creators</strong></a><strong> &amp; </strong><a href="http://killedbydesk.com/"><strong>Killed By Desk</strong></a><strong> </strong>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>@working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Jesse Cannon</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-312-with-jesse-cannon-panic-attacks-producing-podcasts-diversifying-steve-albini-and-big-words]]></link><guid isPermaLink="false">476cb03a-30ae-11ea-baad-bbaf4e0c0904</guid><itunes:image href="https://artwork.captivate.fm/38a4d7b6-c758-4802-87b4-f1bc185de4a0/uploads-2f1607313254551-onhmi7u9tdc-6a136097f8ff9e58bfd71a501ac.png"/><pubDate>Mon, 07 Dec 2020 04:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1652784f-25d1-4702-bdb2-7af2be99548d.mp3" length="77893048" type="audio/mpeg"/><itunes:duration>54:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>312</itunes:episode><podcast:episode>312</podcast:episode><itunes:summary>My guest today is Jesse Cannon. Jesse is a man who covers a lot of territory. He produces, engineers, mixes, and masters. He hosts podcasts, he&apos;s an author, and he&apos;s the host of a YouTube channel. He does a lot of stuff, and he comes to us as a recommendation from our good friend, former WCA guest, Steve Evetts, and I&apos;m excited to have him on. We had a great conversation the other day. And I&apos;m looking forward to you hearing that conversation. Jesse Cannon, coming up here on the Working Class Audio podcast.
In this episode, we discuss:

WFMU

Producing

Podcasting

YouTube

Books

Identity

Steve Albini

Big Words

Freedom

Daily Beast

Panic Attacks

Managing Bands

Surviving

Diversifying


Matt&apos;s Monologue: Paying it Forward
Links and Show Notes

Jesse&apos;s Studio: http://cannonfoundsoundation.com/


Jesse&apos;s Book: Processing Creativity 



Jesse&apos;s Book: Get More Fans: The DIY Guide To The New Music Business 


Jesse&apos;s Youtube Channel: https://bit.ly/33RHwcN 


Twitter: @jessecannon



Jesse&apos;s Podcasts: The New Abnormal Podcast, Atlantic Records Inside The Album, Noise Creators &amp; Killed By Desk 



WCA Instagram: @working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jesse Cannon


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #311 with Maria Rice - Quitting Architecture School, Following Your Gut, Interning, Being Resilient, Restoration, and the Florida Simulation</title><itunes:title>WCA #311 with Maria Rice - Quitting Architecture School, Following Your Gut, Interning, Being Resilient, Restoration, and the Florida Simulation</itunes:title><description><![CDATA[
        <p>My guest today is Boston-based mastering and restoration engineer. Maria Rice, Maria works at Peerless mastering and has received three nominations for the Grammy award for Best Historical Album. Her remastering work also includes the 2018 reissue of Blondie's Heart of Glass. Maria and I connected over LinkedIn, and I reached out to her, and she graciously accepted my invitation to come on the show. So I'm very much looking forward to bringing you Maria Rice here on the Working Class Audio podcast.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Dorm Room Studio</li>
<li>Live Recording</li>
<li>Audio Tough Love</li>
<li>Quitting Architecture School</li>
<li>Divided Focus</li>
<li>Jessica Thompson</li>
<li>Guilt</li>
<li>"Real Job" Pressure</li>
<li>Interning</li>
<li>Florida Simulation</li>
<li>Following Your Gut</li>
<li>Quitting Her Day Job</li>
<li>Transferable Skills</li>
<li>Mastering</li>
<li>Restoration</li>
<li>Being Resilient</li>
<li>Diversification</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Knowing Yourself</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Peerless Mastering Instagram: </strong><a href="https://www.instagram.com/peerlessmastering/"><strong>https://www.instagram.com/peerlessmastering/</strong></a>
</li>
<li>
<strong>Maria on Linkedin: </strong><a href="https://www.linkedin.com/in/maria-rice-8a11a19/"><strong>https://www.linkedin.com/in/maria-rice-8a11a19/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Maria Rice</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Boston-based mastering and restoration engineer. Maria Rice, Maria works at Peerless mastering and has received three nominations for the Grammy award for Best Historical Album. Her remastering work also includes the 2018 reissue of Blondie's Heart of Glass. Maria and I connected over LinkedIn, and I reached out to her, and she graciously accepted my invitation to come on the show. So I'm very much looking forward to bringing you Maria Rice here on the Working Class Audio podcast.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Dorm Room Studio</li>
<li>Live Recording</li>
<li>Audio Tough Love</li>
<li>Quitting Architecture School</li>
<li>Divided Focus</li>
<li>Jessica Thompson</li>
<li>Guilt</li>
<li>"Real Job" Pressure</li>
<li>Interning</li>
<li>Florida Simulation</li>
<li>Following Your Gut</li>
<li>Quitting Her Day Job</li>
<li>Transferable Skills</li>
<li>Mastering</li>
<li>Restoration</li>
<li>Being Resilient</li>
<li>Diversification</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Knowing Yourself</strong></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Peerless Mastering Instagram: </strong><a href="https://www.instagram.com/peerlessmastering/"><strong>https://www.instagram.com/peerlessmastering/</strong></a>
</li>
<li>
<strong>Maria on Linkedin: </strong><a href="https://www.linkedin.com/in/maria-rice-8a11a19/"><strong>https://www.linkedin.com/in/maria-rice-8a11a19/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Maria Rice</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-311-with-maria-rice-quitting-architecture-school-following-your-gut-interning-being-resilient-restoration-and-the-florida-simulation]]></link><guid isPermaLink="false">47631b4c-30ae-11ea-baad-e74dd45523a3</guid><itunes:image href="https://artwork.captivate.fm/edae231e-be26-497d-98c5-67226ff73459/uploads-2f1606721109618-68lg9ytws0q-31db4216780f012b63073f81574.png"/><pubDate>Mon, 30 Nov 2020 07:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/684c44ea-d503-4830-948a-a767feadb577.mp3" length="53414931" type="audio/mpeg"/><itunes:duration>37:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>311</itunes:episode><podcast:episode>311</podcast:episode><itunes:summary>My guest today is Boston-based mastering and restoration engineer. Maria Rice, Maria works at Peerless mastering and has received three nominations for the Grammy award for Best Historical Album. Her remastering work also includes the 2018 reissue of Blondie&apos;s Heart of Glass. Maria and I connected over LinkedIn, and I reached out to her, and she graciously accepted my invitation to come on the show. So I&apos;m very much looking forward to bringing you Maria Rice here on the Working Class Audio podcast.

In this episode, we discuss:

Dorm Room Studio

Live Recording

Audio Tough Love

Quitting Architecture School

Divided Focus

Jessica Thompson

Guilt

&quot;Real Job&quot; Pressure

Interning

Florida Simulation

Following Your Gut

Quitting Her Day Job

Transferable Skills

Mastering

Restoration

Being Resilient

Diversification


Matt&apos;s Monologue: Knowing Yourself

Links and Show Notes


Peerless Mastering Instagram: https://www.instagram.com/peerlessmastering/



Maria on Linkedin: https://www.linkedin.com/in/maria-rice-8a11a19/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Maria Rice


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #310 with Steve Evetts - Knowing Your Worth, Repeat Clients, Dealing with Opinions, The Moment Of Discovery, and The Power of Commitment</title><itunes:title>WCA #310 with Steve Evetts - Knowing Your Worth, Repeat Clients, Dealing with Opinions, The Moment Of Discovery, and The Power of Commitment</itunes:title><description><![CDATA[
        <p>My guest today is producer engineer mixer Steve Evetts, who has worked with the Dillinger Escape Plan, Sepultura, The Cure, Poison the Well, Alesana, The Wonder Years, and many, many others. Steve comes to us as a recommendation from our good friend, Joe Barresi.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Parents Attic</li>
<li>Bass Guitar</li>
<li>Foster X15</li>
<li>Tracks East in New Jersey</li>
<li>First Studio Job</li>
<li>Power Of Commitment</li>
<li>Billing By The Day</li>
<li>Ross Robinson</li>
<li>Management</li>
<li>Work/ Life Balance</li>
<li>Supportive Spouse</li>
<li>Knowing Your Worth</li>
<li>Covid</li>
<li>Repeat Clients</li>
<li>Outside Perspective</li>
<li>Burn Out</li>
<li>The Moment Of Discovery</li>
<li>Dealing with Opinions</li>
<li>Social Media</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Preparing and Practicing in the Off Hours</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Steve's Management: </strong><a href="http://selftitledmgmt.com/clients/SteveEvetts.html"><strong>http://selftitledmgmt.com/clients/SteveEvetts.html</strong></a>
</li>
<li>
<strong>Steve on Instagram: </strong><a href="https://www.instagram.com/steveevetts/"><strong>https://www.instagram.com/steveevetts/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Steve Evetts</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is producer engineer mixer Steve Evetts, who has worked with the Dillinger Escape Plan, Sepultura, The Cure, Poison the Well, Alesana, The Wonder Years, and many, many others. Steve comes to us as a recommendation from our good friend, Joe Barresi.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Parents Attic</li>
<li>Bass Guitar</li>
<li>Foster X15</li>
<li>Tracks East in New Jersey</li>
<li>First Studio Job</li>
<li>Power Of Commitment</li>
<li>Billing By The Day</li>
<li>Ross Robinson</li>
<li>Management</li>
<li>Work/ Life Balance</li>
<li>Supportive Spouse</li>
<li>Knowing Your Worth</li>
<li>Covid</li>
<li>Repeat Clients</li>
<li>Outside Perspective</li>
<li>Burn Out</li>
<li>The Moment Of Discovery</li>
<li>Dealing with Opinions</li>
<li>Social Media</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Preparing and Practicing in the Off Hours</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Steve's Management: </strong><a href="http://selftitledmgmt.com/clients/SteveEvetts.html"><strong>http://selftitledmgmt.com/clients/SteveEvetts.html</strong></a>
</li>
<li>
<strong>Steve on Instagram: </strong><a href="https://www.instagram.com/steveevetts/"><strong>https://www.instagram.com/steveevetts/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Steve Evetts</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-310-with-steve-evetts-knowing-your-worth-repeat-clients-dealing-with-opinions-the-moment-of-discovery-and-the-power-of-commitment]]></link><guid isPermaLink="false">4759740c-30ae-11ea-baad-4bd01f02bedd</guid><itunes:image href="https://artwork.captivate.fm/8c461986-a4da-40eb-995d-ca8aab9c79f5/uploads-2f1606161396226-k7izawf5jk7-2fff4c813aa403d89ef200d2002.png"/><pubDate>Mon, 23 Nov 2020 20:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f28b6d37-95df-47f9-9769-cecadac00684.mp3" length="72275496" type="audio/mpeg"/><itunes:duration>50:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>310</itunes:episode><podcast:episode>310</podcast:episode><itunes:summary>My guest today is producer engineer mixer Steve Evetts, who has worked with the Dillinger Escape Plan, Sepultura, The Cure, Poison the Well, Alesana, The Wonder Years, and many, many others. Steve comes to us as a recommendation from our good friend, Joe Barresi.
In this episode, we discuss:

Parents Attic

Bass Guitar

Foster X15

Tracks East in New Jersey

First Studio Job

Power Of Commitment

Billing By The Day

Ross Robinson

Management

Work/ Life Balance

Supportive Spouse

Knowing Your Worth

Covid

Repeat Clients

Outside Perspective

Burn Out

The Moment Of Discovery

Dealing with Opinions

Social Media


Matt&apos;s Monologue: Preparing and Practicing in the Off Hours
Links and Show Notes


Steve&apos;s Management: http://selftitledmgmt.com/clients/SteveEvetts.html



Steve on Instagram: https://www.instagram.com/steveevetts/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Steve Evetts


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #309 with Michael Romanowski - Mastering, Shared History, Deep Listening, Old Dogs, Staying Upright, and Fuzzy Quarters</title><itunes:title>WCA #309 with Michael Romanowski - Mastering, Shared History, Deep Listening, Old Dogs, Staying Upright, and Fuzzy Quarters</itunes:title><description><![CDATA[
        <p>My guest today is a friend of 20 years who plays a role in the formation of Working Class Audio. I'm talking about mastering engineer Michael Romanowski. Michael and I go way back. We were building partners at our studio in San Francisco. Michael had a mastering facility in the front. I had a recording studio in the back, and together we were co-tenants in the space that he helped bring me into. Michael played a part in the formation of Working Class Audio because he's the one that helped me get off the lease without damaging our relationship with the landlord, which was crucial. Very excited to bring you this interview with him. We met up over it at his house, where he has a residential mastering facility nominated for a TEC award. Michael Romanowski, coming up here on the Working Class Audio podcast. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Home Mastering Facility</li>
<li>TEC Nominated Room</li>
<li>Compromise</li>
<li>Shared History</li>
<li>Paul Stubblebine</li>
<li>Lifeboats</li>
<li>Andrew Scheps</li>
<li>Vance Powell</li>
<li>The Tape Project</li>
<li>Michigan</li>
<li>Nashville</li>
<li>Motorcycles</li>
<li>Math</li>
<li>Chris Takes the Truck</li>
<li>Curmudgeon University</li>
<li>Learning From Others</li>
<li>Deep Listening</li>
<li>Gear Buying Decisions</li>
<li>Time Investments</li>
<li>The Game of Inches</li>
<li>Audiophile Wingnuttery</li>
<li>Fuzzy Quarters</li>
<li>Protecting Your Ears</li>
<li>NARAS</li>
<li>Social Media</li>
<li>Old Dogs</li>
<li>Beards</li>
<li>Immersive Audio</li>
<li>Being You</li>
<li>Taking a Break</li>
<li>Staying Upright</li>
<li>Golf</li>
<li>Work/Life Balance</li>
<li>Addressing Mistakes</li>
<li>Paying Attention</li>
<li>Process of Elimination</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Supporting Small Business</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Michael's Site: </strong><a href="https://www.coastmastering.com/"><strong>https://www.coastmastering.com/</strong></a>
</li>
<li>
<strong>The Tape Project: </strong><a href="https://tapeproject.com/"><strong>https://tapeproject.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Michael Romanowski</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is a friend of 20 years who plays a role in the formation of Working Class Audio. I'm talking about mastering engineer Michael Romanowski. Michael and I go way back. We were building partners at our studio in San Francisco. Michael had a mastering facility in the front. I had a recording studio in the back, and together we were co-tenants in the space that he helped bring me into. Michael played a part in the formation of Working Class Audio because he's the one that helped me get off the lease without damaging our relationship with the landlord, which was crucial. Very excited to bring you this interview with him. We met up over it at his house, where he has a residential mastering facility nominated for a TEC award. Michael Romanowski, coming up here on the Working Class Audio podcast. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Home Mastering Facility</li>
<li>TEC Nominated Room</li>
<li>Compromise</li>
<li>Shared History</li>
<li>Paul Stubblebine</li>
<li>Lifeboats</li>
<li>Andrew Scheps</li>
<li>Vance Powell</li>
<li>The Tape Project</li>
<li>Michigan</li>
<li>Nashville</li>
<li>Motorcycles</li>
<li>Math</li>
<li>Chris Takes the Truck</li>
<li>Curmudgeon University</li>
<li>Learning From Others</li>
<li>Deep Listening</li>
<li>Gear Buying Decisions</li>
<li>Time Investments</li>
<li>The Game of Inches</li>
<li>Audiophile Wingnuttery</li>
<li>Fuzzy Quarters</li>
<li>Protecting Your Ears</li>
<li>NARAS</li>
<li>Social Media</li>
<li>Old Dogs</li>
<li>Beards</li>
<li>Immersive Audio</li>
<li>Being You</li>
<li>Taking a Break</li>
<li>Staying Upright</li>
<li>Golf</li>
<li>Work/Life Balance</li>
<li>Addressing Mistakes</li>
<li>Paying Attention</li>
<li>Process of Elimination</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Supporting Small Business</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Michael's Site: </strong><a href="https://www.coastmastering.com/"><strong>https://www.coastmastering.com/</strong></a>
</li>
<li>
<strong>The Tape Project: </strong><a href="https://tapeproject.com/"><strong>https://tapeproject.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Michael Romanowski</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-309-with-michael-romanowski-mastering-shared-history-deep-listening-old-dogs-staying-upright-and-fuzzy-quarters]]></link><guid isPermaLink="false">474fc8a8-30ae-11ea-baad-67e749a560a1</guid><itunes:image href="https://artwork.captivate.fm/c546fb77-5486-4231-aeb8-824fa098b744/uploads-2f1605561565441-43dlff8dmko-dca03e430bcabdd894dcc37f927.png"/><pubDate>Mon, 16 Nov 2020 23:05:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a80d0726-9b5f-4d67-848a-1d64ccdce37b.mp3" length="114635753" type="audio/mpeg"/><itunes:duration>01:19:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>309</itunes:episode><podcast:episode>309</podcast:episode><itunes:summary>My guest today is a friend of 20 years who plays a role in the formation of Working Class Audio. I&apos;m talking about mastering engineer Michael Romanowski. Michael and I go way back. We were building partners at our studio in San Francisco. Michael had a mastering facility in the front. I had a recording studio in the back, and together we were co-tenants in the space that he helped bring me into. Michael played a part in the formation of Working Class Audio because he&apos;s the one that helped me get off the lease without damaging our relationship with the landlord, which was crucial. Very excited to bring you this interview with him. We met up over it at his house, where he has a residential mastering facility nominated for a TEC award. Michael Romanowski, coming up here on the Working Class Audio podcast. 
In this episode, we discuss:

Home Mastering Facility

TEC Nominated Room

Compromise

Shared History

Paul Stubblebine

Lifeboats

Andrew Scheps

Vance Powell

The Tape Project

Michigan

Nashville

Motorcycles

Math

Chris Takes the Truck

Curmudgeon University

Learning From Others

Deep Listening

Gear Buying Decisions

Time Investments

The Game of Inches

Audiophile Wingnuttery

Fuzzy Quarters

Protecting Your Ears

NARAS

Social Media

Old Dogs

Beards

Immersive Audio

Being You

Taking a Break

Staying Upright

Golf

Work/Life Balance

Addressing Mistakes

Paying Attention

Process of Elimination


Matt&apos;s Monologue: Supporting Small Business
Links and Show Notes


Michael&apos;s Site: https://www.coastmastering.com/



The Tape Project: https://tapeproject.com/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Michael Romanowski


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #308 with Robert L. Smith - Online Mixing, The State of New York, International Eco Systems, and The Virtual Hallway</title><itunes:title>WCA #308 with Robert L. Smith - Online Mixing, The State of New York, International Eco Systems, and The Virtual Hallway</itunes:title><description><![CDATA[
        <p>My guest today is the return of Robert L. Smith. Robert was originally on episode six of the Working Class Audio podcast. He's a producer-engineer mixer. He's based in New York City. That hasn't changed. And he has worked with some pretty big names out there. Lady Gaga, Michael Jackson, Aerosmith, David Byrne, and U2. We bring Robert back to check in about where things stand for him, where things stand during the COVID crisis, how he has navigated the whole thing, and how things have changed for him or not changed. And we're going to get to all of that. So very happy to have Robert back to join us. Robert L. Smith, coming up here on the Working Class Audio podcast.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>COVID</li>
<li>Online Mixing</li>
<li>Overseas Clients</li>
<li>The State of New York</li>
<li>Changes to Recording</li>
<li>The Versions of Pop</li>
<li>Remote Sessions</li>
<li>iPhone/Garageband Recordings</li>
<li>Manager of Expectations</li>
<li>Educating Clients</li>
<li>Relationships</li>
<li>Sense of Humor</li>
<li>The Virtual Hallway</li>
<li>International Eco Systems</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Putting in the Work</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Robert's Site: </strong><a href="http://defyrecordings.com/"><strong>http://defyrecordings.com/</strong></a>
</li>
<li>
<strong>Robert's Previous Interview: </strong><a href="https://www.workingclassaudio.com/wca-006-with-robert-l-smith/"><strong>https://www.workingclassaudio.com/wca-006-with-robert-l-smith/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Robert L. Smith</li>
<li>
<strong>Host: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is the return of Robert L. Smith. Robert was originally on episode six of the Working Class Audio podcast. He's a producer-engineer mixer. He's based in New York City. That hasn't changed. And he has worked with some pretty big names out there. Lady Gaga, Michael Jackson, Aerosmith, David Byrne, and U2. We bring Robert back to check in about where things stand for him, where things stand during the COVID crisis, how he has navigated the whole thing, and how things have changed for him or not changed. And we're going to get to all of that. So very happy to have Robert back to join us. Robert L. Smith, coming up here on the Working Class Audio podcast.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>COVID</li>
<li>Online Mixing</li>
<li>Overseas Clients</li>
<li>The State of New York</li>
<li>Changes to Recording</li>
<li>The Versions of Pop</li>
<li>Remote Sessions</li>
<li>iPhone/Garageband Recordings</li>
<li>Manager of Expectations</li>
<li>Educating Clients</li>
<li>Relationships</li>
<li>Sense of Humor</li>
<li>The Virtual Hallway</li>
<li>International Eco Systems</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Putting in the Work</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Robert's Site: </strong><a href="http://defyrecordings.com/"><strong>http://defyrecordings.com/</strong></a>
</li>
<li>
<strong>Robert's Previous Interview: </strong><a href="https://www.workingclassaudio.com/wca-006-with-robert-l-smith/"><strong>https://www.workingclassaudio.com/wca-006-with-robert-l-smith/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Robert L. Smith</li>
<li>
<strong>Host: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-308-with-robert-l-smith-online-mixing-the-state-of-new-york-international-eco-systems-and-the-virtual-hallway]]></link><guid isPermaLink="false">474618c6-30ae-11ea-baad-a3ecb59e79a4</guid><itunes:image href="https://artwork.captivate.fm/f593940a-bd19-472d-a8e8-34fb1148b297/uploads-2f1604893764144-gxqoefayp8b-a18380fb52e47054c15528fe2fe.png"/><pubDate>Mon, 09 Nov 2020 04:11:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/487c751e-7018-4e06-beb5-2011164d4b04.mp3" length="61086260" type="audio/mpeg"/><itunes:duration>42:25</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>308</itunes:episode><podcast:episode>308</podcast:episode><itunes:summary>My guest today is the return of Robert L. Smith. Robert was originally on episode six of the Working Class Audio podcast. He&apos;s a producer-engineer mixer. He&apos;s based in New York City. That hasn&apos;t changed. And he has worked with some pretty big names out there. Lady Gaga, Michael Jackson, Aerosmith, David Byrne, and U2. We bring Robert back to check in about where things stand for him, where things stand during the COVID crisis, how he has navigated the whole thing, and how things have changed for him or not changed. And we&apos;re going to get to all of that. So very happy to have Robert back to join us. Robert L. Smith, coming up here on the Working Class Audio podcast.
In this episode, we discuss:

COVID

Online Mixing

Overseas Clients

The State of New York

Changes to Recording

The Versions of Pop

Remote Sessions

iPhone/Garageband Recordings

Manager of Expectations

Educating Clients

Relationships

Sense of Humor

The Virtual Hallway

International Eco Systems


Matt&apos;s Monologue: Putting in the Work
Links and Show Notes


Robert&apos;s Site: http://defyrecordings.com/



Robert&apos;s Previous Interview: https://www.workingclassaudio.com/wca-006-with-robert-l-smith/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Robert L. Smith


Host: Anne-Marie Pleau &amp; Matt Boudreau


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #307 with Kevin Churko - Family Band, Family Business, Mutt Lange, Ozzy Osbourne, Phil Collins Drums, and Graceful Exits </title><itunes:title>WCA #307 with Kevin Churko - Family Band, Family Business, Mutt Lange, Ozzy Osbourne, Phil Collins Drums, and Graceful Exits </itunes:title><description><![CDATA[
        <p>My guest today is Kevin Churko. Who's originally from Canada, currently resides in the United States, and he is a producer-engineer, mixer, and songwriter. He's worked with Ozzy Osbourne, Rob Zombie, Papa Roach, Modern Science, Five Finger Death Punch, Shania Twain, and Hellyeah amongst many, many others. One aspect of his career that's fascinating that we're going to talk about is that Kevin worked for four years for Mutt Lange in Switzerland. He moved the whole family there. We're going to talk all about that in his journey, which I think you'll find quite fascinating. And I'm very excited to have Kevin join us today. So Kevin Churko, coming up here on the working-class audio podcast.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Canadian Upbringing</li>
<li>Family Band</li>
<li>Shania Twain</li>
<li>Working for Mutt Lange</li>
<li>Living in Switzerland</li>
<li>"Just Get Good"</li>
<li>Taking Care of Customers</li>
<li>Moving to Los Angeles</li>
<li>Moving to Las Vegas</li>
<li>Ozzy Osbourne &amp; Zack Wylde</li>
<li>Graceful Exits </li>
<li>Phil Collins' Drums</li>
<li>Saying No</li>
<li>Working with His Kids</li>
<li>Financial Advice</li>
<li>Keeping the Faith</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Random Goings On</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Kevin's Studio: </strong><a href="https://www.hideoutlv.com/"><strong>https://www.hideoutlv.com/</strong></a>
</li>
<li>
<strong>Pleased to Meet Me Box Set: </strong><a href="https://bit.ly/382SYVP"><strong>https://bit.ly/382SYVP</strong></a>
</li>
<li>
<strong>Matt's past band: </strong><a href="https://thesextants.bandcamp.com/"><strong>https://thesextants.bandcamp.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Kevin Churko</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Kevin Churko. Who's originally from Canada, currently resides in the United States, and he is a producer-engineer, mixer, and songwriter. He's worked with Ozzy Osbourne, Rob Zombie, Papa Roach, Modern Science, Five Finger Death Punch, Shania Twain, and Hellyeah amongst many, many others. One aspect of his career that's fascinating that we're going to talk about is that Kevin worked for four years for Mutt Lange in Switzerland. He moved the whole family there. We're going to talk all about that in his journey, which I think you'll find quite fascinating. And I'm very excited to have Kevin join us today. So Kevin Churko, coming up here on the working-class audio podcast.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Canadian Upbringing</li>
<li>Family Band</li>
<li>Shania Twain</li>
<li>Working for Mutt Lange</li>
<li>Living in Switzerland</li>
<li>"Just Get Good"</li>
<li>Taking Care of Customers</li>
<li>Moving to Los Angeles</li>
<li>Moving to Las Vegas</li>
<li>Ozzy Osbourne &amp; Zack Wylde</li>
<li>Graceful Exits </li>
<li>Phil Collins' Drums</li>
<li>Saying No</li>
<li>Working with His Kids</li>
<li>Financial Advice</li>
<li>Keeping the Faith</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Random Goings On</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Kevin's Studio: </strong><a href="https://www.hideoutlv.com/"><strong>https://www.hideoutlv.com/</strong></a>
</li>
<li>
<strong>Pleased to Meet Me Box Set: </strong><a href="https://bit.ly/382SYVP"><strong>https://bit.ly/382SYVP</strong></a>
</li>
<li>
<strong>Matt's past band: </strong><a href="https://thesextants.bandcamp.com/"><strong>https://thesextants.bandcamp.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Kevin Churko</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-307-with-kevin-churko-family-band-family-business-mutt-lange-ozzy-osbourne-phil-collins-drums-and-graceful-exits-]]></link><guid isPermaLink="false">473ca1c4-30ae-11ea-baad-3b9f1824cede</guid><itunes:image href="https://artwork.captivate.fm/74ca7d88-0d1f-4551-80c3-3c833adb0965/uploads-2f1604331370741-64tr1btftzt-d6323a19e0105fc8db0087de3f9.png"/><pubDate>Mon, 02 Nov 2020 16:10:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/891ecf5e-ddaf-4cee-b5b2-dffe63d2726f.mp3" length="80580956" type="audio/mpeg"/><itunes:duration>55:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>307</itunes:episode><podcast:episode>307</podcast:episode><itunes:summary>My guest today is Kevin Churko. Who&apos;s originally from Canada, currently resides in the United States, and he is a producer-engineer, mixer, and songwriter. He&apos;s worked with Ozzy Osbourne, Rob Zombie, Papa Roach, Modern Science, Five Finger Death Punch, Shania Twain, and Hellyeah amongst many, many others. One aspect of his career that&apos;s fascinating that we&apos;re going to talk about is that Kevin worked for four years for Mutt Lange in Switzerland. He moved the whole family there. We&apos;re going to talk all about that in his journey, which I think you&apos;ll find quite fascinating. And I&apos;m very excited to have Kevin join us today. So Kevin Churko, coming up here on the working-class audio podcast.
In this episode, we discuss:

Canadian Upbringing

Family Band

Shania Twain

Working for Mutt Lange

Living in Switzerland

&quot;Just Get Good&quot;

Taking Care of Customers

Moving to Los Angeles

Moving to Las Vegas

Ozzy Osbourne &amp; Zack Wylde

Graceful Exits 

Phil Collins&apos; Drums

Saying No

Working with His Kids

Financial Advice

Keeping the Faith


Matt&apos;s Monologue: Random Goings On
Links and Show Notes


Kevin&apos;s Studio: https://www.hideoutlv.com/



Pleased to Meet Me Box Set: https://bit.ly/382SYVP



Matt&apos;s past band: https://thesextants.bandcamp.com/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Kevin Churko


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #306 with Daniel Bacigalupi - Infrasonic Sound, Supportive Parents, Poker, CD Text Fails, and a Collapsing Lung</title><itunes:title>WCA #306 with Daniel Bacigalupi - Infrasonic Sound, Supportive Parents, Poker, CD Text Fails, and a Collapsing Lung</itunes:title><description><![CDATA[
        <p>My guest today is Nashville based mastering engineer Daniel Bacigalupi. Daniel is a member of the team over at Infrasonic Mastering. That includes Pete Lyman, Dave Gardner, and Piper Payne, all who have been guests here on WCA. We're going to get into Daniel's journey to Nashville and into mastering here shortly. Daniel Bacigalupi coming up here on the working class audio podcast.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Pine City Beginnings</li>
<li>Supportive Parents</li>
<li>Trombone</li>
<li>Collapsing Lung</li>
<li>Ithaca College</li>
<li>Alex Perialas</li>
<li>Mastering</li>
<li>Sterling Sound</li>
<li>Nashville</li>
<li>Georgetown Masters</li>
<li>Assisting Reid Shippen</li>
<li>Pete Lyman</li>
<li>Infrasonic Sound</li>
<li>Having A Life</li>
<li>Rates and Billing</li>
<li>Your Room</li>
<li>Golf</li>
<li>Poker</li>
<li>His Great Wife</li>
<li>Covid</li>
<li>Therapy</li>
<li>Dealing with Stress</li>
<li>Fear of Rejection</li>
<li>CD-Text Fails</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Participation</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><strong>Instagram: @infrasonicdan</strong></li>
<li>
<strong>Infrasonic Sound: </strong><a href="https://www.infrasonicsound.com/"><strong>https://www.infrasonicsound.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Daniel Bacigalupi</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Nashville based mastering engineer Daniel Bacigalupi. Daniel is a member of the team over at Infrasonic Mastering. That includes Pete Lyman, Dave Gardner, and Piper Payne, all who have been guests here on WCA. We're going to get into Daniel's journey to Nashville and into mastering here shortly. Daniel Bacigalupi coming up here on the working class audio podcast.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Pine City Beginnings</li>
<li>Supportive Parents</li>
<li>Trombone</li>
<li>Collapsing Lung</li>
<li>Ithaca College</li>
<li>Alex Perialas</li>
<li>Mastering</li>
<li>Sterling Sound</li>
<li>Nashville</li>
<li>Georgetown Masters</li>
<li>Assisting Reid Shippen</li>
<li>Pete Lyman</li>
<li>Infrasonic Sound</li>
<li>Having A Life</li>
<li>Rates and Billing</li>
<li>Your Room</li>
<li>Golf</li>
<li>Poker</li>
<li>His Great Wife</li>
<li>Covid</li>
<li>Therapy</li>
<li>Dealing with Stress</li>
<li>Fear of Rejection</li>
<li>CD-Text Fails</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: Participation</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><strong>Instagram: @infrasonicdan</strong></li>
<li>
<strong>Infrasonic Sound: </strong><a href="https://www.infrasonicsound.com/"><strong>https://www.infrasonicsound.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Daniel Bacigalupi</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-306-with-daniel-bacigalupi-infrasonic-sound-supportive-parents-poker-cd-text-fails-and-a-collapsing-lung]]></link><guid isPermaLink="false">4730e320-30ae-11ea-baad-5f88976ecd31</guid><itunes:image href="https://artwork.captivate.fm/5a04028b-5a52-4023-9f9a-552975391edd/uploads-2f1603654401617-hpfycblmg75-43dc5d6d2f42918ee61338a81ff.png"/><pubDate>Sun, 25 Oct 2020 20:39:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/62726cdf-ff50-4215-bc97-d69c7f35f706.mp3" length="79225815" type="audio/mpeg"/><itunes:duration>55:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>306</itunes:episode><podcast:episode>306</podcast:episode><itunes:summary>My guest today is Nashville based mastering engineer Daniel Bacigalupi. Daniel is a member of the team over at Infrasonic Mastering. That includes Pete Lyman, Dave Gardner, and Piper Payne, all who have been guests here on WCA. We&apos;re going to get into Daniel&apos;s journey to Nashville and into mastering here shortly. Daniel Bacigalupi coming up here on the working class audio podcast.

In this episode, we discuss:

Pine City Beginnings

Supportive Parents

Trombone

Collapsing Lung

Ithaca College

Alex Perialas

Mastering

Sterling Sound

Nashville

Georgetown Masters

Assisting Reid Shippen

Pete Lyman

Infrasonic Sound

Having A Life

Rates and Billing

Your Room

Golf

Poker

His Great Wife

Covid

Therapy

Dealing with Stress

Fear of Rejection

CD-Text Fails


Matt&apos;s Monologue: Participation
Links and Show Notes

Instagram: @infrasonicdan


Infrasonic Sound: https://www.infrasonicsound.com/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Daniel Bacigalupi


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #305 with Anne-Marie Pleau - Saying Yes to Gigs, Album Credits, 9 to 5, Health Care, Moving to Hawaii, and Starting Audio Later in Life</title><itunes:title>WCA #305 with Anne-Marie Pleau - Saying Yes to Gigs, Album Credits, 9 to 5, Health Care, Moving to Hawaii, and Starting Audio Later in Life</itunes:title><description><![CDATA[
        <p>My guest today is Anne-Marie Pleau, who is an engineer and theatrical sound designer. And you might recognize her name because she just so happens to be the editor of the Working Class Audio Podcast. That's right. So every time I do an interview, I ship it right on over to Anne-Marie. She does her round of magic. She sends it back to me, and I assemble the show, and wallah, You have a podcast. So she plays a pretty, monumental role in the show and has since episode 220 with Butch Vig. She's been with WCA for quite some time now, and I'm pleased to have her with us today. Anne-Marie Pleau, coming up here on the Working Class Audio Podcast.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Moving to Hawaii</li>
<li>Starting Audio Later in Life</li>
<li>Album Credits</li>
<li>Audio Class</li>
<li>Outworking Others</li>
<li>Supportive Spouses</li>
<li>Environmental Choices</li>
<li>Health Care</li>
<li>9 to 5</li>
<li>Diversification</li>
<li>Fears </li>
<li>Saying Yes to Gigs</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: The Beginners Mindset</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><strong>Anne-Marie on Instagram: @annemariepleau</strong></li>
<li><strong>Anne-Marie on Twitter: @AnneMariePleau</strong></li>
<li><strong>Anne-Marie on Linkedin: linkedin.com/in/annemariepleau</strong></li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Anne-Marie Pleau</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Anne-Marie Pleau, who is an engineer and theatrical sound designer. And you might recognize her name because she just so happens to be the editor of the Working Class Audio Podcast. That's right. So every time I do an interview, I ship it right on over to Anne-Marie. She does her round of magic. She sends it back to me, and I assemble the show, and wallah, You have a podcast. So she plays a pretty, monumental role in the show and has since episode 220 with Butch Vig. She's been with WCA for quite some time now, and I'm pleased to have her with us today. Anne-Marie Pleau, coming up here on the Working Class Audio Podcast.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Moving to Hawaii</li>
<li>Starting Audio Later in Life</li>
<li>Album Credits</li>
<li>Audio Class</li>
<li>Outworking Others</li>
<li>Supportive Spouses</li>
<li>Environmental Choices</li>
<li>Health Care</li>
<li>9 to 5</li>
<li>Diversification</li>
<li>Fears </li>
<li>Saying Yes to Gigs</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: The Beginners Mindset</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li><strong>Anne-Marie on Instagram: @annemariepleau</strong></li>
<li><strong>Anne-Marie on Twitter: @AnneMariePleau</strong></li>
<li><strong>Anne-Marie on Linkedin: linkedin.com/in/annemariepleau</strong></li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Anne-Marie Pleau</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-305-with-anne-marie-pleau-saying-yes-to-gigs-album-credits-9-to-5-health-care-moving-to-hawaii-and-starting-audio-later-in-life]]></link><guid isPermaLink="false">4726d452-30ae-11ea-baad-1b20b15161ab</guid><itunes:image href="https://artwork.captivate.fm/61f4d8a1-4800-43f8-8e5f-fd17761e47c7/uploads-2f1603072853617-s6t371unn9m-46fcbc2e59b50d3320a77a0bf59.png"/><pubDate>Mon, 19 Oct 2020 02:38:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c8eaceaa-5b8a-40dd-823b-83137982d4a3.mp3" length="64551998" type="audio/mpeg"/><itunes:duration>44:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>305</itunes:episode><podcast:episode>305</podcast:episode><itunes:summary>My guest today is Anne-Marie Pleau, who is an engineer and theatrical sound designer. And you might recognize her name because she just so happens to be the editor of the Working Class Audio Podcast. That&apos;s right. So every time I do an interview, I ship it right on over to Anne-Marie. She does her round of magic. She sends it back to me, and I assemble the show, and wallah, You have a podcast. So she plays a pretty, monumental role in the show and has since episode 220 with Butch Vig. She&apos;s been with WCA for quite some time now, and I&apos;m pleased to have her with us today. Anne-Marie Pleau, coming up here on the Working Class Audio Podcast.

In this episode, we discuss:

Moving to Hawaii

Starting Audio Later in Life

Album Credits

Audio Class

Outworking Others

Supportive Spouses

Environmental Choices

Health Care

9 to 5

Diversification

Fears 

Saying Yes to Gigs


Matt&apos;s Monologue: The Beginners Mindset
Links and Show Notes

Anne-Marie on Instagram: @annemariepleau

Anne-Marie on Twitter: @AnneMariePleau

Anne-Marie on Linkedin: linkedin.com/in/annemariepleau


WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Anne-Marie Pleau


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #304 with Joyce Lieberman - Hitchhiking, Woodstock, Electronics School, Fresh Air, WHYY, and the Avocado Cutlass Supreme</title><itunes:title>WCA #304 with Joyce Lieberman - Hitchhiking, Woodstock, Electronics School, Fresh Air, WHYY, and the Avocado Cutlass Supreme</itunes:title><description><![CDATA[
        <p>My guest today is Joyce Lieberman. Joyce has been working at WHYY in Philadelphia for the last 44 years, starting in 1976. She worked for 11 years as a Technician, 11 years as a Technical Director of Fresh Air, and 22 years as a Radio Engineering Supervisor. Joyce and I met at a dinner in Los Angeles four or five years ago. I discovered that she worked for WHYY and Terry Gross, and I began lobbying her to come on the show. Fast forward five years later, I get an email from Joyce saying, "Hey, I've got some free time. I'm ready to do this." So we have a great conversation about Joyce's career and all the details of WHYY. Very excited to bring you, Joyce Lieberman, here on the Working Class Audio podcast.</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Radio Roles</li>
<li>Terry Gross and Fresh Air</li>
<li>Music</li>
<li>Long Island</li>
<li>Math and Science</li>
<li>Hitchhiking</li>
<li>Woodstock</li>
<li>The Cutlass Supreme</li>
<li>Philadelphia </li>
<li>WHYY</li>
<li>Nurses and Teachers</li>
<li>Feminism </li>
<li>Cuba</li>
<li>Basic Electronics Theory</li>
<li>Radio Theory</li>
<li>Television</li>
<li>Electronics School</li>
<li>Breaking into Radio</li>
<li>Bicycling Tapes</li>
<li>Salaries</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: The Passing of Moto, Recording and Perspective</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>WHYY on Instagram: </strong><a href="https://www.instagram.com/whyy/"><strong>https://www.instagram.com/whyy/</strong></a>
</li>
<li>
<strong>WHYY </strong><a href="https://whyy.org/">https://whyy.org/</a>
</li>
<li>
<strong>Fresh Air with Terry Gross: </strong><a href="https://www.npr.org/programs/fresh-air/"><strong>https://www.npr.org/programs/fresh-air/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Joyce Lieberman</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Joyce Lieberman. Joyce has been working at WHYY in Philadelphia for the last 44 years, starting in 1976. She worked for 11 years as a Technician, 11 years as a Technical Director of Fresh Air, and 22 years as a Radio Engineering Supervisor. Joyce and I met at a dinner in Los Angeles four or five years ago. I discovered that she worked for WHYY and Terry Gross, and I began lobbying her to come on the show. Fast forward five years later, I get an email from Joyce saying, "Hey, I've got some free time. I'm ready to do this." So we have a great conversation about Joyce's career and all the details of WHYY. Very excited to bring you, Joyce Lieberman, here on the Working Class Audio podcast.</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Radio Roles</li>
<li>Terry Gross and Fresh Air</li>
<li>Music</li>
<li>Long Island</li>
<li>Math and Science</li>
<li>Hitchhiking</li>
<li>Woodstock</li>
<li>The Cutlass Supreme</li>
<li>Philadelphia </li>
<li>WHYY</li>
<li>Nurses and Teachers</li>
<li>Feminism </li>
<li>Cuba</li>
<li>Basic Electronics Theory</li>
<li>Radio Theory</li>
<li>Television</li>
<li>Electronics School</li>
<li>Breaking into Radio</li>
<li>Bicycling Tapes</li>
<li>Salaries</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: The Passing of Moto, Recording and Perspective</strong></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>WHYY on Instagram: </strong><a href="https://www.instagram.com/whyy/"><strong>https://www.instagram.com/whyy/</strong></a>
</li>
<li>
<strong>WHYY </strong><a href="https://whyy.org/">https://whyy.org/</a>
</li>
<li>
<strong>Fresh Air with Terry Gross: </strong><a href="https://www.npr.org/programs/fresh-air/"><strong>https://www.npr.org/programs/fresh-air/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Joyce Lieberman</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-304-with-joyce-lieberman-hitchhiking-woodstock-electronics-school-fresh-air-whyy-and-the-avocado-cutlass-supreme]]></link><guid isPermaLink="false">471bb194-30ae-11ea-baad-131deed3734d</guid><itunes:image href="https://artwork.captivate.fm/bc8dabfb-d704-4a5c-aff2-7d2d67e3dee7/uploads-2f1602518680843-sflreq5c1s-17625c930726080e8f439abae9e1.png"/><pubDate>Mon, 12 Oct 2020 16:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0feace5d-22d8-4102-9fdd-f3ae85c8ca89.mp3" length="92020097" type="audio/mpeg"/><itunes:duration>01:03:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>304</itunes:episode><podcast:episode>304</podcast:episode><itunes:summary>My guest today is Joyce Lieberman. Joyce has been working at WHYY in Philadelphia for the last 44 years, starting in 1976. She worked for 11 years as a Technician, 11 years as a Technical Director of Fresh Air, and 22 years as a Radio Engineering Supervisor. Joyce and I met at a dinner in Los Angeles four or five years ago. I discovered that she worked for WHYY and Terry Gross, and I began lobbying her to come on the show. Fast forward five years later, I get an email from Joyce saying, &quot;Hey, I&apos;ve got some free time. I&apos;m ready to do this.&quot; So we have a great conversation about Joyce&apos;s career and all the details of WHYY. Very excited to bring you, Joyce Lieberman, here on the Working Class Audio podcast.
﻿In this episode, we discuss:

Radio Roles

Terry Gross and Fresh Air

Music

Long Island

Math and Science

Hitchhiking

Woodstock

The Cutlass Supreme

Philadelphia 

WHYY

Nurses and Teachers

Feminism 

Cuba

Basic Electronics Theory

Radio Theory

Television

Electronics School

Breaking into Radio

Bicycling Tapes

Salaries


Matt&apos;s Monologue: The Passing of Moto, Recording and Perspective
Links and Show Notes


WHYY on Instagram: https://www.instagram.com/whyy/



WHYY https://whyy.org/



Fresh Air with Terry Gross: https://www.npr.org/programs/fresh-air/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Joyce Lieberman


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #303 with Steven Baughman - Hip Hop, Alpha Dogs, Sonic Puzzles, Happiness, and Respecting The Wood</title><itunes:title>WCA #303 with Steven Baughman - Hip Hop, Alpha Dogs, Sonic Puzzles, Happiness, and Respecting The Wood</itunes:title><description><![CDATA[
        <p>My guest today is Steve Baughman, also known as Steve B. Steve has worked with Dr. Dre, No Doubt, Michael Jackson, and Eminem as well as several others. And his credits include recording, mixing, mastering, and production on a wide array of projects that stretch from big-band jazz to rock, to hip hop, Steve Baughman, coming up here on the Working Class Audio Podcast</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Early 4 track overdubs</li>
<li>Criminal justice </li>
<li>Business</li>
<li>Chico state</li>
<li>Larrabee Studios</li>
<li>Hip Hop</li>
<li>Dr. Dre</li>
<li>DJ Muggs</li>
<li>Will Smith</li>
<li>50 Cent</li>
<li>Work Ethic</li>
<li>Being Assertive</li>
<li>Respecting The Wood</li>
<li>Alpha Dogs</li>
<li>His Amazing Wife</li>
<li>Health Insurance</li>
<li>Pseudo Empty Nesting</li>
<li>Pigeon Hole</li>
<li>Big Band</li>
<li>Squeaky Wheels</li>
<li>Keeping Up Relationships</li>
<li>Inspiration From The Kids</li>
<li>Happiness </li>
<li>Taxes</li>
<li>Minimal Gear</li>
<li>Doing Life</li>
<li>Fires</li>
<li>Sonic Puzzles</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Filling Holes in Your Schedule</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Next Level Mastering: </strong><a href="http://www.nextlevelmastering.com/"><strong>http://www.nextlevelmastering.com/</strong></a>
</li>
<li>
<strong>Two Beards Production: </strong><a href="https://www.twobeardsproductions.com/"><strong>https://www.twobeardsproductions.com/</strong></a>
</li>
<li><strong>Instagram: @in2mixin, @twobeardsmusic, @nxtlvlmastering</strong></li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Steve Baughman</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Steve Baughman, also known as Steve B. Steve has worked with Dr. Dre, No Doubt, Michael Jackson, and Eminem as well as several others. And his credits include recording, mixing, mastering, and production on a wide array of projects that stretch from big-band jazz to rock, to hip hop, Steve Baughman, coming up here on the Working Class Audio Podcast</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Early 4 track overdubs</li>
<li>Criminal justice </li>
<li>Business</li>
<li>Chico state</li>
<li>Larrabee Studios</li>
<li>Hip Hop</li>
<li>Dr. Dre</li>
<li>DJ Muggs</li>
<li>Will Smith</li>
<li>50 Cent</li>
<li>Work Ethic</li>
<li>Being Assertive</li>
<li>Respecting The Wood</li>
<li>Alpha Dogs</li>
<li>His Amazing Wife</li>
<li>Health Insurance</li>
<li>Pseudo Empty Nesting</li>
<li>Pigeon Hole</li>
<li>Big Band</li>
<li>Squeaky Wheels</li>
<li>Keeping Up Relationships</li>
<li>Inspiration From The Kids</li>
<li>Happiness </li>
<li>Taxes</li>
<li>Minimal Gear</li>
<li>Doing Life</li>
<li>Fires</li>
<li>Sonic Puzzles</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Filling Holes in Your Schedule</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Next Level Mastering: </strong><a href="http://www.nextlevelmastering.com/"><strong>http://www.nextlevelmastering.com/</strong></a>
</li>
<li>
<strong>Two Beards Production: </strong><a href="https://www.twobeardsproductions.com/"><strong>https://www.twobeardsproductions.com/</strong></a>
</li>
<li><strong>Instagram: @in2mixin, @twobeardsmusic, @nxtlvlmastering</strong></li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Steve Baughman</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-303-with-steven-baughman-hip-hop-alpha-dogs-sonic-puzzles-happiness-and-respecting-the-wood]]></link><guid isPermaLink="false">4711970e-30ae-11ea-baad-f38d08914d0b</guid><itunes:image href="https://artwork.captivate.fm/8d8fdf07-348b-46fa-9a88-8ce0b6a30d76/uploads-2f1601843562551-zphp2a2ecop-0fb9b28ba9bf1d577f15d77ee66.png"/><pubDate>Sun, 04 Oct 2020 20:47:32 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a5f5970e-a3c5-48b3-b4f4-f7d8fa00976f.mp3" length="59882826" type="audio/mpeg"/><itunes:duration>41:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>303</itunes:episode><podcast:episode>303</podcast:episode><itunes:summary>My guest today is Steve Baughman, also known as Steve B. Steve has worked with Dr. Dre, No Doubt, Michael Jackson, and Eminem as well as several others. And his credits include recording, mixing, mastering, and production on a wide array of projects that stretch from big-band jazz to rock, to hip hop, Steve Baughman, coming up here on the Working Class Audio Podcast
﻿In this episode, we discuss:

Early 4 track overdubs

Criminal justice 

Business

Chico state

Larrabee Studios

Hip Hop

Dr. Dre

DJ Muggs

Will Smith

50 Cent

Work Ethic

Being Assertive

Respecting The Wood

Alpha Dogs

His Amazing Wife

Health Insurance

Pseudo Empty Nesting

Pigeon Hole

Big Band

Squeaky Wheels

Keeping Up Relationships

Inspiration From The Kids

Happiness 

Taxes

Minimal Gear

Doing Life

Fires

Sonic Puzzles


Matt&apos;s Monologue: Filling Holes in Your Schedule
Links and Show Notes


Next Level Mastering: http://www.nextlevelmastering.com/



Two Beards Production: https://www.twobeardsproductions.com/


Instagram: @in2mixin, @twobeardsmusic, @nxtlvlmastering


WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Steve Baughman


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #302 with Leslie Gaston-Bird - Black Women In Audio, AES, Recording The TV, Dolby Atmos, Morph The Cat, and Running vs. Pancakes</title><itunes:title>WCA #302 with Leslie Gaston-Bird - Black Women In Audio, AES, Recording The TV, Dolby Atmos, Morph The Cat, and Running vs. Pancakes</itunes:title><description><![CDATA[
        <p>My guest today is Leslie Gaston-Bird. She has been in the industry for over 30 years. Twelve of that in public radio (including National Public Radio), Seventeen in sound for picture, and Thirteen years as an educator. She's the author of the book "Women in Audio." She's a member of the AES, where she chairs numerous committees and on the board of governors. She runs Mix Messiah Productions as a freelance re-recording mixer and sound editor. She was a tenured associate professor of recording arts at the University of Colorado Denver and is co-director for the Sound Girls, UK chapter and Sound Girls scholarships, travel grants. She's been busy, to say the least, and I'm thrilled to have her on the show. Leslie Gaston-Bird, coming up here on the Working Class Audio Podcast.</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Growing Up In Ohio</li>
<li>Dads' Reel to Reel</li>
<li>Recording The TV</li>
<li>Making $4.10 an Hour</li>
<li>NPR</li>
<li>The Magic Number</li>
<li>The Arrakis Workstation</li>
<li>Sounds Restoration For Film</li>
<li>Academia vs. the Private Sector</li>
<li>AES</li>
<li>Unicorns</li>
<li>Black Women In Audio</li>
<li>Dolby Atmos</li>
<li>New Mixing Space</li>
<li>Rate Cards</li>
<li>Networking</li>
<li>Morph The Cat</li>
<li>Being a Planner</li>
<li>Chicken Heads</li>
<li>Languages</li>
<li>Running vs. Pancakes</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Labeling Your Work</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Leslie's AES Profile: </strong><a href="https://www.aes.org/aes/lesliegaston"><strong>https://www.aes.org/aes/lesliegaston</strong></a>
</li>
<li>
<a href="https://twitter.com/mixmessiahprod?lang=en"><strong>Leslie on Twitter</strong></a><strong>: @MixMessiahProd</strong>
</li>
<li>
<a href="https://www.instagram.com/leslie.gaston/feed/"><strong>Leslie on Instagram</strong></a><strong>: @leslie.gaston</strong>
</li>
<li>
<strong>Leslie's Book: Women in Audio </strong><a href="https://amzn.to/33XF4R6"><strong>https://amzn.to/33XF4R6</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Leslie Gaston-Bird</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Leslie Gaston-Bird. She has been in the industry for over 30 years. Twelve of that in public radio (including National Public Radio), Seventeen in sound for picture, and Thirteen years as an educator. She's the author of the book "Women in Audio." She's a member of the AES, where she chairs numerous committees and on the board of governors. She runs Mix Messiah Productions as a freelance re-recording mixer and sound editor. She was a tenured associate professor of recording arts at the University of Colorado Denver and is co-director for the Sound Girls, UK chapter and Sound Girls scholarships, travel grants. She's been busy, to say the least, and I'm thrilled to have her on the show. Leslie Gaston-Bird, coming up here on the Working Class Audio Podcast.</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Growing Up In Ohio</li>
<li>Dads' Reel to Reel</li>
<li>Recording The TV</li>
<li>Making $4.10 an Hour</li>
<li>NPR</li>
<li>The Magic Number</li>
<li>The Arrakis Workstation</li>
<li>Sounds Restoration For Film</li>
<li>Academia vs. the Private Sector</li>
<li>AES</li>
<li>Unicorns</li>
<li>Black Women In Audio</li>
<li>Dolby Atmos</li>
<li>New Mixing Space</li>
<li>Rate Cards</li>
<li>Networking</li>
<li>Morph The Cat</li>
<li>Being a Planner</li>
<li>Chicken Heads</li>
<li>Languages</li>
<li>Running vs. Pancakes</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Labeling Your Work</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Leslie's AES Profile: </strong><a href="https://www.aes.org/aes/lesliegaston"><strong>https://www.aes.org/aes/lesliegaston</strong></a>
</li>
<li>
<a href="https://twitter.com/mixmessiahprod?lang=en"><strong>Leslie on Twitter</strong></a><strong>: @MixMessiahProd</strong>
</li>
<li>
<a href="https://www.instagram.com/leslie.gaston/feed/"><strong>Leslie on Instagram</strong></a><strong>: @leslie.gaston</strong>
</li>
<li>
<strong>Leslie's Book: Women in Audio </strong><a href="https://amzn.to/33XF4R6"><strong>https://amzn.to/33XF4R6</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Leslie Gaston-Bird</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-302-with-leslie-gaston-bird-black-women-in-audio-aes-recording-the-tv-dolby-atmos-morph-the-cat-and-running-vs-pancakes]]></link><guid isPermaLink="false">4707c1c0-30ae-11ea-baad-130541969559</guid><itunes:image href="https://artwork.captivate.fm/d38a9961-0656-46cb-aa57-0156e1f6e1f5/uploads-2f1601263288312-ae5atotsa9o-70077b1cc0efd492921b10bddc6.png"/><pubDate>Mon, 28 Sep 2020 03:56:19 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/08a0c734-309d-481f-9c06-c9030b8053fb.mp3" length="77684597" type="audio/mpeg"/><itunes:duration>53:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>302</itunes:episode><podcast:episode>302</podcast:episode><itunes:summary>My guest today is Leslie Gaston-Bird. She has been in the industry for over 30 years. Twelve of that in public radio (including National Public Radio), Seventeen in sound for picture, and Thirteen years as an educator. She&apos;s the author of the book &quot;Women in Audio.&quot; She&apos;s a member of the AES, where she chairs numerous committees and on the board of governors. She runs Mix Messiah Productions as a freelance re-recording mixer and sound editor. She was a tenured associate professor of recording arts at the University of Colorado Denver and is co-director for the Sound Girls, UK chapter and Sound Girls scholarships, travel grants. She&apos;s been busy, to say the least, and I&apos;m thrilled to have her on the show. Leslie Gaston-Bird, coming up here on the Working Class Audio Podcast.
﻿In this episode, we discuss:

Growing Up In Ohio

Dads&apos; Reel to Reel

Recording The TV

Making $4.10 an Hour

NPR

The Magic Number

The Arrakis Workstation

Sounds Restoration For Film

Academia vs. the Private Sector

AES

Unicorns

Black Women In Audio

Dolby Atmos

New Mixing Space

Rate Cards

Networking

Morph The Cat

Being a Planner

Chicken Heads

Languages

Running vs. Pancakes


Matt&apos;s Monologue: Labeling Your Work
Links and Show Notes


Leslie&apos;s AES Profile: https://www.aes.org/aes/lesliegaston



Leslie on Twitter: @MixMessiahProd



Leslie on Instagram: @leslie.gaston



Leslie&apos;s Book: Women in Audio https://amzn.to/33XF4R6



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Leslie Gaston-Bird


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #301 with Ryan Freeland - Bob Clearmountain, Making Things Better In The World, The Artistry Of Engineering, and Beepers At The Beach</title><itunes:title>WCA #301 with Ryan Freeland - Bob Clearmountain, Making Things Better In The World, The Artistry Of Engineering, and Beepers At The Beach</itunes:title><description><![CDATA[
        <p>My guest today is Ryan Freeland. Ryan is a producer, songwriter, engineer, and mixer based in Los Angeles. He's also a five time Grammy award winner, and he's best known for his work with Bonnie Raitt, Ray LaMontagne, Amy Mann, Grant Lee Phillips, one of my favorites, Rodney Crowell, as well as Loudon Wainwright III. He talks to us from his Stampede Origin studio located in Culver City, California, and we have a fantastic conversation. And I'm really looking forward to having him on. Ryan Freeland coming up here on The Working Class audio podcast.</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Studio Building</li>
<li>Recording at Age 12</li>
<li>Working For Bob Clearmountain</li>
<li>Lessons Learned From Bob</li>
<li>Working with Mixing Clients</li>
<li>Leaving The Nest</li>
<li>Handling Slowdowns</li>
<li>Beepers At The Beach</li>
<li>Budgets</li>
<li>The Artistry Of Engineering</li>
<li>Useful Gear Designs</li>
<li>Tape Is Not Your Savior</li>
<li>Making Things Better In The World</li>
<li>The Importance Of The Engineer</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Perspective</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Ryan's Site: </strong><a href="http://www.ryanfreeland.com/"><strong>http://www.ryanfreeland.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Ryan Freeland</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>My guest today is Ryan Freeland. Ryan is a producer, songwriter, engineer, and mixer based in Los Angeles. He's also a five time Grammy award winner, and he's best known for his work with Bonnie Raitt, Ray LaMontagne, Amy Mann, Grant Lee Phillips, one of my favorites, Rodney Crowell, as well as Loudon Wainwright III. He talks to us from his Stampede Origin studio located in Culver City, California, and we have a fantastic conversation. And I'm really looking forward to having him on. Ryan Freeland coming up here on The Working Class audio podcast.</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Studio Building</li>
<li>Recording at Age 12</li>
<li>Working For Bob Clearmountain</li>
<li>Lessons Learned From Bob</li>
<li>Working with Mixing Clients</li>
<li>Leaving The Nest</li>
<li>Handling Slowdowns</li>
<li>Beepers At The Beach</li>
<li>Budgets</li>
<li>The Artistry Of Engineering</li>
<li>Useful Gear Designs</li>
<li>Tape Is Not Your Savior</li>
<li>Making Things Better In The World</li>
<li>The Importance Of The Engineer</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Perspective</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Ryan's Site: </strong><a href="http://www.ryanfreeland.com/"><strong>http://www.ryanfreeland.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Ryan Freeland</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-301-with-ryan-freeland-bob-clearmountain-making-things-better-in-the-world-the-artistry-of-engineering-and-beepers-at-the-beach]]></link><guid isPermaLink="false">46fe41ea-30ae-11ea-baad-77eb21a41b5a</guid><itunes:image href="https://artwork.captivate.fm/60eddd06-f93c-41e4-bbb9-b6cfcbb6a47d/uploads-2f1600657398228-e8wffc5xjek-ee6624356269296152cab730ecb.png"/><pubDate>Mon, 21 Sep 2020 03:24:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3de4b5ab-74fb-41d6-8305-d5229626f56d.mp3" length="95075038" type="audio/mpeg"/><itunes:duration>01:06:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>301</itunes:episode><podcast:episode>301</podcast:episode><itunes:summary>My guest today is Ryan Freeland. Ryan is a producer, songwriter, engineer, and mixer based in Los Angeles. He&apos;s also a five time Grammy award winner, and he&apos;s best known for his work with Bonnie Raitt, Ray LaMontagne, Amy Mann, Grant Lee Phillips, one of my favorites, Rodney Crowell, as well as Loudon Wainwright III. He talks to us from his Stampede Origin studio located in Culver City, California, and we have a fantastic conversation. And I&apos;m really looking forward to having him on. Ryan Freeland coming up here on The Working Class audio podcast.
﻿In this episode, we discuss:

Studio Building

Recording at Age 12

Working For Bob Clearmountain

Lessons Learned From Bob

Working with Mixing Clients

Leaving The Nest

Handling Slowdowns

Beepers At The Beach

Budgets

The Artistry Of Engineering

Useful Gear Designs

Tape Is Not Your Savior

Making Things Better In The World

The Importance Of The Engineer


Matt&apos;s Monologue: Perspective
Links and Show Notes


Ryan&apos;s Site: http://www.ryanfreeland.com/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Ryan Freeland


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #300 with Andrew Scheps - Life in the UK, Yoga and Astronomy, Soundflow, Selling His Gear, Staying Visible, and Squid the Cat</title><itunes:title>WCA #300 with Andrew Scheps - Life in the UK, Yoga and Astronomy, Soundflow, Selling His Gear, Staying Visible, and Squid the Cat</itunes:title><description><![CDATA[
        <p>Andrew Scheps is a mixing and recording engineer, producer, and record label owner based in the United Kingdom. Andrew's worked with various artists, including Green Day, Low Roar, Adele, the Red Hot Chili Peppers, Hosier, My Brightest Diamond, Lady Gaga, Beyonce, Jay Z, and black Sabbath. Andrew returns to help us celebrate number 300. He initially appeared on WCA #009, and we met up over Zoom, where he talked with me from his home in the UK, and I'm thrilled to have him back for another great discussion.</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Life in the UK</li>
<li>Staying Visible</li>
<li>Life Outside LA</li>
<li>Squid the Cat</li>
<li>Tchad Blake</li>
<li>Chrissie Hynde </li>
<li>Green Day</li>
<li>Monnnow Valley Studio</li>
<li>Selling His Gear</li>
<li>The Retirement Plan</li>
<li>Tonequake Records</li>
<li>Low Roar</li>
<li>Video games</li>
<li>Andrew's In-The-Box Rig</li>
<li>Loopback</li>
<li>Back in Black</li>
<li>My Brightest Diamond</li>
<li>Long Term Survival</li>
<li>Diversification</li>
<li>Board Games</li>
<li>Soundflow</li>
<li>The Influence of Peers</li>
<li>Cracked Plugins</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Reflecting on 300 shows</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Zynaptiq's UNFILTER </strong><a href="https://www.zynaptiq.com/unfilter/"><strong>https://www.zynaptiq.com/unfilter/</strong></a>
</li>
<li>
<strong>My Brightest Diamond: </strong><a href="https://www.mybrightestdiamond.com/"><strong>https://www.mybrightestdiamond.com/</strong></a>
</li>
<li>
<strong>Low Roar: </strong><a href="http://www.lowroarmusic.com/"><strong>http://www.lowroarmusic.com/</strong></a>
</li>
<li>
<strong>Soundflow: </strong><a href="https://soundflow.org/"><strong>https://soundflow.org/</strong></a>
</li>
<li>
<strong>Loopback: </strong><a href="https://rogueamoeba.com/loopback/"><strong>https://rogueamoeba.com/loopback/</strong></a>
</li>
<li>
<strong>Monnow Valley Studio: </strong><a href="http://www.monnowvalleystudio.com/"><strong>http://www.monnowvalleystudio.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Andrew Scheps</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Andrew Scheps is a mixing and recording engineer, producer, and record label owner based in the United Kingdom. Andrew's worked with various artists, including Green Day, Low Roar, Adele, the Red Hot Chili Peppers, Hosier, My Brightest Diamond, Lady Gaga, Beyonce, Jay Z, and black Sabbath. Andrew returns to help us celebrate number 300. He initially appeared on WCA #009, and we met up over Zoom, where he talked with me from his home in the UK, and I'm thrilled to have him back for another great discussion.</p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Life in the UK</li>
<li>Staying Visible</li>
<li>Life Outside LA</li>
<li>Squid the Cat</li>
<li>Tchad Blake</li>
<li>Chrissie Hynde </li>
<li>Green Day</li>
<li>Monnnow Valley Studio</li>
<li>Selling His Gear</li>
<li>The Retirement Plan</li>
<li>Tonequake Records</li>
<li>Low Roar</li>
<li>Video games</li>
<li>Andrew's In-The-Box Rig</li>
<li>Loopback</li>
<li>Back in Black</li>
<li>My Brightest Diamond</li>
<li>Long Term Survival</li>
<li>Diversification</li>
<li>Board Games</li>
<li>Soundflow</li>
<li>The Influence of Peers</li>
<li>Cracked Plugins</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Reflecting on 300 shows</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Zynaptiq's UNFILTER </strong><a href="https://www.zynaptiq.com/unfilter/"><strong>https://www.zynaptiq.com/unfilter/</strong></a>
</li>
<li>
<strong>My Brightest Diamond: </strong><a href="https://www.mybrightestdiamond.com/"><strong>https://www.mybrightestdiamond.com/</strong></a>
</li>
<li>
<strong>Low Roar: </strong><a href="http://www.lowroarmusic.com/"><strong>http://www.lowroarmusic.com/</strong></a>
</li>
<li>
<strong>Soundflow: </strong><a href="https://soundflow.org/"><strong>https://soundflow.org/</strong></a>
</li>
<li>
<strong>Loopback: </strong><a href="https://rogueamoeba.com/loopback/"><strong>https://rogueamoeba.com/loopback/</strong></a>
</li>
<li>
<strong>Monnow Valley Studio: </strong><a href="http://www.monnowvalleystudio.com/"><strong>http://www.monnowvalleystudio.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Andrew Scheps</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-300-with-andrew-scheps-life-in-the-uk-yoga-and-astronomy-soundflow-selling-his-gear-staying-visible-and-squid-the-cat]]></link><guid isPermaLink="false">46f488c6-30ae-11ea-baad-5b826c1967a3</guid><itunes:image href="https://artwork.captivate.fm/cba0606f-97cd-418d-8837-144f0aa3d47a/uploads-2f1600019489535-gogtnj23cyv-e4de8d5b0614162217fdb9ee1c2.png"/><pubDate>Sun, 13 Sep 2020 19:16:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/42c6f351-56f2-4885-b7ab-0e3eba6d2659.mp3" length="120425875" type="audio/mpeg"/><itunes:duration>01:23:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>300</itunes:episode><podcast:episode>300</podcast:episode><itunes:summary>Andrew Scheps is a mixing and recording engineer, producer, and record label owner based in the United Kingdom. Andrew&apos;s worked with various artists, including Green Day, Low Roar, Adele, the Red Hot Chili Peppers, Hosier, My Brightest Diamond, Lady Gaga, Beyonce, Jay Z, and black Sabbath. Andrew returns to help us celebrate number 300. He initially appeared on WCA #009, and we met up over Zoom, where he talked with me from his home in the UK, and I&apos;m thrilled to have him back for another great discussion.
﻿In this episode, we discuss:

Life in the UK

Staying Visible

Life Outside LA

Squid the Cat

Tchad Blake

Chrissie Hynde 

Green Day

Monnnow Valley Studio

Selling His Gear

The Retirement Plan

Tonequake Records

Low Roar

Video games

Andrew&apos;s In-The-Box Rig

Loopback

Back in Black

My Brightest Diamond

Long Term Survival

Diversification

Board Games

Soundflow

The Influence of Peers

Cracked Plugins


Matt&apos;s Monologue: Reflecting on 300 shows
Links and Show Notes


Zynaptiq&apos;s UNFILTER https://www.zynaptiq.com/unfilter/



My Brightest Diamond: https://www.mybrightestdiamond.com/



Low Roar: http://www.lowroarmusic.com/



Soundflow: https://soundflow.org/



Loopback: https://rogueamoeba.com/loopback/



Monnow Valley Studio: http://www.monnowvalleystudio.com/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Andrew Scheps


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #299 with Audrey Martinovich - Studio Business Systems, Wisconsin Weather, Confidence, Organization, and Avoiding Papercuts</title><itunes:title>WCA #299 with Audrey Martinovich - Studio Business Systems, Wisconsin Weather, Confidence, Organization, and Avoiding Papercuts</itunes:title><description><![CDATA[
        <p><strong>Audrey Martinovich </strong>is a producer/engineer who co-owns <strong>Audio for the Arts</strong> in beautiful <strong>Madison, Wisconsin</strong>. Audrey's clients include <strong>TDS Telecom, Comedy Central, Wisconsin Youth Symphony Orchestras, and The Nursery Movie.</strong> Audrey was the first female contributor to <strong>Pro Tools Expert </strong>and has given presentations at <strong>"Between the Waves Music</strong> <strong>Conference"</strong> and <strong>"Empowering Women in Audio Clinics". </strong>In addition to teaching audio classes at <strong>Central Madison Public Library</strong>. She is also a member of <strong>SoundGirls</strong> and <strong>Women’s Audio Mission.</strong></p><p><br></p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Studio Business Systems</li>
<li>Wisconsin Weather</li>
<li>Following Through</li>
<li>Having Confidence</li>
<li>Staying Organized</li>
<li>Figuring out Your Hourly</li>
<li>The Positive Effects of Covid</li>
<li>Social Media</li>
<li>Relationship Building</li>
<li>Buying A Church</li>
<li>Avoiding Papercuts</li>
<li>Fiscal Responsibility</li>
<li>Fitbits and Health</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Professional Jealousy</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Audrey's Studio: </strong><a href="https://audioforthearts.com/"><strong>https://audioforthearts.com/</strong></a>
</li>
<li>
<strong>Audrey on Instagram: </strong><a href="https://www.instagram.com/audioaudrey"><strong>https://www.instagram.com/audioaudrey</strong></a>
</li>
<li>
<strong>Audrey on Linkedin: </strong><a href="https://www.linkedin.com/in/audreymartinovich/"><strong>https://www.linkedin.com/in/audreymartinovich/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Audrey Martinovich</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Audrey Martinovich </strong>is a producer/engineer who co-owns <strong>Audio for the Arts</strong> in beautiful <strong>Madison, Wisconsin</strong>. Audrey's clients include <strong>TDS Telecom, Comedy Central, Wisconsin Youth Symphony Orchestras, and The Nursery Movie.</strong> Audrey was the first female contributor to <strong>Pro Tools Expert </strong>and has given presentations at <strong>"Between the Waves Music</strong> <strong>Conference"</strong> and <strong>"Empowering Women in Audio Clinics". </strong>In addition to teaching audio classes at <strong>Central Madison Public Library</strong>. She is also a member of <strong>SoundGirls</strong> and <strong>Women’s Audio Mission.</strong></p><p><br></p><p><strong>﻿In this episode, we discuss:</strong></p><ul>
<li>Studio Business Systems</li>
<li>Wisconsin Weather</li>
<li>Following Through</li>
<li>Having Confidence</li>
<li>Staying Organized</li>
<li>Figuring out Your Hourly</li>
<li>The Positive Effects of Covid</li>
<li>Social Media</li>
<li>Relationship Building</li>
<li>Buying A Church</li>
<li>Avoiding Papercuts</li>
<li>Fiscal Responsibility</li>
<li>Fitbits and Health</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Professional Jealousy</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Audrey's Studio: </strong><a href="https://audioforthearts.com/"><strong>https://audioforthearts.com/</strong></a>
</li>
<li>
<strong>Audrey on Instagram: </strong><a href="https://www.instagram.com/audioaudrey"><strong>https://www.instagram.com/audioaudrey</strong></a>
</li>
<li>
<strong>Audrey on Linkedin: </strong><a href="https://www.linkedin.com/in/audreymartinovich/"><strong>https://www.linkedin.com/in/audreymartinovich/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Audrey Martinovich</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-299-with-audrey-martinovich-studio-business-systems-wisconsin-weather-confidence-organization-and-avoiding-papercuts]]></link><guid isPermaLink="false">46eaead2-30ae-11ea-baad-cf3bc407a414</guid><itunes:image href="https://artwork.captivate.fm/b9bf9c2a-9a86-412d-9c53-e0cb6eb70d88/uploads-2f1599438678649-lvgrx44rpdb-b28374e33cd1454970021e5c870.png"/><pubDate>Mon, 07 Sep 2020 02:49:25 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5128dcdf-258d-4d57-ba90-3c422ae1c371.mp3" length="81447414" type="audio/mpeg"/><itunes:duration>56:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>299</itunes:episode><podcast:episode>299</podcast:episode><itunes:summary>Audrey Martinovich is a producer/engineer who co-owns Audio for the Arts in beautiful Madison, Wisconsin. Audrey&apos;s clients include TDS Telecom, Comedy Central, Wisconsin Youth Symphony Orchestras, and The Nursery Movie. Audrey was the first female contributor to Pro Tools Expert and has given presentations at &quot;Between the Waves Music Conference&quot; and &quot;Empowering Women in Audio Clinics&quot;. In addition to teaching audio classes at Central Madison Public Library. She is also a member of SoundGirls and Women’s Audio Mission.

﻿In this episode, we discuss:

Studio Business Systems

Wisconsin Weather

Following Through

Having Confidence

Staying Organized

Figuring out Your Hourly

The Positive Effects of Covid

Social Media

Relationship Building

Buying A Church

Avoiding Papercuts

Fiscal Responsibility

Fitbits and Health


Matt&apos;s Monologue: Professional Jealousy
Links and Show Notes


Audrey&apos;s Studio: https://audioforthearts.com/



Audrey on Instagram: https://www.instagram.com/audioaudrey



Audrey on Linkedin: https://www.linkedin.com/in/audreymartinovich/



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Audrey Martinovich


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #298 with Nathan Smith - Sound Design, Storytelling, Inspiration from Challenges, Learning from Failure, and The Nuances of Recording Guns</title><itunes:title>WCA #298 with Nathan Smith - Sound Design, Storytelling, Inspiration from Challenges, Learning from Failure, and The Nuances of Recording Guns</itunes:title><description><![CDATA[
        <p><strong>Nathan Smith</strong> is a seasoned sound designer with for film and video games. Nathan has worked on games such as Borderlands 3, Battleborn, Star Wars: Knights of the Old Republic II and Ratchet &amp; Clank: Size Matters as well as feature films and documentaries including We Are Legion: The Story of the Hacktivists, Matrix and The Scorpion King.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Musical Beginnings</li>
<li>Sound Design</li>
<li>The Rose Parade</li>
<li>Film Audio Roles</li>
<li>Game Audio</li>
<li>Storytelling</li>
<li>What to Charge</li>
<li>Work Slowdowns</li>
<li>Nathan's Youtube Channel</li>
<li>The Reasons to Record at 192Khz</li>
<li>The Inspiration of Sylvia Massey</li>
<li>The Nuances of Recording Guns</li>
<li>Covert Grocery Store Recording</li>
<li>Inspiration from Challenges</li>
<li>Gear Advice</li>
<li>Helicopters</li>
<li>Learning from Failure</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Audio Minimalism</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Nathan on Linkedin: </strong><a href="https://www.linkedin.com/in/nathanleesmith/"><strong>https://www.linkedin.com/in/nathanleesmith/</strong></a>
</li>
<li>
<strong>Nathan's Youtube Channel: </strong><a href="https://www.youtube.com/user/nathansleesmith"><strong>https://www.youtube.com/user/nathansleesmith</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Nathan Smith</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Nathan Smith</strong> is a seasoned sound designer with for film and video games. Nathan has worked on games such as Borderlands 3, Battleborn, Star Wars: Knights of the Old Republic II and Ratchet &amp; Clank: Size Matters as well as feature films and documentaries including We Are Legion: The Story of the Hacktivists, Matrix and The Scorpion King.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Musical Beginnings</li>
<li>Sound Design</li>
<li>The Rose Parade</li>
<li>Film Audio Roles</li>
<li>Game Audio</li>
<li>Storytelling</li>
<li>What to Charge</li>
<li>Work Slowdowns</li>
<li>Nathan's Youtube Channel</li>
<li>The Reasons to Record at 192Khz</li>
<li>The Inspiration of Sylvia Massey</li>
<li>The Nuances of Recording Guns</li>
<li>Covert Grocery Store Recording</li>
<li>Inspiration from Challenges</li>
<li>Gear Advice</li>
<li>Helicopters</li>
<li>Learning from Failure</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Audio Minimalism</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Nathan on Linkedin: </strong><a href="https://www.linkedin.com/in/nathanleesmith/"><strong>https://www.linkedin.com/in/nathanleesmith/</strong></a>
</li>
<li>
<strong>Nathan's Youtube Channel: </strong><a href="https://www.youtube.com/user/nathansleesmith"><strong>https://www.youtube.com/user/nathansleesmith</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Nathan Smith</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-298-with-nathan-smith-sound-design-storytelling-inspiration-from-challenges-learning-from-failure-and-the-nuances-of-recording-guns]]></link><guid isPermaLink="false">46e1581e-30ae-11ea-baad-1be8d1075078</guid><itunes:image href="https://artwork.captivate.fm/261f527e-6d3f-4420-acd9-fce13c27e3aa/uploads-2f1598854044056-q16xz795vza-9973a133662dec8840ef5e7b562.png"/><pubDate>Mon, 31 Aug 2020 06:29:03 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/37e1b72f-29be-4693-ad00-9fa0d84fd17d.mp3" length="89049343" type="audio/mpeg"/><itunes:duration>01:01:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>198</itunes:episode><podcast:episode>198</podcast:episode><itunes:summary>Nathan Smith is a seasoned sound designer with for film and video games. Nathan has worked on games such as Borderlands 3, Battleborn, Star Wars: Knights of the Old Republic II and Ratchet &amp; Clank: Size Matters as well as feature films and documentaries including We Are Legion: The Story of the Hacktivists, Matrix and The Scorpion King.
In this episode, we discuss:

Musical Beginnings

Sound Design

The Rose Parade

Film Audio Roles

Game Audio

Storytelling

What to Charge

Work Slowdowns

Nathan&apos;s Youtube Channel

The Reasons to Record at 192Khz

The Inspiration of Sylvia Massey

The Nuances of Recording Guns

Covert Grocery Store Recording

Inspiration from Challenges

Gear Advice

Helicopters

Learning from Failure


Matt&apos;s Monologue: Audio Minimalism
Links and Show Notes


Nathan on Linkedin: https://www.linkedin.com/in/nathanleesmith/



Nathan&apos;s Youtube Channel: https://www.youtube.com/user/nathansleesmith



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Nathan Smith


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #297 with Michael Rosen - Rogue Tape Machines, Tent Cities, Post Pandemic Predictions, Being Ready To Record, and Going Above &amp; Beyond</title><itunes:title>WCA #297 with Michael Rosen - Rogue Tape Machines, Tent Cities, Post Pandemic Predictions, Being Ready To Record, and Going Above &amp; Beyond</itunes:title><description><![CDATA[
        <p><strong>Michael Rosen</strong> is a Grammy-winning producer/engineer who has worked with Santana, Rancid, Papa Roach, Tesla, AFI, The Donnas, Journey, Death Angel, Tony Macalpine, and Testament……..to name a few! In addition to recording and producing he also teaches at Chabot College and San Francisco State and is an alumnus of the famed Automatt studios where he got started on his professional recording journey.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Small Hot Studios</li>
<li>Rogue Tape Machines</li>
<li>Moving Studios</li>
<li>Open Control Rooms</li>
<li>Talkback Buttons</li>
<li>Tent Cities</li>
<li>Quadratic Equations</li>
<li>Commercial Real Estate</li>
<li>Post Pandemic Predictions</li>
<li>Hips Surgery</li>
<li>Band Deals</li>
<li>Going Above &amp; Beyond</li>
<li>The Next Wave</li>
<li>Being Ready To Record</li>
<li>Plotting The Next 20 Years</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Taking a Day Off</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Michael on Instagram: </strong><a href="https://www.instagram.com/eastbayrecorders/"><strong>https://www.instagram.com/eastbayrecorders/</strong></a>
</li>
<li>
<strong>Michael's Site: </strong><a href="http://eastbayrecorders.com/"><strong>http://eastbayrecorders.com/</strong></a>
</li>
<li>
<strong>Michael on Facebook: </strong><a href="https://www.facebook.com/EastBayRecorders/"><strong>https://www.facebook.com/EastBayRecorders/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Michael Rosen</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Michael Rosen</strong> is a Grammy-winning producer/engineer who has worked with Santana, Rancid, Papa Roach, Tesla, AFI, The Donnas, Journey, Death Angel, Tony Macalpine, and Testament……..to name a few! In addition to recording and producing he also teaches at Chabot College and San Francisco State and is an alumnus of the famed Automatt studios where he got started on his professional recording journey.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Small Hot Studios</li>
<li>Rogue Tape Machines</li>
<li>Moving Studios</li>
<li>Open Control Rooms</li>
<li>Talkback Buttons</li>
<li>Tent Cities</li>
<li>Quadratic Equations</li>
<li>Commercial Real Estate</li>
<li>Post Pandemic Predictions</li>
<li>Hips Surgery</li>
<li>Band Deals</li>
<li>Going Above &amp; Beyond</li>
<li>The Next Wave</li>
<li>Being Ready To Record</li>
<li>Plotting The Next 20 Years</li>
</ul><br/><p><br></p><p><strong>Matt's Monologue: </strong>Taking a Day Off</p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Michael on Instagram: </strong><a href="https://www.instagram.com/eastbayrecorders/"><strong>https://www.instagram.com/eastbayrecorders/</strong></a>
</li>
<li>
<strong>Michael's Site: </strong><a href="http://eastbayrecorders.com/"><strong>http://eastbayrecorders.com/</strong></a>
</li>
<li>
<strong>Michael on Facebook: </strong><a href="https://www.facebook.com/EastBayRecorders/"><strong>https://www.facebook.com/EastBayRecorders/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Michael Rosen</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-297-with-michael-rosen-rogue-tape-machines-tent-cities-post-pandemic-predictions-being-ready-to-record-and-going-above-beyond]]></link><guid isPermaLink="false">46d7d10e-30ae-11ea-baad-ebfd2edd9795</guid><itunes:image href="https://artwork.captivate.fm/06e1ac09-7233-4f9e-b6aa-32acd3a54aed/uploads-2f1598243851462-yds7f6iqebf-f76f257cc76dab30f0143c74405.png"/><pubDate>Mon, 24 Aug 2020 05:21:49 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e434e07c-1492-49dd-83ce-ab50e2403c30.mp3" length="83497236" type="audio/mpeg"/><itunes:duration>57:59</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>297</itunes:episode><podcast:episode>297</podcast:episode><itunes:summary>Michael Rosen is a Grammy-winning producer/engineer who has worked with Santana, Rancid, Papa Roach, Tesla, AFI, The Donnas, Journey, Death Angel, Tony Macalpine, and Testament……..to name a few! In addition to recording and producing he also teaches at Chabot College and San Francisco State and is an alumnus of the famed Automatt studios where he got started on his professional recording journey.

In this episode, we discuss:

Small Hot Studios

Rogue Tape Machines

Moving Studios

Open Control Rooms

Talkback Buttons

Tent Cities

Quadratic Equations

Commercial Real Estate

Post Pandemic Predictions

Hips Surgery

Band Deals

Going Above &amp; Beyond

The Next Wave

Being Ready To Record

Plotting The Next 20 Years


Matt&apos;s Monologue: Taking a Day Off
Links and Show Notes


Michael on Instagram: https://www.instagram.com/eastbayrecorders/



Michael&apos;s Site: http://eastbayrecorders.com/



Michael on Facebook: https://www.facebook.com/EastBayRecorders/



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Michael Rosen


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #296 with Max Perry - Selling Beats, Family Influence, Lawyers, New York Hip Hop, Balance, and Cannabis</title><itunes:title>WCA #296 with Max Perry - Selling Beats, Family Influence, Lawyers, New York Hip Hop, Balance, and Cannabis</itunes:title><description><![CDATA[
        <p><strong>Max Perry</strong> is a<strong> </strong>Grammy Nominated, multi-platinum record producer, engineer, composer, and musician who has worked with J Boog, Snoop Dogg, Berner, Wiz Khalifa, Twista, Big K.R.I.T &amp; Vital Deshawn as well as many others.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Family Influence</li>
<li>Contracts</li>
<li>SCSI and Zip Disks!</li>
<li>New York Hip Hop</li>
<li>Studio Closings</li>
<li>Cannabis</li>
<li>Selling Beats</li>
<li>Copyrights</li>
<li>Diversification</li>
<li>Balance</li>
<li>Lawyers</li>
<li>The Cares Act</li>
<li>Working in Hawaii</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Max's Linktree: </strong><a href="https://linktr.ee/maxperrymusic"><strong>https://linktr.ee/maxperrymusic</strong></a>
</li>
<li>
<strong>Max on Twiiter: </strong><a href="https://twitter.com/maxperrymusic"><strong>https://twitter.com/maxperrymusic</strong></a>
</li>
<li>
<strong>Max on Facebook: </strong><a href="https://www.facebook.com/maxperrymusic/"><strong>https://www.facebook.com/maxperrymusic/</strong></a>
</li>
<li>
<strong>Max on Soundcloud: </strong><a href="https://soundcloud.com/maxperrymusic"><strong>https://soundcloud.com/maxperrymusic</strong></a>
</li>
<li>
<strong>Max on Instagram: </strong><a href="https://www.instagram.com/maxperrymusic"><strong>https://www.instagram.com/maxperrymusic</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Max Perry</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Max Perry</strong> is a<strong> </strong>Grammy Nominated, multi-platinum record producer, engineer, composer, and musician who has worked with J Boog, Snoop Dogg, Berner, Wiz Khalifa, Twista, Big K.R.I.T &amp; Vital Deshawn as well as many others.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Family Influence</li>
<li>Contracts</li>
<li>SCSI and Zip Disks!</li>
<li>New York Hip Hop</li>
<li>Studio Closings</li>
<li>Cannabis</li>
<li>Selling Beats</li>
<li>Copyrights</li>
<li>Diversification</li>
<li>Balance</li>
<li>Lawyers</li>
<li>The Cares Act</li>
<li>Working in Hawaii</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Max's Linktree: </strong><a href="https://linktr.ee/maxperrymusic"><strong>https://linktr.ee/maxperrymusic</strong></a>
</li>
<li>
<strong>Max on Twiiter: </strong><a href="https://twitter.com/maxperrymusic"><strong>https://twitter.com/maxperrymusic</strong></a>
</li>
<li>
<strong>Max on Facebook: </strong><a href="https://www.facebook.com/maxperrymusic/"><strong>https://www.facebook.com/maxperrymusic/</strong></a>
</li>
<li>
<strong>Max on Soundcloud: </strong><a href="https://soundcloud.com/maxperrymusic"><strong>https://soundcloud.com/maxperrymusic</strong></a>
</li>
<li>
<strong>Max on Instagram: </strong><a href="https://www.instagram.com/maxperrymusic"><strong>https://www.instagram.com/maxperrymusic</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Max Perry</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-296-with-max-perry-selling-beats-family-influence-lawyers-new-york-hip-hop-balance-and-cannabis]]></link><guid isPermaLink="false">46ce0912-30ae-11ea-baad-ebac26ab0a5e</guid><itunes:image href="https://artwork.captivate.fm/27cc3afa-f665-45df-ad86-c3ca12663a94/uploads-2f1597620402060-vtbjjyii7m-d872cfbb6eefd0d395ffb1a89502.png"/><pubDate>Mon, 17 Aug 2020 00:54:21 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/64f99cc6-7b07-4864-b8c6-32e02c38c1bf.mp3" length="75738647" type="audio/mpeg"/><itunes:duration>52:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>296</itunes:episode><podcast:episode>296</podcast:episode><itunes:summary>Max Perry is a Grammy Nominated, multi-platinum record producer, engineer, composer, and musician who has worked with J Boog, Snoop Dogg, Berner, Wiz Khalifa, Twista, Big K.R.I.T &amp; Vital Deshawn as well as many others.

In this episode, we discuss:

Family Influence

Contracts

SCSI and Zip Disks!

New York Hip Hop

Studio Closings

Cannabis

Selling Beats

Copyrights

Diversification

Balance

Lawyers

The Cares Act

Working in Hawaii


Links and Show Notes


Max&apos;s Linktree: https://linktr.ee/maxperrymusic



Max on Twiiter: https://twitter.com/maxperrymusic



Max on Facebook: https://www.facebook.com/maxperrymusic/



Max on Soundcloud: https://soundcloud.com/maxperrymusic



Max on Instagram: https://www.instagram.com/maxperrymusic



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Max Perry


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #295 with Reto Peter - Starting Over, Green Day, Diversification, Recording Restrictions, Family, and Redefining Success</title><itunes:title>WCA #295 with Reto Peter - Starting Over, Green Day, Diversification, Recording Restrictions, Family, and Redefining Success</itunes:title><description><![CDATA[
        <p><strong>Reto Peter </strong>is a producer/engineer based in the San Francisco Bay Area. Reto has worked with Green Day, Counting Crows, Smash Mouth, Flipsyde and many other artists in his 20 year plus career. He also writes and produces music for television and can be heard on various cable networks and national ad campaigns.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>National Service</li>
<li>Switzerland</li>
<li>Berklee School of Music</li>
<li>The Magic of New York</li>
<li>Starting Over</li>
<li>Green Day</li>
<li>Studio Hierarchy</li>
<li>Paying Dues</li>
<li>3 Year Patterns</li>
<li>Michael Urbano</li>
<li>Diversification</li>
<li>Frugality</li>
<li>Working From Home</li>
<li>Saying No</li>
<li>Counting Crows</li>
<li>Recording Restrictions</li>
<li>Studio Community</li>
<li>Perseverance</li>
<li>Family</li>
<li>Redefining Success</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Reto's site: </strong><a href="https://smalltunemusic.com/"><strong>https://smalltunemusic.com/</strong></a>
</li>
<li>
<strong>Blinded by the Light: </strong><a href="https://www.rottentomatoes.com/m/blinded_by_the_light_2019"><strong>https://www.rottentomatoes.com/m/blinded_by_the_light_2019</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Reto Peter</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Reto Peter </strong>is a producer/engineer based in the San Francisco Bay Area. Reto has worked with Green Day, Counting Crows, Smash Mouth, Flipsyde and many other artists in his 20 year plus career. He also writes and produces music for television and can be heard on various cable networks and national ad campaigns.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>National Service</li>
<li>Switzerland</li>
<li>Berklee School of Music</li>
<li>The Magic of New York</li>
<li>Starting Over</li>
<li>Green Day</li>
<li>Studio Hierarchy</li>
<li>Paying Dues</li>
<li>3 Year Patterns</li>
<li>Michael Urbano</li>
<li>Diversification</li>
<li>Frugality</li>
<li>Working From Home</li>
<li>Saying No</li>
<li>Counting Crows</li>
<li>Recording Restrictions</li>
<li>Studio Community</li>
<li>Perseverance</li>
<li>Family</li>
<li>Redefining Success</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Reto's site: </strong><a href="https://smalltunemusic.com/"><strong>https://smalltunemusic.com/</strong></a>
</li>
<li>
<strong>Blinded by the Light: </strong><a href="https://www.rottentomatoes.com/m/blinded_by_the_light_2019"><strong>https://www.rottentomatoes.com/m/blinded_by_the_light_2019</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Reto Peter</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-295-with-reto-peter-starting-over-green-day-diversification-recording-restrictions-family-and-redefining-success]]></link><guid isPermaLink="false">46c47d70-30ae-11ea-baad-b74bc67d94ba</guid><itunes:image href="https://artwork.captivate.fm/de0cde58-752b-41d5-b6ce-ffe87dd67492/uploads-2f1597069462389-qwxz6n6adll-f179529fe3f614d06599bc70a37.png"/><pubDate>Mon, 10 Aug 2020 14:52:48 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e87454a8-9ef9-4c8c-8b9a-5a44b4f88164.mp3" length="86743396" type="audio/mpeg"/><itunes:duration>01:00:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>295</itunes:episode><podcast:episode>295</podcast:episode><itunes:summary>Reto Peter is a producer/engineer based in the San Francisco Bay Area. Reto has worked with Green Day, Counting Crows, Smash Mouth, Flipsyde and many other artists in his 20 year plus career. He also writes and produces music for television and can be heard on various cable networks and national ad campaigns.
In this episode, we discuss:

National Service

Switzerland

Berklee School of Music

The Magic of New York

Starting Over

Green Day

Studio Hierarchy

Paying Dues

3 Year Patterns

Michael Urbano

Diversification

Frugality

Working From Home

Saying No

Counting Crows

Recording Restrictions

Studio Community

Perseverance

Family

Redefining Success


Links and Show Notes


Reto&apos;s site: https://smalltunemusic.com/



Blinded by the Light: https://www.rottentomatoes.com/m/blinded_by_the_light_2019



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Reto Peter


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #294 with McKay Garner - Remote Production, Curveballs and Lemonade, Production Mindset, Community, and Burritos</title><itunes:title>WCA #294 with McKay Garner - Remote Production, Curveballs and Lemonade, Production Mindset, Community, and Burritos</itunes:title><description><![CDATA[
        <p><strong>McKay Garner </strong>is a producer, engineer, mixer, multi-instrumentalist, and composer, he has worked on records for artists such as J Dilla, Red Hot Chili Peppers, Mike Shinoda/Linkin Park, Michael Buble, Dead &amp; Company/Mickey Hart, made music in films such as the Transformers movie, in video games, and for television shows such as Total Recall, America’s Next Top Model, Grey’s Anatomy, and many more. He has been fortunate to work as an engineer on projects with amazing producers and engineers such as Rick Rubin, Ariel Rechtshaid, Dana Nielsen, and Ryan Hewitt, among others.</p><p><br></p><p>After studying music at the University of N.C. School of the Arts, McKay Garner’s career has spanned decades performing in front of countless audiences and creating music in recording studios. McKay is an active member of the Bay Area music scene. As an elected leader volunteer, he served two terms as co-chair of the Producers and Engineers Wing and is an active Board member of the Recording Academy SF Chapter (the Grammys and more), McKay now strives to bring attention to experimental, innovative, and traditional music voices within the industry.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Remote Production</li>
<li>Residential Rental Recording Spaces</li>
<li>Supportive Spouses</li>
<li>Curveballs and Lemonade</li>
<li>Drummers as Producers/Engineers</li>
<li>LA to SF</li>
<li>Life In LA</li>
<li>Music and Technology</li>
<li>Burritos</li>
<li>Production Mindset</li>
<li>Production Financials</li>
<li>Licensing</li>
<li>Community</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>McKay's Site: </strong><a href="http://mckaygarner.com/"><strong>http://mckaygarner.com</strong></a>
</li>
<li>
<strong>McKay on Instagram: @</strong><a href="https://www.instagram.com/mckayallday"><strong>mckayallday</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>McKay Garner</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>McKay Garner </strong>is a producer, engineer, mixer, multi-instrumentalist, and composer, he has worked on records for artists such as J Dilla, Red Hot Chili Peppers, Mike Shinoda/Linkin Park, Michael Buble, Dead &amp; Company/Mickey Hart, made music in films such as the Transformers movie, in video games, and for television shows such as Total Recall, America’s Next Top Model, Grey’s Anatomy, and many more. He has been fortunate to work as an engineer on projects with amazing producers and engineers such as Rick Rubin, Ariel Rechtshaid, Dana Nielsen, and Ryan Hewitt, among others.</p><p><br></p><p>After studying music at the University of N.C. School of the Arts, McKay Garner’s career has spanned decades performing in front of countless audiences and creating music in recording studios. McKay is an active member of the Bay Area music scene. As an elected leader volunteer, he served two terms as co-chair of the Producers and Engineers Wing and is an active Board member of the Recording Academy SF Chapter (the Grammys and more), McKay now strives to bring attention to experimental, innovative, and traditional music voices within the industry.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Remote Production</li>
<li>Residential Rental Recording Spaces</li>
<li>Supportive Spouses</li>
<li>Curveballs and Lemonade</li>
<li>Drummers as Producers/Engineers</li>
<li>LA to SF</li>
<li>Life In LA</li>
<li>Music and Technology</li>
<li>Burritos</li>
<li>Production Mindset</li>
<li>Production Financials</li>
<li>Licensing</li>
<li>Community</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>McKay's Site: </strong><a href="http://mckaygarner.com/"><strong>http://mckaygarner.com</strong></a>
</li>
<li>
<strong>McKay on Instagram: @</strong><a href="https://www.instagram.com/mckayallday"><strong>mckayallday</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>McKay Garner</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-294-with-mckay-garner-remote-production-curveballs-and-lemonade-production-mindset-community-and-burritos]]></link><guid isPermaLink="false">46badcde-30ae-11ea-baad-93aebdba661a</guid><itunes:image href="https://artwork.captivate.fm/2ec3fc41-c519-4af9-ae97-0cc9d51b7941/uploads-2f1596420008010-oa7yn6aai6l-7508e8f855d718285c8212c7f67.png"/><pubDate>Mon, 03 Aug 2020 02:26:42 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d5ddd5ef-8037-435f-9591-6c7818d3cb45.mp3" length="108167344" type="audio/mpeg"/><itunes:duration>01:15:07</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>294</itunes:episode><podcast:episode>294</podcast:episode><itunes:summary>McKay Garner is a producer, engineer, mixer, multi-instrumentalist, and composer, he has worked on records for artists such as J Dilla, Red Hot Chili Peppers, Mike Shinoda/Linkin Park, Michael Buble, Dead &amp; Company/Mickey Hart, made music in films such as the Transformers movie, in video games, and for television shows such as Total Recall, America’s Next Top Model, Grey’s Anatomy, and many more. He has been fortunate to work as an engineer on projects with amazing producers and engineers such as Rick Rubin, Ariel Rechtshaid, Dana Nielsen, and Ryan Hewitt, among others.

After studying music at the University of N.C. School of the Arts, McKay Garner’s career has spanned decades performing in front of countless audiences and creating music in recording studios. McKay is an active member of the Bay Area music scene. As an elected leader volunteer, he served two terms as co-chair of the Producers and Engineers Wing and is an active Board member of the Recording Academy SF Chapter (the Grammys and more), McKay now strives to bring attention to experimental, innovative, and traditional music voices within the industry.

In this episode, we discuss:

Remote Production

Residential Rental Recording Spaces

Supportive Spouses

Curveballs and Lemonade

Drummers as Producers/Engineers

LA to SF

Life In LA

Music and Technology

Burritos

Production Mindset

Production Financials

Licensing

Community


Links and Show Notes


McKay&apos;s Site: http://mckaygarner.com



McKay on Instagram: @mckayallday



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: McKay Garner


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #293 with Heidi Trefethen - Live Sound, Recording, French Horn, Struggles with The Mormon Church, Session Mindset, Sexism and Learning to Evolve</title><itunes:title>WCA #293 with Heidi Trefethen - Live Sound, Recording, French Horn, Struggles with The Mormon Church, Session Mindset, Sexism and Learning to Evolve</itunes:title><description><![CDATA[
        <p><strong>Heidi Trefethen </strong>is a French Hornist, multi-instrumentalist, educator, and sought-after sound engineer, Heidi Trefethen shuttles back and forth across continents frequently, in roles both onstage and off. As a hornist, she has performed in numerous ensembles and venues in Italy, the UK, Bosnia, Thailand, Guatemala, Israel Turkey, and the US, including the LA Philharmonic, the JazzUp Festival in Italy, Cleveland's Rock n' Roll Hall of Fame, San Francisco's Davies Symphony Hall and SFJAZZ's Miner Hall.</p><p>As a live sound engineer, she has worked with the likes of Shawn Colvin, Meshell N'degeocello, Odetta, Ellis Paul, Joan Baez, Joan Armatrading, Buffy Sainte-Marie, Holly Near, John Stewart of the Kingston Trio, Dar Williams, Al Stewart, Jane Siberry and Lucy Kaplansky, often at the legendary Freight and Salvage in Berkeley, CA. Heidi can be often seen behind the sound boards at SFJAZZ where she was recently recruited as a FOH and A2 engineer. </p><p>As a recording engineer, she studied at the California Recording Institute’s intensive sound engineering program. An internship at the historic Coast Recorders and a job at Rocket Lab mastering house had her working side-by-side with technical heavyweights John Cuniberti, Dan Alexander and Michael Romanowski. Heidi’s engineering credits include Tammy Hall’s “Blue Soul,” Jessica Jones and Mark Taylor’s “Live at the Freight” 2011, Lucy Kaplansky’s "Kaplansky Sings Kaplanksy," 2000, Michael Burles' currently "Untitled Recording" 2017, Nestler and Hawtin's "Duality" 2014, co-engineered with Bryan Bell, Herbie Hancock’s first engineer, and full production of Anne Rainwater's solo piano recording of Johann Sebastian Bach's Goldberg Variations.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>SF Jazz</li>
<li>French Horn</li>
<li>Freight &amp; Salvage</li>
<li>Teaching</li>
<li>Learning to Evolve</li>
<li>Mentoring</li>
<li>Women's Audio Mission</li>
<li>Covid's Effect</li>
<li>The Audio Pro Advantage</li>
<li>The Importance of Recording &amp; Music</li>
<li>Overdubbing at a Young Age</li>
<li>Education</li>
<li>Open Mic Nights</li>
<li>Live Sounds</li>
<li>Producing</li>
<li>Session Mindset</li>
<li>Communication Style</li>
<li>Struggles w/The Mormon Church</li>
<li>Empathy</li>
<li>Women in Audio</li>
<li>Sexism</li>
<li>Bay Area</li>
<li>Speaking Italian</li>
<li>Making a Living</li>
<li>Not Working for Free</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Heidi's Site: </strong><a href="www.heiditrefethen.com"><strong>www.heiditrefethen.com</strong></a>
</li>
<li>
<strong>Linkedin Profile: </strong><a href="https://bit.ly/39ujk1L"><strong>https://bit.ly/39ujk1L</strong></a>
</li>
<li>
<strong>Instagram: </strong><a href="https://www.instagram.com/heiditrefethen/"><strong>https://www.instagram.com/heiditrefethen/</strong></a>
</li>
<li>
<strong>Twitter: </strong><a href="https://twitter.com/heiditrefethen"><strong>https://twitter.com/heiditrefethen</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Heidi Trefethen</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Heidi Trefethen </strong>is a French Hornist, multi-instrumentalist, educator, and sought-after sound engineer, Heidi Trefethen shuttles back and forth across continents frequently, in roles both onstage and off. As a hornist, she has performed in numerous ensembles and venues in Italy, the UK, Bosnia, Thailand, Guatemala, Israel Turkey, and the US, including the LA Philharmonic, the JazzUp Festival in Italy, Cleveland's Rock n' Roll Hall of Fame, San Francisco's Davies Symphony Hall and SFJAZZ's Miner Hall.</p><p>As a live sound engineer, she has worked with the likes of Shawn Colvin, Meshell N'degeocello, Odetta, Ellis Paul, Joan Baez, Joan Armatrading, Buffy Sainte-Marie, Holly Near, John Stewart of the Kingston Trio, Dar Williams, Al Stewart, Jane Siberry and Lucy Kaplansky, often at the legendary Freight and Salvage in Berkeley, CA. Heidi can be often seen behind the sound boards at SFJAZZ where she was recently recruited as a FOH and A2 engineer. </p><p>As a recording engineer, she studied at the California Recording Institute’s intensive sound engineering program. An internship at the historic Coast Recorders and a job at Rocket Lab mastering house had her working side-by-side with technical heavyweights John Cuniberti, Dan Alexander and Michael Romanowski. Heidi’s engineering credits include Tammy Hall’s “Blue Soul,” Jessica Jones and Mark Taylor’s “Live at the Freight” 2011, Lucy Kaplansky’s "Kaplansky Sings Kaplanksy," 2000, Michael Burles' currently "Untitled Recording" 2017, Nestler and Hawtin's "Duality" 2014, co-engineered with Bryan Bell, Herbie Hancock’s first engineer, and full production of Anne Rainwater's solo piano recording of Johann Sebastian Bach's Goldberg Variations.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>SF Jazz</li>
<li>French Horn</li>
<li>Freight &amp; Salvage</li>
<li>Teaching</li>
<li>Learning to Evolve</li>
<li>Mentoring</li>
<li>Women's Audio Mission</li>
<li>Covid's Effect</li>
<li>The Audio Pro Advantage</li>
<li>The Importance of Recording &amp; Music</li>
<li>Overdubbing at a Young Age</li>
<li>Education</li>
<li>Open Mic Nights</li>
<li>Live Sounds</li>
<li>Producing</li>
<li>Session Mindset</li>
<li>Communication Style</li>
<li>Struggles w/The Mormon Church</li>
<li>Empathy</li>
<li>Women in Audio</li>
<li>Sexism</li>
<li>Bay Area</li>
<li>Speaking Italian</li>
<li>Making a Living</li>
<li>Not Working for Free</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Heidi's Site: </strong><a href="www.heiditrefethen.com"><strong>www.heiditrefethen.com</strong></a>
</li>
<li>
<strong>Linkedin Profile: </strong><a href="https://bit.ly/39ujk1L"><strong>https://bit.ly/39ujk1L</strong></a>
</li>
<li>
<strong>Instagram: </strong><a href="https://www.instagram.com/heiditrefethen/"><strong>https://www.instagram.com/heiditrefethen/</strong></a>
</li>
<li>
<strong>Twitter: </strong><a href="https://twitter.com/heiditrefethen"><strong>https://twitter.com/heiditrefethen</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Heidi Trefethen</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-293-with-heidi-trefethen-live-sound-recording-french-horn-struggles-with-the-mormon-church-session-mindset-sexism-and-learning-to-evolve]]></link><guid isPermaLink="false">46b1108c-30ae-11ea-baad-8bbe8e4decb0</guid><itunes:image href="https://artwork.captivate.fm/b2ee34c3-01ca-4895-a3ee-7aafe6770169/uploads-2f1595804222183-alnev4d87b-d69aeac1dbc4f9055f3d9e811376.png"/><pubDate>Sun, 26 Jul 2020 23:19:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/57fd9767-435b-4c4b-a73f-9b71c11b1c94.mp3" length="80136972" type="audio/mpeg"/><itunes:duration>55:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>293</itunes:episode><podcast:episode>293</podcast:episode><itunes:summary>Heidi Trefethen is a French Hornist, multi-instrumentalist, educator, and sought-after sound engineer, Heidi Trefethen shuttles back and forth across continents frequently, in roles both onstage and off. As a hornist, she has performed in numerous ensembles and venues in Italy, the UK, Bosnia, Thailand, Guatemala, Israel Turkey, and the US, including the LA Philharmonic, the JazzUp Festival in Italy, Cleveland&apos;s Rock n&apos; Roll Hall of Fame, San Francisco&apos;s Davies Symphony Hall and SFJAZZ&apos;s Miner Hall.
As a live sound engineer, she has worked with the likes of Shawn Colvin, Meshell N&apos;degeocello, Odetta, Ellis Paul, Joan Baez, Joan Armatrading, Buffy Sainte-Marie, Holly Near, John Stewart of the Kingston Trio, Dar Williams, Al Stewart, Jane Siberry and Lucy Kaplansky, often at the legendary Freight and Salvage in Berkeley, CA. Heidi can be often seen behind the sound boards at SFJAZZ where she was recently recruited as a FOH and A2 engineer. 
As a recording engineer, she studied at the California Recording Institute’s intensive sound engineering program. An internship at the historic Coast Recorders and a job at Rocket Lab mastering house had her working side-by-side with technical heavyweights John Cuniberti, Dan Alexander and Michael Romanowski. Heidi’s engineering credits include Tammy Hall’s “Blue Soul,” Jessica Jones and Mark Taylor’s “Live at the Freight” 2011, Lucy Kaplansky’s &quot;Kaplansky Sings Kaplanksy,&quot; 2000, Michael Burles&apos; currently &quot;Untitled Recording&quot; 2017, Nestler and Hawtin&apos;s &quot;Duality&quot; 2014, co-engineered with Bryan Bell, Herbie Hancock’s first engineer, and full production of Anne Rainwater&apos;s solo piano recording of Johann Sebastian Bach&apos;s Goldberg Variations.

In this episode, we discuss:

SF Jazz

French Horn

Freight &amp; Salvage

Teaching

Learning to Evolve

Mentoring

Women&apos;s Audio Mission

Covid&apos;s Effect

The Audio Pro Advantage

The Importance of Recording &amp; Music

Overdubbing at a Young Age

Education

Open Mic Nights

Live Sounds

Producing

Session Mindset

Communication Style

Struggles w/The Mormon Church

Empathy

Women in Audio

Sexism

Bay Area

Speaking Italian

Making a Living

Not Working for Free


Links and Show Notes


Heidi&apos;s Site: www.heiditrefethen.com



Linkedin Profile: https://bit.ly/39ujk1L



Instagram: https://www.instagram.com/heiditrefethen/



Twitter: https://twitter.com/heiditrefethen



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Heidi Trefethen


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #292 with Jessica Paz - Manhattan Special, Soda Stream, Theater Sound, Women in Audio, Sound Design, Advocacy and Last Minute Christmas Gifts</title><itunes:title>WCA #292 with Jessica Paz - Manhattan Special, Soda Stream, Theater Sound, Women in Audio, Sound Design, Advocacy and Last Minute Christmas Gifts</itunes:title><description><![CDATA[
        <p><strong>Jessica Paz</strong> is a Tony Award-winning Sound Designer for theater, film and music. Most recently, she collaborated with Nevin Steinberg on the sound design for Anaïs Mitchell’s acclaimed production of <em>Hadestown</em>, which earned the duo a Tony Award, Drama Desk Award and an Outer Critics Circle nomination.</p><p>On Broadway, Jessica was an Associate Sound Designer on projects including <em>Dear Evan Hansen</em>, <em>Bandstand</em>, <em>Disaster! The Musical</em>; <em>The Assembled Parties</em> (MCC); and <em>Fela!</em>.</p><p>Other design credits include<em> Little Shop of Horrors (Westside Theater); Kiss My Aztec</em> (Berkeley Rep); <em>Twelfth Night, Othello</em>, <em>Miss You Like Hell, Julius Caesar, A Midsummer Nights Dream, and As You Like It</em> (The Public Theater); <em>Burn All Night</em> (A.R.T Oberon Stage); <em>Ugly Lies the Bone</em> (Roundabout); <em>A Sucker EmCee,</em> and <em>The Muscles in Our Toes </em>(LAByrinth); <em>The Kings Whore</em> (Starcatcher Productions); <em>Becoming Dr. Ruth </em>(Westside Theater); <em>Looking for the Pony</em> (Vital Theater Co.); <em>Women Beware Women</em> (Red Bull Theater); <em>STRETCH – A Fantasia</em> (New Georges); <em>Welcome to Fear City</em> (KC Rep); <em>Scott &amp; Hem in the Garden of Allah, </em>and <em>See How They Run </em>(Barrington Stage); <em>Legally Blonde, </em>and<em> 9 to 5 The Musical</em> (North Shore Music Theater); <em>Romeo &amp; Juliet, Midsummer Night’s Dream, Othello, </em>and<em> Much Ado About Nothing </em>(Shakespeare on the Sound’s Productions); <em>SCKBSTD</em> (Virginia Stage Co) ; <em>Volcanoes Birthright</em> (Organic Magnetics); <em>TempOdyssey, </em>A<em>nd Her Hair Went With Her</em>, <em>Bookends</em>, and <em>Minstrel Show</em> (NJ Rep).</p><p>Jessica has been a Front of House Engineer for musicians including The Preservation Hall Jazz Band, Antibalas, Julia Haltigan, Femi Kuti, Lady Antebellum, Candy Shop Boys, People vs. Larson, Michael Arenetta, Bugaboo, Carte Blanche, King Holiday, The Woes, Stone Cold Fox, The African Children’s Choir and many others. She has also been a Lecturer of Sound Design in addition to student advisor for Princeton Universities production of Next To Normal, and was the Sound Designer of the Actor’s Studio Drama School’s yearly Master’s Thesis productions from 2009 – 2014.</p><p>Jessica is fascinated by music studio and live concert techniques. She is constantly learning and researching innovative approaches from the traditional music recording world, and bringing them into her theater work. A proud member of IATSE Local 829; Soundgirls.org; Woman’s Audio Mission; USITT; and Co-Chair of the board of the Theatrical Sound Designers and Composers Association. She currently resides in New York. Pizza is her favorite food group. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Manhattan Special</li>
<li>Theater Sound</li>
<li>Broadway/Off Broadway</li>
<li>Theater Sound Design</li>
<li>System Design</li>
<li>Audio Teams</li>
<li>Audio Roles</li>
<li>Mentors</li>
<li>Large Budgets</li>
<li>Network Audio</li>
<li>Rain vs. Audio</li>
<li>Women in Audio</li>
<li>Theater vs. Club Sound</li>
<li>Union Rules</li>
<li>Money</li>
<li>Passion for Audio</li>
<li>Past Jobs</li>
<li>Trying to Leave Audio</li>
<li>Advocacy</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Jessica’s site: </strong><a href="http://www.jessicapazdesigns.com/"><strong>http://www.jessicapazdesigns.com/</strong></a>
</li>
<li>
<strong>TSDCA.: </strong><a href="https://tsdca.org/"><strong>https://tsdca.org/</strong></a>
</li>
<li>
<strong>USITT: </strong><a href="https://www.usitt.org/"><strong>https://www.usitt.org/</strong></a>
</li>
<li>
<strong>Soundgirls: </strong><a href="https://soundgirls.org/"><strong>https://soundgirls.org/</strong></a>
</li>
<li>
<strong>Women's Audio Mission: </strong><a href="https://womensaudiomission.org/"><strong>https://womensaudiomission.org/</strong></a>
</li>
<li>
<strong>Monologue Link to Velcro Strips: </strong><a href="https://amzn.to/2BcrMG6"><strong>https://amzn.to/2BcrMG6</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Jessica Paz</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Jessica Paz</strong> is a Tony Award-winning Sound Designer for theater, film and music. Most recently, she collaborated with Nevin Steinberg on the sound design for Anaïs Mitchell’s acclaimed production of <em>Hadestown</em>, which earned the duo a Tony Award, Drama Desk Award and an Outer Critics Circle nomination.</p><p>On Broadway, Jessica was an Associate Sound Designer on projects including <em>Dear Evan Hansen</em>, <em>Bandstand</em>, <em>Disaster! The Musical</em>; <em>The Assembled Parties</em> (MCC); and <em>Fela!</em>.</p><p>Other design credits include<em> Little Shop of Horrors (Westside Theater); Kiss My Aztec</em> (Berkeley Rep); <em>Twelfth Night, Othello</em>, <em>Miss You Like Hell, Julius Caesar, A Midsummer Nights Dream, and As You Like It</em> (The Public Theater); <em>Burn All Night</em> (A.R.T Oberon Stage); <em>Ugly Lies the Bone</em> (Roundabout); <em>A Sucker EmCee,</em> and <em>The Muscles in Our Toes </em>(LAByrinth); <em>The Kings Whore</em> (Starcatcher Productions); <em>Becoming Dr. Ruth </em>(Westside Theater); <em>Looking for the Pony</em> (Vital Theater Co.); <em>Women Beware Women</em> (Red Bull Theater); <em>STRETCH – A Fantasia</em> (New Georges); <em>Welcome to Fear City</em> (KC Rep); <em>Scott &amp; Hem in the Garden of Allah, </em>and <em>See How They Run </em>(Barrington Stage); <em>Legally Blonde, </em>and<em> 9 to 5 The Musical</em> (North Shore Music Theater); <em>Romeo &amp; Juliet, Midsummer Night’s Dream, Othello, </em>and<em> Much Ado About Nothing </em>(Shakespeare on the Sound’s Productions); <em>SCKBSTD</em> (Virginia Stage Co) ; <em>Volcanoes Birthright</em> (Organic Magnetics); <em>TempOdyssey, </em>A<em>nd Her Hair Went With Her</em>, <em>Bookends</em>, and <em>Minstrel Show</em> (NJ Rep).</p><p>Jessica has been a Front of House Engineer for musicians including The Preservation Hall Jazz Band, Antibalas, Julia Haltigan, Femi Kuti, Lady Antebellum, Candy Shop Boys, People vs. Larson, Michael Arenetta, Bugaboo, Carte Blanche, King Holiday, The Woes, Stone Cold Fox, The African Children’s Choir and many others. She has also been a Lecturer of Sound Design in addition to student advisor for Princeton Universities production of Next To Normal, and was the Sound Designer of the Actor’s Studio Drama School’s yearly Master’s Thesis productions from 2009 – 2014.</p><p>Jessica is fascinated by music studio and live concert techniques. She is constantly learning and researching innovative approaches from the traditional music recording world, and bringing them into her theater work. A proud member of IATSE Local 829; Soundgirls.org; Woman’s Audio Mission; USITT; and Co-Chair of the board of the Theatrical Sound Designers and Composers Association. She currently resides in New York. Pizza is her favorite food group. </p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Manhattan Special</li>
<li>Theater Sound</li>
<li>Broadway/Off Broadway</li>
<li>Theater Sound Design</li>
<li>System Design</li>
<li>Audio Teams</li>
<li>Audio Roles</li>
<li>Mentors</li>
<li>Large Budgets</li>
<li>Network Audio</li>
<li>Rain vs. Audio</li>
<li>Women in Audio</li>
<li>Theater vs. Club Sound</li>
<li>Union Rules</li>
<li>Money</li>
<li>Passion for Audio</li>
<li>Past Jobs</li>
<li>Trying to Leave Audio</li>
<li>Advocacy</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Jessica’s site: </strong><a href="http://www.jessicapazdesigns.com/"><strong>http://www.jessicapazdesigns.com/</strong></a>
</li>
<li>
<strong>TSDCA.: </strong><a href="https://tsdca.org/"><strong>https://tsdca.org/</strong></a>
</li>
<li>
<strong>USITT: </strong><a href="https://www.usitt.org/"><strong>https://www.usitt.org/</strong></a>
</li>
<li>
<strong>Soundgirls: </strong><a href="https://soundgirls.org/"><strong>https://soundgirls.org/</strong></a>
</li>
<li>
<strong>Women's Audio Mission: </strong><a href="https://womensaudiomission.org/"><strong>https://womensaudiomission.org/</strong></a>
</li>
<li>
<strong>Monologue Link to Velcro Strips: </strong><a href="https://amzn.to/2BcrMG6"><strong>https://amzn.to/2BcrMG6</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Jessica Paz</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-292-with-jessica-paz-manhattan-special-soda-stream-theater-sound-women-in-audio-sound-design-advocacy-and-last-minute-christmas-gifts]]></link><guid isPermaLink="false">46a79502-30ae-11ea-baad-d3e341b4d855</guid><itunes:image href="https://artwork.captivate.fm/bd41e8d4-53fe-4e25-be32-cbce57d1fe8d/uploads-2f1595197578656-6nqli3ubl26-c6a981e00e7dcea146ef078ece3.png"/><pubDate>Sun, 19 Jul 2020 23:09:39 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f8b10c5f-df15-42e6-9749-a5cf68fbe8a0.mp3" length="69516001" type="audio/mpeg"/><itunes:duration>48:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>292</itunes:episode><podcast:episode>292</podcast:episode><itunes:summary>Jessica Paz is a Tony Award-winning Sound Designer for theater, film and music. Most recently, she collaborated with Nevin Steinberg on the sound design for Anaïs Mitchell’s acclaimed production of Hadestown, which earned the duo a Tony Award, Drama Desk Award and an Outer Critics Circle nomination.
On Broadway, Jessica was an Associate Sound Designer on projects including Dear Evan Hansen, Bandstand, Disaster! The Musical; The Assembled Parties (MCC); and Fela!.
Other design credits include Little Shop of Horrors (Westside Theater); Kiss My Aztec (Berkeley Rep); Twelfth Night, Othello, Miss You Like Hell, Julius Caesar, A Midsummer Nights Dream, and As You Like It (The Public Theater); Burn All Night (A.R.T Oberon Stage); Ugly Lies the Bone (Roundabout); A Sucker EmCee, and The Muscles in Our Toes (LAByrinth); The Kings Whore (Starcatcher Productions); Becoming Dr. Ruth (Westside Theater); Looking for the Pony (Vital Theater Co.); Women Beware Women (Red Bull Theater); STRETCH – A Fantasia (New Georges); Welcome to Fear City (KC Rep); Scott &amp; Hem in the Garden of Allah, and See How They Run (Barrington Stage); Legally Blonde, and 9 to 5 The Musical (North Shore Music Theater); Romeo &amp; Juliet, Midsummer Night’s Dream, Othello, and Much Ado About Nothing (Shakespeare on the Sound’s Productions); SCKBSTD (Virginia Stage Co) ; Volcanoes Birthright (Organic Magnetics); TempOdyssey, And Her Hair Went With Her, Bookends, and Minstrel Show (NJ Rep).
Jessica has been a Front of House Engineer for musicians including The Preservation Hall Jazz Band, Antibalas, Julia Haltigan, Femi Kuti, Lady Antebellum, Candy Shop Boys, People vs. Larson, Michael Arenetta, Bugaboo, Carte Blanche, King Holiday, The Woes, Stone Cold Fox, The African Children’s Choir and many others. She has also been a Lecturer of Sound Design in addition to student advisor for Princeton Universities production of Next To Normal, and was the Sound Designer of the Actor’s Studio Drama School’s yearly Master’s Thesis productions from 2009 – 2014.
Jessica is fascinated by music studio and live concert techniques. She is constantly learning and researching innovative approaches from the traditional music recording world, and bringing them into her theater work. A proud member of IATSE Local 829; Soundgirls.org; Woman’s Audio Mission; USITT; and Co-Chair of the board of the Theatrical Sound Designers and Composers Association. She currently resides in New York. Pizza is her favorite food group. 

In this episode, we discuss:

Manhattan Special

Theater Sound

Broadway/Off Broadway

Theater Sound Design

System Design

Audio Teams

Audio Roles

Mentors

Large Budgets

Network Audio

Rain vs. Audio

Women in Audio

Theater vs. Club Sound

Union Rules

Money

Passion for Audio

Past Jobs

Trying to Leave Audio

Advocacy


Links and Show Notes:


Jessica’s site: http://www.jessicapazdesigns.com/



TSDCA.: https://tsdca.org/



USITT: https://www.usitt.org/



Soundgirls: https://soundgirls.org/



Women&apos;s Audio Mission: https://womensaudiomission.org/



Monologue Link to Velcro Strips: https://amzn.to/2BcrMG6



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jessica Paz


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #291 with Greg Gordon -  Great Landlords, Glee Club, Relationships, Early Days of Internet Audio, Online Mentorship, Pyramind, and the Letter I</title><itunes:title>WCA #291 with Greg Gordon -  Great Landlords, Glee Club, Relationships, Early Days of Internet Audio, Online Mentorship, Pyramind, and the Letter I</itunes:title><description><![CDATA[
        <p><strong>Greg Gordon</strong> is a the Founder/Director at PYRAMIND.com, as well as a producer, educator, and entrepreneur. Greg has worked with HTC Vive, Microsoft Studios, Insomniac Games, SONY, Electronic Arts, Ubisoft, Disney, Blizzard, Zynga, Amazon, Samsung, HP, Nvidia, GoPro, LifeBeam, The Battery SF, Brandcast and many more. His music production credits include Rob Garza (Thievery Corporation), Giorgio Moroder, K Theory, Rain Phutureprimitive, The Bronx, Merl Saunders &amp; Jerry Garcia (The Grateful Dead) and Rocker T &amp; Joan Baez.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Relationships</li>
<li>Great Landlords</li>
<li>Glee Club</li>
<li>Early Days of Internet Audio</li>
<li>Game Soundtracks</li>
<li>The Letter I</li>
<li>The History of Pyramind</li>
<li>Downsizing</li>
<li>Online Mentorship</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Pyramind: </strong><a href="https://pyramind.com/"><strong>https://pyramind.com/</strong></a>
</li>
<li>
<strong>Pyramind Studios: </strong><a href="https://studios.pyramind.com/"><strong>https://studios.pyramind.com/</strong></a>
</li>
<li>
<strong>Pyramind Online: </strong><a href="https://online.pyramind.com/"><strong>https://online.pyramind.com/</strong></a>
</li>
<li>
<strong>Pyramind Records: </strong><a href="http://www.pyramindrecords.com/"><strong>www.pyramindrecords.com</strong></a>
</li>
<li>
<strong>BAVC: </strong><a href="https://bavc.org/"><strong>https://bavc.org/</strong></a>
</li>
<li>
<strong>GoFundMe for Damion Gallegos: </strong><a href="https://www.gofundme.com/f/damion039s-healing-fund"><strong>https://www.gofundme.com/f/damion039s-healing-fund</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Greg Gordon</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Greg Gordon</strong> is a the Founder/Director at PYRAMIND.com, as well as a producer, educator, and entrepreneur. Greg has worked with HTC Vive, Microsoft Studios, Insomniac Games, SONY, Electronic Arts, Ubisoft, Disney, Blizzard, Zynga, Amazon, Samsung, HP, Nvidia, GoPro, LifeBeam, The Battery SF, Brandcast and many more. His music production credits include Rob Garza (Thievery Corporation), Giorgio Moroder, K Theory, Rain Phutureprimitive, The Bronx, Merl Saunders &amp; Jerry Garcia (The Grateful Dead) and Rocker T &amp; Joan Baez.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Relationships</li>
<li>Great Landlords</li>
<li>Glee Club</li>
<li>Early Days of Internet Audio</li>
<li>Game Soundtracks</li>
<li>The Letter I</li>
<li>The History of Pyramind</li>
<li>Downsizing</li>
<li>Online Mentorship</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Pyramind: </strong><a href="https://pyramind.com/"><strong>https://pyramind.com/</strong></a>
</li>
<li>
<strong>Pyramind Studios: </strong><a href="https://studios.pyramind.com/"><strong>https://studios.pyramind.com/</strong></a>
</li>
<li>
<strong>Pyramind Online: </strong><a href="https://online.pyramind.com/"><strong>https://online.pyramind.com/</strong></a>
</li>
<li>
<strong>Pyramind Records: </strong><a href="http://www.pyramindrecords.com/"><strong>www.pyramindrecords.com</strong></a>
</li>
<li>
<strong>BAVC: </strong><a href="https://bavc.org/"><strong>https://bavc.org/</strong></a>
</li>
<li>
<strong>GoFundMe for Damion Gallegos: </strong><a href="https://www.gofundme.com/f/damion039s-healing-fund"><strong>https://www.gofundme.com/f/damion039s-healing-fund</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Greg Gordon</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-291-with-greg-gordon-great-landlords-glee-club-relationships-early-days-of-internet-audio-online-mentorship-pyramind-and-the-letter-i]]></link><guid isPermaLink="false">469e1004-30ae-11ea-baad-3320bb8d5ee2</guid><itunes:image href="https://artwork.captivate.fm/41d386dc-4df2-429b-9663-f28ccb620230/uploads-2f1594646080784-savyubuf2jg-41c9dfeb7c1a023062731842a40.png"/><pubDate>Mon, 13 Jul 2020 14:27:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/622ba749-1ad9-4f8c-a8a5-138c228a533e.mp3" length="85529919" type="audio/mpeg"/><itunes:duration>59:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>291</itunes:episode><podcast:episode>291</podcast:episode><itunes:summary>Greg Gordon is a the Founder/Director at PYRAMIND.com, as well as a producer, educator, and entrepreneur. Greg has worked with HTC Vive, Microsoft Studios, Insomniac Games, SONY, Electronic Arts, Ubisoft, Disney, Blizzard, Zynga, Amazon, Samsung, HP, Nvidia, GoPro, LifeBeam, The Battery SF, Brandcast and many more. His music production credits include Rob Garza (Thievery Corporation), Giorgio Moroder, K Theory, Rain Phutureprimitive, The Bronx, Merl Saunders &amp; Jerry Garcia (The Grateful Dead) and Rocker T &amp; Joan Baez.

In this episode, we discuss:

Relationships

Great Landlords

Glee Club

Early Days of Internet Audio

Game Soundtracks

The Letter I

The History of Pyramind

Downsizing

Online Mentorship


Links and Show Notes:


Pyramind: https://pyramind.com/



Pyramind Studios: https://studios.pyramind.com/



Pyramind Online: https://online.pyramind.com/



Pyramind Records: www.pyramindrecords.com



BAVC: https://bavc.org/



GoFundMe for Damion Gallegos: https://www.gofundme.com/f/damion039s-healing-fund



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Greg Gordon


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #290 with Joe Chiccarelli - Frank Zappa, Producing, Psychology, Budgets, Learning From Others, Sharing Knowledge, and The Tonelux Mic Collaboration</title><itunes:title>WCA #290 with Joe Chiccarelli - Frank Zappa, Producing, Psychology, Budgets, Learning From Others, Sharing Knowledge, and The Tonelux Mic Collaboration</itunes:title><description><![CDATA[
        <p><strong>Joe Chiccarelli </strong>is a ten-time Grammy and Latin Grammy Award-winning producer/engineer/mixer whose credits include such artists as Tori Amos, Beck, U2, The Strokes, The Killers, Elton John, The Shins, The White Stripes, Morrissey, Alanis Morrisette, Jason Mraz, Juanes, Julieta Venegas, The Raconteurs, Cafe Tacuba, and My Morning Jacket. Other projects through his twenty-year career have included music supervision of films such as Suicide Kings and Men with Guns, the TV series Cracker and Robert Altman’s The Gun. Joe is the studio designer for the state-of-the-art Royaltone Recording Studios (now Sphere) in Burbank, CA, and has served as an A&amp;R consultant for several major and independent labels.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Matt &amp; Joe's Connection</li>
<li>Frank Zappa</li>
<li>Roy Thomas Baker</li>
<li>Joe's Approach to Producing</li>
<li>Inexperienced Managers</li>
<li>Psychology</li>
<li>Handling Disagreements</li>
<li>Fresh Perspectives</li>
<li>Working in Multiple Genres</li>
<li>Mix with the Masters</li>
<li>Getting the Most Out Of a Budget</li>
<li>Learning From Others</li>
<li>Sharing Knowledge</li>
<li>The Tonelux Mic Collaboration</li>
<li>Planning the Year</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Joe's website: </strong><a href="https://www.joechiccarelli.com/"><strong>https://www.joechiccarelli.com/</strong></a>
</li>
<li>
<strong>The Tonelux JC37: </strong><a href="https://bit.ly/2VMuhGe"><strong>https://bit.ly/2VMuhGe</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Joe Chiccarelli</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Joe Chiccarelli </strong>is a ten-time Grammy and Latin Grammy Award-winning producer/engineer/mixer whose credits include such artists as Tori Amos, Beck, U2, The Strokes, The Killers, Elton John, The Shins, The White Stripes, Morrissey, Alanis Morrisette, Jason Mraz, Juanes, Julieta Venegas, The Raconteurs, Cafe Tacuba, and My Morning Jacket. Other projects through his twenty-year career have included music supervision of films such as Suicide Kings and Men with Guns, the TV series Cracker and Robert Altman’s The Gun. Joe is the studio designer for the state-of-the-art Royaltone Recording Studios (now Sphere) in Burbank, CA, and has served as an A&amp;R consultant for several major and independent labels.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Matt &amp; Joe's Connection</li>
<li>Frank Zappa</li>
<li>Roy Thomas Baker</li>
<li>Joe's Approach to Producing</li>
<li>Inexperienced Managers</li>
<li>Psychology</li>
<li>Handling Disagreements</li>
<li>Fresh Perspectives</li>
<li>Working in Multiple Genres</li>
<li>Mix with the Masters</li>
<li>Getting the Most Out Of a Budget</li>
<li>Learning From Others</li>
<li>Sharing Knowledge</li>
<li>The Tonelux Mic Collaboration</li>
<li>Planning the Year</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Joe's website: </strong><a href="https://www.joechiccarelli.com/"><strong>https://www.joechiccarelli.com/</strong></a>
</li>
<li>
<strong>The Tonelux JC37: </strong><a href="https://bit.ly/2VMuhGe"><strong>https://bit.ly/2VMuhGe</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Joe Chiccarelli</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-290-with-joe-chiccarelli-frank-zappa-producing-psychology-budgets-learning-from-others-sharing-knowledge-and-the-tonelux-mic-collaboration]]></link><guid isPermaLink="false">46949f56-30ae-11ea-baad-f339489e8fb2</guid><itunes:image href="https://artwork.captivate.fm/ab801ba7-1af8-4eb2-a118-83fe8a4937c5/uploads-2f1593982926952-rvp0yscl3s-8ee5d60aa6cd98df25efc403918e.png"/><pubDate>Sun, 05 Jul 2020 21:07:31 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/267a7044-5872-45bc-ab60-93a24efd34a5.mp3" length="90054708" type="audio/mpeg"/><itunes:duration>01:02:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>290</itunes:episode><podcast:episode>290</podcast:episode><itunes:summary>Joe Chiccarelli is a ten-time Grammy and Latin Grammy Award-winning producer/engineer/mixer whose credits include such artists as Tori Amos, Beck, U2, The Strokes, The Killers, Elton John, The Shins, The White Stripes, Morrissey, Alanis Morrisette, Jason Mraz, Juanes, Julieta Venegas, The Raconteurs, Cafe Tacuba, and My Morning Jacket. Other projects through his twenty-year career have included music supervision of films such as Suicide Kings and Men with Guns, the TV series Cracker and Robert Altman’s The Gun. Joe is the studio designer for the state-of-the-art Royaltone Recording Studios (now Sphere) in Burbank, CA, and has served as an A&amp;R consultant for several major and independent labels.
In this episode, we discuss:

Matt &amp; Joe&apos;s Connection

Frank Zappa

Roy Thomas Baker

Joe&apos;s Approach to Producing

Inexperienced Managers

Psychology

Handling Disagreements

Fresh Perspectives

Working in Multiple Genres

Mix with the Masters

Getting the Most Out Of a Budget

Learning From Others

Sharing Knowledge

The Tonelux Mic Collaboration

Planning the Year


Links and Show Notes:


Joe&apos;s website: https://www.joechiccarelli.com/



The Tonelux JC37: https://bit.ly/2VMuhGe



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Joe Chiccarelli


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #289 with George Vlad - The Draw of the Outdoors, Field Recording, Ecology, Adventure, Bribes, and Bees</title><itunes:title>WCA #289 with George Vlad - The Draw of the Outdoors, Field Recording, Ecology, Adventure, Bribes, and Bees</itunes:title><description><![CDATA[
        <p><strong>George Vlad </strong>is a sound recordist, photographer and expedition leader with a keen interest in wildlife and conservation. George travels extensively and records a variety of sounds, from natural ambiences and wildlife to odd vehicles and vintage aircraft. He also supports a variety of conservation initiatives around the world, either directly, by sharing my work with them or by employing them in my travels. When he's not traveling George works as a sound designer and composer for video games from his studio in Southern England. His audio work is heard by millions of players every month.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Languages</li>
<li>Burning Out</li>
<li>The Draw of the Outdoors</li>
<li>The Listening Experience</li>
<li>Travel</li>
<li>Ecology</li>
<li>The language of Birds</li>
<li>Field Recording Technique</li>
<li>Trip Planning</li>
<li>Man Made Sounds</li>
<li>Threat of Extinction</li>
<li>Recording Attention</li>
<li>Bribes</li>
<li>Fear</li>
<li>Adventure</li>
<li>Fixers</li>
<li>Packing</li>
<li>Bees</li>
<li>Experience vs ROI</li>
<li>Sound Libraries</li>
<li>Sound Design</li>
<li>Game Sound Implementation</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Make Time Book: </strong><a href="https://amzn.to/2ZcIOMb"><strong>https://amzn.to/2ZcIOMb</strong></a>
</li>
<li>
<strong>George on YouTube: </strong><a href="https://bit.ly/2A1TEfw"><strong>https://bit.ly/2A1TEfw</strong></a>
</li>
<li>
<strong>George's Site #1: </strong><a href="Mindful-Audio.com"><strong>Mindful-Audio.com</strong></a>
</li>
<li>
<strong>George's Site #2 </strong><a href="http://Georgevlad.com"><strong>Georgevlad.com</strong></a>
</li>
<li>
<strong>George on SoundCloud: </strong><a href="https://soundcloud.com/georgevlad"><strong>https://soundcloud.com/georgevlad</strong></a>
</li>
<li>
<strong>Portfolio at </strong><a href="https://www.game-sounds.com/projects"><strong>https://www.game-sounds.com/projects</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> George Vlad</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>George Vlad </strong>is a sound recordist, photographer and expedition leader with a keen interest in wildlife and conservation. George travels extensively and records a variety of sounds, from natural ambiences and wildlife to odd vehicles and vintage aircraft. He also supports a variety of conservation initiatives around the world, either directly, by sharing my work with them or by employing them in my travels. When he's not traveling George works as a sound designer and composer for video games from his studio in Southern England. His audio work is heard by millions of players every month.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Languages</li>
<li>Burning Out</li>
<li>The Draw of the Outdoors</li>
<li>The Listening Experience</li>
<li>Travel</li>
<li>Ecology</li>
<li>The language of Birds</li>
<li>Field Recording Technique</li>
<li>Trip Planning</li>
<li>Man Made Sounds</li>
<li>Threat of Extinction</li>
<li>Recording Attention</li>
<li>Bribes</li>
<li>Fear</li>
<li>Adventure</li>
<li>Fixers</li>
<li>Packing</li>
<li>Bees</li>
<li>Experience vs ROI</li>
<li>Sound Libraries</li>
<li>Sound Design</li>
<li>Game Sound Implementation</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Make Time Book: </strong><a href="https://amzn.to/2ZcIOMb"><strong>https://amzn.to/2ZcIOMb</strong></a>
</li>
<li>
<strong>George on YouTube: </strong><a href="https://bit.ly/2A1TEfw"><strong>https://bit.ly/2A1TEfw</strong></a>
</li>
<li>
<strong>George's Site #1: </strong><a href="Mindful-Audio.com"><strong>Mindful-Audio.com</strong></a>
</li>
<li>
<strong>George's Site #2 </strong><a href="http://Georgevlad.com"><strong>Georgevlad.com</strong></a>
</li>
<li>
<strong>George on SoundCloud: </strong><a href="https://soundcloud.com/georgevlad"><strong>https://soundcloud.com/georgevlad</strong></a>
</li>
<li>
<strong>Portfolio at </strong><a href="https://www.game-sounds.com/projects"><strong>https://www.game-sounds.com/projects</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> George Vlad</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-289-with-george-vlad-the-draw-of-the-outdoors-field-recording-ecology-adventure-bribes-and-bees]]></link><guid isPermaLink="false">468b5a36-30ae-11ea-baad-3bde6fe2bb33</guid><itunes:image href="https://artwork.captivate.fm/44ad8dff-d6f9-48ab-8467-9aa8186fa6ca/uploads-2f1593119381098-pin4on8kna-8b26ed798755aff2f54e7fca016f.png"/><pubDate>Sun, 28 Jun 2020 16:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b2defb5c-2bed-4d0a-a85a-d31a3b22cd32.mp3" length="86687845" type="audio/mpeg"/><itunes:duration>01:00:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>289</itunes:episode><podcast:episode>289</podcast:episode><itunes:summary>George Vlad is a sound recordist, photographer and expedition leader with a keen interest in wildlife and conservation. George travels extensively and records a variety of sounds, from natural ambiences and wildlife to odd vehicles and vintage aircraft. He also supports a variety of conservation initiatives around the world, either directly, by sharing my work with them or by employing them in my travels. When he&apos;s not traveling George works as a sound designer and composer for video games from his studio in Southern England. His audio work is heard by millions of players every month.
In this episode, we discuss:

Languages

Burning Out

The Draw of the Outdoors

The Listening Experience

Travel

Ecology

The language of Birds

Field Recording Technique

Trip Planning

Man Made Sounds

Threat of Extinction

Recording Attention

Bribes

Fear

Adventure

Fixers

Packing

Bees

Experience vs ROI

Sound Libraries

Sound Design

Game Sound Implementation


Links and Show Notes:


Make Time Book: https://amzn.to/2ZcIOMb



George on YouTube: https://bit.ly/2A1TEfw



George&apos;s Site #1: Mindful-Audio.com



George&apos;s Site #2 Georgevlad.com



George on SoundCloud: https://soundcloud.com/georgevlad



Portfolio at https://www.game-sounds.com/projects



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: George Vlad


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #288 with Jens Bogren - Chaos Theory, Working in Metal, Psychology, Banks, Sports Fishing and, Motion Sickness</title><itunes:title>WCA #288 with Jens Bogren - Chaos Theory, Working in Metal, Psychology, Banks, Sports Fishing and, Motion Sickness</itunes:title><description><![CDATA[
        <p><strong>Jens Bogren</strong> is a Swedish record producer, mixer and recording engineer who has worked Opeth, Sepultura, Katatonia and a long list of many other bands.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Working in Metal</li>
<li>Banks</li>
<li>Studio Naming</li>
<li>Building A New Studio</li>
<li>Sports Fishing</li>
<li>Motion Sickness</li>
<li>Chaos Theory</li>
<li>Bogren Digital</li>
<li>Trail of Luck</li>
<li>Determining What to Charge</li>
<li>Managers</li>
<li>Psychology of Showreels</li>
<li>Psychology of Production Work</li>
<li>Leadership</li>
<li>Surround Sound Work</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Bogren Digital: </strong><a href="https://bogrendigital.com/"><strong>https://bogrendigital.com/</strong></a>
</li>
<li>
<strong>Fascination Street Studios: </strong><a href="https://www.fascinationstreet.se/"><strong>https://www.fascinationstreet.se/</strong></a>
</li>
<li>
<strong>Jens on Instagram: </strong><a href="https://www.instagram.com/jensbogren/?hl=en"><strong>https://www.instagram.com/jensbogren/?hl=en</strong></a>
</li>
<li>
<strong>Jens on Twitter: </strong><a href="https://twitter.com/jbogren?lang=en"><strong>https://twitter.com/jbogren?lang=en</strong></a>
</li>
<li>
<strong>Atomic Habits: </strong><a href="https://amzn.to/37ZCHPv"><strong>https://amzn.to/37ZCHPv</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Jens Bogren</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Jens Bogren</strong> is a Swedish record producer, mixer and recording engineer who has worked Opeth, Sepultura, Katatonia and a long list of many other bands.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Working in Metal</li>
<li>Banks</li>
<li>Studio Naming</li>
<li>Building A New Studio</li>
<li>Sports Fishing</li>
<li>Motion Sickness</li>
<li>Chaos Theory</li>
<li>Bogren Digital</li>
<li>Trail of Luck</li>
<li>Determining What to Charge</li>
<li>Managers</li>
<li>Psychology of Showreels</li>
<li>Psychology of Production Work</li>
<li>Leadership</li>
<li>Surround Sound Work</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Bogren Digital: </strong><a href="https://bogrendigital.com/"><strong>https://bogrendigital.com/</strong></a>
</li>
<li>
<strong>Fascination Street Studios: </strong><a href="https://www.fascinationstreet.se/"><strong>https://www.fascinationstreet.se/</strong></a>
</li>
<li>
<strong>Jens on Instagram: </strong><a href="https://www.instagram.com/jensbogren/?hl=en"><strong>https://www.instagram.com/jensbogren/?hl=en</strong></a>
</li>
<li>
<strong>Jens on Twitter: </strong><a href="https://twitter.com/jbogren?lang=en"><strong>https://twitter.com/jbogren?lang=en</strong></a>
</li>
<li>
<strong>Atomic Habits: </strong><a href="https://amzn.to/37ZCHPv"><strong>https://amzn.to/37ZCHPv</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Jens Bogren</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-288-with-jens-bogren-chaos-theory-working-in-metal-psychology-banks-sports-fishing-and-motion-sickness]]></link><guid isPermaLink="false">4681dd4e-30ae-11ea-baad-dbf4f0725867</guid><itunes:image href="https://artwork.captivate.fm/ae13bad2-beed-4f34-93a2-de9b975d496d/uploads-2f1592785096227-f5slwn91at-025e9eae51661574cbd70ca91aaa.png"/><pubDate>Mon, 22 Jun 2020 01:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d30c208f-80b3-42aa-9bc4-1dd68f8dd445.mp3" length="75947962" type="audio/mpeg"/><itunes:duration>52:44</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>288</itunes:episode><podcast:episode>288</podcast:episode><itunes:summary>Jens Bogren is a Swedish record producer, mixer and recording engineer who has worked Opeth, Sepultura, Katatonia and a long list of many other bands.
In this episode, we discuss:

Working in Metal

Banks

Studio Naming

Building A New Studio

Sports Fishing

Motion Sickness

Chaos Theory

Bogren Digital

Trail of Luck

Determining What to Charge

Managers

Psychology of Showreels

Psychology of Production Work

Leadership

Surround Sound Work


Links and Show Notes:


Bogren Digital: https://bogrendigital.com/



Fascination Street Studios: https://www.fascinationstreet.se/



Jens on Instagram: https://www.instagram.com/jensbogren/?hl=en



Jens on Twitter: https://twitter.com/jbogren?lang=en



Atomic Habits: https://amzn.to/37ZCHPv



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jens Bogren


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #287 with Nacho Molino - Panama, The Noriega Years, Bilingual Advantage, 15 year US immigration process and, Responsible Grammy Voting </title><itunes:title>WCA #287 with Nacho Molino - Panama, The Noriega Years, Bilingual Advantage, 15 year US immigration process and, Responsible Grammy Voting </itunes:title><description><![CDATA[
        <p><strong>Ignacio "Nacho" Molino</strong> is a five-time Grammy and Latin Grammy award-winning Mix Engineer/Producer. He has worked with CJ Ramone from The Ramones, Spice Slawson from Me First and The Gimmie Gimmies, Ruben Blades, Joan Manuel Serrat, and Carlos Vives.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up in Panama</li>
<li>The Noriega Years</li>
<li>Civil War</li>
<li>Distance Learning</li>
<li>15 year US immigration process</li>
<li>Marriage/Divorce</li>
<li>Working in different Genres</li>
<li>SNOW!!!</li>
<li>Bilingual Advantage</li>
<li>Regional Rate Strategies</li>
<li>Central America</li>
<li>Responsible Grammy Voting </li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Nacho's Site: </strong><a href="https://www.nachomolino.com/"><strong>https://www.nachomolino.com/</strong></a>
</li>
<li>
<strong>Michael Jordan Documentary: </strong><a href="https://en.wikipedia.org/wiki/The_Last_Dance_(TV_series)"><strong>https://en.wikipedia.org/wiki/The_Last_Dance_(TV_series)</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Nacho Molino</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Ignacio "Nacho" Molino</strong> is a five-time Grammy and Latin Grammy award-winning Mix Engineer/Producer. He has worked with CJ Ramone from The Ramones, Spice Slawson from Me First and The Gimmie Gimmies, Ruben Blades, Joan Manuel Serrat, and Carlos Vives.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Growing up in Panama</li>
<li>The Noriega Years</li>
<li>Civil War</li>
<li>Distance Learning</li>
<li>15 year US immigration process</li>
<li>Marriage/Divorce</li>
<li>Working in different Genres</li>
<li>SNOW!!!</li>
<li>Bilingual Advantage</li>
<li>Regional Rate Strategies</li>
<li>Central America</li>
<li>Responsible Grammy Voting </li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Nacho's Site: </strong><a href="https://www.nachomolino.com/"><strong>https://www.nachomolino.com/</strong></a>
</li>
<li>
<strong>Michael Jordan Documentary: </strong><a href="https://en.wikipedia.org/wiki/The_Last_Dance_(TV_series)"><strong>https://en.wikipedia.org/wiki/The_Last_Dance_(TV_series)</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Nacho Molino</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-287-with-nacho-molino-panama-the-noriega-years-bilingual-advantage-15-year-us-immigration-process-and-responsible-grammy-voting-]]></link><guid isPermaLink="false">46787cc2-30ae-11ea-baad-7348f3a441ca</guid><itunes:image href="https://artwork.captivate.fm/94567724-2d50-4440-8408-30dbdd1d4d31/uploads-2f1592173639894-tzq5bsgajne-e3bc10205282e046a5414bae3d3.png"/><pubDate>Mon, 15 Jun 2020 01:59:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a3137b80-51c4-413b-8dff-119fe7e9c39d.mp3" length="84446886" type="audio/mpeg"/><itunes:duration>58:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>287</itunes:episode><podcast:episode>287</podcast:episode><itunes:summary>Ignacio &quot;Nacho&quot; Molino is a five-time Grammy and Latin Grammy award-winning Mix Engineer/Producer. He has worked with CJ Ramone from The Ramones, Spice Slawson from Me First and The Gimmie Gimmies, Ruben Blades, Joan Manuel Serrat, and Carlos Vives.
In this episode, we discuss:

Growing up in Panama

The Noriega Years

Civil War

Distance Learning

15 year US immigration process

Marriage/Divorce

Working in different Genres

SNOW!!!

Bilingual Advantage

Regional Rate Strategies

Central America

Responsible Grammy Voting 


Links and Show Notes:


Nacho&apos;s Site: https://www.nachomolino.com/



Michael Jordan Documentary: https://en.wikipedia.org/wiki/The_Last_Dance_(TV_series)



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Nacho Molino


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #286 with Cullen Brooks - Music to Film Sound, Star Wars, Michigan, Recording Punk bands, Division of Labor and Disruptive Clients</title><itunes:title>WCA #286 with Cullen Brooks - Music to Film Sound, Star Wars, Michigan, Recording Punk bands, Division of Labor and Disruptive Clients</itunes:title><description><![CDATA[
        <p><strong>Cullen Brooks </strong>works in television &amp; film as a dialogue editor, re-recording mixer, sound designer, sound editor, Sound Effects Editor, and Sound Mixer.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><strong>Transitioning from Music to Film Sound </strong></li>
<li><strong>The Impact of Star Wars &amp; the Matrix</strong></li>
<li><strong>Recording Punk bands</strong></li>
<li><strong>Learning Film Sound </strong></li>
<li><strong>Jumping in With Both Feet</strong></li>
<li><strong>Working Remotely</strong></li>
<li><strong>Disruptive Clients</strong></li>
<li><strong>New York</strong></li>
<li><strong>Michigan</strong></li>
<li><strong>Lost Tax Incentives </strong></li>
<li><strong>Division of Labor</strong></li>
<li><strong>Terms</strong></li>
<li><strong>Business</strong></li>
<li><strong>Work Ethic</strong></li>
<li><strong>Watching Your Mouth</strong></li>
<li><strong>Getting More Work</strong></li>
<li><strong>How to Use Social Media</strong></li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Cullen on Linkedin: </strong><a href="https://www.linkedin.com/in/cullenbrooks/"><strong>https://www.linkedin.com/in/cullenbrooks/</strong></a>
</li>
<li>
<strong>Cullen on Twitter: </strong><a href="https://twitter.com/mrbrooksmixing"><strong>https://twitter.com/mrbrooksmixing</strong></a>
</li>
<li>
<strong>Cullen on Instagram: </strong><a href="https://www.instagram.com/mrbrooksmixing/"><strong>https://www.instagram.com/mrbrooksmixing/</strong></a>
</li>
<li>
<strong>Making Waves Movie: </strong><a href="https://amzn.to/2A6Uqb6"><strong>https://amzn.to/2A6Uqb6</strong></a>
</li>
<li>
<strong>The end of Tax credits for Films in Michigan: </strong><a href="https://bit.ly/2MG5JK1"><strong>https://bit.ly/2MG5JK1</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Cullen Brooks</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Cullen Brooks </strong>works in television &amp; film as a dialogue editor, re-recording mixer, sound designer, sound editor, Sound Effects Editor, and Sound Mixer.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><strong>Transitioning from Music to Film Sound </strong></li>
<li><strong>The Impact of Star Wars &amp; the Matrix</strong></li>
<li><strong>Recording Punk bands</strong></li>
<li><strong>Learning Film Sound </strong></li>
<li><strong>Jumping in With Both Feet</strong></li>
<li><strong>Working Remotely</strong></li>
<li><strong>Disruptive Clients</strong></li>
<li><strong>New York</strong></li>
<li><strong>Michigan</strong></li>
<li><strong>Lost Tax Incentives </strong></li>
<li><strong>Division of Labor</strong></li>
<li><strong>Terms</strong></li>
<li><strong>Business</strong></li>
<li><strong>Work Ethic</strong></li>
<li><strong>Watching Your Mouth</strong></li>
<li><strong>Getting More Work</strong></li>
<li><strong>How to Use Social Media</strong></li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Cullen on Linkedin: </strong><a href="https://www.linkedin.com/in/cullenbrooks/"><strong>https://www.linkedin.com/in/cullenbrooks/</strong></a>
</li>
<li>
<strong>Cullen on Twitter: </strong><a href="https://twitter.com/mrbrooksmixing"><strong>https://twitter.com/mrbrooksmixing</strong></a>
</li>
<li>
<strong>Cullen on Instagram: </strong><a href="https://www.instagram.com/mrbrooksmixing/"><strong>https://www.instagram.com/mrbrooksmixing/</strong></a>
</li>
<li>
<strong>Making Waves Movie: </strong><a href="https://amzn.to/2A6Uqb6"><strong>https://amzn.to/2A6Uqb6</strong></a>
</li>
<li>
<strong>The end of Tax credits for Films in Michigan: </strong><a href="https://bit.ly/2MG5JK1"><strong>https://bit.ly/2MG5JK1</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Cullen Brooks</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-286-with-cullen-brooks-music-to-film-sound-star-wars-michigan-recording-punk-bands-division-of-labor-and-disruptive-clients]]></link><guid isPermaLink="false">466f0ad4-30ae-11ea-baad-b37fd8e316c8</guid><itunes:image href="https://artwork.captivate.fm/156548d3-c594-4bd4-838f-525849cd99db/uploads-2f1591558129922-mvd2yz3m3r-5cb6ea6b3fef8aa2bc636cf0a6ae.png"/><pubDate>Mon, 08 Jun 2020 07:07:23 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cca53de4-a434-4395-b599-9076b912ccfa.mp3" length="68137596" type="audio/mpeg"/><itunes:duration>47:19</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>286</itunes:episode><podcast:episode>286</podcast:episode><itunes:summary>Cullen Brooks works in television &amp; film as a dialogue editor, re-recording mixer, sound designer, sound editor, Sound Effects Editor, and Sound Mixer.
In this episode, we discuss:

Transitioning from Music to Film Sound 

The Impact of Star Wars &amp; the Matrix

Recording Punk bands

Learning Film Sound 

Jumping in With Both Feet

Working Remotely

Disruptive Clients

New York

Michigan

Lost Tax Incentives 

Division of Labor

Terms

Business

Work Ethic

Watching Your Mouth

Getting More Work

How to Use Social Media


Links and Show Notes:


Cullen on Linkedin: https://www.linkedin.com/in/cullenbrooks/



Cullen on Twitter: https://twitter.com/mrbrooksmixing



Cullen on Instagram: https://www.instagram.com/mrbrooksmixing/



Making Waves Movie: https://amzn.to/2A6Uqb6



The end of Tax credits for Films in Michigan: https://bit.ly/2MG5JK1



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Cullen Brooks


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #285 with Sam Pura - The F-Word, Smoking Weed, Doing the Hard Work, Intuition and, Being Responsible for Yourself</title><itunes:title>WCA #285 with Sam Pura - The F-Word, Smoking Weed, Doing the Hard Work, Intuition and, Being Responsible for Yourself</itunes:title><description><![CDATA[
        <p><strong>Sam Pura </strong>is a producer, engineer and mixer who runs The Panda Studios. Sam is known for his work with The Story So Far, Basement, and Hundredth as well as many, many others.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Smoking Weed</li>
<li>Flying Transparent</li>
<li>MySpace Days</li>
<li>Eric Valentine</li>
<li>The Emotion of Sound</li>
<li>Getting Past Gearlust</li>
<li>Impact, Clarity, and Depth</li>
<li>Making Bands Comfortable</li>
<li>Doing the Hard Work</li>
<li>Dealing with Coronavirus</li>
<li>Managers</li>
<li>Being Responsible for Yourself</li>
<li>Intuition</li>
<li>Work-Life Balance</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>The Panda Studios: </strong><a href="http://thepandastudios.com/overview"><strong>http://thepandastudios.com/overview</strong></a>
</li>
<li>
<strong>The Obstacle is The Way: </strong><a href="https://amzn.to/2MexOYM"><strong>https://amzn.to/2MexOYM</strong></a>
</li>
<li>
<strong>The Subtle Art of Not Giving a F*ck: </strong><a href="https://amzn.to/2BlXO2f"><strong>https://amzn.to/2BlXO2f</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Sam Pura</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Sam Pura </strong>is a producer, engineer and mixer who runs The Panda Studios. Sam is known for his work with The Story So Far, Basement, and Hundredth as well as many, many others.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Smoking Weed</li>
<li>Flying Transparent</li>
<li>MySpace Days</li>
<li>Eric Valentine</li>
<li>The Emotion of Sound</li>
<li>Getting Past Gearlust</li>
<li>Impact, Clarity, and Depth</li>
<li>Making Bands Comfortable</li>
<li>Doing the Hard Work</li>
<li>Dealing with Coronavirus</li>
<li>Managers</li>
<li>Being Responsible for Yourself</li>
<li>Intuition</li>
<li>Work-Life Balance</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>The Panda Studios: </strong><a href="http://thepandastudios.com/overview"><strong>http://thepandastudios.com/overview</strong></a>
</li>
<li>
<strong>The Obstacle is The Way: </strong><a href="https://amzn.to/2MexOYM"><strong>https://amzn.to/2MexOYM</strong></a>
</li>
<li>
<strong>The Subtle Art of Not Giving a F*ck: </strong><a href="https://amzn.to/2BlXO2f"><strong>https://amzn.to/2BlXO2f</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Sam Pura</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-285-with-sam-pura-the-f-word-smoking-weed-doing-the-hard-work-intuition-and-being-responsible-for-yourself]]></link><guid isPermaLink="false">4665622c-30ae-11ea-baad-c3e8f7b47cfb</guid><itunes:image href="https://artwork.captivate.fm/66fbe28a-3599-4644-9e65-998b0dad0c53/uploads-2f1590982010148-xd0jl40zj3f-093ef38599f094747f971225634.png"/><pubDate>Mon, 01 Jun 2020 04:35:13 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5e6c0bc7-3f3f-458a-8da8-3fed8d0dc4b1.mp3" length="78019408" type="audio/mpeg"/><itunes:duration>54:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>285</itunes:episode><podcast:episode>285</podcast:episode><itunes:summary>Sam Pura is a producer, engineer and mixer who runs The Panda Studios. Sam is known for his work with The Story So Far, Basement, and Hundredth as well as many, many others.

In this episode, we discuss:

Smoking Weed

Flying Transparent

MySpace Days

Eric Valentine

The Emotion of Sound

Getting Past Gearlust

Impact, Clarity, and Depth

Making Bands Comfortable

Doing the Hard Work

Dealing with Coronavirus

Managers

Being Responsible for Yourself

Intuition

Work-Life Balance


Links and Show Notes:


The Panda Studios: http://thepandastudios.com/overview



The Obstacle is The Way: https://amzn.to/2MexOYM



The Subtle Art of Not Giving a F*ck: https://amzn.to/2BlXO2f



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Sam Pura


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #284 with Dallas Taylor - Twenty Thousand Hertz Podcast, Crafting stories with Sound, Positioning, Ben Burtt, Challenging Convention and Burnout Prevention</title><itunes:title>WCA #284 with Dallas Taylor - Twenty Thousand Hertz Podcast, Crafting stories with Sound, Positioning, Ben Burtt, Challenging Convention and Burnout Prevention</itunes:title><description><![CDATA[
        <p><strong>Dallas Taylor</strong> is the host and creator of Twenty Thousand Hertz, a lovingly crafted podcast revealing the stories behind the world’s most recognizable and interesting sounds. Dallas is also the Creative Director of Defacto Sound, where he has led thousands of high-profile projects ranging from blockbuster trailers and advertising campaigns to Sundance award-winning films and major television series. Dallas is a sought-after speaker at conferences, a regular contributor to major publications, and a respected thought leader on the narrative power of sound.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><strong>The five senses</strong></li>
<li><strong>250-hour podcasts</strong></li>
<li><strong>Twenty Thousand Hertz Podcast</strong></li>
<li><strong>Thinking about sound</strong></li>
<li><strong>Growing up in Arkansas</strong></li>
<li><strong>Conducting</strong></li>
<li><strong>Pushing the status quo</strong></li>
<li><strong>Echo Chambers</strong></li>
<li><strong>Sound Design</strong></li>
<li><strong>Crafting stories with sound</strong></li>
<li><strong>Running a sound business</strong></li>
<li><strong>Positioning</strong></li>
<li><strong>Ben Burtt and Star Wars</strong></li>
<li><strong>Pushing through obstacles</strong></li>
<li><strong>Recharging</strong></li>
<li><strong>Burnout prevention</strong></li>
<li><strong>Challenging convention</strong></li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>The 20K Podcast: </strong><a href="https://www.20k.org/"><strong>https://www.20k.org/</strong></a>
</li>
<li>
<strong>Defacto Sound: </strong><a href="https://www.defactosound.com/"><strong>https://www.defactosound.com/</strong></a>
</li>
<li>
<strong>RevThink: </strong><a href="https://revthink.com/"><strong>https://revthink.com/</strong></a>
</li>
<li>
<strong>Sinister Movie: </strong><a href="https://www.imdb.com/title/tt1922777/"><strong>https://www.imdb.com/title/tt1922777/</strong></a>
</li>
<li>
<strong>Suction Cup Phone Tape: </strong><a href="https://amzn.to/2ZAfpxE"><strong>https://amzn.to/2ZAfpxE</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Dallas Taylor</li>
<li>
<strong>Photographer: </strong>Stephen Voss</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Dallas Taylor</strong> is the host and creator of Twenty Thousand Hertz, a lovingly crafted podcast revealing the stories behind the world’s most recognizable and interesting sounds. Dallas is also the Creative Director of Defacto Sound, where he has led thousands of high-profile projects ranging from blockbuster trailers and advertising campaigns to Sundance award-winning films and major television series. Dallas is a sought-after speaker at conferences, a regular contributor to major publications, and a respected thought leader on the narrative power of sound.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><strong>The five senses</strong></li>
<li><strong>250-hour podcasts</strong></li>
<li><strong>Twenty Thousand Hertz Podcast</strong></li>
<li><strong>Thinking about sound</strong></li>
<li><strong>Growing up in Arkansas</strong></li>
<li><strong>Conducting</strong></li>
<li><strong>Pushing the status quo</strong></li>
<li><strong>Echo Chambers</strong></li>
<li><strong>Sound Design</strong></li>
<li><strong>Crafting stories with sound</strong></li>
<li><strong>Running a sound business</strong></li>
<li><strong>Positioning</strong></li>
<li><strong>Ben Burtt and Star Wars</strong></li>
<li><strong>Pushing through obstacles</strong></li>
<li><strong>Recharging</strong></li>
<li><strong>Burnout prevention</strong></li>
<li><strong>Challenging convention</strong></li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>The 20K Podcast: </strong><a href="https://www.20k.org/"><strong>https://www.20k.org/</strong></a>
</li>
<li>
<strong>Defacto Sound: </strong><a href="https://www.defactosound.com/"><strong>https://www.defactosound.com/</strong></a>
</li>
<li>
<strong>RevThink: </strong><a href="https://revthink.com/"><strong>https://revthink.com/</strong></a>
</li>
<li>
<strong>Sinister Movie: </strong><a href="https://www.imdb.com/title/tt1922777/"><strong>https://www.imdb.com/title/tt1922777/</strong></a>
</li>
<li>
<strong>Suction Cup Phone Tape: </strong><a href="https://amzn.to/2ZAfpxE"><strong>https://amzn.to/2ZAfpxE</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Dallas Taylor</li>
<li>
<strong>Photographer: </strong>Stephen Voss</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-284-with-dallas-taylor-twenty-thousand-hertz-podcast-crafting-stories-with-sound-positioning-ben-burtt-challenging-convention-and-burnout-prevention]]></link><guid isPermaLink="false">465b2c62-30ae-11ea-baad-9bc438c05e89</guid><itunes:image href="https://artwork.captivate.fm/91e7a862-21dc-4f02-910e-2992766de1aa/uploads-2f1590380703292-kbqw1uk5csn-8f29c58144024c91720863f1c20.png"/><pubDate>Mon, 25 May 2020 04:49:56 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ede3fe7a-4ba8-4fa0-ac0f-f4394c4bcd34.mp3" length="79147716" type="audio/mpeg"/><itunes:duration>54:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>284</itunes:episode><podcast:episode>284</podcast:episode><itunes:summary>Dallas Taylor is the host and creator of Twenty Thousand Hertz, a lovingly crafted podcast revealing the stories behind the world’s most recognizable and interesting sounds. Dallas is also the Creative Director of Defacto Sound, where he has led thousands of high-profile projects ranging from blockbuster trailers and advertising campaigns to Sundance award-winning films and major television series. Dallas is a sought-after speaker at conferences, a regular contributor to major publications, and a respected thought leader on the narrative power of sound.

In this episode, we discuss:

The five senses

250-hour podcasts

Twenty Thousand Hertz Podcast

Thinking about sound

Growing up in Arkansas

Conducting

Pushing the status quo

Echo Chambers

Sound Design

Crafting stories with sound

Running a sound business

Positioning

Ben Burtt and Star Wars

Pushing through obstacles

Recharging

Burnout prevention

Challenging convention


Links and Show Notes:


The 20K Podcast: https://www.20k.org/



Defacto Sound: https://www.defactosound.com/



RevThink: https://revthink.com/



Sinister Movie: https://www.imdb.com/title/tt1922777/



Suction Cup Phone Tape: https://amzn.to/2ZAfpxE



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Dallas Taylor


Photographer: Stephen Voss


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #283 with Jermaine Hamilton - Music Annex, Tickle Me Elmo, Green Day, Zen Mindset, Financial Buffers, and Coffee</title><itunes:title>WCA #283 with Jermaine Hamilton - Music Annex, Tickle Me Elmo, Green Day, Zen Mindset, Financial Buffers, and Coffee</itunes:title><description><![CDATA[
        <p><strong>Jermaine Hamilton</strong> is a Lead Audio Engineer and managing partner at Studio Circle Recordings.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Music Annex</li>
<li>Tickle Me Elmo</li>
<li>Green Day</li>
<li>Zen Mindset</li>
<li>Coronavirus</li>
<li>Financial Buffers</li>
<li>Corporate Audio</li>
<li>Diversification</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Studio Circles Recording: </strong><a href="http://www.studiocirclerecordings.com/"><strong>http://www.studiocirclerecordings.com/</strong></a>
</li>
<li>
<strong>Jermaine on Linkedin: </strong><a href="https://www.linkedin.com/in/jermainehamilton/"><strong>https://www.linkedin.com/in/jermainehamilton/</strong></a>
</li>
<li>
<strong>The 4-Hour Workweek: </strong><a href="https://amzn.to/2WJ0RZj"><strong>https://amzn.to/2WJ0RZj</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Jermaine Hamilton</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Jermaine Hamilton</strong> is a Lead Audio Engineer and managing partner at Studio Circle Recordings.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Music Annex</li>
<li>Tickle Me Elmo</li>
<li>Green Day</li>
<li>Zen Mindset</li>
<li>Coronavirus</li>
<li>Financial Buffers</li>
<li>Corporate Audio</li>
<li>Diversification</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Studio Circles Recording: </strong><a href="http://www.studiocirclerecordings.com/"><strong>http://www.studiocirclerecordings.com/</strong></a>
</li>
<li>
<strong>Jermaine on Linkedin: </strong><a href="https://www.linkedin.com/in/jermainehamilton/"><strong>https://www.linkedin.com/in/jermainehamilton/</strong></a>
</li>
<li>
<strong>The 4-Hour Workweek: </strong><a href="https://amzn.to/2WJ0RZj"><strong>https://amzn.to/2WJ0RZj</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Jermaine Hamilton</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-283-with-jermaine-hamilton-music-annex-tickle-me-elmo-green-day-zen-mindset-financial-buffers-and-coffee]]></link><guid isPermaLink="false">4651d392-30ae-11ea-baad-8339eec767d0</guid><itunes:image href="https://artwork.captivate.fm/5d8b0251-56b9-49c9-a32d-5a3acac4b7e5/uploads-2f1589771515058-02vi3gf6ea1v-7d3eba9628e963ccc3a0492375.png"/><pubDate>Mon, 18 May 2020 03:52:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9ff2dd6f-3a74-43cb-8f96-7f350e50d55f.mp3" length="52778131" type="audio/mpeg"/><itunes:duration>36:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>283</itunes:episode><podcast:episode>283</podcast:episode><itunes:summary>Jermaine Hamilton is a Lead Audio Engineer and managing partner at Studio Circle Recordings.

In this episode, we discuss:

Music Annex

Tickle Me Elmo

Green Day

Zen Mindset

Coronavirus

Financial Buffers

Corporate Audio

Diversification


Links and Show Notes:


Studio Circles Recording: http://www.studiocirclerecordings.com/



Jermaine on Linkedin: https://www.linkedin.com/in/jermainehamilton/



The 4-Hour Workweek: https://amzn.to/2WJ0RZj



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jermaine Hamilton


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #282 with Björgvin Benediktsson - Alternative Studio Income Strategies, Book Recommendations, Creating Online Content, and Audio Issues</title><itunes:title>WCA #282 with Björgvin Benediktsson - Alternative Studio Income Strategies, Book Recommendations, Creating Online Content, and Audio Issues</itunes:title><description><![CDATA[<h3><strong>WCA #282 with Björgvin Benediktsson – Alternative Studio Income Strategies, Book Recommendations, Creating Online Content, and Audio Issues</strong></h3><p><strong>Björgvin Benediktsson&nbsp;</strong>is audio engineer, musician author, and entrepreneur.&nbsp;<strong>Björgvin&nbsp;</strong>helps home studio musicians learn how to make a bigger impact with their music by teaching them how to produce themselves.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Audio Schools</li><li>Audio Issues</li><li>4 hour Work Week</li><li>Helping</li><li>Teaching</li><li>Learning</li><li>Alternative Studio Income Strategies</li><li>Creating online content</li><li>Book Recommendations</li><li>Content Creation Audio Hub</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Audio Issues:&nbsp;</strong><a href="https://www.audio-issues.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.audio-issues.com/</strong></a></li><li><strong>Step By Step Mixing: How to Create Great Mixes Using Only 5 Plug-ins:&nbsp;</strong><a href="https://amzn.to/2yB7NzS" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2yB7NzS</strong></a></li><li><strong>The 4-Hour Workweek:&nbsp;</strong><a href="https://amzn.to/2WJ0RZj" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2WJ0RZj</strong></a></li><li><strong>Your Move: The Underdog’s Guide to Building Your Business:</strong>&nbsp;<a href="https://amzn.to/2YOeMA1" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2YOeMA1</strong></a></li><li><strong>Built to Sell: Creating a Business That Can Thrive Without You:&nbsp;</strong><a href="https://amzn.to/2WQ63ea" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2WQ63ea</strong></a></li><li><strong>Customer Canvas:&nbsp;</strong><a href="https://customercanvas.net/" rel="noopener noreferrer" target="_blank"><strong>https://customercanvas.net/</strong></a></li><li><strong>WCA on Instagram:&nbsp;</strong><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank"><strong>https://www.instagram.com/working_class_audio</strong></a></li><li><strong>Support WCA – Go Ad-Free!&nbsp;</strong><a href="https://glow.fm/workingclassaudio/" rel="noopener noreferrer" target="_blank"><strong>https://glow.fm/workingclassaudio/</strong></a></li><li><strong>Connect with Matt on Linkedin:&nbsp;</strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a></li><li><strong>Current sponsors &amp; promos:&nbsp;</strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Björgvin Benediktsson</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3><strong>WCA #282 with Björgvin Benediktsson – Alternative Studio Income Strategies, Book Recommendations, Creating Online Content, and Audio Issues</strong></h3><p><strong>Björgvin Benediktsson&nbsp;</strong>is audio engineer, musician author, and entrepreneur.&nbsp;<strong>Björgvin&nbsp;</strong>helps home studio musicians learn how to make a bigger impact with their music by teaching them how to produce themselves.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Audio Schools</li><li>Audio Issues</li><li>4 hour Work Week</li><li>Helping</li><li>Teaching</li><li>Learning</li><li>Alternative Studio Income Strategies</li><li>Creating online content</li><li>Book Recommendations</li><li>Content Creation Audio Hub</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Audio Issues:&nbsp;</strong><a href="https://www.audio-issues.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.audio-issues.com/</strong></a></li><li><strong>Step By Step Mixing: How to Create Great Mixes Using Only 5 Plug-ins:&nbsp;</strong><a href="https://amzn.to/2yB7NzS" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2yB7NzS</strong></a></li><li><strong>The 4-Hour Workweek:&nbsp;</strong><a href="https://amzn.to/2WJ0RZj" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2WJ0RZj</strong></a></li><li><strong>Your Move: The Underdog’s Guide to Building Your Business:</strong>&nbsp;<a href="https://amzn.to/2YOeMA1" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2YOeMA1</strong></a></li><li><strong>Built to Sell: Creating a Business That Can Thrive Without You:&nbsp;</strong><a href="https://amzn.to/2WQ63ea" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2WQ63ea</strong></a></li><li><strong>Customer Canvas:&nbsp;</strong><a href="https://customercanvas.net/" rel="noopener noreferrer" target="_blank"><strong>https://customercanvas.net/</strong></a></li><li><strong>WCA on Instagram:&nbsp;</strong><a href="https://www.instagram.com/working_class_audio" rel="noopener noreferrer" target="_blank"><strong>https://www.instagram.com/working_class_audio</strong></a></li><li><strong>Support WCA – Go Ad-Free!&nbsp;</strong><a href="https://glow.fm/workingclassaudio/" rel="noopener noreferrer" target="_blank"><strong>https://glow.fm/workingclassaudio/</strong></a></li><li><strong>Connect with Matt on Linkedin:&nbsp;</strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a></li><li><strong>Current sponsors &amp; promos:&nbsp;</strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Björgvin Benediktsson</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-282-with-bjorgvin-benediktsson-alternative-studio-income-strategies-book-recommendations-creating-online-content-and-audio-issues]]></link><guid isPermaLink="false">46485d12-30ae-11ea-baad-b7b98e988d1b</guid><itunes:image href="https://artwork.captivate.fm/7c2ed10c-3e9f-4922-bb81-77a30f10b3c1/uploads-2f1589173842630-ejknhdg4wm-6bb53205d272eeb186543293a6a3.png"/><pubDate>Mon, 11 May 2020 05:37:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b1d06a66-d145-4107-a8b5-561011a768f4.mp3" length="84088258" type="audio/mpeg"/><itunes:duration>58:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>282</itunes:episode><podcast:episode>282</podcast:episode><itunes:summary>Björgvin Benediktsson is audio engineer, musician author, and entrepreneur. Björgvin helps home studio musicians learn how to make a bigger impact with their music by teaching them how to produce themselves.

In this episode, we discuss:

Audio Schools

Audio Issues

4 hour Work Week

Helping

Teaching

Learning

Alternative Studio Income Strategies

Creating online content

Book Recommendations

Content Creation Audio Hub


Links and Show Notes:


Audio Issues: https://www.audio-issues.com/



Step By Step Mixing: How to Create Great Mixes Using Only 5 Plug-ins: https://amzn.to/2yB7NzS



The 4-Hour Workweek: https://amzn.to/2WJ0RZj



Your Move: The Underdog&apos;s Guide to Building Your Business:  https://amzn.to/2YOeMA1



Built to Sell: Creating a Business That Can Thrive Without You: https://amzn.to/2WQ63ea



Customer Canvas: https://customercanvas.net/



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Björgvin Benediktsson


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #281 with Baba Prasad - Knowledge from the Trash, IT in Singapore, Self Education, Childhood Inspiration, and 20 years of Studio Ownership in Chennai, India. </title><itunes:title>WCA #281 with Baba Prasad - Knowledge from the Trash, IT in Singapore, Self Education, Childhood Inspiration, and 20 years of Studio Ownership in Chennai, India. </itunes:title><description><![CDATA[
        <p><strong>Baba Prasad </strong>is the owner and chief engineer at Digisound Studios in Chennai, India. Baba is a classically trained percussionist (Mrudhangam artiste). His experience in the industry ranges from engineering for almost every genre. He has been using Pro Tools since 1999 and has completed the Avid Certification for Pro Tools 101 and 110. He is an official WAVES Certified instructor by Waves Inc USA, also an AVID express DV certified editor. He is been training many students for Sound Engineering for the past 6 years in the industry.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Working IT in Singapore</li>
<li>The Spirit Guide to Mixing</li>
<li>Knowledge from the trash</li>
<li>Pro Audio Shops in Singapore</li>
<li>His First Mixer</li>
<li>Spending time in Record Stores</li>
<li>Self Education</li>
<li>Childhood Inspiration</li>
<li>Hometown Studio</li>
<li>Mentors</li>
<li>Being Open to All Music</li>
<li>Competition</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Baba's Studio: </strong><a href="www.digisoundstudio.com"><strong>www.digisoundstudio.com</strong></a>
</li>
<li>
<strong>Baba's Training: </strong><a href="www.digisoundacademy.com"><strong>www.digisoundacademy.com</strong></a>
</li>
<li>
<strong>Waves Training center, INDIA : </strong><a href="https://www.waves.com/certification/schools"><strong>https://www.waves.com/certification/schools</strong></a>
</li>
<li>
<strong>Facebook Page : </strong><a href="https://www.facebook.com/digisoundstudioofficial/"><strong>https://www.facebook.com/digisoundstudioofficial/</strong></a>
</li>
<li>
<strong>Instagram Link : </strong><a href="https://www.instagram.com/babaprasadl/?hl=en"><strong>https://www.instagram.com/babaprasadl/?hl=en</strong></a>
</li>
<li>
<strong>Matt mentions Masterclass: </strong><a href="https://www.masterclass.com/"><strong>https://www.masterclass.com/</strong></a>
</li>
<li>
<strong>Matt Mentions Recording Sign: </strong><a href="https://etsy.me/2VZXoXl"><strong>https://etsy.me/2VZXoXl</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Baba Prasad</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Baba Prasad </strong>is the owner and chief engineer at Digisound Studios in Chennai, India. Baba is a classically trained percussionist (Mrudhangam artiste). His experience in the industry ranges from engineering for almost every genre. He has been using Pro Tools since 1999 and has completed the Avid Certification for Pro Tools 101 and 110. He is an official WAVES Certified instructor by Waves Inc USA, also an AVID express DV certified editor. He is been training many students for Sound Engineering for the past 6 years in the industry.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Working IT in Singapore</li>
<li>The Spirit Guide to Mixing</li>
<li>Knowledge from the trash</li>
<li>Pro Audio Shops in Singapore</li>
<li>His First Mixer</li>
<li>Spending time in Record Stores</li>
<li>Self Education</li>
<li>Childhood Inspiration</li>
<li>Hometown Studio</li>
<li>Mentors</li>
<li>Being Open to All Music</li>
<li>Competition</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Baba's Studio: </strong><a href="www.digisoundstudio.com"><strong>www.digisoundstudio.com</strong></a>
</li>
<li>
<strong>Baba's Training: </strong><a href="www.digisoundacademy.com"><strong>www.digisoundacademy.com</strong></a>
</li>
<li>
<strong>Waves Training center, INDIA : </strong><a href="https://www.waves.com/certification/schools"><strong>https://www.waves.com/certification/schools</strong></a>
</li>
<li>
<strong>Facebook Page : </strong><a href="https://www.facebook.com/digisoundstudioofficial/"><strong>https://www.facebook.com/digisoundstudioofficial/</strong></a>
</li>
<li>
<strong>Instagram Link : </strong><a href="https://www.instagram.com/babaprasadl/?hl=en"><strong>https://www.instagram.com/babaprasadl/?hl=en</strong></a>
</li>
<li>
<strong>Matt mentions Masterclass: </strong><a href="https://www.masterclass.com/"><strong>https://www.masterclass.com/</strong></a>
</li>
<li>
<strong>Matt Mentions Recording Sign: </strong><a href="https://etsy.me/2VZXoXl"><strong>https://etsy.me/2VZXoXl</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Baba Prasad</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-281-with-baba-prasad-knowledge-from-the-trash-it-in-singapore-self-education-childhood-inspiration-and-20-years-of-studio-ownership-in-chennai-india-]]></link><guid isPermaLink="false">463ee660-30ae-11ea-baad-8fa75502e2a6</guid><itunes:image href="https://artwork.captivate.fm/76773a9d-b92b-41bb-9463-1f5d3ef3f3c2/uploads-2f1588554438889-wjz3z1uqxfd-0e8ca6735f34ae620ea9cbcf3ac.png"/><pubDate>Mon, 04 May 2020 01:08:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ba5d7f9c-1fd8-4f9c-9726-3599507f1c89.mp3" length="64518089" type="audio/mpeg"/><itunes:duration>44:48</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>281</itunes:episode><podcast:episode>281</podcast:episode><itunes:summary>Baba Prasad is the owner and chief engineer at Digisound Studios in Chennai, India. Baba is a classically trained percussionist (Mrudhangam artiste). His experience in the industry ranges from engineering for almost every genre. He has been using Pro Tools since 1999 and has completed the Avid Certification for Pro Tools 101 and 110. He is an official WAVES Certified instructor by Waves Inc USA, also an AVID express DV certified editor. He is been training many students for Sound Engineering for the past 6 years in the industry.
In this episode, we discuss:

Working IT in Singapore

The Spirit Guide to Mixing

Knowledge from the trash

Pro Audio Shops in Singapore

His First Mixer

Spending time in Record Stores

Self Education

Childhood Inspiration

Hometown Studio

Mentors

Being Open to All Music

Competition


Links and Show Notes:


Baba&apos;s Studio: www.digisoundstudio.com



Baba&apos;s Training: www.digisoundacademy.com



Waves Training center, INDIA : https://www.waves.com/certification/schools



Facebook Page : https://www.facebook.com/digisoundstudioofficial/



Instagram Link : https://www.instagram.com/babaprasadl/?hl=en



Matt mentions Masterclass: https://www.masterclass.com/



Matt Mentions Recording Sign: https://etsy.me/2VZXoXl



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Baba Prasad


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #280 with Brad Wood - Virus Talk, Blacksmiths, New Habits, Pandemic Albums, Instagram and the return of Andy Kaufman</title><itunes:title>WCA #280 with Brad Wood - Virus Talk, Blacksmiths, New Habits, Pandemic Albums, Instagram and the return of Andy Kaufman</itunes:title><description><![CDATA[
        <p><strong>Brad Wood </strong>is a producer, engineer and mixer located in Los Angeles, California. Brad is known for his work with Liz Phair, Veruca Salt, Skating Poly and many others. ( <a href="https://en.wikipedia.org/wiki/Brad_Wood">https://en.wikipedia.org/wiki/Brad_Wood</a>) Brad joins me for a Instagram Live session where we take questions and discuss all things music/recording and Coronavirus. This is Brad's second appearance on WCA please listen to WCA #095 to get his full story. <a href="https://www.workingclassaudio.com/wca-095-with-brad-wood/"><strong>https://www.workingclassaudio.com/wca-095-with-brad-wood/</strong></a></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Virus Talk</li>
<li>Blacksmiths</li>
<li>New Habits</li>
<li>Pandemic Albums</li>
<li>The Return of Andy Kaufman</li>
<li>The Breaking of Audio Pros.</li>
<li>Instagram</li>
<li>Band Podcasts</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Brad's first WCA interview: </strong><a href="https://www.workingclassaudio.com/wca-095-with-brad-wood/"><strong>https://www.workingclassaudio.com/wca-095-with-brad-wood/</strong></a>
</li>
<li>
<strong>Brad's site: </strong><a href="http://www.bradwoodmusic.com/"><strong>http://www.bradwoodmusic.com/</strong></a>
</li>
<li>
<strong>Brad on Instagram: </strong><a href="https://www.instagram.com/bradwood_producifer/"><strong>https://www.instagram.com/bradwood_producifer/</strong></a>
</li>
<li>
<strong>Brad's Favorite Beer: </strong><a href="http://www.macleodale.com/"><strong>http://www.macleodale.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Brad Wood</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Brad Wood </strong>is a producer, engineer and mixer located in Los Angeles, California. Brad is known for his work with Liz Phair, Veruca Salt, Skating Poly and many others. ( <a href="https://en.wikipedia.org/wiki/Brad_Wood">https://en.wikipedia.org/wiki/Brad_Wood</a>) Brad joins me for a Instagram Live session where we take questions and discuss all things music/recording and Coronavirus. This is Brad's second appearance on WCA please listen to WCA #095 to get his full story. <a href="https://www.workingclassaudio.com/wca-095-with-brad-wood/"><strong>https://www.workingclassaudio.com/wca-095-with-brad-wood/</strong></a></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Virus Talk</li>
<li>Blacksmiths</li>
<li>New Habits</li>
<li>Pandemic Albums</li>
<li>The Return of Andy Kaufman</li>
<li>The Breaking of Audio Pros.</li>
<li>Instagram</li>
<li>Band Podcasts</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Brad's first WCA interview: </strong><a href="https://www.workingclassaudio.com/wca-095-with-brad-wood/"><strong>https://www.workingclassaudio.com/wca-095-with-brad-wood/</strong></a>
</li>
<li>
<strong>Brad's site: </strong><a href="http://www.bradwoodmusic.com/"><strong>http://www.bradwoodmusic.com/</strong></a>
</li>
<li>
<strong>Brad on Instagram: </strong><a href="https://www.instagram.com/bradwood_producifer/"><strong>https://www.instagram.com/bradwood_producifer/</strong></a>
</li>
<li>
<strong>Brad's Favorite Beer: </strong><a href="http://www.macleodale.com/"><strong>http://www.macleodale.com/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Brad Wood</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-280-with-brad-wood-virus-talk-blacksmiths-new-habits-pandemic-albums-instagram-and-the-return-of-andy-kaufman]]></link><guid isPermaLink="false">46355c8a-30ae-11ea-baad-4f5afe9d144a</guid><itunes:image href="https://artwork.captivate.fm/c760ae73-17a4-4d7d-ab0c-e8eaf1f689f2/uploads-2f1588011493362-w2067ox1qfn-84158fa8026e7a74e87654cda88.png"/><pubDate>Mon, 27 Apr 2020 18:57:01 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8fe1471b-80b7-4b17-8282-79b05efc2572.mp3" length="67064719" type="audio/mpeg"/><itunes:duration>46:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>280</itunes:episode><podcast:episode>280</podcast:episode><itunes:summary>Brad Wood is a producer, engineer and mixer located in Los Angeles, California. Brad is known for his work with Liz Phair, Veruca Salt, Skating Poly and many others. ( https://en.wikipedia.org/wiki/Brad_Wood) Brad joins me for a Instagram Live session where we take questions and discuss all things music/recording and Coronavirus. This is Brad&apos;s second appearance on WCA please listen to WCA #095 to get his full story. https://www.workingclassaudio.com/wca-095-with-brad-wood/
In this episode, we discuss:

Virus Talk

Blacksmiths

New Habits

Pandemic Albums

The Return of Andy Kaufman

The Breaking of Audio Pros.

Instagram

Band Podcasts


Links and Show Notes:


Brad&apos;s first WCA interview: https://www.workingclassaudio.com/wca-095-with-brad-wood/



Brad&apos;s site: http://www.bradwoodmusic.com/



Brad on Instagram: https://www.instagram.com/bradwood_producifer/



Brad&apos;s Favorite Beer: http://www.macleodale.com/



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Brad Wood


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #279 with Kevin Ward - Teaching, Learning, Seizing Opportunity, Migrating to California, Team Building, and Faith</title><itunes:title>WCA #279 with Kevin Ward - Teaching, Learning, Seizing Opportunity, Migrating to California, Team Building, and Faith</itunes:title><description><![CDATA[
        <p><strong>Kevin Ward </strong>is a producer, engineer, mixer, teacher who has worked with <a href="https://en.wikipedia.org/wiki/Vince_Gill">Vince Gill</a>, <a href="https://en.wikipedia.org/wiki/Willie_Nelson">Willie Nelson</a>, <a href="https://en.wikipedia.org/wiki/Judy_Collins">Judy Collins</a>, <a href="https://en.wikipedia.org/wiki/Dolly_Parton">Dolly Parton</a>, <a href="https://en.wikipedia.org/wiki/Boots_Randolph">Boots Randolph</a>, <a href="https://en.wikipedia.org/wiki/Jerry_Springer">Jerry Springer</a>, <a href="https://en.wikipedia.org/wiki/Vassar_Clements">Vassar Clements</a>, <a href="https://en.wikipedia.org/wiki/Sam_Bush">Sam Bush</a>, <a href="https://en.wikipedia.org/wiki/City_of_Prague_Philharmonic_Orchestra">The Prague Philharmonic Orchestra</a>, <a href="https://en.wikipedia.org/wiki/Rhonda_Vincent">Rhonda Vincent</a> and <a href="https://en.wikipedia.org/wiki/Richie_McDonald">Richie McDonald</a> of <a href="https://en.wikipedia.org/wiki/Lonestar">Lonestar</a>. Kevin is also behind MixCoach.com where he teaches people to mix in different styles and genres from rock and Jazz to full orchestra and pop country. Kevin is currently the Technical Director at Crosspointe Church in Anaheim, California.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Teaching</li>
<li>Learning</li>
<li>Seizing Opportunity</li>
<li>Moving to California</li>
<li>Religion in Pro Audio</li>
<li>Worship Sound</li>
<li>Team Building</li>
<li>Pareto's Principle</li>
<li>Parkinson's Law</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Kevin's Mix Coach - </strong><a href="https://mixcoach.com/"><strong>https://mixcoach.com/</strong></a>
</li>
<li>
<strong>Tim Ferris - The Four Hour Work Week - </strong><a href="https://amzn.to/2KkQEN4"><strong>https://amzn.to/2KkQEN4</strong></a>
</li>
<li>
<strong>Robert Kiyosaki - Rich Dad, Poor Dad - </strong><a href="https://amzn.to/3aoyxjC"><strong>https://amzn.to/3aoyxjC</strong></a>
</li>
<li>
<strong>Pat Flynn -Smart Passive Income - </strong><a href="https://www.smartpassiveincome.com/"><strong>https://www.smartpassiveincome.com/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Kevin Ward</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Kevin Ward </strong>is a producer, engineer, mixer, teacher who has worked with <a href="https://en.wikipedia.org/wiki/Vince_Gill">Vince Gill</a>, <a href="https://en.wikipedia.org/wiki/Willie_Nelson">Willie Nelson</a>, <a href="https://en.wikipedia.org/wiki/Judy_Collins">Judy Collins</a>, <a href="https://en.wikipedia.org/wiki/Dolly_Parton">Dolly Parton</a>, <a href="https://en.wikipedia.org/wiki/Boots_Randolph">Boots Randolph</a>, <a href="https://en.wikipedia.org/wiki/Jerry_Springer">Jerry Springer</a>, <a href="https://en.wikipedia.org/wiki/Vassar_Clements">Vassar Clements</a>, <a href="https://en.wikipedia.org/wiki/Sam_Bush">Sam Bush</a>, <a href="https://en.wikipedia.org/wiki/City_of_Prague_Philharmonic_Orchestra">The Prague Philharmonic Orchestra</a>, <a href="https://en.wikipedia.org/wiki/Rhonda_Vincent">Rhonda Vincent</a> and <a href="https://en.wikipedia.org/wiki/Richie_McDonald">Richie McDonald</a> of <a href="https://en.wikipedia.org/wiki/Lonestar">Lonestar</a>. Kevin is also behind MixCoach.com where he teaches people to mix in different styles and genres from rock and Jazz to full orchestra and pop country. Kevin is currently the Technical Director at Crosspointe Church in Anaheim, California.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Teaching</li>
<li>Learning</li>
<li>Seizing Opportunity</li>
<li>Moving to California</li>
<li>Religion in Pro Audio</li>
<li>Worship Sound</li>
<li>Team Building</li>
<li>Pareto's Principle</li>
<li>Parkinson's Law</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Kevin's Mix Coach - </strong><a href="https://mixcoach.com/"><strong>https://mixcoach.com/</strong></a>
</li>
<li>
<strong>Tim Ferris - The Four Hour Work Week - </strong><a href="https://amzn.to/2KkQEN4"><strong>https://amzn.to/2KkQEN4</strong></a>
</li>
<li>
<strong>Robert Kiyosaki - Rich Dad, Poor Dad - </strong><a href="https://amzn.to/3aoyxjC"><strong>https://amzn.to/3aoyxjC</strong></a>
</li>
<li>
<strong>Pat Flynn -Smart Passive Income - </strong><a href="https://www.smartpassiveincome.com/"><strong>https://www.smartpassiveincome.com/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Kevin Ward</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-279-with-kevin-ward-teaching-learning-seizing-opportunity-migrating-to-california-team-building-and-faith]]></link><guid isPermaLink="false">462bd4da-30ae-11ea-baad-5777acae435a</guid><itunes:image href="https://artwork.captivate.fm/c65b69c3-d435-4a97-99da-68f93045d67c/uploads-2f1587348578064-hoowqppe0s5-570a592ebf521b1b5b780c36d58.png"/><pubDate>Mon, 20 Apr 2020 02:44:58 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c0f76261-562d-4000-a94d-85eeebb0ffe4.mp3" length="95445506" type="audio/mpeg"/><itunes:duration>01:06:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>279</itunes:episode><podcast:episode>279</podcast:episode><itunes:summary>Kevin Ward is a producer, engineer, mixer, teacher who has worked with Vince Gill, Willie Nelson, Judy Collins, Dolly Parton, Boots Randolph, Jerry Springer, Vassar Clements, Sam Bush, The Prague Philharmonic Orchestra, Rhonda Vincent and Richie McDonald of Lonestar. Kevin is also behind MixCoach.com where he teaches people to mix in different styles and genres from rock and Jazz to full orchestra and pop country. Kevin is currently the Technical Director at Crosspointe Church in Anaheim, California.
In this episode, we discuss:

Teaching

Learning

Seizing Opportunity

Moving to California

Religion in Pro Audio

Worship Sound

Team Building

Pareto&apos;s Principle

Parkinson&apos;s Law


Links and Show Notes:


Kevin&apos;s Mix Coach - https://mixcoach.com/



Tim Ferris - The Four Hour Work Week - https://amzn.to/2KkQEN4



Robert Kiyosaki - Rich Dad, Poor Dad - https://amzn.to/3aoyxjC



Pat Flynn -Smart Passive Income - https://www.smartpassiveincome.com/



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Kevin Ward


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #278 with the Work From Home Panel - Sara Carter, Jaimeson Durr and Fela Davis join me to talk about all things audio, business and survival in the time of Coronavirus. </title><itunes:title>WCA #278 with the Work From Home Panel - Sara Carter, Jaimeson Durr and Fela Davis join me to talk about all things audio, business and survival in the time of Coronavirus. </itunes:title><description><![CDATA[
        <p>Former WCA guests <strong>Sara Carter, Jaimeson Durr and Fela Davis</strong> join me to talk about all things audio, business and survival in the time of Coronavirus. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Grants</li>
<li>Change in business practice</li>
<li>Resources</li>
<li>Loss of Income</li>
<li>Virtual engineering</li>
<li>Working from home</li>
<li>Podcast production</li>
<li>Technology</li>
<li>Working with family at home</li>
<li>Alternative income streams</li>
<li>Internet Speed</li>
<li>Post virus predictions</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Jaimeson Durr </strong><a href="http://www.jaimesondurr.com/"><strong>http://www.jaimesondurr.com/</strong></a>
</li>
<li>
<strong>Sara Carter </strong><a href="https://www.musicmixpro.co.uk/"><strong>https://www.musicmixpro.co.uk/</strong></a>
</li>
<li>
<strong>Fela Davis </strong><a href="https://www.oneofoneproductions.com/"><strong>https://www.oneofoneproductions.com/</strong></a>
</li>
<li>
<strong>Resource Guide for Music Professionals: </strong><a href="https://bit.ly/2Xw5N5O"><strong>https://bit.ly/2Xw5N5O</strong></a>
</li>
<li>
<strong>Filepass: </strong><a href="https://filepass.com/"><strong>https://filepass.com/</strong></a>
</li>
<li>
<strong>Zoom: </strong><a href="https://zoom.us/"><strong>https://zoom.us/</strong></a>
</li>
<li>
<strong>Bounce Boss: </strong><a href="https://bounceboss.co.uk/"><strong>https://bounceboss.co.uk/</strong></a>
</li>
<li>
<strong>Audio Movers: </strong><a href="https://audiomovers.com/"><strong>https://audiomovers.com/</strong></a>
</li>
<li>
<strong>Connection Open: </strong><a href="https://www.connectionopen.com/"><strong>https://www.connectionopen.com/</strong></a>
</li>
<li>
<strong>Fela's WCA interview: </strong><a href="https://www.workingclassaudio.com/wca-198-with-fela-davis/"><strong>https://www.workingclassaudio.com/wca-198-with-fela-davis/</strong></a>
</li>
<li>
<strong>Sara's WCA interview: </strong><a href="https://www.workingclassaudio.com/wca-194-with-sara-carter/"><strong>https://www.workingclassaudio.com/wca-194-with-sara-carter/</strong></a>
</li>
<li>
<strong>Jaimeson's WCA interview: </strong><a href="https://www.workingclassaudio.com/wca-211-with-jaimeson-durr/"><strong>https://www.workingclassaudio.com/wca-211-with-jaimeson-durr/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guests:</strong> Sara Carter, Jaimeson Durr and Fela Davis</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Former WCA guests <strong>Sara Carter, Jaimeson Durr and Fela Davis</strong> join me to talk about all things audio, business and survival in the time of Coronavirus. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Grants</li>
<li>Change in business practice</li>
<li>Resources</li>
<li>Loss of Income</li>
<li>Virtual engineering</li>
<li>Working from home</li>
<li>Podcast production</li>
<li>Technology</li>
<li>Working with family at home</li>
<li>Alternative income streams</li>
<li>Internet Speed</li>
<li>Post virus predictions</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Jaimeson Durr </strong><a href="http://www.jaimesondurr.com/"><strong>http://www.jaimesondurr.com/</strong></a>
</li>
<li>
<strong>Sara Carter </strong><a href="https://www.musicmixpro.co.uk/"><strong>https://www.musicmixpro.co.uk/</strong></a>
</li>
<li>
<strong>Fela Davis </strong><a href="https://www.oneofoneproductions.com/"><strong>https://www.oneofoneproductions.com/</strong></a>
</li>
<li>
<strong>Resource Guide for Music Professionals: </strong><a href="https://bit.ly/2Xw5N5O"><strong>https://bit.ly/2Xw5N5O</strong></a>
</li>
<li>
<strong>Filepass: </strong><a href="https://filepass.com/"><strong>https://filepass.com/</strong></a>
</li>
<li>
<strong>Zoom: </strong><a href="https://zoom.us/"><strong>https://zoom.us/</strong></a>
</li>
<li>
<strong>Bounce Boss: </strong><a href="https://bounceboss.co.uk/"><strong>https://bounceboss.co.uk/</strong></a>
</li>
<li>
<strong>Audio Movers: </strong><a href="https://audiomovers.com/"><strong>https://audiomovers.com/</strong></a>
</li>
<li>
<strong>Connection Open: </strong><a href="https://www.connectionopen.com/"><strong>https://www.connectionopen.com/</strong></a>
</li>
<li>
<strong>Fela's WCA interview: </strong><a href="https://www.workingclassaudio.com/wca-198-with-fela-davis/"><strong>https://www.workingclassaudio.com/wca-198-with-fela-davis/</strong></a>
</li>
<li>
<strong>Sara's WCA interview: </strong><a href="https://www.workingclassaudio.com/wca-194-with-sara-carter/"><strong>https://www.workingclassaudio.com/wca-194-with-sara-carter/</strong></a>
</li>
<li>
<strong>Jaimeson's WCA interview: </strong><a href="https://www.workingclassaudio.com/wca-211-with-jaimeson-durr/"><strong>https://www.workingclassaudio.com/wca-211-with-jaimeson-durr/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guests:</strong> Sara Carter, Jaimeson Durr and Fela Davis</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-278-with-the-work-from-home-panel-sara-carter-jaimeson-durr-and-fela-davis-join-me-to-talk-about-all-things-audio-business-and-survival-in-the-time-of-coronavirus-]]></link><guid isPermaLink="false">4622262e-30ae-11ea-baad-db3e26e45de7</guid><itunes:image href="https://artwork.captivate.fm/2fca446a-db71-4ba5-b3bc-b9ea41b98e40/uploads-2f1586801013556-4rul2ydbd8h-530d7ae3d9647c4c1434ed91797.png"/><pubDate>Mon, 13 Apr 2020 17:38:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8c2a5fdc-843d-43f2-883c-4b352a1fb07f.mp3" length="73837787" type="audio/mpeg"/><itunes:duration>51:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>278</itunes:episode><podcast:episode>278</podcast:episode><itunes:summary>Former WCA guests Sara Carter, Jaimeson Durr and Fela Davis join me to talk about all things audio, business and survival in the time of Coronavirus. 
In this episode, we discuss:

Grants

Change in business practice

Resources

Loss of Income

Virtual engineering

Working from home

Podcast production

Technology

Working with family at home

Alternative income streams

Internet Speed

Post virus predictions


Links and Show Notes:


Jaimeson Durr http://www.jaimesondurr.com/



Sara Carter https://www.musicmixpro.co.uk/



Fela Davis https://www.oneofoneproductions.com/



Resource Guide for Music Professionals: https://bit.ly/2Xw5N5O



Filepass: https://filepass.com/



Zoom: https://zoom.us/



Bounce Boss: https://bounceboss.co.uk/



Audio Movers: https://audiomovers.com/



Connection Open: https://www.connectionopen.com/



Fela&apos;s WCA interview: https://www.workingclassaudio.com/wca-198-with-fela-davis/



Sara&apos;s WCA interview: https://www.workingclassaudio.com/wca-194-with-sara-carter/



Jaimeson&apos;s WCA interview: https://www.workingclassaudio.com/wca-211-with-jaimeson-durr/



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guests: Sara Carter, Jaimeson Durr and Fela Davis


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #277 with Rafa Sardina - Coming to America, Leaving Medical School, Empathy, People Skills, Educating Clients and No Plan B. </title><itunes:title>WCA #277 with Rafa Sardina - Coming to America, Leaving Medical School, Empathy, People Skills, Educating Clients and No Plan B. </itunes:title><description><![CDATA[
        <p><strong>Rafa Sardina </strong>is a Los Angeles based Grammy winning producer/engineer and mixer who has worked with D’Angelo &amp; The Vanguard, Elvis Costello And The Roots, Stevie Wonder, John Legend, Placido Domingo, Camila Cabello, Miguel, Lady Gaga, Clare Fischer Big Band, Alejandro Sanz, Calle 13, Natalia Lafourcade, Harry Connick Jr., Michael Bublé, Arturo O’Farrill with The Afrocuban Jazz Big Band Orchestra &amp; Chucho Valdes, Tim McGraw</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Coming to America</li>
<li>Life In Spain</li>
<li>Leaving Medical School</li>
<li>Empathy</li>
<li>People Skills</li>
<li>Educating Clients</li>
<li>Leaping Forward from Mistakes</li>
<li>Business Skills</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Rafa's Site: </strong><a href="https://rafasardina.com/"><strong>https://rafasardina.com/</strong></a>
</li>
<li>
<strong>Instagram: </strong><a href="https://www.instagram.com/rafasardina/"><strong>https://www.instagram.com/rafasardina/</strong></a>
</li>
<li>
<strong>Twitter: </strong><a href="https://twitter.com/RafaSardina"><strong>https://twitter.com/RafaSardina</strong></a>
</li>
<li>
<strong>Facebook: </strong><a href="https://www.facebook.com/rafa.sardina"><strong>https://www.facebook.com/rafa.sardina</strong></a>
</li>
<li>
<strong>Facebook Fan Page: </strong><a href="https://www.facebook.com/rafasardinafanpage/"><strong>https://www.facebook.com/rafasardinafanpage/</strong></a>
</li>
<li>
<strong>LinkedIn: </strong><a href="https://www.linkedin.com/in/rafa-sardina-57b5173/"><strong>https://www.linkedin.com/in/rafa-sardina-57b5173/</strong></a>
</li>
<li>
<strong>Barry Rudolph Recall Sheets: </strong><a href="https://www.barryrudolph.com/pages/recalldirectory.html"><strong>https://www.barryrudolph.com/pages/recalldirectory.html</strong></a>
</li>
<li>
<strong>Audio Movers Plugin: </strong><a href="https://audiomovers.com/">https://audiomovers.com/</a>
</li>
<li>
<strong>Source Connect: </strong><a href="https://source-elements.com/products/source-connect"><strong>https://source-elements.com/products/source-connect</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Rafa Sardina</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Rafa Sardina </strong>is a Los Angeles based Grammy winning producer/engineer and mixer who has worked with D’Angelo &amp; The Vanguard, Elvis Costello And The Roots, Stevie Wonder, John Legend, Placido Domingo, Camila Cabello, Miguel, Lady Gaga, Clare Fischer Big Band, Alejandro Sanz, Calle 13, Natalia Lafourcade, Harry Connick Jr., Michael Bublé, Arturo O’Farrill with The Afrocuban Jazz Big Band Orchestra &amp; Chucho Valdes, Tim McGraw</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Coming to America</li>
<li>Life In Spain</li>
<li>Leaving Medical School</li>
<li>Empathy</li>
<li>People Skills</li>
<li>Educating Clients</li>
<li>Leaping Forward from Mistakes</li>
<li>Business Skills</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Rafa's Site: </strong><a href="https://rafasardina.com/"><strong>https://rafasardina.com/</strong></a>
</li>
<li>
<strong>Instagram: </strong><a href="https://www.instagram.com/rafasardina/"><strong>https://www.instagram.com/rafasardina/</strong></a>
</li>
<li>
<strong>Twitter: </strong><a href="https://twitter.com/RafaSardina"><strong>https://twitter.com/RafaSardina</strong></a>
</li>
<li>
<strong>Facebook: </strong><a href="https://www.facebook.com/rafa.sardina"><strong>https://www.facebook.com/rafa.sardina</strong></a>
</li>
<li>
<strong>Facebook Fan Page: </strong><a href="https://www.facebook.com/rafasardinafanpage/"><strong>https://www.facebook.com/rafasardinafanpage/</strong></a>
</li>
<li>
<strong>LinkedIn: </strong><a href="https://www.linkedin.com/in/rafa-sardina-57b5173/"><strong>https://www.linkedin.com/in/rafa-sardina-57b5173/</strong></a>
</li>
<li>
<strong>Barry Rudolph Recall Sheets: </strong><a href="https://www.barryrudolph.com/pages/recalldirectory.html"><strong>https://www.barryrudolph.com/pages/recalldirectory.html</strong></a>
</li>
<li>
<strong>Audio Movers Plugin: </strong><a href="https://audiomovers.com/">https://audiomovers.com/</a>
</li>
<li>
<strong>Source Connect: </strong><a href="https://source-elements.com/products/source-connect"><strong>https://source-elements.com/products/source-connect</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Rafa Sardina</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-277-with-rafa-sardina-coming-to-america-leaving-medical-school-empathy-people-skills-educating-clients-and-no-plan-b-]]></link><guid isPermaLink="false">461885f6-30ae-11ea-baad-bb0f77eed704</guid><itunes:image href="https://artwork.captivate.fm/9b83812f-b3a3-4615-b2c4-33ec034948e0/uploads-2f1586197827648-htevde8hrxt-729d244675d40beda17f2eeeca8.png"/><pubDate>Mon, 06 Apr 2020 19:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d2b01fe6-3a04-4eb0-9d01-991b77c0d25b.mp3" length="89991075" type="audio/mpeg"/><itunes:duration>01:02:30</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>277</itunes:episode><podcast:episode>277</podcast:episode><itunes:summary>Rafa Sardina is a Los Angeles based Grammy winning producer/engineer and mixer who has worked with D’Angelo &amp; The Vanguard, Elvis Costello And The Roots, Stevie Wonder, John Legend, Placido Domingo, Camila Cabello, Miguel, Lady Gaga, Clare Fischer Big Band, Alejandro Sanz, Calle 13, Natalia Lafourcade, Harry Connick Jr., Michael Bublé, Arturo O’Farrill with The Afrocuban Jazz Big Band Orchestra &amp; Chucho Valdes, Tim McGraw
In this episode, we discuss:

Coming to America

Life In Spain

Leaving Medical School

Empathy

People Skills

Educating Clients

Leaping Forward from Mistakes

Business Skills


Links and Show Notes:


Rafa&apos;s Site: https://rafasardina.com/



Instagram: https://www.instagram.com/rafasardina/



Twitter: https://twitter.com/RafaSardina



Facebook: https://www.facebook.com/rafa.sardina



Facebook Fan Page: https://www.facebook.com/rafasardinafanpage/



LinkedIn: https://www.linkedin.com/in/rafa-sardina-57b5173/



Barry Rudolph Recall Sheets: https://www.barryrudolph.com/pages/recalldirectory.html



Audio Movers Plugin: https://audiomovers.com/



Source Connect: https://source-elements.com/products/source-connect



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Rafa Sardina


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #276 with Matthew Boudreau - Soul-Sucking Jobs, Audio Drama, Field Recording, Spiderman vs Draco The Dragon, and the Language of Audio</title><itunes:title>WCA #276 with Matthew Boudreau - Soul-Sucking Jobs, Audio Drama, Field Recording, Spiderman vs Draco The Dragon, and the Language of Audio</itunes:title><description><![CDATA[
        <p><strong>No, I'm not interviewing myself! As it turns out, there are two Boudreau's in the world of audio named Matt (Me) and Matthew (my guest). </strong></p><p><strong>Matthew Boudreau</strong> is a field recordist, podcast producer, consultant and editor, and sound designer living in Buffalo, NY. </p><p>Matthew has been working in podcasting since 2008 and has over 20 years experience as an audio professional, working in computer multimedia, theatre sound, studio recording, film, and sound effects field recording. He is the founder of the 11th Hour Audio Challenge, an annual podcast event that challenges audio drama producers to collaborate in creating works of horror in the month of October.</p><p>Matthew’s audio post-production company, Uberduo, sells immersive sound effect bundles dedicated to the exploration and reproduction of locations and props for film and audio fiction. His sound effect bundles can be found on http://www.asoundeffect.com and individual sound effects can be found at soundsnap.com.</p><p>Matthew was the dialogue editor for the Audible productions, Locke and Key and X-Files: Cold Cases. He has spoken at CONvergence in Bloomington, Minnesota and SXSW in Austin Texas on topics including voice acting, sound design, and making the jump from film to podcast fiction. His audio fiction pieces 1918, Intensive Care and A Prophets Guide have won Mark Time and Ogle awards. In addition to the annual 11th Hour Challenge, his current podcast projects include sound design for The Once and Future Nerd and editing for The Activist Files for the Center for Constitutional Rights. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><strong>The Language of Audio</strong></li>
<li><strong>Spiderman vs Draco The Dragon</strong></li>
<li><strong>Joining the military</strong></li>
<li><strong>Soul-Sucking Jobs</strong></li>
<li><strong>Audio Drama</strong></li>
<li><strong>Field Recording</strong></li>
<li><strong>Podcasts</strong></li>
<li><strong>Stealth Recording</strong></li>
<li><strong>The Buffalo Border Patrol</strong></li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Matthew's Company: </strong><a href="https://www.uberduo.com/"><strong>https://www.uberduo.com/</strong></a>
</li>
<li>
<strong>Matthew's Linkedin: </strong><a href="https://www.linkedin.com/in/matthew-boudreau-a60a4b7/"><strong>https://www.linkedin.com/in/matthew-boudreau-a60a4b7/</strong></a>
</li>
<li>
<strong>Podcast Host: </strong><a href="https://www.thepodcasthost.com/"><strong>https://www.thepodcasthost.com/</strong></a>
</li>
<li>
<strong>Field Recording by Paul: Virostek: </strong><a href="https://amzn.to/2WVMuCO"><strong>https://amzn.to/2WVMuCO</strong></a>
</li>
<li>
<strong>Rick Viers Location Sound: </strong><a href="https://amzn.to/3bA82J8"><strong>https://amzn.to/3bA82J8</strong></a>
</li>
<li>
<strong>Rick Viers Sound Effects Bible: </strong><a href="https://amzn.to/39uRCR1"><strong>https://amzn.to/39uRCR1</strong></a>
</li>
<li>
<strong>Get work!: </strong><a href="https://www.mandy.com/"><strong>https://www.mandy.com/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Matthew Boudreau</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>No, I'm not interviewing myself! As it turns out, there are two Boudreau's in the world of audio named Matt (Me) and Matthew (my guest). </strong></p><p><strong>Matthew Boudreau</strong> is a field recordist, podcast producer, consultant and editor, and sound designer living in Buffalo, NY. </p><p>Matthew has been working in podcasting since 2008 and has over 20 years experience as an audio professional, working in computer multimedia, theatre sound, studio recording, film, and sound effects field recording. He is the founder of the 11th Hour Audio Challenge, an annual podcast event that challenges audio drama producers to collaborate in creating works of horror in the month of October.</p><p>Matthew’s audio post-production company, Uberduo, sells immersive sound effect bundles dedicated to the exploration and reproduction of locations and props for film and audio fiction. His sound effect bundles can be found on http://www.asoundeffect.com and individual sound effects can be found at soundsnap.com.</p><p>Matthew was the dialogue editor for the Audible productions, Locke and Key and X-Files: Cold Cases. He has spoken at CONvergence in Bloomington, Minnesota and SXSW in Austin Texas on topics including voice acting, sound design, and making the jump from film to podcast fiction. His audio fiction pieces 1918, Intensive Care and A Prophets Guide have won Mark Time and Ogle awards. In addition to the annual 11th Hour Challenge, his current podcast projects include sound design for The Once and Future Nerd and editing for The Activist Files for the Center for Constitutional Rights. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><strong>The Language of Audio</strong></li>
<li><strong>Spiderman vs Draco The Dragon</strong></li>
<li><strong>Joining the military</strong></li>
<li><strong>Soul-Sucking Jobs</strong></li>
<li><strong>Audio Drama</strong></li>
<li><strong>Field Recording</strong></li>
<li><strong>Podcasts</strong></li>
<li><strong>Stealth Recording</strong></li>
<li><strong>The Buffalo Border Patrol</strong></li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Matthew's Company: </strong><a href="https://www.uberduo.com/"><strong>https://www.uberduo.com/</strong></a>
</li>
<li>
<strong>Matthew's Linkedin: </strong><a href="https://www.linkedin.com/in/matthew-boudreau-a60a4b7/"><strong>https://www.linkedin.com/in/matthew-boudreau-a60a4b7/</strong></a>
</li>
<li>
<strong>Podcast Host: </strong><a href="https://www.thepodcasthost.com/"><strong>https://www.thepodcasthost.com/</strong></a>
</li>
<li>
<strong>Field Recording by Paul: Virostek: </strong><a href="https://amzn.to/2WVMuCO"><strong>https://amzn.to/2WVMuCO</strong></a>
</li>
<li>
<strong>Rick Viers Location Sound: </strong><a href="https://amzn.to/3bA82J8"><strong>https://amzn.to/3bA82J8</strong></a>
</li>
<li>
<strong>Rick Viers Sound Effects Bible: </strong><a href="https://amzn.to/39uRCR1"><strong>https://amzn.to/39uRCR1</strong></a>
</li>
<li>
<strong>Get work!: </strong><a href="https://www.mandy.com/"><strong>https://www.mandy.com/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Matthew Boudreau</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-276-with-matthew-boudreau-soul-sucking-jobs-audio-drama-field-recording-spiderman-vs-draco-the-dragon-and-the-language-of-audio]]></link><guid isPermaLink="false">460f3da2-30ae-11ea-baad-cbc8d9443d2e</guid><itunes:image href="https://artwork.captivate.fm/782eba87-450b-4228-98ca-503351634cb3/uploads-2f1585591016812-crax65ednke-5ad6d8ce8581710b2ea278c5280.png"/><pubDate>Mon, 30 Mar 2020 18:44:32 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/eb4c099e-7ee8-4f0b-8c48-b1b475c9b2ba.mp3" length="69764876" type="audio/mpeg"/><itunes:duration>48:27</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>276</itunes:episode><podcast:episode>276</podcast:episode><itunes:summary>No, I&apos;m not interviewing myself! As it turns out, there are two Boudreau&apos;s in the world of audio named Matt (Me) and Matthew (my guest). 
Matthew Boudreau is a field recordist, podcast producer, consultant and editor, and sound designer living in Buffalo, NY. 
Matthew has been working in podcasting since 2008 and has over 20 years experience as an audio professional, working in computer multimedia, theatre sound, studio recording, film, and sound effects field recording. He is the founder of the 11th Hour Audio Challenge, an annual podcast event that challenges audio drama producers to collaborate in creating works of horror in the month of October.
Matthew’s audio post-production company, Uberduo, sells immersive sound effect bundles dedicated to the exploration and reproduction of locations and props for film and audio fiction. His sound effect bundles can be found on http://www.asoundeffect.com and individual sound effects can be found at soundsnap.com.
Matthew was the dialogue editor for the Audible productions, Locke and Key and X-Files: Cold Cases. He has spoken at CONvergence in Bloomington, Minnesota and SXSW in Austin Texas on topics including voice acting, sound design, and making the jump from film to podcast fiction. His audio fiction pieces 1918, Intensive Care and A Prophets Guide have won Mark Time and Ogle awards. In addition to the annual 11th Hour Challenge, his current podcast projects include sound design for The Once and Future Nerd and editing for The Activist Files for the Center for Constitutional Rights. 
In this episode, we discuss:

The Language of Audio

Spiderman vs Draco The Dragon

Joining the military

Soul-Sucking Jobs

Audio Drama

Field Recording

Podcasts

Stealth Recording

The Buffalo Border Patrol


Links and Show Notes:


Matthew&apos;s Company: https://www.uberduo.com/



Matthew&apos;s Linkedin: https://www.linkedin.com/in/matthew-boudreau-a60a4b7/



Podcast Host: https://www.thepodcasthost.com/



Field Recording by Paul: Virostek: https://amzn.to/2WVMuCO



Rick Viers Location Sound: https://amzn.to/3bA82J8



Rick Viers Sound Effects Bible: https://amzn.to/39uRCR1



Get work!: https://www.mandy.com/



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Matthew Boudreau


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #275 with Carlos Novais - Life on the road, Brazil, Organization, Multi-Tasking and the loss of gigs due to Coronavirus. </title><itunes:title>WCA #275 with Carlos Novais - Life on the road, Brazil, Organization, Multi-Tasking and the loss of gigs due to Coronavirus. </itunes:title><description><![CDATA[
        <p><strong>Carlos Novais</strong> is a sound engineer, tour manager and production manager. He was born and raised in São Paulo, Brazil and came to the United States in 1999.</p><p>He has worked with Candlebox, The Plain White T's, Vonda Shepard, Survivor, Amos Lee, Andrew Bird, Sugarland, Keb’ Mo’, Thin Lizzy, The Answer, Ace Frehley, Airto Moreira &amp; Flora Purim, among others.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><strong>Growing up in Brazil</strong></li>
<li><strong>Moving to America</strong></li>
<li><strong>Life on the road</strong></li>
<li><strong>Working long hours</strong></li>
<li><strong>Multitasking</strong></li>
<li><strong>Finances</strong></li>
<li><strong>Relationships</strong></li>
<li><strong>Being Organized</strong></li>
<li><strong>Corona's virus and the loss of gigs. </strong></li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Carlos on Linkedin: </strong><a href="https://www.linkedin.com/in/carlos-novais/"><strong>https://www.linkedin.com/in/carlos-novais/</strong></a>
</li>
<li>
<strong>Zoom: </strong><a href="http://www.zoom.us"><strong>http://www.zoom.us</strong></a>
</li>
<li>
<strong>Master Tour: </strong><a href="https://www.eventric.com/master-tour-management-software/"><strong>https://www.eventric.com/master-tour-management-software/</strong></a>
</li>
<li>
<strong>Acorns: </strong><a href="http://www.acorns.com"><strong>http://www.acorns.com</strong></a>
</li>
<li>
<strong>Bobnet: </strong><a href="https://www.bobnet.rocks/"><strong>https://www.bobnet.rocks/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Carlos Novais</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Carlos Novais</strong> is a sound engineer, tour manager and production manager. He was born and raised in São Paulo, Brazil and came to the United States in 1999.</p><p>He has worked with Candlebox, The Plain White T's, Vonda Shepard, Survivor, Amos Lee, Andrew Bird, Sugarland, Keb’ Mo’, Thin Lizzy, The Answer, Ace Frehley, Airto Moreira &amp; Flora Purim, among others.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li><strong>Growing up in Brazil</strong></li>
<li><strong>Moving to America</strong></li>
<li><strong>Life on the road</strong></li>
<li><strong>Working long hours</strong></li>
<li><strong>Multitasking</strong></li>
<li><strong>Finances</strong></li>
<li><strong>Relationships</strong></li>
<li><strong>Being Organized</strong></li>
<li><strong>Corona's virus and the loss of gigs. </strong></li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Carlos on Linkedin: </strong><a href="https://www.linkedin.com/in/carlos-novais/"><strong>https://www.linkedin.com/in/carlos-novais/</strong></a>
</li>
<li>
<strong>Zoom: </strong><a href="http://www.zoom.us"><strong>http://www.zoom.us</strong></a>
</li>
<li>
<strong>Master Tour: </strong><a href="https://www.eventric.com/master-tour-management-software/"><strong>https://www.eventric.com/master-tour-management-software/</strong></a>
</li>
<li>
<strong>Acorns: </strong><a href="http://www.acorns.com"><strong>http://www.acorns.com</strong></a>
</li>
<li>
<strong>Bobnet: </strong><a href="https://www.bobnet.rocks/"><strong>https://www.bobnet.rocks/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Carlos Novais</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-275-with-carlos-novais-life-on-the-road-brazil-organization-multi-tasking-and-the-loss-of-gigs-due-to-coronavirus-]]></link><guid isPermaLink="false">4605ceac-30ae-11ea-baad-1b5fc815b82f</guid><itunes:image href="https://artwork.captivate.fm/cb185838-d9d2-4d94-9a68-64f51b56d8a8/uploads-2f1584980101843-1rwwna6sbda-fd9c301678aa7ed27a2cee49cd3.png"/><pubDate>Mon, 23 Mar 2020 16:29:28 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1cb1e053-4598-4542-90c6-117e863d1428.mp3" length="79516731" type="audio/mpeg"/><itunes:duration>55:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>275</itunes:episode><podcast:episode>275</podcast:episode><itunes:summary>Carlos Novais is a sound engineer, tour manager and production manager. He was born and raised in São Paulo, Brazil and came to the United States in 1999.
He has worked with Candlebox, The Plain White T&apos;s, Vonda Shepard, Survivor, Amos Lee, Andrew Bird, Sugarland, Keb’ Mo’, Thin Lizzy, The Answer, Ace Frehley, Airto Moreira &amp; Flora Purim, among others.
In this episode, we discuss:

Growing up in Brazil

Moving to America

Life on the road

Working long hours

Multitasking

Finances

Relationships

Being Organized

Corona&apos;s virus and the loss of gigs. 


Links and Show Notes:


Carlos on Linkedin: https://www.linkedin.com/in/carlos-novais/



Zoom: http://www.zoom.us



Master Tour: https://www.eventric.com/master-tour-management-software/



Acorns: http://www.acorns.com



Bobnet: https://www.bobnet.rocks/



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Carlos Novais


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #274 with Katie McMurran - NPR, KQED, Podcasts, Interviewing for Audio Gigs, Codecs and Staying Calm Under Pressure. </title><itunes:title>WCA #274 with Katie McMurran - NPR, KQED, Podcasts, Interviewing for Audio Gigs, Codecs and Staying Calm Under Pressure. </itunes:title><description><![CDATA[
        <p><strong>Katie McMurran</strong> is a sound engineer with over 10 years of experience recording, editing, mixing and mastering audio for public radio and podcasts. She has also provided sound design and original music for theater, film, corporate conferences and art installations. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>NPR</li>
<li>KQED</li>
<li>Podcasts</li>
<li>Interviewing for radio gigs</li>
<li>CODECS</li>
<li>Staying Calm Under Pressure</li>
<li>Rates</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Information is Beautiful </strong><a href="https://bit.ly/2WpsWWS"><strong>https://bit.ly/2WpsWWS</strong></a>
</li>
<li>
<strong>Coronavirus COVID-19 Global Cases</strong> <a href="https://bit.ly/2WkqGR4"><strong>https://bit.ly/2WkqGR4</strong></a>
</li>
<li>
<strong>Michael Osterholm Interview: </strong><a href="https://youtu.be/E3URhJx0NSw"><strong>https://youtu.be/E3URhJx0NSw</strong></a>
</li>
<li>
<strong>Comrex: </strong><a href="https://www.comrex.com/"><strong>https://www.comrex.com/</strong></a>
</li>
<li>
<strong>Katie on Linkedin: </strong><a href="https://www.linkedin.com/in/katiemcmurran/"><strong>https://www.linkedin.com/in/katiemcmurran/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Katie McMurran</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Katie McMurran</strong> is a sound engineer with over 10 years of experience recording, editing, mixing and mastering audio for public radio and podcasts. She has also provided sound design and original music for theater, film, corporate conferences and art installations. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>NPR</li>
<li>KQED</li>
<li>Podcasts</li>
<li>Interviewing for radio gigs</li>
<li>CODECS</li>
<li>Staying Calm Under Pressure</li>
<li>Rates</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Information is Beautiful </strong><a href="https://bit.ly/2WpsWWS"><strong>https://bit.ly/2WpsWWS</strong></a>
</li>
<li>
<strong>Coronavirus COVID-19 Global Cases</strong> <a href="https://bit.ly/2WkqGR4"><strong>https://bit.ly/2WkqGR4</strong></a>
</li>
<li>
<strong>Michael Osterholm Interview: </strong><a href="https://youtu.be/E3URhJx0NSw"><strong>https://youtu.be/E3URhJx0NSw</strong></a>
</li>
<li>
<strong>Comrex: </strong><a href="https://www.comrex.com/"><strong>https://www.comrex.com/</strong></a>
</li>
<li>
<strong>Katie on Linkedin: </strong><a href="https://www.linkedin.com/in/katiemcmurran/"><strong>https://www.linkedin.com/in/katiemcmurran/</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Katie McMurran</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-274-with-katie-mcmurran-npr-kqed-podcasts-interviewing-for-audio-gigs-codecs-and-staying-calm-under-pressure-]]></link><guid isPermaLink="false">45fc5c00-30ae-11ea-baad-bb2001f4727b</guid><itunes:image href="https://artwork.captivate.fm/4a17c88e-c885-41ff-a826-eee943251464/uploads-2f1584385615618-k6iz54z2h4k-88e0a39f5aabb0b32e58a4767df.png"/><pubDate>Mon, 16 Mar 2020 19:38:14 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/625dbb09-b628-443d-981a-8fca8718e069.mp3" length="69842962" type="audio/mpeg"/><itunes:duration>48:30</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>274</itunes:episode><podcast:episode>274</podcast:episode><itunes:summary>Katie McMurran is a sound engineer with over 10 years of experience recording, editing, mixing and mastering audio for public radio and podcasts. She has also provided sound design and original music for theater, film, corporate conferences and art installations. 
In this episode, we discuss:

NPR

KQED

Podcasts

Interviewing for radio gigs

CODECS

Staying Calm Under Pressure

Rates


Links and Show Notes:


Information is Beautiful https://bit.ly/2WpsWWS



Coronavirus COVID-19 Global Cases https://bit.ly/2WkqGR4



Michael Osterholm Interview: https://youtu.be/E3URhJx0NSw



Comrex: https://www.comrex.com/



Katie on Linkedin: https://www.linkedin.com/in/katiemcmurran/



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Katie McMurran


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #273 with Maya Finlay - Mentors, Rosanne Cash, Meditation, Finances Being an Introvert and taking City Cabs</title><itunes:title>WCA #273 with Maya Finlay - Mentors, Rosanne Cash, Meditation, Finances Being an Introvert and taking City Cabs</itunes:title><description><![CDATA[<h3><strong>WCA #273 with Maya Finlay – Mentors, Rosanne Cash, Meditation, Finances Being an Introvert and taking City Cabs</strong></h3><p><strong>Maya Finlay</strong>&nbsp;is an audio engineer, producer, songwriter and multi-instrumentalist based in San Francisco, CA.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>SFJAZZ</li><li>Mentors</li><li>VO Work</li><li>Live Sound</li><li>Dolby Labs</li><li>Rosanne Cash</li><li>Work/Life Balance</li><li>Being an Introvert</li><li>Meditation</li><li>Finances</li><li>City Cabs</li><li>Passion for Music</li><li>Client Diplomacy</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Maya’s Linkedin Profile:&nbsp;</strong><a href="https://www.linkedin.com/in/mayafinlay/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mayafinlay/</strong></a></li><li><strong>Maya’s Site:&nbsp;</strong><a href="https://my-fy.com/" rel="noopener noreferrer" target="_blank"><strong>https://my-fy.com/</strong></a></li><li><strong>The Minimalists:&nbsp;</strong><a href="https://www.theminimalists.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.theminimalists.com/</strong></a></li><li><strong>Marie Kondo Show:&nbsp;</strong><a href="https://www.netflix.com/title/80209379" rel="noopener noreferrer" target="_blank"><strong>https://www.netflix.com/title/80209379</strong></a></li><li><strong>Life Edited TED talk:&nbsp;</strong><a href="https://bit.ly/2wKgBSI" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2wKgBSI</strong></a></li><li><strong>Support WCA – Go Ad-Free!&nbsp;</strong><a href="https://glow.fm/workingclassaudio/" rel="noopener noreferrer" target="_blank"><strong>https://glow.fm/workingclassaudio/</strong></a></li><li><strong>Connect with Matt on Linkedin:&nbsp;</strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a></li><li><strong>Current sponsors &amp; promos:&nbsp;</strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Maya Finlay</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3><strong>WCA #273 with Maya Finlay – Mentors, Rosanne Cash, Meditation, Finances Being an Introvert and taking City Cabs</strong></h3><p><strong>Maya Finlay</strong>&nbsp;is an audio engineer, producer, songwriter and multi-instrumentalist based in San Francisco, CA.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>SFJAZZ</li><li>Mentors</li><li>VO Work</li><li>Live Sound</li><li>Dolby Labs</li><li>Rosanne Cash</li><li>Work/Life Balance</li><li>Being an Introvert</li><li>Meditation</li><li>Finances</li><li>City Cabs</li><li>Passion for Music</li><li>Client Diplomacy</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Maya’s Linkedin Profile:&nbsp;</strong><a href="https://www.linkedin.com/in/mayafinlay/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mayafinlay/</strong></a></li><li><strong>Maya’s Site:&nbsp;</strong><a href="https://my-fy.com/" rel="noopener noreferrer" target="_blank"><strong>https://my-fy.com/</strong></a></li><li><strong>The Minimalists:&nbsp;</strong><a href="https://www.theminimalists.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.theminimalists.com/</strong></a></li><li><strong>Marie Kondo Show:&nbsp;</strong><a href="https://www.netflix.com/title/80209379" rel="noopener noreferrer" target="_blank"><strong>https://www.netflix.com/title/80209379</strong></a></li><li><strong>Life Edited TED talk:&nbsp;</strong><a href="https://bit.ly/2wKgBSI" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2wKgBSI</strong></a></li><li><strong>Support WCA – Go Ad-Free!&nbsp;</strong><a href="https://glow.fm/workingclassaudio/" rel="noopener noreferrer" target="_blank"><strong>https://glow.fm/workingclassaudio/</strong></a></li><li><strong>Connect with Matt on Linkedin:&nbsp;</strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a></li><li><strong>Current sponsors &amp; promos:&nbsp;</strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Maya Finlay</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-273-with-maya-finlay-mentors-rosanne-cash-meditation-finances-being-an-introvert-and-taking-city-cabs]]></link><guid isPermaLink="false">45f288ce-30ae-11ea-baad-b751249f3aef</guid><itunes:image href="https://artwork.captivate.fm/57dbb762-abf2-4422-9ba7-62a5654e64ff/uploads-2f1583768792873-zr5xpk4xlos-0700b1697734192873317ba4feb.png"/><pubDate>Mon, 09 Mar 2020 17:07:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c2a72bcc-7169-459c-ac67-c3254ac68e93.mp3" length="54587477" type="audio/mpeg"/><itunes:duration>37:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>273</itunes:episode><podcast:episode>273</podcast:episode><itunes:summary>Maya Finlay is an audio engineer, producer, songwriter and multi-instrumentalist based in San Francisco, CA.
In this episode, we discuss:

SFJAZZ

Mentors

VO Work

Live Sound

Dolby Labs

Rosanne Cash

Work/Life Balance

Being an Introvert

Meditation

Finances

City Cabs

Passion for Music

Client Diplomacy


Links and Show Notes:


Maya&apos;s Linkedin Profile: https://www.linkedin.com/in/mayafinlay/



Maya&apos;s Site: https://my-fy.com/



The Minimalists:  https://www.theminimalists.com/



Marie Kondo Show: https://www.netflix.com/title/80209379



Life Edited TED talk: https://bit.ly/2wKgBSI



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Maya Finlay


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #272 with Alberto Hernandez - Fantasy Studios, Planning for Sessions, Health Insurance, Multi-Lingual advantage, and Serving the Clients. </title><itunes:title>WCA #272 with Alberto Hernandez - Fantasy Studios, Planning for Sessions, Health Insurance, Multi-Lingual advantage, and Serving the Clients. </itunes:title><description><![CDATA[
        <p><strong>Alberto Hernandez</strong> is a San Francisco Bay Area-based audio engineer, music mixer, and music producer. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Fantasy Studios</li>
<li>Languages</li>
<li>Health Insurance</li>
<li>Planning for Sessions</li>
<li>Budget Rejection</li>
<li>Serving the Clients</li>
<li>Mistakes</li>
<li>Business advice</li>
<li>Worth to your Work</li>
<li>Retirement</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Alberto's Site: </strong><a href="https://www.albertohernandezaudio.com/"><strong>https://www.albertohernandezaudio.com/</strong></a>
</li>
<li>
<strong>Quickbooks Self Employed: </strong><a href="http://fbuy.me/oLXTP"><strong>http://fbuy.me/oLXTP</strong></a>
</li>
<li>
<strong>Miles Davis Documentary:</strong><a href="%20https://to.pbs.org/2Ib3Jav"><strong> https://to.pbs.org/2Ib3Jav</strong></a>
</li>
<li>
<strong>Matt's Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic"><strong>https://bit.ly/2Mi0Wic</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Alberto Hernandez</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Alberto Hernandez</strong> is a San Francisco Bay Area-based audio engineer, music mixer, and music producer. </p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Fantasy Studios</li>
<li>Languages</li>
<li>Health Insurance</li>
<li>Planning for Sessions</li>
<li>Budget Rejection</li>
<li>Serving the Clients</li>
<li>Mistakes</li>
<li>Business advice</li>
<li>Worth to your Work</li>
<li>Retirement</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Alberto's Site: </strong><a href="https://www.albertohernandezaudio.com/"><strong>https://www.albertohernandezaudio.com/</strong></a>
</li>
<li>
<strong>Quickbooks Self Employed: </strong><a href="http://fbuy.me/oLXTP"><strong>http://fbuy.me/oLXTP</strong></a>
</li>
<li>
<strong>Miles Davis Documentary:</strong><a href="%20https://to.pbs.org/2Ib3Jav"><strong> https://to.pbs.org/2Ib3Jav</strong></a>
</li>
<li>
<strong>Matt's Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic"><strong>https://bit.ly/2Mi0Wic</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Alberto Hernandez</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-272-with-alberto-hernandez-fantasy-studios-planning-for-sessions-health-insurance-multi-lingual-advantage-and-serving-the-clients-]]></link><guid isPermaLink="false">45e8c668-30ae-11ea-baad-37e046ce71a1</guid><itunes:image href="https://artwork.captivate.fm/478d3541-4448-47f6-89c9-032eec4e578f/uploads-2f1583168813483-exrl987alji-968c0ed62545e618c004d480b4e.png"/><pubDate>Mon, 02 Mar 2020 17:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3ec5e3dc-8ca7-4d6b-b163-fb5827455486.mp3" length="60529710" type="audio/mpeg"/><itunes:duration>42:02</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>272</itunes:episode><podcast:episode>272</podcast:episode><itunes:summary>Alberto Hernandez is a San Francisco Bay Area-based audio engineer, music mixer, and music producer. 
In this episode, we discuss:

Fantasy Studios

Languages

Health Insurance

Planning for Sessions

Budget Rejection

Serving the Clients

Mistakes

Business advice

Worth to your Work

Retirement


Links and Show Notes:


Alberto&apos;s Site: https://www.albertohernandezaudio.com/



Quickbooks Self Employed: http://fbuy.me/oLXTP



Miles Davis Documentary: https://to.pbs.org/2Ib3Jav



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Alberto Hernandez


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #271 with Dusty Wakeman - Texas Roots, Mad Dog Studios, Hard Drives &amp; Hammers, David Royer and Mojave Audio</title><itunes:title>WCA #271 with Dusty Wakeman - Texas Roots, Mad Dog Studios, Hard Drives &amp; Hammers, David Royer and Mojave Audio</itunes:title><description><![CDATA[
        <p><strong>Dusty Wakeman </strong>is a bass player, producer, engineer and currently the President of Mojave Audio.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Mad Dog Studios</li>
<li>Texas Roots</li>
<li>Playing bass</li>
<li>Running a studio</li>
<li>Hard Drives and Hammers</li>
<li>Mojave Audio</li>
<li>David Royer</li>
<li>Viral Meningitis</li>
<li>Coronavirus</li>
<li>Hot Yoga</li>
<li>Dwight Yokam</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Mojave Audio: </strong><a href="https://mojaveaudio.com/"><strong>https://mojaveaudio.com/</strong></a>
</li>
<li>
<strong>Peter Doell: </strong><a href="https://www.workingclassaudio.com/wca-051-with-peter-doell/"><strong>https://www.workingclassaudio.com/wca-051-with-peter-doell/</strong></a>
</li>
<li>
<strong>Matt's Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic"><strong>https://bit.ly/2Mi0Wic</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
<li>
<strong>Soundtheory:</strong><a href="https://www.soundtheory.com/"><strong>https://www.soundtheory.com/</strong></a>
</li>
<li>
<strong>Sonible: </strong><a href="https://www.sonible.com/"><strong>https://www.sonible.com/</strong></a>
</li>
<li>
<strong>OEK: </strong><a href="https://oeksound.com/"><strong>https://oeksound.com/</strong></a>
</li>
<li>
<strong>Izotope: </strong><a href="https://www.izotope.com/"><strong>https://www.izotope.com/</strong></a>
</li>
<li>
<strong>Waves: </strong><a href="https://www.waves.com/"><strong>https://www.waves.com/</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Dusty Wakeman</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Dusty Wakeman </strong>is a bass player, producer, engineer and currently the President of Mojave Audio.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Mad Dog Studios</li>
<li>Texas Roots</li>
<li>Playing bass</li>
<li>Running a studio</li>
<li>Hard Drives and Hammers</li>
<li>Mojave Audio</li>
<li>David Royer</li>
<li>Viral Meningitis</li>
<li>Coronavirus</li>
<li>Hot Yoga</li>
<li>Dwight Yokam</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Mojave Audio: </strong><a href="https://mojaveaudio.com/"><strong>https://mojaveaudio.com/</strong></a>
</li>
<li>
<strong>Peter Doell: </strong><a href="https://www.workingclassaudio.com/wca-051-with-peter-doell/"><strong>https://www.workingclassaudio.com/wca-051-with-peter-doell/</strong></a>
</li>
<li>
<strong>Matt's Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic"><strong>https://bit.ly/2Mi0Wic</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
<li>
<strong>Soundtheory:</strong><a href="https://www.soundtheory.com/"><strong>https://www.soundtheory.com/</strong></a>
</li>
<li>
<strong>Sonible: </strong><a href="https://www.sonible.com/"><strong>https://www.sonible.com/</strong></a>
</li>
<li>
<strong>OEK: </strong><a href="https://oeksound.com/"><strong>https://oeksound.com/</strong></a>
</li>
<li>
<strong>Izotope: </strong><a href="https://www.izotope.com/"><strong>https://www.izotope.com/</strong></a>
</li>
<li>
<strong>Waves: </strong><a href="https://www.waves.com/"><strong>https://www.waves.com/</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Dusty Wakeman</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-271-with-dusty-wakeman-texas-roots-mad-dog-studios-hard-drives-hammers-david-royer-and-mojave-audio]]></link><guid isPermaLink="false">45dee684-30ae-11ea-baad-3fcc62c5868b</guid><itunes:image href="https://artwork.captivate.fm/507cc7fc-8990-42f5-b856-158e25133dee/uploads-2f1582566503797-xza4chrucdj-c27d44c1198195f7b2bddab7c58.png"/><pubDate>Mon, 24 Feb 2020 18:46:16 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a18b0b39-d67b-4a3a-8ed6-b3b850ae26a6.mp3" length="80923396" type="audio/mpeg"/><itunes:duration>56:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>271</itunes:episode><podcast:episode>271</podcast:episode><itunes:summary>Dusty Wakeman is a bass player, producer, engineer and currently the President of Mojave Audio.
In this episode, we discuss:

Mad Dog Studios

Texas Roots

Playing bass

Running a studio

Hard Drives and Hammers

Mojave Audio

David Royer

Viral Meningitis

Coronavirus

Hot Yoga

Dwight Yokam


Links and Show Notes:


Mojave Audio: https://mojaveaudio.com/



Peter Doell: https://www.workingclassaudio.com/wca-051-with-peter-doell/



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Soundtheory:https://www.soundtheory.com/



Sonible: https://www.sonible.com/



OEK: https://oeksound.com/



Izotope: https://www.izotope.com/



Waves: https://www.waves.com/



Credits:


Guest: Dusty Wakeman


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #270 with Dereck Blackburn - Studio Building, Dual Electrical Systems, Mini Splits, Community Participation, Mastermind Groups and Meditation. </title><itunes:title>WCA #270 with Dereck Blackburn - Studio Building, Dual Electrical Systems, Mini Splits, Community Participation, Mastermind Groups and Meditation. </itunes:title><description><![CDATA[
        <p><strong>Dereck Blackburn </strong>is a consultant, recording engineer/producer, and multi-instrumentalist in Bedford, Massachusetts. You can read more about Dereck at <a href="http://quiethouserecording.com/">http://quiethouserecording.com/</a> .</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>MIT</li>
<li>Audio Builders Workshop</li>
<li>Building Quiethouse Recording</li>
<li>Not working too many hours</li>
<li>Productivity Tools</li>
<li>Dual Electrical Systems</li>
<li>Energy Bills</li>
<li>Mini Splits</li>
<li>Community Participation</li>
<li>Mastermind Groups</li>
<li>Meditation</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Quiethouse Recording </strong><a href="http://quiethouserecording.com/"><strong>http://quiethouserecording.com/</strong></a>
</li>
<li>
<strong>Lou Clark</strong> <a href="http://sonic-space.com/home.html"><strong>http://sonic-space.com/home.html</strong></a>
</li>
<li>
<strong>Dereck uses: </strong><a href="https://invoiced.com/"><strong>https://invoiced.com/</strong></a>
</li>
<li>
<strong>Dereck uses: </strong><a href="https://fidbak.audio/"><strong>https://fidbak.audio/</strong></a>
</li>
<li>
<strong>Bill Whitlock: </strong><a href="http://www.aes.org/aes/bill-whitlock"><strong>http://www.aes.org/aes/bill-whitlock</strong></a>
</li>
<li>
<strong>Mini Splits: </strong><a href="https://bit.ly/2HC9n53"><strong>https://bit.ly/2HC9n53</strong></a>
</li>
<li>
<strong>Facebook News Feed Eradicator: </strong><a href="https://bit.ly/37yAMj1"><strong>https://bit.ly/37yAMj1</strong></a>
</li>
<li>
<strong>Michael Beinhorn's Book: </strong><a href="https://amzn.to/38CCnWe"><strong>https://amzn.to/38CCnWe</strong></a>
</li>
<li>
<strong>Sylvia's Book: </strong><a href="https://amzn.to/2vJlnzm"><strong>https://amzn.to/2vJlnzm</strong></a>
</li>
<li>
<strong>Matt's Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic"><strong>https://bit.ly/2Mi0Wic</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Dereck Blackburn</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Dereck Blackburn </strong>is a consultant, recording engineer/producer, and multi-instrumentalist in Bedford, Massachusetts. You can read more about Dereck at <a href="http://quiethouserecording.com/">http://quiethouserecording.com/</a> .</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>MIT</li>
<li>Audio Builders Workshop</li>
<li>Building Quiethouse Recording</li>
<li>Not working too many hours</li>
<li>Productivity Tools</li>
<li>Dual Electrical Systems</li>
<li>Energy Bills</li>
<li>Mini Splits</li>
<li>Community Participation</li>
<li>Mastermind Groups</li>
<li>Meditation</li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Quiethouse Recording </strong><a href="http://quiethouserecording.com/"><strong>http://quiethouserecording.com/</strong></a>
</li>
<li>
<strong>Lou Clark</strong> <a href="http://sonic-space.com/home.html"><strong>http://sonic-space.com/home.html</strong></a>
</li>
<li>
<strong>Dereck uses: </strong><a href="https://invoiced.com/"><strong>https://invoiced.com/</strong></a>
</li>
<li>
<strong>Dereck uses: </strong><a href="https://fidbak.audio/"><strong>https://fidbak.audio/</strong></a>
</li>
<li>
<strong>Bill Whitlock: </strong><a href="http://www.aes.org/aes/bill-whitlock"><strong>http://www.aes.org/aes/bill-whitlock</strong></a>
</li>
<li>
<strong>Mini Splits: </strong><a href="https://bit.ly/2HC9n53"><strong>https://bit.ly/2HC9n53</strong></a>
</li>
<li>
<strong>Facebook News Feed Eradicator: </strong><a href="https://bit.ly/37yAMj1"><strong>https://bit.ly/37yAMj1</strong></a>
</li>
<li>
<strong>Michael Beinhorn's Book: </strong><a href="https://amzn.to/38CCnWe"><strong>https://amzn.to/38CCnWe</strong></a>
</li>
<li>
<strong>Sylvia's Book: </strong><a href="https://amzn.to/2vJlnzm"><strong>https://amzn.to/2vJlnzm</strong></a>
</li>
<li>
<strong>Matt's Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic"><strong>https://bit.ly/2Mi0Wic</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Dereck Blackburn</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-270-with-dereck-blackburn-studio-building-dual-electrical-systems-mini-splits-community-participation-mastermind-groups-and-meditation-]]></link><guid isPermaLink="false">45d3b3b8-30ae-11ea-baad-435dd9a5ab2d</guid><itunes:image href="https://artwork.captivate.fm/c638b8fd-6052-4f29-8ffc-38c90081ea6c/uploads-2f1581952016367-bq2dm2uq2mg-be87781ce6f94385978bbbc6a19.png"/><pubDate>Mon, 17 Feb 2020 16:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/81e7a631-d859-473c-bd3e-ef70700121cc.mp3" length="95628332" type="audio/mpeg"/><itunes:duration>01:06:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>270</itunes:episode><podcast:episode>270</podcast:episode><itunes:summary>Dereck Blackburn is a consultant, recording engineer/producer, and multi-instrumentalist in Bedford, Massachusetts. You can read more about Dereck at http://quiethouserecording.com/ .
In this episode, we discuss:

MIT

Audio Builders Workshop

Building Quiethouse Recording

Not working too many hours

Productivity Tools

Dual Electrical Systems

Energy Bills

Mini Splits

Community Participation

Mastermind Groups

Meditation


Links and Show Notes:


Quiethouse Recording http://quiethouserecording.com/



Lou Clark http://sonic-space.com/home.html



Dereck uses: https://invoiced.com/



Dereck uses: https://fidbak.audio/



Bill Whitlock: http://www.aes.org/aes/bill-whitlock



Mini Splits: https://bit.ly/2HC9n53



Facebook News Feed Eradicator: https://bit.ly/37yAMj1



Michael Beinhorn&apos;s Book: https://amzn.to/38CCnWe



Sylvia&apos;s Book: https://amzn.to/2vJlnzm



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP




Credits:


Guest: Dereck Blackburn


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #269 with Lij Shaw - Saving Home Studios, Podcasts, Creating Paid Content, Nashville Growth and The Hay Bale Studio. </title><itunes:title>WCA #269 with Lij Shaw - Saving Home Studios, Podcasts, Creating Paid Content, Nashville Growth and The Hay Bale Studio. </itunes:title><description><![CDATA[
        <p><strong>Lij Shaw </strong>is the host of the podcast Recording Studio Rockstars, producer/engineer and the force behind Save Home Studios.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Saving Home Studios</li>
<li>Podcasts</li>
<li>Creating Paid Content</li>
<li>Nashville Growth</li>
<li>The Hay Bale Studio. </li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Lij's site to save home studios: </strong><a href="https://llink.to/?u=http:%2F%2Fwww.savehomestudios.com%2F&amp;e=8e2c96dba1b10466b657547229f351d4"><strong>http://www.savehomestudios.com/</strong></a>
</li>
<li>
<strong>Petition:: </strong><a href="https://bit.ly/2w0SpLb"><strong>https://bit.ly/2w0SpLb</strong></a>
</li>
<li>
<strong>Bill BL2019-48: </strong><a href="https://bit.ly/31LO1Ma"><strong>https://bit.ly/31LO1Ma</strong></a>
</li>
<li>
<strong>Rockstars of Drums: </strong><a href="https://bit.ly/2uCPo3k"><strong>https://bit.ly/2uCPo3k</strong></a>
</li>
<li>
<strong>The Power of Podcasting: </strong><a href="https://bit.ly/31FG76I"><strong>https://bit.ly/31FG76I</strong></a>
</li>
<li>
<strong>Matt's Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic"><strong>https://bit.ly/2Mi0Wic</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Important dates regarding the Save Home Studios campaign. </strong></p><p><strong>February 23, 6-11 pm</strong> - <a href="https://llink.to/?u=https:%2F%2Fwww.facebook.com%2Fevents%2F2547178922270958%2F&amp;e=3f1e5d90e99a79eba5b597f95e619d12">Save Home Studios Songs That Wouldn't Exist Without Home Studios</a> public awareness show at <a href="https://llink.to/?u=https:%2F%2Fdeeslounge.com%2F&amp;e=3f1e5d90e99a79eba5b597f95e619d12">Dee's Country Cocktail Lounge</a> with Grammy-winning artist Mike Farris, Tommy Womack, and others.</p><p><strong>February 27, 4 pm</strong> - <a href="https://llink.to/?u=https:%2F%2Fwww.nashville.gov%2FNews-Media%2FCalendar-of-Events%2FEvent-Details%2FID%2F11889%2Fbegin%2F2-27-2020%2FMetropolitan-Planning-Commission-Meeting.aspx&amp;e=3f1e5d90e99a79eba5b597f95e619d12">Metro Planning Commission</a> meeting and public hearing regarding the new bill. The commission will hear from the public about their thoughts.</p><p><strong>March 5, 6:30 pm</strong> - <a href="https://llink.to/?u=https:%2F%2Fwww.nashville.gov%2FNews-Media%2FCalendar-of-Events%2FEvent-Details%2FID%2F12007%2Fbegin%2F3-5-2020%2FMetropolitan-Council-Meeting.aspx&amp;e=3f1e5d90e99a79eba5b597f95e619d12">Metro Council Meeting</a> and public hearing for the second reading of the new bill. This is the time for people to get up and speak or simply show up in support. So they will need to know about the issue and important dates well in advance.</p><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Lij Shaw</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Lij Shaw </strong>is the host of the podcast Recording Studio Rockstars, producer/engineer and the force behind Save Home Studios.</p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Saving Home Studios</li>
<li>Podcasts</li>
<li>Creating Paid Content</li>
<li>Nashville Growth</li>
<li>The Hay Bale Studio. </li>
</ul><br/><p><br></p><p><strong>Links and Show Notes:</strong></p><ul>
<li>
<strong>Lij's site to save home studios: </strong><a href="https://llink.to/?u=http:%2F%2Fwww.savehomestudios.com%2F&amp;e=8e2c96dba1b10466b657547229f351d4"><strong>http://www.savehomestudios.com/</strong></a>
</li>
<li>
<strong>Petition:: </strong><a href="https://bit.ly/2w0SpLb"><strong>https://bit.ly/2w0SpLb</strong></a>
</li>
<li>
<strong>Bill BL2019-48: </strong><a href="https://bit.ly/31LO1Ma"><strong>https://bit.ly/31LO1Ma</strong></a>
</li>
<li>
<strong>Rockstars of Drums: </strong><a href="https://bit.ly/2uCPo3k"><strong>https://bit.ly/2uCPo3k</strong></a>
</li>
<li>
<strong>The Power of Podcasting: </strong><a href="https://bit.ly/31FG76I"><strong>https://bit.ly/31FG76I</strong></a>
</li>
<li>
<strong>Matt's Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic"><strong>https://bit.ly/2Mi0Wic</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Important dates regarding the Save Home Studios campaign. </strong></p><p><strong>February 23, 6-11 pm</strong> - <a href="https://llink.to/?u=https:%2F%2Fwww.facebook.com%2Fevents%2F2547178922270958%2F&amp;e=3f1e5d90e99a79eba5b597f95e619d12">Save Home Studios Songs That Wouldn't Exist Without Home Studios</a> public awareness show at <a href="https://llink.to/?u=https:%2F%2Fdeeslounge.com%2F&amp;e=3f1e5d90e99a79eba5b597f95e619d12">Dee's Country Cocktail Lounge</a> with Grammy-winning artist Mike Farris, Tommy Womack, and others.</p><p><strong>February 27, 4 pm</strong> - <a href="https://llink.to/?u=https:%2F%2Fwww.nashville.gov%2FNews-Media%2FCalendar-of-Events%2FEvent-Details%2FID%2F11889%2Fbegin%2F2-27-2020%2FMetropolitan-Planning-Commission-Meeting.aspx&amp;e=3f1e5d90e99a79eba5b597f95e619d12">Metro Planning Commission</a> meeting and public hearing regarding the new bill. The commission will hear from the public about their thoughts.</p><p><strong>March 5, 6:30 pm</strong> - <a href="https://llink.to/?u=https:%2F%2Fwww.nashville.gov%2FNews-Media%2FCalendar-of-Events%2FEvent-Details%2FID%2F12007%2Fbegin%2F3-5-2020%2FMetropolitan-Council-Meeting.aspx&amp;e=3f1e5d90e99a79eba5b597f95e619d12">Metro Council Meeting</a> and public hearing for the second reading of the new bill. This is the time for people to get up and speak or simply show up in support. So they will need to know about the issue and important dates well in advance.</p><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest:</strong> Lij Shaw</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-269-with-lij-shaw-saving-home-studios-podcasts-creating-paid-content-nashville-growth-and-the-hay-bale-studio-]]></link><guid isPermaLink="false">45c9c466-30ae-11ea-baad-3b4cfa4150f2</guid><itunes:image href="https://artwork.captivate.fm/737fee9e-80d5-4fcd-a579-8f3944724617/uploads-2f1581359657932-v20mpuzrfle-3f794fb829acaca1326af048ab1.png"/><pubDate>Mon, 10 Feb 2020 19:09:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bbe10a45-4320-4869-badd-9d8f86f4f895.mp3" length="90416438" type="audio/mpeg"/><itunes:duration>01:02:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>269</itunes:episode><podcast:episode>269</podcast:episode><itunes:summary>Lij Shaw is the host of the podcast Recording Studio Rockstars, producer/engineer and the force behind Save Home Studios.
In this episode, we discuss:

Saving Home Studios

Podcasts

Creating Paid Content

Nashville Growth

The Hay Bale Studio. 


Links and Show Notes:


Lij&apos;s site to save home studios: http://www.savehomestudios.com/



Petition:: https://bit.ly/2w0SpLb



Bill BL2019-48: https://bit.ly/31LO1Ma



Rockstars of Drums: https://bit.ly/2uCPo3k



The Power of Podcasting: https://bit.ly/31FG76I



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Important dates regarding the Save Home Studios campaign. 
February 23, 6-11 pm - Save Home Studios Songs That Wouldn&apos;t Exist Without Home Studios public awareness show at Dee&apos;s Country Cocktail Lounge with Grammy-winning artist Mike Farris, Tommy Womack, and others.
February 27, 4 pm - Metro Planning Commission meeting and public hearing regarding the new bill. The commission will hear from the public about their thoughts.
March 5, 6:30 pm - Metro Council Meeting and public hearing for the second reading of the new bill. This is the time for people to get up and speak or simply show up in support. So they will need to know about the issue and important dates well in advance.

Credits:


Guest: Lij Shaw


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #268 with Frank Joly - Live Sound, Simple Plan, Family Grocery, Learning English and Government Funded Recording.</title><itunes:title>WCA #268 with Frank Joly - Live Sound, Simple Plan, Family Grocery, Learning English and Government Funded Recording.</itunes:title><description><![CDATA[<h3><strong>WCA #268 with Frank Joly – Live Sound, Simple Plan, Family Grocery, Learning English and Government Funded Recording.</strong></h3><p><strong>Frank Joly&nbsp;</strong>is a live and studio engineer from Canada.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Touring</li><li>Live Sound</li><li>Simple Plan</li><li>Songs</li><li>Government Funded Recording</li><li>Learning English</li><li>Selling Gear to Retire</li><li>Bob Rock</li><li>Family Grocery Store</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Franks Instagram: @frank_joly</strong></li><li><strong>Simple Plan:&nbsp;</strong><a href="https://simpleplan.com/" rel="noopener noreferrer" target="_blank"><strong>https://simpleplan.com/</strong></a></li><li><strong>Great Coffee Shop!&nbsp;</strong><a href="https://brotcoffee.com/" rel="noopener noreferrer" target="_blank"><strong>https://brotcoffee.com/</strong></a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2Mi0Wic</strong></a></li><li><strong>Support WCA – Go Ad-Free!&nbsp;</strong><a href="https://glow.fm/workingclassaudio/" rel="noopener noreferrer" target="_blank"><strong>https://glow.fm/workingclassaudio/</strong></a></li><li><strong>Connect with Matt on Linkedin:&nbsp;</strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a></li><li><strong>Current sponsors &amp; promos:&nbsp;</strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Frank Joly</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3><strong>WCA #268 with Frank Joly – Live Sound, Simple Plan, Family Grocery, Learning English and Government Funded Recording.</strong></h3><p><strong>Frank Joly&nbsp;</strong>is a live and studio engineer from Canada.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Touring</li><li>Live Sound</li><li>Simple Plan</li><li>Songs</li><li>Government Funded Recording</li><li>Learning English</li><li>Selling Gear to Retire</li><li>Bob Rock</li><li>Family Grocery Store</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Franks Instagram: @frank_joly</strong></li><li><strong>Simple Plan:&nbsp;</strong><a href="https://simpleplan.com/" rel="noopener noreferrer" target="_blank"><strong>https://simpleplan.com/</strong></a></li><li><strong>Great Coffee Shop!&nbsp;</strong><a href="https://brotcoffee.com/" rel="noopener noreferrer" target="_blank"><strong>https://brotcoffee.com/</strong></a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2Mi0Wic</strong></a></li><li><strong>Support WCA – Go Ad-Free!&nbsp;</strong><a href="https://glow.fm/workingclassaudio/" rel="noopener noreferrer" target="_blank"><strong>https://glow.fm/workingclassaudio/</strong></a></li><li><strong>Connect with Matt on Linkedin:&nbsp;</strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a></li><li><strong>Current sponsors &amp; promos:&nbsp;</strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Frank Joly</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-268-with-frank-joly-live-sound-simple-plan-family-grocery-learning-english-and-government-funded-recording-]]></link><guid isPermaLink="false">45bf9130-30ae-11ea-baad-57f8f5d45dd0</guid><itunes:image href="https://artwork.captivate.fm/629ee1f0-2f1b-4b99-be2a-ba851ca6c39e/uploads-2f1580752788330-lmauvbx61n-923c887c7ecedfe3a048cbb14a35.png"/><pubDate>Mon, 03 Feb 2020 18:06:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c28f84f3-ccdf-4d2a-9569-ae58f5d8437a.mp3" length="68781331" type="audio/mpeg"/><itunes:duration>47:46</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>268</itunes:episode><podcast:episode>268</podcast:episode><itunes:summary>Frank Joly is a live and studio engineer from Canada.
In this episode, we discuss:

Touring

Live Sound

Simple Plan

Songs

Government Funded Recording

Learning English

Selling Gear to Retire

Bob Rock

Family Grocery Store


Links and Show Notes:

Franks Instagram: @frank_joly


Simple Plan: https://simpleplan.com/



Great Coffee Shop! https://brotcoffee.com/



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Frank Joly


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #267 with Stephen Marsh - Goat piss to gasoline, Curveballs, Framing, Fuzzy math, Communication, and 911.</title><itunes:title>WCA #267 with Stephen Marsh - Goat piss to gasoline, Curveballs, Framing, Fuzzy math, Communication, and 911.</itunes:title><description><![CDATA[<h3>WCA #267 with Stephen Marsh – Goat piss to gasoline, Curveballs, Framing, Fuzzy math, Communication, and 911.</h3><p><strong>Stephen Marsh</strong>&nbsp;is a Los Angeles based mastering engineer who has been active for 25 years.&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Stephen’s journey as a mastering engineer</li><li>Home studios</li><li>Knowing your value</li><li>Financial philosophy</li><li>Providing maximum value</li><li>Discussing money with clients</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Tools of Titans:&nbsp;</strong><a href="https://amzn.to/30Vs5Ob" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/30Vs5Ob</strong></a></li><li><strong>Miles Davis &amp; Bill Evans:&nbsp;</strong><a href="https://amzn.to/37rSA01" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/37rSA01</strong></a></li><li><strong>Pete Weiss’ studio for sale:</strong>&nbsp;<a href="http://www.verdantstudio.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.verdantstudio.com</strong></a></li><li><strong>Stephen’s site:</strong>&nbsp;<a href="https://www.marshmastering.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.marshmastering.com/</strong></a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2Mi0Wic</strong></a></li><li><strong>Connect with Matt on Linkedin:&nbsp;</strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Stephen Marsh</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3>WCA #267 with Stephen Marsh – Goat piss to gasoline, Curveballs, Framing, Fuzzy math, Communication, and 911.</h3><p><strong>Stephen Marsh</strong>&nbsp;is a Los Angeles based mastering engineer who has been active for 25 years.&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Stephen’s journey as a mastering engineer</li><li>Home studios</li><li>Knowing your value</li><li>Financial philosophy</li><li>Providing maximum value</li><li>Discussing money with clients</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Tools of Titans:&nbsp;</strong><a href="https://amzn.to/30Vs5Ob" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/30Vs5Ob</strong></a></li><li><strong>Miles Davis &amp; Bill Evans:&nbsp;</strong><a href="https://amzn.to/37rSA01" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/37rSA01</strong></a></li><li><strong>Pete Weiss’ studio for sale:</strong>&nbsp;<a href="http://www.verdantstudio.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.verdantstudio.com</strong></a></li><li><strong>Stephen’s site:</strong>&nbsp;<a href="https://www.marshmastering.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.marshmastering.com/</strong></a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2Mi0Wic</strong></a></li><li><strong>Connect with Matt on Linkedin:&nbsp;</strong><a href="https://www.linkedin.com/in/mattboudreau/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Stephen Marsh</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-267-with-stephen-marsh-goat-piss-to-gasoline-curveballs-framing-fuzzy-math-communication-and-911-]]></link><guid isPermaLink="false">45b4f536-30ae-11ea-baad-d78035a9aee8</guid><itunes:image href="https://artwork.captivate.fm/454bd025-eee2-4575-9352-1eecee0554f6/uploads-2f1580146008478-87ffe6jyje9-c117c39e238fa5d053654d86a40.png"/><pubDate>Mon, 27 Jan 2020 18:01:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9dee3f21-5968-4d31-a6cb-284fc311c18b.mp3" length="77560965" type="audio/mpeg"/><itunes:duration>53:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>267</itunes:episode><podcast:episode>267</podcast:episode><itunes:summary>Stephen Marsh is a Los Angeles based mastering engineer who has been active for 25 years. 
In this episode, we discuss:

Stephen&apos;s journey as a mastering engineer

Home studios

Knowing your value

Financial philosophy

Providing maximum value

Discussing money with clients


Links and Show Notes:


Tools of Titans: https://amzn.to/30Vs5Ob



Miles Davis &amp; Bill Evans: https://amzn.to/37rSA01



Pete Weiss&apos; studio for sale: http://www.verdantstudio.com



Stephen&apos;s site: https://www.marshmastering.com/



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Stephen Marsh


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #266 with NAMM 2020 - Loads of gear, tired feet, great friends, Emily Dolan Davies, Kim Rosen and Pete Lyman.</title><itunes:title>WCA #266 with NAMM 2020 - Loads of gear, tired feet, great friends, Emily Dolan Davies, Kim Rosen and Pete Lyman.</itunes:title><description><![CDATA[<p><strong>NAMM 2020 </strong>took place over January 16th-19th. The show was well attended and I had loads of fun. In this episode, I’m joined by mastering engineer Kim Rosen of Knack Mastering, drummer Emily Dolan Davies of emilydrums.com as well as mastering engineer Pete Lyman of Infrasonic Sound. Short interviews talking about NAMM and a NAMM wrap up by me! Enjoy, Matt.</p><h3><strong>In this episode, we discuss:</strong></h3><p>All things NAMM 2020!</p><h3><strong>Links and Show Notes:</strong></h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Kim Rosen: </strong><a href="http://www.knackmastering.com/" rel="noopener noreferrer" target="_blank">http://www.knackmastering.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Whitestone Audio:</strong> <a href="http://www.whitestoneaudio.com/" rel="noopener noreferrer" target="_blank">http://www.whitestoneaudio.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Emily Dolan Davies: </strong><a href="http://www.emilydolandavies.com/" rel="noopener noreferrer" target="_blank">http://www.emilydolandavies.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Pete Lyman: </strong><a href="https://www.infrasonicsound.com/" rel="noopener noreferrer" target="_blank">https://www.infrasonicsound.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Matt’s Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank">https://bit.ly/2Mi0Wic</a></li></ol><br/><h3><strong>Credits:</strong></h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Kim Rosen, Emily Dolan Davies and Pete Lyman</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host: </strong>Matt Boudreau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Announcer: </strong>Chuck Smith</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ol><br/>]]></description><content:encoded><![CDATA[<p><strong>NAMM 2020 </strong>took place over January 16th-19th. The show was well attended and I had loads of fun. In this episode, I’m joined by mastering engineer Kim Rosen of Knack Mastering, drummer Emily Dolan Davies of emilydrums.com as well as mastering engineer Pete Lyman of Infrasonic Sound. Short interviews talking about NAMM and a NAMM wrap up by me! Enjoy, Matt.</p><h3><strong>In this episode, we discuss:</strong></h3><p>All things NAMM 2020!</p><h3><strong>Links and Show Notes:</strong></h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Kim Rosen: </strong><a href="http://www.knackmastering.com/" rel="noopener noreferrer" target="_blank">http://www.knackmastering.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Whitestone Audio:</strong> <a href="http://www.whitestoneaudio.com/" rel="noopener noreferrer" target="_blank">http://www.whitestoneaudio.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Emily Dolan Davies: </strong><a href="http://www.emilydolandavies.com/" rel="noopener noreferrer" target="_blank">http://www.emilydolandavies.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Pete Lyman: </strong><a href="https://www.infrasonicsound.com/" rel="noopener noreferrer" target="_blank">https://www.infrasonicsound.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Matt’s Reverb.com store: </strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank">https://bit.ly/2Mi0Wic</a></li></ol><br/><h3><strong>Credits:</strong></h3><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Guest:</strong> Kim Rosen, Emily Dolan Davies and Pete Lyman</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Host: </strong>Matt Boudreau </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>WCA Theme Music:</strong> Cliff Truesdell </li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Announcer: </strong>Chuck Smith</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ol><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-266-with-namm-2020-loads-of-gear-tired-feet-great-friends-emily-dolan-davies-kim-rosen-and-pete-lyman-]]></link><guid isPermaLink="false">45ab2448-30ae-11ea-baad-077cafdc727e</guid><itunes:image href="https://artwork.captivate.fm/72c138df-6b01-4dd0-87b7-50110ab1ebf0/uploads-2f1579547007322-0kdgebiocwtc-3cae16573b6880b17afa5ea340.png"/><pubDate>Mon, 20 Jan 2020 19:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bf3a52df-32b0-4e87-93d0-d8a5ca283408.mp3" length="56504949" type="audio/mpeg"/><itunes:duration>39:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>266</itunes:episode><podcast:episode>266</podcast:episode><itunes:summary>NAMM 2020 took place over January 16th-19th. The show was well attended and I had loads of fun. In this episode I&apos;m joined by mastering engineer Kim Rosen of Knack Mastering, drummer Emily Dolan Davies of emilydrums.com as well as mastering engineer Pete Lyman of Infrasonic Sound. Short interviews talking about NAMM and a NAMM wrap up by me! Enjoy, Matt.

In this episode, we discuss:
All things NAMM 2020

Links and Show Notes:


Kim Rosen: http://www.knackmastering.com/



Whitestone Audio: http://www.whitestoneaudio.com/



Emily Dolan Davies: http://www.emilydolandavies.com/



Pete Lyman: https://www.infrasonicsound.com/



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Kim Rosen, Emily Dolan Davies and Pete Lyman


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #265 with Alex Oana - Science Experiments, Imposter Syndrome, Spinach, Exercise, Motivation, Failure, and Audio Test Kitchen.</title><itunes:title>WCA #265 with Alex Oana - Science Experiments, Imposter Syndrome, Spinach, Exercise, Motivation, Failure, and Audio Test Kitchen.</itunes:title><description><![CDATA[<h3>WCA #265 with Alex Oana – Science Experiments, Imposter Syndrome, Spinach, Exercise, Motivation, Failure, and Audio Test Kitchen.</h3><p><strong>Alex Oana</strong>, is the creator and co-founder of Audio Test Kitchen. Alex started out as a musician, became a recording engineer and producer, got into pro audio sales and marketing, and designs and develops products.&nbsp;&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Imposter Syndrome</li><li>Science Experiments</li><li>Spinach</li><li>Exercise</li><li>Motivation</li><li>Failure</li><li>Audio Test Kitchen</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>34 Things:&nbsp;</strong><a href="https://bit.ly/35KNg69" rel="noopener noreferrer" target="_blank">https://bit.ly/35KNg69</a></li><li><strong>Audio Test Kitchen:&nbsp;</strong><a href="https://www.audiotestkitchen.com/" rel="noopener noreferrer" target="_blank">https://www.audiotestkitchen.com/</a></li><li><strong>The Power of Podcasting</strong>:&nbsp;<a href="https://bit.ly/2N1x3TM" rel="noopener noreferrer" target="_blank">https://bit.ly/2N1x3TM</a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank">https://bit.ly/2Mi0Wic</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Alex Oana</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3>WCA #265 with Alex Oana – Science Experiments, Imposter Syndrome, Spinach, Exercise, Motivation, Failure, and Audio Test Kitchen.</h3><p><strong>Alex Oana</strong>, is the creator and co-founder of Audio Test Kitchen. Alex started out as a musician, became a recording engineer and producer, got into pro audio sales and marketing, and designs and develops products.&nbsp;&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Imposter Syndrome</li><li>Science Experiments</li><li>Spinach</li><li>Exercise</li><li>Motivation</li><li>Failure</li><li>Audio Test Kitchen</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>34 Things:&nbsp;</strong><a href="https://bit.ly/35KNg69" rel="noopener noreferrer" target="_blank">https://bit.ly/35KNg69</a></li><li><strong>Audio Test Kitchen:&nbsp;</strong><a href="https://www.audiotestkitchen.com/" rel="noopener noreferrer" target="_blank">https://www.audiotestkitchen.com/</a></li><li><strong>The Power of Podcasting</strong>:&nbsp;<a href="https://bit.ly/2N1x3TM" rel="noopener noreferrer" target="_blank">https://bit.ly/2N1x3TM</a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank">https://bit.ly/2Mi0Wic</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Alex Oana</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-265-with-alex-oana-science-experiments-imposter-syndrome-spinach-exercise-motivation-failure-and-audio-test-kitchen-]]></link><guid isPermaLink="false">459ff2bc-30ae-11ea-baad-2bd794e0dd37</guid><itunes:image href="https://artwork.captivate.fm/9fb35b1a-5c36-4122-8594-d70e9456fe19/uploads-2f1578940002591-n9oypzx2p1j-5d58f0d51cffc27b33e30086139.png"/><pubDate>Mon, 13 Jan 2020 19:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b81f31cb-0ce7-49ed-972c-b9118892822e.mp3" length="115664121" type="audio/mpeg"/><itunes:duration>01:20:19</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>265</itunes:episode><podcast:episode>265</podcast:episode><itunes:summary>Alex Oana, is the creator and co-founder of Audio Test Kitchen. Alex started out as a musician, became a recording engineer and producer, got into pro audio sales and marketing, and designs and develops products.  

In this episode, we discuss:

Imposter Syndrome

Science Experiments

Spinach

Exercise

Motivation

Failure

Audio Test Kitchen


Links and Show Notes:


34 Things: https://bit.ly/35KNg69



Audio Test Kitchen: https://www.audiotestkitchen.com/



The Power of Podcasting: https://bit.ly/2N1x3TM



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Alex Oana


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #264 with Justin Perkins - Diversification, Diet, Commercial Space Benefits, Keeping Clients Happy, Teaching Audio, Disengaging from Audio Forums, and Mastering Therapy.</title><itunes:title>WCA #264 with Justin Perkins - Diversification, Diet, Commercial Space Benefits, Keeping Clients Happy, Teaching Audio, Disengaging from Audio Forums, and Mastering Therapy.</itunes:title><description><![CDATA[<h3>WCA #264 with Justin Perkins – Diversification, Diet, Commercial Space Benefits, Keeping Clients Happy, Teaching Audio, Disengaging from Audio Forums, and Mastering Therapy.</h3><p>Justin Perkins is a mastering engineer located in Milwaukie, Wisconsin.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Diversification</li><li>Diet</li><li>One gig leading to another</li><li>Commercial space benefits</li><li>Keeping Clients Happy</li><li>Teaching Audio</li><li>Disengaging from Audio Forums</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>The Bert Berns Story:</strong>&nbsp;<a href="https://n.pr/2QUm13X" rel="noopener noreferrer" target="_blank">https://n.pr/2QUm13X</a></li><li><strong>The Power of Podcasting</strong>:&nbsp;<a href="https://bit.ly/2N1x3TM" rel="noopener noreferrer" target="_blank">https://bit.ly/2N1x3TM</a></li><li><strong>Justin’s Site:</strong>&nbsp;<a href="https://www.mysteryroommastering.com/" rel="noopener noreferrer" target="_blank">https://www.mysteryroommastering.com</a></li><li><strong>Justin’s other Site:</strong>&nbsp;<a href="https://www.justincarlperkins.com/" rel="noopener noreferrer" target="_blank">https://www.justincarlperkins.com</a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank">https://bit.ly/2Mi0Wic</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Justin Perkins</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3>WCA #264 with Justin Perkins – Diversification, Diet, Commercial Space Benefits, Keeping Clients Happy, Teaching Audio, Disengaging from Audio Forums, and Mastering Therapy.</h3><p>Justin Perkins is a mastering engineer located in Milwaukie, Wisconsin.</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Diversification</li><li>Diet</li><li>One gig leading to another</li><li>Commercial space benefits</li><li>Keeping Clients Happy</li><li>Teaching Audio</li><li>Disengaging from Audio Forums</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>The Bert Berns Story:</strong>&nbsp;<a href="https://n.pr/2QUm13X" rel="noopener noreferrer" target="_blank">https://n.pr/2QUm13X</a></li><li><strong>The Power of Podcasting</strong>:&nbsp;<a href="https://bit.ly/2N1x3TM" rel="noopener noreferrer" target="_blank">https://bit.ly/2N1x3TM</a></li><li><strong>Justin’s Site:</strong>&nbsp;<a href="https://www.mysteryroommastering.com/" rel="noopener noreferrer" target="_blank">https://www.mysteryroommastering.com</a></li><li><strong>Justin’s other Site:</strong>&nbsp;<a href="https://www.justincarlperkins.com/" rel="noopener noreferrer" target="_blank">https://www.justincarlperkins.com</a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank">https://bit.ly/2Mi0Wic</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Justin Perkins</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-264-with-justin-perkins-diversification-diet-commercial-space-benefits-keeping-clients-happy-teaching-audio-disengaging-from-audio-forums-and-mastering-therapy-]]></link><guid isPermaLink="false">047bca5e-30ae-11ea-8c04-7f75f9af5612</guid><itunes:image href="https://artwork.captivate.fm/99459a42-ff8c-4a5b-80af-44171ef51bd8/uploads-2f1578333444556-8kg3wi7wyef-2fbe931fc3564901a060c795b8d.png"/><pubDate>Mon, 06 Jan 2020 18:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4f4415a1-5b07-4c2f-b636-9253a08a6ce3.mp3" length="82172977" type="audio/mpeg"/><itunes:duration>57:04</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>264</itunes:episode><podcast:episode>264</podcast:episode><itunes:summary>WCA #264 with Justin Perkins - Diversification, Diet, Commercial Space Benefits, Keeping Clients Happy, Teaching Audio, Disengaging from Audio Forums, and Mastering Therapy. 
Justin Perkins is a mastering engineer located in Milwaukie, Wisconsin. 

In this episode, we discuss:

Diversification

Diet

One gig leading to another

Commercial space benefits

Keeping Clients Happy

Teaching Audio

Disengaging from Audio Forums


Links and Show Notes:


The Bert Berns Story: https://n.pr/2QUm13X



The Power of Podcasting: https://bit.ly/2N1x3TM



Justin&apos;s Site: https://www.mysteryroommastering.com



Justin&apos;s other Site: https://www.justincarlperkins.com



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Justin Perkins


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #263 with Jacob Sciba - 99 Cent Pizzas, The IRS, Mailbox Money, Game Planning, and Fear of an Empty Calendar.</title><itunes:title>WCA #263 with Jacob Sciba - 99 Cent Pizzas, The IRS, Mailbox Money, Game Planning, and Fear of an Empty Calendar.</itunes:title><description><![CDATA[<h3><strong>WCA #263 with Jacob Sciba</strong>&nbsp;– 99 Cent Pizzas, The IRS, Mailbox Money, Game Planning, and Fear of an Empty Calendar.</h3><p><strong>Jacob Sciba</strong>&nbsp;is a producer/engineer/mixer based out of Austin, Texas.&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Music Store Influence</li><li>Microphone Obsession</li><li>99 Cent Pizzas</li><li>Studying Business</li><li>Low Overhead</li><li>The IRS</li><li>Fear of an Empty Calendar</li><li>Game Planning</li><li>Pre Production of life</li><li>Mailbox Money</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Music Pro Insurance:&nbsp;</strong><a href="https://www.musicproinsurance.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.musicproinsurance.com/</strong></a></li><li><strong>The Recording Studio Insurance Program<em>:&nbsp;</em></strong><a href="mailto:kmontarello@capitalbauer.com" rel="noopener noreferrer" target="_blank"><strong><em>joe_montarello@ajg.com</em></strong></a></li><li><strong>Asana:&nbsp;</strong><a href="https://asana.com/" rel="noopener noreferrer" target="_blank"><strong>https://asana.com/</strong></a></li><li><strong>Evernote:&nbsp;</strong><a href="https://www.evernote.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.evernote.com/</strong></a></li><li><strong>Arlyn Studios:&nbsp;</strong><a href="https://arlynstudios.com/" rel="noopener noreferrer" target="_blank"><strong>https://arlynstudios.com/</strong></a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2Mi0Wic</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Jacob Sciba</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3><strong>WCA #263 with Jacob Sciba</strong>&nbsp;– 99 Cent Pizzas, The IRS, Mailbox Money, Game Planning, and Fear of an Empty Calendar.</h3><p><strong>Jacob Sciba</strong>&nbsp;is a producer/engineer/mixer based out of Austin, Texas.&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Music Store Influence</li><li>Microphone Obsession</li><li>99 Cent Pizzas</li><li>Studying Business</li><li>Low Overhead</li><li>The IRS</li><li>Fear of an Empty Calendar</li><li>Game Planning</li><li>Pre Production of life</li><li>Mailbox Money</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Music Pro Insurance:&nbsp;</strong><a href="https://www.musicproinsurance.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.musicproinsurance.com/</strong></a></li><li><strong>The Recording Studio Insurance Program<em>:&nbsp;</em></strong><a href="mailto:kmontarello@capitalbauer.com" rel="noopener noreferrer" target="_blank"><strong><em>joe_montarello@ajg.com</em></strong></a></li><li><strong>Asana:&nbsp;</strong><a href="https://asana.com/" rel="noopener noreferrer" target="_blank"><strong>https://asana.com/</strong></a></li><li><strong>Evernote:&nbsp;</strong><a href="https://www.evernote.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.evernote.com/</strong></a></li><li><strong>Arlyn Studios:&nbsp;</strong><a href="https://arlynstudios.com/" rel="noopener noreferrer" target="_blank"><strong>https://arlynstudios.com/</strong></a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2Mi0Wic</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Jacob Sciba</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-263-with-jacob-sciba-99-cent-pizzas-the-irs-mailbox-money-game-planning-and-fear-of-an-empty-calendar-]]></link><guid isPermaLink="false">9314b418-ea4c-11e9-a0b3-a35489c0c80e</guid><itunes:image href="https://artwork.captivate.fm/dd9838a7-9a1a-49a3-a011-14b8a9ca9b4c/uploads-2f1577655560075-rjksm9zt7q-6fff69f9f86e69bd4504f0a59996.png"/><pubDate>Sun, 29 Dec 2019 21:46:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/99f6621f-89cf-451e-857e-ed4cf7c56fb8.mp3" length="75773581" type="audio/mpeg"/><itunes:duration>52:37</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>263</itunes:episode><podcast:episode>263</podcast:episode><itunes:summary>Jacob Sciba is a producer/engineer/mixer based out of Austin, Texas. 

In this episode, we discuss:

Music Store Influence

Microphone Obsession

99 Cent Pizzas

Studying Business

Low Overhead

The IRS

Fear of an Empty Calendar

Game Planning

Pre Production of life

Mailbox Money


Links and Show Notes:


Music Pro Insurance: https://www.musicproinsurance.com/



The Recording Studio Insurance Program: joe_montarello@ajg.com



Asana: https://asana.com/



Evernote: https://www.evernote.com/



Arlyn Studios: https://arlynstudios.com/



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jacob Sciba


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #262 with Jordan Richter - Going Broke, Burning Out, Keeping Audio Fresh, and Moving into Coding.</title><itunes:title>WCA #262 with Jordan Richter - Going Broke, Burning Out, Keeping Audio Fresh, and Moving into Coding.</itunes:title><description><![CDATA[<h3>WCA #262 with Jordan Richter – Going Broke, Burning Out, Keeping Audio Fresh, and Moving into Coding.</h3><p><strong>Jordan Richter&nbsp;</strong>is a producer/engineer who, after 25 years of making records, has decided to move full time into coding.&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Nashville</li><li>Portland</li><li>Burnout</li><li>Recording for joy</li><li>Scarcity</li><li>Being a business person</li><li>Going broke</li><li>Jackpot Studios</li><li>Keep audio fresh</li><li>Identity</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Jordan’s Site:&nbsp;</strong><a href="http://www.therealjordanrichter.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.therealjordanrichter.com/</strong></a></li><li><strong>Room 13 Recording:&nbsp;</strong><a href="https://room13recording.com/" rel="noopener noreferrer" target="_blank"><strong>https://room13recording.com/</strong></a></li><li><strong>Asana:&nbsp;</strong><a href="https://asana.com/" rel="noopener noreferrer" target="_blank"><strong>https://asana.com/</strong></a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2Mi0Wic</strong></a></li><li><strong>The Minimalists:&nbsp;</strong><a href="https://www.theminimalists.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.theminimalists.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Jordan Richter</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3>WCA #262 with Jordan Richter – Going Broke, Burning Out, Keeping Audio Fresh, and Moving into Coding.</h3><p><strong>Jordan Richter&nbsp;</strong>is a producer/engineer who, after 25 years of making records, has decided to move full time into coding.&nbsp;</p><h3><strong>In this episode, we discuss:</strong></h3><ul><li>Nashville</li><li>Portland</li><li>Burnout</li><li>Recording for joy</li><li>Scarcity</li><li>Being a business person</li><li>Going broke</li><li>Jackpot Studios</li><li>Keep audio fresh</li><li>Identity</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Jordan’s Site:&nbsp;</strong><a href="http://www.therealjordanrichter.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.therealjordanrichter.com/</strong></a></li><li><strong>Room 13 Recording:&nbsp;</strong><a href="https://room13recording.com/" rel="noopener noreferrer" target="_blank"><strong>https://room13recording.com/</strong></a></li><li><strong>Asana:&nbsp;</strong><a href="https://asana.com/" rel="noopener noreferrer" target="_blank"><strong>https://asana.com/</strong></a></li><li><strong>Matt’s Reverb.com store:&nbsp;</strong><a href="https://bit.ly/2Mi0Wic" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2Mi0Wic</strong></a></li><li><strong>The Minimalists:&nbsp;</strong><a href="https://www.theminimalists.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.theminimalists.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Jordan Richter</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-262-with-jordan-richter-going-broke-burning-out-keeping-audio-fresh-and-moving-into-coding-]]></link><guid isPermaLink="false">97db126c-ea4c-11e9-a0b3-9f1ed56012a9</guid><itunes:image href="https://artwork.captivate.fm/fb4eb837-8b80-476d-a358-eb58bb116ea3/uploads-2f1577067993622-ci399v8ttcc-9a18c166066d29737e59006f627.png"/><pubDate>Mon, 23 Dec 2019 02:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cffdfddc-9ca6-4287-ad8a-b300b6aa9f38.mp3" length="63096865" type="audio/mpeg"/><itunes:duration>43:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>262</itunes:episode><podcast:episode>262</podcast:episode><itunes:summary>Jordan Richter is a producer/engineer who, after 25 years of making records, has decided to move full time into coding. 
In this episode, we discuss:

Nashville

Portland

Burnout

Recording for joy

Scarcity

Being a business person

Going broke

Jackpot Studios

Keep audio fresh

Identity


Links and Show Notes:


Jordan&apos;s Site: http://www.therealjordanrichter.com/



Room 13 Recording: https://room13recording.com/



Asana: https://asana.com/



Matt&apos;s Reverb.com store: https://bit.ly/2Mi0Wic



The Minimalists: https://www.theminimalists.com/



Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jordan Richter


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #261 with Dave Gardner - College Radio, Critical Thinking, Diversity, Power Dynamics, Communication, Compromise, and Context.</title><itunes:title>WCA #261 with Dave Gardner - College Radio, Critical Thinking, Diversity, Power Dynamics, Communication, Compromise, and Context.</itunes:title><description><![CDATA[<h3>WCA #261 with Dave Gardner – College Radio, Critical Thinking, Diversity, Power Dynamics, Communication, Compromise, and Context.</h3><p><strong>Dave Gardner&nbsp;</strong>grew up in Pittsburgh, became an adult in Minneapolis, and lives in Northeast Los Angeles. He is the Chief Mastering Engineer at Infrasonic Los Angeles and a long time fan of loud sounds. His mastering and producing credits include Sun Ra, Rocket From the Crypt, Les Paul, Louis Armstrong, Germs, Portugal. The Man, Earl Hines, Bassnectar, The Hold Steady, Black Lips, Trampled by Turtles, Hot Snakes and many others.</p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Critical thinking and analysis</li><li>Urban planning</li><li>College Radio</li><li>Gear Lust</li><li>Diminishing Friction</li><li>Diversity</li><li>Power Dynamics</li><li>Communication, compromise and context.</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Matt’s new site:&nbsp;</strong><a href="https://www.mattboudreau.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.mattboudreau.com/</strong></a></li><li><strong>Sara Carter’s article you must read</strong>.<a href="https://cms.megaphone.fm/organizations/e8601832-40fa-11e9-9d39-f75f85d36107/podcasts/c1867692-4100-11e9-9cfe-8799ea6a1028/episodes/4dbe3be6-420e-11e9-8bbc-c72e1053747f/%20https://bit.ly/2PKeC6y" rel="noopener noreferrer" target="_blank"><strong>&nbsp;</strong></a><a href="https://bit.ly/2Z53HII" rel="noopener noreferrer" target="_blank">https://bit.ly/2Z53HII</a></li><li><strong>More on Dave:&nbsp;</strong><a href="https://www.infrasonicsound.com/dave" rel="noopener noreferrer" target="_blank"><strong>https://www.infrasonicsound.com/dave</strong></a></li><li><strong>WCA #199 with Pete Lyman:&nbsp;</strong><a href="https://bit.ly/2YOSKLi" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2YOSKLi</strong></a></li><li><strong>WCA #251 with Piper Payne:&nbsp;</strong><a href="https://bit.ly/2POVhkD" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2POVhkD</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Dave Gardner</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3>WCA #261 with Dave Gardner – College Radio, Critical Thinking, Diversity, Power Dynamics, Communication, Compromise, and Context.</h3><p><strong>Dave Gardner&nbsp;</strong>grew up in Pittsburgh, became an adult in Minneapolis, and lives in Northeast Los Angeles. He is the Chief Mastering Engineer at Infrasonic Los Angeles and a long time fan of loud sounds. His mastering and producing credits include Sun Ra, Rocket From the Crypt, Les Paul, Louis Armstrong, Germs, Portugal. The Man, Earl Hines, Bassnectar, The Hold Steady, Black Lips, Trampled by Turtles, Hot Snakes and many others.</p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Critical thinking and analysis</li><li>Urban planning</li><li>College Radio</li><li>Gear Lust</li><li>Diminishing Friction</li><li>Diversity</li><li>Power Dynamics</li><li>Communication, compromise and context.</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Matt’s new site:&nbsp;</strong><a href="https://www.mattboudreau.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.mattboudreau.com/</strong></a></li><li><strong>Sara Carter’s article you must read</strong>.<a href="https://cms.megaphone.fm/organizations/e8601832-40fa-11e9-9d39-f75f85d36107/podcasts/c1867692-4100-11e9-9cfe-8799ea6a1028/episodes/4dbe3be6-420e-11e9-8bbc-c72e1053747f/%20https://bit.ly/2PKeC6y" rel="noopener noreferrer" target="_blank"><strong>&nbsp;</strong></a><a href="https://bit.ly/2Z53HII" rel="noopener noreferrer" target="_blank">https://bit.ly/2Z53HII</a></li><li><strong>More on Dave:&nbsp;</strong><a href="https://www.infrasonicsound.com/dave" rel="noopener noreferrer" target="_blank"><strong>https://www.infrasonicsound.com/dave</strong></a></li><li><strong>WCA #199 with Pete Lyman:&nbsp;</strong><a href="https://bit.ly/2YOSKLi" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2YOSKLi</strong></a></li><li><strong>WCA #251 with Piper Payne:&nbsp;</strong><a href="https://bit.ly/2POVhkD" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2POVhkD</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Dave Gardner</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-261-with-dave-gardner-college-radio-critical-thinking-diversity-power-dynamics-communication-compromise-and-context-]]></link><guid isPermaLink="false">930e1356-ea4c-11e9-a0b3-5f0c80818a2b</guid><itunes:image href="https://artwork.captivate.fm/15467594-5ec8-43df-a619-d93569e009fd/uploads-2f1576445781850-wpalxffzipa-dd9ea85d6f2a5783e115b0b3f38.png"/><pubDate>Sun, 15 Dec 2019 22:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a759258f-2c27-4620-8afe-29028857b0c6.mp3" length="77916163" type="audio/mpeg"/><itunes:duration>54:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>261</itunes:episode><podcast:episode>261</podcast:episode><itunes:summary>Dave Gardner grew up in Pittsburgh, became an adult in Minneapolis, and lives in Northeast Los Angeles. He is the Chief Mastering Engineer at Infrasonic Los Angeles and a long time fan of loud sounds. His mastering and producing credits include Sun Ra, Rocket From the Crypt, Les Paul, Louis Armstrong, Germs, Portugal. The Man, Earl Hines, Bassnectar, The Hold Steady, Black Lips, Trampled by Turtles, Hot Snakes and many others.

In this episode we discuss:

Critical thinking and analysis

Urban planning

College Radio

Gear Lust

Diminishing Friction

Diversity

Power Dynamics

Communication, compromise, and context.


Links and Show Notes:


Matt&apos;s new site: https://www.mattboudreau.com/



Sara Carter&apos;s article you must read https://bit.ly/2Z53HII



More on Dave: https://www.infrasonicsound.com/dave



WCA #199 with Pete Lyman: https://bit.ly/2YOSKLi



WCA #251 with Piper Payne: https://bit.ly/2POVhkD



Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Dave Gardner


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #260 with Ben Bernstein - Being a guide, Low friction, Planning, Getting credit, and Being a team player.</title><itunes:title>WCA #260 with Ben Bernstein - Being a guide, Low friction, Planning, Getting credit, and Being a team player.</itunes:title><description><![CDATA[<h3>WCA #260 with Ben Bernstein – Being a guide, Low friction, Planning, Getting credit, and Being a team player.</h3><p><strong>Ben Bernstein</strong>&nbsp;is a producer, engineer, and mixer based out of Oakland, California. This is Ben’s second appearance since first appearing on WCA #055 (&nbsp;<a href="https://bit.ly/2E2ND0o" rel="noopener noreferrer" target="_blank">https://bit.ly/2E2ND0o</a>&nbsp;). More on Ben :&nbsp;<a href="https://www.benbernsteinmusic.com/" rel="noopener noreferrer" target="_blank">https://www.benbernsteinmusic.com/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Live sound</li><li>Diversification</li><li>Getting credit</li><li>The role of social media</li><li>Saying yes</li><li>Being prepared</li><li>Live streaming</li><li>Being a team player</li><li>Planning</li><li>The Profitable Producer Course</li><li>Low friction</li><li>Being a guide</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Ben’s site:&nbsp;</strong><a href="https://www.benbernsteinmusic.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.benbernsteinmusic.com/</strong></a></li><li><strong>Profitable Producer Course:&nbsp;</strong><a href="https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/" rel="noopener noreferrer" target="_blank"><strong>https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/</strong></a></li><li><strong>Hotjar:&nbsp;</strong><a href="https://www.hotjar.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.hotjar.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Ben Bernstein</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3>WCA #260 with Ben Bernstein – Being a guide, Low friction, Planning, Getting credit, and Being a team player.</h3><p><strong>Ben Bernstein</strong>&nbsp;is a producer, engineer, and mixer based out of Oakland, California. This is Ben’s second appearance since first appearing on WCA #055 (&nbsp;<a href="https://bit.ly/2E2ND0o" rel="noopener noreferrer" target="_blank">https://bit.ly/2E2ND0o</a>&nbsp;). More on Ben :&nbsp;<a href="https://www.benbernsteinmusic.com/" rel="noopener noreferrer" target="_blank">https://www.benbernsteinmusic.com/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Live sound</li><li>Diversification</li><li>Getting credit</li><li>The role of social media</li><li>Saying yes</li><li>Being prepared</li><li>Live streaming</li><li>Being a team player</li><li>Planning</li><li>The Profitable Producer Course</li><li>Low friction</li><li>Being a guide</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Ben’s site:&nbsp;</strong><a href="https://www.benbernsteinmusic.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.benbernsteinmusic.com/</strong></a></li><li><strong>Profitable Producer Course:&nbsp;</strong><a href="https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/" rel="noopener noreferrer" target="_blank"><strong>https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/</strong></a></li><li><strong>Hotjar:&nbsp;</strong><a href="https://www.hotjar.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.hotjar.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Ben Bernstein</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-260-with-ben-bernstein-being-a-guide-low-friction-planning-getting-credit-and-being-a-team-player-]]></link><guid isPermaLink="false">92e42488-ea4c-11e9-a0b3-7bd2573b0cab</guid><itunes:image href="https://artwork.captivate.fm/24a056d1-c85b-48d6-8b11-f840ca52f6b3/uploads-2f1575846954150-dhz73eq1n8g-6dcf3c589604ff51e2748bdbe94.png"/><pubDate>Mon, 09 Dec 2019 04:38:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5dc924ad-796b-4867-a099-8ddcebdc9b63.mp3" length="86167126" type="audio/mpeg"/><itunes:duration>59:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>260</itunes:episode><podcast:episode>260</podcast:episode><itunes:summary>Ben Bernstein is a producer, engineer, and mixer based out of Oakland, California. This is Ben&apos;s second appearance since first appearing on WCA #055 ( https://bit.ly/2E2ND0o ).
More on Ben : https://www.benbernsteinmusic.com/

In this episode we discuss:

Live sound

Diversification

Getting credit

The role of social media

Saying yes

Being prepared

Live streaming

Being a team player

Planning

The Profitable Producer Course

Low friction

Being a guide


Links and Show Notes:


Ben&apos;s site: https://www.benbernsteinmusic.com/



Profitable Producer Course: https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/



Hotjar: https://www.hotjar.com/



Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Ben Bernstein


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #259 with Lenise Bent - The smell of tubes, Leon Russel&apos;s studio, Roger Nichols, Mike Chapman, Cancer, Networking and Diversification</title><itunes:title>WCA #259 with Lenise Bent - The smell of tubes, Leon Russel&apos;s studio, Roger Nichols, Mike Chapman, Cancer, Networking and Diversification</itunes:title><description><![CDATA[<h3>WCA #259 with Lenise Bent – The smell of tubes, Leon Russel’s studio, Roger Nichols, Mike Chapman, Cancer, Networking and Diversification</h3><p><strong>Lenise Bent</strong>&nbsp;is an American&nbsp;audio engineer&nbsp;who has worked in both the music and film industry. She was one of a handful of women working in the Hollywood recording studio business in a technical role during the 1970s and was the first woman to receive an RIAA&nbsp;Platinum album&nbsp;for her engineering of&nbsp;AutoAmerican&nbsp;by&nbsp;Blondie.</p><h3><strong>In this episode we discuss:</strong></h3><ul><li>The smell of tubes</li><li>Leon Russel’s studio</li><li>Surviving as an assistant</li><li>Working with Mike Chapman</li><li>Working with Roger Nichols</li><li>Cancer</li><li>Working in post-production</li><li>Networking</li><li>Diversification</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Lenise on Instagram: @lenisebent</strong></li><li><strong>Lenise On Facebook:&nbsp;</strong><a href="https://bit.ly/2DDocSZ" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2DDocSZ</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Lenise Bent</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3>WCA #259 with Lenise Bent – The smell of tubes, Leon Russel’s studio, Roger Nichols, Mike Chapman, Cancer, Networking and Diversification</h3><p><strong>Lenise Bent</strong>&nbsp;is an American&nbsp;audio engineer&nbsp;who has worked in both the music and film industry. She was one of a handful of women working in the Hollywood recording studio business in a technical role during the 1970s and was the first woman to receive an RIAA&nbsp;Platinum album&nbsp;for her engineering of&nbsp;AutoAmerican&nbsp;by&nbsp;Blondie.</p><h3><strong>In this episode we discuss:</strong></h3><ul><li>The smell of tubes</li><li>Leon Russel’s studio</li><li>Surviving as an assistant</li><li>Working with Mike Chapman</li><li>Working with Roger Nichols</li><li>Cancer</li><li>Working in post-production</li><li>Networking</li><li>Diversification</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Lenise on Instagram: @lenisebent</strong></li><li><strong>Lenise On Facebook:&nbsp;</strong><a href="https://bit.ly/2DDocSZ" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2DDocSZ</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Lenise Bent</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-259-with-lenise-bent-the-smell-of-tubes-leon-russels-studio-roger-nichols-mike-chapman-cancer-networking-and-diversification]]></link><guid isPermaLink="false">92f6ee1a-ea4c-11e9-a0b3-bf0055ab02fa</guid><itunes:image href="https://artwork.captivate.fm/1b40f885-1480-4176-9686-615759f8f47f/uploads-2f1575251993845-l4ix5sar3hj-59a32149acd498d6a9732cbb9de.png"/><pubDate>Mon, 02 Dec 2019 08:40:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/54ffe19c-4902-4af7-bb16-4eee21fa7540.mp3" length="85277571" type="audio/mpeg"/><itunes:duration>59:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>259</itunes:episode><podcast:episode>259</podcast:episode><itunes:summary>Lenise Bent is an American audio engineer who has worked in both the music and film industry. She was one of a handful of women working in the Hollywood recording studio business in a technical role during the 1970s, and was the first woman to receive an RIAA Platinum album for her engineering of AutoAmerican by Blondie.
In this episode we discuss:

The smell of tubes

Leon Russel&apos;s studio

Surviving as an assistant

Working with Mike Chapman

Working with Roger Nichols

Cancer

Working in post-production

Networking

Diversification


Links and Show Notes:

Lenise on Instagram: @lenisebent


Lenise On Facebook: https://bit.ly/2DDocSZ


NARAS: 

Woman&apos;s Audio Mission: 




Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Lenise Bent


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #258 with Jason Livermore - Selling Beer, Studio Ownership, Production Details, Cross Fit, and Thousand Dollar Vape Machines.</title><itunes:title>WCA #258 with Jason Livermore - Selling Beer, Studio Ownership, Production Details, Cross Fit, and Thousand Dollar Vape Machines.</itunes:title><description><![CDATA[<h3>WCA #258 with Jason Livermore – Selling Beer, Studio Ownership, Production Details, Cross Fit, and Thousand Dollar Vape Machines.</h3><p>Jason Livermore is a producer/engineer/drummer and co-owner of the Blasting Room Studios located in Fort Collins, Colorado.</p><p><strong>For more info on Jason visit:&nbsp;</strong><a href="https://theblastingroom.com/" rel="noopener noreferrer" target="_blank">https://theblastingroom.com/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Selling Beer</li><li>Fort Collins</li><li>Studio Ownership</li><li>Partnerships</li><li>Gear Debt</li><li>Mentors</li><li>Production Details</li><li>Points</li><li>Cross Fit</li><li>Legalized marijuana</li><li>25 Years of Business</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>The Blasting Room:&nbsp;</strong><a href="https://theblastingroom.com/" rel="noopener noreferrer" target="_blank"><strong>https://theblastingroom.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Jason Livermore</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<h3>WCA #258 with Jason Livermore – Selling Beer, Studio Ownership, Production Details, Cross Fit, and Thousand Dollar Vape Machines.</h3><p>Jason Livermore is a producer/engineer/drummer and co-owner of the Blasting Room Studios located in Fort Collins, Colorado.</p><p><strong>For more info on Jason visit:&nbsp;</strong><a href="https://theblastingroom.com/" rel="noopener noreferrer" target="_blank">https://theblastingroom.com/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Selling Beer</li><li>Fort Collins</li><li>Studio Ownership</li><li>Partnerships</li><li>Gear Debt</li><li>Mentors</li><li>Production Details</li><li>Points</li><li>Cross Fit</li><li>Legalized marijuana</li><li>25 Years of Business</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>The Blasting Room:&nbsp;</strong><a href="https://theblastingroom.com/" rel="noopener noreferrer" target="_blank"><strong>https://theblastingroom.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Jason Livermore</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-258-with-jason-livermore-selling-beer-studio-ownership-production-details-cross-fit-and-thousand-dollar-vape-machines-]]></link><guid isPermaLink="false">92fc58c8-ea4c-11e9-a0b3-5f3f0771a2c3</guid><itunes:image href="https://artwork.captivate.fm/7bdb5471-205f-4f4e-8286-2bbe9cc3bdfa/uploads-2f1574448063472-ewwp5g1vnd-7fe83128df7ed8aad49e08ac1686.png"/><pubDate>Mon, 25 Nov 2019 02:50:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/39014745-11a5-4f5a-afa7-9defc4d4c0ac.mp3" length="77952956" type="audio/mpeg"/><itunes:duration>54:08</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>258</itunes:episode><podcast:episode>258</podcast:episode><itunes:summary>Jason Livermore is a producer/engineer/drummer and co-owner of the Blasting Room Studios located in Fort Collins, Colorado.
For more info on Jason visit: https://theblastingroom.com/

In this episode we discuss:

Selling Beer

Fort Collins

Studio Ownership

Partnerships

Gear Debt

Mentors

Production Details

Points

Cross Fit

Legalized marijuana

25 Years of Business


Links and Show Notes:


The Blasting Room: https://theblastingroom.com/



Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jason Livermore


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #257 with Music Expo - Warren Huart, Lenise Bent, Michael James, Starita, Emiliano Caballero</title><itunes:title>WCA #257 with Music Expo - Warren Huart, Lenise Bent, Michael James, Starita, Emiliano Caballero</itunes:title><description><![CDATA[<h3>WCA #257 with Music Expo – Warren Huart, Lenise Bent, Michael James, Starita, Emiliano Caballero</h3><p>Music Expo San Francisco 2019 took place at the SAE Institute in Emeryville, California on November 9th and 10th. It featured a wide array of panels and discussions. The Producers and Engineers panel was the Keynote panel held on the 10th. Enjoy. -Matt</p><p><strong>For more info on Music Expo:&nbsp;</strong><a href="https://musicexpo.co/" rel="noopener noreferrer" target="_blank">https://musicexpo.co/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Producing</li><li>Points</li><li>Survival</li><li>Mental Health</li><li>Success</li><li>Building a career</li><li>Thinking Globally</li><li>Persistance</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Music Expo:&nbsp;</strong><a href="https://musicexpo.co/sanfrancisco" rel="noopener noreferrer" target="_blank"><strong>https://musicexpo.co/sanfrancisco</strong></a></li><li><strong>Warren Huart:&nbsp;</strong><a href="https://warrenhuart.com/" rel="noopener noreferrer" target="_blank"><strong>https://warrenhuart.com/</strong></a></li><li><strong>Lenise Bent:&nbsp;</strong><a href="https://en.wikipedia.org/wiki/Lenise_Bent" rel="noopener noreferrer" target="_blank"><strong>https://en.wikipedia.org/wiki/Lenise_Bent</strong></a></li><li><strong>Michael James:&nbsp;</strong><a href="http://michaeljamesproducer.com/" rel="noopener noreferrer" target="_blank"><strong>http://michaeljamesproducer.com/</strong></a></li><li><strong>Starita:&nbsp;</strong><a href="http://www.staritamusic.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.staritamusic.com/</strong></a></li><li><strong>Emiliano Caballero:&nbsp;</strong><a href="https://www.emilianocaballero.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.emilianocaballero.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guests:&nbsp;</strong>Warren Huart, Lenise Bent, Michael James, Starita, Emiliano Caballero</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3>WCA #257 with Music Expo – Warren Huart, Lenise Bent, Michael James, Starita, Emiliano Caballero</h3><p>Music Expo San Francisco 2019 took place at the SAE Institute in Emeryville, California on November 9th and 10th. It featured a wide array of panels and discussions. The Producers and Engineers panel was the Keynote panel held on the 10th. Enjoy. -Matt</p><p><strong>For more info on Music Expo:&nbsp;</strong><a href="https://musicexpo.co/" rel="noopener noreferrer" target="_blank">https://musicexpo.co/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Producing</li><li>Points</li><li>Survival</li><li>Mental Health</li><li>Success</li><li>Building a career</li><li>Thinking Globally</li><li>Persistance</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Music Expo:&nbsp;</strong><a href="https://musicexpo.co/sanfrancisco" rel="noopener noreferrer" target="_blank"><strong>https://musicexpo.co/sanfrancisco</strong></a></li><li><strong>Warren Huart:&nbsp;</strong><a href="https://warrenhuart.com/" rel="noopener noreferrer" target="_blank"><strong>https://warrenhuart.com/</strong></a></li><li><strong>Lenise Bent:&nbsp;</strong><a href="https://en.wikipedia.org/wiki/Lenise_Bent" rel="noopener noreferrer" target="_blank"><strong>https://en.wikipedia.org/wiki/Lenise_Bent</strong></a></li><li><strong>Michael James:&nbsp;</strong><a href="http://michaeljamesproducer.com/" rel="noopener noreferrer" target="_blank"><strong>http://michaeljamesproducer.com/</strong></a></li><li><strong>Starita:&nbsp;</strong><a href="http://www.staritamusic.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.staritamusic.com/</strong></a></li><li><strong>Emiliano Caballero:&nbsp;</strong><a href="https://www.emilianocaballero.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.emilianocaballero.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guests:&nbsp;</strong>Warren Huart, Lenise Bent, Michael James, Starita, Emiliano Caballero</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-257-with-music-expo-warren-huart-lenise-bent-michael-james-starita-emiliano-caballero]]></link><guid isPermaLink="false">93086a00-ea4c-11e9-a0b3-d78fe718fd70</guid><itunes:image href="https://artwork.captivate.fm/fea25736-df4c-48c6-8fbd-3d624657c9d6/uploads-2f1574035781908-jlmf4v0of6e-476bf79da844471edf026341206.png"/><pubDate>Mon, 18 Nov 2019 05:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/87c657e5-e644-412c-81d0-67bd53d17113.mp3" length="63907124" type="audio/mpeg"/><itunes:duration>44:23</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>257</itunes:episode><podcast:episode>257</podcast:episode><itunes:summary>Music Expo San Francisco 2019 took place at the SAE institute in Emeryville, California on November 9th and 10th. It featured a wide array of panels and discussions. The Producers and Engineers panel was the Keynote panel held on the 10th. Enjoy. -Matt
For more info on Music Expo: https://musicexpo.co/
In this episode we discuss:

Producing

Points

Survival

Mental Health

Success

Building a career

Thinking Globally

Persistence


Links and Show Notes:


Music Expo: https://musicexpo.co/sanfrancisco



Warren Huart: https://warrenhuart.com/



Lenise Bent: https://en.wikipedia.org/wiki/Lenise_Bent



Michael James: http://michaeljamesproducer.com/



Starita: http://www.staritamusic.com/



Emiliano Caballero: https://www.emilianocaballero.com/



Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guests: Warren Huart, Lenise Bent, Michael James, Starita, Emiliano Caballero


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #256 with Scott Evans - Quitting his day job, Drug money, Wrestling mixes,  Imposter syndrome and being financially conservative.</title><itunes:title>WCA #256 with Scott Evans - Quitting his day job, Drug money, Wrestling mixes,  Imposter syndrome and being financially conservative.</itunes:title><description><![CDATA[<h3>WCA #256 with Scott Evans – Quitting his day job, Drug money, Wrestling mixes, Imposter syndrome and being financially conservative.</h3><p><strong>Scott Evans</strong>&nbsp;is an engineer and mixer based in Oakland, California. This is Scott’s second appearance on WCA. His first appearance was Episode #010 in 2015. We met at his studio for a great discussion and follow up to our first interview.</p><p><strong>For more info on Scott visit:&nbsp;</strong><a href="http://antisleep.com/" rel="noopener noreferrer" target="_blank">http://antisleep.com/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Quitting his day job</li><li>Traveling to record</li><li>Being financially conservative</li><li>Drug money</li><li>Electrical Audio</li><li>Mastering Diagnosis</li><li>Winning A potty</li><li>Wrestling Mixes</li><li>Imposter Syndrome</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Scott’s Site:&nbsp;</strong><a href="http://antisleep.com/" rel="noopener noreferrer" target="_blank"><strong>http://antisleep.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Scott Evans</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3>WCA #256 with Scott Evans – Quitting his day job, Drug money, Wrestling mixes, Imposter syndrome and being financially conservative.</h3><p><strong>Scott Evans</strong>&nbsp;is an engineer and mixer based in Oakland, California. This is Scott’s second appearance on WCA. His first appearance was Episode #010 in 2015. We met at his studio for a great discussion and follow up to our first interview.</p><p><strong>For more info on Scott visit:&nbsp;</strong><a href="http://antisleep.com/" rel="noopener noreferrer" target="_blank">http://antisleep.com/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li>Quitting his day job</li><li>Traveling to record</li><li>Being financially conservative</li><li>Drug money</li><li>Electrical Audio</li><li>Mastering Diagnosis</li><li>Winning A potty</li><li>Wrestling Mixes</li><li>Imposter Syndrome</li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Scott’s Site:&nbsp;</strong><a href="http://antisleep.com/" rel="noopener noreferrer" target="_blank"><strong>http://antisleep.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Scott Evans</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-256-with-scott-evans-quitting-his-day-job-drug-money-wrestling-mixes-imposter-syndrome-and-being-financially-conservative-]]></link><guid isPermaLink="false">92dd7250-ea4c-11e9-a0b3-0b9b08f3b95e</guid><itunes:image href="https://artwork.captivate.fm/574e3cae-69ad-44ef-a21e-4511759246ce/uploads-2f1573444269660-o2m2fyn87w9-bcac1e0fd7c34c8ad85c3edc5ba.png"/><pubDate>Mon, 11 Nov 2019 08:16:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/51e149ff-2e23-4218-bcbd-13fd0045a123.mp3" length="101194948" type="audio/mpeg"/><itunes:duration>01:10:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>256</itunes:episode><podcast:episode>256</podcast:episode><itunes:summary>Scott Evans is an engineer and mixer based in Oakland, California. This is Scott&apos;s second appearance on WCA. His first appearance was Episode #010 in 2015. We met at his studio for a great discussion and follow up to our first interview.
For more info on Scott visit: http://antisleep.com/

In this episode we discuss:

Quitting his day job

Traveling to record

Being financially conservative

Drug money

Electrical Audio

Mastering Diagnosis

Winning A potty

Wrestling Mixes

Imposter Syndrome


Links and Show Notes:


Scott&apos;s Site: http://antisleep.com/



Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Scott Evans


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #255 with Steven Gillis - Chicago winters, studio partnerships, Chuck Berry, HVAC systems, SSL myths,  and the last studio he&apos;ll ever build.</title><itunes:title>WCA #255 with Steven Gillis - Chicago winters, studio partnerships, Chuck Berry, HVAC systems, SSL myths,  and the last studio he&apos;ll ever build.</itunes:title><description><![CDATA[<h3><strong>WCA #255 with Steven Gillis – Chicago winters, studio partnerships, Chuck Berry, HVAC systems, SSL myths, and the last studio he’ll ever build.</strong></h3><p><strong>Steven Gillis&nbsp;</strong>is a drummer producer/engineer and mixer working out of Transient Sound, his studio in Chicago that he shares with studio partner Vijay Tellis-Nayak.</p><p><strong>For more info on Steven visit:&nbsp;</strong><a href="https://www.transientsound.com/" rel="noopener noreferrer" target="_blank">https://www.transientsound.com/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li><strong>Chicago Winters</strong></li><li><strong>Studio Partnerships</strong></li><li><strong>Chuck Berry</strong></li><li><strong>HVAC Systems</strong></li><li><strong>SSL Myths</strong></li><li><strong>The last studio he’ll ever build</strong></li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Transient Sound on Twitter: @transientmusic</strong></li><li><strong>Transient Sound on Fcebook:&nbsp;</strong><a href="https://www.facebook.com/transientsoundstudio" rel="noopener noreferrer" target="_blank"><strong>https://www.facebook.com/transientsoundstudio</strong></a></li><li><strong>Backblaze:&nbsp;</strong><a href="https://bit.ly/2ptMxHJ" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2ptMxHJ</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Steven Gillis</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<h3><strong>WCA #255 with Steven Gillis – Chicago winters, studio partnerships, Chuck Berry, HVAC systems, SSL myths, and the last studio he’ll ever build.</strong></h3><p><strong>Steven Gillis&nbsp;</strong>is a drummer producer/engineer and mixer working out of Transient Sound, his studio in Chicago that he shares with studio partner Vijay Tellis-Nayak.</p><p><strong>For more info on Steven visit:&nbsp;</strong><a href="https://www.transientsound.com/" rel="noopener noreferrer" target="_blank">https://www.transientsound.com/</a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li><strong>Chicago Winters</strong></li><li><strong>Studio Partnerships</strong></li><li><strong>Chuck Berry</strong></li><li><strong>HVAC Systems</strong></li><li><strong>SSL Myths</strong></li><li><strong>The last studio he’ll ever build</strong></li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Transient Sound on Twitter: @transientmusic</strong></li><li><strong>Transient Sound on Fcebook:&nbsp;</strong><a href="https://www.facebook.com/transientsoundstudio" rel="noopener noreferrer" target="_blank"><strong>https://www.facebook.com/transientsoundstudio</strong></a></li><li><strong>Backblaze:&nbsp;</strong><a href="https://bit.ly/2ptMxHJ" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2ptMxHJ</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Steven Gillis</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-255-with-steven-gillis-chicago-winters-studio-partnerships-chuck-berry-hvac-systems-ssl-myths-and-the-last-studio-hell-ever-build-]]></link><guid isPermaLink="false">92eff9d4-ea4c-11e9-a0b3-efaea14812cc</guid><itunes:image href="https://artwork.captivate.fm/dcd8754d-bc67-4c27-85ce-b548a05876e5/uploads-2f1572827942114-xmr4yjocd4-71832109df5e0f22ebfc369bccc6.png"/><pubDate>Mon, 04 Nov 2019 03:38:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9a5e0046-df6f-49d3-a960-b18c74343688.mp3" length="70918141" type="audio/mpeg"/><itunes:duration>49:15</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>255</itunes:episode><podcast:episode>255</podcast:episode><itunes:summary>Steven Gillis is a drummer producer/engineer and mixer working out of Transient Sound, his studio in Chicago that he shares with studio partner Vijay Tellis-Nayak.
For more info on Steven visit: https://www.transientsound.com/
In this episode we discuss:

Chicago Winters

Studio Partnerships

Chuck Berry

HVAC Systems

SSL Myths

The last studio he&apos;ll ever build 


Links and Show Notes:

Transient Sound on Twitter: @transientmusic


Transient Sound on Fcebook https://www.facebook.com/transientsoundstudio



Backblaze: https://bit.ly/2ptMxHJ



Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Steven Gillis


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #254 with Jonah Strauss - DIY Attitude, The Aftermath of Fires, Advocacy, Dealing with Debt, The Dynamics of East Oakland and Serving his community.</title><itunes:title>WCA #254 with Jonah Strauss - DIY Attitude, The Aftermath of Fires, Advocacy, Dealing with Debt, The Dynamics of East Oakland and Serving his community.</itunes:title><description><![CDATA[<h3><strong>WCA #254 with Jonah Strauss – DIY Attitude, The Aftermath of Fires, Advocacy, Dealing with Debt, The Dynamics of East Oakland and Serving his community.</strong></h3><p><strong>Jonah Strauss&nbsp;</strong>made his first appearance on WCA #016. Since then he’s been through some experiences that have changed his perspective and outlook. He’s back with a new studio, new approach and primed to serve a community dear to his heart.</p><p><strong>For more info on Jonah visit:&nbsp;</strong><a href="http://www.survivorsound.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.survivorsound.com/</strong></a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li><strong>DIY attitude</strong></li><li><strong>The Aftermath of Fires</strong></li><li><strong>Advocacy</strong></li><li><strong>The Dynamics of East Oakland</strong></li><li><strong>Serving his community</strong></li><li><strong>Dealing with Debt</strong></li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Survivor Sound:</strong>&nbsp;<a href="http://www.survivorsound.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.survivorsound.com/</strong></a></li><li><strong>Contact Jonah:&nbsp;</strong><a href="http://www.survivorsound.com/contact" rel="noopener noreferrer" target="_blank"><strong>http://www.survivorsound.com/contact</strong></a></li><li><strong>The Black Puma’s:&nbsp;</strong><a href="https://www.theblackpumas.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.theblackpumas.com/</strong></a></li><li><strong>Learn about the late great Ed Cherney:</strong>&nbsp;<a href="http://edcherney.com/" rel="noopener noreferrer" target="_blank"><strong>http://edcherney.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Jonah Strauss</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3><strong>WCA #254 with Jonah Strauss – DIY Attitude, The Aftermath of Fires, Advocacy, Dealing with Debt, The Dynamics of East Oakland and Serving his community.</strong></h3><p><strong>Jonah Strauss&nbsp;</strong>made his first appearance on WCA #016. Since then he’s been through some experiences that have changed his perspective and outlook. He’s back with a new studio, new approach and primed to serve a community dear to his heart.</p><p><strong>For more info on Jonah visit:&nbsp;</strong><a href="http://www.survivorsound.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.survivorsound.com/</strong></a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li><strong>DIY attitude</strong></li><li><strong>The Aftermath of Fires</strong></li><li><strong>Advocacy</strong></li><li><strong>The Dynamics of East Oakland</strong></li><li><strong>Serving his community</strong></li><li><strong>Dealing with Debt</strong></li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Survivor Sound:</strong>&nbsp;<a href="http://www.survivorsound.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.survivorsound.com/</strong></a></li><li><strong>Contact Jonah:&nbsp;</strong><a href="http://www.survivorsound.com/contact" rel="noopener noreferrer" target="_blank"><strong>http://www.survivorsound.com/contact</strong></a></li><li><strong>The Black Puma’s:&nbsp;</strong><a href="https://www.theblackpumas.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.theblackpumas.com/</strong></a></li><li><strong>Learn about the late great Ed Cherney:</strong>&nbsp;<a href="http://edcherney.com/" rel="noopener noreferrer" target="_blank"><strong>http://edcherney.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Jonah Strauss</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-254-with-jonah-strauss-diy-attitude-the-aftermath-of-fires-advocacy-dealing-with-debt-the-dynamics-of-east-oakland-and-serving-his-community-]]></link><guid isPermaLink="false">93029ad0-ea4c-11e9-a0b3-2b82c639ec22</guid><itunes:image href="https://artwork.captivate.fm/41b8fbd8-1f99-4023-ae8c-cfa8431f6725/uploads-2f1572112360584-d4gh58xpxzn-dd0a4ebc4d00996c205bcc8d817.png"/><pubDate>Mon, 28 Oct 2019 01:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7c21007c-ce05-4d6a-8615-96d84f745879.mp3" length="87731480" type="audio/mpeg"/><itunes:duration>01:00:55</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>254</itunes:episode><podcast:episode>254</podcast:episode><itunes:summary>Jonah Strauss made his first appearance on WCA #016. Since then he&apos;s been through some experiences that have changed his perspective and outlook. He&apos;s back with a new studio, new approach and primed to serve a community dear to his heart.
For more info on Jonah visit: http://www.survivorsound.com/
In this episode we discuss:

DIY attitude

The Aftermath of Fires

Advocacy

The Dynamics of East Oakland

Serving his community

Dealing with Debt


Links and Show Notes:


Survivor Sound: http://www.survivorsound.com/



Contact Jonah: http://www.survivorsound.com/contact



Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Learn about the late great Ed Cherney: http://edcherney.com/



The Black Puma&apos;s: https://www.theblackpumas.com/




Credits:


Guest: Jonah Strauss


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #253 with Mary Mazurek - Recording live, Knowing your worth, Complicated gigs &amp; Parents with multiple fridge/freezers.</title><itunes:title>WCA #253 with Mary Mazurek - Recording live, Knowing your worth, Complicated gigs &amp; Parents with multiple fridge/freezers.</itunes:title><description><![CDATA[<h3><strong>WCA #253 with Mary Mazurek – Recording live, Knowing your worth, Complicated gigs &amp; Parents with multiple fridge/freezers.</strong></h3><p><strong>Mary Mazurek</strong>&nbsp;is a Grammy-nominated recording engineer, artist, educator, speaker, and consultant. She currently works as a producer/engineer at WFMT in Chicago, teaches as an Adjunct professor at DePaul University as well as an instructor at Columbia College and Illinois Institute of Art.</p><p>For more info on Mary visit:&nbsp;<a href="https://www.marymazurek.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.marymazurek.com/</strong></a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li><strong>Recording live broadcasts</strong></li><li><strong>Studying under Murray Allen</strong></li><li><strong>Blatant sexism</strong></li><li><strong>Knowing your worth</strong></li><li><strong>Parents with multiple fridge/freezers</strong></li><li><strong>Chicago winters</strong></li><li><strong>Mental health &amp; stress</strong></li><li><strong>Planning for complicated gigs</strong></li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Support WCA – Go Ad Free!&nbsp;</strong><a href="https://glow.fm/workingclassaudio/" rel="noopener noreferrer" target="_blank"><strong>https://glow.fm/workingclassaudio/</strong></a></li><li><strong>Mary’s Site:&nbsp;</strong><a href="https://www.marymazurek.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.marymazurek.com/</strong></a></li><li><strong>Connect with Mary on Linkedin:</strong>&nbsp;<a href="https://bit.ly/33Q7LxE" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/33Q7LxE</strong></a></li><li><strong>More on Murray Allen:&nbsp;</strong><a href="https://bit.ly/2pyVeAb" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2pyVeAb</strong></a></li><li><strong>The Presidents Marine Band:&nbsp;</strong><a href="https://www.marineband.marines.mil/" rel="noopener noreferrer" target="_blank"><strong>https://www.marineband.marines.mil/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Mary Mazurek</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3><strong>WCA #253 with Mary Mazurek – Recording live, Knowing your worth, Complicated gigs &amp; Parents with multiple fridge/freezers.</strong></h3><p><strong>Mary Mazurek</strong>&nbsp;is a Grammy-nominated recording engineer, artist, educator, speaker, and consultant. She currently works as a producer/engineer at WFMT in Chicago, teaches as an Adjunct professor at DePaul University as well as an instructor at Columbia College and Illinois Institute of Art.</p><p>For more info on Mary visit:&nbsp;<a href="https://www.marymazurek.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.marymazurek.com/</strong></a></p><h3><strong>In this episode we discuss:</strong></h3><ul><li><strong>Recording live broadcasts</strong></li><li><strong>Studying under Murray Allen</strong></li><li><strong>Blatant sexism</strong></li><li><strong>Knowing your worth</strong></li><li><strong>Parents with multiple fridge/freezers</strong></li><li><strong>Chicago winters</strong></li><li><strong>Mental health &amp; stress</strong></li><li><strong>Planning for complicated gigs</strong></li></ul><br/><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Support WCA – Go Ad Free!&nbsp;</strong><a href="https://glow.fm/workingclassaudio/" rel="noopener noreferrer" target="_blank"><strong>https://glow.fm/workingclassaudio/</strong></a></li><li><strong>Mary’s Site:&nbsp;</strong><a href="https://www.marymazurek.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.marymazurek.com/</strong></a></li><li><strong>Connect with Mary on Linkedin:</strong>&nbsp;<a href="https://bit.ly/33Q7LxE" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/33Q7LxE</strong></a></li><li><strong>More on Murray Allen:&nbsp;</strong><a href="https://bit.ly/2pyVeAb" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2pyVeAb</strong></a></li><li><strong>The Presidents Marine Band:&nbsp;</strong><a href="https://www.marineband.marines.mil/" rel="noopener noreferrer" target="_blank"><strong>https://www.marineband.marines.mil/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Guest:</strong>&nbsp;Mary Mazurek</li><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-253-with-mary-mazurek-recording-live-knowing-your-worth-complicated-gigs-parents-with-multiple-fridge-freezers-]]></link><guid isPermaLink="false">92ea248c-ea4c-11e9-a0b3-57a0dc950d20</guid><itunes:image href="https://artwork.captivate.fm/c879f55f-396c-4a47-a2bc-5550035f1a01/uploads-2f1571094853691-e4e6crtfayw-0cc942f6a31aaebb53cce7b84e4.png"/><pubDate>Mon, 21 Oct 2019 01:50:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/32d4f2c0-56d1-4fd5-90b7-97f99afea13d.mp3" length="73268631" type="audio/mpeg"/><itunes:duration>50:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>253</itunes:episode><podcast:episode>253</podcast:episode><itunes:summary>Mary Mazurek is a Grammy-nominated recording engineer, artist, educator, speaker, and consultant. She currently works as a producer/engineer at WFMT in Chicago, teaches as an Adjunct professor at DePaul University as well as an instructor at Columbia College and Illinois Institute of Art.
For more info on Mary visit: https://www.marymazurek.com/
In this episode we discuss:

Recording live broadcasts

Studying under Murray Allen

Blatant sexism

Knowing your worth

Parents with multiple fridge/freezers

Chicago winters

Mental health &amp; stress

Planning for complicated gigs


Links and Show Notes:


Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/



Mary&apos;s Site: https://www.marymazurek.com/



Connect with Mary on Linkedin: https://bit.ly/33Q7LxE



More on Murray Allen: https://bit.ly/2pyVeAb



The Presidents Marine Band: https://www.marineband.marines.mil/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Mary Mazurek


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #252 with Dave Hillis - Metal beginnings, Record Store education, Pearl Jam, Rick Parashar, traditional record making, and committing.</title><itunes:title>WCA #252 with Dave Hillis - Metal beginnings, Record Store education, Pearl Jam, Rick Parashar, traditional record making, and committing.</itunes:title><description><![CDATA[<p><strong>Dave Hillis</strong> has spent large amounts of time on both sides of the glass as a guitarist, producer, engineer, mixer and writer. He worked alongside famed producer Rick Parasher for several years in Seattle and was the engineer on Pearl Jam's breakthrough album "10". </p><p>For more info on Dave visit: <a href="https://davehillismusic.com/" rel="noopener noreferrer" target="_blank"><strong>https://davehillismusic.com/</strong></a></p><p><strong>In this episode we discuss:</strong></p><ul><li>Brooklyn to Seattle</li><li>Metal beginnings</li><li>DIY Focus</li><li>Record store education</li><li>Rick Parasher</li><li>Pearl Jam</li><li>Closing and opening studios</li><li>Traditional record making</li><li>Committing tracks</li><li>Moving back East</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Dave's Site: </strong><a href="https://davehillismusic.com/" rel="noopener noreferrer" target="_blank"><strong>https://davehillismusic.com/</strong></a></li><li><strong>Clive Davis Doc: </strong><a href="https://www.netflix.com/title/80190588" rel="noopener noreferrer" target="_blank"><strong>https://www.netflix.com/title/80190588</strong></a></li><li><strong>John Cuniberti: </strong><a href="https://www.workingclassaudio.com/wca-005-with-john-cuniberti/" rel="noopener noreferrer" target="_blank"><strong>https://www.workingclassaudio.com/wca-005-with-john-cuniberti/</strong></a></li><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Dave Hillis</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Dave Hillis</strong> has spent large amounts of time on both sides of the glass as a guitarist, producer, engineer, mixer and writer. He worked alongside famed producer Rick Parasher for several years in Seattle and was the engineer on Pearl Jam's breakthrough album "10". </p><p>For more info on Dave visit: <a href="https://davehillismusic.com/" rel="noopener noreferrer" target="_blank"><strong>https://davehillismusic.com/</strong></a></p><p><strong>In this episode we discuss:</strong></p><ul><li>Brooklyn to Seattle</li><li>Metal beginnings</li><li>DIY Focus</li><li>Record store education</li><li>Rick Parasher</li><li>Pearl Jam</li><li>Closing and opening studios</li><li>Traditional record making</li><li>Committing tracks</li><li>Moving back East</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Dave's Site: </strong><a href="https://davehillismusic.com/" rel="noopener noreferrer" target="_blank"><strong>https://davehillismusic.com/</strong></a></li><li><strong>Clive Davis Doc: </strong><a href="https://www.netflix.com/title/80190588" rel="noopener noreferrer" target="_blank"><strong>https://www.netflix.com/title/80190588</strong></a></li><li><strong>John Cuniberti: </strong><a href="https://www.workingclassaudio.com/wca-005-with-john-cuniberti/" rel="noopener noreferrer" target="_blank"><strong>https://www.workingclassaudio.com/wca-005-with-john-cuniberti/</strong></a></li><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Dave Hillis</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-252-with-dave-hillis-metal-beginnings-record-store-education-pearl-jam-rick-parashar-traditional-record-making-and-committing-]]></link><guid isPermaLink="false">935f79d0-ea4c-11e9-a0b3-371336e4026c</guid><itunes:image href="https://artwork.captivate.fm/2f06f637-cfbd-44b6-a84f-921137015384/uploads-2f1571024184160-4hma1vu5ur3-18d73ceeca5f24c769f1cb41726.png"/><pubDate>Mon, 14 Oct 2019 05:46:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5970303b-3c8c-4608-9255-a1244a74ffa1.mp3" length="88160434" type="audio/mpeg"/><itunes:duration>01:01:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>252</itunes:episode><podcast:episode>252</podcast:episode><itunes:summary>Dave Hillis has spent large amounts of time on both sides of the glass as a guitarist, producer, engineer, mixer and writer. He worked alongside famed producer Rick Parasher for several years in Seattle and was the engineer on Pearl Jam&apos;s breakthrough album &quot;10&quot;. 
For more info on Dave visit: https://davehillismusic.com/
In this episode we discuss:Brooklyn to SeattleMetal beginningsDIY FocusRecord store educationRick ParasherPearl JamClosing and opening studiosTraditional record makingCommitting tracksMoving back East
Links and Show Notes:Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/Dave&apos;s Site: https://davehillismusic.com/Clive Davis Doc: https://www.netflix.com/title/80190588John Cuniberti: https://www.workingclassaudio.com/wca-005-with-john-cuniberti/Current sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/
Credits:Guest: Dave HillisHost: Matt Boudreau WCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #251 with Piper Payne - Infrasonic Sound, survivalist audio, asking for help, losing a parent and new opportunities.</title><itunes:title>WCA #251 with Piper Payne - Infrasonic Sound, survivalist audio, asking for help, losing a parent and new opportunities.</itunes:title><description><![CDATA[<p><strong>Piper Payne</strong> is a mastering engineer who has been a guest on WCA before (See WCA #045). She has been through some business experiences and changes since we last spoke and now has set up a homebase in Nashville but also continues to spend time in Oakland where she still has a facility. She joins me for a discussion of those changes and opportunities post Summer NAMM.</p><p>Piper has mastered a wide variety of music including nationally renowned artists Third Eye Blind, Madame Gandhi, Geographer, Elettrodomestico (Jane Wiedlin/Go-Go’s), Shamir, Between You &amp; Me, David Messier, and Fritz Montana, as well as Bay Area favorites Kat Robichaud, ANML, Sioux City Kid, The She’s, Emily Afton, Abbot Kinney, Travis Hayes, Kendra McKinley, Van Goat, and Diana Gameros.</p><p>For Piper's complete history visit: <a href="http://www.piperpayne.com/" rel="noopener noreferrer" target="_blank">http://www.piperpayne.com/</a></p><p><strong>In this episode we discuss:</strong></p><ul><li>Art and commerce in the Bay Area</li><li>Joining Infrasonic Sound.</li><li>Setting up shop in Nashville.</li><li>Splitting time between cities.</li><li>Survivalist mentality.</li><li>Having a strong legal team.</li><li>Taking care of yourself.</li><li>Asking for help.&nbsp;</li><li>Losing a parent.&nbsp;</li><li>New opportunities.&nbsp;</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>The first Piper Payne interview: </strong><a href="https://bit.ly/2AOtzNV" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2AOtzNV</strong></a></li><li><strong>Infrasonic Sound: </strong><a href="https://www.infrasonicsound.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.infrasonicsound.com/</strong></a></li><li><strong>Piper's Site: </strong><a href="https://bit.ly/2LSPl9G" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2LSPl9G</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Piper Payne</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Piper Payne</strong> is a mastering engineer who has been a guest on WCA before (See WCA #045). She has been through some business experiences and changes since we last spoke and now has set up a homebase in Nashville but also continues to spend time in Oakland where she still has a facility. She joins me for a discussion of those changes and opportunities post Summer NAMM.</p><p>Piper has mastered a wide variety of music including nationally renowned artists Third Eye Blind, Madame Gandhi, Geographer, Elettrodomestico (Jane Wiedlin/Go-Go’s), Shamir, Between You &amp; Me, David Messier, and Fritz Montana, as well as Bay Area favorites Kat Robichaud, ANML, Sioux City Kid, The She’s, Emily Afton, Abbot Kinney, Travis Hayes, Kendra McKinley, Van Goat, and Diana Gameros.</p><p>For Piper's complete history visit: <a href="http://www.piperpayne.com/" rel="noopener noreferrer" target="_blank">http://www.piperpayne.com/</a></p><p><strong>In this episode we discuss:</strong></p><ul><li>Art and commerce in the Bay Area</li><li>Joining Infrasonic Sound.</li><li>Setting up shop in Nashville.</li><li>Splitting time between cities.</li><li>Survivalist mentality.</li><li>Having a strong legal team.</li><li>Taking care of yourself.</li><li>Asking for help.&nbsp;</li><li>Losing a parent.&nbsp;</li><li>New opportunities.&nbsp;</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>The first Piper Payne interview: </strong><a href="https://bit.ly/2AOtzNV" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2AOtzNV</strong></a></li><li><strong>Infrasonic Sound: </strong><a href="https://www.infrasonicsound.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.infrasonicsound.com/</strong></a></li><li><strong>Piper's Site: </strong><a href="https://bit.ly/2LSPl9G" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2LSPl9G</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Piper Payne</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-251-with-piper-payne-infrasonic-sound-survivalist-audio-asking-for-help-losing-a-parent-and-new-opportunities-]]></link><guid isPermaLink="false">98f41950-ea4c-11e9-a0b3-07284bb7278b</guid><itunes:image href="https://artwork.captivate.fm/18c99aeb-c13e-4f93-b909-a5ba41ef1c6d/uploads-2f1570419395641-re5pje28fbf-907144d7166aa6c8091d7adb7a6.png"/><pubDate>Mon, 07 Oct 2019 05:31:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/10fb334f-4a04-4200-8dec-b511437eaf44.mp3" length="92181621" type="audio/mpeg"/><itunes:duration>01:04:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>251</itunes:episode><podcast:episode>251</podcast:episode><itunes:summary>Piper Payne is a mastering engineer who has been a guest on WCA before (See WCA #045). She has been through some business experiences and changes since we last spoke and now has set up a homebase in Nashville but also continues to spend time in Oakland where she still has a facility. She joins me for a discussion of those changes and opportunities post Summer NAMM.
Piper has mastered a wide variety of music including nationally renowned artists Third Eye Blind, Madame Gandhi, Geographer, Elettrodomestico (Jane Wiedlin/Go-Go’s), Shamir, Between You &amp; Me, David Messier, and Fritz Montana, as well as Bay Area favorites Kat Robichaud, ANML, Sioux City Kid, The She’s, Emily Afton, Abbot Kinney, Travis Hayes, Kendra McKinley, Van Goat, and Diana Gameros.
For Piper&apos;s complete history visit: http://www.piperpayne.com/
In this episode we discuss:Art and commerce in the Bay AreaJoining Infrasonic Sound.Setting up shop in Nashville.Splitting time between cities.Survivalist mentality.Having a strong legal team.Taking care of yourself.Asking for help. Losing a parent. New opportunities. 
Links and Show Notes:Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/The first Piper Payne interview: https://bit.ly/2AOtzNVInfrasonic Sound: https://www.infrasonicsound.com/Piper&apos;s Site: https://bit.ly/2LSPl9GCurrent sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/
Credits:Guest: Piper PayneHost: Matt Boudreau WCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #250 with Vance Powell - Business managers, assistants, not working at home, Grammys and cleaning up dog shit.</title><itunes:title>WCA #250 with Vance Powell - Business managers, assistants, not working at home, Grammys and cleaning up dog shit.</itunes:title><description><![CDATA[<p><strong>Vance Powell</strong> is an old friend to Working Class Audio. His first appearance was on episode #007 almost 5 years ago. Vance is a 6 time Grammy Award-winning record producer, engineer, and mixer and has worked with Chris Stapleton, Jack White, Tyler Bryant &amp; The Shakedown, The Raconteurs, The Dead Weather, The White Stripes, Arctic Monkeys, Wolfmother, and Martina McBride, among many others. I join Vance at his studio in Nashville, Sputnik Sound for the second interview. We are also joined in the room by mastering badass, Chris Athens (Blink 182, Drake, J. Cole, Nicki Minaj ). </p><p><strong>In this episode we discuss</strong></p><ul><li>Respecting your past.</li><li>Business managers</li><li>Not working from home.</li><li>Jumping through hoops.</li><li>Sedentary life.&nbsp;</li><li>Taxes.</li><li>The Stray Cats</li><li>Fame.</li><li>Grammys.&nbsp;</li><li>Cleaning up dog shit.&nbsp;</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>The first Vance Powell interview: </strong><a href="https://bit.ly/2mdbYeX" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2mdbYeX</strong></a></li><li><strong>Sputnik Sound: </strong><a href="http://www.sputniksound.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.sputniksound.com/</strong></a></li><li><strong>Mastering Engineer Chris Athens: </strong><a href="http://chrisathensmasters.com/" rel="noopener noreferrer" target="_blank"><strong>http://chrisathensmasters.com/</strong></a></li></ul><br/><p><br></p><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Vance Powell</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Vance Powell</strong> is an old friend to Working Class Audio. His first appearance was on episode #007 almost 5 years ago. Vance is a 6 time Grammy Award-winning record producer, engineer, and mixer and has worked with Chris Stapleton, Jack White, Tyler Bryant &amp; The Shakedown, The Raconteurs, The Dead Weather, The White Stripes, Arctic Monkeys, Wolfmother, and Martina McBride, among many others. I join Vance at his studio in Nashville, Sputnik Sound for the second interview. We are also joined in the room by mastering badass, Chris Athens (Blink 182, Drake, J. Cole, Nicki Minaj ). </p><p><strong>In this episode we discuss</strong></p><ul><li>Respecting your past.</li><li>Business managers</li><li>Not working from home.</li><li>Jumping through hoops.</li><li>Sedentary life.&nbsp;</li><li>Taxes.</li><li>The Stray Cats</li><li>Fame.</li><li>Grammys.&nbsp;</li><li>Cleaning up dog shit.&nbsp;</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>The first Vance Powell interview: </strong><a href="https://bit.ly/2mdbYeX" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2mdbYeX</strong></a></li><li><strong>Sputnik Sound: </strong><a href="http://www.sputniksound.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.sputniksound.com/</strong></a></li><li><strong>Mastering Engineer Chris Athens: </strong><a href="http://chrisathensmasters.com/" rel="noopener noreferrer" target="_blank"><strong>http://chrisathensmasters.com/</strong></a></li></ul><br/><p><br></p><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Vance Powell</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-250-with-vance-powell-business-managers-assistants-not-working-at-home-grammys-and-cleaning-up-dog-shit-]]></link><guid isPermaLink="false">9327ce0e-ea4c-11e9-a0b3-a309267d6f64</guid><itunes:image href="https://artwork.captivate.fm/173055bb-4a25-44d7-acfa-4d9656bdc4cd/uploads-2f1569817777956-m0j6gjudm6-d0812edab13e46a236e4ddbbc4bd.png"/><pubDate>Mon, 30 Sep 2019 05:13:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/04be98de-9ae8-4bb0-b194-16a954c92a77.mp3" length="65871550" type="audio/mpeg"/><itunes:duration>45:45</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>250</itunes:episode><podcast:episode>250</podcast:episode><itunes:summary>Vance Powell is an old friend to Working Class Audio. His first appearance was on episode #007 almost 5 years ago. Vance is a 6 time Grammy Award-winning record producer, engineer, and mixer and has worked with Chris Stapleton, Jack White, Tyler Bryant &amp; The Shakedown, The Raconteurs, The Dead Weather, The White Stripes, Arctic Monkeys, Wolfmother, and Martina McBride, among many others. I join Vance at his studio in Nashville, Sputnik Sound for the second interview. We are also joined in the room by mastering badass, Chris Athens (Blink 182, Drake, J. Cole, Nicki Minaj ). 
In this episode we discuss,Respecting your past.Business managersNot working from home.Jumping through hoops.Sedentary life. Taxes.The Stray CatsFame.Grammys. Cleaning up dog shit. Links and Show Notes:The first Vance Powell interview: https://bit.ly/2mdbYeXSputnik Sound: http://www.sputniksound.com/Mastering Engineer Chris Athens: http://chrisathensmasters.com/Current sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/Credits:Guest: Vance PowellHost: Matt Boudreau WCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #249 with Jeff Kolhede- A journey of adapting, surviving and finding oneself in the world of audio and music.</title><itunes:title>WCA #249 with Jeff Kolhede- A journey of adapting, surviving and finding oneself in the world of audio and music.</itunes:title><description><![CDATA[<p><strong>Jeff Kolhede</strong> is a Grammy-nominated producer, composer, engineer, and musician. He is currently a staff engineer at 25th Street Recording and is also a house producer, engineer, and mentor at Zoo Labs both located in Oakland, California. Jeff can be heard on film, television, advertisements, and artist projects, including the trailer music for the movie, <em>Moonlight, a</em>s a sound-designer, for the Virtual Software Instrument EXHALE, ANALOG STRINGS, and MOVEMENT, by Output. Jeff has performed with such artists as John Legend, Allen Stone, HoneyHoney, Pete Wentz, Chali 2na, and JoJo. Jeff was also a member of the "Hollywood Game Night" band on NBC for two seasons, performing vocals and horns. </p><p><strong>In this episode we discuss</strong></p><ul><li>Finding your path</li><li>Influence of band directors</li><li>Knowing when not to comment</li><li>Adapting to a new environment</li><li>Working long hours</li><li>Focused vs. unfocused clients</li><li>Surviving a high cost of living</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Jeff's Site: </strong><a href="http://www.jeffkolhede.com/about" rel="noopener noreferrer" target="_blank"><strong>http://www.jeffkolhede.com/about</strong></a></li><li><strong>Jeff's project # 1: </strong><a href="https://bit.ly/2kzFzhS" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2kzFzhS</strong></a></li><li><strong>Jeff's project #2: </strong><a href="https://bit.ly/2m422ns" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2m422ns</strong></a></li><li><strong>25th Street Recording: </strong><a href="https://www.25thstreetrecording.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.25thstreetrecording.com/</strong></a></li><li><strong>Zoo Labs: </strong><a href="https://www.zoolabs.org/" rel="noopener noreferrer" target="_blank"><strong>https://www.zoolabs.org/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Jeff Kolhede</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Jeff Kolhede</strong> is a Grammy-nominated producer, composer, engineer, and musician. He is currently a staff engineer at 25th Street Recording and is also a house producer, engineer, and mentor at Zoo Labs both located in Oakland, California. Jeff can be heard on film, television, advertisements, and artist projects, including the trailer music for the movie, <em>Moonlight, a</em>s a sound-designer, for the Virtual Software Instrument EXHALE, ANALOG STRINGS, and MOVEMENT, by Output. Jeff has performed with such artists as John Legend, Allen Stone, HoneyHoney, Pete Wentz, Chali 2na, and JoJo. Jeff was also a member of the "Hollywood Game Night" band on NBC for two seasons, performing vocals and horns. </p><p><strong>In this episode we discuss</strong></p><ul><li>Finding your path</li><li>Influence of band directors</li><li>Knowing when not to comment</li><li>Adapting to a new environment</li><li>Working long hours</li><li>Focused vs. unfocused clients</li><li>Surviving a high cost of living</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Jeff's Site: </strong><a href="http://www.jeffkolhede.com/about" rel="noopener noreferrer" target="_blank"><strong>http://www.jeffkolhede.com/about</strong></a></li><li><strong>Jeff's project # 1: </strong><a href="https://bit.ly/2kzFzhS" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2kzFzhS</strong></a></li><li><strong>Jeff's project #2: </strong><a href="https://bit.ly/2m422ns" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2m422ns</strong></a></li><li><strong>25th Street Recording: </strong><a href="https://www.25thstreetrecording.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.25thstreetrecording.com/</strong></a></li><li><strong>Zoo Labs: </strong><a href="https://www.zoolabs.org/" rel="noopener noreferrer" target="_blank"><strong>https://www.zoolabs.org/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Jeff Kolhede</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-249-with-jeff-kolhede-a-journey-of-adapting-surviving-and-finding-oneself-in-the-world-of-audio-and-music-]]></link><guid isPermaLink="false">931b521e-ea4c-11e9-a0b3-ebc3c453ec45</guid><itunes:image href="https://artwork.captivate.fm/909cfd60-0713-4eef-93a4-83b1c7d97eed/uploads-2f1569217186430-ahh2k116ic-8a879e80cffab052d2cd599e7a39.png"/><pubDate>Mon, 23 Sep 2019 06:27:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/84833812-cb57-4963-a876-972cd197b893.mp3" length="71170430" type="audio/mpeg"/><itunes:duration>49:25</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>249</itunes:episode><podcast:episode>249</podcast:episode><itunes:summary>Jeff Kolhede is a Grammy-nominated producer, composer, engineer, and musician. He is currently a staff engineer at 25th Street Recording and is also a house producer, engineer, and mentor at Zoo Labs both located in Oakland, California. Jeff can be heard on film, television, advertisements, and artist projects, including the trailer music for the movie, Moonlight, as a sound-designer, for the Virtual Software Instrument EXHALE, ANALOG STRINGS, and MOVEMENT, by Output. Jeff has performed with such artists as John Legend, Allen Stone, HoneyHoney, Pete Wentz, Chali 2na, and JoJo. Jeff was also a member of the &quot;Hollywood Game Night&quot; band on NBC for two seasons, performing vocals and horns. 
In this episode we discuss,Finding your path.Influence of band directors.Knowing when not to comment.Adapting to a new environment.Working long hoursFocused vs. unfocused clients.Surviving a high cost of living. 
Links and Show Notes:Jeff&apos;s Site: http://www.jeffkolhede.com/aboutJeff&apos;s project # 1: https://bit.ly/2kzFzhSJeff&apos;s project #2: https://bit.ly/2m422ns25th Street Recording: https://www.25thstreetrecording.com/Zoo Labs: https://www.zoolabs.org/Current sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/Credits:Guest: Jeff KolhedeHost: Matt Boudreau WCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #248 with Eyal Levi - URM, The Demands of Metal, Standards and Devotion to learning.</title><itunes:title>WCA #248 with Eyal Levi - URM, The Demands of Metal, Standards and Devotion to learning.</itunes:title><description><![CDATA[<p><strong>Eyal Levi</strong> is a critically acclaimed educator, musician, producer, former guitarist and primary songwriter for the band&nbsp; Daath, as well as a co-founder of URM (Unstoppable Recording Machine) Academy, an online education platform for producers with thousands of students from across the globe. In the studio, he has worked with such artists including The Black Dahlia Murder, Monuments, The Contortionist, Chelsea Grin, and Firewind among many others.</p><p><strong>In this episode we discuss,</strong>The creation of URM.The demands of Metal.Standards.Teaching yourself.Devotion to learning.Managing money.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>URM Academy: </strong><a href="https://urm.academy/" rel="noopener noreferrer" target="_blank"><strong>https://urm.academy/</strong></a></li><li><strong>URM Podcast: </strong><a href="https://urm.academy/category/podcast/" rel="noopener noreferrer" target="_blank"><strong>https://urm.academy/category/podcast/</strong></a></li><li><strong>Nail The Mix: </strong><a href="https://www.nailthemix.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.nailthemix.com/</strong></a></li><li><strong>Digital Marketer: </strong><a href="https://www.digitalmarketer.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.digitalmarketer.com</strong></a></li><li><strong>Ramit Sethi: </strong><a href="https://amzn.to/2O2N1OJ" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2O2N1OJ</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Eyal Levi</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Eyal Levi</strong> is a critically acclaimed educator, musician, producer, former guitarist and primary songwriter for the band&nbsp; Daath, as well as a co-founder of URM (Unstoppable Recording Machine) Academy, an online education platform for producers with thousands of students from across the globe. In the studio, he has worked with such artists including The Black Dahlia Murder, Monuments, The Contortionist, Chelsea Grin, and Firewind among many others.</p><p><strong>In this episode we discuss,</strong>The creation of URM.The demands of Metal.Standards.Teaching yourself.Devotion to learning.Managing money.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>URM Academy: </strong><a href="https://urm.academy/" rel="noopener noreferrer" target="_blank"><strong>https://urm.academy/</strong></a></li><li><strong>URM Podcast: </strong><a href="https://urm.academy/category/podcast/" rel="noopener noreferrer" target="_blank"><strong>https://urm.academy/category/podcast/</strong></a></li><li><strong>Nail The Mix: </strong><a href="https://www.nailthemix.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.nailthemix.com/</strong></a></li><li><strong>Digital Marketer: </strong><a href="https://www.digitalmarketer.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.digitalmarketer.com</strong></a></li><li><strong>Ramit Sethi: </strong><a href="https://amzn.to/2O2N1OJ" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2O2N1OJ</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Guest:</strong> Eyal Levi</li><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-248-with-eyal-levi-urm-the-demands-of-metal-standards-and-devotion-to-learning-]]></link><guid isPermaLink="false">98e7d474-ea4c-11e9-a0b3-cfee333435e1</guid><itunes:image href="https://artwork.captivate.fm/b827f303-6362-4cfe-86b6-2633017e5d08/uploads-2f1568609950097-xyvuveg3y2-c254c43e03c416e5c04324e52cb9.png"/><pubDate>Mon, 16 Sep 2019 05:50:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d59bdb78-61fc-4626-b3b5-1d81d013a554.mp3" length="87545466" type="audio/mpeg"/><itunes:duration>01:00:48</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>248</itunes:episode><podcast:episode>248</podcast:episode><itunes:summary>Eyal Levi is a critically acclaimed educator, musician, producer, former guitarist and primary songwriter for the band  Daath, as well as a co-founder of URM (Unstoppable Recording Machine) Academy, an online education platform for producers with thousands of students from across the globe. In the studio, he has worked with such artists including The Black Dahlia Murder, Monuments, The Contortionist, Chelsea Grin, and Firewind among many others.
In this episode we discuss,The creation of URM.The demands of Metal.Standards.Teaching yourself.Devotion to learning.Managing money.
Links and Show Notes:URM Academy: https://urm.academy/URM Podcast: https://urm.academy/category/podcast/Nail The Mix: https://www.nailthemix.com/Digital Marketer: https://www.digitalmarketer.comRamit Sethi: https://amzn.to/2O2N1OJCurrent sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/Credits:Guest: Eyal LeviHost: Matt Boudreau WCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #247 with Justin Colletti - Mastering, SonicScoop, State Mottos and giving jail a try.</title><itunes:title>WCA #247 with Justin Colletti - Mastering, SonicScoop, State Mottos and giving jail a try.</itunes:title><description><![CDATA[<p><strong>Justin Colletti</strong> is a mastering engineer, and the author of hundreds of articles on the art, science, and business of music and sound. He acts as director of content and publishing for <a href="http://sonicscoop.com/" rel="noopener noreferrer" target="_blank"><em>SonicScoop</em></a> and has written for outlets including <a href="http://www.tapeop.com/" rel="noopener noreferrer" target="_blank"><em>Tape Op</em></a><em>, </em><a href="http://www.thedelimagazine.com/" rel="noopener noreferrer" target="_blank"><em>The Deli Magazine</em></a><em>, </em><a href="http://trustmeimascientist.com/" rel="noopener noreferrer" target="_blank"><em>Trust Me I’m a </em></a><em>Scientist and</em> many more. In 2019, he began the weekly <a href="https://sonicscoop.com/category/podcast/" rel="noopener noreferrer" target="_blank"><strong>SonicScoop Podcast</strong></a>, interviewing music and audio industry luminaries and regularly taking deep dives into complex and controversial issues in music and audio production.</p><p><strong>In this episode we discuss,</strong>Corporate Environments.Jail Time.Transitioning to MasteringSaying yes to work.Thinking ahead.Doing things for the future you.State Mottos.Role Models.Microeconomics.Master Mind Groups.Fiscal Responsibility.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Sonic Scoop: </strong><a href="https://sonicscoop.com/" rel="noopener noreferrer" target="_blank"><strong>https://sonicscoop.com/</strong></a></li><li><strong>Justin's Site: </strong><a href="http://justincolletti.com/" rel="noopener noreferrer" target="_blank"><strong>http://justincolletti.com/</strong></a></li><li><strong>Justin's Mixing Course: </strong><a href="https://transactions.sendowl.com/stores/5076/163941" rel="noopener noreferrer" target="_blank"><strong>http://mixingbreakthroughs.com/ </strong></a><strong>Use Code WCA25 on checkout.&nbsp;</strong></li><li><strong>Justin's Mastering Course: </strong><a href="https://transactions.sendowl.com/stores/9102/163941" rel="noopener noreferrer" target="_blank"><strong>https://masteringdemystified.com/</strong></a><strong> Use Code WCA25 on checkout.&nbsp;</strong></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Justin Colletti</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Justin Colletti</strong> is a mastering engineer, and the author of hundreds of articles on the art, science, and business of music and sound. He acts as director of content and publishing for <a href="http://sonicscoop.com/" rel="noopener noreferrer" target="_blank"><em>SonicScoop</em></a> and has written for outlets including <a href="http://www.tapeop.com/" rel="noopener noreferrer" target="_blank"><em>Tape Op</em></a><em>, </em><a href="http://www.thedelimagazine.com/" rel="noopener noreferrer" target="_blank"><em>The Deli Magazine</em></a><em>, </em><a href="http://trustmeimascientist.com/" rel="noopener noreferrer" target="_blank"><em>Trust Me I’m a </em></a><em>Scientist and</em> many more. In 2019, he began the weekly <a href="https://sonicscoop.com/category/podcast/" rel="noopener noreferrer" target="_blank"><strong>SonicScoop Podcast</strong></a>, interviewing music and audio industry luminaries and regularly taking deep dives into complex and controversial issues in music and audio production.</p><p><strong>In this episode we discuss,</strong>Corporate Environments.Jail Time.Transitioning to MasteringSaying yes to work.Thinking ahead.Doing things for the future you.State Mottos.Role Models.Microeconomics.Master Mind Groups.Fiscal Responsibility.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Sonic Scoop: </strong><a href="https://sonicscoop.com/" rel="noopener noreferrer" target="_blank"><strong>https://sonicscoop.com/</strong></a></li><li><strong>Justin's Site: </strong><a href="http://justincolletti.com/" rel="noopener noreferrer" target="_blank"><strong>http://justincolletti.com/</strong></a></li><li><strong>Justin's Mixing Course: </strong><a href="https://transactions.sendowl.com/stores/5076/163941" rel="noopener noreferrer" target="_blank"><strong>http://mixingbreakthroughs.com/ </strong></a><strong>Use Code WCA25 on checkout.&nbsp;</strong></li><li><strong>Justin's Mastering Course: </strong><a href="https://transactions.sendowl.com/stores/9102/163941" rel="noopener noreferrer" target="_blank"><strong>https://masteringdemystified.com/</strong></a><strong> Use Code WCA25 on checkout.&nbsp;</strong></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Justin Colletti</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-247-with-justin-colletti-mastering-sonicscoop-state-mottos-and-giving-jail-a-try-]]></link><guid isPermaLink="false">9321af88-ea4c-11e9-a0b3-3bd0337d74e2</guid><itunes:image href="https://artwork.captivate.fm/e59e2de8-a6fa-49d2-bdd6-b21ce71c8981/uploads-2f1567961617841-ppz4wyg5qfl-538e1a9f3ba82c4c140ca8bf682.png"/><pubDate>Mon, 09 Sep 2019 05:01:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/78dfdf43-6f90-4489-93c1-487893f6cfdc.mp3" length="91525122" type="audio/mpeg"/><itunes:duration>01:16:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>247</itunes:episode><podcast:episode>247</podcast:episode><itunes:summary>Justin Colletti is a mastering engineer, and the author of hundreds of articles on the art, science, and business of music and sound. He acts as director of content and publishing for SonicScoop and has written for outlets including Tape Op, The Deli Magazine, Trust Me I’m a Scientist and many more. In 2019, he began the weekly SonicScoop Podcast, interviewing music and audio industry luminaries and regularly taking deep dives into complex and controversial issues in music and audio production.
In this episode we discuss,Corporate Environments.Jail Time.Transitioning to MasteringSaying yes to work.Thinking ahead.Doing things for the future you.State Mottos.Role Models.Microeconomics.Master Mind Groups.Fiscal Responsibility.
Links and Show Notes:Sonic Scoop: https://sonicscoop.com/Justin&apos;s Site: http://justincolletti.com/Justin&apos;s Mixing Course: http://mixingbreakthroughs.com/ Use Code WCA25 on checkout. Justin&apos;s Mastering Course: https://masteringdemystified.com/ Use Code WCA25 on checkout. Current sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/Credits:Host: Matt Boudreau Guest: Justin CollettiWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #246 with Eric Fredricey - Running with the clock in the world of broadcast audio</title><itunes:title>WCA #246 with Eric Fredricey - Running with the clock in the world of broadcast audio</itunes:title><description><![CDATA[<p><strong>Eric Fredricey</strong> started with hand me down cassette decks and mixers, progressed to a broadcast internship in Junior High, worked at a tv station right out of high school and is now chief engineer at KCSB-FM college radio in his hometown. </p><p><strong>In this episode we discuss,</strong></p><ul><li>The World of Broadcast</li><li>Running with the clock</li><li>Getting yelled at</li><li>Tailoring your resume</li><li>Negotiating your salary</li><li>Getting into broadcast</li><li>FCC Regulations</li><li>A million acronyms</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Eric on Linkedin:</strong> <a href="https://www.linkedin.com/in/ericfredricey/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/ericfredricey/</strong></a></li><li><strong>Eric's Station: </strong><a href="https://www.kcsb.org/" rel="noopener noreferrer" target="_blank"><strong>https://www.kcsb.org/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Eric Fredricey</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Eric Fredricey</strong> started with hand me down cassette decks and mixers, progressed to a broadcast internship in Junior High, worked at a tv station right out of high school and is now chief engineer at KCSB-FM college radio in his hometown. </p><p><strong>In this episode we discuss,</strong></p><ul><li>The World of Broadcast</li><li>Running with the clock</li><li>Getting yelled at</li><li>Tailoring your resume</li><li>Negotiating your salary</li><li>Getting into broadcast</li><li>FCC Regulations</li><li>A million acronyms</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Eric on Linkedin:</strong> <a href="https://www.linkedin.com/in/ericfredricey/" rel="noopener noreferrer" target="_blank"><strong>https://www.linkedin.com/in/ericfredricey/</strong></a></li><li><strong>Eric's Station: </strong><a href="https://www.kcsb.org/" rel="noopener noreferrer" target="_blank"><strong>https://www.kcsb.org/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Eric Fredricey</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-246-with-eric-fredricey-running-with-the-clock-in-the-world-of-broadcast-audio]]></link><guid isPermaLink="false">98e16d64-ea4c-11e9-a0b3-97c474293aa0</guid><itunes:image href="https://artwork.captivate.fm/589eadbc-6651-4416-8193-ab393705e71c/uploads-2f1567404615378-v0y7104mca-a5f7818b50957e951d3598787998.png"/><pubDate>Mon, 02 Sep 2019 06:41:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3969e2e4-5068-4786-89e1-259d69b36fe3.mp3" length="65474813" type="audio/mpeg"/><itunes:duration>45:28</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>246</itunes:episode><podcast:episode>246</podcast:episode><itunes:summary>Eric Fredricey started with hand me down cassette decks and mixers, progressed to a broadcast internship in Junior High, worked at a tv station right out of high school and is now chief engineer at KCSB-FM college radio in his hometown. 
In this episode we discuss,The World of Broadcast.Running with the clock.Getting yelled at.Tailoring your resume.Negotiating your salaryGetting into broadcast.FCC Regulations.A million acronyms. 
Links and Show Notes:Eric on Linkedin: https://www.linkedin.com/in/ericfredricey/Eric&apos;s Station: https://www.kcsb.org/Current sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/Credits:Host: Matt Boudreau Guest: Eric FredriceyWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #245 with Steve Chadie - Making Records in Houses, Legal Pads &amp; Willie Nelson</title><itunes:title>WCA #245 with Steve Chadie - Making Records in Houses, Legal Pads &amp; Willie Nelson</itunes:title><description><![CDATA[<p><strong>Steve Chadie</strong> started interning for Willie Nelson's studio in 1995. 24 years later armed with a host of high profile clients, awards and experiences Steve still has the same enthusiasm he did when he started and a desire to lend a helping hand, gear or advice to upcoming young engineers that he collaborates with. </p><p><strong>In this episode we discuss</strong></p><ul><li>Working with Willie Nelson</li><li>Sharing knowledge</li><li>Legal Pads</li><li>Being invisible</li><li>Working with Andy Johns</li><li>Living like a Squirrel</li><li>Not missing things</li><li>Making records in houses</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Steve's Site: </strong><a href="https://stevechadie.com/" rel="noopener noreferrer" target="_blank"><strong>https://stevechadie.com/</strong></a></li><li><strong>Steve on Instagram:</strong> <a href="https://www.instagram.com/stevechadie50/" rel="noopener noreferrer" target="_blank"><strong>https://www.instagram.com/stevechadie50/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Steve Chadie</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Steve Chadie</strong> started interning for Willie Nelson's studio in 1995. 24 years later armed with a host of high profile clients, awards and experiences Steve still has the same enthusiasm he did when he started and a desire to lend a helping hand, gear or advice to upcoming young engineers that he collaborates with. </p><p><strong>In this episode we discuss</strong></p><ul><li>Working with Willie Nelson</li><li>Sharing knowledge</li><li>Legal Pads</li><li>Being invisible</li><li>Working with Andy Johns</li><li>Living like a Squirrel</li><li>Not missing things</li><li>Making records in houses</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Steve's Site: </strong><a href="https://stevechadie.com/" rel="noopener noreferrer" target="_blank"><strong>https://stevechadie.com/</strong></a></li><li><strong>Steve on Instagram:</strong> <a href="https://www.instagram.com/stevechadie50/" rel="noopener noreferrer" target="_blank"><strong>https://www.instagram.com/stevechadie50/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Steve Chadie</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-245-with-steve-chadie-making-records-in-houses-legal-pads-willie-nelson]]></link><guid isPermaLink="false">966bf2ca-ea4c-11e9-a0b3-13003e4288f0</guid><itunes:image href="https://artwork.captivate.fm/e2dd1d76-db0f-4220-981b-6ff7ddac911d/uploads-2f1566786078660-x81hwonyox-06cdde77a24596e430578cf16fda.png"/><pubDate>Mon, 26 Aug 2019 03:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a82b4b83-dd25-4df0-a018-463738365723.mp3" length="76338481" type="audio/mpeg"/><itunes:duration>53:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>245</itunes:episode><podcast:episode>245</podcast:episode><itunes:summary>Steve Chadie started interning for Willie Nelson&apos;s studio in 1995. 24 years later armed with a host of high profile clients, awards and experiences Steve still has the same enthusiasm he did when he started and a desire to lend a helping hand, gear or advice to upcoming young engineers that he collaborates with. 
In this episode we discuss,Working with Willie Nelson.Sharing knowledge. Legal Pads.Being invisible.Working with Andy Johns.Living like a Squirrel.Not missing things.Making records in houses. 
Links and Show Notes:Steve&apos;s Site: https://stevechadie.com/Steve on Instagram: https://www.instagram.com/stevechadie50/Current sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/Credits:Host: Matt Boudreau Guest: Steve ChadieWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #244 with Paul Drew - The Power of Diversification</title><itunes:title>WCA #244 with Paul Drew - The Power of Diversification</itunes:title><description><![CDATA[<p><strong>Paul Drew</strong> is a producer, engineer, mixer, session guitarist, and member of Production Expert. He's also the D in DWB Music Ltd and DWB MIXING. His experience is diversified and has served him well. Paul walks us through the details of all of it and tells us about his new venture The Studio Rats. </p><p><strong>In this episode we discuss</strong></p><ul><li>The Asian music market</li><li>The value of diversification</li><li>His transition to Studio One</li><li>Managing gear lust</li><li>Mixing Rates</li><li>Language Barriers in revisions</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>The Studio Rats website: </strong><a href="https://thestudiorats.net/" rel="noopener noreferrer" target="_blank"><strong>https://thestudiorats.net/</strong></a></li><li><strong>DWB Music Facebook page: </strong><a href="https://www.facebook.com/DwbMusicLtd/" rel="noopener noreferrer" target="_blank"><strong>https://www.facebook.com/DwbMusicLtd/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Paul Drew</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Paul Drew</strong> is a producer, engineer, mixer, session guitarist, and member of Production Expert. He's also the D in DWB Music Ltd and DWB MIXING. His experience is diversified and has served him well. Paul walks us through the details of all of it and tells us about his new venture The Studio Rats. </p><p><strong>In this episode we discuss</strong></p><ul><li>The Asian music market</li><li>The value of diversification</li><li>His transition to Studio One</li><li>Managing gear lust</li><li>Mixing Rates</li><li>Language Barriers in revisions</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>The Studio Rats website: </strong><a href="https://thestudiorats.net/" rel="noopener noreferrer" target="_blank"><strong>https://thestudiorats.net/</strong></a></li><li><strong>DWB Music Facebook page: </strong><a href="https://www.facebook.com/DwbMusicLtd/" rel="noopener noreferrer" target="_blank"><strong>https://www.facebook.com/DwbMusicLtd/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Paul Drew</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-244-with-paul-drew-the-power-of-diversification]]></link><guid isPermaLink="false">97249d7a-ea4c-11e9-a0b3-ff6f5a00d7bf</guid><itunes:image href="https://artwork.captivate.fm/a00dfcf3-4fab-4b53-82cd-e5cacad716fb/uploads-2f1566227313032-toeo68hegxf-1bc8863996822d92c938cc52d57.png"/><pubDate>Mon, 19 Aug 2019 16:36:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/961fed0c-3823-4d04-a0dc-eb1c28c27bff.mp3" length="82823492" type="audio/mpeg"/><itunes:duration>57:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>244</itunes:episode><podcast:episode>244</podcast:episode><itunes:summary>Paul Drew is a producer, engineer, mixer, session guitarist, and member of Production Expert. He&apos;s also the D in DWB Music Ltd and DWB MIXING. His experience is diversified and has served him well. Paul walks us through the details of all of it and tells us about his new venture The Studio Rats. 
In this episode we discussThe Asian music market.The value of diversification. His transition to Studio One.Managing gear lust. Mixing RatesLanguage Barriers in revisions.
Links and Show Notes:The Studio Rats website: https://thestudiorats.net/DWB Music Facebook page: https://www.facebook.com/DwbMusicLtd/Current sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/Credits:Host: Matt Boudreau Guest: Paul DrewWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #243 with Patrick Meza - The Importance of Perseverance.</title><itunes:title>WCA #243 with Patrick Meza - The Importance of Perseverance.</itunes:title><description><![CDATA[<p><strong>Patrick Meza </strong>is a Mix Tech at Warner Brothers. He is a prime example of how perseverance can open doors and shape your career. While still at the early stages of that career, Patrick has worked at some amazing places including Somatone Interactive, Disney, Pandora, and Skywalker Sound. </p><p><strong>In this episode we discuss</strong></p><ul><li>The power of connecting over LinkedIn</li><li>The importance of staying hungry</li><li>Assuming the role in your audio career</li><li>Not being afraid to try other types of audio gigs</li><li>Breaking down barriers</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>The Profitable Producer Course: </strong><a href="https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/" rel="noopener noreferrer" target="_blank"><strong>https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Patrick Meza</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Patrick Meza </strong>is a Mix Tech at Warner Brothers. He is a prime example of how perseverance can open doors and shape your career. While still at the early stages of that career, Patrick has worked at some amazing places including Somatone Interactive, Disney, Pandora, and Skywalker Sound. </p><p><strong>In this episode we discuss</strong></p><ul><li>The power of connecting over LinkedIn</li><li>The importance of staying hungry</li><li>Assuming the role in your audio career</li><li>Not being afraid to try other types of audio gigs</li><li>Breaking down barriers</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>The Profitable Producer Course: </strong><a href="https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/" rel="noopener noreferrer" target="_blank"><strong>https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Patrick Meza</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-243-with-patrick-meza-the-importance-of-perseverance-]]></link><guid isPermaLink="false">98ed571e-ea4c-11e9-a0b3-4f3440389aa3</guid><itunes:image href="https://artwork.captivate.fm/360e0bb7-2a13-4127-a25a-216c7bac0bec/uploads-2f1565583063780-eq9k6aha2ws-f2b7d23bc04226e7187ea988d58.png"/><pubDate>Mon, 12 Aug 2019 04:26:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a98d0b79-32af-4654-a893-95db1a7db2b9.mp3" length="53601713" type="audio/mpeg"/><itunes:duration>37:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>243</itunes:episode><podcast:episode>243</podcast:episode><itunes:summary>Patrick Meza is a Mix Tech at Warner Brothers. He is a prime example of how perseverance can open doors and shape your career. While still at the early stages of that career, Patrick has worked at some amazing places including Somatone Interactive, Disney, Pandora, and Skywalker Sound. 
In this episode we discussThe power of connecting over LinkedIn.The importance of staying hungry.Assuming the role in your audio career.Not being afraid to try other types of audio gigs. Breaking down barriers. 
Links and Show Notes:Current sponsors &amp; promos: https://bit.ly/2WmKbFwWorking Class Audio Journal: https://amzn.to/2GN67TPConnect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/Connect with Patrick over Linkedin: https://www.linkedin.com/in/patrickmeza/The Profitable Producer Course: https://www.thesixfigurehomestudio.com/ppc-scholarship-wca/Credits:Host: Matt Boudreau Guest: Patrick MezaWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #242 with Brian David Hood - Creating A Six Figure Home Studio</title><itunes:title>WCA #242 with Brian David Hood - Creating A Six Figure Home Studio</itunes:title><description><![CDATA[<p><strong>Brian David Hood</strong> is a producer/engineer, studio owner, and entrepreneur. Brian takes us through his journey, from playing drums on tour, opening a studio in his parent's basement, hitting a major low point that spurred him on to better opportunities, creating a video course and a podcast and his entrepreneurial ventures. <strong>&nbsp;</strong></p><p><strong>In this episode, you’ll discover:</strong></p><ul><li>Brian's podcast that addresses the business concerns of audio pros</li><li>A new way to post mixes and masters for your clients and get paid</li><li>A video course to give your audio business a kick in the ass</li><li>The benefits of keeping your overhead low</li><li>Tools to get over social anxiety</li><li>Delegating and automating audio tasks</li><li>The benefits of checklists</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Free Workshop: How To Make A Living From Your Existing Audio Skills: </strong><a href="https://bitly.com/" rel="noopener noreferrer" target="_blank"><strong>https://bitly.com/</strong></a></li><li><strong>The link to everything we talk to Brian about</strong> <a href="https://www.thesixfigurehomestudio.com/wca/" rel="noopener noreferrer" target="_blank"><strong>https://www.thesixfigurehomestudio.com/wca/</strong></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li><strong>Host: </strong>Matt Boudreau</li><li><strong>Guest:</strong> Brian David Hood</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Brian David Hood</strong> is a producer/engineer, studio owner, and entrepreneur. Brian takes us through his journey, from playing drums on tour, opening a studio in his parent's basement, hitting a major low point that spurred him on to better opportunities, creating a video course and a podcast and his entrepreneurial ventures. <strong>&nbsp;</strong></p><p><strong>In this episode, you’ll discover:</strong></p><ul><li>Brian's podcast that addresses the business concerns of audio pros</li><li>A new way to post mixes and masters for your clients and get paid</li><li>A video course to give your audio business a kick in the ass</li><li>The benefits of keeping your overhead low</li><li>Tools to get over social anxiety</li><li>Delegating and automating audio tasks</li><li>The benefits of checklists</li></ul><br/><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Free Workshop: How To Make A Living From Your Existing Audio Skills: </strong><a href="https://bitly.com/" rel="noopener noreferrer" target="_blank"><strong>https://bitly.com/</strong></a></li><li><strong>The link to everything we talk to Brian about</strong> <a href="https://www.thesixfigurehomestudio.com/wca/" rel="noopener noreferrer" target="_blank"><strong>https://www.thesixfigurehomestudio.com/wca/</strong></a></li></ul><br/><p><br></p><p><strong>Credits</strong></p><ul><li><strong>Host: </strong>Matt Boudreau</li><li><strong>Guest:</strong> Brian David Hood</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-242-with-brian-david-hood-creating-a-six-figure-home-studio]]></link><guid isPermaLink="false">98b17c44-ea4c-11e9-a0b3-532cfe1e5b63</guid><itunes:image href="https://artwork.captivate.fm/d40afd61-c634-4cc1-affb-be1714a80e41/uploads-2f1564983537626-lny7rovijwq-36ceb16656c8ed0663f129f1d37.png"/><pubDate>Mon, 05 Aug 2019 08:25:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/946522d0-23f5-48e7-96a3-993713f1115e.mp3" length="78003418" type="audio/mpeg"/><itunes:duration>01:21:15</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>242</itunes:episode><podcast:episode>242</podcast:episode><itunes:summary>Brian David Hood is a producer/engineer, studio owner, and entrepreneur. Brian takes us through his journey, from playing drums on tour, opening a studio in his parent&apos;s basement, hitting a major low point that spurred him on to better opportunities, creating a video course and a podcast and his entrepreneurial ventures.  
In this episode, you’ll discover:Brian&apos;s podcast that addresses the business concerns of audio pros. A new way to post mixes and masters for your clients and get paid.A video course to give your audio business a kick in the ass. The benefits of keeping your overhead low. Tools to get over social anxiety. Delegating and automating audio tasks.  The benefits of checklists. Links and Show Notes:Free Workshop: How To Make A Living From Your Existing Audio Skills: https://bitly.com/The link to everything we talk to Brian about https://www.thesixfigurehomestudio.com/wca/Working Class Audio Journal: https://amzn.to/2GN67TPCurrent sponsors &amp; promos: https://bit.ly/2WmKbFwCredits:Host: Matt Boudreau Guest: Brian David HoodWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #241 with Dan Shike - Avoiding Headaches, Assisting Reid Shippen, Being Accountable, Learning to be Socially Active, Debt and Staying Healthy.</title><itunes:title>WCA #241 with Dan Shike - Avoiding Headaches, Assisting Reid Shippen, Being Accountable, Learning to be Socially Active, Debt and Staying Healthy.</itunes:title><description><![CDATA[<p><strong>Dan Shike </strong>started college at the University of Evansville and considered a major in physics with intention of a career in acoustics and speaker design – that is, until he heard of the Recording Industry program at Middle Tennessee State University.&nbsp;Within a week of learning of this “recording industry” and that he could go to school to be in it, Dan applied to MTSU and planned the big move to the south.&nbsp;</p><p>At MTSU Dan spent every waking moment (and a few not so awake) in the studios of the Recording Industry program.&nbsp;He worked in the recording studio maintenance lab and was a lab assistant for many of his instructors, helping teach lessons in studio recording, SSL operation, and critical listening.&nbsp;It was there that the thought of moving into mastering emerged.&nbsp;Dan didn’t do so well in history class but he rocked those engineering classes.</p><p>Post-college, Dan worked as an assistant engineer at the MCA Music Publishing studio, held a staff assistant engineer job at Sound Stage Studios, and hung out in what free time he had with a couple of very busy engineers in Nashville.&nbsp;After about a year and a half at Sound Stage, he went the independent assistant route to work steadily with F. Reid Shippen, mixer of many awesome records, for about 4 years and did some assisting and engineering on the side when he wasn’t busy, which was nearly never.&nbsp;The desire for mastering grew all the while.</p><p>While splitting time between studio work and mastering work, in 2002, Dan did his first major-label mastering project for DC Talk.&nbsp;Why start with an unknown?&nbsp;Things went well from there, and in the spring of 2003 the mastering work and the assisting work couldn’t coexist any longer, and Tone and Volume Mastering went full time and all out.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>Dan's Site: </strong><a href="https://toneandvolume.com/" rel="noopener noreferrer" target="_blank"><strong>https://toneandvolume.com/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Dan Shike</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p><strong>Dan Shike </strong>started college at the University of Evansville and considered a major in physics with intention of a career in acoustics and speaker design – that is, until he heard of the Recording Industry program at Middle Tennessee State University.&nbsp;Within a week of learning of this “recording industry” and that he could go to school to be in it, Dan applied to MTSU and planned the big move to the south.&nbsp;</p><p>At MTSU Dan spent every waking moment (and a few not so awake) in the studios of the Recording Industry program.&nbsp;He worked in the recording studio maintenance lab and was a lab assistant for many of his instructors, helping teach lessons in studio recording, SSL operation, and critical listening.&nbsp;It was there that the thought of moving into mastering emerged.&nbsp;Dan didn’t do so well in history class but he rocked those engineering classes.</p><p>Post-college, Dan worked as an assistant engineer at the MCA Music Publishing studio, held a staff assistant engineer job at Sound Stage Studios, and hung out in what free time he had with a couple of very busy engineers in Nashville.&nbsp;After about a year and a half at Sound Stage, he went the independent assistant route to work steadily with F. Reid Shippen, mixer of many awesome records, for about 4 years and did some assisting and engineering on the side when he wasn’t busy, which was nearly never.&nbsp;The desire for mastering grew all the while.</p><p>While splitting time between studio work and mastering work, in 2002, Dan did his first major-label mastering project for DC Talk.&nbsp;Why start with an unknown?&nbsp;Things went well from there, and in the spring of 2003 the mastering work and the assisting work couldn’t coexist any longer, and Tone and Volume Mastering went full time and all out.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>Dan's Site: </strong><a href="https://toneandvolume.com/" rel="noopener noreferrer" target="_blank"><strong>https://toneandvolume.com/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Dan Shike</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-241-with-dan-shike-avoiding-headaches-assisting-reid-shippen-being-accountable-learning-to-be-socially-active-debt-and-staying-healthy-]]></link><guid isPermaLink="false">9920cda6-ea4c-11e9-a0b3-43512f4a682b</guid><itunes:image href="https://artwork.captivate.fm/2cdd9606-e39c-4845-a0cc-142bed71c00f/uploads-2f1564409059939-k9mkn8syyja-cc81d4eb2dee23a7a69ec1f8c11.png"/><pubDate>Mon, 29 Jul 2019 16:31:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e38a04aa-ec0f-4337-85ce-bbdac3ff8ea5.mp3" length="82491870" type="audio/mpeg"/><itunes:duration>57:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>241</itunes:episode><podcast:episode>241</podcast:episode><itunes:summary>Working Class Audio #241 with Dan Shike!!!
Dan Shike started college at the University of Evansville and considered a major in physics with intention of a career in acoustics and speaker design – that is, until he heard of the Recording Industry program at Middle Tennessee State University. Within a week of learning of this “recording industry” and that he could go to school to be in it, Dan applied to MTSU and planned the big move to the south. 
At MTSU Dan spent every waking moment (and a few not so awake) in the studios of the Recording Industry program. He worked in the recording studio maintenance lab and was a lab assistant for many of his instructors, helping teach lessons in studio recording, SSL operation, and critical listening. It was there that the thought of moving into mastering emerged. Dan didn’t do so well in history class but he rocked those engineering classes.
Post-college, Dan worked as an assistant engineer at the MCA Music Publishing studio, held a staff assistant engineer job at Sound Stage Studios, and hung out in what free time he had with a couple of very busy engineers in Nashville. After about a year and a half at Sound Stage, he went the independent assistant route to work steadily with F. Reid Shippen, mixer of many awesome records, for about 4 years and did some assisting and engineering on the side when he wasn’t busy, which was nearly never. The desire for mastering grew all the while.
While splitting time between studio work and mastering work, in 2002, Dan did his first major-label mastering project for DC Talk. Why start with an unknown? Things went well from there, and in the spring of 2003 the mastering work and the assisting work couldn’t coexist any longer, and Tone and Volume Mastering went full time and all out.

Links and Show Notes:


Working Class Audio Journal: https://amzn.to/2GN67TP



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Dan&apos;s Site: https://toneandvolume.com/


Credits:


Host: Matt Boudreau 


Guest: Dan Shike


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #240 with Sebastian Visconti - Philadelphia to LA, Recording Bands, Working at Trader Joes, Reinventing Himself and Breaking into Film Audio at 40.</title><itunes:title>WCA #240 with Sebastian Visconti - Philadelphia to LA, Recording Bands, Working at Trader Joes, Reinventing Himself and Breaking into Film Audio at 40.</itunes:title><description><![CDATA[<p><strong>Sebastian Visconti </strong>boarded a plane In 1989 in his hometown of Philadelphia to attend his sister's wedding in Los Angeles, and he never returned. He was a young drummer with rock and roll dreams. He spent his early years playing and touring with local bands while supporting himself waiting tables at Ed Debevic’s in Beverly Hills and opening the famous House of Blues on Sunset Blvd. When he bought his first home, he converted his garage into a recording studio (which now serves as a post-sound studio). He began producing and recording local artists as well as serving as the drummer for most of the artists he produced. As the music industry shifted he found himself at a crossroads. At the urging of a close friend who was an established sound effects editor, Sebastian jumped into the world of post sound. In 2017 Sebastian won two Golden Reels and was later nominated for an Emmy for his work on Westworld.</p><p>Sebastian is currently a Supervising Sound Editor at Warner Bros. Studios working on shows like Baskets, Documentary Now!, American Vandal and Brockmire. He has also worked with Atomic Sound and 424 Post on shows such as The Flash, Westworld, and The Muppets. He lives in Los Angeles with his wife Mara and their two dogs Desi and Monte.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>IMDB: </strong><a href="https://www.imdb.com/name/nm3247063/" rel="noopener noreferrer" target="_blank"><strong>https://www.imdb.com/name/nm3247063/</strong></a></li><li><strong>Sebastian's Site: </strong><a href="https://www.vavvstudios.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.vavvstudios.com</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Sebastian Visconti</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p><strong>Sebastian Visconti </strong>boarded a plane In 1989 in his hometown of Philadelphia to attend his sister's wedding in Los Angeles, and he never returned. He was a young drummer with rock and roll dreams. He spent his early years playing and touring with local bands while supporting himself waiting tables at Ed Debevic’s in Beverly Hills and opening the famous House of Blues on Sunset Blvd. When he bought his first home, he converted his garage into a recording studio (which now serves as a post-sound studio). He began producing and recording local artists as well as serving as the drummer for most of the artists he produced. As the music industry shifted he found himself at a crossroads. At the urging of a close friend who was an established sound effects editor, Sebastian jumped into the world of post sound. In 2017 Sebastian won two Golden Reels and was later nominated for an Emmy for his work on Westworld.</p><p>Sebastian is currently a Supervising Sound Editor at Warner Bros. Studios working on shows like Baskets, Documentary Now!, American Vandal and Brockmire. He has also worked with Atomic Sound and 424 Post on shows such as The Flash, Westworld, and The Muppets. He lives in Los Angeles with his wife Mara and their two dogs Desi and Monte.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li><li><strong>IMDB: </strong><a href="https://www.imdb.com/name/nm3247063/" rel="noopener noreferrer" target="_blank"><strong>https://www.imdb.com/name/nm3247063/</strong></a></li><li><strong>Sebastian's Site: </strong><a href="https://www.vavvstudios.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.vavvstudios.com</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Sebastian Visconti</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-240-with-sebastian-visconti-philadelphia-to-la-recording-bands-working-at-trader-joes-reinventing-himself-and-breaking-into-film-audio-at-40-]]></link><guid isPermaLink="false">9926bef0-ea4c-11e9-a0b3-17c3bf42c5ea</guid><itunes:image href="https://artwork.captivate.fm/7cc8148a-4531-49db-b9b0-0a05acec7718/uploads-2f1563811827982-xyzy9yv35h-fca86da6cbfcf71f67f141e35d8b.png"/><pubDate>Mon, 22 Jul 2019 17:03:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e024006e-9f00-4f39-a2d0-a0d8a4d9d3f6.mp3" length="72152980" type="audio/mpeg"/><itunes:duration>50:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>240</itunes:episode><podcast:episode>240</podcast:episode><itunes:summary>Working Class Audio #240 with Sebastian Visconti!!!
Sebastian Visconti boarded a plane In 1989 in his hometown of Philadelphia to attend his sister&apos;s wedding in Los Angeles, and he never returned. He was a young drummer with rock and roll dreams. He spent his early years playing and touring with local bands while supporting himself waiting tables at Ed Debevic’s in Beverly Hills and opening the famous House of Blues on Sunset Blvd. When he bought his first home, he converted his garage into a recording studio (which now serves as a post-sound studio). He began producing and recording local artists as well as serving as the drummer for most of the artists he produced. As the music industry shifted he found himself at a crossroads. At the urging of a close friend who was an established sound effects editor, Sebastian jumped into the world of post sound. In 2017 Sebastian won two Golden Reels and was later nominated for an Emmy for his work on Westworld.
Sebastian is currently a Supervising Sound Editor at Warner Bros. Studios working on shows like Baskets, Documentary Now!, American Vandal and Brockmire. He has also worked with Atomic Sound and 424 Post on shows such as The Flash, Westworld, and The Muppets. He lives in Los Angeles with his wife Mara and their two dogs Desi and Monte.

Links and Show Notes:


Working Class Audio Journal: https://amzn.to/2GN67TP



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



IMDB: https://www.imdb.com/name/nm3247063/



Sebastian&apos;s Site: http://www.vavvstudios.com


Credits:


Host: Matt Boudreau 


Guest: Sebastian Visconti


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #239 with Damien Rasmussen - College Radio, Interacting with Bands, Being an Enabler, Getting in Trouble with N&apos;Sync&apos;s Management, and Business Practices</title><itunes:title>WCA #239 with Damien Rasmussen - College Radio, Interacting with Bands, Being an Enabler, Getting in Trouble with N&apos;Sync&apos;s Management, and Business Practices</itunes:title><description><![CDATA[<p><strong>Damien Rasmussen </strong>is a producer, engineer, and mixer located in San Francisco. He got his start in audio in 1983 as a college radio DJ on KDVS at UC Davis. He was schooled in the ways of the studio from John Barsotti at San Francisco State University and really cut his teeth at Dave Bryson's (Counting Crows) Dancing Dog Studio in Emeryville, California. Since then he's done live sound, corporate AV gigs, and made a ton of records with a large group of artists including Cibo Mato, Merman, Helen Keller Paid,&nbsp;Al Jardine (Beach Boys) and many more.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Damien's Site: </strong><a href="http://damienrasmussen.com/" rel="noopener noreferrer" target="_blank">http://damienrasmussen.com/</a></li><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Damien Rasmussen</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p><strong>Damien Rasmussen </strong>is a producer, engineer, and mixer located in San Francisco. He got his start in audio in 1983 as a college radio DJ on KDVS at UC Davis. He was schooled in the ways of the studio from John Barsotti at San Francisco State University and really cut his teeth at Dave Bryson's (Counting Crows) Dancing Dog Studio in Emeryville, California. Since then he's done live sound, corporate AV gigs, and made a ton of records with a large group of artists including Cibo Mato, Merman, Helen Keller Paid,&nbsp;Al Jardine (Beach Boys) and many more.</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Damien's Site: </strong><a href="http://damienrasmussen.com/" rel="noopener noreferrer" target="_blank">http://damienrasmussen.com/</a></li><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Damien Rasmussen</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-239-with-damien-rasmussen-college-radio-interacting-with-bands-being-an-enabler-getting-in-trouble-with-nsyncs-management-and-business-practices]]></link><guid isPermaLink="false">992cc5fc-ea4c-11e9-a0b3-b3fd65ae11e2</guid><itunes:image href="https://artwork.captivate.fm/d9fc015a-19c0-4c14-8bed-1dd337f878cd/uploads-2f1563164196098-q6oodfvv62p-ab86e7b738b4b4003438dafbab1.png"/><pubDate>Mon, 15 Jul 2019 04:57:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2f05ba48-f48a-46fa-ae54-96031d610f24.mp3" length="91650181" type="audio/mpeg"/><itunes:duration>01:03:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>239</itunes:episode><podcast:episode>239</podcast:episode><itunes:summary>Damien Rasmussen is a producer, engineer, and mixer located in San Francisco. He got his start in audio in 1983 as a college radio DJ on KDVS at UC Davis. He was schooled in the ways of the studio from John Barsotti at San Francisco State University and really cut his teeth at Dave Bryson&apos;s (Counting Crows) Dancing Dog Studio in Emeryville, California. Since then he&apos;s done live sound, corporate AV gigs, and made a ton of records with a large group of artists including Cibo Mato, Merman, Helen Keller Paid, Al Jardine (Beach Boys) and many more. 
Links and Show Notes:


Damien&apos;s Site: http://damienrasmussen.com/



Working Class Audio Journal: https://amzn.to/2GN67TP



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits:


Host: Matt Boudreau 


Guest: Damien Rasmussen


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #238 with Clint Bennett - 90&apos;s San Francisco, moving to LA, Proving Himself, Persevering, Union Benefits, and Not Taking Opportunity&apos;s for Granted</title><itunes:title>WCA #238 with Clint Bennett - 90&apos;s San Francisco, moving to LA, Proving Himself, Persevering, Union Benefits, and Not Taking Opportunity&apos;s for Granted</itunes:title><description><![CDATA[<p><strong>Clint Bennett </strong>lives in Los Angeles, CA and works in the film &amp; television industry as a music editor.&nbsp;He’s recently worked on such films as Blade Runner 2049, Arrival, Godzilla: King of the Monsters, Kong: Skull Island, Widows, Bad Times at the El Royale, New Girl &amp; The Cabin In The Woods.&nbsp;He began his professional career in the 90’s San Francisco music scene playing in bands and working as a freelance recording engineer.&nbsp;The transition to the film industry began with his move to Los Angeles in 2000.&nbsp;</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>P&amp;E Wing Technical Guidelines: </strong><a href="https://www.grammy.com/technical-guidelines" rel="noopener noreferrer" target="_blank">https://www.grammy.com/technical-guidelines</a></li><li><strong>Clint on IMDB</strong>:&nbsp;<a href="https://www.imdb.com/name/nm1469904/?ref_=fn_al_nm_1" rel="noopener noreferrer" target="_blank">IMDB</a></li><li><strong>Clint on Allmusic:</strong>&nbsp;<a href="https://bit.ly/30markS" rel="noopener noreferrer" target="_blank">https://bit.ly/30markS</a></li><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Clint Bennett</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p><strong>Clint Bennett </strong>lives in Los Angeles, CA and works in the film &amp; television industry as a music editor.&nbsp;He’s recently worked on such films as Blade Runner 2049, Arrival, Godzilla: King of the Monsters, Kong: Skull Island, Widows, Bad Times at the El Royale, New Girl &amp; The Cabin In The Woods.&nbsp;He began his professional career in the 90’s San Francisco music scene playing in bands and working as a freelance recording engineer.&nbsp;The transition to the film industry began with his move to Los Angeles in 2000.&nbsp;</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>P&amp;E Wing Technical Guidelines: </strong><a href="https://www.grammy.com/technical-guidelines" rel="noopener noreferrer" target="_blank">https://www.grammy.com/technical-guidelines</a></li><li><strong>Clint on IMDB</strong>:&nbsp;<a href="https://www.imdb.com/name/nm1469904/?ref_=fn_al_nm_1" rel="noopener noreferrer" target="_blank">IMDB</a></li><li><strong>Clint on Allmusic:</strong>&nbsp;<a href="https://bit.ly/30markS" rel="noopener noreferrer" target="_blank">https://bit.ly/30markS</a></li><li><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Clint Bennett</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-238-with-clint-bennett-90s-san-francisco-moving-to-la-proving-himself-persevering-union-benefits-and-not-taking-opportunitys-for-granted]]></link><guid isPermaLink="false">97edcc04-ea4c-11e9-a0b3-238454184488</guid><itunes:image href="https://artwork.captivate.fm/f3f60cc1-704a-4e71-8588-0980410dde40/uploads-2f1562565824810-g1hnf98icwm-c86fda31f2406b4e24593ae2de8.png"/><pubDate>Mon, 08 Jul 2019 06:37:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1f0fb906-2f99-49cf-9f13-2254fd37cf4d.mp3" length="84889197" type="audio/mpeg"/><itunes:duration>58:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>238</itunes:episode><podcast:episode>238</podcast:episode><itunes:summary>Clint Bennett lives in Los Angeles, CA and works in the film &amp; television industry as a music editor. He’s recently worked on such films as Blade Runner 2049, Arrival, Godzilla: King of the Monsters, Kong: Skull Island, Widows, Bad Times at the El Royale, New Girl &amp; The Cabin In The Woods. He began his professional career in the 90’s San Francisco music scene playing in bands and working as a freelance recording engineer. The transition to the film industry began with his move to Los Angeles in 2000. 
Links and Show Notes:


P&amp;E Wing Technical Guidelines: https://www.grammy.com/technical-guidelines



Clint on IMDB: IMDB



Clint on Allmusic: https://bit.ly/30markS



Working Class Audio Journal: https://amzn.to/2GN67TP



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Credits:


Host: Matt Boudreau 


Guest: Clint Bennett


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau &amp; Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #237 with Kieron Menzies</title><itunes:title>WCA #237 with Kieron Menzies</itunes:title><description><![CDATA[<p><strong>Kieron Menzies</strong> is a mixer, producer, and engineer based in Los Angeles.&nbsp; He was born in Toronto to a Trinidadian-Canadian family who eventually relocated to California.&nbsp; This is where Kieron became engulfed in music and began to pursue a career in recording and production.&nbsp; Over the years, Kieron has been a resident at 4th Street Recording in Santa Monica, Stiles Music in Portland, Sarm West Studios in London, Hen House Studios in Venice and The Green Building in Santa Monica.&nbsp; He has also been the main engineer, mixer and in-house producer for famed songwriter/producer Rick Nowels for many years.&nbsp; Some of Kieron’s notable credits include FKA Twigs, Nelly Furtado, Willie Nelson, Lykke Li, Ra Ra Riot, Alessia Cara, John Legend, Marina And The Diamonds, Miguel, Yusuf aka Cat Stevens, Dua Lipa, Kesha, and Lana Del Rey.&nbsp; He currently works out of his own mixing studio and continues to do production/recording gigs wherever the music takes him.</p><p><strong>About this interview:</strong></p><p>Kieron chats with me about working at a pumpkin patch, help from his godmother, working with Rick Nowles, meetings with music industry suits, playing scratchers and saving money. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Kieron's Site: </strong><a href="http://www.kieronmenzies.com/" rel="noopener noreferrer" target="_blank">http://www.kieronmenzies.com/</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Kieron Menzies</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Kieron Menzies</strong> is a mixer, producer, and engineer based in Los Angeles.&nbsp; He was born in Toronto to a Trinidadian-Canadian family who eventually relocated to California.&nbsp; This is where Kieron became engulfed in music and began to pursue a career in recording and production.&nbsp; Over the years, Kieron has been a resident at 4th Street Recording in Santa Monica, Stiles Music in Portland, Sarm West Studios in London, Hen House Studios in Venice and The Green Building in Santa Monica.&nbsp; He has also been the main engineer, mixer and in-house producer for famed songwriter/producer Rick Nowels for many years.&nbsp; Some of Kieron’s notable credits include FKA Twigs, Nelly Furtado, Willie Nelson, Lykke Li, Ra Ra Riot, Alessia Cara, John Legend, Marina And The Diamonds, Miguel, Yusuf aka Cat Stevens, Dua Lipa, Kesha, and Lana Del Rey.&nbsp; He currently works out of his own mixing studio and continues to do production/recording gigs wherever the music takes him.</p><p><strong>About this interview:</strong></p><p>Kieron chats with me about working at a pumpkin patch, help from his godmother, working with Rick Nowles, meetings with music industry suits, playing scratchers and saving money. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Kieron's Site: </strong><a href="http://www.kieronmenzies.com/" rel="noopener noreferrer" target="_blank">http://www.kieronmenzies.com/</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Kieron Menzies</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-237-with-kieron-menzies]]></link><guid isPermaLink="false">991574ce-ea4c-11e9-a0b3-efac00b9a71f</guid><itunes:image href="https://artwork.captivate.fm/90680b19-7d84-4f71-9270-6ddb97112a86/uploads-2f1561941337724-un9p4y8k81-7f8cb743b8400556198f609a3924.png"/><pubDate>Mon, 01 Jul 2019 02:45:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6edbade4-4b37-4045-a939-e07e725f882a.mp3" length="71826218" type="audio/mpeg"/><itunes:duration>49:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>237</itunes:episode><podcast:episode>237</podcast:episode><itunes:summary>Working Class Audio #237 with Kieron Menzies!!!

Kieron Menzies is a mixer, producer, and engineer based in Los Angeles.  He was born in Toronto to a Trinidadian-Canadian family who eventually relocated to California.  This is where Kieron became engulfed in music and began to pursue a career in recording and production.  Over the years, Kieron has been a resident at 4th Street Recording in Santa Monica, Stiles Music in Portland, Sarm West Studios in London, Hen House Studios in Venice and The Green Building in Santa Monica.  He has also been the main engineer, mixer and in-house producer for famed songwriter/producer Rick Nowels for many years.  Some of Kieron’s notable credits include FKA Twigs, Nelly Furtado, Willie Nelson, Lykke Li, Ra Ra Riot, Alessia Cara, John Legend, Marina And The Diamonds, Miguel, Yusuf aka Cat Stevens, Dua Lipa, Kesha, and Lana Del Rey.  He currently works out of his own mixing studio and continues to do production/recording gigs wherever the music takes him.
About this interview:
Kieron chats with me about working at a pumpkin patch, help from his godmother, working with Rick Nowles, meetings with music industry suits, playing scratchers and saving money. Enjoy! -Matt
Links and Show Notes:
Kieron&apos;s Site: http://www.kieronmenzies.com/
Working Class Audio Journal: https://amzn.to/2GN67TP
Current sponsors &amp; promos: https://bit.ly/2WmKbFw
Credits:Host: Matt Boudreau Guest: Kieron MenziesWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #236 with Cameron Webb</title><itunes:title>WCA #236 with Cameron Webb</itunes:title><description><![CDATA[<p>Cameron Webb is a producer, engineer, and mixer who has worked with many artists most notably Motörhead, Sum 41, NOFX, Megadeth &amp; Limp Bizkit. In 2004, he won a Grammy for his work on Kelly Clarkson’s album “Breakaway”. Cameron has been Motörhead’s producer and mixing engineer for over 12 years, since producing Motörhead’s album “Inferno”.</p><p><strong>About this interview:</strong></p><p>Cameron joins me to talk about being the best runner, honesty, hanging up on studio managers, letting flaws shine through, synchronization nightmares, Yo Gabba Gabba, and listening to artists.&nbsp; Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Maple Sound Studios: </strong><a href="https://bit.ly/2RCde6J" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2RCde6J</strong></a></li><li><strong>Cameron on FB: </strong><a href="https://bit.ly/2N1lr5r" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2N1lr5r</strong></a></li><li><strong>Good Will Auctions: </strong><a href="https://www.shopgoodwill.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.shopgoodwill.com/</strong></a></li><li><strong>Yo Gabba Gabba! </strong><a href="https://www.yogabbagabba.tv/" rel="noopener noreferrer" target="_blank"><strong>https://www.yogabbagabba.tv/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Cameron Webb</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Cameron Webb is a producer, engineer, and mixer who has worked with many artists most notably Motörhead, Sum 41, NOFX, Megadeth &amp; Limp Bizkit. In 2004, he won a Grammy for his work on Kelly Clarkson’s album “Breakaway”. Cameron has been Motörhead’s producer and mixing engineer for over 12 years, since producing Motörhead’s album “Inferno”.</p><p><strong>About this interview:</strong></p><p>Cameron joins me to talk about being the best runner, honesty, hanging up on studio managers, letting flaws shine through, synchronization nightmares, Yo Gabba Gabba, and listening to artists.&nbsp; Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><ul><li><strong>Maple Sound Studios: </strong><a href="https://bit.ly/2RCde6J" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2RCde6J</strong></a></li><li><strong>Cameron on FB: </strong><a href="https://bit.ly/2N1lr5r" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2N1lr5r</strong></a></li><li><strong>Good Will Auctions: </strong><a href="https://www.shopgoodwill.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.shopgoodwill.com/</strong></a></li><li><strong>Yo Gabba Gabba! </strong><a href="https://www.yogabbagabba.tv/" rel="noopener noreferrer" target="_blank"><strong>https://www.yogabbagabba.tv/</strong></a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Cameron Webb</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-236-with-cameron-webb]]></link><guid isPermaLink="false">96ff8166-ea4c-11e9-a0b3-03d2afc2f09d</guid><itunes:image href="https://artwork.captivate.fm/ac24bc28-b72b-449d-b807-0aeacf11fb20/uploads-2f1561155911011-2miyyfi4qh-0342143028d11b7a7b31407b590e.png"/><pubDate>Mon, 24 Jun 2019 01:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f2f2f37f-cf49-4e06-9329-d0d112941516.mp3" length="105923545" type="audio/mpeg"/><itunes:duration>01:13:33</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>236</itunes:episode><podcast:episode>236</podcast:episode><itunes:summary>Working Class Audio #236 with Cameron Webb!!!

Cameron Webb is a producer, engineer, and mixer who has worked with many artists most notably Motörhead, Sum 41, NOFX, Megadeth &amp; Limp Bizkit. In 2004, he won a Grammy for his work on Kelly Clarkson’s album “Breakaway”. Cameron has been Motörhead’s producer and mixing engineer for over 12 years, since producing Motörhead’s album “Inferno”.
About this interview:
Cameron joins me to talk about being the best runner, honesty, hanging up on studio managers, letting flaws shine through, synchronization nightmares, Yo Gabba Gabba, and listening to artists.  Enjoy! -Matt
Links and Show Notes:
Maple Sound Studios: https://bit.ly/2RCde6J
Cameron on FB: https://bit.ly/2N1lr5r
Good Will Auctions: https://www.shopgoodwill.com/
Yo Gabba Gabba! https://www.yogabbagabba.tv/
Working Class Audio Journal: https://amzn.to/2GN67TP
Current sponsors &amp; promos: https://bit.ly/2WmKbFw
Credits:Host: Matt Boudreau Guest: Cameron WebbWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #235 with Dave Nelson</title><itunes:title>WCA #235 with Dave Nelson</itunes:title><description><![CDATA[<p><strong>Working Class Audio #235 with Dave Nelson!!!</strong></p><p><strong>Dave Nelson</strong>’s career spans over twenty years in the film, sound and recording industry. As a composer, sound designer and re-recording mixer, his work involves an interesting mix of documentaries, features, shorts as well as albums, some of which have been nominated for Academy, Emmy and Grammy Awards.</p><p><strong>About this interview:</strong></p><p>Dave joins me to chat about Michigan, President Ford's doorbell, seeing Jimi Hendrix, harmonica lessons with Taj Mahal, staying on the bleeding edge of audio &amp; video technology, losing his studio, agreements, and Dolby certification.&nbsp; Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p><strong>Outpost: </strong><a href="https://outpostfilm.com/" rel="noopener noreferrer" target="_blank"><strong>https://outpostfilm.com</strong></a></p><p><strong>Dave's IMDb page: </strong><a href="https://imdb.to/31BAN3P" rel="noopener noreferrer" target="_blank"><strong>https://imdb.to/31BAN3P</strong></a></p><p><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></p><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Dave Nelson</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Working Class Audio #235 with Dave Nelson!!!</strong></p><p><strong>Dave Nelson</strong>’s career spans over twenty years in the film, sound and recording industry. As a composer, sound designer and re-recording mixer, his work involves an interesting mix of documentaries, features, shorts as well as albums, some of which have been nominated for Academy, Emmy and Grammy Awards.</p><p><strong>About this interview:</strong></p><p>Dave joins me to chat about Michigan, President Ford's doorbell, seeing Jimi Hendrix, harmonica lessons with Taj Mahal, staying on the bleeding edge of audio &amp; video technology, losing his studio, agreements, and Dolby certification.&nbsp; Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p><strong>Outpost: </strong><a href="https://outpostfilm.com/" rel="noopener noreferrer" target="_blank"><strong>https://outpostfilm.com</strong></a></p><p><strong>Dave's IMDb page: </strong><a href="https://imdb.to/31BAN3P" rel="noopener noreferrer" target="_blank"><strong>https://imdb.to/31BAN3P</strong></a></p><p><strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; </strong></a><strong>promos: </strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></p><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Dave Nelson</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-235-with-dave-nelson]]></link><guid isPermaLink="false">970bba6c-ea4c-11e9-a0b3-87c0df9f69b9</guid><itunes:image href="https://artwork.captivate.fm/a36453bd-13fb-46c2-b847-da92de8705e2/uploads-2f1560736421127-ctl9961bxh6-f08fb61e4506e917f9870b8ccfd.png"/><pubDate>Mon, 17 Jun 2019 04:24:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/743085af-8bd5-4748-bc56-e2a675be3937.mp3" length="84371940" type="audio/mpeg"/><itunes:duration>58:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>235</itunes:episode><podcast:episode>235</podcast:episode><itunes:summary>Working Class Audio #235 with Dave Nelson!!!

Dave Nelson’s career spans over twenty years in the film, sound and recording industry. As a composer, sound designer and re-recording mixer, his work involves an interesting mix of documentaries, features, shorts as well as albums, some of which have been nominated for Academy, Emmy and Grammy Awards.
About this interview:
Dave joins me to chat about Michigan, President Ford&apos;s doorbell, seeing Jimi Hendrix, harmonica lessons with Taj Mahal, staying on the bleeding edge of audio &amp; video technology, losing his studio, agreements, and Dolby certification.  Enjoy! -Matt
Links and Show Notes:
Outpost: https://outpostfilm.com
Dave&apos;s IMDb page: https://imdb.to/31BAN3P
Working Class Audio Journal: https://amzn.to/2GN67TP
Current sponsors &amp; promos: https://bit.ly/2WmKbFw


Credits:Host: Matt Boudreau Guest: Dave NelsonWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #234 with Eric Kuehnl</title><itunes:title>WCA #234 with Eric Kuehnl</itunes:title><description><![CDATA[<h3><strong>WCA #234 with Eric Kuehnl</strong></h3><p><strong>Eric Kuehnl</strong>&nbsp;is a composer, sound designer, and educator. He is the Co-Director of the Music Technology Program at Foothill College, the Director of Partner Programs for Next Point Training, and also teaches at Pyramind in San Francisco.&nbsp;Previously, Eric was an Audio Training Strategist in the Avid Education Department, and a Senior House Engineer for Sony Computer Entertainment America. He holds a Master’s degree from the California Institute of the Arts, a Bachelor’s degree from Oberlin Conservatory, and studied composition at the Centre Iannis Xenakis in Paris.</p><h3><strong>About this interview:﻿</strong></h3><p>Eric joins me to talk about college, the death of his father, the Burbank airport, when Masters Degrees come in handy, and 90’s Digidesign. Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Foothill College Music Technology Program:</strong><a href="https://bit.ly/2WXqo36" rel="noopener noreferrer" target="_blank">https://bit.ly/2WXqo36</a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><strong>Matt Donner:&nbsp;</strong><a href="https://bit.ly/2IxfTKz" rel="noopener noreferrer" target="_blank">https://bit.ly/2IxfTKz</a></li><li><strong>Brendan Duffy:&nbsp;</strong><a href="https://bit.ly/2VQEIuG" rel="noopener noreferrer" target="_blank">https://bit.ly/2VQEIuG</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Eric Kuehnl</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<h3><strong>WCA #234 with Eric Kuehnl</strong></h3><p><strong>Eric Kuehnl</strong>&nbsp;is a composer, sound designer, and educator. He is the Co-Director of the Music Technology Program at Foothill College, the Director of Partner Programs for Next Point Training, and also teaches at Pyramind in San Francisco.&nbsp;Previously, Eric was an Audio Training Strategist in the Avid Education Department, and a Senior House Engineer for Sony Computer Entertainment America. He holds a Master’s degree from the California Institute of the Arts, a Bachelor’s degree from Oberlin Conservatory, and studied composition at the Centre Iannis Xenakis in Paris.</p><h3><strong>About this interview:﻿</strong></h3><p>Eric joins me to talk about college, the death of his father, the Burbank airport, when Masters Degrees come in handy, and 90’s Digidesign. Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>Foothill College Music Technology Program:</strong><a href="https://bit.ly/2WXqo36" rel="noopener noreferrer" target="_blank">https://bit.ly/2WXqo36</a></li><li><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><strong>Matt Donner:&nbsp;</strong><a href="https://bit.ly/2IxfTKz" rel="noopener noreferrer" target="_blank">https://bit.ly/2IxfTKz</a></li><li><strong>Brendan Duffy:&nbsp;</strong><a href="https://bit.ly/2VQEIuG" rel="noopener noreferrer" target="_blank">https://bit.ly/2VQEIuG</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Eric Kuehnl</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-234-with-eric-kuehnl]]></link><guid isPermaLink="false">97824cfe-ea4c-11e9-a0b3-e75e8859a717</guid><itunes:image href="https://artwork.captivate.fm/41cd521e-1222-4847-920e-a3f83fa9211d/uploads-2f1560147358513-lv3s0lye4op-3a4f37b805bbc40c0d57ab35cd4.png"/><pubDate>Mon, 10 Jun 2019 07:36:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/066963c1-8688-4943-9566-753021e7f5e4.mp3" length="96014737" type="audio/mpeg"/><itunes:duration>01:06:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>234</itunes:episode><podcast:episode>234</podcast:episode><itunes:summary>Working Class Audio #234 with Eric Kuehnl!!!

Eric Kuehnl is a composer, sound designer, and educator. He is the Co-Director of the Music Technology Program at Foothill College, the Director of Partner Programs for Next Point Training, and also teaches at Pyramind in San Francisco.  Previously, Eric was an Audio Training Strategist in the Avid Education Department, and a Senior House Engineer for Sony Computer Entertainment America. He holds a Master&apos;s degree from the California Institute of the Arts, a Bachelor&apos;s degree from Oberlin Conservatory, and studied composition at the Centre Iannis Xenakis in Paris.
About this interview:
Eric joins me to talk about college, the death of his father, the Burbank airport, when Masters Degrees come in handy, and 90&apos;s Digidesign. Enjoy! -Matt
Links and Show Notes:
Foothill College Music Technology Program: https://bit.ly/2WXqo36
Working Class Audio Journal: https://amzn.to/2GN67TP
Matt Donner: https://bit.ly/2IxfTKz
Brendan Duffy: https://bit.ly/2VQEIuG
Current sponsors &amp; promos: https://bit.ly/2WmKbFw

Credits:Host: Matt Boudreau Guest: Eric KuehnlWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #233 with Beau Sorenson</title><itunes:title>WCA #233 with Beau Sorenson</itunes:title><description><![CDATA[<p><strong>Beau Sorenson </strong>is a freelance audio professional (producer/mixer/ engineer) based in California. He also writes, records, and remixes music as <a href="http://beaunoise.bandcamp.com/" rel="noopener noreferrer" target="_blank">Beaunoise</a>.</p><p>As producer/engineer, He's worked on multiple albums for <strong>Death Cab for Cutie, Bob Mould</strong>, and <strong>Superchunk</strong>, as well as albums for <strong>Tune-yards, Thao and the Get Down Stay Down, Mac McCaughan, Mike Krol, Someone Still Loves You Boris Yeltsin, The Dodos, Sparklehorse, Field Report, Jars of Clay, Yellow Ostrich, Camera Obscura,</strong> and many more. I’ve engineered sessions for <strong>Chris Walla, Merrill Garbus, Tucker Martine, Butch Vig, John Vanderslice, Dangermouse, Ryan Hewitt,</strong> and <strong>Al Weatherhead</strong>.</p><p>While studio recording is Beau's primary focus, He's also composed and recorded soundtracks for films and podcasts mastered music for release, worked as a studio tech, taught audio engineering, and consulted on studio construction and design.</p><p>Beau spent six years as a staff engineer at Smart Studios in Madison, WI before leaving to work freelance. He is currently a staff engineer at John Vanderslice’s <a href="http://www.tinytelephone.com/" rel="noopener noreferrer" target="_blank">Tiny Telephone</a> studios but he also works at other studios as well. </p><p><strong>About this interview:</strong></p><p>Beau joins me for coffee to discuss hardware stores, being kind, respect for studio owners, having patience, and getting out of town to record. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p><strong>Beau's Site:</strong><a href="http://www.beaunoise.com" rel="noopener noreferrer" target="_blank"><strong> www.beaunoise.com</strong></a></p><ul><li><a href="https://www.workingclassaudio.com/wca-119-with-tucker-martine/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-119-with-tucker-martine/</a></li><li><a href="https://www.workingclassaudio.com/wca-220-with-butch-vig/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-220-with-butch-vig/</a></li><li><a href="https://www.workingclassaudio.com/wca-047-with-john-vanderslice/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-047-with-john-vanderslice/</a></li><li><a href="https://www.workingclassaudio.com/wca-156-with-justin-perkins/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-156-with-justin-perkins/</a></li><li><a href="https://www.omnigroup.com/omnifocus" rel="noopener noreferrer" target="_blank">https://www.omnigroup.com/omnifocus</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Beau Sorenson</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Beau Sorenson </strong>is a freelance audio professional (producer/mixer/ engineer) based in California. He also writes, records, and remixes music as <a href="http://beaunoise.bandcamp.com/" rel="noopener noreferrer" target="_blank">Beaunoise</a>.</p><p>As producer/engineer, He's worked on multiple albums for <strong>Death Cab for Cutie, Bob Mould</strong>, and <strong>Superchunk</strong>, as well as albums for <strong>Tune-yards, Thao and the Get Down Stay Down, Mac McCaughan, Mike Krol, Someone Still Loves You Boris Yeltsin, The Dodos, Sparklehorse, Field Report, Jars of Clay, Yellow Ostrich, Camera Obscura,</strong> and many more. I’ve engineered sessions for <strong>Chris Walla, Merrill Garbus, Tucker Martine, Butch Vig, John Vanderslice, Dangermouse, Ryan Hewitt,</strong> and <strong>Al Weatherhead</strong>.</p><p>While studio recording is Beau's primary focus, He's also composed and recorded soundtracks for films and podcasts mastered music for release, worked as a studio tech, taught audio engineering, and consulted on studio construction and design.</p><p>Beau spent six years as a staff engineer at Smart Studios in Madison, WI before leaving to work freelance. He is currently a staff engineer at John Vanderslice’s <a href="http://www.tinytelephone.com/" rel="noopener noreferrer" target="_blank">Tiny Telephone</a> studios but he also works at other studios as well. </p><p><strong>About this interview:</strong></p><p>Beau joins me for coffee to discuss hardware stores, being kind, respect for studio owners, having patience, and getting out of town to record. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p><strong>Beau's Site:</strong><a href="http://www.beaunoise.com" rel="noopener noreferrer" target="_blank"><strong> www.beaunoise.com</strong></a></p><ul><li><a href="https://www.workingclassaudio.com/wca-119-with-tucker-martine/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-119-with-tucker-martine/</a></li><li><a href="https://www.workingclassaudio.com/wca-220-with-butch-vig/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-220-with-butch-vig/</a></li><li><a href="https://www.workingclassaudio.com/wca-047-with-john-vanderslice/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-047-with-john-vanderslice/</a></li><li><a href="https://www.workingclassaudio.com/wca-156-with-justin-perkins/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-156-with-justin-perkins/</a></li><li><a href="https://www.omnigroup.com/omnifocus" rel="noopener noreferrer" target="_blank">https://www.omnigroup.com/omnifocus</a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Beau Sorenson</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-233-with-beau-sorenson]]></link><guid isPermaLink="false">97f93a30-ea4c-11e9-a0b3-cf9aa50de64c</guid><itunes:image href="https://artwork.captivate.fm/c8a132ed-d70b-4dd5-a7b2-ac3675ba1696/uploads-2f1559519383900-jaxzijhzje-339856f4bccee58c3b4c4acad066.png"/><pubDate>Mon, 03 Jun 2019 17:15:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b3353613-2357-4ece-a612-aa0e3f34096a.mp3" length="68976740" type="audio/mpeg"/><itunes:duration>47:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>233</itunes:episode><podcast:episode>233</podcast:episode><itunes:summary>Working Class Audio #233 with Beau Sorenson!!!

Beau Sorenson is a freelance audio professional (producer/mixer/ engineer) based in California. He also writes, records, and remixes music as Beaunoise.
As producer/engineer, He&apos;s worked on multiple albums for Death Cab for Cutie, Bob Mould, and Superchunk, as well as albums for Tune-yards, Thao and the Get Down Stay Down, Mac McCaughan, Mike Krol, Someone Still Loves You Boris Yeltsin, The Dodos, Sparklehorse, Field Report, Jars of Clay, Yellow Ostrich, Camera Obscura, and many more. I’ve engineered sessions for Chris Walla, Merrill Garbus, Tucker Martine, Butch Vig, John Vanderslice, Dangermouse, Ryan Hewitt, and Al Weatherhead.
While studio recording is Beau&apos;s primary focus, He&apos;s also composed and recorded soundtracks for films and podcasts mastered music for release, worked as a studio tech, taught audio engineering, and consulted on studio construction and design.
Beau spent six years as a staff engineer at Smart Studios in Madison, WI before leaving to work freelance. He is currently a staff engineer at John Vanderslice’s Tiny Telephone studios but he also works at other studios as well. 
About this interview:
Beau joins me for coffee to discuss hardware stores, being kind, respect for studio owners, having patience, and getting out of town to record. Enjoy! -Matt
Links and Show Notes:
Beau&apos;s Site: www.beaunoise.com
https://www.workingclassaudio.com/wca-119-with-tucker-martine/
https://www.workingclassaudio.com/wca-220-with-butch-vig/
https://www.workingclassaudio.com/wca-047-with-john-vanderslice/
https://www.workingclassaudio.com/wca-156-with-justin-perkins/
Current sponsors &amp; promos: https://bit.ly/2WmKbFw
Working Class Audio Journal: https://amzn.to/2GN67TP
https://www.omnigroup.com/omnifocus

Credits:Host: Matt Boudreau Guest: Beau SorensonWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #232 with Buddy Lee Dobberteen - Being a Marine, Iraq, His Studio for Vets, Suicide, and Mentoring.</title><itunes:title>WCA #232 with Buddy Lee Dobberteen - Being a Marine, Iraq, His Studio for Vets, Suicide, and Mentoring.</itunes:title><description><![CDATA[<p><strong>Buddy Lee Dobberteen</strong>&nbsp;grew up in a small town in Michigan. He got into playing guitar at a young age and was always fascinated with music but never really pursued it because he was too busy playing sports. He did an electrical internship all through school and after graduation began doing side gigs wiring houses but had always dreamed of something more. In early September of 2001, Buddy joined the Marine Corps and went in as an infantryman. In 2002 he was deployed to the Middle East and soon after participated in the Iraq war.&nbsp;Three tours later, Buddy got out of the Marines and was labeled 100% disabled. After a series of events, he started the nonprofit Pathfinders Outdoors: His Little Studio &amp; Mentoring. His goal was to help fellow vets via mentoring, learning audio and music as well as hunting and fishing together.&nbsp;Buddy and his team have had over 300 Mentoring Sessions since January 2019 and continue to grow and help fellow vets who require help.&nbsp;</p><h3><strong>About this interview:﻿</strong></h3><p>Buddy joins me to talk about music and audio. Being a Marine, his three tours of duty in Iraq, coming home wounded, forming his non-profit for vets, thinking about suicide, teaching audio skills and mentoring. Enjoy! -Matt</p><h3>Links and Show Notes</h3><p><strong>Pathfinders Outdoors /His Little Studio and Mentoring.</strong><a href="https://bit.ly/2K7gCo4" rel="noopener noreferrer" target="_blank"><strong>&nbsp;</strong></a><a href="https://bit.ly/3196UHQ" rel="noopener noreferrer" target="_blank">https://bit.ly/3196UHQ</a></p><p><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></p><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Buddy Lee Dobberteen</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Buddy Lee Dobberteen</strong>&nbsp;grew up in a small town in Michigan. He got into playing guitar at a young age and was always fascinated with music but never really pursued it because he was too busy playing sports. He did an electrical internship all through school and after graduation began doing side gigs wiring houses but had always dreamed of something more. In early September of 2001, Buddy joined the Marine Corps and went in as an infantryman. In 2002 he was deployed to the Middle East and soon after participated in the Iraq war.&nbsp;Three tours later, Buddy got out of the Marines and was labeled 100% disabled. After a series of events, he started the nonprofit Pathfinders Outdoors: His Little Studio &amp; Mentoring. His goal was to help fellow vets via mentoring, learning audio and music as well as hunting and fishing together.&nbsp;Buddy and his team have had over 300 Mentoring Sessions since January 2019 and continue to grow and help fellow vets who require help.&nbsp;</p><h3><strong>About this interview:﻿</strong></h3><p>Buddy joins me to talk about music and audio. Being a Marine, his three tours of duty in Iraq, coming home wounded, forming his non-profit for vets, thinking about suicide, teaching audio skills and mentoring. Enjoy! -Matt</p><h3>Links and Show Notes</h3><p><strong>Pathfinders Outdoors /His Little Studio and Mentoring.</strong><a href="https://bit.ly/2K7gCo4" rel="noopener noreferrer" target="_blank"><strong>&nbsp;</strong></a><a href="https://bit.ly/3196UHQ" rel="noopener noreferrer" target="_blank">https://bit.ly/3196UHQ</a></p><p><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></p><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Buddy Lee Dobberteen</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-232-with-buddy-lee-dobberteen-being-a-marine-iraq-his-studio-for-vets-suicide-and-mentoring-]]></link><guid isPermaLink="false">949e0ef6-ea4c-11e9-a0b3-ef4278ead4e9</guid><itunes:image href="https://artwork.captivate.fm/ad017425-f4ca-4685-8939-ab3204d50238/uploads-2f1558931101643-z6x62m8z81o-cd433d63727c2ffd574726c7aae.png"/><pubDate>Mon, 27 May 2019 06:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9e9ceb74-2180-4c48-9565-43f40b710fd5.mp3" length="77956386" type="audio/mpeg"/><itunes:duration>54:08</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>232</itunes:episode><podcast:episode>232</podcast:episode><itunes:summary>Working Class Audio #232 with Buddy Lee Dobberteen!!!
Buddy Lee Dobberteen grew up in a small town in Michigan. He got into playing guitar at a young age and was always fascinated with music but never really pursued it because he was too busy playing sports. He did an electrical internship all through school and after graduation began doing side gigs wiring houses but had always dreamed of something more. In early September of 2001, Buddy joined the Marine Corps and went in as an infantryman. In 2002 he was deployed to the Middle East and soon after participated in the Iraq war. Three tours later, Buddy got out of the Marines and was labeled 100% disabled. After a series of events, he started the nonprofit Pathfinders Outdoors: His Little Studio &amp; Mentoring. His goal was to help fellow vets via mentoring, learning audio and music as well as hunting and fishing together. Buddy and his team have had over 300 Mentoring Sessions since January 2019 and continue to grow and help fellow vets who require help.
Links and Show Notes:
Pathfinders Outdoors /His Little Studio and Mentoring. https://bit.ly/3196UHQ
Current sponsors &amp; promos: https://bit.ly/2WmKbFw
Working Class Audio Journal: https://amzn.to/2GN67TP

Credits:Host: Matt Boudreau Guest: Buddy Lee DobberteenWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #231 with Brendan Duffey</title><itunes:title>WCA #231 with Brendan Duffey</itunes:title><description><![CDATA[<p><strong>Brendan Duffey</strong>&nbsp;is a 3x Grammy nominated producer/engineer who lives in Davis, California. He has engineered, mixed, mastered and produced some of the largest names in music in Brazil, working with such artist such as Daniela Mercury, Caetano Veloso, Lulu Santos, Kiko Loureiro Angra,50 Cent, The Mission, and many others. Brendan owned&nbsp;Norcal Studios in São Paulo, Brazil for a decade and now has a mixing and mastering facility in called Brendan Duffey Audio in Davis, CA.</p><h3><strong>About this interview:﻿</strong></h3><p>Brendan joins me to chat about growing up in Davis, California, the impact of Sylvia Massy, the Banff Center, running a studio in Brazil, working with his wife, corruption, bureaucracy, violence, kidnapping, success, troubles with shipping &amp; friends in the FBI.&nbsp;Enjoy! -Matt</p><h3>Links and Show Notes</h3><p><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></p><p><strong>Brendan’s site:&nbsp;</strong><a href="http://www.brendanduffeyaudio.com/" rel="noopener noreferrer" target="_blank"><strong>brendanduffeyaudio.com</strong></a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos&nbsp;</strong></a><strong>:&nbsp;</strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></p><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Brendan Duffey</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Brendan Duffey</strong>&nbsp;is a 3x Grammy nominated producer/engineer who lives in Davis, California. He has engineered, mixed, mastered and produced some of the largest names in music in Brazil, working with such artist such as Daniela Mercury, Caetano Veloso, Lulu Santos, Kiko Loureiro Angra,50 Cent, The Mission, and many others. Brendan owned&nbsp;Norcal Studios in São Paulo, Brazil for a decade and now has a mixing and mastering facility in called Brendan Duffey Audio in Davis, CA.</p><h3><strong>About this interview:﻿</strong></h3><p>Brendan joins me to chat about growing up in Davis, California, the impact of Sylvia Massy, the Banff Center, running a studio in Brazil, working with his wife, corruption, bureaucracy, violence, kidnapping, success, troubles with shipping &amp; friends in the FBI.&nbsp;Enjoy! -Matt</p><h3>Links and Show Notes</h3><p><strong>Working Class Audio Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></p><p><strong>Brendan’s site:&nbsp;</strong><a href="http://www.brendanduffeyaudio.com/" rel="noopener noreferrer" target="_blank"><strong>brendanduffeyaudio.com</strong></a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos&nbsp;</strong></a><strong>:&nbsp;</strong><a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2WmKbFw</strong></a></p><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Brendan Duffey</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-231-with-brendan-duffey]]></link><guid isPermaLink="false">97f37122-ea4c-11e9-a0b3-2b5200e653d6</guid><itunes:image href="https://artwork.captivate.fm/3c1635d4-c547-468c-8fa9-92bb9a6f4a5f/uploads-2f1558299674151-st5dq6kyfm-d8ca47819736244b4ad42912df24.png"/><pubDate>Mon, 20 May 2019 06:09:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e1c7c668-475a-47d0-8da3-67e63530448e.mp3" length="74346593" type="audio/mpeg"/><itunes:duration>51:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>231</itunes:episode><podcast:episode>231</podcast:episode><itunes:summary>Working Class Audio #231 with Brendan Duffey!!!
Brendan Duffey is a 3x Grammy nominated producer/engineer who lives in Davis, California. He has engineered, mixed, mastered and produced some of the largest names in music in Brazil, working with such artist such as Daniela Mercury, Caetano Veloso, Lulu Santos, Kiko Loureiro Angra,50 Cent, The Mission, and many others. Brendan owned  Norcal Studios in São Paulo, Brazil for a decade and now has a mixing and mastering facility in called Brendan Duffey Audio in Davis, CA.
About this interview:
Brendan joins me to chat about growing up in Davis, California, the impact of Sylvia Massy, the Banff Center, running a studio in Brazil, working with his wife, corruption, bureaucracy, violence, kidnapping, success, troubles with shipping &amp; friends in the FBI.  Enjoy! -Matt
Links and Show Notes:
Working Class Audio Journal: https://amzn.to/2GN67TP
Brendan&apos;s site: brendanduffeyaudio.com
Current sponsors &amp; promos : https://bit.ly/2WmKbFw

Credits:Host: Matt Boudreau Guest: Brendan DuffeyWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #230 with Chris Shaw</title><itunes:title>WCA #230 with Chris Shaw</itunes:title><description><![CDATA[<p><strong>Chris Shaw</strong>&nbsp;is a four time Grammy Award winning American producer, engineer, mixer, and musician. Beginning his career at Greene Street Recording, he quickly worked his way from his start as an NYU intern, to assistant engineer, to a position as a staff engineer working with influential hip-hop artists such as Public Enemy, A Tribe Called Quest, Run-DMC, and LL Cool J. In 1991 he played bass with LL Cool J on his famous performance on&nbsp;<em>MTV Unplugged</em>&nbsp;(along with De La Soul, MC Lyte, and A Tribe Called Quest). He went independent shortly after and has since made records with Weezer, Wilco, Bob Dylan, Ween, Jeff Buckley, Soul Asylum, Sheryl Crow, Super Furry Animals, Death Cab For Cutie, Lou Reed, Bad Brains, Ric Ocasek, Cheap Trick, Neon Neon, Elvis Perkins, Guillemots, Joss Stone, The Meat Puppets, Nada Surf, Dashboard Confessional, and The Derek Trucks Band. He has worked on six of Rolling Stone’s “<a href="https://www.chrisshawmix.com/rs-500-all-time" rel="noopener noreferrer" target="_blank">500 greatest Records of All Time</a>“.</p><h3><strong>About this interview:﻿</strong></h3><p>Chris joins me to talk about keeping your mouth shut, staying humble, always be learning, making mistakes and Invasion of the Body Snatchers. Enjoy! -Matt</p><h3>Links and Show Notes</h3><ul><li><strong>WCA Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><strong>Chris Shaw’s Site:&nbsp;</strong><a href="https://www.chrisshawmix.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.chrisshawmix.com</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Chris Shaw</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Chris Shaw</strong>&nbsp;is a four time Grammy Award winning American producer, engineer, mixer, and musician. Beginning his career at Greene Street Recording, he quickly worked his way from his start as an NYU intern, to assistant engineer, to a position as a staff engineer working with influential hip-hop artists such as Public Enemy, A Tribe Called Quest, Run-DMC, and LL Cool J. In 1991 he played bass with LL Cool J on his famous performance on&nbsp;<em>MTV Unplugged</em>&nbsp;(along with De La Soul, MC Lyte, and A Tribe Called Quest). He went independent shortly after and has since made records with Weezer, Wilco, Bob Dylan, Ween, Jeff Buckley, Soul Asylum, Sheryl Crow, Super Furry Animals, Death Cab For Cutie, Lou Reed, Bad Brains, Ric Ocasek, Cheap Trick, Neon Neon, Elvis Perkins, Guillemots, Joss Stone, The Meat Puppets, Nada Surf, Dashboard Confessional, and The Derek Trucks Band. He has worked on six of Rolling Stone’s “<a href="https://www.chrisshawmix.com/rs-500-all-time" rel="noopener noreferrer" target="_blank">500 greatest Records of All Time</a>“.</p><h3><strong>About this interview:﻿</strong></h3><p>Chris joins me to talk about keeping your mouth shut, staying humble, always be learning, making mistakes and Invasion of the Body Snatchers. Enjoy! -Matt</p><h3>Links and Show Notes</h3><ul><li><strong>WCA Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><strong>Chris Shaw’s Site:&nbsp;</strong><a href="https://www.chrisshawmix.com/" rel="noopener noreferrer" target="_blank"><strong>https://www.chrisshawmix.com</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Chris Shaw</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong><a href="https://licenselab.com/" rel="noopener noreferrer" target="_blank">The License Lab</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-230-with-chris-shaw]]></link><guid isPermaLink="false">94813fba-ea4c-11e9-a0b3-2bab7859b889</guid><itunes:image href="https://artwork.captivate.fm/b42c297a-53b3-4bae-bfad-105db3bfb96b/uploads-2f1557726768719-l2b1d6xoqs-0892280cb7649e7bebae739f6c7e.png"/><pubDate>Mon, 13 May 2019 06:11:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/08ac6abf-b536-4c02-8726-6df0ccd311e1.mp3" length="66860192" type="audio/mpeg"/><itunes:duration>46:26</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>230</itunes:episode><podcast:episode>230</podcast:episode><itunes:summary>Working Class Audio #230 with Chris Shaw!!!
Chris Shaw is a four time Grammy Award winning American producer, engineer, mixer, and musician. Beginning his career at Greene Street Recording, he quickly worked his way from his start as an NYU intern, to assistant engineer, to a position as a staff engineer working with influential hip-hop artists such as Public Enemy, A Tribe Called Quest, Run-DMC, and LL Cool J. In 1991 he played bass with LL Cool J on his famous performance on MTV Unplugged (along with De La Soul, MC Lyte, and A Tribe Called Quest). He went independent shortly after and has since made records with Weezer, Wilco, Bob Dylan, Ween, Jeff Buckley, Soul Asylum, Sheryl Crow, Super Furry Animals, Death Cab For Cutie, Lou Reed, Bad Brains, Ric Ocasek, Cheap Trick, Neon Neon, Elvis Perkins, Guillemots, Joss Stone, The Meat Puppets, Nada Surf, Dashboard Confessional, and The Derek Trucks Band. He has worked on six of Rolling Stone&apos;s &quot;500 greatest Records of All Time&quot;.
Originally based in New York, Chris relocated to the Austin, Texas area in 2013.
About this interview:
Chris joins me to talk keeping your mouth shut, staying humble, always be learning, making mistakes and Invasion of the Body Snatchers.  Enjoy! -Matt
Links and Show Notes:
Working Class Audio Journal: https://amzn.to/2GN67TP
Chris Shaw&apos;s Site: https://www.chrisshawmix.com
Current sponsors &amp; promos : https://bit.ly/2WmKbFw

Credits:Host: Matt Boudreau Guest: Chris ShawWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #229 with Ed Brooks</title><itunes:title>WCA #229 with Ed Brooks</itunes:title><description><![CDATA[<p><strong>Ed Brooks</strong>&nbsp;has been making records since the dawn of time, well almost. Ed started his career producing amd engineering records in basement studios, working his way up into major studios during Seattle’s music explosion of the early 90s. He started full time as a mastering engineer 18 years ago. Artists Ed has mastered projects for include, REM, Pearl Jam, Fleet Foxes, Death Cab For Cutie, Courtney Marie Andrews, The Head and The Heart, Chris Robinson, and Noah Gundersen. He also plays pedal steel guitar in several bands based in the Seattle area.</p><h3><strong>About this interview:﻿</strong></h3><p>Ed joins me to talk about working at Tapco, transitioning from tech to recording to mastering, staying cool in intense studio situations and 90’s Seattle. Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>WCA Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><strong>Resonant Mastering:&nbsp;</strong><a href="http://www.resonantmastering.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.resonantmastering.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Ed Brooks</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong>The License Lab</li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Ed Brooks</strong>&nbsp;has been making records since the dawn of time, well almost. Ed started his career producing amd engineering records in basement studios, working his way up into major studios during Seattle’s music explosion of the early 90s. He started full time as a mastering engineer 18 years ago. Artists Ed has mastered projects for include, REM, Pearl Jam, Fleet Foxes, Death Cab For Cutie, Courtney Marie Andrews, The Head and The Heart, Chris Robinson, and Noah Gundersen. He also plays pedal steel guitar in several bands based in the Seattle area.</p><h3><strong>About this interview:﻿</strong></h3><p>Ed joins me to talk about working at Tapco, transitioning from tech to recording to mastering, staying cool in intense studio situations and 90’s Seattle. Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li><strong>WCA Journal:&nbsp;</strong><a href="https://amzn.to/2GN67TP" rel="noopener noreferrer" target="_blank"><strong>https://amzn.to/2GN67TP</strong></a></li><li><strong>Resonant Mastering:&nbsp;</strong><a href="http://www.resonantmastering.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.resonantmastering.com/</strong></a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Ed Brooks</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong>The License Lab</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-229-with-ed-brooks]]></link><guid isPermaLink="false">98151c96-ea4c-11e9-a0b3-4fbb691a3e5e</guid><itunes:image href="https://artwork.captivate.fm/93291cf0-dbc2-4447-a7ec-a0c5d475c79f/uploads-2f1557164010929-ur71jq6ewr-396e318af75b5c66b632d55e4f9d.png"/><pubDate>Mon, 06 May 2019 18:24:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/44345e61-c123-485a-85b5-86a00fd16f7c.mp3" length="58931936" type="audio/mpeg"/><itunes:duration>40:55</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>229</itunes:episode><podcast:episode>229</podcast:episode><itunes:summary>Working Class Audio #229 with Ed Brooks!!!
Ed Brooks has been making records since the dawn of time, well almost. Ed started his career producing amd engineering records in basement studios, working his way up into major studios during Seattle’s music explosion of the early 90s. He started full time as a mastering engineer 18 years ago. Artists Ed has mastered projects for include, REM, Pearl Jam, Fleet Foxes, Death Cab For Cutie, Courtney Marie Andrews, The Head and The Heart, Chris Robinson, and Noah Gundersen. He also plays pedal steel guitar in several bands based in the Seattle area.
About this interview:
Ed joins me to talk about working at Tapco, transitioning from tech to recording to mastering, staying cool in intense studio situations and 90&apos;s Seattle. Enjoy! -Matt
Links and Show Notes:
Patreon: https://bit.ly/2PLs2Pa
Working Class Audio Journal: https://amzn.to/2GN67TP
Resonant Mastering: http://www.resonantmastering.com/
Current sponsors &amp; promos : https://bit.ly/2WmKbFw

Credits:Host: Matt Boudreau Guest: Ed BrooksWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #228 with Shani Gandhi</title><itunes:title>WCA #228 with Shani Gandhi</itunes:title><description><![CDATA[<p><strong>Shani Gandhi</strong>&nbsp;is a producer, engineer and mixer residing in Nashville, TN. She has engineered for such artists as Dierks Bentley, Kelsea Ballerini, Alison Krauss, The Mountain Goats, Parker Millsap, and Sierra Hull. In 2017, she received a GRAMMY Award as an engineer for Sarah Jarosz’s folk album,&nbsp;<em>Undercurrent</em>, and was also nominated for Best Engineered Album, Non-Classical.</p><h3><strong>About this interview:</strong></h3><p>Shani joins me to talk about her journey from Australia to the US, earning trust, not over mixing, immigration, the dynamics of Nashville and making time for yourself.&nbsp;Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li>Shani’s site:&nbsp;<a href="https://www.shanigandhi.com/" rel="noopener noreferrer" target="_blank">https://www.shanigandhi.com/</a></li><li>David Miles Huber’s YouTube channel:<a href="https://bit.ly/2IOU7Vn" rel="noopener noreferrer" target="_blank">&nbsp;https://bit.ly/2IOU7Vn</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Shani Gandhi</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong>The License Lab</li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Shani Gandhi</strong>&nbsp;is a producer, engineer and mixer residing in Nashville, TN. She has engineered for such artists as Dierks Bentley, Kelsea Ballerini, Alison Krauss, The Mountain Goats, Parker Millsap, and Sierra Hull. In 2017, she received a GRAMMY Award as an engineer for Sarah Jarosz’s folk album,&nbsp;<em>Undercurrent</em>, and was also nominated for Best Engineered Album, Non-Classical.</p><h3><strong>About this interview:</strong></h3><p>Shani joins me to talk about her journey from Australia to the US, earning trust, not over mixing, immigration, the dynamics of Nashville and making time for yourself.&nbsp;Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li>Shani’s site:&nbsp;<a href="https://www.shanigandhi.com/" rel="noopener noreferrer" target="_blank">https://www.shanigandhi.com/</a></li><li>David Miles Huber’s YouTube channel:<a href="https://bit.ly/2IOU7Vn" rel="noopener noreferrer" target="_blank">&nbsp;https://bit.ly/2IOU7Vn</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Shani Gandhi</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong>The License Lab</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-228-with-shani-gandhi]]></link><guid isPermaLink="false">991b4e8a-ea4c-11e9-a0b3-031f765eb08f</guid><itunes:image href="https://artwork.captivate.fm/42fce06c-9266-4bb2-a89b-7f92a111051d/uploads-2f1556563175823-xqvb21pnhoj-a78e82a2da5ac13039a8b04d96f.png"/><pubDate>Mon, 29 Apr 2019 18:56:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/818701da-5c23-4a7d-b8b6-613f19eb2c81.mp3" length="61235324" type="audio/mpeg"/><itunes:duration>42:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>228</itunes:episode><podcast:episode>228</podcast:episode><itunes:summary>Working Class Audio #228 with Shani Gandhi!!!

Shani Gandhi is a producer, engineer and mixer residing in Nashville, TN. She has engineered for such artists as Dierks Bentley, Kelsea Ballerini, Alison Krauss, The Mountain Goats, Parker Millsap, and Sierra Hull. In 2017, she received a GRAMMY Award as an engineer for Sarah Jarosz’s folk album, Undercurrent, and was also nominated for Best Engineered Album, Non-Classical.
About this interview:
Shani joins me to talk about her journey from Australia to the US, earning trust, not over mixing, immigration, the dynamics of Nashville and making time for yourself.  Enjoy! -Matt
Links and Show Notes:
Shani&apos;s site: https://www.shanigandhi.com/
David Miles Huber&apos;s YouTube channel: https://bit.ly/2IOU7Vn
Current sponsors &amp; promos : https://bit.ly/2WmKbFw

Credits:Host: Matt Boudreau Guest: Shani GandhiWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #227 with Wesley Slover</title><itunes:title>WCA #227 with Wesley Slover</itunes:title><description><![CDATA[<p><strong>Wesley Slover</strong>&nbsp;founded Sono Sanctus in 2011 as a means to freelance in music and sound design. He creates sound design and music for films, ads, apps, games, installations, and hardware with an emphasis on the intersection of sound and music. Some of his client list includes: Dolby, Spotify, Casper, Google, Facebook, the Atlanta Falcons, and Airbnb.</p><h3><strong>About this interview:</strong></h3><p>Wesley joins me to talk about the art &amp; craft of sound design, scheduling, family time, the cassette tape guy, making stuff and church sound. Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li>Wesley’s company:&nbsp;<a href="http://www.sonosanctus.com/" rel="noopener noreferrer" target="_blank">http://www.sonosanctus.com/</a></li><li><a href="https://www.amazon.com/Designing-Sound-Fundamentals-Products-Services/dp/1491961104/ref=as_sl_pc_qf_sp_asin_til?tag=wwwworkingcla-20&amp;linkCode=w00&amp;linkId=5744019097279fe26ec822776744197b&amp;creativeASIN=1491961104" rel="noopener noreferrer" target="_blank">Designing with Sound book</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Wesley Slover</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong>The License Lab</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p><strong>Wesley Slover</strong>&nbsp;founded Sono Sanctus in 2011 as a means to freelance in music and sound design. He creates sound design and music for films, ads, apps, games, installations, and hardware with an emphasis on the intersection of sound and music. Some of his client list includes: Dolby, Spotify, Casper, Google, Facebook, the Atlanta Falcons, and Airbnb.</p><h3><strong>About this interview:</strong></h3><p>Wesley joins me to talk about the art &amp; craft of sound design, scheduling, family time, the cassette tape guy, making stuff and church sound. Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li>Wesley’s company:&nbsp;<a href="http://www.sonosanctus.com/" rel="noopener noreferrer" target="_blank">http://www.sonosanctus.com/</a></li><li><a href="https://www.amazon.com/Designing-Sound-Fundamentals-Products-Services/dp/1491961104/ref=as_sl_pc_qf_sp_asin_til?tag=wwwworkingcla-20&amp;linkCode=w00&amp;linkId=5744019097279fe26ec822776744197b&amp;creativeASIN=1491961104" rel="noopener noreferrer" target="_blank">Designing with Sound book</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Wesley Slover</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong>The License Lab</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-227-with-wesley-slover]]></link><guid isPermaLink="false">97d5eb70-ea4c-11e9-a0b3-af8323058dfa</guid><itunes:image href="https://artwork.captivate.fm/dd15f804-d64b-4268-b44d-a29efea7360f/uploads-2f1555955375924-x5ycxa9tv-732a12ad61f71a486a5dca6ec5efb.png"/><pubDate>Mon, 22 Apr 2019 18:58:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f9c03a67-d23b-4d9c-b019-9074a1f3cbc4.mp3" length="65730452" type="audio/mpeg"/><itunes:duration>45:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>227</itunes:episode><podcast:episode>227</podcast:episode><itunes:summary>Working Class Audio #227 with Wesley Slover!!!

Wesley Slover founded Sono Sanctus in 2011 as a means to freelance in music and sound design. He creates sound design and music for films, ads, apps, games, installations, and hardware with an emphasis on the intersection of sound and music. Some of his client list includes: Dolby, Spotify, Casper, Google, Facebook, the Atlanta Falcons, and Airbnb.
About this interview:
Wesley joins me to talk about the art &amp; craft of sound design, scheduling, family time, the cassette tape guy, making stuff and church sound. Enjoy! -Matt
Links and Show Notes:
Wesley&apos;s company: http://www.sonosanctus.com/
Designing with Sound book
Current sponsors &amp; promos 

Credits:Host: Matt Boudreau Guest: Wesley SloverWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #226 with Rachel Field</title><itunes:title>WCA #226 with Rachel Field</itunes:title><description><![CDATA[<p><strong>Rachel Field</strong>&nbsp;moved to Seattle from California in 2009 and quickly became heavily involved in the PNW recording scene. She has worked in several areas of audio production, and found her passion to be mastering. As Mastering Engineer she works on all genres, and with a wide variety of&nbsp;local and international artists such as Whitney Mongé, Fauna Shade, Old Coast, Jericho Hill, Ryme, The Fucking Eagles, The Baggios, Mouths of Babes, and Anomie Belle.&nbsp;Rachel also does freelance recording in several studios in the Seattle area.</p><h3><strong>About this interview:</strong></h3><p>Rachel joins me to talk about food service, customer service, reading people, riding motorcycles, getting sunshine and mastering. Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li>Resonant Mastering:&nbsp;<a href="http://www.resonantmastering.com/" rel="noopener noreferrer" target="_blank">http://www.resonantmastering.com/</a></li><li>The Rolling Stones Documentary:&nbsp;<a href="https://www.netflix.com/title/80148239" rel="noopener noreferrer" target="_blank">https://www.netflix.com/title/80148239</a></li><li>John Coltrane Documentary:&nbsp;&nbsp;<a href="https://www.netflix.com/title/80147403" rel="noopener noreferrer" target="_blank">https://www.netflix.com/title/80147403</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Rachel Field</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong>The License Lab</li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p><strong>Rachel Field</strong>&nbsp;moved to Seattle from California in 2009 and quickly became heavily involved in the PNW recording scene. She has worked in several areas of audio production, and found her passion to be mastering. As Mastering Engineer she works on all genres, and with a wide variety of&nbsp;local and international artists such as Whitney Mongé, Fauna Shade, Old Coast, Jericho Hill, Ryme, The Fucking Eagles, The Baggios, Mouths of Babes, and Anomie Belle.&nbsp;Rachel also does freelance recording in several studios in the Seattle area.</p><h3><strong>About this interview:</strong></h3><p>Rachel joins me to talk about food service, customer service, reading people, riding motorcycles, getting sunshine and mastering. Enjoy! -Matt</p><h3><strong>Links and Show Notes:</strong></h3><ul><li>Resonant Mastering:&nbsp;<a href="http://www.resonantmastering.com/" rel="noopener noreferrer" target="_blank">http://www.resonantmastering.com/</a></li><li>The Rolling Stones Documentary:&nbsp;<a href="https://www.netflix.com/title/80148239" rel="noopener noreferrer" target="_blank">https://www.netflix.com/title/80148239</a></li><li>John Coltrane Documentary:&nbsp;&nbsp;<a href="https://www.netflix.com/title/80147403" rel="noopener noreferrer" target="_blank">https://www.netflix.com/title/80147403</a></li></ul><br/><h3><strong>Credits:</strong></h3><ul><li><strong>Host:&nbsp;</strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong>&nbsp;Rachel Field</li><li><strong>WCA Theme Music:</strong>&nbsp;Cliff Truesdell&nbsp;</li><li><strong>Announcer:&nbsp;</strong>Chuck Smith</li><li><strong>Editing:&nbsp;</strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music:&nbsp;</strong>The License Lab</li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-226-with-rachel-field]]></link><guid isPermaLink="false">983c15c6-ea4c-11e9-a0b3-9b9d82a99eb3</guid><itunes:image href="https://artwork.captivate.fm/7f01588a-3b77-42f6-a712-ddea68b913fd/uploads-2f1555280446721-q4lf78nfcxd-d2236ee29f4d37dcec48fdfe14d.png"/><pubDate>Mon, 15 Apr 2019 04:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/668eedab-ee34-417b-9521-49b32fae4e62.mp3" length="64132997" type="audio/mpeg"/><itunes:duration>44:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>226</itunes:episode><podcast:episode>226</podcast:episode><itunes:summary>Working Class Audio #226 with Rachel Field!!!

Rachel Field moved to Seattle from California in 2009 and quickly became heavily involved in the PNW recording scene. She has worked in several areas of audio production, and found her passion to be mastering. As Mastering Engineer she works on all genres, and with a wide variety of  local and international artists such as Whitney Mongé, Fauna Shade, Old Coast, Jericho Hill, Ryme, The Fucking Eagles, The Baggios, Mouths of Babes, and Anomie Belle.  Rachel also does freelance recording in several studios in the Seattle area.
About this interview:
Rachel joins me to talk about food service, customer service, reading people, riding motorcycles, getting sunshine and mastering. Enjoy! -Matt
Links and Show Notes:
Resonant Mastering: http://www.resonantmastering.com/
The Rolling Stones Documentary: https://www.netflix.com/title/80148239
John Coltrane Documentary:  https://www.netflix.com/title/80147403
Current sponsors &amp; promos 

Credits:Host: Matt Boudreau Guest: Rachel FieldWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #225 with Joe Finocchio</title><itunes:title>WCA #225 with Joe Finocchio</itunes:title><description><![CDATA[<p>Joe Finocchio is a musician and recording engineer (The Soft White Sixties, American Killers, Double Duchess, davOmakesbeats, The Family Crest) based in the San Francisco Bay Area. He has spent the last 11 years making records in studios all over Northern California. Currently he resides at Santo Recording in Oakland and works out of his mix room in his Mission District apartment. Joe also works as a Production Manager for a Bay Area corporate AV provider called On Point Audio Visual. </p><p><strong>About this interview:</strong></p><p>Joe joins me to talk about his early struggles, the trust of mentors, skipping the intern process, working in corporate AV and not drinking with the band. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><ul><li>Atomic Habits by James Clear: <a href="https://amzn.to/2U3J8gV" rel="noopener noreferrer" target="_blank">https://amzn.to/2U3J8gV</a></li><li>Joe's Site: <a href="http://www.gainandvolume.com%20" rel="noopener noreferrer" target="_blank">www.gainandvolume.com </a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Joe Finocchio</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong>The License Lab</li></ul><br/>]]></description><content:encoded><![CDATA[<p>Joe Finocchio is a musician and recording engineer (The Soft White Sixties, American Killers, Double Duchess, davOmakesbeats, The Family Crest) based in the San Francisco Bay Area. He has spent the last 11 years making records in studios all over Northern California. Currently he resides at Santo Recording in Oakland and works out of his mix room in his Mission District apartment. Joe also works as a Production Manager for a Bay Area corporate AV provider called On Point Audio Visual. </p><p><strong>About this interview:</strong></p><p>Joe joins me to talk about his early struggles, the trust of mentors, skipping the intern process, working in corporate AV and not drinking with the band. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><ul><li>Atomic Habits by James Clear: <a href="https://amzn.to/2U3J8gV" rel="noopener noreferrer" target="_blank">https://amzn.to/2U3J8gV</a></li><li>Joe's Site: <a href="http://www.gainandvolume.com%20" rel="noopener noreferrer" target="_blank">www.gainandvolume.com </a></li></ul><br/><p><strong>Credits:</strong></p><ul><li><strong>Host: </strong>Matt Boudreau&nbsp;</li><li><strong>Guest:</strong> Joe Finocchio</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong>The License Lab</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-225-with-joe-finocchio]]></link><guid isPermaLink="false">94165592-ea4c-11e9-a0b3-0ba5c6304e5f</guid><itunes:image href="https://artwork.captivate.fm/17e42350-6c8e-4f9d-a9c7-4e91795d3c3c/uploads-2f1554692079056-3dbyoxk3mim-ee128b3640410dc8f6bb2e469ed.png"/><pubDate>Mon, 08 Apr 2019 04:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/37a72dfe-406e-4188-ba5e-4362837532c3.mp3" length="67458934" type="audio/mpeg"/><itunes:duration>46:51</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>225</itunes:episode><podcast:episode>225</podcast:episode><itunes:summary>Working Class Audio #225 with Joe Finocchio!!!

Joe Finocchio is a musician and recording engineer (The Soft White Sixties, American Killers, Double Duchess, davOmakesbeats, The Family Crest) based in the San Francisco Bay Area. He has spent the last 11 years making records in studios all over Northern California. Currently he resides at Santo Recording in Oakland and works out of his mix room in his Mission District apartment. Joe also works as a Production Manager for a Bay Area corporate AV provider called On Point Audio Visual. 
About this interview:
Joe joins me to talk about his early struggles, the trust of mentors, skipping the intern process, working in corporate AV and not drinking with the band. Enjoy! -Matt
Links and Show Notes:
Atomic Habits by James Clear: https://amzn.to/2U3J8gV
Joe&apos;s Site: www.gainandvolume.com 
Current sponsors &amp; promos 

Credits:Host: Matt Boudreau Guest: Joe FinocchioWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #224 with Frank Marchand</title><itunes:title>WCA #224 with Frank Marchand</itunes:title><description><![CDATA[<p><strong>Working Class Audio #224 with Frank Marchand!!!</strong></p><p>Frank Marchand is a recording engineer, mixer, producer, live sound engineer, broadcast mixer and Maryland native since 1976. He learned to play bass in his high school band in the late 70’s and was bitten by the audio bug when his band went into the studio for the first time to record some original material. He then attended a four year liberal arts college that had only one course in acoustics and four track studio that the director would not let any one use. After graduation he found work in a D.C. based mom and pop Hi-fi chain that specialized in selling blank recording media such as cassettes and blank video tape. Working up from the sales floor to the advertising end of the business he then landed a Front of House or House sound job at the now vanished Bayou in D.C. where he cut his teeth as a live sound engineer. After the stint at the Bayou, he then landed a job at Washington Professional Systems where he was the assistant to sound guru Greg Lukens and owner Robert Levin. It was while working at WPS that he came into contact with the Northern VA, D.C., and Baltimore studio community and started to freelance at many studios around the region recording bands on the weekends while being exposed to the latest in recording gear at WPS during the week. He decided to go freelance full time in 1990 and has recorded over 600 records and toured all over the world doing live audio work as well. He has owned or been a part of 4 different studio spaces through the years and still maintains a healthy touring schedule. Mr Marchand has worked on Grammy nominated projects, and Billboard Number #1 records during his career. He has worked with such artists as: punk luminary Bob Mould, Toured with Calexico and Texas Rockers The Toadies, recorded projects for New Orleans rockers Cowboy Mouth, Annapolis natives Jimmies Chicken Shack, Doom Metal founders The Obsessed, Blue Grassers Frank Solivan and Dirty Kitchen, Gospel visionaries The Reminders and Celtic creators of Celt grass, We Banjo 3. He is comfortable with all styles of music and has worked with many artists you have never heard of.</p><p><strong>About this interview:</strong></p><p>Frank joins me to talk about freelancing, live sound, recording in rehearsal spaces, adapting to acoustic environments, being a soccer coach, client repeat rates, and working on projects he likes. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p>Watford Digital: <a href="https://www.waterforddigital.com/" rel="noopener noreferrer" target="_blank">https://www.waterforddigital.com/</a></p><p>Atomic Habits by James Clear: <a href="https://amzn.to/2U3J8gV" rel="noopener noreferrer" target="_blank">https://amzn.to/2U3J8gV</a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos </strong></a></p><p><strong>Credits:Host: </strong>Matt Boudreau&nbsp;<strong>Guest:</strong> Frank Marchand<strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;<strong>Announcer: </strong>Chuck Smith<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau<strong>Additional Music: </strong>The License Lab</p>]]></description><content:encoded><![CDATA[<p><strong>Working Class Audio #224 with Frank Marchand!!!</strong></p><p>Frank Marchand is a recording engineer, mixer, producer, live sound engineer, broadcast mixer and Maryland native since 1976. He learned to play bass in his high school band in the late 70’s and was bitten by the audio bug when his band went into the studio for the first time to record some original material. He then attended a four year liberal arts college that had only one course in acoustics and four track studio that the director would not let any one use. After graduation he found work in a D.C. based mom and pop Hi-fi chain that specialized in selling blank recording media such as cassettes and blank video tape. Working up from the sales floor to the advertising end of the business he then landed a Front of House or House sound job at the now vanished Bayou in D.C. where he cut his teeth as a live sound engineer. After the stint at the Bayou, he then landed a job at Washington Professional Systems where he was the assistant to sound guru Greg Lukens and owner Robert Levin. It was while working at WPS that he came into contact with the Northern VA, D.C., and Baltimore studio community and started to freelance at many studios around the region recording bands on the weekends while being exposed to the latest in recording gear at WPS during the week. He decided to go freelance full time in 1990 and has recorded over 600 records and toured all over the world doing live audio work as well. He has owned or been a part of 4 different studio spaces through the years and still maintains a healthy touring schedule. Mr Marchand has worked on Grammy nominated projects, and Billboard Number #1 records during his career. He has worked with such artists as: punk luminary Bob Mould, Toured with Calexico and Texas Rockers The Toadies, recorded projects for New Orleans rockers Cowboy Mouth, Annapolis natives Jimmies Chicken Shack, Doom Metal founders The Obsessed, Blue Grassers Frank Solivan and Dirty Kitchen, Gospel visionaries The Reminders and Celtic creators of Celt grass, We Banjo 3. He is comfortable with all styles of music and has worked with many artists you have never heard of.</p><p><strong>About this interview:</strong></p><p>Frank joins me to talk about freelancing, live sound, recording in rehearsal spaces, adapting to acoustic environments, being a soccer coach, client repeat rates, and working on projects he likes. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p>Watford Digital: <a href="https://www.waterforddigital.com/" rel="noopener noreferrer" target="_blank">https://www.waterforddigital.com/</a></p><p>Atomic Habits by James Clear: <a href="https://amzn.to/2U3J8gV" rel="noopener noreferrer" target="_blank">https://amzn.to/2U3J8gV</a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos </strong></a></p><p><strong>Credits:Host: </strong>Matt Boudreau&nbsp;<strong>Guest:</strong> Frank Marchand<strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;<strong>Announcer: </strong>Chuck Smith<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau<strong>Additional Music: </strong>The License Lab</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-224-with-frank-marchand]]></link><guid isPermaLink="false">977b6bd2-ea4c-11e9-a0b3-67e673fd8746</guid><itunes:image href="https://artwork.captivate.fm/be5ea47c-fd4e-46b3-8670-13b43fe2a573/uploads-2f1553633116075-q38pxjgpz5-e534a58c5549b8332208af23a0ba.png"/><pubDate>Mon, 01 Apr 2019 03:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9025e4f3-04f3-4fa2-a92b-6f24f039e481.mp3" length="58521338" type="audio/mpeg"/><itunes:duration>40:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>224</itunes:episode><podcast:episode>224</podcast:episode><itunes:summary>Working Class Audio #224 with Frank Marchand!!!

Frank Marchand is a recording engineer, mixer, producer, live sound engineer, broadcast mixer and Maryland native since 1976. He learned to play bass in his high school band in the late 70’s and was bitten by the audio bug when his band went into the studio for the first time to record some original material. He then attended a four year liberal arts college that had only one course in acoustics and four track studio that the director would not let any one use. After graduation he found work in a D.C. based mom and pop Hi-fi chain that specialized in selling blank recording media such as cassettes and blank video tape. Working up from the sales floor to the advertising end of the business he then landed a Front of House or House sound job at the now vanished Bayou in D.C. where he cut his teeth as a live sound engineer. After the stint at the Bayou, he then landed a job at Washington Professional Systems where he was the assistant to sound guru Greg Lukens and owner Robert Levin. It was while working at WPS that he came into contact with the Northern VA, D.C., and Baltimore studio community and started to freelance at many studios around the region recording bands on the weekends while being exposed to the latest in recording gear at WPS during the week. He decided to go freelance full time in 1990 and has recorded over 600 records and toured all over the world doing live audio work as well. He has owned or been a part of 4 different studio spaces through the years and still maintains a healthy touring schedule. Mr Marchand has worked on Grammy nominated projects, and Billboard Number #1 records during his career. He has worked with such artists as: punk luminary Bob Mould, Toured with Calexico and Texas Rockers The Toadies, recorded projects for New Orleans rockers Cowboy Mouth, Annapolis natives Jimmies Chicken Shack, Doom Metal founders The Obsessed, Blue Grassers Frank Solivan and Dirty Kitchen, Gospel visionaries The Reminders and Celtic creators of Celt grass, We Banjo 3. He is comfortable with all styles of music and has worked with many artists you have never heard of.
About this interview:
Frank joins me to talk about freelancing, live sound, recording in rehearsal spaces, adapting to acoustic environments, being a soccer coach, client repeat rates, and working on projects he likes. Enjoy! -Matt
Links and Show Notes:

Watford Digital: https://www.waterforddigital.com/
Atomic Habits by James Clear: https://amzn.to/2U3J8gV
Current sponsors &amp; promos 

Credits:Host: Matt Boudreau Guest: Frank MarchandWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #223 with Doug McBride</title><itunes:title>WCA #223 with Doug McBride</itunes:title><description><![CDATA[<p><strong>Working Class Audio #223 with Doug McBride!!!</strong></p><p>Doug McBride is a man with many titles including studio owner, engineer, mastering engineer, multi-instrumentalist, songwriter, dad and husband. Doug founded and has run Chicago based Gravity Studios for over 20 years. He has worked with Izzy Stradlin, Veruca Salt, Smashing Pumpkins, Fall Out Boy, and many more. Doug lived in a treehouse in the Panamanian jungle for 3 months in summer of 1985 and he owns a beagle named Banjo. </p><p><strong>About this interview:</strong></p><p>Doug joins me to talk about running Gravity Studios, assisting for Steve Albini, 911, word of mouth, dealing with landlords and unexpected guests. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p>Gravity Studios: <a href="http://www.gravitystudios.com/" rel="noopener noreferrer" target="_blank">http://www.gravitystudios.com/</a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos </strong></a></p><p><strong>Credits:Host: </strong>Matt Boudreau&nbsp;<strong>Guest:</strong> Doug McBride<strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;<strong>Announcer: </strong>Chuck Smith<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau<strong>Additional Music: </strong>The License Lab</p>]]></description><content:encoded><![CDATA[<p><strong>Working Class Audio #223 with Doug McBride!!!</strong></p><p>Doug McBride is a man with many titles including studio owner, engineer, mastering engineer, multi-instrumentalist, songwriter, dad and husband. Doug founded and has run Chicago based Gravity Studios for over 20 years. He has worked with Izzy Stradlin, Veruca Salt, Smashing Pumpkins, Fall Out Boy, and many more. Doug lived in a treehouse in the Panamanian jungle for 3 months in summer of 1985 and he owns a beagle named Banjo. </p><p><strong>About this interview:</strong></p><p>Doug joins me to talk about running Gravity Studios, assisting for Steve Albini, 911, word of mouth, dealing with landlords and unexpected guests. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p>Gravity Studios: <a href="http://www.gravitystudios.com/" rel="noopener noreferrer" target="_blank">http://www.gravitystudios.com/</a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos </strong></a></p><p><strong>Credits:Host: </strong>Matt Boudreau&nbsp;<strong>Guest:</strong> Doug McBride<strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;<strong>Announcer: </strong>Chuck Smith<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau<strong>Additional Music: </strong>The License Lab</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-223-with-doug-mcbride]]></link><guid isPermaLink="false">945b4094-ea4c-11e9-a0b3-676357b85afb</guid><itunes:image href="https://artwork.captivate.fm/5c2aa047-06b1-495b-9811-5cf1e287e32b/uploads-2f1552676490815-lqx161yvavs-4dc8678e599a30c7d4ef2d58de8.png"/><pubDate>Mon, 25 Mar 2019 06:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/360cd37d-fd5c-4f8a-9df1-b8a4e6fe5c62.mp3" length="54646178" type="audio/mpeg"/><itunes:duration>37:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>223</itunes:episode><podcast:episode>223</podcast:episode><itunes:summary>Working Class Audio #223 with Doug McBride!!!

Doug McBride is a man with many titles including studio owner, engineer, mastering engineer, multi-instrumentalist, songwriter, dad and husband. Doug founded and has run Chicago based Gravity Studios for over 20 years. He has worked with Izzy Stradlin, Veruca Salt, Smashing Pumpkins, Fall Out Boy, and many more. Doug lived in a treehouse in the Panamanian jungle for 3 months in summer of 1985 and he owns a beagle named Banjo. 
About this interview:
Doug joins me to talk about running Gravity Studios, assisting for Steve Albini, 911, word of mouth, dealing with landlords and unexpected guests. Enjoy! -Matt
Links and Show Notes:

Gravity Studios: http://www.gravitystudios.com/
Current sponsors &amp; promos 
Credits:Host: Matt Boudreau Guest: Doug McBrideWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #222 with Justin Lieberman</title><itunes:title>WCA #222 with Justin Lieberman</itunes:title><description><![CDATA[<p><strong>Working Class Audio #222 with Justin Lieberman!!!</strong></p><p>Justin Lieberman is a recording engineer and producer with over two decades of experience.&nbsp; Justin has worked with hundreds of artists on over 150 commercially released albums including Santana, George Winston, Roy Hargorve, Jonathan Richman, David Gray, Alanis Morissette, Les Claypool, Jennifer Nettles, Jackie King, Willie Nelson, Kronos Quartet, Ralph Stanley, Bill Frisell and many more.&nbsp; Justin has also worked on several films, countless radio and television commercials and has recently been focusing his work on score mixing for video games such as the recent blockbuster release Spider-Man.</p><p>Justin began his professional career in San Francisco at Toast Recording and then moved on to Different Fur Recording where he worked as a staff assistant and staff engineer for 7 years.&nbsp; In 2004 Justin began working at SF Soundworks where he met a producer PC Muñoz who introduced him to the Talking House Productions crew.&nbsp; Just joined the Talking House Productions team in 2006 and continued with them until the closure of Talking House in 2010.&nbsp; In April 2010 Justin joined forces with Willie Samuels and Cindy McSherry to launch Studio Trilogy.&nbsp; Justin served as co-manager and chief engineer at Studio Trilogy until it’s closure in December 2016 when he joined the team at Sony Playstation as a music engineer.</p><p><strong>About this interview:</strong></p><p>Justin joins me to talk about his journey from his early experiences at Prairie Sun to his current gig at Sony Interactive, commuting, work/life balance,&nbsp; Al Gore, mixing hundreds of tracks in surround and more. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p>Sony Interactive:<a href="https://www.sie.com/index.html" rel="noopener noreferrer" target="_blank">https://www.sie.com/index.html</a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos </strong></a></p><p><strong>Credits:Host: </strong>Matt Boudreau&nbsp;<strong>Guest:</strong> Justin Lieberman<strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;<strong>Announcer: </strong>Chuck Smith<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau<strong>Additional Music: </strong>The License Lab</p>]]></description><content:encoded><![CDATA[<p><strong>Working Class Audio #222 with Justin Lieberman!!!</strong></p><p>Justin Lieberman is a recording engineer and producer with over two decades of experience.&nbsp; Justin has worked with hundreds of artists on over 150 commercially released albums including Santana, George Winston, Roy Hargorve, Jonathan Richman, David Gray, Alanis Morissette, Les Claypool, Jennifer Nettles, Jackie King, Willie Nelson, Kronos Quartet, Ralph Stanley, Bill Frisell and many more.&nbsp; Justin has also worked on several films, countless radio and television commercials and has recently been focusing his work on score mixing for video games such as the recent blockbuster release Spider-Man.</p><p>Justin began his professional career in San Francisco at Toast Recording and then moved on to Different Fur Recording where he worked as a staff assistant and staff engineer for 7 years.&nbsp; In 2004 Justin began working at SF Soundworks where he met a producer PC Muñoz who introduced him to the Talking House Productions crew.&nbsp; Just joined the Talking House Productions team in 2006 and continued with them until the closure of Talking House in 2010.&nbsp; In April 2010 Justin joined forces with Willie Samuels and Cindy McSherry to launch Studio Trilogy.&nbsp; Justin served as co-manager and chief engineer at Studio Trilogy until it’s closure in December 2016 when he joined the team at Sony Playstation as a music engineer.</p><p><strong>About this interview:</strong></p><p>Justin joins me to talk about his journey from his early experiences at Prairie Sun to his current gig at Sony Interactive, commuting, work/life balance,&nbsp; Al Gore, mixing hundreds of tracks in surround and more. Enjoy! -Matt</p><p><strong>Links and Show Notes:</strong></p><p>Sony Interactive:<a href="https://www.sie.com/index.html" rel="noopener noreferrer" target="_blank">https://www.sie.com/index.html</a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos </strong></a></p><p><strong>Credits:Host: </strong>Matt Boudreau&nbsp;<strong>Guest:</strong> Justin Lieberman<strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;<strong>Announcer: </strong>Chuck Smith<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau<strong>Additional Music: </strong>The License Lab</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-222-with-justin-lieberman]]></link><guid isPermaLink="false">981ae9be-ea4c-11e9-a0b3-9fe91a8e8704</guid><itunes:image href="https://artwork.captivate.fm/f02b9f52-d7a0-4d8e-8d8c-b44bde7e8f9b/uploads-2f1552782369839-hbsb9zl0yxa-8eb00ea3cb231373d9fca73c244.png"/><pubDate>Mon, 18 Mar 2019 04:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/84b6996e-a165-4d39-91a9-fb66592a3df6.mp3" length="52819986" type="audio/mpeg"/><itunes:duration>36:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>222</itunes:episode><podcast:episode>222</podcast:episode><itunes:summary>Working Class Audio #222 with Justin Lieberman!!!

Justin Lieberman is a recording engineer and producer with over two decades of experience.  Justin has worked with hundreds of artists on over 150 commercially released albums including Santana, George Winston, Roy Hargorve, Jonathan Richman, David Gray, Alanis Morissette, Les Claypool, Jennifer Nettles, Jackie King, Willie Nelson, Kronos Quartet, Ralph Stanley, Bill Frisell and many more.  Justin has also worked on several films, countless radio and television commercials and has recently been focusing his work on score mixing for video games such as the recent blockbuster release Spider-Man.
Justin began his professional career in San Francisco at Toast Recording and then moved on to Different Fur Recording where he worked as a staff assistant and staff engineer for 7 years.  In 2004 Justin began working at SF Soundworks where he met a producer PC Muñoz who introduced him to the Talking House Productions crew.  Just joined the Talking House Productions team in 2006 and continued with them until the closure of Talking House in 2010.  In April 2010 Justin joined forces with Willie Samuels and Cindy McSherry to launch Studio Trilogy.  Justin served as co-manager and chief engineer at Studio Trilogy until it’s closure in December 2016 when he joined the team at Sony Playstation as a music engineer.
About this interview:
Justin joins me to talk about his journey from his early experiences at Prairie Sun to his current gig at Sony Interactive, commuting, work/life balance,  Al Gore, mixing hundreds of tracks in surround and more. Enjoy! -Matt
Links and Show Notes:
Sony Interactive:https://www.sie.com/index.html
Current sponsors &amp; promos 

Credits:Host: Matt Boudreau Guest: Justin LiebermanWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #221 with Hans DeKline</title><itunes:title>WCA #221 with Hans DeKline</itunes:title><description><![CDATA[<p><strong>Working Class Audio #221 with Hans DeKline!!!</strong></p><p>Hans DeKline is a Grammy-winning, Los Angeles based mastering engineer. Since 2005, he has mastered thousands of songs &amp; albums by artists such as U2, Pixies, Snoop Dogg, Touche Amore, mewithoutYou, Morcheeba, Veruca Salt, Lisa Loeb, Diplo, Jack Irons, James Fearnley, Candiria, Ritchie Ramone, Twista, Jesca Hoop, DJ AM, Papa M, Skating Polly, Gary Jules, Ninja Sex Party, Tim Finn, Ben Lee, JMSN, The Growlers, The Paranoyds, The Von Bondies, Partyshank, Jon Lajoie, Matthew Ryan, The Romantics, Steve Aoki, Pace Won, 825 Records &amp; YOU!</p><p>Hans grew up in Tucson AZ where he started playing and singing in bands when he was 15.&nbsp; His early audio experiences started with using&nbsp; borrowed 4 track cassette machines to make mix tapes of hip hop and punk tunes recorded from vinyl. Hans would compress/eq and change level for each tune so that those tapes would play down like commercially released compilations.&nbsp; He didn't realize it then but he was already starting his journey into mastering. </p><p>Han's played the role of recording artist by signing to Sony Work Group fresh out of college in 96 with his group Maypole. He toured for a few years opening for Wallflowers, Smoking Popes and Our Lady Peace.&nbsp; By 98 it all ended... and Hans ultimately transitioned to the studio side of things. After mastering a friends record in early 2000 and receiving many referrals as a result, Hans started what was the beginning of a love affair with mastering.&nbsp; By 2005 he was mastering full time.</p><p><strong>About this interview:</strong></p><p>Hans joins me from his home in Los Angeles to discuss his journey, communicating with clients, raising wolves, outside interests, and remembering to always ask what does it sound like?</p><p><strong>Links and Show Notes:</strong></p><p>Hans DeKline website: <a href="http://hansdeklinemastering.com/" rel="noopener noreferrer" target="_blank">hansdeklinemastering.com/</a></p><p>Athens Resonates: <a href="http://www.athensresonates.com" rel="noopener noreferrer" target="_blank">www.athensresonates.com</a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos </strong></a></p><p><strong>Credits:Host: </strong>Matt Boudreau&nbsp;<strong>Guest:</strong> Hans DeKline<strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;<strong>Announcer: </strong>Chuck Smith<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau<strong>Additional Music: </strong>The License Lab</p>]]></description><content:encoded><![CDATA[<p><strong>Working Class Audio #221 with Hans DeKline!!!</strong></p><p>Hans DeKline is a Grammy-winning, Los Angeles based mastering engineer. Since 2005, he has mastered thousands of songs &amp; albums by artists such as U2, Pixies, Snoop Dogg, Touche Amore, mewithoutYou, Morcheeba, Veruca Salt, Lisa Loeb, Diplo, Jack Irons, James Fearnley, Candiria, Ritchie Ramone, Twista, Jesca Hoop, DJ AM, Papa M, Skating Polly, Gary Jules, Ninja Sex Party, Tim Finn, Ben Lee, JMSN, The Growlers, The Paranoyds, The Von Bondies, Partyshank, Jon Lajoie, Matthew Ryan, The Romantics, Steve Aoki, Pace Won, 825 Records &amp; YOU!</p><p>Hans grew up in Tucson AZ where he started playing and singing in bands when he was 15.&nbsp; His early audio experiences started with using&nbsp; borrowed 4 track cassette machines to make mix tapes of hip hop and punk tunes recorded from vinyl. Hans would compress/eq and change level for each tune so that those tapes would play down like commercially released compilations.&nbsp; He didn't realize it then but he was already starting his journey into mastering. </p><p>Han's played the role of recording artist by signing to Sony Work Group fresh out of college in 96 with his group Maypole. He toured for a few years opening for Wallflowers, Smoking Popes and Our Lady Peace.&nbsp; By 98 it all ended... and Hans ultimately transitioned to the studio side of things. After mastering a friends record in early 2000 and receiving many referrals as a result, Hans started what was the beginning of a love affair with mastering.&nbsp; By 2005 he was mastering full time.</p><p><strong>About this interview:</strong></p><p>Hans joins me from his home in Los Angeles to discuss his journey, communicating with clients, raising wolves, outside interests, and remembering to always ask what does it sound like?</p><p><strong>Links and Show Notes:</strong></p><p>Hans DeKline website: <a href="http://hansdeklinemastering.com/" rel="noopener noreferrer" target="_blank">hansdeklinemastering.com/</a></p><p>Athens Resonates: <a href="http://www.athensresonates.com" rel="noopener noreferrer" target="_blank">www.athensresonates.com</a></p><p><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank"><strong>Current sponsors &amp; promos </strong></a></p><p><strong>Credits:Host: </strong>Matt Boudreau&nbsp;<strong>Guest:</strong> Hans DeKline<strong>WCA Theme Music:</strong> Cliff Truesdell&nbsp;<strong>Announcer: </strong>Chuck Smith<strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau<strong>Additional Music: </strong>The License Lab</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-221-with-hans-dekline]]></link><guid isPermaLink="false">9529ec0a-ea4c-11e9-a0b3-4f379f9f65bf</guid><itunes:image href="https://artwork.captivate.fm/14d3fe5b-c5b4-4fbf-9ebd-327b7c03d5a4/uploads-2f1552096696042-waoyksrvvp-6827cb017a4747948792b8a3472c.png"/><pubDate>Mon, 11 Mar 2019 04:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0eabf9e6-216a-424e-befe-ada0f4f4e308.mp3" length="73692615" type="audio/mpeg"/><itunes:duration>51:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>221</itunes:episode><podcast:episode>221</podcast:episode><itunes:summary>Working Class Audio #221 with Hans DeKline!!!
Hans DeKline is a Grammy-winning, Los Angeles based mastering engineer. Since 2005, he has mastered thousands of songs &amp; albums by artists such as U2, Pixies, Snoop Dogg, Touche Amore, mewithoutYou, Morcheeba, Veruca Salt, Lisa Loeb, Diplo, Jack Irons, James Fearnley, Candiria, Ritchie Ramone, Twista, Jesca Hoop, DJ AM, Papa M, Skating Polly, Gary Jules, Ninja Sex Party, Tim Finn, Ben Lee, JMSN, The Growlers, The Paranoyds, The Von Bondies, Partyshank, Jon Lajoie, Matthew Ryan, The Romantics, Steve Aoki, Pace Won, 825 Records &amp; YOU!
Hans grew up in Tucson AZ where he started playing and singing in bands when he was 15.  His early audio experiences started with using  borrowed 4 track cassette machines to make mix tapes of hip hop and punk tunes recorded from vinyl. Hans would compress/eq and change level for each tune so that those tapes would play down like commercially released compilations.  He didn&apos;t realize it then but he was already starting his journey into mastering. 
Han&apos;s played the role of recording artist by signing to Sony Work Group fresh out of college in 96 with his group Maypole. He toured for a few years opening for Wallflowers, Smoking Popes and Our Lady Peace.  By 98 it all ended... and Hans ultimately transitioned to the studio side of things. After mastering a friends record in early 2000 and receiving many referrals as a result, Hans started what was the beginning of a love affair with mastering.  By 2005 he was mastering full time.
About this interview:
Hans joins me from his home in Los Angeles to discuss his journey, communicating with clients, raising wolves, outside interests, and remembering to always ask what does it sound like?
Links and Show Notes:
Hans DeKline website: hansdeklinemastering.com/
Athens Resonates: www.athensresonates.com
Current sponsors &amp; promos 

Credits:Host: Matt Boudreau Guest: Hans DeKlineWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #220 with Butch Vig</title><itunes:title>WCA #220 with Butch Vig</itunes:title><description><![CDATA[<p>“Artist” is the single word which best describes producer, mixer, composer, and multi-instrumentalist Butch Vig.&nbsp; Born in Viroqua, Wisconsin, his parents Doc and Betty exposed Butch to a variety of music and fine arts culture during his youth.</p><p>While attending the University of Wisconsin Madison, where he received a degree in filmmaking, Vig focused on experimental music composition – an area that would serve him well into the future.&nbsp; While at the UW, Butch jumped into the local music scene and joined the band Spooner as its drummer.&nbsp; Unlike most drummers, content to bang out the rhythms, Vig pursued music composition with the band and stepped behind the studio glass to shape the recorded sound as a producer.</p><p>After graduating from the UW, Butch co-founded Smart Studios and began producing and mixing albums.&nbsp; His perseverance as an independent producer in Madison carried far beyond Wisconsin’s borders, as artists from around the country began to hear the clear, edgy, hard rock sound shaped by Butch’s productions. His work with Nirvana, Sonic Youth, Smashing Pumpkins&nbsp; and Soul Asylum in the 90s has been hailed by music critics and authors who have placed his work at the top of the decades best recordings.</p><p>Additionally, Vig has created many exciting remixes for such prominent artists as U2, Beck, Korn, Alanis Morrissette,&nbsp; Depeche Mode and Nine Inch Nails. In 1995 Vig returned to performing and writing with a band he formed that goes by the name of Garbage.&nbsp; The multi-platinum, Grammy Nominated band has achieved worldwide critical and commercial success as it ushered in yet another new direction for rock music. Recently, Vig has produced critically acclaimed albums for Against Me,&nbsp; Green Day, and The Foo Fighters, winning a Grammy for their album “Wasting Light.”&nbsp; He was recently ranked #9 on NME’s Top 50 Greatest Producers Ever.&nbsp; In 2014, Butch produced The Foo Fighters HBO documentary “Sonic Highways.” In 2016 Garbage released their acclaimed sixth album “Strange Little Birds”. In 2018 Butch produced the soundtrack for Puppy Love, and he recently wrapped up production on the new Silversun Pickups album.</p><p>-Jim Berkenstadt</p><p><strong>About this Interview:</strong></p><p>Butch joins me to talk about growing up in Viroqua, Wisconsin, the trajectory of Smart Studios, one band leading to another, being diverse, vibe crushers as well as Nirvana, Smashing Pumpkins and Garbage.</p><p><strong>Show Notes and Links</strong></p><p>Butch on Twitter: @butchvig</p><p>AEA Ribbon Mics: https://www.aearibbonmics.com/</p><p>Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/</p><p>WCA on Youtube: https://goo.gl/g5nsWG</p><p>Jessica Thompson site: http://www.jessicathompsonaudio.com/</p><p><strong>Credits</strong></p><ul><li><strong>Host: </strong>Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong>The License Lab</li></ul><br/>]]></description><content:encoded><![CDATA[<p>“Artist” is the single word which best describes producer, mixer, composer, and multi-instrumentalist Butch Vig.&nbsp; Born in Viroqua, Wisconsin, his parents Doc and Betty exposed Butch to a variety of music and fine arts culture during his youth.</p><p>While attending the University of Wisconsin Madison, where he received a degree in filmmaking, Vig focused on experimental music composition – an area that would serve him well into the future.&nbsp; While at the UW, Butch jumped into the local music scene and joined the band Spooner as its drummer.&nbsp; Unlike most drummers, content to bang out the rhythms, Vig pursued music composition with the band and stepped behind the studio glass to shape the recorded sound as a producer.</p><p>After graduating from the UW, Butch co-founded Smart Studios and began producing and mixing albums.&nbsp; His perseverance as an independent producer in Madison carried far beyond Wisconsin’s borders, as artists from around the country began to hear the clear, edgy, hard rock sound shaped by Butch’s productions. His work with Nirvana, Sonic Youth, Smashing Pumpkins&nbsp; and Soul Asylum in the 90s has been hailed by music critics and authors who have placed his work at the top of the decades best recordings.</p><p>Additionally, Vig has created many exciting remixes for such prominent artists as U2, Beck, Korn, Alanis Morrissette,&nbsp; Depeche Mode and Nine Inch Nails. In 1995 Vig returned to performing and writing with a band he formed that goes by the name of Garbage.&nbsp; The multi-platinum, Grammy Nominated band has achieved worldwide critical and commercial success as it ushered in yet another new direction for rock music. Recently, Vig has produced critically acclaimed albums for Against Me,&nbsp; Green Day, and The Foo Fighters, winning a Grammy for their album “Wasting Light.”&nbsp; He was recently ranked #9 on NME’s Top 50 Greatest Producers Ever.&nbsp; In 2014, Butch produced The Foo Fighters HBO documentary “Sonic Highways.” In 2016 Garbage released their acclaimed sixth album “Strange Little Birds”. In 2018 Butch produced the soundtrack for Puppy Love, and he recently wrapped up production on the new Silversun Pickups album.</p><p>-Jim Berkenstadt</p><p><strong>About this Interview:</strong></p><p>Butch joins me to talk about growing up in Viroqua, Wisconsin, the trajectory of Smart Studios, one band leading to another, being diverse, vibe crushers as well as Nirvana, Smashing Pumpkins and Garbage.</p><p><strong>Show Notes and Links</strong></p><p>Butch on Twitter: @butchvig</p><p>AEA Ribbon Mics: https://www.aearibbonmics.com/</p><p>Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/</p><p>WCA on Youtube: https://goo.gl/g5nsWG</p><p>Jessica Thompson site: http://www.jessicathompsonaudio.com/</p><p><strong>Credits</strong></p><ul><li><strong>Host: </strong>Matt Boudreau</li><li><strong>WCA Theme Music:</strong> Cliff Truesdell</li><li><strong>Announcer: </strong>Chuck Smith</li><li><strong>Editing: </strong>Anne-Marie Pleau &amp; Matt Boudreau</li><li><strong>Additional Music: </strong>The License Lab</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-220-with-butch-vig]]></link><guid isPermaLink="false">3bc55cf67a9b4b0fa706b3bcbcc32a20</guid><itunes:image href="https://artwork.captivate.fm/359e63ee-4ff0-416b-b7c5-f9219b9d10c1/wca-220-with-butch-vig-thumbnail.png"/><pubDate>Mon, 04 Mar 2019 00:10:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/76fa893d-c9b8-4a38-97e4-b36f8d718c35.mp3" length="86870954" type="audio/mpeg"/><itunes:duration>01:00:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>220</itunes:episode><podcast:episode>220</podcast:episode><itunes:summary>Working Class Audio #220 with Butch Vig!!!

“Artist” is the single word which best describes producer, mixer, composer, and multi-instrumentalist Butch Vig.  Born in Viroqua, Wisconsin, his parents Doc and Betty exposed Butch to a variety of music and fine arts culture during his youth.
While attending the University of Wisconsin Madison, where he received a degree in filmmaking, Vig focused on experimental music composition – an area that would serve him well into the future.  While at the UW, Butch jumped into the local music scene and joined the band Spooner as its drummer.  Unlike most drummers, content to bang out the rhythms, Vig pursued music composition with the band and stepped behind the studio glass to shape the recorded sound as a producer.
After graduating from the UW, Butch co-founded Smart Studios and began producing and mixing albums.  His perseverance as an independent producer in Madison carried far beyond Wisconsin’s borders, as artists from around the country began to hear the clear, edgy, hard rock sound shaped by Butch’s productions. His work with Nirvana, Sonic Youth, Smashing Pumpkins  and Soul Asylum in the 90s has been hailed by music critics and authors who have placed his work at the top of the decades best recordings.
Additionally, Vig has created many exciting remixes for such prominent artists as U2, Beck, Korn, Alanis Morrissette,  Depeche Mode and Nine Inch Nails. In 1995 Vig returned to performing and writing with a band he formed that goes by the name of Garbage.  The multi-platinum, Grammy Nominated band has achieved worldwide critical and commercial success as it ushered in yet another new direction for rock music. Recently, Vig has produced critically acclaimed albums for Against Me,  Green Day, and The Foo Fighters, winning a Grammy for their album “Wasting Light.”  He was recently ranked #9 on NME’s Top 50 Greatest Producers Ever.  In 2014, Butch produced The Foo Fighters HBO documentary “Sonic Highways.” In 2016 Garbage released their acclaimed sixth album “Strange Little Birds”. In 2018 Butch produced the soundtrack for Puppy Love, and he recently wrapped up production on the new Silversun Pickups album.
-Jim Berkenstadt
About this Interview:
Butch joins me to talk about growing up in Viroqua, Wisconsin, the trajectory of Smart Studios, one band leading to another, being diverse, vibe crushers as well as Nirvana, Smashing Pumpkins and Garbage.


Show Notes and LinksButch on Twitter: @butchvigWCA Patreon Subscriptions: https://goo.gl/iSPLTSAudio-Technica Samples:https://goo.gl/xnHHD7UA Deal for WCA listeners: https://www.uaudio.com/workingclassaudioAEA Ribbon Mics: https://www.aearibbonmics.com/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWGJessica Thompson site: http://www.jessicathompsonaudio.com/CreditsHost: Matt BoudreauWCA Theme Music: Cliff TruesdellAnnouncer: Chuck SmithEditing: Anne-Marie Pleau &amp; Matt BoudreauAdditional Music: The License Lab</itunes:summary></item><item><title>WCA #219 with Don Setaro</title><itunes:title>WCA #219 with Don Setaro</itunes:title><description><![CDATA[<p>Don Setaro is a producer and engineer based in the Central Valley of California with over 40 years in the world of music and audio. Don is also is involved in live sound, owns a record label and has an extensive background doing studio installation and wiring.</p><h1><strong>About this Interview:</strong></h1><p>Don Joins me at Highwire Coffee in Oakland, California for a chat about soldering thousands of cables, working on model trains for Neil Young, building studios, running a record label and his love for audio and making records.</p><h1>Show Notes and Links</h1><ul><li>Don’s Record Label:&nbsp;<a href="http://iacrecords.com/" rel="noopener noreferrer" target="_blank">http://iacrecords.com/</a></li><li>WCA Patreon Subscriptions:&nbsp;<a href="https://goo.gl/iSPLTS" rel="noopener noreferrer" target="_blank">https://goo.gl/iSPLTS</a></li><li>Audio-Technica:&nbsp;<a href="https://www.audio-technica.com/" rel="noopener noreferrer" target="_blank">https://www.audio-technica.com/</a></li><li>UA Promo:&nbsp;<a href="https://www.uaudio.com/uad-accelerator-promo" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/uad-accelerator-promo</a></li><li>AEA Ribbon Mics:&nbsp;<a href="https://www.aearibbonmics.com/" rel="noopener noreferrer" target="_blank">https://www.aearibbonmics.com/</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>WCA on Youtube:&nbsp;<a href="https://goo.gl/g5nsWG" rel="noopener noreferrer" target="_blank">https://goo.gl/g5nsWG</a></li><li>National Audio Company (Cassettes):&nbsp;<a href="https://www.nationalaudiocompany.com/" rel="noopener noreferrer" target="_blank">https://www.nationalaudiocompany.com/</a></li><li>NAC Video Story:&nbsp;<a href="https://goo.gl/g8ssje" rel="noopener noreferrer" target="_blank">https://goo.gl/g8ssje</a></li><li>NAC video:&nbsp;<a href="https://youtu.be/4QL9g72FMAE" rel="noopener noreferrer" target="_blank">https://youtu.be/4QL9g72FMAE</a></li><li>Cassette Sales Figures:&nbsp;<a href="https://goo.gl/Ytx2rK" rel="noopener noreferrer" target="_blank">https://goo.gl/Ytx2rK</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>Don Setaro is a producer and engineer based in the Central Valley of California with over 40 years in the world of music and audio. Don is also is involved in live sound, owns a record label and has an extensive background doing studio installation and wiring.</p><h1><strong>About this Interview:</strong></h1><p>Don Joins me at Highwire Coffee in Oakland, California for a chat about soldering thousands of cables, working on model trains for Neil Young, building studios, running a record label and his love for audio and making records.</p><h1>Show Notes and Links</h1><ul><li>Don’s Record Label:&nbsp;<a href="http://iacrecords.com/" rel="noopener noreferrer" target="_blank">http://iacrecords.com/</a></li><li>WCA Patreon Subscriptions:&nbsp;<a href="https://goo.gl/iSPLTS" rel="noopener noreferrer" target="_blank">https://goo.gl/iSPLTS</a></li><li>Audio-Technica:&nbsp;<a href="https://www.audio-technica.com/" rel="noopener noreferrer" target="_blank">https://www.audio-technica.com/</a></li><li>UA Promo:&nbsp;<a href="https://www.uaudio.com/uad-accelerator-promo" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/uad-accelerator-promo</a></li><li>AEA Ribbon Mics:&nbsp;<a href="https://www.aearibbonmics.com/" rel="noopener noreferrer" target="_blank">https://www.aearibbonmics.com/</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>WCA on Youtube:&nbsp;<a href="https://goo.gl/g5nsWG" rel="noopener noreferrer" target="_blank">https://goo.gl/g5nsWG</a></li><li>National Audio Company (Cassettes):&nbsp;<a href="https://www.nationalaudiocompany.com/" rel="noopener noreferrer" target="_blank">https://www.nationalaudiocompany.com/</a></li><li>NAC Video Story:&nbsp;<a href="https://goo.gl/g8ssje" rel="noopener noreferrer" target="_blank">https://goo.gl/g8ssje</a></li><li>NAC video:&nbsp;<a href="https://youtu.be/4QL9g72FMAE" rel="noopener noreferrer" target="_blank">https://youtu.be/4QL9g72FMAE</a></li><li>Cassette Sales Figures:&nbsp;<a href="https://goo.gl/Ytx2rK" rel="noopener noreferrer" target="_blank">https://goo.gl/Ytx2rK</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-219-with-don-setaro]]></link><guid isPermaLink="false">0c8e457fdf0f4b049461f42433e72524</guid><itunes:image href="https://artwork.captivate.fm/8cde0e59-6523-4ccd-baf9-884b2d88b39b/wca-219-with-don-setaro-thumbnail.png"/><pubDate>Mon, 25 Feb 2019 17:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d2b3f8f0-e9b9-4728-994d-e34aa2ce7bc1.mp3" length="63044100" type="audio/mpeg"/><itunes:duration>43:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>219</itunes:episode><podcast:episode>219</podcast:episode><itunes:summary>Working Class Audio #219 with Don Setaro!!!

Don Setaro is a producer and engineer based in the Central Valley of California with over 40 years in the world of music and audio. Don is also is involved in live sound, owns a record label and has an extensive background doing studio installation and wiring.
About this Interview:Don Joins me at Highwire Coffee in Oakland, California for a chat about soldering thousands of cables, working on model trains for Neil Young, building studios, running a record label and his love for audio and making records.
Show Notes and LinksDon’s Record Label: http://iacrecords.com/WCA Patreon Subscriptions: https://goo.gl/iSPLTSAudio-Technica: https://www.audio-technica.com/UA Promo: https://www.uaudio.com/uad-accelerator-promoAEA Ribbon Mics: https://www.aearibbonmics.com/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWGNational Audio Company (Cassettes): https://www.nationalaudiocompany.com/NAC Video Story: https://goo.gl/g8ssjeNAC video: https://youtu.be/4QL9g72FMAECassette Sales Figures: https://goo.gl/Ytx2rK</itunes:summary></item><item><title>WCA #218 with Nick Luca</title><itunes:title>WCA #218 with Nick Luca</itunes:title><description><![CDATA[<p>Nick Luca is a multi-instrumentalist musician, singer/songwriter/composer, music producer and audio engineer. He has toured throughout Europe, USA, Mexico, Canada and Australia with Iron and Wine, Calexico, John Doe (X) and his own band, Luca. As a session musician and audio engineer, Nick has credits on over 100 albums with artists such as Neko Case, DeVotchka, Robyn Hitchcock, Margaret Cho, M Ward, Darren Hanlon and many others.&nbsp;</p><h2><strong>About this Interview:</strong></h2><p>Nick joins me to talk about scenes, spirit animals, Calexico, Los Angeles, Kelsey Grammer, recording Hip Hop and diversification. Enjoy!-Matt</p><h2>Show Notes and Links</h2><ul><li>Nick’s Site:&nbsp;<a href="http://www.nickluca.com/" rel="noopener noreferrer" target="_blank">http://www.nickluca.com/</a></li><li>WCA Patreon Subscriptions:&nbsp;<a href="https://goo.gl/iSPLTS" rel="noopener noreferrer" target="_blank">https://goo.gl/iSPLTS</a></li><li>OneMic Series:&nbsp;<a href="http://www.johncuniberti.com/onemic/" rel="noopener noreferrer" target="_blank">http://www.johncuniberti.com/onemic/</a></li><li>Audio-Technica:&nbsp;<a href="https://www.audio-technica.com/" rel="noopener noreferrer" target="_blank">https://www.audio-technica.com/</a></li><li>UA Promo:&nbsp;<a href="https://www.uaudio.com/uad-accelerator-promo" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/uad-accelerator-promo</a></li><li>AEA Ribbon Mics:&nbsp;<a href="https://www.aearibbonmics.com/" rel="noopener noreferrer" target="_blank">https://www.aearibbonmics.com/</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>WCA on Youtube:&nbsp;<a href="https://goo.gl/g5nsWG" rel="noopener noreferrer" target="_blank">https://goo.gl/g5nsWG</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Nick Luca is a multi-instrumentalist musician, singer/songwriter/composer, music producer and audio engineer. He has toured throughout Europe, USA, Mexico, Canada and Australia with Iron and Wine, Calexico, John Doe (X) and his own band, Luca. As a session musician and audio engineer, Nick has credits on over 100 albums with artists such as Neko Case, DeVotchka, Robyn Hitchcock, Margaret Cho, M Ward, Darren Hanlon and many others.&nbsp;</p><h2><strong>About this Interview:</strong></h2><p>Nick joins me to talk about scenes, spirit animals, Calexico, Los Angeles, Kelsey Grammer, recording Hip Hop and diversification. Enjoy!-Matt</p><h2>Show Notes and Links</h2><ul><li>Nick’s Site:&nbsp;<a href="http://www.nickluca.com/" rel="noopener noreferrer" target="_blank">http://www.nickluca.com/</a></li><li>WCA Patreon Subscriptions:&nbsp;<a href="https://goo.gl/iSPLTS" rel="noopener noreferrer" target="_blank">https://goo.gl/iSPLTS</a></li><li>OneMic Series:&nbsp;<a href="http://www.johncuniberti.com/onemic/" rel="noopener noreferrer" target="_blank">http://www.johncuniberti.com/onemic/</a></li><li>Audio-Technica:&nbsp;<a href="https://www.audio-technica.com/" rel="noopener noreferrer" target="_blank">https://www.audio-technica.com/</a></li><li>UA Promo:&nbsp;<a href="https://www.uaudio.com/uad-accelerator-promo" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/uad-accelerator-promo</a></li><li>AEA Ribbon Mics:&nbsp;<a href="https://www.aearibbonmics.com/" rel="noopener noreferrer" target="_blank">https://www.aearibbonmics.com/</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>WCA on Youtube:&nbsp;<a href="https://goo.gl/g5nsWG" rel="noopener noreferrer" target="_blank">https://goo.gl/g5nsWG</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-218-with-nick-luca]]></link><guid isPermaLink="false">e97d42301f5c4394926077d96e100606</guid><itunes:image href="https://artwork.captivate.fm/4335f844-1b9b-4d7b-a1ca-010d5e05b39f/wca-218-with-nick-luca-thumbnail.png"/><pubDate>Mon, 18 Feb 2019 17:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4909d8a9-42b3-4583-84f7-8570d29fbf0f.mp3" length="105518490" type="audio/mpeg"/><itunes:duration>01:13:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>218</itunes:episode><podcast:episode>218</podcast:episode><itunes:summary>Working Class Audio #218 with Nick Luca!!!

Nick Luca is a multi-instrumentalist musician, singer/songwriter/composer, music producer and audio engineer. He has toured throughout Europe, USA, Mexico, Canada and Australia with Iron and Wine, Calexico, John Doe (X) and his own band, Luca. As a session musician and audio engineer, Nick has credits on over 100 albums with artists such as Neko Case, DeVotchka, Robyn Hitchcock, Margaret Cho, M Ward, Darren Hanlon and many others. 
About this Interview:Nick joins me to talk about scenes, spirit animals, Calexico, Los Angeles, Kelsey Grammer, recording Hip Hop and diversification. Enjoy!-Matt
Show Notes and LinksNick’s Site: http://www.nickluca.com/WCA Patreon Subscriptions: https://goo.gl/iSPLTSOneMic Series: http://www.johncuniberti.com/onemic/Audio-Technica: https://www.audio-technica.com/UA Promo: https://www.uaudio.com/uad-accelerator-promoAEA Ribbon Mics: https://www.aearibbonmics.com/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWG</itunes:summary></item><item><title>WCA #217 with Tony Maserati</title><itunes:title>WCA #217 with Tony Maserati</itunes:title><description><![CDATA[<p><strong>Working Class Audio #217 with Tony Maserati!!!</strong></p><p>Tony Maserati is a Grammy Award winning mixer, and record producer / engineer. He was involved in the development of the New York R&amp;B and Hip-Hop scene in the 1990s, working with Mary J. Blige, Notorious B.I.G., Puff Daddy, and Queen Latifah. Since then, he has worked on Grammy nominated projects with Beyonce (who he won “Best R&amp;B Album” in 2003 with “Dangerously In Love”), Jason Mraz, Robin Thicke, Usher, and Selena Gomez. Tony has been nominated for a total of 10 Grammys, with four in the “Best Engineered Album, Non-Classical” category.</p><p><strong>About this Interview:</strong></p><p>Tony joins me to talk about his 90’s New York history, early adoption of technology, setting goals, contracts, not working for free and hip hop. -Enjoy</p><p>Show Notes and LinksTony’s site: <a href="http://tonymaserati.com/" rel="noopener noreferrer" target="_blank">http://tonymaserati.com/</a>WCA Patreon Subscriptions: <a href="https://goo.gl/iSPLTS" rel="noopener noreferrer" target="_blank">https://goo.gl/iSPLTS</a>OneMic Series: <a href="http://www.johncuniberti.com/onemic/" rel="noopener noreferrer" target="_blank">http://www.johncuniberti.com/onemic/</a><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank">Current Sponsors and Promos</a>:&nbsp;<a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank">https://bit.ly/2WmKbFw</a></p>]]></description><content:encoded><![CDATA[<p><strong>Working Class Audio #217 with Tony Maserati!!!</strong></p><p>Tony Maserati is a Grammy Award winning mixer, and record producer / engineer. He was involved in the development of the New York R&amp;B and Hip-Hop scene in the 1990s, working with Mary J. Blige, Notorious B.I.G., Puff Daddy, and Queen Latifah. Since then, he has worked on Grammy nominated projects with Beyonce (who he won “Best R&amp;B Album” in 2003 with “Dangerously In Love”), Jason Mraz, Robin Thicke, Usher, and Selena Gomez. Tony has been nominated for a total of 10 Grammys, with four in the “Best Engineered Album, Non-Classical” category.</p><p><strong>About this Interview:</strong></p><p>Tony joins me to talk about his 90’s New York history, early adoption of technology, setting goals, contracts, not working for free and hip hop. -Enjoy</p><p>Show Notes and LinksTony’s site: <a href="http://tonymaserati.com/" rel="noopener noreferrer" target="_blank">http://tonymaserati.com/</a>WCA Patreon Subscriptions: <a href="https://goo.gl/iSPLTS" rel="noopener noreferrer" target="_blank">https://goo.gl/iSPLTS</a>OneMic Series: <a href="http://www.johncuniberti.com/onemic/" rel="noopener noreferrer" target="_blank">http://www.johncuniberti.com/onemic/</a><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank">Current Sponsors and Promos</a>:&nbsp;<a href="https://bit.ly/2WmKbFw" rel="noopener noreferrer" target="_blank">https://bit.ly/2WmKbFw</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-217-with-tony-maserati]]></link><guid isPermaLink="false">618f3681fbe049bfb07efe4fe0f5aff0</guid><itunes:image href="https://artwork.captivate.fm/18bd5f64-acea-4431-b2f4-93f797b30ee9/wca-217-with-tony-maserati-thumbnail.png"/><pubDate>Mon, 11 Feb 2019 17:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1b19151c-8c97-4281-ae69-7c3a0881434e.mp3" length="69524069" type="audio/mpeg"/><itunes:duration>48:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>217</itunes:episode><podcast:episode>217</podcast:episode><itunes:summary>Working Class Audio #217 with Tony Maserati!!!

Tony Maserati is a Grammy Award winning mixer, and record producer / engineer. He was involved in the development of the New York R&amp;B and Hip-Hop scene in the 1990s, working with Mary J. Blige, Notorious B.I.G., Puff Daddy, and Queen Latifah. Since then, he has worked on Grammy nominated projects with Beyonce (who he won “Best R&amp;B Album” in 2003 with “Dangerously In Love”), Jason Mraz, Robin Thicke, Usher, and Selena Gomez. Tony has been nominated for a total of 10 Grammys, with four in the “Best Engineered Album, Non-Classical” category.
About this Interview:
Tony joins me to talk about his 90’s New York history, early adoption of technology, setting goals, contracts, not working for free and hip hop. -Enjoy
Show Notes and LinksTony’s site: http://tonymaserati.com/WCA Patreon Subscriptions: https://goo.gl/iSPLTSOneMic Series: http://www.johncuniberti.com/onemic/Current Sponsors and Promos: https://bit.ly/2WmKbFw</itunes:summary></item><item><title>WCA #216 with Adam Gonsalves</title><itunes:title>WCA #216 with Adam Gonsalves</itunes:title><description><![CDATA[<p><strong>Working Class Audio #216 with Adam Gonsalves!!!</strong></p><p>Adam Gonsalves has mastered over a thousand releases from artists around the world. He is equally at home mastering for digital formats and cutting lacquers for vinyl. Prior to mastering Adam worked for 7 years as a tracking and mixing engineer at Anchorhold Recording. From 2010-2013 Adam also produced the <a href="http://squarecad.net/" rel="noopener noreferrer" target="_blank">Square Cad Mastering Podcast</a>. In 2017 he was featured in the book <a href="https://www.amazon.com/Why-Vinyl-Matters-Manifesto-Musicians/dp/185149863X" rel="noopener noreferrer" target="_blank">Why Vinyl Matters</a>. Adam received a master’s degree in Music Technology from New York University. Adam is  approved to provide <strong>Mastered for iTunes</strong> masters. Clients include: Willie Nelson, Peter Buck, Elliott Smith, Sleep, Blitzen Trapper, The Last Artful Dodgr, Sufjan Stevens, Pure Bathing Culture, Tender Loving Empire, Southern Lord, TKO, Living Music, Crane City Music, Typhoon, My Brightest Diamond, Dead Moon, Emma Ruth Rundle, Steve Aoki, Poison Idea, Rogue Wave, Ty Segall, Pelican, John Craigie, Earth, Horse Feathers, Blackwater Holylight, Calvin Johnson, Haley Heynderickx, Widowmaker, and many more. Additional credits available at <a href="https://soundcredit.com/" rel="noopener noreferrer" target="_blank">Sound Credit</a>.</p><p><strong>About this Interview:</strong>Adam joins me to talk about the Square Cad Mastering podcast, interrogating your own workflow, his journey into lacquer cutting and his work/life balance. -Enjoy</p><p>Show Notes and LinksWCA Patreon Subscriptions: <a href="http://www.patreon.com/workingclassaudio" rel="noopener noreferrer" target="_blank">http://www.patreon.com/workingclassaudio</a>Telegraph Mastering: <a href="http://telegraphmastering.com/" rel="noopener noreferrer" target="_blank">http://telegraphmastering.com/</a>Square Cad Mastering Podcast: <a href="http://squarecad.net/" rel="noopener noreferrer" target="_blank">http://squarecad.net/</a>Audio-Technica: <a href="https://www.audio-technica.com/world_map/" rel="noopener noreferrer" target="_blank">https://www.audio-technica.com/world_map/</a>UA Promo: <a href="https://www.uaudio.com/uad-accelerator-promo" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/uad-accelerator-promo</a>AEA Ribbon Mics: <a href="https://www.aearibbonmics.com/" rel="noopener noreferrer" target="_blank">https://www.aearibbonmics.com/</a>Audio Life on Gearslutz: <a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a>WCA on Youtube: <a href="https://goo.gl/g5nsWG" rel="noopener noreferrer" target="_blank">https://goo.gl/g5nsWG</a></p>]]></description><content:encoded><![CDATA[<p><strong>Working Class Audio #216 with Adam Gonsalves!!!</strong></p><p>Adam Gonsalves has mastered over a thousand releases from artists around the world. He is equally at home mastering for digital formats and cutting lacquers for vinyl. Prior to mastering Adam worked for 7 years as a tracking and mixing engineer at Anchorhold Recording. From 2010-2013 Adam also produced the <a href="http://squarecad.net/" rel="noopener noreferrer" target="_blank">Square Cad Mastering Podcast</a>. In 2017 he was featured in the book <a href="https://www.amazon.com/Why-Vinyl-Matters-Manifesto-Musicians/dp/185149863X" rel="noopener noreferrer" target="_blank">Why Vinyl Matters</a>. Adam received a master’s degree in Music Technology from New York University. Adam is  approved to provide <strong>Mastered for iTunes</strong> masters. Clients include: Willie Nelson, Peter Buck, Elliott Smith, Sleep, Blitzen Trapper, The Last Artful Dodgr, Sufjan Stevens, Pure Bathing Culture, Tender Loving Empire, Southern Lord, TKO, Living Music, Crane City Music, Typhoon, My Brightest Diamond, Dead Moon, Emma Ruth Rundle, Steve Aoki, Poison Idea, Rogue Wave, Ty Segall, Pelican, John Craigie, Earth, Horse Feathers, Blackwater Holylight, Calvin Johnson, Haley Heynderickx, Widowmaker, and many more. Additional credits available at <a href="https://soundcredit.com/" rel="noopener noreferrer" target="_blank">Sound Credit</a>.</p><p><strong>About this Interview:</strong>Adam joins me to talk about the Square Cad Mastering podcast, interrogating your own workflow, his journey into lacquer cutting and his work/life balance. -Enjoy</p><p>Show Notes and LinksWCA Patreon Subscriptions: <a href="http://www.patreon.com/workingclassaudio" rel="noopener noreferrer" target="_blank">http://www.patreon.com/workingclassaudio</a>Telegraph Mastering: <a href="http://telegraphmastering.com/" rel="noopener noreferrer" target="_blank">http://telegraphmastering.com/</a>Square Cad Mastering Podcast: <a href="http://squarecad.net/" rel="noopener noreferrer" target="_blank">http://squarecad.net/</a>Audio-Technica: <a href="https://www.audio-technica.com/world_map/" rel="noopener noreferrer" target="_blank">https://www.audio-technica.com/world_map/</a>UA Promo: <a href="https://www.uaudio.com/uad-accelerator-promo" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/uad-accelerator-promo</a>AEA Ribbon Mics: <a href="https://www.aearibbonmics.com/" rel="noopener noreferrer" target="_blank">https://www.aearibbonmics.com/</a>Audio Life on Gearslutz: <a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a>WCA on Youtube: <a href="https://goo.gl/g5nsWG" rel="noopener noreferrer" target="_blank">https://goo.gl/g5nsWG</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-216-with-adam-gonsalves]]></link><guid isPermaLink="false">fabe8983d73048529b3ed08eb0a302a2</guid><itunes:image href="https://artwork.captivate.fm/9b3d70ee-f234-424c-a746-39fca9fa388c/wca-216-with-adam-gonsalves-thumbnail.png"/><pubDate>Mon, 04 Feb 2019 14:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/44790d2d-0e04-4040-bbf4-cb9401ed2769.mp3" length="66590631" type="audio/mpeg"/><itunes:duration>46:15</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>216</itunes:episode><podcast:episode>216</podcast:episode><itunes:summary>Working Class Audio #216 with Adam Gonsalves!!!

Adam Gonsalves has mastered over a thousand releases from artists around the world. He is equally at home mastering for digital formats and cutting lacquers for vinyl. Prior to mastering Adam worked for 7 years as a tracking and mixing engineer at Anchorhold Recording. From 2010-2013 Adam also produced the Square Cad Mastering Podcast. In 2017 he was featured in the book Why Vinyl Matters. Adam received a master’s degree in Music Technology from New York University. Adam is  approved to provide Mastered for iTunes masters. Clients include: Willie Nelson, Peter Buck, Elliott Smith, Sleep, Blitzen Trapper, The Last Artful Dodgr, Sufjan Stevens, Pure Bathing Culture, Tender Loving Empire, Southern Lord, TKO, Living Music, Crane City Music, Typhoon, My Brightest Diamond, Dead Moon, Emma Ruth Rundle, Steve Aoki, Poison Idea, Rogue Wave, Ty Segall, Pelican, John Craigie, Earth, Horse Feathers, Blackwater Holylight, Calvin Johnson, Haley Heynderickx, Widowmaker, and many more. Additional credits available at Sound Credit.
About this Interview:Adam joins me to talk about the Square Cad Mastering podcast, interrogating your own workflow, his journey into lacquer cutting and his work/life balance. -Enjoy
Show Notes and LinksWCA Patreon Subscriptions: http://www.patreon.com/workingclassaudioTelegraph Mastering: http://telegraphmastering.com/Square Cad Mastering Podcast: http://squarecad.net/Audio-Technica: https://www.audio-technica.com/world_map/UA Promo: https://www.uaudio.com/uad-accelerator-promoAEA Ribbon Mics: https://www.aearibbonmics.com/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWG</itunes:summary></item><item><title>WCA #215 with NAMM 2019</title><itunes:title>WCA #215 with NAMM 2019</itunes:title><description><![CDATA[<p>Working Class Audio #215 with NAMM 2019!!!</p><p>&nbsp;</p><p>&nbsp;NAMM 2019 was fantastic as usual. Always so much to see. This episode is a little different compared to the others. Many WCA alumni come back for interviews including Vance Powell, Chris Selim and Lij Shaw and Alex Oana makes his debut explaining how his new venture Audio Test Kitchen works.</p><p>&nbsp;</p><p>&nbsp;About this Interview:</p><p>&nbsp;</p><p>I hang out with Vance Powell as he tells me about his recent projects with The Stray Cats and Trey Anastasio. Alex Oana tells me all about Audio Test Kitchen and we wrap up with a semi-drunken ambush interview with Chris Selim and Lij Shaw at our AIRBNB. Enjoy! -Matt</p><p>&nbsp;</p><p>&nbsp;________________________________</p><p>&nbsp;</p><p>&nbsp;Show Notes and Links</p><p><strong>WCA Patreon Subscriptions: </strong><a href="http://www.patreon.com/workingclassaudio" rel="noopener noreferrer" target="_blank"><strong>http://www.patreon.com/workingclassaudio</strong></a><strong>Vance’s Site: </strong><a href="http://www.sputniksound.com/vance/" rel="noopener noreferrer" target="_blank"><strong>http://www.sputniksound.com/vance/</strong></a><strong>Audio Test Kitchen: </strong><a href="https://audiotestkitchen.squarespace.com/" rel="noopener noreferrer" target="_blank"><strong>https://audiotestkitchen.squarespace.com/</strong></a><strong>Recording Studio Rockstars: </strong><a href="https://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank"><strong>https://recordingstudiorockstars.com/</strong></a><strong>Chris Selim’s Cubase Course: </strong><a href="https://mixdownacademy.thinkific.com/?ref=98cf4b" rel="noopener noreferrer" target="_blank"><strong>https://mixdownacademy.thinkific.com/?ref=98cf4b</strong></a><strong>Audio-Technica: </strong><a href="https://www.audio-technica.com/world_map/" rel="noopener noreferrer" target="_blank"><strong>https://www.audio-technica.com/world_map/</strong></a><strong>UA Promo: </strong><a href="https://www.uaudio.com/uad-accelerator-promo" rel="noopener noreferrer" target="_blank"><strong>https://www.uaudio.com/uad-accelerator-promo</strong></a><strong>AEA R88: </strong><a href="https://www.aearibbonmics.com/products/r88/" rel="noopener noreferrer" target="_blank"><strong>https://www.aearibbonmics.com/products/r88/</strong></a><strong>Audio Life on Gearslutz: </strong><a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank"><strong>https://www.gearslutz.com/board/audio-life/</strong></a><strong>WCA on Youtube: </strong><a href="https://goo.gl/g5nsWG" rel="noopener noreferrer" target="_blank"><strong>https://goo.gl/g5nsWG</strong></a></p>]]></description><content:encoded><![CDATA[<p>Working Class Audio #215 with NAMM 2019!!!</p><p>&nbsp;</p><p>&nbsp;NAMM 2019 was fantastic as usual. Always so much to see. This episode is a little different compared to the others. Many WCA alumni come back for interviews including Vance Powell, Chris Selim and Lij Shaw and Alex Oana makes his debut explaining how his new venture Audio Test Kitchen works.</p><p>&nbsp;</p><p>&nbsp;About this Interview:</p><p>&nbsp;</p><p>I hang out with Vance Powell as he tells me about his recent projects with The Stray Cats and Trey Anastasio. Alex Oana tells me all about Audio Test Kitchen and we wrap up with a semi-drunken ambush interview with Chris Selim and Lij Shaw at our AIRBNB. Enjoy! -Matt</p><p>&nbsp;</p><p>&nbsp;________________________________</p><p>&nbsp;</p><p>&nbsp;Show Notes and Links</p><p><strong>WCA Patreon Subscriptions: </strong><a href="http://www.patreon.com/workingclassaudio" rel="noopener noreferrer" target="_blank"><strong>http://www.patreon.com/workingclassaudio</strong></a><strong>Vance’s Site: </strong><a href="http://www.sputniksound.com/vance/" rel="noopener noreferrer" target="_blank"><strong>http://www.sputniksound.com/vance/</strong></a><strong>Audio Test Kitchen: </strong><a href="https://audiotestkitchen.squarespace.com/" rel="noopener noreferrer" target="_blank"><strong>https://audiotestkitchen.squarespace.com/</strong></a><strong>Recording Studio Rockstars: </strong><a href="https://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank"><strong>https://recordingstudiorockstars.com/</strong></a><strong>Chris Selim’s Cubase Course: </strong><a href="https://mixdownacademy.thinkific.com/?ref=98cf4b" rel="noopener noreferrer" target="_blank"><strong>https://mixdownacademy.thinkific.com/?ref=98cf4b</strong></a><strong>Audio-Technica: </strong><a href="https://www.audio-technica.com/world_map/" rel="noopener noreferrer" target="_blank"><strong>https://www.audio-technica.com/world_map/</strong></a><strong>UA Promo: </strong><a href="https://www.uaudio.com/uad-accelerator-promo" rel="noopener noreferrer" target="_blank"><strong>https://www.uaudio.com/uad-accelerator-promo</strong></a><strong>AEA R88: </strong><a href="https://www.aearibbonmics.com/products/r88/" rel="noopener noreferrer" target="_blank"><strong>https://www.aearibbonmics.com/products/r88/</strong></a><strong>Audio Life on Gearslutz: </strong><a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank"><strong>https://www.gearslutz.com/board/audio-life/</strong></a><strong>WCA on Youtube: </strong><a href="https://goo.gl/g5nsWG" rel="noopener noreferrer" target="_blank"><strong>https://goo.gl/g5nsWG</strong></a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-215-with-namm-2019]]></link><guid isPermaLink="false">a3827b545a4d454e9d3ce3e19b404c9b</guid><itunes:image href="https://artwork.captivate.fm/4a496619-e1ce-457b-a878-7d82acc4c39e/wca-215-with-namm-2019-thumbnail.png"/><pubDate>Tue, 29 Jan 2019 00:23:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/de15cffa-860e-48b3-830f-42a61fb26f67.mp3" length="114784143" type="audio/mpeg"/><itunes:duration>01:19:43</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>215</itunes:episode><podcast:episode>215</podcast:episode><itunes:summary>Working Class Audio #215 with NAMM 2019!!!
 
 NAMM 2019 was fantastic as usual. Always so much to see. This episode is a little different compared to the others. Many WCA alumni come back for interviews including Vance Powell, Chris Selim and Lij Shaw and Alex Oana makes his debut explaining how his new venture Audio Test Kitchen works.
 
 About this Interview:
 
I hang out with Vance Powell as he tells me about his recent projects with The Stray Cats and Trey Anastasio. Alex Oana tells me all about Audio Test Kitchen and we wrap up with a semi-drunken ambush interview with Chris Selim and Lij Shaw at our AIRBNB. Enjoy! -Matt
 
 ________________________________
 
 Show Notes and Links
WCA Patreon Subscriptions: http://www.patreon.com/workingclassaudioVance’s Site: http://www.sputniksound.com/vance/Audio Test Kitchen: https://audiotestkitchen.squarespace.com/Recording Studio Rockstars: https://recordingstudiorockstars.com/Chris Selim’s Cubase Course: https://mixdownacademy.thinkific.com/?ref=98cf4bAudio-Technica: https://www.audio-technica.com/world_map/UA Promo: https://www.uaudio.com/uad-accelerator-promoAEA R88: https://www.aearibbonmics.com/products/r88/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWG</itunes:summary></item><item><title>WCA #214 with Bart Thurber - Personality Types, Transition from Analog to Digital, People Skills and, Studio Sharing</title><itunes:title>WCA #214 with Bart Thurber - Personality Types, Transition from Analog to Digital, People Skills and, Studio Sharing</itunes:title><description><![CDATA[
        <p>For Bart Thurber, what started as a hobby, soon became an obsession that led him to start House Of Faith Studios in Palo Alto. When the graffiti covered building was torn down, his studio moved to Oakland. After 28 years, recording over 700 bands, Bart is still amazed by the musicians he works with. <strong><em>"Every band I’ve recorded has something unique and remarkable about them. I truly enjoy helping people achieve the recordings that they hear inside. As I tell my bands : ” I want this recording to sound like you, only more so. “</em></strong></p><p> </p><h1><strong>About this Interview:</strong></h1><p> </p><p>I head over to House of Faith in Oakland for a chat with Bart about the most common musician personality types, people skills, studio sharing and his recent (2014) transition from analog to digital. Enjoy! -Matt</p><p> </p><h1><strong>Links and Show Notes</strong></h1><ul>
<li>
<strong>Barts site: </strong><a href="http://www.bartthurberrecording.com/"><strong>http://www.bartthurberrecording.com/</strong></a>
</li>
<li>
<strong>Cubase Course: </strong><a href="https://mixdown.online/en/the-ultimate-guide-to-cubase-new-premium-course/"><strong>https://mixdown.online/en/the-ultimate-guide-to-cubase-new-premium-course/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p> </p><h1><strong>Credits:</strong></h1><ul>
<li>
<strong>Guest: </strong>Bart Thurber</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>For Bart Thurber, what started as a hobby, soon became an obsession that led him to start House Of Faith Studios in Palo Alto. When the graffiti covered building was torn down, his studio moved to Oakland. After 28 years, recording over 700 bands, Bart is still amazed by the musicians he works with. <strong><em>"Every band I’ve recorded has something unique and remarkable about them. I truly enjoy helping people achieve the recordings that they hear inside. As I tell my bands : ” I want this recording to sound like you, only more so. “</em></strong></p><p> </p><h1><strong>About this Interview:</strong></h1><p> </p><p>I head over to House of Faith in Oakland for a chat with Bart about the most common musician personality types, people skills, studio sharing and his recent (2014) transition from analog to digital. Enjoy! -Matt</p><p> </p><h1><strong>Links and Show Notes</strong></h1><ul>
<li>
<strong>Barts site: </strong><a href="http://www.bartthurberrecording.com/"><strong>http://www.bartthurberrecording.com/</strong></a>
</li>
<li>
<strong>Cubase Course: </strong><a href="https://mixdown.online/en/the-ultimate-guide-to-cubase-new-premium-course/"><strong>https://mixdown.online/en/the-ultimate-guide-to-cubase-new-premium-course/</strong></a>
</li>
<li>
<strong>WCA on Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Support WCA - Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p> </p><h1><strong>Credits:</strong></h1><ul>
<li>
<strong>Guest: </strong>Bart Thurber</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-214-with-bart-thurber-personality-types-transition-from-analog-to-digital-people-skills-and-studio-sharing]]></link><guid isPermaLink="false">e3981ae562a2436e90ac9ca447a6b727</guid><itunes:image href="https://artwork.captivate.fm/d43f14ce-4051-42b5-96ac-445e7d344295/wca-214-with-bart-thurber-thumbnail.png"/><pubDate>Mon, 21 Jan 2019 04:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/371d35cd-91a6-4e39-964f-8195aece3639.mp3" length="58681493" type="audio/mpeg"/><itunes:duration>40:45</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>214</itunes:episode><podcast:episode>214</podcast:episode><itunes:summary>For Bart Thurber, what started as a hobby, soon became an obsession that led him to start House Of Faith Studios in Palo Alto. When the graffiti covered building was torn down, his studio moved to Oakland. After 28 years, recording over 700 bands, Bart is still amazed by the musicians he works with. &quot;Every band I’ve recorded has something unique and remarkable about them. I truly enjoy helping people achieve the recordings that they hear inside. As I tell my bands : ” I want this recording to sound like you, only more so. “
 
About this Interview:
 
I head over to House of Faith in Oakland for a chat with Bart about the most common musician personality types, people skills, studio sharing and his recent (2014) transition from analog to digital. Enjoy! -Matt
 
Links and Show Notes


Barts site: http://www.bartthurberrecording.com/



Cubase Course: https://mixdown.online/en/the-ultimate-guide-to-cubase-new-premium-course/



WCA on Instagram: https://www.instagram.com/working_class_audio



Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP


 
Credits:


Guest: Bart Thurber


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #213 with Ken RIley</title><itunes:title>WCA #213 with Ken RIley</itunes:title><description><![CDATA[
        <p>Ken Riley’s career started in 1980 at 3D Studio’s in Costa Mesa with Doug Doyle. Recording such names as The Altar Boys, Crumbacher, Daniel Amos, and The Life Savors. Then creating the group Common Bond where he was the lead vocalist and the bass player. Common Bond toured and had 3 albums on Front Line Records. Then moving his career along to New York at Electric Lady Studios, where he worked with the best in the industry. Bringing it to today where he is in his own well established Rio Grande Studios in Albuquerque, New Mexico recording.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Ken's history.</li>
<li>The New Mexico sound.</li>
<li>Artist's knowing who they are. </li>
<li>Ken's partnership with Drew Newman</li>
<li>New Mexico and its people.</li>
</ul><br/><p><br></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Rio Grande Studios: </strong><a href="http://riograndestudios.com/"><strong>http://riograndestudios.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Ken Riley</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Ken Riley’s career started in 1980 at 3D Studio’s in Costa Mesa with Doug Doyle. Recording such names as The Altar Boys, Crumbacher, Daniel Amos, and The Life Savors. Then creating the group Common Bond where he was the lead vocalist and the bass player. Common Bond toured and had 3 albums on Front Line Records. Then moving his career along to New York at Electric Lady Studios, where he worked with the best in the industry. Bringing it to today where he is in his own well established Rio Grande Studios in Albuquerque, New Mexico recording.</p><p><br></p><p><strong>In this episode, we discuss:</strong></p><ul>
<li>Ken's history.</li>
<li>The New Mexico sound.</li>
<li>Artist's knowing who they are. </li>
<li>Ken's partnership with Drew Newman</li>
<li>New Mexico and its people.</li>
</ul><br/><p><br></p><p><br></p><p><strong>Links and Show Notes</strong></p><ul>
<li>
<strong>Rio Grande Studios: </strong><a href="http://riograndestudios.com/"><strong>http://riograndestudios.com/</strong></a>
</li>
<li>
<strong>WCA Instagram: </strong><a href="https://www.instagram.com/working_class_audio"><strong>https://www.instagram.com/working_class_audio</strong></a>
</li>
<li>
<strong>Go Ad-Free! </strong><a href="https://glow.fm/workingclassaudio/"><strong>https://glow.fm/workingclassaudio/</strong></a>
</li>
<li>
<strong>Connect with Matt on Linkedin: </strong><a href="https://www.linkedin.com/in/mattboudreau/"><strong>https://www.linkedin.com/in/mattboudreau/</strong></a>
</li>
<li>
<strong>Current sponsors &amp; promos: </strong><a href="https://bit.ly/2WmKbFw"><strong>https://bit.ly/2WmKbFw</strong></a>
</li>
<li>
<strong>Working Class Audio Journal: </strong><a href="https://amzn.to/2GN67TP"><strong>https://amzn.to/2GN67TP</strong></a>
</li>
</ul><br/><p><br></p><p><strong>Credits:</strong></p><ul>
<li>
<strong>Guest: </strong>Ken Riley</li>
<li>
<strong>Host: </strong>Matt Boudreau </li>
<li>
<strong>WCA Theme Music:</strong> Cliff Truesdell </li>
<li>
<strong>Announcer: </strong>Chuck Smith</li>
<li>
<strong>Editing: </strong>Matt Boudreau</li>
<li>
<strong>Additional Music: </strong><a href="https://licenselab.com/">The License Lab</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-213-with-ken-riley]]></link><guid isPermaLink="false">7926e87df3f74768a552336ed025ed5a</guid><itunes:image href="https://artwork.captivate.fm/77ab0d60-0c3d-46a8-a410-39f3be15b814/wca-213-with-ken-riley-thumbnail.png"/><pubDate>Mon, 14 Jan 2019 16:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7bf7e2dc-f823-4925-a464-a306cee31ed0.mp3" length="55508293" type="audio/mpeg"/><itunes:duration>38:33</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>213</itunes:episode><podcast:episode>213</podcast:episode><itunes:summary>Ken Riley’s career started in 1980 at 3D Studio’s in Costa Mesa with Doug Doyle. Recording such names as The Altar Boys, Crumbacher, Daniel Amos, and The Life Savors. Then creating the group Common Bond where he was the lead vocalist and the bass player. Common Bond toured and had 3 albums on Front Line Records. Then moving his career along to New York at Electric Lady Studios, where he worked with the best in the industry. Bringing it to today where he is in his own well established Rio Grande Studios in Albuquerque, New Mexico recording.

In this episode, we discuss:

Ken&apos;s history.

The New Mexico sound.

Artist&apos;s knowing who they are. 

Ken&apos;s partnership with Drew Newman

New Mexico and its people.



Links and Show Notes


Rio Grande Studios: http://riograndestudios.com/



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors &amp; promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Ken Riley


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Matt Boudreau


Additional Music: The License Lab</itunes:summary></item><item><title>WCA #212 with Gentry Studer</title><itunes:title>WCA #212 with Gentry Studer</itunes:title><description><![CDATA[
        <p><strong>Working Class Audio #212 with Gentry Studer!!!</strong></p><p>Gentry Studer grew up with a definitive love of music. He played various instruments from an early age, later joining rock bands in high school. But with a name like “Studer”, although no actual relation to the famous tape machine, he was bound for the engineering world. Gentry graduated from the prestigious Conservatory of Recording Arts and Sciences program in 2013. He moved to Los Angeles and worked under one of the most iconic mastering engineers. In 2015 Gentry started his own company, Epicenter Mastering. In 2016 the operation moved into Paramount Recording Studios in Hollywood, California. In 2018 Epicenter Mastering relocated down south to Nashville, Tennessee in the historic RCA Studio A building.</p><p>His combined creative and technical backgrounds have informed Gentry’s approach to the art of mastering– not only to preserve and enhance the sonic qualities of an artist’s vision in the mix but also to bring across its feel and emotional intentions. As he puts it, “it’s amazing the advances on the technical side and what it allows us to do but you can also fall into its trap. My musical background and extensive ear training allow me to go off feel, not just a spectrum analyzer.” “The idea is to preserve the recordings life, passion and blood sweat and tears the artist has poured into their work.” </p><p>Gentry loves to stay busy in the studio – equating mastering projects with “having the privilege of meeting new interesting people everyday.” When he’s not working he spends time seeing live music, enjoying the outdoors, trying craft beers and whiskeys, and eating endless amounts of hot chicken and BBQ.</p><p><br></p><p><strong>About this Interview:</strong>Gentry joins me to talk about interning with Howie Weinberg, moving around the US, his new studio located in the RCA building in Nashville and communication with remote mastering clients. Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><p>Gentry’s Site: <a href="https://www.epicentermastering.com/">http://www.workingclassaudio.com</a></p><p><br></p><p><br></p><p> </p>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Working Class Audio #212 with Gentry Studer!!!</strong></p><p>Gentry Studer grew up with a definitive love of music. He played various instruments from an early age, later joining rock bands in high school. But with a name like “Studer”, although no actual relation to the famous tape machine, he was bound for the engineering world. Gentry graduated from the prestigious Conservatory of Recording Arts and Sciences program in 2013. He moved to Los Angeles and worked under one of the most iconic mastering engineers. In 2015 Gentry started his own company, Epicenter Mastering. In 2016 the operation moved into Paramount Recording Studios in Hollywood, California. In 2018 Epicenter Mastering relocated down south to Nashville, Tennessee in the historic RCA Studio A building.</p><p>His combined creative and technical backgrounds have informed Gentry’s approach to the art of mastering– not only to preserve and enhance the sonic qualities of an artist’s vision in the mix but also to bring across its feel and emotional intentions. As he puts it, “it’s amazing the advances on the technical side and what it allows us to do but you can also fall into its trap. My musical background and extensive ear training allow me to go off feel, not just a spectrum analyzer.” “The idea is to preserve the recordings life, passion and blood sweat and tears the artist has poured into their work.” </p><p>Gentry loves to stay busy in the studio – equating mastering projects with “having the privilege of meeting new interesting people everyday.” When he’s not working he spends time seeing live music, enjoying the outdoors, trying craft beers and whiskeys, and eating endless amounts of hot chicken and BBQ.</p><p><br></p><p><strong>About this Interview:</strong>Gentry joins me to talk about interning with Howie Weinberg, moving around the US, his new studio located in the RCA building in Nashville and communication with remote mastering clients. Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><p>Gentry’s Site: <a href="https://www.epicentermastering.com/">http://www.workingclassaudio.com</a></p><p><br></p><p><br></p><p> </p>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-212-with-gentry-studer]]></link><guid isPermaLink="false">8d8ef838b44948db9574f075b5e8aba2</guid><itunes:image href="https://artwork.captivate.fm/8938d605-4744-46aa-8258-cb1cc9f89d72/wca-212-with-gentry-studer-thumbnail.png"/><pubDate>Mon, 07 Jan 2019 05:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e2233ec3-6a27-4704-af9c-49238ef2119f.mp3" length="52562917" type="audio/mpeg"/><itunes:duration>36:30</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>212</itunes:episode><podcast:episode>212</podcast:episode><itunes:summary>Working Class Audio #212 with Gentry Studer!!!
Gentry Studer grew up with a definitive love of music. He played various instruments from an early age, later joining rock bands in high school. But with a name like “Studer”, although no actual relation to the famous tape machine, he was bound for the engineering world. Gentry graduated from the prestigious Conservatory of Recording Arts and Sciences program in 2013. He moved to Los Angeles and worked under one of the most iconic mastering engineers. In 2015 Gentry started his own company, Epicenter Mastering. In 2016 the operation moved into Paramount Recording Studios in Hollywood, California. In 2018 Epicenter Mastering relocated down south to Nashville, Tennessee in the historic RCA Studio A building.
His combined creative and technical backgrounds have informed Gentry’s approach to the art of mastering– not only to preserve and enhance the sonic qualities of an artist’s vision in the mix but also to bring across its feel and emotional intentions. As he puts it, “it’s amazing the advances on the technical side and what it allows us to do but you can also fall into its trap. My musical background and extensive ear training allow me to go off feel, not just a spectrum analyzer.” “The idea is to preserve the recordings life, passion and blood sweat and tears the artist has poured into their work.” 
Gentry loves to stay busy in the studio – equating mastering projects with “having the privilege of meeting new interesting people everyday.” When he’s not working he spends time seeing live music, enjoying the outdoors, trying craft beers and whiskeys, and eating endless amounts of hot chicken and BBQ.

About this Interview:Gentry joins me to talk about interning with Howie Weinberg, moving around the US, his new studio located in the RCA building in Nashville and communication with remote mastering clients. Enjoy! – Matt
Show Notes and Links
Gentry’s Site: http://www.workingclassaudio.com


 </itunes:summary></item><item><title>WCA #211 with Jaimeson Durr</title><itunes:title>WCA #211 with Jaimeson Durr</itunes:title><description><![CDATA[
        <p>Working Class Audio #211 with Jaimeson Durr!!!</p><p><br></p><p>Jaimeson Durr is a San Francisco Bay Area recording engineer, mixer and producer that works on a variety of music genres from local legends like, Sammy Hagar, Joe Satriani, Chickenfoot, The Circle, The Dead, Dan the Automator as well as many other new promising artists. For the past 14 years Jaimeson has been primarily working out of his own studio Wally’s Hyde Out (formally Studio C) in the legendary Hyde Street Recording Studio complex where many well known artists recorded including Santana, Clearance Clearwater Revival, Jefferson Airplane,The Grateful Dead, Green Day, Train, and many, many more. He has also performed on and mixed several songs for hit prime time TV shows and movie trailers 90210, The Mindy Project, Ugly Betty, Rango, Arthur, The Lorax, Tangled and many more.</p><p><br></p><p><strong> About this Interview:</strong></p><p>Jaimeson joins me for coffee at Philz Coffee in Lafayette, California to discuss his journey, his mentors, never quitting and his work with Sammy Hagar. Enjoy! – Matt</p><p>Show Notes and Links</p><p>Jaimeson’s Website: http://www.jaimesondurr.com/</p>
      ]]></description><content:encoded><![CDATA[
        <p>Working Class Audio #211 with Jaimeson Durr!!!</p><p><br></p><p>Jaimeson Durr is a San Francisco Bay Area recording engineer, mixer and producer that works on a variety of music genres from local legends like, Sammy Hagar, Joe Satriani, Chickenfoot, The Circle, The Dead, Dan the Automator as well as many other new promising artists. For the past 14 years Jaimeson has been primarily working out of his own studio Wally’s Hyde Out (formally Studio C) in the legendary Hyde Street Recording Studio complex where many well known artists recorded including Santana, Clearance Clearwater Revival, Jefferson Airplane,The Grateful Dead, Green Day, Train, and many, many more. He has also performed on and mixed several songs for hit prime time TV shows and movie trailers 90210, The Mindy Project, Ugly Betty, Rango, Arthur, The Lorax, Tangled and many more.</p><p><br></p><p><strong> About this Interview:</strong></p><p>Jaimeson joins me for coffee at Philz Coffee in Lafayette, California to discuss his journey, his mentors, never quitting and his work with Sammy Hagar. Enjoy! – Matt</p><p>Show Notes and Links</p><p>Jaimeson’s Website: http://www.jaimesondurr.com/</p>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-211-with-jaimeson-durr]]></link><guid isPermaLink="false">af2a7c9751364ccb9679fc928a21e79e</guid><itunes:image href="https://artwork.captivate.fm/41e5c548-0abe-4471-b4af-55760b34bf00/wca-211-with-jaimeson-durr-thumbnail.png"/><pubDate>Mon, 31 Dec 2018 05:25:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0b84db20-1976-41c1-9685-194f2def8da3.mp3" length="67091420" type="audio/mpeg"/><itunes:duration>46:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>211</itunes:episode><podcast:episode>211</podcast:episode><itunes:summary>Working Class Audio #211 with Jaimeson Durr!!!

Jaimeson Durr is a San Francisco Bay Area recording engineer, mixer and producer that works on a variety of music genres from local legends like, Sammy Hagar, Joe Satriani, Chickenfoot, The Circle, The Dead, Dan the Automator as well as many other new promising artists. For the past 14 years Jaimeson has been primarily working out of his own studio Wally’s Hyde Out (formally Studio C) in the legendary Hyde Street Recording Studio complex where many well known artists recorded including Santana, Clearance Clearwater Revival, Jefferson Airplane,The Grateful Dead, Green Day, Train, and many, many more. He has also performed on and mixed several songs for hit prime time TV shows and movie trailers 90210, The Mindy Project, Ugly Betty, Rango, Arthur, The Lorax, Tangled and many more.

 About this Interview:
Jaimeson joins me for coffee at Philz Coffee in Lafayette, California to discuss his journey, his mentors, never quitting and his work with Sammy Hagar. Enjoy! – Matt
Show Notes and Links
Jaimeson’s Website: http://www.jaimesondurr.com/</itunes:summary></item><item><title>WCA #210 with David Streit</title><itunes:title>WCA #210 with David Streit</itunes:title><description><![CDATA[
        <p>David Streit is a producer, mixer, recording engineer, and live sound engineer based in Portland, Oregon. He has been working with sound for over 30 years.</p><p>David began his audio career working in clubs and venues in his hometown of Louisville, Kentucky. He loved seeing bands play live, and became an avid concertgoer. These experiences proved to be very useful when he decided to move to Nashville, Tennessee and become a recording engineer. David developed his recording skills assisting and learning from the engineers who came before him as he rose up through the studio system in Nashville. Eventually, he became an engineer and producer himself and has been a freelance audio engineer in Connecticut and Santa Cruz, California.</p><p>Now, David is happy to call the Pacific Northwest his home, and is excited to be a part of the amazing vibrant music scene in Portland. David has a bachelor’s degree in recording from Middle Tennessee State University, and learned about mic’ing classical ensembles as an intern at The Aspen Music Festival. He was a staff assistant at Quad Studios in Nashville, has taught a college course in multi-track recording and mixing, and has done location sound for video shoots. He has a passion for music and sound, and feels lucky to have been in the room for so many magic moments.</p><p><strong>About this Interview:</strong></p><p>David joins me to talk about Portland vs. Nashville, why musicians choose to hire engineers, prepping for live recordings, security, mortality and legacy. Enjoy! – Matt</p><p><strong>Show Notes and Links </strong></p><ul><li>David Streit's Website: <a href="http://www.davidstreit.com/">www.davidstreit.com</a>
</li></ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>David Streit is a producer, mixer, recording engineer, and live sound engineer based in Portland, Oregon. He has been working with sound for over 30 years.</p><p>David began his audio career working in clubs and venues in his hometown of Louisville, Kentucky. He loved seeing bands play live, and became an avid concertgoer. These experiences proved to be very useful when he decided to move to Nashville, Tennessee and become a recording engineer. David developed his recording skills assisting and learning from the engineers who came before him as he rose up through the studio system in Nashville. Eventually, he became an engineer and producer himself and has been a freelance audio engineer in Connecticut and Santa Cruz, California.</p><p>Now, David is happy to call the Pacific Northwest his home, and is excited to be a part of the amazing vibrant music scene in Portland. David has a bachelor’s degree in recording from Middle Tennessee State University, and learned about mic’ing classical ensembles as an intern at The Aspen Music Festival. He was a staff assistant at Quad Studios in Nashville, has taught a college course in multi-track recording and mixing, and has done location sound for video shoots. He has a passion for music and sound, and feels lucky to have been in the room for so many magic moments.</p><p><strong>About this Interview:</strong></p><p>David joins me to talk about Portland vs. Nashville, why musicians choose to hire engineers, prepping for live recordings, security, mortality and legacy. Enjoy! – Matt</p><p><strong>Show Notes and Links </strong></p><ul><li>David Streit's Website: <a href="http://www.davidstreit.com/">www.davidstreit.com</a>
</li></ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-210-with-david-streit]]></link><guid isPermaLink="false">c13f349830b64a28ac0890028e9f0885</guid><itunes:image href="https://artwork.captivate.fm/a757b6ad-dc5b-43e0-ba07-d618cfc18553/wca-210-with-david-streit-thumbnail.png"/><pubDate>Mon, 24 Dec 2018 04:26:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b75df832-4c95-4fab-b36e-553d63647323.mp3" length="83124124" type="audio/mpeg"/><itunes:duration>57:43</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>210</itunes:episode><podcast:episode>210</podcast:episode><itunes:summary>David Streit is a producer, mixer, recording engineer, and live sound engineer based in Portland, Oregon. He has been working with sound for over 30 years.
David began his audio career working in clubs and venues in his hometown of Louisville, Kentucky. He loved seeing bands play live, and became an avid concertgoer. These experiences proved to be very useful when he decided to move to Nashville, Tennessee and become a recording engineer. David developed his recording skills assisting and learning from the engineers who came before him as he rose up through the studio system in Nashville. Eventually, he became an engineer and producer himself and has been a freelance audio engineer in Connecticut and Santa Cruz, California.
Now, David is happy to call the Pacific Northwest his home, and is excited to be a part of the amazing vibrant music scene in Portland. David has a bachelor’s degree in recording from Middle Tennessee State University, and learned about mic’ing classical ensembles as an intern at The Aspen Music Festival. He was a staff assistant at Quad Studios in Nashville, has taught a college course in multi-track recording and mixing, and has done location sound for video shoots. He has a passion for music and sound, and feels lucky to have been in the room for so many magic moments.
About this Interview:
David joins me to talk about Portland vs. Nashville, why musicians choose to hire engineers, prepping for live recordings, security, mortality and legacy. Enjoy! – Matt
Show Notes and Links 
David Streit&apos;s Website: www.davidstreit.com</itunes:summary></item><item><title>WCA #209 with Mike Stevens</title><itunes:title>WCA #209 with Mike Stevens</itunes:title><description><![CDATA[
        <p>Mike Stevens is a Producer, Engineer, Drummer &amp; Percussionist. A life-long lover of music, bringing more than 20 years working as a professional musician throughout the US and abroad, as well as a decade of producing, recording and mixing San Francisco Bay Area bands. Coming from New York City in 2006, his diverse experience has brought a unique perspective into his work. He has been called upon to work with many San Francisco artists and bands (including ska pioneers The Uptones and Red House Painters/Sun Kil Moon frontman Mark Kozelek), as well as playing percussion for Donna Summer’s 2008 Crayons tour. He has a deep understanding of what makes a song great, both as a musician and listener, in the studio, onstage and on the air. Mike started his own Recording Studio in 2009 to establish an artist-friendly hub for creators of great music and the people who listen to it. When he isn’t touring or performing on stage, he dedicates his time to working with new and seasoned artists, helping them discover what is authentic and unique to them.</p><p><br></p><h1><strong>About this Interview:</strong></h1><p><br></p><p>Mike joins me to talk about how he combines the world of recording with the world of home schooling for his kids, helpful landlords, picking the right gigs and the authenticity of a performance. Enjoy! – Matt</p>
      ]]></description><content:encoded><![CDATA[
        <p>Mike Stevens is a Producer, Engineer, Drummer &amp; Percussionist. A life-long lover of music, bringing more than 20 years working as a professional musician throughout the US and abroad, as well as a decade of producing, recording and mixing San Francisco Bay Area bands. Coming from New York City in 2006, his diverse experience has brought a unique perspective into his work. He has been called upon to work with many San Francisco artists and bands (including ska pioneers The Uptones and Red House Painters/Sun Kil Moon frontman Mark Kozelek), as well as playing percussion for Donna Summer’s 2008 Crayons tour. He has a deep understanding of what makes a song great, both as a musician and listener, in the studio, onstage and on the air. Mike started his own Recording Studio in 2009 to establish an artist-friendly hub for creators of great music and the people who listen to it. When he isn’t touring or performing on stage, he dedicates his time to working with new and seasoned artists, helping them discover what is authentic and unique to them.</p><p><br></p><h1><strong>About this Interview:</strong></h1><p><br></p><p>Mike joins me to talk about how he combines the world of recording with the world of home schooling for his kids, helpful landlords, picking the right gigs and the authenticity of a performance. Enjoy! – Matt</p>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-209-with-mike-stevens]]></link><guid isPermaLink="false">59c6571008ae440c9405aa6f025c0695</guid><itunes:image href="https://artwork.captivate.fm/90215221-181e-4dd0-a967-2e48bd01d1cb/wca-209-with-mike-stevens-thumbnail.png"/><pubDate>Mon, 17 Dec 2018 16:40:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/79bccbb9-1bda-4b3b-bfd4-abee539a1a82.mp3" length="66123425" type="audio/mpeg"/><itunes:duration>45:55</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>209</itunes:episode><podcast:episode>209</podcast:episode><itunes:summary>Mike Stevens is a Producer, Engineer, Drummer &amp; Percussionist. A life-long lover of music, bringing more than 20 years working as a professional musician throughout the US and abroad, as well as a decade of producing, recording and mixing San Francisco Bay Area bands. Coming from New York City in 2006, his diverse experience has brought a unique perspective into his work. He has been called upon to work with many San Francisco artists and bands (including ska pioneers The Uptones and Red House Painters/Sun Kil Moon frontman Mark Kozelek), as well as playing percussion for Donna Summer’s 2008 Crayons tour. He has a deep understanding of what makes a song great, both as a musician and listener, in the studio, onstage and on the air. Mike started his own Recording Studio in 2009 to establish an artist-friendly hub for creators of great music and the people who listen to it. When he isn’t touring or performing on stage, he dedicates his time to working with new and seasoned artists, helping them discover what is authentic and unique to them.

About this Interview:

Mike joins me to talk about how he combines the world of recording with the world of home schooling for his kids, helpful landlords, picking the right gigs and the authenticity of a performance. Enjoy! – Matt</itunes:summary></item><item><title>WCA #208 with Manny Sanchez</title><itunes:title>WCA #208 with Manny Sanchez</itunes:title><description><![CDATA[
        <p>Manny Sanchez began his professional career in audio in 1999 as an unpaid intern at Chicago Recording Company. He had no formal training but a hunger to learn and quickly began assisting on high profile sessions. In 2000 he was the third assistant on the last Smashing Pumpkins sessions before they had their first hiatus. He befriended Billy Corgan and Billy insisted he be placed on any further sessions at CRC. In 2001 Billy formed Zwan and asked producer Bjorn Thorsrud to inform Manny that Billy would like him to engineer the demos for the band. This was a daunting task for Manny and he had to request that the demos be recorded to analog tape because he hadn’t learned Pro Tools yet. Billy agreed and eventually Manny was asked to record their album “Mary Star of the Sea” alongside producers Alan Moulder and Bjorn Thorsrud. The recording of this record would have a profound effect on Manny and would shape his entire career.</p><p><br></p><p>After finishing up a long and arduous stint working solely for Billy, Manny decided he needed to branch out on his own. He built IV Lab Studios in 2004 in a 100 year old vault inside a family friend’s building in Wrigleyville. This decision to build inside a building that he did not own would play a significant roll in the life of the studio, but as a hungry young twenty-something he didn’t question the opportunity when it came to him. The studio was a great success considering the changing landscape of the music business and played host to the best of local talent as well as national acts. It was within the walls of IV Lab that he solidified his relationship with jam/prog favorites Umphrey’s McGee, as well as pop-punk icons Fall Out Boy, both of whom he still works with today,</p><p><br></p><p>In 2012 the building that housed the studio was lost to foreclosure and the new owners wanted nothing to do with the studio. This crossroads put things into perspective for Manny and he began to seek out new homes for the business as well as other potential work that was in line with his experience. Luckily for the studio, it found a new home in Lincoln Park with some new partners that owned the space so the hope was it would be its forever home. Manny was happy the studio would survive but also unsettled by his own career trajectory and ready to make a change.</p><p><br></p><p> In late 2012 he was contacted by former Fall Out Boy tour manager Dan Suh and asked if he could come to LA and engineer for PSY at the height of his “Gangnam Style” popularity. This wasn’t the most ideal creative outlet for Manny but it was an opportunity he couldn’t pass up. The gig was open-ended and he remained in LA after it was over and planted his roots.</p><p><br></p><p><strong>About this Interview:</strong></p><p>Manny joins me to chat about his early experience in Chicago working with Billy Corgan, studio ownership, the cost of real estate, working with Psy in smoky control rooms and his ever-expanding world of post working on film trailers in LA. Enjoy! – Matt</p><p><br></p><p><strong>Show Notes and Links</strong></p><ul>
<li>Manny's site: <a href="http://ivlabstudios.com/manny-sanchez/">http://ivlabstudios.com/manny-sanchez/</a>
</li>
<li>Manny on Linkedin: <a href="https://www.linkedin.com/in/manny-sanchez-0518537/">https://www.linkedin.com/in/manny-sanchez-0518537/</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Manny Sanchez began his professional career in audio in 1999 as an unpaid intern at Chicago Recording Company. He had no formal training but a hunger to learn and quickly began assisting on high profile sessions. In 2000 he was the third assistant on the last Smashing Pumpkins sessions before they had their first hiatus. He befriended Billy Corgan and Billy insisted he be placed on any further sessions at CRC. In 2001 Billy formed Zwan and asked producer Bjorn Thorsrud to inform Manny that Billy would like him to engineer the demos for the band. This was a daunting task for Manny and he had to request that the demos be recorded to analog tape because he hadn’t learned Pro Tools yet. Billy agreed and eventually Manny was asked to record their album “Mary Star of the Sea” alongside producers Alan Moulder and Bjorn Thorsrud. The recording of this record would have a profound effect on Manny and would shape his entire career.</p><p><br></p><p>After finishing up a long and arduous stint working solely for Billy, Manny decided he needed to branch out on his own. He built IV Lab Studios in 2004 in a 100 year old vault inside a family friend’s building in Wrigleyville. This decision to build inside a building that he did not own would play a significant roll in the life of the studio, but as a hungry young twenty-something he didn’t question the opportunity when it came to him. The studio was a great success considering the changing landscape of the music business and played host to the best of local talent as well as national acts. It was within the walls of IV Lab that he solidified his relationship with jam/prog favorites Umphrey’s McGee, as well as pop-punk icons Fall Out Boy, both of whom he still works with today,</p><p><br></p><p>In 2012 the building that housed the studio was lost to foreclosure and the new owners wanted nothing to do with the studio. This crossroads put things into perspective for Manny and he began to seek out new homes for the business as well as other potential work that was in line with his experience. Luckily for the studio, it found a new home in Lincoln Park with some new partners that owned the space so the hope was it would be its forever home. Manny was happy the studio would survive but also unsettled by his own career trajectory and ready to make a change.</p><p><br></p><p> In late 2012 he was contacted by former Fall Out Boy tour manager Dan Suh and asked if he could come to LA and engineer for PSY at the height of his “Gangnam Style” popularity. This wasn’t the most ideal creative outlet for Manny but it was an opportunity he couldn’t pass up. The gig was open-ended and he remained in LA after it was over and planted his roots.</p><p><br></p><p><strong>About this Interview:</strong></p><p>Manny joins me to chat about his early experience in Chicago working with Billy Corgan, studio ownership, the cost of real estate, working with Psy in smoky control rooms and his ever-expanding world of post working on film trailers in LA. Enjoy! – Matt</p><p><br></p><p><strong>Show Notes and Links</strong></p><ul>
<li>Manny's site: <a href="http://ivlabstudios.com/manny-sanchez/">http://ivlabstudios.com/manny-sanchez/</a>
</li>
<li>Manny on Linkedin: <a href="https://www.linkedin.com/in/manny-sanchez-0518537/">https://www.linkedin.com/in/manny-sanchez-0518537/</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-208-with-manny-sanchez]]></link><guid isPermaLink="false">4ca3b3ebd87242a5af1ca4bf69152961</guid><itunes:image href="https://artwork.captivate.fm/7c86aa98-f7f0-4bdc-847e-dc52014ef61e/wca-208-with-manny-sanchez-thumbnail.png"/><pubDate>Mon, 10 Dec 2018 07:11:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5d6ae111-7082-457e-aa57-ff6b60f5bc54.mp3" length="64121611" type="audio/mpeg"/><itunes:duration>44:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>209</itunes:episode><podcast:episode>209</podcast:episode><itunes:summary>Manny Sanchez began his professional career in audio in 1999 as an unpaid intern at Chicago Recording Company. He had no formal training but a hunger to learn and quickly began assisting on high profile sessions. In 2000 he was the third assistant on the last Smashing Pumpkins sessions before they had their first hiatus. He befriended Billy Corgan and Billy insisted he be placed on any further sessions at CRC. In 2001 Billy formed Zwan and asked producer Bjorn Thorsrud to inform Manny that Billy would like him to engineer the demos for the band. This was a daunting task for Manny and he had to request that the demos be recorded to analog tape because he hadn’t learned Pro Tools yet. Billy agreed and eventually Manny was asked to record their album “Mary Star of the Sea” alongside producers Alan Moulder and Bjorn Thorsrud. The recording of this record would have a profound effect on Manny and would shape his entire career.

After finishing up a long and arduous stint working solely for Billy, Manny decided he needed to branch out on his own. He built IV Lab Studios in 2004 in a 100 year old vault inside a family friend’s building in Wrigleyville. This decision to build inside a building that he did not own would play a significant roll in the life of the studio, but as a hungry young twenty-something he didn’t question the opportunity when it came to him. The studio was a great success considering the changing landscape of the music business and played host to the best of local talent as well as national acts. It was within the walls of IV Lab that he solidified his relationship with jam/prog favorites Umphrey’s McGee, as well as pop-punk icons Fall Out Boy, both of whom he still works with today,

In 2012 the building that housed the studio was lost to foreclosure and the new owners wanted nothing to do with the studio. This crossroads put things into perspective for Manny and he began to seek out new homes for the business as well as other potential work that was in line with his experience. Luckily for the studio, it found a new home in Lincoln Park with some new partners that owned the space so the hope was it would be its forever home. Manny was happy the studio would survive but also unsettled by his own career trajectory and ready to make a change.

 In late 2012 he was contacted by former Fall Out Boy tour manager Dan Suh and asked if he could come to LA and engineer for PSY at the height of his “Gangnam Style” popularity. This wasn’t the most ideal creative outlet for Manny but it was an opportunity he couldn’t pass up. The gig was open-ended and he remained in LA after it was over and planted his roots.

About this Interview:
Manny joins me to chat about his early experience in Chicago working with Billy Corgan, studio ownership, the cost of real estate, working with Psy in smoky control rooms and his ever-expanding world of post working on film trailers in LA. Enjoy! – Matt

Show Notes and Links

Manny&apos;s site: http://ivlabstudios.com/manny-sanchez/


Manny on Linkedin: https://www.linkedin.com/in/manny-sanchez-0518537/</itunes:summary></item><item><title>WCA #207 with Brian Gibbs</title><itunes:title>WCA #207 with Brian Gibbs</itunes:title><description><![CDATA[
        <p>Brian Gibbs is Producer, Engineer and Owner at Tool Shed Studios (70+ record credits 2017). An accomplished musician and performer with a B.M. Degree from Berklee College of Music, he brings his diversified portfolio of skills and passion past the stage to his roles as a producer, studio engineer, FOH engineer, music teacher (percussion, keyboard, strings and vocal instruction) and as a mentor to the college interns at the studio. </p><ul>
<li>Assistant Engineer (pre-production) 2015 Grammy winning album “Realidades”/ Los Tigres Del Norte</li>
<li> AES San Francisco Treasurer (3 years)</li>
<li> AES International Diversity &amp; Inclusion Committee</li>
<li> Audio GANG Member</li>
<li> Berklee College of Music Alumni Committee</li>
<li> Recording Academy Voting Member</li>
<li> Recording Academy P&amp;E Wing Advisory Committee (SF Chapter)</li>
<li> Recording Academy District Advocacy Captain</li>
</ul><br/><h1><strong>About this Interview:</strong></h1><p>Brian joins me for a one on one chat about immersive audio, the details of running a studio business, buying your neighbors wine and making your bed. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul>
<li>Toolshed Studios (Brian Gibbs): <a href="http://www.toolshedstudio.com/index.html">http://www.toolshedstudio.com/index.html</a>
</li>
<li>Skyline EP: <a href="http://skylineep.com/">http://skylineep.com/</a>
</li>
<li>Hear 360: <a href="https://hear360.io/">https://hear360.io/</a>
</li>
<li>Rode Ambisonics Mic: <a href="https://en.rode.com/ntsf1">https://en.rode.com/ntsf1</a>
</li>
<li>Facebook Spatial Workstation: <a href="https://facebook360.fb.com/spatial-workstation/">https://facebook360.fb.com/spatial-workstation/</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Brian Gibbs is Producer, Engineer and Owner at Tool Shed Studios (70+ record credits 2017). An accomplished musician and performer with a B.M. Degree from Berklee College of Music, he brings his diversified portfolio of skills and passion past the stage to his roles as a producer, studio engineer, FOH engineer, music teacher (percussion, keyboard, strings and vocal instruction) and as a mentor to the college interns at the studio. </p><ul>
<li>Assistant Engineer (pre-production) 2015 Grammy winning album “Realidades”/ Los Tigres Del Norte</li>
<li> AES San Francisco Treasurer (3 years)</li>
<li> AES International Diversity &amp; Inclusion Committee</li>
<li> Audio GANG Member</li>
<li> Berklee College of Music Alumni Committee</li>
<li> Recording Academy Voting Member</li>
<li> Recording Academy P&amp;E Wing Advisory Committee (SF Chapter)</li>
<li> Recording Academy District Advocacy Captain</li>
</ul><br/><h1><strong>About this Interview:</strong></h1><p>Brian joins me for a one on one chat about immersive audio, the details of running a studio business, buying your neighbors wine and making your bed. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul>
<li>Toolshed Studios (Brian Gibbs): <a href="http://www.toolshedstudio.com/index.html">http://www.toolshedstudio.com/index.html</a>
</li>
<li>Skyline EP: <a href="http://skylineep.com/">http://skylineep.com/</a>
</li>
<li>Hear 360: <a href="https://hear360.io/">https://hear360.io/</a>
</li>
<li>Rode Ambisonics Mic: <a href="https://en.rode.com/ntsf1">https://en.rode.com/ntsf1</a>
</li>
<li>Facebook Spatial Workstation: <a href="https://facebook360.fb.com/spatial-workstation/">https://facebook360.fb.com/spatial-workstation/</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-207-with-brian-gibbs]]></link><guid isPermaLink="false">50f698def0ae4cfa9d63730d9a91a051</guid><itunes:image href="https://artwork.captivate.fm/d7c86f7f-ec73-49fb-849b-e5b07838fde9/wca-207-with-brian-gibbs-thumbnail.png"/><pubDate>Mon, 03 Dec 2018 17:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c1a67437-1625-4896-b94f-6a796ec4f57b.mp3" length="78566121" type="audio/mpeg"/><itunes:duration>54:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>207</itunes:episode><podcast:episode>207</podcast:episode><itunes:summary>Brian Gibbs is Producer, Engineer and Owner at Tool Shed Studios (70+ record credits 2017). An accomplished musician and performer with a B.M. Degree from Berklee College of Music, he brings his diversified portfolio of skills and passion past the stage to his roles as a producer, studio engineer, FOH engineer, music teacher (percussion, keyboard, strings and vocal instruction) and as a mentor to the college interns at the studio. 

Assistant Engineer (pre-production) 2015 Grammy winning album “Realidades”/ Los Tigres Del Norte

 AES San Francisco Treasurer (3 years)

 AES International Diversity &amp; Inclusion Committee

 Audio GANG Member

 Berklee College of Music Alumni Committee

 Recording Academy Voting Member

 Recording Academy P&amp;E Wing Advisory Committee (SF Chapter)

 Recording Academy District Advocacy Captain

About this Interview:
Brian joins me for a one on one chat about immersive audio, the details of running a studio business, buying your neighbors wine and making your bed. Enjoy! – Matt
Show Notes and Links

Toolshed Studios (Brian Gibbs): http://www.toolshedstudio.com/index.html


Skyline EP: http://skylineep.com/


Hear 360: https://hear360.io/


Rode Ambisonics Mic: https://en.rode.com/ntsf1


Facebook Spatial Workstation: https://facebook360.fb.com/spatial-workstation/</itunes:summary></item><item><title>WCA #206 with Music Expo SF</title><itunes:title>WCA #206 with Music Expo SF</itunes:title><description><![CDATA[
        <p>Hosted in association with Sound On Sound Magazine, Music Expo is a series of annual events full of workshops, lectures, studio sessions, discussions and product demos bringing 3,000 musicians, engineers, technophiles and tastemakers together. The event was the idea of Loïc Maestracci who does an amazing job bringing people together. WCA #206 is just one of many panels that takes place at Music Expo as as well as many lectures and workshops. </p><h1><strong>About this Interview:</strong></h1><p>I was headed out the door to appear on a panel for Music Expo SF when I saw a notification on Twitter from Matt Carnes of Colorado Recording. Matt asked if I would be recording the panel. To be honest it never occurred to me until I read Matt's tweet. As a result I was able to capture my conversation with Karrie Keys, Piper Payne, Brian Gibbs and Frank Socorro for a panel called "Survival of the Fittest - How to Really Make A Living In Audio". Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul>
<li>Music Expo:<a href="https://musicexpo.co/"> https://musicexpo.co/</a>
</li>
<li>Sound Girls (Karrie Keys): <a href="https://soundgirls.org">https://soundgirls.org</a>
</li>
<li>EQL Directory: <a href="https://makeiteql.com/">https://makeiteql.com/</a>
</li>
<li>Neato Mastering (Piper Payne): <a href="http://neatomastering.com/">http://neatomastering.com/</a>
</li>
<li>Toolshed Studios (Brian Gibbs): <a href="http://www.toolshedstudio.com/index.html">http://www.toolshedstudio.com/index.html</a>
</li>
<li>Colorado Recording (Matt Carnes): <a href="https://www.coloradorecording.com/">https://www.coloradorecording.com/</a>
</li>
</ul><br/>
      ]]></description><content:encoded><![CDATA[
        <p>Hosted in association with Sound On Sound Magazine, Music Expo is a series of annual events full of workshops, lectures, studio sessions, discussions and product demos bringing 3,000 musicians, engineers, technophiles and tastemakers together. The event was the idea of Loïc Maestracci who does an amazing job bringing people together. WCA #206 is just one of many panels that takes place at Music Expo as as well as many lectures and workshops. </p><h1><strong>About this Interview:</strong></h1><p>I was headed out the door to appear on a panel for Music Expo SF when I saw a notification on Twitter from Matt Carnes of Colorado Recording. Matt asked if I would be recording the panel. To be honest it never occurred to me until I read Matt's tweet. As a result I was able to capture my conversation with Karrie Keys, Piper Payne, Brian Gibbs and Frank Socorro for a panel called "Survival of the Fittest - How to Really Make A Living In Audio". Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul>
<li>Music Expo:<a href="https://musicexpo.co/"> https://musicexpo.co/</a>
</li>
<li>Sound Girls (Karrie Keys): <a href="https://soundgirls.org">https://soundgirls.org</a>
</li>
<li>EQL Directory: <a href="https://makeiteql.com/">https://makeiteql.com/</a>
</li>
<li>Neato Mastering (Piper Payne): <a href="http://neatomastering.com/">http://neatomastering.com/</a>
</li>
<li>Toolshed Studios (Brian Gibbs): <a href="http://www.toolshedstudio.com/index.html">http://www.toolshedstudio.com/index.html</a>
</li>
<li>Colorado Recording (Matt Carnes): <a href="https://www.coloradorecording.com/">https://www.coloradorecording.com/</a>
</li>
</ul><br/>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-206-with-music-expo-sf]]></link><guid isPermaLink="false">7d594f603fa94ef4947ffa2f7bbca40e</guid><itunes:image href="https://artwork.captivate.fm/ab71d943-d726-4491-879c-d2b9a3b37521/wca-206-with-music-expo-sf.png"/><pubDate>Mon, 26 Nov 2018 19:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5d3da99c-e275-44db-bae9-a64f47932b1d.mp3" length="76669791" type="audio/mpeg"/><itunes:duration>53:15</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>206</itunes:episode><podcast:episode>206</podcast:episode><itunes:summary>Hosted in association with Sound On Sound Magazine, Music Expo is a series of annual events full of workshops, lectures, studio sessions, discussions and product demos bringing 3,000 musicians, engineers, technophiles and tastemakers together. The event was the idea of Loïc Maestracci who does an amazing job bringing people together. WCA #206 is just one of many panels that takes place at Music Expo as as well as many lectures and workshops. 
About this Interview:
I was headed out the door to appear on a panel for Music Expo SF when I saw a notification on Twitter from Matt Carnes of Colorado Recording. Matt asked if I would be recording the panel. To be honest it never occurred to me until I read Matt&apos;s tweet. As a result I was able to capture my conversation with Karrie Keys, Piper Payne, Brian Gibbs and Frank Socorro for a panel called &quot;Survival of the Fittest - How to Really Make A Living In Audio&quot;. Enjoy! – Matt
Show Notes and Links

Music Expo: https://musicexpo.co/


Sound Girls (Karrie Keys): https://soundgirls.org


EQL Directory: https://makeiteql.com/


Neato Mastering (Piper Payne): http://neatomastering.com/


Toolshed Studios (Brian Gibbs): http://www.toolshedstudio.com/index.html


Colorado Recording (Matt Carnes): https://www.coloradorecording.com/</itunes:summary></item><item><title>WCA #205 with Frank Socorro</title><itunes:title>WCA #205 with Frank Socorro</itunes:title><description><![CDATA[<p>Franklin Emmanuel Socorro started his audio career in the early 2000s working in the Miami area recording the diverse styles that happen in a city that’s such a melting pot. During that time an opportunity to work on a Bad Boy project put him on a fast track that led to him working with artists such as Mary J Blige, Lenny Kravitz, and Lauryn Hill. Eventually, he would land a position as head engineer for super-producer Salaam Remi. This new position brought a wider range of projects from Nas and Cee-Lo to major motion picture work for Rush Hour and Sex and the City. Along the way came 5 grammy nominations and several gold and platinum plaques. He currently operates his own studio while working with the future of audio at the SAE Miami campus</p><h3><strong>About this Interview:</strong></h3><p>Frank joins me to tell of his incredible story of his rise to the top and the thing that changed it all, his early training with Charles Dye, working with&nbsp;Salaam Remi, Diddy, Tony Maserati, and finding peace in claiming control of his time.&nbsp;Enjoy! – Matt</p><h3><strong>Show Notes and Links</strong></h3><ul><li>AEA&nbsp;KU5A:&nbsp;<a href="https://goo.gl/km8139" rel="noopener noreferrer" target="_blank">https://goo.gl/km8139</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Franklin Emmanuel Socorro started his audio career in the early 2000s working in the Miami area recording the diverse styles that happen in a city that’s such a melting pot. During that time an opportunity to work on a Bad Boy project put him on a fast track that led to him working with artists such as Mary J Blige, Lenny Kravitz, and Lauryn Hill. Eventually, he would land a position as head engineer for super-producer Salaam Remi. This new position brought a wider range of projects from Nas and Cee-Lo to major motion picture work for Rush Hour and Sex and the City. Along the way came 5 grammy nominations and several gold and platinum plaques. He currently operates his own studio while working with the future of audio at the SAE Miami campus</p><h3><strong>About this Interview:</strong></h3><p>Frank joins me to tell of his incredible story of his rise to the top and the thing that changed it all, his early training with Charles Dye, working with&nbsp;Salaam Remi, Diddy, Tony Maserati, and finding peace in claiming control of his time.&nbsp;Enjoy! – Matt</p><h3><strong>Show Notes and Links</strong></h3><ul><li>AEA&nbsp;KU5A:&nbsp;<a href="https://goo.gl/km8139" rel="noopener noreferrer" target="_blank">https://goo.gl/km8139</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-205-with-frank-socorro]]></link><guid isPermaLink="false">40fdccec41b8488599b19a084e312643</guid><itunes:image href="https://artwork.captivate.fm/3e6768ad-064b-44dc-bf85-852c08e9edae/wca-205-with-frank-socorro-1400.png"/><pubDate>Sat, 17 Nov 2018 15:53:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9b637565-42ca-4484-a72d-b3757b9fbae4.mp3" length="62220940" type="audio/mpeg"/><itunes:duration>01:04:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>205</itunes:episode><podcast:episode>205</podcast:episode><itunes:summary>Working Class Audio #205 with Frank Socorro!!!
 Franklin Emmanuel Socorro started his audio career in the early 2000&apos;s working in the Miami area recording the diverse styles that happen in a city thats such a melting pot. During that time an opportunity to work on a Bad Boy project put him on a fast track that led to him working with artist&apos;s such as Mary J Blige, Lenny Kravitz and Lauryn Hill. Eventually he would land a position as head engineer for super producer Salaam Remi. This new position brought a wider range of projects from Nas and Cee-Lo to major motion picture work for Rush Hour and Sex and the City. Along the way came 5 grammy nominations and several gold and platinum plaques. He currently operates his own studio while working with the future of audio at the SAE miami campus
 About this Interview:
 Frank joins me to tell of his incredible story of his rise to the top and the thing that changed it all, his early training with Charles Dye, working with Salaam Remi, Diddy, Tony Maserati and finding peace in claiming control of his time. Enjoy! – Matt
  Show Notes and Links
  UA Promo: https://www.uaudio.com/classic-apollo-promo
 Audio-Technica ATM230PK -  https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html
 AEA  KU5A: https://goo.gl/km8139
 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/</itunes:summary></item><item><title>WCA #204 with Streaky</title><itunes:title>WCA #204 with Streaky</itunes:title><description><![CDATA[<p>Streaky’s mastering journey began in 1996 when he landed his first job at Zomba’s Battery Studio in London, learning the art of compact disc mastering alongside Chris Parmenidis.&nbsp;The first record he mastered was ‘Return of the Mac’ by Mark Morrison, following that early Groove Armada and other 90’s club classics!</p><p>Moving on to The Soundmasters in 2000 learning how to master for vinyl under the veteran mastering engineer&nbsp;<a href="http://www.soundmasters.co.uk/kevin-metcalfe-engineer-at-soundmasters-international" rel="noopener noreferrer" target="_blank">Kevin Metcalfe</a>. Here working with some legendary artists including Kasabian, Snow Patrol, Usher, The Prodigy to name a few. In 2003 whilst at Soundmasters Streaky set up the world’s first online mastering studio ‘eMasters’ this method has now become the norm for mastering as the internet has developed.</p><p>2013 saw Streaky base himself at&nbsp;<a href="https://www.thisismetropolis.com/mastering/" rel="noopener noreferrer" target="_blank">Metropolis Mastering</a>&nbsp;in London, taking the opportunity of working alongside mastering legends John Davis, Stuart Hawkes &amp; Tim Young where he continued to help artists big and small to achieve their dream sound.</p><p>2017 Streaky opened his own mastering studio&nbsp;within Pinewood Studios,&nbsp;the story continues…</p><h3><strong>About this Interview:</strong></h3><p>Streaky joins me to chat about his journey to mastering starting out as a 12-year-old DJ, his perspective on mastering, networking, minimalism, cracked plugins, and mentoring the next generation. Enjoy! – Matt</p><h3>S<strong>how Notes and Links</strong></h3><ul><li>AEA&nbsp;KU5A:&nbsp;<a href="https://goo.gl/km8139" rel="noopener noreferrer" target="_blank">https://goo.gl/km8139</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>Matt Carnes Colorado Recording:&nbsp;<a href="http://coloradorecording.com/" rel="noopener noreferrer" target="_blank">http://coloradorecording.com/</a></li><li>Streaky’s Site:&nbsp;<a href="https://streaky.com/" rel="noopener noreferrer" target="_blank">https://streaky.com/</a></li><li>Streaky’s Youtube Channel:&nbsp;<a href="https://www.youtube.com/channel/UCSvxjA3B1UURjGrdAJX_Yjg" rel="noopener noreferrer" target="_blank">https://www.youtube.com/channel/UCSvxjA3B1UURjGrdAJX_Yjg</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Streaky’s mastering journey began in 1996 when he landed his first job at Zomba’s Battery Studio in London, learning the art of compact disc mastering alongside Chris Parmenidis.&nbsp;The first record he mastered was ‘Return of the Mac’ by Mark Morrison, following that early Groove Armada and other 90’s club classics!</p><p>Moving on to The Soundmasters in 2000 learning how to master for vinyl under the veteran mastering engineer&nbsp;<a href="http://www.soundmasters.co.uk/kevin-metcalfe-engineer-at-soundmasters-international" rel="noopener noreferrer" target="_blank">Kevin Metcalfe</a>. Here working with some legendary artists including Kasabian, Snow Patrol, Usher, The Prodigy to name a few. In 2003 whilst at Soundmasters Streaky set up the world’s first online mastering studio ‘eMasters’ this method has now become the norm for mastering as the internet has developed.</p><p>2013 saw Streaky base himself at&nbsp;<a href="https://www.thisismetropolis.com/mastering/" rel="noopener noreferrer" target="_blank">Metropolis Mastering</a>&nbsp;in London, taking the opportunity of working alongside mastering legends John Davis, Stuart Hawkes &amp; Tim Young where he continued to help artists big and small to achieve their dream sound.</p><p>2017 Streaky opened his own mastering studio&nbsp;within Pinewood Studios,&nbsp;the story continues…</p><h3><strong>About this Interview:</strong></h3><p>Streaky joins me to chat about his journey to mastering starting out as a 12-year-old DJ, his perspective on mastering, networking, minimalism, cracked plugins, and mentoring the next generation. Enjoy! – Matt</p><h3>S<strong>how Notes and Links</strong></h3><ul><li>AEA&nbsp;KU5A:&nbsp;<a href="https://goo.gl/km8139" rel="noopener noreferrer" target="_blank">https://goo.gl/km8139</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>Matt Carnes Colorado Recording:&nbsp;<a href="http://coloradorecording.com/" rel="noopener noreferrer" target="_blank">http://coloradorecording.com/</a></li><li>Streaky’s Site:&nbsp;<a href="https://streaky.com/" rel="noopener noreferrer" target="_blank">https://streaky.com/</a></li><li>Streaky’s Youtube Channel:&nbsp;<a href="https://www.youtube.com/channel/UCSvxjA3B1UURjGrdAJX_Yjg" rel="noopener noreferrer" target="_blank">https://www.youtube.com/channel/UCSvxjA3B1UURjGrdAJX_Yjg</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-204-with-streaky]]></link><guid isPermaLink="false">49d431beca924dad960a1df4220de57f</guid><itunes:image href="https://artwork.captivate.fm/04ab5ed1-05b5-4486-9745-a74ab230f582/wca-204-with-streaky-1400.png"/><pubDate>Mon, 12 Nov 2018 21:11:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/76001914-8b76-4a61-ae7c-c224efdf665f.mp3" length="62597929" type="audio/mpeg"/><itunes:duration>01:05:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>204</itunes:episode><podcast:episode>204</podcast:episode><itunes:summary>Working Class Audio #204 Streaky!!!
 Streaky’s mastering journey began in 1996 when he landed his first job at Zomba’s Battery Studio in London, learning the art of compact disc mastering alongside Chris Parmenidis. The first record he mastered was &apos;Return of the Mac&apos; by Mark Morrison, following that early Groove Armada and other 90&apos;s club classics!  
 Moving on to The Soundmasters in 2000 learning how to master for vinyl under the veteran mastering engineer Kevin Metcalfe. Here working with some legendary artists including Kasabian, Snow Patrol, Usher, The Prodigy to name a few. In 2003 whilst at Soundmasters Streaky setup the worlds first online mastering studio &apos;eMasters&apos; this method has now become the norm for mastering as the internet has developed.
 2013 saw Streaky base himself at Metropolis Mastering in London, taking the opportunity of working alongside mastering legends John Davis, Stuart Hawkes &amp; Tim Young where he continued to help artists big and small to achieve their dream sound.
 2017 Streaky opened his own mastering studio within Pinewood Studios, the story continues...
 About this Interview:
 Streaky joins me to chat about his journey to mastering starting out as a 12 year old DJ, his perspective on mastering, networking, minimalism, cracked plugins, and mentoring the next generation. Enjoy! – Matt
  Show Notes and Links
  UA Promo: https://www.uaudio.com/classic-apollo-promo
 Audio-Technica ATM230PK -  https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html
 AEA  KU5A: https://goo.gl/km8139
 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/
 Matt Carnes Colorado Recording: http://coloradorecording.com/
 Streaky&apos;s Site: https://streaky.com/
 Streaky&apos;s Youtube Channel: https://www.youtube.com/channel/UCSvxjA3B1UURjGrdAJX_Yjg</itunes:summary></item><item><title>WCA #203 with Doug Clarke</title><itunes:title>WCA #203 with Doug Clarke</itunes:title><description><![CDATA[<p>Doug Clarke is a passionate audio engineer, mixer, sound designer, and musician. Based in Sydney’s Inner West, Doug works as a freelance engineer at multiple studios. Working with</p><p>artists and songwriters as well as doing sound design and mixing for TV and Films. Following his graduation from the Queensland University of Technology in 2013 with a Bachelor</p><p>of Music, Doug worked at Hunting Ground Studios recording bands such as&nbsp;Bay Harbour, Sun Heights (Pee Records), Matt McGuire, SkullClub (Sony), Skies</p><p>Collide, First Sight, El Monstro, and Courtney Heaton. After an intense 18 months of recording nonstop, Doug moved to Sydney in late 2015</p><p>and began working at various studios such as One Flight Up and A Sharp Recording. Going freelance in late 2016, Doug extended his audio network into post-production by working at Two Dogs TV, Warner Bros ITVP, and Endemol Shine. 2018 has been a busy year for Doug as he finished producing and mixing the debut record with Vacant Shade at Arthur Street Studios, mixing Channel 10’s hit new shows ‘Pointless’ and ‘Bachelor in Paradise,&nbsp;as well as doing sound design/effects editing for&nbsp;‘Under the Cover of Cloud’ (Melbourne International Film Festival 2018), Living Universe (Event Cinemas), and ‘Own The Sky’ (TBC).</p><h3><strong>About this Interview:</strong></h3><p>Doug joins me to talk about his journey from university in Brisbane to moving to Sydney and jumping into the world of live sound, studio recording, and post-production.&nbsp;From survival, mistakes,&nbsp;and negotiating to picking and choosing his own gigs. Enjoy! – Matt</p><h3><strong>Show Notes and Links</strong></h3><ul><li>Instagram:&nbsp;<a href="https://www.instagram.com/_dougclarke/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/_dougclarke/</a></li><li>SoundCloud:&nbsp;<a href="https://soundcloud.com/dougclarke-3" rel="noopener noreferrer" target="_blank">https://soundcloud.com/dougclarke-3</a></li><li>IMDB:&nbsp;<a href="https://www.imdb.com/name/nm8897822/?ref_=nv_sr_2" rel="noopener noreferrer" target="_blank">https://www.imdb.com/name/nm8897822/?ref_=nv_sr_2</a></li><li>At Headphones I’m trying:&nbsp;<a href="https://goo.gl/m7X51z" rel="noopener noreferrer" target="_blank">https://goo.gl/m7X51z</a></li><li>AEA&nbsp;KU5A:&nbsp;<a href="https://goo.gl/km8139" rel="noopener noreferrer" target="_blank">https://goo.gl/km8139</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>Dourrough!&nbsp;<a href="https://www.dorrough.com/" rel="noopener noreferrer" target="_blank">https://www.dorrough.com/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Doug Clarke is a passionate audio engineer, mixer, sound designer, and musician. Based in Sydney’s Inner West, Doug works as a freelance engineer at multiple studios. Working with</p><p>artists and songwriters as well as doing sound design and mixing for TV and Films. Following his graduation from the Queensland University of Technology in 2013 with a Bachelor</p><p>of Music, Doug worked at Hunting Ground Studios recording bands such as&nbsp;Bay Harbour, Sun Heights (Pee Records), Matt McGuire, SkullClub (Sony), Skies</p><p>Collide, First Sight, El Monstro, and Courtney Heaton. After an intense 18 months of recording nonstop, Doug moved to Sydney in late 2015</p><p>and began working at various studios such as One Flight Up and A Sharp Recording. Going freelance in late 2016, Doug extended his audio network into post-production by working at Two Dogs TV, Warner Bros ITVP, and Endemol Shine. 2018 has been a busy year for Doug as he finished producing and mixing the debut record with Vacant Shade at Arthur Street Studios, mixing Channel 10’s hit new shows ‘Pointless’ and ‘Bachelor in Paradise,&nbsp;as well as doing sound design/effects editing for&nbsp;‘Under the Cover of Cloud’ (Melbourne International Film Festival 2018), Living Universe (Event Cinemas), and ‘Own The Sky’ (TBC).</p><h3><strong>About this Interview:</strong></h3><p>Doug joins me to talk about his journey from university in Brisbane to moving to Sydney and jumping into the world of live sound, studio recording, and post-production.&nbsp;From survival, mistakes,&nbsp;and negotiating to picking and choosing his own gigs. Enjoy! – Matt</p><h3><strong>Show Notes and Links</strong></h3><ul><li>Instagram:&nbsp;<a href="https://www.instagram.com/_dougclarke/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/_dougclarke/</a></li><li>SoundCloud:&nbsp;<a href="https://soundcloud.com/dougclarke-3" rel="noopener noreferrer" target="_blank">https://soundcloud.com/dougclarke-3</a></li><li>IMDB:&nbsp;<a href="https://www.imdb.com/name/nm8897822/?ref_=nv_sr_2" rel="noopener noreferrer" target="_blank">https://www.imdb.com/name/nm8897822/?ref_=nv_sr_2</a></li><li>At Headphones I’m trying:&nbsp;<a href="https://goo.gl/m7X51z" rel="noopener noreferrer" target="_blank">https://goo.gl/m7X51z</a></li><li>AEA&nbsp;KU5A:&nbsp;<a href="https://goo.gl/km8139" rel="noopener noreferrer" target="_blank">https://goo.gl/km8139</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>Dourrough!&nbsp;<a href="https://www.dorrough.com/" rel="noopener noreferrer" target="_blank">https://www.dorrough.com/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-203-with-doug-clarke]]></link><guid isPermaLink="false">7c9685f951b54cab98fac6209a68c657</guid><itunes:image href="https://artwork.captivate.fm/37c16189-5980-41d9-8be8-39284c91d86b/wca-203-with-doug-clarke-1400.png"/><pubDate>Mon, 05 Nov 2018 17:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7a2f96c2-9c43-473f-bf7f-93f7ffc38a60.mp3" length="45445728" type="audio/mpeg"/><itunes:duration>47:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>203</itunes:episode><podcast:episode>203</podcast:episode><itunes:summary>Working Class Audio #203 Doug Clarke!!!
 Doug Clarke is a passionate audio engineer, mixer, sound designer, and musician. Based in Sydney’s Inner West, Doug works as a freelance engineer at multiple studios. Working with artists and songwriters as well as  doing sound design and mixing for TV and Films. Following his graduation from the Queensland University of Technology in 2013 with a Bachelor of Music, Doug worked at Hunting Ground Studios recording bands such as  Bayharbour, Sun Heights (Pee Records), Matt McGuire, SkullClub (Sony), Skies Collide, First Sight, El Monstro, and Courtney Heaton. After an intense 18 months of recording nonstop Doug moved to Sydney in late 2015 and began working at various studios such as One Flight Up and A Sharp Recording. Going freelance in late 2016, Doug extended his audio network into post production by working  at Two Dogs TV, Warner Bros ITVP and Endemol Shine. 2018 has been a busy year for Doug as he finished producing and mixing the debut record with Vacant Shade at Arthur Street Studios, mixing Channel 10’s hit new shows ‘Pointless’ and ‘Bachelor in Paradise’,  as well as doing sound design/effects editing for  ‘Under the Cover of Cloud’ (Melbourne International Film Festival 2018), Living Universe (Event Cinemas), and ‘Own The Sky’ (TBC).
 About this Interview:
 Doug joins me to talk about his journey from university in Brisbane to moving to Sydney and jumping into the world of live sound, studio recording and post production.  From survival, mistakes,  and negotiating to picking and choosing his own gigs . Enjoy! – Matt
  Show Notes and Links
  Instagram: https://www.instagram.com/_dougclarke/
 SoundCloud: https://soundcloud.com/dougclarke-3
 IMDB: https://www.imdb.com/name/nm8897822/?ref_=nv_sr_2
 UA Promo: https://www.uaudio.com/classic-apollo-promo
 At Headphones I&apos;m trying: https://goo.gl/m7X51z
 AEA  KU5A: https://goo.gl/km8139
 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/
 Dourrough! https://www.dorrough.com/</itunes:summary></item><item><title>WCA #202 with Mixerman</title><itunes:title>WCA #202 with Mixerman</itunes:title><description><![CDATA[<p>Mixerman, professionally known as Eric Sarafin, is a producer, mixer, and recordist with multiple gold and platinum sales awards to his name. After 25 years of operating out of Los Angeles, Eric currently resides in Asheville, NC, where he produces and mixes acts from around the world. Eric has worked with numerous National and International acts including The Pharcyde, Tone Loc, Spearhead, The Brand New Heavies, Ben Harper, Amy Grant, Lifehouse, Barenaked Ladies, Hillary Duff, Foreigner, and Australian phenom Pete Murray, just to name a few.</p><p>Mixerman gained notoriety as an author from his first work,&nbsp;<em>The Daily Adventures of Mixerman,</em>&nbsp;a satire of a Major Label recording session from the early aughts that delighted and surprised well over 150,000 unique visitors. In 2008, Hal Leonard picked up his Adventures, and since 2010, Mixerman has written 5 books including Zen and the Art of Mixing, Zen and the Art of Producing, Zen and the Art of Recording, followed by another music business satire #Mixerman and the Billionheir Apparent.</p><p>His latest book Musician’s Survival Guide to a Killer Record (the only gear you’ll need) is written specifically to help today’s musicians get the engineering out of the way so that they can focus on what’s important–the music itself.</p><h3><strong>About this Interview:</strong></h3><p>Mixerman joins me to discuss his journey in recording from New Jersey to&nbsp;California to North Carolina.&nbsp;We discuss his time at Capitol Studios, advocating for yourself, early internet forums, the creation of Mixerman, trolling, book writing, and empowering musicians. Enjoy! – Matt</p><p>Show Notes and Links</p><ul><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank">Current sponsors &amp; promos&nbsp;</a></li><li><em>Musician’s Survival Guide to a Killer Record :</em><a href="https://amzn.to/2Q4ilL9" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2Q4ilL9</em></a></li><li><em>The Daily Adventures of Mixerman:&nbsp;</em><a href="https://amzn.to/2JmY2Gg" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2JmY2Gg</em></a></li><li><em>#Mixerman and the Billionheir Apparent:&nbsp;</em><a href="https://amzn.to/2yF26h4" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2yF26h4</em></a></li><li><em>Zen and the Art of Mixing:&nbsp;</em><a href="https://amzn.to/2Jpz5Km" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2Jpz5Km</em></a></li><li><em>Zen and the Art of Producing:&nbsp;</em><a href="https://amzn.to/2Q1FUnO" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2Q1FUnO</em></a></li><li><em>Zen and the Art of Recording:&nbsp;</em><a href="https://amzn.to/2DbxebN" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2DbxebN</em></a></li><li>Blog:&nbsp;&nbsp;<a href="http://mixerman.net/word" rel="noopener noreferrer" target="_blank">Mixerman.net/word</a></li><li>Mailing list:&nbsp;<a href="http://mixerman.net/list" rel="noopener noreferrer" target="_blank">Mixerman.net/list</a></li><li>Courses:&nbsp;<a href="http://mixerman.net/courses" rel="noopener noreferrer" target="_blank">Mixerman.net/courses</a></li><li>Discography:&nbsp;<a href="http://mixerman.net/discography" rel="noopener noreferrer" target="_blank">Mixerman.net/discography</a></li><li>Facebook:&nbsp;<a href="http://mixerman.net/facebook" rel="noopener noreferrer" target="_blank">Mixerman.net/facebook</a></li><li>YouTube:&nbsp;<a href="http://mixerman.net/YouTube" rel="noopener noreferrer" target="_blank">Mixerman.net/YouTube</a></li><li>Twitter: @mixerman</li><li>Explore Ashville, NC:&nbsp;<a href="https://www.exploreasheville.com/" rel="noopener noreferrer" target="_blank">https://www.exploreasheville.com/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Mixerman, professionally known as Eric Sarafin, is a producer, mixer, and recordist with multiple gold and platinum sales awards to his name. After 25 years of operating out of Los Angeles, Eric currently resides in Asheville, NC, where he produces and mixes acts from around the world. Eric has worked with numerous National and International acts including The Pharcyde, Tone Loc, Spearhead, The Brand New Heavies, Ben Harper, Amy Grant, Lifehouse, Barenaked Ladies, Hillary Duff, Foreigner, and Australian phenom Pete Murray, just to name a few.</p><p>Mixerman gained notoriety as an author from his first work,&nbsp;<em>The Daily Adventures of Mixerman,</em>&nbsp;a satire of a Major Label recording session from the early aughts that delighted and surprised well over 150,000 unique visitors. In 2008, Hal Leonard picked up his Adventures, and since 2010, Mixerman has written 5 books including Zen and the Art of Mixing, Zen and the Art of Producing, Zen and the Art of Recording, followed by another music business satire #Mixerman and the Billionheir Apparent.</p><p>His latest book Musician’s Survival Guide to a Killer Record (the only gear you’ll need) is written specifically to help today’s musicians get the engineering out of the way so that they can focus on what’s important–the music itself.</p><h3><strong>About this Interview:</strong></h3><p>Mixerman joins me to discuss his journey in recording from New Jersey to&nbsp;California to North Carolina.&nbsp;We discuss his time at Capitol Studios, advocating for yourself, early internet forums, the creation of Mixerman, trolling, book writing, and empowering musicians. Enjoy! – Matt</p><p>Show Notes and Links</p><ul><li><a href="https://www.workingclassaudio.com/wca-sponsor-promos/" rel="noopener noreferrer" target="_blank">Current sponsors &amp; promos&nbsp;</a></li><li><em>Musician’s Survival Guide to a Killer Record :</em><a href="https://amzn.to/2Q4ilL9" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2Q4ilL9</em></a></li><li><em>The Daily Adventures of Mixerman:&nbsp;</em><a href="https://amzn.to/2JmY2Gg" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2JmY2Gg</em></a></li><li><em>#Mixerman and the Billionheir Apparent:&nbsp;</em><a href="https://amzn.to/2yF26h4" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2yF26h4</em></a></li><li><em>Zen and the Art of Mixing:&nbsp;</em><a href="https://amzn.to/2Jpz5Km" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2Jpz5Km</em></a></li><li><em>Zen and the Art of Producing:&nbsp;</em><a href="https://amzn.to/2Q1FUnO" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2Q1FUnO</em></a></li><li><em>Zen and the Art of Recording:&nbsp;</em><a href="https://amzn.to/2DbxebN" rel="noopener noreferrer" target="_blank"><em>https://amzn.to/2DbxebN</em></a></li><li>Blog:&nbsp;&nbsp;<a href="http://mixerman.net/word" rel="noopener noreferrer" target="_blank">Mixerman.net/word</a></li><li>Mailing list:&nbsp;<a href="http://mixerman.net/list" rel="noopener noreferrer" target="_blank">Mixerman.net/list</a></li><li>Courses:&nbsp;<a href="http://mixerman.net/courses" rel="noopener noreferrer" target="_blank">Mixerman.net/courses</a></li><li>Discography:&nbsp;<a href="http://mixerman.net/discography" rel="noopener noreferrer" target="_blank">Mixerman.net/discography</a></li><li>Facebook:&nbsp;<a href="http://mixerman.net/facebook" rel="noopener noreferrer" target="_blank">Mixerman.net/facebook</a></li><li>YouTube:&nbsp;<a href="http://mixerman.net/YouTube" rel="noopener noreferrer" target="_blank">Mixerman.net/YouTube</a></li><li>Twitter: @mixerman</li><li>Explore Ashville, NC:&nbsp;<a href="https://www.exploreasheville.com/" rel="noopener noreferrer" target="_blank">https://www.exploreasheville.com/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-202-with-mixerman]]></link><guid isPermaLink="false">567b515d495a49089cdcbefaf04ee4ca</guid><itunes:image href="https://artwork.captivate.fm/28d9782d-1a30-4370-b1fa-fb8e4c4acf23/wca-202-with-mixerman1400.png"/><pubDate>Mon, 29 Oct 2018 16:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/55f7e7eb-e19b-4477-afe9-1c73f0869b83.mp3" length="86813898" type="audio/mpeg"/><itunes:duration>01:00:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>202</itunes:episode><podcast:episode>202</podcast:episode><itunes:summary>Working Class Audio #202 Mixerman!!!
Mixerman, professionally known as Eric Sarafin, is a producer, mixer, and recordist with multiple gold and platinum sales awards to his name. After 25 years of operating out of Los Angeles, Eric currently resides in Asheville, NC, where he produces and mixes acts from around the world. Eric has worked with numerous National and International acts including The Pharcyde, Tone Loc, Spearhead, The Brand New Heavies, Ben Harper, Amy Grant, Lifehouse, Barenaked Ladies, Hillary Duff, Foreigner, and Australian phenom Pete Murray, just to name a few.

Mixerman gained notoriety as an author from his first work, The Daily Adventures of Mixerman, a satire of a Major Label recording session from the early aughts that delighted and surprised well over 150,000 unique visitors. In 2008, Hal Leonard picked up his Adventures, and since 2010, Mixerman has written 5 books including Zen and the Art of Mixing, Zen and the Art of Producing, Zen and the Art of Recording, followed by another music business satire #Mixerman and the Billionheir Apparent.

His latest book Musician&apos;s Survival Guide to a Killer Record (the only gear you’ll need) is written specifically to help today’s musicians get the engineering out of the way so that they can focus on what’s important–the music itself.

About this Interview:
 Mixerman  joins me to discuss his journey in recording from New Jersey to  California to North Carolina.  We discuss his time at Capitol Studios, advocating for yourself, early internet forums, the creation of Mixerman, trolling, book writing and empowering musicians. Enjoy! – Matt




Show Notes and Links
Current sponsors &amp; promos 
Musician’s Survival Guide to a Killer Record :https://amzn.to/2Q4ilL9
The Daily Adventures of Mixerman: https://amzn.to/2JmY2Gg
#Mixerman and the Billionheir Apparent: https://amzn.to/2yF26h4
Zen and the Art of Mixing: https://amzn.to/2Jpz5Km
Zen and the Art of Producing: https://amzn.to/2Q1FUnO
Zen and the Art of Recording: https://amzn.to/2DbxebN
Blog:  Mixerman.net/word
Mailing list: Mixerman.net/list
Courses: Mixerman.net/courses
Discography: Mixerman.net/discography
Facebook: Mixerman.net/facebook
YouTube: Mixerman.net/YouTube
Twitter: @mixerman
Explore Ashville, NC: https://www.exploreasheville.com/</itunes:summary></item><item><title>WCA #201 with Christopher Scott Cooper</title><itunes:title>WCA #201 with Christopher Scott Cooper</itunes:title><description><![CDATA[<p>Christopher Scott Cooper has played guitar since age 5, composer/songwriter since age 15, and audio engineer/producer for the last 30+ years. Became a FOH mixer/Live Sound Engineer by default and spent the late 80s touring and providing services for many a band. In&nbsp;1990 decided a new path in the studio was a better option and spent the next 15 years at Music Annex studios going from an intern to Chief Engineer. 15 years ago he chose the independent route and built a cozy high-end studio (Blue Seven Audio), and came full circle to being a FOH mixer again for the Fox Theatre in Redwood City and for various events and bands around the Bay Area. Experienced in live recording, live sound, sound effects capture, sound design, studio recording, toys, games, TV/Film, wiring, the system installs, computer/data management, electronics repair… all by necessity. He has also taught courses at Cogswell College and guest lectures at various Audio Institutions.&nbsp;Chris still writes and composes for his band New Sun, TV/Film,&nbsp;and various unusual ambient labels.</p><h3><strong>A</strong>bout this Interview:</h3><p>Chris joins me at Highwire Coffee in Oakland, California for not only coffee but a chat about his time at the Music Annex, building his own studio, diversification, survival in audio, and his start in live sound.&nbsp;Enjoy! – Matt</p><p>Show Notes and Links</p><p><br></p><ul><li>At Headphones I’m trying:&nbsp;<a href="https://goo.gl/m7X51z" rel="noopener noreferrer" target="_blank">https://goo.gl/m7X51z</a></li><li>AEA&nbsp;KU5A:&nbsp;<a href="https://goo.gl/km8139" rel="noopener noreferrer" target="_blank">https://goo.gl/km8139</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>Home Workout App on IOS:&nbsp;<a href="https://goo.gl/TpWugp" rel="noopener noreferrer" target="_blank">https://goo.gl/TpWugp</a></li><li>Home Workout&nbsp;App on Android:&nbsp;<a href="https://goo.gl/pPQreJ" rel="noopener noreferrer" target="_blank">https://goo.gl/pPQreJ</a></li><li>Christopher’s studio:&nbsp;<a href="http://www.bluesevenaudio.com/" rel="noopener noreferrer" target="_blank">http://www.bluesevenaudio.com</a></li><li>Christopher’s band:&nbsp;<a href="http://www.new-sun.com/" rel="noopener noreferrer" target="_blank">http://www.new-sun.com</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Christopher Scott Cooper has played guitar since age 5, composer/songwriter since age 15, and audio engineer/producer for the last 30+ years. Became a FOH mixer/Live Sound Engineer by default and spent the late 80s touring and providing services for many a band. In&nbsp;1990 decided a new path in the studio was a better option and spent the next 15 years at Music Annex studios going from an intern to Chief Engineer. 15 years ago he chose the independent route and built a cozy high-end studio (Blue Seven Audio), and came full circle to being a FOH mixer again for the Fox Theatre in Redwood City and for various events and bands around the Bay Area. Experienced in live recording, live sound, sound effects capture, sound design, studio recording, toys, games, TV/Film, wiring, the system installs, computer/data management, electronics repair… all by necessity. He has also taught courses at Cogswell College and guest lectures at various Audio Institutions.&nbsp;Chris still writes and composes for his band New Sun, TV/Film,&nbsp;and various unusual ambient labels.</p><h3><strong>A</strong>bout this Interview:</h3><p>Chris joins me at Highwire Coffee in Oakland, California for not only coffee but a chat about his time at the Music Annex, building his own studio, diversification, survival in audio, and his start in live sound.&nbsp;Enjoy! – Matt</p><p>Show Notes and Links</p><p><br></p><ul><li>At Headphones I’m trying:&nbsp;<a href="https://goo.gl/m7X51z" rel="noopener noreferrer" target="_blank">https://goo.gl/m7X51z</a></li><li>AEA&nbsp;KU5A:&nbsp;<a href="https://goo.gl/km8139" rel="noopener noreferrer" target="_blank">https://goo.gl/km8139</a></li><li>Audio Life on Gearslutz:&nbsp;<a href="https://www.gearslutz.com/board/audio-life/" rel="noopener noreferrer" target="_blank">https://www.gearslutz.com/board/audio-life/</a></li><li>Home Workout App on IOS:&nbsp;<a href="https://goo.gl/TpWugp" rel="noopener noreferrer" target="_blank">https://goo.gl/TpWugp</a></li><li>Home Workout&nbsp;App on Android:&nbsp;<a href="https://goo.gl/pPQreJ" rel="noopener noreferrer" target="_blank">https://goo.gl/pPQreJ</a></li><li>Christopher’s studio:&nbsp;<a href="http://www.bluesevenaudio.com/" rel="noopener noreferrer" target="_blank">http://www.bluesevenaudio.com</a></li><li>Christopher’s band:&nbsp;<a href="http://www.new-sun.com/" rel="noopener noreferrer" target="_blank">http://www.new-sun.com</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-201-with-christopher-scott-cooper]]></link><guid isPermaLink="false">c2a2b5488d84478e909626c0262a874f</guid><itunes:image href="https://artwork.captivate.fm/3baa442d-1d6a-4fc3-bacc-66e24fa8046a/wca-201-with-christopher-scott-cooper-1400.png"/><pubDate>Mon, 22 Oct 2018 05:08:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4b3165f5-5e68-4d29-b1e6-2e008c724bd7.mp3" length="58200615" type="audio/mpeg"/><itunes:duration>01:00:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>201</itunes:episode><podcast:episode>201</podcast:episode><itunes:summary>Working Class Audio #201 with Christopher Scott Cooper!!!
 Christopher Scott Cooper has played guitar since age 5, composer/songwriter since age 15, and audio engineer/producer for the last 30+ years. Became a FOH mixer/Live Sound Engineer by default and spent the late 80s touring and providing services for many a band. In the 1990 decided a new path in the studio was a better option and spent the next 15 years at Music Annex studios going from an intern to Chief Engineer. 15 years ago he chose the independent route and built a cozy high end studio (Blue Seven Audio), and came full circle to being a FOH mixer again for the Fox Theatre in Redwood City and for various events and bands around the Bay Area. Experienced in live recording, live sound, sound effects capture, sound design, studio recording, toys, games, TV/Film, wiring, system installs, computer/data management, electronics repair... all by necessity. He has also taught courses at Cogswell College and guest lectures at various Audio Institutions. Chris still writes and composes for his band New Sun, TV/Film and various unusual ambient labels.
 About this Interview:
 Chris joins me at Highwire Coffee in Oakland, California for not only coffee but a chat about his time at the Music Annex, building his own studio, diversification, survival in audio and his start in live sound. Enjoy! – Matt
  Show Notes and Links
  UA Promo: https://www.uaudio.com/twin-arrow-promo
 At Headphones I&apos;m trying: https://goo.gl/m7X51z
 AEA  KU5A: https://goo.gl/km8139
 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/
 Home Workout App on IOS: https://goo.gl/TpWugp
 Home Workout  App on Android: https://goo.gl/pPQreJ
 Christopher&apos;s studio: http://www.bluesevenaudio.com
 Christopher&apos;s band: http://www.new-sun.com
 Highwire Coffee: https://www.highwirecoffee.com/</itunes:summary></item><item><title>WCA #200 with Tchad Blake - Shooting Armadillos, Motorcycles, Buying ribs for Keith Richards, Surviving Cancer and yes...... the Sans Amp.</title><itunes:title>WCA #200 with Tchad Blake - Shooting Armadillos, Motorcycles, Buying ribs for Keith Richards, Surviving Cancer and yes...... the Sans Amp.</itunes:title><description><![CDATA[<p>When I asked Tchad if he had an official bio he said…”Probably, It’s just not written down. ”&nbsp;🙂</p><p>Tchad has worked with many artists including Arctic Monkeys, State Radio, Apartment 26, Elvis Costello, Peter Gabriel, Pearl Jam, Tom Waits, Richard Thompson, Brazilian Girls, Gerard Way, Sheryl Crow, November 2nd, T-Bone Burnett, Travis, Marike Jager, Crowded House, Finn Brothers, Liam Finn, The Pretenders, Bernard Fanning, Los Lobos, The Bad Plus, Sam Phillips, Suzanne Vega, The Bangles, Stina Nordenstam, Phish, Bonnie Raitt, Lisa Germano, Fishbone, Al Green, Tracy Chapman, Phantom Planet, Gomez, The Dandy Warhols,&nbsp;American Music Club, Jed Davis, Blitzen Trapper, Cibo Matto, Haley Bonar, David Rhodes, The Black Keys, U2, Nico Vega, Halloween, Alaska, Cheese People, Kula Shaker and Soul Coughing, Delta Spirit, The Sheepdogs, Clarance Bucaro, Charlie Mars, The Van Jets, Indy Grotto, RZA, Nive Nielsen, Mutemath, Max Gomez, Living In Question, Justin Townes Earle, Luella And The Suns, Aṣa, Nina Violet, Tracy Bonham, Little Fish, Blackroc, Gary Myrick and The Figures, among others.</p><p>Tchad has a long running partnership&nbsp;with producer&nbsp;<a href="http://americanmusicclub.com/index.php?title=Mitchell_Froom" rel="noopener noreferrer" target="_blank">Mitchell Froom</a>, and the two formed Latin Playboys with David Hidalgo and Louie Pérez of Los Lobos.&nbsp;Tchad of course is known for his unconventional&nbsp;recording and mixing technics and his use of binaural recording. He has won a number of Grammy Awards, beginning with a Grammy Award for Best Engineered Album, Non-Classical and a Grammy Award for Best Rock Album for Sheryl Crow’s&nbsp;<em>The Globe Sessions</em>&nbsp;(1998). He won another Grammy for Best Engineered Album, Non-Classical for his work on Suzanne Vega’s&nbsp;<em>Beauty &amp; Crime</em>&nbsp;(2007). Blake won two Grammys for his work with The Black Keys on 2010’s&nbsp;<em>Brothers</em>.</p><p><strong>About this Interview:</strong></p><p>Tchad joins me to talk&nbsp;about&nbsp;his journey starting in Baytown, Texas shooting Armadillos and riding motorcycles, to Los Angeles buying ribs for Keith Richards while working at Wally Heider’s studio. We also cover his work with Mitchell Froom, surviving cancer and yes……a little discussion of mechanical filters and the Sans Amp.</p><p>Enjoy! – Matt</p><p>Show Notes and Links</p><ul><li>Lol Coxhill – I Am the Walrus:<a href="https://youtu.be/xccLqr4jW7c" rel="noopener noreferrer" target="_blank">&nbsp;https://youtu.be/xccLqr4jW7c</a></li><li>Tchad on Wikipedia:&nbsp;<a href="https://en.wikipedia.org/wiki/Tchad_Blake" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Tchad_Blake</a></li><li>Tchad Blake ‘Binaural Recording’ Documentary:&nbsp;<a href="https://vimeo.com/143727933" rel="noopener noreferrer" target="_blank">https://vimeo.com/143727933</a></li><li>Wally Heider:&nbsp;<a href="https://en.wikipedia.org/wiki/Wally_Heider" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Wally_Heider</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>When I asked Tchad if he had an official bio he said…”Probably, It’s just not written down. ”&nbsp;🙂</p><p>Tchad has worked with many artists including Arctic Monkeys, State Radio, Apartment 26, Elvis Costello, Peter Gabriel, Pearl Jam, Tom Waits, Richard Thompson, Brazilian Girls, Gerard Way, Sheryl Crow, November 2nd, T-Bone Burnett, Travis, Marike Jager, Crowded House, Finn Brothers, Liam Finn, The Pretenders, Bernard Fanning, Los Lobos, The Bad Plus, Sam Phillips, Suzanne Vega, The Bangles, Stina Nordenstam, Phish, Bonnie Raitt, Lisa Germano, Fishbone, Al Green, Tracy Chapman, Phantom Planet, Gomez, The Dandy Warhols,&nbsp;American Music Club, Jed Davis, Blitzen Trapper, Cibo Matto, Haley Bonar, David Rhodes, The Black Keys, U2, Nico Vega, Halloween, Alaska, Cheese People, Kula Shaker and Soul Coughing, Delta Spirit, The Sheepdogs, Clarance Bucaro, Charlie Mars, The Van Jets, Indy Grotto, RZA, Nive Nielsen, Mutemath, Max Gomez, Living In Question, Justin Townes Earle, Luella And The Suns, Aṣa, Nina Violet, Tracy Bonham, Little Fish, Blackroc, Gary Myrick and The Figures, among others.</p><p>Tchad has a long running partnership&nbsp;with producer&nbsp;<a href="http://americanmusicclub.com/index.php?title=Mitchell_Froom" rel="noopener noreferrer" target="_blank">Mitchell Froom</a>, and the two formed Latin Playboys with David Hidalgo and Louie Pérez of Los Lobos.&nbsp;Tchad of course is known for his unconventional&nbsp;recording and mixing technics and his use of binaural recording. He has won a number of Grammy Awards, beginning with a Grammy Award for Best Engineered Album, Non-Classical and a Grammy Award for Best Rock Album for Sheryl Crow’s&nbsp;<em>The Globe Sessions</em>&nbsp;(1998). He won another Grammy for Best Engineered Album, Non-Classical for his work on Suzanne Vega’s&nbsp;<em>Beauty &amp; Crime</em>&nbsp;(2007). Blake won two Grammys for his work with The Black Keys on 2010’s&nbsp;<em>Brothers</em>.</p><p><strong>About this Interview:</strong></p><p>Tchad joins me to talk&nbsp;about&nbsp;his journey starting in Baytown, Texas shooting Armadillos and riding motorcycles, to Los Angeles buying ribs for Keith Richards while working at Wally Heider’s studio. We also cover his work with Mitchell Froom, surviving cancer and yes……a little discussion of mechanical filters and the Sans Amp.</p><p>Enjoy! – Matt</p><p>Show Notes and Links</p><ul><li>Lol Coxhill – I Am the Walrus:<a href="https://youtu.be/xccLqr4jW7c" rel="noopener noreferrer" target="_blank">&nbsp;https://youtu.be/xccLqr4jW7c</a></li><li>Tchad on Wikipedia:&nbsp;<a href="https://en.wikipedia.org/wiki/Tchad_Blake" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Tchad_Blake</a></li><li>Tchad Blake ‘Binaural Recording’ Documentary:&nbsp;<a href="https://vimeo.com/143727933" rel="noopener noreferrer" target="_blank">https://vimeo.com/143727933</a></li><li>Wally Heider:&nbsp;<a href="https://en.wikipedia.org/wiki/Wally_Heider" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Wally_Heider</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-200-with-tchad-blake-shooting-armadillos-motorcycles-buying-ribs-for-keith-richards-surviving-cancer-and-yes-the-sans-amp]]></link><guid isPermaLink="false">ae6daa8325e14bc09bea9d546c94ef7f</guid><itunes:image href="https://artwork.captivate.fm/26c0834a-a7fb-497c-be1a-311617800c46/wca-200-with-tchad-blake-1400.png"/><pubDate>Mon, 15 Oct 2018 18:42:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9d608e70-5d7e-4c54-b910-e5d157a381c2.mp3" length="114074017" type="audio/mpeg"/><itunes:duration>01:19:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>200</itunes:episode><podcast:episode>200</podcast:episode><itunes:summary>When I asked Tchad Blake if he had an official bio he said...&quot;Probably, It&apos;s just not written down. &quot; :-)
Tchad has worked with many artists including Arctic Monkeys, State Radio, Apartment 26, Elvis Costello, Peter Gabriel, Pearl Jam, Tom Waits, Richard Thompson, Brazilian Girls, Gerard Way, Sheryl Crow, November 2nd, T-Bone Burnett, Travis, Marike Jager, Crowded House, Finn Brothers, Liam Finn, The Pretenders, Bernard Fanning, Los Lobos, The Bad Plus, Sam Phillips, Suzanne Vega, The Bangles, Stina Nordenstam, Phish, Bonnie Raitt, Lisa Germano, Fishbone, Al Green, Tracy Chapman, Phantom Planet, Gomez, The Dandy Warhols, American Music Club, Jed Davis, Blitzen Trapper, Cibo Matto, Haley Bonar, David Rhodes, The Black Keys, U2, Nico Vega, Halloween, Alaska, Cheese People, Kula Shaker and Soul Coughing, Delta Spirit, The Sheepdogs, Clarance Bucaro, Charlie Mars, The Van Jets, Indy Grotto, RZA, Nive Nielsen, Mutemath, Max Gomez, Living In Question, Justin Townes Earle, Luella And The Suns, Aṣa, Nina Violet, Tracy Bonham, Little Fish, Blackroc, Gary Myrick and The Figures, among others.
Tchad has a long-running partnership with producer Mitchell Froom, and the two formed Latin Playboys with David Hidalgo and Louie Pérez of Los Lobos. Tchad, of course, is known for his unconventional recording and mixing technics and his use of binaural recording. He has won a number of Grammy Awards, beginning with a Grammy Award for Best Engineered Album, Non-Classical and a Grammy Award for Best Rock Album for Sheryl Crow&apos;s The Globe Sessions (1998). He won another Grammy for Best Engineered Album, Non-Classical for his work on Suzanne Vega&apos;s Beauty &amp; Crime (2007). Blake won two Grammys for his work with The Black Keys on 2010&apos;s Brothers.

About this Interview: 
Tchad joins me to talk about his journey starting in Baytown, Texas shooting Armadillos and riding motorcycles to Los Angeles buying ribs for Keith Richards while working at Wally Heider&apos;s studio. We also cover his work with Mitchell Froom, surviving cancer and yes......a little discussion of mechanical filters and the Sans Amp.
Show Notes and Links


Lol Coxhill - I Am the Walrus: https://youtu.be/xccLqr4jW7c



Tchad on Wikipedia: https://en.wikipedia.org/wiki/Tchad_Blake



Tchad Blake ‘Binaural Recording’ Documentary: https://vimeo.com/143727933



Wally Heider: https://en.wikipedia.org/wiki/Wally_Heider



Current sponsors &amp; promos: https://bit.ly/3266bbu</itunes:summary></item><item><title>WCA #199 with Pete Lyman</title><itunes:title>WCA #199 with Pete Lyman</itunes:title><description><![CDATA[<p>Pete Lyman is a GRAMMY-Nominated mastering engineer based out of Nashville, TN and owner of Infrasonic mastering, an audio and vinyl mastering studio with locations in Echo Park, California and Nashville, TN. Pete has mastered Grammy-nominated projects for Panic! At the Disco, Weezer, and Grammy-award winning albums for Jason Isbell and Chris Stapleton. In 2016 he was recognized with a GRAMMY Nomination for Album of the Year for Chris Stapleton’s Traveller.</p><p>&nbsp;</p><p>Pete’s music career began at the age of 14, playing bass in a number of bands in Boulder, CO, California’s Bay Area, and Los Angeles. Over the years he has shared the stage with a variety of bands including My Bloody Valentine, The Mars Volta, and Sebadoh. In 2004, Pete opened Infrasonic Sound a 2000 sqft tracking studio in the northeast Los Angeles neighborhood of El Sereno. During its tenure, the studio was host to numerous bands including The Mars Volta, Kenny Wayne Shepherd, Beck, People Under The Stairs, and Liars. By 2005, he added a mastering suite to the Infrasonic complex which became home to his 1956 Neumann AM-32B cutting lathe.</p><p>As he began to focus strictly on mastering, Pete and his studio partner Jeff Ehrenberg sold the El Sereno space, and together opened a new custom-built facility at 1176 W. Sunset Blvd in the Echo Park neighborhood of Los Angeles. In 2015, the Infrasonic welcomed mastering engineer Dave Gardner, founder of Magneto Mastering in Minneapolis, MN. Bringing over 19 years of experience and a roster including Hot Snakes, Bassnectar, and The Hold Steady, Dave currently serves as Infrasonic West’s Head Mastering Engineer.</p><p>In 2018, Pete opened his second studio facility, Infrasonic East, in Nashville, TN. Infrasonic East is now home to Pete Lyman’s custom mastering suite, the Neumann cutting lathe, and Infrasonic’s newest mastering engineer, Daniel Bacigalupi. The engineers at Infrasonic Sound continue to work with a diverse client roster – from John Prine and Dierks Bentley to Fall Out Boy and Halsey – on projects of all sizes.</p><p><strong>About this Interview:</strong></p><p>Pete joins me to talk about his journey to mastering inspired by Richard Simpson, the birth of Infrasonic, living in Los Angeles, moving to Nashville,&nbsp;economic relaxation and learning to breath. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul><li><strong>NAD CD player:&nbsp;</strong><a href="https://goo.gl/gSZeKF" rel="noopener noreferrer" target="_blank">https://goo.gl/gSZeKF</a></li><li><strong>Infrasonic on the web:&nbsp;</strong><a href="http://www.infrasonicsound.com/" rel="noopener noreferrer" target="_blank">http://www.infrasonicsound.com/</a></li><li><strong>Infrasonic on Instagram:</strong>&nbsp;<a href="https://www.instagram.com/infrasonicsound/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/infrasonicsound/</a></li><li><strong>Infrasonic on Facebook:&nbsp;</strong><a href="https://www.facebook.com/infrasonicmastering/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/infrasonicmastering/</a></li><li><strong>AEA KU5A Ribbon:&nbsp;</strong><a href="https://www.aearibbonmics.com/products/ku5a/" rel="noopener noreferrer" target="_blank">https://www.aearibbonmics.com/products/ku5a/</a></li><li><strong>F. Reid Shippen:&nbsp;</strong><a href="https://www.workingclassaudio.com/wca-049-with-f-reid-shippen/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-049-with-f-reid-shippen/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Pete Lyman is a GRAMMY-Nominated mastering engineer based out of Nashville, TN and owner of Infrasonic mastering, an audio and vinyl mastering studio with locations in Echo Park, California and Nashville, TN. Pete has mastered Grammy-nominated projects for Panic! At the Disco, Weezer, and Grammy-award winning albums for Jason Isbell and Chris Stapleton. In 2016 he was recognized with a GRAMMY Nomination for Album of the Year for Chris Stapleton’s Traveller.</p><p>&nbsp;</p><p>Pete’s music career began at the age of 14, playing bass in a number of bands in Boulder, CO, California’s Bay Area, and Los Angeles. Over the years he has shared the stage with a variety of bands including My Bloody Valentine, The Mars Volta, and Sebadoh. In 2004, Pete opened Infrasonic Sound a 2000 sqft tracking studio in the northeast Los Angeles neighborhood of El Sereno. During its tenure, the studio was host to numerous bands including The Mars Volta, Kenny Wayne Shepherd, Beck, People Under The Stairs, and Liars. By 2005, he added a mastering suite to the Infrasonic complex which became home to his 1956 Neumann AM-32B cutting lathe.</p><p>As he began to focus strictly on mastering, Pete and his studio partner Jeff Ehrenberg sold the El Sereno space, and together opened a new custom-built facility at 1176 W. Sunset Blvd in the Echo Park neighborhood of Los Angeles. In 2015, the Infrasonic welcomed mastering engineer Dave Gardner, founder of Magneto Mastering in Minneapolis, MN. Bringing over 19 years of experience and a roster including Hot Snakes, Bassnectar, and The Hold Steady, Dave currently serves as Infrasonic West’s Head Mastering Engineer.</p><p>In 2018, Pete opened his second studio facility, Infrasonic East, in Nashville, TN. Infrasonic East is now home to Pete Lyman’s custom mastering suite, the Neumann cutting lathe, and Infrasonic’s newest mastering engineer, Daniel Bacigalupi. The engineers at Infrasonic Sound continue to work with a diverse client roster – from John Prine and Dierks Bentley to Fall Out Boy and Halsey – on projects of all sizes.</p><p><strong>About this Interview:</strong></p><p>Pete joins me to talk about his journey to mastering inspired by Richard Simpson, the birth of Infrasonic, living in Los Angeles, moving to Nashville,&nbsp;economic relaxation and learning to breath. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul><li><strong>NAD CD player:&nbsp;</strong><a href="https://goo.gl/gSZeKF" rel="noopener noreferrer" target="_blank">https://goo.gl/gSZeKF</a></li><li><strong>Infrasonic on the web:&nbsp;</strong><a href="http://www.infrasonicsound.com/" rel="noopener noreferrer" target="_blank">http://www.infrasonicsound.com/</a></li><li><strong>Infrasonic on Instagram:</strong>&nbsp;<a href="https://www.instagram.com/infrasonicsound/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/infrasonicsound/</a></li><li><strong>Infrasonic on Facebook:&nbsp;</strong><a href="https://www.facebook.com/infrasonicmastering/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/infrasonicmastering/</a></li><li><strong>AEA KU5A Ribbon:&nbsp;</strong><a href="https://www.aearibbonmics.com/products/ku5a/" rel="noopener noreferrer" target="_blank">https://www.aearibbonmics.com/products/ku5a/</a></li><li><strong>F. Reid Shippen:&nbsp;</strong><a href="https://www.workingclassaudio.com/wca-049-with-f-reid-shippen/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-049-with-f-reid-shippen/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-199-with-pete-lyman]]></link><guid isPermaLink="false">c1be403bc0af4c27be5d1df7c8988d2c</guid><itunes:image href="https://artwork.captivate.fm/e87443f4-9e6b-452e-b0e7-dd355c82d6cf/wca-199-with-pete-lyman-1400.png"/><pubDate>Mon, 08 Oct 2018 06:04:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/07ee25cf-4d68-46e2-8d4b-06feb6570811.mp3" length="48225573" type="audio/mpeg"/><itunes:duration>50:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>199</itunes:episode><podcast:episode>199</podcast:episode><itunes:summary>Working Class Audio #199 with Pete Lyman!!!
     Pete Lyman is a GRAMMY-Nominated mastering engineer based out of Nashville, TN and owner of Infrasonic mastering, an audio and vinyl mastering studio with locations in Echo Park, California and Nashville, TN. Pete has mastered Grammy-nominated projects for Panic! At the Disco, Weezer, and Grammy-award winning albums for Jason Isbell and Chris Stapleton. In 2016 he was recognized with a GRAMMY Nomination for Album of the Year for Chris Stapleton’s Traveller.
 Pete’s music career began at the age of 14, playing bass in a number of bands in Boulder, CO, California’s Bay Area, and Los Angeles. Over the years he has shared the stage with a variety of bands including My Bloody Valentine, The Mars Volta, and Sebadoh. In 2004, Pete opened Infrasonic Sound a 2000 sqft tracking studio in the northeast Los Angeles neighborhood of El Sereno. During its tenure, the studio was host to numerous bands including The Mars Volta, Kenny Wayne Shepherd, Beck, People Under The Stairs, and Liars. By 2005, he added a mastering suite to the Infrasonic complex which became home to his 1956 Neumann AM-32B cutting lathe.
 As he began to focus strictly on mastering, Pete and his studio partner Jeff Ehrenberg sold the El Sereno space, and together opened a new custom-built facility at 1176 W. Sunset Blvd in the Echo Park neighborhood of Los Angeles. In 2015, the Infrasonic welcomed mastering engineer Dave Gardner, founder of Magneto Mastering in Minneapolis, MN. Bringing over 19 years of experience and a roster including Hot Snakes, Bassnectar, and The Hold Steady, Dave currently serves as Infrasonic West’s Head Mastering Engineer.
 In 2018, Pete opened his second studio facility, Infrasonic East, in Nashville, TN. Infrasonic East is now home to Pete Lyman’s custom mastering suite, the Neumann cutting lathe, and Infrasonic’s newest mastering engineer, Daniel Bacigalupi. The engineers at Infrasonic Sound continue to work with a diverse client roster - from John Prine and Dierks Bentley to Fall Out Boy and Halsey - on projects of all sizes.
 About this Interview:
 Pete joins me to talk about his journey to mastering inspired by Richard Simpson, the birth of Infrasonic, living in Los Angeles, moving to Nashville,  economic relaxation and learning to breath. Enjoy! – Matt
  Show Notes and Links
  NAD CD player: https://goo.gl/gSZeKF
 Infrasonic on the web: http://www.infrasonicsound.com/
 Infrasonic on Instagram: https://www.instagram.com/infrasonicsound/
 Infrasonic on Facebook: https://www.facebook.com/infrasonicmastering/
 AEA KU5A Ribbon: https://www.aearibbonmics.com/products/ku5a/
 Universal Audio Promo: https://www.uaudio.com/twin-arrow-promo
 F. Reid Shippen: http://www.workingclassaudio.com/wca-049-with-f-reid-shippen/</itunes:summary></item><item><title>WCA #198 with Fela Davis</title><itunes:title>WCA #198 with Fela Davis</itunes:title><description><![CDATA[<p>Fela Davis is a graduate of Full Sail University and has over 17 years of experience in audio engineering. Her past experiences include working for industry powerhouses Clair Broadcast and House of Blues. Fela is currently the front-of-house engineer for Christian McBride. Fela co-founded 23 DB Productions with&nbsp;Denis Orynbekov. The company does a variety of work including mastering, recording &amp;mixing as well as video content.&nbsp;23dB has been a gateway for Fela to begin producing, shooting, and editing for endorsement and product videos for social media (Focusrite, Lewitt Microphones, and Big Joe Stomp Box). Using the videos to teach the audio community about new products and hone her skills at video production. 23dB eventually created their own video series called The Art of Music Tech. The series featured audio giants Leslie Ann Jones (Head of Skywalker Audio) and Jeff Bova (Michael Jackson, Herbie Hancock). Each featured guest talked about their career in audio and the audio gear used on their biggest hits! They have since made The Art of Music Tech video series into a weekly podcast that Fela and Denis host together. When Fela is not creating content for 23dB Productions or working with SoundGirls, she’s traveling the world mixing front of the house for Christian McBride.</p><h3><strong>About this Interview:</strong></h3><p>Fela chats with me about her 8th-grade career test that said audio engineering was a possibility, her time at Full Sail, folding airbags for Honda Accord’s, paying her dues, driving long distances for low-paying audio gigs, and her willingness to never give up.&nbsp;Enjoy! – Matt</p><h3><strong>Show Notes and Links</strong></h3><ul><li>Velcro Straps I mentioned:&nbsp;<a href="https://goo.gl/u56WAZ" rel="noopener noreferrer" target="_blank">https://goo.gl/u56WAZ</a></li><li>Fela’s Podcast:&nbsp;<a href="https://www.youtube.com/watch?v=C1rNL-kPwYY" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=C1rNL-kPwYY</a></li><li>23db Productions:&nbsp;<a href="https://www.23dbproductions.com/" rel="noopener noreferrer" target="_blank">https://www.23dbproductions.com/</a></li><li>Sammy Hagar’s Biography:&nbsp;<a href="https://goo.gl/5mnmwf" rel="noopener noreferrer" target="_blank">https://goo.gl/5mnmwf</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Fela Davis is a graduate of Full Sail University and has over 17 years of experience in audio engineering. Her past experiences include working for industry powerhouses Clair Broadcast and House of Blues. Fela is currently the front-of-house engineer for Christian McBride. Fela co-founded 23 DB Productions with&nbsp;Denis Orynbekov. The company does a variety of work including mastering, recording &amp;mixing as well as video content.&nbsp;23dB has been a gateway for Fela to begin producing, shooting, and editing for endorsement and product videos for social media (Focusrite, Lewitt Microphones, and Big Joe Stomp Box). Using the videos to teach the audio community about new products and hone her skills at video production. 23dB eventually created their own video series called The Art of Music Tech. The series featured audio giants Leslie Ann Jones (Head of Skywalker Audio) and Jeff Bova (Michael Jackson, Herbie Hancock). Each featured guest talked about their career in audio and the audio gear used on their biggest hits! They have since made The Art of Music Tech video series into a weekly podcast that Fela and Denis host together. When Fela is not creating content for 23dB Productions or working with SoundGirls, she’s traveling the world mixing front of the house for Christian McBride.</p><h3><strong>About this Interview:</strong></h3><p>Fela chats with me about her 8th-grade career test that said audio engineering was a possibility, her time at Full Sail, folding airbags for Honda Accord’s, paying her dues, driving long distances for low-paying audio gigs, and her willingness to never give up.&nbsp;Enjoy! – Matt</p><h3><strong>Show Notes and Links</strong></h3><ul><li>Velcro Straps I mentioned:&nbsp;<a href="https://goo.gl/u56WAZ" rel="noopener noreferrer" target="_blank">https://goo.gl/u56WAZ</a></li><li>Fela’s Podcast:&nbsp;<a href="https://www.youtube.com/watch?v=C1rNL-kPwYY" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=C1rNL-kPwYY</a></li><li>23db Productions:&nbsp;<a href="https://www.23dbproductions.com/" rel="noopener noreferrer" target="_blank">https://www.23dbproductions.com/</a></li><li>Sammy Hagar’s Biography:&nbsp;<a href="https://goo.gl/5mnmwf" rel="noopener noreferrer" target="_blank">https://goo.gl/5mnmwf</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-198-with-fela-davis]]></link><guid isPermaLink="false">ff3b3519b4af4f20acb94f2553a8a1e7</guid><itunes:image href="https://artwork.captivate.fm/4f3612bd-9b68-4716-af64-958eaa23121a/wca-198-with-fela-davis-1400.png"/><pubDate>Mon, 01 Oct 2018 05:35:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9a3fddd0-52ca-4159-9ce0-57690346573e.mp3" length="62968665" type="audio/mpeg"/><itunes:duration>01:05:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>198</itunes:episode><podcast:episode>198</podcast:episode><itunes:summary>Working Class Audio #198 with Fela Davis!!!
 Fela Davis  is a graduate of Full Sail University and has over 17 years of experience in audio engineering. Her past experiences includes working for industry powerhouses Clair Broadcast and House of Blues. Fela is currently the front of house engineer for Christian McBride. Fela co-founded 23 db Productions with Denis Orynbekov. The company does a variety work including mastering, recording &amp; mixing as well as video content.  23dB has been a gateway for Fela to begin producing, shooting and editing for endorsement and product videos for social media (Focusrite, Lewitt Microphones and Big Joe Stomp Box). Using the videos to teach the audio community about new products and hone her skills at video production. 23dB eventually created their own video series called The Art of Music Tech. The series featured audio giants Leslie Ann Jones (Head of Skywalker Audio) and Jeff Bova (Michael Jackson, Herbie Hancock). Each featured guest talked about their career in audio and the audio gear used on their biggest hits! They have since made The Art of Music Tech video series into a weekly podcast that Fela and Denis host together. When Fela is not creating content for 23dB Productions or working with SoundGirls, she&apos;s traveling the world mixing front of house for Christian McBride.
 About this Interview:
 Fela chats with me about her 8th grade career test that said audio engineering was a possibility, her time at Full Sail, folding airbags for Honda Accord&apos;s, paying her dues, driving long distance for low paying audio gigs and her willingness to never give up.  Enjoy! – Matt
  Show Notes and Links
  Velcro Straps I mentioned: https://goo.gl/u56WAZ
 Fela&apos;s Podcast: https://www.youtube.com/watch?v=C1rNL-kPwYY
 23db Productions: https://www.23dbproductions.com/
 Sammy Hagar&apos;s Biography: https://goo.gl/5mnmwf</itunes:summary></item><item><title>WCA #197 with Pete Weiss</title><itunes:title>WCA #197 with Pete Weiss</itunes:title><description><![CDATA[<p>Pete Weiss is a New England-based producer/engineer/mixer/musician. His unfussy, organic, “artist first” work has earned him a reputation as an outstanding producer who can adapt to many musical genres and is unafraid to ignore stylistic conventions. Notable artists Weiss has worked with include Charlie Chesterman, Chris Brokaw, Kustomized, Slim Cessna’s Auto Club, Doug Yule, Moe Tucker, The Upper Crust, Aimee Mann, Lee Ranaldo, Bell X1, Drive-By Wire, One Happy Island, Kingsley Flood, Willard Grant Conspiracy, Two Dollar Pistols, Bow Thayer &amp; Levon Helm, Don Lennon, Hayley Thompson-King and many others.</p><p>In 1989 he co-founded&nbsp;<a href="http://www.zippah.com/" rel="noopener noreferrer" target="_blank">Zippah Studio</a>&nbsp;in Boston. Selling his share of Zippah in 2004, he built and opened&nbsp;<a href="http://www.verdantstudio.com/" rel="noopener noreferrer" target="_blank">Verdant Studio</a>, an “open room” retreat-style studio with artist lodging in rural Vermont which he now uses as a home base.</p><p>When not in the studio, Weiss fronts the instrumental band The Weisstronauts and is a member of the experimental pop collective known as Sool. He released a solo album in 1996 and three albums while fronting the subversive Pete Weiss &amp; the Rock Band from 1995-2000. He has scored four independent films, “Methods” (1998), “Metal” (2001), “Bad Gravity” (with Sool 2006), and “The Arcadian Ideal” (2007).</p><p>He is a Senior Contributor for Tape Op Magazine, writing&nbsp;<a href="http://tapeop.com/reviews/gear/by/pete-weiss" rel="noopener noreferrer" target="_blank">reviews of audio equipment</a>&nbsp;as well as conducting&nbsp;<a href="http://tapeop.com/articles/by/pete-weiss" rel="noopener noreferrer" target="_blank">interviews with recording industry figures</a>. Over the years he has served on many panels &amp; workshops at Tape Op’s and&nbsp;<a href="http://www.potluckconference.com/" rel="noopener noreferrer" target="_blank">Potluck Audio</a>&nbsp;conferences. In the early 1990’s Weiss authored two books on baseball, “<a href="http://www.amazon.com/Baseballs-All-Time-Chosen-Americas-Sportswriters/dp/1558501045" rel="noopener noreferrer" target="_blank">Baseball’s All Time Goats</a>” and “<a href="http://www.amazon.com/Longshots-Unlikely-Championship-Baseball-History/dp/1558501606/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1463704456&amp;sr=1-1&amp;keywords=longshots+book+weiss" rel="noopener noreferrer" target="_blank">Longshots</a>!”, both published by Adams Media.</p><h1><strong>About this Interview:</strong></h1><p>Pete joins me to talk about his early career and decision making, his transition to building a rural studio, the lessons learned in that rural environment and his decision to sell and try a different recording adventure. plus much more. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul><li>Pete’s&nbsp;site :&nbsp;<a href="http://www.weissy.com/" rel="noopener noreferrer" target="_blank">www.weissy.com</a></li><li>Verdant Studio:&nbsp;<a href="http://www.verdantstudio.com/" rel="noopener noreferrer" target="_blank">www.verdantstudio.com</a></li><li>Verdant Studio for sale info / photos:<a href="https://goo.gl/AQ5Zy6" rel="noopener noreferrer" target="_blank">&nbsp;https://goo.gl/AQ5Zy6</a></li><li>My instrumental guitar band:&nbsp;<a href="http://www.weisstronauts.com/" rel="noopener noreferrer" target="_blank">www.weisstronauts.com</a></li><li>Articles / interviews I’ve done for Tape Op Magazine::&nbsp;<a href="https://tapeop.com/articles/by/pete-weiss" rel="noopener noreferrer" target="_blank">https://tapeop.com/articles/by/pete-weiss</a></li><li>Gear reviews I’ve done for Tape Op:&nbsp;<a href="https://tapeop.com/reviews/gear/by/pete-weiss" rel="noopener noreferrer" target="_blank">https://tapeop.com/reviews/gear/by/pete-weiss</a></li><li>My personal page on Facebook:&nbsp;<a href="https://www.facebook.com/pete.weiss.7" rel="noopener noreferrer" target="_blank">https://www.facebook.com/pete.weiss.7</a></li><li>Instagram: peteweiss2000</li><li>Pete’s work on Spotify.:&nbsp;<a href="https://goo.gl/QSEjJR" rel="noopener noreferrer" target="_blank">https://goo.gl/QSEjJR</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Pete Weiss is a New England-based producer/engineer/mixer/musician. His unfussy, organic, “artist first” work has earned him a reputation as an outstanding producer who can adapt to many musical genres and is unafraid to ignore stylistic conventions. Notable artists Weiss has worked with include Charlie Chesterman, Chris Brokaw, Kustomized, Slim Cessna’s Auto Club, Doug Yule, Moe Tucker, The Upper Crust, Aimee Mann, Lee Ranaldo, Bell X1, Drive-By Wire, One Happy Island, Kingsley Flood, Willard Grant Conspiracy, Two Dollar Pistols, Bow Thayer &amp; Levon Helm, Don Lennon, Hayley Thompson-King and many others.</p><p>In 1989 he co-founded&nbsp;<a href="http://www.zippah.com/" rel="noopener noreferrer" target="_blank">Zippah Studio</a>&nbsp;in Boston. Selling his share of Zippah in 2004, he built and opened&nbsp;<a href="http://www.verdantstudio.com/" rel="noopener noreferrer" target="_blank">Verdant Studio</a>, an “open room” retreat-style studio with artist lodging in rural Vermont which he now uses as a home base.</p><p>When not in the studio, Weiss fronts the instrumental band The Weisstronauts and is a member of the experimental pop collective known as Sool. He released a solo album in 1996 and three albums while fronting the subversive Pete Weiss &amp; the Rock Band from 1995-2000. He has scored four independent films, “Methods” (1998), “Metal” (2001), “Bad Gravity” (with Sool 2006), and “The Arcadian Ideal” (2007).</p><p>He is a Senior Contributor for Tape Op Magazine, writing&nbsp;<a href="http://tapeop.com/reviews/gear/by/pete-weiss" rel="noopener noreferrer" target="_blank">reviews of audio equipment</a>&nbsp;as well as conducting&nbsp;<a href="http://tapeop.com/articles/by/pete-weiss" rel="noopener noreferrer" target="_blank">interviews with recording industry figures</a>. Over the years he has served on many panels &amp; workshops at Tape Op’s and&nbsp;<a href="http://www.potluckconference.com/" rel="noopener noreferrer" target="_blank">Potluck Audio</a>&nbsp;conferences. In the early 1990’s Weiss authored two books on baseball, “<a href="http://www.amazon.com/Baseballs-All-Time-Chosen-Americas-Sportswriters/dp/1558501045" rel="noopener noreferrer" target="_blank">Baseball’s All Time Goats</a>” and “<a href="http://www.amazon.com/Longshots-Unlikely-Championship-Baseball-History/dp/1558501606/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1463704456&amp;sr=1-1&amp;keywords=longshots+book+weiss" rel="noopener noreferrer" target="_blank">Longshots</a>!”, both published by Adams Media.</p><h1><strong>About this Interview:</strong></h1><p>Pete joins me to talk about his early career and decision making, his transition to building a rural studio, the lessons learned in that rural environment and his decision to sell and try a different recording adventure. plus much more. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul><li>Pete’s&nbsp;site :&nbsp;<a href="http://www.weissy.com/" rel="noopener noreferrer" target="_blank">www.weissy.com</a></li><li>Verdant Studio:&nbsp;<a href="http://www.verdantstudio.com/" rel="noopener noreferrer" target="_blank">www.verdantstudio.com</a></li><li>Verdant Studio for sale info / photos:<a href="https://goo.gl/AQ5Zy6" rel="noopener noreferrer" target="_blank">&nbsp;https://goo.gl/AQ5Zy6</a></li><li>My instrumental guitar band:&nbsp;<a href="http://www.weisstronauts.com/" rel="noopener noreferrer" target="_blank">www.weisstronauts.com</a></li><li>Articles / interviews I’ve done for Tape Op Magazine::&nbsp;<a href="https://tapeop.com/articles/by/pete-weiss" rel="noopener noreferrer" target="_blank">https://tapeop.com/articles/by/pete-weiss</a></li><li>Gear reviews I’ve done for Tape Op:&nbsp;<a href="https://tapeop.com/reviews/gear/by/pete-weiss" rel="noopener noreferrer" target="_blank">https://tapeop.com/reviews/gear/by/pete-weiss</a></li><li>My personal page on Facebook:&nbsp;<a href="https://www.facebook.com/pete.weiss.7" rel="noopener noreferrer" target="_blank">https://www.facebook.com/pete.weiss.7</a></li><li>Instagram: peteweiss2000</li><li>Pete’s work on Spotify.:&nbsp;<a href="https://goo.gl/QSEjJR" rel="noopener noreferrer" target="_blank">https://goo.gl/QSEjJR</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-197-with-pete-weiss]]></link><guid isPermaLink="false">2c921d5b39ec4aeabdfefdf56d8d8b23</guid><itunes:image href="https://artwork.captivate.fm/962d4e45-60ce-4e14-9c2a-44ac654ca924/wca-197-with-pete-weiss-1400.png"/><pubDate>Mon, 24 Sep 2018 21:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/56ad619c-edf7-4291-8693-2a4fdb962549.mp3" length="56990177" type="audio/mpeg"/><itunes:duration>59:22</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>197</itunes:episode><podcast:episode>197</podcast:episode><itunes:summary>Working Class Audio #197 with Pete Weiss!!!Pete Weiss is a producer/engineer/mixer/musician. Weiss has worked with Charlie Chesterman, Chris Brokaw, Kustomized, Slim Cessna&apos;s Auto Club, Doug Yule, Moe Tucker, The Upper Crust, Aimee Mann, Lee Ranaldo, Bell X1, Drive By Wire, One Happy Island, Kingsley Flood, Willard Grant Conspiracy, Two Dollar Pistols, Bow Thayer &amp; Levon Helm, Don Lennon, Hayley Thompson-King and many others.
In 1989 he co-founded Zippah Studio in Boston. In 2004 he sold his share of Zippah. He then built and opened Verdant Studio, in rural Vermont. 
Weiss also fronts the instrumental band The Weisstronauts and is a member of the experimental pop collective known as Sool. He released a solo album in 1996 and three albums while fronting the subversive Pete Weiss &amp; the Rock Band from 1995-2000. He has scored four independent films, &quot;Methods&quot; (1998), &quot;Metal&quot; (2001), &quot;Bad Gravity&quot; (with Sool 2006), and &quot;The Arcadian Ideal&quot; (2007).
About this Interview:Pete joins me to talk aboutHis early career and decision making, His transition to building a rural studio, The lessons learned in that rural environment and  His decision to sell and try a different recording adventure. 
Show Notes and Links Pete&apos;s site : Pete&apos;s SIte: www.weissy.com Verdant Studio: www.verdantstudio.com Verdant Studio for sale info / photos: https://goo.gl/AQ5Zy6 Pete&apos;s band: www.weisstronauts.com Pete&apos;s personal page on Facebook: https://www.facebook.com/pete.weiss.7 Instagram: peteweiss2000 Pete&apos;s work on Spotify.: https://goo.gl/QSEjJR</itunes:summary></item><item><title>WCA #196 with Adam Rossi</title><itunes:title>WCA #196 with Adam Rossi</itunes:title><description><![CDATA[<p>Adam Rossi is a music and sound producer working in San Francisco. Past projects include music production for local Bay Area artists Jeffrey Halford and The Healers, Morsifire, Brad Brooks, The Welcome Matt and Luce; music scores for VR games War Hammer: Betrayal at Calth and Bounce (Steel Wool Studios), and sound design, music and voice over for award winning toys by KID Group.</p><p>Adam’s work in the VR world has led to music, sound design and voice over work on immersive projects for the films Ready Player One and Jigsaw, Mercedes-Benz, Visa, SAP, Lexus, Sprint, LG, Kaiser, Carnival and many others.</p><p>When he’s not locked in the studio, Adam can be found playing keyboards with local Bay Area artists and jumping on the occasional tour to Europe with Jeffrey Halford and the Healers.</p><h1><strong>About this Interview:</strong></h1><p>Adam joins me to talk about his journey that started with&nbsp;an 8th grade run-in with Eric Valentine to his mom’s garage to crappy midi composing jobs to making records with Tom Luce and much, much more!. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul><li>Adam’s Site:&nbsp;<a href="http://www.araudio.net/" rel="noopener noreferrer" target="_blank">http://www.araudio.net/</a></li><li>Backblaze:&nbsp;<a href="https://www.backblaze.com/cloud-backup.html#af9h3h" rel="noopener noreferrer" target="_blank">https://www.backblaze.com/cloud-backup.html#af9h3h</a></li><li>Meyer Sound:&nbsp;<a href="https://meyersound.com/news/oliveto-restaurant/" rel="noopener noreferrer" target="_blank">&nbsp;https://meyersound.com/news/oliveto-restaurant/</a></li><li>Adam’s suggested reading:&nbsp;<a href="https://goo.gl/znjtRz" rel="noopener noreferrer" target="_blank">https://goo.gl/znjtRz</a></li><li>AI in Pro Audio:&nbsp;<a href="https://www.prosoundnetwork.com/needtoknow/need-to-know-ai-in-pro-audio" rel="noopener noreferrer" target="_blank">https://www.prosoundnetwork.com/needtoknow/need-to-know-ai-in-pro-audio</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Adam Rossi is a music and sound producer working in San Francisco. Past projects include music production for local Bay Area artists Jeffrey Halford and The Healers, Morsifire, Brad Brooks, The Welcome Matt and Luce; music scores for VR games War Hammer: Betrayal at Calth and Bounce (Steel Wool Studios), and sound design, music and voice over for award winning toys by KID Group.</p><p>Adam’s work in the VR world has led to music, sound design and voice over work on immersive projects for the films Ready Player One and Jigsaw, Mercedes-Benz, Visa, SAP, Lexus, Sprint, LG, Kaiser, Carnival and many others.</p><p>When he’s not locked in the studio, Adam can be found playing keyboards with local Bay Area artists and jumping on the occasional tour to Europe with Jeffrey Halford and the Healers.</p><h1><strong>About this Interview:</strong></h1><p>Adam joins me to talk about his journey that started with&nbsp;an 8th grade run-in with Eric Valentine to his mom’s garage to crappy midi composing jobs to making records with Tom Luce and much, much more!. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul><li>Adam’s Site:&nbsp;<a href="http://www.araudio.net/" rel="noopener noreferrer" target="_blank">http://www.araudio.net/</a></li><li>Backblaze:&nbsp;<a href="https://www.backblaze.com/cloud-backup.html#af9h3h" rel="noopener noreferrer" target="_blank">https://www.backblaze.com/cloud-backup.html#af9h3h</a></li><li>Meyer Sound:&nbsp;<a href="https://meyersound.com/news/oliveto-restaurant/" rel="noopener noreferrer" target="_blank">&nbsp;https://meyersound.com/news/oliveto-restaurant/</a></li><li>Adam’s suggested reading:&nbsp;<a href="https://goo.gl/znjtRz" rel="noopener noreferrer" target="_blank">https://goo.gl/znjtRz</a></li><li>AI in Pro Audio:&nbsp;<a href="https://www.prosoundnetwork.com/needtoknow/need-to-know-ai-in-pro-audio" rel="noopener noreferrer" target="_blank">https://www.prosoundnetwork.com/needtoknow/need-to-know-ai-in-pro-audio</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-196-with-adam-rossi]]></link><guid isPermaLink="false">405799d4d9d84de8b0d42f972f02e5f6</guid><itunes:image href="https://artwork.captivate.fm/b507c409-3d43-40f8-8261-4461362c704d/wca-196-with-adam-rossi-1400.png"/><pubDate>Mon, 17 Sep 2018 06:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/622f9fa1-2d64-42c4-85d6-5f5d4e595f97.mp3" length="61370807" type="audio/mpeg"/><itunes:duration>01:03:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>196</itunes:episode><podcast:episode>196</podcast:episode><itunes:summary>Working Class Audio #196 with Adam Rossi!!!  Adam Rossi is a music and sound producer working in San Francisco. Past projects include music production for local Bay Area artists Jeffrey Halford and The Healers, Morsifire, Brad Brooks, The Welcome Matt and Luce; music scores for VR games War Hammer: Betrayal at Calth and Bounce (Steel Wool Studios), and sound design, music and voice over for award winning toys by KID Group.   Adam&apos;s work in the VR world has led to music, sound design and voice over work on immersive projects for the films Ready Player One and Jigsaw, Mercedes-Benz, Visa, SAP, Lexus, Sprint, LG, Kaiser, Carnival and many others.   When he&apos;s not locked in the studio, Adam can be found playing keyboards with local Bay Area artists and jumping on the occasional tour to Europe with Jeffrey Halford and the Healers.   About this Interview:  Adam joins me to talk about his journey that started with  an 8th grade run-in with Eric Valentine to his mom&apos;s garage to crappy midi composing jobs to making records with Tom Luce and much, much more!. Enjoy! – Matt  Show Notes and Links  Adam&apos;s Site: http://www.araudio.net/ Backblaze: https://www.backblaze.com/cloud-backup.html#af9h3h Meyer Sound:  https://meyersound.com/news/oliveto-restaurant/ Adam&apos;s suggested reading: https://goo.gl/znjtRz AI in Pro Audio: https://www.prosoundnetwork.com/needtoknow/need-to-know-ai-in-pro-audio</itunes:summary></item><item><title>WCA #195 with Sherry Klein</title><itunes:title>WCA #195 with Sherry Klein</itunes:title><description><![CDATA[<p>Sherry Klein is a Post Production Re-Recording Mixer for Television and Film, she is currently living in Los Angeles, Ca. and works with Smart Post Sound in Burbank. Some of her past credits include Queen of the South, Reverie, Burn Notice, Arrested Development,&nbsp;Sons of Anarchy,&nbsp;and&nbsp;The Shield. She is currently a Board member of the CAS (Cinema Audio Society) and chairs their annual Student Recognition Awards.</p><p>She first became&nbsp;“aware” of audio while attending&nbsp;Berklee College of music in Boston studying&nbsp;Arranging and Composition.&nbsp;There&nbsp;was a small 2-track studio in the basement of the main Berklee building where she had to record her 4th semester term project. This was the experience that she remembers as the start of her fascination with sound, and the beginnings of her journey from musician, to record engineering and finally into post production mixing.</p><p>“I consider myself very lucky to be working within this talented community of people who have continually inspired me to refine my craft, and grow my love of mixing”</p><p><strong>About this Interview:</strong></p><p>Sherry joins me to talk about her journey from musician, composer, arranger to recording engineer in the world of records to finally Post Production Re-Recording Mixer for Television and Film. Enjoy! – Matt</p><p>Show Notes and Links</p><ul><li>IMDB-&nbsp;<a href="https://www.imdb.com/name/nm0458975/?ref_=nv_sr_1" rel="noopener noreferrer" target="_blank">&nbsp;https://www.imdb.com/name/nm0458975/?ref_=nv_sr_1</a></li><li>CAS –&nbsp;<a href="http://cinemaaudiosociety.org/" rel="noopener noreferrer" target="_blank">http://cinemaaudiosociety.org</a></li><li>LINKEDIN –&nbsp;<a href="https://www.linkedin.com/in/sherry-klein-792580/" rel="noopener noreferrer" target="_blank">https://www.linkedin.com/in/sherry-klein-792580/</a></li><li>FACEBOOK –&nbsp;<a href="https://www.facebook.com/VPHB3" rel="noopener noreferrer" target="_blank">https://www.facebook.com/VPHB3</a></li><li>Soundgirls.org:&nbsp;<a href="https://soundgirls.org/" rel="noopener noreferrer" target="_blank">https://soundgirls.org/</a></li><li>April Tucker’s Interview with Sherry:&nbsp;<a href="https://soundgirls.org/sherry-klein/" rel="noopener noreferrer" target="_blank">https://soundgirls.org/sherry-klein/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Sherry Klein is a Post Production Re-Recording Mixer for Television and Film, she is currently living in Los Angeles, Ca. and works with Smart Post Sound in Burbank. Some of her past credits include Queen of the South, Reverie, Burn Notice, Arrested Development,&nbsp;Sons of Anarchy,&nbsp;and&nbsp;The Shield. She is currently a Board member of the CAS (Cinema Audio Society) and chairs their annual Student Recognition Awards.</p><p>She first became&nbsp;“aware” of audio while attending&nbsp;Berklee College of music in Boston studying&nbsp;Arranging and Composition.&nbsp;There&nbsp;was a small 2-track studio in the basement of the main Berklee building where she had to record her 4th semester term project. This was the experience that she remembers as the start of her fascination with sound, and the beginnings of her journey from musician, to record engineering and finally into post production mixing.</p><p>“I consider myself very lucky to be working within this talented community of people who have continually inspired me to refine my craft, and grow my love of mixing”</p><p><strong>About this Interview:</strong></p><p>Sherry joins me to talk about her journey from musician, composer, arranger to recording engineer in the world of records to finally Post Production Re-Recording Mixer for Television and Film. Enjoy! – Matt</p><p>Show Notes and Links</p><ul><li>IMDB-&nbsp;<a href="https://www.imdb.com/name/nm0458975/?ref_=nv_sr_1" rel="noopener noreferrer" target="_blank">&nbsp;https://www.imdb.com/name/nm0458975/?ref_=nv_sr_1</a></li><li>CAS –&nbsp;<a href="http://cinemaaudiosociety.org/" rel="noopener noreferrer" target="_blank">http://cinemaaudiosociety.org</a></li><li>LINKEDIN –&nbsp;<a href="https://www.linkedin.com/in/sherry-klein-792580/" rel="noopener noreferrer" target="_blank">https://www.linkedin.com/in/sherry-klein-792580/</a></li><li>FACEBOOK –&nbsp;<a href="https://www.facebook.com/VPHB3" rel="noopener noreferrer" target="_blank">https://www.facebook.com/VPHB3</a></li><li>Soundgirls.org:&nbsp;<a href="https://soundgirls.org/" rel="noopener noreferrer" target="_blank">https://soundgirls.org/</a></li><li>April Tucker’s Interview with Sherry:&nbsp;<a href="https://soundgirls.org/sherry-klein/" rel="noopener noreferrer" target="_blank">https://soundgirls.org/sherry-klein/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-195-with-sherry-klein]]></link><guid isPermaLink="false">6c1a8288a1434fbd81471db5cf263971</guid><itunes:image href="https://artwork.captivate.fm/6761720a-6cd9-49f7-a496-4569d454ab8e/wca-195-with-sherry-klein-1400.png"/><pubDate>Mon, 10 Sep 2018 17:19:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b9592e45-d0ba-464c-9bab-5a7ceb1cc411.mp3" length="59352068" type="audio/mpeg"/><itunes:duration>01:01:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>195</itunes:episode><podcast:episode>195</podcast:episode><itunes:summary>Working Class Audio #195 with Sherry Klein !!!
 Sherry Klein is a Post Production Re-Recording Mixer for Television and Film, she is currently living in Los Angeles, Ca. and works with Smart Post Sound in Burbank. Some of her past credits include Queen of the South, Reverie, Burn Notice, Arrested Development, Sons of Anarchy, and The Shield. She is currently a Board member of the CAS (Cinema Audio Society) and chairs their annual Student Recognition Awards. 
 She first became “aware&quot; of audio while attending Berklee College of music in Boston studying Arranging and Composition. There was a small 2-track studio in the basement of the main Berklee building where she had to record her 4th semester term project. This was the experience that she remembers as the start of her fascination with sound, and the beginnings of her journey from musician, to record engineering and finally into post production mixing.
 &quot;I consider myself very lucky to be working within this talented community of people who have continually inspired me to refine my craft, and grow my love of mixing”
  About this Interview:
  Sherry joins me to talk about her journey from musician, composer, arranger to recording engineer in the world of records to finally Post Production Re-Recording Mixer for Television and Film. Enjoy! – Matt
  Show Notes and Links
  IMDB-  https://www.imdb.com/name/nm0458975/?ref_=nv_sr_1
 CAS - http://cinemaaudiosociety.org
 LINKEDIN - https://www.linkedin.com/in/sherry-klein-792580/
 FACEBOOK - https://www.facebook.com/VPHB3
 Soundgirls.org: https://soundgirls.org/
 April Tucker&apos;s Interview with Sherry: https://soundgirls.org/sherry-klein/</itunes:summary></item><item><title>WCA #194 with Sara Carter</title><itunes:title>WCA #194 with Sara Carter</itunes:title><description><![CDATA[<p>Sara Carter is a BBC trained, mixing and mastering engineer based in Hampshire, UK.</p><p>Sara started recording and mixing music in the mid 90’s as a hobby from a small home studio after playing guitar for many years. Then, in 2000 in a bold move, she decided to sell her house, give up her established career of 16 years and relocate to London to turn that hobby into her new full-time career.</p><p>She studied at the SAE Institute in London gaining an Audio Engineering Diploma and soon after secured a position as a BBC Radio Studio Manager (sound engineer) working on the UK’s most listened to radio shows, live music sessions and major music festivals across all of the BBC’s main music networks. She also created the foley and sound effects on several radio drama productions and comedy shows.</p><p>Above all, she relished working in the BBC’s Maida Vale Studios where she developed her mixing and critical listening skills, working on sessions with a wide variety of artists from Crowded House to The Cure and Adele to The Black Keys to name just a few. She’s been officially credited on records from Corrine Bailey Rae, KT Tunstall and Girls Aloud amongst others.</p><p>In 2009, Sara decided to take a break from broadcasting and left the BBC to explore a different creative interest and became a Brewer in a small award-winning microbrewery (Yes, I know a bit random but it still involved mixing, just not music!). In recent years, however, she had felt a strong calling back to music and engineering, returning to the industry with her online mixing and mastering business called Music Mix Pro. Sara is passionate about mixing music and strives to exceed her clients’ expectations and to make the whole process as rewarding as possible for both the artist and herself.</p><h1><strong>About this Interview:</strong></h1><p>Sara joins me to talk about her incredible journey that took her through the motor trade, audio at the BBC to brewing then back to audio as a freelancer. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul><li>Sara’s site:&nbsp;<a href="https://www.musicmixpro.co.uk/" rel="noopener noreferrer" target="_blank">https://www.musicmixpro.co.uk/</a></li><li>Sara on Facebook:&nbsp;<a href="https://www.facebook.com/musicmixprouk/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/musicmixprouk/</a></li><li>Sara on Instagram:&nbsp;<a href="https://www.instagram.com/saramixmastermusic/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/saramixmastermusic/</a></li><li>Sara on Linkedin:&nbsp;<a href="https://www.linkedin.com/in/sara-carter/" rel="noopener noreferrer" target="_blank">https://www.linkedin.com/in/sara-carter/</a></li><li>Sara on Soundbetter:&nbsp;<a href="https://soundbetter.com/profiles/37283-sara-carter" rel="noopener noreferrer" target="_blank">https://soundbetter.com/profiles/37283-sara-carter</a></li><li>Recording Revolution:&nbsp;<a href="https://www.recordingrevolution.com/" rel="noopener noreferrer" target="_blank">https://www.recordingrevolution.com/</a></li><li>Pure Mix:&nbsp;<a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank">https://www.puremix.net/</a></li><li>Mix with The Masters:&nbsp;<a href="https://mixwiththemasters.com/" rel="noopener noreferrer" target="_blank">https://mixwiththemasters.com/</a></li><li>Produce Like a Pro:&nbsp;<a href="https://www.youtube.com/channel/UCpyUGZeMUtOvt57UACw3H2g" rel="noopener noreferrer" target="_blank">https://www.youtube.com/channel/UCpyUGZeMUtOvt57UACw3H2g</a></li><li>Pro Mix Academy:&nbsp;<a href="https://promixacademy.com/" rel="noopener noreferrer" target="_blank">https://promixacademy.com/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Sara Carter is a BBC trained, mixing and mastering engineer based in Hampshire, UK.</p><p>Sara started recording and mixing music in the mid 90’s as a hobby from a small home studio after playing guitar for many years. Then, in 2000 in a bold move, she decided to sell her house, give up her established career of 16 years and relocate to London to turn that hobby into her new full-time career.</p><p>She studied at the SAE Institute in London gaining an Audio Engineering Diploma and soon after secured a position as a BBC Radio Studio Manager (sound engineer) working on the UK’s most listened to radio shows, live music sessions and major music festivals across all of the BBC’s main music networks. She also created the foley and sound effects on several radio drama productions and comedy shows.</p><p>Above all, she relished working in the BBC’s Maida Vale Studios where she developed her mixing and critical listening skills, working on sessions with a wide variety of artists from Crowded House to The Cure and Adele to The Black Keys to name just a few. She’s been officially credited on records from Corrine Bailey Rae, KT Tunstall and Girls Aloud amongst others.</p><p>In 2009, Sara decided to take a break from broadcasting and left the BBC to explore a different creative interest and became a Brewer in a small award-winning microbrewery (Yes, I know a bit random but it still involved mixing, just not music!). In recent years, however, she had felt a strong calling back to music and engineering, returning to the industry with her online mixing and mastering business called Music Mix Pro. Sara is passionate about mixing music and strives to exceed her clients’ expectations and to make the whole process as rewarding as possible for both the artist and herself.</p><h1><strong>About this Interview:</strong></h1><p>Sara joins me to talk about her incredible journey that took her through the motor trade, audio at the BBC to brewing then back to audio as a freelancer. Enjoy! – Matt</p><h1>Show Notes and Links</h1><ul><li>Sara’s site:&nbsp;<a href="https://www.musicmixpro.co.uk/" rel="noopener noreferrer" target="_blank">https://www.musicmixpro.co.uk/</a></li><li>Sara on Facebook:&nbsp;<a href="https://www.facebook.com/musicmixprouk/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/musicmixprouk/</a></li><li>Sara on Instagram:&nbsp;<a href="https://www.instagram.com/saramixmastermusic/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/saramixmastermusic/</a></li><li>Sara on Linkedin:&nbsp;<a href="https://www.linkedin.com/in/sara-carter/" rel="noopener noreferrer" target="_blank">https://www.linkedin.com/in/sara-carter/</a></li><li>Sara on Soundbetter:&nbsp;<a href="https://soundbetter.com/profiles/37283-sara-carter" rel="noopener noreferrer" target="_blank">https://soundbetter.com/profiles/37283-sara-carter</a></li><li>Recording Revolution:&nbsp;<a href="https://www.recordingrevolution.com/" rel="noopener noreferrer" target="_blank">https://www.recordingrevolution.com/</a></li><li>Pure Mix:&nbsp;<a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank">https://www.puremix.net/</a></li><li>Mix with The Masters:&nbsp;<a href="https://mixwiththemasters.com/" rel="noopener noreferrer" target="_blank">https://mixwiththemasters.com/</a></li><li>Produce Like a Pro:&nbsp;<a href="https://www.youtube.com/channel/UCpyUGZeMUtOvt57UACw3H2g" rel="noopener noreferrer" target="_blank">https://www.youtube.com/channel/UCpyUGZeMUtOvt57UACw3H2g</a></li><li>Pro Mix Academy:&nbsp;<a href="https://promixacademy.com/" rel="noopener noreferrer" target="_blank">https://promixacademy.com/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-194-with-sara-carter]]></link><guid isPermaLink="false">afb254472653436988406413eae66d20</guid><itunes:image href="https://artwork.captivate.fm/3e056557-119c-4d22-a997-dcc4f1d07969/wca-194-with-sara-carter-1400.png"/><pubDate>Mon, 03 Sep 2018 06:53:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f56b8130-9ad8-4446-971d-5b29d0ab578b.mp3" length="56309323" type="audio/mpeg"/><itunes:duration>58:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>194</itunes:episode><podcast:episode>194</podcast:episode><itunes:summary>Working Class Audio #194 with Sara Carter !!!
 Sara Carter is a BBC trained, mixing and mastering engineer based in Hampshire, UK.
 Sara started recording and mixing music in the mid 90’s as a hobby from a small home studio after playing guitar for many years. Then, in 2000 in a bold move, she decided to sell her house, give up her established career of 16 years and relocate to London to turn that hobby into her new full-time career.
 She studied at the SAE Institute in London gaining an Audio Engineering Diploma and soon after secured a position as a BBC Radio Studio Manager (sound engineer) working on the UK&apos;s most listened to radio shows, live music sessions and major music festivals across all of the BBC&apos;s main music networks. She also created the foley and sound effects on several radio drama productions and comedy shows.
 Above all, she relished working in the BBC’s Maida Vale Studios where she developed her mixing and critical listening skills, working on sessions with a wide variety of artists from Crowded House to The Cure and Adele to The Black Keys to name just a few. She’s been officially credited on records from Corrine Bailey Rae, KT Tunstall and Girls Aloud amongst others.
 In 2009, Sara decided to take a break from broadcasting and left the BBC to explore a different creative interest and became a Brewer in a small award-winning microbrewery (Yes, I know a bit random but it still involved mixing, just not music!). In recent years, however, she had felt a strong calling back to music and engineering, returning to the industry with her online mixing and mastering business called Music Mix Pro. Sara is passionate about mixing music and strives to exceed her clients&apos; expectations and to make the whole process as rewarding as possible for both the artist and herself.
  About this Interview:
  Sara joins me to talk about her incredible journey  that took her  through the motor trade to audio and the BBC  to brewing and back to audio as a freelancer.   Enjoy! - Matt
  Show Notes and Links
  Sara&apos;s site: https://www.musicmixpro.co.uk/
 Sara on Facebook: https://www.facebook.com/musicmixprouk/
 Sara on Instagram: https://www.instagram.com/saramixmastermusic/
 Sara on Linkedin: https://www.linkedin.com/in/sara-carter/
 Sara on Soundbetter: https://soundbetter.com/profiles/37283-sara-carter
 Recording Revolution: https://www.recordingrevolution.com/
 Pure Mix: https://www.puremix.net/
 Mix with The Masters: https://mixwiththemasters.com/
 Produce Like a Pro: https://www.youtube.com/channel/UCpyUGZeMUtOvt57UACw3H2g
 Pro Mix Academy: https://promixacademy.com/</itunes:summary></item><item><title>WCA #193 with Drew Vandenberg</title><itunes:title>WCA #193 with Drew Vandenberg</itunes:title><description><![CDATA[<p>Drew&nbsp;Vandenberg&nbsp;is an engineer, producer and label owner based out of Athens, Georgia. He got his start working at legendary Chase Park&nbsp;Transductions&nbsp;studios when he was just 16, learning the finer points of the craft from studio founder David Barbe. He left his homebase for a time to get a degree in the recording arts from Indiana University, returning to Athens to work on pivotal records for Ra Ra Riot, Toro y Moi, of Montreal,&nbsp;Kishi&nbsp;Bashi, Tall Tall Trees, Fred Thomas, Mothers, Faye Webster, Futurebirds and dozens more. Though centralized in Athens where he lives with wife Catherine,&nbsp;Vandenberg&nbsp;often travels to engineer special projects, as well as producing and mixing remotely.</p><p>In 2018, he formed True Blue Records, a label he closely supervised, working directly with new artists The High Divers, Partials, and Curt Castle on the creation and release of their albums. The label also recently began a series of specially recorded 7″ singles, inviting bands into the studio to record exclusive material live to 1/2″ tape, pressing the results to limited edition vinyl singles and donating all of the proceeds to local charities Nuci’s Space and the Athens Boys &amp; Girls Club Music Makers program.</p><p><strong>About this Interview:</strong></p><p>Drew joins me for a chat about his rise from teenage assistant to his current role as producer and engineer. We talk money, work/life balance, earthquakes vs tornados and being mindful in the studio. Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>Drew’s site:&nbsp;<a href="http://www.vbergindustries.com/" rel="noopener noreferrer" target="_blank">http://www.vbergindustries.com/</a></li><li>Chas Park Transduction:&nbsp;<a href="http://www.chaseparktransduction.com/" rel="noopener noreferrer" target="_blank">http://www.chaseparktransduction.com/</a></li><li>Drew’s Label:&nbsp;<a href="https://www.trueblue-records.com/" rel="noopener noreferrer" target="_blank">https://www.trueblue-records.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Drew&nbsp;Vandenberg&nbsp;is an engineer, producer and label owner based out of Athens, Georgia. He got his start working at legendary Chase Park&nbsp;Transductions&nbsp;studios when he was just 16, learning the finer points of the craft from studio founder David Barbe. He left his homebase for a time to get a degree in the recording arts from Indiana University, returning to Athens to work on pivotal records for Ra Ra Riot, Toro y Moi, of Montreal,&nbsp;Kishi&nbsp;Bashi, Tall Tall Trees, Fred Thomas, Mothers, Faye Webster, Futurebirds and dozens more. Though centralized in Athens where he lives with wife Catherine,&nbsp;Vandenberg&nbsp;often travels to engineer special projects, as well as producing and mixing remotely.</p><p>In 2018, he formed True Blue Records, a label he closely supervised, working directly with new artists The High Divers, Partials, and Curt Castle on the creation and release of their albums. The label also recently began a series of specially recorded 7″ singles, inviting bands into the studio to record exclusive material live to 1/2″ tape, pressing the results to limited edition vinyl singles and donating all of the proceeds to local charities Nuci’s Space and the Athens Boys &amp; Girls Club Music Makers program.</p><p><strong>About this Interview:</strong></p><p>Drew joins me for a chat about his rise from teenage assistant to his current role as producer and engineer. We talk money, work/life balance, earthquakes vs tornados and being mindful in the studio. Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>Drew’s site:&nbsp;<a href="http://www.vbergindustries.com/" rel="noopener noreferrer" target="_blank">http://www.vbergindustries.com/</a></li><li>Chas Park Transduction:&nbsp;<a href="http://www.chaseparktransduction.com/" rel="noopener noreferrer" target="_blank">http://www.chaseparktransduction.com/</a></li><li>Drew’s Label:&nbsp;<a href="https://www.trueblue-records.com/" rel="noopener noreferrer" target="_blank">https://www.trueblue-records.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-193-with-drew-vandenberg]]></link><guid isPermaLink="false">fcfe46d1e03e4ec598bddf7b6f43ba50</guid><itunes:image href="https://artwork.captivate.fm/c741a05d-0102-4b27-9c9f-1f38ba7da348/wca-193-with-drew-vandenberg-1400.png"/><pubDate>Mon, 27 Aug 2018 14:56:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d26625ba-3c62-44ee-ad34-454bbd1b73dd.mp3" length="60502298" type="audio/mpeg"/><itunes:duration>01:03:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>193</itunes:episode><podcast:episode>193</podcast:episode><itunes:summary>Working Class Audio #193 with Drew Vandenberg !!!  Drew Vandenberg is an engineer, producer and label owner based out of Athens, Georgia. He got his start working at legendary Chase Park Transductions studios when he was just 16, learning the finer points of the craft from studio founder David Barbe. He left his homebase for a time to get a degree in the recording arts from Indiana University, returning to Athens to work on pivotal records for Ra Ra Riot, Toro y Moi, of Montreal, Kishi Bashi, Tall Tall Trees, Fred Thomas, Mothers, Faye Webster, Futurebirds and dozens more. Though centralized in Athens where he lives with wife Catherine, Vandenberg often travels to engineer special projects, as well as producing and mixing remotely.   In 2018, he formed True Blue Records, a label he closely supervised, working directly with new artists The High Divers, Partials, and Curt Castle on the creation and release of their albums. The label also recently began a series of specially recorded 7&quot; singles, inviting bands into the studio to record exclusive material live to 1/2&quot; tape, pressing the results to limited edition vinyl singles and donating all of the proceeds to local charities Nuci&apos;s Space and the Athens Boys &amp; Girls Club Music Makers program.     About this Interview:  Drew joins me for a chat about his rise from teenage assistant to his current role as producer and engineer. We talk money, work/life balance, earthquakes vs tornados and being mindful in the studio. Enjoy! - Matt  Show Notes and Links  Drew&apos;s site: http://www.vbergindustries.com/ Chas Park Transduction: http://www.chaseparktransduction.com/ Drew&apos;s Label: https://www.trueblue-records.com/</itunes:summary></item><item><title>WCA #192 with Ryan Earnhardt</title><itunes:title>WCA #192 with Ryan Earnhardt</itunes:title><description><![CDATA[<p>Ryan&nbsp;Earnhardt is a video creator and studio owner who produces a YouTube show called Creative Sound Lab. It covers recording-focused topics and out-of-the-box topics such as DIY effects. He recently built a Pooper Time Cube (A delay made from 4 inch drainage pipe) and created a reverb out of a garden hose. Creative Sound Lab stresses fundamental recording techniques and capturing real sounds such as using re-amping during mixing or using echo chambers for vocals – even if that chamber is your living room!&nbsp;Ryan&nbsp;has partnered with&nbsp;<a href="https://www.workingclassaudio.com/wca-060-with-brian-mctear/" rel="noopener noreferrer" target="_blank">Brian McTear (WCA #060</a>) of Weathervane Music and author Eric Sarafin aka “Mixerman”.&nbsp;Ryan&nbsp;started Creative Sound Lab in 2013 because he saw a need for something different than computer screen videos that mostly covered mixing topics. He currently has over 37,000 subscribers and hosts over a dozen online courses at Creative Sound Lab.tv&nbsp;Ryan’s studio, Lumen Audio, is debt free and supports his wife, and 4 kids. For fun he enjoys fresh mountain air, electronic music creation, and cooking…which he says is just about the same mindset as mixing a song.</p><p><strong>About this Interview:</strong></p><p>Ryan joins me for a chat about his studio (Lumen Audio), his Audio Courses and Youtube channel&nbsp;Creative Sound Lab as well as his world of 4 kids (5th on the way!) and his journey to where he is today.&nbsp;<strong>&nbsp;</strong>Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>Tom Dowd &amp; the Language of Music:&nbsp;<a href="http://tomdowd.com/" rel="noopener noreferrer" target="_blank">http://tomdowd.com/</a></li><li>Main Website:&nbsp;<a href="http://www.creativesoundlab.tv/" rel="noopener noreferrer" target="_blank">http://www.CreativeSoundLab.tv</a></li><li>YouTube:&nbsp;<a href="https://www.youtube.com/user/creativesoundlab" rel="noopener noreferrer" target="_blank">https://www.youtube.com/user/creativesoundlab</a></li><li>Ryan’s Studio:&nbsp;<a href="http://www.lumenaudio.com/" rel="noopener noreferrer" target="_blank">http://www.lumenaudio.com/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Ryan&nbsp;Earnhardt is a video creator and studio owner who produces a YouTube show called Creative Sound Lab. It covers recording-focused topics and out-of-the-box topics such as DIY effects. He recently built a Pooper Time Cube (A delay made from 4 inch drainage pipe) and created a reverb out of a garden hose. Creative Sound Lab stresses fundamental recording techniques and capturing real sounds such as using re-amping during mixing or using echo chambers for vocals – even if that chamber is your living room!&nbsp;Ryan&nbsp;has partnered with&nbsp;<a href="https://www.workingclassaudio.com/wca-060-with-brian-mctear/" rel="noopener noreferrer" target="_blank">Brian McTear (WCA #060</a>) of Weathervane Music and author Eric Sarafin aka “Mixerman”.&nbsp;Ryan&nbsp;started Creative Sound Lab in 2013 because he saw a need for something different than computer screen videos that mostly covered mixing topics. He currently has over 37,000 subscribers and hosts over a dozen online courses at Creative Sound Lab.tv&nbsp;Ryan’s studio, Lumen Audio, is debt free and supports his wife, and 4 kids. For fun he enjoys fresh mountain air, electronic music creation, and cooking…which he says is just about the same mindset as mixing a song.</p><p><strong>About this Interview:</strong></p><p>Ryan joins me for a chat about his studio (Lumen Audio), his Audio Courses and Youtube channel&nbsp;Creative Sound Lab as well as his world of 4 kids (5th on the way!) and his journey to where he is today.&nbsp;<strong>&nbsp;</strong>Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>Tom Dowd &amp; the Language of Music:&nbsp;<a href="http://tomdowd.com/" rel="noopener noreferrer" target="_blank">http://tomdowd.com/</a></li><li>Main Website:&nbsp;<a href="http://www.creativesoundlab.tv/" rel="noopener noreferrer" target="_blank">http://www.CreativeSoundLab.tv</a></li><li>YouTube:&nbsp;<a href="https://www.youtube.com/user/creativesoundlab" rel="noopener noreferrer" target="_blank">https://www.youtube.com/user/creativesoundlab</a></li><li>Ryan’s Studio:&nbsp;<a href="http://www.lumenaudio.com/" rel="noopener noreferrer" target="_blank">http://www.lumenaudio.com/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-192-with-ryan-earnhardt]]></link><guid isPermaLink="false">2d3b1a0be5b0438abb8ba3919f8622c8</guid><itunes:image href="https://artwork.captivate.fm/f987b6ed-cbc0-46f4-a476-eed95ec81337/wca-192-with-ryan-earnhardt-1400.png"/><pubDate>Mon, 20 Aug 2018 06:24:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/80ce1050-ecc4-4800-93e9-ae7c5be769d0.mp3" length="47595298" type="audio/mpeg"/><itunes:duration>49:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>192</itunes:episode><podcast:episode>192</podcast:episode><itunes:summary>Working Class Audio #192 with Ryan Earnhardt!!!
 Ryan Earnhardt is a video creator and studio owner who produces a YouTube show called Creative Sound Lab. It covers recording-focused topics and out-of-the-box topics such as DIY effects. He recently built a Pooper Time Cube (A delay made from 4 inch drainage pipe) and created a reverb out of a garden hose. Creative Sound Lab stresses fundamental recording techniques and capturing real sounds such as using re-amping during mixing or using echo chambers for vocals - even if that chamber is your living room! Ryan has partnered with Brian McTear (WCA #060) of Weathervane Music and author Eric Sarafin aka “Mixerman”.Ryan started Creative Sound Lab in 2013 because he saw a need for something different than computer screen videos that mostly covered mixing topics. He currently has over 37,000 subscribers and hosts over a dozen online courses at Creative Sound Lab.tv Ryan’s studio, Lumen Audio, is debt free and supports his wife, and 4 kids. For fun he enjoys fresh mountain air, electronic music creation, and cooking...which he says is just about the same mindset as mixing a song.
  About this Interview:
  Ryan joins me for a chat about his studio (Lumen Audio), his Audio Courses and Youtube channel  Creative Sound Lab as well as his world of 4 kids (5th on the way!) and his journey to where he is today.  Enjoy! - Matt
  Show Notes and Links
  Tom Dowd &amp; the Language of Music: http://tomdowd.com/
 Main Website: http://www.CreativeSoundLab.tv
 YouTube:  https://www.youtube.com/user/creativesoundlab
 Ryan&apos;s Studio: http://www.lumenaudio.com/</itunes:summary></item><item><title>WCA #191 with Will Sadler</title><itunes:title>WCA #191 with Will Sadler</itunes:title><description><![CDATA[<p>Will Sadler was born in Columbia, SC but within two months his parents had moved to<a href="https://en.wikipedia.org/wiki/Las_Cruces,_New_Mexico" rel="noopener noreferrer" target="_blank">&nbsp;Las Cruces, NM</a>. After traipsing across the south, first at Mississippi State and then in the Raleigh/Durham, NC area, he returned to Las Cruces and finished a degree in Political Science. Somewhere in the midst of starting a Master’s Degree in History, Will was sidetracked by the need to correct his&nbsp;<a href="https://en.wikipedia.org/wiki/Tejano_music" rel="noopener noreferrer" target="_blank">Tejano</a>&nbsp;bands flagging sound system and the rest is history. Today, Will helps KW Sound and&nbsp;<a href="http://www.hubbardsmusicnmore.com/" rel="noopener noreferrer" target="_blank">Hubbard’s Music</a>&nbsp;aid Las Cruces in having better sound at their concerts and in their buildings. Hopefully, more often than not, succeeding.</p><p><strong>About this Interview:</strong></p><p>I join Will at his house for a chat about his journey from bass player to live sound engineer and installer, running a small sound company in New Mexico, the culture of Las Cruces, finding satisfaction by not joining big tours and his brush with&nbsp;<strong>Sudden Sensorineural Hearing Loss (SSHL)&nbsp;</strong>Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>Hubbard Music :&nbsp;<a href="http://www.hubbardsmusicnmore.com/" rel="noopener noreferrer" target="_blank">http://www.hubbardsmusicnmore.com/</a></li><li>Cordova:&nbsp;<a href="https://www.thecordovaband.com/" rel="noopener noreferrer" target="_blank">https://www.thecordovaband.com/</a></li><li>David Wheeler:&nbsp;<a href="https://www.workingclassaudio.com/wca-004-with-david-wheeler/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-004-with-david-wheeler/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Will Sadler was born in Columbia, SC but within two months his parents had moved to<a href="https://en.wikipedia.org/wiki/Las_Cruces,_New_Mexico" rel="noopener noreferrer" target="_blank">&nbsp;Las Cruces, NM</a>. After traipsing across the south, first at Mississippi State and then in the Raleigh/Durham, NC area, he returned to Las Cruces and finished a degree in Political Science. Somewhere in the midst of starting a Master’s Degree in History, Will was sidetracked by the need to correct his&nbsp;<a href="https://en.wikipedia.org/wiki/Tejano_music" rel="noopener noreferrer" target="_blank">Tejano</a>&nbsp;bands flagging sound system and the rest is history. Today, Will helps KW Sound and&nbsp;<a href="http://www.hubbardsmusicnmore.com/" rel="noopener noreferrer" target="_blank">Hubbard’s Music</a>&nbsp;aid Las Cruces in having better sound at their concerts and in their buildings. Hopefully, more often than not, succeeding.</p><p><strong>About this Interview:</strong></p><p>I join Will at his house for a chat about his journey from bass player to live sound engineer and installer, running a small sound company in New Mexico, the culture of Las Cruces, finding satisfaction by not joining big tours and his brush with&nbsp;<strong>Sudden Sensorineural Hearing Loss (SSHL)&nbsp;</strong>Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>Hubbard Music :&nbsp;<a href="http://www.hubbardsmusicnmore.com/" rel="noopener noreferrer" target="_blank">http://www.hubbardsmusicnmore.com/</a></li><li>Cordova:&nbsp;<a href="https://www.thecordovaband.com/" rel="noopener noreferrer" target="_blank">https://www.thecordovaband.com/</a></li><li>David Wheeler:&nbsp;<a href="https://www.workingclassaudio.com/wca-004-with-david-wheeler/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-004-with-david-wheeler/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-191-with-will-sadler]]></link><guid isPermaLink="false">2693c6db081f4815bde3a7d7bc4face0</guid><itunes:image href="https://artwork.captivate.fm/2fba8b3c-3d55-4a30-ae3c-39f81830504b/wca-191-with-will-sadler-1400.png"/><pubDate>Mon, 13 Aug 2018 17:19:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2f42d8dc-16e7-47c4-aa70-d16da6c4fe55.mp3" length="56884853" type="audio/mpeg"/><itunes:duration>59:15</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>191</itunes:episode><podcast:episode>191</podcast:episode><itunes:summary>Working Class Audio #191 with Will Sadler!!!
 Will Sadler was born in Columbia, SC but within two months his parents had moved to Las Cruces, NM. After traipsing across the south, first at Mississippi State and then in the Raleigh/Durham, NC area, he returned to Las Cruces and finished a degree in Political Science. Somewhere in the midst of starting a Master’s Degree in History, Will was sidetracked by the need to correct his Tejano bands flagging sound system and the rest is history. Today, Will helps KW Sound and Hubbard’s Music aid Las Cruces in having better sound at their concerts and in their buildings. Hopefully, more often than not, succeeding.
  About this Interview:
  I join Will at his house for a chat about his journey from bass player to live sound engineer and installer, running a small sound company in New Mexico, the culture of Las Cruces, finding satisfaction by not joining big tours and his brush with Sudden Sensorineural Hearing Loss (SSHL) Enjoy! - Matt
  Show Notes and Links
  Hubbard Music : http://www.hubbardsmusicnmore.com/
 Cordova: https://www.thecordovaband.com/
 David Wheeler: http://www.workingclassaudio.com/wca-004-with-david-wheeler/</itunes:summary></item><item><title>WCA #190 with David Cook</title><itunes:title>WCA #190 with David Cook</itunes:title><description><![CDATA[<p>David Cook is a Audio Engineer from Columbia, SC. David graduated from Full Sail with a recording arts degree in 2001 and quickly started working in studios and doing live sound while living in Atlanta Georgia. David eventually moved back to SC where he owned a studio and continued to work in live sound. David also developed relationships with local film makers and started providing location sound and post services as well. In 2015 David and his family decided to take a chance and move to Southern California. This move was not just about moving to a new location but moving into a new vocation.</p><p>For the past 3 years David has been working in film and television as a location sound mixer. His transition has allowed him to work with companies such as Comedy Central, NBC, Hulu, Netflix, HBO, Aston Martin, Chevy, Best Buy, Pepsi, and Nickelodeon. In 2017 David’s first Feature Film , Thumper, was released on Netflix. David still works in music production and from time to time those worlds collide allowing him to record acts such as Tom Morello for the Rock and Roll Hall of Fame, James Blake Live DVD, Atlantic Artists Charlie Puth and Matt Maeson, and many others. Even though David mostly works in the Film and Television industry he still works as a Live Sound Engineer, Mix Engineer, and Audio Post Engineer. David would say that his biggest asset is his sense of community. The entertainment industry is all about relationships and that is what David does best; builds relationships</p><p><strong>About this Interview:</strong></p><p>David joins me for a talk about his move from South Carolina to California,&nbsp;the production sound community in LA, the lessons he learned along the way and the importance of getting out and hustling instead of sitting around waiting for the phone to ring. Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>David on IMDB:&nbsp;<a href="https://www.imdb.com/name/nm8476450/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/name/nm8476450/</a></li><li>David on Facebook:&nbsp;<a href="https://www.facebook.com/HolyRuckusRecordings" rel="noopener noreferrer" target="_blank">https://www.facebook.com/HolyRuckusRecordings</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>David Cook is a Audio Engineer from Columbia, SC. David graduated from Full Sail with a recording arts degree in 2001 and quickly started working in studios and doing live sound while living in Atlanta Georgia. David eventually moved back to SC where he owned a studio and continued to work in live sound. David also developed relationships with local film makers and started providing location sound and post services as well. In 2015 David and his family decided to take a chance and move to Southern California. This move was not just about moving to a new location but moving into a new vocation.</p><p>For the past 3 years David has been working in film and television as a location sound mixer. His transition has allowed him to work with companies such as Comedy Central, NBC, Hulu, Netflix, HBO, Aston Martin, Chevy, Best Buy, Pepsi, and Nickelodeon. In 2017 David’s first Feature Film , Thumper, was released on Netflix. David still works in music production and from time to time those worlds collide allowing him to record acts such as Tom Morello for the Rock and Roll Hall of Fame, James Blake Live DVD, Atlantic Artists Charlie Puth and Matt Maeson, and many others. Even though David mostly works in the Film and Television industry he still works as a Live Sound Engineer, Mix Engineer, and Audio Post Engineer. David would say that his biggest asset is his sense of community. The entertainment industry is all about relationships and that is what David does best; builds relationships</p><p><strong>About this Interview:</strong></p><p>David joins me for a talk about his move from South Carolina to California,&nbsp;the production sound community in LA, the lessons he learned along the way and the importance of getting out and hustling instead of sitting around waiting for the phone to ring. Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>David on IMDB:&nbsp;<a href="https://www.imdb.com/name/nm8476450/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/name/nm8476450/</a></li><li>David on Facebook:&nbsp;<a href="https://www.facebook.com/HolyRuckusRecordings" rel="noopener noreferrer" target="_blank">https://www.facebook.com/HolyRuckusRecordings</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-190-with-david-cook]]></link><guid isPermaLink="false">0f50745f8cd0432b8bdbcbfce8aad0c1</guid><itunes:image href="https://artwork.captivate.fm/1e05746f-8b13-499a-8575-027ac43ea79d/wca-190-with-david-cook-1400.png"/><pubDate>Mon, 06 Aug 2018 00:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/046d4d1a-71f4-4978-8a36-c70aa0535059.mp3" length="45258063" type="audio/mpeg"/><itunes:duration>47:09</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>190</itunes:episode><podcast:episode>190</podcast:episode><itunes:summary>Working Class Audio #190 with David Cook!!!
 David Cook is a Audio Engineer from Columbia, SC. David graduated from Full Sail with a recording arts degree in 2001 and quickly started working in studios and doing live sound while living in Atlanta Georgia. David eventually moved back to SC where he owned a studio and continued to work in live sound. David also developed relationships with local film makers and started providing location sound and post services as well. In 2015 David and his family decided to take a chance and move to Southern California. This move was not just about moving to a new location but moving into a new vocation.
 For the past 3 years David has been working in film and television as a location sound mixer. His transition has allowed him to work with companies such as Comedy Central, NBC, Hulu, Netflix, HBO, Aston Martin, Chevy, Best Buy, Pepsi, and Nickelodeon. In 2017 David’s first Feature Film , Thumper, was released on Netflix. David still works in music production and from time to time those worlds collide allowing him to record acts such as Tom Morello for the Rock and Roll Hall of Fame, James Blake Live DVD, Atlantic Artists Charlie Puth and Matt Maeson, and many others. Even though David mostly works in the Film and Television industry he still works as a Live Sound Engineer, Mix Engineer, and Audio Post Engineer. David would say that his biggest asset is his sense of community. The entertainment industry is all about relationships and that is what David does best; builds relationships
  About this Interview:
  David joins me for a talk about his move from South Carolina to California,  the production sound community in LA, the lessons he learned along the way and the importance of getting out and hustling instead of sitting around waiting for the phone to ring. Enjoy! - Matt
  Show Notes and Links
  David on IMDB: https://www.imdb.com/name/nm8476450/
 David on Facebook: https://www.facebook.com/HolyRuckusRecordings</itunes:summary></item><item><title>WCA #189 with Lee Bothwick</title><itunes:title>WCA #189 with Lee Bothwick</itunes:title><description><![CDATA[<p>Lee Bothwick is an audio engineer, producer and musician based in Oakland, CA . A graduate of Ex’pression College, Lee’s spent the last decade of his life working in recording studios. The last several of those years were spent as the Head Engineer at Green Day’s JingleTown Recording. Having been there from the day it publicly opened its doors to the day it closed, Lee worked almost every session that came through the door. Because of that experience, Lee had the pleasure of working with Bay Area legends such as Green Day, Machine Head, Fat Mike (NoFX), Samiam, and Too $hort as well as international acts like Kate Nash. Currently, Lee works day to day for Green Day as an engineer and, when possible, taking up extra sessions on weekends and nights with bands from around the Bay.</p><p><strong>About this Interview:</strong></p><p>Lee joins me for a discussion about surviving as an&nbsp; intern,&nbsp; working with Green Day, seizing opportunities, networking, complacency, introverts and extroverts as well as the art of frugality.&nbsp; &nbsp; Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>Lee’s site:&nbsp;<a href="https://www.leebothwick.com/" rel="noopener noreferrer" target="_blank">https://www.leebothwick.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Lee Bothwick is an audio engineer, producer and musician based in Oakland, CA . A graduate of Ex’pression College, Lee’s spent the last decade of his life working in recording studios. The last several of those years were spent as the Head Engineer at Green Day’s JingleTown Recording. Having been there from the day it publicly opened its doors to the day it closed, Lee worked almost every session that came through the door. Because of that experience, Lee had the pleasure of working with Bay Area legends such as Green Day, Machine Head, Fat Mike (NoFX), Samiam, and Too $hort as well as international acts like Kate Nash. Currently, Lee works day to day for Green Day as an engineer and, when possible, taking up extra sessions on weekends and nights with bands from around the Bay.</p><p><strong>About this Interview:</strong></p><p>Lee joins me for a discussion about surviving as an&nbsp; intern,&nbsp; working with Green Day, seizing opportunities, networking, complacency, introverts and extroverts as well as the art of frugality.&nbsp; &nbsp; Enjoy! – Matt</p><p><strong>Show Notes and Links</strong></p><ul><li>Lee’s site:&nbsp;<a href="https://www.leebothwick.com/" rel="noopener noreferrer" target="_blank">https://www.leebothwick.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-189-with-lee-bothwick]]></link><guid isPermaLink="false">702d7398000a472b98ccdddffb8ef7e8</guid><itunes:image href="https://artwork.captivate.fm/ac6781e6-3dcb-49c2-977a-e3aac83199f8/wca-189-with-lee-bothwick-1400.png"/><pubDate>Mon, 30 Jul 2018 05:47:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/65453e2b-65c6-4c82-9f00-175290702f17.mp3" length="44682537" type="audio/mpeg"/><itunes:duration>46:33</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>189</itunes:episode><podcast:episode>189</podcast:episode><itunes:summary>Working Class Audio #189 with Lee Bothwick!!!  Lee Bothwick is an audio engineer, producer and musician based in Oakland, CA . A graduate of Ex’pression College, Lee’s spent the last decade of his life working in recording studios. The last several of those years were spent as the Head Engineer at Green Day&apos;s JingleTown Recording. Having been there from the day it publicly opened its doors to the day it closed, Lee worked almost every session that came through the door. Because of that experience, Lee had the pleasure of working with Bay Area legends such as Green Day, Machine Head, Fat Mike (NoFX), Samiam, and Too $hort as well as international acts like Kate Nash. Currently, Lee works day to day for Green Day as an engineer and, when possible, taking up extra sessions on weekends and nights with bands from around the Bay.  About this Interview:  Lee joins me for a discussion about surviving as an  intern,  working with Green Day, seizing opportunities, networking, complacency, introverts and extroverts as well as the art of frugality.    Enjoy! - Matt  ________________________________  Show Notes and Links  Lee&apos;s site: https://www.leebothwick.com/ The closing of Fantasy Studios: https://goo.gl/6vP5pU</itunes:summary></item><item><title>WCA #188 with Justin Weis</title><itunes:title>WCA #188 with Justin Weis</itunes:title><description><![CDATA[<p>Justin Weis is a San Francisco, California based audio engineer and owner/operator at Trakworx Mastering &amp; Recording.&nbsp;Since starting Trakworx in 1995 Justin has mastered, mixed or recorded a wide variety of artists including Sammy Hagar, Papa Roach, Matt Nathanson, Larry Coryell, The Tubes, Agalloch, Pallbearer, The Coup, B-Legit, Zion I, Berner and Andre Nickatina.&nbsp;His approach is heavily oriented towards analog outboard gear and tape, integrated with modern digital tools.&nbsp;&nbsp;Justin started out in the 1980s on guitar, bass and vocals in local Rock bands, then developed a love for home recording.&nbsp;He graduated from California Recording Institute in 1994 and was hired by the school as an instructor.&nbsp;Within a year he started Trakworx in a small studio within the recording school.&nbsp;By 1997 he had established himself as a working engineer so he left teaching to create his own studio space.In recent years the mastering side of Justin’s business has begun to overshadow the recording/mixing side as demand for online mastering has steadily increased.</p><h2><strong>About this Interview:</strong></h2><p>Justin stops by my house to chat about not bothering your landlord, getting out of debt, thinking from your clients perspective and shifting towards doing more mastering than recording work.&nbsp;Enjoy! – Matt</p><h2><strong>Show Notes and Links</strong></h2><ul><li>Trakworx Studio Site:&nbsp;<a href="http://www.trakworx.com/" rel="noopener noreferrer" target="_blank">http://www.trakworx.com/</a></li><li>Trakworx on Facebook:&nbsp;<a href="https://www.facebook.com/TrakworxMastering/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/TrakworxMastering/</a></li><li>Trakworx on Instagram:&nbsp;<a href="https://www.instagram.com/trakworxmastering" rel="noopener noreferrer" target="_blank">https://www.instagram.com/trakworxmastering</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Justin Weis is a San Francisco, California based audio engineer and owner/operator at Trakworx Mastering &amp; Recording.&nbsp;Since starting Trakworx in 1995 Justin has mastered, mixed or recorded a wide variety of artists including Sammy Hagar, Papa Roach, Matt Nathanson, Larry Coryell, The Tubes, Agalloch, Pallbearer, The Coup, B-Legit, Zion I, Berner and Andre Nickatina.&nbsp;His approach is heavily oriented towards analog outboard gear and tape, integrated with modern digital tools.&nbsp;&nbsp;Justin started out in the 1980s on guitar, bass and vocals in local Rock bands, then developed a love for home recording.&nbsp;He graduated from California Recording Institute in 1994 and was hired by the school as an instructor.&nbsp;Within a year he started Trakworx in a small studio within the recording school.&nbsp;By 1997 he had established himself as a working engineer so he left teaching to create his own studio space.In recent years the mastering side of Justin’s business has begun to overshadow the recording/mixing side as demand for online mastering has steadily increased.</p><h2><strong>About this Interview:</strong></h2><p>Justin stops by my house to chat about not bothering your landlord, getting out of debt, thinking from your clients perspective and shifting towards doing more mastering than recording work.&nbsp;Enjoy! – Matt</p><h2><strong>Show Notes and Links</strong></h2><ul><li>Trakworx Studio Site:&nbsp;<a href="http://www.trakworx.com/" rel="noopener noreferrer" target="_blank">http://www.trakworx.com/</a></li><li>Trakworx on Facebook:&nbsp;<a href="https://www.facebook.com/TrakworxMastering/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/TrakworxMastering/</a></li><li>Trakworx on Instagram:&nbsp;<a href="https://www.instagram.com/trakworxmastering" rel="noopener noreferrer" target="_blank">https://www.instagram.com/trakworxmastering</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-188-with-justin-weis]]></link><guid isPermaLink="false">5800b53eca7a485fade2b5e84575f1fb</guid><itunes:image href="https://artwork.captivate.fm/2a589c7b-0e28-4ffa-88c3-3c235b9cbc95/wca-188-with-justin-weis-1400.png"/><pubDate>Mon, 23 Jul 2018 06:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/62843b51-74f4-4f85-a02b-9f4ff8fd348e.mp3" length="51017960" type="audio/mpeg"/><itunes:duration>53:09</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>188</itunes:episode><podcast:episode>188</podcast:episode><itunes:summary>Working Class Audio #188 with Justin Weis!!!  Justin Weis is a San Francisco, California based audio engineer and owner/operator at Trakworx Mastering &amp; Recording.  Since starting Trakworx in 1995 Justin has mastered, mixed or recorded a wide variety of artists including Sammy Hagar, Papa Roach, Matt Nathanson, Larry Coryell, The Tubes, Agalloch, Pallbearer, The Coup, B-Legit, Zion I, Berner and Andre Nickatina.  His approach is heavily oriented towards analog outboard gear and tape, integrated with modern digital tools. Justin started out in the 1980s on guitar, bass and vocals in local Rock bands, then developed a love for home recording.  He graduated from California Recording Institute in 1994 and was hired by the school as an instructor.  Within a year he started Trakworx in a small studio within the recording school. By 1997 he had established himself as a working engineer so he left teaching to create his own studio space.In recent years the mastering side of Justin’s business has begun to overshadow the recording/mixing side as demand for online mastering has steadily increased.  About this Interview:  Justin stops by my house to chat about not bothering your landlord, getting out of debt, thinking from your clients perspective and shifting towards doing more mastering than recording work.  Enjoy! - Matt  ________________________________  Show Notes and Links  Trakworx Studio Site: http://www.trakworx.com/
 Trakworx on Facebook: https://www.facebook.com/TrakworxMastering/
 Trakworx on Instagram: https://www.instagram.com/trakworxmastering</itunes:summary></item><item><title>WCA #187 with Kendal Osborne</title><itunes:title>WCA #187 with Kendal Osborne</itunes:title><description><![CDATA[<p>Working Class Audio #187 with Kendal Osborne!!!</p><p> </p><p> Kendal Osborne is an audio engineer, mixer, producer, and musician out of Tulsa, Oklahoma. He owns and operates The Closet Studios and has done so since 2007. Kendal regularly records with artists from Oklahoma and the surrounding states, but has mixed songs from artists around the world. He also teaches two part-time night classes at Tulsa Technology Center (a vocational school in Tulsa) about recording, and is the host of the Recording Lounge Podcast. &nbsp;Aside from the studio, Kendal enjoys reading, woodworking, and spending time with his wife, Audra. After marrying in 2012, they moved into their current home in a quiet neighborhood just on the outskirts of Tulsa. They enjoy cooking, weekend getaways, and watching movies together.</p><p> </p><p> About this Interview:</p><p> </p><p> Kendal joins me for a chat about laughing bankers, passing and failing building inspections, drummers with decorating sense, the music scene of Tulsa, Oklahoma and tornados. Enjoy! - Matt</p><p> </p><p> ________________________________</p><p> </p><p> Show Notes and Links</p><p> </p><p> The studio: http://www.theclosetstudios.com</p><p> Kendal's Podcast: http://www.recordingloungepodcast.com</p><p> Instagram: @theclosetstudios</p>]]></description><content:encoded><![CDATA[<p>Working Class Audio #187 with Kendal Osborne!!!</p><p> </p><p> Kendal Osborne is an audio engineer, mixer, producer, and musician out of Tulsa, Oklahoma. He owns and operates The Closet Studios and has done so since 2007. Kendal regularly records with artists from Oklahoma and the surrounding states, but has mixed songs from artists around the world. He also teaches two part-time night classes at Tulsa Technology Center (a vocational school in Tulsa) about recording, and is the host of the Recording Lounge Podcast. &nbsp;Aside from the studio, Kendal enjoys reading, woodworking, and spending time with his wife, Audra. After marrying in 2012, they moved into their current home in a quiet neighborhood just on the outskirts of Tulsa. They enjoy cooking, weekend getaways, and watching movies together.</p><p> </p><p> About this Interview:</p><p> </p><p> Kendal joins me for a chat about laughing bankers, passing and failing building inspections, drummers with decorating sense, the music scene of Tulsa, Oklahoma and tornados. Enjoy! - Matt</p><p> </p><p> ________________________________</p><p> </p><p> Show Notes and Links</p><p> </p><p> The studio: http://www.theclosetstudios.com</p><p> Kendal's Podcast: http://www.recordingloungepodcast.com</p><p> Instagram: @theclosetstudios</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-187-with-kendal-osborne]]></link><guid isPermaLink="false">99d3d6d4c6ff449d836ec54d0ad2ff84</guid><itunes:image href="https://artwork.captivate.fm/953d3329-04f9-40d5-bd67-a31ac42af9f2/wca-187-with-kendal-osborne-1400.png"/><pubDate>Sun, 15 Jul 2018 19:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c544fcc0-e3c6-4633-a964-ec72323e1b70.mp3" length="40474528" type="audio/mpeg"/><itunes:duration>42:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>187</itunes:episode><podcast:episode>187</podcast:episode><itunes:summary>Working Class Audio #187 with Kendal Osborne!!!  Kendal Osborne is an audio engineer, mixer, producer, and musician out of Tulsa, Oklahoma. He owns and operates The Closet Studios and has done so since 2007. Kendal regularly records with artists from Oklahoma and the surrounding states, but has mixed songs from artists around the world. He also teaches two part-time night classes at Tulsa Technology Center (a vocational school in Tulsa) about recording, and is the host of the Recording Lounge Podcast.  Aside from the studio, Kendal enjoys reading, woodworking, and spending time with his wife, Audra. After marrying in 2012, they moved into their current home in a quiet neighborhood just on the outskirts of Tulsa. They enjoy cooking, weekend getaways, and watching movies together.  About this Interview:  Kendal joins me for a chat about laughing bankers, passing and failing building inspections, drummers with decorating sense, the music scene of Tulsa, Oklahoma and tornados. Enjoy! - Matt  ________________________________  Show Notes and Links  The studio: http://www.theclosetstudios.com Kendal&apos;s Podcast: http://www.recordingloungepodcast.com Instagram: @theclosetstudios</itunes:summary></item><item><title>WCA #186 with Aaron Youngberg</title><itunes:title>WCA #186 with Aaron Youngberg</itunes:title><description><![CDATA[<p>Aaron&nbsp;Youngberg is a Colorado musician, a recording &amp; mixing engineer, producer &amp; owner of Swingfingers Recording Studios. He got his start in the music industry 20 years playing the 5-string banjo in full-time touring bluegrass bands.&nbsp;&nbsp;After becoming the band’s default “sound guy” for live sound,&nbsp;Aaron&nbsp;dove in to the complexities of mixing live and recorded acoustic music. He traded in the touring life-style for more time at home and built a world-class studio in the foothills west of Ft. Collins, CO. He has a reputation in the acoustic music, bluegrass, country, and American world for getting amazing tones for acoustic instruments, taking great care and deliberation of mic choice &amp; placement for optimal true-to-life tone. He also has an affinity for the warmth and character for any piece of gear with tubes in it.&nbsp;Aaron&nbsp;still tours with his band FY5 playing banjo &amp; pedal steel although he’s found a much happier balance between life on the road and life behind the glass.</p><h2><strong>About this Interview:</strong></h2><p>Aaron joins me to talk about building his studio, working with studio designer Sam Berkow, his band FY5, balance, family and his respect for live sound engineers. Enjoy! – Matt</p><h3>Show Notes and Links</h3><ul><li>Swingfingers Studio: http://<a href="http://www.swingfingers.com/" rel="noopener noreferrer" target="_blank">www.swingfingers.com</a></li><li>Swingfingers instagram: @swingfingers.recording</li><li>FY5 Band: http://<a href="http://www.fy5band.com/" rel="noopener noreferrer" target="_blank">www.fy5band.com</a></li><li>Sam Berkow:&nbsp;<a href="http://siaacoustics.com/" rel="noopener noreferrer" target="_blank">http://siaacoustics.com/</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>Aaron&nbsp;Youngberg is a Colorado musician, a recording &amp; mixing engineer, producer &amp; owner of Swingfingers Recording Studios. He got his start in the music industry 20 years playing the 5-string banjo in full-time touring bluegrass bands.&nbsp;&nbsp;After becoming the band’s default “sound guy” for live sound,&nbsp;Aaron&nbsp;dove in to the complexities of mixing live and recorded acoustic music. He traded in the touring life-style for more time at home and built a world-class studio in the foothills west of Ft. Collins, CO. He has a reputation in the acoustic music, bluegrass, country, and American world for getting amazing tones for acoustic instruments, taking great care and deliberation of mic choice &amp; placement for optimal true-to-life tone. He also has an affinity for the warmth and character for any piece of gear with tubes in it.&nbsp;Aaron&nbsp;still tours with his band FY5 playing banjo &amp; pedal steel although he’s found a much happier balance between life on the road and life behind the glass.</p><h2><strong>About this Interview:</strong></h2><p>Aaron joins me to talk about building his studio, working with studio designer Sam Berkow, his band FY5, balance, family and his respect for live sound engineers. Enjoy! – Matt</p><h3>Show Notes and Links</h3><ul><li>Swingfingers Studio: http://<a href="http://www.swingfingers.com/" rel="noopener noreferrer" target="_blank">www.swingfingers.com</a></li><li>Swingfingers instagram: @swingfingers.recording</li><li>FY5 Band: http://<a href="http://www.fy5band.com/" rel="noopener noreferrer" target="_blank">www.fy5band.com</a></li><li>Sam Berkow:&nbsp;<a href="http://siaacoustics.com/" rel="noopener noreferrer" target="_blank">http://siaacoustics.com/</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-186-with-aaron-youngberg]]></link><guid isPermaLink="false">3b97876014e04b9ea0ce4296d62bcd73</guid><itunes:image href="https://artwork.captivate.fm/806d15ef-8a16-44e6-b621-22552c225de1/wca-186-with-aaron-youngberg-1400.png"/><pubDate>Mon, 09 Jul 2018 06:41:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d4057f58-80b8-414a-bb87-3534457074e5.mp3" length="44945021" type="audio/mpeg"/><itunes:duration>46:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>186</itunes:episode><podcast:episode>186</podcast:episode><itunes:summary>Working Class Audio #186 with Aaron Youngberg!!!  Aaron Youngberg is a Colorado musician, a recording &amp; mixing engineer, producer &amp; owner of Swingfingers Recording Studios. He got his start in the music industry 20 years playing the 5-string banjo in full-time touring bluegrass bands.  After becoming the band’s default “sound guy” for live sound, Aaron dove in to the complexities of mixing live and recorded acoustic music. He traded in the touring life-style for more time at home and built a world-class studio in the foothills west of Ft. Collins, CO. He has a reputation in the acoustic music, bluegrass, country, and American world for getting amazing tones for acoustic instruments, taking great care and deliberation of mic choice &amp; placement for optimal true-to-life tone. He also has an affinity for the warmth and character for any piece of gear with tubes in it. Aaron still tours with his band FY5 playing banjo &amp; pedal steel although he’s found a much happier balance between life on the road and life behind the glass.  About this Interview:  Aaron joins me to talk about building his studio, working with studio designer Sam Berkow, his band FY5, balance, family and his respect for live sound engineers. Enjoy! - Matt  ________________________________  Show Notes and Links  Swingfingers Studio: http://www.swingfingers.com Swingfingers instagram: @swingfingers.recording FY5 Band: http://www.fy5band.com Sam Berkow: http://siaacoustics.com/</itunes:summary></item><item><title>WCA #185 with Joshua Brooks</title><itunes:title>WCA #185 with Joshua Brooks</itunes:title><description><![CDATA[<p>Joshua Brooks is an American Producer and Audio Engineer currently serving as Hybrid Studio’s Lead Engineer in Orange County, California . He has worked with a number of top performers as well as 100’s of LA and Orange County’s rising independent artists including: Lamb of God, Trivium, Soulfly, The Diamond Light, Jessica Muse, The Alan Parsons Project, Sons of Texas, Bird &amp; The War,&nbsp;The Shakes&nbsp;and Your Favorite Color. Joshua also has several television and film credits.</p><p>Joshua maintains his passion for writing music and his works have gained recognition from top industry organizations. His music has been published by Riptide Music Group and he is the proud recipient of an Artist of the Year Award (Malibu Music Awards), a Billboard Chart Honorable Mention, and an Artist of the Year nomination (RAW Music Awards).</p><p>Joshua is a graduate of The Los Angeles Film School where he received an AS in Recording Arts and a BS in Entertainment Business, and he is certified by Avid in Pro Tools software systems.</p><h2><strong>About this Interview:</strong></h2><p>Joshua joins me to talk about his time in the&nbsp;<a href="https://www.uscg.mil/" rel="noopener noreferrer" target="_blank">United States Coast Guard</a>,&nbsp;what he learned at&nbsp;<a href="https://www.lafilm.edu/" rel="noopener noreferrer" target="_blank">The Los Angeles Film School</a>, why he loves working at&nbsp;&nbsp;<a href="https://www.hybridstudiosca.com/" rel="noopener noreferrer" target="_blank">Hybrid Studios</a>, the&nbsp;<a href="https://en.wikipedia.org/wiki/Orange_County,_California" rel="noopener noreferrer" target="_blank">Orange County</a>&nbsp;music scene and he and his wife’s&nbsp;anticipated arrival of a baby.&nbsp;Enjoy! – Matt</p><h3>Show Notes and Links</h3><ul><li>Joshua’s site:&nbsp;&nbsp;<a href="https://www.mixedbyjoshua.com/" rel="noopener noreferrer" target="_blank">https://www.mixedbyjoshua.com/</a></li><li>Hybrid Studios:&nbsp;<a href="https://www.hybridstudiosca.com/" rel="noopener noreferrer" target="_blank">https://www.hybridstudiosca.com/</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>Joshua Brooks is an American Producer and Audio Engineer currently serving as Hybrid Studio’s Lead Engineer in Orange County, California . He has worked with a number of top performers as well as 100’s of LA and Orange County’s rising independent artists including: Lamb of God, Trivium, Soulfly, The Diamond Light, Jessica Muse, The Alan Parsons Project, Sons of Texas, Bird &amp; The War,&nbsp;The Shakes&nbsp;and Your Favorite Color. Joshua also has several television and film credits.</p><p>Joshua maintains his passion for writing music and his works have gained recognition from top industry organizations. His music has been published by Riptide Music Group and he is the proud recipient of an Artist of the Year Award (Malibu Music Awards), a Billboard Chart Honorable Mention, and an Artist of the Year nomination (RAW Music Awards).</p><p>Joshua is a graduate of The Los Angeles Film School where he received an AS in Recording Arts and a BS in Entertainment Business, and he is certified by Avid in Pro Tools software systems.</p><h2><strong>About this Interview:</strong></h2><p>Joshua joins me to talk about his time in the&nbsp;<a href="https://www.uscg.mil/" rel="noopener noreferrer" target="_blank">United States Coast Guard</a>,&nbsp;what he learned at&nbsp;<a href="https://www.lafilm.edu/" rel="noopener noreferrer" target="_blank">The Los Angeles Film School</a>, why he loves working at&nbsp;&nbsp;<a href="https://www.hybridstudiosca.com/" rel="noopener noreferrer" target="_blank">Hybrid Studios</a>, the&nbsp;<a href="https://en.wikipedia.org/wiki/Orange_County,_California" rel="noopener noreferrer" target="_blank">Orange County</a>&nbsp;music scene and he and his wife’s&nbsp;anticipated arrival of a baby.&nbsp;Enjoy! – Matt</p><h3>Show Notes and Links</h3><ul><li>Joshua’s site:&nbsp;&nbsp;<a href="https://www.mixedbyjoshua.com/" rel="noopener noreferrer" target="_blank">https://www.mixedbyjoshua.com/</a></li><li>Hybrid Studios:&nbsp;<a href="https://www.hybridstudiosca.com/" rel="noopener noreferrer" target="_blank">https://www.hybridstudiosca.com/</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-185-with-joshua-brooks]]></link><guid isPermaLink="false">e80ba7236a604ebe97821a5fc32c3f8d</guid><itunes:image href="https://artwork.captivate.fm/cfca85a4-7c5a-4148-b6e4-1711bee9c676/wca-185-with-joshua-brooks-1400.png"/><pubDate>Sun, 01 Jul 2018 21:40:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/54425c53-8683-42fb-9e86-d32e66791b96.mp3" length="38295704" type="audio/mpeg"/><itunes:duration>39:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>185</itunes:episode><podcast:episode>185</podcast:episode><itunes:summary>Working Class Audio #185 with Joshua Brooks!!!  Joshua Brooks is an American Producer and Audio Engineer currently serving as Hybrid Studio&apos;s Lead Engineer in Orange County, CA. He has worked with a number of top performers as well as 100’s of LA and Orange County’s rising independent artists including: Lamb of God, Trivium, Soulfly, The Diamond Light, Jessica Muse, The Alan Parsons Project, Sons of Texas, Bird &amp; The War, The Shakes and Your Favorite Color. Joshua also has several television and film credits.  Joshua maintains his passion for writing music and his works have gained recognition from top industry organizations. His music has been published by Riptide Music Group and he is the proud recipient of an Artist of the Year Award (Malibu Music Awards), a Billboard Chart Honorable Mention, and an Artist of the Year nomination (RAW Music Awards).  Joshua is a graduate of The Los Angeles Film School where he received an AS in Recording Arts and a BS in Entertainment Business, and he is certified by Avid in Pro Tools software systems.  About this Interview:  Joshua joins me to talk about his time in the United States Coast Guard,  what he learned at The Los Angeles Film School, why he loves working at  Hybrid Studios, the Orange County music scene and he and his wife&apos;s  anticipated arrival of a baby.  Enjoy! - Matt
 Show Notes and Links  Joshua&apos;s site:  https://www.mixedbyjoshua.com/ Hybrid Studios: https://www.hybridstudiosca.com/</itunes:summary></item><item><title>WCA #184 with Joe Tessone</title><itunes:title>WCA #184 with Joe Tessone</itunes:title><description><![CDATA[<p>Joe Tessone is the owner and lead audio engineer at Mystery Street Recording Company. He is a graduate of Columbia College Chicago’s famed school of Audio Arts and Acoustics, with a degree specializing in Audio Design and Production. Since 2007, he has been an audio archiving consultant and mastering engineer for the&nbsp;<a href="http://www.oldtownschool.org/" rel="noopener noreferrer" target="_blank">Old Town School of Folk Music</a>&nbsp;where he has helped preserve over 30,000 songs from recordings that date as far back as 1956. He is a member of the&nbsp;<a href="http://www.arsc-audio.org/" rel="noopener noreferrer" target="_blank">Association for Recorded Sound Collections</a>, the&nbsp;<a href="http://www.aes.org/" rel="noopener noreferrer" target="_blank">Audio Engineering Society</a>, and is a voting member of&nbsp;<a href="https://www.grammypro.com/chicago/blogs/studio-tour-mystery-street-recording-company" rel="noopener noreferrer" target="_blank">The Recording Academy</a>&nbsp;(Grammys). His work has been featured on Chicago Radio Stations such as Q101, WXRT,&nbsp;WGCI, WPNA, WGN, WLUW and more. He has also been highlighted multiple audio publications, including Live Sound International, Pro Audio Review, and Mix Magazine.</p><p>Joe worked as an engineer for the “<a href="http://www.oldtownschool.org/liverecordings/" rel="noopener noreferrer" target="_blank">127 Songs Live From the Old Town School of Folk Music</a>” project, during which he mastered tracks by world renowned artists including Pete Seeger, Jeff Tweedy, Mahalia Jackson, Donovan, Andrew Bird, and more.</p><p>Since 2012, Joe has been a consultant for&nbsp;<a href="http://www.sensaphonics.com/?p=2341" rel="noopener noreferrer" target="_blank">Sensaphonics</a>, advising touring engineers and artists (including Steven Tyler, The Decemberists, My Morning Jacket, Lisa Loeb, Wayne Kramer (MC5), John Feldmann (Goldfinger), Chance the Rapper, Thom Yorke, The Lumineers, and David Crosby), and teaching students and doctors of audiology, the implementation of in-ear monitoring in live and studio environments.</p><p>In 2014, he mixed and and mastered a live recording for Iron and Wine and he continues to work with dozens of Chicago’s favorite performers across all genres of music.&nbsp;Joe is also the Head of Audio for&nbsp;<a href="https://www.sofarsounds.com/chicago" rel="noopener noreferrer" target="_blank">Sofar Sounds Chicago</a>, were he produces dozens of live recordings year, including recent recordings of&nbsp;<a href="https://www.youtube.com/watch?v=0M1-JRDev0Q&amp;list=PLWQLAofNGOby9cNPEJ4_fQc9oDKz2MfQE&amp;t=0s&amp;index=4" rel="noopener noreferrer" target="_blank">Jack Garrett</a>,&nbsp;<a href="https://www.youtube.com/watch?v=QBv6lxTrrrY&amp;list=PLWQLAofNGOby9cNPEJ4_fQc9oDKz2MfQE&amp;t=0s&amp;index=3" rel="noopener noreferrer" target="_blank">Shawnee Dez</a>,&nbsp;<a href="https://www.youtube.com/watch?v=HZykFY5E8ks&amp;list=PLWQLAofNGOby9cNPEJ4_fQc9oDKz2MfQE&amp;t=0s&amp;index=10" rel="noopener noreferrer" target="_blank">CHAI</a>, and&nbsp;<a href="https://www.youtube.com/watch?v=rVMbeigbH04&amp;list=PLWQLAofNGOby9cNPEJ4_fQc9oDKz2MfQE&amp;t=0s&amp;index=2" rel="noopener noreferrer" target="_blank">Tank and the Bangaz</a>.</p><p>In addition to his accomplishments in the field of audio, he is a musician of sorts. His musical career spans over 15 years of experience, most recently as singer/songwriter for the socially conscious punk rock band‚ Behold!‚ and banjo/ukulele player for the Americana ensemble, The Rust Belt Ramblers. Joe also is a volunteer producer for the&nbsp;<a href="https://www.facebook.com/punkrockkaraokechicago/" rel="noopener noreferrer" target="_blank">Punk Rock Karaoke Collective</a>, a community fundraising organization and an advocate for&nbsp;<a href="https://www.jailguitardoors.org/" rel="noopener noreferrer" target="_blank">Jail Guitar Doors</a>, an organization dedicated to bringing music to the lives of those in prison.</p><p>In his spare time, Joe enjoys playing with his two kids, skateboarding, vegan cooking, and birdwatching with this wife, Kristen.</p><h2><strong>About this Interview:</strong></h2><p>Joe joins me to talk about his multi-facetted studio&nbsp;<a href="https://www.mysterystreetrecording.com/" rel="noopener noreferrer" target="_blank">Mystery Street Recording</a>&nbsp;which exemplifies the concept of diversification. The studio handles an array of&nbsp;tasks including a traditional recording studio, format transfers, rehearsal space, Karaoke recording party’s, video production, consulting&nbsp;and podcast recording. Enjoy! – Matt</p><h2>Show Notes and Links</h2><ul><li>Universal Audio’s “Half Yearly Sale”:&nbsp;<a href="https://www.uaudio.com/half-yearly-sale" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/half-yearly-sale</a></li><li>Mystery Street Recording:&nbsp;<a href="https://www.mysterystreetrecording.com/" rel="noopener noreferrer" target="_blank">https://www.mysterystreetrecording.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Joe Tessone is the owner and lead audio engineer at Mystery Street Recording Company. He is a graduate of Columbia College Chicago’s famed school of Audio Arts and Acoustics, with a degree specializing in Audio Design and Production. Since 2007, he has been an audio archiving consultant and mastering engineer for the&nbsp;<a href="http://www.oldtownschool.org/" rel="noopener noreferrer" target="_blank">Old Town School of Folk Music</a>&nbsp;where he has helped preserve over 30,000 songs from recordings that date as far back as 1956. He is a member of the&nbsp;<a href="http://www.arsc-audio.org/" rel="noopener noreferrer" target="_blank">Association for Recorded Sound Collections</a>, the&nbsp;<a href="http://www.aes.org/" rel="noopener noreferrer" target="_blank">Audio Engineering Society</a>, and is a voting member of&nbsp;<a href="https://www.grammypro.com/chicago/blogs/studio-tour-mystery-street-recording-company" rel="noopener noreferrer" target="_blank">The Recording Academy</a>&nbsp;(Grammys). His work has been featured on Chicago Radio Stations such as Q101, WXRT,&nbsp;WGCI, WPNA, WGN, WLUW and more. He has also been highlighted multiple audio publications, including Live Sound International, Pro Audio Review, and Mix Magazine.</p><p>Joe worked as an engineer for the “<a href="http://www.oldtownschool.org/liverecordings/" rel="noopener noreferrer" target="_blank">127 Songs Live From the Old Town School of Folk Music</a>” project, during which he mastered tracks by world renowned artists including Pete Seeger, Jeff Tweedy, Mahalia Jackson, Donovan, Andrew Bird, and more.</p><p>Since 2012, Joe has been a consultant for&nbsp;<a href="http://www.sensaphonics.com/?p=2341" rel="noopener noreferrer" target="_blank">Sensaphonics</a>, advising touring engineers and artists (including Steven Tyler, The Decemberists, My Morning Jacket, Lisa Loeb, Wayne Kramer (MC5), John Feldmann (Goldfinger), Chance the Rapper, Thom Yorke, The Lumineers, and David Crosby), and teaching students and doctors of audiology, the implementation of in-ear monitoring in live and studio environments.</p><p>In 2014, he mixed and and mastered a live recording for Iron and Wine and he continues to work with dozens of Chicago’s favorite performers across all genres of music.&nbsp;Joe is also the Head of Audio for&nbsp;<a href="https://www.sofarsounds.com/chicago" rel="noopener noreferrer" target="_blank">Sofar Sounds Chicago</a>, were he produces dozens of live recordings year, including recent recordings of&nbsp;<a href="https://www.youtube.com/watch?v=0M1-JRDev0Q&amp;list=PLWQLAofNGOby9cNPEJ4_fQc9oDKz2MfQE&amp;t=0s&amp;index=4" rel="noopener noreferrer" target="_blank">Jack Garrett</a>,&nbsp;<a href="https://www.youtube.com/watch?v=QBv6lxTrrrY&amp;list=PLWQLAofNGOby9cNPEJ4_fQc9oDKz2MfQE&amp;t=0s&amp;index=3" rel="noopener noreferrer" target="_blank">Shawnee Dez</a>,&nbsp;<a href="https://www.youtube.com/watch?v=HZykFY5E8ks&amp;list=PLWQLAofNGOby9cNPEJ4_fQc9oDKz2MfQE&amp;t=0s&amp;index=10" rel="noopener noreferrer" target="_blank">CHAI</a>, and&nbsp;<a href="https://www.youtube.com/watch?v=rVMbeigbH04&amp;list=PLWQLAofNGOby9cNPEJ4_fQc9oDKz2MfQE&amp;t=0s&amp;index=2" rel="noopener noreferrer" target="_blank">Tank and the Bangaz</a>.</p><p>In addition to his accomplishments in the field of audio, he is a musician of sorts. His musical career spans over 15 years of experience, most recently as singer/songwriter for the socially conscious punk rock band‚ Behold!‚ and banjo/ukulele player for the Americana ensemble, The Rust Belt Ramblers. Joe also is a volunteer producer for the&nbsp;<a href="https://www.facebook.com/punkrockkaraokechicago/" rel="noopener noreferrer" target="_blank">Punk Rock Karaoke Collective</a>, a community fundraising organization and an advocate for&nbsp;<a href="https://www.jailguitardoors.org/" rel="noopener noreferrer" target="_blank">Jail Guitar Doors</a>, an organization dedicated to bringing music to the lives of those in prison.</p><p>In his spare time, Joe enjoys playing with his two kids, skateboarding, vegan cooking, and birdwatching with this wife, Kristen.</p><h2><strong>About this Interview:</strong></h2><p>Joe joins me to talk about his multi-facetted studio&nbsp;<a href="https://www.mysterystreetrecording.com/" rel="noopener noreferrer" target="_blank">Mystery Street Recording</a>&nbsp;which exemplifies the concept of diversification. The studio handles an array of&nbsp;tasks including a traditional recording studio, format transfers, rehearsal space, Karaoke recording party’s, video production, consulting&nbsp;and podcast recording. Enjoy! – Matt</p><h2>Show Notes and Links</h2><ul><li>Universal Audio’s “Half Yearly Sale”:&nbsp;<a href="https://www.uaudio.com/half-yearly-sale" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/half-yearly-sale</a></li><li>Mystery Street Recording:&nbsp;<a href="https://www.mysterystreetrecording.com/" rel="noopener noreferrer" target="_blank">https://www.mysterystreetrecording.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-184-with-joe-tessone]]></link><guid isPermaLink="false">6a12208c2d3544d89ce9a8d7e445562e</guid><itunes:image href="https://artwork.captivate.fm/eda95142-659b-4687-a264-be1c5123d263/wca-184-with-joe-tessone-1400.png"/><pubDate>Sun, 24 Jun 2018 15:05:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/492495cf-8bfe-4708-9c54-80c1f8a651a2.mp3" length="42686362" type="audio/mpeg"/><itunes:duration>44:28</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>184</itunes:episode><podcast:episode>184</podcast:episode><itunes:summary>Working Class Audio #184 with Joe Tessone!!!  Joe Tessone is the owner and lead audio engineer at Mystery Street Recording Company. He is a graduate of Columbia College Chicago’s famed school of Audio Arts and Acoustics, with a degree specializing in Audio Design and Production. Since 2007, he has been an audio archiving consultant and mastering engineer for the Old Town School of Folk Music where he has helped preserve over 30,000 songs from recordings that date as far back as 1956. He is a member of the Association for Recorded Sound Collections, the Audio Engineering Society, and is a voting member of The Recording Academy (Grammys). His work has been featured on Chicago Radio Stations such as Q101, WXRT,  WGCI, WPNA, WGN, WLUW and more. He has also been highlighted multiple audio publications, including Live Sound International, Pro Audio Review, and Mix Magazine.  Joe worked as an engineer for the “127 Songs Live From the Old Town School of Folk Music” project, during which he mastered tracks by world renowned artists including Pete Seeger, Jeff Tweedy, Mahalia Jackson, Donovan, Andrew Bird, and more.  Since 2012, Joe has been a consultant for Sensaphonics, advising touring engineers and artists (including Steven Tyler, The Decemberists, My Morning Jacket, Lisa Loeb, Wayne Kramer (MC5), John Feldmann (Goldfinger), Chance the Rapper, Thom Yorke, The Lumineers, and David Crosby), and teaching students and doctors of audiology, the implementation of in-ear monitoring in live and studio environments.  In 2014, he mixed and and mastered a live recording for Iron and Wine and he continues to work with dozens of Chicago’s favorite performers across all genres of music. Joe is also the Head of Audio for Sofar Sounds Chicago, were he produces dozens of live recordings year, including recent recordings of Jack Garrett, Shawnee Dez, CHAI, and Tank and the Bangaz.  In addition to his accomplishments in the field of audio, he is a musician of sorts. His musical career spans over 15 years of experience, most recently as singer/songwriter for the socially conscious punk rock band‚ Behold!‚ and banjo/ukulele player for the Americana ensemble, The Rust Belt Ramblers. Joe also is a volunteer producer for the Punk Rock Karaoke Collective, a community fundraising organization and an advocate for Jail Guitar Doors, an organization dedicated to bringing music to the lives of those in prison.  In his spare time, Joe enjoys playing with his two kids, skateboarding, vegan cooking, and birdwatching with this wife, Kristen.  About this Interview:  Joe joins me to talk about his multi-facetted studio Mystery Street Recording  which exemplifies the concept of diversification. The studio handles an array of  tasks including a traditional recording studio, format transfers, rehearsal space, Karaoke recording party&apos;s, video production, consulting and podcast recording. Enjoy! - Matt  ________________________________  Show Notes and Links  Universal Audio&apos;s &quot;Half Yearly Sale&quot;: https://www.uaudio.com/half-yearly-sale
 Mystery Street Recording: https://www.mysterystreetrecording.com/</itunes:summary></item><item><title>WCA #183 with Craig Bowen</title><itunes:title>WCA #183 with Craig Bowen</itunes:title><description><![CDATA[<p>Craig Bowen has been recording bands for over 20 years and is currently the owner/ operator of Tempo House recording studio in Baltimore City. He recorded records by Lungfish, Quixotic, Jackie-O Motherfucker, Ecstatic Sunshine, Jason Urick, Oxes, Thank You, Growing, Smoke Bellow, Zomes, Dan Deacon, Animal Collectiveand many more. He was in the band INK(Monitor Records) and currently performs instrumental guitar + drum machine music.</p><p>After years of working in a wide range of studios and ad-hoc recording environments, he designed and built a studio with a balance of efficiency and flexibility Inspired by, among other things, the John Peel radio show, Tempo House was created to provide an professional, relaxed recording atmosphere accessible to artists regardless of their popularity or esthetics.</p><h2><strong>About this Interview:</strong></h2><p>Craig joins me to talk about mentoring&nbsp;kids in inner city Baltimore, the fire that displaced his last studio, the beauty of his his espresso maker and the challenges that come with recording. Enjoy! – Matt</p><h2>Show Notes and Links</h2><ul><li>Tempo House:&nbsp;<a href="http://tempohouserecording.com/" rel="noopener noreferrer" target="_blank">http://tempohouserecording.com/</a></li><li>Ghost Ship FIre:&nbsp;<a href="https://en.wikipedia.org/wiki/2016_Oakland_warehouse_fire" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/2016_Oakland_warehouse_fire</a></li><li>The Wire:&nbsp;<a href="https://www.hbo.com/the-wire" rel="noopener noreferrer" target="_blank">https://www.hbo.com/the-wire</a></li><li>Sound Exchange :&nbsp;<a href="https://www.soundexchange.com/" rel="noopener noreferrer" target="_blank">https://www.soundexchange.com/</a></li><li>Apollo Twin Platinum Vocal Promo:&nbsp;<a href="https://www.uaudio.com/twin-vocal-promo" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/twin-vocal-promo</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Craig Bowen has been recording bands for over 20 years and is currently the owner/ operator of Tempo House recording studio in Baltimore City. He recorded records by Lungfish, Quixotic, Jackie-O Motherfucker, Ecstatic Sunshine, Jason Urick, Oxes, Thank You, Growing, Smoke Bellow, Zomes, Dan Deacon, Animal Collectiveand many more. He was in the band INK(Monitor Records) and currently performs instrumental guitar + drum machine music.</p><p>After years of working in a wide range of studios and ad-hoc recording environments, he designed and built a studio with a balance of efficiency and flexibility Inspired by, among other things, the John Peel radio show, Tempo House was created to provide an professional, relaxed recording atmosphere accessible to artists regardless of their popularity or esthetics.</p><h2><strong>About this Interview:</strong></h2><p>Craig joins me to talk about mentoring&nbsp;kids in inner city Baltimore, the fire that displaced his last studio, the beauty of his his espresso maker and the challenges that come with recording. Enjoy! – Matt</p><h2>Show Notes and Links</h2><ul><li>Tempo House:&nbsp;<a href="http://tempohouserecording.com/" rel="noopener noreferrer" target="_blank">http://tempohouserecording.com/</a></li><li>Ghost Ship FIre:&nbsp;<a href="https://en.wikipedia.org/wiki/2016_Oakland_warehouse_fire" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/2016_Oakland_warehouse_fire</a></li><li>The Wire:&nbsp;<a href="https://www.hbo.com/the-wire" rel="noopener noreferrer" target="_blank">https://www.hbo.com/the-wire</a></li><li>Sound Exchange :&nbsp;<a href="https://www.soundexchange.com/" rel="noopener noreferrer" target="_blank">https://www.soundexchange.com/</a></li><li>Apollo Twin Platinum Vocal Promo:&nbsp;<a href="https://www.uaudio.com/twin-vocal-promo" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/twin-vocal-promo</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-183-with-craig-bowen]]></link><guid isPermaLink="false">6ddb5f755f224dbfaa38c4a2c9fd0744</guid><itunes:image href="https://artwork.captivate.fm/846e6a59-55d8-4c67-bf14-92a090428fc9/wca-183-with-craig-bowen1-400.png"/><pubDate>Sun, 17 Jun 2018 19:10:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8e538121-cdcf-48f5-b567-9c8ed275d84c.mp3" length="56059384" type="audio/mpeg"/><itunes:duration>58:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>183</itunes:episode><podcast:episode>183</podcast:episode><itunes:summary>Working Class Audio #183 with Craig Bowen!!!
     Craig Bowen has been recording bands for over 20 years and is currently the owner/ operator of Tempo House recording studio in Baltimore City. He recorded records by Lungfish, Quixotic, Jackie-O Motherfucker, Ecstatic Sunshine, Jason Urick, Oxes, Thank You, Growing, Smoke Bellow, Zomes, Dan Deacon, Animal Collectiveand many more. He was in the band INK(Monitor Records) and currently performs instrumental guitar + drum machine music.
 After years of working in a wide range of studios and ad-hoc recording environments, he designed and built a studio with a balance of efficiency and flexibility Inspired by, among other things, the John Peel radio show, Tempo House was created to provide an professional, relaxed recording atmosphere accessible to artists regardless of their popularity or esthetics.
   About this Interview:
  Craig joins me to talk about mentoring kids in inner city Baltimore, the fire that displaced his last studio, the beauty of his his espresso maker and the challenges that come with recording. Enjoy! - Matt
  Show Notes and Links
    Tempo House: http://tempohouserecording.com/
 Ghost Ship Fire: https://en.wikipedia.org/wiki/2016_Oakland_warehouse_fire
 The Wire: https://www.hbo.com/the-wire
 Sound Exchange : https://www.soundexchange.com/
 Apollo Twin Platinum Vocal Promo: https://www.uaudio.com/twin-vocal-promo</itunes:summary></item><item><title>WCA #182 with Mike Kennerty</title><itunes:title>WCA #182 with Mike Kennerty</itunes:title><description><![CDATA[<p>Mike Kennerty is a producer/engineer based out of Edmond, OK. He’s best known as a guitar player for the multi-platinum band The All-American Rejects, but over the last decade has also made a name for himself as a producer in the punk rock world. Having worked with bands like Screeching Weasel, Masked Intruder, Direct Hit!, Red City Radio, and The Copyrights (for labels such as Fat Wreck Chords, Pure Noise, Red Scare, and Asian Man) he often tries to integrate bigger production elements to a genre usually known for its simplicity.</p><h2><strong>About this Interview:</strong></h2><p>Mike joins me to talk about the dual worlds of producing/engineering while being in a well known band as well as tips for studio owners, knowing when you have enough gear, his mentors and what he’s learned while straddling both sides of the glass.&nbsp;Enjoy! – Matt</p><h2>Show Notes and Links</h2><ul><li>Twitter/Intragram: @mikeaar</li><li>Mike on Wikipedia:&nbsp;<a href="https://en.wikipedia.org/wiki/Mike_Kennerty" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Mike_Kennerty</a></li><li>The All American Rejects:&nbsp;<a href="http://www.allamericanrejects.com/" rel="noopener noreferrer" target="_blank">http://www.allamericanrejects.com/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Mike Kennerty is a producer/engineer based out of Edmond, OK. He’s best known as a guitar player for the multi-platinum band The All-American Rejects, but over the last decade has also made a name for himself as a producer in the punk rock world. Having worked with bands like Screeching Weasel, Masked Intruder, Direct Hit!, Red City Radio, and The Copyrights (for labels such as Fat Wreck Chords, Pure Noise, Red Scare, and Asian Man) he often tries to integrate bigger production elements to a genre usually known for its simplicity.</p><h2><strong>About this Interview:</strong></h2><p>Mike joins me to talk about the dual worlds of producing/engineering while being in a well known band as well as tips for studio owners, knowing when you have enough gear, his mentors and what he’s learned while straddling both sides of the glass.&nbsp;Enjoy! – Matt</p><h2>Show Notes and Links</h2><ul><li>Twitter/Intragram: @mikeaar</li><li>Mike on Wikipedia:&nbsp;<a href="https://en.wikipedia.org/wiki/Mike_Kennerty" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Mike_Kennerty</a></li><li>The All American Rejects:&nbsp;<a href="http://www.allamericanrejects.com/" rel="noopener noreferrer" target="_blank">http://www.allamericanrejects.com/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-182-with-mike-kennerty]]></link><guid isPermaLink="false">7395924027614c46b00685bb87344671</guid><itunes:image href="https://artwork.captivate.fm/053a4c5f-95e1-4fe7-9367-f4e6276d6f5d/wca-182-with-mike-kennerty-1400.png"/><pubDate>Mon, 11 Jun 2018 06:06:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1c438565-c450-468b-b496-729602f6fc36.mp3" length="47718176" type="audio/mpeg"/><itunes:duration>49:42</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>182</itunes:episode><podcast:episode>182</podcast:episode><itunes:summary>Working Class Audio #182 with Mike Kennerty!!!
 Mike Kennerty is a producer/engineer based out of Edmond, OK. He&apos;s best known as a guitar player for the multi-platinum band The All-American Rejects, but over the last decade has also made a name for himself as a producer in the punk rock world. Having worked with bands like Screeching Weasel, Masked Intruder, Direct Hit!, Red City Radio, and The Copyrights (for labels such as Fat Wreck Chords, Pure Noise, Red Scare, and Asian Man) he often tries to integrate bigger production elements to a genre usually known for its simplicity.   About this Interview:
  Mike joins me to talk about the dual worlds of producing/engineering while being in a well known band as well as tips for studio owners, knowing when you have enough gear, his mentors and what he&apos;s learned while straddling both sides of the glass.  Enjoy! - Matt
  Show Notes and Links
  Twitter/Intragram: @mikeaar
 Mike on Wikipedia: https://en.wikipedia.org/wiki/Mike_Kennerty</itunes:summary></item><item><title>WCA #181 with Gary Noble</title><itunes:title>WCA #181 with Gary Noble</itunes:title><description><![CDATA[<p>Gary Noble is that multiple Grammy awarded and nominated technician with the ear that inspires magic. He is known for his knack of ” bringing the artists’ &amp; producers’ visions to light.” His ear is attuned to many genres of sound and music as reflected in his expansive catalog of award-winning songs. His philosophy on life…” MUSIC IS LIFE. MIXING IS HOW I MEDITATE ON LIFE,” inspires him and motivates the focus he shares within each body of work.</p><p>Major record labels like Sony Music, Atlantic Records, and Universal Music Group recognize this and summon Mr. Noble regularly to give the music of artists like Jessie J and Abd Al Malik (which won 2 French Grammys} enhancements that can only be described as hypnotic. Movie studios know him as well, turning to him to mix songs for the soundtrack of blockbusters like “Amy”&nbsp;&nbsp;“Sex in the City: The Movie” and “After The Sunset.” His work is also reflected in the commercial world. An example of his work is the Crystal Light campaign featuring Estelle’s smash “Star”.</p><p>Noble recognized his musical gift at the tender age of 5. He would sit and listen to his parents’ record collections for hours on end. Living in New York, he was exposed to a virtual melting pot of different cultures and styles of music. By age fifteen he was a mobile DJ, which helped to fuel his passion for creating and mixing music even more. That experience would be the jumping-off point for him to ascend toward the ultimate career of Mixing Engineer. He studied at the Institute of Audio Research and worked at various studios in New York to hone his craft. He eventually met Salaam Remi(he produced Jazmine Sullivan, Amy Winehouse, Nas, The Fugees) who chose him to be his main engineer. The rest is history.</p><p>Today Noble’s talents are known by artists worldwide. Most recently, his skills helped British songstress Amy Winehouse’s “Back To Black” snag a dominating 5 Grammys in 2008. He also mixed the Grammy-nominated Nas single “Cherry Wine” featuring Amy Winehouse and produced by Salaam Remi. He also worked on Chronixx’s critically acclaimed Grammy-nominated album “Chronology”.</p><p>Gary Noble’s work has earned the music industry’s respect and highest honors. Artists he has worked with have earned all of the top accolades including American Music Awards, Billboard Music Awards, the MOBO (U.K.) Awards and The Grammys. And with each recognition, the artists themselves credit Gary with making it all possible.</p><h2><strong>About this Interview:</strong></h2><p>Gary joins me to talk about his journey from Jamaica to New York, his move to Miami, his musical partnership with producer&nbsp;Salaam Remi and his approach with keeping artists in the zone.&nbsp;Enjoy! – Matt</p><h3><strong>Show Notes and Links</strong></h3><ul><li>Gary’s discography:&nbsp;<a href="https://www.allmusic.com/artist/gary-noble-mn0001211562/credits" rel="noopener noreferrer" target="_blank">https://www.allmusic.com/artist/gary-noble-mn0001211562/credits</a></li><li>Gary on Linkedin:&nbsp;<a href="https://www.linkedin.com/in/gmajor2" rel="noopener noreferrer" target="_blank">https://www.linkedin.com/in/gmajor2</a></li><li>Gary on Instagram:&nbsp;<a href="https://www.instagram.com/garynobleshow/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/garynobleshow/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Gary Noble is that multiple Grammy awarded and nominated technician with the ear that inspires magic. He is known for his knack of ” bringing the artists’ &amp; producers’ visions to light.” His ear is attuned to many genres of sound and music as reflected in his expansive catalog of award-winning songs. His philosophy on life…” MUSIC IS LIFE. MIXING IS HOW I MEDITATE ON LIFE,” inspires him and motivates the focus he shares within each body of work.</p><p>Major record labels like Sony Music, Atlantic Records, and Universal Music Group recognize this and summon Mr. Noble regularly to give the music of artists like Jessie J and Abd Al Malik (which won 2 French Grammys} enhancements that can only be described as hypnotic. Movie studios know him as well, turning to him to mix songs for the soundtrack of blockbusters like “Amy”&nbsp;&nbsp;“Sex in the City: The Movie” and “After The Sunset.” His work is also reflected in the commercial world. An example of his work is the Crystal Light campaign featuring Estelle’s smash “Star”.</p><p>Noble recognized his musical gift at the tender age of 5. He would sit and listen to his parents’ record collections for hours on end. Living in New York, he was exposed to a virtual melting pot of different cultures and styles of music. By age fifteen he was a mobile DJ, which helped to fuel his passion for creating and mixing music even more. That experience would be the jumping-off point for him to ascend toward the ultimate career of Mixing Engineer. He studied at the Institute of Audio Research and worked at various studios in New York to hone his craft. He eventually met Salaam Remi(he produced Jazmine Sullivan, Amy Winehouse, Nas, The Fugees) who chose him to be his main engineer. The rest is history.</p><p>Today Noble’s talents are known by artists worldwide. Most recently, his skills helped British songstress Amy Winehouse’s “Back To Black” snag a dominating 5 Grammys in 2008. He also mixed the Grammy-nominated Nas single “Cherry Wine” featuring Amy Winehouse and produced by Salaam Remi. He also worked on Chronixx’s critically acclaimed Grammy-nominated album “Chronology”.</p><p>Gary Noble’s work has earned the music industry’s respect and highest honors. Artists he has worked with have earned all of the top accolades including American Music Awards, Billboard Music Awards, the MOBO (U.K.) Awards and The Grammys. And with each recognition, the artists themselves credit Gary with making it all possible.</p><h2><strong>About this Interview:</strong></h2><p>Gary joins me to talk about his journey from Jamaica to New York, his move to Miami, his musical partnership with producer&nbsp;Salaam Remi and his approach with keeping artists in the zone.&nbsp;Enjoy! – Matt</p><h3><strong>Show Notes and Links</strong></h3><ul><li>Gary’s discography:&nbsp;<a href="https://www.allmusic.com/artist/gary-noble-mn0001211562/credits" rel="noopener noreferrer" target="_blank">https://www.allmusic.com/artist/gary-noble-mn0001211562/credits</a></li><li>Gary on Linkedin:&nbsp;<a href="https://www.linkedin.com/in/gmajor2" rel="noopener noreferrer" target="_blank">https://www.linkedin.com/in/gmajor2</a></li><li>Gary on Instagram:&nbsp;<a href="https://www.instagram.com/garynobleshow/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/garynobleshow/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-181-with-gary-noble]]></link><guid isPermaLink="false">930684517cb54314b16237129c4a9f19</guid><itunes:image href="https://artwork.captivate.fm/31c340d1-c1ed-4461-8946-4b73dc61f150/wca-181-with-gary-noble-1400.png"/><pubDate>Fri, 01 Jun 2018 13:50:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3310ebdd-0c37-4df1-8418-e61357a6ae34.mp3" length="50708250" type="audio/mpeg"/><itunes:duration>52:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>181</itunes:episode><podcast:episode>181</podcast:episode><itunes:summary>Working Class Audio #181 with Gary Noble!!!
 Gary Noble is that multiple Grammy awarded and nominated technician with the ear that inspires magic. He is known for his knack of &quot; bringing the artists&apos; &amp; producers&apos; visions to light.&quot; His ear is attuned to many genres of sound and music as reflected in his expansive catalog of award winning songs.Gary is known for his work with Alina Baraz, Faith Evans, Jazmine Sullivan, Estelle, Amy Winehouse, Jordin Sparks, Nas, Chronnix and MackWilds. His philosophy on life...&quot;MUSIC IS LIFE. MIXING IS HOW I MEDITATE ON LIFE,&quot; inspires him and motivates the focus he shares within each body of work.  
 Major record labels like Sony Music, Atlantic Records and Universal Music Group recognize this and summon Mr. Noble regularly to give the music of artists like Jessie J and Abd Al Malik (which won 2 French Grammys} enhancements that can only be described as hypnotic. Movie studios know him as well, turning to him to mix songs for the soundtrack of blockbusters like “Amy”  &quot;Sex in the City: The Movie&quot; and &quot;After The Sunset.&quot; His work is also reflected in the commercial world. An example of his work is the Crystal Light campaign featuring Estelle&apos;s smash &quot;Star&quot;.
 Noble recognized his musical gift at the tender age of 5. He would sit and listen to his parents&apos; record collections for hours on end. Living in New York, he was exposed to a virtual melting pot of different cultures and styles of music. By age fifteen he was a mobile DJ, which helped to fuel his passion for creating and mixing music even more. That experience would be the jumping off point for him to ascend toward the ultimate career of Mixing Engineer. He studied at the Institute of Audio Research and worked at various studios in New York to hone his craft. He eventually met Salaam Remi(he produced Jazmine Sullivan, Amy Winehouse, Nas, The Fugees) who chose him to be his main engineer. The rest is history.
 Today Noble’s talents are known by artists worldwide. Most recently, his skills helped British songstress Amy Winehouse&apos;s &quot;Back To Black&quot; snag a dominating 5 Grammys in 2008. He  also mixed the Grammy nominated Nas single &quot;Cherry Wine&quot; featuring Amy Winehouse and produced by Salaam Remi. He also worked on Chronixx critically acclaimed Grammy nominated album “Chronology”.
 Gary Noble&apos;s work has earned the music industry&apos;s respect and highest honors. Artists he has worked with have earned all of the top accolades including American Music Awards, Billboard Music Awards, the MOBO(U.K.) Awards and The Grammys. And with each recognition, the artists themselves credit Gary with making it all possible.
  About this Interview:
  Gary joins me to talk about his journey from Jamaica to New York, his move to Miami, his musical partnership with producer Salaam Remi and his approach with keeping artists in the zone.  Enjoy! - Matt
  Show Notes and Links
  Gary&apos;s discography: https://www.allmusic.com/artist/gary-noble-mn0001211562/credits
 Gary on Linkedin: https://www.linkedin.com/in/gmajor2
 Gary on Instagram: https://www.instagram.com/garynobleshow/</itunes:summary></item><item><title>WCA #180 with Bobby Owsinski</title><itunes:title>WCA #180 with Bobby Owsinski</itunes:title><description><![CDATA[<p>Producer/engineer Bobby Owsinski is one of the best selling authors in the music industry with 23 books that are now staples in audio recording, music, and music business programs in colleges around the world, including&nbsp;<em>The Mixing Engineer’s Handbook</em>,&nbsp;<em>Social Media Promotion For Musicians</em>,&nbsp;<em>Music 4.0: A Survival Guide For Making Music In The Internet Age</em>&nbsp;and more. He’s also a contributor to Forbes covering the new music business, his popular production and music industry blogs are nearing 8 million visits, and he’s appeared on CNN and ABC News as a music branding and audio expert. Bobby has worked on over a hundred 5.1 surround projects and DVD productions for a variety of legendary superstar acts including The Who, Willie Nelson, Neil Young, Iron Maiden, The Ramones, and Chicago among many others, and recently produced and mixed albums that appeared at #2 on the Billboard Blues Chart and #5 on the iTunes Rock Chart.</p><p>&nbsp;</p><p>Visit Bobby’s music production blog at&nbsp;<a href="http://bobbyowsinski.blogspot.com/" rel="noopener noreferrer" target="_blank">bobbyowsinskiblog.com</a>/,&nbsp;his music industry blog at&nbsp;<a href="http://music3point0.blogspot.com/" rel="noopener noreferrer" target="_blank">music3point0.com</a>,&nbsp;his Forbes blog at&nbsp;<a href="http://forbes.com/sites/bobbyowsinski/" rel="noopener noreferrer" target="_blank">forbes.com/sites/bobbyowsinski/</a>, his podcast at&nbsp;<a href="http://bobbyoinnercircle.com/" rel="noopener noreferrer" target="_blank">bobbyoinnercircle.com</a>,&nbsp;and his website at&nbsp;<a href="http://bobbyowsinski.com/" rel="noopener noreferrer" target="_blank">bobbyowsinski.com</a><em>.</em></p><p>&nbsp;</p><h2><strong>About this Interview:</strong></h2><p>Bobby joins me to talk about his podcast, diversification, being humbled, his views on the state of the studios as well as his musical beginnings and transition to producing and engineering, Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><h3>Bobby’s Links</h3><ul><li>bobby@bobbyowsinski.com</li><li>Music Production Blog –&nbsp;<a href="http://www.bobbyowsinskiblog.com/" rel="noopener noreferrer" target="_blank">http://www.bobbyowsinskiblog.com</a></li><li>Music 3.0 blog –<a href="http://www.music3point0.com/" rel="noopener noreferrer" target="_blank">&nbsp;http://www.music3point0.com</a></li><li>Podcast&nbsp;<a href="http://www.bobbyoinnercircle.com/" rel="noopener noreferrer" target="_blank">http://www.BobbyOInnerCircle.com</a></li><li>Forbes posts:&nbsp;<a href="http://www.forbes.com/sites/bobbyowsinski/" rel="noopener noreferrer" target="_blank">http://www.forbes.com/sites/bobbyowsinski/</a></li><li>Twitter: @bobbyowsinski</li><li>Facebook: facebook.com/bobby.owsinski</li><li>Linkedin: Linkedin.com/in/bobbyo/</li><li>YouTube: youtube.com/user/polymedia</li></ul><br/><h3>Monologue and interview links:</h3><ul><li><strong>YouTube Music:&nbsp;</strong><a href="https://youtube.googleblog.com/2018/05/youtube-music-new-music-streaming.html" rel="noopener noreferrer" target="_blank">https://youtube.googleblog.com/2018/05/youtube-music-new-music-streaming.html</a></li><li><strong>Music Business Worldwide:</strong>&nbsp;<a href="https://www.musicbusinessworldwide.com/" rel="noopener noreferrer" target="_blank">https://www.musicbusinessworldwide.com/</a></li><li><strong>Audio Now Cast:</strong>&nbsp;<a href="http://nowcastnetwork.com/" rel="noopener noreferrer" target="_blank">http://nowcastnetwork.com/</a></li><li><strong>Wall Street Journal:</strong>&nbsp;<a href="https://www.wsj.com/" rel="noopener noreferrer" target="_blank">https://www.wsj.com/</a></li><li><strong>Guardian:</strong>&nbsp;<a href="https://www.theguardian.com/us" rel="noopener noreferrer" target="_blank">https://www.theguardian.com/us</a></li><li><strong>Billboard Business:</strong>&nbsp;<a href="https://www.billboard.com/" rel="noopener noreferrer" target="_blank">https://www.billboard.com/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Producer/engineer Bobby Owsinski is one of the best selling authors in the music industry with 23 books that are now staples in audio recording, music, and music business programs in colleges around the world, including&nbsp;<em>The Mixing Engineer’s Handbook</em>,&nbsp;<em>Social Media Promotion For Musicians</em>,&nbsp;<em>Music 4.0: A Survival Guide For Making Music In The Internet Age</em>&nbsp;and more. He’s also a contributor to Forbes covering the new music business, his popular production and music industry blogs are nearing 8 million visits, and he’s appeared on CNN and ABC News as a music branding and audio expert. Bobby has worked on over a hundred 5.1 surround projects and DVD productions for a variety of legendary superstar acts including The Who, Willie Nelson, Neil Young, Iron Maiden, The Ramones, and Chicago among many others, and recently produced and mixed albums that appeared at #2 on the Billboard Blues Chart and #5 on the iTunes Rock Chart.</p><p>&nbsp;</p><p>Visit Bobby’s music production blog at&nbsp;<a href="http://bobbyowsinski.blogspot.com/" rel="noopener noreferrer" target="_blank">bobbyowsinskiblog.com</a>/,&nbsp;his music industry blog at&nbsp;<a href="http://music3point0.blogspot.com/" rel="noopener noreferrer" target="_blank">music3point0.com</a>,&nbsp;his Forbes blog at&nbsp;<a href="http://forbes.com/sites/bobbyowsinski/" rel="noopener noreferrer" target="_blank">forbes.com/sites/bobbyowsinski/</a>, his podcast at&nbsp;<a href="http://bobbyoinnercircle.com/" rel="noopener noreferrer" target="_blank">bobbyoinnercircle.com</a>,&nbsp;and his website at&nbsp;<a href="http://bobbyowsinski.com/" rel="noopener noreferrer" target="_blank">bobbyowsinski.com</a><em>.</em></p><p>&nbsp;</p><h2><strong>About this Interview:</strong></h2><p>Bobby joins me to talk about his podcast, diversification, being humbled, his views on the state of the studios as well as his musical beginnings and transition to producing and engineering, Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><h3>Bobby’s Links</h3><ul><li>bobby@bobbyowsinski.com</li><li>Music Production Blog –&nbsp;<a href="http://www.bobbyowsinskiblog.com/" rel="noopener noreferrer" target="_blank">http://www.bobbyowsinskiblog.com</a></li><li>Music 3.0 blog –<a href="http://www.music3point0.com/" rel="noopener noreferrer" target="_blank">&nbsp;http://www.music3point0.com</a></li><li>Podcast&nbsp;<a href="http://www.bobbyoinnercircle.com/" rel="noopener noreferrer" target="_blank">http://www.BobbyOInnerCircle.com</a></li><li>Forbes posts:&nbsp;<a href="http://www.forbes.com/sites/bobbyowsinski/" rel="noopener noreferrer" target="_blank">http://www.forbes.com/sites/bobbyowsinski/</a></li><li>Twitter: @bobbyowsinski</li><li>Facebook: facebook.com/bobby.owsinski</li><li>Linkedin: Linkedin.com/in/bobbyo/</li><li>YouTube: youtube.com/user/polymedia</li></ul><br/><h3>Monologue and interview links:</h3><ul><li><strong>YouTube Music:&nbsp;</strong><a href="https://youtube.googleblog.com/2018/05/youtube-music-new-music-streaming.html" rel="noopener noreferrer" target="_blank">https://youtube.googleblog.com/2018/05/youtube-music-new-music-streaming.html</a></li><li><strong>Music Business Worldwide:</strong>&nbsp;<a href="https://www.musicbusinessworldwide.com/" rel="noopener noreferrer" target="_blank">https://www.musicbusinessworldwide.com/</a></li><li><strong>Audio Now Cast:</strong>&nbsp;<a href="http://nowcastnetwork.com/" rel="noopener noreferrer" target="_blank">http://nowcastnetwork.com/</a></li><li><strong>Wall Street Journal:</strong>&nbsp;<a href="https://www.wsj.com/" rel="noopener noreferrer" target="_blank">https://www.wsj.com/</a></li><li><strong>Guardian:</strong>&nbsp;<a href="https://www.theguardian.com/us" rel="noopener noreferrer" target="_blank">https://www.theguardian.com/us</a></li><li><strong>Billboard Business:</strong>&nbsp;<a href="https://www.billboard.com/" rel="noopener noreferrer" target="_blank">https://www.billboard.com/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-180-with-bobby-owsinski]]></link><guid isPermaLink="false">bf78e7f4e4994ea88c66f4c5ad8df13d</guid><itunes:image href="https://artwork.captivate.fm/aec0da73-a544-415c-ba07-5894047eccbc/wca-180-with-bobby-owsinski-1400.png"/><pubDate>Mon, 28 May 2018 14:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/dfa080cd-c80d-4fe0-9ea2-f66f6d8ccf25.mp3" length="65411253" type="audio/mpeg"/><itunes:duration>01:08:08</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>180</itunes:episode><podcast:episode>180</podcast:episode><itunes:summary>Working Class Audio #180 with Bobby Owsinski!!! Producer/engineer Bobby Owsinski is one of the best selling authors in the music industry with 23 books that are now staples in audio recording, music, and music business programs in colleges around the world, including 
The Mixing Engineer’s Handbook, Social Media Promotion For Musicians, Music 4.0: A Survival Guide For Making Music In The Internet Age and more. He’s also a contributor to Forbes covering the new music business, his popular production and music industry blogs are nearing 8 million visits, and he’s appeared on CNN and ABC News as a music branding and audio expert. Bobby has worked on over a hundred 5.1 surround projects and DVD productions for a variety of legendary superstar acts including The Who, Willie Nelson, Neil Young, Iron Maiden, The Ramones, and Chicago among many others, and recently produced and mixed albums that appeared at #2 on the Billboard Blues Chart and #5 on the iTunes Rock Chart.   Visit Bobby&apos;s music production blog at bobbyowsinskiblog.com/, his music industry blog at music3point0.com, his Forbes blog at forbes.com/sites/bobbyowsinski/, his podcast at bobbyoinnercircle.com, and his website at bobbyowsinski.com.   About this Interview:
Bobby joins me to talk about his podcast, diversification, being humbled, his views on the state of the studios as well as his musical beginnings and transition to producing and engineering, Enjoy! - Matt




Show notes and links:

Bobby&apos;s Links

bobby@bobbyowsinski.com
Music Production Blog - http://www.bobbyowsinskiblog.com
Music 3.0 blog - http://www.music3point0.com
Podcast http://www.BobbyOInnerCircle.com
Forbes posts: http://www.forbes.com/sites/bobbyowsinski/
Twitter: @bobbyowsinski
Facebook: facebook.com/bobby.owsinski
Linkedin: Linkedin.com/in/bobbyo/
YouTube: youtube.com/user/polymedia

Monologue and interview links:

YouTube Music: https://youtube.googleblog.com/2018/05/youtube-music-new-music-streaming.html
Music Business Worldwide: https://www.musicbusinessworldwide.com/
Audio Now Cast: http://nowcastnetwork.com/
Wall Street Journal: https://www.wsj.com/
Guardian: https://www.theguardian.com/us
Billboard Business: https://www.billboard.com/</itunes:summary></item><item><title>WCA #179 with Daniel Holter</title><itunes:title>WCA #179 with Daniel Holter</itunes:title><description><![CDATA[<p>Daniel Holter is a producer, mixer, composer and songwriter. He studio&nbsp;&nbsp;<a href="http://wireandvice.com/" rel="noopener noreferrer" target="_blank">Wire &amp; Vice</a>&nbsp;is located in a 1920s-era post office near Harley Davidson and the original Miller brewery just outside Milwaukee, WI. He’s hosted a diverse range of musical artists, from&nbsp;<strong>Rihanna</strong>&nbsp;and&nbsp;<strong>Eric Benet</strong>, to&nbsp;<strong>Chester French</strong>,&nbsp;<strong>Maritime</strong>, and&nbsp;<strong>Skillet</strong>.&nbsp;Over the years, Daniel has mixed music by artists such as&nbsp;<strong>Nick Lowe</strong>,&nbsp;<strong>Field Report,&nbsp;Over The Rhine</strong>,&nbsp;<strong>Amos Lee</strong>,&nbsp;<strong>Blitzen Trapper</strong>,&nbsp;<strong>Collections of Colonies of Bees</strong>,&nbsp;<strong>Phil Keaggy</strong>,&nbsp;<strong>Crowded House</strong>,&nbsp;<strong>Dead Horses, WebsterX</strong>,&nbsp;and&nbsp;<strong>Ryan Higa</strong>. He’s also&nbsp;composed and/or produced thousands of cues currently being used by such varied clients as&nbsp;<strong>Apple</strong>,&nbsp;<strong>Nike</strong>,&nbsp;<strong>Google</strong>,&nbsp;<strong>Microsoft</strong>,&nbsp;<strong>GM</strong>&nbsp;&amp;&nbsp;<strong>Gatorade</strong>, virtually all of the top shows on&nbsp;<strong>HBO</strong>,&nbsp;<strong>ESPN</strong>,&nbsp;<strong>CBS</strong>,&nbsp;<strong>ABC</strong>,&nbsp;<strong>NBC</strong>,&nbsp;<strong>Fox</strong>, and all across the globe in tv, radio, advertisements, video games and film.&nbsp;<strong>Photo by Andrew Feller (</strong><a href="http://www.andrewfeller.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.andrewfeller.com/</strong></a><strong>)</strong></p><h1><strong>About this Interview:</strong></h1><p>Daniel&nbsp; joins me to talk about his studio, his licensing business, family, divorce, winning and his creative drive.&nbsp; Earlier in the show I’m joined by former WCA Alum Mike Wells (<a href="https://www.workingclassaudio.com/wca-113-with-mike-wells/" rel="noopener noreferrer" target="_blank">WCA #113</a>) to talk about his new file delivery service Swan! Enjoy! – Matt</p><h1><strong>Show notes and links:</strong></h1><ul><li>Mike Well’s new file delivery service for audio pros! :&nbsp;<a href="https://swan.audio/" rel="noopener noreferrer" target="_blank">https://swan.audio/</a></li><li>Daniel Holter’s links</li><li><a href="http://danielholter.com/" rel="noopener noreferrer" target="_blank">danielholter.com</a>&nbsp;(me)</li><li><a href="http://wireandvice.com/" rel="noopener noreferrer" target="_blank">wireandvice.com</a>&nbsp;(studio)</li><li><a href="http://licenselab.com/" rel="noopener noreferrer" target="_blank">licenselab.com</a>&nbsp;(license biz)</li><li>@danielholter (twitter and instagram)</li><li><a href="https://www.facebook.com/wireandvice/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/wireandvice/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Daniel Holter is a producer, mixer, composer and songwriter. He studio&nbsp;&nbsp;<a href="http://wireandvice.com/" rel="noopener noreferrer" target="_blank">Wire &amp; Vice</a>&nbsp;is located in a 1920s-era post office near Harley Davidson and the original Miller brewery just outside Milwaukee, WI. He’s hosted a diverse range of musical artists, from&nbsp;<strong>Rihanna</strong>&nbsp;and&nbsp;<strong>Eric Benet</strong>, to&nbsp;<strong>Chester French</strong>,&nbsp;<strong>Maritime</strong>, and&nbsp;<strong>Skillet</strong>.&nbsp;Over the years, Daniel has mixed music by artists such as&nbsp;<strong>Nick Lowe</strong>,&nbsp;<strong>Field Report,&nbsp;Over The Rhine</strong>,&nbsp;<strong>Amos Lee</strong>,&nbsp;<strong>Blitzen Trapper</strong>,&nbsp;<strong>Collections of Colonies of Bees</strong>,&nbsp;<strong>Phil Keaggy</strong>,&nbsp;<strong>Crowded House</strong>,&nbsp;<strong>Dead Horses, WebsterX</strong>,&nbsp;and&nbsp;<strong>Ryan Higa</strong>. He’s also&nbsp;composed and/or produced thousands of cues currently being used by such varied clients as&nbsp;<strong>Apple</strong>,&nbsp;<strong>Nike</strong>,&nbsp;<strong>Google</strong>,&nbsp;<strong>Microsoft</strong>,&nbsp;<strong>GM</strong>&nbsp;&amp;&nbsp;<strong>Gatorade</strong>, virtually all of the top shows on&nbsp;<strong>HBO</strong>,&nbsp;<strong>ESPN</strong>,&nbsp;<strong>CBS</strong>,&nbsp;<strong>ABC</strong>,&nbsp;<strong>NBC</strong>,&nbsp;<strong>Fox</strong>, and all across the globe in tv, radio, advertisements, video games and film.&nbsp;<strong>Photo by Andrew Feller (</strong><a href="http://www.andrewfeller.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.andrewfeller.com/</strong></a><strong>)</strong></p><h1><strong>About this Interview:</strong></h1><p>Daniel&nbsp; joins me to talk about his studio, his licensing business, family, divorce, winning and his creative drive.&nbsp; Earlier in the show I’m joined by former WCA Alum Mike Wells (<a href="https://www.workingclassaudio.com/wca-113-with-mike-wells/" rel="noopener noreferrer" target="_blank">WCA #113</a>) to talk about his new file delivery service Swan! Enjoy! – Matt</p><h1><strong>Show notes and links:</strong></h1><ul><li>Mike Well’s new file delivery service for audio pros! :&nbsp;<a href="https://swan.audio/" rel="noopener noreferrer" target="_blank">https://swan.audio/</a></li><li>Daniel Holter’s links</li><li><a href="http://danielholter.com/" rel="noopener noreferrer" target="_blank">danielholter.com</a>&nbsp;(me)</li><li><a href="http://wireandvice.com/" rel="noopener noreferrer" target="_blank">wireandvice.com</a>&nbsp;(studio)</li><li><a href="http://licenselab.com/" rel="noopener noreferrer" target="_blank">licenselab.com</a>&nbsp;(license biz)</li><li>@danielholter (twitter and instagram)</li><li><a href="https://www.facebook.com/wireandvice/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/wireandvice/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-179-with-daniel-holter]]></link><guid isPermaLink="false">ea710c5e3b604476a4056e66f23bf87a</guid><itunes:image href="https://artwork.captivate.fm/de2b8872-8f16-4d2e-8166-5b42403f4dae/wca-179-with-daniel-holter-1400.png"/><pubDate>Mon, 21 May 2018 05:59:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/be37f9a4-d395-4531-9a14-2ef90f6acee8.mp3" length="65374862" type="audio/mpeg"/><itunes:duration>01:08:06</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>179</itunes:episode><podcast:episode>179</podcast:episode><itunes:summary>Working Class Audio #179 with Daniel Holter!!!
 Daniel Holter is a producer, mixer, composer and songwriter. He studio  Wire &amp; Vice is located in a 1920s-era post office near Harley Davidson and the original Miller brewery just outside Milwaukee, WI. He’s hosted a diverse range of musical artists, from Rihanna and Eric Benet, to Chester French, Maritime, and Skillet. Over the years, Daniel has mixed music by artists such as Nick Lowe, Field Report, Over The Rhine, Amos Lee, Blitzen Trapper, Collections of Colonies of Bees, Phil Keaggy, Crowded House, Dead Horses, WebsterX, and Ryan Higa. He’s also composed and/or produced thousands of cues currently being used by such varied clients as Apple, Nike, Google, Microsoft, GM &amp; Gatorade, virtually all of the top shows on HBO, ESPN, CBS, ABC, NBC, Fox, and all across the globe in tv, radio, advertisements, video games and film. Photo by Andrew Feller (http://www.andrewfeller.com/)
  About this Interview:
  Daniel  joins me to talk about his studio, his licensing business, family, divorce, winning and his creative drive.  Earlier in the show I’m joined by former WCA Alum Mike Wells (WCA #113) to talk about his new file delivery service Swan! Enjoy! – Matt
  Show notes and links:
  Mike Well’s new file delivery service for audio pros!
 Daniel Holter’s links   danielholter.com (me)
  wireandvice.com (studio)
  licenselab.com (license biz)
  @danielholter (twitter and instagram)</itunes:summary></item><item><title>WCA #178 with Brad Phillips</title><itunes:title>WCA #178 with Brad Phillips</itunes:title><description><![CDATA[<p>Brad Phillips is an engineer, producer, and studio owner based out of&nbsp;<a href="https://en.wikipedia.org/wiki/Woodruff,_South_Carolina" rel="noopener noreferrer" target="_blank">Woodruff, SC</a>. He is a 1999 graduate of the&nbsp;<a href="http://www.belmont.edu/index.html" rel="noopener noreferrer" target="_blank">Belmont University</a>&nbsp;Music Business and Audio Engineering program.&nbsp;Since leaving Nashville in 2001, he’s been working out of his own studio facility in South Carolina. Studio 101 is a commercial recording facility well-suited for live band tracking, serving solo artists, bands, and songwriters across many genres. Some of his engineering credits include, Jim Sonefeld (Hootie &amp; The Blowfish), Ashland Craft(The Voice), Mac Arnold &amp; Plate Full Of Blues, Delvin Choice(The Voice), Outshyne, Phat Lip, J. Adam Broome, Mark Webb Jr., Michael Land, Emily Lynch, Jacob Johnson, Scotty Hawkins, Newspring Church plus many others.</p><h2><strong>About this Interview:</strong></h2><p>Brad joins me for a chat to talk about Woodruff, South Carolina, running his studio (Studio 101), clients, eminent domain, his love of church and his&nbsp;time spent painting football, baseball and soccer fields. I also interview Dr. Jeremy Steel in Lafayette, California about Chiropractic medicine.&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Brad’s Studio:&nbsp;<a href="http://www.studio101recording.com/" rel="noopener noreferrer" target="_blank">http://www.studio101recording.com/</a></li><li>Dr. Steels practice:&nbsp;<a href="https://www.steelchiro.com/" rel="noopener noreferrer" target="_blank">https://www.steelchiro.com/</a></li><li>Ted Talk Dr. Steel mentioned :&nbsp;<a href="https://goo.gl/9fm5vf" rel="noopener noreferrer" target="_blank">https://goo.gl/9fm5vf</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Brad Phillips is an engineer, producer, and studio owner based out of&nbsp;<a href="https://en.wikipedia.org/wiki/Woodruff,_South_Carolina" rel="noopener noreferrer" target="_blank">Woodruff, SC</a>. He is a 1999 graduate of the&nbsp;<a href="http://www.belmont.edu/index.html" rel="noopener noreferrer" target="_blank">Belmont University</a>&nbsp;Music Business and Audio Engineering program.&nbsp;Since leaving Nashville in 2001, he’s been working out of his own studio facility in South Carolina. Studio 101 is a commercial recording facility well-suited for live band tracking, serving solo artists, bands, and songwriters across many genres. Some of his engineering credits include, Jim Sonefeld (Hootie &amp; The Blowfish), Ashland Craft(The Voice), Mac Arnold &amp; Plate Full Of Blues, Delvin Choice(The Voice), Outshyne, Phat Lip, J. Adam Broome, Mark Webb Jr., Michael Land, Emily Lynch, Jacob Johnson, Scotty Hawkins, Newspring Church plus many others.</p><h2><strong>About this Interview:</strong></h2><p>Brad joins me for a chat to talk about Woodruff, South Carolina, running his studio (Studio 101), clients, eminent domain, his love of church and his&nbsp;time spent painting football, baseball and soccer fields. I also interview Dr. Jeremy Steel in Lafayette, California about Chiropractic medicine.&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Brad’s Studio:&nbsp;<a href="http://www.studio101recording.com/" rel="noopener noreferrer" target="_blank">http://www.studio101recording.com/</a></li><li>Dr. Steels practice:&nbsp;<a href="https://www.steelchiro.com/" rel="noopener noreferrer" target="_blank">https://www.steelchiro.com/</a></li><li>Ted Talk Dr. Steel mentioned :&nbsp;<a href="https://goo.gl/9fm5vf" rel="noopener noreferrer" target="_blank">https://goo.gl/9fm5vf</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-178-with-brad-phillips]]></link><guid isPermaLink="false">2603317fb00f9532ae53294d237a81e4</guid><itunes:image href="https://artwork.captivate.fm/dd09b36d-8a62-4661-b66d-fd4c179b5023/wca-178-with-brad-phillips-1400.png"/><pubDate>Mon, 14 May 2018 06:43:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7a28acee-2fd7-419f-9cbb-50ad26b2e51f.mp3" length="58250330" type="audio/mpeg"/><itunes:duration>01:00:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>178</itunes:episode><podcast:episode>178</podcast:episode><itunes:summary>Working Class Audio #178 with Brad Phillips!!!
 Brad Phillips is an engineer, producer, and studio owner based out of Woodruff, SC. He is a 1999 graduate of the Belmont University Music Business and Audio Engineering program. Since leaving Nashville in 2001, he’s been working out of his own studio facility in South Carolina. Studio 101 is a commercial recording facility well-suited for live band tracking, serving solo artists, bands, and songwriters across many genres. Some of his engineering credits include, Jim Sonefeld (Hootie &amp; The Blowfish), Ashland Craft(The Voice), Mac Arnold &amp; Plate Full Of Blues, Delvin Choice(The Voice), Outshyne, Phat Lip, J. Adam Broome, Mark Webb Jr., Michael Land, Emily Lynch, Jacob Johnson, Scotty Hawkins, Newspring Church plus many others.
  About this Interview:
   Brad joins me for a chat to talk about Woodruff, South Carolina, running his studio (Studio 101), clients, eminent domain, his love of church and his  time spent painting football, baseball and soccer fields. I also interview Dr. Jeremy Steel in Lafayette, California about Chiropractic medicine.  Enjoy! - Matt
  Show notes and links:
  Brad&apos;s Studio: http://www.studio101recording.com/
 Dr. Steels practice: https://www.steelchiro.com/
 Ted Talk Dr. Steel mentioned : https://goo.gl/9fm5vf</itunes:summary></item><item><title>WCA #177 with Zack Ohren</title><itunes:title>WCA #177 with Zack Ohren</itunes:title><description><![CDATA[<p>ZACK OHREN is an Oakland-based audio engineer &amp; producer whose work includes over a thousand recordings over a two-decade long career.&nbsp;Alongside his friend and former co-conspirator Aaron Hellam, he ran Castle Ultimate which quickly became synonymous with high-quality, accessible recordings. Since 2013, he’s been mainly working out of Sharkbite Studios.&nbsp;Zack has been described as “wizard fast” and “brutally honest” – skills that have helped him settle into a niche of heavy, often technically demanding music.&nbsp;He has worked with artists such as Machine Head, The Ghost Inside, Exmortus, Fallujah, Decrepit Birth, Suffocation, Set Your Goals, As Blood Runs Black, Cattle Decapitation, Entheos, Carnifex, All Shall Perish, Sworn Enemy, and Immolation among others.</p><h2><strong>About this Interview:</strong></h2><p>Zack joins me to talk about his journey with former studio partner Aaron Hellam and the series of studio locations known as Castle Ultimate that they created, the challenges with studio landlords, neighbors as well as lessons learned and where he’s at today.&nbsp;Enjoy! – Matt</p><p><strong>Photo by&nbsp;Michelle Nisbet</strong></p><h2><strong>Show notes and links:</strong></h2><ul><li>.MOD File Zack mentions:&nbsp;<a href="https://www.youtube.com/watch?v=AQJatdOKm2o" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=AQJatdOKm2o</a></li><li>Zack on Fcebook:&nbsp;<a href="https://www.facebook.com/zack.ohren" rel="noopener noreferrer" target="_blank">https://www.facebook.com/zack.ohren</a></li><li>EXMORTUS – FEAST OF FLESH (Produced By Zack Ohren) :&nbsp;<a href="https://youtu.be/1XFj6p6PoYo" rel="noopener noreferrer" target="_blank">https://youtu.be/1XFj6p6PoYo</a></li><li>Hellam Sound (Studio of Aaron Hellam):&nbsp;<a href="http://hellamsound.com/" rel="noopener noreferrer" target="_blank">http://hellamsound.com/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>ZACK OHREN is an Oakland-based audio engineer &amp; producer whose work includes over a thousand recordings over a two-decade long career.&nbsp;Alongside his friend and former co-conspirator Aaron Hellam, he ran Castle Ultimate which quickly became synonymous with high-quality, accessible recordings. Since 2013, he’s been mainly working out of Sharkbite Studios.&nbsp;Zack has been described as “wizard fast” and “brutally honest” – skills that have helped him settle into a niche of heavy, often technically demanding music.&nbsp;He has worked with artists such as Machine Head, The Ghost Inside, Exmortus, Fallujah, Decrepit Birth, Suffocation, Set Your Goals, As Blood Runs Black, Cattle Decapitation, Entheos, Carnifex, All Shall Perish, Sworn Enemy, and Immolation among others.</p><h2><strong>About this Interview:</strong></h2><p>Zack joins me to talk about his journey with former studio partner Aaron Hellam and the series of studio locations known as Castle Ultimate that they created, the challenges with studio landlords, neighbors as well as lessons learned and where he’s at today.&nbsp;Enjoy! – Matt</p><p><strong>Photo by&nbsp;Michelle Nisbet</strong></p><h2><strong>Show notes and links:</strong></h2><ul><li>.MOD File Zack mentions:&nbsp;<a href="https://www.youtube.com/watch?v=AQJatdOKm2o" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=AQJatdOKm2o</a></li><li>Zack on Fcebook:&nbsp;<a href="https://www.facebook.com/zack.ohren" rel="noopener noreferrer" target="_blank">https://www.facebook.com/zack.ohren</a></li><li>EXMORTUS – FEAST OF FLESH (Produced By Zack Ohren) :&nbsp;<a href="https://youtu.be/1XFj6p6PoYo" rel="noopener noreferrer" target="_blank">https://youtu.be/1XFj6p6PoYo</a></li><li>Hellam Sound (Studio of Aaron Hellam):&nbsp;<a href="http://hellamsound.com/" rel="noopener noreferrer" target="_blank">http://hellamsound.com/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-177-with-zack-ohren]]></link><guid isPermaLink="false">fd469934594ff5fb95e3be2eed9126ad</guid><itunes:image href="https://artwork.captivate.fm/a1453998-2ed5-4f54-bf27-a2771b29cde4/wca-177-with-zack-ohren-1400.png"/><pubDate>Mon, 07 May 2018 05:43:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bebd0886-13e8-40f1-9da1-1d57294199c9.mp3" length="53720064" type="audio/mpeg"/><itunes:duration>55:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>177</itunes:episode><podcast:episode>177</podcast:episode><itunes:summary>Working Class Audio #177 with Zack Ohren!!!
 ZACK OHREN is an Oakland-based audio engineer &amp; producer whose work includes over a thousand recordings over a two-decade long career.  Alongside his friend and former co-conspirator Aaron Hellam, he ran Castle Ultimate which quickly became synonymous with high-quality, accessible recordings. Since 2013, he&apos;s been mainly working out of Sharkbite Studios.  Zack has been described as “wizard fast” and “brutally honest” – skills that have helped him settle into a niche of heavy, often technically demanding music.  He has worked with artists such as Machine Head, The Ghost Inside, Exmortus, Fallujah, Decrepit Birth, Suffocation, Set Your Goals, As Blood Runs Black, Cattle Decapitation, Entheos, Carnifex, All Shall Perish, Sworn Enemy, and Immolation among others.
  About this Interview:
  Zack joins me to talk about his journey with former studio partner Aaron Hellam and the series of studio locations known as Castle Ultimate that they created, the challenges with studio landlords, neighbors as well as lessons learned and where he&apos;s at today.  Enjoy! - Matt
 Photo by Michelle Nisbet
  Show notes and links:
  .MOD File Zack mentions: https://www.youtube.com/watch?v=AQJatdOKm2o
 Zack on Fcebook: https://www.facebook.com/zack.ohren
  EXMORTUS - FEAST OF FLESH (Produced By Zack Ohren) : https://youtu.be/1XFj6p6PoYo
 Hellam Sound (Studio of Aaron Hellam): http://hellamsound.com/</itunes:summary></item><item><title>WCA #176 with Phil Greiss</title><itunes:title>WCA #176 with Phil Greiss</itunes:title><description><![CDATA[<p>Phil Greiss is a&nbsp;multiple-award-winning record producer. He left his name on numerous gold, platinum &amp; diamond records, focusing on both production and songwritting aspects of Pop songs. Very much at ease on his own or collaborating with others, he’s been known to deliver award winning albums and songs, and chart topping singles wether composing, writing, producing, arranging, mixing, or all at the same time. Having completely produced, composed, arranged, recorded and mixed both of Zaho’s first albums, he has had the privilege of working or collaborating on projects featuring artists such as Willy William, J Balvin, Kat Dahlia, Kendji, Vianney, Maître Gims, Corneille, Sean Paul, Trey Songz, Justin Nozuka, Lefa, Gage, Don Choa, Tunisiano, Khaled, La Fouine, David Carreira, KC Porter, Rohff, Conor Maynard, Soprano, Karim Ouellet, Cheb Mami, Idir, Mario Pelchat, Andrée Waters, Grand corps malade, Nancy Logan, Sarah Riani, Humphrey, Mokobe, K-Maro, Vai, Neimann, Christophe Willem, Outasight and many others. He owns and operates his own indepedant production/publishing company with its own studio facility, working along every single industry’s major labels</p><h2><strong>About this Interview:</strong></h2><p>Phil joins me to talk about his childhood musical and audio experiences , travel tips, mentorship,&nbsp;his draw to pop music and&nbsp;an early experience with the magic of radio broadcast compression and limiting. Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li><strong>Phil’s site:</strong>&nbsp;<a href="https://about.me/philgreiss" rel="noopener noreferrer" target="_blank">https://about.me/philgreiss</a></li><li><strong>Phil on Facebook:&nbsp;</strong><a href="https://www.facebook.com/Byphilgreiss" rel="noopener noreferrer" target="_blank">https://www.facebook.com/Byphilgreiss</a></li><li><strong>The Music Modernization Act:</strong>&nbsp;<a href="https://www.congress.gov/bill/115th-congress/house-bill/5447" rel="noopener noreferrer" target="_blank">https://www.congress.gov/bill/115th-congress/house-bill/5447</a></li><li><strong>The Music Modernization Act:&nbsp;</strong><a href="https://www.eff.org/deeplinks/2018/03/music-modernization-act-good-solution-songwriters-dont-combine-it-bad-copyright" rel="noopener noreferrer" target="_blank">https://www.eff.org/deeplinks/2018/03/music-modernization-act-good-solution-songwriters-dont-combine-it-bad-copyright</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Phil Greiss is a&nbsp;multiple-award-winning record producer. He left his name on numerous gold, platinum &amp; diamond records, focusing on both production and songwritting aspects of Pop songs. Very much at ease on his own or collaborating with others, he’s been known to deliver award winning albums and songs, and chart topping singles wether composing, writing, producing, arranging, mixing, or all at the same time. Having completely produced, composed, arranged, recorded and mixed both of Zaho’s first albums, he has had the privilege of working or collaborating on projects featuring artists such as Willy William, J Balvin, Kat Dahlia, Kendji, Vianney, Maître Gims, Corneille, Sean Paul, Trey Songz, Justin Nozuka, Lefa, Gage, Don Choa, Tunisiano, Khaled, La Fouine, David Carreira, KC Porter, Rohff, Conor Maynard, Soprano, Karim Ouellet, Cheb Mami, Idir, Mario Pelchat, Andrée Waters, Grand corps malade, Nancy Logan, Sarah Riani, Humphrey, Mokobe, K-Maro, Vai, Neimann, Christophe Willem, Outasight and many others. He owns and operates his own indepedant production/publishing company with its own studio facility, working along every single industry’s major labels</p><h2><strong>About this Interview:</strong></h2><p>Phil joins me to talk about his childhood musical and audio experiences , travel tips, mentorship,&nbsp;his draw to pop music and&nbsp;an early experience with the magic of radio broadcast compression and limiting. Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li><strong>Phil’s site:</strong>&nbsp;<a href="https://about.me/philgreiss" rel="noopener noreferrer" target="_blank">https://about.me/philgreiss</a></li><li><strong>Phil on Facebook:&nbsp;</strong><a href="https://www.facebook.com/Byphilgreiss" rel="noopener noreferrer" target="_blank">https://www.facebook.com/Byphilgreiss</a></li><li><strong>The Music Modernization Act:</strong>&nbsp;<a href="https://www.congress.gov/bill/115th-congress/house-bill/5447" rel="noopener noreferrer" target="_blank">https://www.congress.gov/bill/115th-congress/house-bill/5447</a></li><li><strong>The Music Modernization Act:&nbsp;</strong><a href="https://www.eff.org/deeplinks/2018/03/music-modernization-act-good-solution-songwriters-dont-combine-it-bad-copyright" rel="noopener noreferrer" target="_blank">https://www.eff.org/deeplinks/2018/03/music-modernization-act-good-solution-songwriters-dont-combine-it-bad-copyright</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-176-with-phil-greiss]]></link><guid isPermaLink="false">efb06112820ecf8c20634b064c5838c7</guid><itunes:image href="https://artwork.captivate.fm/cd132134-5feb-415b-b0d3-f54461ddcc7d/wca-176-with-phil-greiss-1400.png"/><pubDate>Mon, 30 Apr 2018 05:23:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9c90f8ad-6ad2-4cbe-a7b5-1334203d9ccf.mp3" length="51786587" type="audio/mpeg"/><itunes:duration>53:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>176</itunes:episode><podcast:episode>176</podcast:episode><itunes:summary>Working Class Audio #176 with Phil Greiss!!!
 Phil Greiss is a  musician and a multiple-award-winning record producer/composer/engineer, he left his name on numerous gold, platinum &amp; diamond records, focusing on both production and songwritting aspects of Pop songs. Very much at ease on his own or collaborating with others, he&apos;s been known to deliver award winning albums and songs, and chart topping singles wether composing, writing, producing, arranging, mixing, or all at the same time. Having completely produced, composed, arranged, recorded and mixed both of Zaho&apos;s first albums, he has had the privilege of working or collaborating on projects featuring artists such as Willy William, J Balvin, Kat Dahlia, Kendji, Vianney, Maître Gims, Corneille, Sean Paul, Trey Songz, Justin Nozuka, Lefa, Gage, Don Choa, Tunisiano, Khaled, La Fouine, David Carreira, KC Porter, Rohff, Conor Maynard, Soprano, Karim Ouellet, Cheb Mami, Idir, Mario Pelchat, Andrée Waters, Grand corps malade, Nancy Logan, Sarah Riani, Humphrey, Mokobe, K-Maro, Vai, Neimann, Christophe Willem, Outasight and many others. He owns and operates his own indepedant production/publishing company with its own studio facility, working along every single industry&apos;s major labels
  About this Interview:
  Phil joins me to talk about his childhood musical and audio experiences , travel tips, mentorship,  his draw to pop music and  an early experience with the magic of radio broadcast compression and limiting. Enjoy! - Matt
  Show notes and links:
  Phil&apos;s site: https://about.me/philgreiss
 Phil on Facebook: https://www.facebook.com/Byphilgreiss
 The Music Modernization Act: https://www.congress.gov/bill/115th-congress/house-bill/5447
 The Music Modernization Act: https://www.eff.org/deeplinks/2018/03/music-modernization-act-good-solution-songwriters-dont-combine-it-bad-copyright</itunes:summary></item><item><title>WCA #175 with Adam Muñoz</title><itunes:title>WCA #175 with Adam Muñoz</itunes:title><description><![CDATA[<p>Adam Muñoz has been an engineer&nbsp;in the Bay Area since 1991. Having joined the Fantasy Studios team as a full-time House Engineer in 2008 Adam has had the opportunity to engineer sessions for many local and national recording artists. Adam has worked with artists like Herbie Hancock, Dave Mathews, Marcus Miller,&nbsp;Snarky Puppy, Jason Moran, Lisa Fisher,&nbsp;Joanna Newsom, Ambrose Akinmusire,&nbsp;Bruce Cockburn, Jerry Granelli, Etienne Charles, Neal Schon, Animals As Leaders, Eric Gales, Tiffany Austin,&nbsp;The&nbsp;Marcus Shelby Orchestra,&nbsp;Bomba Estereo, Brad Mehldau,&nbsp;LaToya London, Carie Rodriguez,&nbsp;Rupa and the April Fishes, Rinde Eckert, Autopsy, Allison Miller’s Boom Tic Boom,&nbsp;Sean Paul, Lyle Lovett, Matt Nathanson, Six Pence None the Richer, Hank Williams III, Otis Redding and Vince Guaraldi.</p><p>Adam’s long-time relationship with Bill Frisell and producer Lee Townsend resulted in the&nbsp;2015 AND 2016 GRAMMY Award nomination for Best Contemporary Instrumental Album.</p><p>Adam came to Fantasy after many years as an independent engineer working out of some of the finest studios in the San Francisco and abroad.&nbsp;As a staff engineer at Different Fur and Brilliant Studios, Adam worked on many notable sessions for artists like Faith No More, Mr. Bungle, Fantomas,&nbsp;Sleep, Neurosis,&nbsp;Chris Isaak, Bonnie Raitt, The Cranberries, Paula Cole and on George Winston’s Grammy Award-winning project “Forest.” Adam has been fortunate to have worked along side many super talented producers and engineers including Andy Wallace, Matt Wallace,&nbsp;Howard Johnston,&nbsp;Billy Anderson,&nbsp;Frankie Blue,&nbsp;Karl Derfler, Marc Senasac, John Cuniberti, Judy Clapp, Mike Curb,&nbsp;Steven Haigler, Thom Wilson and more.</p><p>Adam’s background also&nbsp;includes ADR/VO, Foley, lock-to-picture sessions and orchestral film scores.</p><p><strong>Photo by Monica Jane Frisell&nbsp;</strong></p><h2><strong>About this Interview:</strong></h2><p>Adam joins me to talk about his journey starting out as a DJ examining the credits on the back of records to working as a house engineer at the world famous Fantasy Studios in Berkeley, California. We talk studio leadership, survival, dedication and the increasing difficulty of repeating his journey in todays recording world.&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Adam’s site:&nbsp;<a href="http://www.adammunoz.com/" rel="noopener noreferrer" target="_blank">http://www.adammunoz.com/</a></li><li>Fantasy Studios:&nbsp;<a href="http://fantasystudios.com/" rel="noopener noreferrer" target="_blank">http://fantasystudios.com/</a></li><li>Saul Zaentz Company:&nbsp;<a href="http://www.zaentz.com/" rel="noopener noreferrer" target="_blank">http://www.zaentz.com/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Adam Muñoz has been an engineer&nbsp;in the Bay Area since 1991. Having joined the Fantasy Studios team as a full-time House Engineer in 2008 Adam has had the opportunity to engineer sessions for many local and national recording artists. Adam has worked with artists like Herbie Hancock, Dave Mathews, Marcus Miller,&nbsp;Snarky Puppy, Jason Moran, Lisa Fisher,&nbsp;Joanna Newsom, Ambrose Akinmusire,&nbsp;Bruce Cockburn, Jerry Granelli, Etienne Charles, Neal Schon, Animals As Leaders, Eric Gales, Tiffany Austin,&nbsp;The&nbsp;Marcus Shelby Orchestra,&nbsp;Bomba Estereo, Brad Mehldau,&nbsp;LaToya London, Carie Rodriguez,&nbsp;Rupa and the April Fishes, Rinde Eckert, Autopsy, Allison Miller’s Boom Tic Boom,&nbsp;Sean Paul, Lyle Lovett, Matt Nathanson, Six Pence None the Richer, Hank Williams III, Otis Redding and Vince Guaraldi.</p><p>Adam’s long-time relationship with Bill Frisell and producer Lee Townsend resulted in the&nbsp;2015 AND 2016 GRAMMY Award nomination for Best Contemporary Instrumental Album.</p><p>Adam came to Fantasy after many years as an independent engineer working out of some of the finest studios in the San Francisco and abroad.&nbsp;As a staff engineer at Different Fur and Brilliant Studios, Adam worked on many notable sessions for artists like Faith No More, Mr. Bungle, Fantomas,&nbsp;Sleep, Neurosis,&nbsp;Chris Isaak, Bonnie Raitt, The Cranberries, Paula Cole and on George Winston’s Grammy Award-winning project “Forest.” Adam has been fortunate to have worked along side many super talented producers and engineers including Andy Wallace, Matt Wallace,&nbsp;Howard Johnston,&nbsp;Billy Anderson,&nbsp;Frankie Blue,&nbsp;Karl Derfler, Marc Senasac, John Cuniberti, Judy Clapp, Mike Curb,&nbsp;Steven Haigler, Thom Wilson and more.</p><p>Adam’s background also&nbsp;includes ADR/VO, Foley, lock-to-picture sessions and orchestral film scores.</p><p><strong>Photo by Monica Jane Frisell&nbsp;</strong></p><h2><strong>About this Interview:</strong></h2><p>Adam joins me to talk about his journey starting out as a DJ examining the credits on the back of records to working as a house engineer at the world famous Fantasy Studios in Berkeley, California. We talk studio leadership, survival, dedication and the increasing difficulty of repeating his journey in todays recording world.&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Adam’s site:&nbsp;<a href="http://www.adammunoz.com/" rel="noopener noreferrer" target="_blank">http://www.adammunoz.com/</a></li><li>Fantasy Studios:&nbsp;<a href="http://fantasystudios.com/" rel="noopener noreferrer" target="_blank">http://fantasystudios.com/</a></li><li>Saul Zaentz Company:&nbsp;<a href="http://www.zaentz.com/" rel="noopener noreferrer" target="_blank">http://www.zaentz.com/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-175-with-adam-munoz]]></link><guid isPermaLink="false">b5160718a3688b30b78a07ee8672cf61</guid><itunes:image href="https://artwork.captivate.fm/f53f17ff-7683-4ae1-91be-8e06ae71b04b/wca-175-with-adam-munoz-1400.png"/><pubDate>Mon, 23 Apr 2018 06:04:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/17cbdb84-3987-48e7-be8f-13d6f2fe0c90.mp3" length="59197421" type="audio/mpeg"/><itunes:duration>01:01:40</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>175</itunes:episode><podcast:episode>175</podcast:episode><itunes:summary>Working Class Audio #175 with Adam Muñoz!!!
 Adam Muñoz has been an engineer in the Bay Area since 1991. Having joined the Fantasy Studios team as a full-time House Engineer in 2008 Adam has had the opportunity to engineer sessions for many local and national recording artists. Adam has worked with artists like Herbie Hancock, Dave Mathews, Marcus Miller, Snarky Puppy, Jason Moran, Lisa Fisher, Joanna Newsom, Ambrose Akinmusire, Bruce Cockburn, Jerry Granelli, Etienne Charles, Neal Schon, Animals As Leaders, Eric Gales, Tiffany Austin, The Marcus Shelby Orchestra, Bomba Estereo, Brad Mehldau, LaToya London, Carie Rodriguez, Rupa and the April Fishes, Rinde Eckert, Autopsy, Allison Miller&apos;s Boom Tic Boom, Sean Paul, Lyle Lovett, Matt Nathanson, Six Pence None the Richer, Hank Williams III, Otis Redding and Vince Guaraldi.
 Adam’s long-time relationship with Bill Frisell and producer Lee Townsend resulted in the 2015 AND 2016 GRAMMY Award nomination for Best Contemporary Instrumental Album.
 Adam came to Fantasy after many years as an independent engineer working out of some of the finest studios in the San Francisco and abroad.  As a staff engineer at Different Fur and Brilliant Studios, Adam worked on many notable sessions for artists like Faith No More, Mr. Bungle, Fantomas, Sleep, Neurosis, Chris Isaak, Bonnie Raitt, The Cranberries, Paula Cole and on George Winston’s Grammy Award-winning project “Forest.” Adam has been fortunate to have worked along side many super talented producers and engineers including Andy Wallace, Matt Wallace, Howard Johnston, Billy Anderson, Frankie Blue, Karl Derfler, Marc Senasac, John Cuniberti, Judy Clapp, Mike Curb, Steven Haigler, Thom Wilson and more.
 Adam&apos;s background also includes ADR/VO, Foley, lock-to-picture sessions and orchestral film scores.
 Photo by Monica Jane Frisell 
  About this Interview:
  Adam joins me to talk about his journey starting out as a DJ examining the credits on the back of records to working as a house engineer at the world famous Fantasy Studios in Berkeley, California. We talk studio leadership, survival, dedication and the increasing difficulty of repeating his journey in todays recording world.  Enjoy! - Matt
  Show notes and links:
  Adam&apos;s site: http://www.adammunoz.com/
 Fantasy Studios: http://fantasystudios.com/
 Saul Zaentz Company: http://www.zaentz.com/</itunes:summary></item><item><title>WCA #174 with Jack Endino</title><itunes:title>WCA #174 with Jack Endino</itunes:title><description><![CDATA[<p>JACK ENDINO is a Seattle-based record producer, engineer, and musician who has made over 500 records in his 30-year career. Jack helped create what became known as “the Seattle Sound” of the early nineties, having recorded or mixed 44 out of the first 100 releases on the legendary Sub Pop record label, including debut records by Nirvana (“Bleach”), Soundgarden (“Screaming Life”) and Mudhoney (“Superfuzz Bigmuff”). Some of his international clients include Brazil’s Titas (5 albums from 1993 to 2005) and Grammy winner Nando Reis (4 albums), Mexico’s Guillotina (3 albums), Ireland’s Therapy?, Iron Maiden’s Bruce Dickinson (UK), and The Ganjas and Yajaira from Chile. Recent clients include Zeke, Windhand, and High On Fire. Jack still maintains his workaholic pace, having produced records in 14 countries and continuing to play in bands as guitarist, bassist and vocalist. Journalists have called him “Chief Architect of the Seattle Sound” and “Godfather of Grunge” but Jack says “I’m just a guy who likes to make rock records.” He currently manages a recording studio in Seattle called Soundhouse.</p><h2><strong>About this Interview:</strong></h2><p>Jack joins me to talk about baking tapes, audio formats, operating with a low overhead, forensic re-mixing, producer malpractice and his life of recording, mixing, mastering and playing in 4 bands.&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Personal website —&nbsp;<a href="http://jackendino.com/" rel="noopener noreferrer" target="_blank">http://jackendino.com</a></li><li>Wikipedia —&nbsp;<a href="http://en.wikipedia.org/wiki/Jack_Endino" rel="noopener noreferrer" target="_blank">http://en.wikipedia.org/wiki/Jack_Endino</a></li><li>Allmusic —&nbsp;<a href="http://www.allmusic.com/artist/p12876/biography" rel="noopener noreferrer" target="_blank">http://www.allmusic.com/artist/p12876/biography</a></li><li>Soundhouse Recording —&nbsp;<a href="http://www.soundhouserecording.net/" rel="noopener noreferrer" target="_blank">http://www.soundhouserecording.net</a></li><li>Tape Baking using the Nesco Snack Master Pro:&nbsp;<a href="https://goo.gl/YxiitU" rel="noopener noreferrer" target="_blank">https://goo.gl/YxiitU</a></li><li>Linux resources #1:&nbsp;<a href="https://itsfoss.com/best-linux-beginners/" rel="noopener noreferrer" target="_blank">https://itsfoss.com/best-linux-beginners/</a></li><li>Linux resources #2:&nbsp;<a href="https://www.slant.co/topics/6067/~daws-for-linux" rel="noopener noreferrer" target="_blank">https://www.slant.co/topics/6067/~daws-for-linux</a></li><li>Linux resources #3:&nbsp;<a href="https://blog.macsales.com/40603-linux-on-a-recycled-mac-trying-to-make-it-work" rel="noopener noreferrer" target="_blank">https://blog.macsales.com/40603-linux-on-a-recycled-mac-trying-to-make-it-work</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>JACK ENDINO is a Seattle-based record producer, engineer, and musician who has made over 500 records in his 30-year career. Jack helped create what became known as “the Seattle Sound” of the early nineties, having recorded or mixed 44 out of the first 100 releases on the legendary Sub Pop record label, including debut records by Nirvana (“Bleach”), Soundgarden (“Screaming Life”) and Mudhoney (“Superfuzz Bigmuff”). Some of his international clients include Brazil’s Titas (5 albums from 1993 to 2005) and Grammy winner Nando Reis (4 albums), Mexico’s Guillotina (3 albums), Ireland’s Therapy?, Iron Maiden’s Bruce Dickinson (UK), and The Ganjas and Yajaira from Chile. Recent clients include Zeke, Windhand, and High On Fire. Jack still maintains his workaholic pace, having produced records in 14 countries and continuing to play in bands as guitarist, bassist and vocalist. Journalists have called him “Chief Architect of the Seattle Sound” and “Godfather of Grunge” but Jack says “I’m just a guy who likes to make rock records.” He currently manages a recording studio in Seattle called Soundhouse.</p><h2><strong>About this Interview:</strong></h2><p>Jack joins me to talk about baking tapes, audio formats, operating with a low overhead, forensic re-mixing, producer malpractice and his life of recording, mixing, mastering and playing in 4 bands.&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Personal website —&nbsp;<a href="http://jackendino.com/" rel="noopener noreferrer" target="_blank">http://jackendino.com</a></li><li>Wikipedia —&nbsp;<a href="http://en.wikipedia.org/wiki/Jack_Endino" rel="noopener noreferrer" target="_blank">http://en.wikipedia.org/wiki/Jack_Endino</a></li><li>Allmusic —&nbsp;<a href="http://www.allmusic.com/artist/p12876/biography" rel="noopener noreferrer" target="_blank">http://www.allmusic.com/artist/p12876/biography</a></li><li>Soundhouse Recording —&nbsp;<a href="http://www.soundhouserecording.net/" rel="noopener noreferrer" target="_blank">http://www.soundhouserecording.net</a></li><li>Tape Baking using the Nesco Snack Master Pro:&nbsp;<a href="https://goo.gl/YxiitU" rel="noopener noreferrer" target="_blank">https://goo.gl/YxiitU</a></li><li>Linux resources #1:&nbsp;<a href="https://itsfoss.com/best-linux-beginners/" rel="noopener noreferrer" target="_blank">https://itsfoss.com/best-linux-beginners/</a></li><li>Linux resources #2:&nbsp;<a href="https://www.slant.co/topics/6067/~daws-for-linux" rel="noopener noreferrer" target="_blank">https://www.slant.co/topics/6067/~daws-for-linux</a></li><li>Linux resources #3:&nbsp;<a href="https://blog.macsales.com/40603-linux-on-a-recycled-mac-trying-to-make-it-work" rel="noopener noreferrer" target="_blank">https://blog.macsales.com/40603-linux-on-a-recycled-mac-trying-to-make-it-work</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-174-with-jack-endino]]></link><guid isPermaLink="false">09e6ab620030a15d505285ecf2096f83</guid><itunes:image href="https://artwork.captivate.fm/9d20d1d1-f50f-4a9a-8a51-6fcb1f9548eb/wca-174-withjack-endino-1400.png"/><pubDate>Mon, 16 Apr 2018 03:58:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d1c7bda9-5d66-4a37-9271-37ffd5434bdd.mp3" length="55995436" type="audio/mpeg"/><itunes:duration>58:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>174</itunes:episode><podcast:episode>174</podcast:episode><itunes:summary>Working Class Audio #173 with Jack Endino!!!
 JACK ENDINO is a Seattle-based record producer, engineer, and musician who has made over 500 records in his 30-year career. Jack helped create what became known as &quot;the Seattle Sound&quot; of the early nineties, having recorded or mixed 44 out of the first 100 releases on the legendary Sub Pop record label, including debut records by Nirvana (&quot;Bleach&quot;), Soundgarden (&quot;Screaming Life&quot;) and Mudhoney (&quot;Superfuzz Bigmuff&quot;). Some of his international clients include Brazil&apos;s Titas (5 albums from 1993 to 2005) and Grammy winner Nando Reis (4 albums), Mexico&apos;s Guillotina (3 albums), Ireland&apos;s Therapy?, Iron Maiden&apos;s Bruce Dickinson (UK), and The Ganjas and Yajaira from Chile. Recent clients include Zeke, Windhand, and High On Fire. Jack still maintains his workaholic pace, having produced records in 14 countries and continuing to play in bands as guitarist, bassist and vocalist. Journalists have called him &quot;Chief Architect of the Seattle Sound&quot; and &quot;Godfather of Grunge&quot; but Jack says &quot;I&apos;m just a guy who likes to make rock records.&quot; He currently manages a recording studio in Seattle called Soundhouse.
  About this Interview:
  Jack joins me to talk about baking tapes, audio formats, operating with a low overhead, forensic re-mixing, producer malpractice and his life of recording, mixing, mastering and playing in 4 bands.  Enjoy! - Matt
  Show notes and links:
  Personal website -- http://jackendino.com
 Wikipedia -- http://en.wikipedia.org/wiki/Jack_Endino
 Allmusic -- http://www.allmusic.com/artist/p12876/biography
 Soundhouse Recording -- http://www.soundhouserecording.net
 Tape Baking using the Nesco Snack Master Pro: https://goo.gl/YxiitU
 Linux resources #1: https://itsfoss.com/best-linux-beginners/
 Linux resources #2: https://www.slant.co/topics/6067/~daws-for-linux
 Linux resources #3: https://blog.macsales.com/40603-linux-on-a-recycled-mac-trying-to-make-it-work</itunes:summary></item><item><title>WCA #173 with Jonathan Wyner</title><itunes:title>WCA #173 with Jonathan Wyner</itunes:title><description><![CDATA[<p>Jonathan Wyner is the Education Director at iZotope in Cambridge, MA, Chief Engineer&nbsp;at&nbsp;M Works Mastering, and Professor at Berklee College of Music in Boston.&nbsp;He’s mastered and produced more than 5000 recordings during the last 34 years.&nbsp;Mastering, recording and mixing since 1983, he established M Works mastering studios in Cambridge, MA in 1991.&nbsp;Among the artists’ projects he has worked on are:&nbsp;James Taylor, David Bowie, Aerosmith, Kiri Te Kanawa, Aimee Mann, London Symphony, Miles Davis, Thelonius Monk, Pink Floyd, Bruce Springsteen and Nirvana. His project Invention and Alchemy received a Grammy Nomination in 2005. Jonathan has conducted seminars around the world and presented with George Massenburg, Doug Sax and Bob Ludwig among others.&nbsp;&nbsp;In January 2017 he presented the keynote talk for the NAMM TEC Tracks.&nbsp;He’s authored a book,&nbsp;‘Audio Mastering: Essential Practices’ published by Hale Leonard/Berklee Press. With the iZotope team he authored and developed ‘Pro Audio Essentials’, an online ear training site that garnered a TEC award in early 2017.</p><h2><strong>About this Interview:</strong></h2><p>Jonathan joins me to chat about the details of mastering and how he got into it, health, teaching, the bacon and chia seed diet , plus a double pun, a brilliant analogy and a few good laughs!&nbsp;&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li><strong>M Works Mastering:&nbsp;</strong><a href="http://www.m-works.com/" rel="noopener noreferrer" target="_blank">http://www.m-works.com/</a></li><li><strong>Jonathan’s book on Mastering:&nbsp;</strong><a href="https://goo.gl/85jBFZ" rel="noopener noreferrer" target="_blank">https://goo.gl/85jBFZ</a></li><li><strong>Deep Work:</strong>&nbsp;<a href="https://goo.gl/Jx7Vvt" rel="noopener noreferrer" target="_blank">https://goo.gl/Jx7Vvt</a></li><li><strong>Cal Newport Blog:&nbsp;</strong><a href="https://goo.gl/pX8FV8" rel="noopener noreferrer" target="_blank">https://goo.gl/pX8FV8</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Jonathan Wyner is the Education Director at iZotope in Cambridge, MA, Chief Engineer&nbsp;at&nbsp;M Works Mastering, and Professor at Berklee College of Music in Boston.&nbsp;He’s mastered and produced more than 5000 recordings during the last 34 years.&nbsp;Mastering, recording and mixing since 1983, he established M Works mastering studios in Cambridge, MA in 1991.&nbsp;Among the artists’ projects he has worked on are:&nbsp;James Taylor, David Bowie, Aerosmith, Kiri Te Kanawa, Aimee Mann, London Symphony, Miles Davis, Thelonius Monk, Pink Floyd, Bruce Springsteen and Nirvana. His project Invention and Alchemy received a Grammy Nomination in 2005. Jonathan has conducted seminars around the world and presented with George Massenburg, Doug Sax and Bob Ludwig among others.&nbsp;&nbsp;In January 2017 he presented the keynote talk for the NAMM TEC Tracks.&nbsp;He’s authored a book,&nbsp;‘Audio Mastering: Essential Practices’ published by Hale Leonard/Berklee Press. With the iZotope team he authored and developed ‘Pro Audio Essentials’, an online ear training site that garnered a TEC award in early 2017.</p><h2><strong>About this Interview:</strong></h2><p>Jonathan joins me to chat about the details of mastering and how he got into it, health, teaching, the bacon and chia seed diet , plus a double pun, a brilliant analogy and a few good laughs!&nbsp;&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li><strong>M Works Mastering:&nbsp;</strong><a href="http://www.m-works.com/" rel="noopener noreferrer" target="_blank">http://www.m-works.com/</a></li><li><strong>Jonathan’s book on Mastering:&nbsp;</strong><a href="https://goo.gl/85jBFZ" rel="noopener noreferrer" target="_blank">https://goo.gl/85jBFZ</a></li><li><strong>Deep Work:</strong>&nbsp;<a href="https://goo.gl/Jx7Vvt" rel="noopener noreferrer" target="_blank">https://goo.gl/Jx7Vvt</a></li><li><strong>Cal Newport Blog:&nbsp;</strong><a href="https://goo.gl/pX8FV8" rel="noopener noreferrer" target="_blank">https://goo.gl/pX8FV8</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-173-with-jonathan-wyner]]></link><guid isPermaLink="false">9700a2d6d74aca21374885aaff17724c</guid><itunes:image href="https://artwork.captivate.fm/0f15737a-09dd-4512-a736-c790d7c4ca40/wca-173-with-jonathan-wyner-1400.png"/><pubDate>Mon, 09 Apr 2018 04:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1426c74f-9c49-4104-af1c-e1d06975c0bc.mp3" length="51342720" type="audio/mpeg"/><itunes:duration>53:29</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>173</itunes:episode><podcast:episode>173</podcast:episode><itunes:summary>Working Class Audio #173 with Jonathan Wyner!!!
 Jonathan Wyner is the Education Director at iZotope in Cambridge, MA, Chief Engineer  at  M Works Mastering, and Professor at Berklee College of Music in Boston.  He&apos;s mastered and produced more than 5000 recordings during the last 34 years.  Mastering, recording and mixing since 1983, he established M Works mastering studios in Cambridge, MA in 1991.  Among the artists’ projects he has worked on are:  James Taylor, David Bowie, Aerosmith, Kiri Te Kanawa, Aimee Mann, London Symphony, Miles Davis, Thelonius Monk, Pink Floyd, Bruce Springsteen and Nirvana. His project Invention and Alchemy received a Grammy Nomination in 2005. Jonathan has conducted seminars around the world and presented with George Massenburg, Doug Sax and Bob Ludwig among others.  In January 2017 he presented the keynote talk for the NAMM TEC Tracks.  He&apos;s authored a book,  ‘Audio Mastering: Essential Practices’ published by Hale Leonard/Berklee Press. With the iZotope team he authored and developed ‘Pro Audio Essentials’, an online ear training site that garnered a TEC award in early 2017.
  About this Interview:
  Jonathan joins me to chat about the details of mastering and how he got into it, health, teaching, the bacon and chia seed diet , plus a double pun, a brilliant analogy and a few good laughs!   Enjoy! - Matt
  Show notes and links:
  M Works Mastering: http://www.m-works.com/
 Jonathan&apos;s book on Mastering: https://goo.gl/85jBFZ
 Deep Work: https://goo.gl/Jx7Vvt
 Cal Newport Blog: https://goo.gl/pX8FV8</itunes:summary></item><item><title>WCA #172 with Mark Needham</title><itunes:title>WCA #172 with Mark Needham</itunes:title><description><![CDATA[<p>Mark Needham is a mix/recording engineer and producer with 40+ years experience in the music business.</p><p>Originally from Eureka CA, Mark moved to San Francisco, co-founded the Blue Bear School of Music and taught music recording. Also, he built Bear West Recording, and his first client (in studio) was blues great Taj Mahal. During this phase of his career in SF, he worked with notable local acts, including platinum selling artists Cake &amp; Chris Isaak. In 2000, he moved to Los Angeles, where his initial projects were Fleetwood Mac’s 1st collection of new material&nbsp;in 8 years, “Say You Will” and multi-platinum ‘Hot Fuss’ by The Killers. Recent clients include an array of internationally recognized superstar artists including: Imagine Dragons, Shakira, Pink, and Dolly Parton.</p><h2><strong>About this Interview:</strong></h2><p>Mark joins me to talk about his early Bay Area days, working with Chris Isaak, Lindsey Buckingham, the Killers and&nbsp;Imagine Dragons, band development, working in Nashville, survival and moving to Los Angeles.&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Mark’s website:&nbsp;<a href="http://www.markneedham.com/" rel="noopener noreferrer" target="_blank">http://www.markneedham.com</a></li><li>Thunderbolt 3 mini hub:&nbsp;<a href="https://goo.gl/UA8vif" rel="noopener noreferrer" target="_blank">https://goo.gl/UA8vif</a></li><li>Thunderbolt 3 to Thunderbolt 2:&nbsp;<a href="https://goo.gl/AsTbnr" rel="noopener noreferrer" target="_blank">https://goo.gl/AsTbnr</a></li><li>USB C Magsafe Power:&nbsp;<a href="https://goo.gl/3zr89G" rel="noopener noreferrer" target="_blank">https://goo.gl/3zr89G</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Mark Needham is a mix/recording engineer and producer with 40+ years experience in the music business.</p><p>Originally from Eureka CA, Mark moved to San Francisco, co-founded the Blue Bear School of Music and taught music recording. Also, he built Bear West Recording, and his first client (in studio) was blues great Taj Mahal. During this phase of his career in SF, he worked with notable local acts, including platinum selling artists Cake &amp; Chris Isaak. In 2000, he moved to Los Angeles, where his initial projects were Fleetwood Mac’s 1st collection of new material&nbsp;in 8 years, “Say You Will” and multi-platinum ‘Hot Fuss’ by The Killers. Recent clients include an array of internationally recognized superstar artists including: Imagine Dragons, Shakira, Pink, and Dolly Parton.</p><h2><strong>About this Interview:</strong></h2><p>Mark joins me to talk about his early Bay Area days, working with Chris Isaak, Lindsey Buckingham, the Killers and&nbsp;Imagine Dragons, band development, working in Nashville, survival and moving to Los Angeles.&nbsp;Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Mark’s website:&nbsp;<a href="http://www.markneedham.com/" rel="noopener noreferrer" target="_blank">http://www.markneedham.com</a></li><li>Thunderbolt 3 mini hub:&nbsp;<a href="https://goo.gl/UA8vif" rel="noopener noreferrer" target="_blank">https://goo.gl/UA8vif</a></li><li>Thunderbolt 3 to Thunderbolt 2:&nbsp;<a href="https://goo.gl/AsTbnr" rel="noopener noreferrer" target="_blank">https://goo.gl/AsTbnr</a></li><li>USB C Magsafe Power:&nbsp;<a href="https://goo.gl/3zr89G" rel="noopener noreferrer" target="_blank">https://goo.gl/3zr89G</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-172-with-mark-needham]]></link><guid isPermaLink="false">efb84f95ef63a39818d09aa0a72dbfa7</guid><itunes:image href="https://artwork.captivate.fm/b5731afa-2d0d-4874-89bd-dbb472f51a15/wca-172-with-mark-needham-1400.png"/><pubDate>Sun, 01 Apr 2018 22:51:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e6318a52-8d50-41bf-9951-be108611d872.mp3" length="50139412" type="audio/mpeg"/><itunes:duration>52:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>172</itunes:episode><podcast:episode>172</podcast:episode><itunes:summary>Working Class Audio #172 with Mark Needham!!!
 Mark Needham is a mix/recording engineer and producer with 40+ years experience in the music business. Originally from Eureka CA, Mark moved to San Francisco, co-founded the Blue Bear School of Music and taught music recording. Also, he built Bear West Recording, and his first client (in studio) was blues great Taj Mahal. During this phase of his career in SF, he worked with notable local acts, including platinum selling artists Cake &amp; Chris Isaak. In 2000, he moved to Los Angeles, where his initial projects were Fleetwood Mac’s 1st collection of new material in 8 years, “Say You Will” and multi-platinum ‘Hot Fuss’ by The Killers. Recent clients include an array of internationally recognized superstar artists including: Imagine Dragons, Shakira, Pink, and Dolly Parton.
  About this Interview:
  Mark joins me to talk about his early Bay Area days, working with Chris Isaak, Lindsey Buckingham, the Killers and  Imagine Dragons, band development, working in Nashville, survival and moving to Los Angeles.  Enjoy! - Matt
  Show notes and links:
  Mark&apos;s website: http://www.markneedham.com
 Thunderbolt 3 mini hub: https://goo.gl/UA8vif
 Thunderbolt 3 to Thunderbolt 2: https://goo.gl/AsTbnr
 USB C Magsafe Power: https://goo.gl/3zr89G</itunes:summary></item><item><title>WCA #171 with Lucy J Mitchell</title><itunes:title>WCA #171 with Lucy J Mitchell</itunes:title><description><![CDATA[<p>Lucy started out in the industry as a runner at Envy Post Production straight after graduating with a Classical Music degree from the University of Nottingham with no idea of what a .wav was or even what ‘5.1’ meant. After hours of training outside her work hours and during lunch breaks, she quickly progressed to being an audio assistant in the machine room. She became an Audio&nbsp;Assistant Manager, being the go to person for overseeing large projects, representing her team in meetings, and generally making sure everything ran smoothly. During this time, I again was finding time to train in the studios with the tracklayers and mixers, learning my way around not only Protools but the DAWs such as the DigiDesign Icon Desk.</p><p>She was promoted to tracklayer after a few years in the machine room where she edited music, dialogues, atmospheres, foley and sound-effects. She was regularly being requested by both the Post Producers and Clients to run voice-over recording sessions. Here She also provided fully mixed Sound Design for TV shows such as Rise of the Machines, D-Day Laid Bare and Strip the City. I was also mixing animations and short films in my spare time (see my work page).In 2013, she was named as one of Broadcast Magazine’s ‘Hot Shots’, an annual feature on rising stars of the industry under 30. This was&nbsp;totally unexpected and it was such an honour to be listed alongside all of&nbsp;those talented people.She left Envy in 2015 and she is currently working as a Freelance Sound Editor across all genres; across all editorial&nbsp;disciplines for Television, Film and Computer Games. These include computer game ‘Guitar Hero Live’, recent hit Channel 4 comedy ‘Derry Girls’ and soon to be released feature comedy ‘You, Me and Him’.&nbsp;</p><p>Since going freelance she recieved her first uk broadcast Dubbing Mixer credit and has been mixing Eastenders and multiple factual television programmes over the last few years. Her career has gone from strength to strength, constantly working with new clients and always learning new skills.</p><p>In 2015 she took part in a mid-career-level Mentoring Scheme run by&nbsp;<strong>WFTV UK</strong>&nbsp;(Women in Film and Television) and she has been part of the&nbsp;<strong>BAFTA Crew</strong>&nbsp;Programme since 2015. She is also a full member of&nbsp;<strong>AMPS</strong>&nbsp;(Association of Motion Picture Sound).</p><p>She has been interviewed for a number of&nbsp;online publications and has lectured 3rd Year Audio Production students at the University of Lincoln multiple times since 2016, with another booked for next term.&nbsp;&nbsp;&nbsp;</p><p>She has a particular interest in foley, Drama, Film and Animation and hopes to do more of these this year.&nbsp;</p><h2><strong>About this Interview:</strong></h2><p>Lucy joins me to talk about her journey from runner to Freelance Sound Editor and Dubbing Mixer, how she started out and her decision to quite working at a facility and go freelance. Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Lucy’s website:&nbsp;&nbsp;<a href="http://www.lucyjsound.com/" rel="noopener noreferrer" target="_blank">http://www.lucyjsound.com/</a></li><li>Lucy on IMDB:&nbsp;<a href="https://goo.gl/9dJpJa" rel="noopener noreferrer" target="_blank">https://goo.gl/9dJpJa</a></li><li>The Audio-Technica Limited edition headphones:&nbsp;<a href="https://goo.gl/K9fi67" rel="noopener noreferrer" target="_blank">https://goo.gl/K9fi67</a></li><li>Ambisonic resources:&nbsp;&nbsp;<a href="https://goo.gl/zbtknE" rel="noopener noreferrer" target="_blank">https://goo.gl/zbtknE</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Lucy started out in the industry as a runner at Envy Post Production straight after graduating with a Classical Music degree from the University of Nottingham with no idea of what a .wav was or even what ‘5.1’ meant. After hours of training outside her work hours and during lunch breaks, she quickly progressed to being an audio assistant in the machine room. She became an Audio&nbsp;Assistant Manager, being the go to person for overseeing large projects, representing her team in meetings, and generally making sure everything ran smoothly. During this time, I again was finding time to train in the studios with the tracklayers and mixers, learning my way around not only Protools but the DAWs such as the DigiDesign Icon Desk.</p><p>She was promoted to tracklayer after a few years in the machine room where she edited music, dialogues, atmospheres, foley and sound-effects. She was regularly being requested by both the Post Producers and Clients to run voice-over recording sessions. Here She also provided fully mixed Sound Design for TV shows such as Rise of the Machines, D-Day Laid Bare and Strip the City. I was also mixing animations and short films in my spare time (see my work page).In 2013, she was named as one of Broadcast Magazine’s ‘Hot Shots’, an annual feature on rising stars of the industry under 30. This was&nbsp;totally unexpected and it was such an honour to be listed alongside all of&nbsp;those talented people.She left Envy in 2015 and she is currently working as a Freelance Sound Editor across all genres; across all editorial&nbsp;disciplines for Television, Film and Computer Games. These include computer game ‘Guitar Hero Live’, recent hit Channel 4 comedy ‘Derry Girls’ and soon to be released feature comedy ‘You, Me and Him’.&nbsp;</p><p>Since going freelance she recieved her first uk broadcast Dubbing Mixer credit and has been mixing Eastenders and multiple factual television programmes over the last few years. Her career has gone from strength to strength, constantly working with new clients and always learning new skills.</p><p>In 2015 she took part in a mid-career-level Mentoring Scheme run by&nbsp;<strong>WFTV UK</strong>&nbsp;(Women in Film and Television) and she has been part of the&nbsp;<strong>BAFTA Crew</strong>&nbsp;Programme since 2015. She is also a full member of&nbsp;<strong>AMPS</strong>&nbsp;(Association of Motion Picture Sound).</p><p>She has been interviewed for a number of&nbsp;online publications and has lectured 3rd Year Audio Production students at the University of Lincoln multiple times since 2016, with another booked for next term.&nbsp;&nbsp;&nbsp;</p><p>She has a particular interest in foley, Drama, Film and Animation and hopes to do more of these this year.&nbsp;</p><h2><strong>About this Interview:</strong></h2><p>Lucy joins me to talk about her journey from runner to Freelance Sound Editor and Dubbing Mixer, how she started out and her decision to quite working at a facility and go freelance. Enjoy! – Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Lucy’s website:&nbsp;&nbsp;<a href="http://www.lucyjsound.com/" rel="noopener noreferrer" target="_blank">http://www.lucyjsound.com/</a></li><li>Lucy on IMDB:&nbsp;<a href="https://goo.gl/9dJpJa" rel="noopener noreferrer" target="_blank">https://goo.gl/9dJpJa</a></li><li>The Audio-Technica Limited edition headphones:&nbsp;<a href="https://goo.gl/K9fi67" rel="noopener noreferrer" target="_blank">https://goo.gl/K9fi67</a></li><li>Ambisonic resources:&nbsp;&nbsp;<a href="https://goo.gl/zbtknE" rel="noopener noreferrer" target="_blank">https://goo.gl/zbtknE</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-171-with-lucy-j-mitchell]]></link><guid isPermaLink="false">a0379f7d4dbbe99e0c5af114a02f1a5c</guid><itunes:image href="https://artwork.captivate.fm/854eee62-d33c-4405-8de7-00879e9abd97/wca-171-with-lucy-j-mitchell-1400.png"/><pubDate>Mon, 26 Mar 2018 06:43:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/51900757-b329-4dd6-b0c7-123afb37ded2.mp3" length="54121733" type="audio/mpeg"/><itunes:duration>56:23</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>171</itunes:episode><podcast:episode>171</podcast:episode><itunes:summary>Working Class Audio #171 with Lucy J Mitchell!!!
 Lucy started out in the industry as a runner at Envy Post Production straight after graduating with a Classical Music degree from the University of Nottingham with no idea of what a .wav was or even what ‘5.1’ meant. After hours of training outside her work hours and during lunch breaks, she quickly progressed to being an audio assistant in the machine room. She became an Audio Assistant Manager, being the go to person for overseeing large projects, representing her team in meetings, and generally making sure everything ran smoothly. During this time, I again was finding time to train in the studios with the tracklayers and mixers, learning my way around not only Protools but the DAWs such as the DigiDesign Icon Desk.  She was promoted to tracklayer after a few years in the machine room where she edited music, dialogues, atmospheres, foley and sound-effects. She was regularly being requested by both the Post Producers and Clients to run voice-over recording sessions. Here She also provided fully mixed Sound Design for TV shows such as Rise of the Machines, D-Day Laid Bare and Strip the City. I was also mixing animations and short films in my spare time (see my work page).In 2013, she was named as one of Broadcast Magazine’s ‘Hot Shots’, an annual feature on rising stars of the industry under 30. This was totally unexpected and it was such an honour to be listed alongside all of those talented people. She left Envy in 2015 and she is currently working as a Freelance Sound Editor across all genres; across all editorial disciplines for Television, Film and Computer Games. These include computer game ‘Guitar Hero Live’, recent hit Channel 4 comedy ‘Derry Girls’ and soon to be released feature comedy ‘You, Me and Him’. 
   Since going freelance she recieved her first uk broadcast Dubbing Mixer credit and has been mixing Eastenders and multiple factual television programmes over the last few years. Her career has gone from strength to strength, constantly working with new clients and always learning new skills.
 In 2015 she took part in a mid-career-level Mentoring Scheme run by WFTV UK (Women in Film and Television) and she has been part of the BAFTA Crew Programme since 2015. She is also a full member of AMPS (Association of Motion Picture Sound).  She has been interviewed for a number of online publications and has lectured 3rd Year Audio Production students at the University of Lincoln multiple times since 2016, with another booked for next term.   
  She has a particular interest in foley, Drama, Film and Animation and hopes to do more of these this year.    About this Interview:
  Lucy joins me to talk about her journey from runner to Freelance Sound Editor and Dubbing Mixer, how she started out and her decision to quite working at a facility and go freelance. Enjoy! - Matt
  Show notes and links:
  Lucy&apos;s website:  http://www.lucyjsound.com/
 Lucy on IMDB: https://goo.gl/9dJpJa
 The Audio-Technica Limited edition headphones: https://goo.gl/K9fi67
 Ambisonic resources:  https://goo.gl/zbtknE</itunes:summary></item><item><title>WCA #170 with Kevin Army</title><itunes:title>WCA #170 with Kevin Army</itunes:title><description><![CDATA[<p>Kevin Army is a legendary Bay Area producer, engineer and mixer best known as producer of the classic punk album&nbsp;<strong>Energy</strong>&nbsp;by&nbsp;<strong>Operation Ivy</strong>&nbsp;and for engineering&nbsp;<strong>Insomniac</strong>&nbsp;by<strong>&nbsp;Green Day.&nbsp;</strong>&nbsp;He is also known for his work with&nbsp;<strong>The Mr. T Experience</strong>,&nbsp;<strong>Pinhead Gunpowder, American Steel&nbsp;</strong>and<strong>&nbsp;Jawbreaker.&nbsp;</strong>14 years ago Kevin stepped away from the recording world and concentrated on being a record dealer. After dipping his toes back in the water for a few select projects in the last couple of years he made the decision to jump back in.</p><h3><strong>About this Interview:</strong></h3><p>Kevin joins me at my house/studio to discuss his 14 year&nbsp;hiatus from recording and what followed, his decision to get back in to recording, the early days of his recording career, mentorship and his favorite method for record bands.&nbsp;Enjoy! – Matt</p><h3><strong>Show notes and links:</strong></h3><ul><li><strong>Kevin’s Blog</strong>:&nbsp;<a href="https://kevinarmy.com/" rel="noopener noreferrer" target="_blank">https://kevinarmy.com/</a></li><li><strong>Kevin on Facebook:&nbsp;</strong><a href="https://goo.gl/ixBG3u" rel="noopener noreferrer" target="_blank">https://goo.gl/ixBG3u</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Kevin Army is a legendary Bay Area producer, engineer and mixer best known as producer of the classic punk album&nbsp;<strong>Energy</strong>&nbsp;by&nbsp;<strong>Operation Ivy</strong>&nbsp;and for engineering&nbsp;<strong>Insomniac</strong>&nbsp;by<strong>&nbsp;Green Day.&nbsp;</strong>&nbsp;He is also known for his work with&nbsp;<strong>The Mr. T Experience</strong>,&nbsp;<strong>Pinhead Gunpowder, American Steel&nbsp;</strong>and<strong>&nbsp;Jawbreaker.&nbsp;</strong>14 years ago Kevin stepped away from the recording world and concentrated on being a record dealer. After dipping his toes back in the water for a few select projects in the last couple of years he made the decision to jump back in.</p><h3><strong>About this Interview:</strong></h3><p>Kevin joins me at my house/studio to discuss his 14 year&nbsp;hiatus from recording and what followed, his decision to get back in to recording, the early days of his recording career, mentorship and his favorite method for record bands.&nbsp;Enjoy! – Matt</p><h3><strong>Show notes and links:</strong></h3><ul><li><strong>Kevin’s Blog</strong>:&nbsp;<a href="https://kevinarmy.com/" rel="noopener noreferrer" target="_blank">https://kevinarmy.com/</a></li><li><strong>Kevin on Facebook:&nbsp;</strong><a href="https://goo.gl/ixBG3u" rel="noopener noreferrer" target="_blank">https://goo.gl/ixBG3u</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-170-with-kevin-army]]></link><guid isPermaLink="false">b3e64ae8ff0e1220eb9d6036e2a92935</guid><itunes:image href="https://artwork.captivate.fm/0db35cdb-cc3a-4190-8107-486da71d19c0/wca-170-with-kevin-army-1400.png"/><pubDate>Mon, 19 Mar 2018 03:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/09e79bae-4ba9-4a77-b9bc-3361e2780a94.mp3" length="49474853" type="audio/mpeg"/><itunes:duration>51:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>170</itunes:episode><podcast:episode>170</podcast:episode><itunes:summary>Working Class Audio #170 with Kevin Army!!!
 Kevin Army is a legendary Bay Area producer, engineer and mixer best known as producer of the classic punk album Energy by Operation Ivy and for engineering Insomniac by Green Day.  He is also known for his work with The Mr. T Experience, Pinhead Gunpowder, American Steel and Jawbreaker. 14 years ago Kevin stepped away from the recording world and concentrated on being a record dealer. After dipping his toes back in the water for a few select projects in the last couple of years he made the decision to jump back in. 
  About this Interview:
  Kevin joins me at my house/studio to discuss his 14 year  hiatus from recording and what followed, his decision to get back in to recording, the early days of his recording career, mentorship and his favorite method for record bands. Enjoy! - Matt
  Show notes and links:
  Kevin&apos;s Blog: https://kevinarmy.com/
 Kevin on Facebook: https://goo.gl/ixBG3u</itunes:summary></item><item><title>WCA #169 with Ryan Worsley</title><itunes:title>WCA #169 with Ryan Worsley</itunes:title><description><![CDATA[<p>Ryan Worsley is one of Canada’s most sought-after music producers, with a growing track record of discovering, capturing and elevating the unique sound of countless bands and artists. With over twenty years of experience in the music industry, Ryan has become the consummate producer, providing his clients with world-class songwriting, audio engineering, and mixing capabilities. He works across pop, rock, indie, and folk genres, always striving to create innovative, fresh, and musical recordings that highlight the essence of the artists he works with.</p><p>Ryan’s impact is demonstrated in his work with Dear Rouge (Universal Music), from the outset of their career, providing production, songwriting and mixing on “Black To Gold” (2015), ultimately resulting in a Juno Award for “Breakthrough Group of the Year” (2016). His work with the band continues, with production and mixing credits on 2018’s well-received release, “Phases”.</p><p>Ryan is regularly asked by labels across Canada and the US for his mixing expertise, including Courage My Love’s “Synestathia” (Warner Music), Said The Whale’s “As Long As Your Eyes Are Wide”, and Emilie &amp; Ogden’s “10,000” (Secret City Records). He has also crafted mixes and radio singles for artists Basia Bulat (Rough Trade Records/Secret City Records) and Mathew V (604 Records).</p><p>Career highlights include participating in “Mix With The Masters” with mixer extraordinaire Tchad Blake and having his work recognized by the Western Canadian Music Awards with a nomination for Producer of the Year and award for Engineer of the Year (2015), as well as multiple subsequent nominations.</p><h2><strong>About this Interview:</strong></h2><p>Ryan joins me to talk about the importance of having a great team, networking, thinking long-term, Canadian health care, the benefits of&nbsp; having a manager, and the importance of having a supportive spouse or partner. Enjoy!</p><p>Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>The 7 Health Benefits Of Walking Just 20 Minutes A Day: <a href="https://goo.gl/kd2L7K" rel="noopener noreferrer" target="_blank">https://goo.gl/kd2L7K</a></li><li>Ryan's studio: <a href="https://www.echoplantsound.com/" rel="noopener noreferrer" target="_blank">https://www.echoplantsound.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Ryan Worsley is one of Canada’s most sought-after music producers, with a growing track record of discovering, capturing and elevating the unique sound of countless bands and artists. With over twenty years of experience in the music industry, Ryan has become the consummate producer, providing his clients with world-class songwriting, audio engineering, and mixing capabilities. He works across pop, rock, indie, and folk genres, always striving to create innovative, fresh, and musical recordings that highlight the essence of the artists he works with.</p><p>Ryan’s impact is demonstrated in his work with Dear Rouge (Universal Music), from the outset of their career, providing production, songwriting and mixing on “Black To Gold” (2015), ultimately resulting in a Juno Award for “Breakthrough Group of the Year” (2016). His work with the band continues, with production and mixing credits on 2018’s well-received release, “Phases”.</p><p>Ryan is regularly asked by labels across Canada and the US for his mixing expertise, including Courage My Love’s “Synestathia” (Warner Music), Said The Whale’s “As Long As Your Eyes Are Wide”, and Emilie &amp; Ogden’s “10,000” (Secret City Records). He has also crafted mixes and radio singles for artists Basia Bulat (Rough Trade Records/Secret City Records) and Mathew V (604 Records).</p><p>Career highlights include participating in “Mix With The Masters” with mixer extraordinaire Tchad Blake and having his work recognized by the Western Canadian Music Awards with a nomination for Producer of the Year and award for Engineer of the Year (2015), as well as multiple subsequent nominations.</p><h2><strong>About this Interview:</strong></h2><p>Ryan joins me to talk about the importance of having a great team, networking, thinking long-term, Canadian health care, the benefits of&nbsp; having a manager, and the importance of having a supportive spouse or partner. Enjoy!</p><p>Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>The 7 Health Benefits Of Walking Just 20 Minutes A Day: <a href="https://goo.gl/kd2L7K" rel="noopener noreferrer" target="_blank">https://goo.gl/kd2L7K</a></li><li>Ryan's studio: <a href="https://www.echoplantsound.com/" rel="noopener noreferrer" target="_blank">https://www.echoplantsound.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-169-with-ryan-worsley]]></link><guid isPermaLink="false">d7152a28edffb72bdc1c5b4bf8276aa5</guid><itunes:image href="https://artwork.captivate.fm/f3789d41-57d6-410b-a9c6-82c3699f81ff/wca-169-with-ryan-worsley-1400.png"/><pubDate>Mon, 12 Mar 2018 04:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5010d4f6-1064-4e74-8e89-02b7d6248acf.mp3" length="56654142" type="audio/mpeg"/><itunes:duration>59:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>169</itunes:episode><podcast:episode>169</podcast:episode><itunes:summary>Working Class Audio #169 with Ryan Worsley!!!   Ryan Worsley is one of Canada’s most sought-after music producers, with a growing track record of discovering, capturing and elevating the unique sound of countless bands and artists. With over twenty years of experience in the music industry, Ryan has become the consummate producer, providing his clients with world-class songwriting, audio engineering, and mixing capabilities. He works across pop, rock, indie, and folk genres, always striving to create innovative, fresh, and musical recordings that highlight the essence of the artists he works with. Ryan’s impact is demonstrated in his work with Dear Rouge (Universal Music), from the outset of their career, providing production, songwriting and mixing on “Black To Gold” (2015), ultimately resulting in a Juno Award for “Breakthrough Group of the Year” (2016). His work with the band continues, with production and mixing credits on 2018’s well-received release, “Phases”. Ryan is regularly asked by labels across Canada and the US for his mixing expertise, including Courage My Love’s “Synthesia” (Warner Music), Said The Whale’s “As Long As Your Eyes Are Wide”, and Emilie &amp; Ogden’s “10,000” (Secret City Records). He has also crafted mixes and radio singles for artists Basia Bulat (Rough Trade Records/Secret City Records) and Mathew V (604 Records). Career highlights include participating in “Mix With The Masters” with mixer extrodinaire Tchad Blake and having his work recognized by the Western Canadian Music Awards with a nomination for Producer of the Year and award for Engineer of the Year (2015), as well as multiple subsequent nominations.   About this Interview:  Ryan joins me to talk about the importance of having a great team, networking, thinking long-term, Canadian health care, the benefits of  having a manager, and the importance of having a supportive spouse or partner. Enjoy! Matt  Show notes and links: The 7 Health Benefits Of Walking Just 20 Minutes A Day: https://goo.gl/kd2L7K Ryan&apos;s studio: https://www.echoplantsound.com/</itunes:summary></item><item><title>WCA #168 with James Ivey</title><itunes:title>WCA #168 with James Ivey</itunes:title><description><![CDATA[<p>James Ivey is not only the&nbsp;Technical Editor for Pro Tools Expert.com he’s also a producer, engineer, drummer and Dad. Pro Tools Expert is one of the most popular and highly regarded hi-tech audio blogs on the Internet. In his role, James reviews some of the latest equipment which means quickly learning how to get the best out of it then taking part in their weekly podcast which is regularly listened to by over 27,000 people around the world. From&nbsp;London Guildhall University, to working on pop videos, selling Pro Audio gear to the likes of Pete Townsend, to full time gigging drummer, James eventually found himself working for Avid via&nbsp;Sibelius .&nbsp;While working for Avid at a trade show, James met Russ Hughs of Production Expert . That meeting lead James to his current position at Pro Tools Expert and to freelancing as an audio professional for the last 8 years.</p><h2><strong>About this Interview:</strong></h2><p>James joins me for a chat about Pro Tools Expert,&nbsp;kids, building a studio in his London backyard, GAS (Gear Acquisition Syndrome), new gear vs. vintage gear, working for Avid, networking, freelancing and not having voice mail.</p><p>-Enjoy&nbsp;Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Pro Tools Expert :&nbsp;<a href="https://www.pro-tools-expert.com/" rel="noopener noreferrer" target="_blank">https://www.pro-tools-expert.com/</a></li><li><a href="https://www.fastcompany.com/40532455/the-cd-business-isnt-dying-its-just-evolving" rel="noopener noreferrer" target="_blank">The CD Business Isn’t Dying—It’s Just Evolving</a>&nbsp;:&nbsp;<a href="https://goo.gl/Rg8zAR" rel="noopener noreferrer" target="_blank">https://goo.gl/Rg8zAR</a></li><li>Matt’s new site!&nbsp;<a href="http://www.mattboudreau.com/" rel="noopener noreferrer" target="_blank">mattboudreau.com</a></li><li>DISCOVER THE AT5047:&nbsp;<a href="https://goo.gl/2mYLdi" rel="noopener noreferrer" target="_blank">https://goo.gl/2mYLdi</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>James Ivey is not only the&nbsp;Technical Editor for Pro Tools Expert.com he’s also a producer, engineer, drummer and Dad. Pro Tools Expert is one of the most popular and highly regarded hi-tech audio blogs on the Internet. In his role, James reviews some of the latest equipment which means quickly learning how to get the best out of it then taking part in their weekly podcast which is regularly listened to by over 27,000 people around the world. From&nbsp;London Guildhall University, to working on pop videos, selling Pro Audio gear to the likes of Pete Townsend, to full time gigging drummer, James eventually found himself working for Avid via&nbsp;Sibelius .&nbsp;While working for Avid at a trade show, James met Russ Hughs of Production Expert . That meeting lead James to his current position at Pro Tools Expert and to freelancing as an audio professional for the last 8 years.</p><h2><strong>About this Interview:</strong></h2><p>James joins me for a chat about Pro Tools Expert,&nbsp;kids, building a studio in his London backyard, GAS (Gear Acquisition Syndrome), new gear vs. vintage gear, working for Avid, networking, freelancing and not having voice mail.</p><p>-Enjoy&nbsp;Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Pro Tools Expert :&nbsp;<a href="https://www.pro-tools-expert.com/" rel="noopener noreferrer" target="_blank">https://www.pro-tools-expert.com/</a></li><li><a href="https://www.fastcompany.com/40532455/the-cd-business-isnt-dying-its-just-evolving" rel="noopener noreferrer" target="_blank">The CD Business Isn’t Dying—It’s Just Evolving</a>&nbsp;:&nbsp;<a href="https://goo.gl/Rg8zAR" rel="noopener noreferrer" target="_blank">https://goo.gl/Rg8zAR</a></li><li>Matt’s new site!&nbsp;<a href="http://www.mattboudreau.com/" rel="noopener noreferrer" target="_blank">mattboudreau.com</a></li><li>DISCOVER THE AT5047:&nbsp;<a href="https://goo.gl/2mYLdi" rel="noopener noreferrer" target="_blank">https://goo.gl/2mYLdi</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-168-with-james-ivey]]></link><guid isPermaLink="false">5cbed5e5d8fdd09e6d27cf6135dce9ec</guid><itunes:image href="https://artwork.captivate.fm/d70f975c-29d3-4803-941f-73052d095578/wca-168-with-james-ivey-1400.png"/><pubDate>Mon, 05 Mar 2018 14:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c8fa8ef0-9163-4680-8b5f-2ad9513d77b2.mp3" length="46216861" type="audio/mpeg"/><itunes:duration>48:09</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>168</itunes:episode><podcast:episode>168</podcast:episode><itunes:summary>Working Class Audio #168 with James Ivey!!!  James Ivey is not only the Technical Editor for Pro Tools Expert.com he&apos;s also a producer, engineer, drummer and Dad. Pro Tools Expert is one of the most popular and highly regarded hi-tech audio blogs on the Internet. In his role, James reviews some of the latest equipment which means quickly learning how to get the best out of it then taking part in their weekly podcast which is regularly listened to by over 27,000 people around the world. From London Guildhall University, to working on pop videos, selling Pro Audio gear to the likes of Pete Townsend, to full time gigging drummer, James eventually found himself working for Avid via Sibelius .  While working for Avid at a trade show, James met Russ Hughs of Production Expert . That meeting lead James to his current position at Pro Tools Expert and to freelancing as an audio professional for the last 8 years.    About this Interview:  James joins me for a chat about Pro Tools Expert,  kids, building a studio in his London backyard, GAS (Gear Acquisition Syndrome), new gear vs. vintage gear, working for Avid, networking, freelancing and not having voice mail.   -Enjoy Matt</itunes:summary></item><item><title>WCA #167 with Billy Decker</title><itunes:title>WCA #167 with Billy Decker</itunes:title><description><![CDATA[<p>Billy Decker was born on August 28th, 1967, and raised in Nebraska. &nbsp;He got a BS in criminal justice at the University of Nebraska and then went on to be Salutatorian at Full Sail Center for the Recording Arts in 1992. In 1994, Decker moved to Nashville where he’s been working ever since. He’s mixed 14&nbsp; #1s to date – most recently, Parmalee’s “Carolina”. Billy has mixed for Sam Hunt, Darius Rucker, Chris Young, and Jaime Lynne Spears. Decker also mixed George Jones’s last album before he died. Billy Decker made history in July of 2014 when Sam Hunt became the most added new artist of all time. Decker works in a unique way.<em>&nbsp;</em><strong><em>“I mix really fast. Most of my mixes are finished in between two and three-and-a-half hours. To be able to do this, I use a lot of templates in Pro Tools. Instead of spending two hours EQing a kick drum, I can do it in 30 seconds, because I’ve set up templates for the album that outline all the basic parameters for each instrument. Then, I can focus on fine-tuning and bringing levels up and down—working on the entire mix, rather than focusing on individual adjustments. It’s a good way to work. It’s real fast, efficient, and, most importantly, it’s fun.”</em></strong></p><h1><strong>About this Interview:</strong></h1><p>Billy Decker joins me to talk about mixing hit songs in two to three hours, beating cancer and keeping it under wraps, the yearly slump, Facebook networking, endless revisions and mixing in the box. -EnjoyMatt</p><h1><strong>Show notes and links:</strong></h1><ul><li>Billy Decker’s Site:&nbsp;<a href="http://www.billydecker.com/" rel="noopener noreferrer" target="_blank">http://www.billydecker.com/</a></li><li>MTM Wood:&nbsp;<a href="https://www.youtube.com/channel/UCWBTyvNhUXq0ofu6ta1EAaQ" rel="noopener noreferrer" target="_blank">https://www.youtube.com/channel/UCWBTyvNhUXq0ofu6ta1EAaQ</a></li><li>Prosperworks CRM :&nbsp;<a href="https://goo.gl/ca2wyg" rel="noopener noreferrer" target="_blank">https://goo.gl/ca2wyg</a></li><li>Close.IO CRM:&nbsp;<a href="https://close.io/" rel="noopener noreferrer" target="_blank">https://close.io/</a></li><li>Billy on Bobby Owsinski’s Show:<a href="http://bobbyoinnercircle.com/tag/billy-decker/" rel="noopener noreferrer" target="_blank">&nbsp;http://bobbyoinnercircle.com/tag/billy-decker/</a></li><li>Billy on The Six Figure Home Studio Podcast:&nbsp;<a href="https://www.thesixfigurehomestudio.com/social-skills-helped-billy-decker-dominate-nashville-mixing-scene/" rel="noopener noreferrer" target="_blank">https://www.thesixfigurehomestudio.com/social-skills-helped-billy-decker-dominate-nashville-mixing-scene/</a></li><li>Audio Movers:&nbsp;<a href="https://audiomovers.com/" rel="noopener noreferrer" target="_blank">https://audiomovers.com/</a></li></ul><br/><h2><br></h2><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Billy Decker was born on August 28th, 1967, and raised in Nebraska. &nbsp;He got a BS in criminal justice at the University of Nebraska and then went on to be Salutatorian at Full Sail Center for the Recording Arts in 1992. In 1994, Decker moved to Nashville where he’s been working ever since. He’s mixed 14&nbsp; #1s to date – most recently, Parmalee’s “Carolina”. Billy has mixed for Sam Hunt, Darius Rucker, Chris Young, and Jaime Lynne Spears. Decker also mixed George Jones’s last album before he died. Billy Decker made history in July of 2014 when Sam Hunt became the most added new artist of all time. Decker works in a unique way.<em>&nbsp;</em><strong><em>“I mix really fast. Most of my mixes are finished in between two and three-and-a-half hours. To be able to do this, I use a lot of templates in Pro Tools. Instead of spending two hours EQing a kick drum, I can do it in 30 seconds, because I’ve set up templates for the album that outline all the basic parameters for each instrument. Then, I can focus on fine-tuning and bringing levels up and down—working on the entire mix, rather than focusing on individual adjustments. It’s a good way to work. It’s real fast, efficient, and, most importantly, it’s fun.”</em></strong></p><h1><strong>About this Interview:</strong></h1><p>Billy Decker joins me to talk about mixing hit songs in two to three hours, beating cancer and keeping it under wraps, the yearly slump, Facebook networking, endless revisions and mixing in the box. -EnjoyMatt</p><h1><strong>Show notes and links:</strong></h1><ul><li>Billy Decker’s Site:&nbsp;<a href="http://www.billydecker.com/" rel="noopener noreferrer" target="_blank">http://www.billydecker.com/</a></li><li>MTM Wood:&nbsp;<a href="https://www.youtube.com/channel/UCWBTyvNhUXq0ofu6ta1EAaQ" rel="noopener noreferrer" target="_blank">https://www.youtube.com/channel/UCWBTyvNhUXq0ofu6ta1EAaQ</a></li><li>Prosperworks CRM :&nbsp;<a href="https://goo.gl/ca2wyg" rel="noopener noreferrer" target="_blank">https://goo.gl/ca2wyg</a></li><li>Close.IO CRM:&nbsp;<a href="https://close.io/" rel="noopener noreferrer" target="_blank">https://close.io/</a></li><li>Billy on Bobby Owsinski’s Show:<a href="http://bobbyoinnercircle.com/tag/billy-decker/" rel="noopener noreferrer" target="_blank">&nbsp;http://bobbyoinnercircle.com/tag/billy-decker/</a></li><li>Billy on The Six Figure Home Studio Podcast:&nbsp;<a href="https://www.thesixfigurehomestudio.com/social-skills-helped-billy-decker-dominate-nashville-mixing-scene/" rel="noopener noreferrer" target="_blank">https://www.thesixfigurehomestudio.com/social-skills-helped-billy-decker-dominate-nashville-mixing-scene/</a></li><li>Audio Movers:&nbsp;<a href="https://audiomovers.com/" rel="noopener noreferrer" target="_blank">https://audiomovers.com/</a></li></ul><br/><h2><br></h2><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-167-with-billy-decker]]></link><guid isPermaLink="false">0b8215072a3e0854117c7e8046cb5253</guid><itunes:image href="https://artwork.captivate.fm/42369a2c-043b-47ab-a47a-46e1d25cc0be/wca-167-with-billy-decker-1400.png"/><pubDate>Mon, 26 Feb 2018 05:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bf91d487-1b80-4bcd-94ad-f9c0aa78362c.mp3" length="43765116" type="audio/mpeg"/><itunes:duration>45:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>167</itunes:episode><podcast:episode>167</podcast:episode><itunes:summary>Working Class Audio #167 with Billy Decker!!!
 Billy Decker was born on August 28th, 1967 and raised in Nebraska.  He got a BS in criminal justice at the University of Nebraska and then went on to be Salutatorian at Full Sail Center for the Recording Arts in 1992. In 1994, Decker moved to Nashville where he’s been working ever since. He was the first engineer in Music City to mix a Billboard Country Chart #1 exclusively in Pro Tools. He’s mixed 8 #1s to date - most recently, Parmalee’s &quot;Carolina&quot;.Billy Decker has mixed for Kenny Chesney, Darius Rucker, Jason Aldean. Jaime Lynne Spears, and Sam Hunt. Decker also mixed George Jones’s last album before he died. Billy Decker made history in July of 2014 when Sam Hunt became the most added new artist of all time. Decker works in a unique way. “I mix really fast. Most of my mixes are finished in between two and three-and-a-half hours. To be able to do this, I use a lot of templates in Pro Tools. Instead of spending two hours EQing a kick drum, I can do it in 30 seconds, because I’ve set up templates for the album that outline all the basic parameters for each instrument. Then, I can focus on fine-tuning and bringing levels up and down—working on the entire mix, rather than focusing on individual adjustments. It’s a good way to work. It’s real fast, efficient, and, most importantly, it’s fun.&quot;
      About this Interview:
  Billy Decker joins me to talk about mixing hit songs in two to three hours, beating cancer and keeping it under wraps, the yearly slump, Facebook networking, endless revisions and mixing in the box. -EnjoyMatt
         Show notes and links:
  Billy Decker&apos;s Site: http://www.billydecker.com/
 MTM Wood: https://www.youtube.com/channel/UCWBTyvNhUXq0ofu6ta1EAaQ
 Prosperworks CRM : https://goo.gl/ca2wyg
 Close.IO CRM: https://close.io/
 Billy on Bobby Owsinski&apos;s Show: http://bobbyoinnercircle.com/tag/billy-decker/
 Billy on The Six Figure Home Studio Podcast: https://www.thesixfigurehomestudio.com/social-skills-helped-billy-decker-dominate-nashville-mixing-scene/</itunes:summary></item><item><title>WCA #166 with Ken Sluiter</title><itunes:title>WCA #166 with Ken Sluiter</itunes:title><description><![CDATA[<p>Ken Sluiter is an American recording engineer/producer/mixer from Chicago, IL now based in Los Angeles, CA.</p><p>Ken grew up in a small town called Wilmington, IL, about an hour outside of Chicago, IL.&nbsp;He was obsessive listener of 70’s AM radio and what is now called “classic rock”.&nbsp;One day while walking through a department store with his mother, he spotted the cover of “Rock and Rock Over” by Kiss.&nbsp;From that point on, he was hooked.&nbsp;Every dime he could scrape up went to the record section of the department store.&nbsp;More records from Kiss, Led Zeppelin, Sweet, Aerosmith, Van Halen, Cheap Trick, Beatles, Foghat, even Styx (Ken was young) were to follow.&nbsp;This all naturally led to borrowing a friends’ Silvertone guitar, then guitar lessons etc..</p><p>While playing in garage bands with friends, Ken was the one that kinda understood how to set up the P.A.&nbsp;That led to recording rehearsals, shows, cassette four tracking/overdubbing etc….&nbsp;When his guitar teacher purchased an Oberheim OB-8, he gave Ken his “hand me down” Korg MS-20.&nbsp;That combined with discovering a college radio station led to a passion (which continues to this day) for all things new wave/synth pop.&nbsp;Soon Ken was hooking synths and drum machines to his Commodore 64’s MIDI sequencer.&nbsp;After spending more time “in the city” and discovering the Wax Trax label and Medusa’s dance club, the guitar started collecting dust and the focus became the stiff, cold groove of the machines.</p><p>After graduating college in 1992, Ken started his studio career working on jingles in the ad industry-dominated studio scene in downtown Chicago.&nbsp;The worked ranged from national ad campaigns to local furniture stores.&nbsp;It was in this environment that Ken learned to record, edit (w/ grease pencil and razor blade) and mix fast to meet the tight deadlines the advertising industry required.&nbsp;At the same time, he started assisting at studios that recorded local and regional bands.&nbsp;In 1994, Ken bought his first Pro Tools rig (a four track version that was the size of a fridge) and started working with other engineers as an editor.&nbsp;This enabled Ken to use his editing-skills learned in the jingle studios with engineers and producers that had previously never been exposed to the power/flexibility offered by the Pro Tools platform.&nbsp;It also allowed Ken to bypass some of the “dues paying” associated with being as assistant engineer (more on that later).</p><p>By the mid-nineties, Ken partnered with Dave Trumfio and Mike Hagler, founders of Kingsize Sound Labs.&nbsp;For many years, they made indie-rock records for the exploding indie/alternative rock scene that was happening in Chicago.&nbsp;Some notable acts that worked at Kingsize included Wilco, Billy Bragg, Andrew Bird, Neko Case, Mekons, The Frogs, Archer Prewitt, Kelly Hogan, Jonny Polonsky, Steve Earle, OKGO, My Morning Jacket, Jesus Lizard, The Sadies and hundreds of other bands.&nbsp;Label clients included Atlantic, Geffen, Warner Brothers, Virgin as well as Touch and Go, Sub Pop, Matador, Merge Records and Bloodshot Records.</p><p>During this time, Ken played and recorded with studio parter, Dave Trumfio’s new wave revival band, Pulsars.&nbsp;Pulsars made two albums for Almo Sounds/Geffen.&nbsp;Ken also co-founded local power-pop luminaries, Box-o-car, who in addition to recording two records, supported acts such as Iggy Pop, Cheap Trick, Teenage Fanclub, Mathew Sweet, The Kills and many more.</p><p>By 2003, as the indie explosion ran it’s course in Chicago, Ken re-located to Los Angles to continue his craft.&nbsp;As Ken felt he “skipped” much of the assisting phase of a traditional engineers’ career path; he pursued assisting opportunities including assisting Andrew Scheps on Weezer’s “Red Album”, Greg Fidleman on Red Hot Chili Peppers’ “I’m With You” as well as Jim Scott on multiple records.&nbsp;Ken also assisted on scoring sessions, in which he learned the ropes of orchestral recording from Sean Murphy and Dan Wallin among others.&nbsp;Ken also stayed busy as a Pro Tools editor working on projects ranging from Barry Manilow to Pink to Metallica.</p><p>It was during this time that Ken got involved with EastWest Studios in Hollywood.&nbsp;Ken was a key member of the crew that brought the studios back on-line as the rooms had been closed since Cello studios closed in 2004.&nbsp;This included working with the technical staff to “shake out” the analog gear as well as configuring Pro Tools systems for each room.&nbsp;Ken was also the recordist for the entire EastWest “Hollywood” series of orchestral virtual instruments.&nbsp;</p><p>In 2009, Ken signed on to engineer/mix two records for Jerry Lee Lewis wth legendary drummer Jim Keltner as producer.&nbsp;That project included doing overdubs with a “who’s who” of rock royalty, including Keith Richards, Eric Clapton, Willie Nelson, John Fogerty, Shelby Lynne, Kris Kristofferson, Robbie Robertson, Nils Lofgren, Aaron Neville, Mavis Staples, Gillian Welch and Jon Brion.&nbsp;Ken also mixed tracks with performances by Mick Jagger, Ron Wood, Sheryl Crow, Derek Trucks, Kid Rock, Daniel Lanois, Ringo Starr, John Mayer, James Burton, Leon Russell, Tim McGraw, Neil Young and Slash.&nbsp;</p><p>Other projects Ken engineered and/or mixed include records by The Pretenders, Marshall Crenshaw, Heart, Andra Day, Veruca Salt, Flogging Molly, James Blunt, Divine Fits (Britt Daniel), The Format (Nate Ruess), Ron Sexsmith, Kathleen Edwards, Young Dubliners, MxPx and Dwight Yoakam.</p><p>Ken also worked closely with producers Wally Gagel and Xandy Barry on a series of “iTunes Originals” sessions for artists that that included BRMC, The Decemberists, PJ Harvey, Maroon 5, Metric, Edward Sharpe and The Magnetic Zeros and Best Coast&nbsp;</p><p>As a producer, Ken has worked with Weezer (”Christmas With Weezer”), B52’s (“Squidbillies”-theme song), as well as soundtrack songs with Debbie Harry and Shirley Manson (“Tehran 1979” from American Gods), Siouxsie Sioux (“Love Crimes”-Hannibal) and Marc Almond (“Snakecharmer”-Hannibal)</p><p>Recently, Ken has worked closely with producer Joe Chiccarelli, mixing records for artists such as Morrissey, Augustines, Nightriots, Ivan and Aloysha and Victorian Halls.&nbsp;Ken has also worked closely with film composer Brian Reitzell on several film scores and soundtracks including “Hannibal” (Season 3) on NBC, “American Gods” on Starz, “Kicks” for Focus Features, as well as ad’s for Nike and Apple.</p><h2><strong>About this Interview:</strong></h2><p>Ken Sluiter joins me for a great conversation about 90’s era Chicago,&nbsp;his transition to Los Angeles, working with Andrew Scheps and Jim Keltner, having a great baby sitter, mixing in the box, social media and much more! Many thanks to WCA Alum Brad Wood&nbsp;<a href="https://www.workingclassaudio.com/wca-095-with-brad-wood/" rel="noopener noreferrer" target="_blank">(https://www.workingclassaudio.com/wca-095-with-brad-wood/ )</a>&nbsp;for introducing me to Ken at NAMM.&nbsp;Enjoy!</p><p>-Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li><strong>Audio-Technica AT5047:&nbsp;</strong><a href="http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html" rel="noopener noreferrer" target="_blank">http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html</a></li><li><strong>The great Jim Keltner:&nbsp;</strong><a href="https://en.wikipedia.org/wiki/Jim_Keltner" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Jim_Keltner</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Ken Sluiter is an American recording engineer/producer/mixer from Chicago, IL now based in Los Angeles, CA.</p><p>Ken grew up in a small town called Wilmington, IL, about an hour outside of Chicago, IL.&nbsp;He was obsessive listener of 70’s AM radio and what is now called “classic rock”.&nbsp;One day while walking through a department store with his mother, he spotted the cover of “Rock and Rock Over” by Kiss.&nbsp;From that point on, he was hooked.&nbsp;Every dime he could scrape up went to the record section of the department store.&nbsp;More records from Kiss, Led Zeppelin, Sweet, Aerosmith, Van Halen, Cheap Trick, Beatles, Foghat, even Styx (Ken was young) were to follow.&nbsp;This all naturally led to borrowing a friends’ Silvertone guitar, then guitar lessons etc..</p><p>While playing in garage bands with friends, Ken was the one that kinda understood how to set up the P.A.&nbsp;That led to recording rehearsals, shows, cassette four tracking/overdubbing etc….&nbsp;When his guitar teacher purchased an Oberheim OB-8, he gave Ken his “hand me down” Korg MS-20.&nbsp;That combined with discovering a college radio station led to a passion (which continues to this day) for all things new wave/synth pop.&nbsp;Soon Ken was hooking synths and drum machines to his Commodore 64’s MIDI sequencer.&nbsp;After spending more time “in the city” and discovering the Wax Trax label and Medusa’s dance club, the guitar started collecting dust and the focus became the stiff, cold groove of the machines.</p><p>After graduating college in 1992, Ken started his studio career working on jingles in the ad industry-dominated studio scene in downtown Chicago.&nbsp;The worked ranged from national ad campaigns to local furniture stores.&nbsp;It was in this environment that Ken learned to record, edit (w/ grease pencil and razor blade) and mix fast to meet the tight deadlines the advertising industry required.&nbsp;At the same time, he started assisting at studios that recorded local and regional bands.&nbsp;In 1994, Ken bought his first Pro Tools rig (a four track version that was the size of a fridge) and started working with other engineers as an editor.&nbsp;This enabled Ken to use his editing-skills learned in the jingle studios with engineers and producers that had previously never been exposed to the power/flexibility offered by the Pro Tools platform.&nbsp;It also allowed Ken to bypass some of the “dues paying” associated with being as assistant engineer (more on that later).</p><p>By the mid-nineties, Ken partnered with Dave Trumfio and Mike Hagler, founders of Kingsize Sound Labs.&nbsp;For many years, they made indie-rock records for the exploding indie/alternative rock scene that was happening in Chicago.&nbsp;Some notable acts that worked at Kingsize included Wilco, Billy Bragg, Andrew Bird, Neko Case, Mekons, The Frogs, Archer Prewitt, Kelly Hogan, Jonny Polonsky, Steve Earle, OKGO, My Morning Jacket, Jesus Lizard, The Sadies and hundreds of other bands.&nbsp;Label clients included Atlantic, Geffen, Warner Brothers, Virgin as well as Touch and Go, Sub Pop, Matador, Merge Records and Bloodshot Records.</p><p>During this time, Ken played and recorded with studio parter, Dave Trumfio’s new wave revival band, Pulsars.&nbsp;Pulsars made two albums for Almo Sounds/Geffen.&nbsp;Ken also co-founded local power-pop luminaries, Box-o-car, who in addition to recording two records, supported acts such as Iggy Pop, Cheap Trick, Teenage Fanclub, Mathew Sweet, The Kills and many more.</p><p>By 2003, as the indie explosion ran it’s course in Chicago, Ken re-located to Los Angles to continue his craft.&nbsp;As Ken felt he “skipped” much of the assisting phase of a traditional engineers’ career path; he pursued assisting opportunities including assisting Andrew Scheps on Weezer’s “Red Album”, Greg Fidleman on Red Hot Chili Peppers’ “I’m With You” as well as Jim Scott on multiple records.&nbsp;Ken also assisted on scoring sessions, in which he learned the ropes of orchestral recording from Sean Murphy and Dan Wallin among others.&nbsp;Ken also stayed busy as a Pro Tools editor working on projects ranging from Barry Manilow to Pink to Metallica.</p><p>It was during this time that Ken got involved with EastWest Studios in Hollywood.&nbsp;Ken was a key member of the crew that brought the studios back on-line as the rooms had been closed since Cello studios closed in 2004.&nbsp;This included working with the technical staff to “shake out” the analog gear as well as configuring Pro Tools systems for each room.&nbsp;Ken was also the recordist for the entire EastWest “Hollywood” series of orchestral virtual instruments.&nbsp;</p><p>In 2009, Ken signed on to engineer/mix two records for Jerry Lee Lewis wth legendary drummer Jim Keltner as producer.&nbsp;That project included doing overdubs with a “who’s who” of rock royalty, including Keith Richards, Eric Clapton, Willie Nelson, John Fogerty, Shelby Lynne, Kris Kristofferson, Robbie Robertson, Nils Lofgren, Aaron Neville, Mavis Staples, Gillian Welch and Jon Brion.&nbsp;Ken also mixed tracks with performances by Mick Jagger, Ron Wood, Sheryl Crow, Derek Trucks, Kid Rock, Daniel Lanois, Ringo Starr, John Mayer, James Burton, Leon Russell, Tim McGraw, Neil Young and Slash.&nbsp;</p><p>Other projects Ken engineered and/or mixed include records by The Pretenders, Marshall Crenshaw, Heart, Andra Day, Veruca Salt, Flogging Molly, James Blunt, Divine Fits (Britt Daniel), The Format (Nate Ruess), Ron Sexsmith, Kathleen Edwards, Young Dubliners, MxPx and Dwight Yoakam.</p><p>Ken also worked closely with producers Wally Gagel and Xandy Barry on a series of “iTunes Originals” sessions for artists that that included BRMC, The Decemberists, PJ Harvey, Maroon 5, Metric, Edward Sharpe and The Magnetic Zeros and Best Coast&nbsp;</p><p>As a producer, Ken has worked with Weezer (”Christmas With Weezer”), B52’s (“Squidbillies”-theme song), as well as soundtrack songs with Debbie Harry and Shirley Manson (“Tehran 1979” from American Gods), Siouxsie Sioux (“Love Crimes”-Hannibal) and Marc Almond (“Snakecharmer”-Hannibal)</p><p>Recently, Ken has worked closely with producer Joe Chiccarelli, mixing records for artists such as Morrissey, Augustines, Nightriots, Ivan and Aloysha and Victorian Halls.&nbsp;Ken has also worked closely with film composer Brian Reitzell on several film scores and soundtracks including “Hannibal” (Season 3) on NBC, “American Gods” on Starz, “Kicks” for Focus Features, as well as ad’s for Nike and Apple.</p><h2><strong>About this Interview:</strong></h2><p>Ken Sluiter joins me for a great conversation about 90’s era Chicago,&nbsp;his transition to Los Angeles, working with Andrew Scheps and Jim Keltner, having a great baby sitter, mixing in the box, social media and much more! Many thanks to WCA Alum Brad Wood&nbsp;<a href="https://www.workingclassaudio.com/wca-095-with-brad-wood/" rel="noopener noreferrer" target="_blank">(https://www.workingclassaudio.com/wca-095-with-brad-wood/ )</a>&nbsp;for introducing me to Ken at NAMM.&nbsp;Enjoy!</p><p>-Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li><strong>Audio-Technica AT5047:&nbsp;</strong><a href="http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html" rel="noopener noreferrer" target="_blank">http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html</a></li><li><strong>The great Jim Keltner:&nbsp;</strong><a href="https://en.wikipedia.org/wiki/Jim_Keltner" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Jim_Keltner</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-166-with-ken-sluiter]]></link><guid isPermaLink="false">8a19d57ff39f9ebfd3e620ceb7d184a4</guid><itunes:image href="https://artwork.captivate.fm/6570db4a-3e92-4fb3-bfd6-f386dac13292/wca-166-with-ken-sluiter-1400.png"/><pubDate>Mon, 19 Feb 2018 04:50:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4a781eeb-48c3-4e3d-b7b5-a624eecff0aa.mp3" length="73697261" type="audio/mpeg"/><itunes:duration>01:16:46</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>166</itunes:episode><podcast:episode>166</podcast:episode><itunes:summary>Working Class Audio #166 with Ken Sluiter!!!
Ken Sluiter is an American recording engineer/producer/mixer from Chicago, IL now based in Los Angeles, CA.

More on Ken here: https://www.allmusic.com/artist/ken-sluiter-mn0000066072
About this Interview:
Ken Sluiter joins me for a great conversation about 90&apos;s era Chicago, his transition to Los Angeles, working with Andrew Scheps and Jim Keltner, having a great baby sitter, mixing in the box, social media and much more! Many thanks to WCA Alum Brad Wood (http://www.workingclassaudio.com/wca-095-with-brad-wood/ ) for introducing me to Ken at NAMM.  Enjoy!

-Matt


Show notes and links:
Audio-Technica AT5047: http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html
The great Jim Keltner: https://en.wikipedia.org/wiki/Jim_Keltner</itunes:summary></item><item><title>WCA #165 with Dave Collins</title><itunes:title>WCA #165 with Dave Collins</itunes:title><description><![CDATA[<p>Dave Collins is an Grammy Award winning mastering engineer located in Pasadena, California. Dave has worked with artists of many genres include&nbsp;Sting, Metallica, Soundgarden, D’Angelo, Bruce Springsteen, and Madonna as well as many major film soundtracks.&nbsp;Dave makes a point to work on projects of&nbsp;<em>all</em>&nbsp;sizes from aspiring artist demos to major label releases.</p><p>After over 30 years of experience, Dave&nbsp;built a new state-of-the-art facility “from the sound up” in consultation with acoustician Thomas Jouanjean of Northward Acoustics in Brussels, Belgium. The studio is specifically designed to provide a creative, yet highly accurate, listening environment – capable of achieving the perfect balance for your sound. Of particular note is the custom signal path Dave has designed.&nbsp;From equalization, to analog to digital conversion, to dynamics, all equipment has been purpose-built specifically for mastering – these proprietary designs are the result of over three decades of listening experience with proven results.</p><p><strong>About this Interview:</strong></p><p>Mastering badass Dave Collins (Sting, Metallica, Soundgarden, D’Angelo, Bruce Springsteen, and Madonna) joins me to discuss his background, how he got into mastering, working with projects of all sizes, budgets and location. We also touch on in the box mastering, keeping your perspective about working in audio compared to working in other industries, the importance of listening and keeping your overhead in check. Enjoy!</p><p><strong>Show notes and links:</strong></p><ul><li><strong>Dave Collin’s Mastering:&nbsp;</strong><a href="http://www.davecollinsmastering.com/" rel="noopener noreferrer" target="_blank">http://www.davecollinsmastering.com/</a></li><li><strong>DMG Equilibrium Plugin:&nbsp;</strong><a href="https://www.dmgaudio.com/products_equilibrium.php" rel="noopener noreferrer" target="_blank">https://www.dmgaudio.com/products_equilibrium.php</a></li><li><strong>Doug Sax:</strong>&nbsp;<a href="https://en.wikipedia.org/wiki/Doug_Sax" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Doug_Sax</a></li><li><strong>Betterment Robo Investing:&nbsp;</strong><a href="https://goo.gl/mPWePb" rel="noopener noreferrer" target="_blank">https://goo.gl/mPWePb</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Dave Collins is an Grammy Award winning mastering engineer located in Pasadena, California. Dave has worked with artists of many genres include&nbsp;Sting, Metallica, Soundgarden, D’Angelo, Bruce Springsteen, and Madonna as well as many major film soundtracks.&nbsp;Dave makes a point to work on projects of&nbsp;<em>all</em>&nbsp;sizes from aspiring artist demos to major label releases.</p><p>After over 30 years of experience, Dave&nbsp;built a new state-of-the-art facility “from the sound up” in consultation with acoustician Thomas Jouanjean of Northward Acoustics in Brussels, Belgium. The studio is specifically designed to provide a creative, yet highly accurate, listening environment – capable of achieving the perfect balance for your sound. Of particular note is the custom signal path Dave has designed.&nbsp;From equalization, to analog to digital conversion, to dynamics, all equipment has been purpose-built specifically for mastering – these proprietary designs are the result of over three decades of listening experience with proven results.</p><p><strong>About this Interview:</strong></p><p>Mastering badass Dave Collins (Sting, Metallica, Soundgarden, D’Angelo, Bruce Springsteen, and Madonna) joins me to discuss his background, how he got into mastering, working with projects of all sizes, budgets and location. We also touch on in the box mastering, keeping your perspective about working in audio compared to working in other industries, the importance of listening and keeping your overhead in check. Enjoy!</p><p><strong>Show notes and links:</strong></p><ul><li><strong>Dave Collin’s Mastering:&nbsp;</strong><a href="http://www.davecollinsmastering.com/" rel="noopener noreferrer" target="_blank">http://www.davecollinsmastering.com/</a></li><li><strong>DMG Equilibrium Plugin:&nbsp;</strong><a href="https://www.dmgaudio.com/products_equilibrium.php" rel="noopener noreferrer" target="_blank">https://www.dmgaudio.com/products_equilibrium.php</a></li><li><strong>Doug Sax:</strong>&nbsp;<a href="https://en.wikipedia.org/wiki/Doug_Sax" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Doug_Sax</a></li><li><strong>Betterment Robo Investing:&nbsp;</strong><a href="https://goo.gl/mPWePb" rel="noopener noreferrer" target="_blank">https://goo.gl/mPWePb</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-165-with-dave-collins]]></link><guid isPermaLink="false">65b92cb65f5e9ff1ce9a0fa335136b85</guid><itunes:image href="https://artwork.captivate.fm/84f02664-b2e5-48de-94d1-0cfdfe787900/uploads-2f1552198365047-nb453fy51if-8c0735f6377a2ebf826c573baf3.png"/><pubDate>Mon, 12 Feb 2018 21:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f9491642-e8d8-47c5-a1d4-a446e8bcc29c.mp3" length="58831710" type="audio/mpeg"/><itunes:duration>01:01:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>165</itunes:episode><podcast:episode>165</podcast:episode><itunes:summary>Working Class Audio #165 with Dave Collins!!!
Dave Collins is an Grammy Award winning mastering engineer located in Pasadena, California. Dave has worked with artists of many genres include Sting, Metallica, Soundgarden, D’Angelo, Bruce Springsteen, and Madonna as well as many major film soundtracks. Dave makes a point to work on projects of all sizes from aspiring artist demos to major label releases.

After over 30 years of experience, Dave  built a new state-of-the-art facility “from the sound up” in consultation with acoustician Thomas Jouanjean of Northward Acoustics in Brussels, Belgium. The studio is specifically designed to provide a creative, yet highly accurate, listening environment – capable of achieving the perfect balance for your sound. Of particular note is the custom signal path Dave has designed.  From equalization, to analog to digital conversion, to dynamics, all equipment has been purpose-built specifically for mastering – these proprietary designs are the result of over three decades of listening experience with proven results.

About this Interview:
Mastering badass Dave Collins (Sting, Metallica, Soundgarden, D’Angelo, Bruce Springsteen, and Madonna) joins me to discuss his background, how he got into mastering, working with projects of all sizes, budgets and location. We also touch on in the box mastering, keeping your perspective about working in audio compared to working in other industries, the importance of listening and keeping your overhead in check. Enjoy!




Show notes and links:
Dave Collin&apos;s Mastering: http://www.davecollinsmastering.com/

DMG Equilibrium Plugin: https://www.dmgaudio.com/products_equilibrium.php

Doug Sax: https://en.wikipedia.org/wiki/Doug_Sax

Betterment Robo Investing: https://goo.gl/mPWePb</itunes:summary></item><item><title>WCA #164 with Steve Albini - Fascist Haircuts, Analog Longevity,  Reusing Analog Tape, Surviving 20 years, Poverty and the Cycle of Money.</title><itunes:title>WCA #164 with Steve Albini - Fascist Haircuts, Analog Longevity,  Reusing Analog Tape, Surviving 20 years, Poverty and the Cycle of Money.</itunes:title><description><![CDATA[<p>Steve Albini needs no introduction really. Musician, engineer and studio owner known for his work with Nirvana, Page, and Plant, PJ, Harvey as well as thousands of other bands. Yes, thousands. Steve is well known for his long term practice of sticking to analog recording methods and his dedication to the bands he records with regards to respecting the band dynamic. He also has played in the bands Big Black, Rapeman as well as his current band Shellac. Steve is part of a program called the Letters to Santa Program of Chicago with his wife Heather Whinna and Jeff Tweddy of WIlco known for its work raising money for poverty-stricken individuals and families in the Chicago area.</p><h3><strong>Show notes and links:</strong></h3><ul><li><strong>Electrical Audio (Steve’s studio):&nbsp;</strong><a href="http://www.electricalaudio.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.electricalaudio.com/</strong></a></li><li><strong>Letters to Santa Program:&nbsp;</strong><a href="http://www.secondcity.com/second-city-24-hour-improv" rel="noopener noreferrer" target="_blank"><strong>http://www.secondcity.com/second-city-24-hour-improv</strong></a></li><li><strong>Onward Neighborhood House:&nbsp;</strong><a href="https://onwardhouse.wordpress.com/" rel="noopener noreferrer" target="_blank"><strong>https://onwardhouse.wordpress.com/</strong></a></li><li><strong>Why I Haven’t Had a Conventional Christmas in 20 Years:&nbsp;</strong><a href="https://bit.ly/2V9Nm5X" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2V9Nm5X</strong></a></li><li><strong>Current sponsors &amp; promos:&nbsp;</strong><a href="https://bit.ly/3266bbu" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/3266bbu</strong></a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Steve Albini needs no introduction really. Musician, engineer and studio owner known for his work with Nirvana, Page, and Plant, PJ, Harvey as well as thousands of other bands. Yes, thousands. Steve is well known for his long term practice of sticking to analog recording methods and his dedication to the bands he records with regards to respecting the band dynamic. He also has played in the bands Big Black, Rapeman as well as his current band Shellac. Steve is part of a program called the Letters to Santa Program of Chicago with his wife Heather Whinna and Jeff Tweddy of WIlco known for its work raising money for poverty-stricken individuals and families in the Chicago area.</p><h3><strong>Show notes and links:</strong></h3><ul><li><strong>Electrical Audio (Steve’s studio):&nbsp;</strong><a href="http://www.electricalaudio.com/" rel="noopener noreferrer" target="_blank"><strong>http://www.electricalaudio.com/</strong></a></li><li><strong>Letters to Santa Program:&nbsp;</strong><a href="http://www.secondcity.com/second-city-24-hour-improv" rel="noopener noreferrer" target="_blank"><strong>http://www.secondcity.com/second-city-24-hour-improv</strong></a></li><li><strong>Onward Neighborhood House:&nbsp;</strong><a href="https://onwardhouse.wordpress.com/" rel="noopener noreferrer" target="_blank"><strong>https://onwardhouse.wordpress.com/</strong></a></li><li><strong>Why I Haven’t Had a Conventional Christmas in 20 Years:&nbsp;</strong><a href="https://bit.ly/2V9Nm5X" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/2V9Nm5X</strong></a></li><li><strong>Current sponsors &amp; promos:&nbsp;</strong><a href="https://bit.ly/3266bbu" rel="noopener noreferrer" target="_blank"><strong>https://bit.ly/3266bbu</strong></a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-164-with-steve-albini-fascist-haircuts-analog-longevity-reusing-analog-tape-surviving-20-years-poverty-and-the-cycle-of-money-]]></link><guid isPermaLink="false">8fd63e20d806bf4163961219d7279fae</guid><itunes:image href="https://artwork.captivate.fm/d463422b-6b69-4056-ab79-28976181840e/uploads-2f1552107816314-6kg3ecnp96c-c2154c642ad3a335441b0cba0e2.png"/><pubDate>Mon, 05 Feb 2018 07:09:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/abf73ca8-28e0-4a41-ad1d-7e564a844759.mp3" length="104640458" type="audio/mpeg"/><itunes:duration>01:12:40</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>164</itunes:episode><podcast:episode>164</podcast:episode><itunes:summary>Working Class Audio #164 with Steve Albini!!!
Steve Albini needs no introduction really. Musician, engineer and studio owner known for his work with Nirvana, Page and Plant, PJ, Harvey as well as thousands of other bands. Yes, thousands. Steve is well known for his long term practice of sticking to analog recording methods and his dedication to the bands he records with regards to respecting the band dynamic. He also has played in the bands Big Black, Rapeman as well as his current band Shellac. Steve is part of a program called the Letters to Santa Program of Chicago with his wife Heather Whinna and Jeff Tweddy of WIlco known for it&apos;s work raising money for poverty stricken individuals and families in the Chicago area.
Show Notes 


Electrical Audio (Steve&apos;s studio): http://www.electricalaudio.com/



Letters to Santa Program: http://www.secondcity.com/second-city-24-hour-improv



Onward Neighborhood House: https://onwardhouse.wordpress.com/



Why I Haven’t Had a Conventional Christmas in 20 Years: https://bit.ly/2V9Nm5X



Current sponsors &amp; promos: https://bit.ly/3266bbu</itunes:summary></item><item><title>WCA #163 with NAMM 2018</title><itunes:title>WCA #163 with NAMM 2018</itunes:title><description><![CDATA[<p>NAMM 2018 was a fantastic experience this year. The crowds were massive, the activity was electric and there was sooo much to see. In this episode I give you a recap from not only my perspective but also from the viewpoint of my friends Chris Selim from Mixdown.Online and Lij Shaw from Recording Studio Rockstars. There’s also interviews with Universal Audio and Whitestone Audio. It was a great time and the amount of cool people and products was encouraging. Enjoy!</p><h3><strong>Show notes and links:</strong></h3><h3>The People:</h3><ul><li>Chris Selim From&nbsp;<a href="http://mixdown.online/en/" rel="noopener noreferrer" target="_blank">Mixdown.Online</a>.</li><li>Lij Shaw from&nbsp;<a href="http://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank">Recording Studio Rockstars</a>.</li><li>Dave Rosen from<a href="http://www.whitestoneaudio.com/" rel="noopener noreferrer" target="_blank">&nbsp;Whitestone Audio</a>.</li><li>Tom Waterman from&nbsp;<a href="https://www.uaudio.com/" rel="noopener noreferrer" target="_blank">Universal Audio</a>.</li><li>Louie Gonzalez from The Shelter Studios:&nbsp;<a href="http://theshelterstudios.com/bios/" rel="noopener noreferrer" target="_blank">http://theshelterstudios.com/bios/</a></li></ul><br/><h3>The Gear:</h3><ul><li>Whitestone Audio&nbsp;P331:&nbsp;<a href="http://www.whitestoneaudio.com/" rel="noopener noreferrer" target="_blank">http://www.whitestoneaudio.com/</a></li><li>Audio Technica 5047:&nbsp;<a href="http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html" rel="noopener noreferrer" target="_blank">http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html</a></li><li>Universal Audio Arrow:&nbsp;<a href="https://www.uaudio.com/audio-interfaces/arrow.html" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/audio-interfaces/arrow.html</a></li><li>Zaor :&nbsp;<a href="https://zaorstudiofurniture.com/" rel="noopener noreferrer" target="_blank">https://zaorstudiofurniture.com/</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>NAMM 2018 was a fantastic experience this year. The crowds were massive, the activity was electric and there was sooo much to see. In this episode I give you a recap from not only my perspective but also from the viewpoint of my friends Chris Selim from Mixdown.Online and Lij Shaw from Recording Studio Rockstars. There’s also interviews with Universal Audio and Whitestone Audio. It was a great time and the amount of cool people and products was encouraging. Enjoy!</p><h3><strong>Show notes and links:</strong></h3><h3>The People:</h3><ul><li>Chris Selim From&nbsp;<a href="http://mixdown.online/en/" rel="noopener noreferrer" target="_blank">Mixdown.Online</a>.</li><li>Lij Shaw from&nbsp;<a href="http://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank">Recording Studio Rockstars</a>.</li><li>Dave Rosen from<a href="http://www.whitestoneaudio.com/" rel="noopener noreferrer" target="_blank">&nbsp;Whitestone Audio</a>.</li><li>Tom Waterman from&nbsp;<a href="https://www.uaudio.com/" rel="noopener noreferrer" target="_blank">Universal Audio</a>.</li><li>Louie Gonzalez from The Shelter Studios:&nbsp;<a href="http://theshelterstudios.com/bios/" rel="noopener noreferrer" target="_blank">http://theshelterstudios.com/bios/</a></li></ul><br/><h3>The Gear:</h3><ul><li>Whitestone Audio&nbsp;P331:&nbsp;<a href="http://www.whitestoneaudio.com/" rel="noopener noreferrer" target="_blank">http://www.whitestoneaudio.com/</a></li><li>Audio Technica 5047:&nbsp;<a href="http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html" rel="noopener noreferrer" target="_blank">http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html</a></li><li>Universal Audio Arrow:&nbsp;<a href="https://www.uaudio.com/audio-interfaces/arrow.html" rel="noopener noreferrer" target="_blank">https://www.uaudio.com/audio-interfaces/arrow.html</a></li><li>Zaor :&nbsp;<a href="https://zaorstudiofurniture.com/" rel="noopener noreferrer" target="_blank">https://zaorstudiofurniture.com/</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-163-with-namm-2018]]></link><guid isPermaLink="false">230eca48edd6cd40b2ac11fe65973064</guid><itunes:image href="https://artwork.captivate.fm/efca065e-c179-494a-9f75-b197310e7b03/wca-163-with-namm-2018-1400.png"/><pubDate>Mon, 29 Jan 2018 21:46:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a873fb67-247d-48b0-9ed8-f071b157b444.mp3" length="52574507" type="audio/mpeg"/><itunes:duration>54:46</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>163</itunes:episode><podcast:episode>163</podcast:episode><itunes:summary>Working Class Audio #163 with NAMM 2018!!!
NAMM 2018 was a fantastic experience this year. The crowds were massive, the activity was electric and there was sooo much to see. In this episode I give you a recap from not only my perspective but also from the viewpoint of my friends Chris Selim from Mixdown.Online and Lij Shaw from Recording Studio Rockstars. There&apos;s also interviews with Universal Audio and Whitestone Audio. It was a great time and the amount of cool people and products was encouraging. Enjoy!




Show notes and links:
The People:

Chris Selim From Mixdown.Online.
Lij Saw from Recording Studio Rockstars.
Dave Rosen from Whitestone Audio.
Tom Waterman from Universal Audio.
Louie Gonzalez from The Shelter Studios: http://theshelterstudios.com/bios/
The Gear:

Whitestone Audio  P331: http://www.whitestoneaudio.com/
Audio Technica 5047: http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.html
Universal Audio Arrow: https://www.uaudio.com/audio-interfaces/arrow.html
Zaor : https://zaorstudiofurniture.com/
Breakfast 4 days in a row!

Denny&apos;s at 2080 South Harbour Blvd! ;-)</itunes:summary></item><item><title>WCA #162 with John Karr</title><itunes:title>WCA #162 with John Karr</itunes:title><description><![CDATA[<p>John Karr is&nbsp;well regarded as one of the top sound engineers in San Francisco, with a professional career spanning over 30 years, engineering shows and albums for over 20,000 bands, in every genres you can imagine.&nbsp;&nbsp;From recording studio’s to local house gigs to national tours of theaters and large music festivals, across the United States, Japan and Europe.</p><p>John has worn the hats of F.O.H. and monitor engineer, studio producer, session musician, composer, and live sound mentor @ at S.F. City College and Expressions School for Music in Emeryville Ca, He has over 60 album recording credits, including the theme songs for KALW Rose Agular’s Your Call Radio and KSAN Steven Weed’s Weed in the morning. Other notable accomplishment’s include 7 years tenure as head sound engineer/manager and sound system designer of The Independent – which has won international praise as “The Best Sounding Live Music Venue in San Francisco”.&nbsp;&nbsp;</p><h2><strong>About this Interview:</strong></h2><p>John Karr joins me for a great chat covering his approach to working in multiple genres, accepting gigs of all shapes and sizes, bringing humor and humanity to the audio work environment and how he dealt with an accident that left him without the use of his legs for 6 months. John has been working his ass off since arriving in San Francisco 1988 and it’s a pleasure to have him as my guest. Enjoy!</p><p>Matt</p><p><strong>Show notes and links:</strong></p><ul><li>Johns SIte:&nbsp;<a href="http://earrelevant-recording.com/" rel="noopener noreferrer" target="_blank">http://earrelevant-recording.com/</a></li><li>WCA on Spotify:&nbsp;<a href="https://open.spotify.com/show/14U2pJ15Ix5x838NXqt1zJ" rel="noopener noreferrer" target="_blank">https://open.spotify.com/show/14U2pJ15Ix5x838NXqt1zJ</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>John Karr is&nbsp;well regarded as one of the top sound engineers in San Francisco, with a professional career spanning over 30 years, engineering shows and albums for over 20,000 bands, in every genres you can imagine.&nbsp;&nbsp;From recording studio’s to local house gigs to national tours of theaters and large music festivals, across the United States, Japan and Europe.</p><p>John has worn the hats of F.O.H. and monitor engineer, studio producer, session musician, composer, and live sound mentor @ at S.F. City College and Expressions School for Music in Emeryville Ca, He has over 60 album recording credits, including the theme songs for KALW Rose Agular’s Your Call Radio and KSAN Steven Weed’s Weed in the morning. Other notable accomplishment’s include 7 years tenure as head sound engineer/manager and sound system designer of The Independent – which has won international praise as “The Best Sounding Live Music Venue in San Francisco”.&nbsp;&nbsp;</p><h2><strong>About this Interview:</strong></h2><p>John Karr joins me for a great chat covering his approach to working in multiple genres, accepting gigs of all shapes and sizes, bringing humor and humanity to the audio work environment and how he dealt with an accident that left him without the use of his legs for 6 months. John has been working his ass off since arriving in San Francisco 1988 and it’s a pleasure to have him as my guest. Enjoy!</p><p>Matt</p><p><strong>Show notes and links:</strong></p><ul><li>Johns SIte:&nbsp;<a href="http://earrelevant-recording.com/" rel="noopener noreferrer" target="_blank">http://earrelevant-recording.com/</a></li><li>WCA on Spotify:&nbsp;<a href="https://open.spotify.com/show/14U2pJ15Ix5x838NXqt1zJ" rel="noopener noreferrer" target="_blank">https://open.spotify.com/show/14U2pJ15Ix5x838NXqt1zJ</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-162-with-john-karr]]></link><guid isPermaLink="false">6c15dc558aa1a726b16d98328bcf3bf9</guid><itunes:image href="https://artwork.captivate.fm/24aacd91-9c9f-46c5-931c-5c9dd991d3c4/wca-162-with-john-karr-1400.png"/><pubDate>Mon, 22 Jan 2018 03:46:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3b197b14-f0b3-4a21-8de4-bbf6937e4e56.mp3" length="51776134" type="audio/mpeg"/><itunes:duration>53:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>162</itunes:episode><podcast:episode>162</podcast:episode><itunes:summary>Working Class Audio #162 with John Karr!!!
 John Karr is well regarded as one of the top sound engineers in San Francisco, with a professional career spanning over 30 years, engineering shows and albums for over 20,000 bands, in every genres you can imagine. From recording studio&apos;s to local house gigs to national tours of theaters and large music festivals, across the United States, Japan and Europe.
 John has worn the hats of F.O.H. and monitor engineer, studio producer, session musician, composer, and live sound mentor @ at S.F. City College and Expressions School for Music in Emeryville Ca, He has over 60 album recording credits, including the theme songs for KALW Rose Agular&apos;s Your Call Radio and KSAN Steven Weed&apos;s Weed in the morning. Other notable accomplishment&apos;s include 7 years tenure as head sound engineer/manager and sound system designer of The Independent - which has won international praise as &quot;The Best Sounding Live Music Venue in San Francisco&quot;.   
 About this Interview:
 John Karr joins me for a great chat covering his approach to working in multiple genres, accepting gigs of all shapes and sizes, bringing humor and humanity to the audio work environment and how he dealt with an accident that left him without the use of his legs for 6 months. John has been working his ass off since arriving in San Francisco in 1988 and it&apos;s a pleasure to have him as my guest. Enjoy!
  Matt
  Show notes and links:
  Johns SIte: http://earrelevant-recording.com/
 WCA on Spotify: https://open.spotify.com/show/14U2pJ15Ix5x838NXqt1zJ</itunes:summary></item><item><title>WCA #161 with Matt Donner</title><itunes:title>WCA #161 with Matt Donner</itunes:title><description><![CDATA[<p>Matt Donner holds a Bachelor’s degree in Quantitative Business Analysis (Penn State) and a Masters in Music Technology (NYU). While developing his Producer and Engineering chops in NYC, he went on to perform for various TV studios and John Cale (Velvet Underground) that included 3 feature film scores. After signing his band to an indy record deal, his cross-country tour brought him to SF where the drummer exploded – how typical.</p><p>Matt quickly found himself as Regional Technical Director for Guitar Center and the Pro Tools Support Lead for the Cutting Edge Audio Group.&nbsp;There, he served as studio designer, installer and trainer for the likes of Joe Satriani, Metallica, Spearhead, Santana and the SF Jazz Fest as well as many private studios including Wally World (Walter A., N’Sync, Whitney Houston, Celine Dion).</p><p>In January 2000, he and Greg Gordon began working together exclusively at Pyramind where they began running the hybrid Production/ Training businesses. Matt has served the company as Chief Engineer, Senior Producer/ Composer, Chief Technical Officer, Vice- President and now as CAO and COO. He helped grow the Pyramind Training program from a single 24 hour class to the highly-touted 900 hour 12-month Complete Producer. He has trained thousands of students, mixed/ mastered dozens of records and has published several magazine articles. Matt has also written two texts on Pro Tools (Thomson Press) as well as the Pyramind Training three-book series published (Alfred Publishing). He’s best known now for his YouTube series “The Breakdown” on the channel “Pyratube”.</p><p>Matt currently lives in San Francisco and Davis, CA with his wife, two children and three dogs. He has trained in Mixed Martial Arts and Bak Mei Kung Fu for years and on good days, surfs the Pacific Ocean on his Al Merrick 6’ 2” fish.</p><p>The Pacific usually wins.</p><h3><strong>About this Interview:</strong></h3><p>Matt talks with me about Pyramind and the three prong approach to preparing students for the real world of audio. We also discuss survival, failure, gear lust and work life balance amongst a few other key topics.&nbsp;I’ve known Matt Donner for 20 years and have great respect for him so it’s an honor to have him on.</p><p>Matt</p><h3><strong>Show notes and links:</strong></h3><ul><li>Pyramind&nbsp;<a href="https://www.pyramind.com/" rel="noopener noreferrer" target="_blank">https://www.pyramind.com/</a></li><li>Zaor:&nbsp;<a href="http://www.zaor.de/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/</a></li><li>Zaor Speaker Stands I got:&nbsp;<a href="http://www.zaor.de/classic/monitor-stand/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/classic/monitor-stand/</a></li><li>Zaor Desk I got:&nbsp;<a href="http://www.zaor.de/classic/onda-mack/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/classic/onda-mack/</a></li><li>Zaor Rack I got:&nbsp;&nbsp;<a href="http://www.zaor.de/classic/rackspace/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/classic/rackspace/</a></li><li>Cutting Edge Audio Group:&nbsp;<a href="https://ceag.com/" rel="noopener noreferrer" target="_blank">https://ceag.com/</a></li><li>Time to make the donuts commercial:&nbsp;<a href="https://youtu.be/1AA1XDqK8tY" rel="noopener noreferrer" target="_blank">https://youtu.be/1AA1XDqK8tY</a></li><li>Matt Walker “Why We Sleep”:&nbsp;<a href="https://goo.gl/zZQyEg" rel="noopener noreferrer" target="_blank">https://goo.gl/zZQyEg</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Matt Donner holds a Bachelor’s degree in Quantitative Business Analysis (Penn State) and a Masters in Music Technology (NYU). While developing his Producer and Engineering chops in NYC, he went on to perform for various TV studios and John Cale (Velvet Underground) that included 3 feature film scores. After signing his band to an indy record deal, his cross-country tour brought him to SF where the drummer exploded – how typical.</p><p>Matt quickly found himself as Regional Technical Director for Guitar Center and the Pro Tools Support Lead for the Cutting Edge Audio Group.&nbsp;There, he served as studio designer, installer and trainer for the likes of Joe Satriani, Metallica, Spearhead, Santana and the SF Jazz Fest as well as many private studios including Wally World (Walter A., N’Sync, Whitney Houston, Celine Dion).</p><p>In January 2000, he and Greg Gordon began working together exclusively at Pyramind where they began running the hybrid Production/ Training businesses. Matt has served the company as Chief Engineer, Senior Producer/ Composer, Chief Technical Officer, Vice- President and now as CAO and COO. He helped grow the Pyramind Training program from a single 24 hour class to the highly-touted 900 hour 12-month Complete Producer. He has trained thousands of students, mixed/ mastered dozens of records and has published several magazine articles. Matt has also written two texts on Pro Tools (Thomson Press) as well as the Pyramind Training three-book series published (Alfred Publishing). He’s best known now for his YouTube series “The Breakdown” on the channel “Pyratube”.</p><p>Matt currently lives in San Francisco and Davis, CA with his wife, two children and three dogs. He has trained in Mixed Martial Arts and Bak Mei Kung Fu for years and on good days, surfs the Pacific Ocean on his Al Merrick 6’ 2” fish.</p><p>The Pacific usually wins.</p><h3><strong>About this Interview:</strong></h3><p>Matt talks with me about Pyramind and the three prong approach to preparing students for the real world of audio. We also discuss survival, failure, gear lust and work life balance amongst a few other key topics.&nbsp;I’ve known Matt Donner for 20 years and have great respect for him so it’s an honor to have him on.</p><p>Matt</p><h3><strong>Show notes and links:</strong></h3><ul><li>Pyramind&nbsp;<a href="https://www.pyramind.com/" rel="noopener noreferrer" target="_blank">https://www.pyramind.com/</a></li><li>Zaor:&nbsp;<a href="http://www.zaor.de/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/</a></li><li>Zaor Speaker Stands I got:&nbsp;<a href="http://www.zaor.de/classic/monitor-stand/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/classic/monitor-stand/</a></li><li>Zaor Desk I got:&nbsp;<a href="http://www.zaor.de/classic/onda-mack/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/classic/onda-mack/</a></li><li>Zaor Rack I got:&nbsp;&nbsp;<a href="http://www.zaor.de/classic/rackspace/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/classic/rackspace/</a></li><li>Cutting Edge Audio Group:&nbsp;<a href="https://ceag.com/" rel="noopener noreferrer" target="_blank">https://ceag.com/</a></li><li>Time to make the donuts commercial:&nbsp;<a href="https://youtu.be/1AA1XDqK8tY" rel="noopener noreferrer" target="_blank">https://youtu.be/1AA1XDqK8tY</a></li><li>Matt Walker “Why We Sleep”:&nbsp;<a href="https://goo.gl/zZQyEg" rel="noopener noreferrer" target="_blank">https://goo.gl/zZQyEg</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-161-with-matt-donner]]></link><guid isPermaLink="false">78c0de32b1a72a4ab802c7f99f4c3039</guid><itunes:image href="https://artwork.captivate.fm/9de5495d-2e61-409d-aa6a-20a1fa899e05/wca-161-with-matt-donner-1400.png"/><pubDate>Mon, 15 Jan 2018 14:46:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b5d9c9b3-7274-429f-8d77-cdd80f39a66a.mp3" length="63972605" type="audio/mpeg"/><itunes:duration>01:06:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>161</itunes:episode><podcast:episode>161</podcast:episode><itunes:summary>Working Class Audio #161 with Matt Donner!!!
 Matt Donner holds a Bachelor’s degree in Quantitative Business Analysis (Penn State) and a Masters in Music Technology (NYU). While developing his Producer and Engineering chops in NYC, he went on to perform for various TV studios and John Cale (Velvet Underground) that included 3 feature film scores. After signing his band to an indy record deal, his cross-country tour brought him to SF where the drummer exploded - how typical.
 Matt quickly found himself as Regional Technical Director for Guitar Center and the Pro Tools Support Lead for the Cutting Edge Audio Group.  There, he served as studio designer, installer and trainer for the likes of Joe Satriani, Metallica, Spearhead, Santana and the SF Jazz Fest as well as many private studios including Wally World (Walter A., N’Sync, Whitney Houston, Celine Dion).
 In January 2000, he and Greg Gordon began working together exclusively at Pyramind where they began running the hybrid Production/ Training businesses. Matt has served the company as Chief Engineer, Senior Producer/ Composer, Chief Technical Officer, Vice- President and now as CAO and COO. He helped grow the Pyramind Training program from a single 24 hour class to the highly-touted 900 hour 12-month Complete Producer. He has trained thousands of students, mixed/ mastered dozens of records and has published several magazine articles. Matt has also written two texts on Pro Tools (Thomson Press) as well as the Pyramind Training three-book series published (Alfred Publishing). He&apos;s best known now for his YouTube series &quot;The Breakdown&quot; on the channel &quot;Pyratube&quot;.
 Matt currently lives in San Francisco and Davis, CA with his wife, two children and three dogs. He has trained in Mixed Martial Arts and Bak Mei Kung Fu for years and on good days, surfs the Pacific Ocean on his Al Merrick 6’ 2” fish.
 The Pacific usually wins.
 About this Interview:
 Matt talks with me about Pyramind and the three prong approach to preparing students for the real world of audio. We also discuss survival, failure, gear lust and work life balance amongst a few other key topics. I&apos;ve known Matt Donner for 20 years and have great respect for him so it&apos;s an honor to have him on.
  Matt
  Show notes and links:
  Pyramind https://www.pyramind.com/
 Zaor: http://www.zaor.de/
 Zaor Speaker Stands I got: http://www.zaor.de/classic/monitor-stand/
 Zaor Desk I got: http://www.zaor.de/classic/onda-mack/
 Zaor Rack I got:  http://www.zaor.de/classic/rackspace/
 Cutting Edge Audio Group: https://ceag.com/
 Time to make the donuts commercial: https://youtu.be/1AA1XDqK8tY
 Matt Walker &quot;Why We Sleep&quot;: https://goo.gl/zZQyEg</itunes:summary></item><item><title>WCA #160 with Joe Costable</title><itunes:title>WCA #160 with Joe Costable</itunes:title><description><![CDATA[<p>Joe Costable started his career in Houston, TX, at Studio 7303; the largest studio in the area, and at that time the hub of Hip-Hop. Starting as an intern, Joe eventually moved up the ranks as an engineer working with many prominent artists and producers, such as Mike Jones, Scarface, Mannie Fresh, Gerald Levert, and many others.</p><p>A few years later he moved back to his native New York for a short stint at the Island Def Jam Music Group, where he learned the other side of the industry in the A&amp;R department while building his clientele as a freelance engineer. Joe landed his first mixing gig with a few Good Charlotte songs, some of which landed on the Cardiology record.</p><p>In the years since, Joe has worked with many more artists in genres from hip-hop to shoe gaze. His work has been everywhere from top 10 at radio, selling millions of copies worldwide, national ad campaigns, to being featured on the most underground of music blogs. While the majority of his work is with Alternative, Rock, and Pop records, Joe loves getting an opportunity to expand his abilities and paint a new picture. Joe is a member of the Audio Engineering Society and a voting member of The Recording Academy as well as an average home brewer and an avid hiker. </p><h3><strong>About this Interview:</strong></h3><p>Matt speaks with Joe about his early days in Houston making Hip Hop records, hustling in New York, mixing in the quite and remote town of Patterson, NY, making a living and photography as well as many other topics. -Enjoy!</p><h2><strong>Show notes and links:</strong></h2><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Zaor: <a href="http://www.zaor.de/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Nest: <a href="https://nest.com/" rel="noopener noreferrer" target="_blank">https://nest.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Joe’s Site: <a href="https://www.joecostable.com/" rel="noopener noreferrer" target="_blank">https://www.joecostable.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Raw Recording: <a href="http://www.rawrecording.com/index.html" rel="noopener noreferrer" target="_blank">http://www.rawrecording.com/index.html</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Digital Silver Imaging: <a href="http://digitalsilverimaging.com/" rel="noopener noreferrer" target="_blank">http://digitalsilverimaging.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mike Kalajian Interview: <a href="https://www.workingclassaudio.com/wca-072-mike-kalajian/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-072-mike-kalajian/</a></li></ol><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Joe Costable started his career in Houston, TX, at Studio 7303; the largest studio in the area, and at that time the hub of Hip-Hop. Starting as an intern, Joe eventually moved up the ranks as an engineer working with many prominent artists and producers, such as Mike Jones, Scarface, Mannie Fresh, Gerald Levert, and many others.</p><p>A few years later he moved back to his native New York for a short stint at the Island Def Jam Music Group, where he learned the other side of the industry in the A&amp;R department while building his clientele as a freelance engineer. Joe landed his first mixing gig with a few Good Charlotte songs, some of which landed on the Cardiology record.</p><p>In the years since, Joe has worked with many more artists in genres from hip-hop to shoe gaze. His work has been everywhere from top 10 at radio, selling millions of copies worldwide, national ad campaigns, to being featured on the most underground of music blogs. While the majority of his work is with Alternative, Rock, and Pop records, Joe loves getting an opportunity to expand his abilities and paint a new picture. Joe is a member of the Audio Engineering Society and a voting member of The Recording Academy as well as an average home brewer and an avid hiker. </p><h3><strong>About this Interview:</strong></h3><p>Matt speaks with Joe about his early days in Houston making Hip Hop records, hustling in New York, mixing in the quite and remote town of Patterson, NY, making a living and photography as well as many other topics. -Enjoy!</p><h2><strong>Show notes and links:</strong></h2><ol><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Zaor: <a href="http://www.zaor.de/" rel="noopener noreferrer" target="_blank">http://www.zaor.de/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Nest: <a href="https://nest.com/" rel="noopener noreferrer" target="_blank">https://nest.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Joe’s Site: <a href="https://www.joecostable.com/" rel="noopener noreferrer" target="_blank">https://www.joecostable.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Raw Recording: <a href="http://www.rawrecording.com/index.html" rel="noopener noreferrer" target="_blank">http://www.rawrecording.com/index.html</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Digital Silver Imaging: <a href="http://digitalsilverimaging.com/" rel="noopener noreferrer" target="_blank">http://digitalsilverimaging.com/</a></li><li data-list="bullet"><span class="ql-ui" contenteditable="false"></span>Mike Kalajian Interview: <a href="https://www.workingclassaudio.com/wca-072-mike-kalajian/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-072-mike-kalajian/</a></li></ol><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-160-with-joe-costable]]></link><guid isPermaLink="false">8f27563cdd6c89c5abb64cdbb473ecba</guid><itunes:image href="https://artwork.captivate.fm/25fe5fb6-6fb4-4d12-aa4f-2e5a24e98dd9/wca-160-with-joe-costable-1400.png"/><pubDate>Mon, 08 Jan 2018 15:06:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/98f1f6ce-8672-477e-b4b7-1d1e01182e80.mp3" length="134966445" type="audio/mpeg"/><itunes:duration>56:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>160</itunes:episode><podcast:episode>160</podcast:episode><itunes:summary>Working Class Audio #160 with Joe Costable!!!
 Joe Costable started his  career in Houston, TX, at Studio 7303; the largest studio in the area, and at that time the hub of Hip-Hop. Starting as an intern, Joe eventually moved up the ranks as an engineer working with many prominent artists and producers, such as Mike Jones, Scarface, Mannie Fresh,  Gerald Levert, and many others.
 A few years later he moved back to his native New York for a short stint at the Island Def Jam Music Group, where he learned the other side of the industry in the A&amp;R department while building his clientele as a freelance engineer. Joe landed his first mixing gig with a few Good Charlotte songs, some of which landed on the Cardiology record.
 In the years since, Joe has worked with many more artists in genres from hip-hop to shoe gaze. His work has been everywhere from top 10 at radio, selling millions of copies worldwide, national ad campaigns, to being featured on the most underground of music blogs. While the majority of his work is with Alternative, Rock, and Pop records, Joe loves getting an opportunity to expand his abilities and paint a new picture. Joe is  a member of the Audio Engineering Society and a voting member of The Recording Academy as well as  an average home brewer and an avid hiker. 
 About this Interview:
 Matt speaks with Joe about his early days in Houston making Hip Hop records, hustling in New York, mixing in the quite and remote town of Patterson, NY, making a living and photography as well as many other topics. -Enjoy!
 Matt  Show notes and links:
  Zaor: http://www.zaor.de/
 Nest: https://nest.com/
 Joe&apos;s Site: https://www.joecostable.com/
 Raw Recording: http://www.rawrecording.com/index.html
 Digital Silver Imaging: http://digitalsilverimaging.com/
 Mike Kalajian Interview: http://www.workingclassaudio.com/wca-072-mike-kalajian/</itunes:summary></item><item><title>WCA #159 with Matt Allison</title><itunes:title>WCA #159 with Matt Allison</itunes:title><description><![CDATA[<p>Matt Allison started Atlas in 1996 with a vision to fill a void in Chicago’s Punk Rock scene, offering bands a refuge to bring their music to life. 21 years later, Atlas has become a Chicago staple. Matt has worked with an extensive list of artists including Alkaline Trio, The Lawrence Arms, and The Menzingers, to highlight a few. Matt continues to record at Atlas but focuses most of his time on mixing and producing artists.&nbsp;<strong>&nbsp;</strong>Enjoy!</p><h3><strong>About this Interview:</strong></h3><p>Matt speaks with me about running a studio in Chicago, landlords, leases, recording on black face ADATS, mixing at home, working with punk rock bands and much more! Eric Arway must be thanked for suggesting Matt as a guest!</p><h3><strong>Show notes and links:</strong></h3><ul><li><a href="https://atlas-chicago.com/" rel="noopener noreferrer" target="_blank">Atlas Recording</a>&nbsp;<a href="https://atlas-chicago.com/" rel="noopener noreferrer" target="_blank">https://atlas-chicago.com/</a></li><li><a href="https://www.amazon.com/Audio-Technica-ATH-M40x-Professional-Monitor-Headphones/dp/B00HVLUR54/ref=as_sl_pc_qf_sp_asin_til?tag=wwwworkingcla-20&amp;linkCode=w00&amp;linkId=e14d6960619b3940ab417fd50536ca7a&amp;creativeASIN=B00HVLUR54" rel="noopener noreferrer" target="_blank">Audio-Technica ATH-M40X on Amazon.&nbsp;</a>&nbsp;<a href="https://goo.gl/PZRV4T" rel="noopener noreferrer" target="_blank">https://goo.gl/PZRV4T</a></li></ul><br/><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Matt Allison started Atlas in 1996 with a vision to fill a void in Chicago’s Punk Rock scene, offering bands a refuge to bring their music to life. 21 years later, Atlas has become a Chicago staple. Matt has worked with an extensive list of artists including Alkaline Trio, The Lawrence Arms, and The Menzingers, to highlight a few. Matt continues to record at Atlas but focuses most of his time on mixing and producing artists.&nbsp;<strong>&nbsp;</strong>Enjoy!</p><h3><strong>About this Interview:</strong></h3><p>Matt speaks with me about running a studio in Chicago, landlords, leases, recording on black face ADATS, mixing at home, working with punk rock bands and much more! Eric Arway must be thanked for suggesting Matt as a guest!</p><h3><strong>Show notes and links:</strong></h3><ul><li><a href="https://atlas-chicago.com/" rel="noopener noreferrer" target="_blank">Atlas Recording</a>&nbsp;<a href="https://atlas-chicago.com/" rel="noopener noreferrer" target="_blank">https://atlas-chicago.com/</a></li><li><a href="https://www.amazon.com/Audio-Technica-ATH-M40x-Professional-Monitor-Headphones/dp/B00HVLUR54/ref=as_sl_pc_qf_sp_asin_til?tag=wwwworkingcla-20&amp;linkCode=w00&amp;linkId=e14d6960619b3940ab417fd50536ca7a&amp;creativeASIN=B00HVLUR54" rel="noopener noreferrer" target="_blank">Audio-Technica ATH-M40X on Amazon.&nbsp;</a>&nbsp;<a href="https://goo.gl/PZRV4T" rel="noopener noreferrer" target="_blank">https://goo.gl/PZRV4T</a></li></ul><br/><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-159-with-matt-allison]]></link><guid isPermaLink="false">dcfc81973de5b31e955471b27f0eb23f</guid><itunes:image href="https://artwork.captivate.fm/428129e4-61e4-4316-b48d-a4b9ae56a31c/wca-159-with-matt-allison-1400.png"/><pubDate>Mon, 01 Jan 2018 20:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4cec2ec6-6f18-4362-956d-cbfb1218553b.mp3" length="48224323" type="audio/mpeg"/><itunes:duration>50:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>159</itunes:episode><podcast:episode>159</podcast:episode><itunes:summary>Working Class Audio #159 with Matt Allison!!!
 Matt Allison started Atlas in 1996 with a vision to fill a void in Chicago’s Punk Rock scene, offering bands a refuge to bring their music to life. 21 years later, Atlas has become a Chicago staple. Matt has worked with an extensive list of artists including Alkaline Trio, The Lawrence Arms, and The Menzingers, to highlight a few. Matt continues to record at Atlas but focuses most of his time on mixing and producing artists.  Enjoy!
 About this Interview:
 Matt speaks with me about running a studio in Chicago, landlords, leases, recording on black face ADATS, mixing at home, working with punk rock bands and much more! Eric Arway must be thanked for suggesting Matt as a guest!
 Happy New Year! Matt  Show notes and links:
  Atlas Recording https://atlas-chicago.com/
 Audio-Technica ATH-M40X on Amazon.  https://goo.gl/PZRV4T</itunes:summary></item><item><title>WCA #158 with Eddie Kramer</title><itunes:title>WCA #158 with Eddie Kramer</itunes:title><description><![CDATA[<p>Legendary producer/engineer Eddie Kramer has worked with Jimi Hendrix, The Rolling Stones, The Beatles, Traffic and a myriad of other major recording stars.</p><p>More on Eddie here:&nbsp;<a href="http://www.eddie-kramer.com/" rel="noopener noreferrer" target="_blank">http://www.eddie-kramer.com/</a></p><h3><strong>About this Interview:</strong></h3><p>One day I received an email with the subject line Guest suggestion/Eddie Kramer from Clifton David Broadbridge. The email read&nbsp;<em>“I work with Eddie in Toronto. I’m his studio partner and assistant,, was wondering if you would like to interview him for your podcast? He would be totally into it!”&nbsp;</em>I almost fell out of the chair! Long story short, I replied back, spoke with Clifton, then spoke with Eddie, and next thing I know I’m wrapping up an interview with someone who is responsible for some of the most incredible records in music history. I was a little stunned afterward. Sincere, funny, and full of energy is how I would describe Eddie Kramer. We talk about his photography, Jimi Hendrix and the new record coming out, Led Zeppelin, business, diversification, leaving South Africa for England, the famous Troggs tape, music today vs. the past, rebuilding the El Mocambo club with a studio inside, and much more. Enjoy! Happy Holidays! Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Eddie Kramer’s Site:&nbsp;<a href="http://www.eddie-kramer.com/" rel="noopener noreferrer" target="_blank">http://www.eddie-kramer.com/</a></li><li>Clifton David Broadbridge:&nbsp;<a href="http://cliftondavidbroadbridge.com/" rel="noopener noreferrer" target="_blank">http://cliftondavidbroadbridge.com/</a></li><li>The infamous Troggs Tape:&nbsp;<a href="https://www.youtube.com/watch?v=SrXfK9Osmvs" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=SrXfK9Osmvs</a></li><li>The El Mocambo&nbsp;<a href="http://www.elmocambo.com/" rel="noopener noreferrer" target="_blank">http://www.elmocambo.com/</a></li><li>Walters-Storyk Design Group:&nbsp;<a href="https://wsdg.com/" rel="noopener noreferrer" target="_blank">https://wsdg.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Legendary producer/engineer Eddie Kramer has worked with Jimi Hendrix, The Rolling Stones, The Beatles, Traffic and a myriad of other major recording stars.</p><p>More on Eddie here:&nbsp;<a href="http://www.eddie-kramer.com/" rel="noopener noreferrer" target="_blank">http://www.eddie-kramer.com/</a></p><h3><strong>About this Interview:</strong></h3><p>One day I received an email with the subject line Guest suggestion/Eddie Kramer from Clifton David Broadbridge. The email read&nbsp;<em>“I work with Eddie in Toronto. I’m his studio partner and assistant,, was wondering if you would like to interview him for your podcast? He would be totally into it!”&nbsp;</em>I almost fell out of the chair! Long story short, I replied back, spoke with Clifton, then spoke with Eddie, and next thing I know I’m wrapping up an interview with someone who is responsible for some of the most incredible records in music history. I was a little stunned afterward. Sincere, funny, and full of energy is how I would describe Eddie Kramer. We talk about his photography, Jimi Hendrix and the new record coming out, Led Zeppelin, business, diversification, leaving South Africa for England, the famous Troggs tape, music today vs. the past, rebuilding the El Mocambo club with a studio inside, and much more. Enjoy! Happy Holidays! Matt</p><h2><strong>Show notes and links:</strong></h2><ul><li>Eddie Kramer’s Site:&nbsp;<a href="http://www.eddie-kramer.com/" rel="noopener noreferrer" target="_blank">http://www.eddie-kramer.com/</a></li><li>Clifton David Broadbridge:&nbsp;<a href="http://cliftondavidbroadbridge.com/" rel="noopener noreferrer" target="_blank">http://cliftondavidbroadbridge.com/</a></li><li>The infamous Troggs Tape:&nbsp;<a href="https://www.youtube.com/watch?v=SrXfK9Osmvs" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=SrXfK9Osmvs</a></li><li>The El Mocambo&nbsp;<a href="http://www.elmocambo.com/" rel="noopener noreferrer" target="_blank">http://www.elmocambo.com/</a></li><li>Walters-Storyk Design Group:&nbsp;<a href="https://wsdg.com/" rel="noopener noreferrer" target="_blank">https://wsdg.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-158-with-eddie-kramer]]></link><guid isPermaLink="false">9c4e1874b7b569e6a809cd86a1599bab</guid><itunes:image href="https://artwork.captivate.fm/13a5f286-19bc-4e42-b384-83b189b76e7d/wca-158-with-eddie-kramer-1400.png"/><pubDate>Mon, 25 Dec 2017 05:23:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/022450ed-def1-4d77-b953-77c34315b66f.mp3" length="87272577" type="audio/mpeg"/><itunes:duration>01:00:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>158</itunes:episode><podcast:episode>158</podcast:episode><itunes:summary>Legendary producer/engineer Eddie Kramer has worked with Jimi Hendrix, The Rolling Stones, The Beatles, Traffic and a myriad of other major recording stars.
More on Eddie here: http://www.eddie-kramer.com/
About this Interview:
One day I received an email with the subject line Guest suggestion/Eddie Kramer from Clifton David Broadbridge. The email read &quot;I work with Eddie in Toronto. I&apos;m his studio partner and assistant,, was wondering if you would like to interview him for your podcast? He would be totally into it!&quot; I almost fell out of the chair! Long story short, I replied back, spoke with Clifton, then spoke with Eddie and next thing I know I&apos;m wrapping up an interview with someone who is responsible for some of the most incredible records in music history. I was a little stunned afterwards. Sincere, funny, and full of energy is how I would describe Eddie Kramer. We talk about his photography, Jimi Hendrix and the new record coming out, Led Zeppelin, business, diversification, leaving South Africa for England, the famous Troggs tape, music today vs. the past, rebuilding the El Mocambo club with a studio inside and much more. Enjoy! Happy Holidays! Matt</itunes:summary></item><item><title>WCA #157 with Dana Jae</title><itunes:title>WCA #157 with Dana Jae</itunes:title><description><![CDATA[<p>Dana Jae’s career as an audio engineer spans 34 years since the first day she began to record and mix songs on her Tascam PortaStudio in the early 80’s while attending college at UC Berkeley. She formed several of her own bands performing and recording until 1988 when she discovered that the “behind-the-scenes” tech realm was much more to her liking. Dana then began a career as a live sound engineer and has toured extensively throughout the U.S. and Europe as front-of-house sound engineer for a multitude of bands on various record labels and have been a staff engineer at the venerable Bottom of the Hill nightclub since their inception in 1991.</p><p>Dana has&nbsp;owned and maintained a live sound production company since 1989 under the moniker dcj Productions, that has provided sound to the Bay Area community (mostly in the non-profit sector) in both large-scale, outdoor sound events as well as nightclubs and music halls. In 1991, she started recording bands on an 8-track Tascam TSR-8 analog tape recorder and moved into the digital realm in 1993 to 16-tracks of Alesis ADAT in her home studio. In 1995, Dana advanced to using Pro Tools and has been recording exclusively digital ever since, combining audio skills in sound for film as a location recordist as well as in post-production sound design and mixing. Dana says she&nbsp;still prefers the sonic rapture of “strictly analog” in live sound mixing, however.</p><p>Dana co-owned and was the President of APG Records &amp; APG Studios, a record label and recording studio from 1999 – 2004 which had a distribution deal through EMI.</p><p>In 2001, Dana was hired to the part-time faculty at City College of San Francisco in the Broadcast Electronic Media Arts department where she has taught Digital Media Skills, Basic Audio Production, Digital Audio Production, Sound Recording Studio, Sound For Visual Media, Advanced Sound Recording, Sound Reinforcement, Audio for the Web, Video for the Web, Field Video Production,&nbsp;classes in sound design, audio for animation and games, music video, and computer applications at Laney College in Oakland, CA, Art Institute of California-San Francisco, and Globe Recording Institute in San Francisco.</p><h3><strong>About this Interview:</strong></h3><p>I’ve known Dana Jae since the late 90’s. We crossed paths working at local San Francisco pro audio dealers&nbsp;Audio Images and&nbsp;<a href="https://ceag.com/" rel="noopener noreferrer" target="_blank">Cutting Edge&nbsp;Audio&nbsp;</a>&nbsp;and also worked briefly together at a small record company.&nbsp;Since then we have stayed in touch over the years and recently ran into each other at an audio event where we planned this interview. We discuss how Dana got into audio and her journey through live sound, studio sound, film sound, pro audio retail and her current gig at City College of San Francisco. Enjoy!</p><h3><strong>Show notes and links:</strong></h3><ul><li><strong>Simon Phillips GoFundMe:</strong>&nbsp;<a href="https://www.gofundme.com/jwequ-life-rebuilding-fund" rel="noopener noreferrer" target="_blank">https://www.gofundme.com/jwequ-life-rebuilding-fund</a></li><li><strong>Local 16 Union in San Francisco:</strong>&nbsp;<a href="http://www.iatse.net/" rel="noopener noreferrer" target="_blank">http://www.iatse.net/</a></li><li><strong>CCSF – City College of San Francisco:&nbsp;</strong><a href="https://www.ccsf.edu/" rel="noopener noreferrer" target="_blank">https://www.ccsf.edu/</a></li><li><strong>NOLO Press:&nbsp;</strong><a href="https://www.nolo.com/" rel="noopener noreferrer" target="_blank">https://www.nolo.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Dana Jae’s career as an audio engineer spans 34 years since the first day she began to record and mix songs on her Tascam PortaStudio in the early 80’s while attending college at UC Berkeley. She formed several of her own bands performing and recording until 1988 when she discovered that the “behind-the-scenes” tech realm was much more to her liking. Dana then began a career as a live sound engineer and has toured extensively throughout the U.S. and Europe as front-of-house sound engineer for a multitude of bands on various record labels and have been a staff engineer at the venerable Bottom of the Hill nightclub since their inception in 1991.</p><p>Dana has&nbsp;owned and maintained a live sound production company since 1989 under the moniker dcj Productions, that has provided sound to the Bay Area community (mostly in the non-profit sector) in both large-scale, outdoor sound events as well as nightclubs and music halls. In 1991, she started recording bands on an 8-track Tascam TSR-8 analog tape recorder and moved into the digital realm in 1993 to 16-tracks of Alesis ADAT in her home studio. In 1995, Dana advanced to using Pro Tools and has been recording exclusively digital ever since, combining audio skills in sound for film as a location recordist as well as in post-production sound design and mixing. Dana says she&nbsp;still prefers the sonic rapture of “strictly analog” in live sound mixing, however.</p><p>Dana co-owned and was the President of APG Records &amp; APG Studios, a record label and recording studio from 1999 – 2004 which had a distribution deal through EMI.</p><p>In 2001, Dana was hired to the part-time faculty at City College of San Francisco in the Broadcast Electronic Media Arts department where she has taught Digital Media Skills, Basic Audio Production, Digital Audio Production, Sound Recording Studio, Sound For Visual Media, Advanced Sound Recording, Sound Reinforcement, Audio for the Web, Video for the Web, Field Video Production,&nbsp;classes in sound design, audio for animation and games, music video, and computer applications at Laney College in Oakland, CA, Art Institute of California-San Francisco, and Globe Recording Institute in San Francisco.</p><h3><strong>About this Interview:</strong></h3><p>I’ve known Dana Jae since the late 90’s. We crossed paths working at local San Francisco pro audio dealers&nbsp;Audio Images and&nbsp;<a href="https://ceag.com/" rel="noopener noreferrer" target="_blank">Cutting Edge&nbsp;Audio&nbsp;</a>&nbsp;and also worked briefly together at a small record company.&nbsp;Since then we have stayed in touch over the years and recently ran into each other at an audio event where we planned this interview. We discuss how Dana got into audio and her journey through live sound, studio sound, film sound, pro audio retail and her current gig at City College of San Francisco. Enjoy!</p><h3><strong>Show notes and links:</strong></h3><ul><li><strong>Simon Phillips GoFundMe:</strong>&nbsp;<a href="https://www.gofundme.com/jwequ-life-rebuilding-fund" rel="noopener noreferrer" target="_blank">https://www.gofundme.com/jwequ-life-rebuilding-fund</a></li><li><strong>Local 16 Union in San Francisco:</strong>&nbsp;<a href="http://www.iatse.net/" rel="noopener noreferrer" target="_blank">http://www.iatse.net/</a></li><li><strong>CCSF – City College of San Francisco:&nbsp;</strong><a href="https://www.ccsf.edu/" rel="noopener noreferrer" target="_blank">https://www.ccsf.edu/</a></li><li><strong>NOLO Press:&nbsp;</strong><a href="https://www.nolo.com/" rel="noopener noreferrer" target="_blank">https://www.nolo.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-157-with-dana-jae]]></link><guid isPermaLink="false">351b76701427d76517f7f1f2f105dccc</guid><itunes:image href="https://artwork.captivate.fm/f0550038-c47b-4be4-a226-690c7ff8f890/wca-157-with-dana-jae-1400.png"/><pubDate>Mon, 18 Dec 2017 19:58:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/100e49eb-8545-47d6-a2c6-945fd7830f7c.mp3" length="83499652" type="audio/mpeg"/><itunes:duration>57:59</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>157</itunes:episode><podcast:episode>157</podcast:episode><itunes:summary>Dana Jae&apos;s career as an audio engineer spans 34 years since the first day she began to record and mix songs on her Tascam PortaStudio in the early 80&apos;s while attending college at UC Berkeley. She formed several of her own bands performing and recording until 1988 when she discovered that the &quot;behind-the-scenes&quot; tech realm was much more to her liking. Dana then began a career as a live sound engineer and has toured extensively throughout the U.S. and Europe as front-of-house sound engineer for a multitude of bands on various record labels and have been a staff engineer at the venerable Bottom of the Hill nightclub since their inception in 1991.
Dana has owned and maintained a live sound production company since 1989 under the moniker dcj Productions, that has provided sound to the Bay Area community (mostly in the non-profit sector) in both large-scale, outdoor sound events as well as nightclubs and music halls. In 1991, she started recording bands on an 8-track Tascam TSR-8 analog tape recorder and moved into the digital realm in 1993 to 16-tracks of Alesis ADAT in her home studio. In 1995, Dana advanced to using Pro Tools and has been recording exclusively digital ever since, combining audio skills in sound for film as a location recordist as well as in post-production sound design and mixing. Dana says she still prefers the sonic rapture of &quot;strictly analog&quot; in live sound mixing, however.
Dana co-owned and was the President of APG Records &amp; APG Studios, a record label and recording studio from 1999 - 2004 which had a distribution deal through EMI.
In 2001, Dana was hired to the part-time faculty at City College of San Francisco in the Broadcast Electronics Media Arts department where she has taught Digital Media Skills , Basic Audio Production, Digital Audio Production , Sound Recording Studio, Sound For Visual Media , Advanced Sound Recording, Sound Reinforcement, Audio for the Web , Video for the Web ,Field Video Production, classes in sound design, audio for animation and games, music video, and computer applications at Laney College in Oakland, CA, Art Institute of California-San Francisco, and Globe Recording Institute in San Francisco.
About this Interview:
I&apos;ve known Dana Jae since the late 90&apos;s. We crossed paths working at local San Francisco pro audio dealers Audio Images and Cutting Edge Audio  and also worked briefly together at a small record company. Since then we have stayed in touch over the years and recently ran into each other at an audio event where we planned this interview. We discuss how Dana got into audio and her journey through live sound, studio sound, film sound, pro audio retail and her current gig at City College of San Francisco. Enjoy!
Show notes and links:


Simon Phillips GoFundMe: https://www.gofundme.com/jwequ-life-rebuilding-fund



Local 16 Union in San Francisco: http://www.iatse.net/



CCSF - City College of San Francisco: https://www.ccsf.edu/



NOLO Press: https://www.nolo.com/</itunes:summary></item><item><title>WCA #156 with Justin Perkins</title><itunes:title>WCA #156 with Justin Perkins</itunes:title><description><![CDATA[<h1>Working Class Audio #156 with Justin Perkins!!!</h1><p>Justin Perkins has been recording music since his mid-teens. It all started&nbsp; in his father’s basement then progressed to recording studios around the state of Wisconsin including the renowned Smart Studios in Madison, Wisconsin before relocating to Milwaukee, Wisconsin where he now has his own mastering studio called Mystery Room Mastering. Justin's&nbsp; clients include Tommy Stinson, The Replacements, The Figgs, The Gaslight Anthem, Daryl Stuermer, Screeching Weasel, The Mr. T Experience, The Smoking Popes, Limbeck, Miles Nielsen, and Tenement. Justin also recently mixed a new documentary about the legendary 90’s band Jawbreaker called “Don’t Break Down”. Outside of the studioJustin has&nbsp; played bass in some of his own bands as well as with the newly reformed Bash &amp; Pop, Tommy Stinson, Paul Collins Beat, Cory Chisel and a few others.</p><h1><strong>About this Interview:</strong></h1><p>Every time I post&nbsp; about a new WCA show on Twitter there was always one guy who liked it, shared it or commented on it and that was Justin. Naturally I wanted to know who Justin Perkins was and why he was always liking the show so one day I visited his website<a href="http://www.mysteryroommastering.com/" rel="noopener noreferrer" target="_blank"> Mystery Room Mastering</a> and it was then I fully understood just how bad ass this guy was plus I was just blown away at the thorough nature of his website. Justin had reached out before to invite me to a Bash and Pop show&nbsp; he was playing in San Francisco (I was unable to go) so I wasn't completely unaware of of his background but I had to talk to him! So after reaching out, scheduling and conducting my interview I had a whole new appreciation for Justin. We chat about his journey and his website and the usual WCA topics (clients, business, work/life balance, etc...).&nbsp; -Enjoy!</p><p><br></p><p>Matt</p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio #156 with Justin Perkins!!!</h1><p>Justin Perkins has been recording music since his mid-teens. It all started&nbsp; in his father’s basement then progressed to recording studios around the state of Wisconsin including the renowned Smart Studios in Madison, Wisconsin before relocating to Milwaukee, Wisconsin where he now has his own mastering studio called Mystery Room Mastering. Justin's&nbsp; clients include Tommy Stinson, The Replacements, The Figgs, The Gaslight Anthem, Daryl Stuermer, Screeching Weasel, The Mr. T Experience, The Smoking Popes, Limbeck, Miles Nielsen, and Tenement. Justin also recently mixed a new documentary about the legendary 90’s band Jawbreaker called “Don’t Break Down”. Outside of the studioJustin has&nbsp; played bass in some of his own bands as well as with the newly reformed Bash &amp; Pop, Tommy Stinson, Paul Collins Beat, Cory Chisel and a few others.</p><h1><strong>About this Interview:</strong></h1><p>Every time I post&nbsp; about a new WCA show on Twitter there was always one guy who liked it, shared it or commented on it and that was Justin. Naturally I wanted to know who Justin Perkins was and why he was always liking the show so one day I visited his website<a href="http://www.mysteryroommastering.com/" rel="noopener noreferrer" target="_blank"> Mystery Room Mastering</a> and it was then I fully understood just how bad ass this guy was plus I was just blown away at the thorough nature of his website. Justin had reached out before to invite me to a Bash and Pop show&nbsp; he was playing in San Francisco (I was unable to go) so I wasn't completely unaware of of his background but I had to talk to him! So after reaching out, scheduling and conducting my interview I had a whole new appreciation for Justin. We chat about his journey and his website and the usual WCA topics (clients, business, work/life balance, etc...).&nbsp; -Enjoy!</p><p><br></p><p>Matt</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-156-with-justin-perkins]]></link><guid isPermaLink="false">b4c23feccbf1075f0978e8ad9cf23020</guid><itunes:image href="https://artwork.captivate.fm/006920ea-3768-42c9-b78e-37172cabfd52/wca-156-with-justin-perkins-1400.png"/><pubDate>Mon, 11 Dec 2017 16:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b2da622b-fdbc-4de3-a7f1-d3bea0083a42.mp3" length="72566291" type="audio/mpeg"/><itunes:duration>01:15:35</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>156</itunes:episode><podcast:episode>156</podcast:episode><itunes:summary>Working Class Audio #156 with Justin Perkins!!!
Justin Perkins has been recording music since his mid-teens. It all started  in his father’s basement then progressed to recording studios around the state of Wisconsin including the renowned Smart Studios in Madison, Wisconsin before relocating to Milwaukee, Wisconsin where he now has his own mastering studio called Mystery Room Mastering. Justin&apos;s  clients include Tommy Stinson, The Replacements, The Figgs, The Gaslight Anthem, Daryl Stuermer, Screeching Weasel, The Mr. T Experience, The Smoking Popes, Limbeck, Miles Nielsen, and Tenement. Justin also recently mixed a new documentary about the legendary 90’s band Jawbreaker called “Don’t Break Down”. Outside of the studioJustin has  played bass in some of his own bands as well as with the newly reformed Bash &amp; Pop, Tommy Stinson, Paul Collins Beat, Cory Chisel and a few others.

About this Interview:
Every time I post  about a new WCA show on Twitter there was always one guy who liked it, shared it or commented on it and that was Justin. Naturally I wanted to know who Justin Perkins was and why he was always liking the show so one day I visited his website Mystery Room Mastering and it was then I fully understood just how bad ass this guy was plus I was just blown away at the thorough nature of his website. Justin had reached out before to invite me to a Bash and Pop show  he was playing in San Francisco (I was unable to go) so I wasn&apos;t completely unaware of of his background but I had to talk to him! So after reaching out, scheduling and conducting my interview I had a whole new appreciation for Justin. We chat about his journey and his website and the usual WCA topics (clients, business, work/life balance, etc...).  -Enjoy!

Matt</itunes:summary></item><item><title>WCA #155 with Andrew Maury</title><itunes:title>WCA #155 with Andrew Maury</itunes:title><description><![CDATA[<p>Andrew Maury is an American record producer, audio engineer, and mixing engineer based in Brooklyn, New York. Maury has worked with artists such as Lewis Del Mar, Ra Ra Riot, Shawn Mendes, Grace Mitchell, Strange Names, Post Malone, RAC, Panama Wedding, Atlas Genius, Kimbra, Delicate Steve, Milagres, High Highs, Penguin Prison, Kisses, Satchmode, COIN, The Kooks, and CRUISR. In the summer of 2009, he worked on Tegan and Sara’s Sainthood alongside producer and Death Cab for Cutie guitarist Chris Walla at the world-famous Sound City Studios in Los Angeles. Maury also spent years mixing front of house on tour for artists such as Ra Ra Riot and Givers and has mixed shows for bands such as Delicate Steve, Surfer Blood, and Chairlift.</p><h3><strong>About this Interview:</strong></h3><p>Andrew talks to me from his home in Brooklyn, NY about&nbsp;management, health, working in the pop world as a rock guy, gear lust, Sound City, and much more.&nbsp;Many thanks to listener Chad Wahlbrink for suggesting Andrew.</p><h3>Show notes and links:</h3><h2>The Patchbay I mention in the monologue:&nbsp;<a href="https://www.flocktechnologies.com/" rel="noopener noreferrer" target="_blank">https://www.flocktechnologies.com/</a></h2>]]></description><content:encoded><![CDATA[<p>Andrew Maury is an American record producer, audio engineer, and mixing engineer based in Brooklyn, New York. Maury has worked with artists such as Lewis Del Mar, Ra Ra Riot, Shawn Mendes, Grace Mitchell, Strange Names, Post Malone, RAC, Panama Wedding, Atlas Genius, Kimbra, Delicate Steve, Milagres, High Highs, Penguin Prison, Kisses, Satchmode, COIN, The Kooks, and CRUISR. In the summer of 2009, he worked on Tegan and Sara’s Sainthood alongside producer and Death Cab for Cutie guitarist Chris Walla at the world-famous Sound City Studios in Los Angeles. Maury also spent years mixing front of house on tour for artists such as Ra Ra Riot and Givers and has mixed shows for bands such as Delicate Steve, Surfer Blood, and Chairlift.</p><h3><strong>About this Interview:</strong></h3><p>Andrew talks to me from his home in Brooklyn, NY about&nbsp;management, health, working in the pop world as a rock guy, gear lust, Sound City, and much more.&nbsp;Many thanks to listener Chad Wahlbrink for suggesting Andrew.</p><h3>Show notes and links:</h3><h2>The Patchbay I mention in the monologue:&nbsp;<a href="https://www.flocktechnologies.com/" rel="noopener noreferrer" target="_blank">https://www.flocktechnologies.com/</a></h2>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-155-with-andrew-maury]]></link><guid isPermaLink="false">c53bea18fc7087f3640476b14a78ab30</guid><itunes:image href="https://artwork.captivate.fm/688731fa-2b47-4274-9bdf-b6e6af51d1e0/wca-155-with-andrew-maury-1400.png"/><pubDate>Mon, 04 Dec 2017 20:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/48980986-8fd7-425e-b49a-195bb2839740.mp3" length="55732542" type="audio/mpeg"/><itunes:duration>58:03</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>155</itunes:episode><podcast:episode>155</podcast:episode><itunes:summary>Working Class Audio #155 with Andrew Maury!!!
 Andrew Maury is an American record producer, audio engineer, and mixing engineer based in Brooklyn, New York. Maury has worked with artists such as Lewis Del Mar, Ra Ra Riot, Shawn Mendes, Grace Mitchell, Strange Names, Post Malone, RAC, Panama Wedding, Atlas Genius, Kimbra, Delicate Steve, Milagres, High Highs, Penguin Prison, Kisses, Satchmode, COIN, The Kooks, and CRUISR. In the summer of 2009, he worked on Tegan and Sara&apos;s Sainthood alongside producer and Death Cab for Cutie guitarist Chris Walla at the world-famous Sound City Studios in Los Angeles. Maury also spent years mixing front of house on tour for artists such as Ra Ra Riot and Givers, and has mixed shows for bands such as Delicate Steve, Surfer Blood, and Chairlift.
 About this Interview:
 Andrew talks to me from his home in Brooklyn, NY about  management, health, working in the pop world as a rock guy, gear lust, Sound City, and much more.  Many thanks to listener Chad Wahlbrink for suggesting Andrew. 
 Show notes and links:
 The Patchbay I mention in the monologue: https://www.flocktechnologies.com/</itunes:summary></item><item><title>WCA #154 with James Tuttle</title><itunes:title>WCA #154 with James Tuttle</itunes:title><description><![CDATA[<p>James Tuttle is an recording/mixing engineer and producer with 40 years in the trenches. After growing up playing in local bands in the midwest and Colorado he traded his place on stage for a place behind the console and never looked back. He has worked with everyone from Carole King and Dan Fogelberg to Joe Ely and Big Head Todd and the Monsters. He is a 2 time Grammy nominee for his mixing work with singer/songwriter Eliza Gilkyson and Jungle Jazz For Kids creator Mark Oblinger. He currently lives outside of Boulder, Colorado where he returned to after a stay in the fertile music mecca of Austin TX. He continues to be actively involved in making records with local and national artists. After a long affiliation with Airshow Mastering where he had a mix room, he now works from his home studio and from the Studio at eTown Hall. His ongoing affiliation with the eTown syndicated radio show/podcast spans 20+ years where he is the chief recording engineer. Working on the eTown show has afforded him the opportunity to record and mix hundreds of&nbsp; artists including:&nbsp; James Taylor, Mumford and Son, Los Lobos, Michael Franti, Lyle Lovett, Imogen Heap, Rickie Lee Jones, Randy Newman, Ben Folds, Atmosphere, Emmy Lou Harris, Brother Ali and many, many more. &nbsp;  </p><h1><strong>About this Interview:</strong></h1><p><strong>WCA #154</strong>&nbsp;features US&nbsp;recording/mixing engineer and producer <strong>James Tuttle.</strong> James originally emailed me knowing I would be in Colorado to see if I wanted to sit down for coffee. Once I saw that James had a serious background I countered his coffee offer with a an interview in a local coffee shop. With my portable rig in tow we got caffeinated and talked money, E-Town&nbsp; (<a href="https://www.etown.org/" rel="noopener noreferrer" target="_blank">https://www.etown.org/</a> ) where&nbsp; James has been at the last 20 years, his connection to <a href="http://www.workingclassaudio.com/wca-151-with-david-glasser/" rel="noopener noreferrer" target="_blank"><strong>David Glasser</strong></a><strong>&nbsp;,</strong> recording in Austin and being in Carol King's backup band.&nbsp;Enjoy!&nbsp;-Matt</p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li><strong>E Town:</strong> <a href="https://www.etown.org/" rel="noopener noreferrer" target="_blank">https://www.etown.org/</a></li><li><br></li><li> </li><li><strong>The documentary we mention:</strong> http://www.shopkeepermovie.com/</li><li><br></li><li> </li><li><strong>The studio in the above documentary:</strong> http://congresshouse.com/</li><li><br></li><li> </li><li><strong>Arguments for FCC Net Neutrality:&nbsp;</strong><a href="https://goo.gl/NpHxWW" rel="noopener noreferrer" target="_blank">https://goo.gl/NpHxWW</a></li><li><br></li><li> </li><li><strong>Arguments against FCC Net Neutrality:&nbsp;&nbsp;</strong><a href="https://goo.gl/DCjA1V" rel="noopener noreferrer" target="_blank">https://goo.gl/DCjA1V</a></li><li> </li></ul><br/>]]></description><content:encoded><![CDATA[<p>James Tuttle is an recording/mixing engineer and producer with 40 years in the trenches. After growing up playing in local bands in the midwest and Colorado he traded his place on stage for a place behind the console and never looked back. He has worked with everyone from Carole King and Dan Fogelberg to Joe Ely and Big Head Todd and the Monsters. He is a 2 time Grammy nominee for his mixing work with singer/songwriter Eliza Gilkyson and Jungle Jazz For Kids creator Mark Oblinger. He currently lives outside of Boulder, Colorado where he returned to after a stay in the fertile music mecca of Austin TX. He continues to be actively involved in making records with local and national artists. After a long affiliation with Airshow Mastering where he had a mix room, he now works from his home studio and from the Studio at eTown Hall. His ongoing affiliation with the eTown syndicated radio show/podcast spans 20+ years where he is the chief recording engineer. Working on the eTown show has afforded him the opportunity to record and mix hundreds of&nbsp; artists including:&nbsp; James Taylor, Mumford and Son, Los Lobos, Michael Franti, Lyle Lovett, Imogen Heap, Rickie Lee Jones, Randy Newman, Ben Folds, Atmosphere, Emmy Lou Harris, Brother Ali and many, many more. &nbsp;  </p><h1><strong>About this Interview:</strong></h1><p><strong>WCA #154</strong>&nbsp;features US&nbsp;recording/mixing engineer and producer <strong>James Tuttle.</strong> James originally emailed me knowing I would be in Colorado to see if I wanted to sit down for coffee. Once I saw that James had a serious background I countered his coffee offer with a an interview in a local coffee shop. With my portable rig in tow we got caffeinated and talked money, E-Town&nbsp; (<a href="https://www.etown.org/" rel="noopener noreferrer" target="_blank">https://www.etown.org/</a> ) where&nbsp; James has been at the last 20 years, his connection to <a href="http://www.workingclassaudio.com/wca-151-with-david-glasser/" rel="noopener noreferrer" target="_blank"><strong>David Glasser</strong></a><strong>&nbsp;,</strong> recording in Austin and being in Carol King's backup band.&nbsp;Enjoy!&nbsp;-Matt</p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li><strong>E Town:</strong> <a href="https://www.etown.org/" rel="noopener noreferrer" target="_blank">https://www.etown.org/</a></li><li><br></li><li> </li><li><strong>The documentary we mention:</strong> http://www.shopkeepermovie.com/</li><li><br></li><li> </li><li><strong>The studio in the above documentary:</strong> http://congresshouse.com/</li><li><br></li><li> </li><li><strong>Arguments for FCC Net Neutrality:&nbsp;</strong><a href="https://goo.gl/NpHxWW" rel="noopener noreferrer" target="_blank">https://goo.gl/NpHxWW</a></li><li><br></li><li> </li><li><strong>Arguments against FCC Net Neutrality:&nbsp;&nbsp;</strong><a href="https://goo.gl/DCjA1V" rel="noopener noreferrer" target="_blank">https://goo.gl/DCjA1V</a></li><li> </li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-154-with-james-tuttle]]></link><guid isPermaLink="false">8e99e653c2ddc15c0fbb47899ad0b096</guid><itunes:image href="https://artwork.captivate.fm/8216eb3e-3a97-437d-b03e-3dbdc542c14e/wca-154-with-james-tuttle-1400.png"/><pubDate>Mon, 27 Nov 2017 18:39:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/44a4d027-54d3-461b-8365-355600c7b81f.mp3" length="51226942" type="audio/mpeg"/><itunes:duration>53:22</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>154</itunes:episode><podcast:episode>154</podcast:episode><itunes:summary>Working Class Audio #154 with James Tuttle!!!
 James Tuttle is an recording/mixing engineer and producer with 40 years in the trenches. After growing up playing in local bands in the midwest and Colorado he traded his place on stage for a place behind the console and never looked back. He has worked with everyone from Carole King and Dan Fogelberg to Joe Ely and Big Head Todd and the Monsters. He is a 2 time Grammy nominee for his mixing work with singer/songwriter Eliza Gilkyson and Jungle Jazz For Kids creator Mark Oblinger. He currently lives outside of Boulder, Colorado where he returned to after a stay in the fertile music mecca of Austin TX. He continues to be actively involved in making records with local and national artists. After a long affiliation with Airshow Mastering where he had a mix room, he now works from his home studio and from the Studio at eTown Hall. His ongoing affiliation with the eTown syndicated radio show/podcast spans 20+ years where he is the chief recording engineer. Working on the eTown show has afforded him the opportunity to record and mix hundreds of  artists including:  James Taylor, Mumford and Son, Los Lobos, Michael Franti, Lyle Lovett, Imogen Heap, Rickie Lee Jones, Randy Newman, Ben Folds, Atmosphere, Emmy Lou Harris, Brother Ali and many, many more.    About this Interview:
 WCA #154 features US recording/mixing engineer and producer James Tuttle. James originally emailed me knowing I would be in Colorado to see if I wanted to sit down for coffee. Once I saw that James had a serious background I countered his coffee offer with a an interview in a local coffee shop. With my portable rig in tow we got caffeinated and talked money, E-Town  (https://www.etown.org/ ) where  James has been at the last 20 years, his connection to David Glasser , recording in Austin and being in Carol King&apos;s backup band. Enjoy! -Matt
  Show notes and links:
  E Town: https://www.etown.org/
 The documentary we mention: http://www.shopkeepermovie.com/
 The studio in the above documentary: http://congresshouse.com/
 Arguments for FCC Net Neutrality: https://goo.gl/NpHxWW
 Arguments against FCC Net Neutrality:  https://goo.gl/DCjA1V</itunes:summary></item><item><title>WCA #153 with Katie Tavini</title><itunes:title>WCA #153 with Katie Tavini</itunes:title><description><![CDATA[<p>Katie Tavini began working as a producer and engineer before a piece of advice changed everything for her.&nbsp;<em>“I was looking to improve my mixes,”&nbsp;</em>she recalls.&nbsp;<em>“Someone told me that if I wanted to do that I should learn to master. Whether it was good advice or not I took it. I loved what I discovered and never looked back.”</em></p><p>With a fine balance of curiosity and experience, Tavini is now a mastering engineer with a rich and diverse client-list far bigger than any sound or scene.</p><p><em>“I like things with a lot of influences,”&nbsp;</em>she adds.&nbsp;<em>“I like not being able to place a piece of music immediately and I love working with bands and artists who push their boundaries. I've found that a willingness to try and explore something new has often led to amazing results for my clients.”</em></p><p>Katie is a mastering engineer who encourages, refines, expands and finishes. She loves to amplify the emotion and energy of an artist while bringing clarity and consistency to their art. People do not hear her best work, they feel it.</p><p><br></p><p><em>“Most people don't think about how music moves them,”</em>&nbsp;admits Tavini.&nbsp;<em>“They are just moved. My job is to bring all the hard work of artists, producers and engineers together and create a platform for songs to shine. It's the perfect job for me.”</em></p><p><br></p><h1><strong>About this Interview:</strong></h1><p><strong>WCA #153</strong> features UK Mastering engineer <strong>Katie Tavini</strong> ( <a href="https://www.katietavini.co.uk/" rel="noopener noreferrer" target="_blank">https://www.katietavini.co.uk/</a> ). Katie recently wrote a what I think is a great opinion piece for <strong>Audio Media International</strong> ( <a href="https://goo.gl/XaovbN" rel="noopener noreferrer" target="_blank">https://goo.gl/XaovbN</a>) about supporting your fellow engineers, your peers etc.. Instead of casting judgement over the gear they use and instead judge them based on the work they do. After reading that article I had a look at Katie’s website sent an email and invited her on the show. We chatted a couple of days ago about mastering of course, clients, money, health and marketing. Enjoy!&nbsp;-Matt</p><p><br></p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li>Katie's website:&nbsp;<a href="https://www.katietavini.co.uk/home" rel="noopener noreferrer" target="_blank">https://www.katietavini.co.uk/home</a></li><li><br></li><li> </li><li>Katie's Audio Media International Article:&nbsp;<a href="https://goo.gl/XaovbN" rel="noopener noreferrer" target="_blank">https://goo.gl/XaovbN</a></li><li><br></li><li> </li><li>Audio-Technica 2017 Gift Guide: <a href="https://goo.gl/7LGYoS" rel="noopener noreferrer" target="_blank">https://goo.gl/7LGYoS</a></li><li><br></li><li> </li><li>Al Schmitt on Using Microphones:&nbsp;<a href="https://www.groove3.com/tutorials/Al-Schmitt-on-Using-Microphones" rel="noopener noreferrer" target="_blank">https://www.groove3.com/tutorials/Al-Schmitt-on-Using-Microphones</a></li><li><br></li><li> </li><li>Sonarworks Reference 4 software&nbsp;<a href="https://www.sonarworks.com/" rel="noopener noreferrer" target="_blank">https://www.sonarworks.com/</a></li><li><br></li><li> </li><li>ISRC Codes US:&nbsp;<a href="http://www.usisrc.org/" rel="noopener noreferrer" target="_blank">http://www.usisrc.org/</a></li><li><br></li><li> </li><li>ISRC Codes UK:&nbsp;<a href="http://www.ppluk.com/" rel="noopener noreferrer" target="_blank">http://www.ppluk.com/</a></li><li><br></li><li> </li><li><a href="https://www.amazon.com/gp/product/0385349947/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0385349947&amp;linkCode=as2&amp;tag=wwwworkingcla-20&amp;linkId=fd1b6c01b79c909cbe6cca7d1e4dceea" rel="noopener noreferrer" target="_blank">Lean In: Sheryl Sandburg&nbsp;</a></li><li><br></li><li> </li><li>Simple Invoices:&nbsp;<a href="https://simpleinvoices.io" rel="noopener noreferrer" target="_blank">https://simpleinvoices.io</a></li><li><br></li><li> </li><li>Easy Invoice:&nbsp;<a href="https://easyinvoiceapp.com/" rel="noopener noreferrer" target="_blank">https://easyinvoiceapp.com/</a></li><li> </li></ul><br/>]]></description><content:encoded><![CDATA[<p>Katie Tavini began working as a producer and engineer before a piece of advice changed everything for her.&nbsp;<em>“I was looking to improve my mixes,”&nbsp;</em>she recalls.&nbsp;<em>“Someone told me that if I wanted to do that I should learn to master. Whether it was good advice or not I took it. I loved what I discovered and never looked back.”</em></p><p>With a fine balance of curiosity and experience, Tavini is now a mastering engineer with a rich and diverse client-list far bigger than any sound or scene.</p><p><em>“I like things with a lot of influences,”&nbsp;</em>she adds.&nbsp;<em>“I like not being able to place a piece of music immediately and I love working with bands and artists who push their boundaries. I've found that a willingness to try and explore something new has often led to amazing results for my clients.”</em></p><p>Katie is a mastering engineer who encourages, refines, expands and finishes. She loves to amplify the emotion and energy of an artist while bringing clarity and consistency to their art. People do not hear her best work, they feel it.</p><p><br></p><p><em>“Most people don't think about how music moves them,”</em>&nbsp;admits Tavini.&nbsp;<em>“They are just moved. My job is to bring all the hard work of artists, producers and engineers together and create a platform for songs to shine. It's the perfect job for me.”</em></p><p><br></p><h1><strong>About this Interview:</strong></h1><p><strong>WCA #153</strong> features UK Mastering engineer <strong>Katie Tavini</strong> ( <a href="https://www.katietavini.co.uk/" rel="noopener noreferrer" target="_blank">https://www.katietavini.co.uk/</a> ). Katie recently wrote a what I think is a great opinion piece for <strong>Audio Media International</strong> ( <a href="https://goo.gl/XaovbN" rel="noopener noreferrer" target="_blank">https://goo.gl/XaovbN</a>) about supporting your fellow engineers, your peers etc.. Instead of casting judgement over the gear they use and instead judge them based on the work they do. After reading that article I had a look at Katie’s website sent an email and invited her on the show. We chatted a couple of days ago about mastering of course, clients, money, health and marketing. Enjoy!&nbsp;-Matt</p><p><br></p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li>Katie's website:&nbsp;<a href="https://www.katietavini.co.uk/home" rel="noopener noreferrer" target="_blank">https://www.katietavini.co.uk/home</a></li><li><br></li><li> </li><li>Katie's Audio Media International Article:&nbsp;<a href="https://goo.gl/XaovbN" rel="noopener noreferrer" target="_blank">https://goo.gl/XaovbN</a></li><li><br></li><li> </li><li>Audio-Technica 2017 Gift Guide: <a href="https://goo.gl/7LGYoS" rel="noopener noreferrer" target="_blank">https://goo.gl/7LGYoS</a></li><li><br></li><li> </li><li>Al Schmitt on Using Microphones:&nbsp;<a href="https://www.groove3.com/tutorials/Al-Schmitt-on-Using-Microphones" rel="noopener noreferrer" target="_blank">https://www.groove3.com/tutorials/Al-Schmitt-on-Using-Microphones</a></li><li><br></li><li> </li><li>Sonarworks Reference 4 software&nbsp;<a href="https://www.sonarworks.com/" rel="noopener noreferrer" target="_blank">https://www.sonarworks.com/</a></li><li><br></li><li> </li><li>ISRC Codes US:&nbsp;<a href="http://www.usisrc.org/" rel="noopener noreferrer" target="_blank">http://www.usisrc.org/</a></li><li><br></li><li> </li><li>ISRC Codes UK:&nbsp;<a href="http://www.ppluk.com/" rel="noopener noreferrer" target="_blank">http://www.ppluk.com/</a></li><li><br></li><li> </li><li><a href="https://www.amazon.com/gp/product/0385349947/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0385349947&amp;linkCode=as2&amp;tag=wwwworkingcla-20&amp;linkId=fd1b6c01b79c909cbe6cca7d1e4dceea" rel="noopener noreferrer" target="_blank">Lean In: Sheryl Sandburg&nbsp;</a></li><li><br></li><li> </li><li>Simple Invoices:&nbsp;<a href="https://simpleinvoices.io" rel="noopener noreferrer" target="_blank">https://simpleinvoices.io</a></li><li><br></li><li> </li><li>Easy Invoice:&nbsp;<a href="https://easyinvoiceapp.com/" rel="noopener noreferrer" target="_blank">https://easyinvoiceapp.com/</a></li><li> </li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-153-with-katie-tavini]]></link><guid isPermaLink="false">e0fa6b1c1f7c37e41d9604703747f9b0</guid><itunes:image href="https://artwork.captivate.fm/ec4271f2-d01b-46e8-8754-bdb4a3dada16/wca-153-with-katie-tavini-1400.png"/><pubDate>Mon, 20 Nov 2017 02:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/992abb34-a298-4a87-afb2-e750ec992ba1.mp3" length="65771921" type="audio/mpeg"/><itunes:duration>01:08:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>153</itunes:episode><podcast:episode>153</podcast:episode><itunes:summary>Working Class Audio #153 with Katie Tavini!!!
 Katie Tavini began working as a producer and engineer before a piece of advice changed everything for her. “I was looking to improve my mixes,” she recalls. “Someone told me that if I wanted to do that I should learn to master. Whether it was good advice or not I took it. I loved what I discovered and never looked back.”
 With a fine balance of curiosity and experience, Tavini is now a mastering engineer with a rich and diverse client-list far bigger than any sound or scene.
 “I like things with a lot of influences,” she adds. “I like not being able to place a piece of music immediately and I love working with bands and artists who push their boundaries. I&apos;ve found that a willingness to try and explore something new has often led to amazing results for my clients.”
 Katie is a mastering engineer who encourages, refines, expands and finishes. She loves to amplify the emotion and energy of an artist while bringing clarity and consistency to their art. People do not hear her best work, they feel it.
 “Most people don&apos;t think about how music moves them,” admits Tavini. “They are just moved. My job is to bring all the hard work of artists, producers and engineers together and create a platform for songs to shine. It&apos;s the perfect job for me.”
 About this Interview:
 WCA #153 features UK Mastering engineer Katie Tavini ( https://www.katietavini.co.uk/ ). Katie recently wrote a what I think is a great opinion piece for Audio Media International ( https://goo.gl/XaovbN) about supporting your fellow engineers, your peers etc.. Instead of casting judgement over the gear they use and instead judge them based on the work they do. After reading that article I had a look at Katie’s website sent an email and invited her on the show. We chatted a couple of days ago about mastering of course, clients, money, health and marketing. Enjoy! -Matt
  Show notes and links:
  Katie&apos;s website: https://www.katietavini.co.uk/home
 Katie&apos;s Audio Media International Article: https://goo.gl/XaovbN
 Audio-Technica 2017 Gift Guide: https://goo.gl/7LGYoS
 Al Schmitt on Using Microphones: https://www.groove3.com/tutorials/Al-Schmitt-on-Using-Microphones
 Sonarworks Reference 4 software https://www.sonarworks.com/
 ISRC Codes US: http://www.usisrc.org/
 ISRC Codes UK: http://www.ppluk.com/
 Lean In: Sheryl Sandburg 
 Simple Invoices: https://simpleinvoices.io
 Easy Invoice: https://easyinvoiceapp.com/</itunes:summary></item><item><title>WCA #152 with Horacio Bolz</title><itunes:title>WCA #152 with Horacio Bolz</itunes:title><description><![CDATA[<p> Horacio Bolz&nbsp; is an engineer/producer from&nbsp;&nbsp;Montevideo, Uruguay. By the age of 8 he was recording for fun and playing guitar and drums. While his life plan was originally to become a commercial airline pilot, it wasn't until&nbsp; later he realized that music, producing and engineering was what I wanted to do in life. So&nbsp;by the age of 18 he moved to the UK to follow that dream. Horacio&nbsp;&nbsp;started his Production &amp; Sound Engineering&nbsp;studies at Alchemea Collage in London. Once there he began to work for Phil Manzanera and&nbsp;Javier Weyler&nbsp;as an assistant engineer. During this period he recorded part of Phil's last two solo albums (The Sound of Blue &amp; Corroncho 2). &nbsp; In 2012 Horacio&nbsp;returned to Uruguay where he started working as head engineer at Vivace Music. There, he recorded and mixed songs&nbsp;for most of the best bands in the country. Meanwhile he started doing live related work&nbsp;as a Monitor Engineer for Uruguayan bands. 2013 was the year in&nbsp;which Horacio&nbsp; started his band The Islingtons. They released "1&nbsp;1&nbsp;2&nbsp;3&nbsp;5", their&nbsp; first studio album which was nominated for "Best New Band" at the Graffiti Awards. Since 2015 Horacio has been working as a freelance engineer,&nbsp;producer and musician. He owns (with his business partner Christian Eichin) a software development company in&nbsp;which they develop a free app called "Wavejam". A collaborative multi-track recorder for iOS devices. Horacio also owns Vincent, a Creative&nbsp;Audio &amp; Film production company based in Montevideo, Uruguay. &nbsp; </p><h1><strong>About this Interview:</strong></h1><p>Horacio talks with me about his early plan to become a commercial airline pilot, his work with Phil Manzanara, import taxes in Uruguay and how that affects his ability to buy equipment, as well his ability to make a living and incorporate audio into his life even when faced limitations. -Matt</p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li>Horacio on Linkedin&nbsp;https://www.linkedin.com/in/horacio-bolz-33659957/</li><li><br></li><li> </li><li>Fix Audio Designs (Paul Wolf)&nbsp;https://www.fixaudiodesigns.com/</li><li><br></li><li> </li><li>After Master&nbsp;http://aftermaster.com/</li><li><br></li><li> </li><li>http://www.500seriesmodules.com/</li><li><br></li><li> </li><li>Sonarworks Reference 4 software&nbsp;https://www.sonarworks.com/</li><li> </li></ul><br/>]]></description><content:encoded><![CDATA[<p> Horacio Bolz&nbsp; is an engineer/producer from&nbsp;&nbsp;Montevideo, Uruguay. By the age of 8 he was recording for fun and playing guitar and drums. While his life plan was originally to become a commercial airline pilot, it wasn't until&nbsp; later he realized that music, producing and engineering was what I wanted to do in life. So&nbsp;by the age of 18 he moved to the UK to follow that dream. Horacio&nbsp;&nbsp;started his Production &amp; Sound Engineering&nbsp;studies at Alchemea Collage in London. Once there he began to work for Phil Manzanera and&nbsp;Javier Weyler&nbsp;as an assistant engineer. During this period he recorded part of Phil's last two solo albums (The Sound of Blue &amp; Corroncho 2). &nbsp; In 2012 Horacio&nbsp;returned to Uruguay where he started working as head engineer at Vivace Music. There, he recorded and mixed songs&nbsp;for most of the best bands in the country. Meanwhile he started doing live related work&nbsp;as a Monitor Engineer for Uruguayan bands. 2013 was the year in&nbsp;which Horacio&nbsp; started his band The Islingtons. They released "1&nbsp;1&nbsp;2&nbsp;3&nbsp;5", their&nbsp; first studio album which was nominated for "Best New Band" at the Graffiti Awards. Since 2015 Horacio has been working as a freelance engineer,&nbsp;producer and musician. He owns (with his business partner Christian Eichin) a software development company in&nbsp;which they develop a free app called "Wavejam". A collaborative multi-track recorder for iOS devices. Horacio also owns Vincent, a Creative&nbsp;Audio &amp; Film production company based in Montevideo, Uruguay. &nbsp; </p><h1><strong>About this Interview:</strong></h1><p>Horacio talks with me about his early plan to become a commercial airline pilot, his work with Phil Manzanara, import taxes in Uruguay and how that affects his ability to buy equipment, as well his ability to make a living and incorporate audio into his life even when faced limitations. -Matt</p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li>Horacio on Linkedin&nbsp;https://www.linkedin.com/in/horacio-bolz-33659957/</li><li><br></li><li> </li><li>Fix Audio Designs (Paul Wolf)&nbsp;https://www.fixaudiodesigns.com/</li><li><br></li><li> </li><li>After Master&nbsp;http://aftermaster.com/</li><li><br></li><li> </li><li>http://www.500seriesmodules.com/</li><li><br></li><li> </li><li>Sonarworks Reference 4 software&nbsp;https://www.sonarworks.com/</li><li> </li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-152-with-horacio-bolz]]></link><guid isPermaLink="false">89e5ccf2c9d7fd349efe956001455a9a</guid><itunes:image href="https://artwork.captivate.fm/93e4d6eb-7d02-4d90-a7be-9ea61f7911a3/wca-152-with-horacio-bolz-1400.png"/><pubDate>Mon, 13 Nov 2017 19:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b2294708-dd63-4320-9fdf-342b988b816c.mp3" length="44048911" type="audio/mpeg"/><itunes:duration>45:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>152</itunes:episode><podcast:episode>152</podcast:episode><itunes:summary>Working Class Audio #152 with Horacio Bolz!!!
 Horacio Bolz  is an engineer/producer from  Montevideo, Uruguay. By the age of 8 he was recording for fun and playing guitar and drums. While his life plan was originally to become a commercial airline pilot, it wasn&apos;t until  later he realized that music, producing and engineering was what I wanted to do in life. So by the age of 18 he moved to the UK to follow that dream. Horacio  started his Production &amp; Sound Engineering studies at Alchemea Collage in London. Once there he began to work for Phil Manzanera and Javier Weyler as an assistant engineer. During this period he recorded part of Phil&apos;s last two solo albums (The Sound of Blue &amp; Corroncho 2).   In 2012 Horacio returned to Uruguay where he started working as head engineer at Vivace Music. There, he recorded and mixed songs for most of the best bands in the country. Meanwhile he started doing live related work as a Monitor Engineer for Uruguayan bands. 2013 was the year in which Horacio  started his band The Islingtons. They released &quot;1 1 2 3 5&quot;, their  first studio album which was nominated for &quot;Best New Band&quot; at the Graffiti Awards. Since 2015 Horacio has been working as a freelance engineer, producer and musician. He owns (with his business partner Christian Eichin) a software development company in which they develop a free app called &quot;Wavejam&quot;. A collaborative multi-track recorder for iOS devices. Horacio also owns Vincent, a Creative Audio &amp; Film production company based in Montevideo, Uruguay.   About this Interview:
 Horacio talks with me about his early plan to become a commercial airline pilot, his work with Phil Manzanara, import taxes in Uruguay and how that affects his ability to buy equipment, as well his ability to make a living and incorporate audio into his life even when faced limitations. -Matt
  Show notes and links:
  Horacio on Linkedin https://www.linkedin.com/in/horacio-bolz-33659957/
 Fix Audio Designs (Paul Wolf) https://www.fixaudiodesigns.com/
 After Master http://aftermaster.com/
 http://www.500seriesmodules.com/
 Sonarworks Reference 4 software https://www.sonarworks.com/</itunes:summary></item><item><title>WCA #151 with David Glasser</title><itunes:title>WCA #151 with David Glasser</itunes:title><description><![CDATA[<p>Mastering engineer David Glasser&nbsp; has over 35 years of experience&nbsp; in audio engineering and has mastered thousands of records, including more than 80 GRAMMY nominees. A three-time nominee himself, he has earned two GRAMMY awards for mastering and restoration of the culturally significant&nbsp;&nbsp;<strong><em>Anthology of American Folk Music</em>&nbsp;(1997)</strong>&nbsp;and&nbsp;<strong><em>Screamin’ and Hollerin’ the Blues: The Worlds of Charley Patton</em>&nbsp;(2002)</strong>. David began his audio career with the Boston Symphony, followed by eight years of recording and production for NPR. He founded Airshow in 1983 and shifted to full-time mastering in 1990 with a modest studio in Springfield, VA. Expanding the company to Boulder, Colorado in 1997, David grew Airshow into one of the largest mastering facilities in the country. In 2016, David built a new facility where he continues to enjoy the daily variety of a busy mastering practice.</p><h1><strong>About this Interview:</strong></h1><p>David talks with me about his early days at NPR, recording live shows, transitioning into mastering and being a volunteer fire fighter! Enjoy! - Matt</p>]]></description><content:encoded><![CDATA[<p>Mastering engineer David Glasser&nbsp; has over 35 years of experience&nbsp; in audio engineering and has mastered thousands of records, including more than 80 GRAMMY nominees. A three-time nominee himself, he has earned two GRAMMY awards for mastering and restoration of the culturally significant&nbsp;&nbsp;<strong><em>Anthology of American Folk Music</em>&nbsp;(1997)</strong>&nbsp;and&nbsp;<strong><em>Screamin’ and Hollerin’ the Blues: The Worlds of Charley Patton</em>&nbsp;(2002)</strong>. David began his audio career with the Boston Symphony, followed by eight years of recording and production for NPR. He founded Airshow in 1983 and shifted to full-time mastering in 1990 with a modest studio in Springfield, VA. Expanding the company to Boulder, Colorado in 1997, David grew Airshow into one of the largest mastering facilities in the country. In 2016, David built a new facility where he continues to enjoy the daily variety of a busy mastering practice.</p><h1><strong>About this Interview:</strong></h1><p>David talks with me about his early days at NPR, recording live shows, transitioning into mastering and being a volunteer fire fighter! Enjoy! - Matt</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-151-with-david-glasser]]></link><guid isPermaLink="false">6f4fa2386b9eb030f0b69ce85ca35f28</guid><itunes:image href="https://artwork.captivate.fm/2de368e2-2615-4118-ab8c-430cb0a3cf78/wca-151-with-david-glasser-square.png"/><pubDate>Mon, 06 Nov 2017 07:43:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8d9fb316-e69e-4acd-8057-82d522945330.mp3" length="55011146" type="audio/mpeg"/><itunes:duration>57:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>151</itunes:episode><podcast:episode>151</podcast:episode><itunes:summary>Working Class Audio #151 with David Glasser!!!
 Mastering engineer David Glasser  has over 35 years of experience  in audio engineering and has mastered thousands of records, including more than 80 GRAMMY nominees. A three-time nominee himself, he has earned two GRAMMY awards for mastering and restoration of the culturally significant  Anthology of American Folk Music (1997) and Screamin’ and Hollerin’ the Blues: The Worlds of Charley Patton (2002). David began his audio career with the Boston Symphony, followed by eight years of recording and production for NPR. He founded Airshow in 1983 and shifted to full-time mastering in 1990 with a modest studio in Springfield, VA. Expanding the company to Boulder, Colorado in 1997, David grew Airshow into one of the largest mastering facilities in the country. In 2016, David built a new facility where he continues to enjoy the daily variety of a busy mastering practice.
 About this Interview:
 David talks with me about his early days at NPR, recording live shows, transitioning into mastering and being a volunteer fire fighter! Enjoy! - Matt</itunes:summary></item><item><title>WCA #150 with Jim Homes</title><itunes:title>WCA #150 with Jim Homes</itunes:title><description><![CDATA[<p>Jim Homes is a producer /engineer and one half of the production team known as Boe Weaver who have worked with artists including Champs, Whyte Horses, Wolfpeople, Archie Bronson Outfit and Rhys Lewis. Jim is our guest today since according to him he is the chatty one and brother Rob is the quiet one. Jim and Rob parlayed their 90's era band's minor success into a production&nbsp; career by making some very good decisions&nbsp; about gear and money early on. Their studio is located on the Isle of Wight South of London on property owned by the Crown where they rent a 3 story water tower to make records in. Raising families and careers, the brothers have taken what some would see as a disadvantage (being isolated away from London) into an advantage by bringing artists to a truly magical place away from distraction to focus purely on music.&nbsp;</p><h1><strong>About this Interview:</strong></h1><p>Jim chats with me about living and working on the Isle of Wight with brother Rob, raising a family, working 9-5, working below a giant water tank and being at peace with his surroundings.&nbsp;</p><p><br></p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li><a href="https://www.digitalmusicnews.com/2017/10/26/florida-pre-1972-copyright-oldies/" rel="noopener noreferrer" target="_blank">Florida Supreme Court Copyright Decision</a></li><li><br></li><li> </li><li><a href="http://studiohumbug.com/" rel="noopener noreferrer" target="_blank">Jim and Rob's studio.</a></li><li><br></li><li> </li><li><a href="http://www.echobeachmanagement.com/artist/boe-weaver/" rel="noopener noreferrer" target="_blank">Management page about Jim and Rob.&nbsp;</a></li><li> </li></ul><br/>]]></description><content:encoded><![CDATA[<p>Jim Homes is a producer /engineer and one half of the production team known as Boe Weaver who have worked with artists including Champs, Whyte Horses, Wolfpeople, Archie Bronson Outfit and Rhys Lewis. Jim is our guest today since according to him he is the chatty one and brother Rob is the quiet one. Jim and Rob parlayed their 90's era band's minor success into a production&nbsp; career by making some very good decisions&nbsp; about gear and money early on. Their studio is located on the Isle of Wight South of London on property owned by the Crown where they rent a 3 story water tower to make records in. Raising families and careers, the brothers have taken what some would see as a disadvantage (being isolated away from London) into an advantage by bringing artists to a truly magical place away from distraction to focus purely on music.&nbsp;</p><h1><strong>About this Interview:</strong></h1><p>Jim chats with me about living and working on the Isle of Wight with brother Rob, raising a family, working 9-5, working below a giant water tank and being at peace with his surroundings.&nbsp;</p><p><br></p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li><a href="https://www.digitalmusicnews.com/2017/10/26/florida-pre-1972-copyright-oldies/" rel="noopener noreferrer" target="_blank">Florida Supreme Court Copyright Decision</a></li><li><br></li><li> </li><li><a href="http://studiohumbug.com/" rel="noopener noreferrer" target="_blank">Jim and Rob's studio.</a></li><li><br></li><li> </li><li><a href="http://www.echobeachmanagement.com/artist/boe-weaver/" rel="noopener noreferrer" target="_blank">Management page about Jim and Rob.&nbsp;</a></li><li> </li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-150-with-jim-homes]]></link><guid isPermaLink="false">6909acd2033ac7ec28e22c1ba65af710</guid><itunes:image href="https://artwork.captivate.fm/3f6d3d3e-0a0d-484b-bca1-c9081e5d4502/wca-150-with-jim-homes.png"/><pubDate>Mon, 30 Oct 2017 18:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ce084356-07ff-4c14-9d86-acb7273392ed.mp3" length="60213894" type="audio/mpeg"/><itunes:duration>01:02:43</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>150</itunes:episode><podcast:episode>150</podcast:episode><itunes:summary>Working Class Audio #150 with Jim Homes!!!
 Jim Homes is a producer /engineer and one half of the production team known as Boe Weaver who have worked with artists including Champs, Whyte Horses, Wolfpeople, Archie Bronson Outfit and Rhys Lewis. Jim is our guest today since according to him he is the chatty one and brother Rob is the quiet one. Jim and Rob parlayed their 90&apos;s era band&apos;s minor success into a production  career by making some very good decisions  about gear and money early on. Their studio is located on the Isle of Wight South of London on property owned by the Crown where they rent a 3 story water tower to make records in. Raising families and careers, the brothers have taken what some would see as a disadvantage (being isolated away from London) into an advantage by bringing artists to a truly magical place away from distraction to focus purely on music. 
 About this Interview:
 Jim chats with me about living and working on the Isle of Wight with brother Rob, raising a family, working 9-5, working below a giant water tank and being at peace with his surroundings. 
  Show notes and links:
  Florida Supreme Court Copyright Decision
 Jim and Rob&apos;s studio.
 Management page about Jim and Rob.</itunes:summary></item><item><title>WCA #149 with Dom Morley</title><itunes:title>WCA #149 with Dom Morley</itunes:title><description><![CDATA[<p>Dom Morley is a Grammy Award winning producer and mixer based in his own Oxfordshire (UK) studio.</p><p> Dom engineered&nbsp; Amy Winehouse's number 1 "Back To Black" album, Mark Ronson's "Version" and "Record Collection", Richard Ashcroft's 'These People' and "Keys' To The World', the Grinderman (Nick Cave) debut album and singles for Adele, Morrissey &amp; Estelle amongst others. Some recent mixes include Sting's 5.1 "Live at Durham Cathedral", Solomon Grey's debut album, Mull Historical Society's 'Dear Satellite' &amp; 'City Awakenings' (both of which Dom also produced) 'Colin MacIntyre's "The Water", the Million Dollar Quartet OCR, and the soundtrack for the upcoming British film 'Gozo'.</p><p> </p><p> Dom has also engineered or mixed for Rag'n'Bone Man, The Staves, Rumer, Keane, Birdy, Lemon Jelly, Jeff Beck, Sting, I Am Kloot, The Verve, Live8 (DVD) and Underworld, as well as working with The Police on the pre-production for their world tour and recording and mixing the audio for the 5 "Intros" and "Input/Output" series (Mumford &amp; Sons, Florence &amp; The Machine etc) for Channel 4 and Island Records.</p><p> Dom has also recently undertaken a sound design project, providing all the sounds for the Samplephonics 'Dirty Modular' Kontakt instrument ("Great waveform library. Excellent sound" MusicRadar / "great sound quality of waveform library" producerspot.com).</p><p> </p><p> Read more about Dom at <a href="http://www.dommorley.com" rel="noopener noreferrer" target="_blank">www.dommorley.com</a>&nbsp;, his studio at <a href="http://www.flintbarnstudio.com/" rel="noopener noreferrer" target="_blank">www.flintbarnstudio.com</a> or at <a href="https://en.wikipedia.org/wiki/Dom_Morley" rel="noopener noreferrer" target="_blank">Wikipedia</a>.&nbsp;</p><p>&nbsp;</p><h1><strong>About this Interview:</strong></h1><p>I can't honestly remember how I came to be emailing with Dom Morley. I do know it took us awhile to figure out a workable time to do it. Time Zones.......what a head scratcher when it comes to interview planning. Anyway, I talk with Dom about his work with Mark Ronson and Amy Winehouse, staying busy even though he lives out in the English countryside and work/life balance among many other topics. Enjoy.&nbsp;</p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li><a href="http://www.dommorley.com/" rel="noopener noreferrer" target="_blank">Dom's website</a>: http://www.dommorley.com</li><li><br></li><li> </li><li>Don's Studio : <a href="http://www.flintbarnstudio.com" rel="noopener noreferrer" target="_blank">http://www.flintbarnstudio.com</a></li><li><br></li><li> </li><li>Mix Consultancy:&nbsp;<a href="https://themixconsultancy.com" rel="noopener noreferrer" target="_blank">https://themixconsultancy.com</a></li><li><br></li><li> </li><li><a href="https://www.kickstarter.com/projects/spencertweedy/fjord-xlr-classic-microphone-cables" rel="noopener noreferrer" target="_blank">Fjord Audio Kickstarter</a></li><li><br></li><li> </li><li><a href="http://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank">Lij Shaw's Recording Studio Rockstars Podcast&nbsp;</a></li><li> </li></ul><br/>]]></description><content:encoded><![CDATA[<p>Dom Morley is a Grammy Award winning producer and mixer based in his own Oxfordshire (UK) studio.</p><p> Dom engineered&nbsp; Amy Winehouse's number 1 "Back To Black" album, Mark Ronson's "Version" and "Record Collection", Richard Ashcroft's 'These People' and "Keys' To The World', the Grinderman (Nick Cave) debut album and singles for Adele, Morrissey &amp; Estelle amongst others. Some recent mixes include Sting's 5.1 "Live at Durham Cathedral", Solomon Grey's debut album, Mull Historical Society's 'Dear Satellite' &amp; 'City Awakenings' (both of which Dom also produced) 'Colin MacIntyre's "The Water", the Million Dollar Quartet OCR, and the soundtrack for the upcoming British film 'Gozo'.</p><p> </p><p> Dom has also engineered or mixed for Rag'n'Bone Man, The Staves, Rumer, Keane, Birdy, Lemon Jelly, Jeff Beck, Sting, I Am Kloot, The Verve, Live8 (DVD) and Underworld, as well as working with The Police on the pre-production for their world tour and recording and mixing the audio for the 5 "Intros" and "Input/Output" series (Mumford &amp; Sons, Florence &amp; The Machine etc) for Channel 4 and Island Records.</p><p> Dom has also recently undertaken a sound design project, providing all the sounds for the Samplephonics 'Dirty Modular' Kontakt instrument ("Great waveform library. Excellent sound" MusicRadar / "great sound quality of waveform library" producerspot.com).</p><p> </p><p> Read more about Dom at <a href="http://www.dommorley.com" rel="noopener noreferrer" target="_blank">www.dommorley.com</a>&nbsp;, his studio at <a href="http://www.flintbarnstudio.com/" rel="noopener noreferrer" target="_blank">www.flintbarnstudio.com</a> or at <a href="https://en.wikipedia.org/wiki/Dom_Morley" rel="noopener noreferrer" target="_blank">Wikipedia</a>.&nbsp;</p><p>&nbsp;</p><h1><strong>About this Interview:</strong></h1><p>I can't honestly remember how I came to be emailing with Dom Morley. I do know it took us awhile to figure out a workable time to do it. Time Zones.......what a head scratcher when it comes to interview planning. Anyway, I talk with Dom about his work with Mark Ronson and Amy Winehouse, staying busy even though he lives out in the English countryside and work/life balance among many other topics. Enjoy.&nbsp;</p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li><a href="http://www.dommorley.com/" rel="noopener noreferrer" target="_blank">Dom's website</a>: http://www.dommorley.com</li><li><br></li><li> </li><li>Don's Studio : <a href="http://www.flintbarnstudio.com" rel="noopener noreferrer" target="_blank">http://www.flintbarnstudio.com</a></li><li><br></li><li> </li><li>Mix Consultancy:&nbsp;<a href="https://themixconsultancy.com" rel="noopener noreferrer" target="_blank">https://themixconsultancy.com</a></li><li><br></li><li> </li><li><a href="https://www.kickstarter.com/projects/spencertweedy/fjord-xlr-classic-microphone-cables" rel="noopener noreferrer" target="_blank">Fjord Audio Kickstarter</a></li><li><br></li><li> </li><li><a href="http://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank">Lij Shaw's Recording Studio Rockstars Podcast&nbsp;</a></li><li> </li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-149-with-dom-morley]]></link><guid isPermaLink="false">9ad6158eed02ea979ce120a604aedb50</guid><itunes:image href="https://artwork.captivate.fm/c19e75c3-d27e-4726-95f9-209eff76c4b4/wca-149-with-dom-morley-square.png"/><pubDate>Mon, 23 Oct 2017 20:24:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1f820160-c725-4cc7-85bb-fe88b23a6869.mp3" length="66883689" type="audio/mpeg"/><itunes:duration>01:09:40</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>149</itunes:episode><podcast:episode>149</podcast:episode><itunes:summary>Working Class Audio #149 with Dom Morley!!!
 Dom Morley is a Grammy Award winning producer and mixer based in his own Oxfordshire (UK) studio. Dom engineered  Amy Winehouse&apos;s number 1 &quot;Back To Black&quot; album, Mark Ronson&apos;s &quot;Version&quot; and &quot;Record Collection&quot;, Richard Ashcroft&apos;s &apos;These People&apos; and &quot;Keys&apos; To The World&apos;, the Grinderman (Nick Cave) debut album and singles for Adele, Morrissey &amp; Estelle amongst others. Some recent mixes include Sting&apos;s 5.1 &quot;Live at Durham Cathedral&quot;, Solomon Grey&apos;s debut album, Mull Historical Society&apos;s &apos;Dear Satellite&apos; &amp; &apos;City Awakenings&apos; (both of which Dom also produced) &apos;Colin MacIntyre&apos;s &quot;The Water&quot;, the Million Dollar Quartet OCR, and the soundtrack for the upcoming British film &apos;Gozo&apos;.  Dom has also engineered or mixed for Rag&apos;n&apos;Bone Man, The Staves, Rumer, Keane, Birdy, Lemon Jelly, Jeff Beck, Sting, I Am Kloot, The Verve, Live8 (DVD) and Underworld, as well as working with The Police on the pre-production for their world tour and recording and mixing the audio for the 5 &quot;Intros&quot; and &quot;Input/Output&quot; series (Mumford &amp; Sons, Florence &amp; The Machine etc) for Channel 4 and Island Records. Dom has also recently undertaken a sound design project, providing all the sounds for the Samplephonics &apos;Dirty Modular&apos; Kontakt instrument (&quot;Great waveform library. Excellent sound&quot; MusicRadar / &quot;great sound quality of waveform library&quot; producerspot.com).  Read more about Dom at www.dommorley.com , his studio at www.flintbarnstudio.com or at Wikipedia. 
  
 About this Interview:
 I can&apos;t honestly remember how I came to be emailing with Dom Morley. I do know it took us awhile to figure out a workable time to do it. Time Zones.......what a head scratcher when it comes to interview planning. Anyway, I talk with Dom about his work with Mark Ronson and Amy Winehouse, staying busy even though he lives out in the English countryside and work/life balance among many other topics. Enjoy. 
  Show notes and links:
  Dom&apos;s website: http://www.dommorley.com
 Don&apos;s Studio : http://www.flintbarnstudio.com
 Mix Consultancy: https://themixconsultancy.com
 Fjord Audio Kickstarter
 Lij Shaw&apos;s Recording Studio Rockstars Podcast</itunes:summary></item><item><title>WCA #148 with Bill Smith</title><itunes:title>WCA #148 with Bill Smith</itunes:title><description><![CDATA[<p>Bill Smith is a recording engineer &amp; producer wIth over thirty years experience in the music industry. He’s worked with YES, John Fogerty, Steve Lukather, Trevor Horn, Natalie Cole, George Benson, Queen Latifah&nbsp;and many more. He’s been&nbsp; involved with numerous Gold, Platinum and both Grammy winning and Grammy nominated records and film soundtracks. Simultaneous to his own career he also spent eleven years as the personal recording assistant, co-engineer and Pro Tools operator to twenty-two time Grammy winning recording engineer, producer and industry legend Al Schmitt. Bill has an extensive and diverse background in rock, jazz, orchestral and big band recording. He has also with been involved with product and preset development for both the hardware and software versions of the Lexicon PCM96 and the TC Electronic M6000 Multichannel Processor.</p><h1><strong>About this Interview:</strong></h1><p>In our interview we talk about Bill's early days in New York as a recording engineer and his decision to move to California. We also talk about lessons learned from Al Schmitt, the changing recording world and how to adapt as well as common sense financial advice. Enjoy!</p><p><br></p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li>Bill's Website: <a href="http://www.billmith.biz" rel="noopener noreferrer" target="_blank">www.billsmith.biz</a></li><li><br></li><li> </li><li>Backblaze:&nbsp;<a href="https://www.backblaze.com/cloud-backup.html#af9h3h" rel="noopener noreferrer" target="_blank">https://www.backblaze.com/cloud-backup.html#af9h3h</a></li><li><br></li><li> </li><li>Bernie Krause: <a href="https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/" rel="noopener noreferrer" target="_blank">https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/</a></li><li> </li></ul><br/>]]></description><content:encoded><![CDATA[<p>Bill Smith is a recording engineer &amp; producer wIth over thirty years experience in the music industry. He’s worked with YES, John Fogerty, Steve Lukather, Trevor Horn, Natalie Cole, George Benson, Queen Latifah&nbsp;and many more. He’s been&nbsp; involved with numerous Gold, Platinum and both Grammy winning and Grammy nominated records and film soundtracks. Simultaneous to his own career he also spent eleven years as the personal recording assistant, co-engineer and Pro Tools operator to twenty-two time Grammy winning recording engineer, producer and industry legend Al Schmitt. Bill has an extensive and diverse background in rock, jazz, orchestral and big band recording. He has also with been involved with product and preset development for both the hardware and software versions of the Lexicon PCM96 and the TC Electronic M6000 Multichannel Processor.</p><h1><strong>About this Interview:</strong></h1><p>In our interview we talk about Bill's early days in New York as a recording engineer and his decision to move to California. We also talk about lessons learned from Al Schmitt, the changing recording world and how to adapt as well as common sense financial advice. Enjoy!</p><p><br></p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li>Bill's Website: <a href="http://www.billmith.biz" rel="noopener noreferrer" target="_blank">www.billsmith.biz</a></li><li><br></li><li> </li><li>Backblaze:&nbsp;<a href="https://www.backblaze.com/cloud-backup.html#af9h3h" rel="noopener noreferrer" target="_blank">https://www.backblaze.com/cloud-backup.html#af9h3h</a></li><li><br></li><li> </li><li>Bernie Krause: <a href="https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/" rel="noopener noreferrer" target="_blank">https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/</a></li><li> </li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-148-with-bill-smith]]></link><guid isPermaLink="false">74b6ed0b66cc08a37883c1061ce47488</guid><itunes:image href="https://artwork.captivate.fm/d8fa5c37-837c-40c0-9160-03f268b89938/wca-148-with-bill-smith-square.png"/><pubDate>Mon, 16 Oct 2017 17:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7461fca7-090c-4d30-9952-7e10a7e14a38.mp3" length="64516786" type="audio/mpeg"/><itunes:duration>01:07:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>148</itunes:episode><podcast:episode>148</podcast:episode><itunes:summary>Working Class Audio #148 with Bill Smith!!!
 Bill Smith is a recording engineer &amp; producer wIth over thirty years experience in the music industry. He’s worked with YES, John Fogerty, Steve Lukather, Trevor Horn, Natalie Cole, George Benson, Queen Latifah and many more. He’s been  involved with numerous Gold, Platinum and both Grammy winning and Grammy nominated records and film soundtracks. Simultaneous to his own career he also spent eleven years as the personal recording assistant, co-engineer and Pro Tools operator to twenty-two time Grammy winning recording engineer, producer and industry legend Al Schmitt. Bill has an extensive and diverse background in rock, jazz, orchestral and big band recording. He has also with been involved with product and preset development for both the hardware and software versions of the Lexicon PCM96 and the TC Electronic M6000 Multichannel Processor.
 About this Interview:
 In our interview we talk about Bill&apos;s early days in New York as a recording engineer and his decision to move to California. We also talk about lessons learned from Al Schmitt, the changing recording world and how to adapt as well as common sense financial advice. Enjoy!
  Show notes and links:
  Bill&apos;s Website: www.billsmith.biz
 Backblaze: https://www.backblaze.com/cloud-backup.html#af9h3h
 Bernie Krause: https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/</itunes:summary></item><item><title>WCA #147 with Brett Bullion</title><itunes:title>WCA #147 with Brett Bullion</itunes:title><description><![CDATA[<p>Brett Bullion is a mixing engineer and producer based in Minneapolis, MN. Born 1984 in the suburbs of MN, Brett Grew up on 90s Warp Records and the Ornette Coleman box set. Brett's recording path started with playing drums in studios and eventually led to getting a Roland a digital multitrack as a kid. Brett earned&nbsp; his&nbsp; BA in theology from St Olaf College and eventually moved to Seattle where he spent his time drinking coffee, eating noodles, but kept recording on his own. After a move back to Minneapolis, he toured with Tarlton and Dark Dark Dark . Hundreds of sessions later he stopped performing to focus full-time on recording and mixing and has been at it ever since.</p><h1><strong>About this Interview:</strong></h1><p>I met Brett at Mix with the Masters in France. After hearing his work and spending time drinking wine, eating meals and talking shop I knew he had to be on the show. Enjoy!</p><p><br></p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li><a href="http://brettbullion.com/" rel="noopener noreferrer" target="_blank">www.brettbullion.com</a></li><li><br></li><li> </li><li><a href="http://www.zynaptiq.com/morph/" rel="noopener noreferrer" target="_blank">Morph plugin</a></li><li><br></li><li> </li><li><a href="http://www.newark.com/mcm/36-010/telephone-pick-up-coil-with-suction/dp/39C0931" rel="noopener noreferrer" target="_blank">Coil Tap microphone</a></li><li> </li></ul><br/>]]></description><content:encoded><![CDATA[<p>Brett Bullion is a mixing engineer and producer based in Minneapolis, MN. Born 1984 in the suburbs of MN, Brett Grew up on 90s Warp Records and the Ornette Coleman box set. Brett's recording path started with playing drums in studios and eventually led to getting a Roland a digital multitrack as a kid. Brett earned&nbsp; his&nbsp; BA in theology from St Olaf College and eventually moved to Seattle where he spent his time drinking coffee, eating noodles, but kept recording on his own. After a move back to Minneapolis, he toured with Tarlton and Dark Dark Dark . Hundreds of sessions later he stopped performing to focus full-time on recording and mixing and has been at it ever since.</p><h1><strong>About this Interview:</strong></h1><p>I met Brett at Mix with the Masters in France. After hearing his work and spending time drinking wine, eating meals and talking shop I knew he had to be on the show. Enjoy!</p><p><br></p><h1><strong>Show notes and links:</strong></h1><ul><li> </li><li><a href="http://brettbullion.com/" rel="noopener noreferrer" target="_blank">www.brettbullion.com</a></li><li><br></li><li> </li><li><a href="http://www.zynaptiq.com/morph/" rel="noopener noreferrer" target="_blank">Morph plugin</a></li><li><br></li><li> </li><li><a href="http://www.newark.com/mcm/36-010/telephone-pick-up-coil-with-suction/dp/39C0931" rel="noopener noreferrer" target="_blank">Coil Tap microphone</a></li><li> </li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-147-with-brett-bullion]]></link><guid isPermaLink="false">612f558c1725dd5bb8a6b1e07112f983</guid><itunes:image href="https://artwork.captivate.fm/cd9fb612-0215-40ea-b730-beec4e324ab7/wca-147-with-brett-bullion-square.png"/><pubDate>Mon, 09 Oct 2017 18:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c561783f-e15d-4b35-9762-b897f2e7a2aa.mp3" length="51475629" type="audio/mpeg"/><itunes:duration>53:37</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>147</itunes:episode><podcast:episode>147</podcast:episode><itunes:summary>Working Class Audio #147 with Brett Bullion!!!
 Brett Bullion is a mixing engineer and producer based in Minneapolis, MN. Born 1984 in the suburbs of MN, Brett Grew up on 90s Warp Records and the Ornette Coleman box set. Brett&apos;s recording path started with playing drums in studios and eventually led to getting a Roland a digital multitrack as a kid. Brett earned  his  BA in theology from St Olaf College and eventually moved to Seattle where he spent his time drinking coffee, eating noodles, but kept recording on his own. After a move back to Minneapolis, he toured with Tarlton and Dark Dark Dark . Hundreds of sessions later he stopped performing to focus full-time on recording and mixing and has been at it ever since.
 About this Interview:
 I met Brett at Mix with the Masters in France. After hearing his work and spending time drinking wine, eating meals and talking shop I knew he had to be on the show. Enjoy!
  Show notes and links:
  www.brettbullion.com
 Morph plugin
 Coil Tap microphone</itunes:summary></item><item><title>WCA #146 with Rene Coronado</title><itunes:title>WCA #146 with Rene Coronado</itunes:title><description><![CDATA[<p>Rene Coronado graduated in 1999 with with an AAS in audio engineering from South Plains College and jumped straight into the working world as an audio engineer at <a href="http://dallasaudiopost.com/" rel="noopener noreferrer" target="_blank"><strong>Dallas Audio Post</strong></a> where he does&nbsp;audio post and mixing,&nbsp;sound design,&nbsp;field recording and&nbsp;voice production. He also&nbsp;builds and releases sfx libraries at&nbsp;<a href="http://echocollectivefx.com/" rel="noopener noreferrer" target="_blank"><strong>echocollectivefx.com</strong></a> and is the&nbsp;co host of the <a href="https://itunes.apple.com/us/podcast/tonebenders-podcast/id599310888?mt=2" rel="noopener noreferrer" target="_blank"><strong>tonebenders podcast</strong></a>&nbsp; along with Tim Muirhead.&nbsp;</p><h1><strong>About this Interview:</strong></h1><p>I interviewed Rene when I was in France staying at Studio La Fabrique. We were challenged by 2 visiting wasps in my room and therefore did the interview in two parts (1 for each wasp-kidding). We discuss Rene's job at Dallas Audio post, work/life balance, sound design, capturing sounds in the field and maintaining those sounds for future access as well as his podcast Tonebenders. Special thanks to <a href="http://www.workingclassaudio.com/wca-116-with-mark-kilborn/" rel="noopener noreferrer" target="_blank">Mark Kilborn</a> for setting this up! -Enjoy!</p><h1><strong>Show notes and links:</strong></h1><p><a href="http://dallasaudiopost.com" rel="noopener noreferrer" target="_blank">http://dallasaudiopost.com</a></p><p><br></p><p><a href="http://tonebenderspodcast.com" rel="noopener noreferrer" target="_blank">http://tonebenderspodcast.com</a></p><p><br></p><p><a href="http://echocollectivefx.com" rel="noopener noreferrer" target="_blank">http://echocollectivefx.com</a></p><p><br></p><p><a href="https://www.raid.com/en-us/products/raid-wasp-and-hornet-killer-33" rel="noopener noreferrer" target="_blank"> https://www.raid.com/en-us/products/raid-wasp-and-hornet-killer-33</a></p><p><br></p><p><a href="http://store.soundminer.com/" rel="noopener noreferrer" target="_blank">http://store.soundminer.com/</a></p>]]></description><content:encoded><![CDATA[<p>Rene Coronado graduated in 1999 with with an AAS in audio engineering from South Plains College and jumped straight into the working world as an audio engineer at <a href="http://dallasaudiopost.com/" rel="noopener noreferrer" target="_blank"><strong>Dallas Audio Post</strong></a> where he does&nbsp;audio post and mixing,&nbsp;sound design,&nbsp;field recording and&nbsp;voice production. He also&nbsp;builds and releases sfx libraries at&nbsp;<a href="http://echocollectivefx.com/" rel="noopener noreferrer" target="_blank"><strong>echocollectivefx.com</strong></a> and is the&nbsp;co host of the <a href="https://itunes.apple.com/us/podcast/tonebenders-podcast/id599310888?mt=2" rel="noopener noreferrer" target="_blank"><strong>tonebenders podcast</strong></a>&nbsp; along with Tim Muirhead.&nbsp;</p><h1><strong>About this Interview:</strong></h1><p>I interviewed Rene when I was in France staying at Studio La Fabrique. We were challenged by 2 visiting wasps in my room and therefore did the interview in two parts (1 for each wasp-kidding). We discuss Rene's job at Dallas Audio post, work/life balance, sound design, capturing sounds in the field and maintaining those sounds for future access as well as his podcast Tonebenders. Special thanks to <a href="http://www.workingclassaudio.com/wca-116-with-mark-kilborn/" rel="noopener noreferrer" target="_blank">Mark Kilborn</a> for setting this up! -Enjoy!</p><h1><strong>Show notes and links:</strong></h1><p><a href="http://dallasaudiopost.com" rel="noopener noreferrer" target="_blank">http://dallasaudiopost.com</a></p><p><br></p><p><a href="http://tonebenderspodcast.com" rel="noopener noreferrer" target="_blank">http://tonebenderspodcast.com</a></p><p><br></p><p><a href="http://echocollectivefx.com" rel="noopener noreferrer" target="_blank">http://echocollectivefx.com</a></p><p><br></p><p><a href="https://www.raid.com/en-us/products/raid-wasp-and-hornet-killer-33" rel="noopener noreferrer" target="_blank"> https://www.raid.com/en-us/products/raid-wasp-and-hornet-killer-33</a></p><p><br></p><p><a href="http://store.soundminer.com/" rel="noopener noreferrer" target="_blank">http://store.soundminer.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-146-with-rene-coronado]]></link><guid isPermaLink="false">c54e4bc3164a0e478c9e7ea3002e1a4a</guid><itunes:image href="https://artwork.captivate.fm/836d09f2-06c7-42db-9e33-4eec39426f36/zNNEkmbY-f5hhe1or_ezlZtt.jpg"/><pubDate>Mon, 02 Oct 2017 18:45:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b2d18d41-90f5-4237-a7d2-1a09fdeb5e6c.mp3" length="53442545" type="audio/mpeg"/><itunes:duration>55:40</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>146</itunes:episode><podcast:episode>146</podcast:episode><itunes:summary>Working Class Audio #146 with Rene Coronado!!!
 Rene Coronado graduated in 1999 with with an AAS in audio engineering from South Plains College and jumped straight into the working world as an audio engineer at Dallas Audio Post where he does audio post and mixing, sound design, field recording and voice production. He also builds and releases sfx libraries at echocollectivefx.com and is the co host of the tonebenders podcast  along with Tim Muirhead. 
 About this Interview:
 I interviewed Rene when I was in France staying at Studio La Fabrique. We were challenged by 2 visiting wasps in my room and therefore did the interview in two parts (1 for each wasp-kidding). We discuss Rene&apos;s job at Dallas Audio post, work/life balance, sound design, capturing sounds in the field and maintaining those sounds for future access as well as his podcast Tonebenders. Special thanks to Mark Kilborn for setting this up! -Enjoy!
  Show notes and links:
 http://dallasaudiopost.com
 http://tonebenderspodcast.com
 http://echocollectivefx.com
  https://www.raid.com/en-us/products/raid-wasp-and-hornet-killer-33
 http://store.soundminer.com/</itunes:summary></item><item><title>WCA #145 with the MWTM Attendees</title><itunes:title>WCA #145 with the MWTM Attendees</itunes:title><description><![CDATA[<p>This week WCA features the 2017 attendees to Mix with the Masters with Tchad Blake.&nbsp;Noam Levinberg,&nbsp;Rishi Bradoo,&nbsp;Eduardo Molina Goigoux,&nbsp;Jeremy Glover,&nbsp;Chris Brandes,&nbsp;Brett Bullion,&nbsp;Peo Hedin,&nbsp;Horacio Bolz,&nbsp;Ryan Worsley, Matthias Ortner, Guillaume Charret,&nbsp;Manuel Egger,&nbsp;Vincent Bonanno,&nbsp;Oded Davidov,&nbsp;Bas Kennis and&nbsp;Gilles Olivesi all join me for short conversations about their experience learning from Tchad Blake at Mix with the Masters 2017.&nbsp;</p><h1><strong>About these Interviews:</strong></h1><p>From Sept. 20th-26th I was in France attending Mix with the Masters with Tchad Blake. I met a great group of audio pros while there. We formed a strong bond and I felt it was important to have a brief chat with each one of them over the course of the time I was there. These interviews took place in the backyard of Studio La Fabrique in St. Remy de Provence.&nbsp;</p>]]></description><content:encoded><![CDATA[<p>This week WCA features the 2017 attendees to Mix with the Masters with Tchad Blake.&nbsp;Noam Levinberg,&nbsp;Rishi Bradoo,&nbsp;Eduardo Molina Goigoux,&nbsp;Jeremy Glover,&nbsp;Chris Brandes,&nbsp;Brett Bullion,&nbsp;Peo Hedin,&nbsp;Horacio Bolz,&nbsp;Ryan Worsley, Matthias Ortner, Guillaume Charret,&nbsp;Manuel Egger,&nbsp;Vincent Bonanno,&nbsp;Oded Davidov,&nbsp;Bas Kennis and&nbsp;Gilles Olivesi all join me for short conversations about their experience learning from Tchad Blake at Mix with the Masters 2017.&nbsp;</p><h1><strong>About these Interviews:</strong></h1><p>From Sept. 20th-26th I was in France attending Mix with the Masters with Tchad Blake. I met a great group of audio pros while there. We formed a strong bond and I felt it was important to have a brief chat with each one of them over the course of the time I was there. These interviews took place in the backyard of Studio La Fabrique in St. Remy de Provence.&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-145-with-the-mwtm-attendees]]></link><guid isPermaLink="false">a7b25b4516b4f35737952c5ea30e3aef</guid><itunes:image href="https://artwork.captivate.fm/55ba6f96-124b-4b18-ba36-9a0fa276e272/wca-142-with-tim-randolph-1.png"/><pubDate>Mon, 25 Sep 2017 17:05:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b00ea42b-75fd-4136-bf78-356816cfb723.mp3" length="48583512" type="audio/mpeg"/><itunes:duration>50:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>145</itunes:episode><podcast:episode>145</podcast:episode><itunes:summary>Working Class Audio #145 with the MWTM Attendees!!!
 This week WCA features the 2017 attendees to Mix with the Masters with Tchad Blake. Noam Levinberg, Rishi Bradoo, Eduardo Molina Goigoux, Jeremy Glover, Chris Brandes, Brett Bullion, Peo Hedin, Horacio Bolz, Ryan Worsley, Matthias Ortner, Guillaume Charret, Manuel Egger, Vincent Bonanno, Oded Davidov, Bas Kennis and Gilles Olivesi all join me for short conversations about their experience learning from Tchad Blake at Mix with the Masters 2017. 
 About these Interviews:
 From Sept. 20th-26th I was in France attending Mix with the Masters with Tchad Blake. I met a great group of audio pros while there. We formed a strong bond and I felt it was important to have a brief chat with each one of them over the course of the time I was there. These interviews took place in the backyard of Studio La Fabrique in St. Remy de Provence.</itunes:summary></item><item><title>WCA #144 with Jack Shirley</title><itunes:title>WCA #144 with Jack Shirley</itunes:title><description><![CDATA[<h1>Working Class Audio #144 with Jack Shirley!!!</h1><p> Jack Shirley&nbsp;is a record producer,&nbsp;audio engineer, musician and owner of The Atomic Garden Studio located in&nbsp;Palo Alto, California. He is best known for his work with <a href="https://en.wikipedia.org/wiki/Deafheaven" rel="noopener noreferrer" target="_blank">Deafheaven</a>, &nbsp;<a href="https://en.wikipedia.org/wiki/Loma_Prieta_(band)" rel="noopener noreferrer" target="_blank">Loma Prieta</a>, &nbsp;<a href="https://en.wikipedia.org/wiki/Bosse-de-Nage" rel="noopener noreferrer" target="_blank">Bosse-de-Nage</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Punch_(band)" rel="noopener noreferrer" target="_blank">Punch</a>, <a href="https://en.wikipedia.org/wiki/Whirr" rel="noopener noreferrer" target="_blank">Whirr</a>, &nbsp;La Bella, State Faults and Frameworks. Jack is currently one year into building a new studio in Oakland, California that will become the new Atomic Garden and has been designed by <a href="http://www.weslachot.com/" rel="noopener noreferrer" target="_blank">Wes Lachot</a> .  </p><h1><strong>About this Interview:</strong></h1><p>I visit Jack at his new studio location in Oakland, California and see the building in process. We talk about Jack's humble beginnings at his parents house recording on an Mbox and Dell Computer all the way to his current setup of an API 1608 and 2 inch analog machine. Jack takes me through his progression as an engineer and businessman, laying out his approach to money, band and work. Jack is truly passionate, focused and just an all around nice guy. Enjoy, &nbsp; -Matt</p><h1><strong>Show notes and links:</strong></h1><p><strong>Atomic Garden -&nbsp;</strong><a href="http://theatomicgarden.com/" rel="noopener noreferrer" target="_blank">http://theatomicgarden.com/</a></p><p> <strong>Wes Lachot -</strong> <a href="http://www.weslachot.com/" rel="noopener noreferrer" target="_blank">http://www.weslachot.com/</a></p><p> <strong>Mix with the Masters -&nbsp;</strong><a href="https://mixwiththemasters.com/" rel="noopener noreferrer" target="_blank">https://mixwiththemasters.com/</a></p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio #144 with Jack Shirley!!!</h1><p> Jack Shirley&nbsp;is a record producer,&nbsp;audio engineer, musician and owner of The Atomic Garden Studio located in&nbsp;Palo Alto, California. He is best known for his work with <a href="https://en.wikipedia.org/wiki/Deafheaven" rel="noopener noreferrer" target="_blank">Deafheaven</a>, &nbsp;<a href="https://en.wikipedia.org/wiki/Loma_Prieta_(band)" rel="noopener noreferrer" target="_blank">Loma Prieta</a>, &nbsp;<a href="https://en.wikipedia.org/wiki/Bosse-de-Nage" rel="noopener noreferrer" target="_blank">Bosse-de-Nage</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Punch_(band)" rel="noopener noreferrer" target="_blank">Punch</a>, <a href="https://en.wikipedia.org/wiki/Whirr" rel="noopener noreferrer" target="_blank">Whirr</a>, &nbsp;La Bella, State Faults and Frameworks. Jack is currently one year into building a new studio in Oakland, California that will become the new Atomic Garden and has been designed by <a href="http://www.weslachot.com/" rel="noopener noreferrer" target="_blank">Wes Lachot</a> .  </p><h1><strong>About this Interview:</strong></h1><p>I visit Jack at his new studio location in Oakland, California and see the building in process. We talk about Jack's humble beginnings at his parents house recording on an Mbox and Dell Computer all the way to his current setup of an API 1608 and 2 inch analog machine. Jack takes me through his progression as an engineer and businessman, laying out his approach to money, band and work. Jack is truly passionate, focused and just an all around nice guy. Enjoy, &nbsp; -Matt</p><h1><strong>Show notes and links:</strong></h1><p><strong>Atomic Garden -&nbsp;</strong><a href="http://theatomicgarden.com/" rel="noopener noreferrer" target="_blank">http://theatomicgarden.com/</a></p><p> <strong>Wes Lachot -</strong> <a href="http://www.weslachot.com/" rel="noopener noreferrer" target="_blank">http://www.weslachot.com/</a></p><p> <strong>Mix with the Masters -&nbsp;</strong><a href="https://mixwiththemasters.com/" rel="noopener noreferrer" target="_blank">https://mixwiththemasters.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-144-with-jack-shirley]]></link><guid isPermaLink="false">5ee76c15b3c34f3a040d272cf3c3de43</guid><itunes:image href="https://artwork.captivate.fm/f9d67afa-cc3d-404d-b8ed-9f7632a0d4a9/wca-144-with-jack-shirley-1400.png"/><pubDate>Sun, 17 Sep 2017 12:51:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/dc0e329f-06e7-46cd-8ade-c4a920d617df.mp3" length="54351187" type="audio/mpeg"/><itunes:duration>56:37</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>144</itunes:episode><podcast:episode>144</podcast:episode><itunes:summary>Working Class Audio #144 with Jack Shirley!!!
 Jack Shirley is a record producer, audio engineer, musician and owner of The Atomic Garden Studio located in Palo Alto, California. He is best known for his work with Deafheaven,  Loma Prieta,  Bosse-de-Nage, Punch, Whirr,  La Bella, State Faults and Frameworks. Jack is currently one year into building a new studio in Oakland, California that will become the new Atomic Garden and has been designed by Wes Lachot .  About this Interview:
 I visit Jack at his new studio location in Oakland, California and see the building in process. We talk about Jack&apos;s humble beginnings at his parents house recording on an Mbox and Dell Computer all the way to his current setup of an API 1608 and 2 inch analog machine. Jack takes me through his progression as an engineer and businessman, laying out his approach to money, band and work. Jack is truly passionate, focused and just an all around nice guy. Enjoy,   -Matt
  Show notes and links:
 Atomic Garden - http://theatomicgarden.com/ Wes Lachot - http://www.weslachot.com/ Mix with the Masters - https://mixwiththemasters.com/</itunes:summary></item><item><title>WCA #143 with Rocky Gallo</title><itunes:title>WCA #143 with Rocky Gallo</itunes:title><description><![CDATA[<h1>Working Class Audio #143 with Rocky Gallo!!!</h1><p>Anthony “Rocky” Gallo is a producer/recording engineer based in NYC.&nbsp; Rocky has worked with artists such as John Legend, Tycho, Carrie Underwood, Cat Power, Yeasayer, Mos Def, Carly Simon, Jon Bon Jovi, Perry Farrell, Warren Haynes, Travis Barker, Robert Randolph, Andrew Bird, KRS1 and Talib Kweli just to name a few.</p><p class="ql-align-justify">As the former Chief Engineer at The Cutting Room studios for years, Rocky has worked on platinum award-winning and many Grammy-nominated projects. He has worked closely with notorious producers including Steve Lillywhite, Eddie Kramer,&nbsp;<a href="http://will.i.am/" rel="noopener noreferrer" target="_blank">Will.I.AM</a>, Track Masters, and Jimmy Douglas. Rocky is constantly producing artists himself and is always excited to work in all music genres.</p><p class="ql-align-justify"><br></p><p class="ql-align-justify">Since then Rocky has opened his own studio&nbsp;<a href="http://www.virtueandvicestudio.com/" rel="noopener noreferrer" target="_blank">Virtue And Vice Studios</a>&nbsp;located in Brooklyn, New York. Featuring a Vintage 8024 Neve Console(coming soon) he’s put together a variety of great instruments and high end analog equipment into one place with rates the indie artist can afford.&nbsp; When he is not freelancing at other studios it is his primary home.</p><p class="ql-align-justify"><br></p><h1><strong>About this Interview:</strong></h1><p>Rocky chat's with me about his time at the Cutting Room and the events that lead up to that being his first studio job. We also talk about his new studio <a href="http://virtueandvicestudio.com/" rel="noopener noreferrer" target="_blank">Virtue and Vice</a> , his new Neve 80 series, being single, money, building permits and how he goes out 6 nights a week rather sitting on the couch watching <a href="https://www.netflix.com" rel="noopener noreferrer" target="_blank">Netflix</a>. Many thanks to WCA Kyle Joseph for suggesting Rocky as a guest! -Matt</p><br><h1><strong>Show notes and links:</strong></h1><p><strong>Virtue and Vice Studio -&nbsp;</strong><a href="http://virtueandvicestudio.com/" rel="noopener noreferrer" target="_blank">http://virtueandvicestudio.com/</a></p><p> <strong>Seat Guru -</strong> <a href="http://www.seatguru.com" rel="noopener noreferrer" target="_blank">http://www.seatguru.com</a></p><p> <strong>Mix with the Masters -&nbsp;</strong><a href="https://mixwiththemasters.com/" rel="noopener noreferrer" target="_blank">https://mixwiththemasters.com/</a></p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio #143 with Rocky Gallo!!!</h1><p>Anthony “Rocky” Gallo is a producer/recording engineer based in NYC.&nbsp; Rocky has worked with artists such as John Legend, Tycho, Carrie Underwood, Cat Power, Yeasayer, Mos Def, Carly Simon, Jon Bon Jovi, Perry Farrell, Warren Haynes, Travis Barker, Robert Randolph, Andrew Bird, KRS1 and Talib Kweli just to name a few.</p><p class="ql-align-justify">As the former Chief Engineer at The Cutting Room studios for years, Rocky has worked on platinum award-winning and many Grammy-nominated projects. He has worked closely with notorious producers including Steve Lillywhite, Eddie Kramer,&nbsp;<a href="http://will.i.am/" rel="noopener noreferrer" target="_blank">Will.I.AM</a>, Track Masters, and Jimmy Douglas. Rocky is constantly producing artists himself and is always excited to work in all music genres.</p><p class="ql-align-justify"><br></p><p class="ql-align-justify">Since then Rocky has opened his own studio&nbsp;<a href="http://www.virtueandvicestudio.com/" rel="noopener noreferrer" target="_blank">Virtue And Vice Studios</a>&nbsp;located in Brooklyn, New York. Featuring a Vintage 8024 Neve Console(coming soon) he’s put together a variety of great instruments and high end analog equipment into one place with rates the indie artist can afford.&nbsp; When he is not freelancing at other studios it is his primary home.</p><p class="ql-align-justify"><br></p><h1><strong>About this Interview:</strong></h1><p>Rocky chat's with me about his time at the Cutting Room and the events that lead up to that being his first studio job. We also talk about his new studio <a href="http://virtueandvicestudio.com/" rel="noopener noreferrer" target="_blank">Virtue and Vice</a> , his new Neve 80 series, being single, money, building permits and how he goes out 6 nights a week rather sitting on the couch watching <a href="https://www.netflix.com" rel="noopener noreferrer" target="_blank">Netflix</a>. Many thanks to WCA Kyle Joseph for suggesting Rocky as a guest! -Matt</p><br><h1><strong>Show notes and links:</strong></h1><p><strong>Virtue and Vice Studio -&nbsp;</strong><a href="http://virtueandvicestudio.com/" rel="noopener noreferrer" target="_blank">http://virtueandvicestudio.com/</a></p><p> <strong>Seat Guru -</strong> <a href="http://www.seatguru.com" rel="noopener noreferrer" target="_blank">http://www.seatguru.com</a></p><p> <strong>Mix with the Masters -&nbsp;</strong><a href="https://mixwiththemasters.com/" rel="noopener noreferrer" target="_blank">https://mixwiththemasters.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-143-with-rocky-gallo]]></link><guid isPermaLink="false">d2579c5ed03c1a8a8ae16a5cd5af4394</guid><itunes:image href="https://artwork.captivate.fm/7fb61070-b0f0-42ee-96d0-0ed4cb6236f7/wca-143-with-rocky-gallo-1400.jpg"/><pubDate>Mon, 11 Sep 2017 06:05:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/afafbeb9-6628-487f-b6f6-0077ef1f09bd.mp3" length="50533963" type="audio/mpeg"/><itunes:duration>52:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>143</itunes:episode><podcast:episode>143</podcast:episode><itunes:summary>Working Class Audio #143 with Rocky Gallo!!!
 Anthony “Rocky” Gallo is a producer/recording engineer based in NYC.  Rocky has worked with artists such as John Legend, Tycho, Carrie Underwood, Cat Power, Yeasayer, Mos Def, Carly Simon, Jon Bon Jovi, Perry Farrell, Warren Haynes, Travis Barker, Robert Randolph, Andrew Bird, KRS1 and Talib Kweli just to name a few.
 As the former Chief Engineer at The Cutting Room studios for years, Rocky has worked on platinum award-winning and many Grammy-nominated projects. He has worked closely with notorious producers including Steve Lillywhite, Eddie Kramer, Will.I.AM, Track Masters, and Jimmy Douglas. Rocky is constantly producing artists himself and is always excited to work in all music genres.
 Since then Rocky has opened his own studio Virtue And Vice Studios located in Brooklyn, New York. Featuring a Vintage 8024 Neve Console(coming soon) he’s put together a variety of great instruments and high end analog equipment into one place with rates the indie artist can afford.  When he is not freelancing at other studios it is his primary home.
 About this Interview:
 Rocky chat&apos;s with me about his time at the Cutting Room and the events that lead up to that being his first studio job. We also talk about his new studio Virtue and Vice , his new Neve 80 series, being single, money, building permits and how he goes out 6 nights a week rather sitting on the couch watching Netflix. Many thanks to WCA Kyle Joseph for suggesting Rocky as a guest! -Matt
  Show notes and links:
 Virtue and Vice Studio - http://virtueandvicestudio.com/ Seat Guru - http://www.seatguru.com Mix with the Masters - https://mixwiththemasters.com/</itunes:summary></item><item><title>WCA #142 with Tim Randolph</title><itunes:title>WCA #142 with Tim Randolph</itunes:title><description><![CDATA[<h1>Working Class Audio #142 with Tim Randolph!!!</h1><p>Tim Randolph is a musician, songwriter and record producer. After producing for several indie bands in a variety of studios across the U.S., Tim co-wrote and produced Nico Vega's debut album in 2007. &nbsp;Since then, he has gone on to produce for and co-write with international stars such as Imagine Dragons, including two tracks from their 2017 album Evolve, reaching number two on billboard charts. &nbsp;Along with a thriving career in production, Tim is a multi-instrumentalist that has toured globally, most notably playing arenas and festivals with The Killers.</p><h1><strong>About this Interview:</strong></h1><p>TIm joins me for a chat about his early recording and live sound days as well as &nbsp;his current work producing and cowriting with Dan from Imagine Dragons. We also talk about the finer details of working with people in the music industry when it comes to songwriting splits and signing on with a manager. -Matt</p><h1><strong>Show notes and links:</strong></h1><p><strong>UA Link for Apollo Rack Dream Studio:</strong>&nbsp;<a href="http://www.uaudio.com/apollo-dream-studio" rel="noopener noreferrer" target="_blank">http://www.uaudio.com/apollo-dream-studio</a></p><p><br></p><p><strong>Audio-Technica BLOG:</strong>&nbsp;<a href="http://blog.audio-technica.com/audio-techniques-video-production-comprehensive-guide/" rel="noopener noreferrer" target="_blank">http://blog.audio-technica.com/audio-techniques-video-production-comprehensive-guide/</a></p><p><br></p><p><strong>The song Levitate mentioned in the interview:</strong>&nbsp;<a href="https://youtu.be/z0a9k1gSMsw" rel="noopener noreferrer" target="_blank">https://youtu.be/z0a9k1gSMsw</a></p><p><br></p><p><strong>The Donald Passman Book:</strong>&nbsp;<a href="http://amzn.to/2wzsoRg" rel="noopener noreferrer" target="_blank">http://amzn.to/2wzsoRg</a></p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio #142 with Tim Randolph!!!</h1><p>Tim Randolph is a musician, songwriter and record producer. After producing for several indie bands in a variety of studios across the U.S., Tim co-wrote and produced Nico Vega's debut album in 2007. &nbsp;Since then, he has gone on to produce for and co-write with international stars such as Imagine Dragons, including two tracks from their 2017 album Evolve, reaching number two on billboard charts. &nbsp;Along with a thriving career in production, Tim is a multi-instrumentalist that has toured globally, most notably playing arenas and festivals with The Killers.</p><h1><strong>About this Interview:</strong></h1><p>TIm joins me for a chat about his early recording and live sound days as well as &nbsp;his current work producing and cowriting with Dan from Imagine Dragons. We also talk about the finer details of working with people in the music industry when it comes to songwriting splits and signing on with a manager. -Matt</p><h1><strong>Show notes and links:</strong></h1><p><strong>UA Link for Apollo Rack Dream Studio:</strong>&nbsp;<a href="http://www.uaudio.com/apollo-dream-studio" rel="noopener noreferrer" target="_blank">http://www.uaudio.com/apollo-dream-studio</a></p><p><br></p><p><strong>Audio-Technica BLOG:</strong>&nbsp;<a href="http://blog.audio-technica.com/audio-techniques-video-production-comprehensive-guide/" rel="noopener noreferrer" target="_blank">http://blog.audio-technica.com/audio-techniques-video-production-comprehensive-guide/</a></p><p><br></p><p><strong>The song Levitate mentioned in the interview:</strong>&nbsp;<a href="https://youtu.be/z0a9k1gSMsw" rel="noopener noreferrer" target="_blank">https://youtu.be/z0a9k1gSMsw</a></p><p><br></p><p><strong>The Donald Passman Book:</strong>&nbsp;<a href="http://amzn.to/2wzsoRg" rel="noopener noreferrer" target="_blank">http://amzn.to/2wzsoRg</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-142-with-tim-randolph]]></link><guid isPermaLink="false">f32ed22cf2c7d766ebd70618c1a81b60</guid><itunes:image href="https://artwork.captivate.fm/69744f79-61ce-44a3-8f77-2266b835b89a/wca-142-with-tim-randolph-1400.png"/><pubDate>Mon, 04 Sep 2017 19:53:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f2d5ae22-07de-4e28-a1a9-efc03c6072ec.mp3" length="58103624" type="audio/mpeg"/><itunes:duration>01:00:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>142</itunes:episode><podcast:episode>142</podcast:episode><itunes:summary>Working Class Audio #142 with Tim Randolph!!!
 Tim Randolph is a musician, songwriter and record producer. After producing for several indie bands in a variety of studios across the U.S., Tim co-wrote and produced Nico Vega&apos;s debut album in 2007.  Since then, he has gone on to produce for and co-write with international stars such as Imagine Dragons, including two tracks from their 2017 album Evolve, reaching number two on billboard charts.  Along with a thriving career in production, Tim is a multi-instrumentalist that has toured globally, most notably playing arenas and festivals with The Killers.
 About this Interview:
 TIm joins me for a chat about his early recording and live sound days as well as  his current work producing and cowriting with Dan from Imagine Dragons. We also talk about the finer details of working with people in the music industry when it comes to songwriting splits and signing on with a manager. -Matt
  Show notes and links:
 UA Link for Apollo Rack Dream Studio: http://www.uaudio.com/apollo-dream-studio
 Audio-Technica BLOG: http://blog.audio-technica.com/audio-techniques-video-production-comprehensive-guide/
 The song Levitate mentioned in the interview: https://youtu.be/z0a9k1gSMsw
 The Donald Passman Book: http://amzn.to/2wzsoRg</itunes:summary></item><item><title>WCA #141 with Chris Selim</title><itunes:title>WCA #141 with Chris Selim</itunes:title><description><![CDATA[<p>Chris&nbsp;Selim&nbsp;is&nbsp;a musician, music&nbsp;producer&nbsp;and&nbsp;recording/mixing&nbsp;engineer.&nbsp; Chris is renowned&nbsp;for&nbsp;his&nbsp;work&nbsp;in&nbsp;the&nbsp;French&nbsp;Christian&nbsp;music&nbsp;industry.&nbsp;Having&nbsp;produced&nbsp;and&nbsp;mixed&nbsp;artists&nbsp;globally&nbsp;in&nbsp;Canada,&nbsp;USA,&nbsp;France,&nbsp;Belgium&nbsp;and&nbsp;Switzerland,&nbsp;Chris&nbsp;has&nbsp;been&nbsp;working&nbsp;remotely&nbsp;with&nbsp;many&nbsp;of&nbsp;these&nbsp;artists&nbsp;using&nbsp;today’s&nbsp;technology.&nbsp;Out&nbsp;of&nbsp;his&nbsp;recording&nbsp;studio&nbsp;near&nbsp;Montreal, Canada, Chris&nbsp;has mixed and produced more&nbsp;than&nbsp;75&nbsp;albums&nbsp;over&nbsp;the&nbsp;past&nbsp;fourteen&nbsp;years.    &nbsp;  Chris has worked with Canadian Christian Artist,&nbsp;Convenant Award&nbsp;winner&nbsp;<em>(Canadian version of the Dove Awards)</em>&nbsp;and Juno&nbsp;nominee&nbsp;Lianna Klassen. French Christian Artists such as Impact, Seb Demrey, Luc Dumont, Andreanne, Peggy Polito to name a few...   <em>&nbsp;</em>   Chris&nbsp;is&nbsp;also&nbsp;the&nbsp;creator&nbsp;of Mixdown&nbsp;Online (mixdown.online),&nbsp;a&nbsp;resource website and Youtube channel design&nbsp;for&nbsp;helping&nbsp;musicians&nbsp;and&nbsp;home&nbsp;studio&nbsp;owners&nbsp;with&nbsp;their music production, recording and mixing skills&nbsp;through Youtube&nbsp;tutorial&nbsp;videos&nbsp;and&nbsp;blog&nbsp;articles.  </p><h1><strong>About this Interview:</strong></h1><p>I met Chris through an online "Mastermind" Friday morning video call I do weekly. &nbsp;I was able to hang out with Chris in person in Nashville and it's there I realized he would be a great candidate for WCA. Chris joins me &nbsp;for a chat about &nbsp;diet, money, his involvement in the French Canadian Christian music scene, and his home studio build. -Matt</p>]]></description><content:encoded><![CDATA[<p>Chris&nbsp;Selim&nbsp;is&nbsp;a musician, music&nbsp;producer&nbsp;and&nbsp;recording/mixing&nbsp;engineer.&nbsp; Chris is renowned&nbsp;for&nbsp;his&nbsp;work&nbsp;in&nbsp;the&nbsp;French&nbsp;Christian&nbsp;music&nbsp;industry.&nbsp;Having&nbsp;produced&nbsp;and&nbsp;mixed&nbsp;artists&nbsp;globally&nbsp;in&nbsp;Canada,&nbsp;USA,&nbsp;France,&nbsp;Belgium&nbsp;and&nbsp;Switzerland,&nbsp;Chris&nbsp;has&nbsp;been&nbsp;working&nbsp;remotely&nbsp;with&nbsp;many&nbsp;of&nbsp;these&nbsp;artists&nbsp;using&nbsp;today’s&nbsp;technology.&nbsp;Out&nbsp;of&nbsp;his&nbsp;recording&nbsp;studio&nbsp;near&nbsp;Montreal, Canada, Chris&nbsp;has mixed and produced more&nbsp;than&nbsp;75&nbsp;albums&nbsp;over&nbsp;the&nbsp;past&nbsp;fourteen&nbsp;years.    &nbsp;  Chris has worked with Canadian Christian Artist,&nbsp;Convenant Award&nbsp;winner&nbsp;<em>(Canadian version of the Dove Awards)</em>&nbsp;and Juno&nbsp;nominee&nbsp;Lianna Klassen. French Christian Artists such as Impact, Seb Demrey, Luc Dumont, Andreanne, Peggy Polito to name a few...   <em>&nbsp;</em>   Chris&nbsp;is&nbsp;also&nbsp;the&nbsp;creator&nbsp;of Mixdown&nbsp;Online (mixdown.online),&nbsp;a&nbsp;resource website and Youtube channel design&nbsp;for&nbsp;helping&nbsp;musicians&nbsp;and&nbsp;home&nbsp;studio&nbsp;owners&nbsp;with&nbsp;their music production, recording and mixing skills&nbsp;through Youtube&nbsp;tutorial&nbsp;videos&nbsp;and&nbsp;blog&nbsp;articles.  </p><h1><strong>About this Interview:</strong></h1><p>I met Chris through an online "Mastermind" Friday morning video call I do weekly. &nbsp;I was able to hang out with Chris in person in Nashville and it's there I realized he would be a great candidate for WCA. Chris joins me &nbsp;for a chat about &nbsp;diet, money, his involvement in the French Canadian Christian music scene, and his home studio build. -Matt</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-141-with-chris-selim]]></link><guid isPermaLink="false">8278496393919069d4102029c32b5424</guid><itunes:image href="https://artwork.captivate.fm/9994adaa-c227-4b6e-8b9c-16688e245e6f/nXbw-BbJLE_Nx7iy9blgoezH.jpg"/><pubDate>Mon, 28 Aug 2017 13:48:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c974d287-402a-4446-8e09-23f829aaa539.mp3" length="52125552" type="audio/mpeg"/><itunes:duration>54:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>141</itunes:episode><podcast:episode>141</podcast:episode><itunes:summary>Working Class Audio Session #141 with Chris Selim!!!
 Chris Selim is a musician, music producer and recording/mixing engineer.  Chris is renowned for his work in the French Christian music industry. Having produced and mixed artists globally in Canada, USA, France, Belgium and Switzerland, Chris has been working remotely with many of these artists using today’s technology. Out of his recording studio near Montreal, Canada, Chris has mixed and produced more than 75 albums over the past fourteen years.       Chris has worked with Canadian Christian Artist, Convenant Award winner (Canadian version of the Dove Awards) and Juno nominee Lianna Klassen. French Christian Artists such as Impact, Seb Demrey, Luc Dumont, Andreanne, Peggy Polito to name a few...       Chris is also the creator of Mixdown Online (mixdown.online), a resource website and Youtube channel design for helping musicians and home studio owners with their music production, recording and mixing skills through Youtube tutorial videos and blog articles.  About this Interview:
 I met Chris through an online &quot;Mastermind&quot; Friday morning video call I do weekly.  I was able to hang out with Chris in person in Nashville and it&apos;s there I realized he would be a great candidate for WCA. Chris joins me  for a chat about  diet, money, his involvement in the French Canadian Christian music scene, and his home studio build. -Matt</itunes:summary></item><item><title>WCA #140 with Robert Scovill</title><itunes:title>WCA #140 with Robert Scovill</itunes:title><description><![CDATA[<h1>Working Class Audio Session #140 with Robert Scovill!!!</h1><p>Robert Scovill is a modern day renaissance man with interests and activities spanning a wide breadth of professional audio. Robert is a 35-year veteran of professional concert sound and recording and has mixed over 3500 events in his career. His engineering and production talents have been enlisted by a veritable</p><p> ‘Who’s Who’ of marquee music acts including Tom Petty &amp; The Heartbreakers, Matchbox Twenty, Jackson Browne, Rush, Def Leppard, Prince and many others.</p><p>Scovill’s body of live sound and recording work has garnered numerous industry accolades including 6 TEC Awards for technical and creative achievement in sound reinforcement. Robert is a 4 time nominee, two time winner of the PLSN Parnelli Award for live sound engineer of the year and has been a multi-year nominee for Mobile Production’s “Top Dog” Award along with being an inaugural</p><p> nominee for the highly coveted Pensado Award for live sound excellence.</p><p>As the owner of Eldon’s Boy Productions Inc. and </p><p><a href="https://www.facebook.com/musicanvas/" rel="noopener noreferrer" target="_blank"> MusiCanvas Recorders</a> in Scottsdale, AZ, he offers full service mixing facility and mobile recording services.Robert is also a highly sought after consultant advising artists, sound companies</p><p> and the house of worship market on everything from technology, workflows and acoustics for their companies and events.</p><p>As an educator, Robert has lectured throughout the world on concert sound and recording practices at seminars and trade shows, and is a regular contributor to numerous industry publications, blog sites and YouTube video series.</p><p>Robert’s profile includes positions as a technical consultant for many of the top name manufacturers in professional audio, including Avid, EAW, Neumann, Audio-Technica, Electrovoice, Servo Drive, and Alesis. He has held the title of endorser</p><p> for numerous products, including Avid’s VENUE live sound environment, WAVE’s digital technology, Neumann Microphones, ATI Paragon, Intersonics loud speakers, Future Sonics ear monitors, and countless others throughout the years.</p><p>In 2006 Robert served as guest speaker delivering the keynote address for the Annual AES conference in San Francisco. He currently holds the position of Senior</p><p> Specialist for live sound and recording products for Avid as principle designer for their VENUE line of live sound consoles, contributing to all aspects of their commanding presence in the live event market.</p><p>Robert’s hobbies include snowboarding, archery, pistol and rifle sports along with endurance challenge athletic events. He has successfully completed the Lake Tahoe North/South Swim, The Alcatraz Swim Challenge, The Great Wall Marathon</p><p> and World’s Toughest Mudder along with numerous other events.</p><p>Robert is very happily married with three children and a dog named Fender.</p><p><br></p><h1><strong>About this Interview:</strong></h1><p>Robert joins me via Skype in Arizona to talk about challenges on the road including diet, fitness, staying close with family as well as his love for digital technology in the</p><p> live sound world. -Matt</p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio Session #140 with Robert Scovill!!!</h1><p>Robert Scovill is a modern day renaissance man with interests and activities spanning a wide breadth of professional audio. Robert is a 35-year veteran of professional concert sound and recording and has mixed over 3500 events in his career. His engineering and production talents have been enlisted by a veritable</p><p> ‘Who’s Who’ of marquee music acts including Tom Petty &amp; The Heartbreakers, Matchbox Twenty, Jackson Browne, Rush, Def Leppard, Prince and many others.</p><p>Scovill’s body of live sound and recording work has garnered numerous industry accolades including 6 TEC Awards for technical and creative achievement in sound reinforcement. Robert is a 4 time nominee, two time winner of the PLSN Parnelli Award for live sound engineer of the year and has been a multi-year nominee for Mobile Production’s “Top Dog” Award along with being an inaugural</p><p> nominee for the highly coveted Pensado Award for live sound excellence.</p><p>As the owner of Eldon’s Boy Productions Inc. and </p><p><a href="https://www.facebook.com/musicanvas/" rel="noopener noreferrer" target="_blank"> MusiCanvas Recorders</a> in Scottsdale, AZ, he offers full service mixing facility and mobile recording services.Robert is also a highly sought after consultant advising artists, sound companies</p><p> and the house of worship market on everything from technology, workflows and acoustics for their companies and events.</p><p>As an educator, Robert has lectured throughout the world on concert sound and recording practices at seminars and trade shows, and is a regular contributor to numerous industry publications, blog sites and YouTube video series.</p><p>Robert’s profile includes positions as a technical consultant for many of the top name manufacturers in professional audio, including Avid, EAW, Neumann, Audio-Technica, Electrovoice, Servo Drive, and Alesis. He has held the title of endorser</p><p> for numerous products, including Avid’s VENUE live sound environment, WAVE’s digital technology, Neumann Microphones, ATI Paragon, Intersonics loud speakers, Future Sonics ear monitors, and countless others throughout the years.</p><p>In 2006 Robert served as guest speaker delivering the keynote address for the Annual AES conference in San Francisco. He currently holds the position of Senior</p><p> Specialist for live sound and recording products for Avid as principle designer for their VENUE line of live sound consoles, contributing to all aspects of their commanding presence in the live event market.</p><p>Robert’s hobbies include snowboarding, archery, pistol and rifle sports along with endurance challenge athletic events. He has successfully completed the Lake Tahoe North/South Swim, The Alcatraz Swim Challenge, The Great Wall Marathon</p><p> and World’s Toughest Mudder along with numerous other events.</p><p>Robert is very happily married with three children and a dog named Fender.</p><p><br></p><h1><strong>About this Interview:</strong></h1><p>Robert joins me via Skype in Arizona to talk about challenges on the road including diet, fitness, staying close with family as well as his love for digital technology in the</p><p> live sound world. -Matt</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-140-with-robert-scovill]]></link><guid isPermaLink="false">790c1b7ad919ad5d344e9735fbe836d3</guid><itunes:image href="https://artwork.captivate.fm/8bb54ed2-c1b1-4dd5-bd1e-370d190a115c/wca-140-with-robert-scovill.jpg"/><pubDate>Mon, 21 Aug 2017 19:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/26ee9ab8-ac5d-4e74-9ffe-d4d3a4459c34.mp3" length="54442306" type="audio/mpeg"/><itunes:duration>56:43</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>140</itunes:episode><podcast:episode>140</podcast:episode><itunes:summary>Working Class Audio Session #140 with Robert Scovill!!!
 Robert Scovill is a modern day renaissance man with interests and activities spanning a wide breadth of professional audio. Robert is a 35-year veteran of professional concert sound and recording and has mixed over 3500 events in his career. His engineering and production talents have been enlisted by a veritable ‘Who’s Who’ of marquee music acts including Tom Petty &amp; The Heartbreakers, Matchbox Twenty, Jackson Browne, Rush, Def Leppard, Prince and many others.
 Scovill’s body of live sound and recording work has garnered numerous industry accolades including 6 TEC Awards for technical and creative achievement in sound reinforcement. Robert is a 4 time nominee, two time winner of the PLSN Parnelli Award for live sound engineer of the year and has been a multi-year nominee for Mobile Production’s “Top Dog” Award along with being an inaugural nominee for the highly coveted Pensado Award for live sound excellence.
 As the owner of Eldon’s Boy Productions Inc. and  MusiCanvas Recorders in Scottsdale, AZ, he offers full service mixing facility and mobile recording services.Robert is also a highly sought after consultant advising artists, sound companies and the house of worship market on everything from technology, workflows and acoustics for their companies and events.
 As an educator, Robert has lectured throughout the world on concert sound and recording practices at seminars and trade shows, and is a regular contributor to numerous industry publications, blog sites and YouTube video series.
 Robert’s profile includes positions as a technical consultant for many of the top name manufacturers in professional audio, including Avid, EAW, Neumann, Audio-Technica, Electrovoice, Servo Drive, and Alesis. He has held the title of endorser for numerous products, including Avid’s VENUE live sound environment, WAVE’s digital technology, Neumann Microphones, ATI Paragon, Intersonics loud speakers, Future Sonics ear monitors, and countless others throughout the years.
 In 2006 Robert served as guest speaker delivering the keynote address for the Annual AES conference in San Francisco. He currently holds the position of Senior Specialist for live sound and recording products for Avid as principle designer for their VENUE line of live sound consoles, contributing to all aspects of their commanding presence in the live event market.
 Robert’s hobbies include snowboarding, archery, pistol and rifle sports along with endurance challenge athletic events. He has successfully completed the Lake Tahoe North/South Swim, The Alcatraz Swim Challenge, The Great Wall Marathon and World’s Toughest Mudder along with numerous other events.
 Robert is very happily married with three children and a dog named Fender.
 About this Interview:
 Robert joins me via Skype in Arizona to talk about challenges on the road including diet, fitness, staying close with family as well as his love for digital technology in the live sound world. -Matt</itunes:summary></item><item><title>WCA #139 with Langston Masingale</title><itunes:title>WCA #139 with Langston Masingale</itunes:title><description><![CDATA[<p>Langston Masingale has been working in recording studios for the last 24 years, starting at age 16 in his uncles studio in New Jersey. &nbsp;Langston helped start JJ Audio Mics in 2009 and in 2014 invented what would become the core technology of Zulu.&nbsp; He formed Handsome Audio in 2015 with his partner Tod Levine and Zulu was released this year.&nbsp;Langston still owns a recording studio called Narrative Audio based in Syracuse, NY where he still produces and records artists.His passion for the analog aesthetic drives him to create new and interesting tools for the modern recording engineer and record producer alike.  </p><h2><strong>About this Interview:</strong></h2><p>Alan Evans (<a href="http://www.workingclassaudio.com/wca-133-with-alan-evans/" rel="noopener noreferrer" target="_blank">WCA#133</a>) suggested I talk with Langston. Langston talks about his early experiences with his Uncle's studio in New Jersey, how early exposure to analog tape shaped his sonic viewpoint and lead him to develop Zulu. Langston also talks about his faith, family and how his experience in college also helped drive him to be the person he is today. &nbsp;-Matt</p>]]></description><content:encoded><![CDATA[<p>Langston Masingale has been working in recording studios for the last 24 years, starting at age 16 in his uncles studio in New Jersey. &nbsp;Langston helped start JJ Audio Mics in 2009 and in 2014 invented what would become the core technology of Zulu.&nbsp; He formed Handsome Audio in 2015 with his partner Tod Levine and Zulu was released this year.&nbsp;Langston still owns a recording studio called Narrative Audio based in Syracuse, NY where he still produces and records artists.His passion for the analog aesthetic drives him to create new and interesting tools for the modern recording engineer and record producer alike.  </p><h2><strong>About this Interview:</strong></h2><p>Alan Evans (<a href="http://www.workingclassaudio.com/wca-133-with-alan-evans/" rel="noopener noreferrer" target="_blank">WCA#133</a>) suggested I talk with Langston. Langston talks about his early experiences with his Uncle's studio in New Jersey, how early exposure to analog tape shaped his sonic viewpoint and lead him to develop Zulu. Langston also talks about his faith, family and how his experience in college also helped drive him to be the person he is today. &nbsp;-Matt</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-139-with-langston-masingale]]></link><guid isPermaLink="false">d61059bc997e3b192f26230020afa960</guid><itunes:image href="https://artwork.captivate.fm/21f3b588-8dd0-4ff1-a047-49eb5a890ed1/QnzyOAkCozWf5Rk2HxlTUHPo.jpg"/><pubDate>Mon, 14 Aug 2017 18:09:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e5a8d650-ff00-4309-afd5-5d61ca052cde.mp3" length="66816413" type="audio/mpeg"/><itunes:duration>01:09:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>139</itunes:episode><podcast:episode>139</podcast:episode><itunes:summary>Working Class Audio Session #139 with Langston Masingale!!!
 Langston Masingale has been working in recording studios for the last 24 years, starting at age 16 in his uncles studio in New Jersey.  Langston helped start JJ Audio Mics in 2009 and in 2014 invented what would become the core technology of Zulu.  He formed Handsome Audio in 2015 with his partner Tod Levine and Zulu was released this year. Langston still owns a recording studio called Narrative Audio based in Syracuse, NY where he still produces and records artists.His passion for the analog aesthetic drives him to create new and interesting tools for the modern recording engineer and record producer alike.  About this Interview:
 Alan Evans (WCA#133) suggested I talk with Langston. Langston talks about his early experiences with his Uncle&apos;s studio in New Jersey, how early exposure to analog tape shaped his sonic viewpoint and lead him to develop Zulu. Langston also talks about his faith, family and how his experience in college also helped drive him to be the person he is today.  -Matt</itunes:summary></item><item><title>WCA #138 with Ryan Massey</title><itunes:title>WCA #138 with Ryan Massey</itunes:title><description><![CDATA[<p>Ryan Massey is a musician, recording engineer/producer, and is the co-owner of Sharkbite Studios and Jack London Rehearsal in Oakland, CA. Ryan has spent a lifetime in music- singing with the SF Opera as a choir boy, belting out punk rock anthems with his band American Steel (Lookout Records/Fat Wreck Chords), doing the pop thing with Communiqué (Lookout), rocking with The Sunset Shipwrecks (Lugosi Records), touring the world, running both studios and a very small label.</p><h2><strong>About this Interview:</strong></h2><p>Ryan came over to the house and chatted about many things including how he became the co-owner of Sharkbite Studios, how he runs his business, getting and beating Cancer, the importance of his family and the Bay Area recording/music scene. I have great respect for Ryan. He's a hard working honest guy who deals fairly when it comes to business.</p>]]></description><content:encoded><![CDATA[<p>Ryan Massey is a musician, recording engineer/producer, and is the co-owner of Sharkbite Studios and Jack London Rehearsal in Oakland, CA. Ryan has spent a lifetime in music- singing with the SF Opera as a choir boy, belting out punk rock anthems with his band American Steel (Lookout Records/Fat Wreck Chords), doing the pop thing with Communiqué (Lookout), rocking with The Sunset Shipwrecks (Lugosi Records), touring the world, running both studios and a very small label.</p><h2><strong>About this Interview:</strong></h2><p>Ryan came over to the house and chatted about many things including how he became the co-owner of Sharkbite Studios, how he runs his business, getting and beating Cancer, the importance of his family and the Bay Area recording/music scene. I have great respect for Ryan. He's a hard working honest guy who deals fairly when it comes to business.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-138-with-ryan-massey]]></link><guid isPermaLink="false">15d08f169671335fb3d4e25182b025c4</guid><itunes:image href="https://artwork.captivate.fm/2f7d5813-24c4-4ad5-8328-6d04b5c5fd83/aQ0AlzxCiG4VtA7cb49UaY9v.jpg"/><pubDate>Mon, 07 Aug 2017 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8cac059e-cc9f-4040-bc9e-9aeaf0d926ae.mp3" length="55659123" type="audio/mpeg"/><itunes:duration>57:59</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>138</itunes:episode><podcast:episode>138</podcast:episode><itunes:summary>WCA #138 with Ryan Massey
 Ryan Massey is a musician, recording engineer/producer, and is the co-owner of Sharkbite Studios and Jack London Rehearsal in Oakland, CA. Ryan has spent a lifetime in music- singing with the SF Opera as a choir boy, belting out punk rock anthems with his band American Steel (Lookout Records/Fat Wreck Chords), doing the pop thing with Communiqué (Lookout), rocking with The Sunset Shipwrecks (Lugosi Records), touring the world, running both studios and a very small label.
  About this Interview:
 Ryan came over to the house and chatted about many things including how he became the co-owner of Sharkbite Studios, how he runs his business, getting and beating Cancer, the importance of his family and the Bay Area recording/music scene. I have great respect for Ryan. He&apos;s a hard working honest guy who deals fairly when it comes to business.</itunes:summary></item><item><title>WCA #137 with Anthony Gravino</title><itunes:title>WCA #137 with Anthony Gravino</itunes:title><description><![CDATA[<p>Anthony Gravino is an independent musician and record maker in Chicago, Illinois. He primarily works as a producer, recording engineer, mixer and mastering engineer out of his private studio, The Drake in Chicago, IL. In addition to his music production background, Anthony also plays guitar, bass, percussion and sings as a backing musician and a solo artist in both live and studio settings. His work includes an eclectic variety of styles across many genres including rock, jazz, blues, folk, pop, classical, R&amp;B and a lot of stuff in between.</p><h2><strong>About this Interview:</strong></h2><p>Anthony talks with me about being influenced by <a href="http://www.adamschmitt.com/Adam_Schmitt_Music_Production_Audio_Recording_Engineering_Mixing_Mastering.html" rel="noopener noreferrer" target="_blank">Adam </a>Schmitt and&nbsp;our mutual friend Jonathan Pines, how he runs his studio, the transition from day jobs to full time recording professional, insurance, and the importance of getting out of the house to see live music and meet bands.</p><p><br></p><h2><strong>Show notes and links:</strong></h2><p><a href="http://soundways.com/rin" rel="noopener noreferrer" target="_blank"><strong>RIN-M Meta Data Plugin. </strong></a></p><p><strong>Choose your airline seat carefully! </strong><a href="https://www.seatguru.com/" rel="noopener noreferrer" target="_blank"><strong>seatguru.com</strong></a></p><p><strong>The Desk&nbsp; </strong><a href="https://output.com/products/platform" rel="noopener noreferrer" target="_blank"><strong>https://output.com/products/platform</strong></a></p><p><strong>Anthony's website: </strong><a href="https://anthonygravino.com/" rel="noopener noreferrer" target="_blank"><strong>https://anthonygravino.com/</strong></a></p><p><strong>Anthony's insurance agent:&nbsp; </strong>Jeff Woodman of Woodman Insurance contact info is <a href="mailto:jeff@woodmaninsurance.com" rel="noopener noreferrer" target="_blank">jeff@woodmaninsurance.com</a></p>]]></description><content:encoded><![CDATA[<p>Anthony Gravino is an independent musician and record maker in Chicago, Illinois. He primarily works as a producer, recording engineer, mixer and mastering engineer out of his private studio, The Drake in Chicago, IL. In addition to his music production background, Anthony also plays guitar, bass, percussion and sings as a backing musician and a solo artist in both live and studio settings. His work includes an eclectic variety of styles across many genres including rock, jazz, blues, folk, pop, classical, R&amp;B and a lot of stuff in between.</p><h2><strong>About this Interview:</strong></h2><p>Anthony talks with me about being influenced by <a href="http://www.adamschmitt.com/Adam_Schmitt_Music_Production_Audio_Recording_Engineering_Mixing_Mastering.html" rel="noopener noreferrer" target="_blank">Adam </a>Schmitt and&nbsp;our mutual friend Jonathan Pines, how he runs his studio, the transition from day jobs to full time recording professional, insurance, and the importance of getting out of the house to see live music and meet bands.</p><p><br></p><h2><strong>Show notes and links:</strong></h2><p><a href="http://soundways.com/rin" rel="noopener noreferrer" target="_blank"><strong>RIN-M Meta Data Plugin. </strong></a></p><p><strong>Choose your airline seat carefully! </strong><a href="https://www.seatguru.com/" rel="noopener noreferrer" target="_blank"><strong>seatguru.com</strong></a></p><p><strong>The Desk&nbsp; </strong><a href="https://output.com/products/platform" rel="noopener noreferrer" target="_blank"><strong>https://output.com/products/platform</strong></a></p><p><strong>Anthony's website: </strong><a href="https://anthonygravino.com/" rel="noopener noreferrer" target="_blank"><strong>https://anthonygravino.com/</strong></a></p><p><strong>Anthony's insurance agent:&nbsp; </strong>Jeff Woodman of Woodman Insurance contact info is <a href="mailto:jeff@woodmaninsurance.com" rel="noopener noreferrer" target="_blank">jeff@woodmaninsurance.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-137-with-anthony-gravino]]></link><guid isPermaLink="false">2bb7799e0192d8ff9bc32e3ee2293cb7</guid><itunes:image href="https://artwork.captivate.fm/08ba3732-860a-44b3-ac84-735ce3a76435/uQPldUY8so1HTxGXkk2nyV6M.jpg"/><pubDate>Mon, 31 Jul 2017 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ab2afb82-0582-4299-accf-2dede00e4cd1.mp3" length="50744623" type="audio/mpeg"/><itunes:duration>52:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>137</itunes:episode><podcast:episode>137</podcast:episode><itunes:summary>Working Class Audio Session #137 with Anthony Gravino!!!
Anthony Gravino is an independent musician and record maker in Chicago, Illinois. He primarily works as a producer, recording engineer, mixer and mastering engineer out of his private studio, The Drake in Chicago, IL. In addition to his music production background, Anthony also plays guitar, bass, percussion and sings as a backing musician and a solo artist in both live and studio settings. His work includes an eclectic variety of styles across many genres including rock, jazz, blues, folk, pop, classical, R&amp;B and a lot of stuff in between.

About this Interview:
Anthony talks with me about being influenced by Adam Schmitt and our mutual friend Jonathan Pines, how he runs his studio, the transition from day jobs to full time recording professional, insurance, and the importance of getting out of the house to see live music and meet bands.

Show notes and links:
RIN-M Meta Data Plugin. 
Choose your airline seat carefully! seatguru.com
 The Desk  https://output.com/products/platform
 Anthony&apos;s website: https://anthonygravino.com/
 Anthony&apos;s insurance agent:  Jeff Woodman of Woodman Insurance contact info is jeff@woodmaninsurance.com</itunes:summary></item><item><title>WCA #136 with Kevin Becka</title><itunes:title>WCA #136 with Kevin Becka</itunes:title><description><![CDATA[<p>Kevin Becka has worked as a recording engineer for over 25 years, working with the top names in music including Kenny G., Quincy Jones, Michael Bolton, George Benson, George Lynch, and more. An experienced educator, Kevin is currently the co-director and instructor at&nbsp;<a href="http://theblackbirdacademy.com/" rel="noopener noreferrer" target="_blank"><strong>The Blackbird Academy</strong></a>&nbsp;in Nashville. He has also taught advanced recording at Belmont University, surround recording and lecturer at the Danish Rhythmic Music Conservatory in Copenhagen, Denmark, and was director of education and instructor at the Conservatory of Recording Arts for over 10 years.&nbsp;Kevin is a journalist who has worked as editors of Pro Audio Review and Audio Media USA magazines. Since 2003, Kevin has been the technical editor of the industry-leading Mix Magazine where he writes features, product reviews and a monthly column.</p><h3><strong>About this Interview:</strong></h3><p>On my recent trip to Nashville I was given a tour of&nbsp;<a href="https://www.blackbirdstudio.com/" rel="noopener noreferrer" target="_blank">Blackbird Studios</a>&nbsp;by former WCA guest Mark Rubel&nbsp;<a href="https://www.workingclassaudio.com/wca-034-with-mark-rubel/" rel="noopener noreferrer" target="_blank">(WCA #034)</a>. On that tour I was introduced to Kevin Becka. I later talked with Kevin at length during the Winter NAMM show that week and knew he would make a great guest for WCA. In this interview I chat with Kevin about the&nbsp;RIN-M meta Data plugin,&nbsp;Blackbird and Education, Blackbird graduate&nbsp;David Platillero and his struggle after being hit by a car. We also discuss Kevin’s background, his habits and quotes that help him keep his career moving forward and inspire others.</p>]]></description><content:encoded><![CDATA[<p>Kevin Becka has worked as a recording engineer for over 25 years, working with the top names in music including Kenny G., Quincy Jones, Michael Bolton, George Benson, George Lynch, and more. An experienced educator, Kevin is currently the co-director and instructor at&nbsp;<a href="http://theblackbirdacademy.com/" rel="noopener noreferrer" target="_blank"><strong>The Blackbird Academy</strong></a>&nbsp;in Nashville. He has also taught advanced recording at Belmont University, surround recording and lecturer at the Danish Rhythmic Music Conservatory in Copenhagen, Denmark, and was director of education and instructor at the Conservatory of Recording Arts for over 10 years.&nbsp;Kevin is a journalist who has worked as editors of Pro Audio Review and Audio Media USA magazines. Since 2003, Kevin has been the technical editor of the industry-leading Mix Magazine where he writes features, product reviews and a monthly column.</p><h3><strong>About this Interview:</strong></h3><p>On my recent trip to Nashville I was given a tour of&nbsp;<a href="https://www.blackbirdstudio.com/" rel="noopener noreferrer" target="_blank">Blackbird Studios</a>&nbsp;by former WCA guest Mark Rubel&nbsp;<a href="https://www.workingclassaudio.com/wca-034-with-mark-rubel/" rel="noopener noreferrer" target="_blank">(WCA #034)</a>. On that tour I was introduced to Kevin Becka. I later talked with Kevin at length during the Winter NAMM show that week and knew he would make a great guest for WCA. In this interview I chat with Kevin about the&nbsp;RIN-M meta Data plugin,&nbsp;Blackbird and Education, Blackbird graduate&nbsp;David Platillero and his struggle after being hit by a car. We also discuss Kevin’s background, his habits and quotes that help him keep his career moving forward and inspire others.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-136-with-kevin-becka]]></link><guid isPermaLink="false">7eb4b2fa5cb7a7871c4a334cad7103c2</guid><itunes:image href="https://artwork.captivate.fm/49af30fe-d062-46d8-a3e3-0eafd1dbb8ab/acJ6TrH8F8qYAEyHL7TpgrKn.jpg"/><pubDate>Mon, 24 Jul 2017 20:01:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9c966abc-0d75-49d8-8764-b59874249382.mp3" length="60555864" type="audio/mpeg"/><itunes:duration>01:03:05</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>136</itunes:episode><podcast:episode>136</podcast:episode><itunes:summary>Working Class Audio Session #136 with Kevin Becka!!!
 A discussion with Kevin Becka who is currently the co-director and instructor at The Blackbird Academy in Nashville.</itunes:summary></item><item><title>WCA #135 with Jacquire King</title><itunes:title>WCA #135 with Jacquire King</itunes:title><description><![CDATA[<h1>Working Class Audio Session #135 with Jacquire King!!!Jacquire King is known for his work with &nbsp;</h1><p><a href="https://en.wikipedia.org/wiki/Kings_of_Leon" rel="noopener noreferrer" target="_blank">Kings of Leon</a>, <a href="https://en.wikipedia.org/wiki/Tom_Waits" rel="noopener noreferrer" target="_blank">Tom Waits</a>, <a href="https://en.wikipedia.org/wiki/James_Bay_(singer)" rel="noopener noreferrer" target="_blank">James Bay</a>, <a href="https://en.wikipedia.org/wiki/Modest_Mouse" rel="noopener noreferrer" target="_blank">Modest Mouse</a>, <a href="https://en.wikipedia.org/wiki/You_Me_At_Six" rel="noopener noreferrer" target="_blank">You Me At Six</a>, <a href="https://en.wikipedia.org/wiki/Buddy_Guy" rel="noopener noreferrer" target="_blank">Buddy Guy</a>, <a href="https://en.wikipedia.org/wiki/Norah_Jones" rel="noopener noreferrer" target="_blank">Norah Jones</a>, <a href="https://en.wikipedia.org/wiki/Of_Monsters_and_Men" rel="noopener noreferrer" target="_blank">Of Monsters and Men</a>, <a href="https://en.wikipedia.org/wiki/Josh_Ritter" rel="noopener noreferrer" target="_blank">Josh Ritter</a>, <a href="https://en.wikipedia.org/wiki/Cold_War_Kids" rel="noopener noreferrer" target="_blank">Cold War Kids</a>, <a href="https://en.wikipedia.org/wiki/Punch_Brothers" rel="noopener noreferrer" target="_blank">Punch Brothers</a>, <a href="https://en.wikipedia.org/wiki/City_and_Colour" rel="noopener noreferrer" target="_blank">City and Colour</a>, <a href="https://en.wikipedia.org/wiki/Moon_Taxi" rel="noopener noreferrer" target="_blank">Moon Taxi</a>, <a href="https://en.wikipedia.org/wiki/Robert_Ellis_(guitarist)" rel="noopener noreferrer" target="_blank">Robert Ellis</a>, <a href="https://en.wikipedia.org/wiki/Amber_Rubarth" rel="noopener noreferrer" target="_blank">Amber Rubarth</a> and <a href="https://en.wikipedia.org/wiki/Dawes_(band)" rel="noopener noreferrer" target="_blank">Dawes</a>. Our interview takes place at Jacquire's private studio outside of Nashville, Tennessee where he graciously invited me over to have a chat and discuss our common connection to the Bay Area. We discuss his time there coming up as someone trying to make his mark in the studio scene and the changes that eventually convinced him to move to Nashville. We follow that up with his transition into Nashville and the struggles that followed and of course the success that followed that. Jacquire is a thoughtful and low key person who shares his views on what inspires him and how he works to inspire others. I have to say this interview really inspired me and got me thinking about my own career and what I can do to move it forward. I hope you have the same experience. -Matt</p><p><br></p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio Session #135 with Jacquire King!!!Jacquire King is known for his work with &nbsp;</h1><p><a href="https://en.wikipedia.org/wiki/Kings_of_Leon" rel="noopener noreferrer" target="_blank">Kings of Leon</a>, <a href="https://en.wikipedia.org/wiki/Tom_Waits" rel="noopener noreferrer" target="_blank">Tom Waits</a>, <a href="https://en.wikipedia.org/wiki/James_Bay_(singer)" rel="noopener noreferrer" target="_blank">James Bay</a>, <a href="https://en.wikipedia.org/wiki/Modest_Mouse" rel="noopener noreferrer" target="_blank">Modest Mouse</a>, <a href="https://en.wikipedia.org/wiki/You_Me_At_Six" rel="noopener noreferrer" target="_blank">You Me At Six</a>, <a href="https://en.wikipedia.org/wiki/Buddy_Guy" rel="noopener noreferrer" target="_blank">Buddy Guy</a>, <a href="https://en.wikipedia.org/wiki/Norah_Jones" rel="noopener noreferrer" target="_blank">Norah Jones</a>, <a href="https://en.wikipedia.org/wiki/Of_Monsters_and_Men" rel="noopener noreferrer" target="_blank">Of Monsters and Men</a>, <a href="https://en.wikipedia.org/wiki/Josh_Ritter" rel="noopener noreferrer" target="_blank">Josh Ritter</a>, <a href="https://en.wikipedia.org/wiki/Cold_War_Kids" rel="noopener noreferrer" target="_blank">Cold War Kids</a>, <a href="https://en.wikipedia.org/wiki/Punch_Brothers" rel="noopener noreferrer" target="_blank">Punch Brothers</a>, <a href="https://en.wikipedia.org/wiki/City_and_Colour" rel="noopener noreferrer" target="_blank">City and Colour</a>, <a href="https://en.wikipedia.org/wiki/Moon_Taxi" rel="noopener noreferrer" target="_blank">Moon Taxi</a>, <a href="https://en.wikipedia.org/wiki/Robert_Ellis_(guitarist)" rel="noopener noreferrer" target="_blank">Robert Ellis</a>, <a href="https://en.wikipedia.org/wiki/Amber_Rubarth" rel="noopener noreferrer" target="_blank">Amber Rubarth</a> and <a href="https://en.wikipedia.org/wiki/Dawes_(band)" rel="noopener noreferrer" target="_blank">Dawes</a>. Our interview takes place at Jacquire's private studio outside of Nashville, Tennessee where he graciously invited me over to have a chat and discuss our common connection to the Bay Area. We discuss his time there coming up as someone trying to make his mark in the studio scene and the changes that eventually convinced him to move to Nashville. We follow that up with his transition into Nashville and the struggles that followed and of course the success that followed that. Jacquire is a thoughtful and low key person who shares his views on what inspires him and how he works to inspire others. I have to say this interview really inspired me and got me thinking about my own career and what I can do to move it forward. I hope you have the same experience. -Matt</p><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-135-with-jacquire-king]]></link><guid isPermaLink="false">725806df3ffb3b268816808e9d6bd2a1</guid><itunes:image href="https://artwork.captivate.fm/e495cfa0-89bb-4951-ba2d-a563ae36d1a7/uploads-2f1552022010816-l6olx9jiopq-ec4d21ab1060efd49d282f8dbc6.png"/><pubDate>Mon, 17 Jul 2017 17:04:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/51fff665-051f-494e-9a60-838cda32e5e4.mp3" length="58747284" type="audio/mpeg"/><itunes:duration>01:01:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>135</itunes:episode><podcast:episode>135</podcast:episode><itunes:summary>Working Class Audio Session #135 with Jacquire King!!!Jacquire King is known for his work with  
Kings of Leon, Tom Waits, James Bay, Modest Mouse, You Me At Six, Buddy Guy, Norah Jones, Of Monsters and Men, Josh Ritter, Cold War Kids, Punch Brothers, City and Colour, Moon Taxi, Robert Ellis, Amber Rubarth and Dawes. Our interview takes place at Jacquire&apos;s private studio outside of Nashville, Tennessee where he graciously invited me over to have a chat and discuss our common connection to the Bay Area. We discuss his time there coming up as someone trying to make his mark in the studio scene and the changes that eventually convinced him to move to Nashville. We follow that up with his transition into Nashville and the struggles that followed and of course the success that followed that. Jacquire is a thoughtful and low key person who shares his views on what inspires him and how he works to inspire others. I have to say this interview really inspired me and got me thinking about my own career and what I can do to move it forward. I hope you have the same experience. -Matt</itunes:summary></item><item><title>WCA #134 with Andrew Oswald</title><itunes:title>WCA #134 with Andrew Oswald</itunes:title><description><![CDATA[<h1>Working Class Audio Session #134 with Andrew Oswald!!!</h1><p>Andrew Oswald is a recording engineer who is based out of Oakland, CA who makes records almost everyday. He&nbsp; co-owns and operates <a href="http://secretbathroom.com/" rel="noopener noreferrer" target="_blank">Secret Bathroom</a>, a recording studio in West Oakland, where he also does a monthly live in studio podcast called <a href="http://livefromsecretbathroom.bandcamp.com/" rel="noopener noreferrer" target="_blank">Live From Secret Bathroom</a>, that features new and upcoming bands. Andrew started recording bands in high school while growing up in San Diego where he also took a series of Pro Tools certification classes. Eventually he made his way to the Bay Area to go to recording school even though he already accumulated a few years of experience . While in recording school he continued to record bands and become affiliated with local recording vets <a href="http://www.workingclassaudio.com/wca-044-with-eli-crews/" rel="noopener noreferrer" target="_blank">Eli Crews (WCA #044)</a> and <a href="http://www.workingclassaudio.com/wca-016-with-jonah-strauss/" rel="noopener noreferrer" target="_blank">Jonah Strauss (WCA #016)</a>&nbsp; who gave him keys and access to their studios . Andrew found early success with his recordings of the band <strong><em>Ash Borer </em></strong>which were both praised by Pitchfork . After graduating Andrew&nbsp; and his studio partner Max Senna opened Secret Bathroom and have been making records in that space for the last 6 years. YOu can read more on Andrew at: <a href="http://secretbathroom.com/" rel="noopener noreferrer" target="_blank">http://secretbathroom.com/</a> and <a href="http://www.andrewoswaldrecording.com/" rel="noopener noreferrer" target="_blank">http://www.andrewoswaldrecording.com/</a></p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio Session #134 with Andrew Oswald!!!</h1><p>Andrew Oswald is a recording engineer who is based out of Oakland, CA who makes records almost everyday. He&nbsp; co-owns and operates <a href="http://secretbathroom.com/" rel="noopener noreferrer" target="_blank">Secret Bathroom</a>, a recording studio in West Oakland, where he also does a monthly live in studio podcast called <a href="http://livefromsecretbathroom.bandcamp.com/" rel="noopener noreferrer" target="_blank">Live From Secret Bathroom</a>, that features new and upcoming bands. Andrew started recording bands in high school while growing up in San Diego where he also took a series of Pro Tools certification classes. Eventually he made his way to the Bay Area to go to recording school even though he already accumulated a few years of experience . While in recording school he continued to record bands and become affiliated with local recording vets <a href="http://www.workingclassaudio.com/wca-044-with-eli-crews/" rel="noopener noreferrer" target="_blank">Eli Crews (WCA #044)</a> and <a href="http://www.workingclassaudio.com/wca-016-with-jonah-strauss/" rel="noopener noreferrer" target="_blank">Jonah Strauss (WCA #016)</a>&nbsp; who gave him keys and access to their studios . Andrew found early success with his recordings of the band <strong><em>Ash Borer </em></strong>which were both praised by Pitchfork . After graduating Andrew&nbsp; and his studio partner Max Senna opened Secret Bathroom and have been making records in that space for the last 6 years. YOu can read more on Andrew at: <a href="http://secretbathroom.com/" rel="noopener noreferrer" target="_blank">http://secretbathroom.com/</a> and <a href="http://www.andrewoswaldrecording.com/" rel="noopener noreferrer" target="_blank">http://www.andrewoswaldrecording.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-134-with-andrew-oswald]]></link><guid isPermaLink="false">f007e06ca9a2fc2a0120143163a125ab</guid><itunes:image href="https://artwork.captivate.fm/57557b05-0309-4aaa-b027-a7dfda1471e2/uploads-2f1552022859440-4eufj53j3ox-44e4d2747276e0f40471215ec28.png"/><pubDate>Mon, 10 Jul 2017 07:25:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5095f1f8-f4f3-42e3-8b3e-b9b4e4083d51.mp3" length="52977775" type="audio/mpeg"/><itunes:duration>55:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>134</itunes:episode><podcast:episode>134</podcast:episode><itunes:summary>Working Class Audio Session #134 with Andrew Oswald!!!
Andrew Oswald is a recording engineer who is based out of Oakland, CA who makes records almost everyday. He  co-owns and operates Secret Bathroom, a recording studio in West Oakland, where he also does a monthly live in studio podcast called Live From Secret Bathroom, that features new and upcoming bands. Andrew started recording bands in high school while growing up in San Diego where he also took a series of Pro Tools certification classes. Eventually he made his way to the Bay Area to go to recording school even though he already accumulated a few years of experience . While in recording school he continued to record bands and become affiliated with local recording vets Eli Crews (WCA #044) and Jonah Strauss (WCA #016)  who gave him keys and access to their studios . Andrew found early success with his recordings of the band Ash Borer which were both praised by Pitchfork . After graduating Andrew  and his studio partner Max Senna opened Secret Bathroom and have been making records in that space for the last 6 years. YOu can read more on Andrew at: http://secretbathroom.com/ and http://www.andrewoswaldrecording.com/</itunes:summary></item><item><title>WCA #133 with Alan Evans</title><itunes:title>WCA #133 with Alan Evans</itunes:title><description><![CDATA[<p><strong>Working Class Audio Session #133 with Alan Evans!!!</strong></p><p>Alan Evans is a multi-instrumentalist, singer, songwriter, studio engineer, record producer, whose “retro” style incorporates elements of rock, blues, soul, R&amp;B, funk,jazz,reggae and the psychedelic. In addition to singing lead and backing vocals, Evans often plays all the guitar, bass, drums, keyboards, and percussion himself on his solo recordings. Alan Joins Matt for a discussion about his musical side, family, living in a small town and keeping things relaxed and musically focused in the studio.</p><p><strong>Show Notes:</strong></p><p>Link to Evernote I mentioned in the monologue. https://evernote.com/</p><p>Link to Alan's studio: http://www.ironwax.com/</p>]]></description><content:encoded><![CDATA[<p><strong>Working Class Audio Session #133 with Alan Evans!!!</strong></p><p>Alan Evans is a multi-instrumentalist, singer, songwriter, studio engineer, record producer, whose “retro” style incorporates elements of rock, blues, soul, R&amp;B, funk,jazz,reggae and the psychedelic. In addition to singing lead and backing vocals, Evans often plays all the guitar, bass, drums, keyboards, and percussion himself on his solo recordings. Alan Joins Matt for a discussion about his musical side, family, living in a small town and keeping things relaxed and musically focused in the studio.</p><p><strong>Show Notes:</strong></p><p>Link to Evernote I mentioned in the monologue. https://evernote.com/</p><p>Link to Alan's studio: http://www.ironwax.com/</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-133-with-alan-evans]]></link><guid isPermaLink="false">e761daa62ff70f02be54f28ba3174e81</guid><itunes:image href="https://artwork.captivate.fm/bfee99a4-8b84-42c9-a7ce-bade2bad5216/uploads-2f1552023869751-7chqcprz3r3-33929f663153327381ce5ad95e9.png"/><pubDate>Mon, 03 Jul 2017 18:31:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/49e05278-6e53-49c2-ab8b-4ca83d0fab02.mp3" length="68625686" type="audio/mpeg"/><itunes:duration>01:11:29</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>133</itunes:episode><podcast:episode>133</podcast:episode><itunes:summary>Working Class Audio Session #133 with Alan Evans!!!
Alan Evans is a multi-instrumentalist, singer, songwriter, studio engineer, record producer, whose “retro” style incorporates elements of rock, blues, soul, R&amp;B, funk,jazz,reggae and the psychedelic. In addition to singing lead and backing vocals, Evans often plays all the guitar, bass, drums, keyboards, and percussion himself on his solo recordings. Alan Joins Matt for a discussion about his musical side, family, living in a small town and keeping things relaxed and musically focused in the studio.
Show Notes:
Link to Evernote I mentioned in the monologue. https://evernote.com/
Link to Alan&apos;s studio: http://www.ironwax.com/</itunes:summary></item><item><title>WCA #132 with Ian Shepherd</title><itunes:title>WCA #132 with Ian Shepherd</itunes:title><description><![CDATA[<h1>Working Class Audio Session #132 with Ian Shepherd!!!Ian Shepherd is a&nbsp;</h1><p><a href="http://productionadvice.co.uk/mastering-as-photoshop/" rel="noopener noreferrer" target="_blank">mastering engineer</a> owner of <a href="http://mastering-media.co.uk/" rel="noopener noreferrer" target="_blank">Mastering Media Ltd</a>, host of <a href="http://www.themasteringshow.com/" rel="noopener noreferrer" target="_blank">The Mastering Show</a> podcast as well as the founder of the website <a href="http://productionadvice.co.uk/" rel="noopener noreferrer" target="_blank">Production Advice</a><strong>.</strong> Over the last twenty years he's worked on literally thousands of CDs, DVDs and Blu-rays for all of the major record labels, TV stations and independents, including several number one singles and award-winning albums. Ian has been&nbsp; a <a href="http://www.bbc.co.uk/radio4/youandyours/items/01/2008_41_fri.shtml" rel="noopener noreferrer" target="_blank">fierce critic</a> of the so-called “<a href="http://dynamicrangeday.co.uk/about" rel="noopener noreferrer" target="_blank">Loudness Wars</a>” and in 2010 he organized the first <a href="http://dynamicrangeday.co.uk/" rel="noopener noreferrer" target="_blank">Dynamic Range Day</a> to raise awareness about the issue. He also developed two plugins with <strong>MeterPlus</strong> – <a href="https://transactions.sendowl.com/stores/5983/11415" rel="noopener noreferrer" target="_blank">Perception</a>, which received an AudioMedia Gear Of The Year award in 2014, and <a href="https://transactions.sendowl.com/stores/5980/11415" rel="noopener noreferrer" target="_blank">Dynameter</a>, which helps you achieve optimal audio dynamics for your music, and <a href="https://transactions.sendowl.com/stores/5980/11415" rel="noopener noreferrer" target="_blank">competitive loudness for online streaming</a>. Ian has worked with&nbsp; Keane, Tricky, The Royal Philharmonic Orchestra, Deep Purple, The Orb, Leslie Garret, Culture Club, Porcupine Tree, Andy Weatherall, The Las, Ozric Tentacles, Christine Tobin, New Order and King Crimson amongst many others.</p><p>Ian chats with Matt about the Loudness Wars, dynamics in music, family, clients, money matters and his plug in Dynameter.</p><p><br></p><p><br></p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio Session #132 with Ian Shepherd!!!Ian Shepherd is a&nbsp;</h1><p><a href="http://productionadvice.co.uk/mastering-as-photoshop/" rel="noopener noreferrer" target="_blank">mastering engineer</a> owner of <a href="http://mastering-media.co.uk/" rel="noopener noreferrer" target="_blank">Mastering Media Ltd</a>, host of <a href="http://www.themasteringshow.com/" rel="noopener noreferrer" target="_blank">The Mastering Show</a> podcast as well as the founder of the website <a href="http://productionadvice.co.uk/" rel="noopener noreferrer" target="_blank">Production Advice</a><strong>.</strong> Over the last twenty years he's worked on literally thousands of CDs, DVDs and Blu-rays for all of the major record labels, TV stations and independents, including several number one singles and award-winning albums. Ian has been&nbsp; a <a href="http://www.bbc.co.uk/radio4/youandyours/items/01/2008_41_fri.shtml" rel="noopener noreferrer" target="_blank">fierce critic</a> of the so-called “<a href="http://dynamicrangeday.co.uk/about" rel="noopener noreferrer" target="_blank">Loudness Wars</a>” and in 2010 he organized the first <a href="http://dynamicrangeday.co.uk/" rel="noopener noreferrer" target="_blank">Dynamic Range Day</a> to raise awareness about the issue. He also developed two plugins with <strong>MeterPlus</strong> – <a href="https://transactions.sendowl.com/stores/5983/11415" rel="noopener noreferrer" target="_blank">Perception</a>, which received an AudioMedia Gear Of The Year award in 2014, and <a href="https://transactions.sendowl.com/stores/5980/11415" rel="noopener noreferrer" target="_blank">Dynameter</a>, which helps you achieve optimal audio dynamics for your music, and <a href="https://transactions.sendowl.com/stores/5980/11415" rel="noopener noreferrer" target="_blank">competitive loudness for online streaming</a>. Ian has worked with&nbsp; Keane, Tricky, The Royal Philharmonic Orchestra, Deep Purple, The Orb, Leslie Garret, Culture Club, Porcupine Tree, Andy Weatherall, The Las, Ozric Tentacles, Christine Tobin, New Order and King Crimson amongst many others.</p><p>Ian chats with Matt about the Loudness Wars, dynamics in music, family, clients, money matters and his plug in Dynameter.</p><p><br></p><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-132-with-ian-shepherd]]></link><guid isPermaLink="false">ed63686dfddd4622f6eccc7fc3d7fbab</guid><itunes:image href="https://artwork.captivate.fm/36367d49-4bb0-4e25-8c45-4496e46572e6/uploads-2f1552026980585-0zfon1g0g2-0c8f33cc215e61e52002b74238b1.png"/><pubDate>Mon, 26 Jun 2017 14:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/676650c2-43ce-48be-a120-8fc39d1124ed.mp3" length="73847311" type="audio/mpeg"/><itunes:duration>01:16:55</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>132</itunes:episode><podcast:episode>132</podcast:episode><itunes:summary>Working Class Audio Session #132 with Ian Shepherd!!!Ian Shepherd is a 
mastering engineer owner of Mastering Media Ltd, host of The Mastering Show podcast as well as the founder of the website Production Advice. Over the last twenty years he&apos;s worked on literally thousands of CDs, DVDs and Blu-rays for all of the major record labels, TV stations and independents, including several number one singles and award-winning albums. Ian has been  a fierce critic of the so-called “Loudness Wars” and in 2010 he organized the first Dynamic Range Day to raise awareness about the issue. He also developed two plugins with MeterPlus – Perception, which received an AudioMedia Gear Of The Year award in 2014, and Dynameter, which helps you achieve optimal audio dynamics for your music, and competitive loudness for online streaming. Ian has worked with  Keane, Tricky, The Royal Philharmonic Orchestra, Deep Purple, The Orb, Leslie Garret, Culture Club, Porcupine Tree, Andy Weatherall, The Las, Ozric Tentacles, Christine Tobin, New Order and King Crimson amongst many others.

Ian chats with Matt about the Loudness Wars, dynamics in music, family, clients, money matters and his plug in Dynameter.</itunes:summary></item><item><title>WCA #131 with Ronan Chris Murphy</title><itunes:title>WCA #131 with Ronan Chris Murphy</itunes:title><description><![CDATA[<h1>Working Class Audio Session #131 with Ronan Chris Murphy!!!</h1><p>Ronan Chris Murphy works around the globe in the wide extremes of music and in the last 20 years has amassed a discography spanning several hundred albums including work with international pop stars to some of the most respected virtuoso musicians in the world.</p><p>As a producer, engineer and/or mixer, Ronan Chris Murphy has worked with the likes of King Crimson (several albums), Steve Morse (Dixie Dreggs Deep Purple), Terry Bozzio (Zappa, Missing Persons), Steve Stevens (Billy Idol), Tony Levin (Peter Gabriel, John Lennon, Pink Floyd)), Martin Sexton, Jamie Walters, Ulver, The California Guitar Trio, Chucho Valdes y Groupo Irakere, Pete Teo Joan LaBarbara (Philip Glass Ensemble, Steve Reich) Nels Cline (Wilco) as well as various projects featuring members of Tool, Ministry, Weezer Dishwalla, and Yes.</p><p><br></p><p>Before diving into production and mixing Ronan spent several years as a musician playing in bands in the scene that later became know as grunge, sharing the stage with bands such as Dinosaur Jr., All, The Flaming lips, Gwar and the Rollins Band. He has an odd footnote in rock history his first band was an early DC punk band called Freakbaby, which was also the first band of Dave Grohl following Ronan's departure from the band.</p><p><br></p><p>Ronan speaks with Matt from his new studio in the mountains about his recording workshops, career, trolls, and recording Terry Bozzio.</p><p><br></p><p>To learn more about Ronan?s production and mixing work, as well as his studio visit <a href="http://www.venetowest.com/" rel="noopener noreferrer" target="_blank">Veneto West</a>.</p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio Session #131 with Ronan Chris Murphy!!!</h1><p>Ronan Chris Murphy works around the globe in the wide extremes of music and in the last 20 years has amassed a discography spanning several hundred albums including work with international pop stars to some of the most respected virtuoso musicians in the world.</p><p>As a producer, engineer and/or mixer, Ronan Chris Murphy has worked with the likes of King Crimson (several albums), Steve Morse (Dixie Dreggs Deep Purple), Terry Bozzio (Zappa, Missing Persons), Steve Stevens (Billy Idol), Tony Levin (Peter Gabriel, John Lennon, Pink Floyd)), Martin Sexton, Jamie Walters, Ulver, The California Guitar Trio, Chucho Valdes y Groupo Irakere, Pete Teo Joan LaBarbara (Philip Glass Ensemble, Steve Reich) Nels Cline (Wilco) as well as various projects featuring members of Tool, Ministry, Weezer Dishwalla, and Yes.</p><p><br></p><p>Before diving into production and mixing Ronan spent several years as a musician playing in bands in the scene that later became know as grunge, sharing the stage with bands such as Dinosaur Jr., All, The Flaming lips, Gwar and the Rollins Band. He has an odd footnote in rock history his first band was an early DC punk band called Freakbaby, which was also the first band of Dave Grohl following Ronan's departure from the band.</p><p><br></p><p>Ronan speaks with Matt from his new studio in the mountains about his recording workshops, career, trolls, and recording Terry Bozzio.</p><p><br></p><p>To learn more about Ronan?s production and mixing work, as well as his studio visit <a href="http://www.venetowest.com/" rel="noopener noreferrer" target="_blank">Veneto West</a>.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-131-with-ronan-chris-murphy]]></link><guid isPermaLink="false">8e17832895fb059cebe7fb680dd3d4fe</guid><itunes:image href="https://artwork.captivate.fm/f10d86fa-a404-45e3-a497-a9a53fa8de38/uploads-2f1552027485910-u2g9zlcx76f-e94fc3f14316a9ff798621793a6.png"/><pubDate>Mon, 19 Jun 2017 14:14:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/185d2905-6c40-407b-b007-3a2da5b8a871.mp3" length="59023982" type="audio/mpeg"/><itunes:duration>01:01:29</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>131</itunes:episode><podcast:episode>131</podcast:episode><itunes:summary>Working Class Audio Session #131 with Ronan Chris Murphy!!!
Ronan Chris Murphy works around the globe in the wide extremes of music and in the last 20 years has amassed a discography spanning several hundred albums including work with international pop stars to some of the most respected virtuoso musicians in the world.

As a producer, engineer and/or mixer, Ronan Chris Murphy has worked with the likes of King Crimson (several albums), Steve Morse (Dixie Dreggs Deep Purple), Terry Bozzio (Zappa, Missing Persons), Steve Stevens (Billy Idol), Tony Levin (Peter Gabriel, John Lennon, Pink Floyd)), Martin Sexton, Jamie Walters, Ulver, The California Guitar Trio, Chucho Valdes y Groupo Irakere, Pete Teo Joan LaBarbara (Philip Glass Ensemble, Steve Reich) Nels Cline (Wilco) as well as various projects featuring members of Tool, Ministry, Weezer Dishwalla, and Yes.

Before diving into production and mixing Ronan spent several years as a musician playing in bands in the scene that later became know as grunge, sharing the stage with bands such as Dinosaur Jr., All, The Flaming lips, Gwar and the Rollins Band. He has an odd footnote in rock history his first band was an early DC punk band called Freakbaby, which was also the first band of Dave Grohl following Ronan&apos;s departure from the band.

Ronan speaks with Matt from his new studio in the mountains about his recording workshops, career, trolls, and recording Terry Bozzio.

To learn more about Ronan?s production and mixing work, as well as his studio visit Veneto West.</itunes:summary></item><item><title>WCA #130 with Andy Reed</title><itunes:title>WCA #130 with Andy Reed</itunes:title><description><![CDATA[<p>Working Class Audio Session #130 with Andy Reed!!! Andy Reed purchased his first guitar when he was 18 and by the time he was 21 he started a band with his brother called The Haskels. They signed a small record deal and ended up recording with Brendan Benson of The Raconteurs. This is where Andy initially got the recording bug.&nbsp; &nbsp; Fast forward through touring, experimenting with 4 tracks and you'll arrive at Andy acquiring his first Pro Tools rig at age 23. Andy would spend every second he had in his basement for the next 3 years figuring out how to get better sounds, write better songs, and hone the craft of recording by learning from his own mistakes on his own recordings. 3 years later Andy would emerge with recordings of his own music that attracted others to officially hire him to record. For the last 14 years Andy has been recording and producing artists from all over the country.&nbsp; &nbsp; Andy joins Matt to talk about recording in Bay City Michigan, family life, his mentors and his musical connection to Donny Brown of the Verve Pipe.&nbsp; &nbsp; Read more about Andy at&nbsp;</p><p><a href="https://www.reedrecordingcompany.com/home" rel="noopener noreferrer" target="_blank"><strong>https://www.reedrecordingcompany.com/home</strong></a></p>]]></description><content:encoded><![CDATA[<p>Working Class Audio Session #130 with Andy Reed!!! Andy Reed purchased his first guitar when he was 18 and by the time he was 21 he started a band with his brother called The Haskels. They signed a small record deal and ended up recording with Brendan Benson of The Raconteurs. This is where Andy initially got the recording bug.&nbsp; &nbsp; Fast forward through touring, experimenting with 4 tracks and you'll arrive at Andy acquiring his first Pro Tools rig at age 23. Andy would spend every second he had in his basement for the next 3 years figuring out how to get better sounds, write better songs, and hone the craft of recording by learning from his own mistakes on his own recordings. 3 years later Andy would emerge with recordings of his own music that attracted others to officially hire him to record. For the last 14 years Andy has been recording and producing artists from all over the country.&nbsp; &nbsp; Andy joins Matt to talk about recording in Bay City Michigan, family life, his mentors and his musical connection to Donny Brown of the Verve Pipe.&nbsp; &nbsp; Read more about Andy at&nbsp;</p><p><a href="https://www.reedrecordingcompany.com/home" rel="noopener noreferrer" target="_blank"><strong>https://www.reedrecordingcompany.com/home</strong></a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-130-with-andy-reed]]></link><guid isPermaLink="false">2b3fe8281d16023637d12a4c545e6938</guid><itunes:image href="https://artwork.captivate.fm/846c9d43-6a56-4d2a-8da8-b8bbeafc3d7a/uploads-2f1552028184309-d9g11kg69n-ed70416a369a11870f041e4d7c2a.png"/><pubDate>Mon, 12 Jun 2017 14:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/39f5fedc-60d7-4745-8115-8427038d784d.mp3" length="53897277" type="audio/mpeg"/><itunes:duration>56:09</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>130</itunes:episode><podcast:episode>130</podcast:episode><itunes:summary>Working Class Audio Session #130 with Andy Reed!!! Andy Reed purchased his first guitar when he was 18 and by the time he was 21 he started a band with his brother called The Haskels. They signed a small record deal and ended up recording with Brendan Benson of The Raconteurs. This is where Andy initially got the recording bug.    Fast forward through touring, experimenting with 4 tracks and you&apos;ll arrive at Andy acquiring his first Pro Tools rig at age 23. Andy would spend every second he had in his basement for the next 3 years figuring out how to get better sounds, write better songs, and hone the craft of recording by learning from his own mistakes on his own recordings. 3 years later Andy would emerge with recordings of his own music that attracted others to officially hire him to record. For the last 14 years Andy has been recording and producing artists from all over the country.    Andy joins Matt to talk about recording in Bay City Michigan, family life, his mentors and his musical connection to Donny Brown of the Verve Pipe.    Read more about Andy at 
https://www.reedrecordingcompany.com/home</itunes:summary></item><item><title>WCA #129 with Brad Smalling</title><itunes:title>WCA #129 with Brad Smalling</itunes:title><description><![CDATA[<h1>Working Class Audio Session #129 with Brad Smalling!!!</h1><p><br></p><p>Brad Smalling is an audio professional with a passion for music and for making great records - records that connect the artist and the listener emotionally. From the creative to the technical, Brad is passionate about all aspects of the record-making process. Brad’s creative ear and his ability to connect with the artist combine to present the artist’s music as they envision it and often in ways they never considered.</p><p><br></p><p>Brad’s desire to learn about audio appeared in his teens while learning to play guitar but he wouldn’t actively pursue engineering until 2000 when he built a recording studio in his basement in Boulder, CO. After gaining confidence through self study, he and his wife, Jenny, hired Wes Lachot to design what would become Evergroove Studio. Solar powered and located on 4.5 wooded acres just outside Denver, Evergroove Studio opened in 2006 and offers a retreat-like setting sought by artists that desire a different recording studio experience.</p><p><br></p><p>Brad continues to grow as an audio professional and small business owner by striving for excellence in every project, and pushing himself to be a better engineer, business owner, and person. In addition to studio work, Brad enjoys the challenges of live mixing and recording, as well as the detail of mastering. He works closely with artists and their home studios to help them capture better recordings, or by a combination of home recording and studio recording at Evergroove. This experience led to the launch of the Evergroove Academy of Recording (EAR) - a series of workshops for audio engineers, producers, and musicians focused on producing the highest-quality recordings possible.</p><p><br></p><p>When asked about his passion for audio Brad said:</p><p><br></p><p>“I love exploring different microphone techniques, the thrill of the first take, and the excitement on an artist’s face when they hear their music in a way that moves them. I enjoy working closely with artists to help bring out the emotion of the song. I like exploring arrangements through overdubs and I love combining all the tracks into a mix that draws the listener into the music. The final creative and technical process of mastering fascinates me and, finally, I love album release shows; that moment when an artist’s work is presented to the World.”</p><p><br></p><p>When not in the studio you can find Brad with his wife at a local music show, working with the massive interactive performance art group itchy-O, on a local hiking trail, road-tripping across the Western USA, or enjoying a locally crafted beer on a sunny deck.</p><p><br></p><p>Brad joins Matt to talk about his solar powered studio, his partnership with his wife and how hiring studio designer Wes Lachot was one of the best moves he ever made.</p>]]></description><content:encoded><![CDATA[<h1>Working Class Audio Session #129 with Brad Smalling!!!</h1><p><br></p><p>Brad Smalling is an audio professional with a passion for music and for making great records - records that connect the artist and the listener emotionally. From the creative to the technical, Brad is passionate about all aspects of the record-making process. Brad’s creative ear and his ability to connect with the artist combine to present the artist’s music as they envision it and often in ways they never considered.</p><p><br></p><p>Brad’s desire to learn about audio appeared in his teens while learning to play guitar but he wouldn’t actively pursue engineering until 2000 when he built a recording studio in his basement in Boulder, CO. After gaining confidence through self study, he and his wife, Jenny, hired Wes Lachot to design what would become Evergroove Studio. Solar powered and located on 4.5 wooded acres just outside Denver, Evergroove Studio opened in 2006 and offers a retreat-like setting sought by artists that desire a different recording studio experience.</p><p><br></p><p>Brad continues to grow as an audio professional and small business owner by striving for excellence in every project, and pushing himself to be a better engineer, business owner, and person. In addition to studio work, Brad enjoys the challenges of live mixing and recording, as well as the detail of mastering. He works closely with artists and their home studios to help them capture better recordings, or by a combination of home recording and studio recording at Evergroove. This experience led to the launch of the Evergroove Academy of Recording (EAR) - a series of workshops for audio engineers, producers, and musicians focused on producing the highest-quality recordings possible.</p><p><br></p><p>When asked about his passion for audio Brad said:</p><p><br></p><p>“I love exploring different microphone techniques, the thrill of the first take, and the excitement on an artist’s face when they hear their music in a way that moves them. I enjoy working closely with artists to help bring out the emotion of the song. I like exploring arrangements through overdubs and I love combining all the tracks into a mix that draws the listener into the music. The final creative and technical process of mastering fascinates me and, finally, I love album release shows; that moment when an artist’s work is presented to the World.”</p><p><br></p><p>When not in the studio you can find Brad with his wife at a local music show, working with the massive interactive performance art group itchy-O, on a local hiking trail, road-tripping across the Western USA, or enjoying a locally crafted beer on a sunny deck.</p><p><br></p><p>Brad joins Matt to talk about his solar powered studio, his partnership with his wife and how hiring studio designer Wes Lachot was one of the best moves he ever made.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-129-with-brad-smalling]]></link><guid isPermaLink="false">d0d48d7d67d87802c977c7d2f9f1e091</guid><itunes:image href="https://artwork.captivate.fm/35c776b5-c3e4-4efa-9949-b9282f05bb3b/uploads-2f1552029278030-ti8cd08r81-76b0a43faa8950ee90642d2d4db2.png"/><pubDate>Mon, 05 Jun 2017 03:04:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/40b8ca38-f007-4fd0-b539-0cd3c5106ddf.mp3" length="61820119" type="audio/mpeg"/><itunes:duration>01:04:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>129</itunes:episode><podcast:episode>129</podcast:episode><itunes:summary>Working Class Audio Session #129 with Brad Smalling!!!
 

Brad Smalling is an audio professional with a passion for music and for making great records - records that connect the artist and the listener emotionally. From the creative to the technical, Brad is passionate about all aspects of the record-making process. Brad’s creative ear and his ability to connect with the artist combine to present the artist’s music as they envision it and often in ways they never considered.

Brad’s desire to learn about audio appeared in his teens while learning to play guitar but he wouldn’t actively pursue engineering until 2000 when he built a recording studio in his basement in Boulder, CO. After gaining confidence through self study, he and his wife, Jenny, hired Wes Lachot to design what would become Evergroove Studio. Solar powered and located on 4.5 wooded acres just outside Denver, Evergroove Studio opened in 2006 and offers a retreat-like setting sought by artists that desire a different recording studio experience.

Brad continues to grow as an audio professional and small business owner by striving for excellence in every project, and pushing himself to be a better engineer, business owner, and person. In addition to studio work, Brad enjoys the challenges of live mixing and recording, as well as the detail of mastering. He works closely with artists and their home studios to help them capture better recordings, or by a combination of home recording and studio recording at Evergroove. This experience led to the launch of the Evergroove Academy of Recording (EAR) - a series of workshops for audio engineers, producers, and musicians focused on producing the highest-quality recordings possible.

When asked about his passion for audio Brad said:

“I love exploring different microphone techniques, the thrill of the first take, and the excitement on an artist’s face when they hear their music in a way that moves them. I enjoy working closely with artists to help bring out the emotion of the song. I like exploring arrangements through overdubs and I love combining all the tracks into a mix that draws the listener into the music. The final creative and technical process of mastering fascinates me and, finally, I love album release shows; that moment when an artist’s work is presented to the World.”

When not in the studio you can find Brad with his wife at a local music show, working with the massive interactive performance art group itchy-O, on a local hiking trail, road-tripping across the Western USA, or enjoying a locally crafted beer on a sunny deck.

Brad joins Matt to talk about his solar powered studio, his partnership with his wife and how hiring studio designer Wes Lachot was one of the best moves he ever made.</itunes:summary></item><item><title>WCA#128 with Frank Pappalardo</title><itunes:title>WCA#128 with Frank Pappalardo</itunes:title><description><![CDATA[<p>WCA #128 with Frank Pappalardo</p><p>Frank Pappalardo started out a guitarist wanting the rock star dream. After hearing Van Halen's "Eruption" at a party &nbsp;he realized &nbsp;being a killer recording engineer was a more realistic plan &nbsp;than being a mediocre guitar player. From his early days at Chicago studio&nbsp;River North Recorders to his current 30 plus year gig&nbsp;at PBS' Soundstage, Frank has had an incredible career recording and mixing so many household names including&nbsp;<strong>Bon Jovi,&nbsp;Dave Matthews Band,&nbsp;Fall Out Boy,&nbsp;Tom Petty And The Heartbreakers,&nbsp;Sheryl Crow,&nbsp;Sonic Youth,&nbsp;Death Cab For Cutie&nbsp;</strong>and the list goes on and on. Frank talks with Matt via Facetime from&nbsp;Saint Charles, Illinois ( West of Chicago) in the post house where he does most of his mixing work about family, work ethic and his overall approach to audio. Enjoy!</p>]]></description><content:encoded><![CDATA[<p>WCA #128 with Frank Pappalardo</p><p>Frank Pappalardo started out a guitarist wanting the rock star dream. After hearing Van Halen's "Eruption" at a party &nbsp;he realized &nbsp;being a killer recording engineer was a more realistic plan &nbsp;than being a mediocre guitar player. From his early days at Chicago studio&nbsp;River North Recorders to his current 30 plus year gig&nbsp;at PBS' Soundstage, Frank has had an incredible career recording and mixing so many household names including&nbsp;<strong>Bon Jovi,&nbsp;Dave Matthews Band,&nbsp;Fall Out Boy,&nbsp;Tom Petty And The Heartbreakers,&nbsp;Sheryl Crow,&nbsp;Sonic Youth,&nbsp;Death Cab For Cutie&nbsp;</strong>and the list goes on and on. Frank talks with Matt via Facetime from&nbsp;Saint Charles, Illinois ( West of Chicago) in the post house where he does most of his mixing work about family, work ethic and his overall approach to audio. Enjoy!</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca128-with-frank-pappalardo]]></link><guid isPermaLink="false">6fa5d2eab323d5d5db30c3bf2bef2294</guid><itunes:image href="https://artwork.captivate.fm/d9ba3336-9fe4-4b93-843c-74286264ba36/oCRntZ5JOB_O6-abSh5NuctF.jpg"/><pubDate>Mon, 29 May 2017 06:03:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f6288ec8-fb25-4995-be8d-8fb4d2849fa8.mp3" length="46042347" type="audio/mpeg"/><itunes:duration>47:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>128</itunes:episode><podcast:episode>128</podcast:episode><itunes:summary>Working Class Audio Session #128 with Frank Pappalardo!!!
 Frank Pappalardo started out a guitarist wanting the rock star dream. After hearing Van Halen&apos;s &quot;Eruption&quot; at a party  he realized  being a killer recording engineer was a more realistic plan  than being a mediocre guitar player. From his early days at Chicago studio River North Recorders to his current 30 plus year gig at PBS&apos; Soundstage, Frank has had an incredible career recording and mixing so many household names including Bon Jovi, Dave Matthews Band, Fall Out Boy, Tom Petty And The Heartbreakers, Sheryl Crow, Sonic Youth, Death Cab For Cutie and the list goes on and on. Frank talks with Matt via Facetime from Saint Charles, Illinois ( West of Chicago) in the post house where he does most of his mixing work about family, work ethic and his overall approach to audio. Enjoy!</itunes:summary></item><item><title>WCA #127 with Craig Schumacher</title><itunes:title>WCA #127 with Craig Schumacher</itunes:title><description><![CDATA[<p>Craig Schumacher has been making noise unprofessionally since 1985. He's managed to carve out a niche in the desert southwest by be part of an eclectic scene that bubbles out of Tucson and has been an integral part of the sound of&nbsp; Calexico and Giant Sand, and has recorded artists like Neko Case, Amos Lee, KT Tunstall, Roger Clyne, Left Over Salmon, The Jayhawks, Steve Wynn, and John Doe at WaveLab. He is also a sought after mixer and has been to France, Sweden, LA, NYC, Austin, and New Orleans for mix jobs. He is also an adjunct professor at Scottsdale Community College for the past ten years.</p><p>Craig crashes&nbsp;at Matt's house for a night while on his way to record the new Calexico record. Naturally an interview that was long overdue was in order.&nbsp;</p>]]></description><content:encoded><![CDATA[<p>Craig Schumacher has been making noise unprofessionally since 1985. He's managed to carve out a niche in the desert southwest by be part of an eclectic scene that bubbles out of Tucson and has been an integral part of the sound of&nbsp; Calexico and Giant Sand, and has recorded artists like Neko Case, Amos Lee, KT Tunstall, Roger Clyne, Left Over Salmon, The Jayhawks, Steve Wynn, and John Doe at WaveLab. He is also a sought after mixer and has been to France, Sweden, LA, NYC, Austin, and New Orleans for mix jobs. He is also an adjunct professor at Scottsdale Community College for the past ten years.</p><p>Craig crashes&nbsp;at Matt's house for a night while on his way to record the new Calexico record. Naturally an interview that was long overdue was in order.&nbsp;</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-127-with-craig-schumacher]]></link><guid isPermaLink="false">1e62e45e1186057e18a1483f4d5c46de</guid><itunes:image href="https://artwork.captivate.fm/fcb4770a-7988-4864-8ccb-3182d34825c1/s0-NXRxY0lgqSriFTUgVkp3c.jpg"/><pubDate>Mon, 22 May 2017 03:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/41de94e8-c34d-4a21-8fa1-b24378fa8d1a.mp3" length="74746375" type="audio/mpeg"/><itunes:duration>01:17:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>127</itunes:episode><podcast:episode>127</podcast:episode><itunes:summary>Working Class Audio Session #127 with Craig Schumacher!!!
 Craig Schumacher has been making noise unprofessionally since 1985. He&apos;s managed to carve out a niche in the desert southwest by be part of an eclectic scene that bubbles out of Tucson and has been an integral part of the sound of  Calexico and Giant Sand, and has recorded artists like Neko Case, Amos Lee, KT Tunstall, Roger Clyne, Left Over Salmon, The Jayhawks, Steve Wynn, and John Doe at WaveLab. He is also a sought after mixer and has been to France, Sweden, LA, NYC, Austin, and New Orleans for mix jobs. He is also an adjunct professor at Scottsdale Community College for the past ten years.
 Craig crashes at Matt&apos;s house for a night while on his way to record the new Calexico record. Naturally an interview that was long overdue was in order.</itunes:summary></item><item><title>WCA #126 with Peterson Goodwyn</title><itunes:title>WCA #126 with Peterson Goodwyn</itunes:title><description><![CDATA[<p>Peterson Goodwyn wants every musician and audio engineer to know how to build, tweak, and repair their own gear. He founded DIY Recording Equipment (DIYRE) in 2010 as a wiki to catalog the world of DIY pro audio. He now conducts workshops, publishes how-to content, and designs DIY kits for DIYRE. In 2014, DIYRE launched the open-source Colour platform for modular, analog signal-processing. Since then, Colour products have found their way into thousands of studios and dozens of designers and have contributed designs to the format. Peter joins Matt for a discussion about his world of DIY pro audio equipment and all that goes into his small working class business. &nbsp; </p><h3><a href="https://www.diyrecordingequipment.com/" rel="noopener noreferrer" target="_blank">www.diyrecordingequipment.com</a></h3>]]></description><content:encoded><![CDATA[<p>Peterson Goodwyn wants every musician and audio engineer to know how to build, tweak, and repair their own gear. He founded DIY Recording Equipment (DIYRE) in 2010 as a wiki to catalog the world of DIY pro audio. He now conducts workshops, publishes how-to content, and designs DIY kits for DIYRE. In 2014, DIYRE launched the open-source Colour platform for modular, analog signal-processing. Since then, Colour products have found their way into thousands of studios and dozens of designers and have contributed designs to the format. Peter joins Matt for a discussion about his world of DIY pro audio equipment and all that goes into his small working class business. &nbsp; </p><h3><a href="https://www.diyrecordingequipment.com/" rel="noopener noreferrer" target="_blank">www.diyrecordingequipment.com</a></h3>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-126-with-peterson-goodwyn]]></link><guid isPermaLink="false">6a8c6bd24e95ef545f3bfafa8b4a001e</guid><itunes:image href="https://artwork.captivate.fm/367740df-e6a7-42b4-8fba-24630b696992/tcIWDN-m7FT0vy_xoeux7UjY.jpg"/><pubDate>Mon, 15 May 2017 04:56:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/38f3a4cd-9b90-4d30-b7ad-10eecc41934f.mp3" length="43954522" type="audio/mpeg"/><itunes:duration>45:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>126</itunes:episode><podcast:episode>126</podcast:episode><itunes:summary>Working Class Audio Session #126 with Peterson Goodwyn!!!
 Peterson Goodwyn wants every musician and audio engineer to know how to build, tweak, and repair their own gear. He founded DIY Recording Equipment (DIYRE) in 2010 as a wiki to catalog the world of DIY pro audio. He now conducts workshops, publishes how-to content, and designs DIY kits for DIYRE. In 2014, DIYRE launched the open-source Colour platform for modular, analog signal-processing. Since then, Colour products have found their way into thousands of studios and dozens of designers and have contributed designs to the format. Peter joins Matt for a discussion about his world of DIY pro audio equipment and all that goes into his small working class business.   www.diyrecordingequipment.com</itunes:summary></item><item><title>WCA #125 with Michael James</title><itunes:title>WCA #125 with Michael James</itunes:title><description><![CDATA[<p>Michael James is a &nbsp;New York-born producer/mixer/engineer and has also been a an A&amp;R rep as well as an solo artist himself. He's worked with &nbsp;New Radicals, Hole, Far, Robben Ford, L7, Edwin McCain, Chicago, Reverend Horton Heat, A.J. Croce, Butterfly Boucher, Jane's Addiction, Maia Sharp, The Coronas,&nbsp;and Jawbreaker and many more.</p><p>At 19 years of age, Michael &nbsp;met former Blue Cheer member Ethan James (no relation), the owner and creative nucleus of Radio Tokyo. Michael had just recorded a single, which cost him $15 in studio time.&nbsp; Ethan happened to walk past the control room as the mix was being played, and offered Michael a record deal on the spot. Ethan took the disc to KROQ-FM DJ Rodney Bingenheimer, who debuted it on his legendary show, <em>"Rodney On The ROQ."</em>&nbsp; It was later added to the station's playlist. From there, Michael joined the band Waves Of Grain, whose indie release "Catch Me I'm Falling" placed Top Ten on several college radio playlists; it was later licensed in the UK, France and Germany.</p><p><br></p><p><strong>Radio Tokyo and Sub Pop&nbsp;</strong></p><p>By then however, Michael decided he was to be a producer and engineer, not an artist. He served as a staff producer and chief engineer at Radio Tokyo from 1986-90, where he recorded classic rock giants such as <strong>Ray Manzarek</strong> (The Doors), <strong>John Lang</strong> (#1 songwriter of "Broken Wings" and "Kyrie"), <strong>Richard Page</strong> (Mr. Mister), and L.A. session aces <strong>Abe Laboriel</strong> (Larry Carlton) and <strong>Alex Acuna</strong> (Weather Report).&nbsp; An unsigned band from New York called <strong>Too Much Joy</strong> came to L.A. to record a demo at Radio Tokyo, which had become a Mecca for credible indie bands.&nbsp; Michael was given the chance to produce a few tracks for the band. When Too Much Joy was signed by Alias Records, they asked Michael to produce the album <em>Son of Sam I Am</em>.&nbsp; Rolling Stone, New York Times and Billboard praised the album and Michael went on to produce the band's major label debut for Irving Azoff's Giant Records.</p><p>Michael soon encountered a band called <strong>L7</strong>, who asked him to produce their debut album, <em>Smell The Magic</em> for <strong>Sub Pop Records</strong>. Sub Pop liked it enough to ask him to produce several other artists on the label, including&nbsp;<strong>Reverend Horton Heat</strong>, who generously offered to perform at Michael's wedding reception!&nbsp; And then there was <strong>Courtney Love</strong> and her band, <strong>Hole</strong>, whose Sub Pop debut he produced. Michael was taken with Courtney's sense of style, as well as her sense of where she was destined. "My goal was to keep the intensity while highlighting the pop element," he says. &nbsp; Michael went on to work briefly with <strong>Jane's Addiction, Mazzy Star </strong>and the critically acclaimed <strong>Geraldine Fibbers</strong>.</p><p><br></p><p><strong>The Major Labels: Find The Good Stuff First!</strong></p><p>After an introduction from Sheryl Crow and Beck bassist <strong>Dan Rothchild</strong>, venerable WEA and Elektra Records founder <strong>Jac Holzman</strong> tapped Michael to be Head of A&amp;R and Producer at his Warner/Discovery label. Michael made it a point to listen to the boxes of unsolicited tapes that came in until he found Canadian band, <strong>Sal’s Birdland</strong>, which he signed.&nbsp; Later, they changed their name to <strong>Artificial Joy Club</strong> and Michael brought them to Interscope Records for their second album.&nbsp; The band's first track wasted no time in ascending to the Top 20 of the alternative airplay charts.&nbsp; Michael quickly found his next hit, <strong>New Radicals</strong>.&nbsp; Working under the radar and without a record deal, he and singer <strong>Gregg Alexander</strong> slipped into the studio during downtime to work on the album.&nbsp; Not only did Michael mix, but he also played the guitar solo on "Crying Like A Church On Monday." &nbsp;When Michael “shopped” the album, it was repeatedly rejected. The major labels claimed “the stigma against male singer/songwriters” was insurmountable.&nbsp; Ultimately, however, MCA Records saw the light, selling over two million units of <em>Maybe You've Been Brainwashed Too </em>and securing Michael his first Gold and Platinum credits.</p><p><br></p><p>Encouraged by Alexander to play and write more, Michael began taking on more work as a session musician.&nbsp; He wrote several songs with <strong>A.J. Croce</strong> for <em>Transit</em>, including the hits "Maybe" and "What I Wouldn’t Do," and played lead guitar on the album, which was recorded mostly live in the studio.&nbsp; “There’s no substitute for having a tight band perform live,” he says, “because that’s how you get the best vibe; that’s how you capture a great moment.”</p><p><strong>Giving Back = Staying Relevant</strong></p><p>Michael founded <strong>IndieProMix</strong>, a remote service that provides bona fide professional mixes to independent recording artists, at sliding scale prices.&nbsp; "I pitched a few of my favorite mixers (<strong>David Kahne, Matt Forger, Tony Shepperd </strong>and<strong> Rob Chiarelli)</strong> the idea of giving back to the indie community because we all started as indies," says Michael.&nbsp; "Many super-talented indies only dream of having their music mixed by pros with hits, so we decided to give them the pro experience while keeping our thumbs on the pulse of fresh new talent.&nbsp; We thought it would be a 'cool' thing to do, just because we could.&nbsp; It's been a win-win since we launched in 2010."</p><p><br></p><p>Frequently a supporter of good causes for independent recording artists, Michael has been a top tier sponsor of International Songwriting Competition and San Diego Indie Fest.&nbsp; He has been a featured speaker at seminars, master classes and conventions, including Musician's Institute, Los Angeles College of Music, EAT'M Festival, Taxi Road Rally, Westlake Pro and Vintage King L.A.</p><p><br></p><p>Michael recently launched <strong>The Platinum Legacy</strong>, a series of pro bono seminars in which he and Grammy winning producer Rob Chiarelli (Will Smith, Madonna, Erica Campbell) share their hit-making tips and tricks, and how to deploy them in today's modern analog-digital "hybrid" studios.&nbsp; When asked how he expected a pro bono venture to be successful, Michael responded, "It's the right thing to do.&nbsp; Up and coming artists don't have the same mentoring opportunities that I had, so I'm doing my part to keep classic recording and production techniques alive.&nbsp; Plus, more generosity yields more abundance in my life.&nbsp; I'm confident that it will work out well, as it always does."</p><p><strong>Embracing New Technologies</strong></p><p>Michael has become one of the most respected and sought-after sound design consultants to the pro-audio industry as a result of his roles as a preset/algorithm designer and beta-tester for several highly successful, award-winning products from Lexicon, Eventide, Sound Toys and TC Electronics, among others.&nbsp; He is a long-time endorser of Mesa/Boogie Amplifiers, Tom Anderson Guitarworks, Taylor Guitars, Eventide, Manley Labs, Dangerous Music, Chandler Limited, Avalon Design, Tonelux, Glyph Technology and SIT Strings.&nbsp; "The endorsements, the product development, even the seminars and master classes I’ve taught," says Michael, "are a logical extension of what I do in my daily activities in the studio. To my clients in those sectors of the music business, my 'real world' experiences are valuable in their laboratory or classroom settings. For me, those relationships are critical for two reasons: I contribute to the development of new products which are both practical and creatively stimulating to my recording colleagues and to me; and exercising the technical side of my brain magically broadens my artistic horizons when I'm making records."</p><p><br></p><p>Today Michael is in constant demand as a mix specialist precisely because of his multi-faceted skill set.&nbsp; As a writer-mixer, he knows when to make the technology get out of the way of the song and the artistry.&nbsp; As a musician, he can completely rearrange a song when an artist wants to dig deeper—even at the mix stage.&nbsp; He is frequently hired to do just that, often performing new guitar, bass and keyboard parts at the artists’ request, breathing new life into the song and the mix.</p><p><br></p><p><strong>For more info, contact Jan Seedman / Cadium at +1.310.200.4448.</strong></p><p><a href="http://michaeljamesproducer.com/" rel="noopener noreferrer" target="_blank"><strong>http://michaeljamesproducer.com/</strong></a></p>]]></description><content:encoded><![CDATA[<p>Michael James is a &nbsp;New York-born producer/mixer/engineer and has also been a an A&amp;R rep as well as an solo artist himself. He's worked with &nbsp;New Radicals, Hole, Far, Robben Ford, L7, Edwin McCain, Chicago, Reverend Horton Heat, A.J. Croce, Butterfly Boucher, Jane's Addiction, Maia Sharp, The Coronas,&nbsp;and Jawbreaker and many more.</p><p>At 19 years of age, Michael &nbsp;met former Blue Cheer member Ethan James (no relation), the owner and creative nucleus of Radio Tokyo. Michael had just recorded a single, which cost him $15 in studio time.&nbsp; Ethan happened to walk past the control room as the mix was being played, and offered Michael a record deal on the spot. Ethan took the disc to KROQ-FM DJ Rodney Bingenheimer, who debuted it on his legendary show, <em>"Rodney On The ROQ."</em>&nbsp; It was later added to the station's playlist. From there, Michael joined the band Waves Of Grain, whose indie release "Catch Me I'm Falling" placed Top Ten on several college radio playlists; it was later licensed in the UK, France and Germany.</p><p><br></p><p><strong>Radio Tokyo and Sub Pop&nbsp;</strong></p><p>By then however, Michael decided he was to be a producer and engineer, not an artist. He served as a staff producer and chief engineer at Radio Tokyo from 1986-90, where he recorded classic rock giants such as <strong>Ray Manzarek</strong> (The Doors), <strong>John Lang</strong> (#1 songwriter of "Broken Wings" and "Kyrie"), <strong>Richard Page</strong> (Mr. Mister), and L.A. session aces <strong>Abe Laboriel</strong> (Larry Carlton) and <strong>Alex Acuna</strong> (Weather Report).&nbsp; An unsigned band from New York called <strong>Too Much Joy</strong> came to L.A. to record a demo at Radio Tokyo, which had become a Mecca for credible indie bands.&nbsp; Michael was given the chance to produce a few tracks for the band. When Too Much Joy was signed by Alias Records, they asked Michael to produce the album <em>Son of Sam I Am</em>.&nbsp; Rolling Stone, New York Times and Billboard praised the album and Michael went on to produce the band's major label debut for Irving Azoff's Giant Records.</p><p>Michael soon encountered a band called <strong>L7</strong>, who asked him to produce their debut album, <em>Smell The Magic</em> for <strong>Sub Pop Records</strong>. Sub Pop liked it enough to ask him to produce several other artists on the label, including&nbsp;<strong>Reverend Horton Heat</strong>, who generously offered to perform at Michael's wedding reception!&nbsp; And then there was <strong>Courtney Love</strong> and her band, <strong>Hole</strong>, whose Sub Pop debut he produced. Michael was taken with Courtney's sense of style, as well as her sense of where she was destined. "My goal was to keep the intensity while highlighting the pop element," he says. &nbsp; Michael went on to work briefly with <strong>Jane's Addiction, Mazzy Star </strong>and the critically acclaimed <strong>Geraldine Fibbers</strong>.</p><p><br></p><p><strong>The Major Labels: Find The Good Stuff First!</strong></p><p>After an introduction from Sheryl Crow and Beck bassist <strong>Dan Rothchild</strong>, venerable WEA and Elektra Records founder <strong>Jac Holzman</strong> tapped Michael to be Head of A&amp;R and Producer at his Warner/Discovery label. Michael made it a point to listen to the boxes of unsolicited tapes that came in until he found Canadian band, <strong>Sal’s Birdland</strong>, which he signed.&nbsp; Later, they changed their name to <strong>Artificial Joy Club</strong> and Michael brought them to Interscope Records for their second album.&nbsp; The band's first track wasted no time in ascending to the Top 20 of the alternative airplay charts.&nbsp; Michael quickly found his next hit, <strong>New Radicals</strong>.&nbsp; Working under the radar and without a record deal, he and singer <strong>Gregg Alexander</strong> slipped into the studio during downtime to work on the album.&nbsp; Not only did Michael mix, but he also played the guitar solo on "Crying Like A Church On Monday." &nbsp;When Michael “shopped” the album, it was repeatedly rejected. The major labels claimed “the stigma against male singer/songwriters” was insurmountable.&nbsp; Ultimately, however, MCA Records saw the light, selling over two million units of <em>Maybe You've Been Brainwashed Too </em>and securing Michael his first Gold and Platinum credits.</p><p><br></p><p>Encouraged by Alexander to play and write more, Michael began taking on more work as a session musician.&nbsp; He wrote several songs with <strong>A.J. Croce</strong> for <em>Transit</em>, including the hits "Maybe" and "What I Wouldn’t Do," and played lead guitar on the album, which was recorded mostly live in the studio.&nbsp; “There’s no substitute for having a tight band perform live,” he says, “because that’s how you get the best vibe; that’s how you capture a great moment.”</p><p><strong>Giving Back = Staying Relevant</strong></p><p>Michael founded <strong>IndieProMix</strong>, a remote service that provides bona fide professional mixes to independent recording artists, at sliding scale prices.&nbsp; "I pitched a few of my favorite mixers (<strong>David Kahne, Matt Forger, Tony Shepperd </strong>and<strong> Rob Chiarelli)</strong> the idea of giving back to the indie community because we all started as indies," says Michael.&nbsp; "Many super-talented indies only dream of having their music mixed by pros with hits, so we decided to give them the pro experience while keeping our thumbs on the pulse of fresh new talent.&nbsp; We thought it would be a 'cool' thing to do, just because we could.&nbsp; It's been a win-win since we launched in 2010."</p><p><br></p><p>Frequently a supporter of good causes for independent recording artists, Michael has been a top tier sponsor of International Songwriting Competition and San Diego Indie Fest.&nbsp; He has been a featured speaker at seminars, master classes and conventions, including Musician's Institute, Los Angeles College of Music, EAT'M Festival, Taxi Road Rally, Westlake Pro and Vintage King L.A.</p><p><br></p><p>Michael recently launched <strong>The Platinum Legacy</strong>, a series of pro bono seminars in which he and Grammy winning producer Rob Chiarelli (Will Smith, Madonna, Erica Campbell) share their hit-making tips and tricks, and how to deploy them in today's modern analog-digital "hybrid" studios.&nbsp; When asked how he expected a pro bono venture to be successful, Michael responded, "It's the right thing to do.&nbsp; Up and coming artists don't have the same mentoring opportunities that I had, so I'm doing my part to keep classic recording and production techniques alive.&nbsp; Plus, more generosity yields more abundance in my life.&nbsp; I'm confident that it will work out well, as it always does."</p><p><strong>Embracing New Technologies</strong></p><p>Michael has become one of the most respected and sought-after sound design consultants to the pro-audio industry as a result of his roles as a preset/algorithm designer and beta-tester for several highly successful, award-winning products from Lexicon, Eventide, Sound Toys and TC Electronics, among others.&nbsp; He is a long-time endorser of Mesa/Boogie Amplifiers, Tom Anderson Guitarworks, Taylor Guitars, Eventide, Manley Labs, Dangerous Music, Chandler Limited, Avalon Design, Tonelux, Glyph Technology and SIT Strings.&nbsp; "The endorsements, the product development, even the seminars and master classes I’ve taught," says Michael, "are a logical extension of what I do in my daily activities in the studio. To my clients in those sectors of the music business, my 'real world' experiences are valuable in their laboratory or classroom settings. For me, those relationships are critical for two reasons: I contribute to the development of new products which are both practical and creatively stimulating to my recording colleagues and to me; and exercising the technical side of my brain magically broadens my artistic horizons when I'm making records."</p><p><br></p><p>Today Michael is in constant demand as a mix specialist precisely because of his multi-faceted skill set.&nbsp; As a writer-mixer, he knows when to make the technology get out of the way of the song and the artistry.&nbsp; As a musician, he can completely rearrange a song when an artist wants to dig deeper—even at the mix stage.&nbsp; He is frequently hired to do just that, often performing new guitar, bass and keyboard parts at the artists’ request, breathing new life into the song and the mix.</p><p><br></p><p><strong>For more info, contact Jan Seedman / Cadium at +1.310.200.4448.</strong></p><p><a href="http://michaeljamesproducer.com/" rel="noopener noreferrer" target="_blank"><strong>http://michaeljamesproducer.com/</strong></a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-125-with-michael-james]]></link><guid isPermaLink="false">ea0efec1800025cd0f16a0730fcbad70</guid><itunes:image href="https://artwork.captivate.fm/f10d4968-3d71-4d35-aa71-24c224684591/HROBo6N9mctwuQMMGBRo8UFp.jpg"/><pubDate>Mon, 08 May 2017 19:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/61873071-1277-4c2a-860e-56a0fac0d22b.mp3" length="60135537" type="audio/mpeg"/><itunes:duration>01:02:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>125</itunes:episode><podcast:episode>125</podcast:episode><itunes:summary>Working Class Audio Session #125 with Michael James!!!
Michael James is a  New York-born producer/mixer/engineer and has also been an A&amp;R rep as well as a solo artist himself. He&apos;s worked with  New Radicals, Hole, Far, Robben Ford, L7, Edwin McCain, Chicago, Reverend Horton Heat, A.J. Croce, Butterfly Boucher, Jane&apos;s Addiction, Maia Sharp, The Coronas, and Jawbreaker and many more.

For more info, contact Jan Seedman / Cadium at +1.310.200.4448.

http://michaeljamesproducer.com/</itunes:summary></item><item><title>WCA #124 with Owen Curtin</title><itunes:title>WCA #124 with Owen Curtin</itunes:title><description><![CDATA[<p>Owen Curtin is a audio engineer and professor of audio technology. He has worked with Sheryl Crow, David&nbsp;Gray,&nbsp;Keane, Amanda Palmer&nbsp;and&nbsp;Jordan Knight.&nbsp;Owen is the co-owner and head engineer at <a href="http://thebridgesoundstage.com/" rel="noopener noreferrer" target="_blank">The Bridge Sound and Stage</a>. Aside from his role recording and mixing at The Bridge, he manages all technology and facilities including studio integration, information technology, and acoustic design. One of his latest endeavors includes the <a href="https://www.audiobuildersworkshop.com/" rel="noopener noreferrer" target="_blank">Audio Builders Workshop</a>&nbsp;which&nbsp;holds seminars on DIY audio building projects. Along with numerous DIY preamps and other tools, he designed and built a control room monitoring solution for the 500 series. Owen's courses at Emerson College and the&nbsp;New England Institute of Art includes Adv. Studio Recording, Foley, and Senior Seminar. As the Director of Faculty Development at NEiA, Owen chairs the sabbatical, grant, and titling committees. Owen also runs the online Learning Management System used to support all classes at NEiA.&nbsp;He holds a bachelor's in Media Arts from Emerson College and a master's in Music Technology at from The Conservatorium at the University of New Castle.&nbsp;</p><h6>Owen joins Matt for a chat to discuss his studio, his workshop, education&nbsp;and how keeping his kid count at two prevents him from being outnumbered!</h6>]]></description><content:encoded><![CDATA[<p>Owen Curtin is a audio engineer and professor of audio technology. He has worked with Sheryl Crow, David&nbsp;Gray,&nbsp;Keane, Amanda Palmer&nbsp;and&nbsp;Jordan Knight.&nbsp;Owen is the co-owner and head engineer at <a href="http://thebridgesoundstage.com/" rel="noopener noreferrer" target="_blank">The Bridge Sound and Stage</a>. Aside from his role recording and mixing at The Bridge, he manages all technology and facilities including studio integration, information technology, and acoustic design. One of his latest endeavors includes the <a href="https://www.audiobuildersworkshop.com/" rel="noopener noreferrer" target="_blank">Audio Builders Workshop</a>&nbsp;which&nbsp;holds seminars on DIY audio building projects. Along with numerous DIY preamps and other tools, he designed and built a control room monitoring solution for the 500 series. Owen's courses at Emerson College and the&nbsp;New England Institute of Art includes Adv. Studio Recording, Foley, and Senior Seminar. As the Director of Faculty Development at NEiA, Owen chairs the sabbatical, grant, and titling committees. Owen also runs the online Learning Management System used to support all classes at NEiA.&nbsp;He holds a bachelor's in Media Arts from Emerson College and a master's in Music Technology at from The Conservatorium at the University of New Castle.&nbsp;</p><h6>Owen joins Matt for a chat to discuss his studio, his workshop, education&nbsp;and how keeping his kid count at two prevents him from being outnumbered!</h6>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-124-with-owen-curtin]]></link><guid isPermaLink="false">a779043a39195178360e4540e73a9932</guid><itunes:image href="https://artwork.captivate.fm/39a9d4d5-f850-45cc-89da-368ed2a182ce/moPYLbTqxiV_OruLhW4GNZeP.jpg"/><pubDate>Mon, 01 May 2017 17:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bf30f6ef-b6a3-46ca-9f9d-36a1dabe4b93.mp3" length="53817869" type="audio/mpeg"/><itunes:duration>56:04</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>124</itunes:episode><podcast:episode>124</podcast:episode><itunes:summary>Working Class Audio Session #124 with Owen Curtin!!!
 Owen Curtin is a audio engineer and professor of audio technology. He has worked with Sheryl Crow, David Gray, Keane, Amanda Palmer and Jordan Knight.  Owen is the co-owner and head engineer at The Bridge Sound and Stage. Aside from his role recording and mixing at The Bridge, he manages all technology and facilities including studio integration, information technology, and acoustic design. One of his latest endeavors includes the Audio Builders Workshop which holds seminars on DIY audio building projects. Along with numerous DIY preamps and other tools, he designed and built a control room monitoring solution for the 500 series. Owen&apos;s courses at Emerson College and the New England Institute of Art includes Adv. Studio Recording, Foley, and Senior Seminar. As the Director of Faculty Development at NEiA, Owen chairs the sabbatical, grant, and titling committees. Owen also runs the online Learning Management System used to support all classes at NEiA.  He holds a bachelor&apos;s in Media Arts from Emerson College and a master&apos;s in Music Technology at from The Conservatorium at the University of New Castle.  Owen joins Matt for a chat to discuss his studio, his workshop, education and how keeping his kid count at two prevents him from being outnumbered!</itunes:summary></item><item><title>WCA #123 with Jon O&apos;Brien - SWAT Teams, Fake lawyers, Health Insurance, Crack Pipes, and Running Recording Studios</title><itunes:title>WCA #123 with Jon O&apos;Brien - SWAT Teams, Fake lawyers, Health Insurance, Crack Pipes, and Running Recording Studios</itunes:title><description><![CDATA[<h1><br></h1><p>Jon O’Brien is the owner and producer at The Music Box Studios in Downtown Fullerton, CA.&nbsp; In 2009, fresh out of college and after a summer spent interning at Blackwatch Studios in Norman, OK, Jon returned home and began recording local bands out of his parents’ living room. Since then, Jon has spent the last 7 years recording and producing over 80 bands and artists in the Southern California area.&nbsp; Many of the clients continue to frequent the studio year after year.&nbsp; In a constant effort to improve his recording space, Jon has moved studios 3 times in the past 5 years, all the while, scouring craigslist and picking up unique instruments and gear for clients and producers to use. Eventually landing at his current and favorite space in Downtown Fullerton, Jon has launched a new studio model that focuses on pairing clients with like-minded staff producers. Jon has worked with bands such as Young the Giant, Listener, Travelers, Yellow Red Sparks and Roah Summit.&nbsp; Today, Jon is 29 and he and his wife are expecting identical twin girls; sure to be producers and engineers in the making.</p><h3><a href="http://www.jonobrienrecording.com/" rel="noopener noreferrer" target="_blank">www.jonobrienrecording.com</a></h3><h3><a href="http://www.themusicboxstudios.com/" rel="noopener noreferrer" target="_blank">www.themusicboxstudios.com</a></h3>]]></description><content:encoded><![CDATA[<h1><br></h1><p>Jon O’Brien is the owner and producer at The Music Box Studios in Downtown Fullerton, CA.&nbsp; In 2009, fresh out of college and after a summer spent interning at Blackwatch Studios in Norman, OK, Jon returned home and began recording local bands out of his parents’ living room. Since then, Jon has spent the last 7 years recording and producing over 80 bands and artists in the Southern California area.&nbsp; Many of the clients continue to frequent the studio year after year.&nbsp; In a constant effort to improve his recording space, Jon has moved studios 3 times in the past 5 years, all the while, scouring craigslist and picking up unique instruments and gear for clients and producers to use. Eventually landing at his current and favorite space in Downtown Fullerton, Jon has launched a new studio model that focuses on pairing clients with like-minded staff producers. Jon has worked with bands such as Young the Giant, Listener, Travelers, Yellow Red Sparks and Roah Summit.&nbsp; Today, Jon is 29 and he and his wife are expecting identical twin girls; sure to be producers and engineers in the making.</p><h3><a href="http://www.jonobrienrecording.com/" rel="noopener noreferrer" target="_blank">www.jonobrienrecording.com</a></h3><h3><a href="http://www.themusicboxstudios.com/" rel="noopener noreferrer" target="_blank">www.themusicboxstudios.com</a></h3>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-123-with-jon-obrien-swat-teams-fake-lawyers-health-insurance-crack-pipes-and-running-recording-studios]]></link><guid isPermaLink="false">1ed42ce390d7c533e0ddaeeae49e0d43</guid><itunes:image href="https://artwork.captivate.fm/098a1172-45e9-457e-b13b-40e509c9fd12/YniICWXogGt4x0QTVGxAOAZU.jpg"/><pubDate>Mon, 24 Apr 2017 13:54:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9b6ecdbe-7b67-431a-bf62-05152ba400b2.mp3" length="52650509" type="audio/mpeg"/><itunes:duration>54:51</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>123</itunes:episode><podcast:episode>123</podcast:episode><itunes:summary>Working Class Audio Session #123 with Jon O&apos;Brien!!!
 Jon O’Brien is the owner and producer at The Music Box Studios in Downtown Fullerton, CA.  In 2009, fresh out of college and after a summer spent interning at Blackwatch Studios in Norman, OK, Jon returned home and began recording local bands out of his parents’ living room. Since then, Jon has spent the last 7 years recording and producing over 80 bands and artists in the Southern California area.  Many of the clients continue to frequent the studio year after year.  In a constant effort to improve his recording space, Jon has moved studios 3 times in the past 5 years, all the while, scouring craigslist and picking up unique instruments and gear for clients and producers to use. Eventually landing at his current and favorite space in Downtown Fullerton, Jon has launched a new studio model that focuses on pairing clients with like-minded staff producers. Jon has worked with bands such as Young the Giant, Listener, Travelers, Yellow Red Sparks and Roah Summit.  Today, Jon is 29 and he and his wife are expecting identical twin girls; sure to be producers and engineers in the making.
 Jon joins Matt via Skype for a discussion about SWAT teams, health insurance, crack pipes, and running recording studios. All related of course! Enjoy. 
 www.jonobrienrecording.com www.themusicboxstudios.com</itunes:summary></item><item><title>WCA #122 with Kurt Andress</title><itunes:title>WCA #122 with Kurt Andress</itunes:title><description><![CDATA[<p>Kurt Andress is a Business Manager for Working Class Audio guest <strong>Mitch Dane</strong> <a href="http://www.workingclassaudio.com/wca-075-with-mitch-dane/" rel="noopener noreferrer" target="_blank">( WCA #075)</a>. Kurt is also an old friend of Matt's going back almost 30 years. Kurt's background before moving to Nashville was as a musician in New Mexico working&nbsp;at Mesilla Valley Music where he built stage gear and flight cases, and owned a stage lighting company. Kurt moved to &nbsp;Nashville in 1991 and graduated from Belmont University in 1994 with a degree in Music Business. After graduating he worked for a popular Christian music band called White Heart for a couple of years and then started KSA Management in 1996. In addition to Business Management in the music industry Kurt is also a real estate investor and property manager. Kurt and Matt talk money, debt and the business of recording. Kurt offers up his advice and guidance on running your business as a recording professional.&nbsp;  Enjoy.&nbsp;        </p><p>      </p>]]></description><content:encoded><![CDATA[<p>Kurt Andress is a Business Manager for Working Class Audio guest <strong>Mitch Dane</strong> <a href="http://www.workingclassaudio.com/wca-075-with-mitch-dane/" rel="noopener noreferrer" target="_blank">( WCA #075)</a>. Kurt is also an old friend of Matt's going back almost 30 years. Kurt's background before moving to Nashville was as a musician in New Mexico working&nbsp;at Mesilla Valley Music where he built stage gear and flight cases, and owned a stage lighting company. Kurt moved to &nbsp;Nashville in 1991 and graduated from Belmont University in 1994 with a degree in Music Business. After graduating he worked for a popular Christian music band called White Heart for a couple of years and then started KSA Management in 1996. In addition to Business Management in the music industry Kurt is also a real estate investor and property manager. Kurt and Matt talk money, debt and the business of recording. Kurt offers up his advice and guidance on running your business as a recording professional.&nbsp;  Enjoy.&nbsp;        </p><p>      </p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-122-with-kurt-andress]]></link><guid isPermaLink="false">b4891844e36df55cef97bb081d3fceeb</guid><itunes:image href="https://artwork.captivate.fm/16f54fdf-60ee-4afc-a62a-cf9751e0ef29/VQ4sb-lneX6E5dNjf-0Q4FBn.jpg"/><pubDate>Mon, 17 Apr 2017 16:54:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/7d5b0376-74c7-4d19-a40c-66322faf14fe.mp3" length="59161897" type="audio/mpeg"/><itunes:duration>01:01:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>122</itunes:episode><podcast:episode>122</podcast:episode><itunes:summary>Working Class Audio Session #122 with Kurt Andress!!!
          Kurt Andress is a Business Manager for Working Class Audio guest Mitch Dane ( WCA #075). Kurt is also an old friend of Matt&apos;s going back almost 30 years. Kurt&apos;s background before moving to Nashville was as a musician in New Mexico working at Mesilla Valley Music where he built stage gear and flight cases, and owned a stage lighting company. Kurt moved to  Nashville in 1991 and graduated from Belmont University in 1994 with a degree in Music Business. After graduating he worked for a popular Christian music band called White Heart for a couple of years and then started KSA Management in 1996. In addition to Business Management in the music industry Kurt is also a real estate investor and property manager. Kurt and Matt talk money, debt and the business of recording. Kurt offers up his advice and guidance on running your business as a recording professional.   Enjoy.</itunes:summary></item><item><title>WCA #121 with Jim Greer</title><itunes:title>WCA #121 with Jim Greer</itunes:title><description><![CDATA[<p>Jim&nbsp;Greer is a Bay Area record producer who has massed a wide variety of credits through many years of wielding multiple instruments and knowing how to fiddle some knobs. Highlights included writing and producing with or for: Galactic, Macy Gray, Handsome Boy modeling School, Cyndi Harvell, Andrew St.James, Diegos Umbrella, MC Lars, Del the Funkee Homosapien, Irma Thomas, Rondo Brothers, Butterscotch, and many more, including lots of writing and placing music in various films, tv shows, and commercials…</p><p>Matt and Jim sit down for an in person talk that covers Jim’s approach to making records, business and how the death of his son Teddy has shaped his view and approach to life.</p><h3><a href="http://digitalchildren.net/" rel="noopener noreferrer" target="_blank"><strong>Jim’s Site:&nbsp;http://digitalchildren.net/</strong></a></h3>]]></description><content:encoded><![CDATA[<p>Jim&nbsp;Greer is a Bay Area record producer who has massed a wide variety of credits through many years of wielding multiple instruments and knowing how to fiddle some knobs. Highlights included writing and producing with or for: Galactic, Macy Gray, Handsome Boy modeling School, Cyndi Harvell, Andrew St.James, Diegos Umbrella, MC Lars, Del the Funkee Homosapien, Irma Thomas, Rondo Brothers, Butterscotch, and many more, including lots of writing and placing music in various films, tv shows, and commercials…</p><p>Matt and Jim sit down for an in person talk that covers Jim’s approach to making records, business and how the death of his son Teddy has shaped his view and approach to life.</p><h3><a href="http://digitalchildren.net/" rel="noopener noreferrer" target="_blank"><strong>Jim’s Site:&nbsp;http://digitalchildren.net/</strong></a></h3>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-121-with-jim-greer]]></link><guid isPermaLink="false">9774673ed7b042ba53ef13b4bcf8d2cc</guid><itunes:image href="https://artwork.captivate.fm/3527ae8b-dba5-40d1-a13e-735290a92845/0nAseSTgxhBSrLNyHOc9pQBH.jpg"/><pubDate>Mon, 10 Apr 2017 19:44:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1789280b-a843-425d-addf-b112d2e6b5cb.mp3" length="87235379" type="audio/mpeg"/><itunes:duration>01:30:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>121</itunes:episode><podcast:episode>121</podcast:episode><itunes:summary>Working Class Audio Session #121 with Jim Greer!!!
          Jim Greer is a Bay Area record producer who has massed a wide variety of credits through many years of wielding multiple instruments and knowing how to fiddle some knobs. Highlights included writing and producing with or for: Galactic, Macy Gray, Handsome Boy modeling School, Cyndi Harvell, Andrew St.James, Diego&apos;s Umbrella, MC Lars, Del the Funkee Homosapien, Irma Thomas, Rondo Brothers, Butterscotch, and many more, including lots of writing and placing music in various films, tv shows, and commercials…                       Matt and Jim sit down for an in person talk that covers Jim&apos;s approach to making records, business and how the death of his son Teddy has shaped his view and approach to life.</itunes:summary></item><item><title>WCA #120 with Will Russell</title><itunes:title>WCA #120 with Will Russell</itunes:title><description><![CDATA[<p>Will Russell is the owner and chief engineer at Electric Wilburland Studio, which is&nbsp;located in an old Baptist church in Newfield, NY. He has been working in audio&nbsp;since the age of 17, when he first started doing live sound. Will continues to mix live&nbsp;at regional music festivals for bands like The Horse Flies and Sim Redmond Band.&nbsp;His most notable tour was mixing for Rusted Root from 1994-95.&nbsp;</p><p>After being on the road, Will switched his focus to running Electric Wilburland full&nbsp;time, where he records and produces mostly local and regional artists-- and has&nbsp;been for 30 years. Past clients include The Samples, Madder Rose, Martin&nbsp;Simpson, The Horse Flies, Joe Crookston and Donna The Buffalo. He won a&nbsp;Grammy in 2009 for recording the album “Douga Mansa" with kora player&nbsp;Mamadou Diabate.&nbsp;</p><p>Three years ago, Will joined the staff at The Park School of Communications at&nbsp;Ithaca College, where he teaches audio production part time. He also teaches a&nbsp;handful of young engineers and interns at Electric Wilburland year-round.&nbsp;</p><h2>Show notes</h2><h3>Will's Studio</h3><p><a href="http://www.wilburland.com/" rel="noopener noreferrer" target="_blank">http://www.wilburland.com/</a></p><h3><br></h3>]]></description><content:encoded><![CDATA[<p>Will Russell is the owner and chief engineer at Electric Wilburland Studio, which is&nbsp;located in an old Baptist church in Newfield, NY. He has been working in audio&nbsp;since the age of 17, when he first started doing live sound. Will continues to mix live&nbsp;at regional music festivals for bands like The Horse Flies and Sim Redmond Band.&nbsp;His most notable tour was mixing for Rusted Root from 1994-95.&nbsp;</p><p>After being on the road, Will switched his focus to running Electric Wilburland full&nbsp;time, where he records and produces mostly local and regional artists-- and has&nbsp;been for 30 years. Past clients include The Samples, Madder Rose, Martin&nbsp;Simpson, The Horse Flies, Joe Crookston and Donna The Buffalo. He won a&nbsp;Grammy in 2009 for recording the album “Douga Mansa" with kora player&nbsp;Mamadou Diabate.&nbsp;</p><p>Three years ago, Will joined the staff at The Park School of Communications at&nbsp;Ithaca College, where he teaches audio production part time. He also teaches a&nbsp;handful of young engineers and interns at Electric Wilburland year-round.&nbsp;</p><h2>Show notes</h2><h3>Will's Studio</h3><p><a href="http://www.wilburland.com/" rel="noopener noreferrer" target="_blank">http://www.wilburland.com/</a></p><h3><br></h3>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-120-with-will-russell]]></link><guid isPermaLink="false">c50867d72a2c4c10f1971d17920b714d</guid><itunes:image href="https://artwork.captivate.fm/bd6e1eff-01d4-4bae-abd3-9df67b6f31cd/TUdU9daMxbJan5tK6QVXr4cf.jpg"/><pubDate>Mon, 03 Apr 2017 09:45:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/baf4b301-225b-4ce3-8f10-8a2f657afc51.mp3" length="64220457" type="audio/mpeg"/><itunes:duration>01:06:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>120</itunes:episode><podcast:episode>120</podcast:episode><itunes:summary>Working Class Audio Session #120 with Will Russell!!!
 Will Russell is the owner and chief engineer at Electric Wilburland Studio, which is located in an old Baptist church in Newfield, NY. He has been working in audio since the age of 17, when he first started doing live sound. Will continues to mix live at regional music festivals for bands like The Horse Flies and Sim Redmond Band. His most notable tour was mixing for Rusted Root from 1994-95.   After being on the road, Will switched his focus to running Electric Wilburland full time, where he records and produces mostly local and regional artists-- and has been for 30 years. Past clients include The Samples, Madder Rose, Martin Simpson, The Horse Flies, Joe Crookston and Donna The Buffalo. He won a Grammy in 2009 for recording the album “Douga Mansa&quot; with kora player Mamadou Diabate.   Three years ago, Will joined the staff at The Park School of Communications at Ithaca College, where he teaches audio production part time. He also teaches a handful of young engineers and interns at Electric Wilburland year-round. 
 Show notes Ben Bernstein Episode http://www.workingclassaudio.com/wca-055-with-ben-bernstein/
 Will&apos;s Studio http://www.wilburland.com/
 Kurt Cochran Go Fund Me  https://www.gofundme.com/melissaandkurt</itunes:summary></item><item><title>WCA #119 with Tucker Martine</title><itunes:title>WCA #119 with Tucker Martine</itunes:title><description><![CDATA[<p>Tucker Martine&nbsp;is a record producer, musician and composer and the son of singer and songwriter <a href="https://en.wikipedia.org/wiki/Layng_Martine,_Jr." rel="noopener noreferrer" target="_blank"> Layng Martine, Jr.</a>,&nbsp;&nbsp;Tucker grew up in <a href="https://en.wikipedia.org/wiki/Nashville,_Tennessee" rel="noopener noreferrer" target="_blank"> Nashville, Tennessee</a> where he played in bands and tinkered with recording devices before moving to <a href="https://en.wikipedia.org/wiki/Boulder,_Colorado" rel="noopener noreferrer" target="_blank"> Boulder, Colorado</a>&nbsp;after graduating from high school. In Colorado, Martine was a DJ at a public radio station KGNU. He would frequently play two or more records at once on the air to experiment with creating new sounds. Martine also took courses at the <a href="https://en.wikipedia.org/wiki/Naropa_Institute" rel="noopener noreferrer" target="_blank"> Naropa Institute</a> where he studied sound collage and befriended <a href="https://en.wikipedia.org/wiki/Harry_Everett_Smith" rel="noopener noreferrer" target="_blank"> Harry Smith</a> - the ethnomusicologist, artist and Kabbalist - who made a large impression on Martine.</p><p>1993, Martine moved to <a href="https://en.wikipedia.org/wiki/Seattle" rel="noopener noreferrer" target="_blank"> Seattle</a>, Washington where he began to combine his skills and interests. He joined <a href="https://en.wikipedia.org/wiki/Wayne_Horvitz" rel="noopener noreferrer" target="_blank"> Wayne Horvitz</a>'s chamber group <a href="https://en.wikipedia.org/w/index.php?title=The_4_Plus_1_Ensemble&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank"> The 4 Plus 1 Ensemble</a> where Martine's instrument was a series of looping and sound manipulating devices which were fed by the groups otherwise acoustic instruments. Martine received a <a href="https://en.wikipedia.org/wiki/Grammy" rel="noopener noreferrer" target="_blank"> Grammy</a>&nbsp;nomination in 2007 in the "best engineered album" category for the Floratone album with <a href="https://en.wikipedia.org/wiki/Bill_Frisell" rel="noopener noreferrer" target="_blank"> Bill Frisell</a> on <a href="https://en.wikipedia.org/wiki/Blue_Note" rel="noopener noreferrer" target="_blank"> Blue Note</a>. He has also released several albums of his field recordings. As a composer and musician Martine has released 2 albums under the recording pseudonym Mount Analog and a 3rd one is on the way. Additionally, Microsoft called upon Martine's creativity when they asked him to help compose the startup and branding sounds for Microsoft's new operating system <a href="https://en.wikipedia.org/wiki/Windows_Vista" rel="noopener noreferrer" target="_blank"> Vista</a>.&nbsp;Today Martine lives in Portland, Oregon with his&nbsp;wife, singer songwriter&nbsp;<a href="https://en.wikipedia.org/wiki/Laura_Veirs" rel="noopener noreferrer" target="_blank">Laura Veirs</a> and continues to make records in his own studio, <a href="https://en.wikipedia.org/wiki/Flora_Recording_%26_Playback" rel="noopener noreferrer" target="_blank"> Flora Recording &amp; Playback</a>.</p><p><br></p><p>Tucker&nbsp;has worked with artists such as <a href="https://en.wikipedia.org/wiki/The_Decemberists" rel="noopener noreferrer" target="_blank"> The Decemberists</a>, <a href="https://en.wikipedia.org/wiki/R.E.M." rel="noopener noreferrer" target="_blank"> R.E.M.</a>, <a href="https://en.wikipedia.org/wiki/My_Morning_Jacket" rel="noopener noreferrer" target="_blank"> My Morning Jacket</a>, <a href="https://en.wikipedia.org/wiki/Modest_Mouse" rel="noopener noreferrer" target="_blank"> Modest Mouse</a>, <a href="https://en.wikipedia.org/wiki/Beth_Orton" rel="noopener noreferrer" target="_blank"> Beth Orton</a>, <a href="https://en.wikipedia.org/wiki/Neko_Case" rel="noopener noreferrer" target="_blank"> Neko Case</a>, <a href="https://en.wikipedia.org/wiki/Mudhoney_%28band%29" rel="noopener noreferrer" target="_blank"> Mudhoney</a>, <a href="https://en.wikipedia.org/wiki/Bill_Frisell" rel="noopener noreferrer" target="_blank"> Bill Frisell</a>, <a href="https://en.wikipedia.org/wiki/Sufjan_Stevens" rel="noopener noreferrer" target="_blank"> Sufjan Stevens</a>, <a href="https://en.wikipedia.org/wiki/Spoon_%28band%29" rel="noopener noreferrer" target="_blank"> Spoon</a>, <a href="https://en.wikipedia.org/wiki/Grandaddy" rel="noopener noreferrer" target="_blank"> Grandaddy</a>, <a href="https://en.wikipedia.org/wiki/Mavis_Staples" rel="noopener noreferrer" target="_blank"> Mavis Staples</a>, <a href="https://en.wikipedia.org/wiki/Iron_And_Wine" rel="noopener noreferrer" target="_blank"> Iron And Wine</a>, <a href="https://en.wikipedia.org/wiki/The_Jayhawks" rel="noopener noreferrer" target="_blank"> The Jayhawks</a>, <a href="https://en.wikipedia.org/wiki/Karl_Blau" rel="noopener noreferrer" target="_blank"> Karl Blau</a>, <a href="https://en.wikipedia.org/wiki/Edward_Sharpe_And_The_Magnetic_Zeros" rel="noopener noreferrer" target="_blank"> Edward Sharpe And The Magnetic Zeros</a>, <a href="https://en.wikipedia.org/wiki/Blind_Pilot" rel="noopener noreferrer" target="_blank"> Blind Pilot</a>, <a href="https://en.wikipedia.org/wiki/Camera_Obscura_%28band%29" rel="noopener noreferrer" target="_blank"> Camera Obscura</a>, <a href="https://en.wikipedia.org/wiki/Stephen_Malkmus" rel="noopener noreferrer" target="_blank"> Stephen Malkmus</a>, <a href="https://en.wikipedia.org/wiki/K.d._lang" rel="noopener noreferrer" target="_blank"> k.d. lang</a>, <a href="https://en.wikipedia.org/wiki/She_and_Him" rel="noopener noreferrer" target="_blank"> She and Him</a>, <a href="https://en.wikipedia.org/wiki/M_Ward" rel="noopener noreferrer" target="_blank"> M Ward</a>, <a href="https://en.wikipedia.org/wiki/Case/lang/veirs" rel="noopener noreferrer" target="_blank"> Case/lang/veirs</a>, <a href="https://en.wikipedia.org/wiki/Jesse_Sykes" rel="noopener noreferrer" target="_blank"> Jesse Sykes</a> and <a href="https://en.wikipedia.org/wiki/Laura_Veirs" rel="noopener noreferrer" target="_blank"> Laura Veirs</a>.</p>]]></description><content:encoded><![CDATA[<p>Tucker Martine&nbsp;is a record producer, musician and composer and the son of singer and songwriter <a href="https://en.wikipedia.org/wiki/Layng_Martine,_Jr." rel="noopener noreferrer" target="_blank"> Layng Martine, Jr.</a>,&nbsp;&nbsp;Tucker grew up in <a href="https://en.wikipedia.org/wiki/Nashville,_Tennessee" rel="noopener noreferrer" target="_blank"> Nashville, Tennessee</a> where he played in bands and tinkered with recording devices before moving to <a href="https://en.wikipedia.org/wiki/Boulder,_Colorado" rel="noopener noreferrer" target="_blank"> Boulder, Colorado</a>&nbsp;after graduating from high school. In Colorado, Martine was a DJ at a public radio station KGNU. He would frequently play two or more records at once on the air to experiment with creating new sounds. Martine also took courses at the <a href="https://en.wikipedia.org/wiki/Naropa_Institute" rel="noopener noreferrer" target="_blank"> Naropa Institute</a> where he studied sound collage and befriended <a href="https://en.wikipedia.org/wiki/Harry_Everett_Smith" rel="noopener noreferrer" target="_blank"> Harry Smith</a> - the ethnomusicologist, artist and Kabbalist - who made a large impression on Martine.</p><p>1993, Martine moved to <a href="https://en.wikipedia.org/wiki/Seattle" rel="noopener noreferrer" target="_blank"> Seattle</a>, Washington where he began to combine his skills and interests. He joined <a href="https://en.wikipedia.org/wiki/Wayne_Horvitz" rel="noopener noreferrer" target="_blank"> Wayne Horvitz</a>'s chamber group <a href="https://en.wikipedia.org/w/index.php?title=The_4_Plus_1_Ensemble&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank"> The 4 Plus 1 Ensemble</a> where Martine's instrument was a series of looping and sound manipulating devices which were fed by the groups otherwise acoustic instruments. Martine received a <a href="https://en.wikipedia.org/wiki/Grammy" rel="noopener noreferrer" target="_blank"> Grammy</a>&nbsp;nomination in 2007 in the "best engineered album" category for the Floratone album with <a href="https://en.wikipedia.org/wiki/Bill_Frisell" rel="noopener noreferrer" target="_blank"> Bill Frisell</a> on <a href="https://en.wikipedia.org/wiki/Blue_Note" rel="noopener noreferrer" target="_blank"> Blue Note</a>. He has also released several albums of his field recordings. As a composer and musician Martine has released 2 albums under the recording pseudonym Mount Analog and a 3rd one is on the way. Additionally, Microsoft called upon Martine's creativity when they asked him to help compose the startup and branding sounds for Microsoft's new operating system <a href="https://en.wikipedia.org/wiki/Windows_Vista" rel="noopener noreferrer" target="_blank"> Vista</a>.&nbsp;Today Martine lives in Portland, Oregon with his&nbsp;wife, singer songwriter&nbsp;<a href="https://en.wikipedia.org/wiki/Laura_Veirs" rel="noopener noreferrer" target="_blank">Laura Veirs</a> and continues to make records in his own studio, <a href="https://en.wikipedia.org/wiki/Flora_Recording_%26_Playback" rel="noopener noreferrer" target="_blank"> Flora Recording &amp; Playback</a>.</p><p><br></p><p>Tucker&nbsp;has worked with artists such as <a href="https://en.wikipedia.org/wiki/The_Decemberists" rel="noopener noreferrer" target="_blank"> The Decemberists</a>, <a href="https://en.wikipedia.org/wiki/R.E.M." rel="noopener noreferrer" target="_blank"> R.E.M.</a>, <a href="https://en.wikipedia.org/wiki/My_Morning_Jacket" rel="noopener noreferrer" target="_blank"> My Morning Jacket</a>, <a href="https://en.wikipedia.org/wiki/Modest_Mouse" rel="noopener noreferrer" target="_blank"> Modest Mouse</a>, <a href="https://en.wikipedia.org/wiki/Beth_Orton" rel="noopener noreferrer" target="_blank"> Beth Orton</a>, <a href="https://en.wikipedia.org/wiki/Neko_Case" rel="noopener noreferrer" target="_blank"> Neko Case</a>, <a href="https://en.wikipedia.org/wiki/Mudhoney_%28band%29" rel="noopener noreferrer" target="_blank"> Mudhoney</a>, <a href="https://en.wikipedia.org/wiki/Bill_Frisell" rel="noopener noreferrer" target="_blank"> Bill Frisell</a>, <a href="https://en.wikipedia.org/wiki/Sufjan_Stevens" rel="noopener noreferrer" target="_blank"> Sufjan Stevens</a>, <a href="https://en.wikipedia.org/wiki/Spoon_%28band%29" rel="noopener noreferrer" target="_blank"> Spoon</a>, <a href="https://en.wikipedia.org/wiki/Grandaddy" rel="noopener noreferrer" target="_blank"> Grandaddy</a>, <a href="https://en.wikipedia.org/wiki/Mavis_Staples" rel="noopener noreferrer" target="_blank"> Mavis Staples</a>, <a href="https://en.wikipedia.org/wiki/Iron_And_Wine" rel="noopener noreferrer" target="_blank"> Iron And Wine</a>, <a href="https://en.wikipedia.org/wiki/The_Jayhawks" rel="noopener noreferrer" target="_blank"> The Jayhawks</a>, <a href="https://en.wikipedia.org/wiki/Karl_Blau" rel="noopener noreferrer" target="_blank"> Karl Blau</a>, <a href="https://en.wikipedia.org/wiki/Edward_Sharpe_And_The_Magnetic_Zeros" rel="noopener noreferrer" target="_blank"> Edward Sharpe And The Magnetic Zeros</a>, <a href="https://en.wikipedia.org/wiki/Blind_Pilot" rel="noopener noreferrer" target="_blank"> Blind Pilot</a>, <a href="https://en.wikipedia.org/wiki/Camera_Obscura_%28band%29" rel="noopener noreferrer" target="_blank"> Camera Obscura</a>, <a href="https://en.wikipedia.org/wiki/Stephen_Malkmus" rel="noopener noreferrer" target="_blank"> Stephen Malkmus</a>, <a href="https://en.wikipedia.org/wiki/K.d._lang" rel="noopener noreferrer" target="_blank"> k.d. lang</a>, <a href="https://en.wikipedia.org/wiki/She_and_Him" rel="noopener noreferrer" target="_blank"> She and Him</a>, <a href="https://en.wikipedia.org/wiki/M_Ward" rel="noopener noreferrer" target="_blank"> M Ward</a>, <a href="https://en.wikipedia.org/wiki/Case/lang/veirs" rel="noopener noreferrer" target="_blank"> Case/lang/veirs</a>, <a href="https://en.wikipedia.org/wiki/Jesse_Sykes" rel="noopener noreferrer" target="_blank"> Jesse Sykes</a> and <a href="https://en.wikipedia.org/wiki/Laura_Veirs" rel="noopener noreferrer" target="_blank"> Laura Veirs</a>.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-119-with-tucker-martine]]></link><guid isPermaLink="false">48b4083bfc3d104408f1f0a07fa1b282</guid><itunes:image href="https://artwork.captivate.fm/7089b33a-e6d7-43c4-9788-0d2335d2f144/hil9kYVNlO_20SihkjrcE_rt.jpg"/><pubDate>Mon, 27 Mar 2017 03:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/326567b5-0317-4c9b-ad9a-8d14d83c16dd.mp3" length="58933277" type="audio/mpeg"/><itunes:duration>01:01:23</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>119</itunes:episode><podcast:episode>119</podcast:episode><itunes:summary>Working Class Audio Session #119 with Tucker Martine!!!
 Tucker Martine is a record producer, musician and composer and the son of singer and songwriter  Layng Martine, Jr.,  Tucker grew up in  Nashville, Tennessee where he played in bands and tinkered with recording devices before moving to  Boulder, Colorado after graduating from high school. In Colorado, Martine was a DJ at a public radio station KGNU. He would frequently play two or more records at once on the air to experiment with creating new sounds. Martine also took courses at the  Naropa Institute where he studied sound collage and befriended  Harry Smith - the ethnomusicologist, artist and Kabbalist - who made a large impression on Martine.
 1993, Martine moved to  Seattle, Washington where he began to combine his skills and interests. He joined  Wayne Horvitz&apos;s chamber group  The 4 Plus 1 Ensemble where Martine&apos;s instrument was a series of looping and sound manipulating devices which were fed by the groups otherwise acoustic instruments. Martine received a  Grammy nomination in 2007 in the &quot;best engineered album&quot; category for the Floratone album with  Bill Frisell on  Blue Note. He has also released several albums of his field recordings. As a composer and musician Martine has released 2 albums under the recording pseudonym Mount Analog and a 3rd one is on the way. Additionally, Microsoft called upon Martine&apos;s creativity when they asked him to help compose the startup and branding sounds for Microsoft&apos;s new operating system  Vista. Today Martine lives in Portland, Oregon with his wife, singer songwriter Laura Veirs and continues to make records in his own studio,  Flora Recording &amp; Playback.
 Tucker has worked with artists such as  The Decemberists,  R.E.M.,  My Morning Jacket,  Modest Mouse,  Beth Orton,  Neko Case,  Mudhoney,  Bill Frisell,  Sufjan Stevens,  Spoon,  Grandaddy,  Mavis Staples,  Iron And Wine,  The Jayhawks,  Karl Blau,  Edward Sharpe And The Magnetic Zeros,  Blind Pilot,  Camera Obscura,  Stephen Malkmus,  k.d. lang,  She and Him,  M Ward,  Case/lang/veirs,  Jesse Sykes and  Laura Veirs.</itunes:summary></item><item><title>WCA #118 with Tyler Crowder</title><itunes:title>WCA #118 with Tyler Crowder</itunes:title><description><![CDATA[<p>Tyler Crowder is a freelance recording/audio engineer in the San Francisco Bay Area, who enjoys working in various recording studios, where he's&nbsp;done projects with both artist on major labels including Sony, RCA, Def Jam, GOOD Music, Windham Hill, Arista Records, B&amp;G, Dancing Cat, etc. as well as &nbsp;with a diverse range of local indy bands. &nbsp;By working with a&nbsp;diverse range of major artists and local indy artist, it allows Tyler&nbsp;to be fluent in all styles of music, and be able to contribute to the local community of musicians and bands that surround the San Francisco Bay Area. Over the years Tyler has&nbsp;earned 2 Grammy nominations for audio engineering, and participated in many Billboard Charting Albums. Tyler has worked with numerous artists including Kanye West, Justin Bieber, Jennifer Hudson, Lil’ Wayne, Snoop Dog, George Winston, Melvin Seals, Tuck &amp; Pattie, Joan Jeanrenaud, Phil Aaburg, Henry Butler, Dave “Dave’s Hands” Jackson, Keola Beamer, Cyril Pahinui, Bola Sete, Professor Longhair, Steven, Damian, and Ziggy Marley, and the Los Lonely Boys along with many other artists.</p><h2>More on Tyler&nbsp;<a href="http://www.noisedrop.com/" rel="noopener noreferrer" target="_blank"><strong>www.noisedrop.com</strong></a></h2>]]></description><content:encoded><![CDATA[<p>Tyler Crowder is a freelance recording/audio engineer in the San Francisco Bay Area, who enjoys working in various recording studios, where he's&nbsp;done projects with both artist on major labels including Sony, RCA, Def Jam, GOOD Music, Windham Hill, Arista Records, B&amp;G, Dancing Cat, etc. as well as &nbsp;with a diverse range of local indy bands. &nbsp;By working with a&nbsp;diverse range of major artists and local indy artist, it allows Tyler&nbsp;to be fluent in all styles of music, and be able to contribute to the local community of musicians and bands that surround the San Francisco Bay Area. Over the years Tyler has&nbsp;earned 2 Grammy nominations for audio engineering, and participated in many Billboard Charting Albums. Tyler has worked with numerous artists including Kanye West, Justin Bieber, Jennifer Hudson, Lil’ Wayne, Snoop Dog, George Winston, Melvin Seals, Tuck &amp; Pattie, Joan Jeanrenaud, Phil Aaburg, Henry Butler, Dave “Dave’s Hands” Jackson, Keola Beamer, Cyril Pahinui, Bola Sete, Professor Longhair, Steven, Damian, and Ziggy Marley, and the Los Lonely Boys along with many other artists.</p><h2>More on Tyler&nbsp;<a href="http://www.noisedrop.com/" rel="noopener noreferrer" target="_blank"><strong>www.noisedrop.com</strong></a></h2>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-118-with-tyler-crowder]]></link><guid isPermaLink="false">229c4b470570260ee372a193f42c87df</guid><itunes:image href="https://artwork.captivate.fm/05d4d237-bc3f-43ce-b11c-9a37284bf5fb/GHmQM5dHCGJQONeCKuNaaKO4.jpg"/><pubDate>Mon, 20 Mar 2017 16:25:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e98027ec-1065-4b77-8b4a-aa74e685b187.mp3" length="57159038" type="audio/mpeg"/><itunes:duration>59:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>118</itunes:episode><podcast:episode>118</podcast:episode><itunes:summary>Working Class Audio Session #118 with Tyler Crowder!!!
 Tyler Crowder is a freelance recording/audio engineer in the San Francisco Bay Area, who enjoys working in various recording studios, where he&apos;s done projects with both artist on major labels including Sony, RCA, Def Jam, GOOD Music, Windham Hill, Arista Records, B&amp;G, Dancing Cat, etc. as well as  with a diverse range of local indy bands.  By working with a diverse range of major artists and local indy artist, it allows Tyler to be fluent in all styles of music, and be able to contribute to the local community of musicians and bands that surround the San Francisco Bay Area. Over the years Tyler has earned 2 Grammy nominations for audio engineering, and participated in many Billboard Charting Albums. Tyler has worked with numerous artists including Kanye West, Justin Bieber, Jennifer Hudson, Lil’ Wayne, Snoop Dog, George Winston, Melvin Seals, Tuck &amp; Pattie, Joan Jeanrenaud, Phil Aaburg, Henry Butler, Dave “Dave’s Hands” Jackson, Keola Beamer, Cyril Pahinui, Bola Sete, Professor Longhair, Steven, Damian, and Ziggy Marley, and the Los Lonely Boys along with many other artists.</itunes:summary></item><item><title>WCA #117 with Cesar Mejia</title><itunes:title>WCA #117 with Cesar Mejia</itunes:title><description><![CDATA[<p>Cesar Mejia is an L.A. based engineer and producer born and raised in <a href="https://en.wikipedia.org/wiki/Boyle_Heights,_Los_Angeles" rel="noopener noreferrer" target="_blank">Boyle Heights </a>in <a href="https://en.wikipedia.org/wiki/East_Los_Angeles,_California" rel="noopener noreferrer" target="_blank">East Los Angeles</a>. Besides engineering and producing he is a faculty member at Cal State Dominguez Hills where he teaches audio recording courses for the Digital Media Arts program. Cesar has a unique approach of putting his clients at ease, allowing the artist to perform at their optimal. Cesar’s methods and skills have allowed him to maintain an ever-growing list of clients like: Herbie Hancock, Wayne Shorter, Brian Eno, Bill Withers, Will I. Am, Beatmo, Chicago, Zach de la Rocha, Mezklah, Wayne Shorter, Hurley Clothing, Hanoi Counsel for the Arts Vietnam, Sting, Joni Mitchell, Al Geroe, George Duke, George Benson, Motorhead, Monte Carlo 76, Natashia Williams, Brujeria, Nathan East, Los Lobos, Marcus Miller, Aztlan Underground, Chicano Son, Amazon Gold Foundation, Andy Garcia, Most Eligible Basturds, Marisa Ronstadt, Susan Egan, &amp; Kenny Moreno. Constantly working on projects of multiple magnitudes, he fully dedicates himself and applies the same enthusiasm to all his clients.</p><p>Cesar speaks with Matt about all things WCA from The Shelter Studios in Los Angeles.</p><p><br></p><p>More on Cesar's studio&nbsp;<a href="http://theshelterstudios.com/" rel="noopener noreferrer" target="_blank">http://theshelterstudios.com/</a></p>]]></description><content:encoded><![CDATA[<p>Cesar Mejia is an L.A. based engineer and producer born and raised in <a href="https://en.wikipedia.org/wiki/Boyle_Heights,_Los_Angeles" rel="noopener noreferrer" target="_blank">Boyle Heights </a>in <a href="https://en.wikipedia.org/wiki/East_Los_Angeles,_California" rel="noopener noreferrer" target="_blank">East Los Angeles</a>. Besides engineering and producing he is a faculty member at Cal State Dominguez Hills where he teaches audio recording courses for the Digital Media Arts program. Cesar has a unique approach of putting his clients at ease, allowing the artist to perform at their optimal. Cesar’s methods and skills have allowed him to maintain an ever-growing list of clients like: Herbie Hancock, Wayne Shorter, Brian Eno, Bill Withers, Will I. Am, Beatmo, Chicago, Zach de la Rocha, Mezklah, Wayne Shorter, Hurley Clothing, Hanoi Counsel for the Arts Vietnam, Sting, Joni Mitchell, Al Geroe, George Duke, George Benson, Motorhead, Monte Carlo 76, Natashia Williams, Brujeria, Nathan East, Los Lobos, Marcus Miller, Aztlan Underground, Chicano Son, Amazon Gold Foundation, Andy Garcia, Most Eligible Basturds, Marisa Ronstadt, Susan Egan, &amp; Kenny Moreno. Constantly working on projects of multiple magnitudes, he fully dedicates himself and applies the same enthusiasm to all his clients.</p><p>Cesar speaks with Matt about all things WCA from The Shelter Studios in Los Angeles.</p><p><br></p><p>More on Cesar's studio&nbsp;<a href="http://theshelterstudios.com/" rel="noopener noreferrer" target="_blank">http://theshelterstudios.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-117-with-cesar-mejia]]></link><guid isPermaLink="false">cdc484002afe386ea6766b62118254d0</guid><itunes:image href="https://artwork.captivate.fm/4f1b457a-e2d1-4110-835d-676c2c7b83bc/n0lWNcLsC__gsNLBQdmysnnW.jpg"/><pubDate>Mon, 13 Mar 2017 13:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c60958ce-9b8d-4e68-9347-fe39b563dcf3.mp3" length="58942466" type="audio/mpeg"/><itunes:duration>01:01:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>117</itunes:episode><podcast:episode>117</podcast:episode><itunes:summary>Working Class Audio Session #117 with Cesar Mejia!!!
 Cesar Mejia is an L.A. based engineer/producer born and raised in Boyle Heights in East Los Angeles. Besides engineering and producing he is a faculty member at Cal State Dominguez Hills where he teaches audio recording courses for the Digital Media Arts program. Cesar has a unique approach of putting his clients at ease, allowing the artist to perform at their optimal. Cesar’s methods and skills have allowed him to maintain an ever-growing list of clients like: Herbie Hancock, Wayne Shorter, Brian Eno, Bill Withers, Will I. Am, Beatmo, Chicago, Zach de la Rocha, Mezklah, Wayne Shorter, Hurley Clothing, Hanoi Counsel for the Arts Vietnam, Sting, Joni Mitchell, Al Geroe, George Duke, George Benson, Motorhead, Monte Carlo 76, Natashia Williams, Brujeria, Nathan East, Los Lobos, Marcus Miller, Aztlan Underground, Chicano Son, Amazon Gold Foundation, Andy Garcia, Most Eligible Basturds, Marisa Ronstadt, Susan Egan, &amp; Kenny Moreno. Constantly working on projects of multiple magnitudes, he fully dedicates himself and applies the same enthusiasm to all his clients.</itunes:summary></item><item><title>WCA #116 with Mark Kilborn</title><itunes:title>WCA #116 with Mark Kilborn</itunes:title><description><![CDATA[<p>Mark Kilborn is a sound designer, mixer and implementer with over a decade of experience in the video games industry. He has worked on various game franchises including Borderlands, Forza Motorsport, Brothers In Arms, Tony Hawk and Project Gotham Racing. For the last seven years he has served as one of the Audio Directors for the Call of Duty series, collaborating with teams of sound designers around the world on various projects including Modern Warfare 3, Advanced Warfare, Black Ops 1-3, Exo Zombies, Call of Duty Online and Modern Warfare Remastered. After he and his wife had twins in 2015, he setup&nbsp;a home studio and continues to contribute to the Call of Duty series as a Principal Audio Designer. He lives in Madison, WI with his wife, three kids, two dogs and too much snow.&nbsp;Mark flew to San Francisco for the Game Developers&nbsp;Conference recently and met Matt at a Starbucks to talk about Mark's world in game sound.</p><p>Mark's list of credits include , Call of Duty 2017 Call of Duty: Modern Warfare Remastered (PS4/XB1/PC) Call of Duty: Black Ops 3 (PS4/XB1/PC) Call of Duty: Exo Zombies (PS4/XB1/PC) Call of Duty: Advanced Warfare (PS4/XB1/PC) - Nominated for BAFTA, AIAS awards for sound - Winner, GANG Sound Design and Audio of the Year awards Call of Duty: Ghosts (PS4/XB1/PC) Call of Duty: Black Ops 2 (360/PS3/PC) Call of Duty Online (PC) Call of Duty: Modern Warfare 3 (360/PS3/PC/WII) - Nominated for BAFTA, AIAS, GANG and MPSE awards for sound Call of Duty: Black Ops (360/PS3/PC/WII) Singularity (360/PS3/PC) Forza Motorsport 3 (360) Dr. Awesome Microsurgeon MD (iPhone) Borderlands (360/PS3/PC) Brothers in Arms: Hell's Highway (360/PS3/PC) Samba De Amigo (Wii) Project Gotham Racing 4 (360) The Club (360/PS3/PC) Boom Boom Rocket (XBLA) Tony Hawk's Project 8 (360/PS3) Bionicle Heroes (NDS)</p>]]></description><content:encoded><![CDATA[<p>Mark Kilborn is a sound designer, mixer and implementer with over a decade of experience in the video games industry. He has worked on various game franchises including Borderlands, Forza Motorsport, Brothers In Arms, Tony Hawk and Project Gotham Racing. For the last seven years he has served as one of the Audio Directors for the Call of Duty series, collaborating with teams of sound designers around the world on various projects including Modern Warfare 3, Advanced Warfare, Black Ops 1-3, Exo Zombies, Call of Duty Online and Modern Warfare Remastered. After he and his wife had twins in 2015, he setup&nbsp;a home studio and continues to contribute to the Call of Duty series as a Principal Audio Designer. He lives in Madison, WI with his wife, three kids, two dogs and too much snow.&nbsp;Mark flew to San Francisco for the Game Developers&nbsp;Conference recently and met Matt at a Starbucks to talk about Mark's world in game sound.</p><p>Mark's list of credits include , Call of Duty 2017 Call of Duty: Modern Warfare Remastered (PS4/XB1/PC) Call of Duty: Black Ops 3 (PS4/XB1/PC) Call of Duty: Exo Zombies (PS4/XB1/PC) Call of Duty: Advanced Warfare (PS4/XB1/PC) - Nominated for BAFTA, AIAS awards for sound - Winner, GANG Sound Design and Audio of the Year awards Call of Duty: Ghosts (PS4/XB1/PC) Call of Duty: Black Ops 2 (360/PS3/PC) Call of Duty Online (PC) Call of Duty: Modern Warfare 3 (360/PS3/PC/WII) - Nominated for BAFTA, AIAS, GANG and MPSE awards for sound Call of Duty: Black Ops (360/PS3/PC/WII) Singularity (360/PS3/PC) Forza Motorsport 3 (360) Dr. Awesome Microsurgeon MD (iPhone) Borderlands (360/PS3/PC) Brothers in Arms: Hell's Highway (360/PS3/PC) Samba De Amigo (Wii) Project Gotham Racing 4 (360) The Club (360/PS3/PC) Boom Boom Rocket (XBLA) Tony Hawk's Project 8 (360/PS3) Bionicle Heroes (NDS)</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-116-with-mark-kilborn]]></link><guid isPermaLink="false">6d93a2f8f865bcf1f28ba3e9eb010012</guid><itunes:image href="https://artwork.captivate.fm/816905d5-792c-494a-afab-f9ee15c0c816/D-w4i9gu7mkSShH0YTFQfKI3.jpg"/><pubDate>Mon, 06 Mar 2017 14:01:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/16fd8601-e534-40df-8c61-5c2d9341f29d.mp3" length="57036156" type="audio/mpeg"/><itunes:duration>59:25</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>116</itunes:episode><podcast:episode>116</podcast:episode><itunes:summary>Working Class Audio Session #116 with Mark Kilborn!!!
 Mark Kilborn is a sound designer, mixer and implementer with over a decade of experience in the video games industry. He has worked on various game franchises including Borderlands, Forza Motorsport, Brothers In Arms, Tony Hawk and Project Gotham Racing. For the last seven years he has served as one of the Audio Directors for the Call of Duty series, collaborating with teams of sound designers around the world on various projects including Modern Warfare 3, Advanced Warfare, Black Ops 1-3, Exo Zombies, Call of Duty Online and Modern Warfare Remastered. After he and his wife had twins in 2015, he setup a home studio and continues to contribute to the Call of Duty series as a Principal Audio Designer. He lives in Madison, WI with his wife, three kids, two dogs and too much snow. Mark flew to San Francisco for the Game Developers Conference recently and met Matt at a Starbucks to talk about Mark&apos;s world in game sound.
 Mark&apos;s list of credits include , Call of Duty 2017 Call of Duty: Modern Warfare Remastered (PS4/XB1/PC) Call of Duty: Black Ops 3 (PS4/XB1/PC) Call of Duty: Exo Zombies (PS4/XB1/PC) Call of Duty: Advanced Warfare (PS4/XB1/PC) - Nominated for BAFTA, AIAS awards for sound - Winner, GANG Sound Design and Audio of the Year awards Call of Duty: Ghosts (PS4/XB1/PC) Call of Duty: Black Ops 2 (360/PS3/PC) Call of Duty Online (PC) Call of Duty: Modern Warfare 3 (360/PS3/PC/WII) - Nominated for BAFTA, AIAS, GANG and MPSE awards for sound Call of Duty: Black Ops (360/PS3/PC/WII) Singularity (360/PS3/PC) Forza Motorsport 3 (360) Dr. Awesome Microsurgeon MD (iPhone) Borderlands (360/PS3/PC) Brothers in Arms: Hell&apos;s Highway (360/PS3/PC) Samba De Amigo (Wii) Project Gotham Racing 4 (360) The Club (360/PS3/PC) Boom Boom Rocket (XBLA) Tony Hawk&apos;s Project 8 (360/PS3) Bionicle Heroes (NDS)</itunes:summary></item><item><title>WCA #115 with Kurt Ballou</title><itunes:title>WCA #115 with Kurt Ballou</itunes:title><description><![CDATA[<p><strong>Kurt Ballou&nbsp;</strong>is a musician and producer, best known as the guitarist from Massachusetts-based band <a href="https://en.wikipedia.org/wiki/Converge_(band)" rel="noopener noreferrer" target="_blank">Converge</a>. Aside from his role in Converge, Ballou is a prolific producer, recording and producing out of his own GodCity Studio. &nbsp;Kurt has worked with numerous bands over the last 25 years in a producing/ recording role including High on Fire, Nails, Russian Circles and Code Orange. Kurt and Matt talk over Skype discussing health, retirement, drugs, family, money and Asperger's syndrome. Enjoy!</p>]]></description><content:encoded><![CDATA[<p><strong>Kurt Ballou&nbsp;</strong>is a musician and producer, best known as the guitarist from Massachusetts-based band <a href="https://en.wikipedia.org/wiki/Converge_(band)" rel="noopener noreferrer" target="_blank">Converge</a>. Aside from his role in Converge, Ballou is a prolific producer, recording and producing out of his own GodCity Studio. &nbsp;Kurt has worked with numerous bands over the last 25 years in a producing/ recording role including High on Fire, Nails, Russian Circles and Code Orange. Kurt and Matt talk over Skype discussing health, retirement, drugs, family, money and Asperger's syndrome. Enjoy!</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-115-with-kurt-ballou]]></link><guid isPermaLink="false">259d10109569e7acc37ac2f87d575321</guid><itunes:image href="https://artwork.captivate.fm/ec557478-373f-45d7-9c01-62309ce79dc8/0NBKp9Qb5l4lSLGhVhZscX1k.jpg"/><pubDate>Mon, 27 Feb 2017 04:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/52ff1adc-f6ac-4ede-9d95-e44e8d51b01f.mp3" length="70044990" type="audio/mpeg"/><itunes:duration>01:12:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>115</itunes:episode><podcast:episode>115</podcast:episode><itunes:summary>Working Class Audio Session #115 with Kurt Ballou!!!
 Kurt Ballou is a musician and producer, best known as the guitarist from Massachusetts-based band Converge. Aside from his role in Converge, Ballou is a prolific producer, recording and producing out of his own GodCity Studio.  Kurt has worked with numerous bands over the last 25 years in a producing/ recording role including High on Fire, Nails, Russian Circles and Code Orange. Kurt and Matt talk over Skype discussing health, retirement, drugs, family, money and Asperger&apos;s syndrome. Enjoy!</itunes:summary></item><item><title>WCA #114 with Monte Vallier</title><itunes:title>WCA #114 with Monte Vallier</itunes:title><description><![CDATA[<p>Monte Vallier grew up in the Bay Area and launched his musical career by dropping out of high&nbsp;school and moving to London with his band Half Church who he played&nbsp;bass with. After making a record and playing tons of gigs with bands such as The Fall, Echo and the Bunnymen, and PIL,&nbsp;the band called it quits in 1986. After interning at The music annex and Coast Recorders (Bay Area) Monte built his own studio&nbsp;with engineer Gibbs Chapman that was destroyed in the 1989 Loma Prieta&nbsp;earthquake . It was that same year that Monte started working with the band Swell as a bass player. They Made 5 albums and toured extensively in the 90’s and eventually signed to Rick Rubin’s Def American label in 1993. They made all their our own records starting with a Tascam 38 but then took all the recording advances and bought more gear. They built studios in LA and NYC and in various places in SF to make the records. Monte says he truly learned how to a make a proper record while working with Swell. After Monte left Swell he got busy by producing other people partnered&nbsp;&nbsp;with Marc Capelle to pursue commercial composition, film scoring, and corporate music and audio post , formed Jet Black Crayon with Tommy Guerrero and toured a bit, making&nbsp;3 albums then working on 9 solo records for Tommy. Eventually Monte partnered with Jamie Kahn and&nbsp;<a href="https://www.workingclassaudio.com/wca-111-with-nathan-harlow/" rel="noopener noreferrer" target="_blank">Nathan Harlow</a>&nbsp;to create a recording space in San Francisco in 2006.</p><p>Monte has worked with many bands and solo artists including,</p><p>Tommy Guerrero, Wax Idols, Mark Eitzel, Sean Hayes, Oxbow, Chuck Dukowski and Blackface, Weekend, Mall Walk, Houses of Heaven, Never Young, Wild Moth, Hariguem Zaboy, Terry Malts, The Mattson 2, Young Prisms, Wax Idols, Jet Black Crayon, The Mumlers. The Soft Moon, BLKTOP Project, Vetiver, Rova Saxophone Quartet (OrchestraRova-Larry Ochs), [the] caseworker, Beautiful Machines, Tomorrow’s Tulips, Peggy Honeywell, GoJoGo, Kelley Stoltz,&nbsp;Money Mark, Swell, The Japanese Motors, Erik Arnaud, My Diet Pill, Warbler, Kurt Nilsen, Ice Sun, Xiu Xiu, TODD, Bunuel, LiXi, Seventeen Evergreen, Rupa and the April Fishes, Ghost in the City, Trust.</p><h3>Check Monte out at:</h3><h3><a href="http://www.ruminatoraudio.com/" rel="noopener noreferrer" target="_blank">www.ruminatoraudio.com</a>&nbsp;and&nbsp;<a href="http://www.momentamusic.com/" rel="noopener noreferrer" target="_blank">www.momentamusic.com</a></h3><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Monte Vallier grew up in the Bay Area and launched his musical career by dropping out of high&nbsp;school and moving to London with his band Half Church who he played&nbsp;bass with. After making a record and playing tons of gigs with bands such as The Fall, Echo and the Bunnymen, and PIL,&nbsp;the band called it quits in 1986. After interning at The music annex and Coast Recorders (Bay Area) Monte built his own studio&nbsp;with engineer Gibbs Chapman that was destroyed in the 1989 Loma Prieta&nbsp;earthquake . It was that same year that Monte started working with the band Swell as a bass player. They Made 5 albums and toured extensively in the 90’s and eventually signed to Rick Rubin’s Def American label in 1993. They made all their our own records starting with a Tascam 38 but then took all the recording advances and bought more gear. They built studios in LA and NYC and in various places in SF to make the records. Monte says he truly learned how to a make a proper record while working with Swell. After Monte left Swell he got busy by producing other people partnered&nbsp;&nbsp;with Marc Capelle to pursue commercial composition, film scoring, and corporate music and audio post , formed Jet Black Crayon with Tommy Guerrero and toured a bit, making&nbsp;3 albums then working on 9 solo records for Tommy. Eventually Monte partnered with Jamie Kahn and&nbsp;<a href="https://www.workingclassaudio.com/wca-111-with-nathan-harlow/" rel="noopener noreferrer" target="_blank">Nathan Harlow</a>&nbsp;to create a recording space in San Francisco in 2006.</p><p>Monte has worked with many bands and solo artists including,</p><p>Tommy Guerrero, Wax Idols, Mark Eitzel, Sean Hayes, Oxbow, Chuck Dukowski and Blackface, Weekend, Mall Walk, Houses of Heaven, Never Young, Wild Moth, Hariguem Zaboy, Terry Malts, The Mattson 2, Young Prisms, Wax Idols, Jet Black Crayon, The Mumlers. The Soft Moon, BLKTOP Project, Vetiver, Rova Saxophone Quartet (OrchestraRova-Larry Ochs), [the] caseworker, Beautiful Machines, Tomorrow’s Tulips, Peggy Honeywell, GoJoGo, Kelley Stoltz,&nbsp;Money Mark, Swell, The Japanese Motors, Erik Arnaud, My Diet Pill, Warbler, Kurt Nilsen, Ice Sun, Xiu Xiu, TODD, Bunuel, LiXi, Seventeen Evergreen, Rupa and the April Fishes, Ghost in the City, Trust.</p><h3>Check Monte out at:</h3><h3><a href="http://www.ruminatoraudio.com/" rel="noopener noreferrer" target="_blank">www.ruminatoraudio.com</a>&nbsp;and&nbsp;<a href="http://www.momentamusic.com/" rel="noopener noreferrer" target="_blank">www.momentamusic.com</a></h3><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-114-with-monte-vallier]]></link><guid isPermaLink="false">e46fc1d0ba00af9a135e0639f4b5b7cd</guid><itunes:image href="https://artwork.captivate.fm/e1db8851-bc3a-44f3-88b5-7b3cd670ddde/kBGRCkx8BS20Ivx_tPBfZhU0.jpg"/><pubDate>Mon, 20 Feb 2017 14:19:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bd1380a0-e7d6-4b35-be15-72c2cf9a817d.mp3" length="48622640" type="audio/mpeg"/><itunes:duration>50:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>114</itunes:episode><podcast:episode>114</podcast:episode><itunes:summary>Working Class Audio Session #114 with Monte Vallier!!!
 Monte Vallier grew up in the Bay Area and launched his musical career by dropping out of high school and moving to London with his band Half Church who he played bass with. After making a record and playing tons of gigs with bands such as The Fall, Echo and the Bunnymen, and PIL,  the band called it quits in 1986. After interning at The music annex and Coast Recorders (Bay Area) Monte built his own studio with engineer Gibbs Chapman that was destroyed in the 1989 Loma Prieta earthquake . It was that same year that Monte started working with the band Swell as a bass player. They Made 5 albums and toured extensively in the 90’s and eventually signed to Rick Rubin’s Def American label in 1993. They made all their our own records starting with a Tascam 38 but then took all the recording advances and bought more gear. They built studios in LA and NYC and in various places in SF to make the records. Monte says he truly learned how to a make a proper record while working with Swell. After Monte left Swell he got busy by producing other people, partnered with Marc Capelle to pursue commercial composition, film scoring, and corporate music and audio post , formed Jet Black Crayon with Tommy Guerrero and toured a bit, making 3 albums then working on 9 solo records for Tommy. Eventually Monte partnered with Jamie Kahn and Nathan Harlow to create a recording space in San Francisco in 2006.   Monte has worked with many bands and solo artists including,  Tommy Guerrero, Wax Idols, Mark Eitzel, Sean Hayes, Oxbow, Chuck Dukowski and Blackface, Weekend, Mall Walk, Houses of Heaven, Never Young, Wild Moth, Hariguem Zaboy, Terry Malts, The Mattson 2, Young Prisms, Wax Idols, Jet Black Crayon, The Mumlers. The Soft Moon, BLKTOP Project, Vetiver, Rova Saxophone Quartet (OrchestraRova-Larry Ochs), [the] caseworker, Beautiful Machines, Tomorrow’s Tulips, Peggy Honeywell, GoJoGo, Kelley Stoltz,  Money Mark, Swell, The Japanese Motors, Erik Arnaud, My Diet Pill, Warbler, Kurt Nilsen, Ice Sun, Xiu Xiu, TODD, Bunuel, LiXi, Seventeen Evergreen, Rupa and the April Fishes, Ghost in the City, Trust….etc</itunes:summary></item><item><title>WCA #113 with Mike Wells</title><itunes:title>WCA #113 with Mike Wells</itunes:title><description><![CDATA[<p>Mike Wells has spent the last 15 plus years mastering, complimented by a lifetime in music as a musician, music theory graduate, recording artist, and recording/mixing engineer. From San Francisco to Los Angeles, Mike has had one hell of a&nbsp; journey to get to the point of working with artists such as&nbsp;Green Day, PARRI$, Prince, and Gridlock. While we all have career ups and downs of which Mike is no stranger, Mike also spent many years trying to decipher a medical condition that developed later in his life that was eventually diagnosed as &nbsp;<a href="http://www.epilepsy.com/learn/epilepsy-101/what-epilepsy" rel="noopener noreferrer" target="_blank"><strong>Epilepsy</strong></a>. &nbsp;Not to be deterred&nbsp;by his diagnosis and the seizures that come, as a result, Mike developed his mastering business which is known for his incredible attention to detail and going the extra mile for his clients. &nbsp;After many challenges that would stop most people, Mike persevered and is now at a point where he is no longer facing the daily threat of seizures with the help of 21st-century medicine. The biggest takeaway from this interview is that Mike doesn't have a "poor me" attitude. He is upbeat and forward-thinking and that's inspiring. &nbsp;Mike joins us from his studio in Los Angeles.</p><h3>Mike Wells passed away on Wednesday, January 5, 2022</h3><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Mike Wells has spent the last 15 plus years mastering, complimented by a lifetime in music as a musician, music theory graduate, recording artist, and recording/mixing engineer. From San Francisco to Los Angeles, Mike has had one hell of a&nbsp; journey to get to the point of working with artists such as&nbsp;Green Day, PARRI$, Prince, and Gridlock. While we all have career ups and downs of which Mike is no stranger, Mike also spent many years trying to decipher a medical condition that developed later in his life that was eventually diagnosed as &nbsp;<a href="http://www.epilepsy.com/learn/epilepsy-101/what-epilepsy" rel="noopener noreferrer" target="_blank"><strong>Epilepsy</strong></a>. &nbsp;Not to be deterred&nbsp;by his diagnosis and the seizures that come, as a result, Mike developed his mastering business which is known for his incredible attention to detail and going the extra mile for his clients. &nbsp;After many challenges that would stop most people, Mike persevered and is now at a point where he is no longer facing the daily threat of seizures with the help of 21st-century medicine. The biggest takeaway from this interview is that Mike doesn't have a "poor me" attitude. He is upbeat and forward-thinking and that's inspiring. &nbsp;Mike joins us from his studio in Los Angeles.</p><h3>Mike Wells passed away on Wednesday, January 5, 2022</h3><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-113-with-mike-wells]]></link><guid isPermaLink="false">340899fb3cfe5ee487f6580343767f30</guid><itunes:image href="https://artwork.captivate.fm/dc51232a-de20-41bc-88ad-1904d31494ad/wca-113-with-mike-wells.jpg"/><pubDate>Mon, 13 Feb 2017 20:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/dda4736c-9c82-4c30-be74-1f7f0bb1902c.mp3" length="84915702" type="audio/mpeg"/><itunes:duration>01:28:27</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>113</itunes:episode><podcast:episode>113</podcast:episode><itunes:summary>Working Class Audio Session #113 with Mike Wells!!!
 Mike Wells has spent the last 15 plus years mastering, complimented by a lifetime in music as a musician, music theory graduate, recording artist, and recording/mixing engineer. From San Francisco to Los Angeles, Mike has had one hell of a  journey to get to the point of working with artists such as Green Day, PARRI$, Prince, and Gridlock. While we all have career ups and downs of which Mike is no stranger, Mike also spent many years trying to decipher a medical condition that developed later in his life that was eventually diagnosed as  Epilepsy.  Not to be deterred by his diagnosis and the seizures that come as a result, Mike developed his mastering business which is known for his incredible attention to detail and going the extra mile for his clients.  After many challenges that would stop most people, Mike persevered and is now at a point where he is longer facing the daily threat of seizures with the help of 21st century medicine. The biggest take away from this interview is that Mike doesn&apos;t have a &quot;poor me&quot; attitude. He is upbeat and forward thinking and that&apos;s inspiring .  Mike joins us from his studio in Los Angeles. 
 www.mikewellsmastering.com</itunes:summary></item><item><title>WCA #112 with Frank Wolf</title><itunes:title>WCA #112 with Frank Wolf</itunes:title><description><![CDATA[<p>Although Frank Wolf’s background was in music, he found myself drawn to “the other side of the glass” and changed his&nbsp;studies to Physics and Electrical Engineering.&nbsp;While in college, Frank also built and ran a small studio with an old ½” Scully at it’s heart. (ahh analog!) During those years, he met the folks at The Village Recorder, and when he&nbsp;graduated, he was immediately hired as a tech.&nbsp;While there, the staff was given permission to use the studios any time they were open so Frank&nbsp;was able to hone his&nbsp;craft with many, many hours of studio time!&nbsp;One of the bands he&nbsp;worked with got a record deal, Frank&nbsp;left his&nbsp;employ, recorded their album and has&nbsp;been independent ever since.&nbsp;Frank worked almost exclusively on records for many years, but eventually got and took the opportunity to start in both TV and Feature Films. For the next several years, he&nbsp;worked on many of Disney’s and Pixar’s animated films while also meeting and developing working relationships with many other composers and film studios.</p><p>Frank talks to Matt from his home in Los Angles about his background, tech talk about his home mixing setup and the templates he uses to mix music for major motion pictures as well as finances.</p><h2>Show Notes:</h2><h3><a href="http://www.johncuniberti.com/onemic/" rel="noopener noreferrer" target="_blank">John Cuniberti’s ONEMIC series</a>&nbsp;as mentioned in the monologue.</h3><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Although Frank Wolf’s background was in music, he found myself drawn to “the other side of the glass” and changed his&nbsp;studies to Physics and Electrical Engineering.&nbsp;While in college, Frank also built and ran a small studio with an old ½” Scully at it’s heart. (ahh analog!) During those years, he met the folks at The Village Recorder, and when he&nbsp;graduated, he was immediately hired as a tech.&nbsp;While there, the staff was given permission to use the studios any time they were open so Frank&nbsp;was able to hone his&nbsp;craft with many, many hours of studio time!&nbsp;One of the bands he&nbsp;worked with got a record deal, Frank&nbsp;left his&nbsp;employ, recorded their album and has&nbsp;been independent ever since.&nbsp;Frank worked almost exclusively on records for many years, but eventually got and took the opportunity to start in both TV and Feature Films. For the next several years, he&nbsp;worked on many of Disney’s and Pixar’s animated films while also meeting and developing working relationships with many other composers and film studios.</p><p>Frank talks to Matt from his home in Los Angles about his background, tech talk about his home mixing setup and the templates he uses to mix music for major motion pictures as well as finances.</p><h2>Show Notes:</h2><h3><a href="http://www.johncuniberti.com/onemic/" rel="noopener noreferrer" target="_blank">John Cuniberti’s ONEMIC series</a>&nbsp;as mentioned in the monologue.</h3><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-112-with-frank-wolf]]></link><guid isPermaLink="false">f628f439d94bfcad2c67162eae9cad80</guid><itunes:image href="https://artwork.captivate.fm/66dac708-aa70-44b8-b4e8-ede1424b5b93/efni50Hl4KqIu1tkoKeNH8Kq.jpg"/><pubDate>Mon, 06 Feb 2017 18:46:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/283e3f63-bf2b-4344-ab36-7112ca2f3514.mp3" length="52487085" type="audio/mpeg"/><itunes:duration>54:40</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>112</itunes:episode><podcast:episode>112</podcast:episode><itunes:summary>Working Class Audio Session #112 with Frank Wolf!!!
 Although Frank Wolf&apos;s background was in music, he found myself drawn to “the other side of the glass” and changed his studies to Physics and Electrical Engineering.  While in college, Frank also built and ran a small studio with an old ½” Scully at it’s heart. (ahh analog!) During those years, he met the folks at The Village Recorder, and when he graduated, he was immediately hired as a tech.  While there, the staff was given permission to use the studios any time they were open so Frank was able to hone his craft with many, many hours of studio time!  One of the bands he worked with got a record deal, Frank left his employ, recorded their album and has been independent ever since.  Frank worked almost exclusively on records for many years, but eventually got and took the opportunity to start in both TV and Feature Films. For the next several years, he worked on many of Disney’s and Pixar’s animated films while also meeting and developing working relationships with many other composers and film studios.
 Frank talks to Matt from his home in Los Angles about his background, tech talk about his home mixing setup and the templates he uses to mix music for major motion pictures as well as finances.</itunes:summary></item><item><title>WCA #111 with Nathan Harlow</title><itunes:title>WCA #111 with Nathan Harlow</itunes:title><description><![CDATA[<p>Nathan Harlow grew up in San Francisco, played in bands and eventually found his way into the world of live sound.&nbsp;20 years later, his experience touring, mixing, recording and doing system design has allowed him the opportunity to work with artists such as Prince, Rob Zombie, Sonic Youth, Bebel Gilberto, Medeski, Martin and Wood&nbsp;and Primus. His skills are also in demand at the&nbsp;<a href="http://thefoxoakland.com/" rel="noopener noreferrer" target="_blank">Fox Theater</a>&nbsp;in Oakland, California,<a href="http://www.thewarfieldtheatre.com/" rel="noopener noreferrer" target="_blank">&nbsp;the Warfield Theater</a>&nbsp;and&nbsp;<a href="http://thefillmore.com/" rel="noopener noreferrer" target="_blank">Fillmore Auditorium&nbsp;</a>in San Francisco, California. On top of his live sound skills doing monitors or front of house Nathan is also&nbsp;trained in systems management and room acoustics. He states that his intention is to use his unique set of skills to assist in the creation of beauty and inspiration with elegance and grace.</p><p>Matt heads into San Francisco to chat with Nathan in person in his studio South of Market.</p><h1><br></h1>]]></description><content:encoded><![CDATA[<p>Nathan Harlow grew up in San Francisco, played in bands and eventually found his way into the world of live sound.&nbsp;20 years later, his experience touring, mixing, recording and doing system design has allowed him the opportunity to work with artists such as Prince, Rob Zombie, Sonic Youth, Bebel Gilberto, Medeski, Martin and Wood&nbsp;and Primus. His skills are also in demand at the&nbsp;<a href="http://thefoxoakland.com/" rel="noopener noreferrer" target="_blank">Fox Theater</a>&nbsp;in Oakland, California,<a href="http://www.thewarfieldtheatre.com/" rel="noopener noreferrer" target="_blank">&nbsp;the Warfield Theater</a>&nbsp;and&nbsp;<a href="http://thefillmore.com/" rel="noopener noreferrer" target="_blank">Fillmore Auditorium&nbsp;</a>in San Francisco, California. On top of his live sound skills doing monitors or front of house Nathan is also&nbsp;trained in systems management and room acoustics. He states that his intention is to use his unique set of skills to assist in the creation of beauty and inspiration with elegance and grace.</p><p>Matt heads into San Francisco to chat with Nathan in person in his studio South of Market.</p><h1><br></h1>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-111-with-nathan-harlow]]></link><guid isPermaLink="false">7d7bf633ee961c9ec0da5e4b75d7044e</guid><itunes:image href="https://artwork.captivate.fm/6ecd66e5-8fbc-4d2f-b292-9e1283143960/nh.jpg"/><pubDate>Mon, 30 Jan 2017 19:53:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/97a13648-1713-4875-b805-45be7953219d.mp3" length="53711480" type="audio/mpeg"/><itunes:duration>55:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>111</itunes:episode><podcast:episode>111</podcast:episode><itunes:summary>Working Class Audio Session #111 with Nathan Harlow!!!
 Nathan Harlow grew up in San Francisco, played in bands and eventually found his way into the world of live sound. 20 years later, his experience touring, mixing, recording and doing system design has allowed him the opportunity to work with artists such as Prince, Rob Zombie, Sonic Youth, Bebel Gilberto, Medeski, Martin and Wood and Primus. His skills are also in demand at the Fox Theater in Oakland, California, the Warfield Theater and Fillmore Auditorium in San Francisco, California. On top of his live sound skills doing monitors or front of house Nathan is also trained in systems management and room acoustics. He states that his intention is to use his unique set of skills to assist in the creation of beauty and inspiration with elegance and grace. 
 Matt heads into San Francisco to chat with Nathan in person in his studio South of Market. 
 Enjoy!</itunes:summary></item><item><title>WCA #110 NAMM Power Chat 2017</title><itunes:title>WCA #110 NAMM Power Chat 2017</itunes:title><description><![CDATA[<p>I took a trip from NORCAL to SOCAL to hit NAMM 2017. As I arrived I decided to put together a show based on “Power Chats/Talks”. 20 minute or so quick chats with friends about certain topics.&nbsp;<strong>Ben Lindell from&nbsp;</strong><a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank"><strong>Puremix</strong></a><strong>, Sean McLaughlin, Andy Freeman, Gary Boss of Audio-Technica</strong>&nbsp;and&nbsp;<strong>Vance Powell</strong>&nbsp;joined me. Enjoy!</p>]]></description><content:encoded><![CDATA[<p>I took a trip from NORCAL to SOCAL to hit NAMM 2017. As I arrived I decided to put together a show based on “Power Chats/Talks”. 20 minute or so quick chats with friends about certain topics.&nbsp;<strong>Ben Lindell from&nbsp;</strong><a href="https://www.puremix.net/" rel="noopener noreferrer" target="_blank"><strong>Puremix</strong></a><strong>, Sean McLaughlin, Andy Freeman, Gary Boss of Audio-Technica</strong>&nbsp;and&nbsp;<strong>Vance Powell</strong>&nbsp;joined me. Enjoy!</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-110-namm-power-chat-2017]]></link><guid isPermaLink="false">46e23c11bed53a23386f7995c29d545a</guid><itunes:image href="https://artwork.captivate.fm/62761a08-622e-41d9-9aac-1aaee10eab2a/namm-wca-110-power-chat.jpg"/><pubDate>Mon, 23 Jan 2017 22:06:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e14019b5-a65c-49f0-b684-5aaba78eafa5.mp3" length="67588918" type="audio/mpeg"/><itunes:duration>01:10:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>110</itunes:episode><podcast:episode>110</podcast:episode><itunes:summary>Working Class Audio Session #110 NAMM Power Chat!!!
 I took a trip from NORCAL to SOCAL to hit NAMM 2017. As I arrived I decided to put together a show based on &quot;Power Chats/Talks&quot;. 20 minute or so quick chats with friends about certain topics. Ben Lindell from Puremix, Sean McLaughlin, Andy Freeman, Gary Boss of Audio-Technica and Vance Powell joined me. Enjoy!</itunes:summary></item><item><title>WCA #109 With Justin Pizzoferrato</title><itunes:title>WCA #109 With Justin Pizzoferrato</itunes:title><description><![CDATA[<p>Justin Pizzoferrato is a recording engineer based out of western Massachusetts. He owns and runs Sonelab with Mark Alan Miller and&nbsp;also freelances from time to time.</p><p>Justin has worked with such bands as Dinosaur Jr, Sonic Youth, Speedy Ortiz, Elder, and many more in the rock genre. He got his start freelancing around Boston. After moving to western Mass, he noted the lack of studios and decided to open up his own facility. When he’s not in the studio, he’s hanging out with his wife and son, biking, or buying too many records!</p><p>Justin chats with Matt over Skype about&nbsp;Sonelab, recording life before kids, freelancing and work ethic.</p><p><strong>Justin’s studio:&nbsp;</strong><a href="http://www.sonelab.com/recording.html" rel="noopener noreferrer" target="_blank"><strong>Sonelab</strong></a></p>]]></description><content:encoded><![CDATA[<p>Justin Pizzoferrato is a recording engineer based out of western Massachusetts. He owns and runs Sonelab with Mark Alan Miller and&nbsp;also freelances from time to time.</p><p>Justin has worked with such bands as Dinosaur Jr, Sonic Youth, Speedy Ortiz, Elder, and many more in the rock genre. He got his start freelancing around Boston. After moving to western Mass, he noted the lack of studios and decided to open up his own facility. When he’s not in the studio, he’s hanging out with his wife and son, biking, or buying too many records!</p><p>Justin chats with Matt over Skype about&nbsp;Sonelab, recording life before kids, freelancing and work ethic.</p><p><strong>Justin’s studio:&nbsp;</strong><a href="http://www.sonelab.com/recording.html" rel="noopener noreferrer" target="_blank"><strong>Sonelab</strong></a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-109-with-justin-pizzoferrato]]></link><guid isPermaLink="false">4a2f0bd54a9961f5a4739efb9f483b81</guid><itunes:image href="https://artwork.captivate.fm/940a4665-9e84-4a90-9ec7-e0f56d9e2e71/wca-109-with-justin-pizzoferrato-black-and-white.jpg"/><pubDate>Mon, 16 Jan 2017 04:16:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/02a38556-c802-4dd9-b9e9-0ad2ced5ec6a.mp3" length="39024757" type="audio/mpeg"/><itunes:duration>40:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>109</itunes:episode><podcast:episode>109</podcast:episode><itunes:summary>Working Class Audio Session #109 with Justin Pizzoferrato!!!
 Justin Pizzoferrato is a recording engineer based out of western Massachusetts. He owns and runs Sonelab with Mark Alan Miller and also freelances from time to time.
 Justin has worked with such bands as Dinosaur Jr, Sonic Youth, Speedy Ortiz, Elder, and many more in the rock genre. He got his start freelancing around Boston. After moving to western Mass, he noted the lack of studios and decided to open up his own facility. When he&apos;s not in the studio, he&apos;s hanging out with his wife and son, biking, or buying too many records! 
 Justin chats with Matt over Skype about Sonelab, recording life before kids, freelancing and work ethic. 
 Justin&apos;s studio: Sonelab</itunes:summary></item><item><title>WCA #108 with Chris Montgomery</title><itunes:title>WCA #108 with Chris Montgomery</itunes:title><description><![CDATA[<p>Chris Montgomery is an audio engineer and producer living and working in New York City. Having grown up in Glasgow, Scotland, he brings a musical heritage from one of the most prolific and diverse music scenes and applies this to his work in studio, live and field audio production. From live sound at The Bitter End to studio work and location sound at Dubway Studios, Chris digs in and tries it all.</p><p>Chris has worked with many notable artists including The Lumineers,&nbsp;Mumford And Sons, The Killers, Florence And The Machine, Ed Sheeran, Sheryl Crow and Damien Rice.</p><p>Having recently finished an 18 month period touring with multi-platinum recording artist, Rachel Platten, Chris is now focusing on a move to Los Angeles with the intention of opening a new studio. Chris talks with Matt about his decision to move from Glasgow, Half &amp; Half, having a willingness to say yes to work and his new console.</p><p>More details can be found at&nbsp;<a href="http://www.chris-audio.com/" rel="noopener noreferrer" target="_blank">www.chris-audio.com</a></p>]]></description><content:encoded><![CDATA[<p>Chris Montgomery is an audio engineer and producer living and working in New York City. Having grown up in Glasgow, Scotland, he brings a musical heritage from one of the most prolific and diverse music scenes and applies this to his work in studio, live and field audio production. From live sound at The Bitter End to studio work and location sound at Dubway Studios, Chris digs in and tries it all.</p><p>Chris has worked with many notable artists including The Lumineers,&nbsp;Mumford And Sons, The Killers, Florence And The Machine, Ed Sheeran, Sheryl Crow and Damien Rice.</p><p>Having recently finished an 18 month period touring with multi-platinum recording artist, Rachel Platten, Chris is now focusing on a move to Los Angeles with the intention of opening a new studio. Chris talks with Matt about his decision to move from Glasgow, Half &amp; Half, having a willingness to say yes to work and his new console.</p><p>More details can be found at&nbsp;<a href="http://www.chris-audio.com/" rel="noopener noreferrer" target="_blank">www.chris-audio.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-108-with-chris-montgomery]]></link><guid isPermaLink="false">0f9a25f315b0b20aa69acef573677d65</guid><itunes:image href="https://artwork.captivate.fm/fa6f10ff-986a-4453-a6f0-f57f7075e3ba/wca-108-with-chris-montgomery-wca-logo.jpg"/><pubDate>Mon, 09 Jan 2017 15:54:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/49a3eca1-24d9-410c-a073-1039b152c997.mp3" length="58032161" type="audio/mpeg"/><itunes:duration>01:00:27</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>108</itunes:episode><podcast:episode>108</podcast:episode><itunes:summary>Working Class Audio Session #108 with Chris Montgomery!!!
 Chris Montgomery is an audio engineer and producer living and working in New York City. Having grown up in Glasgow, Scotland, he brings a musical heritage from one of the most prolific and diverse music scenes and applies this to his work in studio, live and field audio production. From live sound at The Bitter End to studio work and location sound at Dubway Studios, Chris digs in and tries it all. 
 Chris has worked with many notable artists including The Lumineers, Mumford And Sons, The Killers, Florence And The Machine, Ed Sheeran, Sheryl Crow and Damien Rice. 
 Having recently finished an 18 month period touring with multi-platinum recording artist, Rachel Platten, Chris is now focusing on a move to Los Angeles with the intention of opening a new studio. Chris talks with Matt about his decision to move from Glasgow, Half &amp; Half, having a willingness to say yes to work and his new console.</itunes:summary></item><item><title>WCA #107 with Chris Graham</title><itunes:title>WCA #107 with Chris Graham</itunes:title><description><![CDATA[<p>Chris Graham runs Chris Graham Mastering outside of Columbus, Ohio. Chris joined Matt for a Skype call from his mastering studio to talk about integrity, his business, his website,&nbsp;the tools he uses to stay organized and audio conspiracy theories!</p><p>The following bio is from Chris’ website&nbsp;<a href="https://www.chrisgrahammastering.com/" rel="noopener noreferrer" target="_blank">www.chrisgrahammastering.com</a></p><p>Before I became a full time audio mastering engineer, I was an audio engineer, music producer and musician. Like other audio engineers, I occasionally was put in the uncomfortable position of having to master my own mixes due to an artist’s budget problems. Mastering anything you’ve also mixed is a nightmare, but I quickly grew fascinated with the process and began acquiring specialized audio mastering equipment and software and working hard to hone my skills.</p><p>I started mastering every unmastered album I could get my hands on, and after showing my producer friends the results I was achieving, I was soon being asked to master albums all the time. Eventually, more and more people began asking me to master their projects, and I grew to really look forward to the reactions I would get after sending them my work. I soon realized that I enjoyed mastering music for other people more than I had ever enjoyed producing, engineering or even playing my own music professionally. As the projects kept coming in, I decided in 2008 to devote all my efforts to providing music mastering services, and stopped accepting work as an mix engineer or producer.</p><p>I had my mastering studio built, and the choice felt right in my heart. I couldn’t be more pleased with where that decision has taken me. Few things give me more satisfaction than the feedback I receive from people about how excited they are that their recordings are finally “coming to life.”</p><p>I still occasionally find the time to get out on the road and play my own music, but I prefer to stay home with my wife &amp; our three kids and master music for a living. Mastering music for a living has been a blast and I love meeting and working with the incredible people from all over the globe that come to me for their mastering services.</p><p>My family and I live just north of Columbus, Ohio. My wife and I love Jesus, hanging out with our kids, leading&nbsp;<a href="http://www.younglife.org/Pages/default.aspx" rel="noopener noreferrer" target="_blank">Young Life</a>, our&nbsp;<a href="http://www.amazon.com/Aeropress-Coffee-and-Espresso-Maker/" rel="noopener noreferrer" target="_blank">Aeropress</a>&nbsp;coffee maker, books, and&nbsp;<a href="http://www.jenis.com/" rel="noopener noreferrer" target="_blank">Jeni’s Splendid Ice Creams</a>.</p><p>If you’d like to get to know me a little more before sending your project my way, please give me a call or send me an email.</p><p>Chris can be reached at:&nbsp;<a href="https://www.chrisgrahammastering.com/" rel="noopener noreferrer" target="_blank">www.chrisgrahammastering.com</a></p>]]></description><content:encoded><![CDATA[<p>Chris Graham runs Chris Graham Mastering outside of Columbus, Ohio. Chris joined Matt for a Skype call from his mastering studio to talk about integrity, his business, his website,&nbsp;the tools he uses to stay organized and audio conspiracy theories!</p><p>The following bio is from Chris’ website&nbsp;<a href="https://www.chrisgrahammastering.com/" rel="noopener noreferrer" target="_blank">www.chrisgrahammastering.com</a></p><p>Before I became a full time audio mastering engineer, I was an audio engineer, music producer and musician. Like other audio engineers, I occasionally was put in the uncomfortable position of having to master my own mixes due to an artist’s budget problems. Mastering anything you’ve also mixed is a nightmare, but I quickly grew fascinated with the process and began acquiring specialized audio mastering equipment and software and working hard to hone my skills.</p><p>I started mastering every unmastered album I could get my hands on, and after showing my producer friends the results I was achieving, I was soon being asked to master albums all the time. Eventually, more and more people began asking me to master their projects, and I grew to really look forward to the reactions I would get after sending them my work. I soon realized that I enjoyed mastering music for other people more than I had ever enjoyed producing, engineering or even playing my own music professionally. As the projects kept coming in, I decided in 2008 to devote all my efforts to providing music mastering services, and stopped accepting work as an mix engineer or producer.</p><p>I had my mastering studio built, and the choice felt right in my heart. I couldn’t be more pleased with where that decision has taken me. Few things give me more satisfaction than the feedback I receive from people about how excited they are that their recordings are finally “coming to life.”</p><p>I still occasionally find the time to get out on the road and play my own music, but I prefer to stay home with my wife &amp; our three kids and master music for a living. Mastering music for a living has been a blast and I love meeting and working with the incredible people from all over the globe that come to me for their mastering services.</p><p>My family and I live just north of Columbus, Ohio. My wife and I love Jesus, hanging out with our kids, leading&nbsp;<a href="http://www.younglife.org/Pages/default.aspx" rel="noopener noreferrer" target="_blank">Young Life</a>, our&nbsp;<a href="http://www.amazon.com/Aeropress-Coffee-and-Espresso-Maker/" rel="noopener noreferrer" target="_blank">Aeropress</a>&nbsp;coffee maker, books, and&nbsp;<a href="http://www.jenis.com/" rel="noopener noreferrer" target="_blank">Jeni’s Splendid Ice Creams</a>.</p><p>If you’d like to get to know me a little more before sending your project my way, please give me a call or send me an email.</p><p>Chris can be reached at:&nbsp;<a href="https://www.chrisgrahammastering.com/" rel="noopener noreferrer" target="_blank">www.chrisgrahammastering.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-107-with-chris-graham]]></link><guid isPermaLink="false">a1f3409ebe4f808e12977532cf0e72de</guid><itunes:image href="https://artwork.captivate.fm/39835acf-5620-40cc-922d-56629c93c6e9/wca-107-chris-graham.jpg"/><pubDate>Mon, 02 Jan 2017 06:09:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/43baf26f-4481-4a43-8374-fe48b4dbe6e8.mp3" length="58413332" type="audio/mpeg"/><itunes:duration>01:00:51</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>107</itunes:episode><podcast:episode>107</podcast:episode><itunes:summary>Working Class Audio Session #107 with Chris Graham!!! Chris Graham runs Chris Graham Mastering outside of Columbus, Ohio. The following bio is from Chris&apos; website www.chrisgrahammastering.com Before I became a full time audio mastering engineer, I was an audio engineer, music producer and musician. Like other audio engineers, I occasionally was put in the uncomfortable position of having to master my own mixes due to an artist&apos;s budget problems. Mastering anything you&apos;ve also mixed is a nightmare, but I quickly grew fascinated with the process and began acquiring specialized audio mastering equipment and software and working hard to hone my skills. I started mastering every unmastered album I could get my hands on, and after showing my producer friends the results I was achieving, I was soon being asked to master albums all the time. Eventually, more and more people began asking me to master their projects, and I grew to really look forward to the reactions I would get after sending them my work. I soon realized that I enjoyed mastering music for other people more than I had ever enjoyed producing, engineering or even playing my own music professionally. As the projects kept coming in, I decided in 2008 to devote all my efforts to providing music mastering services, and stopped accepting work as an mix engineer or producer. I had my mastering studio built, and the choice felt right in my heart. I couldn&apos;t be more pleased with where that decision has taken me. Few things give me more satisfaction than the feedback I receive from people about how excited they are that their recordings are finally &quot;coming to life.&quot; I still occasionally find the time to get out on the road and play my own music, but I prefer to stay home with my wife &amp; our three kids and master music for a living. Mastering music for a living has been a blast and I love meeting and working with the incredible people from all over the globe that come to me for their mastering services. My family and I live just north of Columbus, Ohio. My wife and I love Jesus, hanging out with our kids, leading Young Life, our Aeropress coffee maker, books, and Jeni&apos;s Splendid Ice Creams. If you&apos;d like to get to know me a little more before sending your project my way, please give me a call or send me an email. Chris can be reached at: www.chrisgrahammastering.com</itunes:summary></item><item><title>WCA #106 with Don Zientara</title><itunes:title>WCA #106 with Don Zientara</itunes:title><description><![CDATA[<p>Don Zientara is a musician and recording engineer as well as the owner and chief engineer at&nbsp;<a href="http://innerearstudio.com/" rel="noopener noreferrer" target="_blank"><strong>Inner Ear Studios</strong></a>&nbsp;in Arlington, Virginia located outside of Washington DC. Don has a varied background that is part art, part military, part electronics&nbsp;and ultimately all music and recording. While Don records many kinds of music, he is best known for his work with Dischord Records and DC Hardcore bands including&nbsp;<a href="https://teenidles.bandcamp.com/" rel="noopener noreferrer" target="_blank">The Teen Idles</a>,&nbsp;<a href="https://minorthreat.bandcamp.com/" rel="noopener noreferrer" target="_blank">Minor Threat</a>,&nbsp;<a href="https://ritesofspring.bandcamp.com/" rel="noopener noreferrer" target="_blank">Rites of Spring</a>,&nbsp;<a href="https://fugazi.bandcamp.com/" rel="noopener noreferrer" target="_blank">Fugazi</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Black_Dots" rel="noopener noreferrer" target="_blank">Bad Brains</a>&nbsp;as well as many, many more.</p><p>Matt stopped in to Inner Ear Studios while on a recent trip to the Washington/Virginia area to interview Don in person. Enjoy!</p>]]></description><content:encoded><![CDATA[<p>Don Zientara is a musician and recording engineer as well as the owner and chief engineer at&nbsp;<a href="http://innerearstudio.com/" rel="noopener noreferrer" target="_blank"><strong>Inner Ear Studios</strong></a>&nbsp;in Arlington, Virginia located outside of Washington DC. Don has a varied background that is part art, part military, part electronics&nbsp;and ultimately all music and recording. While Don records many kinds of music, he is best known for his work with Dischord Records and DC Hardcore bands including&nbsp;<a href="https://teenidles.bandcamp.com/" rel="noopener noreferrer" target="_blank">The Teen Idles</a>,&nbsp;<a href="https://minorthreat.bandcamp.com/" rel="noopener noreferrer" target="_blank">Minor Threat</a>,&nbsp;<a href="https://ritesofspring.bandcamp.com/" rel="noopener noreferrer" target="_blank">Rites of Spring</a>,&nbsp;<a href="https://fugazi.bandcamp.com/" rel="noopener noreferrer" target="_blank">Fugazi</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Black_Dots" rel="noopener noreferrer" target="_blank">Bad Brains</a>&nbsp;as well as many, many more.</p><p>Matt stopped in to Inner Ear Studios while on a recent trip to the Washington/Virginia area to interview Don in person. Enjoy!</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-106-with-don-zientara]]></link><guid isPermaLink="false">c5c454eeb83ea3954590821bbd059e06</guid><itunes:image href="https://artwork.captivate.fm/4fd5262c-3d08-44ea-8d6d-700c92bf18c8/wca-106-with-don-zientara.jpg"/><pubDate>Mon, 26 Dec 2016 04:51:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e4279116-19d6-4f88-8a12-3a902a79850c.mp3" length="82587673" type="audio/mpeg"/><itunes:duration>01:26:02</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>106</itunes:episode><podcast:episode>106</podcast:episode><itunes:summary>Working Class Audio Session #106 with Don Zientara!!! Don Zientara is a musician and recording engineer as well as the owner and chief engineer at Inner Ear Studios in Arlington, Virginia located outside of Washington DC. Don has a varied background that is part art, part military, part electronics  and ultimately all music and recording. While Don records many kinds of music, he is best known for his work with Dischord Records and DC Hardcore bands including The Teen Idles, Minor Threat, Rites of Spring, Fugazi and Bad Brains as well as many, many more. Matt stopped in to Inner Ear Studios while on a recent trip to the Washington/Virginia area to interview Don in person. Enjoy!</itunes:summary></item><item><title>WCA #105 with Michael Ashby</title><itunes:title>WCA #105 with Michael Ashby</itunes:title><description><![CDATA[<p>Michael Ashby is next generation audio engineer&nbsp;who started out as a drummer, he was&nbsp;inspired by&nbsp;Grammy award winning engineers like Jaycen Joshua and Craig Bauermix. Michael has&nbsp;mixed for multiple Sony &amp; Universal artists on his way up&nbsp;including Timbaland’s BK Brasco, Latoya Jackson, Fetty Wap,&nbsp;Sixx John (by Neyo), Grafh and more! He’s attracting the industry’s attention due to the overwhelming positive feedback from countless clients in every corner of the country. He has&nbsp;worked with a wide variety of underground&nbsp;artists since 2007. Michael is also a graduate of&nbsp;SAE Institute (School of Audio Engineering) in NYC.&nbsp;Michael is also the owner and chief engineer of&nbsp;<a href="http://www.thekrematorium.com/" rel="noopener noreferrer" target="_blank"><strong>Krematorium</strong></a>&nbsp;Studio in Long Island, New York .</p><p>Michael joins Matt over Skype for a conversation about his studio, his work schedule and his thinking behind building a studio business.</p><h3><a href="http://www.ashbymix.com/" rel="noopener noreferrer" target="_blank"><strong>www.ashbymix.com</strong></a></h3>]]></description><content:encoded><![CDATA[<p>Michael Ashby is next generation audio engineer&nbsp;who started out as a drummer, he was&nbsp;inspired by&nbsp;Grammy award winning engineers like Jaycen Joshua and Craig Bauermix. Michael has&nbsp;mixed for multiple Sony &amp; Universal artists on his way up&nbsp;including Timbaland’s BK Brasco, Latoya Jackson, Fetty Wap,&nbsp;Sixx John (by Neyo), Grafh and more! He’s attracting the industry’s attention due to the overwhelming positive feedback from countless clients in every corner of the country. He has&nbsp;worked with a wide variety of underground&nbsp;artists since 2007. Michael is also a graduate of&nbsp;SAE Institute (School of Audio Engineering) in NYC.&nbsp;Michael is also the owner and chief engineer of&nbsp;<a href="http://www.thekrematorium.com/" rel="noopener noreferrer" target="_blank"><strong>Krematorium</strong></a>&nbsp;Studio in Long Island, New York .</p><p>Michael joins Matt over Skype for a conversation about his studio, his work schedule and his thinking behind building a studio business.</p><h3><a href="http://www.ashbymix.com/" rel="noopener noreferrer" target="_blank"><strong>www.ashbymix.com</strong></a></h3>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-105-with-michael-ashby]]></link><guid isPermaLink="false">b32b1ce813fe6c839be8fced5f08e717</guid><itunes:image href="https://artwork.captivate.fm/3bfa73bf-1e2d-4bd7-93d0-813b1790b39c/wca-logo-1400x1400.jpeg"/><pubDate>Mon, 19 Dec 2016 02:59:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3cae36f1-95bd-4312-8315-bcf4819287ce.mp3" length="58458056" type="audio/mpeg"/><itunes:duration>01:00:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>105</itunes:episode><podcast:episode>105</podcast:episode><itunes:summary>Working Class Audio Session #105 with Michael Ashby!!! Michael Ashby is next generation audio engineer who started out as a drummer, he was inspired by Grammy award winning engineers like Jaycen Joshua and Craig Bauermix. Michael has mixed for multiple Sony &amp; Universal artists on his way up including Timbaland&apos;s BK Brasco, Latoya Jackson, Fetty Wap, Sixx John (by Neyo), Grafh and more! He&apos;s attracting the industry&apos;s attention due to the overwhelming positive feedback from countless clients in every corner of the country. He has worked with a wide variety of underground artists since 2007. Michael is also a graduate of SAE Institute (School of Audio Engineering) in NYC. Michael is also the owner and chief engineer of Krematorium Studio in Long Island, New York . Michael joins Matt over Skype for a conversation about his studio, his work schedule and his thinking behind building a studio business. www.ashbymix.com</itunes:summary></item><item><title>WCA #104 with Andy Deguara</title><itunes:title>WCA #104 with Andy Deguara</itunes:title><description><![CDATA[<p>Andy Deguara is a studio owner, audio engineer and producer working in the San Francisco Bay Area. His recording career started in 1994 as a Junior in High school. He obtained his first 4 track recorder and immediately started recording his friend’s vocals and D.J. mixes. It soon became very clear that He wanted to work in a studio recording and mixing records.</p><p>By 1997 Andy had moved up from his 4 track tape recorder to a single 8 track digital tape recorder and a small mixer. He also acquired a keyboard and sequencer which he was using along with the recorder to write and record songs. He would later have people write and record vocals to the music he created. This was the beginning of<a href="http://www.aanddstudios.com/" rel="noopener noreferrer" target="_blank"><strong>&nbsp;A&amp;D Studios</strong></a>.</p><p>In 1998 Andy decided he wanted to fast track his recording knowledge and decided to attend the Conservatory of Recording Arts and Science in Tempe Arizona. Here he gained extensive knowledge in understanding acoustics, signal flow, Basic equipment maintenance and electrical engineering, along with live sound and music business.</p><p>Upon completing the Program Andy returned to the bay area where he began working for M.A.R.S Studios (Music Arts Recording Studio) in Aptos California. Andy started as an assistant engineer working on a variety of projects. Eventually he got the opportunity to engineer and run sessions on his own.</p><p>While working at M.A.R.S. Andy also continued making and recording music at his home studio. At this point he was running a full 24 tracks for recording and a 32 channel mixing board. His gear collection also continued to grow substantially. In the fall of 2000 Andy came across an opportunity to lease some office/warehouse space. He jumped on the opportunity and began building out a full studio. The studio consisted of a large control room, a good sized recording room, and a separated iso booth.</p><p>For the next 14 years this was the home of A&amp;D Studios where Andy recorded a variety of projects that ranged from singer songwriters, independent record labels, independent Artists, and corporate work. Andy Worked with Artists like blues man Kenny Neal, rapper Too Short, and Metal Band Jeoff Tates’s Queensrych.</p><p>In 2014 the building that housed A&amp;D studios was sold to developers. Andy was forced temporarily close down the studio and find a new location.</p><p>After two months of searching and not finding a suitable location that was not overpriced by the bay area’s skyrocketing real-estate market, a new opportunity was presented to Andy. A local community college that he had done work with in the past just finished construction of a new building that housed a space that was built and dedicated as a recording studio. The college offered Andy the opportunity to rent the space and use as a home base when classes were not in session. This new arrangement has allowed Andy the ability to change the way he operates his studio and has created new opportunities.</p><p>Since establishing the relationship with the college Andy has built a private 280sqft home studio which gives him the ability to edit and mix in his home studio and use the college studio to record and work on projects with clients. He also works closely with the college to help maintain the studio. He currently co-teaches some of the recording classes as well as holds special recording seminars for the students.</p><p>Andy Continues to record mix and produce records at A&amp;D Studios as well as in his private studio. He also is available for freelance work and travels to studios all around to work on projects.</p><h2>Monologue Notes</h2><p><a href="http://www.sfgate.com/bayarea/article/Barrett-Clark-sound-engineer-and-life-of-the-10785927.php" rel="noopener noreferrer" target="_blank">SFgate article on Barret Clark</a></p>]]></description><content:encoded><![CDATA[<p>Andy Deguara is a studio owner, audio engineer and producer working in the San Francisco Bay Area. His recording career started in 1994 as a Junior in High school. He obtained his first 4 track recorder and immediately started recording his friend’s vocals and D.J. mixes. It soon became very clear that He wanted to work in a studio recording and mixing records.</p><p>By 1997 Andy had moved up from his 4 track tape recorder to a single 8 track digital tape recorder and a small mixer. He also acquired a keyboard and sequencer which he was using along with the recorder to write and record songs. He would later have people write and record vocals to the music he created. This was the beginning of<a href="http://www.aanddstudios.com/" rel="noopener noreferrer" target="_blank"><strong>&nbsp;A&amp;D Studios</strong></a>.</p><p>In 1998 Andy decided he wanted to fast track his recording knowledge and decided to attend the Conservatory of Recording Arts and Science in Tempe Arizona. Here he gained extensive knowledge in understanding acoustics, signal flow, Basic equipment maintenance and electrical engineering, along with live sound and music business.</p><p>Upon completing the Program Andy returned to the bay area where he began working for M.A.R.S Studios (Music Arts Recording Studio) in Aptos California. Andy started as an assistant engineer working on a variety of projects. Eventually he got the opportunity to engineer and run sessions on his own.</p><p>While working at M.A.R.S. Andy also continued making and recording music at his home studio. At this point he was running a full 24 tracks for recording and a 32 channel mixing board. His gear collection also continued to grow substantially. In the fall of 2000 Andy came across an opportunity to lease some office/warehouse space. He jumped on the opportunity and began building out a full studio. The studio consisted of a large control room, a good sized recording room, and a separated iso booth.</p><p>For the next 14 years this was the home of A&amp;D Studios where Andy recorded a variety of projects that ranged from singer songwriters, independent record labels, independent Artists, and corporate work. Andy Worked with Artists like blues man Kenny Neal, rapper Too Short, and Metal Band Jeoff Tates’s Queensrych.</p><p>In 2014 the building that housed A&amp;D studios was sold to developers. Andy was forced temporarily close down the studio and find a new location.</p><p>After two months of searching and not finding a suitable location that was not overpriced by the bay area’s skyrocketing real-estate market, a new opportunity was presented to Andy. A local community college that he had done work with in the past just finished construction of a new building that housed a space that was built and dedicated as a recording studio. The college offered Andy the opportunity to rent the space and use as a home base when classes were not in session. This new arrangement has allowed Andy the ability to change the way he operates his studio and has created new opportunities.</p><p>Since establishing the relationship with the college Andy has built a private 280sqft home studio which gives him the ability to edit and mix in his home studio and use the college studio to record and work on projects with clients. He also works closely with the college to help maintain the studio. He currently co-teaches some of the recording classes as well as holds special recording seminars for the students.</p><p>Andy Continues to record mix and produce records at A&amp;D Studios as well as in his private studio. He also is available for freelance work and travels to studios all around to work on projects.</p><h2>Monologue Notes</h2><p><a href="http://www.sfgate.com/bayarea/article/Barrett-Clark-sound-engineer-and-life-of-the-10785927.php" rel="noopener noreferrer" target="_blank">SFgate article on Barret Clark</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-104-with-andy-deguara]]></link><guid isPermaLink="false">d20a1c521fb142b88f29c2b7010d1589</guid><itunes:image href="https://artwork.captivate.fm/6ace46b4-9b84-4f39-8084-225cb3f45eb5/wca-104-with-andy-deguara-thumbnail.png"/><pubDate>Mon, 12 Dec 2016 07:48:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/66423f4c-f2a5-47b0-85f1-34063b3c9663.mp3" length="52616238" type="audio/mpeg"/><itunes:duration>54:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>104</itunes:episode><podcast:episode>104</podcast:episode><itunes:summary>Working Class Audio Session #104 with Andy Deguara!!! Andy Deguara is a studio owner, audio engineer and producer working in the San Francisco Bay Area. His recording career started in 1994 as a Junior in High school. He obtained his first 4 track recorder and immediately started recording his friend’s vocals and D.J. mixes. It soon became very clear that He wanted to work in a studio recording and mixing records. By 1997 Andy had moved up from his 4 track tape recorder to a single 8 track digital tape recorder and a small mixer. He also acquired a keyboard and sequencer which he was using along with the recorder to write and record songs. He would later have people write and record vocals to the music he created. This was the beginning of A&amp;D Studios. In 1998 Andy decided he wanted to fast track his recording knowledge and decided to attend the Conservatory of Recording Arts and Science in Tempe Arizona. Here he gained extensive knowledge in understanding acoustics, signal flow, Basic equipment maintenance and electrical engineering, along with live sound and music business. Upon completing the Program Andy returned to the bay area where he began working for M.A.R.S Studios (Music Arts Recording Studio) in Aptos California. Andy started as an assistant engineer working on a variety of projects. Eventually he got the opportunity to engineer and run sessions on his own. While working at M.A.R.S. Andy also continued making and recording music at his home studio. At this point he was running a full 24 tracks for recording and a 32 channel mixing board. His gear collection also continued to grow substantially. In the fall of 2000 Andy came across an opportunity to lease some office/warehouse space. He jumped on the opportunity and began building out a full studio. The studio consisted of a large control room, a good sized recording room, and a separated iso booth. For the next 14 years this was the home of A&amp;D Studios where Andy recorded a variety of projects that ranged from singer songwriters, independent record labels, independent Artists, and corporate work. Andy Worked with Artists like blues man Kenny Neal, rapper Too Short, and Metal Band Jeoff Tates’s Queensrych. In 2014 the building that housed A&amp;D studios was sold to developers. Andy was forced temporarily close down the studio and find a new location. After two months of searching and not finding a suitable location that was not overpriced by the bay area’s skyrocketing real-estate market, a new opportunity was presented to Andy. A local community college that he had done work with in the past just finished construction of a new building that housed a space that was built and dedicated as a recording studio. The college offered Andy the opportunity to rent the space and use as a home base when classes were not in session. This new arrangement has allowed Andy the ability to change the way he operates his studio and has created new opportunities. Since establishing the relationship with the college Andy has built a private 280sqft home studio which gives him the ability to edit and mix in his home studio and use the college studio to record and work on projects with clients. He also works closely with the college to help maintain the studio. He currently co-teaches some of the recording classes as well as holds special recording seminars for the students. Andy Continues to record mix and produce records at A&amp;D Studios as well as in his private studio. He also is available for freelance work and travels to studios all around to work on projects.</itunes:summary></item><item><title>WCA #103 with Pat Patten</title><itunes:title>WCA #103 with Pat Patten</itunes:title><description><![CDATA[<p>Pat Patten came to be on Working Class Audio through a set of random circumstances. At our 100th show we chose his name at random to win a set of Audio-Technica&nbsp;headphones. After talking Pat on the phone I realized he would make a great guest for the WCA podcast. He sent me his resume which is filled with a wide variety of jobs and experience including President of Commercial Sight &amp; Sound, Inc., CEO of Kinekom, Inc., Studio Manager and Talent Buyer, Senior Record Producer and Festival Promoter, and now Mastering Engineer | Music Mentor-Manager and Music Educator at&nbsp;CEC (Central Education Center), Charter College &amp; Career Academy. AT 60 years young Pat&nbsp;continues the journey in the small town of La Grange, Georgia. We discuss relationship building, his students, and family. Check out&nbsp;<a href="http://www.jamgood.com/live/" rel="noopener noreferrer" target="_blank">http://www.jamgood.com/live/</a></p><p>Mentioned in the interview for those in California is the post production tax incentive.</p><p><a href="http://www.dv411.com/home/regulations/ca-teleproduction-exemption" rel="noopener noreferrer" target="_blank">http://www.dv411.com/home/regulations/ca-teleproduction-exemption</a></p>]]></description><content:encoded><![CDATA[<p>Pat Patten came to be on Working Class Audio through a set of random circumstances. At our 100th show we chose his name at random to win a set of Audio-Technica&nbsp;headphones. After talking Pat on the phone I realized he would make a great guest for the WCA podcast. He sent me his resume which is filled with a wide variety of jobs and experience including President of Commercial Sight &amp; Sound, Inc., CEO of Kinekom, Inc., Studio Manager and Talent Buyer, Senior Record Producer and Festival Promoter, and now Mastering Engineer | Music Mentor-Manager and Music Educator at&nbsp;CEC (Central Education Center), Charter College &amp; Career Academy. AT 60 years young Pat&nbsp;continues the journey in the small town of La Grange, Georgia. We discuss relationship building, his students, and family. Check out&nbsp;<a href="http://www.jamgood.com/live/" rel="noopener noreferrer" target="_blank">http://www.jamgood.com/live/</a></p><p>Mentioned in the interview for those in California is the post production tax incentive.</p><p><a href="http://www.dv411.com/home/regulations/ca-teleproduction-exemption" rel="noopener noreferrer" target="_blank">http://www.dv411.com/home/regulations/ca-teleproduction-exemption</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-103-with-pat-patten]]></link><guid isPermaLink="false">3f84c7c735b5e792f22ae17b50468d7b</guid><itunes:image href="https://artwork.captivate.fm/7ea5ce53-da21-452f-956b-d07742c4cfe3/wca-podcast.jpg"/><pubDate>Mon, 05 Dec 2016 21:27:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f343a140-4a6f-4db9-a30a-f7c65fada6f0.mp3" length="66476596" type="audio/mpeg"/><itunes:duration>01:09:15</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>103</itunes:episode><podcast:episode>103</podcast:episode><itunes:summary>Working Class Audio Session #103 with Pat Patten!!! Pat Patten came to be on Working Class Audio through a set of random circumstances. At our 100th show we chose his name at random to win a set of Audio-Technica  headphones. After talking Pat on the phone I realized he would make a great guest for the WCA podcast. He sent me his resume which is filled with a wide variety of jobs and experience including President of Commercial Sight &amp; Sound, Inc., CEO of Kinekom, Inc., Studio Manager and Talent Buyer, Senior Record Producer and Festival Promoter, and now Mastering Engineer | Music Mentor-Manager and Music Educator at CEC (Central Education Center), Charter College &amp; Career Academy. AT 60 years young Pat  continues the journey in the small town of LaGrange, Georgia. We discuss relationship building, his students, and family. Check out http://www.jamgood.com/live/ Mentioned in the interview for those in California is the post production tax incentive.  http://www.dv411.com/home/regulations/ca-teleproduction-exemption</itunes:summary></item><item><title>WCA #102 with Frank McDonough</title><itunes:title>WCA #102 with Frank McDonough</itunes:title><description><![CDATA[<p>Frank McDonough has worked in the music industry since 1988. He worked at Arista Records for four years, then worked for various producer management firms, eventually starting his own company in January 2000. McDonough Management has a small but impressive client roster including former WCA alumni Andrew Scheps, Matt Wallace, Joe Barresi, Ross Hogarth, and Rob Schnapf as well as Mike Clink,&nbsp;David Bianco, Nick Didia, John Fields, Paul David Hager, Matt Hyde, Alain Johannes, Pierre Marchand, Nick Raskulinecz, Garth Richardson and Phillip&nbsp;Steir. Frank joins Matt for conversation over Skype and takes us through the realities of what a manager does and what he or she does not. Enjoy!</p>]]></description><content:encoded><![CDATA[<p>Frank McDonough has worked in the music industry since 1988. He worked at Arista Records for four years, then worked for various producer management firms, eventually starting his own company in January 2000. McDonough Management has a small but impressive client roster including former WCA alumni Andrew Scheps, Matt Wallace, Joe Barresi, Ross Hogarth, and Rob Schnapf as well as Mike Clink,&nbsp;David Bianco, Nick Didia, John Fields, Paul David Hager, Matt Hyde, Alain Johannes, Pierre Marchand, Nick Raskulinecz, Garth Richardson and Phillip&nbsp;Steir. Frank joins Matt for conversation over Skype and takes us through the realities of what a manager does and what he or she does not. Enjoy!</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-102-with-frank-mcdonough]]></link><guid isPermaLink="false">51d5b4723df8df4637f33ad85cd592ae</guid><itunes:image href="https://artwork.captivate.fm/fc2a3ed8-fbf5-48d2-9dee-f3e0ce40ca42/wca-podcast.jpg"/><pubDate>Mon, 28 Nov 2016 07:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2a3fe056-fae6-487f-b8ae-21dc710d06bb.mp3" length="53011215" type="audio/mpeg"/><itunes:duration>55:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>102</itunes:episode><podcast:episode>102</podcast:episode><itunes:summary>Working Class Audio Session #102 with Frank McDonough!!!  Frank McDonough has worked in the music industry since 1988. He worked at Arista Records for four years, then worked for various producer management firms, eventually starting his own company in January 2000. McDonough Managment has a small but impressive client roster including former WCA alumni Andrew Scheps, Matt Wallace, Joe Barresi, Ross Hogarth and Rob Schnapf as well as Mike Clink, David Bianco, Nick Didia, John Fields, Paul David Hager, Matt Hyde, Alain Johannes, Pierre Marchand, Nick Raskulinecz, Garth Richardson and Phillip Steir. Frank joins Matt for conversation over Skype and takes us through the realities of what a manager does and what he or she does not. Enjoy!</itunes:summary></item><item><title>WCA #101 with Leff Lefferts</title><itunes:title>WCA #101 with Leff Lefferts</itunes:title><description><![CDATA[<p>Leff Lefferts has spent the his career working in audio for&nbsp;music and film. He graduated from&nbsp;Berklee college and music with a degree in Music Production &amp; Engineering in 1997 and&nbsp;joined on at the famous Plant Studios in&nbsp;Sausalito, California that same year as an intern. He quickly moved up to assistant engineer and was able to work on records with Metallica, Dave Matthews Band,&nbsp;Kenny Wayne Shepherd, Primus, Oysterhead and Joe Satriani. In 2003 after leaving the Plant (which later closed it’s doors) Leff signed started working at Cutting Edge Audio in San Francisco&nbsp;to handle&nbsp;Pro Tools System Design &amp; support. It’s through Cutting Edge that Leff made contacts at Skywalker Sound where he would ultimately end up working next stating in 2006 as a Digital Audio Technician. In 2008 Leff made a lateral move to take on the role of&nbsp;Assistant Sound Designer, Sound Editor, Mixer working with the legendary&nbsp;<a href="http://www.imdb.com/name/nm0858378/" rel="noopener noreferrer" target="_blank">Randy Thom</a>.&nbsp;In the position Leff has gone on to work on films such as Horton Hears a Who, Ice Age 3-5, Coraline, Rio, Flight, How to Train Your Dragon 1&amp;2, Crimson Peak, The Walk, The&nbsp;Revenant and Allied.</p><p>Leff and Matt (who have been friends since the early 2000’s meet at Matt’s house for a chat. They were accompanied by Matt’s Bulldog Moto who snored for 90% of the interview.</p>]]></description><content:encoded><![CDATA[<p>Leff Lefferts has spent the his career working in audio for&nbsp;music and film. He graduated from&nbsp;Berklee college and music with a degree in Music Production &amp; Engineering in 1997 and&nbsp;joined on at the famous Plant Studios in&nbsp;Sausalito, California that same year as an intern. He quickly moved up to assistant engineer and was able to work on records with Metallica, Dave Matthews Band,&nbsp;Kenny Wayne Shepherd, Primus, Oysterhead and Joe Satriani. In 2003 after leaving the Plant (which later closed it’s doors) Leff signed started working at Cutting Edge Audio in San Francisco&nbsp;to handle&nbsp;Pro Tools System Design &amp; support. It’s through Cutting Edge that Leff made contacts at Skywalker Sound where he would ultimately end up working next stating in 2006 as a Digital Audio Technician. In 2008 Leff made a lateral move to take on the role of&nbsp;Assistant Sound Designer, Sound Editor, Mixer working with the legendary&nbsp;<a href="http://www.imdb.com/name/nm0858378/" rel="noopener noreferrer" target="_blank">Randy Thom</a>.&nbsp;In the position Leff has gone on to work on films such as Horton Hears a Who, Ice Age 3-5, Coraline, Rio, Flight, How to Train Your Dragon 1&amp;2, Crimson Peak, The Walk, The&nbsp;Revenant and Allied.</p><p>Leff and Matt (who have been friends since the early 2000’s meet at Matt’s house for a chat. They were accompanied by Matt’s Bulldog Moto who snored for 90% of the interview.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-101-with-leff-lefferts]]></link><guid isPermaLink="false">1e50597dc22417d9c524409ab6933732</guid><itunes:image href="https://artwork.captivate.fm/030d478a-c2c1-4d66-a076-91f2a42261ad/wca-podcast.jpg"/><pubDate>Mon, 21 Nov 2016 20:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5f1d209a-1258-4343-a48f-ea90dec04455.mp3" length="74188998" type="audio/mpeg"/><itunes:duration>01:17:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>101</itunes:episode><podcast:episode>101</podcast:episode><itunes:summary>Working Class Audio Session #101 with Leff Lefferts!!! Leff Lefferts has spent the his career working in audio for  music and film. He graduated from Berklee college and music with a degree in Music Production &amp; Engineering in 1997 and  joined on at the famous Plant Studios in Sausalito, California that same year as an intern. He quickly moved up to assistant engineer and was able to work on records with Metallica, Dave Matthews Band, Kenny Wayne Shepherd, Primus, Oysterhead and Joe Satriani. In 2003 after leaving the Plant (which later closed it&apos;s doors) Leff signed started working at Cutting Edge Audio in San Francisco  to handle Pro Tools System Design &amp; support. It&apos;s through Cutting Edge that Leff made contacts at Skywalker Sound where he would ultimately end up working next stating in 2006 as a Digital Audio Technician. In 2008 Leff made a lateral move to take on the role of Assistant Sound Designer, Sound Editor, Mixer working with the legendary Randy Thom.  In the position Leff has gone on to work on films such as Horton Hears a Who, Ice Age 3-5, Coraline, Rio, Flight, How to Train Your Dragon 1&amp;2, Crimson Peak, The Walk, The Revenant and Allied.  Leff and Matt (who have been friends since the early 2000&apos;s meet at Matt&apos;s house for a chat. They were accompanied by Matt&apos;s Bulldog Moto who snored for 90% of the interview.</itunes:summary></item><item><title>WCA #100 with Stephen Hart and Cookie Marenco</title><itunes:title>WCA #100 with Stephen Hart and Cookie Marenco</itunes:title><description><![CDATA[<p>Well here it is,&nbsp;WCA #100! This was recorded at&nbsp;<a href="http://25thstreetrecording.com/" rel="noopener noreferrer" target="_blank"><strong>25th Street Recording</strong></a>&nbsp;in Oakland, California on Friday, November 18th in front of a live audience. You can either&nbsp;<a href="https://www.facebook.com/workingclassaudio/videos/1019956758113806/" rel="noopener noreferrer" target="_blank"><strong>watch it on Facebook</strong>&nbsp;</a>&nbsp;or listen to the podcast. This episode features Stephen Hart and Cookie Marenco. Enjoy!</p><h3>More On Stephen</h3><p>Stephen is a&nbsp;former&nbsp;mixer in residence / chief engineer at the “The Site Recording” in Marin County, Director of Recording Services and owned “the mixroom” at Bay Area Sound Studios and chief engineer and lead mixer at Fantasy Studios. He holds multiple platinum and gold albums, “Blues Album of the Year 2000” for Stevie Ray Vaughn and Albert King, and has been on staff at The Plant Studios, EMI Italia, Forward Music Taipei and spent many years as an international freelance mixer. He has recorded and/or mixed many hundred’s of albums with total unit sales of 40 million. Artists include David Bowie, Santana, John Lee Hooker, En Vogue, MC Hammer, Tony Bennett, Isaac Hayes, Flora &amp; Airto, White Stripes,&nbsp;Santana, Oscar Peterson, Dave Brubeck, Otis Redding, Booker T. and the MG’s, the Staples Singers, Jerry Garcia and Merl Saunders,&nbsp;the Neville Brothers, the Hong Kong Philharmonic with Amei, Steve Cropper, and a host of European and Asian pop artists. Stephen has also recorded for legendary producers George Martin and Tom Dowd.&nbsp;Scoring Credits include – Be Kind Rewind w/Jack Black &amp; Danny Glover and Encounters at the End of the World by Werner Herzog. Also, Titanic, Grizzly Man (Herzog), and Oil on Ice. Film Post credits (foley stage) include Amadeus, Boogie Nights, Airbud, Blue Velvet, Dead Poets Society</p><p>Committed to the Bay Area recording community, Stephen is currently a National Trustee, and past S.F. President of the Recording Academy SF Chapter, is an AES member, and a member of AIMP (Association of Independent Music Publishers) and on the Recording Academy’s National P&amp;E Advisory Committee and the curriculum advisory board for Xpression College.</p><h3><strong>More on Cookie</strong></h3><p>Before digital audio, CDs, MP3’s, the internet and email, Cookie Marenco founded OTR Studios, with a dream to record acoustic musicians in their most natural settings. Now, OTR is the oldest owner founded studio still in operation in the Bay Area with a reputation for the highest quality work, incredible musical performances and professional style. With a span of more than 20 years in the industry, her experience with analog, vinyl, digital, live recording, and working with thousands of musicians on more than 400 recordings brings a rich history to every session or consultation.</p><p>As OTR’s main producer and chief engineer, Marenco oversees all recordings of her staff to ensure the same quality and professionalism throughout. Marenco is sought out by many manufacturers to beta test new products including Tascam, KRK, Millennia, NHT, Goddess Labs, Universal Audio, etc. Now a writer and video instructor for EQ magazine, Marenco tests and designs new products, creates educational videos using OTR as a base of operation. Interns come worldwide to study in OTR’s ongoing learning program for those serious about a career in the music industry.</p><p>OTR is also the home base of&nbsp;<a href="http://bluecoastrecords.com/" rel="noopener noreferrer" target="_blank">Blue Coast Records</a>, the critically acclaimed audiophile label where Marenco developed Extended Sound Environment (E.S.E), the proprietary recording technique used by the label.</p><p>Marenco’s creative and technical skills have touched almost every aspect of the business. She is widely known for the quality of her audio engineering skills and for drawing out passionate performances from the artists she produces. She has engineered or produced 5 Grammy-nominated records, several Gold records and an Academy Award-winning documentary. Her artist credits include Max Roach, Brain, Kenny Aronoff, Steve Smith, Brady Blade, Tony Furtado, Tony Trischka, Dirk Powell, Rob Ickes, Charlie Haden, Tony Levin, Steve Rodby, Buckethead, Ralph Towner, Paul McCandless, Ernie Watts, Glen Moore, Mary Chapin Carpenter, John Jennings, Pat DiNizio, Kristin Hersch, Brad Mehldau, Matt Rollings, Kevin Kern, Art Lande, Clara Ponty, Chanticleer, Ladysmith Black Mambazo, Mark Isham and Michael Tolcher. Her production and engineering skills can be found on projects for Monterey Jazz Festival, Telluride Bluegrass Festival, Marinfest, Midem, Hard Rock Cafe, Windham Hill Records, Verve, Rounder Records, Om Records, Sony, Warner Bros. and others.</p><p>Marenco was an early pioneer in internet audio being the part of the Liquid Audio team offering the first copy-protected music downloads in 1997. She was a producer and A&amp;R representative at Windham Hill Records working on over 100 projects during her tenure, including producing Winter Solstice 2, the highest selling compilation in their catalogue. Marenco’s production company, Cojema Music, oversees her work as an independent producer, supports entrepreneurial pursuits and helps to launch new artists. Cojema Music also looks after the operations of OTR Studios (a professional recording facility in the San Francisco area), Blue Coast Records (a high quality acoustic music label) and Goddess Labs (silver cable company).</p><p>Combining traditional recording values with new technology and a unique vision for marketing strategies, Marenco continues to blaze ground. In 2005, Marenco launched a record label, Blue Coast Records, showcasing talented acoustic musicians and high fidelity recordings. The first offering, Blue Coast Collection, has achieved critical acclaim winning the Ultimate Sound Award at the 2005 CES Show for NHT Speakers. The July 2006 issue of La Nouvelle Revue de Son, a French audiophile magazine, lifted the recording to legendary status as a “must have” recording. It received 5 stars in every category and sparked Blue Coast Records in France. Blue Coast Collection was released in 2007 in the United States.</p><p>Blue Coast Records’ unique sound can be attributed to a new recording technique for surround called ESE (Extended Sound Environment). Marenco teamed with French engineer, Jean Claude Reynaud, to develop this patent pending process. ESE is a trademarked recording process with a “no compromise of quality” attitude that combines the best of tried and true recording techniques with the latest developments in technology. Sony America aided Marenco in her efforts with their Direct Stream Digital (DSD) recording devices and a new disc format called Super Audio Compact Disc (SACD). The ESE technique is featured in the MAY 2004 issue of MIX magazine.</p><p>Home based in the Silicon Valley, Marenco has consulted with many companies seeking to further audio and musical interests. Her conception of Liquid Live continues to be used by Liquid.com, the download division of Walmart.com. Recently, she has consulted with Unbound Technology, a cutting-edge enterprise combining affinity networking, cell phone technology and internet audio. In 2005, she coordinated efforts of Abeo Corporation with the Telluride Bluegrass Festival to provide the entire festival grounds with free wireless internet access.</p><p>Many of Marenco’s innovations take place at OTR Studios, long a staple in the Bay Area community known for high quality acoustic recordings as well as unusual electronic music. She was a pioneer of digital recording in the mid 80’s and continues to experiment with new technologies such as Direct Stream Digital, SACD and DTS while supporting classic methods of recording. OTR has recorded over 400 artist album projects during the last 15 years. Marenco continues to beta-test audio products as she had done for Liquid Audio, Mackie, Tascam, Millennia, Studer and NHT. Young bands, engineers and technicians of various disciplines hone their skills at OTR. Marenco spreads her industry knowledge as a regular writer for EQ magazine. She provides interviews for radio and print, sits on industry panels and teaches college workshops. She has served on the NARAS Board of Governors and the Board of Directors of George Coates Performance Arts, represented various organizations on industry panels (AES, NARM, AFIM, Folk Alliance) and created fund raising events for Art into Action (an environmentally pro active non-profit organization).</p><p><strong>The Early Years</strong></p><p>In earlier years, Marenco composed music for film and television including commercial spots for Nissan and AT&amp;T. Prior to her work in engineering, she performed and toured with many jazz legends, orchestras and her own electronic ensemble. She has a multi-instrumental musical background studying and teaching piano, oboe and sitar as well as being educated in classical, jazz, ethnomusicology, acoustics and composition.</p>]]></description><content:encoded><![CDATA[<p>Well here it is,&nbsp;WCA #100! This was recorded at&nbsp;<a href="http://25thstreetrecording.com/" rel="noopener noreferrer" target="_blank"><strong>25th Street Recording</strong></a>&nbsp;in Oakland, California on Friday, November 18th in front of a live audience. You can either&nbsp;<a href="https://www.facebook.com/workingclassaudio/videos/1019956758113806/" rel="noopener noreferrer" target="_blank"><strong>watch it on Facebook</strong>&nbsp;</a>&nbsp;or listen to the podcast. This episode features Stephen Hart and Cookie Marenco. Enjoy!</p><h3>More On Stephen</h3><p>Stephen is a&nbsp;former&nbsp;mixer in residence / chief engineer at the “The Site Recording” in Marin County, Director of Recording Services and owned “the mixroom” at Bay Area Sound Studios and chief engineer and lead mixer at Fantasy Studios. He holds multiple platinum and gold albums, “Blues Album of the Year 2000” for Stevie Ray Vaughn and Albert King, and has been on staff at The Plant Studios, EMI Italia, Forward Music Taipei and spent many years as an international freelance mixer. He has recorded and/or mixed many hundred’s of albums with total unit sales of 40 million. Artists include David Bowie, Santana, John Lee Hooker, En Vogue, MC Hammer, Tony Bennett, Isaac Hayes, Flora &amp; Airto, White Stripes,&nbsp;Santana, Oscar Peterson, Dave Brubeck, Otis Redding, Booker T. and the MG’s, the Staples Singers, Jerry Garcia and Merl Saunders,&nbsp;the Neville Brothers, the Hong Kong Philharmonic with Amei, Steve Cropper, and a host of European and Asian pop artists. Stephen has also recorded for legendary producers George Martin and Tom Dowd.&nbsp;Scoring Credits include – Be Kind Rewind w/Jack Black &amp; Danny Glover and Encounters at the End of the World by Werner Herzog. Also, Titanic, Grizzly Man (Herzog), and Oil on Ice. Film Post credits (foley stage) include Amadeus, Boogie Nights, Airbud, Blue Velvet, Dead Poets Society</p><p>Committed to the Bay Area recording community, Stephen is currently a National Trustee, and past S.F. President of the Recording Academy SF Chapter, is an AES member, and a member of AIMP (Association of Independent Music Publishers) and on the Recording Academy’s National P&amp;E Advisory Committee and the curriculum advisory board for Xpression College.</p><h3><strong>More on Cookie</strong></h3><p>Before digital audio, CDs, MP3’s, the internet and email, Cookie Marenco founded OTR Studios, with a dream to record acoustic musicians in their most natural settings. Now, OTR is the oldest owner founded studio still in operation in the Bay Area with a reputation for the highest quality work, incredible musical performances and professional style. With a span of more than 20 years in the industry, her experience with analog, vinyl, digital, live recording, and working with thousands of musicians on more than 400 recordings brings a rich history to every session or consultation.</p><p>As OTR’s main producer and chief engineer, Marenco oversees all recordings of her staff to ensure the same quality and professionalism throughout. Marenco is sought out by many manufacturers to beta test new products including Tascam, KRK, Millennia, NHT, Goddess Labs, Universal Audio, etc. Now a writer and video instructor for EQ magazine, Marenco tests and designs new products, creates educational videos using OTR as a base of operation. Interns come worldwide to study in OTR’s ongoing learning program for those serious about a career in the music industry.</p><p>OTR is also the home base of&nbsp;<a href="http://bluecoastrecords.com/" rel="noopener noreferrer" target="_blank">Blue Coast Records</a>, the critically acclaimed audiophile label where Marenco developed Extended Sound Environment (E.S.E), the proprietary recording technique used by the label.</p><p>Marenco’s creative and technical skills have touched almost every aspect of the business. She is widely known for the quality of her audio engineering skills and for drawing out passionate performances from the artists she produces. She has engineered or produced 5 Grammy-nominated records, several Gold records and an Academy Award-winning documentary. Her artist credits include Max Roach, Brain, Kenny Aronoff, Steve Smith, Brady Blade, Tony Furtado, Tony Trischka, Dirk Powell, Rob Ickes, Charlie Haden, Tony Levin, Steve Rodby, Buckethead, Ralph Towner, Paul McCandless, Ernie Watts, Glen Moore, Mary Chapin Carpenter, John Jennings, Pat DiNizio, Kristin Hersch, Brad Mehldau, Matt Rollings, Kevin Kern, Art Lande, Clara Ponty, Chanticleer, Ladysmith Black Mambazo, Mark Isham and Michael Tolcher. Her production and engineering skills can be found on projects for Monterey Jazz Festival, Telluride Bluegrass Festival, Marinfest, Midem, Hard Rock Cafe, Windham Hill Records, Verve, Rounder Records, Om Records, Sony, Warner Bros. and others.</p><p>Marenco was an early pioneer in internet audio being the part of the Liquid Audio team offering the first copy-protected music downloads in 1997. She was a producer and A&amp;R representative at Windham Hill Records working on over 100 projects during her tenure, including producing Winter Solstice 2, the highest selling compilation in their catalogue. Marenco’s production company, Cojema Music, oversees her work as an independent producer, supports entrepreneurial pursuits and helps to launch new artists. Cojema Music also looks after the operations of OTR Studios (a professional recording facility in the San Francisco area), Blue Coast Records (a high quality acoustic music label) and Goddess Labs (silver cable company).</p><p>Combining traditional recording values with new technology and a unique vision for marketing strategies, Marenco continues to blaze ground. In 2005, Marenco launched a record label, Blue Coast Records, showcasing talented acoustic musicians and high fidelity recordings. The first offering, Blue Coast Collection, has achieved critical acclaim winning the Ultimate Sound Award at the 2005 CES Show for NHT Speakers. The July 2006 issue of La Nouvelle Revue de Son, a French audiophile magazine, lifted the recording to legendary status as a “must have” recording. It received 5 stars in every category and sparked Blue Coast Records in France. Blue Coast Collection was released in 2007 in the United States.</p><p>Blue Coast Records’ unique sound can be attributed to a new recording technique for surround called ESE (Extended Sound Environment). Marenco teamed with French engineer, Jean Claude Reynaud, to develop this patent pending process. ESE is a trademarked recording process with a “no compromise of quality” attitude that combines the best of tried and true recording techniques with the latest developments in technology. Sony America aided Marenco in her efforts with their Direct Stream Digital (DSD) recording devices and a new disc format called Super Audio Compact Disc (SACD). The ESE technique is featured in the MAY 2004 issue of MIX magazine.</p><p>Home based in the Silicon Valley, Marenco has consulted with many companies seeking to further audio and musical interests. Her conception of Liquid Live continues to be used by Liquid.com, the download division of Walmart.com. Recently, she has consulted with Unbound Technology, a cutting-edge enterprise combining affinity networking, cell phone technology and internet audio. In 2005, she coordinated efforts of Abeo Corporation with the Telluride Bluegrass Festival to provide the entire festival grounds with free wireless internet access.</p><p>Many of Marenco’s innovations take place at OTR Studios, long a staple in the Bay Area community known for high quality acoustic recordings as well as unusual electronic music. She was a pioneer of digital recording in the mid 80’s and continues to experiment with new technologies such as Direct Stream Digital, SACD and DTS while supporting classic methods of recording. OTR has recorded over 400 artist album projects during the last 15 years. Marenco continues to beta-test audio products as she had done for Liquid Audio, Mackie, Tascam, Millennia, Studer and NHT. Young bands, engineers and technicians of various disciplines hone their skills at OTR. Marenco spreads her industry knowledge as a regular writer for EQ magazine. She provides interviews for radio and print, sits on industry panels and teaches college workshops. She has served on the NARAS Board of Governors and the Board of Directors of George Coates Performance Arts, represented various organizations on industry panels (AES, NARM, AFIM, Folk Alliance) and created fund raising events for Art into Action (an environmentally pro active non-profit organization).</p><p><strong>The Early Years</strong></p><p>In earlier years, Marenco composed music for film and television including commercial spots for Nissan and AT&amp;T. Prior to her work in engineering, she performed and toured with many jazz legends, orchestras and her own electronic ensemble. She has a multi-instrumental musical background studying and teaching piano, oboe and sitar as well as being educated in classical, jazz, ethnomusicology, acoustics and composition.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-100-with-stephen-hart-and-cookie-marenco]]></link><guid isPermaLink="false">6c219a37b60e84dcb670fc7ff8e9660c</guid><itunes:image href="https://artwork.captivate.fm/8785e847-69e3-4bd9-bd4b-56ea655673a5/wca-podcast.jpg"/><pubDate>Mon, 21 Nov 2016 14:17:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b3863d46-c41c-4f27-b455-0000f06c58ee.mp3" length="96342528" type="audio/mpeg"/><itunes:duration>01:40:21</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>100</itunes:episode><podcast:episode>100</podcast:episode><itunes:summary>Working Class Audio Session #100 with Stephen Hart and Cookie Marenco!!!

Well, here it is,  WCA #100! This was recorded at 25th Street Recording in Oakland, California on Friday, November 18th in front of a live audience. This episode features Stephen Hart and Cookie Marenco. Enjoy!

More On Stephen

Stephen is a former mixer in residence/chief engineer at the “The Site Recording” in Marin County, Director of Recording Services and owned “the mixroom” at Bay Area Sound Studios and chief engineer and lead mixer at Fantasy Studios. He holds multiple platinum and gold albums, “Blues Album of the Year 2000” for Stevie Ray Vaughn and Albert King, and has been on staff at The Plant Studios, EMI Italia, Forward Music Taipei and spent many years as an international freelance mixer. He has recorded and/or mixed many hundred’s of albums with total unit sales of 40 million. Artists include David Bowie, Santana, John Lee Hooker, En Vogue, MC Hammer, Tony Bennett, Isaac Hayes, Flora &amp; Airto, White Stripes, Santana, Oscar Peterson, Dave Brubeck, Otis Redding, Booker T. and the MG’s, the Staples Singers, Jerry Garcia and Merl Saunders, the Neville Brothers, the Hong Kong Philharmonic with Amei, Steve Cropper, and a host of European and Asian pop artists. Stephen has also recorded for legendary producers George Martin and Tom Dowd.  Scoring Credits include – Be Kind Rewind w/Jack Black &amp; Danny Glover and Encounters at the End of the World by Werner Herzog. Also, Titanic, Grizzly Man (Herzog), and Oil on Ice. Film Post credits (foley stage) include Amadeus, Boogie Nights, Airbud, Blue Velvet, Dead Poets Society
More on Cookie

Cookie Marenco founded OTR Studios, with a dream to record acoustic musicians in their most natural settings. Now, OTR is the oldest owner founded studio still in operation in the Bay Area with a reputation for the highest quality work, incredible musical performances and professional style. With a span of more than 20 years in the industry, her experience with analog, vinyl, digital, live recording, and working with thousands of musicians on more than 400 recordings brings a rich history to every session or consultation.
OTR is also the home base of Blue Coast Records, the critically acclaimed audiophile label where Marenco developed Extended Sound Environment (E.S.E), the proprietary recording technique used by the label.
Her artist credits include Max Roach, Brain, Kenny Aronoff, Steve Smith, Brady Blade, Tony Furtado, Tony Trischka, Dirk Powell, Rob Ickes, Charlie Haden, Tony Levin, Steve Rodby, Buckethead, Ralph Towner, Paul McCandless, Ernie Watts, Glen Moore, Mary Chapin Carpenter, John Jennings, Pat DiNizio, Kristin Hersch, Brad Mehldau, Matt Rollings, Kevin Kern, Art Lande, Clara Ponty, Chanticleer, Ladysmith Black Mambazo, Mark Isham and Michael Tolcher. Her production and engineering skills can be found on projects for Monterey Jazz Festival, Telluride Bluegrass Festival, Marinfest, Midem, Hard Rock Cafe, Windham Hill Records, Verve, Rounder Records, Om Records, Sony, Warner Bros., and others.</itunes:summary></item><item><title>WCA #099 with Rob Schnapf</title><itunes:title>WCA #099 with Rob Schnapf</itunes:title><description><![CDATA[<p><a href="https://en.wikipedia.org/wiki/Rob_Schnapf" rel="noopener noreferrer" target="_blank"><strong>Rob Schnapf&nbsp;</strong></a>has been making critically-acclaimed records for the past two decades. He first gained recognition by producing (with his then-partner Tom Rothrock) Beck’s debut album, “Mellow Gold,” including the breakthrough single, “Loser.” Rob and Tom produced three albums for Elliot Smith, including “XO” and “Figure 8.”</p><p>After Elliot’s death in 2003, Rob was asked by Smith’s family to help sort, compile and complete the tracks that Elliot had been recording. This was released as “From A Basement On The Hill,” and became Elliot’s highest charting album in the US.Rob went on to produce albums for Guided by Voices, Saves The Day, The Vines, Powderfinger, The Whigs and Tokyo Police Club. In 2009 he produced Booker T Jones’ “Potato Hole,” which won a Grammy for Best Pop Instrumental Album. In 2011 he produced “The Road From Memphis” with Booker, which again won the Grammy for Best Pop Instrumental Album.</p><p>In addition to his work as a producer, Rob is an accomplished mixer. He mixed the debut album by the Foo Fighters (with Rothrock), and has mixed tracks for Fidlar, Moby, Rickie Lee Jones and a Grammy-nominated album for Mavis Staples. Rob produced and mixed tracks for Kurt Vile’s latest release, including the single, “Pretty Pimpin.” Rob is currently producing a new album for Cass McCombs.</p><p>Rob and Matt chat over Skype about business, artists, kids and the art of disguising your voice when using the talkback.</p>]]></description><content:encoded><![CDATA[<p><a href="https://en.wikipedia.org/wiki/Rob_Schnapf" rel="noopener noreferrer" target="_blank"><strong>Rob Schnapf&nbsp;</strong></a>has been making critically-acclaimed records for the past two decades. He first gained recognition by producing (with his then-partner Tom Rothrock) Beck’s debut album, “Mellow Gold,” including the breakthrough single, “Loser.” Rob and Tom produced three albums for Elliot Smith, including “XO” and “Figure 8.”</p><p>After Elliot’s death in 2003, Rob was asked by Smith’s family to help sort, compile and complete the tracks that Elliot had been recording. This was released as “From A Basement On The Hill,” and became Elliot’s highest charting album in the US.Rob went on to produce albums for Guided by Voices, Saves The Day, The Vines, Powderfinger, The Whigs and Tokyo Police Club. In 2009 he produced Booker T Jones’ “Potato Hole,” which won a Grammy for Best Pop Instrumental Album. In 2011 he produced “The Road From Memphis” with Booker, which again won the Grammy for Best Pop Instrumental Album.</p><p>In addition to his work as a producer, Rob is an accomplished mixer. He mixed the debut album by the Foo Fighters (with Rothrock), and has mixed tracks for Fidlar, Moby, Rickie Lee Jones and a Grammy-nominated album for Mavis Staples. Rob produced and mixed tracks for Kurt Vile’s latest release, including the single, “Pretty Pimpin.” Rob is currently producing a new album for Cass McCombs.</p><p>Rob and Matt chat over Skype about business, artists, kids and the art of disguising your voice when using the talkback.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-099-with-rob-schnapf]]></link><guid isPermaLink="false">deea3ef728931915be53b86ddc9ded03</guid><itunes:image href="https://artwork.captivate.fm/302e3db2-e704-4a52-8943-31e0cd0a6e29/wca-podcast.jpg"/><pubDate>Mon, 07 Nov 2016 07:03:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/362e5b27-fdc6-44ee-8b66-f9ca439e907d.mp3" length="46949771" type="audio/mpeg"/><itunes:duration>48:54</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>99</itunes:episode><podcast:episode>99</podcast:episode><itunes:summary>Working Class Audio Session #099 with Rob Schnapf!!! Rob Schnapf has been making critically-acclaimed records for the past two decades. He first gained recognition by producing (with his then-partner Tom Rothrock) Beck&apos;s debut album, &quot;Mellow Gold,&quot; including the breakthrough single, &quot;Loser.&quot; Rob and Tom produced three albums for Elliot Smith, including &quot;XO&quot; and &quot;Figure 8.&quot; After Elliot&apos;s death in 2003, Rob was asked by Smith&apos;s family to help sort, compile and complete the tracks that Elliot had been recording. This was released as &quot;From A Basement On The Hill,&quot; and became Elliot&apos;s highest charting album in the US.Rob went on to produce albums for Guided by Voices, Saves The Day, The Vines, Powderfinger, The Whigs and Tokyo Police Club. In 2009 he produced Booker T Jones&apos; &quot;Potato Hole,&quot; which won a Grammy for Best Pop Instrumental Album. In 2011 he produced &quot;The Road From Memphis&quot; with Booker, which again won the Grammy for Best Pop Instrumental Album. In addition to his work as a producer, Rob is an accomplished mixer. He mixed the debut album by the Foo Fighters (with Rothrock), and has mixed tracks for Fidlar, Moby, Rickie Lee Jones and a Grammy-nominated album for Mavis Staples. Rob produced and mixed tracks for Kurt Vile&apos;s latest release, including the single, &quot;Pretty Pimpin.&quot; Rob is currently producing a new album for Cass McCombs.      Rob and Matt chat over Skype about business, artists, kids and the art of disguising your voice when using the talkback.</itunes:summary></item><item><title>WCA #098 with Stewart Cararas</title><itunes:title>WCA #098 with Stewart Cararas</itunes:title><description><![CDATA[<p><strong>Stewart Cararas</strong>&nbsp;is a producer, engineer, writer and musician currently based out of Los Angeles who works on a wide variety of music projects. SOme of his clients include&nbsp;&nbsp;Nick Lachey, Billy Ray Cyrus, Joe Perry, George Lynch, Fear Factory, Glenn Hughes, Shelby Lynne, BoomKat, Kimberley Locke, Dreamers, Better Than Ezra, Juvenile, Dee Snider, Taryn Manning, Taylor Dayne, Leah Turner, Bone, Thugs and Harmony, E40, Ray J, Simple Plan, All Time Low, Holly Knight, Brooke White, September Mourning, Marla Sokoloff, Limp Biskit, Tiffany Thornton, Molly Sanden, Nickel Creek, Brian Wilson, Enrique Iglesias, Cowboy Mouth, Thick as Thieves, Jason Charles Miller, Katie Cole, and Mitch Allan.&nbsp;</p><p>After an attempt at rock stardom failed, Stewart setup shop in New Orleans to run a studio. Stewart left New Orleans after Hurricane Katrina, sold his house and moved to LA. Since then (2005) he’s been involved in many great projects including&nbsp;co-producing 7 songs on the new Billy Ray Cyrus album, ‘Thin Line’, producing a&nbsp;song for the film called “Dark Horse” written/directed by Todd Solondz starring Christopher Walken and Mia Farrow and producing a song with Nick Lachey.</p><p>Stewart joins Matt over Skype for a candid interview about his journey since leaving New Orleans.</p><p><a href="http://www.imdb.com/name/nm3017157/" rel="noopener noreferrer" target="_blank">http://www.imdb.com/name/nm3017157/</a></p><p><a href="http://www.discogs.com/artist/Stewart+Cararas" rel="noopener noreferrer" target="_blank">http://www.discogs.com/artist/Stewart+Cararas</a></p>]]></description><content:encoded><![CDATA[<p><strong>Stewart Cararas</strong>&nbsp;is a producer, engineer, writer and musician currently based out of Los Angeles who works on a wide variety of music projects. SOme of his clients include&nbsp;&nbsp;Nick Lachey, Billy Ray Cyrus, Joe Perry, George Lynch, Fear Factory, Glenn Hughes, Shelby Lynne, BoomKat, Kimberley Locke, Dreamers, Better Than Ezra, Juvenile, Dee Snider, Taryn Manning, Taylor Dayne, Leah Turner, Bone, Thugs and Harmony, E40, Ray J, Simple Plan, All Time Low, Holly Knight, Brooke White, September Mourning, Marla Sokoloff, Limp Biskit, Tiffany Thornton, Molly Sanden, Nickel Creek, Brian Wilson, Enrique Iglesias, Cowboy Mouth, Thick as Thieves, Jason Charles Miller, Katie Cole, and Mitch Allan.&nbsp;</p><p>After an attempt at rock stardom failed, Stewart setup shop in New Orleans to run a studio. Stewart left New Orleans after Hurricane Katrina, sold his house and moved to LA. Since then (2005) he’s been involved in many great projects including&nbsp;co-producing 7 songs on the new Billy Ray Cyrus album, ‘Thin Line’, producing a&nbsp;song for the film called “Dark Horse” written/directed by Todd Solondz starring Christopher Walken and Mia Farrow and producing a song with Nick Lachey.</p><p>Stewart joins Matt over Skype for a candid interview about his journey since leaving New Orleans.</p><p><a href="http://www.imdb.com/name/nm3017157/" rel="noopener noreferrer" target="_blank">http://www.imdb.com/name/nm3017157/</a></p><p><a href="http://www.discogs.com/artist/Stewart+Cararas" rel="noopener noreferrer" target="_blank">http://www.discogs.com/artist/Stewart+Cararas</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-098-with-stewart-cararas]]></link><guid isPermaLink="false">b68385d93f3c06e7dc3dcb339a901a07</guid><itunes:image href="https://artwork.captivate.fm/124a7709-d66d-4b1b-9e8c-2633ad1114ef/wca-podcast.jpg"/><pubDate>Mon, 31 Oct 2016 14:10:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/8a5bdbbd-2dab-494c-b962-5a8d5f23659d.mp3" length="60352468" type="audio/mpeg"/><itunes:duration>01:02:52</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>98</itunes:episode><podcast:episode>98</podcast:episode><itunes:summary>Working Class Audio Session #098 with Stewart Cararas!!! Stewart Cararas is a producer, engineer, writer and musician currently based out of Los Angeles who works on a wide variety of music projects. SOme of his clients include  Nick Lachey, Billy Ray Cyrus, Joe Perry, George Lynch, Fear Factory, Glenn Hughes, Shelby Lynne, BoomKat, Kimberley Locke, Dreamers, Better Than Ezra, Juvenile, Dee Snider, Taryn Manning, Taylor Dayne, Leah Turner, Bone, Thugs and Harmony, E40, Ray J, Simple Plan, All Time Low, Holly Knight, Brooke White, September Mourning, Marla Sokoloff, Limp Biskit, Tiffany Thornton, Molly Sanden, Nickel Creek, Brian Wilson, Enrique Iglesias, Cowboy Mouth, Thick as Thieves, Jason Charles Miller, Katie Cole, and Mitch Allan.  After an attempt at rock stardom failed, Stewart setup shop in New Orleans to run a studio. Stewart left New Orleans after Hurricane Katrina, sold his house and moved to LA. Since then (2005) he&apos;s been involved in many great projects including co-producing 7 songs on the new Billy Ray Cyrus album, &apos;Thin Line’, producing a  song for the film called &quot;Dark Horse&quot; written/directed by Todd Solondz starring Christopher Walken and Mia Farrow and producing a song with Nick Lachey. Stewart joins Matt over Skype for a candid interview about his journey since leaving New Orleans. http://www.imdb.com/name/nm3017157/ http://www.discogs.com/artist/Stewart+Cararas</itunes:summary></item><item><title>WCA #097 with Matt Ross-Spang</title><itunes:title>WCA #097 with Matt Ross-Spang</itunes:title><description><![CDATA[<p>“He’s a young man with an old soul. Matt’s got a lot of Sam Phillips in him”&nbsp;– Jerry Phillips</p><p>Matt Ross-Spang , born in Memphis, began working at the Legendary&nbsp;<a href="https://www.sunstudio.com/" rel="noopener noreferrer" target="_blank">Sun Studio</a>&nbsp;when he was just 16, working his way up from intern to the Chief Engineer. He championed to bring the recording studio back to its origin, working hard to find, install and use the same period equipment that Sam Phillips engineered with in the 1950s. His 11 years of dedication to Sun and its signature sound garnered national attention when he was featured by Lester Holt for NBC’s Nightly News and the Today Show. NPR also featured Matt and his work on All Things Considered.</p><p><br></p><p>“It’s fantastic that [Ross-Spang] has pursued this with such scholarly devotion,” says Peter Guralnick, author of the definitive, two-part Presley biography, Last Train to Memphis and the recently released biography, Sam Phillips The Man Who Invented Rock and Roll.. “Sam was systematic in thinking about sound and gave great thought to it — no square angles; the tiles. In addition, he felt there was something unique about the room at 706 Union. He didn’t know it when he rented it. To have reconstituted it is an exercise in creative archeology.”</p><p><br></p><p>In 2015 Matt left Sun to venture out on his own as an engineer and producer.&nbsp;His first project post Sun was to engineer and mix Jason Isbell’s “Something More Than Free” for acclaimed Producer Dave Cobb which would award him his first Grammy. The record broke several records debuting at #1 on the Country, Rock, Folk and Indie Charts. It also broke Americana Radio chart records , staying #1 for over 25 weeks. The record won Grammys for Best Americana Album and Best Americana Song for (24 Frames).</p><p><br></p><p>Since then Matt hasn’t slowed down …engineering recent releases by The Drive By Truckers, Elle King, Mary Chapin Carpenter, Chris Isaak, The Rival Sons, Corb Lund, Lori Mckenna, Brett Dennen, Brent Cobb, Amanda Shires, Anderson East, The Sheepdogs and the concept album “Southern Family”.</p><p><br></p><p>Matt also engineered, mixed and Co-Produced Margo Price’s debut album; entitled “Midwestern Farmer’s Daughter” the record was made in 3 days in 2014 at Sun Studio and released on Third Man Records. The record debuted in the top 10 Billboard country charts to critical acclaim and is already considered one of the best albums of 2016. Matt most recently was hired by Sony Records to mix 18 previously unreleased songs by Elvis Presley from historic 1976 sessions in the Jungle Room at Graceland which was released in August of 2016. Matt also recently produced albums on Sean Rowe, Patrick Sweany and UK artist Emily Barker.</p><p><br></p><p>The City of Memphis named him one of its “30 under 30” Memphians in 2015 as well as honoring him with a key to the city in 2016. The City of Germantown also named a day after Ross-Spang in 2016.</p><p>Matt and Matt join each other over Skype for a conversation about’s Matt’s journey.</p>]]></description><content:encoded><![CDATA[<p>“He’s a young man with an old soul. Matt’s got a lot of Sam Phillips in him”&nbsp;– Jerry Phillips</p><p>Matt Ross-Spang , born in Memphis, began working at the Legendary&nbsp;<a href="https://www.sunstudio.com/" rel="noopener noreferrer" target="_blank">Sun Studio</a>&nbsp;when he was just 16, working his way up from intern to the Chief Engineer. He championed to bring the recording studio back to its origin, working hard to find, install and use the same period equipment that Sam Phillips engineered with in the 1950s. His 11 years of dedication to Sun and its signature sound garnered national attention when he was featured by Lester Holt for NBC’s Nightly News and the Today Show. NPR also featured Matt and his work on All Things Considered.</p><p><br></p><p>“It’s fantastic that [Ross-Spang] has pursued this with such scholarly devotion,” says Peter Guralnick, author of the definitive, two-part Presley biography, Last Train to Memphis and the recently released biography, Sam Phillips The Man Who Invented Rock and Roll.. “Sam was systematic in thinking about sound and gave great thought to it — no square angles; the tiles. In addition, he felt there was something unique about the room at 706 Union. He didn’t know it when he rented it. To have reconstituted it is an exercise in creative archeology.”</p><p><br></p><p>In 2015 Matt left Sun to venture out on his own as an engineer and producer.&nbsp;His first project post Sun was to engineer and mix Jason Isbell’s “Something More Than Free” for acclaimed Producer Dave Cobb which would award him his first Grammy. The record broke several records debuting at #1 on the Country, Rock, Folk and Indie Charts. It also broke Americana Radio chart records , staying #1 for over 25 weeks. The record won Grammys for Best Americana Album and Best Americana Song for (24 Frames).</p><p><br></p><p>Since then Matt hasn’t slowed down …engineering recent releases by The Drive By Truckers, Elle King, Mary Chapin Carpenter, Chris Isaak, The Rival Sons, Corb Lund, Lori Mckenna, Brett Dennen, Brent Cobb, Amanda Shires, Anderson East, The Sheepdogs and the concept album “Southern Family”.</p><p><br></p><p>Matt also engineered, mixed and Co-Produced Margo Price’s debut album; entitled “Midwestern Farmer’s Daughter” the record was made in 3 days in 2014 at Sun Studio and released on Third Man Records. The record debuted in the top 10 Billboard country charts to critical acclaim and is already considered one of the best albums of 2016. Matt most recently was hired by Sony Records to mix 18 previously unreleased songs by Elvis Presley from historic 1976 sessions in the Jungle Room at Graceland which was released in August of 2016. Matt also recently produced albums on Sean Rowe, Patrick Sweany and UK artist Emily Barker.</p><p><br></p><p>The City of Memphis named him one of its “30 under 30” Memphians in 2015 as well as honoring him with a key to the city in 2016. The City of Germantown also named a day after Ross-Spang in 2016.</p><p>Matt and Matt join each other over Skype for a conversation about’s Matt’s journey.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-097-with-matt-ross-spang]]></link><guid isPermaLink="false">f4135a71088693a50cf09147245f84f1</guid><itunes:image href="https://artwork.captivate.fm/144ad303-3295-44e7-990b-e1800c2a20da/wca-podcast.jpg"/><pubDate>Mon, 24 Oct 2016 14:16:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bd682ba4-39d2-4d8a-b4ab-d486d466133e.mp3" length="58421080" type="audio/mpeg"/><itunes:duration>01:00:51</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>97</itunes:episode><podcast:episode>97</podcast:episode><itunes:summary>Working Class Audio Session #097 with Matt Ross-Spang!!! Matt Ross-Spang , born in Memphis, began working at the Legendary Sun Studio when he was just 16, working his way up from intern to the Chief Engineer. He championed to bring the recording studio back to its origin, working hard to find, install and use the same period equipment that Sam Phillips engineered with in the 1950s. His 11 years of dedication to Sun and its signature sound garnered national attention when he was featured by Lester Holt for NBC’s Nightly News and the Today Show. NPR also featured Matt and his work on All Things Considered.
 
 &quot;It&apos;s fantastic that [Ross-Spang] has pursued this with such scholarly devotion,&quot; says Peter Guralnick, author of the definitive, two-part Presley biography, Last Train to Memphis and the recently released biography, Sam Phillips The Man Who Invented Rock and Roll.. &quot;Sam was systematic in thinking about sound and gave great thought to it — no square angles; the tiles. In addition, he felt there was something unique about the room at 706 Union. He didn&apos;t know it when he rented it. To have reconstituted it is an exercise in creative archeology.&quot;
 
 In 2015 Matt left Sun to venture out on his own as an engineer and producer.  His first project post Sun was to engineer and mix Jason Isbell’s “Something More Than Free” for acclaimed Producer Dave Cobb which would award him his first Grammy. The record broke several records debuting at #1 on the Country, Rock, Folk and Indie Charts. It also broke Americana Radio chart records , staying #1 for over 25 weeks. The record won Grammys for Best Americana Album and Best Americana Song for (24 Frames).
 
 Since then Matt hasn’t slowed down ...engineering recent releases by The Drive By Truckers, Elle King, Mary Chapin Carpenter, Chris Isaak, The Rival Sons, Corb Lund, Lori Mckenna, Brett Dennen, Brent Cobb, Amanda Shires, Anderson East, The Sheepdogs and the concept album “Southern Family”.
 
 Matt also engineered, mixed and Co-Produced Margo Price’s debut album; entitled “Midwestern Farmer’s Daughter” the record was made in 3 days in 2014 at Sun Studio and released on Third Man Records. The record debuted in the top 10 Billboard country charts to critical acclaim and is already considered one of the best albums of 2016. Matt most recently was hired by Sony Records to mix 18 previously unreleased songs by Elvis Presley from historic 1976 sessions in the Jungle Room at Graceland which was released in August of 2016. Matt also recently produced albums on Sean Rowe, Patrick Sweany and UK artist Emily Barker. 
 The City of Memphis named him one of its “30 under 30” Memphians in 2015 as well as honoring him with a key to the city in 2016. The City of Germantown also named a day after Ross-Spang in 2016. Matt and Matt join each other over Skype for a conversation about&apos;s Matt&apos;s journey.</itunes:summary></item><item><title>WCA #096 with J.J. Blair</title><itunes:title>WCA #096 with J.J. Blair</itunes:title><description><![CDATA[<p>J.J. Blair is a producer, songwriter and multi-instrumentalist who hails from Chicago, and moved to Los Angeles in 1990 to get into the music business. He has worked on albums with some legendary artists. Of note, in 1999, he produced, engineered and mixed June Carter Cash’s Grammy winning album, Press On. He also engineered on Rod Stewart’s Great American Songbook albums, volumes 1 through 3; the latter of which won a Grammy, and hit #1 on the Billboard album charts. Other artists J.J. has worked with include Black Eyed Peas, Weezer, P. Diddy, Ryan Adams, Jason Falkner, David Cassidy, Stephen Bishop ,Vonda Sheppard, Johnny Cash, George Benson, Unwriten Law, Kelly Clarkson, Melissa Etheridge, Smokey Robinson, and many more.</p><p>J.J. was kind enough to host Matt at his house during AES. While staying there, Matt was able to convince J.J. to sit down for an interview in his living room.</p><p>Fox Force Five Recorders:&nbsp;<a href="http://artandscienceofrecording.com/Welcome.html" rel="noopener noreferrer" target="_blank">http://artandscienceofrecording.com/Welcome.html</a></p>]]></description><content:encoded><![CDATA[<p>J.J. Blair is a producer, songwriter and multi-instrumentalist who hails from Chicago, and moved to Los Angeles in 1990 to get into the music business. He has worked on albums with some legendary artists. Of note, in 1999, he produced, engineered and mixed June Carter Cash’s Grammy winning album, Press On. He also engineered on Rod Stewart’s Great American Songbook albums, volumes 1 through 3; the latter of which won a Grammy, and hit #1 on the Billboard album charts. Other artists J.J. has worked with include Black Eyed Peas, Weezer, P. Diddy, Ryan Adams, Jason Falkner, David Cassidy, Stephen Bishop ,Vonda Sheppard, Johnny Cash, George Benson, Unwriten Law, Kelly Clarkson, Melissa Etheridge, Smokey Robinson, and many more.</p><p>J.J. was kind enough to host Matt at his house during AES. While staying there, Matt was able to convince J.J. to sit down for an interview in his living room.</p><p>Fox Force Five Recorders:&nbsp;<a href="http://artandscienceofrecording.com/Welcome.html" rel="noopener noreferrer" target="_blank">http://artandscienceofrecording.com/Welcome.html</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-096-with-j-j-blair]]></link><guid isPermaLink="false">5992eff3c5e605649d7864972f7600b9</guid><itunes:image href="https://artwork.captivate.fm/333a7caa-9378-4f17-a30a-eeac413e717e/wca-podcast.jpg"/><pubDate>Mon, 17 Oct 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9c3a4bee-464e-4b30-99a4-55ff25e51b2c.mp3" length="185256641" type="audio/mpeg"/><itunes:duration>01:17:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>96</itunes:episode><podcast:episode>96</podcast:episode><itunes:summary>Working Class Audio Session #096 with J.J. Blair J.J. Blair is a producer, songwriter and multi-instrumentalist who hails from Chicago, and moved to Los Angeles in 1990 to get into the music business. He has worked on albums with some legendary artists. Of note, in 1999, he produced, engineered and mixed June Carter Cash’s Grammy winning album, Press On. He also engineered on Rod Stewart’s Great American Songbook albums, volumes 1 through 3; the latter of which won a Grammy, and hit #1 on the Billboard album charts. Other artists J.J. has worked with include Black Eyed Peas, Weezer, P. Diddy, Ryan Adams, Jason Falkner, David Cassidy, Stephen Bishop ,Vonda Sheppard, Johnny Cash, George Benson, Unwriten Law, Kally Clarkson, Melissa Etheridge, Smokey Robinson, and many more. J.J. was kind enough to host Matt at his house during AES. While staying there, Matt was able to convince J.J. to sit down for an interview in his living room. Fox Force Five Recorders: http://artandscienceofrecording.com/Welcome.html</itunes:summary></item><item><title>WCA #095 with Brad Wood</title><itunes:title>WCA #095 with Brad Wood</itunes:title><description><![CDATA[<p>Brad Wood&nbsp;grew up in Rockford, Illinois, the home of Cheap Trick- the greatest band alive. He played the saxophone well enough to go to college and study jazz performance.</p><p>When Brad moved to Chicago in 1987, it didn’t take long before he&nbsp;built Idful Music Corporation- a small but mighty recording studio in Wicker Park. That’s where he recorded albums by bands like Seam, Tar, Shrimp Boat and Eleventh Dream Day.&nbsp;It was Liz Phair’s Exile In Guyville in 1993 that did the trick for his&nbsp;career.</p><p>Soon he was recording all kinds of cool debut albums for artists like Sunny Day Real Estate, Veruca Salt, Placebo, Red Red Meat and Ben Lee.&nbsp;Work with Smashing Pumpkins, Far, that dog.,&nbsp;Menthol and Pete Yorn wrapped up the 90’s.</p><p>In 2000, Brad&nbsp;relocated to Los Angeles, home of X- the greatest punk rock band alive.&nbsp;After a few years of bouncing around LA’s amazing studios, he built Seagrass Studio in 2004. At Seagrass Brad has&nbsp;tracked or mixed Say Anything, mewithoutYou, more Ben Lee, the Bangles, Sherwood &amp; Touché Amoré plus many more.</p><p>Brad says&nbsp;<em>“I like to help people make records that are inspiring, lyrically and musically. For me, rock music works best when there’s intensity-&nbsp;a burning desire to bash out a message. It doesn’t have to be loud (although that helps). Thank you, Joe Strummer.”</em></p><p>This podcast is comprised of Matt’s interview with Brad at the 141st AES show in Los Angeles on October 1st at The Focal Booth followed by an interview over Skype. Matt and Brad discuss Brad’s journey, his time in Chicago, His move to LA, his new studio and parenting.</p><p><a href="http://www.bradwoodmusic.com/" rel="noopener noreferrer" target="_blank"><strong>www.bradwoodmusic.com</strong></a></p><p><a href="http://twitter.com/bradwood3" rel="noopener noreferrer" target="_blank"><strong>http://twitter.com/bradwood3</strong></a></p>]]></description><content:encoded><![CDATA[<p>Brad Wood&nbsp;grew up in Rockford, Illinois, the home of Cheap Trick- the greatest band alive. He played the saxophone well enough to go to college and study jazz performance.</p><p>When Brad moved to Chicago in 1987, it didn’t take long before he&nbsp;built Idful Music Corporation- a small but mighty recording studio in Wicker Park. That’s where he recorded albums by bands like Seam, Tar, Shrimp Boat and Eleventh Dream Day.&nbsp;It was Liz Phair’s Exile In Guyville in 1993 that did the trick for his&nbsp;career.</p><p>Soon he was recording all kinds of cool debut albums for artists like Sunny Day Real Estate, Veruca Salt, Placebo, Red Red Meat and Ben Lee.&nbsp;Work with Smashing Pumpkins, Far, that dog.,&nbsp;Menthol and Pete Yorn wrapped up the 90’s.</p><p>In 2000, Brad&nbsp;relocated to Los Angeles, home of X- the greatest punk rock band alive.&nbsp;After a few years of bouncing around LA’s amazing studios, he built Seagrass Studio in 2004. At Seagrass Brad has&nbsp;tracked or mixed Say Anything, mewithoutYou, more Ben Lee, the Bangles, Sherwood &amp; Touché Amoré plus many more.</p><p>Brad says&nbsp;<em>“I like to help people make records that are inspiring, lyrically and musically. For me, rock music works best when there’s intensity-&nbsp;a burning desire to bash out a message. It doesn’t have to be loud (although that helps). Thank you, Joe Strummer.”</em></p><p>This podcast is comprised of Matt’s interview with Brad at the 141st AES show in Los Angeles on October 1st at The Focal Booth followed by an interview over Skype. Matt and Brad discuss Brad’s journey, his time in Chicago, His move to LA, his new studio and parenting.</p><p><a href="http://www.bradwoodmusic.com/" rel="noopener noreferrer" target="_blank"><strong>www.bradwoodmusic.com</strong></a></p><p><a href="http://twitter.com/bradwood3" rel="noopener noreferrer" target="_blank"><strong>http://twitter.com/bradwood3</strong></a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-095-with-brad-wood]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1619</guid><itunes:image href="https://artwork.captivate.fm/91f78f8b-7455-48b3-b6bf-224118db5f9d/wca-podcast.jpg"/><pubDate>Mon, 10 Oct 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/aeae8975-1bc0-4522-ab97-4de0b639c431.mp3" length="63080453" type="audio/mpeg"/><itunes:duration>01:27:37</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>95</itunes:episode><podcast:episode>95</podcast:episode><itunes:summary>Working Class Audio Session #095 with Brad Wood!!! Brad Wood grew up in Rockford, Illinois, the home of Cheap Trick- the greatest band alive. He played the saxophone well enough to go to college and study jazz performance. When Brad moved to Chicago in 1987, it didn’t take long before he built Idful Music Corporation- a small […]
 The post WCA #095 with Brad Wood appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #094 with Scott Wiley</title><itunes:title>WCA #094 with Scott Wiley</itunes:title><description><![CDATA[<p>Scott&nbsp;Wiley is a music producer, engineer, musician and owner of June Audio Recording Studios in Provo, Utah.&nbsp;Scott&nbsp;studied music recording at USC and got to learn from some of the best producers and engineers in the industry during his years working in great Los Angeles rooms like Sound Factory, Sunset Sound, Cello and Conway Recording Studios.&nbsp;As an engineer and/or producer for the last 25 years,&nbsp;Scott&nbsp;has worked with Neon Trees, Bonnie Raitt, Kaskade, David Archuleta, Tracy Chapman, The Moth &amp; The Flame, and Stephanie Mabey among others.&nbsp;&nbsp;Scott&nbsp;has also taught recording and music business classes at UVU and BYU.</p><p>June Audio is currently expanding from a mid-sized one studio operation to a 5000 square foot Wes Lachot designed facility that will house 3 separate studios, 2 in a large new building and a third in an adjoining turn of the century home.</p><p>More info can be found here&nbsp;<a href="http://www.juneaudio.com/" rel="noopener noreferrer" target="_blank">www.juneaudio.com</a>&nbsp;or follow the build thread on gearslutz at&nbsp;<a href="http://tinyurl.com/z6xg4sj" rel="noopener noreferrer" target="_blank">http://tinyurl.com/z6xg4sj</a>.</p><p>&nbsp;</p><p>Scott talks with Matt about moving between California and Utah, assisting for Tchad Blake, and running a studio in a environment where the Mormon church plays a big role.</p>]]></description><content:encoded><![CDATA[<p>Scott&nbsp;Wiley is a music producer, engineer, musician and owner of June Audio Recording Studios in Provo, Utah.&nbsp;Scott&nbsp;studied music recording at USC and got to learn from some of the best producers and engineers in the industry during his years working in great Los Angeles rooms like Sound Factory, Sunset Sound, Cello and Conway Recording Studios.&nbsp;As an engineer and/or producer for the last 25 years,&nbsp;Scott&nbsp;has worked with Neon Trees, Bonnie Raitt, Kaskade, David Archuleta, Tracy Chapman, The Moth &amp; The Flame, and Stephanie Mabey among others.&nbsp;&nbsp;Scott&nbsp;has also taught recording and music business classes at UVU and BYU.</p><p>June Audio is currently expanding from a mid-sized one studio operation to a 5000 square foot Wes Lachot designed facility that will house 3 separate studios, 2 in a large new building and a third in an adjoining turn of the century home.</p><p>More info can be found here&nbsp;<a href="http://www.juneaudio.com/" rel="noopener noreferrer" target="_blank">www.juneaudio.com</a>&nbsp;or follow the build thread on gearslutz at&nbsp;<a href="http://tinyurl.com/z6xg4sj" rel="noopener noreferrer" target="_blank">http://tinyurl.com/z6xg4sj</a>.</p><p>&nbsp;</p><p>Scott talks with Matt about moving between California and Utah, assisting for Tchad Blake, and running a studio in a environment where the Mormon church plays a big role.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-094-with-scott-wiley]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1615</guid><itunes:image href="https://artwork.captivate.fm/67d569d9-8f0d-4c66-abf9-03d0a4370d8d/wca-podcast.jpg"/><pubDate>Mon, 03 Oct 2016 17:29:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/11ceaed7-f211-45c3-a9ca-bce58cde7695.mp3" length="51867344" type="audio/mpeg"/><itunes:duration>01:12:02</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>94</itunes:episode><podcast:episode>94</podcast:episode><itunes:summary>Working Class Audio Session #094 with Scott Wiley!!! Scott Wiley is a music producer, engineer, musician and owner of June Audio Recording Studios in Provo, Utah.  Scott studied music recording at USC and got to learn from some of the best producers and engineers in the industry during his years working in great Los Angeles […]
 The post WCA #094 with Scott Wiley appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #093 with David Barbe</title><itunes:title>WCA #093 with David Barbe</itunes:title><description><![CDATA[<p>David Barbe has a two pronged career. He has been the Director of the University of Georgia Music Business Program since 2010.&nbsp;&nbsp;On the creative side, he has worked on hundreds of recording projects as engineer, producer, musician and writer.&nbsp;&nbsp;Over the past few years, projects have included Deerhunter’s “Halcyon Digest,”&nbsp;Drive-By Truckers “It’s Grerat to Be Alive” and “American Band,”&nbsp;New Madrid “magnetkingmagnetqueen,” and “Sunwimmer,” and Muuy Biien “Age of Uncertainty” to name a few.David moved to Athens in 1981 to study journalism at UGA. He got involved in the local music scene, playing in a variety of bands, most notably Mercyland and Buzz Hungry.He started recording local bands (Bar-B-Q Killers, Jack-O-Nuts, as well as a number of bands without dashes in their names) on a Fostex X15 cassette 4 track, also taking the opportunity to go into the studio any time any of the bands he worked with booked a proper recording session. That experience led to a job at John Keane’s studio. While working under Keane, David assisted John on a number of projects by artists including Billy Bragg, REM and Widespread Panic, then began engineering a steady stream of artists on his own (Jack Logan, Seersucker, Mt. Shasta, 5/8) at John’s studio and elsewhere.</p><p>In 1991 Bob Mould (Husker Du) invited David to join his new band, Sugar. From 1992 – 1995 they toured the world, and made 4 albums together, working at the Outpost in Stoughton, Mass.; Cedar Creek in Austin, Texas; Triclops in Atlanta; and several studios in Europe and Japan on performance for broadcast sessions.</p><p>After leaving the group in early 1995, David continued freelance engineering. During this time he made countless indie records in a variety of circumstances. The Rock*A*Teens first album was made in three different studios in 6 days. Harvey Milk’s “My Love is Higher Than Your Assessment of My Love Is” was primarily recorded in drummer Paul Trudeau’s house and mixed in the apartment of fellow engineer Brooks Carter, using the wooden frame stairwell for an echo chamber (the sound of crickets is audible during quiet sections of the album). SonVolt’s “Wide Swing Tremolo” was recorded over the course of 6 two week sessions in the band’s practice space housed in an old textile mill in Millstadt, Illinois, and mixed at Mitch Easter’s Fidelitorium. David’s fascination with using unique spaces for recording crops up with instances such as recording Kelly Hogan’s vocals in the boys’ locker room of a closed down school, and recording various things in the Chase Park parking lot.</p><p>“Going from place to place to work was a great experience,” says David about his freelance days (primarily 1991-97). “For one thing, you really have to think on your feet when it’s a big city studio one day, and somebody’s bedroom the next. For another, I definitely started to develop a feel for what I would and wouldn’t want in a studio of my own.”</p><p>In early 1997 David teamed up with Andy LeMaster and Andy Baker in a search of what they thought would be “a temporary space” for recording. What they came up with was Chase Park Transduction. After working together in the studio for a few months, they realized that the studio was turning into more than a stopgap.</p><p>Since opening Chase Park, David has worked with a wide variety of artists including the Deerhunter, Bettye LaVette, The Glands, Drive By Truckers, Jerry Joseph, Amy Ray, Bob Mould, REM, New Madrid and hundreds of others.</p><p>David’s general approach to making records is, “In any creative endeavor, the answer should never be ‘No’.</p><p>David talks with Matt over Skype about how he runs his studio, the importance of family and his approach to money and gear.</p><h3>Show notes:</h3><p>David’s Studio:&nbsp;<a href="http://www.chaseparktransduction.com/" rel="noopener noreferrer" target="_blank">Chase Park Transduction</a></p><p>John Keane:&nbsp;<a href="http://www.johnkeanestudios.com/" rel="noopener noreferrer" target="_blank">John Keane Studios</a></p>]]></description><content:encoded><![CDATA[<p>David Barbe has a two pronged career. He has been the Director of the University of Georgia Music Business Program since 2010.&nbsp;&nbsp;On the creative side, he has worked on hundreds of recording projects as engineer, producer, musician and writer.&nbsp;&nbsp;Over the past few years, projects have included Deerhunter’s “Halcyon Digest,”&nbsp;Drive-By Truckers “It’s Grerat to Be Alive” and “American Band,”&nbsp;New Madrid “magnetkingmagnetqueen,” and “Sunwimmer,” and Muuy Biien “Age of Uncertainty” to name a few.David moved to Athens in 1981 to study journalism at UGA. He got involved in the local music scene, playing in a variety of bands, most notably Mercyland and Buzz Hungry.He started recording local bands (Bar-B-Q Killers, Jack-O-Nuts, as well as a number of bands without dashes in their names) on a Fostex X15 cassette 4 track, also taking the opportunity to go into the studio any time any of the bands he worked with booked a proper recording session. That experience led to a job at John Keane’s studio. While working under Keane, David assisted John on a number of projects by artists including Billy Bragg, REM and Widespread Panic, then began engineering a steady stream of artists on his own (Jack Logan, Seersucker, Mt. Shasta, 5/8) at John’s studio and elsewhere.</p><p>In 1991 Bob Mould (Husker Du) invited David to join his new band, Sugar. From 1992 – 1995 they toured the world, and made 4 albums together, working at the Outpost in Stoughton, Mass.; Cedar Creek in Austin, Texas; Triclops in Atlanta; and several studios in Europe and Japan on performance for broadcast sessions.</p><p>After leaving the group in early 1995, David continued freelance engineering. During this time he made countless indie records in a variety of circumstances. The Rock*A*Teens first album was made in three different studios in 6 days. Harvey Milk’s “My Love is Higher Than Your Assessment of My Love Is” was primarily recorded in drummer Paul Trudeau’s house and mixed in the apartment of fellow engineer Brooks Carter, using the wooden frame stairwell for an echo chamber (the sound of crickets is audible during quiet sections of the album). SonVolt’s “Wide Swing Tremolo” was recorded over the course of 6 two week sessions in the band’s practice space housed in an old textile mill in Millstadt, Illinois, and mixed at Mitch Easter’s Fidelitorium. David’s fascination with using unique spaces for recording crops up with instances such as recording Kelly Hogan’s vocals in the boys’ locker room of a closed down school, and recording various things in the Chase Park parking lot.</p><p>“Going from place to place to work was a great experience,” says David about his freelance days (primarily 1991-97). “For one thing, you really have to think on your feet when it’s a big city studio one day, and somebody’s bedroom the next. For another, I definitely started to develop a feel for what I would and wouldn’t want in a studio of my own.”</p><p>In early 1997 David teamed up with Andy LeMaster and Andy Baker in a search of what they thought would be “a temporary space” for recording. What they came up with was Chase Park Transduction. After working together in the studio for a few months, they realized that the studio was turning into more than a stopgap.</p><p>Since opening Chase Park, David has worked with a wide variety of artists including the Deerhunter, Bettye LaVette, The Glands, Drive By Truckers, Jerry Joseph, Amy Ray, Bob Mould, REM, New Madrid and hundreds of others.</p><p>David’s general approach to making records is, “In any creative endeavor, the answer should never be ‘No’.</p><p>David talks with Matt over Skype about how he runs his studio, the importance of family and his approach to money and gear.</p><h3>Show notes:</h3><p>David’s Studio:&nbsp;<a href="http://www.chaseparktransduction.com/" rel="noopener noreferrer" target="_blank">Chase Park Transduction</a></p><p>John Keane:&nbsp;<a href="http://www.johnkeanestudios.com/" rel="noopener noreferrer" target="_blank">John Keane Studios</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-093-with-david-barbe]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1601</guid><itunes:image href="https://artwork.captivate.fm/75160ede-702a-4ba6-a62b-32859a9259e9/wca-podcast.jpg"/><pubDate>Mon, 26 Sep 2016 06:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6ad5857f-3188-409b-b1bb-40612174f080.mp3" length="47395091" type="audio/mpeg"/><itunes:duration>01:05:50</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>93</itunes:episode><podcast:episode>93</podcast:episode><itunes:summary>Working Class Audio Session #093 with David Barbe!!! David Barbe has a two pronged career. He has been the Director of the University of Georgia Music Business Program since 2010.   On the creative side, he has worked on hundreds of recording projects as engineer, producer, musician and writer.   Over the past few years, projects have […]
 The post WCA #093 with David Barbe appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #092 with Chuck Zwicky</title><itunes:title>WCA #092 with Chuck Zwicky</itunes:title><description><![CDATA[<p>Chuck Zwicky is a Manhattan based mixing engineer who has earned several gold and platinum records in his 30+ year career, working with artists as diverse as Prince, Jeff Beck, Soul Asylum, Reggie Watts, Rick Moranis, a-ha, NIN, and the Jonas Brothers.&nbsp;Chuck joins Matt over Skype from his Manhattan apartment and home to his mixing /mastering suite to discuss a wide range of topics including the impact Prince had on him.</p><p><a href="http://www.sonicscoop.com/2015/01/05/making-the-mix-room-chuck-zwickys-zmix-chelsea-new-york-city/" rel="noopener noreferrer" target="_blank"><strong>http://www.sonicscoop.com/2015/01/05/making-the-mix-room-chuck-zwickys-zmix-chelsea-new-york-city/</strong></a></p><p><a href="https://soundbetter.com/profiles/9234-chuck-zwicky" rel="noopener noreferrer" target="_blank"><strong>https://soundbetter.com/profiles/9234-chuck-zwicky</strong></a></p><p><a href="http://www.zmix.net/" rel="noopener noreferrer" target="_blank"><strong>http://www.zmix.net</strong></a></p><p><a href="http://www.allmusic.com/artist/chuck-zwicky-mn0000126243" rel="noopener noreferrer" target="_blank"><strong>http://www.allmusic.com/artist/chuck-zwicky-mn0000126243</strong></a></p>]]></description><content:encoded><![CDATA[<p>Chuck Zwicky is a Manhattan based mixing engineer who has earned several gold and platinum records in his 30+ year career, working with artists as diverse as Prince, Jeff Beck, Soul Asylum, Reggie Watts, Rick Moranis, a-ha, NIN, and the Jonas Brothers.&nbsp;Chuck joins Matt over Skype from his Manhattan apartment and home to his mixing /mastering suite to discuss a wide range of topics including the impact Prince had on him.</p><p><a href="http://www.sonicscoop.com/2015/01/05/making-the-mix-room-chuck-zwickys-zmix-chelsea-new-york-city/" rel="noopener noreferrer" target="_blank"><strong>http://www.sonicscoop.com/2015/01/05/making-the-mix-room-chuck-zwickys-zmix-chelsea-new-york-city/</strong></a></p><p><a href="https://soundbetter.com/profiles/9234-chuck-zwicky" rel="noopener noreferrer" target="_blank"><strong>https://soundbetter.com/profiles/9234-chuck-zwicky</strong></a></p><p><a href="http://www.zmix.net/" rel="noopener noreferrer" target="_blank"><strong>http://www.zmix.net</strong></a></p><p><a href="http://www.allmusic.com/artist/chuck-zwicky-mn0000126243" rel="noopener noreferrer" target="_blank"><strong>http://www.allmusic.com/artist/chuck-zwicky-mn0000126243</strong></a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-092-with-chuck-zwicky]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1591</guid><itunes:image href="https://artwork.captivate.fm/b195bd23-aa8c-4814-9255-1c8e57e7ea7b/uploads-2f1556731317031-c8duhu7mbpb-46bd5604fd0afbf20ad884d92c7.png"/><pubDate>Mon, 19 Sep 2016 12:49:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2ba5ba61-5cbf-4302-ba55-321f9b34c1ec.mp3" length="49799674" type="audio/mpeg"/><itunes:duration>01:09:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>92</itunes:episode><podcast:episode>92</podcast:episode><itunes:summary>Working Class Audio Session #092 with Chuck Zwicky!!! Chuck Zwicky is a Manhattan based mixing engineer who has earned several gold and platinum records in his 30+ year career, working with artists as diverse as Prince, Jeff Beck, Soul Asylum, Reggie Watts, Rick Moranis, a-ha, NIN, and the Jonas Brothers.  Chuck joins Matt over Skype […]
The post WCA #092 with Chuck Zwicky appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #091 with Camden Stoddard</title><itunes:title>WCA #091 with Camden Stoddard</itunes:title><description><![CDATA[<p>Camden Stoddard got his start in sound shortly&nbsp;after moving to the Bay Area by interning with B. Z. Lewis at&nbsp;<a href="http://www.studio132.com/" rel="noopener noreferrer" target="_blank">Studio 132</a>&nbsp;followed by studying at<a href="http://www.pyramind.com/" rel="noopener noreferrer" target="_blank">&nbsp;Pyramind</a>&nbsp;in San Francisco.&nbsp;After&nbsp;graduating from Pyramind,&nbsp;Camden participated in some independent movies and commercials before&nbsp;joining&nbsp;<a href="https://en.wikipedia.org/wiki/Double_Fine_Productions" rel="noopener noreferrer" target="_blank">Double Fine Productions</a>&nbsp;in 2009.&nbsp;He has since worked on dozens of prototypes and shipped a multitude of games as sound designer and Studio Sound Supervisor including&nbsp;<a href="https://en.wikipedia.org/wiki/Br%C3%BCtal_Legend" rel="noopener noreferrer" target="_blank">Brutal Legend</a>&nbsp;(for which he won G.A.N.G.’s Rookie Of The Year),&nbsp;<a href="https://en.wikipedia.org/wiki/Iron_Brigade_(video_game)" rel="noopener noreferrer" target="_blank">Iron Brigade</a>, Stacking, Once Upon A Monster, The Cave,&nbsp;<a href="https://en.wikipedia.org/wiki/Broken_Age" rel="noopener noreferrer" target="_blank">Broken Age</a>&nbsp;and, most recently, the retro space adventure&nbsp;<a href="https://en.wikipedia.org/wiki/Headlander" rel="noopener noreferrer" target="_blank">Headlander</a>. Camden&nbsp;is very passionate about game audio and game sound design and can often be found mentoring students with enthusiasm.</p><p>Camden spoke with Matt from his office in San Francisco via Skype.</p><h5>Show notes:</h5><h5>The documentary we talk about can be found here:&nbsp;<a href="https://www.youtube.com/watch?v=AdXvZgIV1Q0&amp;list=PLIhLvue17Sd7F6pU2ByRRb0igiI-WKk3D" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=AdXvZgIV1Q0&amp;list=PLIhLvue17Sd7F6pU2ByRRb0igiI-WKk3D</a></h5><h5>Camden mentioned a a great sound library company called Tomsturm in the interview. They can be found at<a href="http://www.tonsturm.com/" rel="noopener noreferrer" target="_blank">&nbsp;http://www.tonsturm.com/</a></h5>]]></description><content:encoded><![CDATA[<p>Camden Stoddard got his start in sound shortly&nbsp;after moving to the Bay Area by interning with B. Z. Lewis at&nbsp;<a href="http://www.studio132.com/" rel="noopener noreferrer" target="_blank">Studio 132</a>&nbsp;followed by studying at<a href="http://www.pyramind.com/" rel="noopener noreferrer" target="_blank">&nbsp;Pyramind</a>&nbsp;in San Francisco.&nbsp;After&nbsp;graduating from Pyramind,&nbsp;Camden participated in some independent movies and commercials before&nbsp;joining&nbsp;<a href="https://en.wikipedia.org/wiki/Double_Fine_Productions" rel="noopener noreferrer" target="_blank">Double Fine Productions</a>&nbsp;in 2009.&nbsp;He has since worked on dozens of prototypes and shipped a multitude of games as sound designer and Studio Sound Supervisor including&nbsp;<a href="https://en.wikipedia.org/wiki/Br%C3%BCtal_Legend" rel="noopener noreferrer" target="_blank">Brutal Legend</a>&nbsp;(for which he won G.A.N.G.’s Rookie Of The Year),&nbsp;<a href="https://en.wikipedia.org/wiki/Iron_Brigade_(video_game)" rel="noopener noreferrer" target="_blank">Iron Brigade</a>, Stacking, Once Upon A Monster, The Cave,&nbsp;<a href="https://en.wikipedia.org/wiki/Broken_Age" rel="noopener noreferrer" target="_blank">Broken Age</a>&nbsp;and, most recently, the retro space adventure&nbsp;<a href="https://en.wikipedia.org/wiki/Headlander" rel="noopener noreferrer" target="_blank">Headlander</a>. Camden&nbsp;is very passionate about game audio and game sound design and can often be found mentoring students with enthusiasm.</p><p>Camden spoke with Matt from his office in San Francisco via Skype.</p><h5>Show notes:</h5><h5>The documentary we talk about can be found here:&nbsp;<a href="https://www.youtube.com/watch?v=AdXvZgIV1Q0&amp;list=PLIhLvue17Sd7F6pU2ByRRb0igiI-WKk3D" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=AdXvZgIV1Q0&amp;list=PLIhLvue17Sd7F6pU2ByRRb0igiI-WKk3D</a></h5><h5>Camden mentioned a a great sound library company called Tomsturm in the interview. They can be found at<a href="http://www.tonsturm.com/" rel="noopener noreferrer" target="_blank">&nbsp;http://www.tonsturm.com/</a></h5>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-091-with-camden-stoddard]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1580</guid><itunes:image href="https://artwork.captivate.fm/361ac58a-a8c1-4848-b90c-cdcce60d0965/wca-podcast.jpg"/><pubDate>Mon, 12 Sep 2016 07:56:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/fe7f741b-a15d-45b7-9f32-bc858e2fc95f.mp3" length="45210656" type="audio/mpeg"/><itunes:duration>53:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>91</itunes:episode><podcast:episode>91</podcast:episode><itunes:summary>Working Class Audio Session #091 with Camden Stoddard!!! Camden Stoddard got his start in sound shortly after moving to the Bay Area by interning with B. Z. Lewis at Studio 132 followed by studying at Pyramind in San Francisco. After graduating from Pyramind, Camden participated in some independent movies and commercials before  joining Double Fine Productions in 2009. […]
 The post WCA #091 with Camden Stoddard appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #090 with Lij Shaw</title><itunes:title>WCA #090 with Lij Shaw</itunes:title><description><![CDATA[<p>Lij Shaw is an&nbsp;award winning music and podcast producer who has made records for 25 years. His studio,&nbsp;<a href="http://www.thetoyboxstudio.com/" rel="noopener noreferrer" target="_blank">The Toy Box Studio</a>&nbsp;is located East Nashville,&nbsp;Tennessee.</p><p>Lij is my “Brother from Another Podcast” being the&nbsp;host of&nbsp;<a href="http://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank">Recording Studio Rockstars</a>.&nbsp;He’s a guy like myself who has been around the block, made some mistakes along the way and is here to share his experiences and wisdom. His other activities include the&nbsp;<a href="http://www.thetoyboxstudio.com/haybalestudio/" rel="noopener noreferrer" target="_blank">Hay Bale Studio</a>, a studio built in a double wide trailer and surrounded by bales of hay, all while being located directly behind the main stage at the&nbsp;<a href="http://www.bonnaroo.com/" rel="noopener noreferrer" target="_blank">Bonnaroo</a>&nbsp;music festival each year. He also runs a back to basics recording event called the&nbsp;<a href="http://www.thetoyboxstudio.com/category/stereo-sessions/" rel="noopener noreferrer" target="_blank">Stereo Sessions&nbsp;</a>&nbsp;where recording a band live to two track is the order of the day. Enjoy!</p><h4>Show notes:</h4><p>John Cuniberti’s OneMic series:&nbsp;<a href="http://www.johncuniberti.com/one-mic-the-minimalism-recording-series-begins/" rel="noopener noreferrer" target="_blank">http://www.johncuniberti.com/one-mic-the-minimalism-recording-series-begins/</a></p>]]></description><content:encoded><![CDATA[<p>Lij Shaw is an&nbsp;award winning music and podcast producer who has made records for 25 years. His studio,&nbsp;<a href="http://www.thetoyboxstudio.com/" rel="noopener noreferrer" target="_blank">The Toy Box Studio</a>&nbsp;is located East Nashville,&nbsp;Tennessee.</p><p>Lij is my “Brother from Another Podcast” being the&nbsp;host of&nbsp;<a href="http://recordingstudiorockstars.com/" rel="noopener noreferrer" target="_blank">Recording Studio Rockstars</a>.&nbsp;He’s a guy like myself who has been around the block, made some mistakes along the way and is here to share his experiences and wisdom. His other activities include the&nbsp;<a href="http://www.thetoyboxstudio.com/haybalestudio/" rel="noopener noreferrer" target="_blank">Hay Bale Studio</a>, a studio built in a double wide trailer and surrounded by bales of hay, all while being located directly behind the main stage at the&nbsp;<a href="http://www.bonnaroo.com/" rel="noopener noreferrer" target="_blank">Bonnaroo</a>&nbsp;music festival each year. He also runs a back to basics recording event called the&nbsp;<a href="http://www.thetoyboxstudio.com/category/stereo-sessions/" rel="noopener noreferrer" target="_blank">Stereo Sessions&nbsp;</a>&nbsp;where recording a band live to two track is the order of the day. Enjoy!</p><h4>Show notes:</h4><p>John Cuniberti’s OneMic series:&nbsp;<a href="http://www.johncuniberti.com/one-mic-the-minimalism-recording-series-begins/" rel="noopener noreferrer" target="_blank">http://www.johncuniberti.com/one-mic-the-minimalism-recording-series-begins/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-090-with-lij-shaw]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1560</guid><itunes:image href="https://artwork.captivate.fm/4c41360f-6d48-4eea-93ff-03cb00185443/wca-podcast.jpg"/><pubDate>Mon, 05 Sep 2016 15:04:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2133bcc1-4d26-4e85-934f-dc864d870493.mp3" length="50533809" type="audio/mpeg"/><itunes:duration>01:10:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>90</itunes:episode><podcast:episode>90</podcast:episode><itunes:summary>Working Class Audio Session #090 with Lij Shaw!!! Lij Shaw is an award winning music and podcast producer who has made records for 25 years. His studio, The Toy Box Studio is located East Nashville, Tennessee. Lij is my “Brother from Another Podcast” being the host of Recording Studio Rockstars.  He’s a guy like myself who has been […]
 The post WCA #090 with Lij Shaw appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #089 with Ben Hirschfield and Scott Goodrich</title><itunes:title>WCA #089 with Ben Hirschfield and Scott Goodrich</itunes:title><description><![CDATA[<p>Ben Hirschfield and Scott Goodrich are studio partners at Nu-Tone Studios. If you have followed my conversations with&nbsp;<a href="https://www.workingclassaudio.com/wca-078-chris-dugan/" rel="noopener noreferrer" target="_blank">Chris Dugan</a>&nbsp;and/or&nbsp;<a href="https://www.workingclassaudio.com/wca-088-willie-samuels/" rel="noopener noreferrer" target="_blank">Willie Samuels</a>&nbsp;you’ll recognize their names. I thought stopping by Nu-Tone and chatting with these guys would be a great way to follow up on a story that started with Dugan and Samuels.</p><p>Ben Hirschfield began playing music at an early age and almost immediately became obsessed with the recording process. By high school, he was constantly making recordings for his own bands, as well as those of his peers. After touring nationally and internationally with his own music, Ben began focusing more intently on recording. While attending Ex’pression College for Digital Arts, he founded the now defunct Imperial Recording Studio with fellow engineer Scott Goodrich. Imperial quickly became a go to spot for local and national indie acts. While still running his own studio, Ben began an internship at Jingletown Recording, which led to a full time gig at the facility. Since 2012 he has been calling Nu-Tone Studios his home base, occasionally freelancing out of other Bay Area studios. He has produced, engineered, and/or mixed for artists including Against Me!, Green Day, Mobin’s Child, NOFX and The Story So Far.</p><p>Scott Goodrich is a Recording and Mixing Engineer from Oakland, California. He began as an intern at Jingletown Recording immediately out of school, and later established his profession in his parent’s garage with Ben Hirschfield at Imperial Recording Studios. Scott joined the Nu-Tone Studios family in 2012, and has since recorded bands such as The Story So Far, Culture Abuse, Worthwhile, and other notable groups. He’s worked alongside Hopeless Records, Pure Noise Records, Equal Vision, 6131 Records, and Adeline Records on a handful of successful projects. When outside the studio, Scott sings and plays guitar in his band, Daydream.</p><h4>As I mentioned in the show monologue, here is the Go Fund Me page for the employees of Presonus who lost everything in the recent flooding in&nbsp;Baton Rouge, Louisiana.&nbsp;<a href="https://www.gofundme.com/2tf4gxh8" rel="noopener noreferrer" target="_blank">https://www.gofundme.com/2tf4gxh8</a></h4><p>Also below are various links for&nbsp;Ben Hirschfield and Scott Goodrich. Make sure and check out some the pictures of Nu-Tone .</p><p><a href="http://www.scottkgoodrich.com/" rel="noopener noreferrer" target="_blank">http://www.scottkgoodrich.com/</a></p><p><a href="http://www.nu-tone-studios.com/" rel="noopener noreferrer" target="_blank">http://www.nu-tone-studios.com/</a></p>]]></description><content:encoded><![CDATA[<p>Ben Hirschfield and Scott Goodrich are studio partners at Nu-Tone Studios. If you have followed my conversations with&nbsp;<a href="https://www.workingclassaudio.com/wca-078-chris-dugan/" rel="noopener noreferrer" target="_blank">Chris Dugan</a>&nbsp;and/or&nbsp;<a href="https://www.workingclassaudio.com/wca-088-willie-samuels/" rel="noopener noreferrer" target="_blank">Willie Samuels</a>&nbsp;you’ll recognize their names. I thought stopping by Nu-Tone and chatting with these guys would be a great way to follow up on a story that started with Dugan and Samuels.</p><p>Ben Hirschfield began playing music at an early age and almost immediately became obsessed with the recording process. By high school, he was constantly making recordings for his own bands, as well as those of his peers. After touring nationally and internationally with his own music, Ben began focusing more intently on recording. While attending Ex’pression College for Digital Arts, he founded the now defunct Imperial Recording Studio with fellow engineer Scott Goodrich. Imperial quickly became a go to spot for local and national indie acts. While still running his own studio, Ben began an internship at Jingletown Recording, which led to a full time gig at the facility. Since 2012 he has been calling Nu-Tone Studios his home base, occasionally freelancing out of other Bay Area studios. He has produced, engineered, and/or mixed for artists including Against Me!, Green Day, Mobin’s Child, NOFX and The Story So Far.</p><p>Scott Goodrich is a Recording and Mixing Engineer from Oakland, California. He began as an intern at Jingletown Recording immediately out of school, and later established his profession in his parent’s garage with Ben Hirschfield at Imperial Recording Studios. Scott joined the Nu-Tone Studios family in 2012, and has since recorded bands such as The Story So Far, Culture Abuse, Worthwhile, and other notable groups. He’s worked alongside Hopeless Records, Pure Noise Records, Equal Vision, 6131 Records, and Adeline Records on a handful of successful projects. When outside the studio, Scott sings and plays guitar in his band, Daydream.</p><h4>As I mentioned in the show monologue, here is the Go Fund Me page for the employees of Presonus who lost everything in the recent flooding in&nbsp;Baton Rouge, Louisiana.&nbsp;<a href="https://www.gofundme.com/2tf4gxh8" rel="noopener noreferrer" target="_blank">https://www.gofundme.com/2tf4gxh8</a></h4><p>Also below are various links for&nbsp;Ben Hirschfield and Scott Goodrich. Make sure and check out some the pictures of Nu-Tone .</p><p><a href="http://www.scottkgoodrich.com/" rel="noopener noreferrer" target="_blank">http://www.scottkgoodrich.com/</a></p><p><a href="http://www.nu-tone-studios.com/" rel="noopener noreferrer" target="_blank">http://www.nu-tone-studios.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-089-with-ben-hirschfield-and-scott-goodrich]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1326</guid><itunes:image href="https://artwork.captivate.fm/19190d18-e2a8-45b5-8a4c-7a5a8d505104/wca-podcast.jpg"/><pubDate>Mon, 29 Aug 2016 10:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f45a69b9-c838-47ff-be28-20eb40196afb.mp3" length="33573057" type="audio/mpeg"/><itunes:duration>46:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>89</itunes:episode><podcast:episode>89</podcast:episode><itunes:summary>Working Class Audio Session #089 with Ben Hirschfield and Scott Goodrich!!! Ben Hirschfield and Scott Goodrich are studio partners at Nu-Tone Studios. If you have followed my conversations with Chris Dugan and/or Willie Samuels  you’ll recognize their names. I thought stopping by Nu-Tone and chatting with these guys would be a great way to follow […]
 The post  WCA #089 with Ben Hirschfield and Scott Goodrich appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #088 with Willie Samuels</title><itunes:title>WCA #088 with Willie Samuels</itunes:title><description><![CDATA[<p>Willie Samuels is Studio Trilogy’s senior engineer. A recording engineer, producer and musician with some serious studio chops, Willie began his career in his teens by operating a “guerilla style” mobile studio out of his parents old station wagon, traveling to record local bands in their rehearsal spaces, garages, or whatever space he could find that sounded good. By the time he was 18, he was an engineer and producer, working independently in many of the Bay Area’s historic studios. In 1996 he and partner&nbsp;<a href="https://www.workingclassaudio.com/wca-078-chris-dugan/" rel="noopener noreferrer" target="_blank">Chris Dugan</a>&nbsp;opened Nu-tone Studios in&nbsp;<a href="https://en.wikipedia.org/wiki/Pittsburg,_California" rel="noopener noreferrer" target="_blank">Pittsburg, California</a>, which quickly became a mecca for local and national independent artists. In 2006 Willie began freelancing at the newly constructed studios of Talking House Productions in San Francisco. A few months later, he joined the production team at Talking House, serving as a staff engineer and continuing his quest to serve and develop local talent. In April 2010 Willie partnered with Justin Lieberman and Cindy McSherry to open Studio Trilogy. In addition to engineering and producing, Willie also works collaboratively with Justin and Cindy on sales and marketing for the studio.</p><p>Willie joins Matt for a discussion at WCA headquarters in Lafayette, CA for a discussion on personal sacrifice, doing what you love, working with CHris Dugan and potential changes coming in the future.</p>]]></description><content:encoded><![CDATA[<p>Willie Samuels is Studio Trilogy’s senior engineer. A recording engineer, producer and musician with some serious studio chops, Willie began his career in his teens by operating a “guerilla style” mobile studio out of his parents old station wagon, traveling to record local bands in their rehearsal spaces, garages, or whatever space he could find that sounded good. By the time he was 18, he was an engineer and producer, working independently in many of the Bay Area’s historic studios. In 1996 he and partner&nbsp;<a href="https://www.workingclassaudio.com/wca-078-chris-dugan/" rel="noopener noreferrer" target="_blank">Chris Dugan</a>&nbsp;opened Nu-tone Studios in&nbsp;<a href="https://en.wikipedia.org/wiki/Pittsburg,_California" rel="noopener noreferrer" target="_blank">Pittsburg, California</a>, which quickly became a mecca for local and national independent artists. In 2006 Willie began freelancing at the newly constructed studios of Talking House Productions in San Francisco. A few months later, he joined the production team at Talking House, serving as a staff engineer and continuing his quest to serve and develop local talent. In April 2010 Willie partnered with Justin Lieberman and Cindy McSherry to open Studio Trilogy. In addition to engineering and producing, Willie also works collaboratively with Justin and Cindy on sales and marketing for the studio.</p><p>Willie joins Matt for a discussion at WCA headquarters in Lafayette, CA for a discussion on personal sacrifice, doing what you love, working with CHris Dugan and potential changes coming in the future.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-088-with-willie-samuels]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1318</guid><itunes:image href="https://artwork.captivate.fm/6ec80009-a014-40f5-8312-ec4849db9bc1/wca-podcast.jpg"/><pubDate>Mon, 22 Aug 2016 13:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2ed33a94-03b7-4083-adae-6ece381f8846.mp3" length="44840658" type="audio/mpeg"/><itunes:duration>01:02:17</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>88</itunes:episode><podcast:episode>88</podcast:episode><itunes:summary>Working Class Audio Session #088 with Willie Samuels!!! Willie Samuels is Studio Trilogy’s senior engineer. A recording engineer, producer and musician with some serious studio chops, Willie began his career in his teens by operating a “guerilla style” mobile studio out of his parents old station wagon, traveling to record local bands in their rehearsal […]
 The post WCA #088 with Willie Samuels appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #087 with Lolly Lewis</title><itunes:title>WCA #087 with Lolly Lewis</itunes:title><description><![CDATA[<p>Lolly Lewis studied voice, composition, and&nbsp;electronic music at UC Santa Cruz. While still in college, she was&nbsp;recruited for the faculty of the Aspen Music Festival’s Audio/Recording Institute, and she was Director of Recordings&nbsp;at the San Francisco Conservatory of Music from 1981 – 1993.</p><p>In 1984 Lolly coordinated audio playback of her recording of&nbsp;John Adams‘&nbsp;Light Over Water&nbsp;for its premiere performance&nbsp;in Los Angeles (Museum of Contemporary Art) and New York&nbsp;(Next Wave Festival, Brooklyn Academy of Music). In 1989 she&nbsp;toured with the Kronos Quartet&nbsp;providing live playback of the&nbsp;recorded portion of&nbsp;Steve Reich‘s Different Trains.</p><p>In 1998 she toured with&nbsp;Chanticleer&nbsp;as production and stage manager. Producing projects include the&nbsp;opera&nbsp;Tania&nbsp;(by composer&nbsp;Anthony Davis&nbsp;and based on the story of Patty Hearst), a premiere recording&nbsp;of orchestral music by Harlem Renaissance composer&nbsp;Florence Price, and a program of new chamber&nbsp;music works by composer&nbsp;Mario Davidovsky.&nbsp;She recently recorded all 68 of Haydn’s string quartets&nbsp;with San Francisco’s&nbsp;New Esterhazy Quartet&nbsp;in live performance.</p><p>As a member of the&nbsp;San Francisco Symphony Chorus, Lolly sang on numerous recordings including&nbsp;their 1995 Grammy-winning&nbsp;Brahms Requiem. She just completed a five year project for&nbsp;the San Francisco Symphony, running the&nbsp;<a href="http://www.sfsymphony.org/musicmakers" rel="noopener noreferrer" target="_blank">COMMUNITY OF MUSIC MAKERS</a>&nbsp;program.</p><p>Lolly sits down with Matt for a conversation that covers her recording rig, her thoughts on live music as well as many analogies of sports and movies and plays as they relate to recording.</p><h3>Lolly’s company –&nbsp;<a href="http://transparentrecordings.com/" rel="noopener noreferrer" target="_blank">Transparent Recordings&nbsp;</a></h3><h3><a href="https://www.facebook.com/transparentrecordingssf/" rel="noopener noreferrer" target="_blank">Lolly on Facebook.&nbsp;</a></h3>]]></description><content:encoded><![CDATA[<p>Lolly Lewis studied voice, composition, and&nbsp;electronic music at UC Santa Cruz. While still in college, she was&nbsp;recruited for the faculty of the Aspen Music Festival’s Audio/Recording Institute, and she was Director of Recordings&nbsp;at the San Francisco Conservatory of Music from 1981 – 1993.</p><p>In 1984 Lolly coordinated audio playback of her recording of&nbsp;John Adams‘&nbsp;Light Over Water&nbsp;for its premiere performance&nbsp;in Los Angeles (Museum of Contemporary Art) and New York&nbsp;(Next Wave Festival, Brooklyn Academy of Music). In 1989 she&nbsp;toured with the Kronos Quartet&nbsp;providing live playback of the&nbsp;recorded portion of&nbsp;Steve Reich‘s Different Trains.</p><p>In 1998 she toured with&nbsp;Chanticleer&nbsp;as production and stage manager. Producing projects include the&nbsp;opera&nbsp;Tania&nbsp;(by composer&nbsp;Anthony Davis&nbsp;and based on the story of Patty Hearst), a premiere recording&nbsp;of orchestral music by Harlem Renaissance composer&nbsp;Florence Price, and a program of new chamber&nbsp;music works by composer&nbsp;Mario Davidovsky.&nbsp;She recently recorded all 68 of Haydn’s string quartets&nbsp;with San Francisco’s&nbsp;New Esterhazy Quartet&nbsp;in live performance.</p><p>As a member of the&nbsp;San Francisco Symphony Chorus, Lolly sang on numerous recordings including&nbsp;their 1995 Grammy-winning&nbsp;Brahms Requiem. She just completed a five year project for&nbsp;the San Francisco Symphony, running the&nbsp;<a href="http://www.sfsymphony.org/musicmakers" rel="noopener noreferrer" target="_blank">COMMUNITY OF MUSIC MAKERS</a>&nbsp;program.</p><p>Lolly sits down with Matt for a conversation that covers her recording rig, her thoughts on live music as well as many analogies of sports and movies and plays as they relate to recording.</p><h3>Lolly’s company –&nbsp;<a href="http://transparentrecordings.com/" rel="noopener noreferrer" target="_blank">Transparent Recordings&nbsp;</a></h3><h3><a href="https://www.facebook.com/transparentrecordingssf/" rel="noopener noreferrer" target="_blank">Lolly on Facebook.&nbsp;</a></h3>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-087-with-lolly-lewis]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1315</guid><itunes:image href="https://artwork.captivate.fm/bf208466-df49-4e4d-8ee0-2dc579ab8338/wca-podcast.jpg"/><pubDate>Mon, 15 Aug 2016 08:09:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/dd46385a-db15-4d31-a93a-8b4dc46caaea.mp3" length="53090240" type="audio/mpeg"/><itunes:duration>01:13:44</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>87</itunes:episode><podcast:episode>87</podcast:episode><itunes:summary>Working Class Audio Session #087 with Lolly Lewis!!! Lolly Lewis studied voice, composition, and electronic music at UC Santa Cruz. While still in college, she was recruited for the faculty of the Aspen Music Festival’s Audio/Recording Institute, and she was Director of Recordings at the San Francisco Conservatory of Music from 1981 – 1993. In 1984 Lolly coordinated audio […]
 The post WCA #087 with Lolly Lewis appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #086 with Emmit Brooks</title><itunes:title>WCA #086 with Emmit Brooks</itunes:title><description><![CDATA[<p>Emmit Brooks has run Gold Dust Studios in the same location since 1975 in the Southwest&nbsp;city of Las Cruces, New Mexico. Gold Dust started as a home based studio at a time when very few people&nbsp;had home studios and it even included an echo chamber buried in the backyard! Emmit was a member of the famed Aggie Ramblers&nbsp;Western Swing band that formed in 1957, playing guitar. After a recording session with&nbsp;<a href="https://www.youtube.com/watch?v=FH-AZhRpWW0" rel="noopener noreferrer" target="_blank">Norman Petty in Clovis, New Mexico</a>,&nbsp;Emmit was bit by the recording “bug” and stayed in touch&nbsp;with&nbsp;Petty over the years. Petty was known for his work with<a href="https://en.wikipedia.org/wiki/Buddy_Holly" rel="noopener noreferrer" target="_blank">&nbsp;Buddy Holly and the Crickets</a>&nbsp;and he not only advised but also a major influence. Emmit&nbsp;was a from Melrose, New Mexico and moved to Las Cruces to attend New Mexico Sate University.</p><p>Matt joins Emmit at his studio in Las Cruces for a discussion about the history of Emmit’s studio and his career.</p><p>Emmit’s Studio&nbsp;<a href="http://www.goldustudios.com/" rel="noopener noreferrer" target="_blank">http://www.goldustudios.com/</a></p>]]></description><content:encoded><![CDATA[<p>Emmit Brooks has run Gold Dust Studios in the same location since 1975 in the Southwest&nbsp;city of Las Cruces, New Mexico. Gold Dust started as a home based studio at a time when very few people&nbsp;had home studios and it even included an echo chamber buried in the backyard! Emmit was a member of the famed Aggie Ramblers&nbsp;Western Swing band that formed in 1957, playing guitar. After a recording session with&nbsp;<a href="https://www.youtube.com/watch?v=FH-AZhRpWW0" rel="noopener noreferrer" target="_blank">Norman Petty in Clovis, New Mexico</a>,&nbsp;Emmit was bit by the recording “bug” and stayed in touch&nbsp;with&nbsp;Petty over the years. Petty was known for his work with<a href="https://en.wikipedia.org/wiki/Buddy_Holly" rel="noopener noreferrer" target="_blank">&nbsp;Buddy Holly and the Crickets</a>&nbsp;and he not only advised but also a major influence. Emmit&nbsp;was a from Melrose, New Mexico and moved to Las Cruces to attend New Mexico Sate University.</p><p>Matt joins Emmit at his studio in Las Cruces for a discussion about the history of Emmit’s studio and his career.</p><p>Emmit’s Studio&nbsp;<a href="http://www.goldustudios.com/" rel="noopener noreferrer" target="_blank">http://www.goldustudios.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-086-with-emmit-brooks]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1275</guid><itunes:image href="https://artwork.captivate.fm/98acc6b8-fc8b-4f62-beb6-5adb1e55859a/wca-podcast.jpg"/><pubDate>Mon, 08 Aug 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/33281b14-61a0-4517-b8c9-f65d62784c64.mp3" length="49931345" type="audio/mpeg"/><itunes:duration>01:09:21</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>86</itunes:episode><podcast:episode>86</podcast:episode><itunes:summary>Working Class Audio Session #086 with Emmit Brooks!!! Emmit Brooks has run Gold Dust Studios in the same location since 1975 in the Southwest city of Las Cruces, New Mexico. Gold Dust started as a home based studio at a time when very few people had home studios and it even included an echo chamber buried in […]
 The post WCA #086 with Emmit Brooks appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #085 with Jeremy Goody</title><itunes:title>WCA #085 with Jeremy Goody</itunes:title><description><![CDATA[<p>Jeremy Goody is the owner/operator at&nbsp;<a href="http://www.megasonicsound.com/" rel="noopener noreferrer" target="_blank">Megasonic Sound</a>&nbsp;in Oakland, California and a has been a Bay Area audio engineer/producer and performing musician since 1990. After&nbsp;recording school Jeremy&nbsp;worked his way up the engineer chain at various Bay Area studios including Skyline and Bay Records. Eventually he started&nbsp;&nbsp;the first incarnation of Megasonic in a West Oakland warehouse across from a cement factory. Jeremy eventually moved out of the warehouse and&nbsp;into a family owned building to create version 2.0 of Megasonic.&nbsp;With a desire to build a studio of high quality, he hired famed studio designer&nbsp;<a href="http://www.pelonissound.com/" rel="noopener noreferrer" target="_blank">Chris Pelonis</a>&nbsp;to design the studio and Brian Hood (<a href="https://www.workingclassaudio.com/wca-084-brian-hood/" rel="noopener noreferrer" target="_blank">&nbsp;Listen to Brian on WCA #084</a>) to build. The results can be seen in our video tour below.</p><p>Jeremy has worked with John Santos (2 grammy nominations), SFJAZZ,&nbsp;Anticon label, Lyrics Born. Jeremy is also a current member of Winfred E. Eye and played in: Dance Hall Crashers, Cat Five, Pitch Black, Damon and the Heathens, The Uptones. He’s recorded 3 Solo discs as Balanceman. Matt talks with Jeremy about the studio process of the studio build, his history and his financial approach to his studio business.</p><h3>Check out&nbsp;<a href="http://www.disktracker.com/" rel="noopener noreferrer" target="_blank"><strong>Disktracker</strong></a>&nbsp;which is mentioned in the show.</h3>]]></description><content:encoded><![CDATA[<p>Jeremy Goody is the owner/operator at&nbsp;<a href="http://www.megasonicsound.com/" rel="noopener noreferrer" target="_blank">Megasonic Sound</a>&nbsp;in Oakland, California and a has been a Bay Area audio engineer/producer and performing musician since 1990. After&nbsp;recording school Jeremy&nbsp;worked his way up the engineer chain at various Bay Area studios including Skyline and Bay Records. Eventually he started&nbsp;&nbsp;the first incarnation of Megasonic in a West Oakland warehouse across from a cement factory. Jeremy eventually moved out of the warehouse and&nbsp;into a family owned building to create version 2.0 of Megasonic.&nbsp;With a desire to build a studio of high quality, he hired famed studio designer&nbsp;<a href="http://www.pelonissound.com/" rel="noopener noreferrer" target="_blank">Chris Pelonis</a>&nbsp;to design the studio and Brian Hood (<a href="https://www.workingclassaudio.com/wca-084-brian-hood/" rel="noopener noreferrer" target="_blank">&nbsp;Listen to Brian on WCA #084</a>) to build. The results can be seen in our video tour below.</p><p>Jeremy has worked with John Santos (2 grammy nominations), SFJAZZ,&nbsp;Anticon label, Lyrics Born. Jeremy is also a current member of Winfred E. Eye and played in: Dance Hall Crashers, Cat Five, Pitch Black, Damon and the Heathens, The Uptones. He’s recorded 3 Solo discs as Balanceman. Matt talks with Jeremy about the studio process of the studio build, his history and his financial approach to his studio business.</p><h3>Check out&nbsp;<a href="http://www.disktracker.com/" rel="noopener noreferrer" target="_blank"><strong>Disktracker</strong></a>&nbsp;which is mentioned in the show.</h3>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-085-with-jeremy-goody]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1267</guid><itunes:image href="https://artwork.captivate.fm/fab1e026-bc9c-4381-a657-3006eafdda32/wca-podcast.jpg"/><pubDate>Mon, 01 Aug 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b0c1967b-6b57-4b21-bef3-00ea23e59c87.mp3" length="55253804" type="audio/mpeg"/><itunes:duration>01:16:44</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>85</itunes:episode><podcast:episode>85</podcast:episode><itunes:summary>Working Class Audio Session #085 with Jeremy Goody!!! Jeremy Goody is the owner/operator at Megasonic Sound in Oakland, California and a has been a Bay Area audio engineer/producer and performing musician since 1990. After recording school Jeremy worked his way up the engineer chain at various Bay Area studios including Skyline and Bay Records. Eventually he started  the first […]
 The post WCA #085 with Jeremy Goody appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #084 with Brian Hood</title><itunes:title>WCA #084 with Brian Hood</itunes:title><description><![CDATA[<p>Brian Hood is a rare combination of recording engineer, musician, journeyman studio builder and master carpenter. Brian along with his amazing crew built the new&nbsp;<a href="http://www.tinytelephone.com/studios/" rel="noopener noreferrer" target="_blank">Tiny Telephone Studio&nbsp;Oakland</a>, California that opened in January of 2016,&nbsp;as well as&nbsp;<a href="http://www.tinytelephone.com/studios/" rel="noopener noreferrer" target="_blank">Tiny Telephone Studio B</a>&nbsp;in San Francisco and many other studios large and small in the Bay Area. Brian has a perspective that sees the studio from “all sides of the glass” which most do not have.&nbsp;When building the new Tiny Telephone, it was decided to run&nbsp;the studio for 6 months then close down for a month to see what changes needed to be made with regards to their Neve console, acoustics, and any other changes that needed attention. Matt catches up first with Tiny Telephone studio owner John Vandeslice&nbsp;for a catch up interview on what they have learned in the last 6 months since opening. Matt then follows up with Brian Hood&nbsp;to hear his perspective on the build as well as learn about Brian’s multi-faceted world of construction, music and recording.</p><p>Check out Brian’s pictures taken during the Tiny Telephone studio build.&nbsp;<a href="https://www.workingclassaudio.com/wca-bonus-content/bonus-content-brian-hood-wca-084/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-bonus-content/bonus-content-brian-hood-wca-084/</a></p>]]></description><content:encoded><![CDATA[<p>Brian Hood is a rare combination of recording engineer, musician, journeyman studio builder and master carpenter. Brian along with his amazing crew built the new&nbsp;<a href="http://www.tinytelephone.com/studios/" rel="noopener noreferrer" target="_blank">Tiny Telephone Studio&nbsp;Oakland</a>, California that opened in January of 2016,&nbsp;as well as&nbsp;<a href="http://www.tinytelephone.com/studios/" rel="noopener noreferrer" target="_blank">Tiny Telephone Studio B</a>&nbsp;in San Francisco and many other studios large and small in the Bay Area. Brian has a perspective that sees the studio from “all sides of the glass” which most do not have.&nbsp;When building the new Tiny Telephone, it was decided to run&nbsp;the studio for 6 months then close down for a month to see what changes needed to be made with regards to their Neve console, acoustics, and any other changes that needed attention. Matt catches up first with Tiny Telephone studio owner John Vandeslice&nbsp;for a catch up interview on what they have learned in the last 6 months since opening. Matt then follows up with Brian Hood&nbsp;to hear his perspective on the build as well as learn about Brian’s multi-faceted world of construction, music and recording.</p><p>Check out Brian’s pictures taken during the Tiny Telephone studio build.&nbsp;<a href="https://www.workingclassaudio.com/wca-bonus-content/bonus-content-brian-hood-wca-084/" rel="noopener noreferrer" target="_blank">https://www.workingclassaudio.com/wca-bonus-content/bonus-content-brian-hood-wca-084/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-084-with-brian-hood]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1221</guid><itunes:image href="https://artwork.captivate.fm/ba81f366-0236-4747-af26-2bfd12206028/wca-podcast.jpg"/><pubDate>Mon, 25 Jul 2016 07:07:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f04df9dc-8fc3-428b-8057-b9f687249a5c.mp3" length="56633031" type="audio/mpeg"/><itunes:duration>01:18:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>84</itunes:episode><podcast:episode>84</podcast:episode><itunes:summary>Working Class Audio Session #084 with Brian Hood!!! Brian Hood is a rare combination of recording engineer, musician, journeyman studio builder and master carpenter. Brian along with his amazing crew built the new Tiny Telephone Studio Oakland, California that opened in January of 2016,  as well as Tiny Telephone Studio B in San Francisco and many […]
 The post WCA #084 with Brian Hood appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #083 with Pablo Munguia</title><itunes:title>WCA #083 with Pablo Munguia</itunes:title><description><![CDATA[<p>Pablo Munguia earned&nbsp;&nbsp;a bachelor’s degree from the Massachusetts Institute of Technology, and a master’s degree from the University of Texas at Austin. After trying his hand at making a records with a friend Pablo decided to&nbsp;&nbsp;attended&nbsp;Berklee School of Music where he studied music production and engineering. He then graduated in 1997.</p><p>Pablo&nbsp;moved to Los Angeles and joined&nbsp;<a href="http://www.westlakestudios.com/" rel="noopener noreferrer" target="_blank">Westlake Audio</a>, where he assisted renowned producers and engineers including Quincy Jones, Jimmy Jam and Terry Lewis, David Foster, Randy Jackson,&nbsp;Tommy Vicari, and Matt Forger, as well as recording artists such as Sting, Celine Dion, Mariah Carey, Carole King, Ricky Martin, Eros Ramazzotti, Michel Polnareff, Usher, L.L. Cool J., Mary J. Blige, and Alicia Keys. As a freelance engineer, Munguía worked with NSYNC and Britney Spears on two multi-platinum releases. He also engineered for the Who, Lionel Richie, Justin Timberlake, Stevie Nicks, Sheryl Crow, and the Backstreet Boys, and for top Mexican artists like Thalia, Paulina Rubio, and Carlos Cuevas.</p><p>Munguía has been nominated for 16 Primetime Emmy Awards and won five times in the category Outstanding Sound Mixing for a Variety Series or Special. He has also worked with the audio teams responsible for the Super Bowl halftime show,&nbsp;<em>The American Music Awards</em>,&nbsp;<em>MTV Video Music Awards</em>,&nbsp;<em>The Billboard Awards,</em>&nbsp;and the&nbsp;<em>BET Awards</em>. Additionally, Munguía has worked on&nbsp;<em>American Idol</em>, the&nbsp;<em>X-Factor</em>, and the opening ceremonies of the Special Olympics in China. In Mexico, he worked on the Pan American Games and was in charge of the audio for&nbsp;<em>La Academia: Última Generación</em>.</p><p>On the academic side, from 2006 to 2009, Munguía worked in the Entertainment Studies Department at the University of California, Los Angeles Extension (UCLA Extension),&nbsp;where he was part of the committee that revamped the institution’s curriculum, and also taught Advanced Audio Engineering Techniques and Independent Music Production.</p><p>Pablo talks with Matt over Skype from Valencia. Spain about his early days at MIT, making records in Mexico, immigration, unions and his transition from making to records to working on live television.</p>]]></description><content:encoded><![CDATA[<p>Pablo Munguia earned&nbsp;&nbsp;a bachelor’s degree from the Massachusetts Institute of Technology, and a master’s degree from the University of Texas at Austin. After trying his hand at making a records with a friend Pablo decided to&nbsp;&nbsp;attended&nbsp;Berklee School of Music where he studied music production and engineering. He then graduated in 1997.</p><p>Pablo&nbsp;moved to Los Angeles and joined&nbsp;<a href="http://www.westlakestudios.com/" rel="noopener noreferrer" target="_blank">Westlake Audio</a>, where he assisted renowned producers and engineers including Quincy Jones, Jimmy Jam and Terry Lewis, David Foster, Randy Jackson,&nbsp;Tommy Vicari, and Matt Forger, as well as recording artists such as Sting, Celine Dion, Mariah Carey, Carole King, Ricky Martin, Eros Ramazzotti, Michel Polnareff, Usher, L.L. Cool J., Mary J. Blige, and Alicia Keys. As a freelance engineer, Munguía worked with NSYNC and Britney Spears on two multi-platinum releases. He also engineered for the Who, Lionel Richie, Justin Timberlake, Stevie Nicks, Sheryl Crow, and the Backstreet Boys, and for top Mexican artists like Thalia, Paulina Rubio, and Carlos Cuevas.</p><p>Munguía has been nominated for 16 Primetime Emmy Awards and won five times in the category Outstanding Sound Mixing for a Variety Series or Special. He has also worked with the audio teams responsible for the Super Bowl halftime show,&nbsp;<em>The American Music Awards</em>,&nbsp;<em>MTV Video Music Awards</em>,&nbsp;<em>The Billboard Awards,</em>&nbsp;and the&nbsp;<em>BET Awards</em>. Additionally, Munguía has worked on&nbsp;<em>American Idol</em>, the&nbsp;<em>X-Factor</em>, and the opening ceremonies of the Special Olympics in China. In Mexico, he worked on the Pan American Games and was in charge of the audio for&nbsp;<em>La Academia: Última Generación</em>.</p><p>On the academic side, from 2006 to 2009, Munguía worked in the Entertainment Studies Department at the University of California, Los Angeles Extension (UCLA Extension),&nbsp;where he was part of the committee that revamped the institution’s curriculum, and also taught Advanced Audio Engineering Techniques and Independent Music Production.</p><p>Pablo talks with Matt over Skype from Valencia. Spain about his early days at MIT, making records in Mexico, immigration, unions and his transition from making to records to working on live television.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-083-with-pablo-munguia]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1215</guid><itunes:image href="https://artwork.captivate.fm/fc850f6e-bc37-4bbc-9934-e8c4cf961153/wca-podcast.jpg"/><pubDate>Mon, 18 Jul 2016 18:28:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/157d8e4b-f0e2-48fc-a0d4-a34b771fd2b6.mp3" length="66670636" type="audio/mpeg"/><itunes:duration>01:32:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>83</itunes:episode><podcast:episode>83</podcast:episode><itunes:summary>Working Class Audio Session #083 with Pablo Munguia!!! Pablo Munguia earned  a bachelor’s degree from the Massachusetts Institute of Technology, and a master’s degree from the University of Texas at Austin. After trying his hand at making a records with a friend Pablo decided to  attended Berklee School of Music where he studied music production and engineering. He […]
 The post WCA #083 with Pablo Munguia appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #082 with Justin Phelps</title><itunes:title>WCA #082 with Justin Phelps</itunes:title><description><![CDATA[<p>Justin Phelps is currently the Chief engineer and designer of the&nbsp;<a href="http://www.thehallowedhalls.com/" rel="noopener noreferrer" target="_blank">Hallowed Halls</a>&nbsp;recording studios located in Portland, Oregon.&nbsp;Justin began his career in 1996 at San Fransisco’s famed Coast Recorders&nbsp;as the house engineer. At Coast Justin received considerable guidance from Chief engineer/producer&nbsp;<a href="https://www.workingclassaudio.com/wca-005-john-cuniberti/" rel="noopener noreferrer" target="_blank">John Cuniberti</a>&nbsp;and studio owner/gear guru Dan Alexander. Four&nbsp;years later Justin&nbsp;switched to being a freelance engineer and spent the next few years working out of the Bay Areas finest studios including The Plant,&nbsp;<a href="http://www.prairiesun.com/" rel="noopener noreferrer" target="_blank">Prairie Sun</a>, Studio 880, Tiny Telephone and&nbsp;<a href="http://studiodrecording.com/" rel="noopener noreferrer" target="_blank">Studio D</a>&nbsp;. In 2004 he acquired the lease to&nbsp;<a href="http://hydestreetstudioc.com/" rel="noopener noreferrer" target="_blank">&nbsp;Hyde Street Studio C</a>&nbsp;which is considered one of the more historic recording spaces in San Francisco. After restoring Studio C to it’s former glory it became one of the busiest rooms in San Francisco for the next five years.&nbsp;Justin met his wife&nbsp;Deanna Phelps&nbsp;in San Francisco and shortly after the birth of their first daughter they began a new chapter by relocating to Portland, Oregon.</p><p>In 2010 Justin founded Cloud City Sound with&nbsp;<a href="http://superdigital.com/" rel="noopener noreferrer" target="_blank">Super Digital</a>&nbsp;owner and veteran engineer Rick McMillen.&nbsp;In the summer of 2014 Justin&nbsp;&nbsp;recorded&nbsp;and album for&nbsp;Bike Thief .&nbsp;. Like most album productions it lead to a lasting relationship between he and Bike Thief members Febian Perez and Greg Allen. It also lead to the making of an incredible new studio. that ended up becoming The Hallowed Halls. Justin was hired to design and build the studio in a former library.&nbsp;The facility features one of the best sounding large tracking rooms in the Pacific Northwest and is home to Justin’s personal studio&nbsp;and mix room as well.</p><p>Justin talks to Matt about his early days working at Coast Recorders,&nbsp;about his family’s new guitar business, and about leaving the Bay Area</p><p>More on Justin at&nbsp;<a href="http://www.justinphelpsrecording.com/" rel="noopener noreferrer" target="_blank">www.justinphelpsrecording.com</a></p><p>Photo by Ryne Freed</p>]]></description><content:encoded><![CDATA[<p>Justin Phelps is currently the Chief engineer and designer of the&nbsp;<a href="http://www.thehallowedhalls.com/" rel="noopener noreferrer" target="_blank">Hallowed Halls</a>&nbsp;recording studios located in Portland, Oregon.&nbsp;Justin began his career in 1996 at San Fransisco’s famed Coast Recorders&nbsp;as the house engineer. At Coast Justin received considerable guidance from Chief engineer/producer&nbsp;<a href="https://www.workingclassaudio.com/wca-005-john-cuniberti/" rel="noopener noreferrer" target="_blank">John Cuniberti</a>&nbsp;and studio owner/gear guru Dan Alexander. Four&nbsp;years later Justin&nbsp;switched to being a freelance engineer and spent the next few years working out of the Bay Areas finest studios including The Plant,&nbsp;<a href="http://www.prairiesun.com/" rel="noopener noreferrer" target="_blank">Prairie Sun</a>, Studio 880, Tiny Telephone and&nbsp;<a href="http://studiodrecording.com/" rel="noopener noreferrer" target="_blank">Studio D</a>&nbsp;. In 2004 he acquired the lease to&nbsp;<a href="http://hydestreetstudioc.com/" rel="noopener noreferrer" target="_blank">&nbsp;Hyde Street Studio C</a>&nbsp;which is considered one of the more historic recording spaces in San Francisco. After restoring Studio C to it’s former glory it became one of the busiest rooms in San Francisco for the next five years.&nbsp;Justin met his wife&nbsp;Deanna Phelps&nbsp;in San Francisco and shortly after the birth of their first daughter they began a new chapter by relocating to Portland, Oregon.</p><p>In 2010 Justin founded Cloud City Sound with&nbsp;<a href="http://superdigital.com/" rel="noopener noreferrer" target="_blank">Super Digital</a>&nbsp;owner and veteran engineer Rick McMillen.&nbsp;In the summer of 2014 Justin&nbsp;&nbsp;recorded&nbsp;and album for&nbsp;Bike Thief .&nbsp;. Like most album productions it lead to a lasting relationship between he and Bike Thief members Febian Perez and Greg Allen. It also lead to the making of an incredible new studio. that ended up becoming The Hallowed Halls. Justin was hired to design and build the studio in a former library.&nbsp;The facility features one of the best sounding large tracking rooms in the Pacific Northwest and is home to Justin’s personal studio&nbsp;and mix room as well.</p><p>Justin talks to Matt about his early days working at Coast Recorders,&nbsp;about his family’s new guitar business, and about leaving the Bay Area</p><p>More on Justin at&nbsp;<a href="http://www.justinphelpsrecording.com/" rel="noopener noreferrer" target="_blank">www.justinphelpsrecording.com</a></p><p>Photo by Ryne Freed</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-082-with-justin-phelps]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1204</guid><itunes:image href="https://artwork.captivate.fm/575fdb16-87ab-4b8d-8765-05575c81e8ed/wca-podcast.jpg"/><pubDate>Mon, 11 Jul 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/59aa1749-d9a5-4868-a824-c83b9f3b41b9.mp3" length="44958857" type="audio/mpeg"/><itunes:duration>01:02:26</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>82</itunes:episode><podcast:episode>82</podcast:episode><itunes:summary>Working Class Audio Session #082 with Justin Phelps!!! Justin Phelps is currently the Chief engineer and designer of the Hallowed Halls recording studios located in Portland, Oregon. Justin began his career in 1996 at San Fransisco’s famed Coast Recorders  as the house engineer. At Coast Justin received considerable guidance from Chief engineer/producer John Cuniberti and studio […]
 The post WCA #082 with Justin Phelps appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #081 with Drew Bollman</title><itunes:title>WCA #081 with Drew Bollman</itunes:title><description><![CDATA[<p>Drew Bollman moved&nbsp;to Nashville in 1998 and&nbsp;started interning and assisting at the Sound Kitchen. While Drew worked with many great engineers he happened to meet and work with&nbsp;&nbsp;Justin Niebank (<em>Taylor Swift,&nbsp;Keith Urban,&nbsp;Rascal Flatts,</em>&nbsp;<em>&nbsp;Brad Paisley, and&nbsp;</em>Kenny Chesney) and would end up working&nbsp;him for over 10 years. That experience and training&nbsp;allowed Drew to start&nbsp;first engineering for other&nbsp;projects and become an in demand freelance engineer working non-stop. Since then Drew has worked with artists such as Blake Shelton, Rascal Flatts, Vince Gill, Hunter Hayes, Keith Urban, and Patty Loveless as well as many other great artists. IN 2010 Drew won a Grammy&nbsp;for best Bluegrass album of the year.</p><p>Drew was on vacation at his parents house but graciously agreed to an interview. Matt and Drew discuss the ins and outs of freelance engineering in Nashville, work/life balance and his favorite producer/engineers in and outside of Nashville.</p><p>Link to recording using Audio-Technica AT 2035 mentioned in sponsor break.&nbsp;<a href="https://soundcloud.com/josephinejohnsonsings/light-it-up" rel="noopener noreferrer" target="_blank">https://soundcloud.com/josephinejohnsonsings/light-it-up</a></p>]]></description><content:encoded><![CDATA[<p>Drew Bollman moved&nbsp;to Nashville in 1998 and&nbsp;started interning and assisting at the Sound Kitchen. While Drew worked with many great engineers he happened to meet and work with&nbsp;&nbsp;Justin Niebank (<em>Taylor Swift,&nbsp;Keith Urban,&nbsp;Rascal Flatts,</em>&nbsp;<em>&nbsp;Brad Paisley, and&nbsp;</em>Kenny Chesney) and would end up working&nbsp;him for over 10 years. That experience and training&nbsp;allowed Drew to start&nbsp;first engineering for other&nbsp;projects and become an in demand freelance engineer working non-stop. Since then Drew has worked with artists such as Blake Shelton, Rascal Flatts, Vince Gill, Hunter Hayes, Keith Urban, and Patty Loveless as well as many other great artists. IN 2010 Drew won a Grammy&nbsp;for best Bluegrass album of the year.</p><p>Drew was on vacation at his parents house but graciously agreed to an interview. Matt and Drew discuss the ins and outs of freelance engineering in Nashville, work/life balance and his favorite producer/engineers in and outside of Nashville.</p><p>Link to recording using Audio-Technica AT 2035 mentioned in sponsor break.&nbsp;<a href="https://soundcloud.com/josephinejohnsonsings/light-it-up" rel="noopener noreferrer" target="_blank">https://soundcloud.com/josephinejohnsonsings/light-it-up</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-081-with-drew-bollman]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1188</guid><itunes:image href="https://artwork.captivate.fm/955afa45-b182-4a52-811d-ee9aa5abee78/wca-podcast.jpg"/><pubDate>Mon, 04 Jul 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e40dbdda-5fcf-42a1-ae4c-8cbfc51927ab.mp3" length="43165168" type="audio/mpeg"/><itunes:duration>59:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>81</itunes:episode><podcast:episode>81</podcast:episode><itunes:summary>Working Class Audio Session #081 with Drew Bollman!!! Drew Bollman moved to Nashville in 1998 and started interning and assisting at the Sound Kitchen. While Drew worked with many great engineers he happened to meet and work with  Justin Niebank (Taylor Swift, Keith Urban, Rascal Flatts,  Brad Paisley, and Kenny Chesney) and would end up working him for over […]
 The post WCA #081 with Drew Bollman appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #080 with Jessica Thompson</title><itunes:title>WCA #080 with Jessica Thompson</itunes:title><description><![CDATA[<p>Jessica Thompson is our featured guest on WCA #080 . Jessica is a Grammy-nominated mastering and restoration engineer as well as an&nbsp;archiving specialist who&nbsp;has digitized, restored and revived historic recordings including The Bottom Line, Caffè Lena, Erroll Garner,&nbsp;the&nbsp;Woody Guthrie Archives and the Newport Jazz and Folk Festival, which included performances by Pete Seeger, Roger McGuinn, Dave Von Ronk, Lightnin’ Hopkins, Doc Watson, Miles Davis and Jean Ritchie.</p><p>Jessica’s&nbsp;remaster of Erroll Garner’s iconic recording The Complete Concert By The Sea (Sony/Legacy) was nominated for the Best Historical Album Grammy in 2016.</p><p>&nbsp;In addition Jessica&nbsp;&nbsp;has also cleaned, digitized and restored rare vinyl and cassette recordings for&nbsp;<a href="http://www.awesometapes.com/" rel="noopener noreferrer" target="_blank">Awesome Tapes From Africa</a>&nbsp;and many Numero Group compilations.</p><p>&nbsp;In her previous career as a radio producer, she interviewed drummer Max Roach and the organ player at Fenway Park for WGBH. Additionally she has spun records and CDs on the airwaves of WGBH, WFMU, WZBC and WESU.</p><p>&nbsp;</p><p>Jessica joins Matt for a discussion about restoration and mastering while&nbsp;really diving&nbsp;into the nitty gritty of the craft.</p><p>Links mentioned in the show.</p><ul><li><a href="http://www.alsoft.com/DiskWarrior/" rel="noopener noreferrer" target="_blank">DIskwarrior</a></li><li><a href="http://lifeedited.com/" rel="noopener noreferrer" target="_blank">Life Edited</a></li><li><a href="https://www.ted.com/talks/graham_hill_less_stuff_more_happiness?language=en" rel="noopener noreferrer" target="_blank">Graham Hill Ted Talk</a></li><li><a href="http://www.coastmastering.com/" rel="noopener noreferrer" target="_blank">Coast Mastering</a></li><li><a href="http://www.jessicathompsonaudio.com/" rel="noopener noreferrer" target="_blank">Jessica’s Website</a></li><li><a href="https://store.arnoldmagnetics.com/p-284-magnetic-viewer-b-1022.aspx" rel="noopener noreferrer" target="_blank">Arnold Magnetic Technologies</a>&nbsp;(the magnetic viewer Jessica mentioned)</li><li><a href="https://www.avpreserve.com/" rel="noopener noreferrer" target="_blank">https://www.avpreserve.com/</a></li><li><a href="https://www.kabusa.com/" rel="noopener noreferrer" target="_blank">https://www.kabusa.com/</a></li></ul><br/><p><br></p>]]></description><content:encoded><![CDATA[<p>Jessica Thompson is our featured guest on WCA #080 . Jessica is a Grammy-nominated mastering and restoration engineer as well as an&nbsp;archiving specialist who&nbsp;has digitized, restored and revived historic recordings including The Bottom Line, Caffè Lena, Erroll Garner,&nbsp;the&nbsp;Woody Guthrie Archives and the Newport Jazz and Folk Festival, which included performances by Pete Seeger, Roger McGuinn, Dave Von Ronk, Lightnin’ Hopkins, Doc Watson, Miles Davis and Jean Ritchie.</p><p>Jessica’s&nbsp;remaster of Erroll Garner’s iconic recording The Complete Concert By The Sea (Sony/Legacy) was nominated for the Best Historical Album Grammy in 2016.</p><p>&nbsp;In addition Jessica&nbsp;&nbsp;has also cleaned, digitized and restored rare vinyl and cassette recordings for&nbsp;<a href="http://www.awesometapes.com/" rel="noopener noreferrer" target="_blank">Awesome Tapes From Africa</a>&nbsp;and many Numero Group compilations.</p><p>&nbsp;In her previous career as a radio producer, she interviewed drummer Max Roach and the organ player at Fenway Park for WGBH. Additionally she has spun records and CDs on the airwaves of WGBH, WFMU, WZBC and WESU.</p><p>&nbsp;</p><p>Jessica joins Matt for a discussion about restoration and mastering while&nbsp;really diving&nbsp;into the nitty gritty of the craft.</p><p>Links mentioned in the show.</p><ul><li><a href="http://www.alsoft.com/DiskWarrior/" rel="noopener noreferrer" target="_blank">DIskwarrior</a></li><li><a href="http://lifeedited.com/" rel="noopener noreferrer" target="_blank">Life Edited</a></li><li><a href="https://www.ted.com/talks/graham_hill_less_stuff_more_happiness?language=en" rel="noopener noreferrer" target="_blank">Graham Hill Ted Talk</a></li><li><a href="http://www.coastmastering.com/" rel="noopener noreferrer" target="_blank">Coast Mastering</a></li><li><a href="http://www.jessicathompsonaudio.com/" rel="noopener noreferrer" target="_blank">Jessica’s Website</a></li><li><a href="https://store.arnoldmagnetics.com/p-284-magnetic-viewer-b-1022.aspx" rel="noopener noreferrer" target="_blank">Arnold Magnetic Technologies</a>&nbsp;(the magnetic viewer Jessica mentioned)</li><li><a href="https://www.avpreserve.com/" rel="noopener noreferrer" target="_blank">https://www.avpreserve.com/</a></li><li><a href="https://www.kabusa.com/" rel="noopener noreferrer" target="_blank">https://www.kabusa.com/</a></li></ul><br/><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-080-with-jessica-thompson]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1175</guid><itunes:image href="https://artwork.captivate.fm/85ec87ec-f6ce-47d4-93f4-284b089f3790/wca-podcast.jpg"/><pubDate>Mon, 27 Jun 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/dc049570-cb04-415a-8915-86b2eb161894.mp3" length="44106478" type="audio/mpeg"/><itunes:duration>01:13:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>80</itunes:episode><podcast:episode>80</podcast:episode><itunes:summary>Working Class Audio Session #080 with Jessica Thompson!!! Jessica Thompson is our featured guest on WCA #080 . Jessica is a Grammy-nominated mastering and restoration engineer as well as an archiving specialist who has digitized, restored and revived historic recordings including The Bottom Line, Caffè Lena, Erroll Garner, the Woody Guthrie Archives and the Newport Jazz and Folk Festival, […]
 The post WCA #080 with Jessica Thompson appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #079 with Dave Fridmann</title><itunes:title>WCA #079 with Dave Fridmann</itunes:title><description><![CDATA[<p>Dave Fridmann is a producer, engineer and musician who has made records with&nbsp;<a href="https://en.wikipedia.org/wiki/Mercury_Rev" rel="noopener noreferrer" target="_blank">Mercury Rev</a>&nbsp;,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Flaming_Lips" rel="noopener noreferrer" target="_blank">The Flaming Lips</a>&nbsp;,&nbsp;<a href="https://en.wikipedia.org/wiki/Weezer" rel="noopener noreferrer" target="_blank">Weezer</a>, <a href="https://en.wikipedia.org/wiki/Sparklehorse" rel="noopener noreferrer" target="_blank">Sparklehorse</a>, <a href="https://en.wikipedia.org/wiki/Mogwai" rel="noopener noreferrer" target="_blank">Mogwai</a>, <a href="https://en.wikipedia.org/wiki/Gemma_Hayes" rel="noopener noreferrer" target="_blank">Gemma Hayes</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sleater-Kinney" rel="noopener noreferrer" target="_blank">Sleater-Kinney</a>&nbsp;,&nbsp;<a href="https://en.wikipedia.org/wiki/Clap_Your_Hands_Say_Yeah" rel="noopener noreferrer" target="_blank">Clap Your Hands Say Yeah</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/MGMT" rel="noopener noreferrer" target="_blank">MGMT</a>, <a href="https://en.wikipedia.org/wiki/Neil_Finn" rel="noopener noreferrer" target="_blank">Neil Finn</a>, <a href="https://en.wikipedia.org/wiki/OK_Go" rel="noopener noreferrer" target="_blank">OK Go</a>, and <a href="https://en.wikipedia.org/wiki/Spoon_(band)" rel="noopener noreferrer" target="_blank">Spoon</a>, to name a few! :-) He works out of <a href="http://www.tarboxroadstudios.com/tarbox/Main.html" rel="noopener noreferrer" target="_blank">Tarbox Road Studios</a> which he built over 20 years ago.</p><p>As a musician, Dave&nbsp;was the bassist and a founding member of Mercury Rev. He gave up his role as a touring member of the band in 1993 to concentrate on producing other artists.&nbsp;In 2007, he received a Grammy for The Flaming Lips' <em>At War With The Mystics</em> at the 49th Annual Grammy Awards (Best Engineered Album, Non-Classical).&nbsp;In 2010, three Fridmann-produced albums were listed on the&nbsp;<em>Rolling Stone 100 Best Albums of The Decade</em>: MGMT's <em>Oracular Spectacular</em>, The Flaming Lips' <em>Yoshimi Battles The Pink Robots</em>, and Sleater-Kinney's <em>The Woods</em>.</p><p>Fridmann is an occasional faculty member of <a href="https://en.wikipedia.org/wiki/SUNY_Fredonia" rel="noopener noreferrer" target="_blank">SUNY Fredonia</a>, teaching sound recording techniques in the Fredonia School of Music.</p><p>Dave and Matt talk over Skype about family, being able to say yes to artists, his working style and the building of Tarbox Road Studios.</p><p>Enjoy!</p><p>More at&nbsp;<a href="http://www.davefridmann.com/dave/Main.html" rel="noopener noreferrer" target="_blank">http://www.davefridmann.com/dave/Main.html</a></p>]]></description><content:encoded><![CDATA[<p>Dave Fridmann is a producer, engineer and musician who has made records with&nbsp;<a href="https://en.wikipedia.org/wiki/Mercury_Rev" rel="noopener noreferrer" target="_blank">Mercury Rev</a>&nbsp;,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Flaming_Lips" rel="noopener noreferrer" target="_blank">The Flaming Lips</a>&nbsp;,&nbsp;<a href="https://en.wikipedia.org/wiki/Weezer" rel="noopener noreferrer" target="_blank">Weezer</a>, <a href="https://en.wikipedia.org/wiki/Sparklehorse" rel="noopener noreferrer" target="_blank">Sparklehorse</a>, <a href="https://en.wikipedia.org/wiki/Mogwai" rel="noopener noreferrer" target="_blank">Mogwai</a>, <a href="https://en.wikipedia.org/wiki/Gemma_Hayes" rel="noopener noreferrer" target="_blank">Gemma Hayes</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sleater-Kinney" rel="noopener noreferrer" target="_blank">Sleater-Kinney</a>&nbsp;,&nbsp;<a href="https://en.wikipedia.org/wiki/Clap_Your_Hands_Say_Yeah" rel="noopener noreferrer" target="_blank">Clap Your Hands Say Yeah</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/MGMT" rel="noopener noreferrer" target="_blank">MGMT</a>, <a href="https://en.wikipedia.org/wiki/Neil_Finn" rel="noopener noreferrer" target="_blank">Neil Finn</a>, <a href="https://en.wikipedia.org/wiki/OK_Go" rel="noopener noreferrer" target="_blank">OK Go</a>, and <a href="https://en.wikipedia.org/wiki/Spoon_(band)" rel="noopener noreferrer" target="_blank">Spoon</a>, to name a few! :-) He works out of <a href="http://www.tarboxroadstudios.com/tarbox/Main.html" rel="noopener noreferrer" target="_blank">Tarbox Road Studios</a> which he built over 20 years ago.</p><p>As a musician, Dave&nbsp;was the bassist and a founding member of Mercury Rev. He gave up his role as a touring member of the band in 1993 to concentrate on producing other artists.&nbsp;In 2007, he received a Grammy for The Flaming Lips' <em>At War With The Mystics</em> at the 49th Annual Grammy Awards (Best Engineered Album, Non-Classical).&nbsp;In 2010, three Fridmann-produced albums were listed on the&nbsp;<em>Rolling Stone 100 Best Albums of The Decade</em>: MGMT's <em>Oracular Spectacular</em>, The Flaming Lips' <em>Yoshimi Battles The Pink Robots</em>, and Sleater-Kinney's <em>The Woods</em>.</p><p>Fridmann is an occasional faculty member of <a href="https://en.wikipedia.org/wiki/SUNY_Fredonia" rel="noopener noreferrer" target="_blank">SUNY Fredonia</a>, teaching sound recording techniques in the Fredonia School of Music.</p><p>Dave and Matt talk over Skype about family, being able to say yes to artists, his working style and the building of Tarbox Road Studios.</p><p>Enjoy!</p><p>More at&nbsp;<a href="http://www.davefridmann.com/dave/Main.html" rel="noopener noreferrer" target="_blank">http://www.davefridmann.com/dave/Main.html</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-079-with-dave-fridmann]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1166</guid><itunes:image href="https://artwork.captivate.fm/39b4bdf6-2ac6-4911-8aec-a811ce263da5/uploads-2f1599097835586-8lf2086vjwn-801a314d821797c97f38cb4758a.png"/><pubDate>Mon, 20 Jun 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/15ed7950-c821-44e4-be68-13c69357ef81.mp3" length="46814570" type="audio/mpeg"/><itunes:duration>01:05:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>79</itunes:episode><podcast:episode>79</podcast:episode><itunes:summary>Dave Fridmann is a producer, engineer and musician who has made records with Mercury Rev , The Flaming Lips , Weezer, Sparklehorse, Mogwai, Gemma Hayes, Sleater-Kinney , Clap Your Hands Say Yeah, MGMT, Neil Finn, OK Go, and Spoon, to name a few! :-) He works out of Tarbox Road Studios which he built over 20 years ago.
As a musician, Dave was the bassist and a founding member of Mercury Rev. He gave up his role as a touring member of the band in 1993 to concentrate on producing other artists. In 2007, he received a Grammy for The Flaming Lips&apos; At War With The Mystics at the 49th Annual Grammy Awards (Best Engineered Album, Non-Classical). In 2010, three Fridmann-produced albums were listed on the Rolling Stone 100 Best Albums of The Decade: MGMT&apos;s Oracular Spectacular, The Flaming Lips&apos; Yoshimi Battles The Pink Robots, and Sleater-Kinney&apos;s The Woods.
Fridmann is an occasional faculty member of SUNY Fredonia, teaching sound recording techniques in the Fredonia School of Music.
Dave and Matt talk over Skype about family, being able to say yes to artists, his working style and the building of Tarbox Road Studios.
Enjoy!
More at http://www.davefridmann.com/dave/Main.html</itunes:summary></item><item><title>WCA #078 with Chris Dugan</title><itunes:title>WCA #078 with Chris Dugan</itunes:title><description><![CDATA[<p>Chris Dugan&nbsp;is an American engineer and producer. He is also a drummer, videographer, and photographer.</p><p>Dugan began his musical pursuits as a drummer. Needing to be resourceful, he learned to do basic recordings for his high school bands. Engineering was an instinctual progression and it was the purist recording styles of the 60s and 70s that really inspired him. In 1996, he opened&nbsp;<a href="http://www.nu-tone-studios.com/" rel="noopener noreferrer" target="_blank">Nu-Tone Studios</a>&nbsp;in Pittsburg, Ca with fellow engineer Willie Samuels. Nu-Tone quickly became an indie band favorite, drawing the local rock scene and labels like Lookout, Adeline, and Alternative Tentacles. In 2002, Dugan began engineering for Green Day out of<a href="http://www.jtrecording.com/" rel="noopener noreferrer" target="_blank">&nbsp;JingleTown Recording&nbsp;</a>in Oakland, Ca, at that time called Studio 880.</p><p>Dugan has worked with bands such as U2, Iggy Pop, Green Day, and Smash Mouth. He has also worked with producers&nbsp;<a href="https://en.wikipedia.org/wiki/Rob_Cavallo" rel="noopener noreferrer" target="_blank">Rob Cavallo</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Butch_Vig" rel="noopener noreferrer" target="_blank">Butch Vig</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Bob_Ezrin" rel="noopener noreferrer" target="_blank">Bob Ezrin</a>, and Jeff Saltzman. In 2010, he won the Grammy for Best Rock Album of the Year for engineering Green Day’s “21st Century Breakdown.” In 2011, he won the Grammy for Best Musical Show Album for engineering Green Day’s “American_Idiot: The Original Broadway Cast Recording.”</p><p>Chris talks with Matt via Skype about working for Green Day, being a dad and his roots at&nbsp;<a href="http://www.nu-tone-studios.com/" rel="noopener noreferrer" target="_blank">Nu-Tone Studios</a>.</p><p>Enjoy</p><p>Photo Credit:&nbsp;<a href="https://www.facebook.com/nialldavidphotography" rel="noopener noreferrer" target="_blank">Niall David Photography</a></p>]]></description><content:encoded><![CDATA[<p>Chris Dugan&nbsp;is an American engineer and producer. He is also a drummer, videographer, and photographer.</p><p>Dugan began his musical pursuits as a drummer. Needing to be resourceful, he learned to do basic recordings for his high school bands. Engineering was an instinctual progression and it was the purist recording styles of the 60s and 70s that really inspired him. In 1996, he opened&nbsp;<a href="http://www.nu-tone-studios.com/" rel="noopener noreferrer" target="_blank">Nu-Tone Studios</a>&nbsp;in Pittsburg, Ca with fellow engineer Willie Samuels. Nu-Tone quickly became an indie band favorite, drawing the local rock scene and labels like Lookout, Adeline, and Alternative Tentacles. In 2002, Dugan began engineering for Green Day out of<a href="http://www.jtrecording.com/" rel="noopener noreferrer" target="_blank">&nbsp;JingleTown Recording&nbsp;</a>in Oakland, Ca, at that time called Studio 880.</p><p>Dugan has worked with bands such as U2, Iggy Pop, Green Day, and Smash Mouth. He has also worked with producers&nbsp;<a href="https://en.wikipedia.org/wiki/Rob_Cavallo" rel="noopener noreferrer" target="_blank">Rob Cavallo</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Butch_Vig" rel="noopener noreferrer" target="_blank">Butch Vig</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Bob_Ezrin" rel="noopener noreferrer" target="_blank">Bob Ezrin</a>, and Jeff Saltzman. In 2010, he won the Grammy for Best Rock Album of the Year for engineering Green Day’s “21st Century Breakdown.” In 2011, he won the Grammy for Best Musical Show Album for engineering Green Day’s “American_Idiot: The Original Broadway Cast Recording.”</p><p>Chris talks with Matt via Skype about working for Green Day, being a dad and his roots at&nbsp;<a href="http://www.nu-tone-studios.com/" rel="noopener noreferrer" target="_blank">Nu-Tone Studios</a>.</p><p>Enjoy</p><p>Photo Credit:&nbsp;<a href="https://www.facebook.com/nialldavidphotography" rel="noopener noreferrer" target="_blank">Niall David Photography</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-078-with-chris-dugan]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1161</guid><itunes:image href="https://artwork.captivate.fm/d5e32b9b-144c-4687-bfbb-f7deefd804f7/wca-podcast.jpg"/><pubDate>Mon, 13 Jun 2016 15:22:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cd875105-3279-4faa-b86b-cf00eea52a61.mp3" length="33002808" type="audio/mpeg"/><itunes:duration>55:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>78</itunes:episode><podcast:episode>78</podcast:episode><itunes:summary>Working Class Audio Session #078 with Chris Dugan!!! Chris Dugan  is an American engineer and producer. He is also a drummer, videographer, and photographer. Dugan began his musical pursuits as a drummer. Needing to be resourceful, he learned to do basic recordings for his high school bands. Engineering was an instinctual progression and it was […]
 The post WCA #078 with Chris Dugan appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #077 with Andrew Stern</title><itunes:title>WCA #077 with Andrew Stern</itunes:title><description><![CDATA[<p>A jack of all trades and master of some, his areas of expertise run the gamut of daily station operation; from the foundations of real-time networking for&nbsp;<a href="https://en.wikipedia.org/wiki/Audio_over_IP" rel="noopener noreferrer" target="_blank">AoIP</a>, to FOH and live sound recording,&nbsp;<a href="https://en.wikipedia.org/wiki/VoIP_phone" rel="noopener noreferrer" target="_blank">IP phones</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/SIP_trunking" rel="noopener noreferrer" target="_blank">SIP trunking</a>, MPEG audio, and video standards and codecs, radio automation, HD radio transmission, to remote broadcast coordination, even security cameras, and keycards! Andrew stopped by Matt’s house to talk about his job duties, where the worlds of audio and IT collide while they consume loads of coffee!</p>]]></description><content:encoded><![CDATA[<p>A jack of all trades and master of some, his areas of expertise run the gamut of daily station operation; from the foundations of real-time networking for&nbsp;<a href="https://en.wikipedia.org/wiki/Audio_over_IP" rel="noopener noreferrer" target="_blank">AoIP</a>, to FOH and live sound recording,&nbsp;<a href="https://en.wikipedia.org/wiki/VoIP_phone" rel="noopener noreferrer" target="_blank">IP phones</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/SIP_trunking" rel="noopener noreferrer" target="_blank">SIP trunking</a>, MPEG audio, and video standards and codecs, radio automation, HD radio transmission, to remote broadcast coordination, even security cameras, and keycards! Andrew stopped by Matt’s house to talk about his job duties, where the worlds of audio and IT collide while they consume loads of coffee!</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-077-with-andrew-stern]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1152</guid><itunes:image href="https://artwork.captivate.fm/8aa3e328-4397-44f0-bad9-38463778ff2e/wca-podcast.jpg"/><pubDate>Mon, 06 Jun 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a2fb19d2-d013-4ff1-972d-1386dc2acfe8.mp3" length="42982060" type="audio/mpeg"/><itunes:duration>59:42</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>77</itunes:episode><podcast:episode>77</podcast:episode><itunes:summary>Working Class Audio Session #077 with Andrew Stern!!! Andrew Stern, CBNE, is the Broadcast IT Engineer for the Cumulus San Francisco radio station group (KNBR, KFOG, KGO, KSFO, KSAN, KTCT, sports, news, etc) where he’s worked for the past decade. He is a graduate of San Francisco State University with a bachelors degree in broadcast […]
 The post WCA #077 with Andrew Stern appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #076 with Gary Hobish</title><itunes:title>WCA #076 with Gary Hobish</itunes:title><description><![CDATA[<p>Gary Hobish brings over 30 years of experience as a professional recording engineer/producer to A. Hammer Mastering which he runs out of Secret Studios in San Francisco. He started as an assistant engineer at legendary Bell Sound Studios in New York City but found his way&nbsp;to San Francisco in 1976. He has worked in many disciplines in recording and music, most notably as Mastering Engineer/ Tape Historian at Berkeley’s&nbsp;<a href="http://fantasystudios.com/" rel="noopener noreferrer" target="_blank">Fantasy Studios</a>&nbsp;and Chief Engineer at San Francisco’s CD Studios.</p><p>Gary began his specialization in the field of Mastering at Fantasy Studios in 1982, and has been credited on hundreds of albums covering all genres of recordings — from classic jazz to classic rock, alt-rock, rap and hard rock to folk, classical, spoken word and even sound effects. His projects include such names as NRBQ, Dream Syndicate, Flipper, The Feelies, Dr. John and Willie Nelson. An expanded list of Gary’s credits can be found at the&nbsp;<a href="http://www.allmusic.com/artist/gary-hobish-p154010/credits" rel="noopener noreferrer" target="_blank">All Music Guide</a>&nbsp;or&nbsp;<a href="http://www.artistdirect.com/artist/credits/gary-hobish/524655" rel="noopener noreferrer" target="_blank">Artist Direct</a>.</p><p>Matt visits Gary at his mastering room located at Secret Studios in San Francisco, where they chat about the advantages of mastering in a rehearsal facility, working relationships with mix engineer’s&nbsp;and his adhoc&nbsp;survival strategy.</p><p><a href="http://ahammer.com/" rel="noopener noreferrer" target="_blank">More on Gary and A Hammer Mastering</a></p>]]></description><content:encoded><![CDATA[<p>Gary Hobish brings over 30 years of experience as a professional recording engineer/producer to A. Hammer Mastering which he runs out of Secret Studios in San Francisco. He started as an assistant engineer at legendary Bell Sound Studios in New York City but found his way&nbsp;to San Francisco in 1976. He has worked in many disciplines in recording and music, most notably as Mastering Engineer/ Tape Historian at Berkeley’s&nbsp;<a href="http://fantasystudios.com/" rel="noopener noreferrer" target="_blank">Fantasy Studios</a>&nbsp;and Chief Engineer at San Francisco’s CD Studios.</p><p>Gary began his specialization in the field of Mastering at Fantasy Studios in 1982, and has been credited on hundreds of albums covering all genres of recordings — from classic jazz to classic rock, alt-rock, rap and hard rock to folk, classical, spoken word and even sound effects. His projects include such names as NRBQ, Dream Syndicate, Flipper, The Feelies, Dr. John and Willie Nelson. An expanded list of Gary’s credits can be found at the&nbsp;<a href="http://www.allmusic.com/artist/gary-hobish-p154010/credits" rel="noopener noreferrer" target="_blank">All Music Guide</a>&nbsp;or&nbsp;<a href="http://www.artistdirect.com/artist/credits/gary-hobish/524655" rel="noopener noreferrer" target="_blank">Artist Direct</a>.</p><p>Matt visits Gary at his mastering room located at Secret Studios in San Francisco, where they chat about the advantages of mastering in a rehearsal facility, working relationships with mix engineer’s&nbsp;and his adhoc&nbsp;survival strategy.</p><p><a href="http://ahammer.com/" rel="noopener noreferrer" target="_blank">More on Gary and A Hammer Mastering</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-076-with-gary-hobish]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1148</guid><itunes:image href="https://artwork.captivate.fm/5c677577-c7d5-46ff-ad45-9943926402a9/wca-podcast.jpg"/><pubDate>Mon, 30 May 2016 14:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2468432e-45d8-408c-834c-accb6a045e5a.mp3" length="46483479" type="audio/mpeg"/><itunes:duration>01:04:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>76</itunes:episode><podcast:episode>76</podcast:episode><itunes:summary>Working Class Audio Session #076 with Gary Hobish!!! Gary Hobish brings over 30 years of experience as a professional recording engineer/producer to A. Hammer Mastering which he runs out of Secret Studios in San Francisco. He started as an assistant engineer at legendary Bell Sound Studios in New York City but found his way  to […]
 The post WCA #076 with Gary Hobish appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #075 with Mitch Dane</title><itunes:title>WCA #075 with Mitch Dane</itunes:title><description><![CDATA[<p>Nashville producer Mitch&nbsp;Dane&nbsp;has managed to cross the lines into almost every genre In his 20+ years of production/engineering experience. Though most of his work can be heard on Rock, Roots/Rock and Singer/Songwriter records,&nbsp;Mitch&nbsp;continues to work fearlessly in other styles like Bluegrass/Americana. In his own words: “I like to collect the best aspects of every genre of music and bring them together in hybrid productions.” His desire to grow and to learn is constant, making every project he touches relevant and refreshing.&nbsp;This personal philosophy has worked well, considering&nbsp;Mitch’s fingerprints mark over 200 records, four of which are Grammy nominees.</p><p>&nbsp;&nbsp;&nbsp;&nbsp;•&nbsp;&nbsp;&nbsp;&nbsp;Grammy award for his engineering.</p><p>&nbsp;&nbsp;&nbsp;&nbsp;•&nbsp;&nbsp;&nbsp;&nbsp;ASCAP award for his songwriting.</p><p>&nbsp;&nbsp;&nbsp;&nbsp;•&nbsp;&nbsp;&nbsp;&nbsp;Over 25 years of production/engineering experience.</p><p>&nbsp;&nbsp;&nbsp;&nbsp;•&nbsp;&nbsp;&nbsp;&nbsp;Owns a full production/recording studio in Berry Hill called&nbsp;<a href="http://www.sputniksound.com/" rel="noopener noreferrer" target="_blank">Sputnik Sound</a>&nbsp;with his partner, Vance Powell.</p><p>&nbsp;</p><p>Matt and Mitch talk about how an early childhood accident would set the tone and approach for his&nbsp;future career , raw natural tracks vs overly manicured ones and Mitch’s advice on studio ownership. Enjoy.</p><p>&nbsp;</p><p><a href="http://www.mitchdane.com/" rel="noopener noreferrer" target="_blank">www.mitchdane.com</a></p><p><a href="http://www.sputniksound.com/" rel="noopener noreferrer" target="_blank">www.sputniksound.com</a></p><p><a href="https://twitter.com/mitchdane" rel="noopener noreferrer" target="_blank">https://twitter.com/mitchdane</a></p>]]></description><content:encoded><![CDATA[<p>Nashville producer Mitch&nbsp;Dane&nbsp;has managed to cross the lines into almost every genre In his 20+ years of production/engineering experience. Though most of his work can be heard on Rock, Roots/Rock and Singer/Songwriter records,&nbsp;Mitch&nbsp;continues to work fearlessly in other styles like Bluegrass/Americana. In his own words: “I like to collect the best aspects of every genre of music and bring them together in hybrid productions.” His desire to grow and to learn is constant, making every project he touches relevant and refreshing.&nbsp;This personal philosophy has worked well, considering&nbsp;Mitch’s fingerprints mark over 200 records, four of which are Grammy nominees.</p><p>&nbsp;&nbsp;&nbsp;&nbsp;•&nbsp;&nbsp;&nbsp;&nbsp;Grammy award for his engineering.</p><p>&nbsp;&nbsp;&nbsp;&nbsp;•&nbsp;&nbsp;&nbsp;&nbsp;ASCAP award for his songwriting.</p><p>&nbsp;&nbsp;&nbsp;&nbsp;•&nbsp;&nbsp;&nbsp;&nbsp;Over 25 years of production/engineering experience.</p><p>&nbsp;&nbsp;&nbsp;&nbsp;•&nbsp;&nbsp;&nbsp;&nbsp;Owns a full production/recording studio in Berry Hill called&nbsp;<a href="http://www.sputniksound.com/" rel="noopener noreferrer" target="_blank">Sputnik Sound</a>&nbsp;with his partner, Vance Powell.</p><p>&nbsp;</p><p>Matt and Mitch talk about how an early childhood accident would set the tone and approach for his&nbsp;future career , raw natural tracks vs overly manicured ones and Mitch’s advice on studio ownership. Enjoy.</p><p>&nbsp;</p><p><a href="http://www.mitchdane.com/" rel="noopener noreferrer" target="_blank">www.mitchdane.com</a></p><p><a href="http://www.sputniksound.com/" rel="noopener noreferrer" target="_blank">www.sputniksound.com</a></p><p><a href="https://twitter.com/mitchdane" rel="noopener noreferrer" target="_blank">https://twitter.com/mitchdane</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-075-with-mitch-dane]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1141</guid><itunes:image href="https://artwork.captivate.fm/2dd11fe5-43ed-471d-a086-5dffec3a9251/wca-podcast.jpg"/><pubDate>Mon, 23 May 2016 07:11:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f88414ba-8205-435b-bea6-3f4cf1ce1446.mp3" length="43610274" type="audio/mpeg"/><itunes:duration>01:00:34</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>75</itunes:episode><podcast:episode>75</podcast:episode><itunes:summary>Working Class Audio Session #075 with Mitch Dane!!! Nashville producer Mitch Dane has managed to cross the lines into almost every genre In his 20+ years of production/engineering experience. Though most of his work can be heard on Rock, Roots/Rock and Singer/Songwriter records, Mitch continues to work fearlessly in other styles like Bluegrass/Americana. In his own […]
 The post WCA #075 with Mitch Dane appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #074 with Tremaine Williams</title><itunes:title>WCA #074 with Tremaine Williams</itunes:title><description><![CDATA[<p>Tremaine&nbsp;Williams (AKA: “Six7”) was born and raised in Raleigh, North Carolina. He began his musical journey by taking piano &amp; drum lessons while in elementary school, as well as becoming a classically trained singer in the Raleigh Boychoir.&nbsp;He grew up playing in church but was also heavily influenced by R&amp;B. He began to dabble in music production in high school as a hobby.&nbsp;After lending his production works to emerging singers in North Carolina, Tremaine enrolled at Full Sail University in 2003.</p><p>Upon graduating in October 2004 with his Associate of Science degree in Recording Arts, Tremaine achieved one of his many career goals, as he received an internship at Hidden Beach Recordings. His career catapulted when he moved to Los Angeles, California and became a standout intern at the label from November 2004 to June 2005. Tremaine achieved another benchmark in his career when he joined the Recording Academy as a voting member at age 21 in December 2005. After a short stint with producer&nbsp;<a href="https://en.wikipedia.org/wiki/JR_Hutson" rel="noopener noreferrer" target="_blank">JR Hutson</a>, Tremaine left to start his own music production company by the name of&nbsp;<a href="http://six7music.com/" rel="noopener noreferrer" target="_blank">Six7 Music</a>, rightfully named by the fact that he is 6 feet 7 inches tall, in July 2006.</p><p>In 2008, Tremaine engineered a performance for The Time featuring Rihanna at the 50th Annual GRAMMY Awards, which led him to his position as engineer/programmer with the legendary&nbsp;<a href="https://en.wikipedia.org/wiki/Jimmy_Jam_and_Terry_Lewis" rel="noopener noreferrer" target="_blank">Jimmy Jam and Terry Lewis</a>&nbsp;at FlyteTyme Productions for 3 and a half years. He has engineered one GRAMMY award winning album and 6 GRAMMY Nominated albums. Tremaine is credited on songs by powerhouse artists such as Chaka Khan, El Debarge, Usher, Janet Jackson, 50 Cent, Jill Scott, Ledisi, Keyshia Cole and Ruben Studdard which is nothing short of amazing for his 11&nbsp;years in the music industry.</p><p>In 2012 Tremaine was elected to the Recording Academy’s Los Angeles Chapter Board of Governors and as of 2015&nbsp;now serves as Chair of the Membership Committee. As one of the youngest members ever elected, he hopes to make a difference and proudly represent the next generation of music makers.</p><p>Aside from albums, he has moved into the TV/Film world. His work can be seen and heard on the hit showEmpire,&nbsp;BET Sunday Best, Apollo Live, ComicView, Keeping up With The Kardashians, Real World and Bad Girls Club.&nbsp;He also scored his first feature film, “The Last Fall” which airs regularly on BET.</p><p>Most recently Tremaine has been on the road with Mariah Carey&nbsp;for “The Elusive Chanteuse Show” Tour,&nbsp;&nbsp;“All I Want For Christmas is You” Special in New York at the legendary Beacon Theater and&nbsp;“#1 to Infinity” at Caesars Palace in Las Vegas.</p><p>With the talent and desire to achieve that Tremaine ultimately possesses, there is no doubt that he will be a major force in the music industry for many years to come…</p><p>Matt and Tremaine discuss his journey from North Carolina to California as well hustling, staying focused and being present.</p>]]></description><content:encoded><![CDATA[<p>Tremaine&nbsp;Williams (AKA: “Six7”) was born and raised in Raleigh, North Carolina. He began his musical journey by taking piano &amp; drum lessons while in elementary school, as well as becoming a classically trained singer in the Raleigh Boychoir.&nbsp;He grew up playing in church but was also heavily influenced by R&amp;B. He began to dabble in music production in high school as a hobby.&nbsp;After lending his production works to emerging singers in North Carolina, Tremaine enrolled at Full Sail University in 2003.</p><p>Upon graduating in October 2004 with his Associate of Science degree in Recording Arts, Tremaine achieved one of his many career goals, as he received an internship at Hidden Beach Recordings. His career catapulted when he moved to Los Angeles, California and became a standout intern at the label from November 2004 to June 2005. Tremaine achieved another benchmark in his career when he joined the Recording Academy as a voting member at age 21 in December 2005. After a short stint with producer&nbsp;<a href="https://en.wikipedia.org/wiki/JR_Hutson" rel="noopener noreferrer" target="_blank">JR Hutson</a>, Tremaine left to start his own music production company by the name of&nbsp;<a href="http://six7music.com/" rel="noopener noreferrer" target="_blank">Six7 Music</a>, rightfully named by the fact that he is 6 feet 7 inches tall, in July 2006.</p><p>In 2008, Tremaine engineered a performance for The Time featuring Rihanna at the 50th Annual GRAMMY Awards, which led him to his position as engineer/programmer with the legendary&nbsp;<a href="https://en.wikipedia.org/wiki/Jimmy_Jam_and_Terry_Lewis" rel="noopener noreferrer" target="_blank">Jimmy Jam and Terry Lewis</a>&nbsp;at FlyteTyme Productions for 3 and a half years. He has engineered one GRAMMY award winning album and 6 GRAMMY Nominated albums. Tremaine is credited on songs by powerhouse artists such as Chaka Khan, El Debarge, Usher, Janet Jackson, 50 Cent, Jill Scott, Ledisi, Keyshia Cole and Ruben Studdard which is nothing short of amazing for his 11&nbsp;years in the music industry.</p><p>In 2012 Tremaine was elected to the Recording Academy’s Los Angeles Chapter Board of Governors and as of 2015&nbsp;now serves as Chair of the Membership Committee. As one of the youngest members ever elected, he hopes to make a difference and proudly represent the next generation of music makers.</p><p>Aside from albums, he has moved into the TV/Film world. His work can be seen and heard on the hit showEmpire,&nbsp;BET Sunday Best, Apollo Live, ComicView, Keeping up With The Kardashians, Real World and Bad Girls Club.&nbsp;He also scored his first feature film, “The Last Fall” which airs regularly on BET.</p><p>Most recently Tremaine has been on the road with Mariah Carey&nbsp;for “The Elusive Chanteuse Show” Tour,&nbsp;&nbsp;“All I Want For Christmas is You” Special in New York at the legendary Beacon Theater and&nbsp;“#1 to Infinity” at Caesars Palace in Las Vegas.</p><p>With the talent and desire to achieve that Tremaine ultimately possesses, there is no doubt that he will be a major force in the music industry for many years to come…</p><p>Matt and Tremaine discuss his journey from North Carolina to California as well hustling, staying focused and being present.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-074-with-tremaine-williams]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1136</guid><itunes:image href="https://artwork.captivate.fm/0a00f31b-3ca5-49ac-a26a-9a1fcec5c3e5/wca-podcast.jpg"/><pubDate>Mon, 16 May 2016 13:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/fab79aeb-649c-4bb2-a35f-30e1c018c7df.mp3" length="45614583" type="audio/mpeg"/><itunes:duration>01:03:21</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>74</itunes:episode><podcast:episode>74</podcast:episode><itunes:summary>Working Class Audio Session #074 with Tremaine WIlliams!!! Tremaine  Williams (AKA: “Six7”) was born and raised in Raleigh, North Carolina. He began his musical journey by taking piano &amp; drum lessons while in elementary school, as well as becoming a classically trained singer in the Raleigh Boychoir.  He grew up playing in church but was […]
 The post WCA #074 with Tremaine Williams appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #073 with John Schimpf</title><itunes:title>WCA #073 with John Schimpf</itunes:title><description><![CDATA[<p>John Schimpf got his start in the music industry working in clubs and theatres as a production manager and sound engineer, and working as a recording engineer for the University he was attending while pursuing a classical music degree. As a student he built what became the technological backbone for a music industry program developed at that University. In 2001, he went on to become an engineer and crew chief with one of the largest live sound companies in California where he began working with and learning about large scale music productions in detail. In 2002 he took a job as a studio manager in Stockton, CA where he began recording and producing projects in many genres while learning the critical balance between technician and artist. Through that business John was asked to begin managing several high-profile artists while on tour. That experience opened the door to continue touring for the next 10 years, working with management groups from New York and LA. His lean and pragmatic style allowed him to become a valuable member of many touring groups, saving artists money while providing unprecedented consistency within the organizations he served. John has toured in over 20 countries with a diverse set of artists within many major performance venues around the world. Throughout his years of touring he has continued to actively work in the studio, recording and producing many different projects. In 2012 John took a position as the general manager of the newly built 25th Street Recording, a world-class recording facility in the heart of Oakland, CA. He oversees all aspects of the business including its staff, client acquisition, planning and technical direction, where his regular client base includes Grammy winning and multi-platinum selling artists, producers and engineers, as well as new talent from the greater Bay Area and Los Angeles. John continues to immerse himself in a wide range of media and production projects around the globe continually acting as a media producer and artist manager.</p><p>John joins Matt at WCA headquarters&nbsp;to discuss John’s thought process when it comes to running a studio. Studio managers should pay attention.</p>]]></description><content:encoded><![CDATA[<p>John Schimpf got his start in the music industry working in clubs and theatres as a production manager and sound engineer, and working as a recording engineer for the University he was attending while pursuing a classical music degree. As a student he built what became the technological backbone for a music industry program developed at that University. In 2001, he went on to become an engineer and crew chief with one of the largest live sound companies in California where he began working with and learning about large scale music productions in detail. In 2002 he took a job as a studio manager in Stockton, CA where he began recording and producing projects in many genres while learning the critical balance between technician and artist. Through that business John was asked to begin managing several high-profile artists while on tour. That experience opened the door to continue touring for the next 10 years, working with management groups from New York and LA. His lean and pragmatic style allowed him to become a valuable member of many touring groups, saving artists money while providing unprecedented consistency within the organizations he served. John has toured in over 20 countries with a diverse set of artists within many major performance venues around the world. Throughout his years of touring he has continued to actively work in the studio, recording and producing many different projects. In 2012 John took a position as the general manager of the newly built 25th Street Recording, a world-class recording facility in the heart of Oakland, CA. He oversees all aspects of the business including its staff, client acquisition, planning and technical direction, where his regular client base includes Grammy winning and multi-platinum selling artists, producers and engineers, as well as new talent from the greater Bay Area and Los Angeles. John continues to immerse himself in a wide range of media and production projects around the globe continually acting as a media producer and artist manager.</p><p>John joins Matt at WCA headquarters&nbsp;to discuss John’s thought process when it comes to running a studio. Studio managers should pay attention.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-073-with-john-schimpf]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1131</guid><itunes:image href="https://artwork.captivate.fm/1364dca6-53e2-4e01-a258-07119f796f51/wca-podcast.jpg"/><pubDate>Mon, 09 May 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6f3fc1c1-bf7f-45a3-84be-67b7a68b1e3c.mp3" length="53122793" type="audio/mpeg"/><itunes:duration>01:13:47</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>73</itunes:episode><podcast:episode>73</podcast:episode><itunes:summary>Working Class Audio Session #073 with John Schimpf!!! John Schimpf got his start in the music industry working in clubs and theatres as a production manager and sound engineer, and working as a recording engineer for the University he was attending while pursuing a classical music degree. As a student he built what became the […]
 The post WCA #073 with John Schimpf appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #072 with Mike Kalajian</title><itunes:title>WCA #072 with Mike Kalajian</itunes:title><description><![CDATA[<p>Mike Kalajian is the son of an audio technician/audiophile who&nbsp;was exposed to music and recording equipment at a very early age through family including his Uncle’s home recording setup&nbsp;&nbsp;which&nbsp;fascinated Mike and started to draw him in to the audio experience.&nbsp;Mike’s&nbsp;parents say his&nbsp;first word was actually “speaker” and at&nbsp;&nbsp;9 years old&nbsp;was given his&nbsp;first guitar&nbsp;along with a 1/4 inch reel to reel . Mike wasted no time and immediately started writing and recording his&nbsp;own music. All of this took him to the next step in audio indoctrination, the building&nbsp;of his&nbsp;first basement “studio” in junior high where he and a friend&nbsp;started recording fellow student musicians for $20/song on a cassette 4-track. After high school, attendance at&nbsp;Full Sail followed.&nbsp;20+ years later, Mike has&nbsp;recorded over a hundred albums and Ep’s&nbsp;for other artists,&nbsp;toured with his&nbsp;own band, and mastered countless recordings. Of all the facets of engineering he&nbsp;found mastering to be the most rewarding. I talk with Mike Kalajian (pronounced Kalasion) about his background, his thriving mastering business&nbsp;<a href="http://www.rogueplanetmastering.com/" rel="noopener noreferrer" target="_blank">Rogue Planet Mastering</a>&nbsp;as well as his workflow.&nbsp;Mike is a really nice guy who is passionate about what he does and I found it a pleasure speaking with him. Enjoy. -Matt</p>]]></description><content:encoded><![CDATA[<p>Mike Kalajian is the son of an audio technician/audiophile who&nbsp;was exposed to music and recording equipment at a very early age through family including his Uncle’s home recording setup&nbsp;&nbsp;which&nbsp;fascinated Mike and started to draw him in to the audio experience.&nbsp;Mike’s&nbsp;parents say his&nbsp;first word was actually “speaker” and at&nbsp;&nbsp;9 years old&nbsp;was given his&nbsp;first guitar&nbsp;along with a 1/4 inch reel to reel . Mike wasted no time and immediately started writing and recording his&nbsp;own music. All of this took him to the next step in audio indoctrination, the building&nbsp;of his&nbsp;first basement “studio” in junior high where he and a friend&nbsp;started recording fellow student musicians for $20/song on a cassette 4-track. After high school, attendance at&nbsp;Full Sail followed.&nbsp;20+ years later, Mike has&nbsp;recorded over a hundred albums and Ep’s&nbsp;for other artists,&nbsp;toured with his&nbsp;own band, and mastered countless recordings. Of all the facets of engineering he&nbsp;found mastering to be the most rewarding. I talk with Mike Kalajian (pronounced Kalasion) about his background, his thriving mastering business&nbsp;<a href="http://www.rogueplanetmastering.com/" rel="noopener noreferrer" target="_blank">Rogue Planet Mastering</a>&nbsp;as well as his workflow.&nbsp;Mike is a really nice guy who is passionate about what he does and I found it a pleasure speaking with him. Enjoy. -Matt</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-072-with-mike-kalajian]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1119</guid><itunes:image href="https://artwork.captivate.fm/c260f435-41bb-4ba0-ba96-02d7848d0e7d/wca-podcast.jpg"/><pubDate>Mon, 02 May 2016 15:54:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/76ab1b54-2dfd-4013-b4f8-a28c0525c41e.mp3" length="44063595" type="audio/mpeg"/><itunes:duration>01:01:12</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>72</itunes:episode><podcast:episode>72</podcast:episode><itunes:summary>Working Class Audio Session #072 with Mike Kalajian!!! Mike Kalajian is the son of an audio technician/audiophile who was exposed to music and recording equipment at a very early age through family including his Uncle’s home recording setup  which fascinated Mike and started to draw him in to the audio experience. Mike’s parents say his first word was actually “speaker” and […]
 The post WCA #072 with Mike Kalajian appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #071 with Niko Bolas</title><itunes:title>WCA #071 with Niko Bolas</itunes:title><description><![CDATA[<p>Finding detailed information on&nbsp;Producer/Engineer/Mixer&nbsp;Niko Bolas is a challenge. Niko is not a publicity hound and generally avoids big star-studded events. He’s a man that stays focused on the work in front of him and he puts his all into it. Looking at his discography you’ll notice a couple of things, repeat clients such as Neil Young, Melissa Etheridge, Robert Cray, and the late Warren Zevon for example. The other thing you’ll notice is the large number of records he has worked on coupled with the fact that he’s not a household name except to those in the know. He’s passionate about what he does and takes it seriously. We discuss that passion as well as Niko’s work style.&nbsp;<a href="http://www.allmusic.com/artist/richard-dodd-mn0000352371/credits" rel="noopener noreferrer" target="_blank">Richard Dodd</a>&nbsp;makes an appearance during the interview which adds a bit of laughter to the situation. You’ll dig it. Enjoy -Matt</p><p>Photo Credit: Robert Cabral</p>]]></description><content:encoded><![CDATA[<p>Finding detailed information on&nbsp;Producer/Engineer/Mixer&nbsp;Niko Bolas is a challenge. Niko is not a publicity hound and generally avoids big star-studded events. He’s a man that stays focused on the work in front of him and he puts his all into it. Looking at his discography you’ll notice a couple of things, repeat clients such as Neil Young, Melissa Etheridge, Robert Cray, and the late Warren Zevon for example. The other thing you’ll notice is the large number of records he has worked on coupled with the fact that he’s not a household name except to those in the know. He’s passionate about what he does and takes it seriously. We discuss that passion as well as Niko’s work style.&nbsp;<a href="http://www.allmusic.com/artist/richard-dodd-mn0000352371/credits" rel="noopener noreferrer" target="_blank">Richard Dodd</a>&nbsp;makes an appearance during the interview which adds a bit of laughter to the situation. You’ll dig it. Enjoy -Matt</p><p>Photo Credit: Robert Cabral</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-071-with-niko-bolas]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1109</guid><itunes:image href="https://artwork.captivate.fm/880c2bc2-ab8d-44d5-bdea-b6bb6d48a8af/wca-podcast.jpg"/><pubDate>Mon, 25 Apr 2016 18:42:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b1c6c4b1-0690-4445-bee5-0ad119e722e8.mp3" length="37756805" type="audio/mpeg"/><itunes:duration>52:26</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>71</itunes:episode><podcast:episode>71</podcast:episode><itunes:summary>Working Class Audio Session #071 with Niko Bolas!!! Finding detailed information on Producer/Engineer/Mixer Niko Bolas is a challenge. Niko is not a publicity hound and generally avoids big star studded events. He’s a man that stays focused on the work in front of him and he puts his all into it. Looking at his discography you’ll notice […]
 The post WCA #071 with Niko Bolas appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #070 with Al Schmitt and Steve Genewick</title><itunes:title>WCA #070 with Al Schmitt and Steve Genewick</itunes:title><description><![CDATA[<p>What can you say about Al Schmitt that has not been said? The man truly is a legend and a complete professional.&nbsp;&nbsp;He has scored a pile of Grammy wins and nominations over the years, recorded&nbsp;and mixed more than 150 gold and platinum albums plus his credit list includes Henry Mancini, Sam Cooke, Frank Sinatra, Ray Charles, Sammy Davis, Jr., Natalie Cole, Thelonious Monk, Elvis Presley, Madonna, Michael Jackson, Paul McCartney, to name just a few.</p><p>Steve Genewick has been Al Schmitt’s assistant for the last 15 years working with artists such as&nbsp;Diana Krall, Chris Botti, Gladys Knight, Neil Young, George Benson, Quincy Jones, Burt Bacharach, and Paul McCartney. Steve is a three-time GRAMMY® nominated recording engineer with over twenty-five years of experience, both as a studio and live recording engineer.&nbsp;Steve has worked primarily out of Capitol Studios as a staff engineer since 1994.&nbsp;When not at Capitol, Steve can be found working at any number of major recording studios in Los Angeles or mixing at his home studio.</p><p>My conversation with Al and Steve revolves mainly around their new video coming out called ”&nbsp;<a href="http://theartofrecordingabigband.com/" rel="noopener noreferrer" target="_blank">The Art of Recording a Big Band</a>“. The seminar-turned film follows Al and Steve as they teach a group of people their methods for recording a big band out of Capital Studios.</p>]]></description><content:encoded><![CDATA[<p>What can you say about Al Schmitt that has not been said? The man truly is a legend and a complete professional.&nbsp;&nbsp;He has scored a pile of Grammy wins and nominations over the years, recorded&nbsp;and mixed more than 150 gold and platinum albums plus his credit list includes Henry Mancini, Sam Cooke, Frank Sinatra, Ray Charles, Sammy Davis, Jr., Natalie Cole, Thelonious Monk, Elvis Presley, Madonna, Michael Jackson, Paul McCartney, to name just a few.</p><p>Steve Genewick has been Al Schmitt’s assistant for the last 15 years working with artists such as&nbsp;Diana Krall, Chris Botti, Gladys Knight, Neil Young, George Benson, Quincy Jones, Burt Bacharach, and Paul McCartney. Steve is a three-time GRAMMY® nominated recording engineer with over twenty-five years of experience, both as a studio and live recording engineer.&nbsp;Steve has worked primarily out of Capitol Studios as a staff engineer since 1994.&nbsp;When not at Capitol, Steve can be found working at any number of major recording studios in Los Angeles or mixing at his home studio.</p><p>My conversation with Al and Steve revolves mainly around their new video coming out called ”&nbsp;<a href="http://theartofrecordingabigband.com/" rel="noopener noreferrer" target="_blank">The Art of Recording a Big Band</a>“. The seminar-turned film follows Al and Steve as they teach a group of people their methods for recording a big band out of Capital Studios.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-070-with-al-schmitt-and-steve-genewick]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1101</guid><itunes:image href="https://artwork.captivate.fm/2b1cca9e-6168-4562-9a46-c3e9566cfb20/wca-podcast.jpg"/><pubDate>Mon, 18 Apr 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3e68ed50-c9c0-46ae-8582-3dc7227a5255.mp3" length="39277202" type="audio/mpeg"/><itunes:duration>01:05:28</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>70</itunes:episode><podcast:episode>70</podcast:episode><itunes:summary>Working Class Audio Session #070 with Al Schmitt and Steve Genewick!!! What can you say about Al Schmitt that has not been said? The man truly is a legend and complete professional.  He has scored a pile of Grammy wins and nominations over the years, recorded and mixed more than 150 gold and platinum albums plus his […]
 The post  WCA #070 with Al Schmitt and Steve Genewick appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #069 with Magnus Lindberg</title><itunes:title>WCA #069 with Magnus Lindberg</itunes:title><description><![CDATA[<p>Magnus Lindberg is a freelance engineer based in Stockholm, Sweden. Despite his young age of 35 he has already been an audio professional for 14 years, working with a wide range of independent bands and artists from all over the world.</p><p>Starting out at a young age with various intern ships, most noticeable the one at Sound City Studios, LA he then found himself a part of the production team at Tonteknik Recording, under which roof he stayed for about 8 years until moving to Stockholm and becoming completely solo.&nbsp;Although he has been doing many projects in studios in London, Paris etc he is now a co-owner of a brand new facility in central Stockholm in which he conducts his mixing and mastering work which nowadays takes up most of his time.&nbsp;While not doing engineering he also play live drums (and does studio engineering) in Cult of Luna, a well established band in the alternative rock/metal scene.</p><p>Matt talks with Magnus about Stockholm, his business practice, building a new studio from the ground up and the gear he uses to do his job.</p><p>Website:&nbsp;<a href="http://www.magnuslindberg.com/" rel="noopener noreferrer" target="_blank">www.magnuslindberg.com</a></p><p>Facebook:&nbsp;<a href="http://www.facecbook.com/magnuslindbergproductions" rel="noopener noreferrer" target="_blank">www.facecbook.com/magnuslindbergproductions</a></p><p>Twitter: mlprod</p><p>Studio:&nbsp;<a href="http://www.redmount.studio/" rel="noopener noreferrer" target="_blank">www.redmount.studio</a></p><p>Band:&nbsp;<a href="http://www.cultofluna.com/" rel="noopener noreferrer" target="_blank">www.cultofluna.com</a></p>]]></description><content:encoded><![CDATA[<p>Magnus Lindberg is a freelance engineer based in Stockholm, Sweden. Despite his young age of 35 he has already been an audio professional for 14 years, working with a wide range of independent bands and artists from all over the world.</p><p>Starting out at a young age with various intern ships, most noticeable the one at Sound City Studios, LA he then found himself a part of the production team at Tonteknik Recording, under which roof he stayed for about 8 years until moving to Stockholm and becoming completely solo.&nbsp;Although he has been doing many projects in studios in London, Paris etc he is now a co-owner of a brand new facility in central Stockholm in which he conducts his mixing and mastering work which nowadays takes up most of his time.&nbsp;While not doing engineering he also play live drums (and does studio engineering) in Cult of Luna, a well established band in the alternative rock/metal scene.</p><p>Matt talks with Magnus about Stockholm, his business practice, building a new studio from the ground up and the gear he uses to do his job.</p><p>Website:&nbsp;<a href="http://www.magnuslindberg.com/" rel="noopener noreferrer" target="_blank">www.magnuslindberg.com</a></p><p>Facebook:&nbsp;<a href="http://www.facecbook.com/magnuslindbergproductions" rel="noopener noreferrer" target="_blank">www.facecbook.com/magnuslindbergproductions</a></p><p>Twitter: mlprod</p><p>Studio:&nbsp;<a href="http://www.redmount.studio/" rel="noopener noreferrer" target="_blank">www.redmount.studio</a></p><p>Band:&nbsp;<a href="http://www.cultofluna.com/" rel="noopener noreferrer" target="_blank">www.cultofluna.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-069-with-magnus-lindberg]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1093</guid><itunes:image href="https://artwork.captivate.fm/341b60ec-11de-4cae-9044-2ccffee1ae2a/wca-podcast.jpg"/><pubDate>Mon, 11 Apr 2016 17:55:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/cc7cfeb0-f36f-40e6-891c-ad3f0ad792dc.mp3" length="33397377" type="audio/mpeg"/><itunes:duration>46:23</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>69</itunes:episode><podcast:episode>69</podcast:episode><itunes:summary>Working Class Audio Session #069 with Magnus Lindberg!!! Magnus Lindberg is a freelance engineer based in Stockholm, Sweden. Despite his young age of 35 he has already been an audio professional for 14 years, working with a wide range of independent bands and artists from all over the world. Starting out at a young age […]
 The post WCA #069 with Magnus Lindberg appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #068 with John Paterno</title><itunes:title>WCA #068 with John Paterno</itunes:title><description><![CDATA[<p>John Paterno is an LA-based audio pro.&nbsp;He has worked with a wide range of artists, including Robbie Williams, Soraya, Badly Drawn Boy, Lustra, The Thrills, Tim McGraw, Robben Ford, Eros Ramazzotti, and The Steve Gadd Band in his 25+ years in the music business.</p><p>John moved to Los Angeles two weeks after graduating from the University of Miami’s Music Engineering program, and quickly gained footing as a ‘freelance assistant’ until he was offered a position at Sunset Sound/Sound Factory as a staff engineer/assistant.&nbsp;It was at Sound Factory where he ended up on a session with Tchad Blake and Mitchell Froom, and was for the next several years involved in many of their seminal records — projects by Los Lobos, Suzanne Vega, American Music Club, and the Latin Playboys, among many others.</p><p>John’s first projects as an engineer include Ted Hawkins’ ‘The Next Hundred Years’,&nbsp;that dog’s ‘Retreat From the Sun’, and co-producing the Los Lobos score for the film ‘Feeling Minnesota’.&nbsp;From there he worked with a range of producers including Mitchell Froom, Joe Chiccarelli, Byron Gallimore, and Stephen Duffy.</p><p>In 2004 he won a Latin Grammy for his work on the ‘Soraya’ record.</p><p>John has also produced or co-produced projects for Mitchell Froom, Lustra, Robbie Williams, The Lilac Time, The Black Molly’s, and many other artists.</p><p>In addition to producing and mixing projects, John has also: written songs with new artists; composed for TV and film; written articles for&nbsp;<a href="http://tapeop.com/" rel="noopener noreferrer" target="_blank">Tape Op</a>&nbsp;magazine and the&nbsp;<a href="http://www.uaudio.com/" rel="noopener noreferrer" target="_blank">Universal Audio</a>&nbsp;site; and has done instructional videos on mixing with&nbsp;<a href="http://www.puremix.net/" rel="noopener noreferrer" target="_blank">PureMix</a>.</p><p>Website:&nbsp;&nbsp;<a href="http://www.musicdafoz.com/" rel="noopener noreferrer" target="_blank">www.musicdafoz.com</a></p><p>Instagram: paternodafoz</p><p>Twitter: @paternodafoz</p>]]></description><content:encoded><![CDATA[<p>John Paterno is an LA-based audio pro.&nbsp;He has worked with a wide range of artists, including Robbie Williams, Soraya, Badly Drawn Boy, Lustra, The Thrills, Tim McGraw, Robben Ford, Eros Ramazzotti, and The Steve Gadd Band in his 25+ years in the music business.</p><p>John moved to Los Angeles two weeks after graduating from the University of Miami’s Music Engineering program, and quickly gained footing as a ‘freelance assistant’ until he was offered a position at Sunset Sound/Sound Factory as a staff engineer/assistant.&nbsp;It was at Sound Factory where he ended up on a session with Tchad Blake and Mitchell Froom, and was for the next several years involved in many of their seminal records — projects by Los Lobos, Suzanne Vega, American Music Club, and the Latin Playboys, among many others.</p><p>John’s first projects as an engineer include Ted Hawkins’ ‘The Next Hundred Years’,&nbsp;that dog’s ‘Retreat From the Sun’, and co-producing the Los Lobos score for the film ‘Feeling Minnesota’.&nbsp;From there he worked with a range of producers including Mitchell Froom, Joe Chiccarelli, Byron Gallimore, and Stephen Duffy.</p><p>In 2004 he won a Latin Grammy for his work on the ‘Soraya’ record.</p><p>John has also produced or co-produced projects for Mitchell Froom, Lustra, Robbie Williams, The Lilac Time, The Black Molly’s, and many other artists.</p><p>In addition to producing and mixing projects, John has also: written songs with new artists; composed for TV and film; written articles for&nbsp;<a href="http://tapeop.com/" rel="noopener noreferrer" target="_blank">Tape Op</a>&nbsp;magazine and the&nbsp;<a href="http://www.uaudio.com/" rel="noopener noreferrer" target="_blank">Universal Audio</a>&nbsp;site; and has done instructional videos on mixing with&nbsp;<a href="http://www.puremix.net/" rel="noopener noreferrer" target="_blank">PureMix</a>.</p><p>Website:&nbsp;&nbsp;<a href="http://www.musicdafoz.com/" rel="noopener noreferrer" target="_blank">www.musicdafoz.com</a></p><p>Instagram: paternodafoz</p><p>Twitter: @paternodafoz</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-068-with-john-paterno]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1084</guid><itunes:image href="https://artwork.captivate.fm/f8915dd2-f805-4a92-803a-df1f7acdb06b/wca-podcast.jpg"/><pubDate>Mon, 04 Apr 2016 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f7fd273d-cfc5-46e9-891d-ffa133f439a7.mp3" length="49915983" type="audio/mpeg"/><itunes:duration>01:09:20</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>68</itunes:episode><podcast:episode>68</podcast:episode><itunes:summary>Working Class Audio Session #068 with John Paterno!!! John Paterno is an LA-based audio pro.  He has worked with a wide range of artists, including Robbie Williams, Soraya, Badly Drawn Boy, Lustra, The Thrills, Tim McGraw, Robben Ford, Eros Ramazzotti, and The Steve Gadd Band in his 25+ years in the music business. John moved […]
 The post WCA #068 with John Paterno appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #067 with Matt Wright</title><itunes:title>WCA #067 with Matt Wright</itunes:title><description><![CDATA[<p>Matt Wright&nbsp;grew up in an extended musical family, of both musicians and aficionados. Every family gets together involved extended periods of both playing music and arguing about pop records, which strongly influenced his relationship with music: a) He’s&nbsp;a lifelong musician because of it, b) He was raised listening to the canon of great pop records, and c) He was surrounded by people who thought that pop music and record albums were&nbsp;<em>important</em>. They were more than just a consumer product for teenagers to buy and eventually throw away. A great pop record was a work of art that was worth arguing about and that you could have an ongoing relationship with.</p><p>Matt&nbsp;toyed around with cassette recorders when he was young (<a href="http://en.wikipedia.org/wiki/My_First_Sony" rel="noopener noreferrer" target="_blank">My First Sony</a>, anyone?), but Matt was never one to get too excited by the technology itself (aside from a new Walkman or CD player being a cool toy). Matt had no interest in the Sound Crew when I was in high school – mixers, speakers, amplifiers (other than the guitar kind) all seemed rather dull to him. It was only after Matt&nbsp;had his&nbsp;first multitrack experience, watching a couple of friends use Cakewalk Pro Audio 9 to build a complete arrangement of a song from just a couple of guitar riffs that he&nbsp;got excited about recording technology. Something clicked for him when he realized that not only could he&nbsp;learn to make music recordings that sounded more like real records and less like My First Sony, but that he could also use the technology of recording to expand what he could do creatively with music.</p><p>Today, Matt’s interest in and philosophy for record production and engineering are still driven by the principles discovered in these early moments. Matt believes in striving for exceptional quality at all times – in arrangement, in performance, and in sound. He&nbsp;believes the technology should serve the record-making process in the most transparent way possible, never dictate it. And he believes that a record album is an art form in its own right, not just a translation of live musical performance and that making a great record is something worth pursuing for its own artistic merits.</p><p>Matt and Matt talk about his transition from intern to chief engineer at<a href="https://en.wikipedia.org/wiki/Prairie_Sun_Recording_Studios" rel="noopener noreferrer" target="_blank">&nbsp;Prairie Sun Recording</a>, being a new dad, and his absence of gear lust.</p><p>Read more about Matt at&nbsp;<a href="http://mattwrightsound.com/" rel="noopener noreferrer" target="_blank">www.mattwrightsound.com</a></p><h4><strong>WCA #067 also features part 3 of a series of discussions on acoustics&nbsp;with&nbsp;</strong><a href="http://realtraps.com/" rel="noopener noreferrer" target="_blank"><strong>Realtraps</strong></a><strong>&nbsp;general manager&nbsp;James Lindenschmidt!</strong></h4>]]></description><content:encoded><![CDATA[<p>Matt Wright&nbsp;grew up in an extended musical family, of both musicians and aficionados. Every family gets together involved extended periods of both playing music and arguing about pop records, which strongly influenced his relationship with music: a) He’s&nbsp;a lifelong musician because of it, b) He was raised listening to the canon of great pop records, and c) He was surrounded by people who thought that pop music and record albums were&nbsp;<em>important</em>. They were more than just a consumer product for teenagers to buy and eventually throw away. A great pop record was a work of art that was worth arguing about and that you could have an ongoing relationship with.</p><p>Matt&nbsp;toyed around with cassette recorders when he was young (<a href="http://en.wikipedia.org/wiki/My_First_Sony" rel="noopener noreferrer" target="_blank">My First Sony</a>, anyone?), but Matt was never one to get too excited by the technology itself (aside from a new Walkman or CD player being a cool toy). Matt had no interest in the Sound Crew when I was in high school – mixers, speakers, amplifiers (other than the guitar kind) all seemed rather dull to him. It was only after Matt&nbsp;had his&nbsp;first multitrack experience, watching a couple of friends use Cakewalk Pro Audio 9 to build a complete arrangement of a song from just a couple of guitar riffs that he&nbsp;got excited about recording technology. Something clicked for him when he realized that not only could he&nbsp;learn to make music recordings that sounded more like real records and less like My First Sony, but that he could also use the technology of recording to expand what he could do creatively with music.</p><p>Today, Matt’s interest in and philosophy for record production and engineering are still driven by the principles discovered in these early moments. Matt believes in striving for exceptional quality at all times – in arrangement, in performance, and in sound. He&nbsp;believes the technology should serve the record-making process in the most transparent way possible, never dictate it. And he believes that a record album is an art form in its own right, not just a translation of live musical performance and that making a great record is something worth pursuing for its own artistic merits.</p><p>Matt and Matt talk about his transition from intern to chief engineer at<a href="https://en.wikipedia.org/wiki/Prairie_Sun_Recording_Studios" rel="noopener noreferrer" target="_blank">&nbsp;Prairie Sun Recording</a>, being a new dad, and his absence of gear lust.</p><p>Read more about Matt at&nbsp;<a href="http://mattwrightsound.com/" rel="noopener noreferrer" target="_blank">www.mattwrightsound.com</a></p><h4><strong>WCA #067 also features part 3 of a series of discussions on acoustics&nbsp;with&nbsp;</strong><a href="http://realtraps.com/" rel="noopener noreferrer" target="_blank"><strong>Realtraps</strong></a><strong>&nbsp;general manager&nbsp;James Lindenschmidt!</strong></h4>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-067-with-matt-wright]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1078</guid><itunes:image href="https://artwork.captivate.fm/9bcbe837-99a9-48c7-ba6a-a52c3669c054/wca-podcast.jpg"/><pubDate>Mon, 28 Mar 2016 20:34:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bd2d469a-a36b-441e-8b6d-5deabfcbbe2f.mp3" length="59507245" type="audio/mpeg"/><itunes:duration>01:22:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>67</itunes:episode><podcast:episode>67</podcast:episode><itunes:summary>Working Class Audio Session #067 with Matt Wright!!! Matt Wright grew up in an extended musical family, of both musicians and aficionados. Every family get together involved extended periods of both playing music and arguing about pop records, which strongly influenced his relationship with music: a) He’s a lifelong musician because of it, b) He was raised […]
 The post WCA #067 with Matt Wright appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #066 with Graham Hick - Public Radio, Interviewing Well, Dressing for the Job, and the role of a Master Control Engineer.</title><itunes:title>WCA #066 with Graham Hick - Public Radio, Interviewing Well, Dressing for the Job, and the role of a Master Control Engineer.</itunes:title><description><![CDATA[<p>Graham Hick has been an audio professional for the past 17 years. He is an amateur musician who holds a BA in music recording from Columbia College. He has written for Tape Op magazine and been a featured speaker and panelist at their professional conferences, taught audio production at Columbia College for five years, worked in jingle studios, voice studios, post-production studios, and public radio. He has also done some live sound and even did a stint in Hollywood where one of the sound editing crews he was on was nominated for an Oscar in 2009 (Transformers – Revenge of the Fallen). Currently working at Minnesota Public Radio as a Master Control Engineer, he is able to use all of the skills and knowledge gained in the field throughout his entire career. Now wearing bifocals and taking care of a 12-year-old cat Graham lives a quiet, happy and modest life in Minneapolis. His very brief IMDB film credits page can be viewed at <a href="http://www.imdb.com/name/nm3476550/" rel="noopener noreferrer" target="_blank">http://www.imdb.com/name/nm3476550/</a></p>]]></description><content:encoded><![CDATA[<p>Graham Hick has been an audio professional for the past 17 years. He is an amateur musician who holds a BA in music recording from Columbia College. He has written for Tape Op magazine and been a featured speaker and panelist at their professional conferences, taught audio production at Columbia College for five years, worked in jingle studios, voice studios, post-production studios, and public radio. He has also done some live sound and even did a stint in Hollywood where one of the sound editing crews he was on was nominated for an Oscar in 2009 (Transformers – Revenge of the Fallen). Currently working at Minnesota Public Radio as a Master Control Engineer, he is able to use all of the skills and knowledge gained in the field throughout his entire career. Now wearing bifocals and taking care of a 12-year-old cat Graham lives a quiet, happy and modest life in Minneapolis. His very brief IMDB film credits page can be viewed at <a href="http://www.imdb.com/name/nm3476550/" rel="noopener noreferrer" target="_blank">http://www.imdb.com/name/nm3476550/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-066-with-graham-hick-public-radio-interviewing-well-dressing-for-the-job-and-the-role-of-a-master-control-engineer-]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1067</guid><itunes:image href="https://artwork.captivate.fm/734ab014-2f59-4358-95d2-ab15ba8311a8/wca-066-with-graham-hick-1400.png"/><pubDate>Mon, 21 Mar 2016 19:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0a72c8bb-76d5-4794-84f2-8165c32fda32.mp3" length="40872310" type="audio/mpeg"/><itunes:duration>56:46</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>66</itunes:episode><podcast:episode>66</podcast:episode><itunes:summary>Graham Hick has been an audio professional for the past 17 years. He is an amateur musician who holds a BA in music recording from Columbia College. He has written for Tape Op magazine and been a featured speaker and panelist at their professional conferences, taught audio production at Columbia College for five years, worked in jingle studios, voice studios, post-production studios, and public radio. He has also done some live sound and even did a stint in Hollywood where one of the sound editing crews he was on was nominated for an Oscar in 2009 (Transformers – Revenge of the Fallen). Currently working at Minnesota Public Radio as a Master Control Engineer, he is able to use all of the skills and knowledge gained in the field throughout his entire career. Now wearing bifocals and taking care of a 12-year-old cat Graham lives a quiet, happy and modest life in Minneapolis. His very brief IMDB film credits page can be viewed at http://www.imdb.com/name/nm3476550/</itunes:summary></item><item><title>WCA #065 with Brad Brooks</title><itunes:title>WCA #065 with Brad Brooks</itunes:title><description><![CDATA[<p>Brad Brooks is that rare quadruple threat of writer, player, singer, and performer.&nbsp;His songs combine the melodic sensibility of Elvis Costello, the best instincts of Wilco and Brian Wilson, along with the orchestral sophistication of Queen.&nbsp;Brooks is rooted in a kind of Victorian California romanticism; and with the release of his record “Harmony Of Passing Light” Brooks joined his peers with the best work of his career.&nbsp;His gift for melody and his soaring vocals remain the most immediately impressive traits of his music. Brooks’ voice can wail like a blue-eyed soul singer, whisper plaintively, croon with just a touch of twang, or soar through the most demanding melodic acrobatics, and he pulls off all of these different guises on “Harmony” without the record sounding disjointed. Rather, it’s an album with multiple textures that still feels unified.&nbsp;Brooks has found the essence of his own unique voice, and been one of the Bay Area’s best-kept secrets for years.&nbsp;He’s also survived stage 4 throat cancer as of last year, and has been in the studio with his live band recording a new record with Adam Rossi at AR Audio in SF, with songs mixed by Craig Schumacher of&nbsp;<a href="http://wavelabstudio.com/" rel="noopener noreferrer" target="_blank">Wavelab</a>&nbsp;from Tucson.&nbsp;Brooks has also shared the stage with Phil Lesh of the Grateful Dead, opened for Grammy-winning band Train, Imagine Dragons, and Linda Perry</p><p>For this episode Matt talks with Brad to get a perspective of recording from the other side of the glass. Brad talks about his experiences as an artist when it comes to recording.</p><p>Check Brad out at:&nbsp;<a href="http://www.bradbrooksmusic.com/" rel="noopener noreferrer" target="_blank">http://www.bradbrooksmusic.com/</a></p>]]></description><content:encoded><![CDATA[<p>Brad Brooks is that rare quadruple threat of writer, player, singer, and performer.&nbsp;His songs combine the melodic sensibility of Elvis Costello, the best instincts of Wilco and Brian Wilson, along with the orchestral sophistication of Queen.&nbsp;Brooks is rooted in a kind of Victorian California romanticism; and with the release of his record “Harmony Of Passing Light” Brooks joined his peers with the best work of his career.&nbsp;His gift for melody and his soaring vocals remain the most immediately impressive traits of his music. Brooks’ voice can wail like a blue-eyed soul singer, whisper plaintively, croon with just a touch of twang, or soar through the most demanding melodic acrobatics, and he pulls off all of these different guises on “Harmony” without the record sounding disjointed. Rather, it’s an album with multiple textures that still feels unified.&nbsp;Brooks has found the essence of his own unique voice, and been one of the Bay Area’s best-kept secrets for years.&nbsp;He’s also survived stage 4 throat cancer as of last year, and has been in the studio with his live band recording a new record with Adam Rossi at AR Audio in SF, with songs mixed by Craig Schumacher of&nbsp;<a href="http://wavelabstudio.com/" rel="noopener noreferrer" target="_blank">Wavelab</a>&nbsp;from Tucson.&nbsp;Brooks has also shared the stage with Phil Lesh of the Grateful Dead, opened for Grammy-winning band Train, Imagine Dragons, and Linda Perry</p><p>For this episode Matt talks with Brad to get a perspective of recording from the other side of the glass. Brad talks about his experiences as an artist when it comes to recording.</p><p>Check Brad out at:&nbsp;<a href="http://www.bradbrooksmusic.com/" rel="noopener noreferrer" target="_blank">http://www.bradbrooksmusic.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-065-with-brad-brooks]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1063</guid><itunes:image href="https://artwork.captivate.fm/80a93bb2-5b06-4108-9b23-1dd22d031141/wca-podcast.jpg"/><pubDate>Mon, 14 Mar 2016 20:51:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/93d5b65a-7254-4ae9-a9cc-6911f0550aa1.mp3" length="49627016" type="audio/mpeg"/><itunes:duration>01:08:55</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>65</itunes:episode><podcast:episode>65</podcast:episode><itunes:summary>Working Class Audio Session #065 with Brad Brooks!!! Brad Brooks is that rare quadruple threat of writer, player, singer, and performer. His songs combine the melodic sensibility of Elvis Costello, the best instincts of Wilco and Brian Wilson, along with the orchestral sophistication of Queen. Brooks is rooted in a kind of Victorian California romanticism; and with […]
 The post WCA #065 with Brad Brooks appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #064 with Johnny Sangster</title><itunes:title>WCA #064 with Johnny Sangster</itunes:title><description><![CDATA[<p>Johnny Sangster is known for his production and engineering work with Mudhoney, Posies, The Supersuckers, Smoosh, and The Makers, and also as guitarist for the Tripwires, Mark Pickerel and His Praying Hands, The Dear John Letters, and Steve Turner’s Bad Ideas. Johnny has also served as bassist for the legendary Roy Loney in the Longshots. Originally from Seattle, Johnny Sangster relocated to Europe in 1984 where he led the Copenhagen-based The Sharing Patrol until ’97. The Sharing Patrol recorded for EMI and toured extensively through Europe, Scandinavia, and the former Soviet Union.</p><p>Upon returning to Seattle in ’97, he took up engineering full time at Conrad Uno’s Egg Studio, a place well established by Uno’s work with The Young Fresh Fellows, Gas Huffer, and the Presidents of the United States of America. In the period of the late ’90s and early 2000s. Johnny Sangster worked the Posies, the Murder City Devils, the Supersuckers, Zeke, The Fireballs of Freedom, Dr. Explosion, The Makers, Gerald Collier and many others.</p><p>In 2001 Johnny Sangster teamed up with Robb Benson of the Nevada Bachelors (whose debut record Johnny had produced). The project turned into the band The Dear John Letters and proceeded to release three full-length albums to significant local acclaim.</p><p>In 2002 he recorded several tracks for Mudhoney’s Since We’ve Become Translucent. This led to producing and performing with Mudhoney guitarist Steve Turner on his three solo releases: Searching For Melody, And His Bad Ideas, and New Wave Punk Asshole. Johnny also continued to collaborate with Mudhoney on their 2006 release Under a Billion Sons and 2007’s Live Mud.</p><p>The latter half of the 2000s was a very productive period, with many records recorded and released. A full discography is available @&nbsp;<a href="http://sangstermania.com/" rel="noopener noreferrer" target="_blank">www.sangstermania.com</a>.</p><p>In 2007 Johnny founded Crackle &amp; Pop! Studio with partners Andrew Smith and Scott Masoner. The studio is a small and affordable place to track and to mix.</p><p>Johnny Sangster is currently playing guitar for Tripwires, a band fronted by John Ramberg (formerly of Model Rockets) and backed by Jim Sangster on bass and Mark Pickerel on drums. Since the releases of their debut “Makes You Look Around” and the follow-up “House to House” the Tripwires have garnered the attention of audiences throughout the Northwest and beyond.</p><p>Matt and Johnny discuss parenting, studio overhead, retirement, and Johnny’s studio space&nbsp;<a href="http://www.cracklepopstudio.com/" rel="noopener noreferrer" target="_blank">Crackle and Pop</a>!</p><h4><strong>WCA #064 also features part 2&nbsp;of a series of discussions on acoustics&nbsp;with&nbsp;</strong><a href="http://realtraps.com/" rel="noopener noreferrer" target="_blank"><strong>Realtraps</strong></a><strong>&nbsp;general manager&nbsp;James Lindenschmidt!</strong></h4><p>Links for&nbsp;part 2.</p><p><a href="http://realtraps.com/p_minitrap.htm" rel="noopener noreferrer" target="_blank">http://realtraps.com/p_minitrap.htm</a></p><p><a href="http://realtraps.com/install_mt.htm" rel="noopener noreferrer" target="_blank">http://realtraps.com/install_mt.htm</a></p>]]></description><content:encoded><![CDATA[<p>Johnny Sangster is known for his production and engineering work with Mudhoney, Posies, The Supersuckers, Smoosh, and The Makers, and also as guitarist for the Tripwires, Mark Pickerel and His Praying Hands, The Dear John Letters, and Steve Turner’s Bad Ideas. Johnny has also served as bassist for the legendary Roy Loney in the Longshots. Originally from Seattle, Johnny Sangster relocated to Europe in 1984 where he led the Copenhagen-based The Sharing Patrol until ’97. The Sharing Patrol recorded for EMI and toured extensively through Europe, Scandinavia, and the former Soviet Union.</p><p>Upon returning to Seattle in ’97, he took up engineering full time at Conrad Uno’s Egg Studio, a place well established by Uno’s work with The Young Fresh Fellows, Gas Huffer, and the Presidents of the United States of America. In the period of the late ’90s and early 2000s. Johnny Sangster worked the Posies, the Murder City Devils, the Supersuckers, Zeke, The Fireballs of Freedom, Dr. Explosion, The Makers, Gerald Collier and many others.</p><p>In 2001 Johnny Sangster teamed up with Robb Benson of the Nevada Bachelors (whose debut record Johnny had produced). The project turned into the band The Dear John Letters and proceeded to release three full-length albums to significant local acclaim.</p><p>In 2002 he recorded several tracks for Mudhoney’s Since We’ve Become Translucent. This led to producing and performing with Mudhoney guitarist Steve Turner on his three solo releases: Searching For Melody, And His Bad Ideas, and New Wave Punk Asshole. Johnny also continued to collaborate with Mudhoney on their 2006 release Under a Billion Sons and 2007’s Live Mud.</p><p>The latter half of the 2000s was a very productive period, with many records recorded and released. A full discography is available @&nbsp;<a href="http://sangstermania.com/" rel="noopener noreferrer" target="_blank">www.sangstermania.com</a>.</p><p>In 2007 Johnny founded Crackle &amp; Pop! Studio with partners Andrew Smith and Scott Masoner. The studio is a small and affordable place to track and to mix.</p><p>Johnny Sangster is currently playing guitar for Tripwires, a band fronted by John Ramberg (formerly of Model Rockets) and backed by Jim Sangster on bass and Mark Pickerel on drums. Since the releases of their debut “Makes You Look Around” and the follow-up “House to House” the Tripwires have garnered the attention of audiences throughout the Northwest and beyond.</p><p>Matt and Johnny discuss parenting, studio overhead, retirement, and Johnny’s studio space&nbsp;<a href="http://www.cracklepopstudio.com/" rel="noopener noreferrer" target="_blank">Crackle and Pop</a>!</p><h4><strong>WCA #064 also features part 2&nbsp;of a series of discussions on acoustics&nbsp;with&nbsp;</strong><a href="http://realtraps.com/" rel="noopener noreferrer" target="_blank"><strong>Realtraps</strong></a><strong>&nbsp;general manager&nbsp;James Lindenschmidt!</strong></h4><p>Links for&nbsp;part 2.</p><p><a href="http://realtraps.com/p_minitrap.htm" rel="noopener noreferrer" target="_blank">http://realtraps.com/p_minitrap.htm</a></p><p><a href="http://realtraps.com/install_mt.htm" rel="noopener noreferrer" target="_blank">http://realtraps.com/install_mt.htm</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-064-with-johnny-sangster]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1058</guid><itunes:image href="https://artwork.captivate.fm/a02130ea-fef3-4391-83f3-52a87464cd60/wca-podcast.jpg"/><pubDate>Mon, 07 Mar 2016 19:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/15e881a8-5941-4c40-92bf-57adfbbacfb7.mp3" length="57017037" type="audio/mpeg"/><itunes:duration>01:19:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>64</itunes:episode><podcast:episode>64</podcast:episode><itunes:summary>Working Class Audio Session #064 with Johnny Sangster!!! Johnny Sangster  is known for his production and engineering work with Mudhoney, Posies, The Supersuckers, Smoosh, and The Makers, and also as guitarist for the Tripwires, Mark Pickerel and his Praying Hands, The Dear John Letters and Steve Turner’s Bad Ideas. Johnny has also served as bassist […]
 The post WCA #064 with Johnny Sangster appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #063 with Joey Sturgis</title><itunes:title>WCA #063 with Joey Sturgis</itunes:title><description><![CDATA[<p>Joey Sturgis is an educator, speaker, and fixture in the emergent modern rock music pantheon producing, engineering and mixing&nbsp;bands such&nbsp;as<a href="https://en.wikipedia.org/wiki/Asking_Alexandria" rel="noopener noreferrer" target="_blank">&nbsp;Asking Alexandria</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Of_Mice_%26_Men_(band)" rel="noopener noreferrer" target="_blank">Of Mice &amp; Men</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/We_Came_as_Romans" rel="noopener noreferrer" target="_blank">We Came As Romans</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Blessthefall" rel="noopener noreferrer" target="_blank">Blessthefall</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/The_Devil_Wears_Prada_(band)" rel="noopener noreferrer" target="_blank">The Devil Wears Prada</a>.&nbsp;He took his passion for drums and guitars and combined it with his love for understanding how things work and how to do things more efficiently. And he built a career with it. When other bands started hitting him up about how he was recording, he knew he had discovered something special.&nbsp;<a href="http://joeysturgistones.com/" rel="noopener noreferrer" target="_blank"><strong>Joey Sturgis Tones</strong></a>&nbsp;develops, simplifies, and ultimately makes available the tools necessary to execute the creative visions of musicians, producers, and songwriters from any walk of life.&nbsp;Joey is indeed, a new breed of music professional.</p><p>Matt and Joey discuss the many aspects of Joey’s music world and his skills as an entrepreneur.</p><p>Links for Joey:</p><ul><li><a href="http://joeysturgistones.com/" rel="noopener noreferrer" target="_blank">http://joeysturgistones.com/</a></li><li><a href="https://www.creativelive.com/courses/studio-pass-joey-sturgis" rel="noopener noreferrer" target="_blank">https://www.creativelive.com/courses/studio-pass-joey-sturgis</a></li></ul><br/><h4><strong>WCA #063 also features the first of a series of discussions on acoustics&nbsp;with&nbsp;</strong><a href="http://realtraps.com/" rel="noopener noreferrer" target="_blank"><strong>Realtraps</strong></a><strong>&nbsp;general manager&nbsp;James Lindenschmidt!</strong></h4><p>Linkes for James and Realtraps.</p><p>The filtered pink noise listening test we spoke about is here:</p><p><a href="http://realtraps.com/lf-noise.htm" rel="noopener noreferrer" target="_blank">http://realtraps.com/lf-noise.htm</a></p><p>Realtraps&nbsp;room setup strategy is here:</p><p><a href="http://realtraps.com/art_room-setup.htm" rel="noopener noreferrer" target="_blank">http://realtraps.com/art_room-setup.htm</a></p>]]></description><content:encoded><![CDATA[<p>Joey Sturgis is an educator, speaker, and fixture in the emergent modern rock music pantheon producing, engineering and mixing&nbsp;bands such&nbsp;as<a href="https://en.wikipedia.org/wiki/Asking_Alexandria" rel="noopener noreferrer" target="_blank">&nbsp;Asking Alexandria</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Of_Mice_%26_Men_(band)" rel="noopener noreferrer" target="_blank">Of Mice &amp; Men</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/We_Came_as_Romans" rel="noopener noreferrer" target="_blank">We Came As Romans</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Blessthefall" rel="noopener noreferrer" target="_blank">Blessthefall</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/The_Devil_Wears_Prada_(band)" rel="noopener noreferrer" target="_blank">The Devil Wears Prada</a>.&nbsp;He took his passion for drums and guitars and combined it with his love for understanding how things work and how to do things more efficiently. And he built a career with it. When other bands started hitting him up about how he was recording, he knew he had discovered something special.&nbsp;<a href="http://joeysturgistones.com/" rel="noopener noreferrer" target="_blank"><strong>Joey Sturgis Tones</strong></a>&nbsp;develops, simplifies, and ultimately makes available the tools necessary to execute the creative visions of musicians, producers, and songwriters from any walk of life.&nbsp;Joey is indeed, a new breed of music professional.</p><p>Matt and Joey discuss the many aspects of Joey’s music world and his skills as an entrepreneur.</p><p>Links for Joey:</p><ul><li><a href="http://joeysturgistones.com/" rel="noopener noreferrer" target="_blank">http://joeysturgistones.com/</a></li><li><a href="https://www.creativelive.com/courses/studio-pass-joey-sturgis" rel="noopener noreferrer" target="_blank">https://www.creativelive.com/courses/studio-pass-joey-sturgis</a></li></ul><br/><h4><strong>WCA #063 also features the first of a series of discussions on acoustics&nbsp;with&nbsp;</strong><a href="http://realtraps.com/" rel="noopener noreferrer" target="_blank"><strong>Realtraps</strong></a><strong>&nbsp;general manager&nbsp;James Lindenschmidt!</strong></h4><p>Linkes for James and Realtraps.</p><p>The filtered pink noise listening test we spoke about is here:</p><p><a href="http://realtraps.com/lf-noise.htm" rel="noopener noreferrer" target="_blank">http://realtraps.com/lf-noise.htm</a></p><p>Realtraps&nbsp;room setup strategy is here:</p><p><a href="http://realtraps.com/art_room-setup.htm" rel="noopener noreferrer" target="_blank">http://realtraps.com/art_room-setup.htm</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-063-with-joey-sturgis]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1051</guid><itunes:image href="https://artwork.captivate.fm/d15d0de8-0922-4799-89ca-f40db0924a3c/wca-podcast.jpg"/><pubDate>Mon, 29 Feb 2016 19:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e1a994ed-7dbb-4b97-a74e-17a3a2354616.mp3" length="159679209" type="audio/mpeg"/><itunes:duration>01:35:03</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>63</itunes:episode><podcast:episode>63</podcast:episode><itunes:summary>Working Class Audio Session #063 with Joey Sturgis!!! Joey Sturgis is an educator, speaker, and fixture in the emergent modern rock music pantheon producing, engineering and mixing  bands such  as Asking Alexandria, Of Mice &amp; Men, We Came As Romans, Blessthefall, and The Devil Wears Prada. He took his passion for drums and guitars and combined […]
 The post WCA #063 with Joey Sturgis appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #062 with Maor Appelbaum</title><itunes:title>WCA #062 with Maor Appelbaum</itunes:title><description><![CDATA[<p>Maor Appelbaum is a mastering engineer and musician.&nbsp;After working as staff engineer (mixing, recording and mastering) for famed record producer&nbsp;<a href="http://en.wikipedia.org/wiki/Sylvia_Massy" rel="noopener noreferrer" target="_blank">Sylvia Massy Shivy</a>&nbsp;at&nbsp;<a href="http://www.radiostarstudios.com/" rel="noopener noreferrer" target="_blank">Radiostar Studios</a>&nbsp;in Weed, California, Maor moved to Los Angeles where he opened his private mastering suite.</p><p>Maor has had the pleasure of mastering recordings for major international acts such as: Faith No More, Yes, Walter Trout, Eric Gales, Starset, Ill Nino, Dokken, Fates Warning, William Shatner, Gus G, Common Kings,&nbsp;<a href="http://sepultura.uol.com.br/" rel="noopener noreferrer" target="_blank">Sepultura</a>,&nbsp;<a href="http://www.yngwiemalmsteen.com/" rel="noopener noreferrer" target="_blank">Yngwie Malmsteen</a>,&nbsp;<a href="http://www.robhalford.com/" rel="noopener noreferrer" target="_blank">Halford</a>, Fight, Armored Saint, Lita ford, Seven The Hardway , Marco Mendoza, Angra, Treponem Pal, Wayne Hussey, Therion, Cynic, Nekromantix, Butcher Babies, Billy Sherwood, The Top Chops and more…</p><p>He has mastered the works of well-known music producers such as: Matt Wallace, Mike Clink, Mike Plotnikoff, Bob Horn, Ben Grosse, Bassy bob Brockmann, Toby Wright, Justin Gray, Roy Z, Sylvia Massy, Gilby Clark, Warren Riker, Ryan Greene, Ulrich Wild, Fabrizio Grossi, Logan Mader, Stan Katayama, Ben Schigel, Mark Lewis, Jacob Hansen, Tue Madsen, Eyal Levi, Jason Suecof, Thomas Lang and more… Also, he does mastering for unsigned artists of all genres from all over the world.</p><p>Maor has an extensive background with the international music industry – He is well aware of the various music styles and sounds that are developing vastly as the today’s technology develops.</p><p>To Maor, being a mastering engineer is the best way possible to combine his love and passion for music, with his various skills- objectivity, subjectivity, and technical &amp; artistic prowess. He finds pleasure in his job, more than anything, thanks to the variety of music and sounds he gets to master from all over the world.</p><p>It is a profession he takes pride in, and masters.</p><p>Maor speaks with Matt about moving to the the United States from Israel and the challenges he encountered, his economic philosophy and working with clients.</p><p><a href="http://www.maorappelbaum.com/" rel="noopener noreferrer" target="_blank">http://www.maorappelbaum.com/</a></p><p>Articles by or about&nbsp;Maor.</p><ul><li><a href="http://www.musicconnection.com/expert-advice-boost-your-business/2/" rel="noopener noreferrer" target="_blank">EXPERT ADVICE: BOOST YOUR BUSINESS&nbsp;</a></li><li><a href="http://www.prosoundweb.com/article/faith_no_mores_new_album_mastered_on_pmc_loudspeakers/" rel="noopener noreferrer" target="_blank">Faith No More’s New Album Mastered On PMC Loudspeakers</a></li><li><a href="http://www.musicconnection.com/maor-appelbaum-mastering/" rel="noopener noreferrer" target="_blank">CLOSE UP: MAOR APPELBAUM MASTERING</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Maor Appelbaum is a mastering engineer and musician.&nbsp;After working as staff engineer (mixing, recording and mastering) for famed record producer&nbsp;<a href="http://en.wikipedia.org/wiki/Sylvia_Massy" rel="noopener noreferrer" target="_blank">Sylvia Massy Shivy</a>&nbsp;at&nbsp;<a href="http://www.radiostarstudios.com/" rel="noopener noreferrer" target="_blank">Radiostar Studios</a>&nbsp;in Weed, California, Maor moved to Los Angeles where he opened his private mastering suite.</p><p>Maor has had the pleasure of mastering recordings for major international acts such as: Faith No More, Yes, Walter Trout, Eric Gales, Starset, Ill Nino, Dokken, Fates Warning, William Shatner, Gus G, Common Kings,&nbsp;<a href="http://sepultura.uol.com.br/" rel="noopener noreferrer" target="_blank">Sepultura</a>,&nbsp;<a href="http://www.yngwiemalmsteen.com/" rel="noopener noreferrer" target="_blank">Yngwie Malmsteen</a>,&nbsp;<a href="http://www.robhalford.com/" rel="noopener noreferrer" target="_blank">Halford</a>, Fight, Armored Saint, Lita ford, Seven The Hardway , Marco Mendoza, Angra, Treponem Pal, Wayne Hussey, Therion, Cynic, Nekromantix, Butcher Babies, Billy Sherwood, The Top Chops and more…</p><p>He has mastered the works of well-known music producers such as: Matt Wallace, Mike Clink, Mike Plotnikoff, Bob Horn, Ben Grosse, Bassy bob Brockmann, Toby Wright, Justin Gray, Roy Z, Sylvia Massy, Gilby Clark, Warren Riker, Ryan Greene, Ulrich Wild, Fabrizio Grossi, Logan Mader, Stan Katayama, Ben Schigel, Mark Lewis, Jacob Hansen, Tue Madsen, Eyal Levi, Jason Suecof, Thomas Lang and more… Also, he does mastering for unsigned artists of all genres from all over the world.</p><p>Maor has an extensive background with the international music industry – He is well aware of the various music styles and sounds that are developing vastly as the today’s technology develops.</p><p>To Maor, being a mastering engineer is the best way possible to combine his love and passion for music, with his various skills- objectivity, subjectivity, and technical &amp; artistic prowess. He finds pleasure in his job, more than anything, thanks to the variety of music and sounds he gets to master from all over the world.</p><p>It is a profession he takes pride in, and masters.</p><p>Maor speaks with Matt about moving to the the United States from Israel and the challenges he encountered, his economic philosophy and working with clients.</p><p><a href="http://www.maorappelbaum.com/" rel="noopener noreferrer" target="_blank">http://www.maorappelbaum.com/</a></p><p>Articles by or about&nbsp;Maor.</p><ul><li><a href="http://www.musicconnection.com/expert-advice-boost-your-business/2/" rel="noopener noreferrer" target="_blank">EXPERT ADVICE: BOOST YOUR BUSINESS&nbsp;</a></li><li><a href="http://www.prosoundweb.com/article/faith_no_mores_new_album_mastered_on_pmc_loudspeakers/" rel="noopener noreferrer" target="_blank">Faith No More’s New Album Mastered On PMC Loudspeakers</a></li><li><a href="http://www.musicconnection.com/maor-appelbaum-mastering/" rel="noopener noreferrer" target="_blank">CLOSE UP: MAOR APPELBAUM MASTERING</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-062-with-maor-appelbaum]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1047</guid><itunes:image href="https://artwork.captivate.fm/25ea488e-3e9f-4fa7-bcd0-b709ddc7097f/wca-podcast.jpg"/><pubDate>Mon, 22 Feb 2016 20:32:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b4210bc8-9bef-4eb3-b33e-e21089b2fcf7.mp3" length="47673108" type="audio/mpeg"/><itunes:duration>01:19:27</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>62</itunes:episode><podcast:episode>62</podcast:episode><itunes:summary>Maor Appelbaum is a mastering engineer and musician. After working as a staff engineer (mixing, recording, and mastering) for famed record producer Sylvia Massy Shivy at Radiostar Studios in Weed, California, Maor moved to Los Angeles where he opened his private mastering suite.
Maor has had the pleasure of mastering recordings for major international acts such as Faith No More, Yes, Walter Trout, Eric Gales, Starset, Ill Nino, Dokken, Fates Warning, William Shatner, Gus G, Common Kings, Sepultura, Yngwie Malmsteen, Halford, Fight, Armored Saint, Lita Ford, Seven The Hardway , Marco Mendoza, Angra, Treponema Pal, Wayne Hussey, Therion, Cynic, Nekromantix, Butcher Babies, Billy Sherwood, The Top Chops and more…
He has mastered the works of well-known music producers such as: Matt Wallace, Mike Clink, Mike Plotnikoff, Bob Horn, Ben Grosse, Bassy bob Brockmann, Toby Wright, Justin Gray, Roy Z, Sylvia Massy, Gilby Clark, Warren Riker, Ryan Greene, Ulrich Wild, Fabrizio Grossi, Logan Mader, Stan Katayama, Ben Schigel, Mark Lewis, Jacob Hansen, Tue Madsen, Eyal Levi, Jason Suecof, Thomas Lang and more… Also, he does mastering for unsigned artists of all genres from all over the world.
Maor has an extensive background with the international music industry – He is well aware of the various music styles and sounds that are developing vastly as today’s technology develops.
To Maor, being a mastering engineer is the best way possible to combine his love and passion for music, with his various skills- objectivity, subjectivity, and technical &amp; artistic prowess. He finds pleasure in his job, more than anything, thanks to the variety of music and sounds he gets to master from all over the world.
It is a profession he takes pride in and masters.
Maor speaks with Matt about moving to the United States from Israel and the challenges he encountered in his economic philosophy and working with clients.
http://www.maorappelbaum.com/

Articles by or about  Maor.
EXPERT ADVICE: BOOST YOUR BUSINESS Faith No More’s New Album Mastered On PMC LoudspeakersCLOSE UP: MAOR APPELBAUM MASTERING</itunes:summary></item><item><title>WCA #061 with TW Walsh</title><itunes:title>WCA #061 with TW Walsh</itunes:title><description><![CDATA[<p>TW Walsh is a solo artist, musician, songwriter, and mastering engineer.&nbsp;As a mastering engineer, TW Walsh&nbsp;has over 700 projects under his&nbsp;belt, including work for Sufjan Stevens, Benjamin Gibbard (Death Cab For Cutie),&nbsp;The Shins, Cold War Kids, Pedro the Lion,&nbsp;David Bazan, Starflyer 59,&nbsp;Kristin Hersh, Clap Your Hands Say Yeah&nbsp;and Damien Jurado.&nbsp;As a&nbsp;songwriter and recording artist, TW was a member of Pedro the Lion, Headphones, and The Soft Drugs and has released several solo albums including his most recent&nbsp;<a href="https://graveface.bandcamp.com/album/fruitless-research" rel="noopener noreferrer" target="_blank">“Fruitless Research”</a>.</p><p>Our discussion covers family, touring, mastering, as well as building his own control surface! Enjoy.</p><ul><li><a href="https://graveface.bandcamp.com/" rel="noopener noreferrer" target="_blank"><strong>Bandcamp Page</strong></a><strong>&nbsp;</strong></li><li><a href="https://itunes.apple.com/us/album/fruitless-research/id1070246093" rel="noopener noreferrer" target="_blank"><strong>iTunes link for Fruitless Research</strong></a></li><li><a href="http://www.twwalshmastering.com/" rel="noopener noreferrer" target="_blank"><strong>TW Walsh Mastering</strong></a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>TW Walsh is a solo artist, musician, songwriter, and mastering engineer.&nbsp;As a mastering engineer, TW Walsh&nbsp;has over 700 projects under his&nbsp;belt, including work for Sufjan Stevens, Benjamin Gibbard (Death Cab For Cutie),&nbsp;The Shins, Cold War Kids, Pedro the Lion,&nbsp;David Bazan, Starflyer 59,&nbsp;Kristin Hersh, Clap Your Hands Say Yeah&nbsp;and Damien Jurado.&nbsp;As a&nbsp;songwriter and recording artist, TW was a member of Pedro the Lion, Headphones, and The Soft Drugs and has released several solo albums including his most recent&nbsp;<a href="https://graveface.bandcamp.com/album/fruitless-research" rel="noopener noreferrer" target="_blank">“Fruitless Research”</a>.</p><p>Our discussion covers family, touring, mastering, as well as building his own control surface! Enjoy.</p><ul><li><a href="https://graveface.bandcamp.com/" rel="noopener noreferrer" target="_blank"><strong>Bandcamp Page</strong></a><strong>&nbsp;</strong></li><li><a href="https://itunes.apple.com/us/album/fruitless-research/id1070246093" rel="noopener noreferrer" target="_blank"><strong>iTunes link for Fruitless Research</strong></a></li><li><a href="http://www.twwalshmastering.com/" rel="noopener noreferrer" target="_blank"><strong>TW Walsh Mastering</strong></a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-061-with-tw-walsh]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1038</guid><itunes:image href="https://artwork.captivate.fm/7b0a2ede-8099-4af9-a07d-9a19d508d0ad/wca-podcast.jpg"/><pubDate>Mon, 15 Feb 2016 17:10:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/65624a02-d2c0-40eb-8c2b-3837fe4e2582.mp3" length="58761080" type="audio/mpeg"/><itunes:duration>01:09:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>61</itunes:episode><podcast:episode>61</podcast:episode><itunes:summary>Working Class Audio Session #061 with TW Walsh!!! TW Walsh who is a solo artist, musician, songwriter and mastering engineer. As a mastering engineer, TW Walsh has over 700 projects under his belt, including work for Sufjan Stevens, Benjamin Gibbard (Death Cab For Cuite), The Shins, Cold War Kids, Pedro the Lion, David Bazan, Starflyer 59, Kristin Hersh, Clap Your Hands […]
 The post WCA #061 with TW Walsh appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #060 with Brian McTear</title><itunes:title>WCA #060 with Brian McTear</itunes:title><description><![CDATA[<p>Brian McTear is a nationally respected record producer, musician, and the owner of one of Philadelphia’s most revered independent recording studios,&nbsp;<a href="http://minerstreet.com/" rel="noopener noreferrer" target="_blank">Miner Street Recordings</a>&nbsp;in&nbsp;<a href="https://en.wikipedia.org/wiki/Fishtown,_Philadelphia" rel="noopener noreferrer" target="_blank">Fishtown</a>. In the 18 years since he moved to the Philadelphia music community, Brian has worked with countless local artists like&nbsp;<a href="https://en.wikipedia.org/wiki/Dr._Dog" rel="noopener noreferrer" target="_blank">Dr. Dog</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Kurt_Vile" rel="noopener noreferrer" target="_blank">Kurt Vile</a>, and&nbsp;<a href="http://www.thewarondrugs.net/" rel="noopener noreferrer" target="_blank">The War on Drugs</a>, as well as national artists like&nbsp;<a href="https://en.wikipedia.org/wiki/Sharon_Van_Etten" rel="noopener noreferrer" target="_blank">Sharon Van Etten</a>&nbsp;and Joan Osborne, whose grammy nominated album “Bring it on Home” he mixed in 2011.</p><p>McTear is also the&nbsp;founder of Weathervane Music , a non profit arts and culture organization whose&nbsp;mission is to advance independent music and the community that surrounds it. In 2010 he created and launched the organization’s flagship series,&nbsp;<a href="http://weathervanemusic.org/shakingthrough" rel="noopener noreferrer" target="_blank">Shaking Through</a>, a documentary series that takes place in Philadelphia and captures the recording studio performances of 7 – 10 select independent musical groups each year as they each record one song in two days. .</p><p>Weathervane’s membership program has allowed thousands of music fans, musicians and home recording enthusiasts, in countries all around the world, the opportunity to download and remix the beautifully captured Shaking Through recordings. More recently, Weathervane has been developing a program to provide teaching materials for college and university recording programs, a project that will change the way future engineers learn to record music.</p><p>Brian and Matt chat over Skype about Miner Street and Weathervane music as well as the music business as a whole. Special thanks to&nbsp;WCA listener and Weathervane Music member&nbsp;Bob Bailey for his many messages that finally got Matt off his ass to check into Brian and his amazing ventures!</p>]]></description><content:encoded><![CDATA[<p>Brian McTear is a nationally respected record producer, musician, and the owner of one of Philadelphia’s most revered independent recording studios,&nbsp;<a href="http://minerstreet.com/" rel="noopener noreferrer" target="_blank">Miner Street Recordings</a>&nbsp;in&nbsp;<a href="https://en.wikipedia.org/wiki/Fishtown,_Philadelphia" rel="noopener noreferrer" target="_blank">Fishtown</a>. In the 18 years since he moved to the Philadelphia music community, Brian has worked with countless local artists like&nbsp;<a href="https://en.wikipedia.org/wiki/Dr._Dog" rel="noopener noreferrer" target="_blank">Dr. Dog</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Kurt_Vile" rel="noopener noreferrer" target="_blank">Kurt Vile</a>, and&nbsp;<a href="http://www.thewarondrugs.net/" rel="noopener noreferrer" target="_blank">The War on Drugs</a>, as well as national artists like&nbsp;<a href="https://en.wikipedia.org/wiki/Sharon_Van_Etten" rel="noopener noreferrer" target="_blank">Sharon Van Etten</a>&nbsp;and Joan Osborne, whose grammy nominated album “Bring it on Home” he mixed in 2011.</p><p>McTear is also the&nbsp;founder of Weathervane Music , a non profit arts and culture organization whose&nbsp;mission is to advance independent music and the community that surrounds it. In 2010 he created and launched the organization’s flagship series,&nbsp;<a href="http://weathervanemusic.org/shakingthrough" rel="noopener noreferrer" target="_blank">Shaking Through</a>, a documentary series that takes place in Philadelphia and captures the recording studio performances of 7 – 10 select independent musical groups each year as they each record one song in two days. .</p><p>Weathervane’s membership program has allowed thousands of music fans, musicians and home recording enthusiasts, in countries all around the world, the opportunity to download and remix the beautifully captured Shaking Through recordings. More recently, Weathervane has been developing a program to provide teaching materials for college and university recording programs, a project that will change the way future engineers learn to record music.</p><p>Brian and Matt chat over Skype about Miner Street and Weathervane music as well as the music business as a whole. Special thanks to&nbsp;WCA listener and Weathervane Music member&nbsp;Bob Bailey for his many messages that finally got Matt off his ass to check into Brian and his amazing ventures!</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-060-with-brian-mctear]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1028</guid><itunes:image href="https://artwork.captivate.fm/2e8546a6-936d-4263-bf86-988487496000/wca-podcast.jpg"/><pubDate>Mon, 08 Feb 2016 18:02:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/482811db-b616-4dfc-a1e1-057a5e2f8b01.mp3" length="47821426" type="audio/mpeg"/><itunes:duration>01:06:25</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>60</itunes:episode><podcast:episode>60</podcast:episode><itunes:summary>Working Class Audio Session #060 with Brian McTear!!! Brian McTear is a nationally respected record producer, musician, and the owner of one of Philadelphia’s most revered independent recording studios, Miner Street Recordings in Fishtown. In the 18 years since he moved to the Philadelphia music community, Brian has worked with countless local artists like Dr. […]
 The post WCA #060 with Brian McTear appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #059 with Tardon Feathered</title><itunes:title>WCA #059 with Tardon Feathered</itunes:title><description><![CDATA[<p>Tardon Feathered runs an audio operation that keeps recordings alive. His&nbsp;<a href="http://mrtoads.com/" rel="noopener noreferrer" target="_blank">Mr. Toads&nbsp;</a>transfer business specializes in bringing back audio off of media made on machines that are no longer made or very few people have. Whether it’s a priceless family 3″ tape recording, that lost bandmaster on the 8 track, a live recording on a videocassette that doesn’t look anything like VHS, or even 78 rpm records, he is&nbsp;equipped to transfer most anything.&nbsp;These days, it’s not too big of a stretch to include digital sources such as floppy discs, Syquest, Jaz, DVD-RAM, and MO drives as near-obsolete formats because of the difficulty in finding any units to play them back on.&nbsp;Tardon is&nbsp;able to handle simple projects like the transfer of priceless 16, 33, 45, and 78 rpm recordings, to complete restorations of tape libraries (including tape baking and splice replacement!) and transfer them to whatever digital format you need via the highest quality signal chain available. It would be near impossible to make a list of the formats he is&nbsp;able to work on, but I think you get the idea. You can hear some of his work on the site&nbsp;<a href="http://www.wolfgangsvault.com/download/" rel="noopener noreferrer" target="_blank">Wolfgangs Vault</a>&nbsp;where Tardon helped digitally transfer the entire catalog. Want to hear a Little Feat show from 1975 or a Police show from 1979? That’s all possible due to Tardon’s expertise in outdated formats and how to handle them.</p><p>Matt went out to Vallejo, California to talk with Tardon and his trusty dog Verna about his recent move out of San Francisco and the nature of his business.</p>]]></description><content:encoded><![CDATA[<p>Tardon Feathered runs an audio operation that keeps recordings alive. His&nbsp;<a href="http://mrtoads.com/" rel="noopener noreferrer" target="_blank">Mr. Toads&nbsp;</a>transfer business specializes in bringing back audio off of media made on machines that are no longer made or very few people have. Whether it’s a priceless family 3″ tape recording, that lost bandmaster on the 8 track, a live recording on a videocassette that doesn’t look anything like VHS, or even 78 rpm records, he is&nbsp;equipped to transfer most anything.&nbsp;These days, it’s not too big of a stretch to include digital sources such as floppy discs, Syquest, Jaz, DVD-RAM, and MO drives as near-obsolete formats because of the difficulty in finding any units to play them back on.&nbsp;Tardon is&nbsp;able to handle simple projects like the transfer of priceless 16, 33, 45, and 78 rpm recordings, to complete restorations of tape libraries (including tape baking and splice replacement!) and transfer them to whatever digital format you need via the highest quality signal chain available. It would be near impossible to make a list of the formats he is&nbsp;able to work on, but I think you get the idea. You can hear some of his work on the site&nbsp;<a href="http://www.wolfgangsvault.com/download/" rel="noopener noreferrer" target="_blank">Wolfgangs Vault</a>&nbsp;where Tardon helped digitally transfer the entire catalog. Want to hear a Little Feat show from 1975 or a Police show from 1979? That’s all possible due to Tardon’s expertise in outdated formats and how to handle them.</p><p>Matt went out to Vallejo, California to talk with Tardon and his trusty dog Verna about his recent move out of San Francisco and the nature of his business.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-059-with-tardon-feathered]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1020</guid><itunes:image href="https://artwork.captivate.fm/2cc18452-ee1b-4567-9c48-045e699bc58f/wca-podcast.jpg"/><pubDate>Mon, 01 Feb 2016 18:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/dcf8a1f6-b90c-4fda-a9ed-8ab7f86f8f8a.mp3" length="33091830" type="audio/mpeg"/><itunes:duration>45:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>59</itunes:episode><podcast:episode>59</podcast:episode><itunes:summary>Working Class Audio Session #059 with Tardon Feathered!!! Tardon Feathered runs an audio operation that keeps recordings alive. His Mr. Toads transfer business specializes in bringing back audio off of media made on machines that are no longer made or very few people have. Whether it’s a priceless family 3″ tape recording, that lost band master on […]
 The post WCA #059 with Tardon Feathered appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #058 with Jim Scott</title><itunes:title>WCA #058 with Jim Scott</itunes:title><description><![CDATA[<p>This&nbsp;interview with Jim Scott was recorded live at the Focal booth at NAMM 2016 was fantastic.&nbsp;Jim is&nbsp;best known for his large body of work as an engineer and his work as a producer with the American rock band&nbsp;<a href="https://en.wikipedia.org/wiki/Wilco" rel="noopener noreferrer" target="_blank">Wilco</a>.</p><p>Jim has worked as an engineer with a range of other rock music artists, including Dixie Chicks, Tom Petty, Sting, the Rolling Stones, Roger Daltrey, Crowded House, 7 Worlds Collide, Red Hot Chili Peppers, Lowen &amp; Navarro, Jack’s Mannequin, Ron Sexsmith and many others. Scott won a Grammy Award for his work as an engineer on Red Hot Chili Peppers’ benchmark album&nbsp;<a href="https://en.wikipedia.org/wiki/Californication_(album)" rel="noopener noreferrer" target="_blank"><em>Californication</em></a>&nbsp;(which he also mixed), as well as for engineering Tom Petty’s&nbsp;<a href="https://en.wikipedia.org/wiki/Wildflowers_(Tom_Petty_album)" rel="noopener noreferrer" target="_blank"><em>Wildflowers</em></a>, mixing the Foo Fighters’&nbsp;<em>One By One</em>, doing engineering work on Santana’s&nbsp;<em>Supernatural</em>, and getting three Grammys for his work on the Dixie Chicks’&nbsp;<em>Taking The Long Way</em>. He also mixed Matchbox Twenty’s “More Than You Think You Are” which reached a no. 6 on the US Billboard 200 and had two Top10 singles on the US Hot100.</p><p>In 2013 he participated in the movie&nbsp;<a href="https://en.wikipedia.org/wiki/Sound_City_(film)" rel="noopener noreferrer" target="_blank"><em>Sound City</em></a>, by Dave Grohl (Foo Fighters), along with many others such as Paul McCartney, Butch Vig, Neil Young and Tom Petty. The movie was about the Neve console and its many visitors over the years, through the studio of Sound City, which by the way was where Nirvana’s Nevermind was recorded.</p><p>Jim and Matt discuss doing a job well no matter what that job is, including scrubbing toilets. They also discuss shrinking budgets and his Neve console.</p><p>Photo by Kerry Rose.</p>]]></description><content:encoded><![CDATA[<p>This&nbsp;interview with Jim Scott was recorded live at the Focal booth at NAMM 2016 was fantastic.&nbsp;Jim is&nbsp;best known for his large body of work as an engineer and his work as a producer with the American rock band&nbsp;<a href="https://en.wikipedia.org/wiki/Wilco" rel="noopener noreferrer" target="_blank">Wilco</a>.</p><p>Jim has worked as an engineer with a range of other rock music artists, including Dixie Chicks, Tom Petty, Sting, the Rolling Stones, Roger Daltrey, Crowded House, 7 Worlds Collide, Red Hot Chili Peppers, Lowen &amp; Navarro, Jack’s Mannequin, Ron Sexsmith and many others. Scott won a Grammy Award for his work as an engineer on Red Hot Chili Peppers’ benchmark album&nbsp;<a href="https://en.wikipedia.org/wiki/Californication_(album)" rel="noopener noreferrer" target="_blank"><em>Californication</em></a>&nbsp;(which he also mixed), as well as for engineering Tom Petty’s&nbsp;<a href="https://en.wikipedia.org/wiki/Wildflowers_(Tom_Petty_album)" rel="noopener noreferrer" target="_blank"><em>Wildflowers</em></a>, mixing the Foo Fighters’&nbsp;<em>One By One</em>, doing engineering work on Santana’s&nbsp;<em>Supernatural</em>, and getting three Grammys for his work on the Dixie Chicks’&nbsp;<em>Taking The Long Way</em>. He also mixed Matchbox Twenty’s “More Than You Think You Are” which reached a no. 6 on the US Billboard 200 and had two Top10 singles on the US Hot100.</p><p>In 2013 he participated in the movie&nbsp;<a href="https://en.wikipedia.org/wiki/Sound_City_(film)" rel="noopener noreferrer" target="_blank"><em>Sound City</em></a>, by Dave Grohl (Foo Fighters), along with many others such as Paul McCartney, Butch Vig, Neil Young and Tom Petty. The movie was about the Neve console and its many visitors over the years, through the studio of Sound City, which by the way was where Nirvana’s Nevermind was recorded.</p><p>Jim and Matt discuss doing a job well no matter what that job is, including scrubbing toilets. They also discuss shrinking budgets and his Neve console.</p><p>Photo by Kerry Rose.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-058-with-jim-scott]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=1002</guid><itunes:image href="https://artwork.captivate.fm/497cd54d-1ca5-4ea5-9af9-404c3c2d0318/wca-podcast.jpg"/><pubDate>Mon, 25 Jan 2016 20:38:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/64bf0fc7-959f-4857-8377-32bbed80e904.mp3" length="59060782" type="audio/mpeg"/><itunes:duration>01:22:02</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>58</itunes:episode><podcast:episode>58</podcast:episode><itunes:summary>Working Class Audio Session #058 with Jim Scott!!! This interview with Jim Scott was recorded live at the Focal booth at NAMM 2016 was fantastic.  Jim is best known for his large body of work as an engineer, and his work as a producer with American rock band Wilco. Jim  has worked as engineer with a range of […]
 The post WCA #058 with Jim Scott appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #057 with The Pellicci Brothers</title><itunes:title>WCA #057 with The Pellicci Brothers</itunes:title><description><![CDATA[<p>The Pellicci brothers Jay and Ian, spent&nbsp;13 years as staff engineers at&nbsp;<a href="http://www.tinytelephone.com/" rel="noopener noreferrer" target="_blank"><strong>Tiny Telephone</strong></a>&nbsp;&nbsp;working with bands like&nbsp;<strong>Sleater-Kinney, Deerhoof, Birds and Batteries and Rogue Wave</strong>. Since then they have expanded their recording universe&nbsp;and have joined&nbsp;<strong>Eli Crews</strong>&nbsp;and&nbsp;<strong>John Finkbeiner</strong>&nbsp;&nbsp;in a&nbsp;partnership at&nbsp;<a href="http://newimprovedrecording.com/" rel="noopener noreferrer" target="_blank"><strong>New Improved Recording</strong></a>. While they still work at many other studios including Tiny, New Improved acts as a sort of home base. Since coming on board at NIR, they have given the studio a complete makeover that included replacing the AMEK Einstein with a lovely highly customized&nbsp;5316 series Neve and added burlap covered acoustic treatment on the walls. The brothers came to the<strong>&nbsp;Bay Area</strong>&nbsp;on a family vacation when they were kids. During that vacation their father stumbled&nbsp;upon a job opportunity in&nbsp;<strong>Silicon Valley</strong>&nbsp;and the family ended up staying and&nbsp;living in&nbsp;<a href="https://en.wikipedia.org/wiki/Fremont,_California" rel="noopener noreferrer" target="_blank"><strong>Fremont, California</strong></a>.</p><p>Matt and the Pellicci brothers discuss the studio makeover, their deep devotion of time and money to the recording world,&nbsp;and the Neve console that is the centerpiece of New Improved.</p>]]></description><content:encoded><![CDATA[<p>The Pellicci brothers Jay and Ian, spent&nbsp;13 years as staff engineers at&nbsp;<a href="http://www.tinytelephone.com/" rel="noopener noreferrer" target="_blank"><strong>Tiny Telephone</strong></a>&nbsp;&nbsp;working with bands like&nbsp;<strong>Sleater-Kinney, Deerhoof, Birds and Batteries and Rogue Wave</strong>. Since then they have expanded their recording universe&nbsp;and have joined&nbsp;<strong>Eli Crews</strong>&nbsp;and&nbsp;<strong>John Finkbeiner</strong>&nbsp;&nbsp;in a&nbsp;partnership at&nbsp;<a href="http://newimprovedrecording.com/" rel="noopener noreferrer" target="_blank"><strong>New Improved Recording</strong></a>. While they still work at many other studios including Tiny, New Improved acts as a sort of home base. Since coming on board at NIR, they have given the studio a complete makeover that included replacing the AMEK Einstein with a lovely highly customized&nbsp;5316 series Neve and added burlap covered acoustic treatment on the walls. The brothers came to the<strong>&nbsp;Bay Area</strong>&nbsp;on a family vacation when they were kids. During that vacation their father stumbled&nbsp;upon a job opportunity in&nbsp;<strong>Silicon Valley</strong>&nbsp;and the family ended up staying and&nbsp;living in&nbsp;<a href="https://en.wikipedia.org/wiki/Fremont,_California" rel="noopener noreferrer" target="_blank"><strong>Fremont, California</strong></a>.</p><p>Matt and the Pellicci brothers discuss the studio makeover, their deep devotion of time and money to the recording world,&nbsp;and the Neve console that is the centerpiece of New Improved.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-057-with-the-pellicci-brothers]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=994</guid><itunes:image href="https://artwork.captivate.fm/8bcab150-4add-46c6-a028-50f21dd0a831/wca-podcast.jpg"/><pubDate>Mon, 18 Jan 2016 17:01:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c5cbba74-13a0-4095-881c-6e420dc7bcc4.mp3" length="106678678" type="audio/mpeg"/><itunes:duration>44:27</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>57</itunes:episode><podcast:episode>57</podcast:episode><itunes:summary>Working Class Audio Session #057 with The Pellicci Brothers!!! The Pellicci brothers Jay and Ian, spent  13 years as staff engineers at Tiny Telephone  working with bands like Sleater-Kinney, Deerhoof, Birds and Batteries and Rogue Wave. Since then they have expanded their recording universe and have joined Eli Crews and John Finkbeiner  in a  partnership at New […]
 The post  WCA #057 with The Pellicci Brothers appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #056 with Josh Roberts</title><itunes:title>WCA #056 with Josh Roberts</itunes:title><description><![CDATA[<p>I’ve known Josh Roberts for over 20 years now. He’s humble, fun, and one of the best human beings I know. He doesn’t waste time trying to impress people. To highlight that he doesn’t even have a web page, bio, Facebook page etc… He’s passionate about making records and is really good at letting people be themselves. I’ve been in a couple studio situations with him, I’ve toured with him and he was at my wedding. The guy is honestly in many ways from another time period. As a live sound person he has done sound from bands like the Squirrel Nut Zippers to politicians.&nbsp;As a studio rat he has worked with many including Jack Dangers of<a href="https://en.wikipedia.org/wiki/Meat_Beat_Manifesto" rel="noopener noreferrer" target="_blank">&nbsp;Meat Beat Manifesto</a>. Santo, his new studio is a true incarnation of what Josh is about.&nbsp;Josh is a dear friend who I’ve learned a ton from over the years, so it with great pleasure I hand this interview over to the WCA audience to hear. Cheers, Matt</p>]]></description><content:encoded><![CDATA[<p>I’ve known Josh Roberts for over 20 years now. He’s humble, fun, and one of the best human beings I know. He doesn’t waste time trying to impress people. To highlight that he doesn’t even have a web page, bio, Facebook page etc… He’s passionate about making records and is really good at letting people be themselves. I’ve been in a couple studio situations with him, I’ve toured with him and he was at my wedding. The guy is honestly in many ways from another time period. As a live sound person he has done sound from bands like the Squirrel Nut Zippers to politicians.&nbsp;As a studio rat he has worked with many including Jack Dangers of<a href="https://en.wikipedia.org/wiki/Meat_Beat_Manifesto" rel="noopener noreferrer" target="_blank">&nbsp;Meat Beat Manifesto</a>. Santo, his new studio is a true incarnation of what Josh is about.&nbsp;Josh is a dear friend who I’ve learned a ton from over the years, so it with great pleasure I hand this interview over to the WCA audience to hear. Cheers, Matt</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-056-with-josh-roberts]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=989</guid><itunes:image href="https://artwork.captivate.fm/816e88a4-4e16-4a2d-839f-1d43c69f39ae/wca-podcast.jpg"/><pubDate>Mon, 11 Jan 2016 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/71aaa2e5-8af8-45a1-acfd-b66f55eee5ac.mp3" length="38331698" type="audio/mpeg"/><itunes:duration>53:14</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>56</itunes:episode><podcast:episode>56</podcast:episode><itunes:summary>Working Class Audio Session #056 with Josh Roberts!!! I’ve known Josh Roberts for over 20 years now. He’s humble, fun, and one of the best human beings I know. He doesn’t waste time trying to impress people. To highlight that he doesn’t even have a web page, bio, Facebook page etc… He’s passionate about making […]
 The post WCA #056 with Josh Roberts appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #055 with Ben Bernstein</title><itunes:title>WCA #055 with Ben Bernstein</itunes:title><description><![CDATA[<p>Producer/Engineer Ben Bernstein has worked extensively as a music producer and recording engineer. In recent years Ben has been working in game audio as a sound designer &amp; project manager. He has also mixed several documentary films, online ads, and interactive in-app ads. Working with&nbsp;<a href="https://en.wikipedia.org/wiki/Disney_Mobile" rel="noopener noreferrer" target="_blank">Disney Mobile</a>,&nbsp;<a href="http://www.pyramind.com/studios/" rel="noopener noreferrer" target="_blank">Pyramind Sound</a>,&nbsp;<a href="http://www.kfog.com/" rel="noopener noreferrer" target="_blank">KFOG</a>&nbsp;, Microsoft as well as numerous Bay Area bands, Ben keeps his audio world diversified. Ben is also an incredible in-demand live and session bass player who has taught at the famous&nbsp;<a href="http://bluebearmusic.org/" rel="noopener noreferrer" target="_blank">Blue Bear School of Music</a>.&nbsp;Matt joins Ben at his home studio (Petting Zoo) for a chat that took place on New Years eve.</p>]]></description><content:encoded><![CDATA[<p>Producer/Engineer Ben Bernstein has worked extensively as a music producer and recording engineer. In recent years Ben has been working in game audio as a sound designer &amp; project manager. He has also mixed several documentary films, online ads, and interactive in-app ads. Working with&nbsp;<a href="https://en.wikipedia.org/wiki/Disney_Mobile" rel="noopener noreferrer" target="_blank">Disney Mobile</a>,&nbsp;<a href="http://www.pyramind.com/studios/" rel="noopener noreferrer" target="_blank">Pyramind Sound</a>,&nbsp;<a href="http://www.kfog.com/" rel="noopener noreferrer" target="_blank">KFOG</a>&nbsp;, Microsoft as well as numerous Bay Area bands, Ben keeps his audio world diversified. Ben is also an incredible in-demand live and session bass player who has taught at the famous&nbsp;<a href="http://bluebearmusic.org/" rel="noopener noreferrer" target="_blank">Blue Bear School of Music</a>.&nbsp;Matt joins Ben at his home studio (Petting Zoo) for a chat that took place on New Years eve.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-055-with-ben-bernstein]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=982</guid><itunes:image href="https://artwork.captivate.fm/08e3a302-b94f-42c0-ab44-c64a5fd60b15/wca-podcast.jpg"/><pubDate>Mon, 04 Jan 2016 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b91187d2-1ff3-4931-89f9-2e11ffc2d8dc.mp3" length="37583150" type="audio/mpeg"/><itunes:duration>01:02:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>55</itunes:episode><podcast:episode>55</podcast:episode><itunes:summary>Working Class Audio Session #055 with Ben Bernstein!!! Producer/Engineer Ben Bernstein has worked extensively as a music producer and recording engineer. In recent years Ben has been working in game audio as a sound designer &amp; project manager. He has also mixed several documentary films, online ads, and interactive in-app ads. Working with  Disney Mobile, […]
 The post WCA #055 with Ben Bernstein appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #054 with Sebastien Richard</title><itunes:title>WCA #054 with Sebastien Richard</itunes:title><description><![CDATA[<p>After getting his audio education Sebastien Richard&nbsp;took a position as the head audio engineer at Coast Recorders in San Francisco and quickly became a mainstay in the crowded San Francisco audio world. Sebastien went on to spend&nbsp;a few years in NYC and Prague where he toured and helped produce some of the biggest pop acts in the world. He then&nbsp;returned to San Francisco&nbsp;to become the lead audio engineer for the legendary Cafe Du Nord and opened up&nbsp;&nbsp;Mission Recorders, an up and coming recording studio that has the claim to be one of the few in the city with an all original issue Neve console. He also is FOH for various venues including&nbsp;<a href="https://www.facebook.com/slimssf" rel="noopener noreferrer" target="_blank">Slims</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Great_American_Music_Hall" rel="noopener noreferrer" target="_blank">Great American Music Hall&nbsp;</a>and&nbsp;<a href="http://www.thechapelsf.com/" rel="noopener noreferrer" target="_blank">The Chapel</a>.</p><p>Matt and Sebastien discuss running a studio, building your own equipment, touring, corporate audio and the ability to mix for 5000 people after having surgery!</p>]]></description><content:encoded><![CDATA[<p>After getting his audio education Sebastien Richard&nbsp;took a position as the head audio engineer at Coast Recorders in San Francisco and quickly became a mainstay in the crowded San Francisco audio world. Sebastien went on to spend&nbsp;a few years in NYC and Prague where he toured and helped produce some of the biggest pop acts in the world. He then&nbsp;returned to San Francisco&nbsp;to become the lead audio engineer for the legendary Cafe Du Nord and opened up&nbsp;&nbsp;Mission Recorders, an up and coming recording studio that has the claim to be one of the few in the city with an all original issue Neve console. He also is FOH for various venues including&nbsp;<a href="https://www.facebook.com/slimssf" rel="noopener noreferrer" target="_blank">Slims</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Great_American_Music_Hall" rel="noopener noreferrer" target="_blank">Great American Music Hall&nbsp;</a>and&nbsp;<a href="http://www.thechapelsf.com/" rel="noopener noreferrer" target="_blank">The Chapel</a>.</p><p>Matt and Sebastien discuss running a studio, building your own equipment, touring, corporate audio and the ability to mix for 5000 people after having surgery!</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-054-with-sebastien-richard]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=970</guid><itunes:image href="https://artwork.captivate.fm/97da1fc4-8af9-4318-b5b6-9ec88cf0e785/wca-podcast.jpg"/><pubDate>Sun, 27 Dec 2015 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/14db7563-d837-49b9-9527-dae4821cf8a3.mp3" length="47172860" type="audio/mpeg"/><itunes:duration>01:05:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>54</itunes:episode><podcast:episode>54</podcast:episode><itunes:summary>Working Class Audio Session #054 with Sebastien Richard!!! After getting his audio education Sebastien Richard  took a position as the head audio engineer at Coast Recorders in San Francisco and quickly became a mainstay in the crowded San Francisco audio world. Sebastien went on to spend a few years in NYC and Prague where he toured […]
 The post WCA #054 with Sebastien Richard appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #053 with Darrell Thorp</title><itunes:title>WCA #053 with Darrell Thorp</itunes:title><description><![CDATA[<p>Darrell Thorp is a seven time Grammy Award winning (<a href="https://en.wikipedia.org/wiki/Outkast" rel="noopener noreferrer" target="_blank">OutKast</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Radiohead" rel="noopener noreferrer" target="_blank">Radiohead</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Switchfoot" rel="noopener noreferrer" target="_blank">Switchfoot</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Molotov_(band)" rel="noopener noreferrer" target="_blank">Molotov</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Beck" rel="noopener noreferrer" target="_blank">Beck</a>) producer, mixer, engineer with over 18 years experience under his belt and many multi platinum records to his discography.&nbsp;Darrell moved to Los Angles in 1997 after a 4 year service in the U.S. Navy and started interning at smaller studios and eventually worked his way up to an Assistant Engineer at some of L.A.’s prestigious studios such as Track Record, Conway, and finally Ocean Way Recording.&nbsp;It was at Ocean Way recording that Darrell meet famed Radiohead producer&nbsp;<a href="https://en.wikipedia.org/wiki/Nigel_Godrich" rel="noopener noreferrer" target="_blank">Nigel Godrich</a>.&nbsp;Shortly after meeting Godrich, Darrell became his full time engineer and ended up recording Beck’s “Sea Change”, Radiohead’s “Hail to The Thief”, Paul McCartney’s “Chaos and Creation In The Back Yard” and many others.&nbsp;Currently Darrell is splitting his time between mixing various records and projects and producing.&nbsp;Darrell has had the pleasure of being the principle recording engineer on Beck’s “Morning Phase” which granted him 3 additional Grammys for Best Engineered Album, Rock Album of the Year, and Album of the Year.</p><p>Matt and Darrell talk about his time in the Navy and its influence on his recording career, the influence of Nigel Godrich, pacing yourself in the studio as well mixing in the box.</p>]]></description><content:encoded><![CDATA[<p>Darrell Thorp is a seven time Grammy Award winning (<a href="https://en.wikipedia.org/wiki/Outkast" rel="noopener noreferrer" target="_blank">OutKast</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Radiohead" rel="noopener noreferrer" target="_blank">Radiohead</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Switchfoot" rel="noopener noreferrer" target="_blank">Switchfoot</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Molotov_(band)" rel="noopener noreferrer" target="_blank">Molotov</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Beck" rel="noopener noreferrer" target="_blank">Beck</a>) producer, mixer, engineer with over 18 years experience under his belt and many multi platinum records to his discography.&nbsp;Darrell moved to Los Angles in 1997 after a 4 year service in the U.S. Navy and started interning at smaller studios and eventually worked his way up to an Assistant Engineer at some of L.A.’s prestigious studios such as Track Record, Conway, and finally Ocean Way Recording.&nbsp;It was at Ocean Way recording that Darrell meet famed Radiohead producer&nbsp;<a href="https://en.wikipedia.org/wiki/Nigel_Godrich" rel="noopener noreferrer" target="_blank">Nigel Godrich</a>.&nbsp;Shortly after meeting Godrich, Darrell became his full time engineer and ended up recording Beck’s “Sea Change”, Radiohead’s “Hail to The Thief”, Paul McCartney’s “Chaos and Creation In The Back Yard” and many others.&nbsp;Currently Darrell is splitting his time between mixing various records and projects and producing.&nbsp;Darrell has had the pleasure of being the principle recording engineer on Beck’s “Morning Phase” which granted him 3 additional Grammys for Best Engineered Album, Rock Album of the Year, and Album of the Year.</p><p>Matt and Darrell talk about his time in the Navy and its influence on his recording career, the influence of Nigel Godrich, pacing yourself in the studio as well mixing in the box.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-053-with-darrell-thorp]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=961</guid><itunes:image href="https://artwork.captivate.fm/1b79d47d-ced9-4590-8e30-69d43dd98950/wca-podcast.jpg"/><pubDate>Mon, 21 Dec 2015 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/64e02594-dd46-4c65-a4f4-78a5e24f5732.mp3" length="40300352" type="audio/mpeg"/><itunes:duration>55:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>53</itunes:episode><podcast:episode>53</podcast:episode><itunes:summary>Working Class Audio Session #053 with Darrell Thorp!!! Darrell Thorp is a seven time Grammy Award winning (OutKast, Radiohead, Switchfoot, Molotov, Beck) producer, mixer, engineer with over 18 years experience under his belt and many multi platinum records to his discography.  Darrell moved to Los Angles in 1997 after a 4 year service in the […]
 The post WCA #053 with Darrell Thorp appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #052 with Robert Preston</title><itunes:title>WCA #052 with Robert Preston</itunes:title><description><![CDATA[<p>After 10 years working as a sales rep for a pro audio and recording equipment distributer, Robert Preston&nbsp;made the plunge into recording full-time by opening a recording studio (<a href="http://www.getreelpro.com/" rel="noopener noreferrer" target="_blank">GetReel</a>) and locating it inside a rehearsal facility (<a href="http://www.secretstudios.com/" rel="noopener noreferrer" target="_blank">Secret Studios</a>) surrounded by bands!&nbsp;As one would imagine&nbsp;Robert&nbsp;gets&nbsp;a lot of business directly from the many bands rehearsing in the building, since&nbsp;it’s&nbsp;easy for them to take their gear down the hall to GetReel. After 10 years in the first incarnation of the studio then 13 years in the “new” studio, Robert continues a steady stream of work.&nbsp;As Robert says, “I still love working with and recording bands and singer-songwriters and helping them with their projects and visions of their music.&nbsp;I come at the recording process from a player’s perspective. I’ve built the studio with the players in mind, and I think it shows.”</p><p>Matt and Robert dissect Robert’s&nbsp;recording situation and talk gear, money, location and the pros and cons of growing.</p>]]></description><content:encoded><![CDATA[<p>After 10 years working as a sales rep for a pro audio and recording equipment distributer, Robert Preston&nbsp;made the plunge into recording full-time by opening a recording studio (<a href="http://www.getreelpro.com/" rel="noopener noreferrer" target="_blank">GetReel</a>) and locating it inside a rehearsal facility (<a href="http://www.secretstudios.com/" rel="noopener noreferrer" target="_blank">Secret Studios</a>) surrounded by bands!&nbsp;As one would imagine&nbsp;Robert&nbsp;gets&nbsp;a lot of business directly from the many bands rehearsing in the building, since&nbsp;it’s&nbsp;easy for them to take their gear down the hall to GetReel. After 10 years in the first incarnation of the studio then 13 years in the “new” studio, Robert continues a steady stream of work.&nbsp;As Robert says, “I still love working with and recording bands and singer-songwriters and helping them with their projects and visions of their music.&nbsp;I come at the recording process from a player’s perspective. I’ve built the studio with the players in mind, and I think it shows.”</p><p>Matt and Robert dissect Robert’s&nbsp;recording situation and talk gear, money, location and the pros and cons of growing.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-052-with-robert-preston]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=950</guid><itunes:image href="https://artwork.captivate.fm/ee306b05-727b-4b32-9ce0-6666a4d60b4b/wca-podcast.jpg"/><pubDate>Mon, 14 Dec 2015 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/0ae3f824-5dc6-4eb9-bcc5-fde09380b64b.mp3" length="47513000" type="audio/mpeg"/><itunes:duration>01:05:59</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>52</itunes:episode><podcast:episode>52</podcast:episode><itunes:summary>Working Class Audio Session #052  with Robert Preston!!! After 10 years working as a sales rep for a pro audio and recording equipment distributer, Robert Preston  made the plunge into recording full-time by opening a recording studio (GetReel) and locating it inside a rehearsal facility (Secret Studios) surrounded by bands! As one would imagine  Robert gets a lot […]
 The post WCA #052 with Robert Preston appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #051 with Peter Doell</title><itunes:title>WCA #051 with Peter Doell</itunes:title><description><![CDATA[<p>Growing up in a house filled with music Peter studied the ʻclassicsʼ by day, but escaped&nbsp;to play – way underaged – at night in bars &amp; clubs to gain the requisite “chops” – playing&nbsp;rock, blues, and jazz throughout high school. Although entering college in a pre-med&nbsp;program, he quickly re-found his musical bearings, and graduated with a degree in&nbsp;Electronic Music Composition! Upon completion of his degree, he went on to be a&nbsp;journeyman musician and engineer, and after several years working in recording studios&nbsp;in Boston, relocated to LA in 1980.&nbsp;His entrance into the recording scene there was facilitated by his technical background,&nbsp;and got a staff position at&nbsp;<a href="https://en.wikipedia.org/wiki/Capitol_Studios" rel="noopener noreferrer" target="_blank">Capitol Studios</a>&nbsp;as a studio tech. But he quickly got “in the&nbsp;trenches” – in sessions there, recording everyone from Prince, Frank Sinatra, David&nbsp;Lee Roth, the Stray Cats and Miles Davis along the way.</p><p>The lure of films took him away from Capitol after 15 years, and he took a staff position&nbsp;at Sony Pictures Entertainment doing scoring. While there, his efforts were heard in&nbsp;films like “<a href="https://en.wikipedia.org/wiki/Black_Hawk_Down_(film)" rel="noopener noreferrer" target="_blank">Black Hawk Down</a>”, “<a href="https://en.wikipedia.org/wiki/The_Patriot_(2000_film)" rel="noopener noreferrer" target="_blank">The Patriot</a>” and “<a href="https://en.wikipedia.org/wiki/Road_to_Perdition" rel="noopener noreferrer" target="_blank">Road To Perdition</a>”.</p><p>Then he felt a desire to return to sound-only media – and has been a part of Universal&nbsp;Mastering Studios in Hollywood for the last 10 years. While there, Peter has mastered&nbsp;hundreds of projects for the likes of&nbsp;<a href="https://en.wikipedia.org/wiki/Robin_Thicke" rel="noopener noreferrer" target="_blank">Robin Thicke</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Fergie_(singer)" rel="noopener noreferrer" target="_blank">Fergie</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Steve_Lukather" rel="noopener noreferrer" target="_blank">Steve Lukather</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/War_(band)" rel="noopener noreferrer" target="_blank">WAR</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Marilyn_Manson" rel="noopener noreferrer" target="_blank">Marilyn Manson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/John_Waite" rel="noopener noreferrer" target="_blank">John Waite</a>&nbsp;and many more. While just a few years ago, much of&nbsp;Peterʼs schedule was filled with mixing the music for&nbsp;<a href="https://en.wikipedia.org/wiki/Rock_Band_(video_game)" rel="noopener noreferrer" target="_blank">Rock Band&nbsp;</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Guitar_Hero" rel="noopener noreferrer" target="_blank">Guitar Hero&nbsp;</a>video games where artists from the Universal roster were being featured.&nbsp;Nowadays, he still mixes a few projects, recently for artists such as Toby Keith, Rachel&nbsp;MacFarlane,&nbsp;<a href="https://en.wikipedia.org/wiki/Rhiannon" rel="noopener noreferrer" target="_blank">Rhiannon</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Otmaro_Ru%C3%ADz" rel="noopener noreferrer" target="_blank">Otmaro Ruiz</a>.</p><p>The recording scene nowadays has changed so much in the last decade. Peter has&nbsp;seen many of the old-guard first-call studios – AND engineers – fall by the boards as the&nbsp;new wave of record-making takes hold. But sitting at the “finish-line”, or Mastering, gives&nbsp;him a very valuable insight into what has become paramount in the making of modern&nbsp;recordings. He is here to share some of that with you.</p><p>Matt and Pete discuss age, what makes&nbsp;<a href="http://www.umldigitalops.com/ums/engineers.html" rel="noopener noreferrer" target="_blank">Universal Mastering</a>&nbsp;special, working at facility versus working as a freelancer, low-end management, Pete’s new video series&nbsp;<a href="http://starchamber.tv/series/inside-the-star-chamber" rel="noopener noreferrer" target="_blank">The Star Chamber</a>, and the brilliance of&nbsp;<a href="https://en.wikipedia.org/wiki/Al_Schmitt" rel="noopener noreferrer" target="_blank">Al Schmitt</a>.</p>]]></description><content:encoded><![CDATA[<p>Growing up in a house filled with music Peter studied the ʻclassicsʼ by day, but escaped&nbsp;to play – way underaged – at night in bars &amp; clubs to gain the requisite “chops” – playing&nbsp;rock, blues, and jazz throughout high school. Although entering college in a pre-med&nbsp;program, he quickly re-found his musical bearings, and graduated with a degree in&nbsp;Electronic Music Composition! Upon completion of his degree, he went on to be a&nbsp;journeyman musician and engineer, and after several years working in recording studios&nbsp;in Boston, relocated to LA in 1980.&nbsp;His entrance into the recording scene there was facilitated by his technical background,&nbsp;and got a staff position at&nbsp;<a href="https://en.wikipedia.org/wiki/Capitol_Studios" rel="noopener noreferrer" target="_blank">Capitol Studios</a>&nbsp;as a studio tech. But he quickly got “in the&nbsp;trenches” – in sessions there, recording everyone from Prince, Frank Sinatra, David&nbsp;Lee Roth, the Stray Cats and Miles Davis along the way.</p><p>The lure of films took him away from Capitol after 15 years, and he took a staff position&nbsp;at Sony Pictures Entertainment doing scoring. While there, his efforts were heard in&nbsp;films like “<a href="https://en.wikipedia.org/wiki/Black_Hawk_Down_(film)" rel="noopener noreferrer" target="_blank">Black Hawk Down</a>”, “<a href="https://en.wikipedia.org/wiki/The_Patriot_(2000_film)" rel="noopener noreferrer" target="_blank">The Patriot</a>” and “<a href="https://en.wikipedia.org/wiki/Road_to_Perdition" rel="noopener noreferrer" target="_blank">Road To Perdition</a>”.</p><p>Then he felt a desire to return to sound-only media – and has been a part of Universal&nbsp;Mastering Studios in Hollywood for the last 10 years. While there, Peter has mastered&nbsp;hundreds of projects for the likes of&nbsp;<a href="https://en.wikipedia.org/wiki/Robin_Thicke" rel="noopener noreferrer" target="_blank">Robin Thicke</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Fergie_(singer)" rel="noopener noreferrer" target="_blank">Fergie</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Steve_Lukather" rel="noopener noreferrer" target="_blank">Steve Lukather</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/War_(band)" rel="noopener noreferrer" target="_blank">WAR</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Marilyn_Manson" rel="noopener noreferrer" target="_blank">Marilyn Manson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/John_Waite" rel="noopener noreferrer" target="_blank">John Waite</a>&nbsp;and many more. While just a few years ago, much of&nbsp;Peterʼs schedule was filled with mixing the music for&nbsp;<a href="https://en.wikipedia.org/wiki/Rock_Band_(video_game)" rel="noopener noreferrer" target="_blank">Rock Band&nbsp;</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Guitar_Hero" rel="noopener noreferrer" target="_blank">Guitar Hero&nbsp;</a>video games where artists from the Universal roster were being featured.&nbsp;Nowadays, he still mixes a few projects, recently for artists such as Toby Keith, Rachel&nbsp;MacFarlane,&nbsp;<a href="https://en.wikipedia.org/wiki/Rhiannon" rel="noopener noreferrer" target="_blank">Rhiannon</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Otmaro_Ru%C3%ADz" rel="noopener noreferrer" target="_blank">Otmaro Ruiz</a>.</p><p>The recording scene nowadays has changed so much in the last decade. Peter has&nbsp;seen many of the old-guard first-call studios – AND engineers – fall by the boards as the&nbsp;new wave of record-making takes hold. But sitting at the “finish-line”, or Mastering, gives&nbsp;him a very valuable insight into what has become paramount in the making of modern&nbsp;recordings. He is here to share some of that with you.</p><p>Matt and Pete discuss age, what makes&nbsp;<a href="http://www.umldigitalops.com/ums/engineers.html" rel="noopener noreferrer" target="_blank">Universal Mastering</a>&nbsp;special, working at facility versus working as a freelancer, low-end management, Pete’s new video series&nbsp;<a href="http://starchamber.tv/series/inside-the-star-chamber" rel="noopener noreferrer" target="_blank">The Star Chamber</a>, and the brilliance of&nbsp;<a href="https://en.wikipedia.org/wiki/Al_Schmitt" rel="noopener noreferrer" target="_blank">Al Schmitt</a>.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-051-with-peter-doell]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=942</guid><itunes:image href="https://artwork.captivate.fm/ee1d62fd-a068-4c10-b5d9-e577a06964af/wca-podcast.jpg"/><pubDate>Mon, 07 Dec 2015 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c9245a6c-3171-4c29-976a-f657330a6105.mp3" length="37796293" type="audio/mpeg"/><itunes:duration>01:03:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>51</itunes:episode><podcast:episode>51</podcast:episode><itunes:summary>Working Class Audio Session #051 with Peter Doell!!! Peter Doell is a senior mastering engineer at Universal Mastering. Growing up in a house filled with music Peter studied the ʻclassicsʼ by day, but escaped to play – way underaged – at night in bars &amp; clubs to gain the requisite “chops” – playing rock, blues, and jazz […]
 The post WCA #051 with Peter Doell appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #050 with Larry Crane</title><itunes:title>WCA #050 with Larry Crane</itunes:title><description><![CDATA[<p>Larry Crane has&nbsp;been involved in music since the late seventies, when he&nbsp;self-released home recordings of his&nbsp;own music. Since then he’s&nbsp;been a musician, record producer/engineer/mixer,&nbsp;<em>Tape Op Magazine</em>&nbsp;founder and editor, book editor, studio owner, archivist, disc jockey, small label owner and even a record distributor employee.</p><p>From 1994 to 1997, Crane ran Laundry Rules Recording, a home studio in his basement in Portland, where he recorded artists that include&nbsp;<a href="https://en.wikipedia.org/wiki/Versus_(band)" rel="noopener noreferrer" target="_blank">Versus</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Stephen_Malkmus" rel="noopener noreferrer" target="_blank">Stephen Malkmus</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Cat_Power" rel="noopener noreferrer" target="_blank">Cat Power</a>. Since 1997, Crane has owned and run Jackpot! Recording Studio, Inc., a busy mid-sized studio in Portland, where he has worked with artists such as&nbsp;<a href="https://en.wikipedia.org/wiki/Sleater-Kinney" rel="noopener noreferrer" target="_blank">Sleater-Kinney</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Joggers" rel="noopener noreferrer" target="_blank">The Joggers</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Decemberists" rel="noopener noreferrer" target="_blank">The Decemberists</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Jenny_Lewis" rel="noopener noreferrer" target="_blank">Jenny Lewis</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/M._Ward" rel="noopener noreferrer" target="_blank">M. Ward</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Go-Betweens" rel="noopener noreferrer" target="_blank">The Go-Betweens</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Elliott_Smith" rel="noopener noreferrer" target="_blank">Elliott Smith</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Death_Cab_for_Cutie" rel="noopener noreferrer" target="_blank">Death Cab for Cutie</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Thermals" rel="noopener noreferrer" target="_blank">The Thermals</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Stephen_Malkmus" rel="noopener noreferrer" target="_blank">Stephen Malkmus</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Quasi" rel="noopener noreferrer" target="_blank">Quasi</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Portland_Cello_Project" rel="noopener noreferrer" target="_blank">The Portland Cello Project</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Jason_Lytle" rel="noopener noreferrer" target="_blank">Jason Lytle</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Richmond_Fontaine" rel="noopener noreferrer" target="_blank">Richmond Fontaine</a>.</p><p>Crane has spoken on and moderated panels about recording for TapeOpCon,&nbsp;<a href="https://en.wikipedia.org/wiki/South_by_Southwest" rel="noopener noreferrer" target="_blank">South by Southwest</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/North_by_Northwest" rel="noopener noreferrer" target="_blank">North by Northwest</a>, the&nbsp;<a href="https://en.wikipedia.org/wiki/National_Academy_of_Recording_Arts_and_Sciences" rel="noopener noreferrer" target="_blank">National Academy of Recording Arts and Sciences</a>,&nbsp;<a href="http://www.potluckconference.com/" rel="noopener noreferrer" target="_blank">Potluck Audio Conference</a>, Indie Music Forum and&nbsp;<a href="https://en.wikipedia.org/wiki/College_Music_Journal" rel="noopener noreferrer" target="_blank"><em>College Music Journal</em></a>. He has worked in the past as a record label owner, radio station music director, disc jockey, record distributor employee, freelance music journalist and band manager. Starting in 1984, he has been a bass player in several bands, including Elephant Factory,&nbsp;<a href="https://en.wikipedia.org/wiki/Vomit_Launch" rel="noopener noreferrer" target="_blank">Vomit Launch</a>, Sunbirds, Foggy Notion and Flaming Box of Ants.</p><p>Larry and Matt talk about almost 20 years of Tape Op Magazine, his experience running Jackpot! Recording, the symbiotic relationship with pro audio manufacturers, working at other studios and a little business advice.</p><ul><li><a href="http://www.larry-crane.com/" rel="noopener noreferrer" target="_blank">http://www.larry-crane.com/</a></li><li><a href="http://jackpotrecording.com/" rel="noopener noreferrer" target="_blank">Jackpot! Recording Studio</a></li><li><a href="http://www.tapeop.com/" rel="noopener noreferrer" target="_blank">Tape Op Magazine</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Larry Crane has&nbsp;been involved in music since the late seventies, when he&nbsp;self-released home recordings of his&nbsp;own music. Since then he’s&nbsp;been a musician, record producer/engineer/mixer,&nbsp;<em>Tape Op Magazine</em>&nbsp;founder and editor, book editor, studio owner, archivist, disc jockey, small label owner and even a record distributor employee.</p><p>From 1994 to 1997, Crane ran Laundry Rules Recording, a home studio in his basement in Portland, where he recorded artists that include&nbsp;<a href="https://en.wikipedia.org/wiki/Versus_(band)" rel="noopener noreferrer" target="_blank">Versus</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Stephen_Malkmus" rel="noopener noreferrer" target="_blank">Stephen Malkmus</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Cat_Power" rel="noopener noreferrer" target="_blank">Cat Power</a>. Since 1997, Crane has owned and run Jackpot! Recording Studio, Inc., a busy mid-sized studio in Portland, where he has worked with artists such as&nbsp;<a href="https://en.wikipedia.org/wiki/Sleater-Kinney" rel="noopener noreferrer" target="_blank">Sleater-Kinney</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Joggers" rel="noopener noreferrer" target="_blank">The Joggers</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Decemberists" rel="noopener noreferrer" target="_blank">The Decemberists</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Jenny_Lewis" rel="noopener noreferrer" target="_blank">Jenny Lewis</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/M._Ward" rel="noopener noreferrer" target="_blank">M. Ward</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Go-Betweens" rel="noopener noreferrer" target="_blank">The Go-Betweens</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Elliott_Smith" rel="noopener noreferrer" target="_blank">Elliott Smith</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Death_Cab_for_Cutie" rel="noopener noreferrer" target="_blank">Death Cab for Cutie</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Thermals" rel="noopener noreferrer" target="_blank">The Thermals</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Stephen_Malkmus" rel="noopener noreferrer" target="_blank">Stephen Malkmus</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Quasi" rel="noopener noreferrer" target="_blank">Quasi</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Portland_Cello_Project" rel="noopener noreferrer" target="_blank">The Portland Cello Project</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Jason_Lytle" rel="noopener noreferrer" target="_blank">Jason Lytle</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Richmond_Fontaine" rel="noopener noreferrer" target="_blank">Richmond Fontaine</a>.</p><p>Crane has spoken on and moderated panels about recording for TapeOpCon,&nbsp;<a href="https://en.wikipedia.org/wiki/South_by_Southwest" rel="noopener noreferrer" target="_blank">South by Southwest</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/North_by_Northwest" rel="noopener noreferrer" target="_blank">North by Northwest</a>, the&nbsp;<a href="https://en.wikipedia.org/wiki/National_Academy_of_Recording_Arts_and_Sciences" rel="noopener noreferrer" target="_blank">National Academy of Recording Arts and Sciences</a>,&nbsp;<a href="http://www.potluckconference.com/" rel="noopener noreferrer" target="_blank">Potluck Audio Conference</a>, Indie Music Forum and&nbsp;<a href="https://en.wikipedia.org/wiki/College_Music_Journal" rel="noopener noreferrer" target="_blank"><em>College Music Journal</em></a>. He has worked in the past as a record label owner, radio station music director, disc jockey, record distributor employee, freelance music journalist and band manager. Starting in 1984, he has been a bass player in several bands, including Elephant Factory,&nbsp;<a href="https://en.wikipedia.org/wiki/Vomit_Launch" rel="noopener noreferrer" target="_blank">Vomit Launch</a>, Sunbirds, Foggy Notion and Flaming Box of Ants.</p><p>Larry and Matt talk about almost 20 years of Tape Op Magazine, his experience running Jackpot! Recording, the symbiotic relationship with pro audio manufacturers, working at other studios and a little business advice.</p><ul><li><a href="http://www.larry-crane.com/" rel="noopener noreferrer" target="_blank">http://www.larry-crane.com/</a></li><li><a href="http://jackpotrecording.com/" rel="noopener noreferrer" target="_blank">Jackpot! Recording Studio</a></li><li><a href="http://www.tapeop.com/" rel="noopener noreferrer" target="_blank">Tape Op Magazine</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-050-with-larry-crane]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=937</guid><itunes:image href="https://artwork.captivate.fm/d380834d-8359-4548-bae1-386aab8e64a9/uploads-2f1601082684489-yxi4g9fx1c-c4b143cb67036623ec3db0218b78.png"/><pubDate>Mon, 30 Nov 2015 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9640ba55-4b77-4e65-a54c-fb4f44f203db.mp3" length="48710985" type="audio/mpeg"/><itunes:duration>01:21:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>50</itunes:episode><podcast:episode>50</podcast:episode><itunes:summary>Larry Crane has been involved in music since the late seventies, when he self-released home recordings of his own music. Since then he&apos;s been a musician, record producer/engineer/mixer, Tape Op Magazine founder and editor, book editor, studio owner, archivist, disc jockey, small label owner and even a record distributor employee.
From 1994 to 1997, Crane ran Laundry Rules Recording, a home studio in his basement in Portland, where he recorded artists that include Versus, Stephen Malkmus and Cat Power. Since 1997, Crane has owned and run Jackpot! Recording Studio, Inc., a busy mid-sized studio in Portland, where he has worked with artists such as Sleater-Kinney, The Joggers, The Decemberists, Jenny Lewis, M. Ward, The Go-Betweens, Elliott Smith, Death Cab for Cutie, The Thermals, Stephen Malkmus, Quasi, The Portland Cello Project, Jason Lytle and Richmond Fontaine.
Crane has spoken on and moderated panels about recording for TapeOpCon, South by Southwest, North by Northwest, the National Academy of Recording Arts and Sciences, Potluck Audio Conference, Indie Music Forum and College Music Journal. He has worked in the past as a record label owner, radio station music director, disc jockey, record distributor employee, freelance music journalist and band manager. Starting in 1984, he has been a bass player in several bands, including Elephant Factory, Vomit Launch, Sunbirds, Foggy Notion and Flaming Box of Ants.
Larry and Matt talk about almost 20 years of Tape Op Magazine, his experience running Jackpot! Recording, the symbiotic relationship with pro audio manufacturers, working at other studios and a little business advice.
Photo by By Jason Quigley 

http://www.larry-crane.com/

Jackpot! Recording Studio

Tape Op Magazine</itunes:summary></item><item><title>WCA #049 with F. Reid Shippen</title><itunes:title>WCA #049 with F. Reid Shippen</itunes:title><description><![CDATA[<p>You gotta love this guy. I asked him for a bio and I got this.....</p><p>"I hate bios. Bios suck. For more information about me you can visit my website at&nbsp;<a href="http://www.robotlemon.com/" rel="noopener noreferrer" target="_blank">http://www.robotlemon.com/</a>"</p><p>So in an effort to have a little bit more info here's this....&nbsp;&nbsp;F. Reid Shippen is a New Jersey-born, Nashville-based, highly motivated, completely caffeinated multiple Grammy® award-winning producer/engineer/mixer.</p><p>Matt and Reid talk family, work/life balance, his power supply to his SSL, interns and much more. Listen in and enjoy.</p><p>Happy Thanksgiving&nbsp;to my American audience! -Matt</p>]]></description><content:encoded><![CDATA[<p>You gotta love this guy. I asked him for a bio and I got this.....</p><p>"I hate bios. Bios suck. For more information about me you can visit my website at&nbsp;<a href="http://www.robotlemon.com/" rel="noopener noreferrer" target="_blank">http://www.robotlemon.com/</a>"</p><p>So in an effort to have a little bit more info here's this....&nbsp;&nbsp;F. Reid Shippen is a New Jersey-born, Nashville-based, highly motivated, completely caffeinated multiple Grammy® award-winning producer/engineer/mixer.</p><p>Matt and Reid talk family, work/life balance, his power supply to his SSL, interns and much more. Listen in and enjoy.</p><p>Happy Thanksgiving&nbsp;to my American audience! -Matt</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-049-with-f-reid-shippen]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=912</guid><itunes:image href="https://artwork.captivate.fm/a7dd7898-36e2-44b9-9fb7-3437d9613a02/uploads-2f1601081776811-9d4j5d353hm-276c550d0238d61c9cf04b36a52.png"/><pubDate>Mon, 23 Nov 2015 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e722b24d-740f-4a4a-9445-06fece2d5a74.mp3" length="34085696" type="audio/mpeg"/><itunes:duration>56:48</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>49</itunes:episode><podcast:episode>49</podcast:episode><itunes:summary>You gotta love this guy. I asked him for a bio and I got this.....
&quot;I hate bios. Bios suck. For more information about me you can visit my website at http://www.robotlemon.com/&quot;
So in an effort to have a little bit more info here&apos;s this....  F. Reid Shippen is a New Jersey-born, Nashville-based, highly motivated, completely caffeinated multiple Grammy® award-winning producer/engineer/mixer.
Matt and Reid talk family, work/life balance, his power supply to his SSL, interns and much more. Listen in and enjoy.
Happy Thanksgiving to my American audience! -Matt</itunes:summary></item><item><title>WCA #048 with Bill Simpkins</title><itunes:title>WCA #048 with Bill Simpkins</itunes:title><description><![CDATA[<p>Bill Simpkins started in a music career by teaching guitar at the age of 16. In the early 1990s, he started recording his own projects and other bands mostly in the local hardcore punk or straight-edge metal scene with some ADATs and a Mackie mixer. He then worked for several years at Binary Recording Studio with regional bands, eclectic audio projects, orchestras and films.&nbsp;</p><p>In 2001, Bill graduated with a degree in Mathematics and became a software engineer but still did audio part-time. In 2011 he created <a href="http://www.alpenglowsound.com/" rel="noopener noreferrer" target="_blank">Alpenglow Sound Studios</a> in the downstairs of his house and has been mostly mixing and recording local/remote artists and doing part-time software engineering.</p><p>Bill may be best known for his blog titled <a href="https://www.facebook.com/AEDiaries/?fref=ts" rel="noopener noreferrer" target="_blank">"aediaries"</a> that aims to present highly-filtered information and useful philosophies for those who don't want to sift through endless forum posts and opinions.</p><p>He enjoys climbing, snowboarding and surfing. He sings and plays guitar in the heavy metal band <a href="https://www.facebook.com/slavemason" rel="noopener noreferrer" target="_blank">"Slavemason"</a>.</p><p>Some of the artists Bill has worked with are over the years are: <a href="https://en.wikipedia.org/wiki/AeTopus" rel="noopener noreferrer" target="_blank">AeTopus</a>, Spindle, Jae Apollo, Dig the Particulars, Regan Mckinnon (Little Kingfisher), Amy Hindman, Kastle King, Clambake, Celestrial Navigation, Medici, Skeptoid Podcast, Mcknarley's Rant, Phil Kelly, Jayhawker, Andy O, Hakon Sveinsson, G8a, Dana Lyons, Big Sur ...</p><p>&nbsp;</p><p>Bill and Matt talk about having a day job and still running a recording studio, Martin Birch (Producer Iron Maiden), how engineers can do better by there clients and the role of quality equipment.</p><p>&nbsp;</p><p><a href="https://www.facebook.com/AEDiaries" rel="noopener noreferrer" target="_blank">https://www.facebook.com/AEDiaries</a></p><p><a href="http://billsimpkins.com/" rel="noopener noreferrer" target="_blank">http://billsimpkins.com/</a></p><p><a href="http://www.alpenglowsound.com" rel="noopener noreferrer" target="_blank">http://www.alpenglowsound.com</a></p><p><a href="http://aediaries.com/" rel="noopener noreferrer" target="_blank">http://aediaries.com/</a></p>]]></description><content:encoded><![CDATA[<p>Bill Simpkins started in a music career by teaching guitar at the age of 16. In the early 1990s, he started recording his own projects and other bands mostly in the local hardcore punk or straight-edge metal scene with some ADATs and a Mackie mixer. He then worked for several years at Binary Recording Studio with regional bands, eclectic audio projects, orchestras and films.&nbsp;</p><p>In 2001, Bill graduated with a degree in Mathematics and became a software engineer but still did audio part-time. In 2011 he created <a href="http://www.alpenglowsound.com/" rel="noopener noreferrer" target="_blank">Alpenglow Sound Studios</a> in the downstairs of his house and has been mostly mixing and recording local/remote artists and doing part-time software engineering.</p><p>Bill may be best known for his blog titled <a href="https://www.facebook.com/AEDiaries/?fref=ts" rel="noopener noreferrer" target="_blank">"aediaries"</a> that aims to present highly-filtered information and useful philosophies for those who don't want to sift through endless forum posts and opinions.</p><p>He enjoys climbing, snowboarding and surfing. He sings and plays guitar in the heavy metal band <a href="https://www.facebook.com/slavemason" rel="noopener noreferrer" target="_blank">"Slavemason"</a>.</p><p>Some of the artists Bill has worked with are over the years are: <a href="https://en.wikipedia.org/wiki/AeTopus" rel="noopener noreferrer" target="_blank">AeTopus</a>, Spindle, Jae Apollo, Dig the Particulars, Regan Mckinnon (Little Kingfisher), Amy Hindman, Kastle King, Clambake, Celestrial Navigation, Medici, Skeptoid Podcast, Mcknarley's Rant, Phil Kelly, Jayhawker, Andy O, Hakon Sveinsson, G8a, Dana Lyons, Big Sur ...</p><p>&nbsp;</p><p>Bill and Matt talk about having a day job and still running a recording studio, Martin Birch (Producer Iron Maiden), how engineers can do better by there clients and the role of quality equipment.</p><p>&nbsp;</p><p><a href="https://www.facebook.com/AEDiaries" rel="noopener noreferrer" target="_blank">https://www.facebook.com/AEDiaries</a></p><p><a href="http://billsimpkins.com/" rel="noopener noreferrer" target="_blank">http://billsimpkins.com/</a></p><p><a href="http://www.alpenglowsound.com" rel="noopener noreferrer" target="_blank">http://www.alpenglowsound.com</a></p><p><a href="http://aediaries.com/" rel="noopener noreferrer" target="_blank">http://aediaries.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-048-with-bill-simpkins]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=901</guid><itunes:image href="https://artwork.captivate.fm/61a24c77-d1fb-41d5-a248-8fe1dc94bcab/uploads-2f1601080849407-xcbu4fnhps-1a120933fb7d9430517bf14d5a3e.png"/><pubDate>Mon, 16 Nov 2015 09:33:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d08c6a61-8211-4dd0-9ca6-beb2a410f40b.mp3" length="73349523" type="audio/mpeg"/><itunes:duration>01:16:24</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>48</itunes:episode><podcast:episode>48</podcast:episode><itunes:summary>Bill Simpkins started in a music career by teaching guitar at the age of 16. In the early 1990s, he started recording his own projects and other bands mostly in the local hardcore punk or straight-edge metal scene with some ADATs and a Mackie mixer. He then worked for several years at Binary Recording Studio with regional bands, eclectic audio projects, orchestras and films. 
In 2001, Bill graduated with a degree in Mathematics and became a software engineer but still did audio part-time. In 2011 he created Alpenglow Sound Studios in the downstairs of his house and has been mostly mixing and recording local/remote artists and doing part-time software engineering.
Bill may be best known for his blog titled &quot;aediaries&quot; that aims to present highly-filtered information and useful philosophies for those who don&apos;t want to sift through endless forum posts and opinions.
He enjoys climbing, snowboarding and surfing. He sings and plays guitar in the heavy metal band &quot;Slavemason&quot;.
Some of the artists Bill has worked with are over the years are: AeTopus, Spindle, Jae Apollo, Dig the Particulars, Regan Mckinnon (Little Kingfisher), Amy Hindman, Kastle King, Clambake, Celestrial Navigation, Medici, Skeptoid Podcast, Mcknarley&apos;s Rant, Phil Kelly, Jayhawker, Andy O, Hakon Sveinsson, G8a, Dana Lyons, Big Sur ...
 
Bill and Matt talk about having a day job and still running a recording studio, Martin Birch (Producer Iron Maiden), how engineers can do better by there clients and the role of quality equipment.
 
https://www.facebook.com/AEDiaries
http://billsimpkins.com/
http://www.alpenglowsound.com
http://aediaries.com/</itunes:summary></item><item><title>WCA #047 with John Vanderslice</title><itunes:title>WCA #047 with John Vanderslice</itunes:title><description><![CDATA[<p><a href="https://en.wikipedia.org/wiki/John_Vanderslice" rel="noopener noreferrer" target="_blank">John Vanderslice</a>&nbsp;(born in&nbsp;Gainesville, Florida) is an&nbsp;American&nbsp;musician,&nbsp;songwriter,&nbsp;record producer, and recording engineer.</p><p>He is the owner and founder of&nbsp;<a href="http://www.tinytelephone.com/" rel="noopener noreferrer" target="_blank">Tiny Telephone</a>, and Tiny&nbsp;Telephone Oakland, Bay Area analog recording studios.</p><p>In 10 full-length albums, and 5 remix records and EPs, Vanderslice’s songwriting is characterized by deeply personal and political lyrics and the use of experimental analog recording&nbsp;techniques. His declared musical influences are diverse, ranging from&nbsp;<a href="https://en.wikipedia.org/wiki/Neutral_Milk_Hotel" rel="noopener noreferrer" target="_blank">Neutral Milk Hotel</a>&nbsp;and&nbsp;Radiohead&nbsp;to&nbsp;Public Enemy&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Henry_Cowell" rel="noopener noreferrer" target="_blank">Henry Cowell</a>. He has collaborated with renowned&nbsp;musicians such as&nbsp;<a href="https://en.wikipedia.org/wiki/Mark_Kozelek" rel="noopener noreferrer" target="_blank">Mark Kozelek</a>,&nbsp;St. Vincent, and&nbsp;<a href="https://en.wikipedia.org/wiki/John_Darnielle" rel="noopener noreferrer" target="_blank">John Darnielle</a>.</p><p>He is currently a full-time producer and has worked with&nbsp;<a href="https://en.wikipedia.org/wiki/The_Mountain_Goats" rel="noopener noreferrer" target="_blank">The Mountain Goats</a>, Teen Daze, Spoon,&nbsp;<a href="https://en.wikipedia.org/wiki/Strand_of_Oaks" rel="noopener noreferrer" target="_blank">Strand Of Oaks</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Sophie_Hunger" rel="noopener noreferrer" target="_blank">Sophie Hunger</a>.</p><p>Matt and John sit down for a chat in Tiny Telephone studio A where they discuss borrowing money, the opening of Tiny Telephone Oakland, smoking pot &amp; climate change. After all that…they go out for amazing Mexican food in the Mission District of San Francisco.</p>]]></description><content:encoded><![CDATA[<p><a href="https://en.wikipedia.org/wiki/John_Vanderslice" rel="noopener noreferrer" target="_blank">John Vanderslice</a>&nbsp;(born in&nbsp;Gainesville, Florida) is an&nbsp;American&nbsp;musician,&nbsp;songwriter,&nbsp;record producer, and recording engineer.</p><p>He is the owner and founder of&nbsp;<a href="http://www.tinytelephone.com/" rel="noopener noreferrer" target="_blank">Tiny Telephone</a>, and Tiny&nbsp;Telephone Oakland, Bay Area analog recording studios.</p><p>In 10 full-length albums, and 5 remix records and EPs, Vanderslice’s songwriting is characterized by deeply personal and political lyrics and the use of experimental analog recording&nbsp;techniques. His declared musical influences are diverse, ranging from&nbsp;<a href="https://en.wikipedia.org/wiki/Neutral_Milk_Hotel" rel="noopener noreferrer" target="_blank">Neutral Milk Hotel</a>&nbsp;and&nbsp;Radiohead&nbsp;to&nbsp;Public Enemy&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Henry_Cowell" rel="noopener noreferrer" target="_blank">Henry Cowell</a>. He has collaborated with renowned&nbsp;musicians such as&nbsp;<a href="https://en.wikipedia.org/wiki/Mark_Kozelek" rel="noopener noreferrer" target="_blank">Mark Kozelek</a>,&nbsp;St. Vincent, and&nbsp;<a href="https://en.wikipedia.org/wiki/John_Darnielle" rel="noopener noreferrer" target="_blank">John Darnielle</a>.</p><p>He is currently a full-time producer and has worked with&nbsp;<a href="https://en.wikipedia.org/wiki/The_Mountain_Goats" rel="noopener noreferrer" target="_blank">The Mountain Goats</a>, Teen Daze, Spoon,&nbsp;<a href="https://en.wikipedia.org/wiki/Strand_of_Oaks" rel="noopener noreferrer" target="_blank">Strand Of Oaks</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Sophie_Hunger" rel="noopener noreferrer" target="_blank">Sophie Hunger</a>.</p><p>Matt and John sit down for a chat in Tiny Telephone studio A where they discuss borrowing money, the opening of Tiny Telephone Oakland, smoking pot &amp; climate change. After all that…they go out for amazing Mexican food in the Mission District of San Francisco.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-047-with-john-vanderslice]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=886</guid><itunes:image href="https://artwork.captivate.fm/d6238556-508b-42c7-9cbd-ab648103b768/uploads-2f1601079384709-v041obu1yn-79da03c6818a9f039102de64dc35.png"/><pubDate>Mon, 09 Nov 2015 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9efcac3d-825b-443a-89d2-abfa62248ad6.mp3" length="62771772" type="audio/mpeg"/><itunes:duration>01:27:11</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>47</itunes:episode><podcast:episode>47</podcast:episode><itunes:summary>Working Class Audio Session #047 with John Vanderslice!!! John Vanderslice (born in Gainesville, Florida) is an American musician, songwriter, record producer, and recording engineer. He is the owner and founder of Tiny Telephone, and Tiny Telephone Oakland, Bay Area analog recording studios. In 10 full-length albums, and 5 remix records and EPs, Vanderslice’s songwriting is characterized by deeply personal and political lyrics […]
The post WCA #047 with John Vanderslice appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #046 with Matt Wallace</title><itunes:title>WCA #046 with Matt Wallace</itunes:title><description><![CDATA[<p><strong>Matt Wallace</strong>&nbsp;is an American&nbsp;<a href="https://en.wikipedia.org/wiki/Record_producer" rel="noopener noreferrer" target="_blank">record producer</a>. He is a graduate of the&nbsp;<a href="https://en.wikipedia.org/wiki/University_of_California_at_Berkeley" rel="noopener noreferrer" target="_blank">University of California at Berkeley</a>,&nbsp;and has been producing professionally since the early 1980s.&nbsp;He is best known for his work with&nbsp;<a href="https://en.wikipedia.org/wiki/Faith_No_More" rel="noopener noreferrer" target="_blank">Faith No More</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Maroon_5" rel="noopener noreferrer" target="_blank">Maroon 5</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/O.A.R." rel="noopener noreferrer" target="_blank">O.A.R.</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Replacements_(band)" rel="noopener noreferrer" target="_blank">The Replacements</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Train_(band)" rel="noopener noreferrer" target="_blank">Train</a>.</p><p>Wallace has produced some of Faith No More’s most iconic recordings, including&nbsp;<a href="https://en.wikipedia.org/wiki/We_Care_a_Lot" rel="noopener noreferrer" target="_blank"><em>We Care a Lot</em></a><em>,</em>&nbsp;their debut album on&nbsp;<a href="https://en.wikipedia.org/wiki/Mordam_Records" rel="noopener noreferrer" target="_blank">Mordam Records</a>. He produced and mixed their breakthrough album,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Real_Thing_(Faith_No_More_album)" rel="noopener noreferrer" target="_blank"><em>The Real Thing</em></a><em>,&nbsp;</em>which featured the hit song, “<a href="https://en.wikipedia.org/wiki/Epic_(Faith_No_More_song)" rel="noopener noreferrer" target="_blank">Epic</a>.” He produced&nbsp;<a href="https://en.wikipedia.org/wiki/Angel_Dust_(Faith_No_More_album)" rel="noopener noreferrer" target="_blank"><em>Angel Dust</em></a><em>,</em>&nbsp;named the #1 most influential album of all time by&nbsp;<a href="https://en.wikipedia.org/wiki/Kerrang!" rel="noopener noreferrer" target="_blank"><em>Kerrang!</em></a>. In 2015, he joined the band again to co-mix their album,&nbsp;<a href="https://en.wikipedia.org/wiki/Sol_Invictus_(album)" rel="noopener noreferrer" target="_blank"><em>Sol Invictus</em></a><em>.</em>&nbsp;The album debuted at number 1 on the&nbsp;<a href="https://en.wikipedia.org/wiki/Billboard_(magazine)" rel="noopener noreferrer" target="_blank"><em>Billboard</em></a>&nbsp;<a href="https://en.wikipedia.org/wiki/Billboard_charts" rel="noopener noreferrer" target="_blank">Hard Rock Album chart</a>.</p><p>He produced albums for The Replacements (<em>Don’t Tell A Soul</em>), Paul Westerberg (<a href="https://en.wikipedia.org/wiki/14_Songs_(Paul_Westerberg_album)" rel="noopener noreferrer" target="_blank"><em>14 Songs</em></a>) and John Hiatt (<a href="https://en.wikipedia.org/wiki/Perfectly_Good_Guitar" rel="noopener noreferrer" target="_blank"><em>Perfectly Good Guitar</em></a>). He co-produced the debut Juno-nominated album for Canadian singer-songwriter&nbsp;<a href="https://en.wikipedia.org/wiki/Chantal_Kreviazuk" rel="noopener noreferrer" target="_blank">Chantal Kreviazuk</a>. The album was certified double platinum in Canada.</p><p>Wallace produced and mixed&nbsp;<a href="https://en.wikipedia.org/wiki/Songs_About_Jane" rel="noopener noreferrer" target="_blank"><em>Songs About Jane</em></a>, the debut album for&nbsp;<a href="https://en.wikipedia.org/wiki/Maroon_5" rel="noopener noreferrer" target="_blank">Maroon 5</a>, including the Top 40 hit singles “Harder To Breathe,” “This Love,” “Sunday Morning,” and “She Will Be Loved.” The album has sold over 10 million copies worldwide, and won a Grammy Award for “Best New Artist” in 2005.</p><p>Since then, Wallace has co-written songs and produced two albums for&nbsp;<a href="https://en.wikipedia.org/wiki/O.A.R." rel="noopener noreferrer" target="_blank">O.A.R.</a>&nbsp;He has also co-written and produced several songs for&nbsp;<a href="https://en.wikipedia.org/wiki/Andy_Grammer" rel="noopener noreferrer" target="_blank">Andy Grammer</a>, an album for&nbsp;<a href="https://en.wikipedia.org/wiki/Pepper_(band)" rel="noopener noreferrer" target="_blank">Pepper</a>, and mixed Blackberry Smoke’s album&nbsp;<a href="https://en.wikipedia.org/wiki/The_Whippoorwill" rel="noopener noreferrer" target="_blank"><em>The Whippoorwill</em></a>.</p><p>In 2013, Wallace started a live music project with Will Kennedy&nbsp;(whose credits include Michael Franti, Thirsty Merc, Andy Grammer, and Pepper) called ‘Live at Studio Delux’.&nbsp;The goal is to help music fans discover the joy of authentic live performances. With over 30 years of combined experience professionally recording and producing music, Wallace and Kennedy capture the artist at their best in a live studio environment. Each artist session is recorded in one day at Wallace’s own studio, Studio Delux. The mastered recordings are made available on iTunes while video content can be watched on the project’s Youtube channel.</p><p>Matt talks with Matt about almost giving up, the reality of vintage instruments, as well as getting back into having his own studio and being a one man production house.</p>]]></description><content:encoded><![CDATA[<p><strong>Matt Wallace</strong>&nbsp;is an American&nbsp;<a href="https://en.wikipedia.org/wiki/Record_producer" rel="noopener noreferrer" target="_blank">record producer</a>. He is a graduate of the&nbsp;<a href="https://en.wikipedia.org/wiki/University_of_California_at_Berkeley" rel="noopener noreferrer" target="_blank">University of California at Berkeley</a>,&nbsp;and has been producing professionally since the early 1980s.&nbsp;He is best known for his work with&nbsp;<a href="https://en.wikipedia.org/wiki/Faith_No_More" rel="noopener noreferrer" target="_blank">Faith No More</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Maroon_5" rel="noopener noreferrer" target="_blank">Maroon 5</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/O.A.R." rel="noopener noreferrer" target="_blank">O.A.R.</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Replacements_(band)" rel="noopener noreferrer" target="_blank">The Replacements</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Train_(band)" rel="noopener noreferrer" target="_blank">Train</a>.</p><p>Wallace has produced some of Faith No More’s most iconic recordings, including&nbsp;<a href="https://en.wikipedia.org/wiki/We_Care_a_Lot" rel="noopener noreferrer" target="_blank"><em>We Care a Lot</em></a><em>,</em>&nbsp;their debut album on&nbsp;<a href="https://en.wikipedia.org/wiki/Mordam_Records" rel="noopener noreferrer" target="_blank">Mordam Records</a>. He produced and mixed their breakthrough album,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Real_Thing_(Faith_No_More_album)" rel="noopener noreferrer" target="_blank"><em>The Real Thing</em></a><em>,&nbsp;</em>which featured the hit song, “<a href="https://en.wikipedia.org/wiki/Epic_(Faith_No_More_song)" rel="noopener noreferrer" target="_blank">Epic</a>.” He produced&nbsp;<a href="https://en.wikipedia.org/wiki/Angel_Dust_(Faith_No_More_album)" rel="noopener noreferrer" target="_blank"><em>Angel Dust</em></a><em>,</em>&nbsp;named the #1 most influential album of all time by&nbsp;<a href="https://en.wikipedia.org/wiki/Kerrang!" rel="noopener noreferrer" target="_blank"><em>Kerrang!</em></a>. In 2015, he joined the band again to co-mix their album,&nbsp;<a href="https://en.wikipedia.org/wiki/Sol_Invictus_(album)" rel="noopener noreferrer" target="_blank"><em>Sol Invictus</em></a><em>.</em>&nbsp;The album debuted at number 1 on the&nbsp;<a href="https://en.wikipedia.org/wiki/Billboard_(magazine)" rel="noopener noreferrer" target="_blank"><em>Billboard</em></a>&nbsp;<a href="https://en.wikipedia.org/wiki/Billboard_charts" rel="noopener noreferrer" target="_blank">Hard Rock Album chart</a>.</p><p>He produced albums for The Replacements (<em>Don’t Tell A Soul</em>), Paul Westerberg (<a href="https://en.wikipedia.org/wiki/14_Songs_(Paul_Westerberg_album)" rel="noopener noreferrer" target="_blank"><em>14 Songs</em></a>) and John Hiatt (<a href="https://en.wikipedia.org/wiki/Perfectly_Good_Guitar" rel="noopener noreferrer" target="_blank"><em>Perfectly Good Guitar</em></a>). He co-produced the debut Juno-nominated album for Canadian singer-songwriter&nbsp;<a href="https://en.wikipedia.org/wiki/Chantal_Kreviazuk" rel="noopener noreferrer" target="_blank">Chantal Kreviazuk</a>. The album was certified double platinum in Canada.</p><p>Wallace produced and mixed&nbsp;<a href="https://en.wikipedia.org/wiki/Songs_About_Jane" rel="noopener noreferrer" target="_blank"><em>Songs About Jane</em></a>, the debut album for&nbsp;<a href="https://en.wikipedia.org/wiki/Maroon_5" rel="noopener noreferrer" target="_blank">Maroon 5</a>, including the Top 40 hit singles “Harder To Breathe,” “This Love,” “Sunday Morning,” and “She Will Be Loved.” The album has sold over 10 million copies worldwide, and won a Grammy Award for “Best New Artist” in 2005.</p><p>Since then, Wallace has co-written songs and produced two albums for&nbsp;<a href="https://en.wikipedia.org/wiki/O.A.R." rel="noopener noreferrer" target="_blank">O.A.R.</a>&nbsp;He has also co-written and produced several songs for&nbsp;<a href="https://en.wikipedia.org/wiki/Andy_Grammer" rel="noopener noreferrer" target="_blank">Andy Grammer</a>, an album for&nbsp;<a href="https://en.wikipedia.org/wiki/Pepper_(band)" rel="noopener noreferrer" target="_blank">Pepper</a>, and mixed Blackberry Smoke’s album&nbsp;<a href="https://en.wikipedia.org/wiki/The_Whippoorwill" rel="noopener noreferrer" target="_blank"><em>The Whippoorwill</em></a>.</p><p>In 2013, Wallace started a live music project with Will Kennedy&nbsp;(whose credits include Michael Franti, Thirsty Merc, Andy Grammer, and Pepper) called ‘Live at Studio Delux’.&nbsp;The goal is to help music fans discover the joy of authentic live performances. With over 30 years of combined experience professionally recording and producing music, Wallace and Kennedy capture the artist at their best in a live studio environment. Each artist session is recorded in one day at Wallace’s own studio, Studio Delux. The mastered recordings are made available on iTunes while video content can be watched on the project’s Youtube channel.</p><p>Matt talks with Matt about almost giving up, the reality of vintage instruments, as well as getting back into having his own studio and being a one man production house.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-046-with-matt-wallace]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=879</guid><itunes:image href="https://artwork.captivate.fm/e43cea51-97de-461e-8190-7b0ed68fc2c3/uploads-2f1601078801967-lfzpuad1kv-ba1b547708ef82748466af2b4989.png"/><pubDate>Mon, 02 Nov 2015 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4c4f29da-93b0-4f6e-a012-b1b1d57bfd12.mp3" length="48374008" type="audio/mpeg"/><itunes:duration>01:20:37</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>46</itunes:episode><podcast:episode>46</podcast:episode><itunes:summary>Matt Wallace is an American record producer. He is a graduate of the University of California at Berkeley, and has been producing professionally since the early 1980s. He is best known for his work with Faith No More, Maroon 5, O.A.R., The Replacements, and Train.
Wallace has produced some of Faith No More&apos;s most iconic recordings, including We Care a Lot, their debut album on Mordam Records. He produced and mixed their breakthrough album, The Real Thing, which featured the hit song, &quot;Epic.&quot; He produced Angel Dust, named the #1 most influential album of all time by Kerrang!. In 2015, he joined the band again to co-mix their album, Sol Invictus. The album debuted at number 1 on the Billboard Hard Rock Album chart.
He produced albums for The Replacements (Don’t Tell A Soul), Paul Westerberg (14 Songs) and John Hiatt (Perfectly Good Guitar). He co-produced the debut Juno-nominated album for Canadian singer-songwriter Chantal Kreviazuk. The album was certified double platinum in Canada.
Wallace produced and mixed Songs About Jane, the debut album for Maroon 5, including the Top 40 hit singles &quot;Harder To Breathe,&quot; &quot;This Love,&quot; &quot;Sunday Morning,&quot; and &quot;She Will Be Loved.&quot; The album has sold over 10 million copies worldwide, and won a Grammy Award for &quot;Best New Artist&quot; in 2005.
Since then, Wallace has co-written songs and produced two albums for O.A.R. He has also co-written and produced several songs for Andy Grammer, an album for Pepper, and mixed Blackberry Smoke&apos;s album The Whippoorwill.
In 2013, Wallace started a live music project with Will Kennedy (whose credits include Michael Franti, Thirsty Merc, Andy Grammer, and Pepper) called &apos;Live at Studio Delux&apos;. The goal is to help music fans discover the joy of authentic live performances. With over 30 years of combined experience professionally recording and producing music, Wallace and Kennedy capture the artist at their best in a live studio environment. Each artist session is recorded in one day at Wallace&apos;s own studio, Studio Delux. The mastered recordings are made available on iTunes while video content can be watched on the project&apos;s Youtube channel.
Matt talks with Matt about almost giving up, the reality of vintage instruments, as well as getting back into having his own studio and being a one man production house.</itunes:summary></item><item><title>WCA #045 with Piper Payne</title><itunes:title>WCA #045 with Piper Payne</itunes:title><description><![CDATA[
        <p>Piper Payne is a Mastering Engineer at Coast Mastering (formerly Michael Romanowski Mastering) in San Francisco. Piper is the Vice President of the SF Chapter of the Recording Academy and she Co-Chairs the SF Producers and Engineers Wing. She also serves on the Education Committee. In addition she is an active member of the AES and the Women's Audio Mission, as well as being the CEO of Giving Stage. Piper is an audio educator and lectures often about mastering and recording. She is also a first-call for large venue concert and classical recordings.</p><p>Piper began her career with a BFA in Audio from the <a href="https://en.wikipedia.org/wiki/University_of_Michigan">University of Michigan</a>, continuing her Graduate education in Audio at the <a href="https://en.wikipedia.org/wiki/University_of_Stavanger">University of Stavanger</a> in Norway. Piper has apprenticed under some of the best Mastering and audio mentors in the world, including <a href="https://en.wikipedia.org/wiki/Bob_Katz">Bob Katz</a> in Orlando and Michael Romanowski in San Francisco. Piper moved to San Francisco after working at the <a href="https://en.wikipedia.org/wiki/Banff_Centre">Banff Centre in Alberta</a>, Canada as the Senior Audio Associate in a work-study program that had her climbing glaciers for film sound design and recording jazz orchestras in the same day! Piper's focus is Mastering and she lives for quality and equality in audio.</p><p>Piper and Matt talk with each other at her new location at Coast Mastering in <a href="https://en.wikipedia.org/wiki/Berkeley,_California">Berkeley, CA</a>. They two chat about moving to a new facility, room tuning, parking, coffee and audiophiles.</p><p><a href="https://www.facebook.com/coastmastering">Coast Mastering on Facebook</a></p>
      ]]></description><content:encoded><![CDATA[
        <p>Piper Payne is a Mastering Engineer at Coast Mastering (formerly Michael Romanowski Mastering) in San Francisco. Piper is the Vice President of the SF Chapter of the Recording Academy and she Co-Chairs the SF Producers and Engineers Wing. She also serves on the Education Committee. In addition she is an active member of the AES and the Women's Audio Mission, as well as being the CEO of Giving Stage. Piper is an audio educator and lectures often about mastering and recording. She is also a first-call for large venue concert and classical recordings.</p><p>Piper began her career with a BFA in Audio from the <a href="https://en.wikipedia.org/wiki/University_of_Michigan">University of Michigan</a>, continuing her Graduate education in Audio at the <a href="https://en.wikipedia.org/wiki/University_of_Stavanger">University of Stavanger</a> in Norway. Piper has apprenticed under some of the best Mastering and audio mentors in the world, including <a href="https://en.wikipedia.org/wiki/Bob_Katz">Bob Katz</a> in Orlando and Michael Romanowski in San Francisco. Piper moved to San Francisco after working at the <a href="https://en.wikipedia.org/wiki/Banff_Centre">Banff Centre in Alberta</a>, Canada as the Senior Audio Associate in a work-study program that had her climbing glaciers for film sound design and recording jazz orchestras in the same day! Piper's focus is Mastering and she lives for quality and equality in audio.</p><p>Piper and Matt talk with each other at her new location at Coast Mastering in <a href="https://en.wikipedia.org/wiki/Berkeley,_California">Berkeley, CA</a>. They two chat about moving to a new facility, room tuning, parking, coffee and audiophiles.</p><p><a href="https://www.facebook.com/coastmastering">Coast Mastering on Facebook</a></p>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-045-with-piper-payne]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=861</guid><itunes:image href="https://artwork.captivate.fm/290af0fd-579e-4f79-8514-cab38e88ddec/uploads-2f1601077576068-xfuaqc1t97s-51ce9863364a91351e3087ae32c.png"/><pubDate>Mon, 26 Oct 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/1da16820-98e6-4863-8a17-afa9bbc0278d.mp3" length="53780255" type="audio/mpeg"/><itunes:duration>01:14:42</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>45</itunes:episode><podcast:episode>45</podcast:episode><itunes:summary>Piper Payne is a Mastering Engineer at Coast Mastering (formerly Michael Romanowski Mastering) in San Francisco. Piper is the Vice President of the SF Chapter of the Recording Academy and she Co-Chairs the SF Producers and Engineers Wing. She also serves on the Education Committee. In addition she is an active member of the AES and the Women&apos;s Audio Mission, as well as being the CEO of Giving Stage. Piper is an audio educator and lectures often about mastering and recording. She is also a first-call for large venue concert and classical recordings.
Piper began her career with a BFA in Audio from the University of Michigan, continuing her Graduate education in Audio at the University of Stavanger in Norway. Piper has apprenticed under some of the best Mastering and audio mentors in the world, including Bob Katz in Orlando and Michael Romanowski in San Francisco. Piper moved to San Francisco after working at the Banff Centre in Alberta, Canada as the Senior Audio Associate in a work-study program that had her climbing glaciers for film sound design and recording jazz orchestras in the same day! Piper&apos;s focus is Mastering and she lives for quality and equality in audio.
Piper and Matt talk with each other at her new location at Coast Mastering in Berkeley, CA. They two chat about moving to a new facility, room tuning, parking, coffee and audiophiles.
Coast Mastering on Facebook</itunes:summary></item><item><title>WCA #044 with Eli Crews</title><itunes:title>WCA #044 with Eli Crews</itunes:title><description><![CDATA[<p>Eli Crews has been recording since the early-'90s, when he started making weirdo fractured music on 4-track machines, hugely inspired by The Residents and early Devo. At the time he was also a very active musician, playing guitar and bass in a zillion and a half San Francisco bands. Over the course of making a few albums at small studios owned by Myles Boisen and Kyle Statham, he became inspired to pursue recording himself. Already being part of a vibrant music community, it was easy to find musicians and bands to practice his skills on.</p><p>&nbsp;</p><p>Things have luckily come a long way since then. Artists Eli has had the enormous fortune to work with, either in the studio or onstage, include tUnE-yArDs, ?uestlove, Yoko Ono, Kathleen Hanna/The Julie Ruin, Yuka Honda/Cibo Matto, Sean Ono Lennon/The GOASTT, Yo La Tengo, Laurie Anderson, Marc Ribot, Deerhoof, WHY?, Son Lux, Colin Stetson, Mike Watt, Erase Errata, Scott Amendola, Jeff Parker (Tortoise), Fred Frith, Ben Goldberg, Nels Cline (Wilco), Greg Cohen (Masada/Tom Waits), and Maria Muldaur. He has also assisted legendary engineers Roger Moutenout, Oz Fritz, and Ron St. Germain.</p><p>&nbsp;</p><p>Eli spends most of his days working at Figure 8 Recording in Brooklyn, NY, although he still co-owns New, Improved Recording in Oakland, CA, which he co-founded in 2003. He has also made albums at Tiny Telephone (SF), Fantasy Studios (Berkeley), Electric Lady Studios (NYC), Oscilloscope (NYC), the Bunker (Brooklyn), High Bias Recording (Detroit) and Broken Radio Studios (RIP!).</p><p>&nbsp;</p><p>Eli and Matt talk about moving out of the Bay Area to New York, Family, interns and much more.</p><p>&nbsp;</p><p>You can find more information at <a href="http://www.elicrews.com" rel="noopener noreferrer" target="_blank">www.elicrews.com</a>.</p>]]></description><content:encoded><![CDATA[<p>Eli Crews has been recording since the early-'90s, when he started making weirdo fractured music on 4-track machines, hugely inspired by The Residents and early Devo. At the time he was also a very active musician, playing guitar and bass in a zillion and a half San Francisco bands. Over the course of making a few albums at small studios owned by Myles Boisen and Kyle Statham, he became inspired to pursue recording himself. Already being part of a vibrant music community, it was easy to find musicians and bands to practice his skills on.</p><p>&nbsp;</p><p>Things have luckily come a long way since then. Artists Eli has had the enormous fortune to work with, either in the studio or onstage, include tUnE-yArDs, ?uestlove, Yoko Ono, Kathleen Hanna/The Julie Ruin, Yuka Honda/Cibo Matto, Sean Ono Lennon/The GOASTT, Yo La Tengo, Laurie Anderson, Marc Ribot, Deerhoof, WHY?, Son Lux, Colin Stetson, Mike Watt, Erase Errata, Scott Amendola, Jeff Parker (Tortoise), Fred Frith, Ben Goldberg, Nels Cline (Wilco), Greg Cohen (Masada/Tom Waits), and Maria Muldaur. He has also assisted legendary engineers Roger Moutenout, Oz Fritz, and Ron St. Germain.</p><p>&nbsp;</p><p>Eli spends most of his days working at Figure 8 Recording in Brooklyn, NY, although he still co-owns New, Improved Recording in Oakland, CA, which he co-founded in 2003. He has also made albums at Tiny Telephone (SF), Fantasy Studios (Berkeley), Electric Lady Studios (NYC), Oscilloscope (NYC), the Bunker (Brooklyn), High Bias Recording (Detroit) and Broken Radio Studios (RIP!).</p><p>&nbsp;</p><p>Eli and Matt talk about moving out of the Bay Area to New York, Family, interns and much more.</p><p>&nbsp;</p><p>You can find more information at <a href="http://www.elicrews.com" rel="noopener noreferrer" target="_blank">www.elicrews.com</a>.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-044-with-eli-crews]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=853</guid><itunes:image href="https://artwork.captivate.fm/bbf6b529-20c1-4d5b-acbf-1ebe6af42664/uploads-2f1601076877165-lgrbocwj348-c8f67b037c946c3b8d8b4a8f8ca.png"/><pubDate>Mon, 19 Oct 2015 07:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/14d2a44a-08b3-46a4-b03c-9289750f4a7c.mp3" length="57005224" type="audio/mpeg"/><itunes:duration>01:19:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>44</itunes:episode><podcast:episode>44</podcast:episode><itunes:summary>Eli Crews has been recording since the early-&apos;90s, when he started making weirdo fractured music on 4-track machines, hugely inspired by The Residents and early Devo. At the time he was also a very active musician, playing guitar and bass in a zillion and a half San Francisco bands. Over the course of making a few albums at small studios owned by Myles Boisen and Kyle Statham, he became inspired to pursue recording himself. Already being part of a vibrant music community, it was easy to find musicians and bands to practice his skills on.
 
Things have luckily come a long way since then. Artists Eli has had the enormous fortune to work with, either in the studio or onstage, include tUnE-yArDs, ?uestlove, Yoko Ono, Kathleen Hanna/The Julie Ruin, Yuka Honda/Cibo Matto, Sean Ono Lennon/The GOASTT, Yo La Tengo, Laurie Anderson, Marc Ribot, Deerhoof, WHY?, Son Lux, Colin Stetson, Mike Watt, Erase Errata, Scott Amendola, Jeff Parker (Tortoise), Fred Frith, Ben Goldberg, Nels Cline (Wilco), Greg Cohen (Masada/Tom Waits), and Maria Muldaur. He has also assisted legendary engineers Roger Moutenout, Oz Fritz, and Ron St. Germain.
 
Eli spends most of his days working at Figure 8 Recording in Brooklyn, NY, although he still co-owns New, Improved Recording in Oakland, CA, which he co-founded in 2003. He has also made albums at Tiny Telephone (SF), Fantasy Studios (Berkeley), Electric Lady Studios (NYC), Oscilloscope (NYC), the Bunker (Brooklyn), High Bias Recording (Detroit) and Broken Radio Studios (RIP!).
 
Eli and Matt talk about moving out of the Bay Area to New York, Family, interns and much more.
 
You can find more information at www.elicrews.com.</itunes:summary></item><item><title>WCA #043 with Eric Valentine</title><itunes:title>WCA #043 with Eric Valentine</itunes:title><description><![CDATA[
        <p><strong>Eric Valentine</strong>, is a <a href="https://en.wikipedia.org/wiki/Record_producer">record producer</a>, who began his career as drummer and producer in the heavy metal band <a href="https://en.wikipedia.org/wiki/T-Ride">T-Ride</a>. He subsequently produced albums for artists such as <a href="https://en.wikipedia.org/wiki/Good_Charlotte">Good Charlotte</a>, <a href="https://en.wikipedia.org/wiki/Taking_Back_Sunday">Taking Back Sunday</a>, <a href="https://en.wikipedia.org/wiki/Nickel_Creek">Nickel Creek</a>, <a href="https://en.wikipedia.org/wiki/Queens_of_the_Stone_Age">Queens of the Stone Age</a>, <a href="https://en.wikipedia.org/wiki/Third_Eye_Blind">Third Eye Blind</a>, <a href="https://en.wikipedia.org/wiki/Smash_Mouth">Smash Mouth</a>, <a href="https://en.wikipedia.org/wiki/The_All-American_Rejects">The All-American Rejects</a>, <a href="https://en.wikipedia.org/w/index.php?title=Persephone%E2%80%99s_Bees&amp;action=edit&amp;redlink=1">Persephone’s Bees</a>, and <a href="https://en.wikipedia.org/wiki/Slash_(musician)">Slash</a>, among others.</p><p>Eric chats with Matt about Undertone Audio, DIY acoustics, recording Dave Grohl &amp; Dennis Chambers plus working his ass off and the importance of bringing your A-game. Moto the Bulldog makes an appearance by snoring during the interview.</p><p><a href="http://barefoot-recording.com/">Barefoot Recording</a> (Eric's Studio)</p><p><a href="http://undertoneaudio.com/">Undertone Audio </a></p>
      ]]></description><content:encoded><![CDATA[
        <p><strong>Eric Valentine</strong>, is a <a href="https://en.wikipedia.org/wiki/Record_producer">record producer</a>, who began his career as drummer and producer in the heavy metal band <a href="https://en.wikipedia.org/wiki/T-Ride">T-Ride</a>. He subsequently produced albums for artists such as <a href="https://en.wikipedia.org/wiki/Good_Charlotte">Good Charlotte</a>, <a href="https://en.wikipedia.org/wiki/Taking_Back_Sunday">Taking Back Sunday</a>, <a href="https://en.wikipedia.org/wiki/Nickel_Creek">Nickel Creek</a>, <a href="https://en.wikipedia.org/wiki/Queens_of_the_Stone_Age">Queens of the Stone Age</a>, <a href="https://en.wikipedia.org/wiki/Third_Eye_Blind">Third Eye Blind</a>, <a href="https://en.wikipedia.org/wiki/Smash_Mouth">Smash Mouth</a>, <a href="https://en.wikipedia.org/wiki/The_All-American_Rejects">The All-American Rejects</a>, <a href="https://en.wikipedia.org/w/index.php?title=Persephone%E2%80%99s_Bees&amp;action=edit&amp;redlink=1">Persephone’s Bees</a>, and <a href="https://en.wikipedia.org/wiki/Slash_(musician)">Slash</a>, among others.</p><p>Eric chats with Matt about Undertone Audio, DIY acoustics, recording Dave Grohl &amp; Dennis Chambers plus working his ass off and the importance of bringing your A-game. Moto the Bulldog makes an appearance by snoring during the interview.</p><p><a href="http://barefoot-recording.com/">Barefoot Recording</a> (Eric's Studio)</p><p><a href="http://undertoneaudio.com/">Undertone Audio </a></p>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-043-with-eric-valentine]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=835</guid><itunes:image href="https://artwork.captivate.fm/c8e390a8-4f4d-446d-914e-fc5706c9d900/uploads-2f1552108458688-woo0gxvdypf-5e364885c3ebc06dc2fe859b1da.png"/><pubDate>Mon, 12 Oct 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/3e829a15-5894-4d91-8a66-3fe830acc9fb.mp3" length="64375787" type="audio/mpeg"/><itunes:duration>01:16:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>43</itunes:episode><podcast:episode>43</podcast:episode><itunes:summary>Eric Valentine, is a record producer, who began his career as drummer and producer in the heavy metal band T-Ride. He subsequently produced albums for artists such as Good Charlotte, Taking Back Sunday, Nickel Creek, Queens of the Stone Age, Third Eye Blind, Smash Mouth, The All-American Rejects, Persephone’s Bees, and Slash, among others.
Eric chats with Matt about Undertone Audio, DIY acoustics, recording Dave Grohl &amp; Dennis Chambers plus working his ass off and the importance of bringing your A-game. Moto the Bulldog makes an appearance by snoring during the interview.
Barefoot Recording (Eric&apos;s Studio)
Undertone Audio </itunes:summary></item><item><title>WCA #042 with Greg Wurth</title><itunes:title>WCA #042 with Greg Wurth</itunes:title><description><![CDATA[
        <p>Greg Wurth is a Grammy Nominated, Gold &amp; Platinum award-winning producer, working as Manager and Chief Engineer at L.A.’s <a href="http://www.mothershipstudio.com/">Mothership Studio</a> and Patagonia Studio. His credits range from <a href="https://en.wikipedia.org/wiki/Steve_Vai">Steve Vai</a> and <a href="https://en.wikipedia.org/wiki/Tony_MacAlpine">Tony MacAlpine</a> to <a href="https://en.wikipedia.org/wiki/Tracii_Guns">Tracii Guns</a> to <a href="https://en.wikipedia.org/wiki/Jim_Florentine">Jim Florentine</a> &amp; <a href="https://en.wikipedia.org/wiki/Don_Jamieson_(comedian)">Don Jamieson</a>, <a href="https://en.wikipedia.org/wiki/2Cellos">2Cellos</a> and <a href="https://en.wikipedia.org/wiki/Mary_J._Blige">Mary J Blige</a>. Greg has been Steve Vai’s Engineer for 10 years and spends much his time  in the <a href="http://www.vai.com/the-studios/">“Harmony Hut” studio in Encino, CA</a> where Greg and Steve currently do all of Vai’s projects.</p><p>“I grew up in southern San Diego. My parents were big fans of music and introduced me to The Beatles and Led Zeppelin early on. I used to collect cassettes &amp; CD’s in the early ’90s and eventually I became interested enough to play an instrument, so I bought a guitar. I took lessons for a few years and had some bands but I realized that it wasn’t a natural thing for me. I eventually figured out that I was meant to produce and engineer music.”</p><p>Matt and Greg chat about working for Steve Vai and what he's learned from working with Vai over the years, work/life balance, buying gear, and what Greg finds important in purchasing decisions.</p><p><a href="http://www.greg-wurth.com/category/news/">Greg's website. </a></p>
      ]]></description><content:encoded><![CDATA[
        <p>Greg Wurth is a Grammy Nominated, Gold &amp; Platinum award-winning producer, working as Manager and Chief Engineer at L.A.’s <a href="http://www.mothershipstudio.com/">Mothership Studio</a> and Patagonia Studio. His credits range from <a href="https://en.wikipedia.org/wiki/Steve_Vai">Steve Vai</a> and <a href="https://en.wikipedia.org/wiki/Tony_MacAlpine">Tony MacAlpine</a> to <a href="https://en.wikipedia.org/wiki/Tracii_Guns">Tracii Guns</a> to <a href="https://en.wikipedia.org/wiki/Jim_Florentine">Jim Florentine</a> &amp; <a href="https://en.wikipedia.org/wiki/Don_Jamieson_(comedian)">Don Jamieson</a>, <a href="https://en.wikipedia.org/wiki/2Cellos">2Cellos</a> and <a href="https://en.wikipedia.org/wiki/Mary_J._Blige">Mary J Blige</a>. Greg has been Steve Vai’s Engineer for 10 years and spends much his time  in the <a href="http://www.vai.com/the-studios/">“Harmony Hut” studio in Encino, CA</a> where Greg and Steve currently do all of Vai’s projects.</p><p>“I grew up in southern San Diego. My parents were big fans of music and introduced me to The Beatles and Led Zeppelin early on. I used to collect cassettes &amp; CD’s in the early ’90s and eventually I became interested enough to play an instrument, so I bought a guitar. I took lessons for a few years and had some bands but I realized that it wasn’t a natural thing for me. I eventually figured out that I was meant to produce and engineer music.”</p><p>Matt and Greg chat about working for Steve Vai and what he's learned from working with Vai over the years, work/life balance, buying gear, and what Greg finds important in purchasing decisions.</p><p><a href="http://www.greg-wurth.com/category/news/">Greg's website. </a></p>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-042-with-greg-wurth]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=808</guid><itunes:image href="https://artwork.captivate.fm/ddfcfb79-fd03-499f-b54b-6b204e9dfd1d/uploads-2f1601075059798-3oky72vfhua-f8ededc506adef85e8ebd01be05.png"/><pubDate>Mon, 05 Oct 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b4a00876-9dae-4aa2-a094-a742234b724b.mp3" length="54379797" type="audio/mpeg"/><itunes:duration>01:15:32</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>42</itunes:episode><podcast:episode>42</podcast:episode><itunes:summary>Greg Wurth is a Grammy Nominated, Gold &amp; Platinum award-winning producer, working as Manager and Chief Engineer at L.A.’s Mothership Studio and Patagonia Studio. His credits range from Steve Vai and Tony MacAlpine to Tracii Guns to Jim Florentine &amp; Don Jamieson, 2Cellos and Mary J Blige. Greg has been Steve Vai’s Engineer for 10 years and spends much his time  in the “Harmony Hut” studio in Encino, CA where Greg and Steve currently do all of Vai’s projects.
“I grew up in southern San Diego. My parents were big fans of music and introduced me to The Beatles and Led Zeppelin early on. I used to collect cassettes &amp; CD’s in the early ’90s and eventually I became interested enough to play an instrument, so I bought a guitar. I took lessons for a few years and had some bands but I realized that it wasn’t a natural thing for me. I eventually figured out that I was meant to produce and engineer music.”
Matt and Greg chat about working for Steve Vai and what he&apos;s learned from working with Vai over the years, work/life balance, buying gear, and what Greg finds important in purchasing decisions.
Greg&apos;s website. </itunes:summary></item><item><title>WCA #041 with Kim Rosen</title><itunes:title>WCA #041 with Kim Rosen</itunes:title><description><![CDATA[<p>Kim Rosen grew up in the western Massachusetts town of Northampton. Known for its amazing college music scene, the town and surrounding area is infamous for spawning such ground-breaking acts as Sebadoh, Dinosaur Jr. and Buffalo Tom…just to name a few.</p><p>Kim realized early-on that music was a driving force in her life. She poured herself into the local music scene while searching out a way to carve a path for herself. It was in the summer of 2001 that a friend turned her on to a mastering studio in NJ that was looking for an intern. Kim jumped at the opportunity, moved to NJ and began her journey with&nbsp;<a href="http://westwestsidemusic.com/" rel="noopener noreferrer" target="_blank">West West Side Music</a>.</p><p>After a couple of years in production, training and assisting in sessions, Kim was given the opportunity to take on her own mastering projects. While engineering at&nbsp;<a href="http://westwestsidemusic.com/" rel="noopener noreferrer" target="_blank">West West Side</a>&nbsp;Kim racked up a few hundred mastering credits including notable projects from&nbsp;<strong><em>Jeremy Enigk, Franz Ferdinand, Dashboard Confessional</em>&nbsp;</strong>and<strong>&nbsp;<em>La Dispute.</em></strong></p><p>In 2009 Kim dove in head-first and made the decision to go out on her own. She started&nbsp;<a href="http://www.knackmastering.com/" rel="noopener noreferrer" target="_blank">Knack Mastering</a>&nbsp;out of her home in Ringwood, NJ; building a proper room with the help of world-renowned acoustician&nbsp;<a href="http://www.pelonissound.com/index.html" rel="noopener noreferrer" target="_blank">Chris Pelonis</a>, choosing the gear that would live in her racks, and growing a client list from around the world that now includes producers and engineers such as&nbsp;<strong><em>Joe Henry, Paul Bryan, Ryan Freeland</em></strong>&nbsp;and&nbsp;<strong><em>Will Yip.&nbsp;</em></strong></p><p>Over the last five years, Kim’s mastered albums from<strong>&nbsp;<em>Bettye Lavette, Wynonna Judd, Jeff Bridges and the Abiders, The Barr Brothers, Sarah Jaffe, Title Fight</em>&nbsp;</strong>and<strong>&nbsp;<em>Anthony Green.</em>&nbsp;</strong>She was fortunate enough to master the remake of the Johnny Cash album “Bitter Tears” for&nbsp;<strong><em>Sony Masterworks</em></strong>&nbsp;which featured artists such as<strong>&nbsp;<em>Emmylou Harris, Steve Earl, Kris Kristofferson,&nbsp;Gillian Welch&nbsp;and the Milk Carton Kids.</em>&nbsp;</strong>Another recent project was the beautiful<strong>&nbsp;<em>Rhiannon Giddens</em>&nbsp;</strong>and<em>&nbsp;</em><strong><em>Iron &amp; Wine</em></strong><em>&nbsp;</em>rendition of “Forever Young” for the Series Finale of NBC’s blockbuster television series “Parenthood”.</p><p>Kim continues to build a client base of artists, producers, labels and engineers who trust her ears, her experience and, above all, her respect for their mixes.</p><p>Matt and Kim discuss parenting, clients, retirement and partnering up with Nashville based studio&nbsp;<a href="http://welcometo1979.com/" rel="noopener noreferrer" target="_blank">Welcome to 1979</a>.</p>]]></description><content:encoded><![CDATA[<p>Kim Rosen grew up in the western Massachusetts town of Northampton. Known for its amazing college music scene, the town and surrounding area is infamous for spawning such ground-breaking acts as Sebadoh, Dinosaur Jr. and Buffalo Tom…just to name a few.</p><p>Kim realized early-on that music was a driving force in her life. She poured herself into the local music scene while searching out a way to carve a path for herself. It was in the summer of 2001 that a friend turned her on to a mastering studio in NJ that was looking for an intern. Kim jumped at the opportunity, moved to NJ and began her journey with&nbsp;<a href="http://westwestsidemusic.com/" rel="noopener noreferrer" target="_blank">West West Side Music</a>.</p><p>After a couple of years in production, training and assisting in sessions, Kim was given the opportunity to take on her own mastering projects. While engineering at&nbsp;<a href="http://westwestsidemusic.com/" rel="noopener noreferrer" target="_blank">West West Side</a>&nbsp;Kim racked up a few hundred mastering credits including notable projects from&nbsp;<strong><em>Jeremy Enigk, Franz Ferdinand, Dashboard Confessional</em>&nbsp;</strong>and<strong>&nbsp;<em>La Dispute.</em></strong></p><p>In 2009 Kim dove in head-first and made the decision to go out on her own. She started&nbsp;<a href="http://www.knackmastering.com/" rel="noopener noreferrer" target="_blank">Knack Mastering</a>&nbsp;out of her home in Ringwood, NJ; building a proper room with the help of world-renowned acoustician&nbsp;<a href="http://www.pelonissound.com/index.html" rel="noopener noreferrer" target="_blank">Chris Pelonis</a>, choosing the gear that would live in her racks, and growing a client list from around the world that now includes producers and engineers such as&nbsp;<strong><em>Joe Henry, Paul Bryan, Ryan Freeland</em></strong>&nbsp;and&nbsp;<strong><em>Will Yip.&nbsp;</em></strong></p><p>Over the last five years, Kim’s mastered albums from<strong>&nbsp;<em>Bettye Lavette, Wynonna Judd, Jeff Bridges and the Abiders, The Barr Brothers, Sarah Jaffe, Title Fight</em>&nbsp;</strong>and<strong>&nbsp;<em>Anthony Green.</em>&nbsp;</strong>She was fortunate enough to master the remake of the Johnny Cash album “Bitter Tears” for&nbsp;<strong><em>Sony Masterworks</em></strong>&nbsp;which featured artists such as<strong>&nbsp;<em>Emmylou Harris, Steve Earl, Kris Kristofferson,&nbsp;Gillian Welch&nbsp;and the Milk Carton Kids.</em>&nbsp;</strong>Another recent project was the beautiful<strong>&nbsp;<em>Rhiannon Giddens</em>&nbsp;</strong>and<em>&nbsp;</em><strong><em>Iron &amp; Wine</em></strong><em>&nbsp;</em>rendition of “Forever Young” for the Series Finale of NBC’s blockbuster television series “Parenthood”.</p><p>Kim continues to build a client base of artists, producers, labels and engineers who trust her ears, her experience and, above all, her respect for their mixes.</p><p>Matt and Kim discuss parenting, clients, retirement and partnering up with Nashville based studio&nbsp;<a href="http://welcometo1979.com/" rel="noopener noreferrer" target="_blank">Welcome to 1979</a>.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-041-with-kim-rosen]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=796</guid><itunes:image href="https://artwork.captivate.fm/c0367df8-cebc-4a5b-abad-967b6046e088/uploads-2f1601074557063-wevcn1ll3zh-00113696ed2a229b3cc286f96ec.png"/><pubDate>Mon, 28 Sep 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/67156cfd-b9d5-4c6e-8d81-24c0952a9cc6.mp3" length="54638707" type="audio/mpeg"/><itunes:duration>56:55</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>41</itunes:episode><podcast:episode>41</podcast:episode><itunes:summary>Working Class Audio Session #041 with Kim Rosen!!! Kim Rosen grew up in the western Massachusetts town of Northampton. Known for its amazing college music scene, the town and surrounding area is infamous for spawning such ground-breaking acts as Sebadoh, Dinosaur Jr. and Buffalo Tom…just to name a few. Kim realized early-on that music was […]
The post WCA #041 with Kim Rosen appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #040 with Nino Moschella</title><itunes:title>WCA #040 with Nino Moschella</itunes:title><description><![CDATA[<p><a href="http://birdandegg.com/" rel="noopener noreferrer" target="_blank">Bird and Egg</a>&nbsp;studio owner Nino Moschella is a multi-instrumentalist, recording engineer, and producer, who has been professionally engineering and producing for 15 years (though his interest in record-making started nearly 25 years ago). Born into a musical family, Nino began playing drums at the age of 6 when his father asked him to keep time on the snare drum at a band rehearsal after the band’s drummer failed to show. At that point, Nino was hooked and in time added vocals, guitar, bass, and keyboard to his repertoire.</p><p>Moschella opened Bird and Egg in<strong>&nbsp;</strong>2009. The studio has thrived and become a favorite of many of the Bay Area’s top musicians and singers. Moschella has had the opportunity to have supported the creation of a vastly diverse range of music for artists including, The late&nbsp;<a href="https://en.wikipedia.org/wiki/Charles_Pitts" rel="noopener noreferrer" target="_blank">Skip Pitts</a>&nbsp;(Issac Hayes Guitar player),&nbsp;<a href="https://en.wikipedia.org/wiki/Dennis_Coffey" rel="noopener noreferrer" target="_blank">Dennis Coffey</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Blackalicious" rel="noopener noreferrer" target="_blank">Chief Xcel of Blackalicious</a>, Ledisi,&nbsp;<a href="https://en.wikipedia.org/wiki/Bernard_Purdie" rel="noopener noreferrer" target="_blank">Bernard Purdie</a>, Laurie Lewis,&nbsp;<a href="https://en.wikipedia.org/wiki/Galactic" rel="noopener noreferrer" target="_blank">Galactic</a>,&nbsp;<a href="https://www.facebook.com/Ladybug-Mecca-38099489237/timeline/?ref=mf" rel="noopener noreferrer" target="_blank">Ladybug Mecca</a>&nbsp;(Digable Planets), Ashling Cole (of Larry Graham and Graham central station), Bilal, Maria Muldaur, Tiffany Austin, Strange Vine,&nbsp;<a href="https://en.wikipedia.org/wiki/!!!" rel="noopener noreferrer" target="_blank">!!!</a>, and Shawn Lee among many others.</p><p><strong>&nbsp;</strong></p><p>Nino has released 5 records of his own, all of which he recorded/produced and played most of the instruments, including three solo records out on the Ubiquity record label. His music has been featured on television and film including The Monuments men, Damages, Facing Ali, Eastbound and Down, Lincoln Heights among others. He lives in Oakland, CA with his wife and kids and loves to fish.</p><p>&nbsp;</p><p>Matt turned a coffee meeting and gear sale into an interview with Nino. Matt and Nino discuss kids, studio ownership, mixing with clients or without as well as open communication with those you work with.</p>]]></description><content:encoded><![CDATA[<p><a href="http://birdandegg.com/" rel="noopener noreferrer" target="_blank">Bird and Egg</a>&nbsp;studio owner Nino Moschella is a multi-instrumentalist, recording engineer, and producer, who has been professionally engineering and producing for 15 years (though his interest in record-making started nearly 25 years ago). Born into a musical family, Nino began playing drums at the age of 6 when his father asked him to keep time on the snare drum at a band rehearsal after the band’s drummer failed to show. At that point, Nino was hooked and in time added vocals, guitar, bass, and keyboard to his repertoire.</p><p>Moschella opened Bird and Egg in<strong>&nbsp;</strong>2009. The studio has thrived and become a favorite of many of the Bay Area’s top musicians and singers. Moschella has had the opportunity to have supported the creation of a vastly diverse range of music for artists including, The late&nbsp;<a href="https://en.wikipedia.org/wiki/Charles_Pitts" rel="noopener noreferrer" target="_blank">Skip Pitts</a>&nbsp;(Issac Hayes Guitar player),&nbsp;<a href="https://en.wikipedia.org/wiki/Dennis_Coffey" rel="noopener noreferrer" target="_blank">Dennis Coffey</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Blackalicious" rel="noopener noreferrer" target="_blank">Chief Xcel of Blackalicious</a>, Ledisi,&nbsp;<a href="https://en.wikipedia.org/wiki/Bernard_Purdie" rel="noopener noreferrer" target="_blank">Bernard Purdie</a>, Laurie Lewis,&nbsp;<a href="https://en.wikipedia.org/wiki/Galactic" rel="noopener noreferrer" target="_blank">Galactic</a>,&nbsp;<a href="https://www.facebook.com/Ladybug-Mecca-38099489237/timeline/?ref=mf" rel="noopener noreferrer" target="_blank">Ladybug Mecca</a>&nbsp;(Digable Planets), Ashling Cole (of Larry Graham and Graham central station), Bilal, Maria Muldaur, Tiffany Austin, Strange Vine,&nbsp;<a href="https://en.wikipedia.org/wiki/!!!" rel="noopener noreferrer" target="_blank">!!!</a>, and Shawn Lee among many others.</p><p><strong>&nbsp;</strong></p><p>Nino has released 5 records of his own, all of which he recorded/produced and played most of the instruments, including three solo records out on the Ubiquity record label. His music has been featured on television and film including The Monuments men, Damages, Facing Ali, Eastbound and Down, Lincoln Heights among others. He lives in Oakland, CA with his wife and kids and loves to fish.</p><p>&nbsp;</p><p>Matt turned a coffee meeting and gear sale into an interview with Nino. Matt and Nino discuss kids, studio ownership, mixing with clients or without as well as open communication with those you work with.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-040-with-nino-moschella]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=784</guid><itunes:image href="https://artwork.captivate.fm/0575161f-d62f-451a-a8a1-b6f2b158254a/wca-podcast.jpg"/><pubDate>Mon, 21 Sep 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/029ee87e-0286-4ee8-8f37-8b1f60cfb8c3.mp3" length="87932352" type="audio/mpeg"/><itunes:duration>01:01:04</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>40</itunes:episode><podcast:episode>40</podcast:episode><itunes:summary>Working Class Audio Session #040 with Nino Moschella!!! Bird and Egg studio owner Nino Moschella is a multi-instrumentalist, recording engineer, and producer, who has been professionally engineering and producing for 15 years (though his interest in record making started nearly 25 years ago). Born into a musical family, Nino began playing drums at the age […]
 The post WCA #040 with Nino Moschella appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #039 with John Greenham</title><itunes:title>WCA #039 with John Greenham</itunes:title><description><![CDATA[<p><a href="http://www.johngreenham.com/" rel="noopener noreferrer" target="_blank"><strong>John Greenham</strong></a>&nbsp;has had a love affair with mastering for over 20 years, starting in San Francisco at Rocket Lab in the mid-90s, and currently in Los Angeles where he re-located to in 2012 to work at&nbsp;<a href="http://infrasonicsound.com/" rel="noopener noreferrer" target="_blank"><strong>Infrasonic Sound</strong></a>&nbsp;in Echo Park alongside Pete Lyman and Jeffrey Ehrenberg. John has earned several awards over the course of his career including&nbsp;<a href="https://en.wikipedia.org/wiki/Los_Tigres_del_Norte" rel="noopener noreferrer" target="_blank"><strong>Los Tigres Del Norte</strong></a>:&nbsp;<em>Historias Que Contar</em>&nbsp;– Grammy Winner 2006 (Mastering),&nbsp;<em>Detalles Y Emociones</em>&nbsp;– Grammy Winner 2007 (Mastering),&nbsp;<em>Tu Noche Con…Los Tigres Del Norte</em>&nbsp;– Grammy Winner 2009 (Mastering)&nbsp;<a href="https://en.wikipedia.org/wiki/Omar_Sosa" rel="noopener noreferrer" target="_blank"><strong>Omar Sosa</strong></a><strong>:&nbsp;</strong><em>Ceremony</em>&nbsp;– Echo Jazz Award Big Band Album of the Year 2011 (Mixing, Mastering)</p><p>John’s nominations include&nbsp;<a href="https://www.facebook.com/sistemabomb" rel="noopener noreferrer" target="_blank"><strong>Sistema Bomb</strong></a>&nbsp;–&nbsp;<em>Electro-Jarocho</em>&nbsp;– Nominated for a Latin Grammy 2013 (Mastering),&nbsp;<a href="https://www.facebook.com/loscojolites" rel="noopener noreferrer" target="_blank"><strong>Los Cojolites</strong></a>&nbsp;–&nbsp;<em>Sembrando Flores</em>&nbsp;– Nominated for a Latin Grammy 2013 (Mixing, Mastering),&nbsp;<strong>Omar Sosa</strong>&nbsp;–&nbsp;<em>Calma</em>&nbsp;– Nominated for a Latin Grammy 2011 (Mixing, Mastering),&nbsp;<a href="https://pamelarodriguez.bandcamp.com/album/peru-blue" rel="noopener noreferrer" target="_blank"><strong>Pamela Rodriguez</strong></a>&nbsp;–&nbsp;<em>Peru Blue</em>&nbsp;– Nominated for Best New Artist, Latin Grammys 2006 (Mixing, Mastering)</p><p>John and Matt have been friends for several years and turn one of their recent calls into an interview to discuss mastering, mixing, working in a facility vs. being a freelancer as well as the anticipation of waiting for a client’s approval of a master or mix. Enjoy.</p><p>Photo by&nbsp;<a href="http://www.kyledavisphoto.com/" rel="noopener noreferrer" target="_blank">Kyle Davis</a></p><ul><li>John on&nbsp;<a href="https://twitter.com/JGMasteringGuy" rel="noopener noreferrer" target="_blank">Twitter&nbsp;</a></li><li>John on<a href="https://www.linkedin.com/pub/john-greenham/6/513/536" rel="noopener noreferrer" target="_blank">&nbsp;Linkedin</a></li><li>John on&nbsp;<a href="http://www.facebook.com/10153657303547941" rel="noopener noreferrer" target="_blank">Facebook</a></li></ul><br/><p>&nbsp;</p><p><a href="mailto:johngreenham@gmail.com" rel="noopener noreferrer" target="_blank">JOHNGREENHAM@GMAIL.COM</a></p>]]></description><content:encoded><![CDATA[<p><a href="http://www.johngreenham.com/" rel="noopener noreferrer" target="_blank"><strong>John Greenham</strong></a>&nbsp;has had a love affair with mastering for over 20 years, starting in San Francisco at Rocket Lab in the mid-90s, and currently in Los Angeles where he re-located to in 2012 to work at&nbsp;<a href="http://infrasonicsound.com/" rel="noopener noreferrer" target="_blank"><strong>Infrasonic Sound</strong></a>&nbsp;in Echo Park alongside Pete Lyman and Jeffrey Ehrenberg. John has earned several awards over the course of his career including&nbsp;<a href="https://en.wikipedia.org/wiki/Los_Tigres_del_Norte" rel="noopener noreferrer" target="_blank"><strong>Los Tigres Del Norte</strong></a>:&nbsp;<em>Historias Que Contar</em>&nbsp;– Grammy Winner 2006 (Mastering),&nbsp;<em>Detalles Y Emociones</em>&nbsp;– Grammy Winner 2007 (Mastering),&nbsp;<em>Tu Noche Con…Los Tigres Del Norte</em>&nbsp;– Grammy Winner 2009 (Mastering)&nbsp;<a href="https://en.wikipedia.org/wiki/Omar_Sosa" rel="noopener noreferrer" target="_blank"><strong>Omar Sosa</strong></a><strong>:&nbsp;</strong><em>Ceremony</em>&nbsp;– Echo Jazz Award Big Band Album of the Year 2011 (Mixing, Mastering)</p><p>John’s nominations include&nbsp;<a href="https://www.facebook.com/sistemabomb" rel="noopener noreferrer" target="_blank"><strong>Sistema Bomb</strong></a>&nbsp;–&nbsp;<em>Electro-Jarocho</em>&nbsp;– Nominated for a Latin Grammy 2013 (Mastering),&nbsp;<a href="https://www.facebook.com/loscojolites" rel="noopener noreferrer" target="_blank"><strong>Los Cojolites</strong></a>&nbsp;–&nbsp;<em>Sembrando Flores</em>&nbsp;– Nominated for a Latin Grammy 2013 (Mixing, Mastering),&nbsp;<strong>Omar Sosa</strong>&nbsp;–&nbsp;<em>Calma</em>&nbsp;– Nominated for a Latin Grammy 2011 (Mixing, Mastering),&nbsp;<a href="https://pamelarodriguez.bandcamp.com/album/peru-blue" rel="noopener noreferrer" target="_blank"><strong>Pamela Rodriguez</strong></a>&nbsp;–&nbsp;<em>Peru Blue</em>&nbsp;– Nominated for Best New Artist, Latin Grammys 2006 (Mixing, Mastering)</p><p>John and Matt have been friends for several years and turn one of their recent calls into an interview to discuss mastering, mixing, working in a facility vs. being a freelancer as well as the anticipation of waiting for a client’s approval of a master or mix. Enjoy.</p><p>Photo by&nbsp;<a href="http://www.kyledavisphoto.com/" rel="noopener noreferrer" target="_blank">Kyle Davis</a></p><ul><li>John on&nbsp;<a href="https://twitter.com/JGMasteringGuy" rel="noopener noreferrer" target="_blank">Twitter&nbsp;</a></li><li>John on<a href="https://www.linkedin.com/pub/john-greenham/6/513/536" rel="noopener noreferrer" target="_blank">&nbsp;Linkedin</a></li><li>John on&nbsp;<a href="http://www.facebook.com/10153657303547941" rel="noopener noreferrer" target="_blank">Facebook</a></li></ul><br/><p>&nbsp;</p><p><a href="mailto:johngreenham@gmail.com" rel="noopener noreferrer" target="_blank">JOHNGREENHAM@GMAIL.COM</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-039-with-john-greenham]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=749</guid><itunes:image href="https://artwork.captivate.fm/144725ed-9236-433d-a7e6-c3051ec4f9ca/LCyVrLkbMtq_dgko9Rghz3aA.jpg"/><pubDate>Mon, 14 Sep 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/29bb6436-836e-4243-845f-3c6a5c4b0e24.mp3" length="49554253" type="audio/mpeg"/><itunes:duration>01:08:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>39</itunes:episode><podcast:episode>39</podcast:episode><itunes:summary>Working Class Audio Session #039 with John Greenham!!! John Greenham has had a love affair with mastering for over 20 years, starting in San Francisco at Rocket Lab in the mid 90s, and currently in Los Angeles where he re-located to in 2012 to work at Infrasonic Sound in Echo Park alongside Pete Lyman and Jeffrey […]
 The post WCA #039 with John Greenham appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #038 with Daniel Cantor</title><itunes:title>WCA #038 with Daniel Cantor</itunes:title><description><![CDATA[<p><strong>Daniel&nbsp;Cantor</strong>&nbsp;is an Assistant Professor at&nbsp;<a href="https://www.berklee.edu/" rel="noopener noreferrer" target="_blank">Berklee College of music</a>&nbsp;and Teaches music production in the Songwriting Department and Music Productions and Engineering Department.&nbsp;Dan in 2015 received Berklee’s prestigious Fly Grant for teaching innovation and with that grant brought 2 male and 2 female outspoken Muslim Hip-Hop artists from Iraq, Syria, Jamaica and London to the Berklee campus. The artists came to teach, collaborate and perform with students and do work shops in over&nbsp;25 classes discussing&nbsp;gender and religion in Hip-Hop, protest music,&nbsp;the nuances of teaching hip-hop at a music school, navigating Artist identity, Hip-hop production,&nbsp;humor, protest and the complex roles and choices facing of Arab&nbsp;and Arab Americans performers.</p><p>Originally Dan was a self producing artist in his own right w the band Hummer(on Accurate records) Dan became seduced by the role of the producer. Dan and his Studio Notable Productions have now produced many 100’s of albums for Global and American artists with various productions jobs for as diverse a crown as Aerosmith, Peggy Seager, Mr. Lif&nbsp;and Thomas Mapfumo in a wide range of genres and and recently won the Domincan version of a Grammy in 2014 for best album of the year and was nominated&nbsp;yet again in 2015.&nbsp;He is internationally known for his Global Hip-hop work with the Label he helped launch with his cousin Ben Herson….&nbsp;Nomadic Wax records, which began with the Senegalese compilations “<a href="http://www.amazon.com/African-Underground-Vol-Hip-Hop-Senegal/dp/B0002ZQGAQ" rel="noopener noreferrer" target="_blank">African underground Volumes 1 and 2</a>” that topped the charts in Africa and Europe.</p><p>He scored , mixed and helped produce the Documentary “<a href="http://www.imdb.com/title/tt1419744/" rel="noopener noreferrer" target="_blank">Democracy In Dakar</a>” that followed a Senegalese election through the eyes of its ever vigil and informed Hip-Hop&nbsp;stars,&nbsp;who ultimately played a crucial role in the election itself.</p><p>With Nomadic Wax Dan has produced and recorded the Trinity International Hip Hop Festival for 10 years running and through that has recorded and worked with Talib Kweli, Jean Grae , Poetic Pilgrimage, Brother Ali,&nbsp;Krs -One, Dead Prez to name a few out of over 100’s of both global and American hip-hop&nbsp;artists.&nbsp;He is proud to have helped produce and master the “World Hip Hip Women” compilations volume one and two.&nbsp;Much of the music he loves working on is political in nature.&nbsp;<em>“The story behind a piece of music is its life force”</em>&nbsp;. The anti bush song “ Asshole”&nbsp;he co-wrote and produced with the boston band Jim’s Big Ego got 4 millions downloads in 6 months way before YouTube was even around.&nbsp;&nbsp;Even before teaching at Berklee he donated his studio and talents to student winners of&nbsp;Berklee’s “Music for Social Change Competition” and was music and financial executive producer for albums by artists from Mali,&nbsp;Zimbabwe, Cape Verde, Jamaica, India, Senegal, Italy,&nbsp;and Iraq.&nbsp;Dan helped US Peace keepers create recordings to teach indigenous language to border conflict deployed troops.&nbsp;Dan produced tracks with and for popular Congolese artists working with USAID to bring unity back to a community ravaged by violence against families but especially women.&nbsp;Dan recently recorded the Sierra Leone Refugee all-stars at his home to spread positive radio messages about Ebola prevention through out Africa.</p><p>Dan links his heartfelt feminist leanings to his grandmother Lucille,&nbsp;who taught him to be vocal and stand against injustice.&nbsp;She was an early president of the League of Woman voters and was arm and arm with her friend Carrie Chapman Catt.</p><p>You can see Dan in the 2015 Aljazeera documentary about the brilliant female Muslim duo Poetic Pilgrimage called&nbsp;<strong>&nbsp;“</strong><a href="http://www.imdb.com/title/tt4517732/?ref_=fn_al_tt_1" rel="noopener noreferrer" target="_blank"><strong>Hip-hop Hijabs</strong></a><strong>”.</strong>&nbsp;He is beardless but none the less vigilant.</p><p>Busy guy! Dan talks with Matt about selling gear, global Hip Hop, running a commercial studio in his house where his family lives as well as speaker placement.</p><p><a href="http://notable.com/index.php?page=about&amp;family=BIO" rel="noopener noreferrer" target="_blank">Dan’s bio from Notable.com</a></p><p><a href="http://notable.com/" rel="noopener noreferrer" target="_blank">Notable.com</a></p><p><a href="http://nomadicwax.com/" rel="noopener noreferrer" target="_blank">NomadicWax.com</a></p><p><a href="http://bigego.com/" rel="noopener noreferrer" target="_blank">Bigego.com</a></p>]]></description><content:encoded><![CDATA[<p><strong>Daniel&nbsp;Cantor</strong>&nbsp;is an Assistant Professor at&nbsp;<a href="https://www.berklee.edu/" rel="noopener noreferrer" target="_blank">Berklee College of music</a>&nbsp;and Teaches music production in the Songwriting Department and Music Productions and Engineering Department.&nbsp;Dan in 2015 received Berklee’s prestigious Fly Grant for teaching innovation and with that grant brought 2 male and 2 female outspoken Muslim Hip-Hop artists from Iraq, Syria, Jamaica and London to the Berklee campus. The artists came to teach, collaborate and perform with students and do work shops in over&nbsp;25 classes discussing&nbsp;gender and religion in Hip-Hop, protest music,&nbsp;the nuances of teaching hip-hop at a music school, navigating Artist identity, Hip-hop production,&nbsp;humor, protest and the complex roles and choices facing of Arab&nbsp;and Arab Americans performers.</p><p>Originally Dan was a self producing artist in his own right w the band Hummer(on Accurate records) Dan became seduced by the role of the producer. Dan and his Studio Notable Productions have now produced many 100’s of albums for Global and American artists with various productions jobs for as diverse a crown as Aerosmith, Peggy Seager, Mr. Lif&nbsp;and Thomas Mapfumo in a wide range of genres and and recently won the Domincan version of a Grammy in 2014 for best album of the year and was nominated&nbsp;yet again in 2015.&nbsp;He is internationally known for his Global Hip-hop work with the Label he helped launch with his cousin Ben Herson….&nbsp;Nomadic Wax records, which began with the Senegalese compilations “<a href="http://www.amazon.com/African-Underground-Vol-Hip-Hop-Senegal/dp/B0002ZQGAQ" rel="noopener noreferrer" target="_blank">African underground Volumes 1 and 2</a>” that topped the charts in Africa and Europe.</p><p>He scored , mixed and helped produce the Documentary “<a href="http://www.imdb.com/title/tt1419744/" rel="noopener noreferrer" target="_blank">Democracy In Dakar</a>” that followed a Senegalese election through the eyes of its ever vigil and informed Hip-Hop&nbsp;stars,&nbsp;who ultimately played a crucial role in the election itself.</p><p>With Nomadic Wax Dan has produced and recorded the Trinity International Hip Hop Festival for 10 years running and through that has recorded and worked with Talib Kweli, Jean Grae , Poetic Pilgrimage, Brother Ali,&nbsp;Krs -One, Dead Prez to name a few out of over 100’s of both global and American hip-hop&nbsp;artists.&nbsp;He is proud to have helped produce and master the “World Hip Hip Women” compilations volume one and two.&nbsp;Much of the music he loves working on is political in nature.&nbsp;<em>“The story behind a piece of music is its life force”</em>&nbsp;. The anti bush song “ Asshole”&nbsp;he co-wrote and produced with the boston band Jim’s Big Ego got 4 millions downloads in 6 months way before YouTube was even around.&nbsp;&nbsp;Even before teaching at Berklee he donated his studio and talents to student winners of&nbsp;Berklee’s “Music for Social Change Competition” and was music and financial executive producer for albums by artists from Mali,&nbsp;Zimbabwe, Cape Verde, Jamaica, India, Senegal, Italy,&nbsp;and Iraq.&nbsp;Dan helped US Peace keepers create recordings to teach indigenous language to border conflict deployed troops.&nbsp;Dan produced tracks with and for popular Congolese artists working with USAID to bring unity back to a community ravaged by violence against families but especially women.&nbsp;Dan recently recorded the Sierra Leone Refugee all-stars at his home to spread positive radio messages about Ebola prevention through out Africa.</p><p>Dan links his heartfelt feminist leanings to his grandmother Lucille,&nbsp;who taught him to be vocal and stand against injustice.&nbsp;She was an early president of the League of Woman voters and was arm and arm with her friend Carrie Chapman Catt.</p><p>You can see Dan in the 2015 Aljazeera documentary about the brilliant female Muslim duo Poetic Pilgrimage called&nbsp;<strong>&nbsp;“</strong><a href="http://www.imdb.com/title/tt4517732/?ref_=fn_al_tt_1" rel="noopener noreferrer" target="_blank"><strong>Hip-hop Hijabs</strong></a><strong>”.</strong>&nbsp;He is beardless but none the less vigilant.</p><p>Busy guy! Dan talks with Matt about selling gear, global Hip Hop, running a commercial studio in his house where his family lives as well as speaker placement.</p><p><a href="http://notable.com/index.php?page=about&amp;family=BIO" rel="noopener noreferrer" target="_blank">Dan’s bio from Notable.com</a></p><p><a href="http://notable.com/" rel="noopener noreferrer" target="_blank">Notable.com</a></p><p><a href="http://nomadicwax.com/" rel="noopener noreferrer" target="_blank">NomadicWax.com</a></p><p><a href="http://bigego.com/" rel="noopener noreferrer" target="_blank">Bigego.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-038-with-daniel-cantor]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=708</guid><itunes:image href="https://artwork.captivate.fm/92045594-2dc1-42fa-a77f-24a115011428/wca-podcast.jpg"/><pubDate>Mon, 07 Sep 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b39d6a48-db28-40a9-8818-29d2f89368bb.mp3" length="65675705" type="audio/mpeg"/><itunes:duration>01:31:13</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>38</itunes:episode><podcast:episode>38</podcast:episode><itunes:summary>Working Class Audio Session #038 with Daniel Cantor!!! Daniel  Cantor is an Assistant Professor at Berklee College of music and Teaches music production in the Songwriting Department and Music Productions and Engineering Department.  Dan in 2015 received Berklee’s prestigious Fly Grant for teaching innovation and with that grant brought 2 male and 2 female outspoken […]
 The post WCA #038 with Daniel Cantor appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #037 with Sean McLaughlin</title><itunes:title>WCA #037 with Sean McLaughlin</itunes:title><description><![CDATA[<p>Sean McLaughlin loves a lot of things, but his two favorite things are his wife and recording/mixing songs. After working in Los Angeles for the early part of the 2000s with some notable producers (Andy Johns, Jimbo Barton, Carmen Rizzo) and artists (Rush, Elliott Smith, Marilyn Manson, Death Row Records) Sean returned to Boston in 2004 to open his own studio,&nbsp;<a href="http://www.37ft.com/" rel="noopener noreferrer" target="_blank">37’ Productions</a>.&nbsp;Since opening his studio Sean has been working on projects and with artists both&nbsp;regionally and nationally. Some of the artists with whom he has plied his trade&nbsp;are&nbsp;<a href="http://www.matchboxtwenty.com/" rel="noopener noreferrer" target="_blank">Matchbox Twenty</a>,&nbsp;<a href="http://queensrycheofficial.com/" rel="noopener noreferrer" target="_blank">Queensryche</a>,&nbsp;<a href="http://www.dirtyvegas.com/" rel="noopener noreferrer" target="_blank">Dirty Vegas</a>,&nbsp;<a href="http://www.sarahblacker.com/" rel="noopener noreferrer" target="_blank">Sarah Blacker</a>,&nbsp;<a href="http://www.kristenmerlin.com/" rel="noopener noreferrer" target="_blank">Kristen Merlin</a>,&nbsp;<a href="http://www.rafaelmoreira.com/" rel="noopener noreferrer" target="_blank">Rafael Moreira</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Dark_New_Day" rel="noopener noreferrer" target="_blank">Dark New Day</a>, as well as ABC, NBC, CBS, Fox, MTV, and ESPN. In 2013, Sean had the honor of being named&nbsp;<a href="https://blendermethod.wordpress.com/2013/04/14/sean-mclaughlin-wins-best-producer-of-the-year-at-the-new-england-music-awards/" rel="noopener noreferrer" target="_blank">Producer of the Year by the New&nbsp;England Music Awards</a>. Since the beginning of 2013, he has mixed over 500 songs. In 2014 he authored&nbsp;<a href="https://www.izotope.com/support/support-resources/guides/alloy-2" rel="noopener noreferrer" target="_blank">Mixing with iZotope</a>, a comprehensive mixing guide&nbsp;for beginner to intermediate mixers. Sean also teaches&nbsp;<a href="https://www.berklee.edu/mpe" rel="noopener noreferrer" target="_blank">Music Production and&nbsp;Engineering at Berklee College of Music</a>&nbsp;and&nbsp;<a href="https://www.artinstitutes.edu/areasofstudy/Audio-Production/detail/46" rel="noopener noreferrer" target="_blank">Audio &amp; Media Technology at the&nbsp;New England Institute of Art.&nbsp;</a>&nbsp;Sean and&nbsp;<a href="https://www.workingclassaudio.com/matt-boudreau-your-host/" rel="noopener noreferrer" target="_blank">Matt</a>&nbsp;discuss studio ownership, insurance, retirement, alternative jobs for recording engineers as well as numerous other career-related topics.</p>]]></description><content:encoded><![CDATA[<p>Sean McLaughlin loves a lot of things, but his two favorite things are his wife and recording/mixing songs. After working in Los Angeles for the early part of the 2000s with some notable producers (Andy Johns, Jimbo Barton, Carmen Rizzo) and artists (Rush, Elliott Smith, Marilyn Manson, Death Row Records) Sean returned to Boston in 2004 to open his own studio,&nbsp;<a href="http://www.37ft.com/" rel="noopener noreferrer" target="_blank">37’ Productions</a>.&nbsp;Since opening his studio Sean has been working on projects and with artists both&nbsp;regionally and nationally. Some of the artists with whom he has plied his trade&nbsp;are&nbsp;<a href="http://www.matchboxtwenty.com/" rel="noopener noreferrer" target="_blank">Matchbox Twenty</a>,&nbsp;<a href="http://queensrycheofficial.com/" rel="noopener noreferrer" target="_blank">Queensryche</a>,&nbsp;<a href="http://www.dirtyvegas.com/" rel="noopener noreferrer" target="_blank">Dirty Vegas</a>,&nbsp;<a href="http://www.sarahblacker.com/" rel="noopener noreferrer" target="_blank">Sarah Blacker</a>,&nbsp;<a href="http://www.kristenmerlin.com/" rel="noopener noreferrer" target="_blank">Kristen Merlin</a>,&nbsp;<a href="http://www.rafaelmoreira.com/" rel="noopener noreferrer" target="_blank">Rafael Moreira</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Dark_New_Day" rel="noopener noreferrer" target="_blank">Dark New Day</a>, as well as ABC, NBC, CBS, Fox, MTV, and ESPN. In 2013, Sean had the honor of being named&nbsp;<a href="https://blendermethod.wordpress.com/2013/04/14/sean-mclaughlin-wins-best-producer-of-the-year-at-the-new-england-music-awards/" rel="noopener noreferrer" target="_blank">Producer of the Year by the New&nbsp;England Music Awards</a>. Since the beginning of 2013, he has mixed over 500 songs. In 2014 he authored&nbsp;<a href="https://www.izotope.com/support/support-resources/guides/alloy-2" rel="noopener noreferrer" target="_blank">Mixing with iZotope</a>, a comprehensive mixing guide&nbsp;for beginner to intermediate mixers. Sean also teaches&nbsp;<a href="https://www.berklee.edu/mpe" rel="noopener noreferrer" target="_blank">Music Production and&nbsp;Engineering at Berklee College of Music</a>&nbsp;and&nbsp;<a href="https://www.artinstitutes.edu/areasofstudy/Audio-Production/detail/46" rel="noopener noreferrer" target="_blank">Audio &amp; Media Technology at the&nbsp;New England Institute of Art.&nbsp;</a>&nbsp;Sean and&nbsp;<a href="https://www.workingclassaudio.com/matt-boudreau-your-host/" rel="noopener noreferrer" target="_blank">Matt</a>&nbsp;discuss studio ownership, insurance, retirement, alternative jobs for recording engineers as well as numerous other career-related topics.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-037-with-sean-mclaughlin]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=702</guid><itunes:image href="https://artwork.captivate.fm/3bdee47a-68df-4164-ae3d-b2ea29c709e7/wca-podcast.jpg"/><pubDate>Mon, 31 Aug 2015 16:15:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/19422e4f-de7b-46a8-86e0-645e2df8e010.mp3" length="78670603" type="audio/mpeg"/><itunes:duration>01:49:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>37</itunes:episode><podcast:episode>37</podcast:episode><itunes:summary>Working Class Audio Session #037 with Sean McLaughlin!!! Sean McLaughlin loves a lot of things, but his two favorite things are his wife and recording/mixing songs. After working in Los Angeles for the early part of the 2000’s with some notable producers (Andy Johns, Jimbo Barton, Carmen Rizzo) and artists (Rush, Elliott Smith, Marilyn Manson, Death Row Records) […]
 The post WCA #037 with Sean McLaughlin appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #036 with Warren Huart</title><itunes:title>WCA #036 with Warren Huart</itunes:title><description><![CDATA[<p>Warren Huart is an English music producer/songwriter and multi-instrumentalist based in Los Angeles. He has played a fundamental part in the creation of many platinum-selling and billboard soaring albums, as well as the development of many of today’s most successful artists’ careers. He also has the&nbsp;<a href="http://producelikeapro.com/" rel="noopener noreferrer" target="_blank">Produce Like A Pro&nbsp;</a>video series, which offers recording tutorials to beginners as well as&nbsp;<a href="http://spitfiremusic.com/" rel="noopener noreferrer" target="_blank">Spitfire Music</a>, a one-stop music house focusing on licensing music for film and tv.</p><p>Warren is known for his hard work ethic, positive attitude and respect for the artist’s vision. Many of his long term relationships have turned into close friendships. With over 20 years of experience in the ever-expanding music industry (record production, engineering, mixing, and songwriting), as well his extensive knowledge of both modern and vintage musical equipment and instruments, Warren manages to create the most diverse sound around.</p><p>Warren and Matt talk about vintage gear, work-life balance, commutes, kids and populous politics in the music industry.</p><p><a href="http://warrenhuart.com/" rel="noopener noreferrer" target="_blank">www.warrenhuart.com</a></p>]]></description><content:encoded><![CDATA[<p>Warren Huart is an English music producer/songwriter and multi-instrumentalist based in Los Angeles. He has played a fundamental part in the creation of many platinum-selling and billboard soaring albums, as well as the development of many of today’s most successful artists’ careers. He also has the&nbsp;<a href="http://producelikeapro.com/" rel="noopener noreferrer" target="_blank">Produce Like A Pro&nbsp;</a>video series, which offers recording tutorials to beginners as well as&nbsp;<a href="http://spitfiremusic.com/" rel="noopener noreferrer" target="_blank">Spitfire Music</a>, a one-stop music house focusing on licensing music for film and tv.</p><p>Warren is known for his hard work ethic, positive attitude and respect for the artist’s vision. Many of his long term relationships have turned into close friendships. With over 20 years of experience in the ever-expanding music industry (record production, engineering, mixing, and songwriting), as well his extensive knowledge of both modern and vintage musical equipment and instruments, Warren manages to create the most diverse sound around.</p><p>Warren and Matt talk about vintage gear, work-life balance, commutes, kids and populous politics in the music industry.</p><p><a href="http://warrenhuart.com/" rel="noopener noreferrer" target="_blank">www.warrenhuart.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-036-with-warren-huart]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=686</guid><itunes:image href="https://artwork.captivate.fm/c46a1f13-0f6a-43e6-8fc8-fba6c0f8a8bc/wca-podcast.jpg"/><pubDate>Mon, 24 Aug 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ca0b58ac-efcd-44bd-9056-14a7b8002da5.mp3" length="56900771" type="audio/mpeg"/><itunes:duration>01:19:02</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>36</itunes:episode><podcast:episode>36</podcast:episode><itunes:summary>Working Class Audio Session #036 with Warren Huart!!! Warren Huart is an English music producer/songwriter and multi instrumentalist based in Los Angeles. He has played a fundamental part in the creation of many platinum selling and billboard soaring albums, as well as the development of many of today’s most successful artists’ careers. He also has the Produce […]
 The post WCA #036 with Warren Huart appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #035 with Catherine Vericolli</title><itunes:title>WCA #035 with Catherine Vericolli</itunes:title><description><![CDATA[<p>Catherine&nbsp;Vericolli&nbsp;lives in a recording studio, or rather her studio has taken over most of her residence since its beginnings in 2005. As an owner, engineer, and occasional tech at Fivethirteen Recording in Phoenix, AZ, she is dedicated to keeping the traditional analog recording process alive in the desert. Going on a decade of being in business, Fivethirteen has grown out of its local musician homestead roots into a stop-off for touring nationals and international bands, guest engineers, and home for the occasional film score. Added on in 2010, Fivethirteen’s mixing suite has become one of Arizona’s premier mixing destinations, and with the installation of an RND 5088 in it’s tracking control room during the summer of 2013,&nbsp;Catherine&nbsp;has since taken on the studio’s management position full time. She also coedits and writes for Pink Noise Mag (<a href="http://pinknoisemag.com/" rel="noopener noreferrer" target="_blank">pinknoisemag.com</a>), an online pro audio publication dedicated to increasing the diversity and intellectual tradition of the practice of record making.</p><p>Catherine joins Matt for a chat about the challenges in building and running a residential studio in a market not known for its music scene, her role in Pinknoise (<a href="http://pinknoisemag.com/" rel="noopener noreferrer" target="_blank">pinknoisemag.com</a>) with Allen Farmello&nbsp;<a href="https://www.workingclassaudio.com/wca-031-with-allen-farmelo/" rel="noopener noreferrer" target="_blank">(WCA # 031)</a>&nbsp;as well&nbsp;her love for analog recording.</p><p><a href="http://513recording.com/" rel="noopener noreferrer" target="_blank">513recording.com</a></p>]]></description><content:encoded><![CDATA[<p>Catherine&nbsp;Vericolli&nbsp;lives in a recording studio, or rather her studio has taken over most of her residence since its beginnings in 2005. As an owner, engineer, and occasional tech at Fivethirteen Recording in Phoenix, AZ, she is dedicated to keeping the traditional analog recording process alive in the desert. Going on a decade of being in business, Fivethirteen has grown out of its local musician homestead roots into a stop-off for touring nationals and international bands, guest engineers, and home for the occasional film score. Added on in 2010, Fivethirteen’s mixing suite has become one of Arizona’s premier mixing destinations, and with the installation of an RND 5088 in it’s tracking control room during the summer of 2013,&nbsp;Catherine&nbsp;has since taken on the studio’s management position full time. She also coedits and writes for Pink Noise Mag (<a href="http://pinknoisemag.com/" rel="noopener noreferrer" target="_blank">pinknoisemag.com</a>), an online pro audio publication dedicated to increasing the diversity and intellectual tradition of the practice of record making.</p><p>Catherine joins Matt for a chat about the challenges in building and running a residential studio in a market not known for its music scene, her role in Pinknoise (<a href="http://pinknoisemag.com/" rel="noopener noreferrer" target="_blank">pinknoisemag.com</a>) with Allen Farmello&nbsp;<a href="https://www.workingclassaudio.com/wca-031-with-allen-farmelo/" rel="noopener noreferrer" target="_blank">(WCA # 031)</a>&nbsp;as well&nbsp;her love for analog recording.</p><p><a href="http://513recording.com/" rel="noopener noreferrer" target="_blank">513recording.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-035-with-catherine-vericolli]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=655</guid><itunes:image href="https://artwork.captivate.fm/209d0a71-a858-4994-bc2c-99d96266ae5d/wca-podcast.jpg"/><pubDate>Mon, 17 Aug 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/b8e649ce-4266-4063-9515-37c0f7100bac.mp3" length="59513525" type="audio/mpeg"/><itunes:duration>01:22:39</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>35</itunes:episode><podcast:episode>35</podcast:episode><itunes:summary>Working Class Audio Session #035 with Catherine Vericolli!!! Catherine Vericolli lives in a recording studio, or rather her studio has taken over most of her residence since it’s beginnings in 2005. As owner, engineer, and occasional tech at Fivethirteen Recording in Phoenix, AZ, she is dedicated to keeping the traditional analog recording process alive in the […]
 The post  WCA #035 with Catherine Vericolli appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #034 with Mark Rubel</title><itunes:title>WCA #034 with Mark Rubel</itunes:title><description><![CDATA[<p>Mark Rubel is Co-Director of Education and Instructor at&nbsp;<a href="https://theblackbirdacademy.com/" rel="noopener noreferrer" target="_blank">The Blackbird Academy</a>, an intensive&nbsp;recording school at famed&nbsp;<a href="http://www.blackbirdstudio.com/" rel="noopener noreferrer" target="_blank">Blackbird Studios</a>&nbsp;in Nashville, TN. Since 1980, Mark has made&nbsp;about a zillion recordings at his&nbsp;<a href="http://www.pogostudio.net/" rel="noopener noreferrer" target="_blank">Pogo Studio</a>&nbsp;in&nbsp;<a href="http://ci.champaign.il.us/" rel="noopener noreferrer" target="_blank">Champaign, IL&nbsp;</a>(currently reopening in Nashville),&nbsp;including such artists as Allison Krauss, Jay Bennett, Ludacris, Hum, Adrian Belew, Melanie,&nbsp;Fall Out Boy, Duke Special, and many others.! !</p><p>Mark has taught audio, music business and other subjects at the college level since 1985, and&nbsp;presents audio panels and workshops for various schools and professional organizations&nbsp;around North America. He writes occasionally for recording magazines, including his Tape Op&nbsp;interviews with Les Paul and Terry Manning, with more coming soon. Mark also works as an&nbsp;audio consultant and legal expert witness. His band&nbsp;<a href="http://www.captainratandtheblindrivets.com/" rel="noopener noreferrer" target="_blank">Captain Rat and the Blind Rivets</a>&nbsp;has been&nbsp;rocking East Central Illinois and beyond for 35 years and counting. Mark continues to cultivate&nbsp;students, cats, songs and friendships in The New Center of the Universe (Nashville), along with&nbsp;his saintly wife Nancy and their intrepid guinea pig, Huckleberry.</p><p>&nbsp;</p><p>Mark talks with Matt about his role at The Blackbird Academy, (career planning, money management, mentoring), what he learned in 34 years of studio ownership, what makes Champaign, Illinois special and why&nbsp;<a href="https://en.wikipedia.org/wiki/Nashville,_Tennessee" rel="noopener noreferrer" target="_blank">Nashville, Tennessee</a>&nbsp;is great place to call home.</p><p><a href="https://theblackbirdacademy.com/" rel="noopener noreferrer" target="_blank">https://theblackbirdacademy.com/</a></p><p><a href="http://ci.champaign.il.us/" rel="noopener noreferrer" target="_blank">http://ci.champaign.il.us/</a></p><p><a href="https://en.wikipedia.org/wiki/Champaign,_Illinois" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Champaign,_Illinois</a></p><p><a href="https://en.wikipedia.org/wiki/Urbana,_Illinois" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Urbana,_Illinois</a></p>]]></description><content:encoded><![CDATA[<p>Mark Rubel is Co-Director of Education and Instructor at&nbsp;<a href="https://theblackbirdacademy.com/" rel="noopener noreferrer" target="_blank">The Blackbird Academy</a>, an intensive&nbsp;recording school at famed&nbsp;<a href="http://www.blackbirdstudio.com/" rel="noopener noreferrer" target="_blank">Blackbird Studios</a>&nbsp;in Nashville, TN. Since 1980, Mark has made&nbsp;about a zillion recordings at his&nbsp;<a href="http://www.pogostudio.net/" rel="noopener noreferrer" target="_blank">Pogo Studio</a>&nbsp;in&nbsp;<a href="http://ci.champaign.il.us/" rel="noopener noreferrer" target="_blank">Champaign, IL&nbsp;</a>(currently reopening in Nashville),&nbsp;including such artists as Allison Krauss, Jay Bennett, Ludacris, Hum, Adrian Belew, Melanie,&nbsp;Fall Out Boy, Duke Special, and many others.! !</p><p>Mark has taught audio, music business and other subjects at the college level since 1985, and&nbsp;presents audio panels and workshops for various schools and professional organizations&nbsp;around North America. He writes occasionally for recording magazines, including his Tape Op&nbsp;interviews with Les Paul and Terry Manning, with more coming soon. Mark also works as an&nbsp;audio consultant and legal expert witness. His band&nbsp;<a href="http://www.captainratandtheblindrivets.com/" rel="noopener noreferrer" target="_blank">Captain Rat and the Blind Rivets</a>&nbsp;has been&nbsp;rocking East Central Illinois and beyond for 35 years and counting. Mark continues to cultivate&nbsp;students, cats, songs and friendships in The New Center of the Universe (Nashville), along with&nbsp;his saintly wife Nancy and their intrepid guinea pig, Huckleberry.</p><p>&nbsp;</p><p>Mark talks with Matt about his role at The Blackbird Academy, (career planning, money management, mentoring), what he learned in 34 years of studio ownership, what makes Champaign, Illinois special and why&nbsp;<a href="https://en.wikipedia.org/wiki/Nashville,_Tennessee" rel="noopener noreferrer" target="_blank">Nashville, Tennessee</a>&nbsp;is great place to call home.</p><p><a href="https://theblackbirdacademy.com/" rel="noopener noreferrer" target="_blank">https://theblackbirdacademy.com/</a></p><p><a href="http://ci.champaign.il.us/" rel="noopener noreferrer" target="_blank">http://ci.champaign.il.us/</a></p><p><a href="https://en.wikipedia.org/wiki/Champaign,_Illinois" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Champaign,_Illinois</a></p><p><a href="https://en.wikipedia.org/wiki/Urbana,_Illinois" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Urbana,_Illinois</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-034-with-mark-rubel]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=612</guid><itunes:image href="https://artwork.captivate.fm/de864334-030c-4692-b546-9cc1fabb5c1a/wca-podcast.jpg"/><pubDate>Mon, 10 Aug 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/6b925a46-5f34-40e9-874d-72ee1e66cfa9.mp3" length="38382537" type="audio/mpeg"/><itunes:duration>53:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>34</itunes:episode><podcast:episode>34</podcast:episode><itunes:summary>Working Class Audio Session #034 Mark Rubel!!! Mark Rubel is Co-Director of Education and Instructor at The Blackbird Academy, an intensive recording school at famed Blackbird Studios in Nashville, TN. Since 1980, Mark has made about a zillion recordings at his Pogo Studio in Champaign, IL (currently reopening in Nashville), including such artists as Allison Krauss, Jay Bennett, […]
 The post WCA #034 with Mark Rubel appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #033 with Joe Barresi</title><itunes:title>WCA #033 with Joe Barresi</itunes:title><description><![CDATA[<p>Joe Barresi has produced, engineered, and mixed some of the most important hard rock, metal, and punk bands of the last 15 years including&nbsp;<a href="https://www.toolband.com/" rel="noopener noreferrer" target="_blank">Tool</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Queens_of_the_Stone_Age" rel="noopener noreferrer" target="_blank">Queens Of The Stone Age</a>,&nbsp;<a href="http://www.badreligion.com/" rel="noopener noreferrer" target="_blank">Bad Religion</a>,&nbsp;<a href="http://themelvins.net/" rel="noopener noreferrer" target="_blank">The Melvins</a>,&nbsp;<a href="http://www.skunkanansie.net/" rel="noopener noreferrer" target="_blank">Skunk Anansie</a>,&nbsp;<a href="http://www.turbonegro.com/" rel="noopener noreferrer" target="_blank">Turbonegro</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Clutch_(band)" rel="noopener noreferrer" target="_blank">Clutch</a>.</p><p>Although widely respected for his abilities as an engineer (one writer wrote “If you don’t generally think of sound production as an art form, you don’t know Joe Barresi”), Joe is first and foremost a musician. He started playing guitar when he was 7 and played in local bands in New York and in Florida. He studied classical guitar, piano, and music theory at the University of South Florida and the University of Miami. Joe also studied engineering and spent hundreds of hours recording local bands, developing patience and understanding for what goes on in the studio.</p><p>A trip to the West Coast inspired Joe to move to Los Angeles where he began working his way up the ladder by assisting at numerous local studios. In time, he engineered for many well-respected producers including David Kahne,&nbsp;<a href="https://www.workingclassaudio.com/wca-029-with-michael-beinhorn/" rel="noopener noreferrer" target="_blank">Michael Beinhorn</a>, and GGGarth Richardson, and gained a reputation for getting great sounds, particularly with guitars and drums.</p><p>Soon Joe was producing and mixing records on his own. He produced, recorded,&nbsp;and mixed the debut album for the newly formed Queens Of The Stone Age, which was unsigned at the time. The self-titled album was eventually released by indie label Loose Groove&nbsp;and garnered lots of attention from the press (Rolling Stone named Queens Of The Stone Age one of the ten most important hard &amp; heavy bands of the year) and alternative radio (including KROQ) — all of which landed the band a deal with Interscope Records.</p><p>Over the years, Joe has consistently worked with quality artists and made some of their more seminal records — Weezer “Pinkerton,” Melvins “Stoner Witch” and the Queens Of The Stone Age debut, to name a few. His discography reflects his impeccable ear for great rock music.</p><p>Joe chats with Matt about his start, studio ownership,&nbsp;how an SSL impacts the electric bill, insurance, covering your ass, and a few thoughts on phase. Enjoy!</p><p><a href="http://www.joebarresi.com/" rel="noopener noreferrer" target="_blank">http://www.joebarresi.com/</a></p><p><a href="http://www.mcdman.com/barresi" rel="noopener noreferrer" target="_blank">http://www.mcdman.com/barresi</a></p><p><a href="http://futureofmusic.org/" rel="noopener noreferrer" target="_blank">http://futureofmusic.org/</a></p>]]></description><content:encoded><![CDATA[<p>Joe Barresi has produced, engineered, and mixed some of the most important hard rock, metal, and punk bands of the last 15 years including&nbsp;<a href="https://www.toolband.com/" rel="noopener noreferrer" target="_blank">Tool</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Queens_of_the_Stone_Age" rel="noopener noreferrer" target="_blank">Queens Of The Stone Age</a>,&nbsp;<a href="http://www.badreligion.com/" rel="noopener noreferrer" target="_blank">Bad Religion</a>,&nbsp;<a href="http://themelvins.net/" rel="noopener noreferrer" target="_blank">The Melvins</a>,&nbsp;<a href="http://www.skunkanansie.net/" rel="noopener noreferrer" target="_blank">Skunk Anansie</a>,&nbsp;<a href="http://www.turbonegro.com/" rel="noopener noreferrer" target="_blank">Turbonegro</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Clutch_(band)" rel="noopener noreferrer" target="_blank">Clutch</a>.</p><p>Although widely respected for his abilities as an engineer (one writer wrote “If you don’t generally think of sound production as an art form, you don’t know Joe Barresi”), Joe is first and foremost a musician. He started playing guitar when he was 7 and played in local bands in New York and in Florida. He studied classical guitar, piano, and music theory at the University of South Florida and the University of Miami. Joe also studied engineering and spent hundreds of hours recording local bands, developing patience and understanding for what goes on in the studio.</p><p>A trip to the West Coast inspired Joe to move to Los Angeles where he began working his way up the ladder by assisting at numerous local studios. In time, he engineered for many well-respected producers including David Kahne,&nbsp;<a href="https://www.workingclassaudio.com/wca-029-with-michael-beinhorn/" rel="noopener noreferrer" target="_blank">Michael Beinhorn</a>, and GGGarth Richardson, and gained a reputation for getting great sounds, particularly with guitars and drums.</p><p>Soon Joe was producing and mixing records on his own. He produced, recorded,&nbsp;and mixed the debut album for the newly formed Queens Of The Stone Age, which was unsigned at the time. The self-titled album was eventually released by indie label Loose Groove&nbsp;and garnered lots of attention from the press (Rolling Stone named Queens Of The Stone Age one of the ten most important hard &amp; heavy bands of the year) and alternative radio (including KROQ) — all of which landed the band a deal with Interscope Records.</p><p>Over the years, Joe has consistently worked with quality artists and made some of their more seminal records — Weezer “Pinkerton,” Melvins “Stoner Witch” and the Queens Of The Stone Age debut, to name a few. His discography reflects his impeccable ear for great rock music.</p><p>Joe chats with Matt about his start, studio ownership,&nbsp;how an SSL impacts the electric bill, insurance, covering your ass, and a few thoughts on phase. Enjoy!</p><p><a href="http://www.joebarresi.com/" rel="noopener noreferrer" target="_blank">http://www.joebarresi.com/</a></p><p><a href="http://www.mcdman.com/barresi" rel="noopener noreferrer" target="_blank">http://www.mcdman.com/barresi</a></p><p><a href="http://futureofmusic.org/" rel="noopener noreferrer" target="_blank">http://futureofmusic.org/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-033-with-joe-barresi]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=600</guid><itunes:image href="https://artwork.captivate.fm/495288e8-5b19-4a5d-8d7e-a1c6a43ff1b5/uploads-2f1552276578146-mmboog2ixr-ea25af53f21e721889102931f204.png"/><pubDate>Mon, 03 Aug 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ccf62573-89bb-47c6-89bd-63f89134f837.mp3" length="59019123" type="audio/mpeg"/><itunes:duration>01:21:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>33</itunes:episode><podcast:episode>33</podcast:episode><itunes:summary>Working Class Audio Session #033 with Joe Barresi!!! Joe Barresi has produced, engineered and mixed some of the most important hard rock, metal and punk bands of the last 15 years including Tool, Queens Of The Stone Age, Bad Religion, The Melvins, Skunk Anansie, Turbonegro and Clutch. Although widely respected for his abilities as an […]
The post WCA #033 with Joe Barresi appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #032 with Myles Boisen</title><itunes:title>WCA #032 with Myles Boisen</itunes:title><description><![CDATA[<p>Myles Boisen has enjoyed a 35-year career in recording, beginning as the head instructor at one of the country’s first accredited university-level recording studio programs. With his roots in the punk rock/ D.I.Y. recording scene of the late 1970’s, Myles has avoided the world of major labels and top-dollar studios, choosing instead to pursue affordable and top-quality recording from his Oakland CA. Guerrilla Recording/ Headless Buddha mastering complex for the past 20 years.</p><p>Boisen’s articles and reviews over a ten-year span at Electronic Musician magazine were known for fiercely high standards, and a no-nonsense attitude that made him many friends among recordists and readers, as well as a few enemies in the corporate pro audio world! Along the way there have been Grammy nominations, film soundtracks with David Lynch and composer Fred Frith, and sessions and gigs with a who’s who of the avant-garde, jazz, out-rock and blues worlds (Tom Waits, Anthony Braxton, Nina Hagen, Fred Frith, John Zorn, Kronos String Quartet, The Tigerlillies, Klaus Flouride (Dead Kennedys) Kim Wilson, Camper Van Beethoven, Malcolm Mooney (Can), Seth Ford-Young (Edward Sharpe and the Magnetic Zeros), Johnny Dyer, Rick Estrin, Francis Clay (Muddy Waters).</p><p>&nbsp;</p><p>Myles&nbsp;joins Matt for an in depth discussion on studio ownership, retirement, gear lust on Working Class Audio session #032. Listen for a code to get a discount on&nbsp;<a href="http://sonarworks.com/" rel="noopener noreferrer" target="_blank">Sonarworks&nbsp;</a>speaker calibration software.</p><p>&nbsp;</p><p><a href="http://www.mylesboisen.com/" rel="noopener noreferrer" target="_blank">www.mylesboisen.com</a></p>]]></description><content:encoded><![CDATA[<p>Myles Boisen has enjoyed a 35-year career in recording, beginning as the head instructor at one of the country’s first accredited university-level recording studio programs. With his roots in the punk rock/ D.I.Y. recording scene of the late 1970’s, Myles has avoided the world of major labels and top-dollar studios, choosing instead to pursue affordable and top-quality recording from his Oakland CA. Guerrilla Recording/ Headless Buddha mastering complex for the past 20 years.</p><p>Boisen’s articles and reviews over a ten-year span at Electronic Musician magazine were known for fiercely high standards, and a no-nonsense attitude that made him many friends among recordists and readers, as well as a few enemies in the corporate pro audio world! Along the way there have been Grammy nominations, film soundtracks with David Lynch and composer Fred Frith, and sessions and gigs with a who’s who of the avant-garde, jazz, out-rock and blues worlds (Tom Waits, Anthony Braxton, Nina Hagen, Fred Frith, John Zorn, Kronos String Quartet, The Tigerlillies, Klaus Flouride (Dead Kennedys) Kim Wilson, Camper Van Beethoven, Malcolm Mooney (Can), Seth Ford-Young (Edward Sharpe and the Magnetic Zeros), Johnny Dyer, Rick Estrin, Francis Clay (Muddy Waters).</p><p>&nbsp;</p><p>Myles&nbsp;joins Matt for an in depth discussion on studio ownership, retirement, gear lust on Working Class Audio session #032. Listen for a code to get a discount on&nbsp;<a href="http://sonarworks.com/" rel="noopener noreferrer" target="_blank">Sonarworks&nbsp;</a>speaker calibration software.</p><p>&nbsp;</p><p><a href="http://www.mylesboisen.com/" rel="noopener noreferrer" target="_blank">www.mylesboisen.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-032-with-myles-boisen]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=594</guid><itunes:image href="https://artwork.captivate.fm/9451b1eb-00d7-4fbc-8931-e44c0748f2e2/wca-podcast.jpg"/><pubDate>Mon, 27 Jul 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/683399de-c0e5-4079-baba-40283d479ae1.mp3" length="58234540" type="audio/mpeg"/><itunes:duration>01:20:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>32</itunes:episode><podcast:episode>32</podcast:episode><itunes:summary>Working Class Audio Session #032 with Myles Boisen!!! Myles Boisen has enjoyed a 35-year career in recording, beginning as the head instructor at one of the country’s first accredited university-level recording studio programs. With his roots in the punk rock/ D.I.Y. recording scene of the late 1970’s, Myles has avoided the world of major labels […]
 The post WCA #032 with Myles Boisen appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #031 with Allen Farmelo</title><itunes:title>WCA #031 with Allen Farmelo</itunes:title><description><![CDATA[<p>Allen Farmelo has begun to call himself a “recordmaker”.”We all do everything these days,” he says, “and the old terms like producer,&nbsp;engineer, mixer, carry so many assumptions that aren’t really accurate these days. They have their roots in a much more ordered hierarchy that’s rarely true today.” As a record maker, Allen has worked intimately with everyone from Ian Gillan of Deep Purple to The Cinematic Orchestra. Allen&nbsp;has also worked with a slew of rather huge pop artists that he doesn’t put on his discography because, as he puts it, “Fattening up one’s discography with incidental big-name sessions doesn’t tell the real story. I just put the stuff on there that’s really got my fingerprints all over it. That way people know what I’m truly inclined make.” Restlessly pushing for the return of high fidelity as a popular interest, fighting to raise the female participation in our field beyond 5% with his publication Pink Noise (co-edited with Catherine Vericolli), writing classic essays about recording like his “Sonic Varnish” piece (he coined the term), building one of the most beautiful recording consoles ever with François Chambard of&nbsp;<a href="http://umproject.com/" rel="noopener noreferrer" target="_blank">UM Project</a>, launching&nbsp;<a href="http://islandofelska.com/" rel="noopener noreferrer" target="_blank">Elska</a>, which is known as Bjork for Children, with his life-partner,&nbsp;and now running the decidedly artsy record label Butterscotch Records, Allen has eschewed the temptations of mainstream success (including a nicely salaried position at one of the Big Three) to pursue endeavors on the fringes where he seems to thrive. He recently bought a one room schoolhouse built-in 1873.&nbsp;About an hour from New York City, and has relocated home and studio to the schoolhouse where he’s become obsessed with gardening.</p><p>Photo by&nbsp;Evelin Cheugn (taken at&nbsp;<a href="http://www.thebunkerstudio.com/about/" rel="noopener noreferrer" target="_blank">The Bunker Studio</a>&nbsp;in Williamsburg, Brooklyn NYC)</p><ul><li><a href="http://www.farmelorecording.com/" rel="noopener noreferrer" target="_blank">http://www.farmelorecording.com/</a></li><li><a href="http://pinknoisemag.com/" rel="noopener noreferrer" target="_blank">http://pinknoisemag.com/</a></li><li><a href="http://www.butterscotchrecords.net/" rel="noopener noreferrer" target="_blank">http://www.butterscotchrecords.net/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Allen Farmelo has begun to call himself a “recordmaker”.”We all do everything these days,” he says, “and the old terms like producer,&nbsp;engineer, mixer, carry so many assumptions that aren’t really accurate these days. They have their roots in a much more ordered hierarchy that’s rarely true today.” As a record maker, Allen has worked intimately with everyone from Ian Gillan of Deep Purple to The Cinematic Orchestra. Allen&nbsp;has also worked with a slew of rather huge pop artists that he doesn’t put on his discography because, as he puts it, “Fattening up one’s discography with incidental big-name sessions doesn’t tell the real story. I just put the stuff on there that’s really got my fingerprints all over it. That way people know what I’m truly inclined make.” Restlessly pushing for the return of high fidelity as a popular interest, fighting to raise the female participation in our field beyond 5% with his publication Pink Noise (co-edited with Catherine Vericolli), writing classic essays about recording like his “Sonic Varnish” piece (he coined the term), building one of the most beautiful recording consoles ever with François Chambard of&nbsp;<a href="http://umproject.com/" rel="noopener noreferrer" target="_blank">UM Project</a>, launching&nbsp;<a href="http://islandofelska.com/" rel="noopener noreferrer" target="_blank">Elska</a>, which is known as Bjork for Children, with his life-partner,&nbsp;and now running the decidedly artsy record label Butterscotch Records, Allen has eschewed the temptations of mainstream success (including a nicely salaried position at one of the Big Three) to pursue endeavors on the fringes where he seems to thrive. He recently bought a one room schoolhouse built-in 1873.&nbsp;About an hour from New York City, and has relocated home and studio to the schoolhouse where he’s become obsessed with gardening.</p><p>Photo by&nbsp;Evelin Cheugn (taken at&nbsp;<a href="http://www.thebunkerstudio.com/about/" rel="noopener noreferrer" target="_blank">The Bunker Studio</a>&nbsp;in Williamsburg, Brooklyn NYC)</p><ul><li><a href="http://www.farmelorecording.com/" rel="noopener noreferrer" target="_blank">http://www.farmelorecording.com/</a></li><li><a href="http://pinknoisemag.com/" rel="noopener noreferrer" target="_blank">http://pinknoisemag.com/</a></li><li><a href="http://www.butterscotchrecords.net/" rel="noopener noreferrer" target="_blank">http://www.butterscotchrecords.net/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-031-with-allen-farmelo]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=585</guid><itunes:image href="https://artwork.captivate.fm/a9e65cef-90dd-4462-9f55-faba526a721f/wca-podcast.jpg"/><pubDate>Mon, 20 Jul 2015 10:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9aa3a926-7466-4dd5-8339-a3cc51223837.mp3" length="59021354" type="audio/mpeg"/><itunes:duration>01:21:58</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>31</itunes:episode><podcast:episode>31</podcast:episode><itunes:summary>Working Class Audio Session #031  with Allen Farmelo!!! Allen Farmelo has begun to call himself a “recordmaker”.”We all do everything these days,” he says, “and the old terms like producer,  engineer, mixer, carry so many assumptions that aren’t really accurate these days. They have their roots in a much more ordered hierarchy that’s rarely true […]
 The post WCA #031 with Allen Farmelo appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #030 with Bruce Kaphan</title><itunes:title>WCA #030 with Bruce Kaphan</itunes:title><description><![CDATA[<p>Bruce Kaphan is a producer/engineer/mixer and one hell of pedal steel player! Bruce has worked with so many names in the music world on both sides of the glass including John Lee Hooker, Sheryl Crowe,&nbsp;<a href="https://en.wikipedia.org/wiki/Jellyfish_(band)" rel="noopener noreferrer" target="_blank">Jellyfish&nbsp;</a>as well as&nbsp;<a href="https://en.wikipedia.org/wiki/American_Music_Club" rel="noopener noreferrer" target="_blank">American Music Club</a>&nbsp;of which he is a former member of. Bruce sits down with Matt at his home studio in Fresno (Niles), California to discuss all aspects of the recording world including health, life, gear, retirement and even brain functionality! We go deep on this one. We also announce a&nbsp;change to the show!</p><p><a href="http://www.brucekaphan.com/index.html" rel="noopener noreferrer" target="_blank">www.brucekaphan.com</a></p>]]></description><content:encoded><![CDATA[<p>Bruce Kaphan is a producer/engineer/mixer and one hell of pedal steel player! Bruce has worked with so many names in the music world on both sides of the glass including John Lee Hooker, Sheryl Crowe,&nbsp;<a href="https://en.wikipedia.org/wiki/Jellyfish_(band)" rel="noopener noreferrer" target="_blank">Jellyfish&nbsp;</a>as well as&nbsp;<a href="https://en.wikipedia.org/wiki/American_Music_Club" rel="noopener noreferrer" target="_blank">American Music Club</a>&nbsp;of which he is a former member of. Bruce sits down with Matt at his home studio in Fresno (Niles), California to discuss all aspects of the recording world including health, life, gear, retirement and even brain functionality! We go deep on this one. We also announce a&nbsp;change to the show!</p><p><a href="http://www.brucekaphan.com/index.html" rel="noopener noreferrer" target="_blank">www.brucekaphan.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-030-with-bruce-kaphan]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=580</guid><itunes:image href="https://artwork.captivate.fm/dc6104f0-72af-4abf-b9c4-19ae3d8ab092/uploads-2f1556733719837-1c075to8alv-f3b60541a864c4113ed1831def7.png"/><pubDate>Mon, 13 Jul 2015 17:08:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4291f3d9-1502-4a83-aa40-5fb0942efd8f.mp3" length="63321150" type="audio/mpeg"/><itunes:duration>01:27:57</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>30</itunes:episode><podcast:episode>30</podcast:episode><itunes:summary>Working Class Audio Session #030 with Bruce Kaphan!!! Bruce Kaphan is a producer/engineer/mixer and one hell of pedal steel player! Bruce has worked with so many names in the music world on both sides of the glass including John Lee Hooker, Sheryl Crowe, Jellyfish as well as American Music Club of which he is a […]
The post WCA #030 with Bruce Kaphan appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #029 with Michael Beinhorn</title><itunes:title>WCA #029 with Michael Beinhorn</itunes:title><description><![CDATA[<p>Michael Beinhorn is a producer and engineer who got a major jump-start in the early ’80s by working with his bandmate&nbsp;<a href="https://en.wikipedia.org/wiki/Bill_Laswell" rel="noopener noreferrer" target="_blank">Bill Laswell</a>&nbsp;on&nbsp;<a href="https://en.wikipedia.org/wiki/Herbie_Hancock" rel="noopener noreferrer" target="_blank">Herbie Hancoc</a>k’s&nbsp;<a href="https://en.wikipedia.org/wiki/Future_Shock_(Herbie_Hancock_album)" rel="noopener noreferrer" target="_blank"><em>Future Shock</em></a><em>&nbsp;</em>record which contained the hit single “<a href="https://en.wikipedia.org/wiki/Rockit" rel="noopener noreferrer" target="_blank">Rockit</a>“. What followed was a career of work with a&nbsp;list of household&nbsp;names in music including The&nbsp;<a href="https://en.wikipedia.org/wiki/Red_Hot_Chili_Peppers" rel="noopener noreferrer" target="_blank">Red Hot Chili Peppers</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Violent_Femmes" rel="noopener noreferrer" target="_blank">Violent Femmes</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Soul_Asylum" rel="noopener noreferrer" target="_blank">Soul Asylum</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Soundgarden" rel="noopener noreferrer" target="_blank">Soundgarden</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Aerosmith" rel="noopener noreferrer" target="_blank">Aerosmith</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Ozzy_Osbourne" rel="noopener noreferrer" target="_blank">Ozzy Osbourne</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Social_Distortion" rel="noopener noreferrer" target="_blank">Social Distortion</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Hole_(band)" rel="noopener noreferrer" target="_blank">Hole</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Marilyn_Manson" rel="noopener noreferrer" target="_blank">Marilyn Manson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Verve_Pipe" rel="noopener noreferrer" target="_blank">The Verve Pipe</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Korn" rel="noopener noreferrer" target="_blank">Korn</a>,&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Black_Label_Society" rel="noopener noreferrer" target="_blank">Black Label Society</a>.&nbsp;After over 30 years of work Michael has written a fantastic new book called “Unlocking Creativity: A Producers Guide to Making Music and Art.” Michael discusses his new book, the new Apple Music service as well as meditation and taking care of yourself in a call with Matt.</p><p><a href="http://michaelbeinhorn.com/" rel="noopener noreferrer" target="_blank">http://michaelbeinhorn.com/</a></p>]]></description><content:encoded><![CDATA[<p>Michael Beinhorn is a producer and engineer who got a major jump-start in the early ’80s by working with his bandmate&nbsp;<a href="https://en.wikipedia.org/wiki/Bill_Laswell" rel="noopener noreferrer" target="_blank">Bill Laswell</a>&nbsp;on&nbsp;<a href="https://en.wikipedia.org/wiki/Herbie_Hancock" rel="noopener noreferrer" target="_blank">Herbie Hancoc</a>k’s&nbsp;<a href="https://en.wikipedia.org/wiki/Future_Shock_(Herbie_Hancock_album)" rel="noopener noreferrer" target="_blank"><em>Future Shock</em></a><em>&nbsp;</em>record which contained the hit single “<a href="https://en.wikipedia.org/wiki/Rockit" rel="noopener noreferrer" target="_blank">Rockit</a>“. What followed was a career of work with a&nbsp;list of household&nbsp;names in music including The&nbsp;<a href="https://en.wikipedia.org/wiki/Red_Hot_Chili_Peppers" rel="noopener noreferrer" target="_blank">Red Hot Chili Peppers</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Violent_Femmes" rel="noopener noreferrer" target="_blank">Violent Femmes</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Soul_Asylum" rel="noopener noreferrer" target="_blank">Soul Asylum</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Soundgarden" rel="noopener noreferrer" target="_blank">Soundgarden</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Aerosmith" rel="noopener noreferrer" target="_blank">Aerosmith</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Ozzy_Osbourne" rel="noopener noreferrer" target="_blank">Ozzy Osbourne</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Social_Distortion" rel="noopener noreferrer" target="_blank">Social Distortion</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Hole_(band)" rel="noopener noreferrer" target="_blank">Hole</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Marilyn_Manson" rel="noopener noreferrer" target="_blank">Marilyn Manson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Verve_Pipe" rel="noopener noreferrer" target="_blank">The Verve Pipe</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Korn" rel="noopener noreferrer" target="_blank">Korn</a>,&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Black_Label_Society" rel="noopener noreferrer" target="_blank">Black Label Society</a>.&nbsp;After over 30 years of work Michael has written a fantastic new book called “Unlocking Creativity: A Producers Guide to Making Music and Art.” Michael discusses his new book, the new Apple Music service as well as meditation and taking care of yourself in a call with Matt.</p><p><a href="http://michaelbeinhorn.com/" rel="noopener noreferrer" target="_blank">http://michaelbeinhorn.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-029-with-michael-beinhorn]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=571</guid><itunes:image href="https://artwork.captivate.fm/d3bed3a6-ad41-49ba-86ba-d2d86cab932b/uploads-2f1552273976279-lixma4o46w-d07398854f8a9c59378964978c98.png"/><pubDate>Mon, 06 Jul 2015 15:17:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f12ae410-8ad2-4e14-bf92-8520c60448c5.mp3" length="43963023" type="audio/mpeg"/><itunes:duration>01:01:04</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>29</itunes:episode><podcast:episode>29</podcast:episode><itunes:summary>Working Class Audio Session #029 with Michael Beinhorn!!! Michael Beinhorn is a producer and engineer  who got a major jump start in the early 80’s by working with his band mate Bill Laswell on Herbie Hancock’s Future Shock record which contained the hit single “Rockit“. What followed was a career of work with a  list of household names in music […]
The post WCA #029 with Michael Beinhorn appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #028 with John Congleton</title><itunes:title>WCA #028 with John Congleton</itunes:title><description><![CDATA[<p>John Congleton is Grammy Winning American producer/engineer/mixer/writer who joins Matt for session #028 of Working Class Audio. John works out of his his studio (Elmwood Studios) in Dallas, Texas.&nbsp;In addition to his production work Congleton fronted the indie rock band,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Paper_Chase_(band)" rel="noopener noreferrer" target="_blank">The Paper Chase</a>, and writes music for a newer project entitled<a href="https://en.wikipedia.org/w/index.php?title=The_nighty_nite&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">The Nighty Nite</a>&nbsp;and music for various projects, including MTV’s<a href="https://en.wikipedia.org/wiki/Jackass_(TV_series)" rel="noopener noreferrer" target="_blank"><em>Jackass</em></a>, the&nbsp;<a href="https://en.wikipedia.org/wiki/Discovery_Channel" rel="noopener noreferrer" target="_blank">Discovery Channel</a>, and several&nbsp;<a href="https://en.wikipedia.org/wiki/Halloween" rel="noopener noreferrer" target="_blank">Halloween</a>&nbsp;sound effects/music CDs. John has worked with&nbsp;<a href="https://en.wikipedia.org/wiki/St._Vincent_(musician)" rel="noopener noreferrer" target="_blank">St. Vincent</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Walkmen" rel="noopener noreferrer" target="_blank">The Walkmen</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Modest_Mouse" rel="noopener noreferrer" target="_blank">Modest Mouse</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Angel_Olsen" rel="noopener noreferrer" target="_blank">Angel Olsen</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Swans_(band)" rel="noopener noreferrer" target="_blank">Swans</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Thermals" rel="noopener noreferrer" target="_blank">The Thermals</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sigur_R%C3%B3s" rel="noopener noreferrer" target="_blank">Sigur Rós</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Franz_Ferdinand_(band)" rel="noopener noreferrer" target="_blank">Franz Ferdinand</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sparks_(band)" rel="noopener noreferrer" target="_blank">Sparks</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Chelsea_Wolfe" rel="noopener noreferrer" target="_blank">Chelsea Wolfe</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Nelly_Furtado" rel="noopener noreferrer" target="_blank">Nelly Furtado</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Cloud_Nothings" rel="noopener noreferrer" target="_blank">Cloud Nothings</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Earl_Sweatshirt" rel="noopener noreferrer" target="_blank">Earl Sweatshirt</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Clap_Your_Hands_Say_Yeah" rel="noopener noreferrer" target="_blank">Clap Your Hands Say Yeah</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Something_for_Kate" rel="noopener noreferrer" target="_blank">Something for Kate</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Okkervil_River" rel="noopener noreferrer" target="_blank">Okkervil River</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sarah_Jaffe" rel="noopener noreferrer" target="_blank">Sarah Jaffe</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/David_Byrne" rel="noopener noreferrer" target="_blank">David Byrne</a>,<a href="https://en.wikipedia.org/wiki/Brian_Wilson" rel="noopener noreferrer" target="_blank">Brian Wilson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Astronautalis" rel="noopener noreferrer" target="_blank">Astronautalis</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Bill_Callahan_(musician)" rel="noopener noreferrer" target="_blank">Bill Callahan</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Smog_(band)" rel="noopener noreferrer" target="_blank">Smog</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Xiu_Xiu" rel="noopener noreferrer" target="_blank">Xiu Xiu</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Lower_Dens" rel="noopener noreferrer" target="_blank">Lower Dens</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Polyphonic_Spree" rel="noopener noreferrer" target="_blank">The Polyphonic Spree</a>,<a href="https://en.wikipedia.org/wiki/Unknown_Mortal_Orchestra" rel="noopener noreferrer" target="_blank">Unknown Mortal Orchestra</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Kirk_Franklin" rel="noopener noreferrer" target="_blank">Kirk Franklin</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Explosions_in_the_Sky" rel="noopener noreferrer" target="_blank">Explosions in the Sky</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Black_Angels_(band)" rel="noopener noreferrer" target="_blank">The Black Angels</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Blood_Red_Shoes" rel="noopener noreferrer" target="_blank">Blood Red Shoes</a>,<a href="https://en.wikipedia.org/wiki/Clinic" rel="noopener noreferrer" target="_blank">Clinic</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/R._Kelly" rel="noopener noreferrer" target="_blank">R. Kelly</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Mountain_Goats" rel="noopener noreferrer" target="_blank">The Mountain Goats</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Swan_Lake_(band)" rel="noopener noreferrer" target="_blank">Swan Lake</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Octopus_Project" rel="noopener noreferrer" target="_blank">The Octopus Project</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Wye_Oak" rel="noopener noreferrer" target="_blank">Wye Oak</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Rogue_Wave_(band)" rel="noopener noreferrer" target="_blank">Rogue Wave</a>,<a href="https://en.wikipedia.org/wiki/Erykah_Badu" rel="noopener noreferrer" target="_blank">Erykah Badu</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Roots" rel="noopener noreferrer" target="_blank">The Roots</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Trash_Talk" rel="noopener noreferrer" target="_blank">Trash Talk</a>,<a href="https://en.wikipedia.org/wiki/Amanda_Palmer" rel="noopener noreferrer" target="_blank">Amanda Palmer</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Heartless_Bastards" rel="noopener noreferrer" target="_blank">Heartless Bastards</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sleater_Kinney" rel="noopener noreferrer" target="_blank">Sleater Kinney</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Minus_Story" rel="noopener noreferrer" target="_blank">Minus Story</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Chairlift_(band)" rel="noopener noreferrer" target="_blank">Chairlift</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Bitch_Magnet" rel="noopener noreferrer" target="_blank">Bitch Magnet</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Maserati" rel="noopener noreferrer" target="_blank">Maserati</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/90_Day_Men" rel="noopener noreferrer" target="_blank">90 Day Men</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Rubblebucket" rel="noopener noreferrer" target="_blank">Rubblebucket</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Autopilot_Off" rel="noopener noreferrer" target="_blank">Autopilot Off</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Margot_%26_the_Nuclear_So_and_So%27s" rel="noopener noreferrer" target="_blank">Margot &amp; the Nuclear So and So’s</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Marilyn_Manson" rel="noopener noreferrer" target="_blank">Marilyn Manson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/John_Grant_(musician)" rel="noopener noreferrer" target="_blank">John Grant</a>, SUUNS,&nbsp;<a href="https://en.wikipedia.org/wiki/Elvis_Perkins" rel="noopener noreferrer" target="_blank">Elvis Perkins</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Jens_Lekman" rel="noopener noreferrer" target="_blank">Jens Lekman</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Bono" rel="noopener noreferrer" target="_blank">Bono</a>,&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Two_Ton_Boa&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">Two Ton Boa</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Pink_Mountaintops" rel="noopener noreferrer" target="_blank">Pink Mountaintops</a>,&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Hitch_(band)&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">Hitch</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Logh_(band)" rel="noopener noreferrer" target="_blank">Logh</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Chin_Up_Chin_Up" rel="noopener noreferrer" target="_blank">Chin Up Chin Up</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sybris" rel="noopener noreferrer" target="_blank">Sybris</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Black_Mountain_(band)" rel="noopener noreferrer" target="_blank">Black Mountain</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Baroness" rel="noopener noreferrer" target="_blank">Baroness</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Ximena_Sarinana" rel="noopener noreferrer" target="_blank">Ximena Sarinana</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Lightning_Dust" rel="noopener noreferrer" target="_blank">Lightning Dust</a>,&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Zzzz_(band)&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">Zzzz</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/John_Vanderslice" rel="noopener noreferrer" target="_blank">John Vanderslice</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Hagfish" rel="noopener noreferrer" target="_blank">Hagfish</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Big_Harp" rel="noopener noreferrer" target="_blank">Big Harp</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Antony_and_the_Johnsons" rel="noopener noreferrer" target="_blank">Antony and the Johnsons</a>,<a href="https://en.wikipedia.org/wiki/Mozella" rel="noopener noreferrer" target="_blank">Mozella</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Toadies" rel="noopener noreferrer" target="_blank">The Toadies</a>,&nbsp;<a...]]></description><content:encoded><![CDATA[<p>John Congleton is Grammy Winning American producer/engineer/mixer/writer who joins Matt for session #028 of Working Class Audio. John works out of his his studio (Elmwood Studios) in Dallas, Texas.&nbsp;In addition to his production work Congleton fronted the indie rock band,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Paper_Chase_(band)" rel="noopener noreferrer" target="_blank">The Paper Chase</a>, and writes music for a newer project entitled<a href="https://en.wikipedia.org/w/index.php?title=The_nighty_nite&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">The Nighty Nite</a>&nbsp;and music for various projects, including MTV’s<a href="https://en.wikipedia.org/wiki/Jackass_(TV_series)" rel="noopener noreferrer" target="_blank"><em>Jackass</em></a>, the&nbsp;<a href="https://en.wikipedia.org/wiki/Discovery_Channel" rel="noopener noreferrer" target="_blank">Discovery Channel</a>, and several&nbsp;<a href="https://en.wikipedia.org/wiki/Halloween" rel="noopener noreferrer" target="_blank">Halloween</a>&nbsp;sound effects/music CDs. John has worked with&nbsp;<a href="https://en.wikipedia.org/wiki/St._Vincent_(musician)" rel="noopener noreferrer" target="_blank">St. Vincent</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Walkmen" rel="noopener noreferrer" target="_blank">The Walkmen</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Modest_Mouse" rel="noopener noreferrer" target="_blank">Modest Mouse</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Angel_Olsen" rel="noopener noreferrer" target="_blank">Angel Olsen</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Swans_(band)" rel="noopener noreferrer" target="_blank">Swans</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Thermals" rel="noopener noreferrer" target="_blank">The Thermals</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sigur_R%C3%B3s" rel="noopener noreferrer" target="_blank">Sigur Rós</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Franz_Ferdinand_(band)" rel="noopener noreferrer" target="_blank">Franz Ferdinand</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sparks_(band)" rel="noopener noreferrer" target="_blank">Sparks</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Chelsea_Wolfe" rel="noopener noreferrer" target="_blank">Chelsea Wolfe</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Nelly_Furtado" rel="noopener noreferrer" target="_blank">Nelly Furtado</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Cloud_Nothings" rel="noopener noreferrer" target="_blank">Cloud Nothings</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Earl_Sweatshirt" rel="noopener noreferrer" target="_blank">Earl Sweatshirt</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Clap_Your_Hands_Say_Yeah" rel="noopener noreferrer" target="_blank">Clap Your Hands Say Yeah</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Something_for_Kate" rel="noopener noreferrer" target="_blank">Something for Kate</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Okkervil_River" rel="noopener noreferrer" target="_blank">Okkervil River</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sarah_Jaffe" rel="noopener noreferrer" target="_blank">Sarah Jaffe</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/David_Byrne" rel="noopener noreferrer" target="_blank">David Byrne</a>,<a href="https://en.wikipedia.org/wiki/Brian_Wilson" rel="noopener noreferrer" target="_blank">Brian Wilson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Astronautalis" rel="noopener noreferrer" target="_blank">Astronautalis</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Bill_Callahan_(musician)" rel="noopener noreferrer" target="_blank">Bill Callahan</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Smog_(band)" rel="noopener noreferrer" target="_blank">Smog</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Xiu_Xiu" rel="noopener noreferrer" target="_blank">Xiu Xiu</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Lower_Dens" rel="noopener noreferrer" target="_blank">Lower Dens</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Polyphonic_Spree" rel="noopener noreferrer" target="_blank">The Polyphonic Spree</a>,<a href="https://en.wikipedia.org/wiki/Unknown_Mortal_Orchestra" rel="noopener noreferrer" target="_blank">Unknown Mortal Orchestra</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Kirk_Franklin" rel="noopener noreferrer" target="_blank">Kirk Franklin</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Explosions_in_the_Sky" rel="noopener noreferrer" target="_blank">Explosions in the Sky</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Black_Angels_(band)" rel="noopener noreferrer" target="_blank">The Black Angels</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Blood_Red_Shoes" rel="noopener noreferrer" target="_blank">Blood Red Shoes</a>,<a href="https://en.wikipedia.org/wiki/Clinic" rel="noopener noreferrer" target="_blank">Clinic</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/R._Kelly" rel="noopener noreferrer" target="_blank">R. Kelly</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Mountain_Goats" rel="noopener noreferrer" target="_blank">The Mountain Goats</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Swan_Lake_(band)" rel="noopener noreferrer" target="_blank">Swan Lake</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Octopus_Project" rel="noopener noreferrer" target="_blank">The Octopus Project</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Wye_Oak" rel="noopener noreferrer" target="_blank">Wye Oak</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Rogue_Wave_(band)" rel="noopener noreferrer" target="_blank">Rogue Wave</a>,<a href="https://en.wikipedia.org/wiki/Erykah_Badu" rel="noopener noreferrer" target="_blank">Erykah Badu</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Roots" rel="noopener noreferrer" target="_blank">The Roots</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Trash_Talk" rel="noopener noreferrer" target="_blank">Trash Talk</a>,<a href="https://en.wikipedia.org/wiki/Amanda_Palmer" rel="noopener noreferrer" target="_blank">Amanda Palmer</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Heartless_Bastards" rel="noopener noreferrer" target="_blank">Heartless Bastards</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sleater_Kinney" rel="noopener noreferrer" target="_blank">Sleater Kinney</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Minus_Story" rel="noopener noreferrer" target="_blank">Minus Story</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Chairlift_(band)" rel="noopener noreferrer" target="_blank">Chairlift</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Bitch_Magnet" rel="noopener noreferrer" target="_blank">Bitch Magnet</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Maserati" rel="noopener noreferrer" target="_blank">Maserati</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/90_Day_Men" rel="noopener noreferrer" target="_blank">90 Day Men</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Rubblebucket" rel="noopener noreferrer" target="_blank">Rubblebucket</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Autopilot_Off" rel="noopener noreferrer" target="_blank">Autopilot Off</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Margot_%26_the_Nuclear_So_and_So%27s" rel="noopener noreferrer" target="_blank">Margot &amp; the Nuclear So and So’s</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Marilyn_Manson" rel="noopener noreferrer" target="_blank">Marilyn Manson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/John_Grant_(musician)" rel="noopener noreferrer" target="_blank">John Grant</a>, SUUNS,&nbsp;<a href="https://en.wikipedia.org/wiki/Elvis_Perkins" rel="noopener noreferrer" target="_blank">Elvis Perkins</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Jens_Lekman" rel="noopener noreferrer" target="_blank">Jens Lekman</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Bono" rel="noopener noreferrer" target="_blank">Bono</a>,&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Two_Ton_Boa&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">Two Ton Boa</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Pink_Mountaintops" rel="noopener noreferrer" target="_blank">Pink Mountaintops</a>,&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Hitch_(band)&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">Hitch</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Logh_(band)" rel="noopener noreferrer" target="_blank">Logh</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Chin_Up_Chin_Up" rel="noopener noreferrer" target="_blank">Chin Up Chin Up</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Sybris" rel="noopener noreferrer" target="_blank">Sybris</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Black_Mountain_(band)" rel="noopener noreferrer" target="_blank">Black Mountain</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Baroness" rel="noopener noreferrer" target="_blank">Baroness</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Ximena_Sarinana" rel="noopener noreferrer" target="_blank">Ximena Sarinana</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Lightning_Dust" rel="noopener noreferrer" target="_blank">Lightning Dust</a>,&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Zzzz_(band)&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">Zzzz</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/John_Vanderslice" rel="noopener noreferrer" target="_blank">John Vanderslice</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Hagfish" rel="noopener noreferrer" target="_blank">Hagfish</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Big_Harp" rel="noopener noreferrer" target="_blank">Big Harp</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Antony_and_the_Johnsons" rel="noopener noreferrer" target="_blank">Antony and the Johnsons</a>,<a href="https://en.wikipedia.org/wiki/Mozella" rel="noopener noreferrer" target="_blank">Mozella</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Toadies" rel="noopener noreferrer" target="_blank">The Toadies</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Buddy_Miles" rel="noopener noreferrer" target="_blank">Buddy Miles</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/MC_Breed" rel="noopener noreferrer" target="_blank">MC Breed</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/William_Elliott_Whitmore" rel="noopener noreferrer" target="_blank">William Elliott Whitmore</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/This_Will_Destroy_You" rel="noopener noreferrer" target="_blank">This Will Destroy You</a>,<a href="https://en.wikipedia.org/wiki/Lymbyc_Systym" rel="noopener noreferrer" target="_blank">Lymbyc Systym</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Anna_Calvi" rel="noopener noreferrer" target="_blank">Anna Calvi</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Micah_P._Hinson" rel="noopener noreferrer" target="_blank">Micah P. Hinson</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Keren_Ann" rel="noopener noreferrer" target="_blank">Keren Ann</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Appleseed_Cast" rel="noopener noreferrer" target="_blank">The Appleseed Cast</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Port_O%27Brien" rel="noopener noreferrer" target="_blank">Port O’Brien</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Land_of_Talk" rel="noopener noreferrer" target="_blank">Land of Talk</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Brutal_Juice" rel="noopener noreferrer" target="_blank">Brutal Juice</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Shearwater" rel="noopener noreferrer" target="_blank">Shearwater</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_New_Pornographers" rel="noopener noreferrer" target="_blank">The New Pornographers</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Good_Life_(band)" rel="noopener noreferrer" target="_blank">The Good Life</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Pattern_is_Movement" rel="noopener noreferrer" target="_blank">Pattern is Movement</a>,<a href="https://en.wikipedia.org/w/index.php?title=Treefight_For_Sunlight&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">Treefight For Sunlight</a>,&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Bleeding_Heart_Pigeons&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">Bleeding Heart Pigeons</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Black_Joe_Lewis" rel="noopener noreferrer" target="_blank">Black Joe Lewis</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Pompeii" rel="noopener noreferrer" target="_blank">Pompeii</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Water" rel="noopener noreferrer" target="_blank">Waters</a>,&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Knesset_(band)&amp;action=edit&amp;redlink=1" rel="noopener noreferrer" target="_blank">Knesset</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Budos_Band" rel="noopener noreferrer" target="_blank">Budos Band</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Murder_By_Death_(band)" rel="noopener noreferrer" target="_blank">Murder By Death</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Thao_and_the_Get_Down_Stay_Down" rel="noopener noreferrer" target="_blank">Thao and the Get Down Stay Down</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Disappears" rel="noopener noreferrer" target="_blank">Disappears</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Two_Gallants_(band)" rel="noopener noreferrer" target="_blank">Two Gallants</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/We_Ragazzi" rel="noopener noreferrer" target="_blank">We Ragazzi</a>,<a href="https://en.wikipedia.org/wiki/Dismemberment_Plan" rel="noopener noreferrer" target="_blank">Dismemberment Plan</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Andrew_Jackson_Jihad" rel="noopener noreferrer" target="_blank">Andrew Jackson Jihad</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Monika" rel="noopener noreferrer" target="_blank">Monika</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Mini_Mansions" rel="noopener noreferrer" target="_blank">Mini Mansions</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Strand_Of_Oaks" rel="noopener noreferrer" target="_blank">Strand Of Oaks</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/The_Districts" rel="noopener noreferrer" target="_blank">The Districts</a>, and&nbsp;<a href="https://en.wikipedia.org/wiki/Civil_Twilight_(band)" rel="noopener noreferrer" target="_blank">Civil Twilight</a>. Did we miss anybody? It’s an understatement to say John is busy these days! Enjoy..</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-028-with-john-congleton]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=566</guid><itunes:image href="https://artwork.captivate.fm/c9c1fd7f-9ec8-47a4-8fea-7fcf579c2cb2/wca-podcast.jpg"/><pubDate>Mon, 29 Jun 2015 11:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/00c39386-c20a-4fc1-9eba-b12a2d5d0872.mp3" length="37697632" type="audio/mpeg"/><itunes:duration>52:21</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>28</itunes:episode><podcast:episode>28</podcast:episode><itunes:summary>Working Class Audio Session #028 with John Congleton!!! John Congleton is Grammy Winning American producer/engineer/mixer/writer who joins Matt for session #028 of Working Class Audio. John works out of his his studio (Elmwood Studios) in Dallas, Texas. In addition to his production work Congleton fronted the indie rock band, The Paper Chase, and writes music for […]
 The post WCA #028 with John Congleton appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #027 with Dan Jaspar</title><itunes:title>WCA #027 with Dan Jaspar</itunes:title><description><![CDATA[<p>Dan Jaspar is a sound mixer, boom operator, and sound designer from the&nbsp;<a href="https://en.wikipedia.org/wiki/San_Francisco_Bay_Area" rel="noopener noreferrer" target="_blank">Bay Area</a>. As a Graduate of&nbsp;<a href="http://www.sfsu.edu/" rel="noopener noreferrer" target="_blank">San Francisco State University</a>&nbsp;with a Bachelor’s Degree in Cinema production and Sound Design he continues to work in the field of production audio for the film and video Industry. Dan and Matt have worked together in the past when Dan was fronting the Bay Area band Yellow 5&nbsp;and not yet standing out on a film set with a boom pole recording.&nbsp;Dan sits down with Matt for a detailed discussion on the nuts and bolts of location sound recording.</p><p>Photo by&nbsp;<a href="http://lwong.smugmug.com/" rel="noopener noreferrer" target="_blank">Larry Wong</a></p>]]></description><content:encoded><![CDATA[<p>Dan Jaspar is a sound mixer, boom operator, and sound designer from the&nbsp;<a href="https://en.wikipedia.org/wiki/San_Francisco_Bay_Area" rel="noopener noreferrer" target="_blank">Bay Area</a>. As a Graduate of&nbsp;<a href="http://www.sfsu.edu/" rel="noopener noreferrer" target="_blank">San Francisco State University</a>&nbsp;with a Bachelor’s Degree in Cinema production and Sound Design he continues to work in the field of production audio for the film and video Industry. Dan and Matt have worked together in the past when Dan was fronting the Bay Area band Yellow 5&nbsp;and not yet standing out on a film set with a boom pole recording.&nbsp;Dan sits down with Matt for a detailed discussion on the nuts and bolts of location sound recording.</p><p>Photo by&nbsp;<a href="http://lwong.smugmug.com/" rel="noopener noreferrer" target="_blank">Larry Wong</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-027-with-dan-jaspar]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=547</guid><itunes:image href="https://artwork.captivate.fm/6a745c71-bb3e-4481-9ea2-bee0bfd45bf9/uploads-2f1556732954687-neryia2bbpa-9b59669c61d032c8e579e98f37a.png"/><pubDate>Mon, 22 Jun 2015 11:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/5ebdbd61-f538-440e-b046-278949df3e00.mp3" length="50138836" type="audio/mpeg"/><itunes:duration>01:09:38</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>27</itunes:episode><podcast:episode>27</podcast:episode><itunes:summary>Working Class Audio Session #027 with Dan Jaspar!!! Dan Jaspar is a sound mixer, boom operator, and sound designer from the Bay Area. As a Graduate of San Francisco State University with a Bachelor’s Degree in Cinema production and Sound Design he continues to work in the field of production audio for the film and […]
The post WCA #027 with Dan Jaspar appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #026 with John Siket</title><itunes:title>WCA #026 with John Siket</itunes:title><description><![CDATA[<p><strong>John Siket</strong>&nbsp;is a producer, engineer, and mixer and&nbsp;is best known for his work with&nbsp;<a href="https://en.wikipedia.org/wiki/Sonic_Youth" rel="noopener noreferrer" target="_blank">Sonic Youth</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Phish" rel="noopener noreferrer" target="_blank">Phish</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Yo_La_Tengo" rel="noopener noreferrer" target="_blank">Yo La Tengo</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Dave_Matthews_Band" rel="noopener noreferrer" target="_blank">Dave Matthews Band</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Blonde_Redhead" rel="noopener noreferrer" target="_blank">Blonde Redhead</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Fountains_of_Wayne" rel="noopener noreferrer" target="_blank">Fountains of Wayne</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Moe_(band)" rel="noopener noreferrer" target="_blank">Moe</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Peter_Murphy_(musician)" rel="noopener noreferrer" target="_blank">Peter Murphy</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Freedy_Johnston" rel="noopener noreferrer" target="_blank">Freedy Johnston</a>, and Ex Cops. Having spent 30 years in the recording world, John has amassed&nbsp;a world of experience. John has also has been fortunate to work alongside producer/engineers Steve Lily White and Butch Vig.&nbsp;John takes the time to talk&nbsp;with Matt about these experiences as well as his love for recording, starting out as the low man on the totem pole and his decision to take on a teaching position at SAE in New York.</p>]]></description><content:encoded><![CDATA[<p><strong>John Siket</strong>&nbsp;is a producer, engineer, and mixer and&nbsp;is best known for his work with&nbsp;<a href="https://en.wikipedia.org/wiki/Sonic_Youth" rel="noopener noreferrer" target="_blank">Sonic Youth</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Phish" rel="noopener noreferrer" target="_blank">Phish</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Yo_La_Tengo" rel="noopener noreferrer" target="_blank">Yo La Tengo</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Dave_Matthews_Band" rel="noopener noreferrer" target="_blank">Dave Matthews Band</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Blonde_Redhead" rel="noopener noreferrer" target="_blank">Blonde Redhead</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Fountains_of_Wayne" rel="noopener noreferrer" target="_blank">Fountains of Wayne</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Moe_(band)" rel="noopener noreferrer" target="_blank">Moe</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Peter_Murphy_(musician)" rel="noopener noreferrer" target="_blank">Peter Murphy</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Freedy_Johnston" rel="noopener noreferrer" target="_blank">Freedy Johnston</a>, and Ex Cops. Having spent 30 years in the recording world, John has amassed&nbsp;a world of experience. John has also has been fortunate to work alongside producer/engineers Steve Lily White and Butch Vig.&nbsp;John takes the time to talk&nbsp;with Matt about these experiences as well as his love for recording, starting out as the low man on the totem pole and his decision to take on a teaching position at SAE in New York.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-026-with-john-siket]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=537</guid><itunes:image href="https://artwork.captivate.fm/6b4d7c47-713c-4ab8-a369-1312793484eb/wca-podcast.jpg"/><pubDate>Mon, 15 Jun 2015 11:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4c029932-f0ec-4b2e-8e79-c3b2492d7e4a.mp3" length="61326928" type="audio/mpeg"/><itunes:duration>01:25:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>26</itunes:episode><podcast:episode>26</podcast:episode><itunes:summary>Working Class Audio Session #026 with John Siket!!! John Siket is a producer, engineer, and mixer and is best known for his work with Sonic Youth, Phish, Yo La Tengo, Dave Matthews Band, Blonde Redhead, Fountains of Wayne, Moe,  Peter Murphy, Freedy Johnston, and Ex Cops. Having spent 30 years in the recording world, John has amassed  a world […]
 The post WCA #026 with John Siket appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #025 with Tim Palmer</title><itunes:title>WCA #025 with Tim Palmer</itunes:title><description><![CDATA[<p>Tim Palmer has produced and mixed albums for a huge selection of classic and alternative artists, from&nbsp;<a href="http://www.robertplant.com/" rel="noopener noreferrer" target="_blank">Robert Plant</a>,&nbsp;<a href="http://davidbowie.com/nhc/" rel="noopener noreferrer" target="_blank">David Bowie</a>, and&nbsp;<a href="http://tearsforfears.com/" rel="noopener noreferrer" target="_blank">Tears For Fears</a>&nbsp;to&nbsp;<a href="http://www.ozzy.com/us/home" rel="noopener noreferrer" target="_blank">Ozzy Osbourne</a>,&nbsp;<a href="http://www.googoodolls.com/" rel="noopener noreferrer" target="_blank">Goo Goo Dolls</a>, and&nbsp;<a href="http://www.u2.com/index/home" rel="noopener noreferrer" target="_blank">U2</a>. In 1989 Tim&nbsp;mixed ‘TEN’ for&nbsp;<a href="http://www.pearljam.com/" rel="noopener noreferrer" target="_blank">Pearl Jam</a>, which is now in the top 50 best album sellers in US history. In 2001 Palmer was nominated for a Grammy for his mixing work on U2’s All That You Can’t Leave Behind.&nbsp;Now living in&nbsp;Austin, Texas, he has built his own mix room and continued producing and mixing for Jason Mraz, Blue October, David Cook, and many others. Tim has been a moderator for 2 years at SXSW, and a guest speaker for the Recording Academy.</p><p>Tim Palmer started his career at Utopia Studios in London during the early ’80s where he mixed the number&nbsp;one single ‘Died in your arms&nbsp;tonight’ for&nbsp;<a href="http://www.cuttingcrew.biz/" rel="noopener noreferrer" target="_blank">Cutting Crew</a>. In the latter half of the ’80s, Palmer became a producer, and his keen ears and technical knowledge contributed to groups such as the Mighty Lemon Drops, the Mission, Texas, and Tears for Fears. Tim produced ‘Now and Zen for rock icon Robert Plant, a US top10 album, and David Bowie’s debut LP with Tin Machine. To close the 80’s Palmer mixed ‘TEN’ for Pearl Jam which went on to sell over 14 million albums.</p><p>This show is a milestone being the 25th session. It’s an honor to have Tim on the show since I’m a fan of his work. We also talk with our good friend Craig Schumacher about his recent decision to pull the plug on the Pot Luck Audio Conference in Tucson, AZ.</p><p>Enjoy!</p><p>-Matt</p><p>Photo was taken at&nbsp;Arlyn Studios by&nbsp;Andrew Chan.</p><p><a href="http://timpalmer.com/" rel="noopener noreferrer" target="_blank">Tim’s Site</a></p><p><a href="http://potluckconference.com/" rel="noopener noreferrer" target="_blank">Pot Luck Audio SIte</a></p><p><a href="http://www.sweetwater.com/gearfest/" rel="noopener noreferrer" target="_blank">Sweetwaters Gearfest</a></p>]]></description><content:encoded><![CDATA[<p>Tim Palmer has produced and mixed albums for a huge selection of classic and alternative artists, from&nbsp;<a href="http://www.robertplant.com/" rel="noopener noreferrer" target="_blank">Robert Plant</a>,&nbsp;<a href="http://davidbowie.com/nhc/" rel="noopener noreferrer" target="_blank">David Bowie</a>, and&nbsp;<a href="http://tearsforfears.com/" rel="noopener noreferrer" target="_blank">Tears For Fears</a>&nbsp;to&nbsp;<a href="http://www.ozzy.com/us/home" rel="noopener noreferrer" target="_blank">Ozzy Osbourne</a>,&nbsp;<a href="http://www.googoodolls.com/" rel="noopener noreferrer" target="_blank">Goo Goo Dolls</a>, and&nbsp;<a href="http://www.u2.com/index/home" rel="noopener noreferrer" target="_blank">U2</a>. In 1989 Tim&nbsp;mixed ‘TEN’ for&nbsp;<a href="http://www.pearljam.com/" rel="noopener noreferrer" target="_blank">Pearl Jam</a>, which is now in the top 50 best album sellers in US history. In 2001 Palmer was nominated for a Grammy for his mixing work on U2’s All That You Can’t Leave Behind.&nbsp;Now living in&nbsp;Austin, Texas, he has built his own mix room and continued producing and mixing for Jason Mraz, Blue October, David Cook, and many others. Tim has been a moderator for 2 years at SXSW, and a guest speaker for the Recording Academy.</p><p>Tim Palmer started his career at Utopia Studios in London during the early ’80s where he mixed the number&nbsp;one single ‘Died in your arms&nbsp;tonight’ for&nbsp;<a href="http://www.cuttingcrew.biz/" rel="noopener noreferrer" target="_blank">Cutting Crew</a>. In the latter half of the ’80s, Palmer became a producer, and his keen ears and technical knowledge contributed to groups such as the Mighty Lemon Drops, the Mission, Texas, and Tears for Fears. Tim produced ‘Now and Zen for rock icon Robert Plant, a US top10 album, and David Bowie’s debut LP with Tin Machine. To close the 80’s Palmer mixed ‘TEN’ for Pearl Jam which went on to sell over 14 million albums.</p><p>This show is a milestone being the 25th session. It’s an honor to have Tim on the show since I’m a fan of his work. We also talk with our good friend Craig Schumacher about his recent decision to pull the plug on the Pot Luck Audio Conference in Tucson, AZ.</p><p>Enjoy!</p><p>-Matt</p><p>Photo was taken at&nbsp;Arlyn Studios by&nbsp;Andrew Chan.</p><p><a href="http://timpalmer.com/" rel="noopener noreferrer" target="_blank">Tim’s Site</a></p><p><a href="http://potluckconference.com/" rel="noopener noreferrer" target="_blank">Pot Luck Audio SIte</a></p><p><a href="http://www.sweetwater.com/gearfest/" rel="noopener noreferrer" target="_blank">Sweetwaters Gearfest</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-025-with-tim-palmer]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=526</guid><itunes:image href="https://artwork.captivate.fm/cb1b45c4-c0bd-4023-9023-d9fe27d8cc66/wca-025-with-tim-palmer-thumbnail.png"/><pubDate>Mon, 08 Jun 2015 10:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/526aa4bf-1cb4-4175-a07e-3a052dd2fe45.mp3" length="60976180" type="audio/mpeg"/><itunes:duration>01:24:41</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>25</itunes:episode><podcast:episode>25</podcast:episode><itunes:summary>Working Class Audio Session #025 with Tim Palmer!!! Tim Palmer has produced and mixed albums for a huge selection of classic and alternative artists, from Robert Plant, David Bowie and Tears For Fears to Ozzy Osbourne, Goo Goo Dolls and U2. In 1989 Tim mixed ‘TEN’ for Pearl Jam, which is now in the top 50 best […]
The post WCA #025 with Tim Palmer appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #024 with Gary Philips</title><itunes:title>WCA #024 with Gary Philips</itunes:title><description><![CDATA[<p>Gary Philips is a talented multi-instrumentalist, producer, songwriter and mix engineer. During his college years at University of Pennsylvania, Gary realized his life would follow a musical path. This path soon led to a life as a touring musician.&nbsp;Touring led Gary to New York, where he quickly found himself in studios playing guitar and bass for artists both up-and-coming and legendary, including Carole King, Cyndi Lauper, and Arrested Development. Many of these tracks have found placements on albums such as the Orange County soundtrack, the Super Size Me soundtrack and the Lizzie McGuire Movie soundtrack and on national commercials for clients such as Verizon and Budweiser.</p><p>New York session work soon plunged Gary into production and writing. He co- produced, with the PopRox production team (Sam Hollander, Dave Schommer), Michael Tolcher’s debut album for Octone/J Records, which featured ?uestlove and Warren Haynes, cuts from which were heard on Scrubs (NBC), Life As We Know It (ABC) and the feature film Wedding Crashers.</p><p>Since then Gary’s produced more than 15 Billboard Top 10 albums including the&nbsp;<a href="http://kidzbop.com/" rel="noopener noreferrer" target="_blank">Kidz Bop</a>&nbsp;series (which has yielded just as many #1 albums on the Children’s chart) and a cut on the Now That’s What I Call Music series with indie-rockers Born Cages. His original songs and compositions have been featured on TV in diverse settings – from Late Night with David Letterman to Pretty Little Liars, from The Hills to So You Think You Can Dance?, from Pawn Stars to NFL Football and many more.</p><p>Gary talks with Matt about Kidz Bop, what it takes to keep clients coming back to you, his early days in New york and his recent studio setup at&nbsp;his new home in California after having moved from New York and working in studios. Enjoy!</p><p><a href="http://razorandtiemusicpublishing.com/writers/gary-philips/" rel="noopener noreferrer" target="_blank">Gary’s bio.&nbsp;</a></p>]]></description><content:encoded><![CDATA[<p>Gary Philips is a talented multi-instrumentalist, producer, songwriter and mix engineer. During his college years at University of Pennsylvania, Gary realized his life would follow a musical path. This path soon led to a life as a touring musician.&nbsp;Touring led Gary to New York, where he quickly found himself in studios playing guitar and bass for artists both up-and-coming and legendary, including Carole King, Cyndi Lauper, and Arrested Development. Many of these tracks have found placements on albums such as the Orange County soundtrack, the Super Size Me soundtrack and the Lizzie McGuire Movie soundtrack and on national commercials for clients such as Verizon and Budweiser.</p><p>New York session work soon plunged Gary into production and writing. He co- produced, with the PopRox production team (Sam Hollander, Dave Schommer), Michael Tolcher’s debut album for Octone/J Records, which featured ?uestlove and Warren Haynes, cuts from which were heard on Scrubs (NBC), Life As We Know It (ABC) and the feature film Wedding Crashers.</p><p>Since then Gary’s produced more than 15 Billboard Top 10 albums including the&nbsp;<a href="http://kidzbop.com/" rel="noopener noreferrer" target="_blank">Kidz Bop</a>&nbsp;series (which has yielded just as many #1 albums on the Children’s chart) and a cut on the Now That’s What I Call Music series with indie-rockers Born Cages. His original songs and compositions have been featured on TV in diverse settings – from Late Night with David Letterman to Pretty Little Liars, from The Hills to So You Think You Can Dance?, from Pawn Stars to NFL Football and many more.</p><p>Gary talks with Matt about Kidz Bop, what it takes to keep clients coming back to you, his early days in New york and his recent studio setup at&nbsp;his new home in California after having moved from New York and working in studios. Enjoy!</p><p><a href="http://razorandtiemusicpublishing.com/writers/gary-philips/" rel="noopener noreferrer" target="_blank">Gary’s bio.&nbsp;</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-024-with-gary-philips]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=516</guid><itunes:image href="https://artwork.captivate.fm/e9920da6-cc34-4934-b5e4-7df1b1f53356/uploads-2f1556732008818-194t5dy4hsb-29e2d7de6b04a87cff30cccf540.png"/><pubDate>Mon, 01 Jun 2015 11:30:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/dbd76e2e-deb9-4412-846f-21040b39cce2.mp3" length="50987744" type="audio/mpeg"/><itunes:duration>01:10:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>24</itunes:episode><podcast:episode>24</podcast:episode><itunes:summary>Working Class Audio Session #024 with Gary Philips!!! Gary Philips is a talented multi-instrumentalist, producer, songwriter and mix engineer. During his college years at University of Pennsylvania, Gary realized his life would follow a musical path. This path soon led to a life as a touring musician. Touring led Gary to New York, where he quickly […]
The post WCA #024 with Gary Philips appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #023 with Ryan Hewitt</title><itunes:title>WCA #023 with Ryan Hewitt</itunes:title><description><![CDATA[<p>Ryan Hewitt began his musical career by taking up drums and piano in the third grade and set up his first primitive bedroom recording studio at age 10.&nbsp;His interest in recording prompted his father, remote recording engineer David Hewitt, to take him on the road at age 12.&nbsp;Over the course of 15 years on the Remote Recording Services trucks, Ryan learned to get sessions going quickly, pay attention to details and capture the moment on tape at all costs.</p><p>After receiving a degree in Electrical Engineering from Tufts University, Ryan moved to New York City to take a job at Sony Music Studios.&nbsp;Once there, he quickly moved up the ranks to assist and learn from some of the best engineers and producers in the business such as Michael Brauer, Phil Ramone, Bob Power and Elliot Scheiner.&nbsp;Moving to Los Angeles in the autumn of 2000, Ryan landed at Cello Studios, again moving to the head of the class and working with top engineers such as Jim Scott, Richard Dodd, and Ed Thacker.</p><p>Today, Ryan is emulating his mentors, recording, mixing, and producing projects by diverse artists such as The Avett Brothers, The Band Perry, Sheryl Crow, Brandi Carlile, Jamie Cullum, the Red Hot Chili Peppers, blink-182, Flogging Molly, The Alkaline Trio, Three Days Grace, We Are Scientists, Tom Petty, and John Frusciante.&nbsp;Producers such as Rick Rubin, Matt Serletic, Gregg Wells, Jeff Trott, and Max Martin have called on Ryan for his work ethic and sense of humor as much as for his recording and mixing skills.</p><p>Ryan sits down for a chat with Matt (Via SKype) and talks about growing up with a recording engineer dad, what he’s learned from the producers he’s worked with as well software piracy. By popular demand, Ryan also answers questions from the WCA Facebook page.&nbsp;Matt also has a special guest Michael Winger who is the Executive Director of the Recording Academy SF Chapter to talk about&nbsp;H.R. 1457: Allocation for Music Producers Act.</p><p><a href="http://www.ryanhewitt.com/Home.html" rel="noopener noreferrer" target="_blank">Ryan Hewitt’s site</a></p><p><a href="https://www.govtrack.us/congress/bills/114/hr1457" rel="noopener noreferrer" target="_blank">More on&nbsp;H.R. 1457: Allocation for Music Producers Act</a></p><p><a href="https://www.soundexchange.com/wp-content/uploads/2013/05/Letter-of-Direction-04-14-13.pdf" rel="noopener noreferrer" target="_blank">Letter of Direction</a></p><p><a href="https://www.grammypro.com/" rel="noopener noreferrer" target="_blank">The Recording Academy</a></p>]]></description><content:encoded><![CDATA[<p>Ryan Hewitt began his musical career by taking up drums and piano in the third grade and set up his first primitive bedroom recording studio at age 10.&nbsp;His interest in recording prompted his father, remote recording engineer David Hewitt, to take him on the road at age 12.&nbsp;Over the course of 15 years on the Remote Recording Services trucks, Ryan learned to get sessions going quickly, pay attention to details and capture the moment on tape at all costs.</p><p>After receiving a degree in Electrical Engineering from Tufts University, Ryan moved to New York City to take a job at Sony Music Studios.&nbsp;Once there, he quickly moved up the ranks to assist and learn from some of the best engineers and producers in the business such as Michael Brauer, Phil Ramone, Bob Power and Elliot Scheiner.&nbsp;Moving to Los Angeles in the autumn of 2000, Ryan landed at Cello Studios, again moving to the head of the class and working with top engineers such as Jim Scott, Richard Dodd, and Ed Thacker.</p><p>Today, Ryan is emulating his mentors, recording, mixing, and producing projects by diverse artists such as The Avett Brothers, The Band Perry, Sheryl Crow, Brandi Carlile, Jamie Cullum, the Red Hot Chili Peppers, blink-182, Flogging Molly, The Alkaline Trio, Three Days Grace, We Are Scientists, Tom Petty, and John Frusciante.&nbsp;Producers such as Rick Rubin, Matt Serletic, Gregg Wells, Jeff Trott, and Max Martin have called on Ryan for his work ethic and sense of humor as much as for his recording and mixing skills.</p><p>Ryan sits down for a chat with Matt (Via SKype) and talks about growing up with a recording engineer dad, what he’s learned from the producers he’s worked with as well software piracy. By popular demand, Ryan also answers questions from the WCA Facebook page.&nbsp;Matt also has a special guest Michael Winger who is the Executive Director of the Recording Academy SF Chapter to talk about&nbsp;H.R. 1457: Allocation for Music Producers Act.</p><p><a href="http://www.ryanhewitt.com/Home.html" rel="noopener noreferrer" target="_blank">Ryan Hewitt’s site</a></p><p><a href="https://www.govtrack.us/congress/bills/114/hr1457" rel="noopener noreferrer" target="_blank">More on&nbsp;H.R. 1457: Allocation for Music Producers Act</a></p><p><a href="https://www.soundexchange.com/wp-content/uploads/2013/05/Letter-of-Direction-04-14-13.pdf" rel="noopener noreferrer" target="_blank">Letter of Direction</a></p><p><a href="https://www.grammypro.com/" rel="noopener noreferrer" target="_blank">The Recording Academy</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-023-with-ryan-hewitt]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=508</guid><itunes:image href="https://artwork.captivate.fm/398855d1-4c3c-4e94-a952-46016d98c562/uploads-2f1552272005706-6svubfeb1qp-66c249b1fbad4f3f69b3f4a0514.png"/><pubDate>Mon, 25 May 2015 12:45:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/bc396b04-7130-411f-9334-2129fe118309.mp3" length="71200314" type="audio/mpeg"/><itunes:duration>01:38:53</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>23</itunes:episode><podcast:episode>23</podcast:episode><itunes:summary>Working Class Audio Session #023 with Ryan Hewitt!!! Ryan Hewitt began his musical career by taking up drums and piano in the third grade, and set up his first primitive bedroom recording studio at age 10.  His interest in recording prompted his father, remote recording engineer David Hewitt, to take him on the road at […]
The post WCA #023 with Ryan Hewitt appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #022 with Michael Rosen</title><itunes:title>WCA #022 with Michael Rosen</itunes:title><description><![CDATA[<p>Michael Rosen is a Grammy-winning producer/engineer who has worked with Santana, Rancid, Papa Roach, Tesla, AFI, The Donnas, Journey, Death Angel, Tony Macalpine, and Testament……..to name a few! In addition to recording and producing he also teaches at Chabot College and San Francisco State and is an alumnus of the famed <a href="https://en.wikipedia.org/wiki/The_Automatt" rel="noopener noreferrer" target="_blank">Automatt studios</a> where he got started on his professional recording journey. Michael sits down with Matt at is new personal studio East Bay Recorders to talk about the business, the journey, and the joy of recording. </p><p><a href="http://michaelsrosen.com/" rel="noopener noreferrer" target="_blank">Michael Rosen’s site.</a></p>]]></description><content:encoded><![CDATA[<p>Michael Rosen is a Grammy-winning producer/engineer who has worked with Santana, Rancid, Papa Roach, Tesla, AFI, The Donnas, Journey, Death Angel, Tony Macalpine, and Testament……..to name a few! In addition to recording and producing he also teaches at Chabot College and San Francisco State and is an alumnus of the famed <a href="https://en.wikipedia.org/wiki/The_Automatt" rel="noopener noreferrer" target="_blank">Automatt studios</a> where he got started on his professional recording journey. Michael sits down with Matt at is new personal studio East Bay Recorders to talk about the business, the journey, and the joy of recording. </p><p><a href="http://michaelsrosen.com/" rel="noopener noreferrer" target="_blank">Michael Rosen’s site.</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-022-with-michael-rosen]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=501</guid><itunes:image href="https://artwork.captivate.fm/500ade14-c18a-4681-8628-d5fdc00ed286/uploads-2f1552270698194-gbbfz08n8un-c2cb0a8587856555055ac410d96.png"/><pubDate>Mon, 18 May 2015 12:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/2b29be9b-21b6-4c84-836f-09bab5864d9f.mp3" length="60103037" type="audio/mpeg"/><itunes:duration>01:11:33</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>22</itunes:episode><podcast:episode>22</podcast:episode><itunes:summary>Working Class Audio Session #022 with Michael Rosen!!! Michael Rosen is a Grammy winning producer/engineer who has worked with Santana, Rancid, Papa Roach, Tesla, AFI, The Donnas, Journey, Death Angel, Tony Macalpine, and Testament……..to name a few! In addition to recording and producing he also  teaches at Chabot College and San Francisco State and  is an […]
The post WCA #022 with Michael Rosen appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #021 with Doug Kallmeyer</title><itunes:title>WCA #021 with Doug Kallmeyer</itunes:title><description><![CDATA[<p>Doug Kallmeyer is a 25 year plus veteran of live sound, a bass player and composer as well as a studio rat. Doug is a fan suggestion and carries with him a large amount of experience and miles travelled who is based in Virginia.&nbsp;Traveling the world mostly doing FOH (Front of House) sound, Doug has worked with&nbsp;Phantogram,&nbsp;Blonde Redhead,&nbsp;Shellac, Sunny Day Real Estate, Rancid, Damnwells, School of Seven Bells, Ok Go, Deathfix, 302Acid, Flaming Lips, Beauty Pill and Ex Hex.&nbsp;His list of venues that he has worked at with those artist’s is also&nbsp;notable and&nbsp;&nbsp;includes Madison Square Garden, Radio City Music Hall, Lollapalooza, Coachella, Sasquatch, Outside Lands, Fuji rock, Summer Sonic, Bonnaroo, Pukkelpop, Route du Rock,&nbsp;All Tommorow’s Parties, Primavera Sound, Big Chill, Austin City Limits, and&nbsp;Iceland Airwaves. We talk life on the road, credit card debt, eating well, as well as having a stable home life.</p><p>Check out Doug here.&nbsp;<a href="http://www.dougkallmeyer.com/" rel="noopener noreferrer" target="_blank">http://www.dougkallmeyer.com/</a></p>]]></description><content:encoded><![CDATA[<p>Doug Kallmeyer is a 25 year plus veteran of live sound, a bass player and composer as well as a studio rat. Doug is a fan suggestion and carries with him a large amount of experience and miles travelled who is based in Virginia.&nbsp;Traveling the world mostly doing FOH (Front of House) sound, Doug has worked with&nbsp;Phantogram,&nbsp;Blonde Redhead,&nbsp;Shellac, Sunny Day Real Estate, Rancid, Damnwells, School of Seven Bells, Ok Go, Deathfix, 302Acid, Flaming Lips, Beauty Pill and Ex Hex.&nbsp;His list of venues that he has worked at with those artist’s is also&nbsp;notable and&nbsp;&nbsp;includes Madison Square Garden, Radio City Music Hall, Lollapalooza, Coachella, Sasquatch, Outside Lands, Fuji rock, Summer Sonic, Bonnaroo, Pukkelpop, Route du Rock,&nbsp;All Tommorow’s Parties, Primavera Sound, Big Chill, Austin City Limits, and&nbsp;Iceland Airwaves. We talk life on the road, credit card debt, eating well, as well as having a stable home life.</p><p>Check out Doug here.&nbsp;<a href="http://www.dougkallmeyer.com/" rel="noopener noreferrer" target="_blank">http://www.dougkallmeyer.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-021-with-doug-kallmeyer]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=480</guid><itunes:image href="https://artwork.captivate.fm/b880a46d-fbb0-43f2-8bdc-ca4b8fb4cdda/uploads-2f1552269576915-hjlvjwdvyvr-1adc9c876c96672516b5dafac69.png"/><pubDate>Mon, 11 May 2015 12:16:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/e3bf500c-3e4c-4f9d-9397-f7af469410f1.mp3" length="48292282" type="audio/mpeg"/><itunes:duration>01:07:04</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>21</itunes:episode><podcast:episode>21</podcast:episode><itunes:summary>Working Class Audio Session #021 with Doug Kallmeyer!!! Doug Kallmeyer is a 25 year plus veteran of live sound, a bass player and composer as well as a studio rat. Doug is a fan suggestion and carries with him a large amount of experience and miles travelled who is based in Virginia. Traveling the world mostly […]
The post WCA #021 with Doug Kallmeyer appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #020 with Don Gunn</title><itunes:title>WCA #020 with Don Gunn</itunes:title><description><![CDATA[<p>Don Gunn is a Seattle-based recording/mixing engineer, producer, and musician who flies under the radar yet seems to work with cool people! Soundgarden, Death Cab for Cutie, Peter Frampton, Trey Gunn (No relation), and Matt Cameron! Don was a WCA fan suggestion from our Facebook page and joins Matt for a Skype chat from his home studio in Seattle called The Office. Don talks&nbsp;gear, money, business cards, his studio, the decision not to have kids and recording at Peter Frampton’s “home studio”.&nbsp;Great guy and great interview!</p><p><a href="http://dongunn.com/" rel="noopener noreferrer" target="_blank">http://dongunn.com/</a></p><p>Link regarding helping out in Nepal.&nbsp;<a href="http://www.pri.org/stories/2015-04-25/how-help-nepal-7-vetted-charities-doing-relief-work-following-earthquake" rel="noopener noreferrer" target="_blank">http://www.pri.org/stories/2015-04-25/how-help-nepal-7-vetted-charities-doing-relief-work-following-earthquake</a></p>]]></description><content:encoded><![CDATA[<p>Don Gunn is a Seattle-based recording/mixing engineer, producer, and musician who flies under the radar yet seems to work with cool people! Soundgarden, Death Cab for Cutie, Peter Frampton, Trey Gunn (No relation), and Matt Cameron! Don was a WCA fan suggestion from our Facebook page and joins Matt for a Skype chat from his home studio in Seattle called The Office. Don talks&nbsp;gear, money, business cards, his studio, the decision not to have kids and recording at Peter Frampton’s “home studio”.&nbsp;Great guy and great interview!</p><p><a href="http://dongunn.com/" rel="noopener noreferrer" target="_blank">http://dongunn.com/</a></p><p>Link regarding helping out in Nepal.&nbsp;<a href="http://www.pri.org/stories/2015-04-25/how-help-nepal-7-vetted-charities-doing-relief-work-following-earthquake" rel="noopener noreferrer" target="_blank">http://www.pri.org/stories/2015-04-25/how-help-nepal-7-vetted-charities-doing-relief-work-following-earthquake</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-020-with-don-gunn]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=470</guid><itunes:image href="https://artwork.captivate.fm/27fb8154-769b-425b-b97a-8f68788ee830/uploads-2f1552157542034-t56slqhgfz-12e3acd8a0316d46b30168674e7d.png"/><pubDate>Mon, 04 May 2015 12:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/90534304-cd6e-4646-b65a-edc6a2e3d030.mp3" length="42433223" type="audio/mpeg"/><itunes:duration>58:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>20</itunes:episode><podcast:episode>20</podcast:episode><itunes:summary>Working Class Audio Session #020 with Don Gunn!!! Don Gunn is a Seattle based recording/mixing engineer, producer, and musician who flies under the radar yet seems to work with cool people! Soundgarden, Death Cab for Cutie, Peter Frampton, Trey Gunn (No relation) and Matt Cameron! Don was a WCA fan suggestion from our Facebook page […]
The post WCA #020 with Don Gunn appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #019 with Matt Kelley</title><itunes:title>WCA #019 with Matt Kelley</itunes:title><description><![CDATA[<p>Working Class Audio Session #019 with Matt Kelley!!! Matt Kelley has been at the recording game for just over 27 years. Based in the&nbsp; Bay Area in California Matt has worked with Tupac, Del tha Funkee Homosapien, DJ Qbert, Digital Underground, George Clinton,&nbsp; Hieroglyphics as well as Jello Biafra and the Guantanamo School of Medicine.&nbsp; Matt started […]</p><p>The post <a href="http://www.workingclassaudio.com/wca-019-with-matt-kelley/" rel="noopener noreferrer" target="_blank">WCA #019 with Matt Kelley</a> appeared first on <a href="http://www.workingclassaudio.com" rel="noopener noreferrer" target="_blank">Working Class Audio</a>.</p>]]></description><content:encoded><![CDATA[<p>Working Class Audio Session #019 with Matt Kelley!!! Matt Kelley has been at the recording game for just over 27 years. Based in the&nbsp; Bay Area in California Matt has worked with Tupac, Del tha Funkee Homosapien, DJ Qbert, Digital Underground, George Clinton,&nbsp; Hieroglyphics as well as Jello Biafra and the Guantanamo School of Medicine.&nbsp; Matt started […]</p><p>The post <a href="http://www.workingclassaudio.com/wca-019-with-matt-kelley/" rel="noopener noreferrer" target="_blank">WCA #019 with Matt Kelley</a> appeared first on <a href="http://www.workingclassaudio.com" rel="noopener noreferrer" target="_blank">Working Class Audio</a>.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-019-with-matt-kelley]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=437</guid><itunes:image href="https://artwork.captivate.fm/5839ca2a-7dff-4107-ac9b-09ff3df380c7/uploads-2f1552157131395-0tss3sw91vy-c313fc7cfa994976649d666b683.png"/><pubDate>Mon, 27 Apr 2015 12:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/a20748c3-03f4-475e-aadc-28e5f3d79334.mp3" length="57095802" type="audio/mpeg"/><itunes:duration>01:19:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>19</itunes:episode><podcast:episode>19</podcast:episode><itunes:summary>Working Class Audio Session #019 with Matt Kelley!!! Matt Kelley has been at the recording game for just over 27 years. Based in the  Bay Area in California Matt has worked with Tupac, Del tha Funkee Homosapien, DJ Qbert, Digital Underground, George Clinton,  Hieroglyphics as well as Jello Biafra and the Guantanamo School of Medicine.  Matt started […]
The post WCA #019 with Matt Kelley appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #018 with David v.R. Bowles</title><itunes:title>WCA #018 with David v.R. Bowles</itunes:title><description><![CDATA[<p>David v.R. Bowles formed Swineshead Productions, LLC as a classical recording production company in 1995. His recordings have been GRAMMY-nominated (Classical – Best Orchestral Performance) and won the “Classical Orchestral Album” prize from Just Plain Folks Awards. Other Bowles-produced and engineered releases have been named “Record of the Month – Editor’s Choice” from Gramophone Magazine, MusicWeb International, and Opera News; “Record of the Year” from the New York Times (three times), the New Yorker, American Record Guide, Miami Clásica and Classical Candour. Several of these releases are available as high-resolution paid downloads from HDTracks.</p><p>In collaboration with New York University’s Music Technology program at Steinhardt School of Music, Mr. Bowles is pursuing research in height channel recording and reproduction. At the 135th&nbsp;AES convention, he chaired a panel on Height Channel recording, encoding, and distribution (followed by a 9.1 channel playback offsite).</p><p>As an educator, Mr. Bowles is a guest lecturer at New York University’s Stephen F. Temmer Tonmeister Seminar (Steinhardt School of Music) and at Peabody Recording Arts and Sciences (John Hopkins University). He was a Visiting Professor of Recording Arts at Indiana University’s Jacobs School of Music.</p><p>Mr. Bowles is a member of the AES (Audio Engineering Society): he was on the Board of Governors, served on three convention committees, and is co-chair of the San Francisco section of the AES as well. He is a member of NARAS (National Academy of Recording Arts &amp; Sciences) Producers &amp; Engineers Wing and SPARS (Society of Professional Audio Recording Services).</p><p>David takes Matt through the complexities of recording and producing in the world of classical&nbsp;music.</p><p>Links </p><ul><li><a href="http://swineshead.com/" rel="noopener noreferrer" target="_blank">http://swineshead.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>David v.R. Bowles formed Swineshead Productions, LLC as a classical recording production company in 1995. His recordings have been GRAMMY-nominated (Classical – Best Orchestral Performance) and won the “Classical Orchestral Album” prize from Just Plain Folks Awards. Other Bowles-produced and engineered releases have been named “Record of the Month – Editor’s Choice” from Gramophone Magazine, MusicWeb International, and Opera News; “Record of the Year” from the New York Times (three times), the New Yorker, American Record Guide, Miami Clásica and Classical Candour. Several of these releases are available as high-resolution paid downloads from HDTracks.</p><p>In collaboration with New York University’s Music Technology program at Steinhardt School of Music, Mr. Bowles is pursuing research in height channel recording and reproduction. At the 135th&nbsp;AES convention, he chaired a panel on Height Channel recording, encoding, and distribution (followed by a 9.1 channel playback offsite).</p><p>As an educator, Mr. Bowles is a guest lecturer at New York University’s Stephen F. Temmer Tonmeister Seminar (Steinhardt School of Music) and at Peabody Recording Arts and Sciences (John Hopkins University). He was a Visiting Professor of Recording Arts at Indiana University’s Jacobs School of Music.</p><p>Mr. Bowles is a member of the AES (Audio Engineering Society): he was on the Board of Governors, served on three convention committees, and is co-chair of the San Francisco section of the AES as well. He is a member of NARAS (National Academy of Recording Arts &amp; Sciences) Producers &amp; Engineers Wing and SPARS (Society of Professional Audio Recording Services).</p><p>David takes Matt through the complexities of recording and producing in the world of classical&nbsp;music.</p><p>Links </p><ul><li><a href="http://swineshead.com/" rel="noopener noreferrer" target="_blank">http://swineshead.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-018-with-david-v-r-bowles]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=418</guid><itunes:image href="https://artwork.captivate.fm/ba7bb4df-c641-4342-9205-63741405275a/uploads-2f1552156409910-g6iuycayjnr-cefc167aee38e033263f1b454eb.png"/><pubDate>Mon, 20 Apr 2015 12:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/f57c8052-c393-463d-a1c8-83e3fc3d55d4.mp3" length="57615278" type="audio/mpeg"/><itunes:duration>01:20:01</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>18</itunes:episode><podcast:episode>18</podcast:episode><itunes:summary>Working Class Audio Session #018 with David v.R. Bowles!!! David v.R. Bowles formed Swineshead Productions, LLC as a classical recording production company in 1995. His recordings have been GRAMMY-nominated (Classical – Best Orchestral Performance) and won the “Classical Orchestral Album” prize from Just Plain Folks Awards. Other Bowles-produced and engineered releases have been named “Record […]
The post WCA #018 with David v.R. Bowles appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #017 with Ross Hogarth</title><itunes:title>WCA #017 with Ross Hogarth</itunes:title><description><![CDATA[<p>Ross Hogarth is a multiple Grammy-nominated and Grammy-winning producer/engineer/mixer who has worked with artists such as Keb’ Mo’, Motley Crue, Van Halen, Gov’t Mule, Roger Waters, The Black Crowes, Shawn&nbsp;Colvin, John Mellencamp, and R.E.M.&nbsp;</p><p>His studio work runs the gamut from the heavy metal insanity of Motley Crue and Coal Chamber to the Grammy-winning Keb’ Mo’ released&nbsp;<em>Slow Down</em>&nbsp;to recent releases by Van Halen, Grammy-winning Ziggy Marley, and the Sick Puppies.</p><p>Growing up in NY during the influential punk scene of the 70′s, Ross began as a guitarist/singer/ songwriter,&nbsp;playing in the wild downtown New York clubs. With good fortune paving his way to California, he had the rare opportunity to hook up with both the San Francisco Bay area’s exploding New Wave music scene and Southern Cal’s seminal rock scene. Natural evolution took him from doing live production and sound on the road with Jackson Browne, David Lindley, Fleetwood Mac, and Little Feat into a world-class producer, mixer, and recording engineer.</p><p>In his Skype conversation with Matt, Ross talks about family life, working with Van Halen, the importance of communication, and adapting to the ever-changing world of the music business. Enjoy!</p><p>-Matt</p><p><em>Photo by Marian Matthis for The Blackbird Academy&nbsp;</em></p><p><strong>Links</strong> </p><ul><li><a href="http://www.hoaxproductions.com/" rel="noopener noreferrer" target="_blank">http://www.hoaxproductions.com/</a></li><li><a href="http://www.teaboyaudio.com/" rel="noopener noreferrer" target="_blank">http://www.teaboyaudio.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Ross Hogarth is a multiple Grammy-nominated and Grammy-winning producer/engineer/mixer who has worked with artists such as Keb’ Mo’, Motley Crue, Van Halen, Gov’t Mule, Roger Waters, The Black Crowes, Shawn&nbsp;Colvin, John Mellencamp, and R.E.M.&nbsp;</p><p>His studio work runs the gamut from the heavy metal insanity of Motley Crue and Coal Chamber to the Grammy-winning Keb’ Mo’ released&nbsp;<em>Slow Down</em>&nbsp;to recent releases by Van Halen, Grammy-winning Ziggy Marley, and the Sick Puppies.</p><p>Growing up in NY during the influential punk scene of the 70′s, Ross began as a guitarist/singer/ songwriter,&nbsp;playing in the wild downtown New York clubs. With good fortune paving his way to California, he had the rare opportunity to hook up with both the San Francisco Bay area’s exploding New Wave music scene and Southern Cal’s seminal rock scene. Natural evolution took him from doing live production and sound on the road with Jackson Browne, David Lindley, Fleetwood Mac, and Little Feat into a world-class producer, mixer, and recording engineer.</p><p>In his Skype conversation with Matt, Ross talks about family life, working with Van Halen, the importance of communication, and adapting to the ever-changing world of the music business. Enjoy!</p><p>-Matt</p><p><em>Photo by Marian Matthis for The Blackbird Academy&nbsp;</em></p><p><strong>Links</strong> </p><ul><li><a href="http://www.hoaxproductions.com/" rel="noopener noreferrer" target="_blank">http://www.hoaxproductions.com/</a></li><li><a href="http://www.teaboyaudio.com/" rel="noopener noreferrer" target="_blank">http://www.teaboyaudio.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-017-with-ross-hogarth]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=409</guid><itunes:image href="https://artwork.captivate.fm/c631d982-3e56-4bd1-93ef-23146b929b40/uploads-2f1552155928890-ljfsz0w8dl-a5c39a313416aaaf1409ee52ec9d.png"/><pubDate>Mon, 13 Apr 2015 12:45:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9e663eab-f37d-4037-a394-fb304df4e54c.mp3" length="49804208" type="audio/mpeg"/><itunes:duration>01:09:10</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>17</itunes:episode><podcast:episode>17</podcast:episode><itunes:summary>Working Class Audio Session #017 with Ross Hogarth!!! Ross Hogarth is a multiple Grammy-nominated and Grammy winning producer/engineer/mixer who has worked with artists such asKeb’ Mo’, Motley Crue, Van Halen, Gov’t Mule, Roger Waters, The Black Crowes, Shawn Colvin, John Mellencamp, and R.E.M.  His studio work runs the gamut from the heavy metal insanity of Motley Crue […]
The post WCA #017 with Ross Hogarth appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #016 with Jonah Strauss</title><itunes:title>WCA #016 with Jonah Strauss</itunes:title><description><![CDATA[<p>Early on March 21st, a fire struck the warehouse that has been home to Jonah Strauss’ Shipwreck Studios since 2008. The fire began in the unit directly above the studio. In less than an hour, it claimed two lives and displaced dozens of people, as well as several independent printing presses and artists. Jonah’s recording studio and home suffered severe water damage, amounting to tens of thousands of dollars in losses. Much of it is rare and irreplaceable vintage equipment that he has collected and refurbished over the years. Even though I don’t normally talk with studio owners on the show I felt it was important to have Jonah on to share his experience so that others could hopefully learn from this.&nbsp;He needs our help to get back up and running. Working Class Audio is here to offer him our support.</p><p>Fund Raising Site:&nbsp;<a href="https://www.gofundme.com/shipwreckoakland" rel="noopener noreferrer" target="_blank">https://www.gofundme.com/shipwreckoakland</a></p><p>Shipwreck Studio Website:&nbsp;&nbsp;<a href="http://shipwreckoakland.com/" rel="noopener noreferrer" target="_blank">http://shipwreckoakland.com/</a></p><p>Fund Raising Site: <a href="https://www.gofundme.com/shipwreckoakland" rel="noopener noreferrer" target="_blank">https://www.gofundme.com/shipwreckoakland</a></p><p>Shipwreck Studio Website:&nbsp; <a href="http://shipwreckoakland.com/" rel="noopener noreferrer" target="_blank">http://shipwreckoakland.com/</a></p>]]></description><content:encoded><![CDATA[<p>Early on March 21st, a fire struck the warehouse that has been home to Jonah Strauss’ Shipwreck Studios since 2008. The fire began in the unit directly above the studio. In less than an hour, it claimed two lives and displaced dozens of people, as well as several independent printing presses and artists. Jonah’s recording studio and home suffered severe water damage, amounting to tens of thousands of dollars in losses. Much of it is rare and irreplaceable vintage equipment that he has collected and refurbished over the years. Even though I don’t normally talk with studio owners on the show I felt it was important to have Jonah on to share his experience so that others could hopefully learn from this.&nbsp;He needs our help to get back up and running. Working Class Audio is here to offer him our support.</p><p>Fund Raising Site:&nbsp;<a href="https://www.gofundme.com/shipwreckoakland" rel="noopener noreferrer" target="_blank">https://www.gofundme.com/shipwreckoakland</a></p><p>Shipwreck Studio Website:&nbsp;&nbsp;<a href="http://shipwreckoakland.com/" rel="noopener noreferrer" target="_blank">http://shipwreckoakland.com/</a></p><p>Fund Raising Site: <a href="https://www.gofundme.com/shipwreckoakland" rel="noopener noreferrer" target="_blank">https://www.gofundme.com/shipwreckoakland</a></p><p>Shipwreck Studio Website:&nbsp; <a href="http://shipwreckoakland.com/" rel="noopener noreferrer" target="_blank">http://shipwreckoakland.com/</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-016-with-jonah-strauss]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=403</guid><itunes:image href="https://artwork.captivate.fm/65af4a71-582f-41b3-887d-50523b711409/uploads-2f1552155330806-dlxtw0gxszb-d362945c6c5a48558b417fffb55.png"/><pubDate>Wed, 08 Apr 2015 00:56:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c1261cf2-293b-4534-ab8c-e9cff35c9b6d.mp3" length="21490405" type="audio/mpeg"/><itunes:duration>29:51</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>16</itunes:episode><podcast:episode>16</podcast:episode><itunes:summary>I know this is mid week and we will still have our Monday scheduled podcast. I thought this story needed some attention. Early on March 21st, a fire struck the warehouse that has been home to Jonah Strauss’ Shipwreck Studios since 2008. The fire began in the unit directly above the studio. In less than an hour, it claimed two lives, and displaced dozens of people, as well as several independent printing presses and artists. Jonah’s recording studio and home suffered severe water damage, amounting to tens of thousands of dollars in losses. Much of it is rare and irreplaceable vintage equipment that he has collected and refurbished over the years. Even though I don’t normally talk with studio owners on the show I felt  it was important to have Jonah on to share his experience so that others  could hopefully learn from this.  He needs our help to get back up and running. Working Class Audio is here to offer him our support.
Fund Raising Site: https://www.gofundme.com/shipwreckoakland

Shipwreck Studio Website:  http://shipwreckoakland.com/</itunes:summary></item><item><title>WCA #015 with Jeff Powell</title><itunes:title>WCA #015 with Jeff Powell</itunes:title><description><![CDATA[<p>Jeff Powell lives in Memphis, Tennessee, and has been making records since his first studio gig at Kiva Studios in 1987. He became an employee at Ardent Studios in 1989 and worked his way up from assistant to staff engineer, and eventually to staff producer. He went independent in 1997 and has worked in studios all over the US, The UK, and Canada, but still calls Ardent home. He still stays very busy engineering, mixing, and producing records and has worked with some of the best including Bob Dylan, B.B. King, Tonic, Big Star, The Bottle Rockets, Stevie Ray Vaughan, Primal Scream, Lucinda Williams, Ryan Adams, and The Afghan Whigs. In 2008, he convinced Larry Nix to teach him to master and cut vinyl records on the original STAX lathe, which also resides at Ardent Studios. He started a vinyl cutting business called Take Out Vinyl and has gone on to cut hundreds of albums including projects for Gregg Allman, Everclear, The Black Keys, Al Green, The Afghan Whigs, Irma Thomas, Relient K, and Blitzentrapper to name a few. Jeff talks about recording schools, asshole engineers, and how to keep a session successful.&nbsp;Super nice and humble, I think you’ll enjoy this interview. – Matt 4/6/2015</p><p>Photo by<a href="http://www.weissy.com/" rel="noopener noreferrer" target="_blank">&nbsp;Pete Weiss&nbsp;</a></p><p>Links </p><ul><li><a href="http://jeffpowell.net/" rel="noopener noreferrer" target="_blank">http://jeffpowell.net/</a></li><li><a href="http://www.ardentstudios.com/" rel="noopener noreferrer" target="_blank">http://www.ardentstudios.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Jeff Powell lives in Memphis, Tennessee, and has been making records since his first studio gig at Kiva Studios in 1987. He became an employee at Ardent Studios in 1989 and worked his way up from assistant to staff engineer, and eventually to staff producer. He went independent in 1997 and has worked in studios all over the US, The UK, and Canada, but still calls Ardent home. He still stays very busy engineering, mixing, and producing records and has worked with some of the best including Bob Dylan, B.B. King, Tonic, Big Star, The Bottle Rockets, Stevie Ray Vaughan, Primal Scream, Lucinda Williams, Ryan Adams, and The Afghan Whigs. In 2008, he convinced Larry Nix to teach him to master and cut vinyl records on the original STAX lathe, which also resides at Ardent Studios. He started a vinyl cutting business called Take Out Vinyl and has gone on to cut hundreds of albums including projects for Gregg Allman, Everclear, The Black Keys, Al Green, The Afghan Whigs, Irma Thomas, Relient K, and Blitzentrapper to name a few. Jeff talks about recording schools, asshole engineers, and how to keep a session successful.&nbsp;Super nice and humble, I think you’ll enjoy this interview. – Matt 4/6/2015</p><p>Photo by<a href="http://www.weissy.com/" rel="noopener noreferrer" target="_blank">&nbsp;Pete Weiss&nbsp;</a></p><p>Links </p><ul><li><a href="http://jeffpowell.net/" rel="noopener noreferrer" target="_blank">http://jeffpowell.net/</a></li><li><a href="http://www.ardentstudios.com/" rel="noopener noreferrer" target="_blank">http://www.ardentstudios.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-015-with-jeff-powell]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=392</guid><itunes:image href="https://artwork.captivate.fm/1947140e-86d7-4470-b677-a0ab090bff9c/uploads-2f1552154157167-wsjuiho7fb-d589212df5cc772eb7b6c6c0d4cb.png"/><pubDate>Mon, 06 Apr 2015 13:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4f77f9ac-9d59-4035-b3fe-df391e08c81e.mp3" length="77327741" type="audio/mpeg"/><itunes:duration>01:32:03</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>15</itunes:episode><podcast:episode>15</podcast:episode><itunes:summary>Working Class Audio Session #015 with Jeff Powell!! Jeff Powell lives in Memphis, Tennessee and has been making records since his first studio gig at Kiva Studios in 1987. He became an employee at Ardent Studios in 1989 and worked his way up from assistant to staff engineer, and eventually to staff producer. He went […]
The post WCA #015 with Jeff Powell appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #014 with Sylvia Massy</title><itunes:title>WCA #014 with Sylvia Massy</itunes:title><description><![CDATA[<p>Sylvia Massy has been Producing,&nbsp;Engineering, and Mixing popular music for decades. She’s renowned for her work with Tool, System of a Down, Johnny Cash, and Prince. She’s received over 25 gold and platinum records including awards for her work with the Red Hot Chili Peppers, Sevendust, and Tom Petty. She’s also an accomplished fine artist, a published columnist, an in-demand educator, and a relentless entrepreneur. But to her many friends, she’s just Sylvia, the Radiant Being. Sylvia talks with Matt Boudreau about recording Tool, thriving in the LA recording scene in the ’90s, Radio Star Studios, divorce, embracing the hard times, and coming out stronger as a result.</p><p>Links</p><ul><li>&nbsp;<a href="http://www.sylviamassy.com/" rel="noopener noreferrer" target="_blank">http://www.sylviamassy.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Sylvia Massy has been Producing,&nbsp;Engineering, and Mixing popular music for decades. She’s renowned for her work with Tool, System of a Down, Johnny Cash, and Prince. She’s received over 25 gold and platinum records including awards for her work with the Red Hot Chili Peppers, Sevendust, and Tom Petty. She’s also an accomplished fine artist, a published columnist, an in-demand educator, and a relentless entrepreneur. But to her many friends, she’s just Sylvia, the Radiant Being. Sylvia talks with Matt Boudreau about recording Tool, thriving in the LA recording scene in the ’90s, Radio Star Studios, divorce, embracing the hard times, and coming out stronger as a result.</p><p>Links</p><ul><li>&nbsp;<a href="http://www.sylviamassy.com/" rel="noopener noreferrer" target="_blank">http://www.sylviamassy.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-014-with-sylvia-massy]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=387</guid><itunes:image href="https://artwork.captivate.fm/9604be66-1cf5-40e5-9041-47156ac5797d/uploads-2f1552153486024-gjf4xamkdps-42b92da9d20974d38dbf3cd0a21.png"/><pubDate>Mon, 30 Mar 2015 13:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/9c6ba2b8-d52d-4512-916f-d199ce1533b5.mp3" length="159642466" type="audio/mpeg"/><itunes:duration>01:06:31</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>14</itunes:episode><podcast:episode>14</podcast:episode><itunes:summary>Sylvia Massy has been Producing, Engineering and Mixing popular music for decades. She’s renowned for her work with Tool, System of a Down, Johnny Cash and Prince. She’s received over 25 gold and platinum records including awards for her work with the Red Hot Chili Peppers, Sevendust and Tom Petty. She’s also an accomplished fine artist, a published columnist, in-demand educator and relentless entrepreneur. But to her many friends, she’s just Sylvia, the Radiant Being. Sylvia talks with Matt Boudreau about recording Tool, thriving in the LA recording scene in the 90’s, Radio Star Studios, divorce, embracing the hard times and coming out stronger as a result.
Links for WCA #014: http://www.sylviamassy.com/</itunes:summary></item><item><title>WCA #013 with Billy Anderson</title><itunes:title>WCA #013 with Billy Anderson</itunes:title><description><![CDATA[<p><strong>Billy Anderson</strong>&nbsp;is a record producer, engineer, and musician. He has worked with hundreds of bands over the past 20 years, including Cormorant, Eyehategod, Mr. Bungle, Red House Painters, Fantômas, and Sleep. He is also a member of the bands Blessing the Hogs, Porn (The Men Of), Solodolor, and Good God. Billy takes time to talk to Matt Boudreau about his progression from his days playing college baseball in Long Beach, California to becoming a workaholic producer/engineer and making records for some of musics’ heaviest sounding bands all over the world.</p><p>Links from the show:</p><ul><li><a href="http://www.billyanderson.net/" rel="noopener noreferrer" target="_blank">http://www.billyanderson.net/</a></li><li><a href="http://www.typefoundrystudio.com/" rel="noopener noreferrer" target="_blank">http://www.typefoundrystudio.com/</a></li><li><a href="http://www.cloudcitysound.com/" rel="noopener noreferrer" target="_blank">http://www.cloudcitysound.com/</a></li><li><a href="http://chuckjsmithcreative.com/" rel="noopener noreferrer" target="_blank">www.chuckjsmithcreative.com</a>&nbsp;(The intro voice of WCA)</li><li><a href="http://www.clifftruesdell.com/" rel="noopener noreferrer" target="_blank">www.clifftruesdell.com</a>&nbsp;(The music behind WCA)</li></ul><br/>]]></description><content:encoded><![CDATA[<p><strong>Billy Anderson</strong>&nbsp;is a record producer, engineer, and musician. He has worked with hundreds of bands over the past 20 years, including Cormorant, Eyehategod, Mr. Bungle, Red House Painters, Fantômas, and Sleep. He is also a member of the bands Blessing the Hogs, Porn (The Men Of), Solodolor, and Good God. Billy takes time to talk to Matt Boudreau about his progression from his days playing college baseball in Long Beach, California to becoming a workaholic producer/engineer and making records for some of musics’ heaviest sounding bands all over the world.</p><p>Links from the show:</p><ul><li><a href="http://www.billyanderson.net/" rel="noopener noreferrer" target="_blank">http://www.billyanderson.net/</a></li><li><a href="http://www.typefoundrystudio.com/" rel="noopener noreferrer" target="_blank">http://www.typefoundrystudio.com/</a></li><li><a href="http://www.cloudcitysound.com/" rel="noopener noreferrer" target="_blank">http://www.cloudcitysound.com/</a></li><li><a href="http://chuckjsmithcreative.com/" rel="noopener noreferrer" target="_blank">www.chuckjsmithcreative.com</a>&nbsp;(The intro voice of WCA)</li><li><a href="http://www.clifftruesdell.com/" rel="noopener noreferrer" target="_blank">www.clifftruesdell.com</a>&nbsp;(The music behind WCA)</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-013-with-billy-anderson]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=356</guid><itunes:image href="https://artwork.captivate.fm/2ee89800-6bc4-4190-87c9-f8b785713452/uploads-2f1552152143088-79m1ogtsr9m-a7822633eb9178a759fdd9ae3ce.png"/><pubDate>Sun, 15 Mar 2015 07:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/66863509-e6e7-4338-9d19-054fb2ee42a2.mp3" length="87955273" type="audio/mpeg"/><itunes:duration>01:01:05</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>13</itunes:episode><podcast:episode>13</podcast:episode><itunes:summary>Working Class Audio Session #013 with Billy Anderson!!! Billy Anderson is a record producer, engineer and musician. He has worked with hundreds of bands over the past 20 years, including Cormorant, Eyehategod, Mr. Bungle, Red House Painters, Fantômas and Sleep. He is also a member of the bands Blessing the Hogs, Porn (The Men Of), […]
The post WCA #013 with Billy Anderson appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #012 with Michael Starita</title><itunes:title>WCA #012 with Michael Starita</itunes:title><description><![CDATA[<p>Michael Starita is a lifelong musician with over 17 years experience as an engineer, producer and remixer. His career started at the famous Hyde Street Studios in the late 90s learning from many of the&nbsp;Bay Area greats. Moving to EDNET, Starita had the pleasure of being the ISDN engineer for clients such as Rick Rubin, Sting, Warner Bros, Universal Motown and many others. This propelled his career to working for Dolby for 5 years until he decided to go back to doing what he really loved…making records and building community.&nbsp;He has performed, remixed and worked with some of the industry’s top artists from The Bay to abroad including&nbsp;<a href="http://childishgambino.com/" rel="noopener noreferrer" target="_blank"><strong>Childish Gambino</strong></a><strong>,&nbsp;</strong><a href="http://www.amigosinvisibles.com/en/" rel="noopener noreferrer" target="_blank"><strong>Los Amigos Invisibles</strong></a><strong>,&nbsp;</strong><a href="http://thirdeyeblind.com/" rel="noopener noreferrer" target="_blank"><strong>Third Eye Blind</strong></a><strong>,&nbsp;</strong><a href="http://michaelfranti.com/" rel="noopener noreferrer" target="_blank"><strong>Michael Franti and Spearhead</strong></a><strong>&nbsp;</strong>and more.&nbsp;His current work with&nbsp;<a href="http://www.laura-sullivan.com/" rel="noopener noreferrer" target="_blank"><strong>Laura Sullivan</strong></a>&nbsp;<strong>won the Grammy®&nbsp;for Best New Age Album</strong>&nbsp;and his work with&nbsp;<a href="http://www.amigosinvisibles.com/en/" rel="noopener noreferrer" target="_blank"><strong>Los Amigos Invisibles&nbsp;</strong></a>was&nbsp;<strong>Latin&nbsp;Grammy®&nbsp;nominated&nbsp;</strong>for Song Of The Year and<strong>&nbsp;Grammy® nominated for Best Latin Alternative</strong>. Recently, Starita launched&nbsp;<a href="http://bayareamusiccollective.com/" rel="noopener noreferrer" target="_blank"><strong>Bay Area Music Collective</strong></a>&nbsp;and&nbsp;<a href="http://uluvmusic.com/" rel="noopener noreferrer" target="_blank"><strong>ULUV Music</strong></a><strong>,&nbsp;</strong>two&nbsp;efforts aimed at making The Bay Area a top music destination while building community to foster local music industry professionals. Starita also serves as&nbsp;<a href="http://www.grammy365.com/chapters/san-francisco-chapter" rel="noopener noreferrer" target="_blank"><strong>President of The Recording Academy San Francisco Chapter&nbsp;</strong></a>and continues to crank out tunes with an eclectic blend of recording artists while consulting for music tech companies nationally and internationally.</p><p><br></p>]]></description><content:encoded><![CDATA[<p>Michael Starita is a lifelong musician with over 17 years experience as an engineer, producer and remixer. His career started at the famous Hyde Street Studios in the late 90s learning from many of the&nbsp;Bay Area greats. Moving to EDNET, Starita had the pleasure of being the ISDN engineer for clients such as Rick Rubin, Sting, Warner Bros, Universal Motown and many others. This propelled his career to working for Dolby for 5 years until he decided to go back to doing what he really loved…making records and building community.&nbsp;He has performed, remixed and worked with some of the industry’s top artists from The Bay to abroad including&nbsp;<a href="http://childishgambino.com/" rel="noopener noreferrer" target="_blank"><strong>Childish Gambino</strong></a><strong>,&nbsp;</strong><a href="http://www.amigosinvisibles.com/en/" rel="noopener noreferrer" target="_blank"><strong>Los Amigos Invisibles</strong></a><strong>,&nbsp;</strong><a href="http://thirdeyeblind.com/" rel="noopener noreferrer" target="_blank"><strong>Third Eye Blind</strong></a><strong>,&nbsp;</strong><a href="http://michaelfranti.com/" rel="noopener noreferrer" target="_blank"><strong>Michael Franti and Spearhead</strong></a><strong>&nbsp;</strong>and more.&nbsp;His current work with&nbsp;<a href="http://www.laura-sullivan.com/" rel="noopener noreferrer" target="_blank"><strong>Laura Sullivan</strong></a>&nbsp;<strong>won the Grammy®&nbsp;for Best New Age Album</strong>&nbsp;and his work with&nbsp;<a href="http://www.amigosinvisibles.com/en/" rel="noopener noreferrer" target="_blank"><strong>Los Amigos Invisibles&nbsp;</strong></a>was&nbsp;<strong>Latin&nbsp;Grammy®&nbsp;nominated&nbsp;</strong>for Song Of The Year and<strong>&nbsp;Grammy® nominated for Best Latin Alternative</strong>. Recently, Starita launched&nbsp;<a href="http://bayareamusiccollective.com/" rel="noopener noreferrer" target="_blank"><strong>Bay Area Music Collective</strong></a>&nbsp;and&nbsp;<a href="http://uluvmusic.com/" rel="noopener noreferrer" target="_blank"><strong>ULUV Music</strong></a><strong>,&nbsp;</strong>two&nbsp;efforts aimed at making The Bay Area a top music destination while building community to foster local music industry professionals. Starita also serves as&nbsp;<a href="http://www.grammy365.com/chapters/san-francisco-chapter" rel="noopener noreferrer" target="_blank"><strong>President of The Recording Academy San Francisco Chapter&nbsp;</strong></a>and continues to crank out tunes with an eclectic blend of recording artists while consulting for music tech companies nationally and internationally.</p><p><br></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-012-with-michael-starita]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=327</guid><itunes:image href="https://artwork.captivate.fm/e5681f30-827a-4dc0-8a0a-6f09d6b06337/uploads-2f1552151566426-jdpsra06pp-b3af4b04b700310510d914c55c5d.png"/><pubDate>Sun, 01 Mar 2015 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/886288c5-7e52-4a9a-9eec-182e4657c6a5.mp3" length="195379248" type="audio/mpeg"/><itunes:duration>01:56:18</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>12</itunes:episode><podcast:episode>12</podcast:episode><itunes:summary>Working Class Audio Session #012 with Michael Starita!!! Michael Starita is a lifelong musician with over 17 years experience as an engineer, producer and remixer. His career started at the famous Hyde Street Studios in the late 90s learning from many of the  Bay Area greats. Moving to EDNET, Starita had the pleasure of being […]
The post WCA #012 with Michael Starita appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #011 with Gabriel Shepard</title><itunes:title>WCA #011 with Gabriel Shepard</itunes:title><description><![CDATA[<p>For the past 20 years, Gabriel Shepard has been an engineer working at various Bay Area studios including the historic Hyde Street Studios where he earned a platinum and gold record with the band Cake. Other artists he’s worked with include Sun Kil Moon, Black Francis,&nbsp;Zigaboo Modeliste, and Joanna Newsome. Gabriel stops by my house for an in-person chat about car accidents, session vibe, and taking a year off.</p><h3><strong>Plug-Ins mentioned</strong></h3><ul><li><a href="http://www.soundtoys.com/" rel="noopener noreferrer" target="_blank">Soundtoys&nbsp;</a></li><li><a href="http://www.robpapen.com/rp-verb.html" rel="noopener noreferrer" target="_blank">Rob Papen Reverb&nbsp;</a></li><li><a href="http://www.cytomic.com/glue" rel="noopener noreferrer" target="_blank">Cytomic “The Glue”</a></li><li><a href="http://www.softube.com/index.php?id=fc" rel="noopener noreferrer" target="_blank">Soft Tube “FET Compressor”</a></li><li><a href="http://dmgaudio.com/products_equality.php" rel="noopener noreferrer" target="_blank">DMG “Equality”</a></li><li><a href="http://www.fabfilter.com/products/pro-ds-de-esser-plug-in" rel="noopener noreferrer" target="_blank">The Fab Filter Desser</a></li><li><a href="http://www.masseyplugins.com/plugins/deesser" rel="noopener noreferrer" target="_blank">Massey Desser</a></li><li><a href="http://www.slatedigital.com/products/trigger/" rel="noopener noreferrer" target="_blank">Slate Trigger</a></li></ul><br/><h3><strong>Studios mentioned</strong></h3><ul><li><a href="http://25thstreetrecording.com/" rel="noopener noreferrer" target="_blank">25th Street Recording</a></li><li><a href="http://www.decibellerecording.com/" rel="noopener noreferrer" target="_blank">Decibelle&nbsp;Recording</a></li><li><a href="http://sharkbitestudios.com/" rel="noopener noreferrer" target="_blank">Sharkbite</a></li><li><a href="https://ponomusic.force.com/" rel="noopener noreferrer" target="_blank">Pono Player</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>For the past 20 years, Gabriel Shepard has been an engineer working at various Bay Area studios including the historic Hyde Street Studios where he earned a platinum and gold record with the band Cake. Other artists he’s worked with include Sun Kil Moon, Black Francis,&nbsp;Zigaboo Modeliste, and Joanna Newsome. Gabriel stops by my house for an in-person chat about car accidents, session vibe, and taking a year off.</p><h3><strong>Plug-Ins mentioned</strong></h3><ul><li><a href="http://www.soundtoys.com/" rel="noopener noreferrer" target="_blank">Soundtoys&nbsp;</a></li><li><a href="http://www.robpapen.com/rp-verb.html" rel="noopener noreferrer" target="_blank">Rob Papen Reverb&nbsp;</a></li><li><a href="http://www.cytomic.com/glue" rel="noopener noreferrer" target="_blank">Cytomic “The Glue”</a></li><li><a href="http://www.softube.com/index.php?id=fc" rel="noopener noreferrer" target="_blank">Soft Tube “FET Compressor”</a></li><li><a href="http://dmgaudio.com/products_equality.php" rel="noopener noreferrer" target="_blank">DMG “Equality”</a></li><li><a href="http://www.fabfilter.com/products/pro-ds-de-esser-plug-in" rel="noopener noreferrer" target="_blank">The Fab Filter Desser</a></li><li><a href="http://www.masseyplugins.com/plugins/deesser" rel="noopener noreferrer" target="_blank">Massey Desser</a></li><li><a href="http://www.slatedigital.com/products/trigger/" rel="noopener noreferrer" target="_blank">Slate Trigger</a></li></ul><br/><h3><strong>Studios mentioned</strong></h3><ul><li><a href="http://25thstreetrecording.com/" rel="noopener noreferrer" target="_blank">25th Street Recording</a></li><li><a href="http://www.decibellerecording.com/" rel="noopener noreferrer" target="_blank">Decibelle&nbsp;Recording</a></li><li><a href="http://sharkbitestudios.com/" rel="noopener noreferrer" target="_blank">Sharkbite</a></li><li><a href="https://ponomusic.force.com/" rel="noopener noreferrer" target="_blank">Pono Player</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-011-with-gabriel-shepard]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=306</guid><itunes:image href="https://artwork.captivate.fm/2f85a93d-f894-41da-95c2-bed1aee4fc87/uploads-2f1552150988035-vse50iv44pn-fd0127aea43e824657cef257342.png"/><pubDate>Sun, 15 Feb 2015 14:47:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/dce4a285-d807-4c99-80a6-f82b7bfc184b.mp3" length="91132405" type="audio/mpeg"/><itunes:duration>01:48:29</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>11</itunes:episode><podcast:episode>11</podcast:episode><itunes:summary>Working Class Audio Session #011 with Gabriel Shepard!!! For the past 20 years Gabriel Shepard  has been an engineer working at various Bay Area studios including the historic Hyde Street Studios where he earned a platinum and gold record with the band Cake. Other artists he’s worked with  include Sun Kil Moon, Black Francis,  Zigaboo […]
The post WCA #011 with Gabriel Shepard appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #010 with Scott Evans</title><itunes:title>WCA #010 with Scott Evans</itunes:title><description><![CDATA[<p>Scott Evans is a member of Kowloon Walled City, a recording engineer (Puig Destroyer, The Loyalists, Neurosis), and a contributor to Tape Op magazine. Scott sits down to talk to me in his personal studio Antisleep Audio located in Oakland, CA. We talk family, summing, drool over his Neotek console, as well as the usual business of recording and doing our jobs as engineers. Enjoy!</p><h2>Links</h2><ul><li><strong>Kowloon Walled City&nbsp;</strong><a href="https://www.facebook.com/kowloonwalledcity" rel="noopener noreferrer" target="_blank">https://www.facebook.com/kowloonwalledcity</a></li><li><strong>Antisleep Audio&nbsp;</strong><a href="http://antisleep.com/" rel="noopener noreferrer" target="_blank">http://antisleep.com/</a></li><li><strong>Sharkbite Studios&nbsp;</strong><a href="http://sharkbitestudios.com/" rel="noopener noreferrer" target="_blank">http://sharkbitestudios.com/</a></li><li><strong>Tape Op&nbsp;</strong><a href="http://www.tapeop.com/" rel="noopener noreferrer" target="_blank">http://www.tapeop.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Scott Evans is a member of Kowloon Walled City, a recording engineer (Puig Destroyer, The Loyalists, Neurosis), and a contributor to Tape Op magazine. Scott sits down to talk to me in his personal studio Antisleep Audio located in Oakland, CA. We talk family, summing, drool over his Neotek console, as well as the usual business of recording and doing our jobs as engineers. Enjoy!</p><h2>Links</h2><ul><li><strong>Kowloon Walled City&nbsp;</strong><a href="https://www.facebook.com/kowloonwalledcity" rel="noopener noreferrer" target="_blank">https://www.facebook.com/kowloonwalledcity</a></li><li><strong>Antisleep Audio&nbsp;</strong><a href="http://antisleep.com/" rel="noopener noreferrer" target="_blank">http://antisleep.com/</a></li><li><strong>Sharkbite Studios&nbsp;</strong><a href="http://sharkbitestudios.com/" rel="noopener noreferrer" target="_blank">http://sharkbitestudios.com/</a></li><li><strong>Tape Op&nbsp;</strong><a href="http://www.tapeop.com/" rel="noopener noreferrer" target="_blank">http://www.tapeop.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-010-with-scott-evans]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=246</guid><itunes:image href="https://artwork.captivate.fm/acd86d3c-9e84-47c6-ae73-cfb1d38c0706/uploads-2f1552105398046-2f9od328yud-c1b6002cef773464759ad973274.png"/><pubDate>Sun, 01 Feb 2015 09:12:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/33f7defd-ac2d-4ac3-b91f-d9deb226b65b.mp3" length="195032115" type="audio/mpeg"/><itunes:duration>01:21:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>10</itunes:episode><podcast:episode>10</podcast:episode><itunes:summary>Working Class Audio Session #010 with Scott Evans!!! Scott Evans is a member of Kowloon Walled City, a recording engineer (Puig Destroyer, The Loyalists, Neurosis) and contributor to Tape Op magazine. Scott sits down to talk to me in his personal studio Antisleep Audio located in Oakland, CA. We talk family, summing, drool over his […]
The post WCA #010 with Scott Evans appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #009 with Andrew Scheps</title><itunes:title>WCA #009 with Andrew Scheps</itunes:title><description><![CDATA[<p>Andrew Scheps has worked with The Red Hot Chili Peppers, Adele, Metallica, Grace Potter,&nbsp;Jay-Z, U2, Justin Timberlake, and Green Day…just to name a few.&nbsp;Just home from a European trip that included a week in France conducting a seminar at&nbsp;&nbsp;Mix with the Masters, Andrew shares his views on recording studio etiquette, his in-the-box workflow when mixing, his adventures as a record label owner, and his career advice.&nbsp;</p><p><strong>Show notes and links:</strong></p><ul><li><strong>McDonough Management</strong>&nbsp;<a href="http://www.mcdman.com/scheps.html" rel="noopener noreferrer" target="_blank">http://www.mcdman.com/scheps.html</a></li><li><strong>Tonequake Records</strong>&nbsp;<a href="http://tonequake.com/" rel="noopener noreferrer" target="_blank">http://tonequake.com/</a></li><li><strong>Mix with the Masters</strong>&nbsp;<a href="http://mixwiththemasters.com/" rel="noopener noreferrer" target="_blank">http://mixwiththemasters.com/</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Andrew Scheps has worked with The Red Hot Chili Peppers, Adele, Metallica, Grace Potter,&nbsp;Jay-Z, U2, Justin Timberlake, and Green Day…just to name a few.&nbsp;Just home from a European trip that included a week in France conducting a seminar at&nbsp;&nbsp;Mix with the Masters, Andrew shares his views on recording studio etiquette, his in-the-box workflow when mixing, his adventures as a record label owner, and his career advice.&nbsp;</p><p><strong>Show notes and links:</strong></p><ul><li><strong>McDonough Management</strong>&nbsp;<a href="http://www.mcdman.com/scheps.html" rel="noopener noreferrer" target="_blank">http://www.mcdman.com/scheps.html</a></li><li><strong>Tonequake Records</strong>&nbsp;<a href="http://tonequake.com/" rel="noopener noreferrer" target="_blank">http://tonequake.com/</a></li><li><strong>Mix with the Masters</strong>&nbsp;<a href="http://mixwiththemasters.com/" rel="noopener noreferrer" target="_blank">http://mixwiththemasters.com/</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-009-with-andrew-scheps]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=233</guid><itunes:image href="https://artwork.captivate.fm/e8408765-67e4-407b-9a6f-3cf8c903e558/uploads-2f1552104340292-4vskpija12g-c3f7e261962fb981ae2fb2d4a28.png"/><pubDate>Thu, 15 Jan 2015 08:21:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/d230235a-5b82-4aaa-a40b-af70548bd7a1.mp3" length="120950949" type="audio/mpeg"/><itunes:duration>01:24:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>9</itunes:episode><podcast:episode>9</podcast:episode><itunes:summary>Working Class Audio Session #009 with Andrew Scheps!!! Andrew Scheps has worked with The Red Hot Chili Peppers, Adele, Metallica, Grace Potter, Jay-Z, U2, Justin Timberlake and Green Day…just to name a few.  Just home from a European trip that included a week in France conducting a seminar at  Mix with the Masters, Andrew shares his views […]
The post WCA #009 with Andrew Scheps appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #008 with Steve Silverstein</title><itunes:title>WCA #008 with Steve Silverstein</itunes:title><description><![CDATA[<p>Like so many professionals in music, Steve Silverstein got his start creating music — his electronic group&nbsp;<strong>Christmas Decorations</strong>&nbsp;has released an album on<strong>&nbsp;kranky</strong>&nbsp;and been played on the&nbsp;<strong>BBC</strong>. He’s written articles and reviews for<strong>&nbsp;Tape Op</strong>, and assistant edited a collection of Aaron Copland’s writings. He’s excited to have finally moved his studio from his apartment in 2013, into a shared commercial space.&nbsp;Steve shares his approach to his workflow and how he takes care of his clients. Additionally&nbsp;<strong>Jules Standen</strong>&nbsp;from&nbsp;<strong>Gearslutz.com</strong>&nbsp;calls in for a short chat and to share some wisdom from his recording past. Oh yea…..Happy New Year!</p><p>photo by&nbsp;John C. Morton</p><p>Links from the show.&nbsp;<a href="http://www.kranky.net/" rel="noopener noreferrer" target="_blank">http://www.kranky.net/</a>&nbsp;<a href="https://www.gearslutz.com/" rel="noopener noreferrer" target="_blank">&nbsp;https://www.gearslutz.co</a>m</p>]]></description><content:encoded><![CDATA[<p>Like so many professionals in music, Steve Silverstein got his start creating music — his electronic group&nbsp;<strong>Christmas Decorations</strong>&nbsp;has released an album on<strong>&nbsp;kranky</strong>&nbsp;and been played on the&nbsp;<strong>BBC</strong>. He’s written articles and reviews for<strong>&nbsp;Tape Op</strong>, and assistant edited a collection of Aaron Copland’s writings. He’s excited to have finally moved his studio from his apartment in 2013, into a shared commercial space.&nbsp;Steve shares his approach to his workflow and how he takes care of his clients. Additionally&nbsp;<strong>Jules Standen</strong>&nbsp;from&nbsp;<strong>Gearslutz.com</strong>&nbsp;calls in for a short chat and to share some wisdom from his recording past. Oh yea…..Happy New Year!</p><p>photo by&nbsp;John C. Morton</p><p>Links from the show.&nbsp;<a href="http://www.kranky.net/" rel="noopener noreferrer" target="_blank">http://www.kranky.net/</a>&nbsp;<a href="https://www.gearslutz.com/" rel="noopener noreferrer" target="_blank">&nbsp;https://www.gearslutz.co</a>m</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-008-with-steve-silverstein]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=222</guid><itunes:image href="https://artwork.captivate.fm/6ceb49b2-6fac-41b5-b537-ca0a187c19c7/uploads-2f1552149725402-9mj76chux5i-589ed0b5bc1fd75ee24fceedb2b.png"/><pubDate>Fri, 02 Jan 2015 00:18:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ba5f6482-d516-4ae8-991e-12b46e264f7e.mp3" length="92167724" type="audio/mpeg"/><itunes:duration>01:04:00</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>8</itunes:episode><podcast:episode>8</podcast:episode><itunes:summary>Like so many professionals in music, Steve Silverstein got his start creating music — his electronic group Christmas Decorations has released an album on kranky and been played on the BBC. He’s written articles and reviews for Tape Op, and assistant edited a collection of Aaron Copland’s writings. He’s excited to have finally moved his studio from his apartment in 2013, into a shared commercial space. Steve shares his approach to his workflow and how he takes care of his clients. Additionally Jules Standen from Gearslutz.com calls in for a short chat and to share some wisdom from his recording past. Oh yea…..Happy New Year!
photo by John C. Morton
Links from the show. http://www.kranky.net/  https://www.gearslutz.com
Subscribe on 
Apple Podcasts--&gt; https://apple.co/33NkCkh 
Google Podcasts--&gt; https://bit.ly/2qpdlJ3 
Spotify--&gt; https://spoti.fi/337UfWx
More Info--&gt; https://lnkd.in/gqhWuNW</itunes:summary></item><item><title>WCA #007 with Vance Powell</title><itunes:title>WCA #007 with Vance Powell</itunes:title><description><![CDATA[<p>Vance Powell,&nbsp;who has worked with Jack White, Red Fang, and Buddy Guy to name just a few is featured on Session #007. Vance is outspoken and takes a no-bullshit approach to not only his work but this interview.&nbsp;We talk technique including specifics of his analog workflow, business,&nbsp;including managers plus a bit of criticism of the old guard of the music industry.&nbsp;I love talking with Vance. I always learn something new from him and am proud to call him my friend.&nbsp;Enjoy!</p><ul><li>Vance on Twitter:&nbsp;<a href="https://twitter.com/vancalot" rel="noopener noreferrer" target="_blank">https://twitter.com/vancalot</a></li><li>Vance’s studio with engineer Mitch Dane:&nbsp;<a href="http://www.sputniksound.com/index.html" rel="noopener noreferrer" target="_blank">http://www.sputniksound.com/index.html</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>Vance Powell,&nbsp;who has worked with Jack White, Red Fang, and Buddy Guy to name just a few is featured on Session #007. Vance is outspoken and takes a no-bullshit approach to not only his work but this interview.&nbsp;We talk technique including specifics of his analog workflow, business,&nbsp;including managers plus a bit of criticism of the old guard of the music industry.&nbsp;I love talking with Vance. I always learn something new from him and am proud to call him my friend.&nbsp;Enjoy!</p><ul><li>Vance on Twitter:&nbsp;<a href="https://twitter.com/vancalot" rel="noopener noreferrer" target="_blank">https://twitter.com/vancalot</a></li><li>Vance’s studio with engineer Mitch Dane:&nbsp;<a href="http://www.sputniksound.com/index.html" rel="noopener noreferrer" target="_blank">http://www.sputniksound.com/index.html</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-007-with-vance-powell]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=214</guid><itunes:image href="https://artwork.captivate.fm/7dec7811-7edd-4955-8e84-a29e09c853c1/wca-007-with-vance-powell-1400.png"/><pubDate>Mon, 15 Dec 2014 19:20:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c95bfd17-112a-4065-ace5-de5a03242d64.mp3" length="230747196" type="audio/mpeg"/><itunes:duration>01:36:09</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>7</itunes:episode><podcast:episode>7</podcast:episode><itunes:summary>Vance Powell, who has worked with Jack White, Red Fang, and Buddy Guy, is featured on Session #007. Vance is outspoken and takes a no-bullshit approach to not only his work but this interview. We talk technique including specifics of his analog workflow, business, including managers plus a bit of criticism of the old guard of the music industry. I love talking with Vance. I always learn something new from him and am proud to call him my friend. Enjoy!

In This Episode We talk about:

Freelance recording insights

New studio tour

Studio rental details

Financial management tips

Gear investment strategies

Studio workflow preferences

Analog vs. digital debate

Mixing techniques

Industry financial challenges

Insurance for gear

Major label experiences

Grammy perspectives

Management in the music industry

Building client relationships

Producer and engineer roles

Links

Vance on Twitter: https://twitter.com/vancalot


Vance’s studio with engineer Mitch Dane: http://www.sputniksound.com/index.html


Subscribe on 

Apple Podcasts--&gt; https://apple.co/33NkCkh 

Google Podcasts--&gt; https://bit.ly/2qpdlJ3 

Spotify--&gt; https://spoti.fi/337UfWx


More Info--&gt; https://lnkd.in/gqhWuNW</itunes:summary></item><item><title>WCA #006 with Robert L. Smith</title><itunes:title>WCA #006 with Robert L. Smith</itunes:title><description><![CDATA[<p>Robert L. Smith is an Oscar winning,  Grammy and Emmy nominated Producer/Engineer/Mixer based in New York City. After 25+ years of working with the biggest names in music, his résumé reads like a who’s who of modern pop music. Lady Gaga, Michael Jackson, Aerosmith, David Byrne and U2 are just a tiny list of those on his discography. Robert is passionate and focused about what he does and opens up to us about his thoughts and practices on the business end of what we do. Check out Robert’s web site at <a href="http://defyrecordings.com/" rel="noopener noreferrer" target="_blank">www.defyrecordings.com</a></p>]]></description><content:encoded><![CDATA[<p>Robert L. Smith is an Oscar winning,  Grammy and Emmy nominated Producer/Engineer/Mixer based in New York City. After 25+ years of working with the biggest names in music, his résumé reads like a who’s who of modern pop music. Lady Gaga, Michael Jackson, Aerosmith, David Byrne and U2 are just a tiny list of those on his discography. Robert is passionate and focused about what he does and opens up to us about his thoughts and practices on the business end of what we do. Check out Robert’s web site at <a href="http://defyrecordings.com/" rel="noopener noreferrer" target="_blank">www.defyrecordings.com</a></p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-006-with-robert-l-smith]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=205</guid><itunes:image href="https://artwork.captivate.fm/7fa93f68-09d3-499c-ae43-4c816fe37ab6/wca-006-with-robert-l-smith-1400.png"/><pubDate>Mon, 01 Dec 2014 08:00:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/11a239d4-7803-4d5b-ba96-0515c204f628.mp3" length="177432045" type="audio/mpeg"/><itunes:duration>01:13:56</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>6</itunes:episode><podcast:episode>6</podcast:episode><itunes:summary>Working Class Audio Session #006 with Robert L. Smith!!! Robert L. Smith is an Oscar winning,  Grammy and Emmy nominated Producer/Engineer/Mixer based in New York City. After 25+ years of working with the biggest names in music, his résumé reads like a who’s who of modern pop music. Lady Gaga, Michael Jackson,  Aerosmith, David Byrne and […]
 The post WCA #006 with Robert L. Smith appeared first on Working Class Audio.</itunes:summary></item><item><title>WCA #005 with John Cuniberti</title><itunes:title>WCA #005 with John Cuniberti</itunes:title><description><![CDATA[<p>My guest is producer/ engineer /mastering engineer John Cuniberti, based in the Bay Area. John has worked with Joe Satriani, Sammy Hagar, The Dead Kennedys, and Chicken Foot. John is known for bringing the concept and name ReAmping into the mainstream of recording with his ReAmp box, which he created and sold on his own for many years, but eventually sold the name and circuit patent to Radial Engineering. John added mastering to his list of skills many years ago while working at The Plant in Sausalito, California, and currently mixes and masters from his home for artists worldwide.&nbsp;&nbsp;</p><p>&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Coast Recorders</li><li>Struggling to Sell Studio Time</li><li>Home Studio Emergence</li><li>SF Bay Area Studio Struggle</li><li>Band Managers</li><li>Hustling Work</li><li>Building a Career</li><li>Art Projects</li><li>Following the Money</li><li>Making Mistakes</li><li>Saying Yes</li><li>Studio Management</li><li>Recording Economics</li><li>The New Thing</li><li>Raising the Roof</li><li>Tiny Telephone</li></ul><br/><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.johncuniberti.com" rel="noopener noreferrer" target="_blank">John's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: John Cuniberti</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></description><content:encoded><![CDATA[<p>My guest is producer/ engineer /mastering engineer John Cuniberti, based in the Bay Area. John has worked with Joe Satriani, Sammy Hagar, The Dead Kennedys, and Chicken Foot. John is known for bringing the concept and name ReAmping into the mainstream of recording with his ReAmp box, which he created and sold on his own for many years, but eventually sold the name and circuit patent to Radial Engineering. John added mastering to his list of skills many years ago while working at The Plant in Sausalito, California, and currently mixes and masters from his home for artists worldwide.&nbsp;&nbsp;</p><p>&nbsp;</p><p><strong>In this episode, we discuss</strong></p><ul><li>Coast Recorders</li><li>Struggling to Sell Studio Time</li><li>Home Studio Emergence</li><li>SF Bay Area Studio Struggle</li><li>Band Managers</li><li>Hustling Work</li><li>Building a Career</li><li>Art Projects</li><li>Following the Money</li><li>Making Mistakes</li><li>Saying Yes</li><li>Studio Management</li><li>Recording Economics</li><li>The New Thing</li><li>Raising the Roof</li><li>Tiny Telephone</li></ul><br/><p><strong>Links and Show Notes</strong></p><ul><li><a href="http://www.johncuniberti.com" rel="noopener noreferrer" target="_blank">John's Site</a></li></ul><br/><p><strong>Credits</strong></p><ul><li>Guest: John Cuniberti</li><li>Host: Matt Boudreau</li><li>Engineer: Matt Boudreau</li><li>Producer: Matt Boudreau</li><li>WCA Theme Music: Cliff Truesdell&nbsp;</li><li>Announcer: Chuck Smith&nbsp;</li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-005-with-john-cuniberti]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=191</guid><itunes:image href="https://artwork.captivate.fm/bd2b765e-c959-4b2b-9983-5c6a70b10944/wca-005-with-john-cuniberti-1400.png"/><pubDate>Sun, 16 Nov 2014 05:09:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/c9571302-3ef0-4dab-990a-1a16392b75ae.mp3" length="160706600" type="audio/mpeg"/><itunes:duration>01:51:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>5</itunes:episode><podcast:episode>5</podcast:episode><itunes:summary>My guest is producer/ engineer /mastering engineer John Cuniberti, based in the Bay Area. John has worked with Joe Satriani, Sammy Hagar, The Dead Kennedys, and Chicken Foot. John is known for bringing the concept and name ReAmping into the mainstream of recording with his ReAmp box, which he created and sold on his own for many years, but eventually sold the name and circuit patent to Radial Engineering. John added mastering to his list of skills many years ago while working at The Plant in Sausalito, California, and currently mixes and masters from his home for artists worldwide.  
 
In this episode, we discuss

Coast Recorders

Struggling to Sell Studio Time

Home Studio Emergence

SF Bay Area Studio Struggle

Band Managers

Hustling Work

Building a Career

Art Projects

Following the Money

Making Mistakes

Saying Yes

Studio Management

Recording Economics

The New Thing

Raising the Roof

Tiny Telephone


Links and Show Notes
John&apos;s Site

Credits

Guest: John Cuniberti

Host: Matt Boudreau

Engineer: Matt Boudreau

Producer: Matt Boudreau

Editing: Anne-Marie Pleau 

WCA Theme Music: Cliff Truesdell 

Announcer: Chuck Smith</itunes:summary></item><item><title>WCA #004 with David Wheeler</title><itunes:title>WCA #004 with David Wheeler</itunes:title><description><![CDATA[<p>David Wheeler is a recording engineer based in <a href="https://en.wikipedia.org/wiki/Las_Cruces,_New_Mexico" rel="noopener noreferrer" target="_blank">Las Cruces, New Mexico</a>. Las Cruces is located north of <a href="https://en.wikipedia.org/wiki/El_Paso,_Texas" rel="noopener noreferrer" target="_blank">El Paso, Texas</a> and <a href="https://en.wikipedia.org/wiki/Ciudad_Ju%C3%A1rez" rel="noopener noreferrer" target="_blank">Ciudad Juarez, Mexico</a>. David talks about the pros and cons of being one of very few recording people in Las Cruces who do it on a pro level and also talks about how the changes to the environment and business world affect the world of recording in the southern part of New Mexico. On a personal note, David and I  went to High School together as did our moms! Before David got into recording he used to play in a band called Obsidian with our High School friend and pro audio superstar Colin McDowell of <a href="http://mcdsp.com/" rel="noopener noreferrer" target="_blank">McDSP</a> plug ins. Our discussion delves into location sound towards the end. I have included an Amazon link to the book on the topic by Ric Viers called the “Location Sound Bible”. We mentioned it in the conversation but for timing reasons I edited that part of the conversation out. The link is below. Enjoy!</p><p><strong>Links mentioned in the show:</strong></p><ul><li> <a href="http://staffmeup.com/" rel="noopener noreferrer" target="_blank">http://staffmeup.com/</a></li><li><a href="http://www.productionhub.com/" rel="noopener noreferrer" target="_blank"> http://www.productionhub.com/</a> </li><li><a href="http://www.studio603.com/" rel="noopener noreferrer" target="_blank">Studio 603 (David’s studio in Las Cruces)</a></li></ul><br/>]]></description><content:encoded><![CDATA[<p>David Wheeler is a recording engineer based in <a href="https://en.wikipedia.org/wiki/Las_Cruces,_New_Mexico" rel="noopener noreferrer" target="_blank">Las Cruces, New Mexico</a>. Las Cruces is located north of <a href="https://en.wikipedia.org/wiki/El_Paso,_Texas" rel="noopener noreferrer" target="_blank">El Paso, Texas</a> and <a href="https://en.wikipedia.org/wiki/Ciudad_Ju%C3%A1rez" rel="noopener noreferrer" target="_blank">Ciudad Juarez, Mexico</a>. David talks about the pros and cons of being one of very few recording people in Las Cruces who do it on a pro level and also talks about how the changes to the environment and business world affect the world of recording in the southern part of New Mexico. On a personal note, David and I  went to High School together as did our moms! Before David got into recording he used to play in a band called Obsidian with our High School friend and pro audio superstar Colin McDowell of <a href="http://mcdsp.com/" rel="noopener noreferrer" target="_blank">McDSP</a> plug ins. Our discussion delves into location sound towards the end. I have included an Amazon link to the book on the topic by Ric Viers called the “Location Sound Bible”. We mentioned it in the conversation but for timing reasons I edited that part of the conversation out. The link is below. Enjoy!</p><p><strong>Links mentioned in the show:</strong></p><ul><li> <a href="http://staffmeup.com/" rel="noopener noreferrer" target="_blank">http://staffmeup.com/</a></li><li><a href="http://www.productionhub.com/" rel="noopener noreferrer" target="_blank"> http://www.productionhub.com/</a> </li><li><a href="http://www.studio603.com/" rel="noopener noreferrer" target="_blank">Studio 603 (David’s studio in Las Cruces)</a></li></ul><br/>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-004-with-david-wheeler]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=172</guid><itunes:image href="https://artwork.captivate.fm/7a52c22c-7ade-4260-9d5d-53ac14a1722f/wca-004-with-david-wheeler-1400.png"/><pubDate>Sat, 01 Nov 2014 07:57:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/05e931fc-7009-461b-9182-bfecc804fe76.mp3" length="77487943" type="audio/mpeg"/><itunes:duration>53:49</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>4</itunes:episode><podcast:episode>4</podcast:episode><itunes:summary>David Wheeler is a recording engineer based in Las Cruces, New Mexico. Las Cruces is located north of El Paso, Texas and Ciudad Juarez, Mexico. David talks about the pros and cons of being one of very few recording people in Las Cruces who do it on a pro level and also talks about how the changes to the environment and business world affect the world of recording in the southern part of New Mexico. On a personal note, David and I  went to High School together as did our moms! Before David got into recording he used to play in a band called Obsidian with our High School friend and pro audio superstar Colin McDowell of McDSP plug ins. Our discussion delves into location sound towards the end. I have included an Amazon link to the book on the topic by Ric Viers called the “Location Sound Bible”. We mentioned it in the conversation but for timing reasons I edited that part of the conversation out. The link is below. Enjoy!
Links mentioned in the show:  http://staffmeup.com/,  http://www.productionhub.com/, Studio 603 (David’s studio in Las Cruces)</itunes:summary></item><item><title>WCA #003 with Hillary Johnson - Tattoos, Many Hats, Wiring Studios, Mastering, Hi-Res and Archiving.</title><itunes:title>WCA #003 with Hillary Johnson - Tattoos, Many Hats, Wiring Studios, Mastering, Hi-Res and Archiving.</itunes:title><description><![CDATA[<p>Happy to  present WCA session #003 with New York recording engineer Hillary Johnson. Check Hillary's site out at <a href="http://www.hillaryjohnson.com" rel="noopener noreferrer" target="_blank">www.hillaryjohnson.com</a></p><p>Hillary has worked with The Prids, Bell Hollow, Michael Gira (Swans, Angels Of Light), The Secret History, Jeff Buckley, The Misfits, Jennifer Kimball, Rufus Wainwright, The Ramones, Bishop Allen, Project Jenny, Project Jan, Nile Rodgers, Vernon Reid, Stereojax, D Generation/Jesse Malin and Umbrella Brigade. She has also worked with producers such as Lenny Kaye, Henry Rollins, Genya Ravan, and Daniel Rey.</p><p>I met Hillary through the original <a href="http://www.tapeop.com/" rel="noopener noreferrer" target="_blank">Tape Op</a> conference which of course is now the amazing <a href="http://www.potluckconference.com/" rel="noopener noreferrer" target="_blank">Pot Luck Audio conference</a>. of which we both have been panelists and as a result, friends and peers to one another.</p>]]></description><content:encoded><![CDATA[<p>Happy to  present WCA session #003 with New York recording engineer Hillary Johnson. Check Hillary's site out at <a href="http://www.hillaryjohnson.com" rel="noopener noreferrer" target="_blank">www.hillaryjohnson.com</a></p><p>Hillary has worked with The Prids, Bell Hollow, Michael Gira (Swans, Angels Of Light), The Secret History, Jeff Buckley, The Misfits, Jennifer Kimball, Rufus Wainwright, The Ramones, Bishop Allen, Project Jenny, Project Jan, Nile Rodgers, Vernon Reid, Stereojax, D Generation/Jesse Malin and Umbrella Brigade. She has also worked with producers such as Lenny Kaye, Henry Rollins, Genya Ravan, and Daniel Rey.</p><p>I met Hillary through the original <a href="http://www.tapeop.com/" rel="noopener noreferrer" target="_blank">Tape Op</a> conference which of course is now the amazing <a href="http://www.potluckconference.com/" rel="noopener noreferrer" target="_blank">Pot Luck Audio conference</a>. of which we both have been panelists and as a result, friends and peers to one another.</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-003-with-hillary-johnson-tattoos-many-hats-wiring-studios-mastering-hi-res-and-archiving-]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=152</guid><itunes:image href="https://artwork.captivate.fm/793b141a-3e93-4f7a-b9b6-021c8eb55473/wca-003-with-hilary-johnson-1400.png"/><pubDate>Wed, 15 Oct 2014 13:58:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/22167efe-1ced-4b2b-8372-70a134da540d.mp3" length="70092985" type="audio/mpeg"/><itunes:duration>48:40</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>3</itunes:episode><podcast:episode>3</podcast:episode><itunes:summary>Happy to  present WCA session #003 with New York recording engineer Hillary Johnson. Check Hillary&apos;s site out at www.hillaryjohnson.com
Hillary has worked with The Prids, Bell Hollow, Michael Gira (Swans, Angels Of Light), The Secret History, Jeff Buckley, The Misfits, Jennifer Kimball, Rufus Wainwright, The Ramones, Bishop Allen, Project Jenny, Project Jan, Nile Rodgers, Vernon Reid, Stereojax, D Generation/Jesse Malin and Umbrella Brigade. She has also worked with producers such as Lenny Kaye, Henry Rollins, Genya Ravan, and Daniel Rey.
I met Hillary through the original Tape Op conference which of course is now the amazing Pot Luck Audio conference. of which we both have been panelists and as a result, friends and peers to one another.</itunes:summary></item><item><title>WCA #002 with Laura Dean</title><itunes:title>WCA #002 with Laura Dean</itunes:title><description><![CDATA[<p>Laura Dean works in San Francisco at various studios including Tiny Telephone and Women’s Audio Mission. Laura talks recording schools, internships, knowing your role, tech work, music for dance, audio books, voice overs etc….</p>]]></description><content:encoded><![CDATA[<p>Laura Dean works in San Francisco at various studios including Tiny Telephone and Women’s Audio Mission. Laura talks recording schools, internships, knowing your role, tech work, music for dance, audio books, voice overs etc….</p>]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-002-with-laura-dean]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=132</guid><itunes:image href="https://artwork.captivate.fm/21f84671-a0ed-4110-9da3-8e1b4e9758ea/wca-002-with-laura-dean-1400.png"/><pubDate>Wed, 01 Oct 2014 18:03:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/ceea555d-9fa3-4e89-971b-21305d1574ab.mp3" length="82947102" type="audio/mpeg"/><itunes:duration>57:36</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>2</itunes:episode><podcast:episode>2</podcast:episode><itunes:summary>Working Class Audio #002 with Laura Dean!!!

Laura Dean works in San Francisco at various studios including Tiny Telephone and Women’s Audio Mission. Laura talks recording schools, internships, knowing your role, tech work, music for dance, audio books, voice overs etc….</itunes:summary></item><item><title>WCA #001 with Matt Boudreau</title><itunes:title>WCA #001 with Matt Boudreau</itunes:title><description><![CDATA[
        <p>I am very happy to announce the Working Class Audio Podcast Session #001.</p><p>WCA #001 is an introduction to Working Class Audio with host <a href="http://www.mattboudreau.com">Matt Boudreau</a>. Get the low down on what to expect in upcoming sessions. Includes intro/outro music by our friend <a href="https://www.linkedin.com/in/clifftruesdell">Cliff Truesdell</a> and voice intro by our friend <a href="http://chuckjsmithcreative.com/">Chuck J Smith</a>. I have started to schedule interviews with engineers working in the freelance trenches including <strong>Laura Dean </strong>and <strong>Hillary Johnson</strong> (<a href="http://www.hillaryjohnson.com/2014/home/">http://www.hillaryjohnson.com/2014/home/</a>). Be sure to subscribe to stay informed about upcoming sessions. Enjoy!</p>
      ]]></description><content:encoded><![CDATA[
        <p>I am very happy to announce the Working Class Audio Podcast Session #001.</p><p>WCA #001 is an introduction to Working Class Audio with host <a href="http://www.mattboudreau.com">Matt Boudreau</a>. Get the low down on what to expect in upcoming sessions. Includes intro/outro music by our friend <a href="https://www.linkedin.com/in/clifftruesdell">Cliff Truesdell</a> and voice intro by our friend <a href="http://chuckjsmithcreative.com/">Chuck J Smith</a>. I have started to schedule interviews with engineers working in the freelance trenches including <strong>Laura Dean </strong>and <strong>Hillary Johnson</strong> (<a href="http://www.hillaryjohnson.com/2014/home/">http://www.hillaryjohnson.com/2014/home/</a>). Be sure to subscribe to stay informed about upcoming sessions. Enjoy!</p>
      ]]></content:encoded><link><![CDATA[https://working-class-audio.captivate.fm/episode/wca-001-with-matt-boudreau]]></link><guid isPermaLink="false">http://www.workingclassaudio.com/?p=120</guid><itunes:image href="https://artwork.captivate.fm/8816ad0c-2713-4256-aaf9-13cc19c4bcd6/wca-001-with-smatt-boudreau-1400.png"/><pubDate>Tue, 16 Sep 2014 04:07:00 -0700</pubDate><enclosure url="https://episodes.captivate.fm/episode/4167196a-c6ac-4926-8b87-7096c186b66b.mp3" length="20539590" type="audio/mpeg"/><itunes:duration>14:16</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:episodeType>full</itunes:episodeType><itunes:episode>1</itunes:episode><podcast:episode>1</podcast:episode><itunes:summary>I am very happy to announce the Working Class Audio Podcast Session #001.
WCA #001 is an introduction to Working Class Audio with host Matt Boudreau. Get the low down on what to expect in upcoming sessions. Includes intro/outro music by our friend Cliff Truesdell and voice intro by our friend Chuck J Smith. I have started to schedule interviews with engineers working in the freelance trenches including Laura Dean and Hillary Johnson (http://www.hillaryjohnson.com/2014/home/). Be sure to subscribe to stay informed about upcoming sessions. Enjoy!</itunes:summary></item></channel></rss>